I

These are hard materials
Sharp edged, inflexible
To a degree
That unfolds the truth,
And one truth
Leads to the next
In linear sequence.


Each from the others, isolated
Yet dependent
On what has gone before,
And what follows for the confirmation of truth’s verity.


Various truths are the data set of probability,
Flexible to a degree
Because of the uncertainty of absolute verity
That only singularity allows.
The statistic of one
That even when wrong
Its absoluteness is unquestionable
Because to question is not to know
What has gone before.



To know is singular in its effect,
Its purpose sustained by the uncertainty of data sets
From which truth derives.
The metaphysics of it all
Betrays the conceit of knowledge
And those that claim knowledge
Such that they impose their understanding
On others do not know
And care even less,
Except when their ignorance
Results in what is cared for….
All suppressed by the singularity of knowing
By those who acknowledge a statistic of one.
Preferring the comfort of its certainty
Rather than the uncertainty
That arises form the truth of data sets.


II

Data sets determine league tables
Positions of football clubs
And universities
Where those learning to know
Know what they are learning
And rate it accordingly.
Because as customers
It is said that
They are entitled to know
Even if they are learning
The data sets that allow them to understand
What they are attempting to know
Perhaps without conscious thought of
The void of ignorance that learning attempts to fill.


Yet in their unknowing, the certainty of the learning
Determines the positions of institutions in league tables
In turn compiled from the data sets
Of incomplete knowledge
Asserted with conviction
Establishing what is said to be true
In ignorance of sure foundations.


I wish that I had the conviction of others
To be certain of what I know
Without doubt
Without hesitation
Untrammelled by thoughts of the uncertainty of data sets
Compiled by the compilation of singularities.


Which itself compels another thought
That we all derive from a single small point,
Infinitesimally small but infinitely massive
Exploding once or perhaps in series
Like the popping of a two-stroke petrol engine
That propelled motorbikes and lawn mowers
In yesteryear.


And yet we are saying the same thing
In different ways
Unrelenting in the stream of thought
And consciousness
But ….
Please allow the words’ meanings to breath.
Where is the pause
To allow the assimilation of meaning?

The punctuation of time and space
The meaning of words
Arises from their spacing
And timing.


David Applin August 23rd 8:00am-ish 2014


III

Yet the certainty of data sets
Give us comfort
Those who await the miracle of birth
Calculate the probability of certainty
From statistics derived from the accumulation
Of data
To give the certainty of a happy outcome
A statistic of one…. or at most two or three
To which we all cling and which data
Accumulated in sets allows to be certain…
Or at least to hope to be certain
That the outcome will be happy
And reinforce our faith in belief
Itself knowledge in the absence of evidence
Truth uncurled by those hard materials
Derived from numbers
Each in itself a number
And therefore a singularity
Which hard materials cannot uncurl
Only their interpretation
Can reveal the truth of data sets
Each consisting of the singular truths
That interpretation cannot uncurl,
Because to do so would give us a statistic of one
Which cannot be questioned
Because it stands alone
Inflexible, somewhat obtuse without the context
Of the other singularities that make up the data set.


Befriended of one another, the collective now represents a version of truth
Because each singularity gives context to its companions
So that collectively their truth is revealed
As a statistic.


One as a statistic cannot be
Because it lacks the context of its companions,


QED

David Applin
Queen Victoria
North Sea
Lying off Ostend
25th October (evening) 2014

Copyright David Applin 2015

She hates that she is a woman
The putrefying weakness perceived in the curves of her body
The naivete shown in her blues
With the unintentional flutter of butterfly lashes
That refuse to meet the glances of those that pass by
The fear-- Of what?
That stereotypes are true?
She doesn't even know
And it sickens her.

She sickens herself.

