Back and forth on a timeless time machine.
I walk to the edge and see a field of flowers.
The field goes on for miles, stunning in it's vastness.
Every single flower is purple.
Not the same shade of purple, but every shade, magnificent in its rainbow of purple.
Dark purples.
Light purples.
Purples close to blue.
Purples close to pink.
Purples so dark they near black.
Lilac purple.
Lavender purple.
Every purple you can imagine and then some.
These flowers are not just one kind of flower either.
There are carnations, roses, lilies, daisies, every kind of flower you've ever heard of and then some you haven't.
These flowers take over my vision and consume my mind so that all I see is flowers, and purple.
But, as I peer closer, I spot one flower that is a different.
That flower appears to destroy the beautiful effect of all the purple.
But it doesn't.
That single flower is a bright, crimson red.
The color of horror flick blood.
It's a vibrant dahlia flower.
The petals cascade violently over each other, craving my notice.
Craving the euphoria of touch.
I sympathize with that flower.
I, too, knew that craving.
I, too, knew the craving of another's touch.

wind of summer
too vagabond
drunk
touching the melancholy afternoon
of the last pale season

flowing over the
deep yellow barren field
echoing the last mystic sound
though yet romantic
spring
the purples are deep
divine

butterflies are flying around
a few birds playing
on the ground
suddenly singing
uttering love

yellow
the golden yellow floating
in the eyes  
over hued
saturated

dropping on the ignored
dry
wither leaves
as the rain drops that has made
a blue
day dream

crossing over the mind  
a jingle
leap singing
classic
the very lost spring
scrolling into
soul

even in the lonely dark night
rolling up
the sound
as the rolling stone
of the sounding sea

@Musfiq us shaleheen

[you were]

"where love is a song settling in the night"

you were the softness of feathers
and the harsh cadence of grief,
you were the sky’s frail mists
and its glittering pools.
in the warm indigos of summer
i welcomed you home,
the sea with its engine pistons
played loud harmonics,
it wasn't the noise but quiet
i wanted most, the way i wanted you,
star silent, drifting like a boat.

[tonight]

tonight i can't write poetry,
a star is just a star

[shadows on my bones]

"when everything is washed out like faded jeans"

i thought i could stay alive
but there were shadows on my bones,
summer fell through my lips
and washed the colours from my shirt.
i became a lizard in the
dry heat.

the sky layered greys into
clouds, told me how
expressive it could be
and then turned white.
i wasn't going to argue
but i liked it better blue!

when your heart is
full of softness it gathers
the flowers of dusk.

the sea is so far from me
now, how can i remember
a wave or the bluster of
the wind?
i am as forgetful of
shape as foam, i am
as broken as driftwood,
i am the memory of
something that never was,
an impromptu impressionist
painting in ink.

[i've not written]

i've not written for a week.
i need to visualize, feed
on an image, grow out of
immense distance, slumber
on the rocks.
i need to paint a flower
in all its frailty, gather
the skies on the horizon.
until the bright lilies
have drowned me in their
white linens i will not feel whole.
gathering, gathering the world,
its moments stormy rooks.

[love poem]

"where love is a wave that splashes on the sand"

when a heart
loves
the stars surrender
to the heavens,
the moon catches her breath
and the avenues
of silence become
voice. i follow the
path to my love,
i die for him,
i live for him,
like a spartan
in the heat of battle,
like a flower in the
mist.

[summer tide]

the moon, shrunken, faint
as pencil, as if the wild nettles
of night carried her loads.
her glazes the raptures of
dancing stars.
her stencil mark a white crescent
leant on cloud.
the trees shudder in the
wind, break their promises,
forgive no one.  
the tide listens to her rhythms,
traps them in water, distils
her victories, unwraps the dark,
stretches it out.

[out of the night]

out of the night, the softening rain dripping
from leaves and memories hanging like stars
in a northern sky, everything sank to the sea,
sinking in night and song and silence.
everywhere was still, no climbing to the dawn,
no old ghost singing winter to the sky.
it was time to leave, time for the grey ghosts
to crumble, time for the rose beds to sleep.
the morning dew is the water's flowers,
the early frost is the marbling of the earth,
we're pushed to emptiness by the iron-hinged wind,
melt in caves where the shadows lie hid.
from your hair, the glistening drops of rain,
from the air, the flight of a bird,
terrible and black the dark clouds,
where the night utters vowels its voice full of stones,
and its breath an empty pail once filled
with water and the kiss of the moon.

[grey stone sky]

grey stone sky, ghost clouds crying to the wind,
remembering the distant wave.
the moon was the whitening mists of time,
was the quiver of a musical note,
her broad branches silver seas,
her caverns quiet visions of light.
i stride the shores of oblivion where
dark ages hide, where the ocean falls,
i capture infinite moons in my
mouth, capture something bright,
something of you that i bless,
something of you that grows out
of the dark, glimmering like a night frost,
midnight stars dipped in a clear lake
and as the surface gleams and reflects,
how the water ripples in little blue tides.

[i ask you]

i ask you how the water cries, how you hold
the tide, the light, the thin light glistening.
i ask you how you bury root and earth,
how you dress the wind, how you carry
clouds in your mouth, how you drift
out of morning's ghosts, sky full,
how you drift downstream taking
part of me with you. i ask and i ask.
why do you not answer me? tomorrow
stretches her wings, tomorrow with her
tremendous oceans of fire, her dark eyes
full of hope while part of me dies.
no furnace could burn like you burn,
every whisper the dark, the infinite dark,
and that little flame hovering like a bird
a paradise higher than stars.

[the ocean dreams]

the ocean dreams...
colours like burnt kisses,
the blue mist tangles the air.
the shore shook out its creases
like old linen, fell under
the tumbling wave.
i drank the silence,
walking where the moon,
carried along by the song
of a ripple, dipped
her feet in the foam,
dancing, dancing...
beneath her ivory tongue,
a glistening jewel,
her alabaster skin
night's whitest rose,
and where the stars
wrapped december in
ghosts and the
gleaming water was the
quietest echo of love,
i could no longer bear
to be alone, and my tears
were the wilderness
and how it grew inside me,
and everything i loved was there
the wave carrying the wind
and i felt alive, as joyful
as the silver shore, a dark-pooled
painting of you, a river-eyed song.

[sad, sad eyes]

winter fed us with blood-red berries and ice clouds,
our visible breath soon colder than our lips.
i did not want to see what you had seen,
could not grow out of those sad, sad eyes.
we fell into the calm wave of circumstance
and twilight hurried from us into the dark.
hurried away like the last drop of sunlight
purples the earth, dancing on the edge of the world.
do we wait, stone-heavy, for the last tendrils
of day to melt like ice?
the fearful cold breathes like a fog,
gathers its stars of voice and hill,
gathers memories and distant dreams,
lets us forget.
are you the ghost that lies on the hill
calling to me?
are you that ghost,
whose irons soften like cloud,
whose frozen leaf trembles on the branch
waiting to fall to the whispering land?
your eyes are from the past and yet
they follow like a cold wind blasts.
your eyes, everywhere your sad eyes,
biting like a frost.

[do you dream of me?]

my love, you wear silence like a coat
and i am left drifting like a far-out wave.
the wind tangles leaf and sky.
winter is barely noticed, the moon
is a ghost of forgotten flowers where
the night sings to the starry waters,
sings of our love. everything is sailing
like a ship in a bottle, a kaleidoscope  
of brightness, gothic hill and wildflower
ruin, flowing like a silvery stream.
do you dream of me? do you burn when
the night wraps you in her cloak and the moon
unwinds the waters of the seas?
do you dream of me?

[morning]

a bird slid into the wind's
bright paths, awoke
the sound of morning, the
only elegant sound. i sprinkled you
you with the roots of the rain and
with a song sweetened by
sunlight and although you were stunted
and your blue-blossom wings were broken,
and the very earth swam in dark
floods of tears, that little piece of
love was a kingdom as reachable
as your hand touching mine.

[song]

this was a song that lingers in caverns and
caves, scented by sea rose and anemone,
lost kingdoms where we dream of the sea.

this was a song like a whale shivering
through the water, diving into the
impossible dark, with its huge tail
waving, flag-like and star-hungry,
its skin the moon's lips, in a world
with no moonlight, no brightening pools,
and only echoes of a forgotten sun.

how deep do we dive, seals of ink
and overtures of unanswerable
dark? our eyes have been betrayed
many times and the water buries us
whole, takes us to the staccato rhythms
of a ghostly tide, takes us back to
a womb woman whose prayers lie
like whispers on the water, who tells
us to hush and we hear our mother's voice.

these are wild notes that press into the
waves, and i am frightened of this song,
it is dissonant and gathered from the
rivers of night, her tombs overgrown with
wild flowers and the bones of the sea,
and she cries for the lost,
for those that were taken from her,
and she will cry for all eternity
and her tears are like breath of ice.

[winter]

winter buries her flames,
buries whispers of river and leaf,

the sea wraps turquoise into bronze,
everything is full of white bones,

the sky is an illusion of clouds,
her petticoats blue rags,

the day is as heavy as a paperweight,
as brittle as a glass flower,

the light is as naked as the trees
gold could not be more cold,

the sunlight reflects in the snow,
her amber eyes gleam,

nothing flows, nothing flowers,
nothing flows, nothing flowers,

and your smile is the sun,
a ghost as faint as watercolour,

the brush dipped in daylight,
a little part of me.

