Tiptoe... out of my room,
Tiptoe... down the hall,
Tiptoe... down the stairs,
Tiptoe... outside,
Tiptoe... under the streetlight,
Tiptoe... into your arms.

They say
Tiptoe through the tulips
But where did they say
Smash through
The violets
That are blue
Like my heart
Or the roses
That are red
Like the blood
Pouring out.
When did they say
Make sure to crush
The sunflowers
Once golden
Like my future
But tiptoe
Through the tulips
Heavens forbid
They come to harm.

(This poem can be sung to the melody of "Tiptoe Through the Tulips" by Al Dubin and Joseph Burke.)

D.T.:
Tiptoe through my tantrums,
Through my tantrums--my reality.
Come tiptoe through my tantrums with me.

Tiptoe through my chaos,
For my chaos is a guarantee
If you stroll through my chaos with me.

If things do not go my way,
I'll try to ruin your day.

Don't try to boss me, double-cross me
Or defy me, if YOU do you'll be
Wrapped up in my chaos with me.

If you don't like what you hear,
That's tough 'cause I won this year!

Do what I tell you
If you don't you'll be up a tree.
So tiptoe through my tantrums with me.

-by Bob B (12-17-20)

O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous *****, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

                        Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous *******
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

  Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'**** lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I ****
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A ****** light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle ***** of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

  Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my *****, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

  He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

  'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His ***** grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the ***** of a hated thing.

  What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

  Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all ****,
Bursts gradual, with a wayward indolence.

  Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his ***** beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

  O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

  And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrt

we tiptoe,
stepping through
stories of lives past
watched by a cascading
hologram of
mists and possibilities.
the first step
we enter leads
us like leaves dipping
in the rain to
white fences and
stop signs, red lights
and caution.
waking up or
falling asleep, we never
notice the patterns
to our weaving webs.
we imagine and we
pontificate, making
noises of promises
we will not keep.
slipping footfalls
that walk in
circles, and when
through, begin again.
we tiptoe,
expecting to not
be notable, and so
in doing same,
we leave
yet
do not
arrive.

Tiptoe on eggshells
yolk spills onto the floor
where she soon follows.

She's a wind-up toy
spins like a top
unravels at the seams.

You can't fix what's wrong with her.

A pair of lily white wings
   dangling in the dappled moonlight esprit;
hang entangled as silken spider web
   draped in the sweet Magnolia tree

From beneath there was no way of knowing
   why a pair of abandoned wings lodge mislaid
One could not help but wonder how high
   one might fly with cherub wings

But these callused feet tread far below the treetops
   too high up from roots to climb
No telltale tiptoe prints cavort to be the talebearer
   No feathered traces scattered all around

A hearken say, tickle-footed as a ladybug,
   hold forth in a breeze brushed ear
Not completely undoubtable heed spoken;
   a language bestow from another ether
softly breathe a whisper'd sigh:

"Behold the wings of a fallen angel;
   uplifted by love's amazing grace
Lost alone in a moonstruck blindness
   an angel flying too close
           to the ground

                      ~

                   Jesse

The autumn winds are blowing fierce
They gust across my face
As I tiptoe through the woods
Beneath the leaves that fall
In a gentle rain

The cinnamon smell of loamy earth
Greets me with each step I take
As I tiptoe through the woods
Beneath the branches shaking loose
Leaves that have seen better days

The pop of mushrooms underfoot
Their fleshy insides I now see
As I tiptoe through the woods
Beneath the kamikaze leaves
That give themselves to the autumn breeze

stars and stardust fall to freedom
from the press corpse,
from the incessant demand of chemical crises.
crowds ache for love or a substitute
and false amore is what they have.
love is folie a deux-
[the shared madness of two.]
attachment is an affliction,
infatuation is disease leaping from remission,
with deadly symptoms.
red roses lead to black coffin doors,
roses dropped on floors
from vases shattered,
and life is the water spilling from the stems.

golden hair won't keep me docile-
blue eyes and a smile
are weapons of mass destruction-
cities sunk and flags risen
from the depths of inhumanity.
it's all for you, Helen, and humankind will never
perceive its aftereffects,
its hangover headache
sprawled over the world on a bad day.
little city partylights and shiny beer bottles
broken upon the concrete
covering the grass.
reflections of insanity upon the glass.

devilish, the temptress,
the succubus, a mistress
sent by Him, to spin doubt into
the spiderwebbed life of family trees
split in two by axes, divorces
to fifty percent, no-
no wedding band-aid will stop this flood.
abandonment.
neglect gets to a child's head-
can't help but wonder if
they were the cause of this.
little anchors,
keeping the heart in one place-
an anchored rubber band that demoness
stretched and snapped.
the relapse gave her whiplash, and
the stepdad whipped the boy's back, and
the boy grew up and
found a girl to take his pain to.
she gave him five stunted children,
with eyes hollow and glazed,
a mechanical response to a command.

lack of emotion only seems cruel
to those on the other side.
lack of flourish means nothing
to those who grew up to grey skies.

chains and handcuffs keep stardust grounded,
remains from a nebula which
birthed a black hole.
straight razors and pinky nails
teach fledglings to reach for the sky
and never fall back down.
glass ceilings never seemed so
breakable- tiptoe upsidedown
and reach the other side
before you fall back down to the real world.

angels have no eyes.
angels have no souls.
angels judge and leave the helpless for below.
cliffsides crumble and clouds dissipate,
and the devil lends a hand-
he is helping sinners make it up to him.
in his face sit eyes gleaming brightly;
there are teeth grinning, off-white-
he is human, though sadistic
and he understands your plight.
the devil is forgiving,
and you understand nothing, because you
are nothing.
you are nothing.

stars and stardust fall to freedom, and the devil takes in all.

Dressed in the tatters of her latest mistake
she will tiptoe into your life like a passing thought.
She will offer some token of herself
while collecting the emotions which tumble careless from your lips
to nourish the leanness of her soul.

She will pour herself into you
and like gasoline ignite your smoldering loneliness,
and warmed by that heady inferno
she explains that she long ago traded everything constant
for a frantic ceaselessness
and a freedom borne of detachment.
Now her flesh is made of smoke and shadows
that pass over your senses but cannot be held.
For weightless as she is,
a passing breeze might carry her away.

So though you stand before her naked as a smile,
anchored to the very earth with promises,
you are not surprised to find she has shrugged off the hopes
that you draped so carefully across her shoulders
and tiptoed out of your life,
for she was never yours, but only her own.

Mixed with shame,
A tint of red that calls my name.
Tiptoe around the subject,
Or else you’ll see me burst.
Holding all these things inside
Makes me feel worse.

I tiptoe around the world
like I'm afraid to wake it up,
to draw attention to the clicks
my shoes make

Silence does pervade
while I sit idle on the sidelines,
never close to the centre,
here it is safe

In the background I fade,
observant but cautious,
already weary of this life
and all its pains

But here is a new day;
flickering eyelids do perceive it;
as long as I'm here I'll muse
but not participate

I tiptoe around the world,
not only to leave it undisturbed,
but to keep my soul still full
with the smallest ray

I hold the feather’s weight of your artery in my pick-ups,
and tiptoe the tightrope about which life and death abuts.

You’re a 2 AM trauma and we still don’t know your name,
the social worker’s thin lips had mouthed: “estranged.”

I read your anatomy like a text as you flat-line:
your hands turn blue as your heart falls still in mine.

The monitor hums "out of time," but by Epinephrine,
and Grace, your chest resumes its rise.

I leave trauma bay in prayer: for the surviving, not the knife;
for the closeness of my hands in your chest, our joining in this life.