She hates that she is white
The blandest vanilla
The marble statue
Somehow revered
Worshiped
Privileged
But simultaneously overlooked
Boring
Unimportant
The Caucasian mongrel
In light of the fact that her People
Have no proud history
Which she can name herself heir to

She hates that she is middle class
Not poor enough to struggle
Not rich enough to be free
Just situated dully in the middle
A footnote in the statistic
That they tell her she must use
To identify herself

She hates that her belief system
Has to be called by a name
That she has to choose
To be a part of a group
As part of her "identity"
And she is not allowed
To stand by her own integrity

She hates that she is American
The pudgy, loud-mouthed, laterally-speaking nation
The brashly jumps into conflict
Guns blazing
As its political system decays
In the stench of its overwhelming debt and corruption

But in truth
She hates
That they force her
To whittle her essence down
Into Gender, Race, Class, Religion, and Nationality
A *****-inducing statistic

As if there was nothing more to her
Than the facts surrounding her existence

Just a statistic.
  Another one dead.
Just a statistic.
  Another stroke of the pen
I'm just a statistic.
  Just another one dead.

I wasn't made for this world trying to make do isn't right putting an smile on my face that  I'm just another statistic in this forbidden fruit with no where to turn to I'm stuck in a hole filled with dirt 6 feet under away from earth I believe I am somewhat safe but never am I scared nor afraid. Another statistic in this world trying  to find her way out of this rewinding tape that plays the same each day I'm just another person put on this earth to change there ways but it will always be the same. I'm another lost soul in a never ending game.... I am the wind which u can't see but u still breath me. All that is deceiving I'm just another statistic put here to be someone I don't want to be just to fit into Society description of a beauty queen but that's not me Im just fit to be me and I can't be what the pictures want me to be. So I guess I'm not an statistic I am divergent in need.

Harsh cold winds race down ***** back alleys
Bin lids are lifted and all taking flight
Ragged town foxes, heads inside dustbins
Cries of sheer anguish and they take off in fright.

Cold stillborn baby found in a  dustbin
Wrapped up in bin bags and filthy soaked towel
A bitter result of unlawful liaison
Another young girl has been treated so foul.

Search is now on to find the sad mother
Everyone knows that she will be ill
Soon she is found with wrists that are bright red
Only fourteen, lying perfectly still.

Another statistic of society’s indifference
As always lip service just isn’t enough
And still the harsh wind blows down ***** back alleys
Where young children find on the street, life is tough.

©Joe Wilson – Another sad statistic…2015

Fragile egg-shell mind on dawn’s highway bleeding the segue between times traversed only in momentary dreams or in enduring excursions

We drag our droll and quaint 60s baggage like the luggage of a safari made of concrete girding a cavernous expanse of unheralded ground

With our ears oriented to the floor, we leap out of body never to deplore….never to ignore….never to miss the blue bus of our drafted imaginations, so carefully culled from brash elitism

I trounce the intervening time between being friendless and an ironic end, and an irenic comrade becoming the dearest amazed but always aplomb friend

We simper in our glorious traversal, and though bedraggled through an ornamented cavern we linger just long enough to be celebrated

Then a blues riff emanates from a vapid bar, and finally someone heralds my exhumed memory still rusty with the pavement of encased concrete on an empty or full tomb

So I wander in my mind to that roughshod Paris glassy tincture a romanticized gild of proper sensibility crafted in the tongues of lizards emulating the tongues of serpentine Anglicans

As the power of love transcends the love of power, both are afforded serendipitously upon the stately occasion of a fitful revolt where heads literally rolled and deaths still unfurl from the slippage of a violent malevolent eternity, crafting a new creative way to expedite the smite of preventable scourge

So, I see your picaresque side and your wide-eyed love for a listless ship anointed of a crystal blip just detectable long enough on RADAR to become the statistic to crack the slim WHIP

No wigs are needed at this formality, no figs grow from trees forty-five years buried and almost a full month unsung

Pitiable cretins of an invented insanity, they scoff at my ravenous and portentous heart for its excess and for aligning with an upstart verging on only a specious insanity

Why in all humanity could a month be mustered with every defense of history and yet for it to be so widely flouted as a risible exercise in futility