[waiting]

i stood there waiting like a
nettle with the moon's forget-me-not
eyes, wild flowers overflowing
down the little paths, i was the flower that
no one wanted, a black companion
****.
my cherry mouth was built of
forgotten orchards and swallow's wings,
while my hair was blown by the indigo wind,
the moon tap, tap, tapping on the door.

the whiteness of the land, the colours of
winter and how her song arose out of
the dark, bearing my soul like the
earth rediscovered, glistening in the
light, drawn out of hollows, the shadows
driven back, with a dry root's crazy thirst
that left me longing for rain.
the poetry could not quite free itself
from my lips, dragged me down to
the earth where i staggered with
the lost and the weary. i tried to get back,
but all I could do was sink into the frozen waste.
no, the poetry would not free itself, and
still I waited but it didn't seem to matter
now because leaf and moon and the
frosting that covered my body had left
me like a pale ghost in the wilderness
and all I wanted to do was sink into
the cold cornered night, sink and forget.

[moonflower]

out of the water, the water of ghost pools,
you rose, naked figurehead, oh, flower of night.
an impressionist's brush shook the water
like light reflected on moonstone.
****** of prisms, flowering, flowering,
lost ocean of star voices, forgotten star.
you sang and the night ran towards the sea,
you blossomed and the night became a wanderer.
nectar of the gods, sky-visionary, you sink into
the night like the petal of a rose, the grass almond-
eyed and whispering to you her dreams, fluttering
like a butterfly; little moonflower, you gather
the shadows and the song of the dark, the
drift of the clouds is your bare feet running,
the drift of the clouds, the cold sea crashing
in the harbour, the drift of the clouds,
the incredible overflowing of sky, poet-
ink and straying hair, the drift of
the clouds, everything that scatters
like you on the wind.

I WAS born on the prairie and the milk of its wheat, the red of its clover, the eyes of its women, gave me a song and a slogan.

Here the water went down, the icebergs slid with gravel, the gaps and the valleys hissed, and the black loam came, and the yellow sandy loam.
Here between the sheds of the Rocky Mountains and the Appalachians, here now a morning star fixes a fire sign over the timber claims and cow pastures, the corn belt, the cotton belt, the cattle ranches.
Here the gray geese go five hundred miles and back with a wind under their wings honking the cry for a new home.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water.

The prairie sings to me in the forenoon and I know in the night I rest easy in the prairie arms, on the prairie heart..    .    .
        After the sunburn of the day
        handling a pitchfork at a hayrack,
        after the eggs and biscuit and coffee,
        the pearl-gray haystacks
        in the gloaming
        are cool prayers
        to the harvest hands.

In the city among the walls the overland passenger train is choked and the pistons hiss and the wheels curse.
On the prairie the overland flits on phantom wheels and the sky and the soil between them muffle the pistons and cheer the wheels..    .    .
I am here when the cities are gone.
I am here before the cities come.
I nourished the lonely men on horses.
I will keep the laughing men who ride iron.
I am dust of men.

The running water babbled to the deer, the cottontail, the gopher.
You came in wagons, making streets and schools,
Kin of the ax and rifle, kin of the plow and horse,
Singing Yankee Doodle, Old Dan Tucker, Turkey in the Straw,
You in the coonskin cap at a log house door hearing a lone wolf howl,
You at a sod house door reading the blizzards and chinooks let loose from Medicine Hat,
I am dust of your dust, as I am brother and mother
To the copper faces, the worker in flint and clay,
The singing women and their sons a thousand years ago
Marching single file the timber and the plain.

I hold the dust of these amid changing stars.
I last while old wars are fought, while peace broods mother-like,
While new wars arise and the fresh killings of young men.
I fed the boys who went to France in great dark days.
Appomattox is a beautiful word to me and so is Valley Forge and the Marne and Verdun,
I who have seen the red births and the red deaths
Of sons and daughters, I take peace or war, I say nothing and wait.

Have you seen a red sunset drip over one of my cornfields, the shore of night stars, the wave lines of dawn up a wheat valley?
Have you heard my threshing crews yelling in the chaff of a strawpile and the running wheat of the wagonboards, my cornhuskers, my harvest hands hauling crops, singing dreams of women, worlds, horizons?.    .    .
        Rivers cut a path on flat lands.
        The mountains stand up.
        The salt oceans press in
        And push on the coast lines.
        The sun, the wind, bring rain
        And I know what the rainbow writes across the east or west in a half-circle:
        A love-letter pledge to come again..    .    .
      Towns on the Soo Line,
      Towns on the Big Muddy,
      Laugh at each other for cubs
      And tease as children.

Omaha and Kansas City, Minneapolis and St. Paul, sisters in a house together, throwing slang, growing up.
Towns in the Ozarks, Dakota wheat towns, Wichita, Peoria, Buffalo, sisters throwing slang, growing up..    .    .
Out of prairie-brown grass crossed with a streamer of wigwam smoke-out of a smoke pillar, a blue promise-out of wild ducks woven in greens and purples-
Here I saw a city rise and say to the peoples round world: Listen, I am strong, I know what I want.
Out of log houses and stumps-canoes stripped from tree-sides-flatboats coaxed with an ax from the timber claims-in the years when the red and the white men met-the houses and streets rose.

A thousand red men cried and went away to new places for corn and women: a million white men came and put up skyscrapers, threw out rails and wires, feelers to the salt sea: now the smokestacks bite the skyline with stub teeth.

In an early year the call of a wild duck woven in greens and purples: now the riveter's chatter, the police patrol, the song-whistle of the steamboat.

To a man across a thousand years I offer a handshake.
I say to him: Brother, make the story short, for the stretch of a thousand years is short..    .    .
What brothers these in the dark?
What eaves of skyscrapers against a smoke moon?
These chimneys shaking on the lumber shanties
When the coal boats plow by on the river-
The hunched shoulders of the grain elevators-
The flame sprockets of the sheet steel mills
And the men in the rolling mills with their shirts off
Playing their flesh arms against the twisting wrists of steel:
        what brothers these
        in the dark
        of a thousand years?.    .    .
A headlight searches a snowstorm.
A funnel of white light shoots from over the pilot of the Pioneer Limited crossing Wisconsin.

In the morning hours, in the dawn,
The sun puts out the stars of the sky
And the headlight of the Limited train.

The fireman waves his hand to a country school teacher on a bobsled.
A boy, yellow hair, red scarf and mittens, on the bobsled, in his lunch box a pork chop sandwich and a V of gooseberry pie.

The horses fathom a snow to their knees.
Snow hats are on the rolling prairie hills.
The Mississippi bluffs wear snow hats..    .    .
Keep your hogs on changing corn and mashes of grain,
    O farmerman.
    Cram their insides till they waddle on short legs
    Under the drums of bellies, hams of fat.
    **** your hogs with a knife slit under the ear.
    Hack them with cleavers.
    Hang them with hooks in the hind legs..    .    .
A wagonload of radishes on a summer morning.
Sprinkles of dew on the crimson-purple *****.
The farmer on the seat dangles the reins on the rumps of dapple-gray horses.
The farmer's daughter with a basket of eggs dreams of a new hat to wear to the county fair..    .    .
On the left-and right-hand side of the road,
        Marching corn-
I saw it knee high weeks ago-now it is head high-tassels of red silk creep at the ends of the ears..    .    .
I am the prairie, mother of men, waiting.
They are mine, the threshing crews eating beefsteak, the farmboys driving steers to the railroad cattle pens.
They are mine, the crowds of people at a Fourth of July basket picnic, listening to a lawyer read the Declaration of Independence, watching the pinwheels and Roman candles at night, the young men and women two by two hunting the bypaths and kissing bridges.
They are mine, the horses looking over a fence in the frost of late October saying good-morning to the horses hauling wagons of rutabaga to market.
They are mine, the old zigzag rail fences, the new barb wire..    .    .
The cornhuskers wear leather on their hands.
There is no let-up to the wind.
Blue bandannas are knotted at the ruddy chins.

Falltime and winter apples take on the smolder of the five-o'clock November sunset: falltime, leaves, bonfires, stubble, the old things go, and the earth is grizzled.
The land and the people hold memories, even among the anthills and the angleworms, among the toads and woodroaches-among gravestone writings rubbed out by the rain-they keep old things that never grow old.

The frost loosens corn husks.
The Sun, the rain, the wind
        loosen corn husks.
The men and women are helpers.
They are all cornhuskers together.
I see them late in the western evening
        in a smoke-red dust..    .    .
The phantom of a yellow rooster flaunting a scarlet comb, on top of a dung pile crying hallelujah to the streaks of daylight,
The phantom of an old hunting dog nosing in the underbrush for muskrats, barking at a **** in a treetop at midnight, chewing a bone, chasing his tail round a corncrib,
The phantom of an old workhorse taking the steel point of a plow across a forty-acre field in spring, hitched to a harrow in summer, hitched to a wagon among cornshocks in fall,
These phantoms come into the talk and wonder of people on the front porch of a farmhouse late summer nights.
"The shapes that are gone are here," said an old man with a cob pipe in his teeth one night in Kansas with a hot wind on the alfalfa..    .    .
Look at six eggs
In a mockingbird's nest.

Listen to six mockingbirds
Flinging follies of O-be-joyful
Over the marshes and uplands.

Look at songs
Hidden in eggs..    .    .
When the morning sun is on the trumpet-vine blossoms, sing at the kitchen pans: Shout All Over God's Heaven.
When the rain slants on the potato hills and the sun plays a silver shaft on the last shower, sing to the bush at the backyard fence: Mighty Lak a Rose.
When the icy sleet pounds on the storm windows and the house lifts to a great breath, sing for the outside hills: The Ole Sheep Done Know the Road, the Young Lambs Must Find the Way..    .    .
Spring slips back with a girl face calling always: "Any new songs for me? Any new songs?"

