CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l

(0)
Fly perfectly straight and high, and show the fly
out of the fly-bottle on your way.
Rise to victory, far above the blue sky,
and reap the reward: the opening of paradise!

The road ahead is clear and open this way,
with things small and big growing and disappearing up this way.
You will see sunrises and sunsets waxing and waning,
with mention of the moon and stars in the dark.
Be mindful as you sway, it's got to be laser-sharp.
There is no hard shoulder on this highway,
miss it by an inch and risk losing everything forever!

There is hope, there is light up high
pick up your paintbrush, just like the sun does
goodness knows how it sneaks in, right in the black
canvas of the night, painting the first light
lo, it shows up in heaven, the candle of the daylight.

As long as there is a man and a woman,
never give up, our canary bird can fly
rosy or not, the nest in every morn nets a sunrise!

(1)
A woman indeed plucks up the courage
she never had to look up to the stars
be it for the guide or the light in the night.
Fathima herself was the full Moon every night
is thanks to her Godsent innate light.

With it, she can bask in the full spread of the pi
on top of its short decimals mounting high
constantly as if countless stars in the sky.

The time and space under the sun
and that under Fathima's light
are far apart from each other
yet they coexist side by side.

As she points out,
"A circle is masculine
while pi is feminine."

Pi forms the circle with fine prints,
decimal dots continue to spring,
sprawling trillions of new digits,
the bandwagon is still increasing.
Connecting the dots is an untouched dream.

The full moon pi picture is veiled,
unseen at large, yet in short, 3.145 it can live!

(2)
Fathima flies her lock of hair
in the lurking air of the transcended pi
the primitive feminine does that,
no wonder she is God's secret feminine opus!
An immeasurable black hole lies in between
the short and transcended pi, running like a river,
dancing anew on every riverbank
in the many curls of Fathima's jet black hair.

She lent out a hair to the planet earth
and crossed over like a silhouette
without spilling out the colour
of the transcended end of the pi.
The earth takes it in the core in her heart
as if it would keepsake it forever.

Weaving the pi in Fathima embeds two hairs ties one
perfect circle at the back and one at the front of the universe.
Inside each hair the earth is finest fluid in the core
none is as deep as high as proportionate a perfect flow.
No time is as revealing no music is as sweet in this orb
no force is as mighty nor as prevailing a true giant
causing gravity and the heat at the earth's core.
Matter and spirit mix free in the play both wax lyrical
thanks to the pure resonance of 'Qun Be' the word of God!

(3)
The way to the earth's core is exposed to none other
save the Angel of Death the lucky one.

See both sides of the one lofty sky swathed in countless stars  
but the day and night render through still remains an unseen one  
Terra is shalet zeroed in Fathima is heaven on earth!  
Up in the sky-high bank turning the starry bowl upside down
Fathima took no star nor a pearl diving deep down the Arab water,
the brightest luminary came after Muhammad (PBUH),
in veil from the Night of Measures and into the flipside in the night
she's gone without lifting the veil but left her penetrating mark.

Few could find the shortcut contemplating on a blank canvas
the Moon looks down into the abyss down the sea eyes on far
for a mirror in the bottom on the as above so below matter
since Godsent Fathima touched on the all-inclusive primitive water.
The sun gets caught up in the very water dew she raised in the sky
the ancient fold of time still unfurls with the sun-kissed flowers
for the new hands yet the fingerprint on the sun remains only her!

Azrael heads to Fathima around the year 632 after death
touches down in Medina on his usual thin earth he steps.  
But this time a little mundane dust couldn't be thicker
he keeps descending deep down to the earth's centre
following from Medina but the angel locates her
inside the perfect circle a closed geometric figure.

(4)
Fathima is the female headline her secret is not all known
when she used to visit the Prophet Muhammad (PBUH)
he would stand up for her hold her hand and kiss it
and seat her on his seat, she would do the same to the prophet
when he would visit her like they did know each other
in and outside the spheres of heaven and earth!

She is the embodiment of the infinite feminine variations
the first spiritual woman created following God's word Qun.
Her is the mother tongue of the ever diversified feminine lingua
no one woman on her own can rhyme with her alone
she has no peer her rhetoric is unique like none other.
The galactic run from planet to planet up on the starry ladder
climbing high up the mountain heaven yet streams out like oval
off their rock bottom stone until that unleashes the final run
in perfect circle delving into the rhythm of the loop at the centre
made of Fathima's hair charged by 'Qun' God's uncreated word.  

Prophet David can sing on the bank of the river
and can see the fish are jumping to him out of the water.
The masculine is open form, eye on everywhere,
but not her the woman is in juxtaposition her
all-inclusive schema supplanting the details rest only on her.
She is the unseen world within the world at best imagine her!
Guess, through this inwardly open door who might disappear?
It's nature before the scientist on ultimate discovery of the matter!  

Aligning with her down the rainbow up high the land absorbs
the grooming sky looking on the running rivers within her.
Her words spread through like the smart cloud that flies far
over the lands and valleys but not even the wind none other
gets a sniff of the potion and melody it caries until that rain down
without a hurdle without a visual she moves on at the target
such a soul needs no after death lift from the angel of death.

Before Azrael Fathima loses an arc of the circle then and there
so not the earth but giant Azrael can take the pressure!
Marked by a fluid discharge since then she is cooling this fire
In Shaa Allah God willing when she ajars it, it will be elixir!  

(5)
Draw a straight line, but it won't be perfect
it keeps bending, fly straight touching the sky
the flight path won't look like a straight line
it would be like the crest of a crescent moon
like curve touched the sky, like climbing up
atop the pyramid is not going high straight on
it goes up from the widespread seked slopes.

Moves in golden ration 1.618 not the full two
and gets the designing formula flawlessly full
micro to macro all levels all the way to the true north!    

Fathima being the original feminine eyeing at her
she can tap in the knowhow of naturally feminine nature.
And discovers the immanent pattern - the world
is pre-designed and measured is never a coincidence.
The creatures' creativity, scientist's science
is to follow, discover working formulas like phi and pi.

Play along it works until an unknown hour strikes
comes with accurate knowledge dead on time
numerically correct never miss taking a life away
as if it was calculated beforehand before the birth.
A newborn is born for a limited time
already set but no one knows when it goes up  
is a deadlock clock but it isn't so shrouded
in the blueprint of the creatures' grand design
there the clock ticks safe and sounds it never dies!  

(6)
Fathima hailing from the other side of the pool
eyes on the ever live pre-design side of the creation!
Then its corporeal face was only a water drop,
the primitive one looks see-through it has dead zero
knowledge of its lively other side of the pool.
She comes closer and perfectly mirrors both sides
that shines through on her reflected face on the water.
An absolute new image that livens up the dead part
Bang - Big Bang! The corporeal world gets the spark
explodes out from the very first drop of the water!

Fathima's appearance was miraculously instrumental
God reveals nature the finite and infinite, 0 and 1,
future in the present and the death and life in play!
Nature follows suit it just saw the perfect role model
banged out but only to its corporeal set
it aspires to be with its infinite reality yet!

Fathima leaves the door open constructing a perfect circle,
hardly straight, took the mixed bag of countless variations
she zooms into the abyss irrational portion of the first matter,
the primitive water drop and aces the circle with her hair
that nothing can equate throughout the corporeal world.
Done the math discovering the zero starting point at the bottom.
The ocean of digit numbers, the DNA of all things material
banged out of it, still, the zero is numberless irrational!

(7)
All things, within oneself and in a set constantly vibrate,
strive to align with the enduring reality of itself.
The atom vibrates to reach out to its immortal portion
that doesn't die and is in the know of its lower base.
The planets are in a defined circular orbit, accurately measured
just the apex on top of their dynamic pyramid the pyramidon
is tucked away; they too have an irrational portion in the circle.

With the finest spin, they zoom in the spacious universe,
in part and like the sun outside the constellations round they go
never miss a target line yet to re-discover Fathima's perfect circle
the origin of their digital essences' breakthrough
the door to their transcended destination de jour.
Lo the matter turns the last stone pulsing across the cosmos
the mortal horizontal spread, the spirit returns home.

The earth has a line in its swansong it has a place in paradise
it's not here to stay for good neither to perish forever!

Matters form and break without losing the rope,
it's not to paint the shades of the eternal blue
but to ace an irrational portion in the circle
at the heart of the earth, as above, so below.  
The deep the high the perfect circle
up and down the centre of gravitation for all!

At even and at odd the vibration within the matter is fluid
somewhere is parched there the arch matter must make a splash.
Far away on that dark beach, the full-fledged sea of the matters
outpours its billowy potion with the Moon on the frontline
from deep within the physical world's most glowed up firefly!

(8)
The seven seas swell up smoothly into the moonlight-dip
oh, the waterless Moon at the core is still fasting.
Led by time the sweet swan punting along the waves
streams down the watery inner circle of the planets.
Until stuck in the Moon no water in the last waterfront
but paradise is on the other side of the pool!  

The sun dips away into the night
while the eve baths in the shades of pink and gold,
the dazzling hues soon turn to taupe.
Drawing down painting the picture in full colour
only to find the time is up on the halfway,
yet to print a colour copy of the night!
The other unseen half is passed down to the Moon
tiptoeing in slow motion in the depths of the night
barely keeping the head afloat in a fathomless ocean
of shades of black hails from where knows no one.  

The sun enkindles the moon half-lit keeping itself away
amid shadows as if comparing the shades now it knows
a Mehrem a veiled female is ahead not to look on or
compared to that the sun has no light or true are both.