The irony that the artistic glamor of a past vogue becoming a revival that is often toked only to one song but never to the memorial of great cavernous and commodious imaginations, staggers with dismay where otherwise the mayday would be a disaster but still a great day

Then I look at a triggered-fingered omen of a death so ominous yet so brazenly confronted as the ambassadors of time provide plaudits to a fearless martyrdom

Why such a sad spate, why such a stringent but malevolent fate a malediction on a family whose crest is not crestfallen like rolling waves but ornamented with gravity impounding its own weight

A fugacious tomb, an eternal flame, a swan song announcing an independent authority on a prescient demise mashed and deprived

A single shot rippling through the broadened space between clasped eternity and a histrionic disgrace as a psychological confederate pays lip service to a reiterative applause

A cousin hardly American in a defected record of incendiary plumes of a hoarse hatred of waxen discs and flying discs alike,  climbs out of a bonfire mounted purely out of vindictive spite

Then upon a great white buffalo a wrapped package of Californian love before California ever alighted like something beyond an avaricious dove, saw a rocky park and a hearth of illuminated darkness the singular spark

Captain Morgan knows the jackknife applause of a botched deal morphing into a disbelieved spiel. A shibboleth of enormous mystical weight crashing down from an ethereal abode and heaven heavily saddened cannot hardly appeal

Then a loving spoonful of crystal blue persuasion led me to Ethel’s regimented keepsake and for once in my life nobility and I became a grateful waif. But temerity laughed, splintered spacecraft, and the wooden paws of a bearish applause led to resurgent clarity

Blinking stars shattered by knighted and raw applause punctured the liberated might of a sentient hortatory savior grasped by the internecine wrench of a waxen time

An indie track slides by unnoticed in an aleatory time, and the threadbare whine of centuries of lament becomes a dastardly barn set ablaze with the fury of ancients and the scurry of faineant patents

Perfidy slides in recess, and in gentle forbearance the winged angel lingers like a halo on conifer and spring above a remedial ring

I dial frisky celerity tingling the dangling claws of a raven’s screed and in plunder of all history’s pilfer secrets I eagerly weave a tapestry Indiana Jones himself would be proud to watch

Not the riotous ruin of a mystery tour of verdure crippled by genocide but overcome by the revived life of raised rain razing the moments of indelible pain

But the culmination of a proffered time taken at its word for its every careened bird, for its every brazen gird. The manger of proctored stars calls us home tonight and home forever. Life in quaked timorous stumbles suddenly no longer so fitfully absurd.

The quixotic plundered of pirates and emperors in direct emulation of some crooned pastiche of whittled integrity, surges above any encased blurb and any vain testament to a pyramid rigid in destiny and ragged in desultory and sturdy sincerity

Multiplying the ineffable by the division of arable divorced from edible is too creative to be eaten as pabulum when sparks curdle flickered moonlight crimson and that become golden only to the last laugh of ennobled ragamuffins

Frankly the desert of melliferous gorillas abetting the lark of a heavily vetted camarilla engaged in the sinecure of a rigged wall on a main street to block the tall from the lame bleat. Stocks grazed, costs engaged on a littoral beach at the end of a Bossy promenade

This prayer is a cutthroat collapse of a merry spare, a ribbed ****** waiting to plunge into the antithesis of female despair, but sincere in its restraint that vixens courted in love aren’t courted in litigation of a wagered dare

Ambulances chase Deloreans through the desolate moon-stricken skies of a time agape with fleets of phantasmagoria on a Cliffside too wise to ever mince words or excise cries

Skulking the red-teared caverns of entombed films and lampooned tinctures on a passion vetted only for certain and utter deracinated disguise, I wallop with winged men in a single soul Armed to the Teeth with inveterate tithes to eternal internments of poached and endangered gazettes

As growth older in wizened skin bets on epithets rather than epitaphs for rinsed peace and triumphant clefts we leap above in orbit of only the bellowing nether of blown tolls and untold souls aggregating the esoteric grasp of Alexandrian tomes