O prairie girl, be lonely, singing, dreaming, waiting-your lover comes-your child comes-the years creep with toes of April rain on new-turned sod.
O prairie girl, whoever leaves you only crimson poppies to talk with, whoever puts a good-by kiss on your lips and never comes back-
There is a song deep as the falltime redhaws, long as the layer of black loam we go to, the shine of the morning star over the corn belt, the wave line of dawn up a wheat valley..    .    .
O prairie mother, I am one of your boys.
I have loved the prairie as a man with a heart shot full of pain over love.
Here I know I will hanker after nothing so much as one more sunrise or a sky moon of fire doubled to a river moon of water..    .    .
I speak of new cities and new people.
I tell you the past is a bucket of ashes.
I tell you yesterday is a wind gone down,
  a sun dropped in the west.
I tell you there is nothing in the world
  only an ocean of to-morrows,
  a sky of to-morrows.

I am a brother of the cornhuskers who say
  at sundown:
        To-morrow is a day.

Before I met you,
My world was black and white.

When we met,
You showed me the in between,
The gray of life.

When we became friends,
You showed me that there is even more.
There are oranges, red, and greens.

Peace, happiness, and life

When I left,
You taught me more,
Although you were gone.

You taught me of
Blues, yellows, and purples.
Darker, colder colors

Sadness, bitterness, and anxiety

You taught me so much
About the colors of this world

when we met you were all pinks purples and violets. a symphony of all the colors i would never wear. entirely too tightly wound. excited about life and all it hard  to offer.
when we met you hated me. i was all blacks and greys and dark greens. you saw somewhere trapped under all that muck, you were the only to see this light that sat burried beneath all the mud.
you wanted to change me, i didn’t want you to change. you wanted to save me, i wanted to keep you safe. from the beginning you were my priority, maybe in a different way but never less important. i tried and tried to fight you off. but you kept coming back and back and back again. i tried to keep you form getting hurt. ended up getting myself killed. you brought me back to life.
now after so much time has passed, i see your pinks and purples and violets, have changed. not quite as bright as they once were. hardened and darkened by pain and suffering. but you still have that yellow core. that bright shining white effervescent light that will never go out. you took my murky walls. you white washed and painted them with love. you fixed my cracks and cuddles and filled them with your yellow. you gave me violet and it turned blue. i have navy’s and turquoise, and baby blues. all because of you
when we come together, that explosion of passion, i swear our souls melt and become one. when your body touches mine the colors explore and leak and run and spill everywhere. but you make it so ******* beautiful. when our bodies meet our colors mix, they become our pinks and purples and navy and turquoise blues. our lights swirl and spin together to make a galaxy within ourselves. only for us. only for that moment. but in those moments and ones like these where our bodies connect and meet, when you above or below me, when your lying next to me, or when you lie your head in my lap to read, you explode my colors. and you always will.

THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of

Raindrops splattered across the squeaky window as Lily slipped into a world entirely her own. She found out that the slightly dilapidated beige sofa can provide an alarmingly pacifying dark fortress.
It was the storm in her living room which led her to this point.

Her mother was a peculiar human in the aspect of coping methods. Most would turn to alcohol, but Lily's mother turned to books.

One would think a child of such age possessed great privilege, having such a mosaic of resources on literature, words, and literacy.

Every morning, Lily's mother would slip into a world entirely her own. Some days, her face would hold the cover of a Patrick O'Brian and other sleepy days would entail a bit of nineteenth-century British novels. Whatever the cover, the woman's disposition was also affected.

"Lily, listen to this- doesn't it sound blue?" The woman hoarded phrases from each book, and soon, Lily's mother was an endless world of words. Her mother's affinity for quotes turned into a tasteful obsession. Lily was naive to the abnormalities in associating words with colors; such as ‘nebulous' with orange, and 'surreptitious' with purple. To her, language was rich in color and feeling.

One might also surmise a girl with such enlightenment would take after her progenitor. Lily did not. Though, she was above her class in reading comprehension and competency, the very thought of books sent flashes of buried grudges.

"Everyone needs a therapist. The poor girl's been through so much," they say. 'They' being the individuals at church. After service, the doors would open. Lily would do everything in her power to weave around the sea of meaty vociferous faces. She didn't need their pity. Nothing happened.

'Nothing' meaning... perhaps a little something. Her father died. This, (Lily suspected) was the cause of her mother's book addiction. It must be peculiar for the spectator witnessing the situation from above. As we've stated before: most turn to alcohol.

Years elapsed in which an occurrence she termed, "The Rebellion," began her mother’s book exodus. She was never truly present and Lily desired for her to see the world as it was now- not in a novel or in the pages of fantasy.

The piano rang throughout the room every morning and every night for about an hour. Lily often turned to classical Vivaldi, Yiruma, or a dash of Paganini piano covers. She drank music like a shriveled sponge. Of course, her hobbies would be as far away from books as possible since she believed them to be an obligatory evil.

Tunes danced across her soul like the ghost of a memory almost arising. The voice of a piano carried bursts of purples, yellows, and reds. White and black keys proved unchanging and reliable. Lily latched to the idea.

"I'm going to play her out." The mourning doves cooed in the almost-vacant neighborhood, while two girls of the same height and age were ensconced under a magnolia tree near the street, their legs crisscrossed on grass.

"Too much piano?" Haley asked, plucking a dandelion from its roots while squeezing milky sap from the stalk with her fingernails.

"No, I want to." Lily answered.

A thought crossed her mind. Each book infested mother with unique feelings. Then, Lily deduced there is no such thing as too much piano.











It was quiet in the house as Lily had no siblings and the book-trace rendered mother speechless. Tape recorder near the piano, and fingers at the keys, she began playing au fait on her version of Vivaldi's Spring Season. She kept the imagery of wedding cake and rings in her mind. She introduced the song to her hands by means of segmented versions, leading towards the final masterpiece. Her aural senses acute, listening for the best complimentary notes. Soon, her fingers had written poetry. She liked to think that her left and right hand owned different stories to perform, yet once they met on-stage, they heightened the essence of each other's tales.

Lily played verses countless times until she was out of breath. If someone told her piano was a sport, Lily would concur.












The final piece was recorded on an 'old-fashioned' tape. Heart pounding, she tiptoed upstairs to her mother's hiding place.

"...a thin place where tissue paper separates the material from the spiritual.." the woman greeted Lily. She never looked up from her book.

"Listen, it's white,” the woman voiced hazily. Lily shoved the tape in her face. The mother’s hand reached out from behind the book, feeling the air before finally resting her hand on the plastic rectangle, sliding it into the player

and the music journeyed to her ears.

"Hmmm..." she said. And then all was quiet.










"I've got her." Lily declared in the convenience store on a rainy day.

"With a cake?"

"It was her wedding song. You know- the one playing while the bride walks in."

"What'd she say?"

"Nothing."

"Why can't you just wake her up with some coffee?" Haley suggested as a golden aurora arose from behind the clouds.

Most of Lily’s playing sessions caused her to neglect her own physical well-being. So she rinsed a dusty plastic cup from the cupboard and filled it with water. M&Ms were food Lily associated with her sessions and she couldn't play without developing that deep-rooted Pavlovian response. Finally, in an attempt to be healthier, a plastic water cup was to her right, and M&Ms in a bag were to her left on the piano seat.

But first, a small kick in her belly drove her to a slight guilt. See, she believed in music the way some do religion, and thus, she did what others do when confronted with a critical moment in life.

"I'll bring her out," she began, "and I'll play for the rest of my life. If I can't, I'll give up music forever." She placed her fingers on the keys, completing the oath. And this occurred only because she was twelve and incredulously naïve in the field of religious traditions, that she didn't know that most oaths offered to a deity of higher power involved some form of great sacrifice for a desired result. This meant that her risk was greater than others, as it meant winning or losing it all.

Lily drew a deep breath, filling her nose with the memories of coffee. She began playing. An odd little tune traveling from her brain to the keys before her.










"Remember me, when we lived far away, down in the lonely lighthouse..." her mother chanted and Lily only half listening as she painted the cover of a CD containing her finished piano piece: Coffee.

"The sea air- spill in that lighthouse. The comfort we felt in that lighthouse." Her mother continued absorbing the ink on the pages, "Remember me, when I flew away with that chilling, cold sea breeze..."

Lily clicked the clear cover shut, handing it to the "Collective Works of Julie G." Once again, a wandering hand shot out from behind the cover, searching for the CD. Her mother did not look up.

"Music or an experiment?" she asked

"We'll see." Lily answered.

Her mother raised the CD to her player and inserted the disk, pressing play. Her wandering hand felt a small cup of coffee and as the music played, she sipped it slowly- quite peculiar. Her eyes looking up from the pages as though she were staring at something far away and her face, rubescent.

"Where did you learn to play that?" she said, leaning back and closing her eyes.








Haley and Lily entered a quintessential music store. Guitars lined the walls and classic vinyls were stacked on shelves. Small sleek keyboards welcomed guests as they stepped inside, synchronous to the resonance of a sharp bell.

Lily sped towards the CD section nestled near the corner in the store, while Haley flipped through the pages of violin classics.

"Lily, you're missing something." Haley noted from across the room, flippantly exasperated.

"Coffee didn't work." Lily replied in despair. "I thought I had her, but I didn’t."

Haley walked back towards her friend, new sheet music in hand, "Everyone's heart breaks a little differently and that means every cure must be unique. But there's something we all need- to feel safe. You did that for her."

"Then why is she still gone?"

"Because In order to return, she needs to remember what she lost and she needs to want it again... hold on." Haley held out a piano book in her hands. It was a neat white book with dark blue ink. Lily furrowed her brows.

"Just read it, Lily." Haley urged in the most loving way possible.









She still refused to use the book, diverging more from Haley’s instruction, cajoling her mother by use of classical music, modern music, and healing music. But nothing resolved and it seemed as though her oath to the Greater Deity would not fall in her favor.


It took a graying day for Lily to dig in her backpack and pull out the vile book. Inside revealed crisp white music sheets.

She itched to throw it away, however, something caught her eyes:

Kiss the Rain.

Lily stopped and stared out the window, inhaling to smell petrichor.