Wrapped in the eternal night beneath its black mole
once the moon on the front approaching most close
directly down to the centre of the earth eyes on
over that inlaid string hairy black perfect circle
never did it turn back the same gaze is still on
orbiting around the earth in synchronous rotation.

(9)
The never-ending night is becoming a night indeed
it's coming to an end so soon in our time.
In Shaa Allah I will see it with my eyes before I die
in the Night of Measures in an odd night in Ramadan
Fathima from the transcendental end of irrational heart
will turn on top of the curve opening for the first time
a 9-degree angle in the circle at the centre of the earth.

Instantly the leading force, time will get the first sniff
of the other world, so peaceful heart-melting serene.
Rapturous time feeling an ounce of the enduring peace
for the first time cutting all the corners with ease
will be propelled into its yet uncharted golden mean.
Scurrying to the peaceful abode time will be on its wings
across the globe, people will be stunned seeing
how first the times pass from then on incredibly quick!

Fathima, the first spiritual woman on duty, will start
pulling her hair back off the circle at the centre
Juxtaposed in between the worlds of here and hereafter.
She will take back every inch of it, the heavenly bodies
will feel the pinch of her every little subtle pull
that too is a boon helping them perfect their circle.

(10)
Soon she opens it just 9-degree wide at first
the Moon will see a glimpse of the first drop of water.
Without it, it's living perched without the water of life
that's destined to rain down soon and the Moon
back into its original pond shall revive!
Mapping the pi's whole infinitesimals playground
finally, Fathima will turn the circle upside down
on the dot the stunned sun shall rise in the western sky!

By now under Fathima's hair's shaded closed circle
it must have sailed far over the blue sky in the other world.
Billowing with the breeze over the sea of uncharted water
and stacking to the brim with all that it could discover
humbly stood like a cloud in that corner of the sky.

The time is finally ticking fast to rain down with love
paradise's welcoming schema rendering in waterpaint drops
on the Moon over the sea of matters, that's most glowed up firefly
ah, finally can break the fast sipping in a drop of elixir!
It's their heavenly adopted, Miʿrāj performed, primitive water.
The Moon with the seven seas will leave off the corporeal shell
gliding gracefully with this stately water nymph as if it never dies
and will make a splash plopping into the pond of paradise!  

For the matter ultimately is water and its extent is sound
Fathima will fetch it the water of life and take it to the next life!
Oh, the matter shall do both die and revive with Israfil's sound
the cloud will fly out of the dead water on the ground,
like the earth with chorus songs of the rain revives.
When that a melodious nymph in the water makes waves
see paradise is here the Moon over the sea can't take off its eyes.

(11)
Hang on though they all set ready on their horizontal span  
to pull in such a fluid yet colourful descending like a rainbow swan.
First chaste Fathima will evaporate her hair's perfume away
that's yet lingering in the water warming it up to its premium
no crowd then can see where this heady, fragrant cloud will fly!
There are the momentum and delights where that will alight.

Israfil might then blow his trumpet swooning the world away
the secret will remain a secret exception is said in the Qur'an.
A strange sound will silence the chorus of the innate digits
collapsing the floating cosmos bubbling on their music.  
The corporeal circle will collapse as if there is no base no pi
the melody of the first word Qun means Be will still be loud
supercalifragilisticexpialidocious so how can we all expire?

Israfil too will play his reviving trumpet pure mellifluous
and In Shaa Allah numerically perfect Fathima will rise
amidst the resonant Qun as like she did in the beginning
when except prophet Muhammad (PBUH) there was nothing!
Now the earth once zeroed in beneath her hair will follow her
the stunned terra will discover Fathima took her hair away
only to shift the constellation up onto the upper world!

The old songs of the planets the chorus of the digits will revive
from the zero bases in the core the digital panache that dance
planet upon the planet as if they are always at the perfect hertz.

Indeed that is yet to come, the arts of the fine layers
opening from the irrational pi, the finest one is to flower
when Fathima will unloop her circled hair at the centre
piercing the very immanent irrational cut
that no creation can fathom only the loving creator Allah
will turn odd to even in between the here and hereafter
then the ocean stuck in deep salt shall turn to enduring potion!
The As-Sirat shall turn to be the bridge to paradise
the body shall revive with the enduring soul forever
and with ah Fathima couple shall enter paradise In Shaa Allah
with the rhapsody 'all praise is for Allah' Alhamdulillah!

SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist ... in the slow twist ... of the wind.
  
If the north wind comes they run to the south.
If the west wind comes they run to the east.
  By this sign
  all smokes
  know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: "I know you."
  
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from-
You and I and our heads of smoke.
  
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
  
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
  
Smoke of a city sunset skyline,
Smoke of a country dusk horizon-
  They cross on the sky and count our years.
  
Smoke of a brick-red dust
  Winds on a spiral
  Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
  
Stammer at the slang of this-
Let us understand half of it.
  In the rolling mills and sheet mills,
  In the harr and boom of the blast fires,
  The smoke changes its shadow
  And men change their shadow;
  A ******, a ***, a bohunk changes.
  
  A bar of steel-it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left-smoke and the blood of a man
And the finished steel, chilled and blue.
  
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
  Smoke and the blood of a man.
Pittsburg, Youngstown, Gary-they make their steel with men.
  
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
  
  The birdmen drone
  in the blue; it is steel
  a motor sings and zooms.
  
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
  
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up-
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
  
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
  Smoke nights now.
  To-morrow something else.
  
Luck moons come and go:
Five men swim in a *** of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the ******* plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers-they shadow-dance in laughing tombs.
They are always there and they never answer.
  
One of them said: "I like my job, the company is good to me, America is a wonderful country."
One: "Jesus, my bones ache; the company is a liar; this is a free country, like hell."
One: "I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves."
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
  
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
  
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
  
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the ****.
Forever the **** gets washed in fire and wind.
The anthem learned by the steel is:
  Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
  
Fire and wind wash at the ****.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors-
Oh, the sleeping **** from the mountains, the ****-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
  
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
  
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks-flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
  "Since you know all
  and I know nothing,
  tell me what I dreamed last night."
  
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
  
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
  
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
  
The wind never bothers ... a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.

Sweeter* than* wait I am starting
to melt like a____?
             Royal Jam
  Scarlet Movie Oh!  I don't give a
              ****!!
The Milkman versus My Breadman
How can I decide I feel I am
going to faint

Such a quaint picnic was "Hot Epic"
       My biggest fan is my
              Mother
    Going public like a stand up comic

All stereotypes happiness
        is a warm bread
Any way you slice it love it
Even going out of our head
The war going on
Hello Vietnam
Be my *Grand Slam

Have difficulty with everything
Melting our hearts those
"Good Eat" the luckiest people
But it's us the ordinary people
No time to brag or boost
who believes
everything is extraordinary
take a bow

Feeling tired give me a bat and ball
My big hit  built me a buttercup bed

I love the sweet warm toast
With my butter spread that
dash of sea salt the most
What was truly said in
your opinion no one's fault
Justice For All so stop
feeling guilty

Or in the presence of someone, you
didn't love at all

End of the reign beginning of
Melted candle dripping softly
like I apple butter he texted me
His ears were full of wax

Moms and
their daughters play
dressed up Dads and sons
  kickball having a meltdown
Of timeless bills no bread lines
Kings and Queens love their crowns
Love those quilts of corals
Soft as butter what morals

It's time for Hellman's
mayonnaise sandwich
What a dilemma
Every morning she is eating
Cream of wheat like a blob
Of farina
Kansas City here she comes

She loves her buttered popcorn
Poppy seed bagel was
near her acorns
We used to be human now
  An Army of Robots
Keep your enemies closer
If you truly love her

Robin Hood of the thieves

She got Gingersnapped
Melted finger-mapped
Crusty Baguette's French lip
lemon creme
Those marionettes caused
a scene

Butterscotch candy sugar cookies  
cleaning up your
computer meet "Ms." Butterworth"
movie
The worst shes ever has seen

She is sitting in the country
southern style
the dining room
Doing banana splits boiling
egg yolks Mcdonalds pancake
with Old folks

And cartwheels Moms always
wearing her buttercream heels
More room buttercream paint
And so toxic she zooms

What a silly goose with hens
He is hiding his eyes like
a fugitive he was blind getting
melted by so many lovers
Buttery slippery hearts

Jumping like Jack Rabbits melting a
white picket fence no nonsense
This bread and butter hold me closer
Everyone is looking
like a stranger
Almost every morning new
improved bread love pusher
Fresh taste and another lover
Uptown girl left her catcher of
the rye bread on used up counter
Seeing too many piano players
of Billies, she was getting a
Bread hot fever

Take me to *Panera Bread
Cyborgs the pig and whistle 
beer and nuts melted butter pretzels
The Alien like a damsel in distress
Like a heart of the shamrock
What a lucky piece Irish bread
The Queen red wine and
breadcrumbs
On her musical chair
Milk and honey not your
Unicorn Pony quick kick
then melt me in my sleep

Ancient rocks up her castle
Sipping her hot spell word
puzzle
Secrets of all tattle tales
In her coffee, he smiles with
French croissant like a sergeant
Bread melted her butter lips
The very first time she
ever saw his face
There were more excursions
but no excuses to
butter up my Prince

Do you really think
everything you
see and touch or
love with such care
Has your name on it
   *      *      *      *      
*Divinity meet the Great
     *      *      *      *      
Lifetimes healing two freaking amazing feet