The denumeration of certainty is a carousel of wonder, a splurge of time ripped asunder with majesties of paparazzi scuttled impacts a throttled iniquity of regalia’s indicted blunder frenchified but still clean with inestimable sheens

With twenty-five dollars, a dime an assist and a nickeled reiteration of currency already so personable it is divine and sublime in crazed desist I watch the embroiled natives clash in denatured violence with the warriors of a crossed repast hearkening to an old land much of ire but too much of grandstand to ultimately last

Itching for a holy field husk of peerless ties listed as rumpus and beer, a two-packed smoked by bludgeoned blokes careless in irascible sputters of a muffled doom, a Vegan becomes the author of too many sacrosanct homilies becoming defiled witchcraft brooms dead on arrival too many lionized tombs

In plaudits and the scause of an amplified “what if?” of an olfactory nightmare of petrified fog of effluvium bogged in Wade and in heat it is always clogged, sinewy libations of toasted preemptive revenge become a powerballed hog

A castle in the sky founded on Franklin but scourged of wineskins brimming with a distilled time, a swift repartee becomes the whispered ladder of saints blather becoming not rather other than a Dan Rather spatter

A door breeched by a broached inconvenience of amphigory beyond common reach, I clamber excess and whisk the lingered love into destiny beyond any word other than a beseeched preach of nothing tired but everything inspired of noble love with abundance often to teach

Fireworks of turned tides of fallow tithes to aliens beyond any conceivable bribe the bushwhacker writhes but survives Stayin' Alive without even a hint of garbled jive a 27th floor glass elevator is quite a resplendent ride

Wellsprings knowing radical rolled tides of errant dice also themselves guilty of confessional tithes to the monolith of avarice at the nooked cranny of an evaporated time we whine as the police sting the album rained with songs too lugubrious to sing but in their elegy every lonely heart has a propinquity phone of souled resonance ring

Iterative mastery of a mathematics of love, loss decay and the dross of a dental Occidental floss, the sweep of screened queues become questions of inestimable importance to foreign dues on A Horse With No Name but so consumed with fumes

A fright occultist Thriller prowls in a waylaying daylight, masquerading an innocent confection for a rescued triage of a dawn stabbed with knives in our last dying days of trembled plight

He resurrects only the wraiths of detest, squinted at by the putrefaction of summoned cardiac arrest and littered with bullets that somehow can penetrate even impregnable bullet proof vests the wrapped carcass of the mummified husk of ready despair offers itself a ghoulish and raspy prayer

Synchronized in a low roaring swathe of rollercoasters too immersive to ride, the terpsichorean obscurantism of deliberately shattered fragments becoming blurbs dismissed with hijacked deride the carnival of a summer sun becomes the ocean of limitless love becoming endless fun

We forget the drawl of the droll old tales that haunt like specters in the closet and beneath the bedridden valetudinarian of an effrontery of shackled fright, we sprawl the innumerable caverns of prophetic insight afforded by the pantheon of history enter stage left, depart stage right

And with their insight I write and write, I grasp the tusk of democracy and wage an insurrection against the doubt of plodding limitations in otherwise immaculate sight

*** and tyrannosaurus rex, of litigable offenses leading to pardonable arrests, the gated entryway of a poetic splurge leads to the demiurge of a demotic enlightenment and suddenly the frank becomes the frazzled retirement and that haunting hounding bunny transmogrified by a shattered eye averts the car crash that careens ponderous engines out of limitless twilight blue skies.

Diamond lightning in pristine skies escorts the telegraphic totems of riddled modems from distant forbearance to nescient ultimatum and suddenly all venerable personages converge on a teeming scene of a union unified by a universal dream. To become everything and yet nothing and out of light and darkness to become a beatific beam

A Poem for Three Voices

Setting:  A Maternity Ward and round about

FIRST VOICE:
I am slow as the world.  I am very patient,
Turning through my time, the suns and stars
Regarding me with attention.
The moon's concern is more personal:
She passes and repasses, luminous as a nurse.
Is she sorry for what will happen?  I do not think so.
She is simply astonished at fertility.