"Well, okay then." she reasoned. She pulled out  the piano bench and began finding the first few notes. The rest fell into sight reading. Just as the rain trickled down the living room window, the music trickled into the home's inhabitants' ears. Rain engulfed her soul.

The piece finished with a light touch on the last note. It resounded through the cozy expanse.









"I have something for you, mom." Lily proclaimed, placing the CD in her mother's hand, which then traveled to the player.

The woman failed to look up from her book, only staring into the distant pages as the notes tapped inside her ears. Ever so slightly, her eyes began to close and Lily could see the notes dancing behind eyelids.

"It feels like... rain." she commented. And as the last tickling touch of the last raindrop echoed through the dark room, her mother looked up, smiling at the sound, and her eyes met her daughter's.

"Why, Lily," she said, her voice laced with surprise, "look how you've grown.”

I also wondered
why we call them sunsets,
when the sun is clearly
not the one who is setting.

put yourself in the sun's shoes.
the sun can't set of it's own accord.
the sun doesn't realise it's
making those pinks, purples and oranges
on the horizon.
the sun doesn't know what
a horizon is.

we human beings create all of this.

the human mind makes
the horizon
and then it makes the sun
set on it.
those pinks, purples and oranges
are forged inside your eyes.

next time you see a sunset,
tell yourself:
'it is me who is setting the sun.
the sun is setting
and I am the one who is
doing it.'

feels good, doesn't it?

Purples and Pinks
Wrapped around for your kinks

Tight jeans and leather belt
In your arms, I tend to melt.

Shiny and black heels
Off a layer I peel.

My lipstick that's red
Tangled together, we fall back to bed.

Cast a Vast Million Colored Words, a Canvas of Solace


Dedicated to Tajudeen Shah
who wrote those words,
a fellow poet, a comrade in words.
----------------------------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

So,

Before you pen words of
Lost love, woe begotten troubles,
Nature's royal blues and purples,
Spirits, demons, speeches, mumbles,

First

Write the uplifting sounds,
Cast a million colored words,
Upon a canvas of solace,
Bring one molecule of comfort
To the misbegotten, to the downtrodden,
In any way you can, form matters not,
But let this be our mantra shared,
Let this be our only morning prayer,

A prayer we are obligated to utter,
A prayer we are obligated to fulfill.
Solace, given,
Solace, granted.

234

You’re right—”the way is narrow”—
And “difficult the Gate”—
And “few there be”—Correct again—
That “enter in—thereat”—

‘Tis Costly—So are purples!
’Tis just the price of Breath—
With but the “Discount” of the Grave—
Termed by the Brokers—”Death“!

And after that—there’s Heaven—
The Good Man’s—”Dividend“—
And Bad Men—”go to Jail”—
I guess—

I grew up by the beach
Air salt and sunscreen
Houses squat on dunes
Calendar in scratchy sand
All yellows and brindle

Winter scored in cactus ketch-groans
Summer seagull soundtrack
Snake sunbakes
Kikuyu crunches

Now home is hillside
Rosemary jasmine breeze
Every pane a picture
Year parades in colour
All purples and greens

Spring exits in lily lavender
Soft sepia summer
Auburn autumn
Jade July

And in unison agave flower
Invisible itinerary
Monocarpic masts
Noble nativity

Curtains to overture
In purples and greens

Feet swayed above the depths of the deep blue sea, eyes scanning over the horizon of crimson reds and embellished purples that rest with the indolent ripples of water; leaving reflections of scattered perfection to dissipate into the open waters. Longing for a sense of direction, a sense of change. My heart ached for a better me, to be as beautiful and courageous as this sea.

The salty water napped at my toes, hitting the floating pillars that hold up this stretch of rotting wood, as though in a rage to let me know, “You are beyond what you see, open your mind and let free, just be!” But who am I beyond this flesh prison of intellectual knowledge? A walking encephalon of salted water, feeling more then my core accounts for; I want to be the sea, and so much more.

An illusion in the real world, as if the magic man forgot to snap his fingers and bring me back to reality; and still, I pity those who can not see me. The genuine me. If only I could be seen beyond the phony, people-pleasing charade. Oh, what a lovely day it could be. To listen to the quiet, before me. For words are not what make self, but the silence of the unspoken, of the words spoke within.

Though, I look on into those crimson reds and embellished purples, I am reminded that I am just as puny as the planet itself, beyond the galaxies of space and time. Or am I just as vast as an ant to its crumb, that falls beneath the floor board? A dreamer of the void, but I’ll never touch the starry night light. I am a gnomist, deluged in a subconscious mass of riptides. There has to be a better construct among the hillsides, but my mind is branching off in dark suicides.

As my thoughts wandered, so did the allegory of the sky, beneath the sea to sleep; and the darkness settled a top the water. Where am I now? Still. Silent. Wreaking havoc on this ageless soul. I lay back on the rotten wood of this outstretched dock far from the shore, with my thoughts deep, deeper then the water that licks my toes with every wave that pushes. Water that once touched the deepest sands of the sea. Water that has coasted along sunken ships and forgotten memories that lay a strewn bottomless pits, never to be seen. Water that evaporates into the sky, touching the air we breathe, with clouds that sheds it's watery tears back into the sea, singing, “Oh, wont you come with me, to this wasteland of the silent. Where we’re all destined to be.” I raised my hand and touched what can not be seen. Seen, but can not be touched - The starry night, and the aurora’s green ribbons of light, dancing to rhythm of my off beat heart.

What a beautiful sight. Thoughts of darkness turned to light. A different thought provoked within, and a smile creeped across my face. How strange that a change in scenery can alter one’s mind riddle in a blink of an eye. Once dark and sorrowful, to serene and irenic. The search for our better selves, is never-ending and ever changing.

Your legs slightly bruised
From twigs and tall grass
Belong in my lap

Where you wiggle your toes
With excitement
Over cold, sweet fruit salad

And the purples and crimson
Of sun-now-down
That evade the lens of your

iPhone through the window.
What? you ask half
Laughing at my smile.

It feels like before, I'm
Tempted to say. *I have nothing
More, Your Honour.

I like purple. It’s as simple
    as that. Well, maybe not that simple.
         I’ve in love with purple. We are unified
through time and space
    forever until I die. Purple, being immortal,
        would mourn my death and find
one of its many followers to connect with.
    But for me, there will always be purple. If I had a choice
        in any expression of character design that had
my own personal preference of color, purple
    would be there somewhere. I would dye my
        hair purple if I could, but my mother
told me never to come home
    as long as my hair is dyed.
        I love her and believe her, so I
don’t dye my hair. I have a
    purple dress or two that I dress up in to express
         my beauty. I know
it sounds terrible thinking
    about it, I have to dress up to express
         beauty to others. However, the fact that
I’m complemented means something to me. The way
    I do my makeup and carry myself
         and choose to dress, it has an effect
on those that lays eyes upon me. I beam with pride,
    showing all my expressions of purple.  A homemade purple bow
         here,
a lavender wig there, a dress with the right touches of purple-
    maroon
         and a beaming mahogany woman, brimming with specialness. I am a purple girl,
    not the only one, but the most reflexive I can be.
         If I could color my soul, it would be purple sometimes.
Not every time, but a lot of the times.  Any kind of purple
     would do. The light purples
          like lilac and light lavender are sweet and fluffy.
They remind me of happy seventy-five degree weather
      days with a comforting breeze, and no pollen
          since I’m allergic and pollen is pretty much one of
those things I’d encounter in hell. Darker purples,
      like plum and grape, give a more mature
           vibe of elegance and sophistication. It reminds me
of a dark night, a woman in high heels and
      a dress with a slit so high that
           it makes men lose their religions and minds
for a taste of her tantalizing forbidden fruit,
       with a flawless expression of her body that gives
            those men wet dreams and fantasies. In my heart,
there is a purple stream that flows from the heart that starts to
        circle around my body and continues to float into the
             ground until it touches the core of the planet
and up in the air into space and beyond infinity.
        It always seems to be there, that purple
             stream of magic and imagination. I dance a purple dance,
leaving traces of purple steps in my wake.
        So I come back to the beginning. “I like purple.”
              With those words, I haven’t done my expression justice.
It’s true, but it is an understatement.

That late evening drive was just what I needed.  With music to keep me company and help clear my thoughts.  The setting sun created oranges and purples for my eyes to make love to.   I would pass over rivers that looked like mirrors that looked like false skies flowing below me.  I drove and I drove. To no where. To everywhere.

Forbidden plant
Mixes with fire,
Inhaled deep,
Held within
Until it burns;
Cough it hard,
Raise the chin,
Sit up straight,
All change color
Of pinks and purples,
Yellows and greens;
Sights beyond
Fade to black:
Amateur cinematics.
Stumbling feet
Throws car keys
To the conscious smile,
Who drives at 55 mph
When the dash reads 15.
Sit and rest,
Gather those thoughts;
Pessimistics argue
Mundane topics,
As the mind wanders
Through dark skies,
Picking and pondering
The out of reach stars
Before awaking
With sleepy regret.

Mirza Ghalib Translations

Mirza Ghalib (1797-1869) is considered to be one of the best Urdu poets of all time. The last great poet of the Mughal Empire, Ghalib was a master of the sher (couplet) and the ghazal (a lyric poem formed from couplets). Ghalib remains popular in India, Pakistan, and among the Hindustani diaspora. He also wrote poetry in Persian.

It's Only My Heart!
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s only my heart, not unfeeling stone,
so why be dismayed when it throbs with pain?
It was made to suffer ten thousand darts;
why let one more torment impede us?



Inquiry
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

The miracle of your absence
is that I found myself endlessly searching for you.