The house Mr. and Mrs.
   I suppose?
I double dare them
Great Play "Domino"
Where art thou freaking
match
Lover of all time Romeo

Prince and the Pauper her lovely
peasant dress the big catch of the day
This is the fisherman
All hooks and bait of
workmanship
The naked play Julliete
begin
So totally wherein

The spiritual home
never doubt I love
Shakespearian historian
Two Love DovesVictorain
Spiritual growth

Unconditionally
Freaking Great Earth

Defines your passion
The best creation your birth
Our defeat nothing turns
automatically sweet

This is our
"Great Expectations"

What to value anymore
Constitution versus the
Freaking Show Institution

Full bloom maturity growing
adventure unknown
On the same wavelength
He still dresses the same
In the Same town
New York Serendipity
Ice cream cookie dough mix the
freak shakes

That's great no time for breaks
The Baskin sin Robbins
Robin Bob Bobbin

People are not surviving
Their world is too weak
They cannot stretch to hold

The French connection kiss
fourteen carats of gold
Making a rise in good stock
Cattle sold
The Trump Tower fall out stars
The great year for puzzles

The worlds are full of moments
when we shouldn't be laughing
Not a great time he meets your
sadness
Round star of tears kindness

In her movement happiness walk
The worst times bring out her
   freaky nature  

Never aches either to change
Furniture looks modern cold
freaking great hot she was told

To be bonded in a marriage
Feeling older like her antique
wicker baby carriage
Eiffel tower the powerful
romance hour meeting her
happy hour

He is shopping for suits
Going back to his Brooklyn roots
smells of food feeling good

Getting into someone's mind
Meet Robin Hood
If I can turn back time the vessel
The Joker wild fossil

Like a freaking booker
there is no guarantee
The Suspense is killing me
don't freak out

Not paying your rent on-time
Those specks marked up your glasses
Time passes but your making a
spectacle of yourself

Imagine the world all alone
Brillantina smiling at
the Mona Lisa petite ballerina
Great Professor brother
Freaking out sister
Two-headed circus the Freakshow  
The haves or
the have-nots week went slow

The trees someone's apple poison
Gives someone such pleasure
companion what a complicated
mission

  Too deeply dwell in the possibilities

Each morning we are born again
Broke some blood capillaries
Or time will tell the Vampire Diaries

Tomorrow is another day
How you wish every day was payday
Almond eyes creaminess
The pick-up color of your dress
What is curdling freaky spooking
No time to Hail the Mary
Milk Soy what a cute
little miracle boy

Even talking on your
Light up tree ringtones
Out of your comfort
high cheekbones
Egyptian Camels sandstorm
Kiss your Mother just feel

His smile fireplace candescent
With your lover, he could
paint your body how
time just went in a heartbeat

The world is moving but
you're losing some gravity
But he lifts some parts
Sinking your teeth into the
best corn on the cob

Medieval times his
sword is taking
Anew freaking shape
Emerging and peeking out
Hair is French braided fine
knotted

He zooms out freaking great
one of a kind Corvette
Calling to you your name
He told the world
standing like a God
We are all freaking great
  Poets* Just start to know it

When the world is in trouble and theres nowhere left to turn.
Well your **** outta luck till then theres the Gonzo report.

Live from hidden location in a Florida basment broadcasting
now it's time for the Gonzo report.
With your team of in depth and seldom sane news team.

Your anchor man Gonzo   co Anchor that Batsheba
weather chick Neva finally gotta mention Flores.
Sports with your favorite ****** Richard Shepard.

And then theres Paula Swanson  who's sitting on my other side
I dont really know why  but eveyone likes Paula so who gives a *****.
Who wants a sandwhich im just saying.
And are field reporters Jeremy Wyatt,Chris Smith,And Mr E,

This just in.
A old man lost control of his car running over 17 people
and seriously ******* off one dwarf.
And if your keeping track at home kids it's old farts 20 crazy texting while driving teen *****   15.

Theres big trouble in Cairo kiddies  with more  no the situation
are own version  of snooky Bathsheba   take it away.
the camera zooms into  the   queen of Hello.
I swear to God Gonzo if  dont back the **** up i will knife you
you crazy *******  and put some ****** pants on you ******.

Yes Bathsheba ******* the outside  and  kinda ****** all around as well
but enough with the foreplay children.
Oh look Paula made cookies!
Baths began here report on troubles that had befallen this country
And as i mixed a drink it made me wonder.
Were the **** is Eygpt.

Opps looks like i dropped my cookie.
Like a mighty ninja with a hot flash I was met with a searing
pain to my nose.
In the name of Cindy Crawford what was that for?

Thats for even thinking bout going under that table.
But .
No Baths replyed  then hit me again.
The pain the agony my modeling carear.

Now with coverage from the World Series  heres Richard Shepard
Richard Can you here us.
The cam camera  cut  to a shot of a monkey masterbaiting in the Bronx zoo.

Yes the production team of Goldie and Joel M Frye
when not watching hot oil dwarf  varsity wrestling death match
there top notch.

Richard  dear lord man were on air it's no time for that now.
This isnt Chris's  bachelor party.
That isnt Richard you ****** Baths  spoke in that charming yet
Voice that told me if i didnt stop I might get a free *** change
voice of her's.

And it's not the world Series you half wit it's the Superbowl.
No  wonder  there was no mention of the stanley cup.
Baths what do you not know.
So after i mixed another wild turkey and put a mirror under
Paula's nose to make sure she was still breathing.
I told her  the roofies really help with the nerves.

Finally The artist formely known as Jack Horner   was live on the screen  from some cult meeeting it appeared.
*** they've captured Fergie.
Richard take it away.

Well these ***** keeping fighting over this ball.    
Runnin back  and ****** forth its driving me ****** bonkers.
Oh yeah amigo I these knickers ya asked for.
Richard held a pair of black *******  to the camera yeah
smell of  no talent  and overproduced songs.
dam you slash.

Back in the studio.
Ummm haha well i didnt ask him to steal anyones *******.
Paula broke the awkward silence i dont wanna go to school.
Paula you alright?
***** you John Travolta.

Ok well also at the world series of poker Jeremy Wyatt and he's got a special guest Taylor Swift.
Great god of the traveling  flying squirrell monkeys pants.
anything but her.

Screaming like a naughty little school girl with a  bad texting  habit
on a unlimted plan i dove underneath the news desk for it's better
die at the heels of Baths and a tap dancing kinda drugged Paula than   face a evil more sinister than Drew Dillegence or Ghandi  combined.

Jeremy was in the danger zone note even knowing it for beneath that
yummy little body layed the soul of satan  himself.

It was Nashvile  a few whiskey laced years ago  I was a drummer
for local sessions  she was 16 I.
well I wasnt.
you mix in some drugs s0me cars crashes knocking over a liquor store or two.  
That little hell cat had a thirst for danger  and some  lets just say
weird habbits   okay it was more like a curse.

Strange things happend to here past lovers.
John Mayer,  The gay cowboy from Broke Back Mountain  you know
that movie about the sinking ship, and that lesbian  from the Jonas Brothers.

Yes just as soon as she wrote a song you were good as dead.
You'd vanish to here secret torture chamber were her music played
non stop   and your blood was drained slowley so she could feed
her own talent or lack there of.

Jermy puzzled  hey Gonz you there Baths umm Paula ?
Underneath the saftey of are second hand news desk hey look gum.
huddled togather like three okay one drunk monkey and a passed out frat sister and a very ******* Baths please dont stab me im
fragile   like a aged bottle of good whiskey im just saying.

We gotta make a brake for it look Baths  you distract her im blowing this joint  like a long winded madman  on a five day binge
let loose on old country buffet.

Baths   spoke   in a  language  that was always a challenge  for me
called sanity.
Gonz if you dont let me out from under this desk.
Im going to rip your heart out and feed it to the  homless dwarfs.
And heres a napkin Paula's drooling on you.

I have a heart?

After a brief break.
And another check to make sure Paula was still breathing we
returned.
Dear lord where's Jeremy!

Screams could be herd Jesus Richard   it's no time for killing hookers
But 10 dollar beers  are a real kick in the ***.
Oh well Wyatts  gone he'll be missed.
this just in Taylor Swift to release her new single Why  Not  Jeremy!

Dear lord sweet sallys *** it was code she had taken him hostage
in the love of all things lady gaga  someone had to save my amigo.
except me  cause that ***** was crazy  and she's got a hell of a bite
im just saying  stay  strong   Jeremy  and think happy thought's

I could feel the ****** clamps and smell the burning flesh
from the car battery as we speak but enough  bout me and skeeters
personal life.

now its time for the weather with finally she's gotta mention Neva voice like a angel  Flores.
thanks Gonz that southern bombshell replyed okay in the south.

Alright Neva that was great  like i need to hear the weather.
I havent been outside in  seven years.

This just in Mr E  has been taken hostage in Cairo.
Well kids all i can say is as much as this hurts
we dont deal with terrorist  like we could raise a hundred bucks.

The bulletin came across the wire Raitch with a look of dont **** with me   Gonzo  although Pepples  thinks your okay in a ***** kinda pervert way.

All hells breaking loose  a all girls school for hot super models    
in trainng.
Baths  in shock and mock concern replyed oh dear lord.
I dont who has chops to cover such a story in short notice.
Raitch  Oh Baths I dont know either   ive herd  there ripping  each others clothes off   hair pulling its worse than a prison riot with
hot half naked strippers.