Tonight I see you at the Kroger, buying TV dinners and beer.
I hide behind cereal, admiring the life I’d held dear.

But you look so tired, and my heart breaks for how when you died,
I would’ve sold the shoes off my feet to buy you more time.

I wish you knew how precious was each of your heartbeats,
I wish you the wisdom of my view:

How fragile the stent is where your veins meet.

I say;

The drifting rain dissolves sea salt
Turning tears into dangled monsoon
Under the bleak ballad of dying dawn
Where I long for heat unbroken

You say;

The drifting rain drenches my tiptoe
Witching smiles into deranged equinox
Upon the downpour of ancient daybreak
Where I pray for old snow long sunk

All was as if the days faded
And morphed into younger sunset
It was as if mercy was drained
And no one preach as desired

The downpour stench though remains constant
Of rotting perfume of the rouge graphite
You drowsily drip from dowsing fingers, they lit
Into pages of burning, dancing melodious lads

As will, you may keep those imageries for you
And give up old stories as my slumber lyre
Whether it is about the burnt down marching boy
Or the bloodstained pianist from our ancient joy

For the bleak heart aesthetic
has affected a new kind of love
And the bleak heart aesthetic
would never let you feel so certain

So please keep your drifting rain of strings
During the downpour of the deranged equinox
When the snow goes black and slowly sunk
Into pages of firespit melodious lads

come
   to terms with satisfaction   expressions  emotions forgiven   strobe light dreams .... blackest visions accept.
ghosts live      with what is closest      thee warm are
closer to the edge
tiptoe
get around and measure  up then
tune in;  
cents is sent in little incremental bits:
hang on tweets: rebound around your face;
as books go unread
I sit
on
the shelf
echoes are replayed
needs go unheard.
dead is dead

Muse of the many-twinkling feet! whose charms
Are now extended up from legs to arms;
Terpsichore!—too long misdeemed a maid—
Reproachful term—bestowed but to upbraid—
Henceforth in all the bronze of brightness shine,
The least a Vestal of the ****** Nine.
Far be from thee and thine the name of *****:
Mocked yet triumphant; sneered at, unsubdued;
Thy legs must move to conquer as they fly,
If but thy coats are reasonably high!
Thy breast—if bare enough—requires no shield;
Dance forth—sans armour thou shalt take the field
And own—impregnable to most assaults,
Thy not too lawfully begotten “Waltz.”

  Hail, nimble Nymph! to whom the young hussar,
The whiskered votary of Waltz and War,
His night devotes, despite of spur and boots;
A sight unmatched since Orpheus and his brutes:
Hail, spirit-stirring Waltz!—beneath whose banners
A modern hero fought for modish manners;
On Hounslow’s heath to rival Wellesley’s fame,
Cocked, fired, and missed his man—but gained his aim;
Hail, moving muse! to whom the fair one’s breast
Gives all it can, and bids us take the rest.
Oh! for the flow of Busby, or of Fitz,
The latter’s loyalty, the former’s wits,
To “energise the object I pursue,”
And give both Belial and his Dance their due!

  Imperial Waltz! imported from the Rhine
(Famed for the growth of pedigrees and wine),
Long be thine import from all duty free,
And Hock itself be less esteemed than thee;
In some few qualities alike—for Hock
Improves our cellar—thou our living stock.
The head to Hock belongs—thy subtler art
Intoxicates alone the heedless heart:
Through the full veins thy gentler poison swims,
And wakes to Wantonness the willing limbs.

  Oh, Germany! how much to thee we owe,
As heaven-born Pitt can testify below,
Ere cursed Confederation made thee France’s,
And only left us thy d—d debts and dances!
Of subsidies and Hanover bereft,
We bless thee still—George the Third is left!
Of kings the best—and last, not least in worth,
For graciously begetting George the Fourth.
To Germany, and Highnesses serene,
Who owe us millions—don’t we owe the Queen?
To Germany, what owe we not besides?
So oft bestowing Brunswickers and brides;
Who paid for ******, with her royal blood,
Drawn from the stem of each Teutonic stud:
Who sent us—so be pardoned all her faults—
A dozen dukes, some kings, a Queen—and Waltz.

  But peace to her—her Emperor and Diet,
Though now transferred to Buonapartè’s “fiat!”
Back to my theme—O muse of Motion! say,
How first to Albion found thy Waltz her way?

  Borne on the breath of Hyperborean gales,
From Hamburg’s port (while Hamburg yet had mails),
Ere yet unlucky Fame—compelled to creep
To snowy Gottenburg-was chilled to sleep;
Or, starting from her slumbers, deigned arise,
Heligoland! to stock thy mart with lies;
While unburnt Moscow yet had news to send,
Nor owed her fiery Exit to a friend,
She came—Waltz came—and with her certain sets
Of true despatches, and as true Gazettes;
Then flamed of Austerlitz the blest despatch,
Which Moniteur nor Morning Post can match
And—almost crushed beneath the glorious news—
Ten plays, and forty tales of Kotzebue’s;
One envoy’s letters, six composer’s airs,
And loads from Frankfort and from Leipsic fairs:
Meiners’ four volumes upon Womankind,
Like Lapland witches to ensure a wind;
Brunck’s heaviest tome for ballast, and, to back it,
Of Heynè, such as should not sink the packet.

  Fraught with this cargo—and her fairest freight,
Delightful Waltz, on tiptoe for a Mate,
The welcome vessel reached the genial strand,
And round her flocked the daughters of the land.
Not decent David, when, before the ark,
His grand Pas-seul excited some remark;
Not love-lorn Quixote, when his Sancho thought
The knight’s Fandango friskier than it ought;
Not soft Herodias, when, with winning tread,
Her nimble feet danced off another’s head;
Not Cleopatra on her Galley’s Deck,
Displayed so much of leg or more of neck,
Than Thou, ambrosial Waltz, when first the Moon
Beheld thee twirling to a Saxon tune!

  To You, ye husbands of ten years! whose brows
Ache with the annual tributes of a spouse;
To you of nine years less, who only bear
The budding sprouts of those that you shall wear,
With added ornaments around them rolled
Of native brass, or law-awarded gold;
To You, ye Matrons, ever on the watch
To mar a son’s, or make a daughter’s match;
To You, ye children of—whom chance accords—
Always the Ladies, and sometimes their Lords;
To You, ye single gentlemen, who seek
Torments for life, or pleasures for a week;
As Love or ***** your endeavours guide,
To gain your own, or ****** another’s bride;—
To one and all the lovely Stranger came,
And every Ball-room echoes with her name.

  Endearing Waltz!—to thy more melting tune
Bow Irish Jig, and ancient Rigadoon.
Scotch reels, avaunt! and Country-dance forego
Your future claims to each fantastic toe!
Waltz—Waltz alone—both legs and arms demands,
Liberal of feet, and lavish of her hands;
Hands which may freely range in public sight
Where ne’er before—but—pray “put out the light.”
Methinks the glare of yonder chandelier
Shines much too far—or I am much too near;
And true, though strange—Waltz whispers this remark,
“My slippery steps are safest in the dark!”
But here the Muse with due decorum halts,
And lends her longest petticoat to “Waltz.”

  Observant Travellers of every time!
Ye Quartos published upon every clime!
0 say, shall dull Romaika’s heavy round,
Fandango’s wriggle, or Bolero’s bound;
Can Egypt’s Almas—tantalising group—
Columbia’s caperers to the warlike Whoop—
Can aught from cold Kamschatka to Cape Horn
With Waltz compare, or after Waltz be born?
Ah, no! from Morier’s pages down to Galt’s,
Each tourist pens a paragraph for “Waltz.”