When I walk out, I am a great event.
I do not have to think, or even rehearse.
What happens in me will happen without attention.
The pheasant stands on the hill;
He is arranging his brown feathers.
I cannot help smiling at what it is I know.
Leaves and petals attend me.  I am ready.

SECOND VOICE:
When I first saw it, the small red seep, I did not believe it.
I watched the men walk about me in the office.  They were so flat!
There was something about them like cardboard, and now I had caught it,
That flat, flat, flatness from which ideas, destructions,
Bulldozers, guillotines, white chambers of shrieks proceed,
Endlessly proceed--and the cold angels, the abstractions.
I sat at my desk in my stockings, my high heels,

And the man I work for laughed:  'Have you seen something awful?
You are so white, suddenly.'  And I said nothing.
I saw death in the bare trees, a deprivation.
I could not believe it.  Is it so difficult
For the spirit to conceive a face, a mouth?
The letters proceed from these black keys, and these black keys proceed
From my alphabetical fingers, ordering parts,

Parts, bits, cogs, the shining multiples.
I am dying as I sit.  I lose a dimension.
Trains roar in my ears, departures, departures!
The silver track of time empties into the distance,
The white sky empties of its promise, like a cup.
These are my feet, these mechanical echoes.
Tap, tap, tap, steel pegs.  I am found wanting.

This is a disease I carry home, this is a death.
Again, this is a death.  Is it the air,
The particles of destruction I **** up?  Am I a pulse
That wanes and wanes, facing the cold angel?
Is this my lover then?  This death, this death?
As a child I loved a lichen-bitten name.
Is this the one sin then, this old dead love of death?

THIRD VOICE:
I remember the minute when I knew for sure.
The willows were chilling,
The face in the pool was beautiful, but not mine--
It had a consequential look, like everything else,
And all I could see was dangers:  doves and words,
Stars and showers of gold--conceptions, conceptions!
I remember a white, cold wing

And the great swan, with its terrible look,
Coming at me, like a castle, from the top of the river.
There is a snake in swans.
He glided by; his eye had a black meaning.
I saw the world in it--small, mean and black,
Every little word hooked to every little word, and act to act.
A hot blue day had budded into something.

I wasn't ready.  The white clouds rearing
Aside were dragging me in four directions.
I wasn't ready.
I had no reverence.
I thought I could deny the consequence--
But it was too late for that.  It was too late, and the face
Went on shaping itself with love, as if I was ready.

SECOND VOICE:
It is a world of snow now.  I am not at home.
How white these sheets are.  The faces have no features.
They are bald and impossible, like the faces of my children,
Those little sick ones that elude my arms.
Other children do not touch me:  they are terrible.
They have too many colors, too much life.  They are not quiet,
Quiet, like the little emptinesses I carry.

I have had my chances.  I have tried and tried.
I have stitched life into me like a rare *****,
And walked carefully, precariously, like something rare.
I have tried not to think too hard.  I have tried to be natural.
I have tried to be blind in love, like other women,
Blind in my bed, with my dear blind sweet one,
Not looking, through the thick dark, for the face of another.

I did not look.  But still the face was there,
The face of the unborn one that loved its perfections,
The face of the dead one that could only be perfect
In its easy peace, could only keep holy so.
And then there were other faces.  The faces of nations,
Governments, parliaments, societies,
The faceless faces of important men.

It is these men I mind:
They are so jealous of anything that is not flat!  They are jealous gods
That would have the whole world flat because they are.
I see the Father conversing with the Son.
Such flatness cannot but be holy.
'Let us make a heaven,' they say.
'Let us flatten and launder the grossness from these souls.'

FIRST VOICE:
I am calm.  I am calm.  It is the calm before something awful:
The yellow minute before the wind walks, when the leaves
Turn up their hands, their pallors.  It is so quiet here.
The sheets, the faces, are white and stopped, like clocks.
Voices stand back and flatten.  Their visible hieroglyphs
Flatten to parchment screens to keep the wind off.
They paint such secrets in Arabic, Chinese!