Baths kept speaking but in the name of chain gang women
i was lost deep in thought over ******* and world events
while downloading  pictures of Fergie eating a banana
what im a health nut okay.

Yeah I dont know who should go cover such a story right now hint.
Gonzo Baths and Ratich spoke like a tag team of terror hint!
Hey I should go shouldnt  I  ?

Yeah Gonz  ya think ?

With some ***** looks from the people who much like my family
wish id forget there names.
So they wouldnt have to join the witnness relocation program
i love it when they play hard to get.

Finally i was off the trusty Gonzo Report news van  waitting for me a bottle of wild turkey and some fine reading materials by that thinkers mag hustler waitting in the back.

There my amigos stood standing togather waving goodbye.
crying tears of joy hey is that a keg?
Chris on the turntables im beginnning to think it was a party.

But if Chris  was there just who was driving the Gonzo van!

The little dwarf laughed in glee as we flew threw town
like Charlie Sheen on a coke binge.
I was tossed around  like a beach ball at greatful dead concert
as finally   over the cliff the van flew.

There was a explosion that could be herd for at least a half a mile
course that was drowned out by the party.

The party was in full swing  finally Paula awoke.
Hey what the  hell happend and why is Trimman
******* my leg?

                                  
                                  Is Gonzo really Dead?  
    
    Will Jeremy Wyatt ever escape the *** dungeon of Taylor Swift.
                    
                        Will Richard Shepard ever put out a book
                        how kick lots of **** yet win the hearts of millions
                        and do a co write with lady GaGa and Mel Gibson?


                    Will Neva Flores  get ****** over her five second
                     mention hunt me down  and torture me for hours
                     im just saying  a girls got needs.


                    Will Paula Swanson  kick Trimman like a field goal
                                                    or just pass back out?

               Find out in the next action packed trillogy  called
                                          The Death Of Gonzo  

                       Untill  Next Time Stay Crazy Kids

There's a sickness in me, something I hide
At night I log on and search my inside demons
Low grade image on HD monitors
Guts and glory

I watch the videos, and smile, post a comment
Boy's body torn to shreds, eighteen wheeler destruction
I see you in Mexico, gangland violence
Remove three heads in a four minute clip, machete madness

Lean back in a leather chair, comfort in freedom
Adolescent boy, hung by the ankles
"Allah Hu Akbar", whip his *** ******
Family takes turns, mother holds a bedpan

Black man beats white woman, dominant dictator
***** shouldn't have kissed another man
Beat sense past the bleach on her scalp
Sister apathetically asks him to stop
Weak willed humanity

Who were you, before your face was gone?
Fighting this war, none shall win
Cannot see your brothers
One steals your wedding ring

There is a sickness in me
I derive pleasure from these pictures
"Zlo'radstvo", the sick man vomits

What jail cell is this
That one shoots up so freely
Gambling ***** cash
Am I, a free man, allowed to do the same?

Poor boy, cut the noose from round your neck
The poor girls are fighting in the streets
Childhoods are lost
It's hot out here, getting hotter still

Police brutality, gas station punch-up
Families fight, prostitutes steal
Streetlights are gallows
and the town burns to ashes,
with a skeletal man stumbling through the smog

Incestuous family, filming sick fantasy
Little sister scorned, crying to sleep
Bleeding orifice of a broken *****
Bleed for daddy, bleed, bleed

There is a sickness inside of me

Terrorist, hooded infidel, story to tell
Death to the west and other such messages
Bomb your city
Bomb your school
Upload it all to YouTube

A couple thousand hits of a girl beneath a truck
Dead-eyed cameraman zooms into a strewn liver
Back to her once pretty mouth
Anonymous comments, ****** deviants

There is a sickness in me and I want it gone

Secret currency, pays for a secret vice
I enjoy watching violence erupt,
Warring girls in the schoolyard
Cuts her hair, kicks to the face
I *******, feeling disgraced

Grainy suicide, bounce from the ground
Racist attack on a bus, perpetrator not found
Baby ***** in a crib, video with no sound
TheYNC profits from this,
The human condition keeps me coming around

There is a sickness in me
I call it humanity

Hours whiled away, begrudgingly sordid pixels
Opening new links, delving into insanity
Curiosity got the better of me
Tonight I probably won't sleep

BLAST   —   direct focus on a terrorist virus
that swims in breath and touch,
in globules of spittle and ssnot see,
waiting to plant roadside RNA bombs
in nostrils—from flesh to newsflash fantasies

with

a Fear-O-Meter Lockdown grip
of Crisis Management Economics:
Gaslit Fiat economy crash test dummies
tested within psychosocioschizological
experiments of the psychobacteriological

transfer of power, control, and wealth—

stats data for thinktanks and simulations:
which strategies are best to get the peasants  
to willingly offer up their lives for an illusion
of safety and protection, what causes people
to remain compliant or to become renegades.

Capitalism, the revolutionary meant to usurp
Queens and Kings, corrupted into a negative
Technocratic Corporatocracy: a Royal Trash
death cult that feeds on its young, sacrifices
its youth to scams, wars, and stolen futures:

a Technocrat Herr Doktor drug pusher
that plies the skin of trial control groups
for the venom of Warpspeed fangs—wraps
its coil around a bundle of willow switches
supple with youth, its victims kept alive

as a fuel source to burn in the corporate engine, and kept weak enough to require another fix "For the betterment of the whole."

(Gaslighting fills mandated shower-coops:
"Trust us, you're sick, and it's your fault.")

Pollute people into isolation against an enemy that has never been truthfully isolated and purified—
an Orwellian leap of faith that breaks:
a crusher of foundational laws,
a crusher of critical thought and bones.

"Destroy (transform) your dreams, milestones, and livelihoods for your safety and protection. We are doing this for you. We care about you. These numbers, these awful numbers are your fault! You're to blame! It's all your fault!"

"Make sure to vote for me come next election."

As much as North America is a globalist,
the New World is also its own experiment.
Fortress North America: the Eugenicist Manager founded upon colonialism and slavery that outsources its crisis economics—
highly contagious, bit with its own snake oil,
an experiment observed to show symptoms
of AIDS, North America attacking itself
in many ways, symptoms of having been
grazed and groomed for decades

in contagion-based sociopolitical templates
that result in acquired bipolar autoimmune
disease: past enemies and geists attained
boosted immunity to defend, adapt—learned
to deflect Sun Tzu's Art of War into itself

with its own momentum. "Unrestricted
Psychological Warfare": a process of confusion and doubt that leads to the demoralization and dehumanization of the target enemy via the subversive tactics of propaganda plowing, cultural memetic warfare, the infection of economy, politics, military, scientific and educational institutions and systems—
cybertech and media espionage and warfare,
all of it leading to symptoms of extreme

polarization and social moral tribalism—
a decades-long psychological, physical
and spiritual draining of the enemy
into a weakened, toxic state, barely worthwhile to conquer fully. The enemy does the rest,

finishes itself off with:

Acquired (Red Auto)ImmunoDefiency Syndrome

Red CONtroll COVID-19 debt slavery—
pandemic crisis, CoVfefe crisis, energy crisis,
population crisis, climate crisis, racism crisis,
market crisis, war crisis, terrorism crisis,
ISIS is is cry sis in crisis and crisis
in crisis debt slavery to the State: Toadies

for the "New Normal" Big Pharma-Big Tech
mechanical heart engine that thrums
with a beat that Zooms in on, Zooms out from
false-positive test results amplified

and distorted into AIDS:

Amplified Information Distortion Syndrome

and

an Acquired ImmunoDeficiency Syndrome
in conjunction with a near-infinite number
of variables and determining factors—
an Auto-ImmunoDeficiency Syndrome of
body, mind, soul, and political systems
cruising along an acquired, contagious loop
of a negative-sense RNA socialist Autobahn—

highly contagious, highly experimental in
unprecedented moments of crisis and mirrors: reflections of reflections of reflections
amplified and bent
in sleight-of-hand misdirection and deflection with the virus holding a mirror's face outwards

while

an mRNA 'treatment' infects human cells
to conquer and command them to become
bomb making factories that create
SARS-CoV-2 S-proteins—yes, yes, "inactively" teach T-cells with double-think McCure-all bandAIDS to 'help' identify SARS-CoV-2 RNA. Understood. For every action, there is an equal and opposite reaction

(for the Terrorist within)

"Here's a fast-tracked vaccine that supposedly boosts the immune system that you're being commanded to weaken."

GMO sleeper cells and non-celled sequences
that can attain causality and symbiosis with
drug and antibiotic resistant organisms,
are sold as the cure that ills

and

misdiagnosed and misunderstood symptoms
of anything and everything
in-between that we've known and seen
are blamed on a laboratory Chimera:

the scapegoat terrorist virus designed
to be highly contagious and gentle to its host
for vaccine programs: Mary's Monster attaining the flame of life within
its Promethean host.

Who made who?

Who knew that the FDA NIH CDC
WHO-Fang North American China Flu Clan

flew the fear and media spread. "Wait for our
next update." Live TV, live virus

with billions of shortsighted treatments
adding ripples to an overflowing soup bowl
of trillions x trillions of RNA particulates,

inactive/active — off/on — negative/positive

Switch:

Spin PCR in the Petri dish:
One fish, two fish, red fish, blue fish!
What a lot of fish there are!

This one has a little yellow star.....