  Shades of those Belles whose reign began of yore,
With George the Third’s—and ended long before!—
Though in your daughters’ daughters yet you thrive,
Burst from your lead, and be yourselves alive!
Back to the Ball-room speed your spectred host,
Fool’s Paradise is dull to that you lost.
No treacherous powder bids Conjecture quake;
No stiff-starched stays make meddling fingers ache;
(Transferred to those ambiguous things that ape
Goats in their visage, women in their shape;)
No damsel faints when rather closely pressed,
But more caressing seems when most caressed;
Superfluous Hartshorn, and reviving Salts,
Both banished by the sovereign cordial “Waltz.”

  Seductive Waltz!—though on thy native shore
Even Werter’s self proclaimed thee half a *****;
Werter—to decent vice though much inclined,
Yet warm, not wanton; dazzled, but not blind—
Though gentle Genlis, in her strife with Staël,
Would even proscribe thee from a Paris ball;
The fashion hails—from Countesses to Queens,
And maids and valets waltz behind the scenes;
Wide and more wide thy witching circle spreads,
And turns—if nothing else—at least our heads;
With thee even clumsy cits attempt to bounce,
And cockney’s practise what they can’t pronounce.
Gods! how the glorious theme my strain exalts,
And Rhyme finds partner Rhyme in praise of “Waltz!”
Blest was the time Waltz chose for her début!
The Court, the Regent, like herself were new;
New face for friends, for foes some new rewards;
New ornaments for black-and royal Guards;
New laws to hang the rogues that roared for bread;
New coins (most new) to follow those that fled;
New victories—nor can we prize them less,
Though Jenky wonders at his own success;
New wars, because the old succeed so well,
That most survivors envy those who fell;
New mistresses—no, old—and yet ’tis true,
Though they be old, the thing is something new;
Each new, quite new—(except some ancient tricks),
New white-sticks—gold-sticks—broom-sticks—all new sticks!
With vests or ribands—decked alike in hue,
New troopers strut, new turncoats blush in blue:
So saith the Muse: my——, what say you?
Such was the time when Waltz might best maintain
Her new preferments in this novel reign;
Such was the time, nor ever yet was such;
Hoops are  more, and petticoats not much;
Morals and Minuets, Virtue and her stays,
And tell-tale powder—all have had their days.
The Ball begins—the honours of the house
First duly done by daughter or by spouse,
Some Potentate—or royal or serene—
With Kent’s gay grace, or sapient Gloster’s mien,
Leads forth the ready dame, whose rising flush
Might once have been mistaken for a blush.
From where the garb just leaves the ***** free,
That spot where hearts were once supposed to be;
Round all the confines of the yielded waist,
The strangest hand may wander undisplaced:
The lady’s in return may grasp as much
As princely paunches offer to her touch.
Pleased round the chalky floor how well they trip
One hand reposing on the royal hip!
The other to the shoulder no less royal
Ascending with affection truly loyal!
Thus front to front the partners move or stand,
The foot may rest, but none withdraw the hand;
And all in turn may follow in their rank,
The Earl of—Asterisk—and Lady—Blank;
Sir—Such-a-one—with those of fashion’s host,
For whose blest surnames—vide “Morning Post.”
(Or if for that impartial print too late,
Search Doctors’ Commons six months from my date)—
Thus all and each, in movement swift or slow,
The genial contact gently undergo;
Till some might marvel, with the modest Turk,
If “nothing follows all this palming work?”
True, honest Mirza!—you may trust my rhyme—
Something does follow at a fitter time;
The breast thus publicly resigned to man,
In private may resist him—if it can.

  O ye who loved our Grandmothers of yore,
Fitzpatrick, Sheridan, and many more!
And thou, my Prince! whose sovereign taste and will
It is to love the lovely beldames still!
Thou Ghost of Queensberry! whose judging Sprite
Satan may spare to peep a single night,
Pronounce—if ever in your days of bliss
Asmodeus struck so bright a stroke as this;
To teach the young ideas how to rise,
Flush in the cheek, and languish in the eyes;
Rush to the heart, and lighten through the frame,
With half-told wish, and ill-dissembled flame,
For prurient Nature still will storm the breast—
Who, tempted thus, can answer for the rest?

  But ye—who never felt a single thought
For what our Morals are to be, or ought;
Who wisely wish the charms you view to reap,
Say—would you make those beauties quite so cheap?
Hot from the hands promiscuously applied,
Round the slight waist, or down the glowing side,
Where were the rapture then to clasp the form
From this lewd grasp and lawless contact warm?
At once Love’s most endearing thought resign,
To press the hand so pressed by none but thine;
To gaze upon that eye which never met
Another’s ardent look without regret;
Approach the lip which all, without restraint,
Come near enough—if not to touch—to taint;
If such thou lovest—love her then no more,
Or give—like her—caresses to a score;
Her Mind with these is gone, and with it go
The little left behind it to bestow.

  Voluptuous Waltz! and dare I thus blaspheme?
Thy bard forgot thy praises were his theme.
Terpsichore forgive!—at every Ball
My wife now waltzes—and my daughters shall;
My son—(or stop—’tis needless to inquire—
These little accidents should ne’er transpire;
Some ages hence our genealogic tree
Will wear as green a bough for him as me)—
Waltzing shall rear, to make our name amends
Grandsons for me—in heirs to all his friends.

Sometimes it feels like you're walking around on tiptoe as not to disturb the glass beneath your feet
Broken edges, sharp shards of memories and the life that once was
Shoes mask the familiar feel of the ground, confuse your feet, and throw them off path
Barefoot and
Not so free
Hobble around, try to regain your balance whilst staying upright
Don't look down, feel around for the soft areas
A blind man, navigating through a minefield
What are the chances of getting through safely?
When it rains more glass you grab at your threadbare sweatshirt that is trying so hard to protect you
Your innocent, now scarred white flesh glistens against the storm of needles that ***** your skin
At what point do you decide to stop caring?
At what point do you take off the jacket that's not been doing much for you anyways and just give yourself to the battle?
Sacrificial living or
Sacrificial dying
Sacrificial being
At what point do you blow up?
I'm trying to understand this way of walking
But I stomp around on heavy feet
My feet are calloused and sore
I'm barefoot and free
I've blown off my limbs but what's a little blood to stop the war?
My scars have faded
I gave myself to the storm
Yet I'm still breathing
I've not died though I've walked many a mile on
Tiptoe back when I thought it was wise
To walk on shattered glass

I constantly tiptoe at the brink of insanity,
Continuously treading so close to its realm.
Sometimes I wonder if it's worth the trouble
Or if maybe, just maybe
It would be wiser
Smarter
Bolder
To welcome the insanity
And tumble in
Head first.

Tiptoe, down the rabbit hole we go
Eyes shut
Mouths closed
Can't tell them what we know

Times a-ticking
It's a-coming
The great killing, the great sweeping
A mystery to those sleeping

Exciting to those lurking
Sad to those fighting
Angels screaming, demons laughing  
It's all happening, then there's the Rothschilds
Who are thriving

Can you see in the dark, friend?
I hope you're well dressed
Cheers to you
If you understand.