Near Sainthood
by Mirza Ghalib
loose translation/interpretation by Kanu V. Prajapati and Michael R. Burch

On the subject of mystic philosophy, Ghalib,
your words might have struck us as deeply profound
and we might have pronounced you a saint ...
Yes, if only we hadn't found
you drunk
as a skunk!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Not the blossomings of songs nor the adornments of music:
I am the voice of my own heart breaking.

You toy with your long, dark curls
while I remain captive to my dark, pensive thoughts.

We congratulate ourselves that we two are different:
that this weakness has not burdened us both with inchoate grief.

Now you are here, and I find myself bowing—
as if sadness is a blessing, and longing a sacrament.

I am a fragment of sound rebounding;
you are the walls impounding my echoes.



The Mistake
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

All your life, O Ghalib,
You kept repeating the same mistake:
Your face was *****
But you were obsessed with cleaning the mirror!



The Infidel
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Ten thousand desires: each worth dying for ...
So many fulfilled, yet still I yearn for more.

Being in love, for me there was no difference between living and dying ...
and so I lived each dying breath watching you, my lovely Infidel, sighing                       afar.



Bleedings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Love requires patience but lust is relentless;
what colors must my heart leak, before it bleeds to death?



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Life becomes even more complicated
when a man can’t think like a man ...

What irrationality makes me so dependent on her
that I rush off an hour early, then get annoyed when she's "late"?

My lover is so striking! She demands to be seen.
The mirror reflects only her image, yet still dazzles and confounds my eyes.

Love’s stings have left me the deep scar of happiness
while she hovers above me, illuminated.

She promised not to torment me, but only after I was mortally wounded.
How easily she “repents,” my lovely slayer!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

It’s time for the world to hear Ghalib again!
May these words and their shadows like doors remain open.

Tonight the watery mirror of stars appears
while night-blooming flowers gather where beauty rests.

She who knows my desire is speaking,
or at least her lips have recently moved me.

Why is grief the fundamental element of night
when everything falls as the distant stars rise?

Tell me, how can I be happy, vast oceans from home
when mail from my beloved lies here, so recently opened?



Abstinence?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!



Shared Blessings
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Drunk on love, I made her my God.
She soon informed me that God does not belong to any one man!



Exiles
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

Often we have heard of Adam's banishment from Eden,
but with far greater humiliation, I depart your paradise.



To Whom Shall I Complain?
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

To whom shall I complain when I am denied Good Fortune in acceptable measure?
Thus I demanded Death, but was denied even that dubious pleasure!



Ghazal
by Mirza Ghalib
loose translation/interpretation by Michael R. Burch

You should have stayed a little longer;
you left all alone, so why not linger?

We’ll meet again, you said, some day similar to this one,
as if such days can ever recur, not vanish!

You left our house as the moon abandons night's skies,
as the evening light abandons its earlier surmise.

You hated me: a wife abnormally distant, unknown;
you left me before your children were grown.

Only fools ask why old Ghalib still clings to breath
when his fate is to live desiring death.


Bleedings
by Mirza Ghalib
loose translation by Michael R. Burch

Love requires patience while passion races;
must my heart bleed constantly before it expires?


Abstinence?
by Mirza Ghalib
loose translation by Michael R. Burch

Let me get drunk in the mosque,
Or show me the place where God abstains!


Step Carefully!
by Mirza Ghalib
loose translation by Michael R. Burch

Step carefully Ghalib—this world is merciless!
Here people will "adore" you to win your respect ... or your
downfall.


Drunk on Love
by Mirza Ghalib
loose translation by Michael R. Burch

Drunk on love, I made her my God.
She quickly informed me God belongs to no man!


Exiles
by Mirza Ghalib
loose translation by Michael R. Burch

We have often heard of Adam's banishment from Eden,
but with far greater humiliation, I abandon your garden.


A lifetime of sighs scarcely reveals its effects,
yet how impatiently I wait for you to untangle your hair!
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Every wave conceals monsters,
and yet teardrops become pearls.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


I’ll only wish ill on myself today,
for when I wished for good, bad came my way.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


People don’t change, it’s just that their true colors are revealed.
—Mirza Ghalib, loose translation/interpretation by Michael R. Burch


Ten thousand desires: each one worth dying for ...
So many fulfilled, and yet still I yearn for more!
—Mirza Ghalib, loose translation by Michael R. Burch


Oh naïve heart, what will become of you?
Is there no relief for your pain? What will you do?
—Mirza Ghalib, loose translation by Michael R. Burch


I get that Ghalib is not much,
but when a slave comes free, what’s the problem?
—Mirza Ghalib, loose translation by Michael R. Burch


My face lights up whenever I see my lover;
now she thinks my illness has been cured!
—Mirza Ghalib, loose translation by Michael R. Burch


If you want to hear rhetoric flower,
hand me the wine decanter.
—Mirza Ghalib, loose translation by Michael R. Burch


I tease her, but she remains tight-lipped ...
if only she'd sipped a little wine!
—Mirza Ghalib, loose translation by Michael R. Burch


While you may not ignore me,
I’ll be ashes before you understand me.
—Mirza Ghalib, loose translation by Michael R. Burch

Keywords/Tags: Mirza Ghalib, translations, Urdu, Hindi, love, philosophy, heart, stone, sainthood



Earth’s least trace of life cannot be erased;
even when you lie underground, it encompasses you.
So, those of you who anticipate the shadows:
how long will the darkness remember you?
— by Mehmet Akif Ersoy, Turkish poet, loose translation by Michael R. Burch



The following translation is the speech of the Sibyl to Aeneas, after he has implored her to help him find his beloved father in the Afterlife, found in the sixth book of the Aeneid ...

The Descent into the Underworld
by Virgil
loose translation/interpretation by Michael R. Burch

The Sibyl began to speak:

“God-blooded Trojan, son of Anchises,
descending into the Underworld’s easy
since Death’s dark door stands eternally unbarred.
But to retrace one’s steps and return to the surface:
that’s the conundrum, that’s the catch!
Godsons have done it, the chosen few
whom welcoming Jupiter favored
and whose virtue merited heaven.
However, even the Blessed find headway’s hard:
immense woods barricade boggy bottomland
where the Cocytus glides with its dark coils.
But if you insist on ferrying the Styx twice
and twice traversing Tartarus,
if Love demands you indulge in such madness,
listen closely to how you must proceed...”



Federico Garcia Lorca (1898-1936) was a Spanish poet, playwright and theater director. He was assassinated by Nationalist forces at the beginning of the Spanish Civil War and his body was never found.

Gacela of the Dark Death
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I want to sleep the dreamless sleep of apples
far from the bustle of cemeteries.
I want to sleep the dream-filled sleep of the child
who longed to cut out his heart on the high seas.

I don't want to hear how the corpse retains its blood,
or how the putrefying mouth continues accumulating water.
I don't want to be informed of the grasses’ torture sessions,
nor of the moon with its serpent's snout
scuttling until dawn.

I want to sleep awhile,
whether a second, a minute, or a century;
and yet I want everyone to know that I’m still alive,
that there’s a golden manger in my lips;
that I’m the elfin companion of the West Wind;
that I’m the immense shadow of my own tears.

When Dawn arrives, cover me with a veil,
because Dawn will toss fistfuls of ants at me;
then wet my shoes with a little hard water
so her scorpion pincers slip off.

Because I want to sleep the dreamless sleep of the apples,
to learn the lament that cleanses me of this earth;
because I want to live again as that dark child
who longed to cut out his heart on the high sea.

Gacela de la huida (“Ghazal of the Flight”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

I have been lost, many times, by the sea
with an ear full of freshly-cut flowers
and a tongue spilling love and agony.

I have often been lost by the sea,
as I am lost in the hearts of children.

At night, no one giving a kiss
fails to feel the smiles of the faceless.
No one touching a new-born child
fails to remember horses’ thick skulls.

Because roses root through the forehead
for hardened landscapes of bone,
and man’s hands merely imitate
roots, underground.

Thus, I have lost myself in children’s hearts
and have been lost many times by the sea.
Ignorant of water, I go searching
for death, as the light consumes me.



La balada del agua del mar (“The Ballad of the Sea Water”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.

What do you sell, shadowy child
with your naked *******?

Sir, I sell
the sea’s saltwater.

What do you bear, dark child,
mingled with your blood?

Sir, I bear
the sea’s saltwater.

Those briny tears,
where were they born, mother?

Sir, I weep
the sea’s saltwater.

Heart, this bitterness,
whence does it arise?

So very bitter,
the sea’s saltwater!

The sea
smiles in the distance:
foam-toothed,
heaven-lipped.



Paisaje (“Landscape”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

The olive orchard
opens and closes
like a fan;
above the grove
a sunken sky dims;
a dark rain falls
on warmthless lights;
reeds tremble by the gloomy river;
the colorless air wavers;
olive trees
scream with flocks
of captive birds
waving their tailfeathers
in the dark.



Canción del jinete (“The Horseman’s Song” or “Song of the Rider”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Cordoba. Distant and lone.
Black pony, big moon,
olives in my saddlebag.
Although my pony knows the way,
I never will reach Cordoba.

High plains, high winds.
Black pony, blood moon.
Death awaits me, watching
from the towers of Cordoba.

Such a long, long way!
Oh my brave pony!
Death awaits me
before I arrive in Cordoba!

Cordoba. Distant and lone.



Arbolé, arbolé (“Tree, Tree”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

Sapling, sapling,
dry but green.

The girl with the lovely countenance
gathers olives.
The wind, that towering lover,
seizes her by the waist.

Four dandies ride by
on fine Andalusian steeds,
wearing azure and emerald suits
beneath long shadowy cloaks.
“Come to Cordoba, sweetheart!”
The girl does not heed them.

Three young bullfighters pass by,
slim-waisted, wearing suits of orange,
with swords of antique silver.
“Come to Sevilla, sweetheart!”
The girl does not heed them.