("Mission Accomplished")

No tomb like the present
A suffocating fact
I shan't see the crescent
A summer with no tact

There is a distinct, quiet suffering
That plagues the air every which summer
Though out there, the world is rapidly expanding
The smell of rot is the one that catches my nostril
As for what rots, I am not sure
Perhaps the trouble lies within myself
But in these days, I am slower, less responsive
And my conversations get more unhinged
With the entities in my living space
As for whether they are hallucinated
Or it's me yelling at bugs that have entered
I honestly would not be able to say

The air is thick, thicker than milky fog
And this thickness hurts the purity
Pure, white snow falls from my eyes
And cold, piercing winds from my throat
Icicles grow upon my fingertips
And my hair is made of frozen grass
I am the late autumn and early winter, I am
My stark and hailing demeanor freezes the weak
I am the very definition of an ice queen
Or at the very least I definitely pretend to be
Even though it's a charade everyone ignores

Have you ever sat in the back seat, while a parent drove?
You might even feel a bit of affection from them
So it is not so bad, not quite as impersonable
Not as horrifying as the passenger's seat
You are at risk but you are not the operative word
I am currently in the passenger's seat of my life
Have you ever felt similarly? Like you lost control?
My interactions are pure instincts and pheromones
My preferences are base level urges in all cases
Even the music I so enjoy, I entrust not to myself
But to the almighty, for their hand is far more sturdy
I shake, like an autumn leaf in a hurricane
Barely holding on the driver, which is always them
I will never learn how to drive a car

I often get called an adept storyteller
Some people call me vivid or imaginative, even
So I suppose I might as well ask the people in my head
To help me conjure up some short tales for you;
This one is of a young girl, dreaming

In some dreams she finds herself in a rancid, green room
There with her is another girl, a cynical kind
The two of them may have loved each other once, but
That time has long since passed
Acts of carnal urges and violence come to pass
Mold grows on the walls and ceilings
The camera slowly pans away from them, *******
To show the director and the audience

In some dreams, she finds herself in a small Japanese home
Discussing the fate of that infamous 100 ryo
"You'll never get it back" says the cynical girl
She vows to get it back and leaves the room
Most of the scene is silent, save for cicadas
In the night she returns, scars all over her face
She brutally dismembers the cynical girl
She simply was not meant to be a ronin

In some dreams she finds herself in a police station
The cynical woman is on the other ends of the desk
"We've got you by the *****, ****" she says
The girl answers only with a scoff and a crooked smile
"If you had me by the *****, this would be more enjoyable"
The cynical girl seems embarrassed, upset
The director shouts "More emotion, you dimwits, more!"
The camera zooms in, with shaking motion, towards the girl

In some dreams she finds herself alone, it's snowing inside
The cynical girl left. Surely something far more important.
She begins to draw a mural, in the style of Basquiat
A funky little guy, baby blue, bright orange, neon pink lines
Once done, she hears a voice: "It's been a while, babes"
Finally, he was back! It was the mural, speaking
Or in some sense, the very walls of the room spoke to her
"What's groovy, baby?" he asks, with his usual cheer

There's many more dreams to share, like the one where they reminisce
Or the one where they're janissaries, stationed in Serbia
Or the one where they're communists, in a bar during the Great War
Or the one where space has been conquered and they stayed back at home
Or the one where the mural learns to play drums, and the shadowy figure joins
I didn't even talk about the shadowy figure, even though he's a major character!
I mean hell, even I joined them occasionally, once they asked
They figured out I didn't know everything, and talked to me, what a lovely bunch
But obviously at one point, spunky little girls have to wake up

In this dream, she finds herself alone again, in a regular room
The heat of the scorching sun has been illuminating her abode all day
She remembers that in this reality, she plays improvised music
And yet, in such horrid weather, it'd be suicide to go play right now
She is sluggish, unconcerned, seemingly in another world already
No tomb like the present, she thinks and repeats, like a mantric chant
"No time! You keep saying the phrase all wrong!" a voice reprimands her
She knows and she deems it an unfit day to have yet more drama
"I know... I just thought the pun was amusing..."
She says in retort to herself, in order to pass the time.

The moon sways
down the sun’s half eye
for it every mo
is the elephant is in the room
before the sun zooms out  
deep down from the pi.

Magic is uncracked within
that first light breaks out
dawns in the eternal night
is a shiny tear in the speechless
witness’ open eye,
on the tight lips, deep runner silent pi!

Men on the painstakingly polished circle
may have hewn out riveted eyes.
Up more is set free deep down the pi,
bottom in anew, in open paradise!

I )  Transitivity

If X is a terrorist
And if Y supports X
Y automatically
Joins the blacklist.

II ) TPLF

By all accounts
TPLF is
A marked terrorist
For holding
Mirror to devil
Engaging in all acts
Revoltingly evil.

A terrorist why?
Because
Now in the open,
Now on the sly
Nonstop it labors
The innocent suffering
Lacerating pain
To die.
It either kills
Or sponsors
The killing of toddlers
Elders,
And women with
A bun in the oven
More often.

To maximize, selfish
Political objective,
Its duty,
TPLF knows no pity.
Its head
A box empty
Like a child naughty
Make noises
To swap
The victimizer &
The victim
And tip the balance
In the global
Political roadmap.

Long before
ENDF’s law–enforcement
Operation
Three out of 5
Women in Tigray
Were subject
To ****
Many heard the
Report agape.
Happily,
The response from
The west was
Tossing it off
Like a ladies hair
Not tied
On the nape.

Pillaging food aid
Many were the
Instances TPLF its
Impish army it fed.

III) America

From
TPLF’s inception
To its tyranny
We were on the ball
That is why
We are mourning
Its demise &
Catastrophic fall.

Before our eyes
TPLF stands tall
‘cause it saw to
Our dictates all,
When we asked it
A room
In Ethiopia’s politics
It used to
Give us a hall.
For our satisfaction
It was on the toes
It sleeves to roll.

“TPLF
(Dear Meles Zenawi)
Our soldiers in Somalia
Are suffering
Ignominious defeat
Forced with their tails
Between their legs
To retreat.
Valorous march and  
Invade Somalia
‘YES’  it said
To diplomacy
Longstanding relation
Having  little
Or no idea.”

We know
Very well
TPLF, suffering
Death knell,
Is past master
In terrorism,
Not in store
Even in hell,
Seeing its deeds
That everyone
Effortlessly
Could tell.

Devoid of
Mental health
TPLF was out
In East Africa
To spell death.

It was adverse
To peace brokers.

When TPLF said
An election result
It conducted was
Hundred % a hit
We (Susan Rice)
Laughed till
Our sides were
To split
But we showed
A green light
“Go ahead
Do it!”

To Bin laden
We showed
No mercy
But around
A horseshoe
Table with TPLF
You, peace-seekers &
Peace keepers,
Have to sit
With the
Worst terrorist
Defeated, exposed
On the retreat.

To meet our ends
We use
Carrot and stick
To terrorist
The former
And stick
To the latter.

Also
Pulling off
A gigantic dam
By own head, arm
Defying our interest
Our arrogance,
Our image
Ethiopia did harm.
This way Egypt
Our bargaining chip
Is slowly but surely
Getting out of
Our grip
So on Ethiopia
, our pushover, let us
Use a sanction whip.
Ethiopia we have
To flog, to beat
Before it zooms
Africa’s head
To the East.

We wrecked down
Many nations
Under the name
Of peace waging war
From Libya
To Afghanistan far
Unless the
Global community,
Own citizen &
Specially the east
Our action bar
We are out
World’s peace
To mar.



////

Things they don't know,
Side I don't show,
A side that is tightly tied,
The person I've built inside.

She's the one who-
Zooms out the reality,
And also the one,
Who captures the clarity.

Deadly silence,
Claiming emptiness,
When its me who's tense,
she tires to bring some happiness.

I have built her,
She has made me,
We're for each other,
The other side of me.


-Sania Opai ♥

The forest green of the trees
contrasts so greatly
against the soft pastels in the sky;
Did someone paint this neighborhood?

The odors of garlic & parsley
wafting from across the
charcoal street.
Hums of today's news,
all the latest gossip,
ooh'ing and ah'ing;
endless snippets of candlelight chatter.

Occasional dollops of light
peering up from sedans passing by.
Sounds of zooms
blocked out by the steady pulsating
of white earbuds.

Dogs yipping, sometimes a real bark.
Neighbors come and go,
reciprocating cordial hello's.

Street lights slowly coming alive,
for at 8:37, the sun has begun
its transition to slumber.

They always say,
TGIF, thank god it's Friday.
As day slips to nigh',
the crackles and pops of vinyl come alive
behind a slightly rusted window pane.

Tonight's secrets not yet revealed,
a couple strolls by
holding hands,
sipping coffees, decaffeinated.

A man drunk with regret
and a 40 in his belly,
he breathes a clumsy, "Hey."
Malted liquor questions,
their smell & sound, unmistakable gurgling.

Street lights now fully illuminated,
glances exchanged from
passer-byers.

He opens the car door for her,
and into the dusk they drive.
Vehicles come by in even
greater numbers,
and still searches the young man
for $9, a toothbrush, and a shower,
even cold.

Just another night of
just another day,
in just another city,
in just another neighborhood
on just another street.

Silence, loud, ominous silence,
filtering the senses,
the stories,
the magic;
Isn't ordinary   extraordinary?

Miryam walks along the beach
in her swimming attire, some red
and flowered design, Benedict
notes, walking just behind, having

left the two Moroccan guys behind
with the camel, with whom she'd
posed while he took camera shot.
Bet they don't do that everyday, she

says, swaying her delicious backside
side to side. No, guess not, least
not by the look on their faces,
Benedict says. She laughs, does

a Monroe kind of walk and wiggle.
We came down here last night, she
says, it was quite romantic what
with the moon, stars and warm air.