I'll follow you through
sunflower cranes, stood
straight up on one leg,
tiptoe-heads above. Thick,
trunk stems support eyes

as though a field of giraffes
came to Loiré on holiday,
a tower of swinging faces
basking in a summer breeze.
Sepia yellows peg out

like eyelashes, shine
against that blue wave
of ocean sky, barely
frothing a cloud. Atop
your shoulders, I'll try

pinching a bud to keep
for home, looking back
a thousand suns echo
a staining rust, autumn
reds sinking as they set.

i’ve never known
something so fragile

i hold whatever this is
(you and i)
carefully,
with both hands

like glass,
it could shatter

the pieces
scattered

while i tiptoe
around the sharp fragments

trying to not let them
hurt me

like snow,
it melts

when the sun
comes up

to heat
the ground

and every time
i wish it’d stay

i hope my heart
will not become
like broken glass

i hope,
unlike snow
on a warm winter day,
you will decide
to never leave me

on my better days,
I sit in half-circles
with new acquaintances,
spilling half-truths,
smiling half-smiles,
wondering what I'll
wake up to tomorrow
and not remember.

on my worst days,
I remember everything.

Working in an office with a lot of girls mainly
Suddenly it was that time of year again... Christmas
And the Office party it was looming
As I went toward the pub where we were having our gathering I was feeling nicely laid back and relaxed
Primarily because I'd just been to another pub beforehand and had a few quick scoops/ drinks
Now I was bolstered, all pumped up, I was like a Boxer ready to step into the Ring.

Our pub it was festooned with decorations, lovely colours and glittery things
They were hanging out of the ceiling and stuck on every wall
Above our table a big jovial Santa Claus
Looked down, beaming at us all
As I sat down one of the girls asked rather suspiciously "Where were you?"
Holding up my alibi, a little shopping bag with some items in it
I told her, lying beautifully of course,  that I had to go down the shop to get some things.
As I sat there I noticed the atmosphere was a bit subdued, people weren't talking much
I said to myself, this... this won't do
So I took it on myself to take the lead, I'd be the one to spread some Christmas cheer
So suddenly I blurted out "Wh..Wh..What does Santa say... after drinking a bottle of *** ?
"I don't know" they all said, "what does he say".
I paused a moment for dramatic effect...then I hit them with the punchline...he says "Yo ** **!"
They all looked at me blankly
You don't get it, Yo ** ** and a bottle of *** is the famous pirate song from Treasure Island
Santa's catchphrase is **!**!**!
He drinks the *** and suddenly it's Yo! **!**! (Jeez I thought, I got to explain my own jokes)
Still there not impressed, one shakes her head, another raises her eyes to the heavens, another comments "A silly joke"
But really I don't care, I say to them
I suppose you don't want to hear my Snowman joke then
"O Go on", they say, "get it over with"
It's a bit risque I warned them
What do you call a Snowman... standing outside the window of a Brothel ?
"A hot Frosty", someone said
No! ... The Abominable Snowman.

I say to myself, well at least I tried, I made an effort
I done my bit, now I can sit here quietly for the rest of the evening
Some of the girls have now started to talk amongst themselves
One girl sitting right next to me who I hadn't spoken to in awhile
She suddenly inquires after my wellbeing, she asks"How are you?"
I tell her O! You know me, I'm just... just hanging on in there, yea! just hanging on to the Ledge of Life by my fingertips trying not to look down at all the crocodiles circling below
"Things aren't that bad, are they?" she says a little concerned
I smile and say Well I might be exaggerating there... a little bit
She smiles and offers "You're a real Drama Queen".

Suddenly one of the girls announces that she's done an evening course during the Autumn, she's done Bellydancing of all things
I thought we'll have to get her to give us a demonstration later on (but not before dinner LoL)
This girl then starts asking everyone did they do any courses and what their hobbies were
Finally she comes to me and I say Well I've been making some music on this little keyboard I have, yea! I've been playing...I've been playing around with my *****
(this gets some laughs)
I go on, Actually I've been writing a song
"Writing a Song!" says one of the girls really impressed, "we know you write stories, now you're writing songs, my! you are talented.  What's it about, your song ?"
I tell her it's about a girlfriend whose... well she's a bit of a Goldigger,
Then I smile, I have a great title for it, I call it (I pause for a moment then I say proudly), I call it...Octopus of Love.
"Octopus of Love!!" says one of them dismissively, "what kind of name is that for a song.  There should be a Society for Prevention of Cruelty to songs"
I ignore her and then suddenly launch into a verse of the song

     She said she was a dove
     But she's my Octopus of Love
     A hundred hands in search of one thing
          only
     Yea! My wallet, my Pride and glory.

     When she whispers in my ear
     Her fingertips they tiptoe across my rear
           and into my back pocket  
      O! She's my Octopus of Love
      She"s not at all what I dreamed of.

     When I hold her in my arms
     She sets off all my alarms
     She tells these great big whopping lies
     Man! She's got a finger in all my pies.

    She said she loves me dearly
    Visiting the most expensive shops
    Buying the most expensive gear
    I say, could you not make it more cheaply instead,

  O! She's got me in her grasp
   Her tentacles they hold me fast
   Then she asks what's all the fuss
   And she's so innocent looking
   Man! She's a lovely Octopus.

"I wouldn't be giving up the day job just yet" says one of the girls,
"That's funny" says another
Then someone ups and says "Tell us another one of your little stories",
"A good one, this time!" adds another
"Yea! A good one! We need a good laugh" says another,
I feel a bit slighted by this for some reason, the way they say it, their attitude
It's like their making light of my Art, my labours, my great works
Like their just bits of fluff for their titillation
So suddenly my mood it darkens and my voice it takes on this ominous ring and then I say a little threateningly
"So you want to hear a good one, do you!"
With this I smile and then say menacingly"I'll give you a good one"
Then I look at them slowly one by one
And it's almost like I've gone into this trance state, switched into ghostly mode
A distant remote look comes into my eyes
It's like I'm looking through them into the far distance somewhere...  
And then suddenly I intone real solemn like and with great gravitas
"The Great American Novel!"

"What's that?", asks one of the girls
Now most of the girls are married Moms with kids
They wouldn't have gone to college, they would have gone straight into work after school
So they probably wouldn't have known about English literature and  the Classics and all that high brow kind of stuff
Their only exposure to literature would probably be the so called Chicklit books down their local supermarket,
So I say to them 'You never heard of the Great American Novel'
"No!" says one of the girls, "what is it?"
Well, I start to explain, it's like the Holy Grail for all writers, novel writers anyway
How can I explain...how can I put it... The Great American Novel...
It's like this amazing fantastic legendary mythical beast of such great beauty and magnificence
That roams free and unfettered on the literary plains of a writer's imagination,
Many an author on his death bed admits, "I seen it once, I had it in my sights...had it in my grasp but I let it get away". They then turn their heads away and cry bitter tears of regret...
Or...or it's like... it's like this Great Mountain
that's no one's ever been able to climb
It stands there defiantly, supreme in its isolation, it's peak glistening in the sunlight or shimmering in the moonlight
Unreachable, unattainable... unconquerable
(I'm really on a roll now, I'm waxing lyrical and there's no stopping me)
The Great American Novel...it's like... y'know it's like that old fairytale, what was it called
Was it Snow White. No! Snow White had the dwarves in it
What was the other one?
One of the girls whose always been a bit negative, she suddenly says rather unhelpfully
"It wasn't Pinocchio was it?"
Of course I get her reference, when Pinocchio would tell tall tales his nose would grow longer
Then I point to her and say rather surprisingly "That's it!! Sleeping Beauty!" Remember Sleeping Beauty
The King and Queen have a beautiful baby daughter
At the christening all the good fairies come and bestow Blessings on the child
She'll be the most beautiful
She'll be warm and kind and generous
She'll have a lovely heart
She'll be so wise and so artistic...
Then suddenly who should arrive but the Wicked Fairy
She wasn't even invited to the ceremony and she's really angry
She storms into the Palace right up to the child
Then she says "When this Beauty, this Child grows up she will have an accident"
It's like The Great American Novel is the Beauty, the Child
And it's like she's saying "This Beauty no one shall have, no one shall ever write The Great American Novel"
And of course, when the child grows up she's so wonderful and so amazing
But then she has this accident and falls into this strange deep deep sleep
And everyone in the castle too, they also fall asleep,
And suddenly this big thicket of dense thorns springs up around the castle so no one can enter it
Many a brave young man having heard of the Great Beauty behind the Wall of Thorns
They valiantly try to get to her but are invariably driven back by the thorns
Alas! They fail and gradually the story of the Great Beauty passes into legend.....
That is till one day, a Knight appears, a Knight so noble and pure of heart
The moment the blade of his sword touches the Wall of Thorns
A path opens up right through the thorns leading to the castle
He finds everybody there fast asleep
He climbs the Tower and finds in her chamber this incredible Beauty sleeping
He is so taken with her that he must kiss her on her lips
In that moment her eyes they open and she smiles a radiant smile. And the whole world awakens again, comes alive.