When twilight falls and the sky purples
with day’s demise,
a young man passes by, bearing
roses and moonlit myrtle.
“Come to Granada, sweetheart!”
But the girl does not heed him.

The girl, with the lovely countenance
continues gathering olives
while the wind’s colorless arms
encircle her waist.

Sapling, sapling,
dry but green.



Despedida (“Farewell”)
by Federico Garcia Lorca
loose translation/interpretation by Michael R. Burch

If I die,
leave the balcony open.

The boy eats oranges.
(I see him from my balcony.)

The reaper scythes barley.
(I feel it from my balcony.)

If I die,
leave the balcony open!



In the green morning
I longed to become a heart.
Heart.

In the ripe evening
I longed to become a nightingale.
Nightingale.

(Soul,
become the color of oranges.
Soul,
become the color of love.)

In the living morning
I wanted to be me.
Heart.

At nightfall
I wanted to be my voice.
Nightingale.

Soul,
become the color of oranges.
Soul,
become the color of love!



I want to return to childhood,
and from childhood to the darkness.

Are you going, nightingale?
Go!

I want return to the darkness
And from the darkness to the flower.

Are you leaving, aroma?
Go!

I want to return to the flower
and from the flower
to my heart.

Are you departing, love?
Depart!

(To my deserted heart!)

Afternoon light cascades onto ocean skin ,
momentarily turning the water a fine gold shimmer -
light dances merrily , shifting as the plane turns southwards - Equator barrier broken

Welcome to the Southern Hemisphere !

Cloud islands mirror
ground islands .

Puff ***** create architectural feats not known to humanity.  
Flowing with the wind , creating substance out of thin air
the ultimate magicians trick ,
Above , thin wisps of stratus clouds brushstrokes seamless onto sky glaringly iridescent and soft all at once.....hey look! ..... way out in the distance , towering cumulus on their way to becoming cumulonimbus thunderstorms , steady growth of stacks even out when a cold air bank has been reached....the sky writes love letters to the earth

in his cloud postcard snapshots , yet - it is a serenade from them both

Earth offers the waters , the dust needed for the molecules to bind together -  sky transmutes them in his belly - with shifting winds and earth curvature the color palate spectrum .

the offspring , playing in between two worlds
belonging to no one arriving and departing , shape shifters

whole landscapes whirling in amongst themselves , remain unseen,  save for the few souls in tin machines hurtling along in the presence of natures finest high sky views.

Azure crisscrossed with opaque whites and rapidly turning dusk eggplant purples , wild and free form mingle with voluptuous orange streams of liquid light , hiding in the shadows the ‘day’ comes to an end ...

Does natures delicate hands sculpt the static water molecules knowing that there is beauty there ,


i have yet to fathom how such a gracious glory goes un noticed by many ,

luckily , for us , as we destroy every other aspect of earths eco system - the bold sky still remains ,

In the city doldrums and slums high rises
or slums on ground
or mansion view

the sky still bears dow the art works of sunset and rise ,
of cloud shifters and shapers , movers and shakers
still offers a connection to natures heart to remind us , of the magnificence that is our world. That is our home,

although - i have been told - under the surface or in this case , above the surface , here too has been attacked , pumping deadly toxic fumes into water ways
and lung ways

knowing all the whilst that this will do more harm than good

and here is where i , still struggle - i’m writing this on the plane -

a carbon dioxide emitting , fossil fuel guzzling , corporate ******* of a business .

but i need to get places , and go long distances in the shortest amount of time possible ..

I
A body of white walls
houses familiarity

Somehow even familiarity
distorted itself
beneath raw cinder blocks
doused white enough
that I could see
the eyes of the past
the eyes of the future
looking back at me,
the eyes of the present

Must journey
behind the white walls
into the familiar unknown

For there is something there

Beyond walls
so very high

They
only crumble,
only die

For there is something there

I must look now
through the deep crevices
deep through my mind

For there is something there

Do I find?

I see people
I see minds
Beyond the white walls
looking back
at I

Why oh why
must I continue?
looking forward
only to
look back again

I am stuck,
encased inside
eternity

Only looking back
to find
a way out
a way out
of me

Me
I have always
been my own infinity

Inside, a prisoner
handcuffed to
the white walls
I am shackled here,
alive
kicking

Death
here in the
eternal infinity

Great intellects
dead,
killed by me

I am my own infinity

I must **** me
I will be free
no longer shackled

I am my own infinity
I am my own uncertainty
I am my own familiarity

It is me
I am my own infinity

The white walls
close in on me,
my own infinity

I do not want to change myself
I do not want to change me

I change
I die

Death’s kiss might be sweet
death’s kiss may free me,
finally

Yet
I cannot accept it
I will not

I just want to be me
but I am everyone else
and they are me
my own infinity

Everything that is
is so very much
everything that is’nt

Beyond the white walls
are nothing you see

White walls
everywhere

White walls
everything

Encasing all
of us

It is here,
it is here

The white walls
shackle us,
shackle us
to
reality,
society


There is forever
no infinity
in me

The familiarity
tastes of death
mistaken for
reality
society

The burning truth

The familiarity
the distorted familiarity
that
is
reality
society

We rely on each other
So much we shoot
each other

We are not strong
We are not smart

We can be
We can’t be

If we break
the shackles
If we keep
the shackles

I am in pieces
I am shattered like glass

I cannot do this
I cannot presume

Death’s kiss
seems sweeter than ever
(forever lost in my own infinity)

You see we
build ourselves up
so
the white walls
eat us up

until we are part of
the white walls
until we are part of
the unknown familiarity

Can I break
through?

want to
need to
break through

White walls
oh,
white walls

I’ve been punching
for so long

I am tired,
I am weary

Resisting,
rebelling

Far too long

White walls,
White mazes

Around
my infinite
familiarity


I cannot
make it out
of myself

So I
walk,

So I
walk,

This great
maze of my
soul

Humorous,
I call it a
great maze

I only walk
in circles

Forever in cycle

I’ve felt the
tears,

Fallen onto
the white walls

Hard
to tell
if they
are clear
or just another
drop of paint

Mind
loops back
on itself,
(always does)

Losing it
(finally insane)


A mad man
I am

A new coat
to adorn

Darker

Darker

Darker

Cracks,
crevices
the white walls
emit abysmal black paint

So-cold
oil,
(called paint)
I will make darkness burn
It stings,
makes a statement
deep within me

Have you ever
felt pain?

Have you ever
felt life?

Walls
I have forgotten
what color
infinity was

Happiness,
feels
so white
but
burns
so dark

Have you ever
felt dark?


Dark feels me
as I
wander,
wither

In
white darkness

II
Out of
walls,
like ghosts
come the hounds

Hounds of the world!
is this all you are?

Animals
who eat away the
stone
rubble
of my soul

Is that what I’ve
become?

Only
stone?
rubble?

White,
raw stone
crushed,
unbroken
by the
organized animals
mistaken to be ourselves

Somehow still shackled
to white darkness
I’ve felt it
I feel it
it feels me

As if to caress
something so bare-beautiful
as a women,
disrobed in the
eternal darkness
of countless midnights

Spent down beneath
the infinity of
blacks,
purples
and blues

Laying in the
leaves of grass
I am
looking at the holes
of the black galaxy
that shoot their beams
back into the
familiar infinity
of my soul itself

For there is something there

There always never always was
something there

I can hear the hounds
once again
prancing
dancing their way
down the halls of
white walls

The white walls that were always never always
there

I walk through them
like such a ghoul
and see
so much of
every nothing
White walls
they melt like
glue

No support

No support

No support

For this life,
for all who may be
in this life

Have nothing
only others

They only
have the other souls,

For they have lost
their own lives
replaced them with
others

Ayn Rand, were you right?
Ayn Rand, were you right?

I’m searching for something
I’m searching for nothing

Where are you?
Individual?

My soul
it pours out
it fills the droughts
of this eternal infinity

But does reason flow?

I only need reason
all I wanted it was


NO!

NO!

NO!

Reason where are you?

The individual,
where are you?

Only descending into
further into madness

I must live!

I must thrive!

I will break this
structure of society

I will shatter
the layers of
humanity,
the layers of
society,
the layers of
reality

I spit lightning
I inhale thunder

Ever before
more alive

V. Ethereal

Maybe being drunk
is the closest I will
ever get to zero gravity--
to walking on the moon.

My fingers curled
around the neck of a liquor bottle,  
I wander to my bedroom window,
as a tipsy weightlessness settles
amongst my limbs
(and my thoughts).

Swaying slightly,
I part the curtains and,
in my intoxicated stupor,
search for Polaris in the night sky,
point to it,
press a clumsy hand to the glass,
convince myself that
I have captured the star,
and all the omniscient power
it possesses,
beneath my finger tips.

Star light,

{lips pant--
inebriated,
heavy}

star bright,

{my breath appears a catalyst
as the window pane glazes over
in an impenetrable paroxysm of fog}

first star I see tonight,

{I take a swig,
raise the bottle--
a toast
to the cosmos}

I wish I may,

{Lashes meet in
silent matrimony}

I wish I might,

{Behind closed, desperate eyes,
ribbons of colour dance
towards me in a disoriented jig}

have this wish I wish tonight--

to be
obliterated by the very galaxy
that birthed
these grieving bones
and this tumultuous heart.

Because only then--
as the Gods paint the Night
with the innards of my soul,
acrylic purples
churning against the blackness--
will I become what I
have always dreamed
of becoming:

Lovely.

Ethereal.