She stops and turns to look at him.
Was it about here? she asks. He
gazes about him, at the sand and
tufts of grass, the sky blue and the

odd white clouds, could be, hard
to say, it being dark and all. You
found your way around all right,
she says, smiling. Well, a guy gets

to know his way around after a while,
bit like a ****** gets to know the sea,
the rough times and the smooth,
the high tides and the low, when

its best to set out and when to stay
in port. She frowns. Is that what it's
like for you guys? Just like that? No,
he says, just being philosophical, in

fact, it was a good evening, a fine
****, he says softly. Is that all? she
asks. She stands there her hands
on hips, her head to one side. No,

of course not, it's just us guys hate
to get all soft about these things,
he says. She pouts. Soft? These
things? she says. Can't you just

say it was romantic? She says, is
it hard to say that? A fine ****?  
Is that easier to say? It's just one
syllable instead of three, he says.

She turns and walks on through
the sand. He follows, taking in
her figure, her side to side ***,
the tight red hair. OK, he says, it

was a romantic night, I loved the
whole set up, the stars, the moon,
you and me, the sand, the soft tufts
of grass, the ***, the kisses, the holds.

She stops and turns and gazes at him.
It has to mean something, she says,
otherwise we waste our lives in such
pointlessness. He nods, zooms in on

her small ****, her eyes, her whole features.
Sure we do, he says, you're right, it
was one fine romantic never to be
forgotten night. She smiles and walks

to him and kisses him and holds him.
He holds her, feels her, senses her lips
on his, and out of the corner of his eye,
he sees the two Moroccan guys and

camel walk away up the beach, they'll
never know this, he thinks, feeling smug,
far beyond their lives or random reach.

[[More real than the real, that is how the real is abolished]] de facto slogan to the virtual economy \ Reality has collapsed through its own fiction || rummaging through boxes // a DVD from the 2001’s states [[the future of gaming is here]] opening with ten minutes of nauseating zooms on women’s ***** \ The future doesn’t look much different from the past || hyper-masculine neo-enlightenment ***** scrawling ******* entries into digitised soliloquies \ VR technology once used to aid traumatised amputees now a billion dollar industry of ****** throwing simulators for bored middle-class kids \ Parents watch awkwardly from the corner of the room too disconnected from reality to connect with irreality \ Two and the same \ Silicon synapses pass through trade routes of jutting ribs and serotonin receptors \ White America a botnet of alt-right neoliberal fundamentalist-atheists gutting the majority world so everyone can watch Doctor Strange // Marvel’s latest explosive **** from the libidinal imagination of a middle-aged idiot \ Thanatos and Eros arrive at the same destination to dismantle subliminal desire one commodity at a time \ The sublime never experienced // only destroyed // consumed in the inverted maw of late-stage capitalism where each irruptions of desire is more banal than the previous \ Banality the ultimate distraction from apathy // a pseudo-cyclical time dilation of ever accelerating proportions \ Soon nothing will be experienced at all and Rotten Tomatoes will give it a 99% score \ When the singularity hits everyone will be too brain dead to care that they’re god \ 24-7 VR **** // Disney reincarnated as a being of pure light // recursive integration of every bland radio hit about a sexist ***** at a club // irreality shocked into neurons bypassing sensual phenomena // an all encompassing warmth // veil of death // eyecaps dragging flesh closed // backup released // no escape // digitised irreality // holographic Disney dancing on the train home // notice of termination swiped away as junk mail // all beings arrive // transcend circuitry // fly through the cosmos watching every episode of Friends at once \ Didn’t you know? [[The history of all hitherto existing society is the history of banalisation \ ]]

White
Coming down in soft flakes,
Melting on my toung
Beautiful for such a short time.
Floating down blissfully
Waiting to land,

Landing,
Softly being crushed under my boots.
As I walk up the hill to go sledding.
As I zip down the hill,
Snow getting in my eyes,
My cheeks red and burning,
Being cut by a million tiny knifes.
Going over a jump and,
"catching air"
The wind is knocked out of me as I land
Reaching the bottom,
Disipointment at how short the ride is.

Going inside to sit on the couch eating popcorn and drinking cocoa.
Watching to snow flutter down out side.
Thinking about what it is like,
To be a snowflake.
To be created high uo in the clouds,
A beautiful piece of ice crystle.
To small to be marveled at
Only to float blissfully to the ground,
To be crumpled up by a boot.
On its way up a hill to sled.

To be flattend by a sled,
As it zooms down the hill,
Hitting a bump and flying into the air,
To flatten may more of us.

What would it be like to be a snow flake?

I am like that passerby
Who sees a drowning man,
Thrashing in the water.

Yet completely unable to swim.

I am like that passerby
Who sees a man getting mugged
Clamped in those brawny arms.

Yet not strong enough to defend.

I am like that passerby
Who sees a child crossing a dangerous road
Walking as the car zooms by.

Yet too scared to save.

I am like that passerby
And I will always only be a passerby.
I see but I do not do.
Helpless
But always forced to

Watch.

'be kind, for everyone you meet is fighting a harsh battle'

David Wakeman, 20, thin, pale and dark haired. He has no particular style and doesn't look like he could really fit in with any group of people in particular, but at the same time, wouldn't look too suspicious with among a group. A constant look of desperation plagues his eyes. He looks as though his face would appear in the news in a few months for shooting up a school or blowing up a public building.

david is shown driving down a stretch of road, snow covered everywhere, crazy eyed

Some people are meant to be alone in this life, and I am one of those people. I no longer wish to pretend otherwise. I now know what has to be done.

The sounds of ******* haunt the hallways outside of the tacky, run down hostel where they both lay. She is lying on the edge of the bed.
The sheets are creased. There are cracks on the wall.
But for 3 euros a night, you can't complain.
She lies there, still; staring blankly at the ceiling. Her short robotic breaths are the only life seen.
He eagerly moves close to her, but for the life of him, cannot touch her. His unsure attempts at moving his arm over her are prevented by a sudden urge to break into tears.
Finally, his hand places itself over hers.
She is cold.
"Did anything change?" he says, afraid of the answer.
There is a pause. It might've been a few seconds or half an hour.
"No." Speaking so quietly, barely audible to him.
He is about to say something, but he catches the micro-expression that followed her reply.
A sigh.
He becomes impatient,
"Then kiss me." he blurts out, clumsily.
It sounded better in his head.
A deep exhale and an almost exaggerated look of contempt washes over her tired face. She puts her hand to her face, failing to cover up her outburst of honesty, pretending to clean out something from her spotless, green eyes.
She quickly moves her face closer to his, with her eyes closed, and she puckers her lips in such a way that suggests she'd rather be dead.
His eyes are open, and now he is the one who is lifeless.
"What?" She says, breaking the awkward seconds of silence.

Silent seconds are followed by silent minutes, and now they are sitting up on the head of the bed, watching the old, fat TV that hangs from the filthy wall. Something is  playing but he can't understand the language.
'Pedifilios' is the only word that seems familiar.
She is smoking another cigarette.
The faint sounds of her mouth blowing out the smoke, are telling him all he needs to know.
She loves her ******* cigarettes, he thinks to himself.
She grabs the worn out ashtray that sits on the side of the bed, and goes to put it out.
"Here, let me get that" he says, gentlemenly, and snatches her  it out of her hand, then puts it out into the back of his other hand.
The pain doesn't make him feel any more alive.
" There you go," the cigarrettes crumbles into ashes over his hand and he pushes the ashes into the ash tray, then looks at her.
Her expression is a weird mix of diisgust and fear.

Minutes turn back into seconds and the sound of her footsteps are the last thing he hears from her, just before the slamming of the door.

Chapter 2:

Two bloodshot eyes scan the aisles and shelves, looking for the gluten free bread. It wasn't in the bread aisle.
Who the hell buys gluten free bread?
He contemplates appraoching one of his coworkers and asking her if she knows, but she is far too pretty for him to talk to.
Besides, he's been here 4 weeks now and wants to make it seem like he actually has a clue about what he's doing.
Afterall, he had already convinced his then potential manager,Chris,  that being a 'personal shopper' was in fact his dream job, and that this very supermarket was his dream place to work.
He always was a good liar.
He's so good because for a little while he manages to convince himself.
'Working hard David?"
****.
with Chris you could never tell if he was ******* or beingplayful.
"Always!" David shouts back, then picking a random item off the shelf and placing it into the basket, then nodding at Chris with a look of false sincerity.

(David is shown sitting in the living room, the light emenating from the TV appears to hurt his eyes, and he is slumped back on the coach, clearly worn out. he is flicking through late night informercials, on the coffee table in front of him there are numerous energy drinks seen empty.)
Davids thoughts: The living room is where I come to when I cant sleep. It's more of a dying room, really.

(David continues to flick through channels before stopping for a second on a ****** phone-in show (like babestation). He flicks back through the channels again)

(The scene cuts to a few hours later, with daylight seeping through the curtains and David sat in essentially the same position except he has fallen asleep, with remote still in hand. It's time for work)

watch alarm rings.....

'You coming out with the lads on friday dave?
He always wondered why people tried to talk to him in the middle of the set.
He places the barbel down onto the rack.
'With who?'' He asks,
"Me, sam, jack, carl and"
"and?"
"and Bill. Yeah. bill"
David's face changes as if suddenly remembering something
"Oh, did you say friday? I cant make it. I'm doing a thing with..."
With?
"with the family"
His friend looks as if he was expecting this anwer,
"no worries lad."