I look around at all the girls, their all a bit spellbound by my story (at least I like to think)
I go on 'It's like I was walking in my mind one evening, seeking some inspiration
And then I just turn a corner and there he is, in all his glorious splendour
Remember your Greek myths, the fabulous white winged horse... Pegasus... this beautiful mythical beast
Just there drinking at a pool right in front of me,
So quietly I sneak up on him and then suddenly I jump up onto his back
He rears up and then spreads his mighty wings
And starts to rise way above the earth
My eyes they are suddenly opened, and I see what I had not seen before....
I look at the girls but then just as before, a strange dark look comes over my face and I say
" I'm really afraid but I think, I think I've done it
I think I've nailed it
Yea! ... I think I've written The Great American Novel.

I go on 'Yknow  whenever a new book comes out the Critics, they all wonder
Will this be the One, will this at last be The Great American Novel
Of course, their always disappointed, the candidates they all fall short
It was a good try but...but not quite
A valiant effort, maybe next time
In the Critics Room one of them will be given my book to read
Slowly as he reads, his eyes will grow wider
And his jaw will start to drop in awe
When he finishes he'll sit there in his chair stunned, almost like he's been shellshocked
Then he'll rise unsteadily  with his finger pointing at the book
He'll be stuttering and stammering
"What's wrong!", people will inquire of him
He'll look at them in a mad crazy way
"My eyes... my eyes they've seen it" he'll say
"Seen what?" they'll ask
"It...it... it's The Great American Novel.
They'll all stand up and gather around the Book
Suddenly someone will grab a pair of binoculars and look up at The Great, the Holy Mountain
And there on the top, on the summit
There'll be a lone figure standing with his little Irish flag
"Truly he is the One", they'll say, "and a feckin' Irishman, wouldn't you know".

"So what's it about then", asks one of the girls interrupting my flow
What!', I say
"The Novel! What's it about"
I look at her and then I smile and say rather mysteriously 'Well, that's another story isn't it'.
"Wait a minute", says the girl whose usually very negative, "so the valiant Knight with the noble heart, that's supposed to be you is it ?
I raise my hands innocently as if to say what can I do
"O! I think I'm going to be sick", she says. Then she continues "Where did you get the time to write a Novel anyway. All the time we thought you were working you were probably just there daydreaming over in the corner".
"It's not very long", I say to her "my story".
"How long is it ?", she asks curiously
"Actually it's only about ten or eleven pages".
"What! Ten or eleven pages!!!", she says jumping on this with exaggerated disgust, "that's not a Novel, it might be a short story but it's certainly not a Novel. For it to be a Novel it has to be several hundred pages long ".
I tell her But 'I didn't need a few hundred pages just ten or eleven was enough, it's all there, the whole thing'.
"But it's not a Novel", she maintains
I answer, it's the spirit of the thing that matters, the Spirit!
She then gathers herself and I can feel an offensive coming
"I don't want to rain on your Parade", she begins, "but One you're not American, Two it's not even a Novel, and Third if it's anything like your song I for one won't be holding my breath".
I look at her a bit crestfallen and then I say
"You really like to burst my balloon don't you" , then I say, "I'm reminded of the classic lines of W.B.Yeats the great Irish poet
And then I declaim theatrically
"And Great Art... beaten down".

Anyway now the spotlight moves away from me, the girls start talking among themselves
"Let's leave him to his delusions", one says and now our meals are starting to arrive, I'm forgotten about for awhile.
For some reason the word "Parade' has stuck in my mind
And the pub has suddenly grown more boisterous, some people are singing and blowing whistles (those paper things that roll out and then roll back in again) their throwing streamers and confetti about
Suddenly I'm reminded of those old ticker tape parades they used to have over in New York when they'd be celebrating something or someone
All the faces looking out the windows of the skyscrapers and all the streamers cascading down, and the cheering crowds
And up on a big Podium there standing, the President himself.
I look up at the wall at Santa Claus smiling back at me
And I say to myself "Hello Mister President"
I can see him welcoming me up onto the podium, then with his hands he quietens the  crowds... and then...then he speaks
"Fellow Americans, we've waited a long time for this day
Many thought I'm sure that it would never come but some...some still dared to believe Yea! That one day a man would appear and that a Book would be born"
(holding up the Book) I give you the Book
It may be a slim volume
But don't let that fool you
Sometimes good things come in small packages...
Yes! I give you the Book,
The Great American Novel!!!
And I give you... the Man (motioning to me)
"He told it like no one else could, he said it like no one else could say it
Let the bells ring out across the land, in every city and town...in celebration"
So sitting there I raised my glass to Santa Claus smiling on the wall
And said quietly and secretly to myself
"Here's to you Mr. President, Merry Christmas!

St. Agnes' Eve--Ah, bitter chill it was!
    The owl, for all his feathers, was a-cold;
    The hare limp'd trembling through the frozen grass,
    And silent was the flock in woolly fold:
    Numb were the Beadsman's fingers, while he told
    His rosary, and while his frosted breath,
    Like pious incense from a censer old,
    Seem'd taking flight for heaven, without a death,
Past the sweet ******'s picture, while his prayer he saith.

    His prayer he saith, this patient, holy man;
    Then takes his lamp, and riseth from his knees,
    And back returneth, meagre, barefoot, wan,
    Along the chapel aisle by slow degrees:
    The sculptur'd dead, on each side, seem to freeze,
    Emprison'd in black, purgatorial rails:
    Knights, ladies, praying in dumb orat'ries,
    He passeth by; and his weak spirit fails
To think how they may ache in icy hoods and mails.

    Northward he turneth through a little door,
    And scarce three steps, ere Music's golden tongue
    Flatter'd to tears this aged man and poor;
    But no--already had his deathbell rung;
    The joys of all his life were said and sung:
    His was harsh penance on St. Agnes' Eve:
    Another way he went, and soon among
    Rough ashes sat he for his soul's reprieve,
And all night kept awake, for sinners' sake to grieve.

    That ancient Beadsman heard the prelude soft;
    And so it chanc'd, for many a door was wide,
    From hurry to and fro. Soon, up aloft,
    The silver, snarling trumpets 'gan to chide:
    The level chambers, ready with their pride,
    Were glowing to receive a thousand guests:
    The carved angels, ever eager-eyed,
    Star'd, where upon their heads the cornice rests,
With hair blown back, and wings put cross-wise on their *******.