Descend from Heaven, Urania, by that name
If rightly thou art called, whose voice divine
Following, above the Olympian hill I soar,
Above the flight of Pegasean wing!
The meaning, not the name, I call: for thou
Nor of the Muses nine, nor on the top
Of old Olympus dwellest; but, heavenly-born,
Before the hills appeared, or fountain flowed,
Thou with eternal Wisdom didst converse,
Wisdom thy sister, and with her didst play
In presence of the Almighty Father, pleased
With thy celestial song.  Up led by thee
Into the Heaven of Heavens I have presumed,
An earthly guest, and drawn empyreal air,
Thy tempering: with like safety guided down
Return me to my native element:
Lest from this flying steed unreined, (as once
Bellerophon, though from a lower clime,)
Dismounted, on the Aleian field I fall,
Erroneous there to wander, and forlorn.
Half yet remains unsung, but narrower bound
Within the visible diurnal sphere;
Standing on earth, not rapt above the pole,
More safe I sing with mortal voice, unchanged
To hoarse or mute, though fallen on evil days,
On evil days though fallen, and evil tongues;
In darkness, and with dangers compassed round,
And solitude; yet not alone, while thou
Visitest my slumbers nightly, or when morn
Purples the east: still govern thou my song,
Urania, and fit audience find, though few.
But drive far off the barbarous dissonance
Of Bacchus and his revellers, the race
Of that wild rout that tore the Thracian bard
In Rhodope, where woods and rocks had ears
To rapture, till the savage clamour drowned
Both harp and voice; nor could the Muse defend
Her son.  So fail not thou, who thee implores:
For thou art heavenly, she an empty dream.
Say, Goddess, what ensued when Raphael,
The affable Arch-Angel, had forewarned
Adam, by dire example, to beware
Apostasy, by what befel in Heaven
To those apostates; lest the like befall
In Paradise to Adam or his race,
Charged not to touch the interdicted tree,
If they transgress, and slight that sole command,
So easily obeyed amid the choice
Of all tastes else to please their appetite,
Though wandering.  He, with his consorted Eve,
The story heard attentive, and was filled
With admiration and deep muse, to hear
Of things so high and strange; things, to their thought
So unimaginable, as hate in Heaven,
And war so near the peace of God in bliss,
With such confusion: but the evil, soon
Driven back, redounded as a flood on those
From whom it sprung; impossible to mix
With blessedness.  Whence Adam soon repealed
The doubts that in his heart arose: and now
Led on, yet sinless, with desire to know
What nearer might concern him, how this world
Of Heaven and Earth conspicuous first began;
When, and whereof created; for what cause;
What within Eden, or without, was done
Before his memory; as one whose drouth
Yet scarce allayed still eyes the current stream,
Whose liquid murmur heard new thirst excites,
Proceeded thus to ask his heavenly guest.
Great things, and full of wonder in our ears,
Far differing from this world, thou hast revealed,
Divine interpreter! by favour sent
Down from the empyrean, to forewarn
Us timely of what might else have been our loss,
Unknown, which human knowledge could not reach;
For which to the infinitely Good we owe
Immortal thanks, and his admonishment
Receive, with solemn purpose to observe
Immutably his sovran will, the end
Of what we are.  But since thou hast vouchsafed
Gently, for our instruction, to impart
Things above earthly thought, which yet concerned
Our knowing, as to highest wisdom seemed,
Deign to descend now lower, and relate
What may no less perhaps avail us known,
How first began this Heaven which we behold
Distant so high, with moving fires adorned
Innumerable; and this which yields or fills
All space, the ambient air wide interfused
Embracing round this floried Earth; what cause
Moved the Creator, in his holy rest
Through all eternity, so late to build
In Chaos; and the work begun, how soon
Absolved; if unforbid thou mayest unfold
What we, not to explore the secrets ask
Of his eternal empire, but the more
To magnify his works, the more we know.
And the great light of day yet wants to run
Much of his race though steep; suspense in Heaven,
Held by thy voice, thy potent voice, he hears,
And longer will delay to hear thee tell
His generation, and the rising birth
Of Nature from the unapparent Deep:
Or if the star of evening and the moon
Haste to thy audience, Night with her will bring,
Silence; and Sleep, listening to thee, will watch;
Or we can bid his absence, till thy song
End, and dismiss thee ere the morning shine.
Thus Adam his illustrious guest besought:
And thus the Godlike Angel answered mild.
This also thy request, with caution asked,
Obtain; though to recount almighty works
What words or tongue of Seraph can suffice,
Or heart of man suffice to comprehend?
Yet what thou canst attain, which best may serve
To glorify the Maker, and infer
Thee also happier, shall not be withheld
Thy hearing; such commission from above
I have received, to answer thy desire
Of knowledge within bounds; beyond, abstain
To ask; nor let thine own inventions hope
Things not revealed, which the invisible King,
Only Omniscient, hath suppressed in night;
To none communicable in Earth or Heaven:
Enough is left besides to search and know.
But knowledge is as food, and needs no less
Her temperance over appetite, to know
In measure what the mind may well contain;
Oppresses else with surfeit, and soon turns
Wisdom to folly, as nourishment to wind.
Know then, that, after Lucifer from Heaven
(So call him, brighter once amidst the host
Of Angels, than that star the stars among,)
Fell with his flaming legions through the deep
Into his place, and the great Son returned
Victorious with his Saints, the Omnipotent
Eternal Father from his throne beheld
Their multitude, and to his Son thus spake.
At least our envious Foe hath failed, who thought
All like himself rebellious, by whose aid
This inaccessible high strength, the seat
Of Deity supreme, us dispossessed,
He trusted to have seised, and into fraud
Drew many, whom their place knows here no more:
Yet far the greater part have kept, I see,
Their station; Heaven, yet populous, retains
Number sufficient to possess her realms
Though wide, and this high temple to frequent
With ministeries due, and solemn rites:
But, lest his heart exalt him in the harm
Already done, to have dispeopled Heaven,
My damage fondly deemed, I can repair
That detriment, if such it be to lose
Self-lost; and in a moment will create
Another world, out of one man a race
Of men innumerable, there to dwell,
Not here; till, by degrees of merit raised,
They open to themselves at length the way
Up hither, under long obedience tried;
And Earth be changed to Heaven, and Heaven to Earth,
One kingdom, joy and union without end.
Mean while inhabit lax, ye Powers of Heaven;
And thou my Word, begotten Son, by thee
This I perform; speak thou, and be it done!
My overshadowing Spirit and Might with thee
I send along; ride forth, and bid the Deep
Within appointed bounds be Heaven and Earth;
Boundless the Deep, because I Am who fill
Infinitude, nor vacuous the space.
Though I, uncircumscribed myself, retire,
And put not forth my goodness, which is free
To act or not, Necessity and Chance
Approach not me, and what I will is Fate.
So spake the Almighty, and to what he spake
His Word, the Filial Godhead, gave effect.
Immediate are the acts of God, more swift
Than time or motion, but to human ears
Cannot without process of speech be told,
So told as earthly notion can receive.
Great triumph and rejoicing was in Heaven,
When such was heard declared the Almighty’s will;
Glory they sung to the Most High, good will
To future men, and in their dwellings peace;
Glory to Him, whose just avenging ire
Had driven out the ungodly from his sight
And the habitations of the just; to Him
Glory and praise, whose wisdom had ordained
Good out of evil to create; instead
Of Spirits malign, a better race to bring
Into their vacant room, and thence diffuse
His good to worlds and ages infinite.
So sang the Hierarchies:  Mean while the Son
On his great expedition now appeared,
Girt with Omnipotence, with radiance crowned
Of Majesty Divine; sapience and love
Immense, and all his Father in him shone.
About his chariot numberless were poured
Cherub, and Seraph, Potentates, and Thrones,
And Virtues, winged Spirits, and chariots winged
From the armoury of God; where stand of old
Myriads, between two brazen mountains lodged
Against a solemn day, harnessed at hand,
Celestial equipage; and now came forth
Spontaneous, for within them Spirit lived,
Attendant on their Lord:  Heaven opened wide
Her ever-during gates, harmonious sound
On golden hinges moving, to let forth
The King of Glory, in his powerful Word
And Spirit, coming to create new worlds.
On heavenly ground they stood; and from the shore
They viewed the vast immeasurable abyss
Outrageous as a sea, dark, wasteful, wild,
Up from the bottom turned by furious winds
And surging waves, as mountains, to assault
Heaven’s highth, and with the center mix the pole.
Silence, ye troubled Waves, and thou Deep, peace,
Said then the Omnifick Word; your discord end!
Nor staid; but, on the wings of Cherubim
Uplifted, in paternal glory rode
Far into Chaos, and the world unborn;
For Chaos heard his voice:  Him all his train
Followed in bright procession, to behold
Creation, and the wonders of his might.
Then staid the fervid wheels, and in his hand
He took the golden compasses, prepared
In God’s eternal store, to circumscribe
This universe, and all created things:
One foot he centered, and the other turned
Round through the vast profundity obscure;
And said, Thus far extend, thus far thy bounds,
This be thy just circumference, O World!
Thus God the Heaven created, thus the Earth,
Matter unformed and void:  Darkness profound
Covered the abyss: but on the watery calm
His brooding wings the Spirit of God outspread,
And vital virtue infused, and vital warmth
Throughout the fluid mass; but downward purged
The black tartareous cold infernal dregs,
Adverse to life: then founded, then conglobed
Like things to like; the rest to several place
Disparted, and between spun out the air;
And Earth self-balanced on her center hung.
Let there be light, said God; and forthwith Light
Ethereal, first of things, quintessence pure,
Sprung from the deep; and from her native east
To journey through the aery gloom began,
Sphered in a radiant cloud, for yet the sun
Was not; she in a cloudy tabernacle
Sojourned the while.  God saw the light was good;
And light from darkness by the hemisphere
Divided: light the Day, and darkness Night,
He named.  Thus was the first day even and morn:
Nor past uncelebrated, nor unsung
By the celestial quires, when orient light
Exhaling first from darkness they beheld;
Birth-day of Heaven and Earth; with joy and shout
The hollow universal orb they filled,
And touched their golden harps, and hymning praised
God and his works; Creator him they sung,
Both when first evening was, and when first morn.
Again, God said,  Let there be firmament
Amid the waters, and let it divide
The waters from the waters; and God made
The firmament, expanse of liquid, pure,
Transparent, elemental air, diffused
In circuit to the uttermost convex
Of this great round; partition firm and sure,
The waters underneath from those above
Dividing: for as earth, so he the world
Built on circumfluous waters calm, in wide
Crystalline ocean, and the loud misrule
Of Chaos far removed; lest fierce extremes
Contiguous might distemper the whole frame:
And Heaven he named the Firmament:  So even
And morning chorus sung the second day.
The Earth was formed, but in the womb as yet
Of waters, embryon immature involved,
Appeared not: over all the face of Earth
Main ocean flowed, not idle; but, with warm
Prolifick humour softening all her globe,
Fermented the great mother to conceive,
Satiate with genial moisture; when God said,
Be gathered now ye waters under Heaven
Into one place, and let dry land appear.
Immediately the mountains huge appear
Emergent, and their broad bare backs upheave
Into the clouds; their tops ascend the sky:
So high as heaved the tumid hills, so low
Down sunk a hollow bottom broad and deep,
Capacious bed of waters:  Thither they
Hasted with glad precipitance, uprolled,
As drops on dust conglobing from the dry:
Part rise in crystal wall, or ridge direct,
For haste; such flight the great command impressed
On the swift floods:  As armies at the call
Of trumpet (for of armies thou hast heard)
Troop to their standard; so the watery throng,
Wave rolling after wave, where way they found,
If steep, with torrent rapture, if through plain,
Soft-ebbing; nor withstood them rock or hill;
But they, or under ground, or circuit wide
With serpent errour wandering, found their way,
And on the washy oose deep channels wore;
Easy, ere God had bid the ground be dry,
All but within those banks, where rivers now
Stream, and perpetual draw their humid train.
The dry land, Earth; and the great receptacle
Of congregated waters, he called Seas:
And saw that it was good; and said, Let the Earth
Put forth the verdant grass, herb yielding seed,
And fruit-tree yielding fruit after her kind,
Whose seed is in herself upon the Earth.
He scarce had said, when the bare Earth, till then
Desart and bare, unsightly, unadorned,
Brought forth the tender grass, whose verdure clad
Her universal face with pleasant green;
Then herbs of every leaf, that sudden flowered
Opening their various colours, and made gay
Her *****, smelling sweet: and, these scarce blown,
Forth flourished thick the clustering vine, forth crept
The swelling gourd, up stood the corny reed
Embattled in her field, and the humble shrub,
And bush with frizzled hair implicit:  Last
Rose, as in dance, the stately trees, and spread
Their branches hung with copious fruit, or gemmed
Their blossoms:  With high woods the hills were crowned;
With tufts the valleys, and each fountain side;
With borders long the rivers: that Earth now
Seemed like to Heaven, a seat where Gods might dwell,
Or wander with delight, and love to haunt
Her sacred shades: though God had yet not rained
Upon the Earth, and man to till the ground
None was; but from the Earth a dewy mist
Went up, and watered all the ground, and each
Plant of the field; which, ere it was in the Earth,
God made, and every herb, before it grew
On the green stem:  God saw that it was good:
So even and morn recorded the third day.
Again the Almighty spake, Let there be lights
High in the expanse of Heaven, to divide
The day from night; and let them be for signs,
For seasons, and for days, and circling years;
And let them be for lights, as I ordain
Their office in the firmament of Heaven,
To give light on the Earth; and it was so.
And God made two great lights, great for their use
To Man, the greater to have rule by day,
The less by night, altern; and made the stars,
And set them in the firmament of Heaven
To illuminate the Earth, and rule the day
In their vicissitude, and rule the night,
And light from darkness to divide.  God saw,
Surveying his great work, that it was good:
For of celestial bodies first the sun
A mighty sphere he framed, unlightsome first,
Though of ethereal mould: then formed the moon
Globose, and every magnitude of stars,
And sowed with stars the Heaven, thick as a field:
Of light by far the greater part he took,
Transplanted from her cloudy shrine, and placed
In the sun’s orb, made porous to receive
And drink the liquid light; firm to retain
Her gathered beams, great palace now of light.
Hither, as to their fountain, other stars
Repairing, in their golden urns draw light,
And hence the morning-planet gilds her horns;
By tincture or reflection they augment
Their small peculiar, though from human sight
So far rem