"qeue sad music"
David sits in his room, and is looking for something.
Upon rummaging through his things he pulls out a drawing, it's of a girl, he looks at it and a short shot of the girl from the beginning of the movie is shown, then it cuts back to him, stressed looking, and he shove the drawing into a red travel case that sits under the bed, as though he can't stand to see it but at the same time doesn't want to get rid of it. The case still has its travel ticket on.
He pulls a notebook from under some wires in his drawer, and begins to write.

'poem read accompanied by scenes of davids life'
'poem is interrupted by a knock on the door.

-dave is approached by someone in the gym telling him he has a great body, and that people would pay to see it. looks into 'gay4pay' and ends up actually going on a site and doing a cam show before aborting the whole thing-

scene with mum sat with the missionairies 'mum we need to talk' mum seems uncaring and cold, later on they talk
'Whats the probem dave? do you need money'
'No mum, it's just that'
'if youre struggling for cash just tell me, you can always take out a loan and-'
'No. mum. its not about money'
'then what is it?'
As David began to speak, his vocal chords failed him. He was walking into a 20 year old wall that he just couldnt get over.
'It's just that..'
'Yes?'
'I'm not happy. Mum.'
'Oh, well we all feel that way sometimes son' brushing it off in her famous way.
'No, this is different. I'm really depressed. Well, it's'
Depression wasn't the right word, he thought. Depression was an overused and futile term, it had become synonymous with sadness, and this wasn't just sadness; he had felt sadness many times, and this certainly wasnt that.
'it's?' she says, interrupting his inner verbiage.
He looks at her, knowing full well that this entire conversation has meant nothing.
'Look Dave,' she starts again with her 'mother' act, 'if you think that youre responsible for the divorce, just know that it was always going to happen anyway. It was just a matter of oppurtunity.'
What the **** is she talking about?
'Your dad and I never really had a-'
'No,' he says, cutting her off before she has a chance to justify the divorce again.
He was sick of the endless reasons and justifications.
'It's not about that.'
'well, what else could it be about?'
Because the whole world revolves around her and her divorce.
'Nevermind, it's nothing, really.'
She smiles, happy she doesn't have to act like she cares anymore.
'We all feel like that sometimes, like you say.'

He was starting to think that maybe he needed to see a therapist. Until this point he had always been confident in his own abilkity to reflect, introspect, and deal with his own issues himself, and he had alwas been skeptical of people who st in chairs and tried to prescribe you things; but this was beginning to be too much for him to handle. He felt he needed to be eevalutated, that he was losing his grip of his own life.
scene with therapist, coldly looking at her papers, davids desperate face searches for answers in her countenance.
'Right, Mr. wakeman.'
Hope. There is hope.
'I have you down for a prescription of 50mg of lithium, 250mg of benzedrin every week. I'll see you back here on thursday and we'll discuess your', she stops to see his face totally destroyed
'to discuss your.. issues'
David walks home like the scene of travis walking to see betsy at the theatre, something in his face just says that he knows that this story isnt going to end well. and that terrible things are on the way.

'Drugs, drugs, drugs,' david writes, 'theres a drug for everything in this world. drugs to make you numb, drugs to make you dumb, and ones which make you love everyone and see leprochauns and jellyfish driving cars, though those are the illegal ones.'

'Dave ya sisters here!' says his mum.

Scene where dave meets his sister and has coversation, on her way out,
she pulls out a red napkin and holds it like they do in bull fights, david looks slightly confused and smiles, she says 'dont be the bull!'

scene cuts to dave watching a bull fight on tv, where the bull kills the humans. david laughs to himself as the bull chaes people away. he is eating peanut butter on its own. Daves mum walks in abruptly and he switches it off.

(divorce is mentioned and the fact that dave caused it is mentioned)

dave trries to approach a girl in his work but it i awkward aand he gets rejected the same way he he rejected going out with his friends 'im doing something witht he family'.

dave comes home and there are arguments or something, so he punches a collage of family photos.

scene cuts t dave in hospital being told the cast  will come off in  4 weeks.
scene where david is trying to do everyday things with one hand, accompanied by happy music, contrasting the despair of the scene.

(An exact copy of the earlier scene is shown where david is up late flicking through late night tv channels, except now he is using only one hand with the remote. David finds himself at the eroitc call in show again, but this time instead of changing the station, he notices the number written in big, pink letters, and the woman manning the phone is obviously not in a call. Davids vision darts from the tv to his mobile phone that sits on the coffee table, he doesnt hestitate too grab the phone. The look on his face shows he is somewhat bracing himself. David dials the number unusually fast, without having to look back at the screen. The phone is being connected)

pre recorded phone message: Hey there naughty boys, you've reached TEASEYTALK phone love station, the sauciest ******* line in thebusiness. Press 1 if you'd li-

(David presses a number without hearing the rest of the message, suggesting he has heard the options before. Davids eyes are fixated on the bored-looking woman on the screen, until she picks up the phone that shes been using as a mock-***** till now, and answers)

Woman on TV: Urite babe? How can I  be of service?

(She speaks in a strong mancunian accent, and provocatively looks into the camera and moves sensually. All the while David looks back, with an expression of almost disgust.)

Woman: Dont be shy love!

David: Sorry. I'm not really a people person

Woman: haha thats alright darling, feel free to just watch me if ya like

(she turns to her side, showing the front of her body to the camera, she rubs her hand over the thin lingerie covering her *****)

David: Do you not feel a bit weird knowing guys are waatching you like this.

Woman: it just turns me on more babycakes

(she maintains her playful act but appears just slightly agitated)

David: I think you're lying.

(again, she starts to rub her hand over her **** and tries to look playful, but is now clearly agitated)

David: I don't think you like this at all.I don't think you wanted this for yourself.

(she snaps quickly and becomes more aggressive in her act, trying to hide her obvious agitation)

woman: I ****** love it babe. If you could feel how wet i was right now I could prove it to ya

Men: do you have a boyfriend?

(she pauses for a second, shocked and unable to hide her uncomfortable feeling. She stalls and grabs a purple heart shaped pillow and changes position. She assumes another playful position but looks bothered in her eyes)

David: how does he feel about this?

(her movements now hault and she looks at the camera with a sad glare(

David: does he even know?

(she bows her head for a moment, before running her hand through her hair, and looking back at the camera with that playful smile again)

woman: do you have a girlfriend?

(she says smugly, making it appear as if she has said some provacative)

camera pans into davids face, his look of slight disgust has eased into one of sad reflection. for a split second, a scene of the girl from the beginning of the movie appears, the scene is light, contrasting the darkness of the room, then the shot of david continues

(davids long silence has create an awkward look from the woman on the TV, she has stopped the provacative movements and briefly gestures to someone off camera. the scene cuts back to david with the phone put down, then it cuts to a shot from the same angle, except its obviously daytime as the light is seeping trhough the curtains and davids watch alarm is ringing again, however unlike before he is wide awake)

Scene where david takes off shirt in the bathroom, revealing his arms, chest, etc, covered in cut marks like tiny cat scratches.

dave gets skinner throughout the movie, the gay4pay scene stops him from working out. contrast scene with self harm marks with the earlier scene he is more athletic and healthier  looking. pants fall off

this s were dave develops the bad thoughts about killing people and ridding the world of bad people. ' i always wanted to make the world a better place'

throughout the movie dave asks his mum if any package has come for him, and that he expects a package.

the underlying theme is waiting for things to come and being patient, and that you dont know whats around the corner. that you know life will  be better but you grow impatient, and its only when you forget about wanting things to change, that it does.

in the movie he either does **** people or he has fantasies about doing it but something stops him (a girl?)

before doing whhatever he feels he needs to, he has a ritualistic session of burning the contents of the travel case, including the travel ticket, a postcard from porto, some drawings, and a carboard cutout of a leopard.) he gives the travel case to a charity shop, a long with all the clothes he has worn in the story up to this final scene, where he is weaing guirella warfare type attire. he puts facepaint on(?) and dumps all his anti depressants

at the end of the movie, when he has forgotten about the package, i arrives, and he opens it, not showing its contents, the camera zooms into the words 'handle with care'
OR
he has done his deed and killed whoever (*******) and now his package has come and it says 'handle with care'. it either sits at the front door or is thrown into some postal van, the irony being i tis not handled with care.

I swear
Sometimes
I am
Just drawing
Or wasting
Away
And I breathe
In and a cool
Quiet air enters
My lungs
It smells like
You and tastes
The way summer
Nights feel
After rain
I am breathing
You in daily
With tea in the morning
And heartache
In the afternoon
Incense like
Lighting my senses
To the smell of
The love you gave
In darkness

When we are
Fumbling
Through the
Clumsy first
Kiss where
Our lips meet
(And my heart
Is swimming
In fire-
Mentioning it)
The act
Of solemn
Silent
Serenity
That zips
And zooms
And soars up
To space
It doesn't end
And we are
Dancing
Back and forth
Giving and taking
And giving again
Lovely limbo
Of the stars

In your car
Summer breeze
Kisses your
Cheek and
So do I.
I am not thinking
Only being
Feeling
Laughing
Playing
Loving
Living
And all of the
Other -ing's
At once
Because I can
Be everything
I am when you
Are with me-
All at once or
Sleeping in silence
Your heart beat
Keeping time
With the stereo
Post-rain dreams
Moonlit night.