    At length burst in the argent revelry,
    With plume, tiara, and all rich array,
    Numerous as shadows haunting faerily
    The brain, new stuff'd, in youth, with triumphs gay
    Of old romance. These let us wish away,
    And turn, sole-thoughted, to one Lady there,
    Whose heart had brooded, all that wintry day,
    On love, and wing'd St. Agnes' saintly care,
As she had heard old dames full many times declare.

    They told her how, upon St. Agnes' Eve,
    Young virgins might have visions of delight,
    And soft adorings from their loves receive
    Upon the honey'd middle of the night,
    If ceremonies due they did aright;
    As, supperless to bed they must retire,
    And couch supine their beauties, lily white;
    Nor look behind, nor sideways, but require
Of Heaven with upward eyes for all that they desire.

    Full of this whim was thoughtful Madeline:
    The music, yearning like a God in pain,
    She scarcely heard: her maiden eyes divine,
    Fix'd on the floor, saw many a sweeping train
    Pass by--she heeded not at all: in vain
      Came many a tiptoe, amorous cavalier,
    And back retir'd; not cool'd by high disdain,
    But she saw not: her heart was otherwhere:
She sigh'd for Agnes' dreams, the sweetest of the year.

    She danc'd along with vague, regardless eyes,
    Anxious her lips, her breathing quick and short:
    The hallow'd hour was near at hand: she sighs
    Amid the timbrels, and the throng'd resort
    Of whisperers in anger, or in sport;
    'Mid looks of love, defiance, hate, and scorn,
    Hoodwink'd with faery fancy; all amort,
    Save to St. Agnes and her lambs unshorn,
And all the bliss to be before to-morrow morn.

    So, purposing each moment to retire,
    She linger'd still. Meantime, across the moors,
    Had come young Porphyro, with heart on fire
    For Madeline. Beside the portal doors,
    Buttress'd from moonlight, stands he, and implores
    All saints to give him sight of Madeline,
    But for one moment in the tedious hours,
    That he might gaze and worship all unseen;
Perchance speak, kneel, touch, kiss--in sooth such things have been.

    He ventures in: let no buzz'd whisper tell:
    All eyes be muffled, or a hundred swords
    Will storm his heart, Love's fev'rous citadel:
    For him, those chambers held barbarian hordes,
    Hyena foemen, and hot-blooded lords,
    Whose very dogs would execrations howl
    Against his lineage: not one breast affords
    Him any mercy, in that mansion foul,
Save one old beldame, weak in body and in soul.

    Ah, happy chance! the aged creature came,
    Shuffling along with ivory-headed wand,
    To where he stood, hid from the torch's flame,
    Behind a broad half-pillar, far beyond
    The sound of merriment and chorus bland:
    He startled her; but soon she knew his face,
    And grasp'd his fingers in her palsied hand,
    Saying, "Mercy, Porphyro! hie thee from this place;
They are all here to-night, the whole blood-thirsty race!

    "Get hence! get hence! there's dwarfish Hildebrand;
    He had a fever late, and in the fit
    He cursed thee and thine, both house and land:
    Then there's that old Lord Maurice, not a whit
    More tame for his gray hairs--Alas me! flit!
    Flit like a ghost away."--"Ah, Gossip dear,
    We're safe enough; here in this arm-chair sit,
    And tell me how"--"Good Saints! not here, not here;
Follow me, child, or else these stones will be thy bier."

    He follow'd through a lowly arched way,
    Brushing the cobwebs with his lofty plume,
    And as she mutter'd "Well-a--well-a-day!"
    He found him in a little moonlight room,
    Pale, lattic'd, chill, and silent as a tomb.
    "Now tell me where is Madeline," said he,
    "O tell me, Angela, by the holy loom
    Which none but secret sisterhood may see,
When they St. Agnes' wool are weaving piously."

    "St. Agnes! Ah! it is St. Agnes' Eve--
    Yet men will ****** upon holy days:
    Thou must hold water in a witch's sieve,
    And be liege-lord of all the Elves and Fays,
    To venture so: it fills me with amaze
    To see thee, Porphyro!--St. Agnes' Eve!
    God's help! my lady fair the conjuror plays
    This very night: good angels her deceive!
But let me laugh awhile, I've mickle time to grieve."

    Feebly she laugheth in the languid moon,
    While Porphyro upon her face doth look,
    Like puzzled urchin on an aged crone
    Who keepeth clos'd a wond'rous riddle-book,
    As spectacled she sits in chimney nook.
    But soon his eyes grew brilliant, when she told
    His lady's purpose; and he scarce could brook
    Tears, at the thought of those enchantments cold,
And Madeline asleep in lap of legends old.

    Sudden a thought came like a full-blown rose,
    Flushing his brow, and in his pained heart
    Made purple riot: then doth he propose
    A stratagem, that makes the beldame start:
    "A cruel man and impious thou art:
    Sweet lady, let her pray, and sleep, and dream
    Alone with her good angels, far apart
    From wicked men like thee. Go, go!--I deem
Thou canst not surely be the same that thou didst seem."

    "I will not harm her, by all saints I swear,"
    Quoth Porphyro: "O may I ne'er find grace
    When my weak voice shall whisper its last prayer,
    If one of her soft ringlets I displace,
    Or look with ruffian passion in her face:
    Good Angela, believe me by these tears;
    Or I will, even in a moment's space,
    Awake, with horrid shout, my foemen's ears,
And beard them, though they be more fang'd than wolves and bears."

    "Ah! why wilt thou affright a feeble soul?
    A poor, weak, palsy-stricken, churchyard thing,
    Whose passing-bell may ere the midnight toll;
    Whose prayers for thee, each morn and evening,
    Were never miss'd."--Thus plaining, doth she bring
    A gentler speech from burning Porphyro;
    So woful, and of such deep sorrowing,
    That Angela gives promise she will do
Whatever he shall wish, betide her weal or woe.

    Which was, to lead him, in close secrecy,
    Even to Madeline's chamber, and there hide
    Him in a closet, of such privacy
    That he might see her beauty unespy'd,
    And win perhaps that night a peerless bride,
    While legion'd faeries pac'd the coverlet,
    And pale enchantment held her sleepy-ey'd.
    Never on such a night have lovers met,
Since Merlin paid his Demon all the monstrous debt.

    "It shall be as thou wishest," said the Dame:
    "All cates and dainties shall be stored there
    Quickly on this feast-night: by the tambour frame
    Her own lute thou wilt see: no time to spare,
    For I am slow and feeble, and scarce dare
    On such a catering trust my dizzy head.
    Wait here, my child, with patience; kneel in prayer
    The while: Ah! thou must needs the lady wed,
Or may I never leave my grave among the dead."

    So saying, she hobbled off with busy fear.
    The lover's endless minutes slowly pass'd;
    The dame return'd, and whisper'd in his ear
    To follow her; with aged eyes aghast
    From fright of dim espial. Safe at last,
    Through many a dusky gallery, they gain
    The maiden's chamber, silken, hush'd, and chaste;
    Where Porphyro took covert, pleas'd amain.
His poor guide hurried back with agues in her brain.

    Her falt'ring hand upon the balustrade,
    Old Angela was feeling for the stair,
    When Madeline, St. Agnes' charmed maid,
    Rose, like a mission'd spirit, unaware:
    With silver taper's light, and pious care,
    She turn'd, and down the aged gossip led
    To a safe level matting. Now prepare,
    Young Porphyro, for gazing on that bed;
She comes, she comes again, like ring-dove fray'd and fled.