It was after we passed Moby’s Dock
that Ebony met her first thresher shark

He was five feet long or so
two feet shark, three feet tail,
and had just been pulled from the surf
to be proudly displayed
by the fisherman who had caught him

Ebony stood transfixed
her every muscle poised
her feathered tail twitched
as she leaned closer to inspect
and then recoiled from this cold-blooded beauty
still dressed in fleetingly iridescent
blues and greens and purples -

As the sun’s fading beams highlighted
the magnificence of this dying shark
I mourned his loss that night.

The noise and tourists
in the Pier’s arcades and bumper cars
did not detract from the peacefulness
of the Pacific in her chaos
for this was August
and they would soon go home

I watched a distant storm at sea
flashing fire against the deepening twilight
I stood, and Ebony,
gazing at the flashes of lightning

My hand felt her softness and warmth
as I stroked the waves of her black fur
relishing the cool wind on my face
listening to the rigging
of the boats resting at anchor off the Pier

Thinking about thresher sharks
Willing them away
from this place with its fishermen
and cold, baited hooks

Cori MacNaughton
13 Sept 2000

The swallow of summer, she toils all the summer,
A blue-dark knot of glittering voltage,
A whiplash swimmer, a fish of the air.
          But the serpent of cars that crawls through the dust
          In shimmering exhaust
          Searching to slake
          Its fever in ocean
          Will play and be idle or else it will bust.

The swallow of summer, the barbed harpoon,
She flings from the furnace, a rainbow of purples,
Dips her glow in the pond and is perfect.
          But the serpent of cars that collapsed on the beach
          Disgorges its organs
          A scamper of colours
          Which roll like tomatoes
          **** as tomatoes
          With sand in their creases
          To cringe in the sparkle of rollers and screech.

The swallow of summer, the seamstress of summer,
She scissors the blue into shapes and she sews it,
She draws a long thread and she knots it at the corners.
          But the holiday people
          Are laid out like wounded
          Flat as in ovens
          Roasting and basting
          With faces of torment as space burns them blue
          Their heads are transistors
          Their teeth grit on sand grains
          Their lost kids are squalling
          While man-eating flies
          Jab electric shock needles but what can they do?

They can climb in their cars with raw bodies, raw faces
          And start up the serpent
          And headache it homeward
          A car full of squabbles
          And sobbing and stickiness
          With sand in their crannies
          Inhaling petroleum
          That pours from the foxgloves
          While the evening swallow
The swallow of summer, cartwheeling through crimson,
Touches the honey-slow river and turning
Returns to the hand stretched from under the eaves -
A boomerang of rejoicing shadow.

666

Ah, Teneriffe!
Retreating Mountain!
Purples of Ages—pause for you—
Sunset—reviews her Sapphire Regiment—
Day—drops you her Red Adieu!

Still—Clad in your Mail of ices—
Thigh of Granite—and thew—of Steel—
Heedless—alike—of pomp—or parting

Ah, Teneriffe!
I’m kneeling—still—

You’re the painter
and
I am the canvas

You mix blues
and purples
into my skin

Your brushes
are the fists
of a flawed
childhood

I am the pale canvas
of
love

I am patient
as your anger
swells

I wait for
your artwork
to form along
my skin

This is sick
I know
But all I can
say is

“Paint me
and
Make me beautiful” -DDF

There's an architect designing the world from the skyline downwards, as he believes himself to be a God
The paraffin lamps on Victorian cobbled corners are as dry as the seraph in dust bowls over some arid sea
A portrait exists, of a town covered in mist and the orange cliffs are a thousand bloodied wrists
Somewhere music plays to ghosts, obtuse reverberations of some cave on a mountain... or something
and what a useless skill it is to be a poet, flouting fanciful words as if a single soul cared or could possibly muster anything more than unadulterated apathy

What a lonely life it is, to spend entire days watching ******* and reveling in dissociative stoicism
Watching cam girls for hours on end, swept up in conversation yet never taking part, only watching
They seem as lonely as anybody, holed up in crimson rooms as anonymous DJs play through laptop speakers
Fielding obscene questions with a smile and renting their body in timetables to the highest tipper
and some days the depression becomes so heavy that ******* seems impossible, though it's possible to blame such  scarcity on the anti-anxiety meds that have ruined so many-a youthful folly

Is there a more flattering notion, than a story teller being commended for honesty when every word is a lie
Fictional accounts of melancholic lives told in a pulchritudinous verse or a prose of the most regal purples
Using nothing more than ******-stimulants and a smeared bedroom window for inspiration
There's a writer sat at a desk, typing ridiculous lines of text, as he knows himself to be human
and in that humanity he strives to create a realists interpretation of existence through scattered memories
and derivative styles of his favourite authors whilst using educational texts as footnotes in imaginary diaries

I am sad
I see blues and purples
      Sometimes even reds
Sometimes the colors hurt
Sometimes they hurt a lot
Sometimes they hurt too much

So they gave me pills
Pretty little pills
To hide the blues and purples
        And sometimes reds
They say to find the yellows
And greens

I take the pretty little pills
And the blues and purples hide
But I've lost my yellows and greens
And all that's left

Is grey

"Don't stop dreaming" crooned a voice in my ear
But dreaming re-enforces fear
Slumber comes and shreds my thoughts
Subconscious wars are brought and wrought.

Inside my skull holds evidence of
Bruised purples and nightmare reds
Sleep shreds my mind between its teeth
And wretches it across; bequeath

Across the walls, across the room
Across the shadows, through the gloom