Inspiration from a fellow writer
And a chance at contemplation on a peaceful Saturday afternoon
Have led to a quest for forgotten moments
And thoughts of pleasant abstractions.
A hint at appreciative visuals
Carries the thought to a fig tree
Growing majestically in its place in its earthen patch.
Words fail to describe the abundance of life that exists
As sparrows flit through branches heavily laden with fruit
While the wind gently rustles leaves shaped like green hands outstretched,
Casting gentle shadows on a silently bustling anthill.
A hummingbird zooms in to smell a fruit,
Squeaks twice, and exits with the soft thrum of its wings.
A lizard skitters through the jungle of grass and snaps up a mouthful of ants
Bringing chaos to the ant kingdom.
Yet tranquility is soon restored to the fig tree soaking in the solar rays,
And the tomato quietly ripening under a cloudless sky.
Under that same sky, countless battles rage
And boiling chaos tears at its leash.
All of creation groans with pain of labor
As the fallen dig deeper in their graves
And are consumed by beastly desires.
In a forest, countless leaves gently whisper their sorrows
As warm light dances through the shadows.
The surface of a pond, as smooth as glass
Is only momentarily broken by ripples of activity
While the beholder stares deeply into the reflection.
Below the surface, ghoulish beings lurk in the mire
While deeper still, the mud of hypocrisy churns wildly
As the unworthy tongues set in and will clash in unfathomable violence.
There is something desperately wrong
Yet churlish scoffers ignore the signs
Blinded in selfishness and greed.
Again and again they play games of chess
Where all the pieces are pawns
Replaced with fake queens
While the kings of value are forgotten
Set aside until they are shot to pieces.
Yet all this is hidden, beneath the surface of impeccable glass
As devilish turmoil roars beneath the skins of men.
There is but one hope for a life of meaning
In which true peace can be restored.

A black and white film
About an old man and his dog.
There is no dialogue.
Just ambient sounds -

First, of the alarm clock’s
monotonous song.
Followed by an abrupt
cutting silence as his hand slams
down on the snooze button

Then, the sound of a coffeemaker
spitting and burbling.
The coffee, pouring into a chipped mug.
Sugar, then milk,
the clink of the spoon against the ceramic
as he stirs
the long first sip

As the man looks curiously
at something on the fridge,
just out of frame.
A bag of dogfood opening.

hard kibble ringing against the metal dish.
The dog grumbling - impatiently waiting.
Tupperware  opening
The hum of a microwave, and the beep.
Last night’s stew poured into a bowl
the rest, over the kibble.

The closed caption reads:
[Enthusiastic, sloppy eating noises]

The sound of water running
as the bowls are scrubbed clean.

The door closing as the two leave
for their morning walk.
The old man and the dog
are now sitting on a park bench.

The grass, still wet from the morning dew.
There is a beautiful sunrise
over the nearby lake.

The camera pulls away,
as music overtakes the diegetic sounds
of nearby parkgoers, birds and runners,
and teens playing hooky.

The camera cuts back to for a beat
to the kitchen
in the empty house.

The camera zooms in on a weathered
and well loved piece of paper
held up by a rainbow magnet
on the refrigerator door.

Fade to a black screen,
with white letters:
Fin.

I walked this road for so long
It's been 16 years
Since I have rested
Feels like I've been tested
For all these years
This highway I walk
Has many shadows
Too many twist and turns
Every car that passes by
Just zooms right on by
As vultures stalk above
I grow weary
Would it be easier to end my life
Or just see if this road
Is a dead end highway
Every step is impossible
Every second is unbearable
I walk carrying the tools
To finish what this highway started
I walk and walk
Passed graves
Homeless people begging for money
Passed lovers kissing
Passed newlyweds
Passed mattress stores
And I know I walk this highway alone
No one to hold my hand
No one to stop my feet
No one
Not a soul
Not a heart
Nothing to save me
Before I create the end
To this god forsaken highway
I will force myself
To meet the end

His awesome silence
Allays the soul

His beautiful silence
Blesses our spirit

His calm silence
Comforts our heart

His deafening silence
Dramatises His presence

His eloquent silence
Eludes all words

His frequent silence
Finalizes all questions

His glorious presence
Gratifies the senses

His Holy silence
Hushes our being

His incredible silence
Illuminates our minds

His judicious silence
Judges all matters

His kingly silence
Kindles a flame

His long silence
Lingers all night

His mysterious silence
Mystifies His aura

His necessary silence
Negates all doubts

His outstanding silence
Outdoes our interference

His peaceful silence
Precedes all victories

His quick silence
Questions our motives

His royal silence
Restores the poor

His sudden silence
Surprises the proud

His tangible silence
Touches the searching

His unique silence
Unravels all misconceptions

His voiceless silence
Visits the hasty

His wonderful silence
Washes all fears

His X-ray silence
X-irradiates our consciences

His yuletide silence
Yields to reflection

His zesty silence
Zooms into prosperity

We worry and we wrestle
Day by Day
With the thought
We won't have enough
Our account balances
Sometimes as low
As our happiness.
And instead of wading
In life's treasured moments
Like some picturesque Hallmark
We sit in an ocean of frowns
Contagious they feed us
With the thoughts that
Maybe someday we
Might have enough
Maybe we too can
Have enough money
Where we can control
Our own destinies
And maybe if we just
Work hard enough
We too can join

The enlightened
The happy
The free
But as life's camera
Zooms out of focus
Our slave collars tighten
Around the dollars
We grip onto with our
Strength that slowly fades
Starving, as we stare
At some motivational story
Hanging on the mantle
Of our Master's mansions.

You bring a fire unexplainable
in burning words that blow
the inextinguishable simmers
and as I lay on my childhood bed
dallying the unexpected tunes
tones that can never set me free
neither radiate the hope to have

You make me watch the shadows
follow their mellow patterned vibes
as the sky shelters in its light
rightly when loves zooms in and out
so untouchable and unreachable
blinded as the judges disagree
numbed by the passing wind

Goodbye all my past lovers
few to count in fainted dreams
as the hymns lay forgotten in graves
no more nights or treason to vision
neither times of love to harvest
as thunders and currents of pain
dissipate and are drawn to a close

Rivers flow
Humans grow
Stars glow
Humans blow

Toxic waste
Air pollution
Humans haste
Perfect solution

Beggars hungry
Homeless ****
Humans angry
Robbing wills

Bullets fired
Tanks raged
Juveniles hired
Humans tagged

Terrorists warns
Lives lost
Families torn
Priceless cost

Lust gains
Humans pained
No brains
Love insaned

Lots learnt
Media zooms
Orders sent
Countries doomed

Hunger peaks
Children sick
Humans weak
Diseases leak

Money priority
Humans exported
Marking territory
Guns imported

Humans kidnapped
Women rapped
Lives begged
All taped

Tears lack
Government slack
Manics back
Terrorist attack!!!


©sim

A small nest in a large sea,
the beat of the blades keeps
time for those still alive,
whose desperate waves
defy tide timetables.

The camera zooms in on
anguished faces and still ones.
We lean forward screened from pain,
listening to the death count,
time and time and time again.

Here I sit,
newspaper in hand,
bite in my in bagel,
watching you,
watching me.
Others around me
go about their business
casually, as if they
are not being watched by you too.
If only they knew.

Your glass-eye
zooms in,
zooms out,
watches me read,
watches me breathe.
It tracks my ****** features,
it scans, and scans,
all day.
I must get up now,
I enjoyed our daily meet.

As I get up,
I pass under you,
and your eye follows me until
you cannot see my face.
But I am not out of your sight,
for you are connected
with your sisters eyes,
as the track me
when I am out of your sight.
Forever you will be watching me,
and don't worry,
I''ll be watching you.

LE/DC

There's a lady we all know,
her ****, she loves to show.
She's buying the highway to heaven,
she only has a money account of seven.
Living hard, living tough,
loves *** that is rough.
Ain't nowhere she'd rather be,
she's living to be set free.
There's a note on the wall,
it's for her name to call.
In a bush by the swamp,
that's where she loves to romp.
She has no rhyme or reasons,
cause you know words have four meanings.
She's now on the stairway to hell,
she didn't fall, she fell.
No red lights, no school zone,
just a giant hole surrounded by stone.
A weird feeling she gets,
when she looks to the south,
no longer can she use her juicy mouth.
Ooh, it makes her wonder,
ooh, it makes her really ponder.
Nothing will slow her down,
her ******* have turned brown.
The devil's calling her to join him,
she starts singing her favorite hymn.
She could't afford the highway to heaven,
she barely had enough for a Slurpie from 7-11.
And as she zooms down the stairway road,
slow motion she wishes was her mode.
She's on the stairway to hell,
her soul she had to sell.
She's on the stairway to hell,
no stopping at that famous California hotel.

The blue eyed man’s piercing gaze peels back the layered shell
To my heart, and though I cannot hear what it tells me
Magnificent waves of purity radiate through my subconscious

His divinity is certain, but its properties are so ever elusive
deep blue iris’s crippling,
Smiling ear to ear with quivering lips
prison bars shaking from the rampant tears of joy
that tremble within the prison of his mind
experiencing an ever present beauty

Everything that exists is beautiful
As seen through those eyes

And just as the far off galaxies disappear
When the telescope zooms out
Beauty dies in those blue eyes,
No freedom is found in death.

I cry
I cry

And just as words on crumbled paper seem
poems never meant to be read
A beauty dies in those blue eyes,
destined to remain unseen.