    Out went the taper as she hurried in;
    Its little smoke, in pallid moonshine, died:
    She clos'd the door, she panted, all akin
    To spirits of the air, and visions wide:
    No uttered syllable, or, woe betide!
    But to her heart, her heart was voluble,
    Paining with eloquence her balmy side;
    As though a tongueless nightingale should swell
Her throat in vain, and die, heart-stifled, in her dell.

    A casement high and triple-arch'd there was,
    All garlanded with carven imag'ries
    Of fruits, and flowers, and bunches of knot-grass,
    And diamonded with panes of quaint device,
    Innumerable of stains and splendid dyes,
    As are the tiger-moth's deep-damask'd wings;
    And in the midst, '**** thousand heraldries,
    And twilight saints, and dim emblazonings,
A shielded scutcheon blush'd with blood of queens and kings.

    Full on this casement shone the wintry moon,
    And threw warm gules on Madeline's fair breast,
    As down she knelt for heaven's grace and boon;
    Rose-bloom fell on her hands, together prest,
    And on her silver cross soft amethyst,
    And on her hair a glory, like a saint:
    She seem'd a splendid angel, newly drest,
    Save wings, for heaven:--Porphyro grew faint:
She knelt, so pure a thing, so free from mortal taint.

    Anon his heart revives: her vespers done,
    Of all its wreathed pearls her hair she frees;
    Unclasps her warmed jewels one by one;
    Loosens her fragrant boddice; by degrees
    Her rich attire creeps rustling to her knees:
    Half-hidden, like a mermaid in sea-****,
    Pensive awhile she dreams awake, and sees,
    In fancy, fair St. Agnes in her bed,
But dares not look behind, or all the charm is fled.

    Soon, trembling in her soft and chilly nest,
    In sort of wakeful swoon, perplex'd she lay,
    Until the poppied warmth of sleep oppress'd
    Her soothed limbs, and soul fatigued away;
    Flown, like a thought, until the morrow-day;
    Blissfully haven'd both from joy and pain;
    Clasp'd like a missal where swart Paynims pray;
    Blinded alike from sunshine and from rain,
As though a rose should shut, and be a bud again.

    Stol'n to this paradise, and so entranced,
    Porphyro gaz'd upon her empty dress,
    And listen'd to her breathing, if it chanced
    To wake into a slumberous tenderness;
    Which when he heard, that minute did he bless,
    And breath'd himself: then from the closet crept,
    Noiseless a

All I could see from where I stood
Was three long mountains and a wood;
I turned and looked another way,
And saw three islands in a bay.
So with my eyes I traced the line
Of the horizon, thin and fine,
Straight around till I was come
Back to where I’d started from;
And all I saw from where I stood
Was three long mountains and a wood.
Over these things I could not see;
These were the things that bounded me;
And I could touch them with my hand,
Almost, I thought, from where I stand.
And all at once things seemed so small
My breath came short, and scarce at all.
But, sure, the sky is big, I said;
Miles and miles above my head;
So here upon my back I’ll lie
And look my fill into the sky.
And so I looked, and, after all,
The sky was not so very tall.
The sky, I said, must somewhere stop,
And—sure enough!—I see the top!
The sky, I thought, is not so grand;
I ‘most could touch it with my hand!
And reaching up my hand to try,
I screamed to feel it touch the sky.
I screamed, and—lo!—Infinity
Came down and settled over me;
Forced back my scream into my chest,
Bent back my arm upon my breast,
And, pressing of the Undefined
The definition on my mind,
Held up before my eyes a glass
Through which my shrinking sight did pass
Until it seemed I must behold
Immensity made manifold;
Whispered to me a word whose sound
Deafened the air for worlds around,
And brought unmuffled to my ears
The gossiping of friendly spheres,
The creaking of the tented sky,
The ticking of Eternity.
I saw and heard, and knew at last
The How and Why of all things, past,
And present, and forevermore.
The Universe, cleft to the core,
Lay open to my probing sense
That, sick’ning, I would fain pluck thence
But could not,—nay! But needs must ****
At the great wound, and could not pluck
My lips away till I had drawn
All venom out.—Ah, fearful pawn!
For my omniscience paid I toll
In infinite remorse of soul.
All sin was of my sinning, all
Atoning mine, and mine the gall
Of all regret. Mine was the weight
Of every brooded wrong, the hate
That stood behind each envious ******,
Mine every greed, mine every lust.
And all the while for every grief,
Each suffering, I craved relief
With individual desire,—
Craved all in vain!  And felt fierce fire
About a thousand people crawl;
Perished with each,—then mourned for all!
A man was starving in Capri;
He moved his eyes and looked at me;
I felt his gaze, I heard his moan,
And knew his hunger as my own.
I saw at sea a great fog bank
Between two ships that struck and sank;
A thousand screams the heavens smote;
And every scream tore through my throat.
No hurt I did not feel, no death
That was not mine; mine each last breath
That, crying, met an answering cry
From the compassion that was I.
All suffering mine, and mine its rod;
Mine, pity like the pity of God.
Ah, awful weight!  Infinity
Pressed down upon the finite Me!
My anguished spirit, like a bird,
Beating against my lips I heard;
Yet lay the weight so close about
There was no room for it without.
And so beneath the weight lay I
And suffered death, but could not die.

Long had I lain thus, craving death,
When quietly the earth beneath
Gave way, and inch by inch, so great
At last had grown the crushing weight,
Into the earth I sank till I
Full six feet under ground did lie,
And sank no more,—there is no weight
Can follow here, however great.
From off my breast I felt it roll,
And as it went my tortured soul
Burst forth and fled in such a gust
That all about me swirled the dust.

Deep in the earth I rested now;
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead.
And all at once, and over all
The pitying rain began to fall;
I lay and heard each pattering hoof
Upon my lowly, thatched roof,
And seemed to love the sound far more
Than ever I had done before.
For rain it hath a friendly sound
To one who’s six feet underground;
And scarce the friendly voice or face:
A grave is such a quiet place.

The rain, I said, is kind to come
And speak to me in my new home.
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls, twinkling, from its grass-blade top.
How can I bear it; buried here,
While overhead the sky grows clear
And blue again after the storm?
O, multi-colored, multiform,
Beloved beauty over me,
That I shall never, never see
Again!  Spring-silver, autumn-gold,
That I shall never more behold!
Sleeping your myriad magics through,
Close-sepulchred away from you!
O God, I cried, give me new birth,
And put me back upon the earth!
Upset each cloud’s gigantic gourd
And let the heavy rain, down-poured
In one big torrent, set me free,
Washing my grave away from me!

I ceased; and through the breathless hush
That answered me, the far-off rush
Of herald wings came whispering
Like music down the vibrant string
Of my ascending prayer, and—crash!
Before the wild wind’s whistling lash
The startled storm-clouds reared on high
And plunged in terror down the sky,
And the big rain in one black wave
Fell from the sky and struck my grave.
I know not how such things can be;
I only know there came to me
A fragrance such as never clings
To aught save happy living things;
A sound as of some joyous elf
Singing sweet songs to please himself,
And, through and over everything,
A sense of glad awakening.
The grass, a-tiptoe at my ear,
Whispering to me I could hear;
I felt the rain’s cool finger-tips
Brushed tenderly across my lips,
Laid gently on my sealed sight,
And all at once the heavy night
Fell from my eyes and I could see,—
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and ******
Into my face a miracle
Of orchard-breath, and with the smell,—
I know not how such things can be!—
I breathed my soul back into me.
Ah!  Up then from the ground sprang I
And hailed the earth with such a cry
As is not heard save from a man
Who has been dead, and lives again.
About the trees my arms I wound;
Like one gone mad I hugged the ground;
I raised my quivering arms on high;
I laughed and laughed into the sky,
Till at my throat a strangling sob
Caught fiercely, and a great heart-throb
Sent instant tears into my eyes;
O God, I cried, no dark disguise
Can e’er hereafter hide from me
Thy radiant identity!
Thou canst not move across the grass
But my quick eyes will see Thee pass,
Nor speak, however silently,
But my hushed voice will answer Thee.
I know the path that tells Thy way
Through the cool eve of every day;
God, I can push the grass apart
And lay my finger on Thy heart!

The world stands out on either side
No wider than the heart is wide;
Above the world is stretched the sky,—
No higher than the soul is high.
The heart can push the sea and land
Farther away on either hand;
The soul can split the sky in two,
And let the face of God shine through.
But East and West will pinch the heart
That can not keep them pushed apart;
And he whose soul is flat—the sky
Will cave in on him by and by.

Don't touch me,
I'll break.
I'm made of glass,
You see.
But, that's right;
you already knew that about me.
It's why you tiptoe
whenever we meet,
and turn down music
with a piercing beat.
You remember that I'm fragile—
to be handled with care.
Don't dance near me.
Don't you dare.
You know what would happen—
you know that it's true—
I'd shatter, I'd break,
and I might cut you.

Standing on the tiptoe
of my universe
I found I had

Nothing but love to offer
While the nature of
Anonymous cruel indifference
Can seem unnameably cold
I admired the ability of it

To make us feel free
Insolent as my fate had been
Greener than the word May

The mast of these afternoons
Only beggared for moderation
And that enraptured simplicity
From which I came
That was enough, and so were

The rest of the years that I was given
at the asylum of the eucalypti
I would rest, and it would be
Wondrous and christening
Like a white sunset.

Let’s get something straight
I’m not
Or at least, that’s a situation in question
But that’s not what I’m here for, you see
The acronym LGBT has a terrific little tail that everyone tends to trip over
And the conversations that transpire when I attempt to try the closet door
Leave me frequently swept under the rug
Maybe I’m just a little lost in translation
But they should know that identity is not orientation
And it can be tricky to articulate, so I don’t mind the extra explanation
But I’m telling you there’s a tipping point where you can’t expect me to take it
To tally up the talks I’ve had tearing apart the phrase
“So, genderfluid is like another word for bisexual, then, right?”
Because there’s already this his-and-hers internal tug-of-war
So tying in other types of ignorance just gets tiring at times
And trying again and trying again and again to get the point across
Leads me down a tangled train of thought that runs off the tracks in unclear tangents
Because conversations transition without the intended amendments
Because these transcripts would transcend the usual transfer of data
Into transgressions and obsessions with more than I’m able to
Confirm or confer without temperamental reactions
Feeling entirely translucent overlooking their infractions
Wondering why more words aren’t composed in a way that allows them
To be transposed to neutrality or at least farther from
Specific definitions testing how gendered things can get
Wondering why I don’t make any sense yet
[Breathe]
Let me be perfectly queer
The acronym LGBT has a tetrad attraction detailing at least part of this
Just a trifle of understanding if you’re looking to comprehend it
And if you don’t care to learn then don’t bother to ask
But take some time from your day and I’ll try to make it fast
Go ahead and interrogate, I don’t mind all that much
Whatever trips your trigger, as long as it’s not pointed at us
I can’t speak on behalf of every transgender teen
But if you don’t know a word, I can tell you what I mean
I can text you a trillion terms to absorb
Or trim down the lesson to the basics if you’re bored
But don’t tell me that pronouns are a hassle to learn
When they catch in the throats of those just waiting their turn
To stop hiding their tears and be treated the same
Teaching one person at a time until the world hears their true name
Don’t expect trophies, but I’ll give you my thanks
Don’t tease us about the clothes that make our spines and souls ache
I want to wear this letter T like a cross from my neck
Saying the prefix trans- means across and I like it like that
Traversing the spectrums and binaries all mixed
Transcontinental, transatlantic, transfixed
By the beauty in boys and the glamour in girls
But mostly the neithers and boths in this world
Don’t tell me it’s a transient, temporary tale
Or that I’m totally enamored with getting off the most followed trail
I’m taking back traumas and tense muscles and taunts
Until tentative trespassers give us what we want
A presence, a voice, and all human rights
It shouldn’t be a privilege to feel safe at night
Don’t tiptoe around troubles, just stand with us here
Add a voice until we trumpet our triumphs and cheers
Take my hand, hear my voice
Listen, learn something new
Because LGBT has a cross and
Cross my heart
I’m with you

She loosens on tiptoe
the latch of her window,

slides upward the sash
and the shine of the moon

pours over the sill,
like it's rushing downhill

like a silver stream,
flooding her room.

One without looks in tonight
Through the curtain-*****
From the sheet of glistening white;
One without looks in tonight
As we sit and think
By the fender-brink.

We do not discern those eyes
Watching in the snow;
Lit by lamps of rosy dyes
We do not discern those eyes
Wandering, aglow
Four-footed, tiptoe.

I saw thee once- once only- years ago:
I must not say how many- but not
many.
It was a July midnight; and from out
A full-orbed moon, that like thine own
soul soaring,
Sought a precipitate pathway up through
heaven,
There fell a silvery silken veil of light,
With quietude, and sultriness and
slumber,
Upon the upturn'd faces of a thousand
Roses that grew in an enchanted garden,
Where no wind dared to stir, unless on
tiptoe-
Fell on the upturn'd faces of these
roses
That gave out, in return for the love-
light,
Their odorous souls in an ecstatic
death-
Fell on the upturned faces of these
roses
That smiled and died in this parterre,
enchanted
by thee, and by the poetry of thy
presence.
Clad all in white, upon a violet bank
I saw thee half-reclining; while the
moon
Fell on the upturn'd faces of the roses,
And on thine own, upturn'd- alas, in
sorrow!
Was it not Fate, that, on this July mid-
night-
Was it not Fate (whose name is also
Sorrow),
That bade me pause before that garden-
gate,
To breathe the incense of those slum-
bering roses?
No footstep stirred: the hated world
all slept,
Save only thee and me. I paused- I
looked-
And in an instant all things disap-
peared.
(Ah, bear in mind this garden was
enchanted!)
The pearly lustre of the moon went
out:
The mossy banks and the meandering
paths,
The happy flowers and the repining
trees,
Were seen no more: the very roses'
odours
Died in the arms of the adoring airs.
All- all expired save thee- save less
than thou:
Save only the devine light in thine
eyes.
I saw but them- they were the world
to me.
I saw but them- saw only them for
hours-
Saw only them till the moon went
down.
What wild heart-histories seemed to lie
enwritten
Upon those crystalline, celestial spheres!
How dark a woe! yet how sublime a
hope!
How silently serene a sea of pride!
How adoring an ambition! yet how
deep-
How fathomless a capacity for love!
But now, at length, dear Dian sank
from sight,
Into the western couch of a thunder-cloud;
And thou, a ghost, amid entombing
trees
Didst glide away. only thine eyes
Remained.
They would not go- they never yet
have gone.
Lighting my lonely pathway home that
night,
They have not left me (as my hopes have) since.
They follow me- they lead me through
the years.
They are my ministers- yet I their
slave.
Their office is to illuminate and enkindle-
My duty, to be saved by their bright
light
And purified in their electric fire,
And sanctified in their elysian fire.
They fill my soul with Beauty (which
is Hope.)
And are far up in Heaven- the stars
I kneel to
In the sad, slient watches of my night;
While even in the meridian glare of day
I see them still- two sweetly scintillant
Venuses, unextinguished by the sun!