I am dumb and brown.  I am a seed about to break.
The brownness is my dead self, and it is sullen:
It does not wish to be more, or different.
Dusk hoods me in blue now, like a Mary.
O color of distance and forgetfulness!--
When will it be, the second when Time breaks
And eternity engulfs it, and I drown utterly?

I talk to myself, myself only, set apart--
Swabbed and lurid with disinfectants, sacrificial.
Waiting lies heavy on my lids.  It lies like sleep,
Like a big sea.  Far off, far off, I feel the first wave tug
Its cargo of agony toward me, inescapable, tidal.
And I, a shell, echoing on this white beach
Face the voices that overwhelm, the terrible element.

THIRD VOICE:
I am a mountain now, among mountainy women.
The doctors move among us as if our bigness
Frightened the mind.  They smile like fools.
They are to blame for what I am, and they know it.
They hug their flatness like a kind of health.
And what if they found themselves surprised, as I did?
They would go mad with it.

And what if two lives leaked between my thighs?
I have seen the white clean chamber with its instruments.
It is a place of shrieks.  It is not happy.
'This is where you will come when you are ready.'
The night lights are flat red moons.  They are dull with blood.
I am not ready for anything to happen.
I should have murdered this, that murders me.

FIRST VOICE:
There is no miracle more cruel than this.
I am dragged by the horses, the iron hooves.
I last.  I last it out.  I accomplish a work.
Dark tunnel, through which hurtle the visitations,
The visitations, the manifestations, the startled faces.
I am the center of an atrocity.
What pains, what sorrows must I be mothering?

Can such innocence **** and ****?  It milks my life.
The trees wither in the street.  The rain is corrosive.
I taste it on my tongue, and the workable horrors,
The horrors that stand and idle, the slighted godmothers
With their hearts that tick and tick, with their satchels of instruments.
I shall be a wall and a roof, protecting.
I shall be a sky and a hill of good:  O let me be!

A power is growing on me, an old tenacity.
I am breaking apart like the world.  There is this blackness,
This ram of blackness.  I fold my hands on a mountain.
The air is thick.  It is thick with this working.
I am used.  I am drummed into use.
My eyes are squeezed by this blackness.
I see nothing.

SECOND VOICE:
I am accused.  I dream of massacres.
I am a garden of black and red agonies.  I drink them,
Hating myself, hating and fearing.  And now the world conceives
Its end and runs toward it, arms held out in love.
It is a love of death that sickens everything.
A dead sun stains the newsprint.  It is red.
I lose life after life.  The dark earth drinks them.

She is the vampire of us all.  So she supports us,
Fattens us, is kind.  Her mouth is red.
I know her.  I know her intimately--
Old winter-face, old barren one, old time bomb.
Men have used her meanly.  She will eat them.
Eat them, eat them, eat them in the end.
The sun is down.  I die.  I make a death.

FIRST VOICE:
Who is he, this blue, furious boy,
Shiny and strange, as if he had hurtled from a star?
He is looking so angrily!
He flew into the room, a shriek at his heel.
The blue color pales.  He is human after all.
A red lotus opens in its bowl of blood;
They are stitching me up with silk, as if I were a material.

What did my fingers do before they held him?
What did my heart do, with its love?
I have never seen a thing so clear.
His lids are like the lilac-flower
And soft as a moth, his breath.
I shall not let go.
There is no guile or warp in him.  May he keep so.

SECOND VOICE:
There is the moon in the high window.  It is over.
How winter fills my soul!  And that chalk light
Laying its scales on the windows, the windows of empty offices,
Empty schoolrooms, empty churches.  O so much emptiness!
There is this cessation.  This terrible cessation of everything.
These bodies mounded around me now, these polar sleepers--
What blue, moony ray ices their dreams?

I feel it enter me, cold, alien, like an instrument.
And that mad, hard face at the end of it, that O-mouth
Open in its gape of perpetual grieving.
It is she that drags the blood-black sea around
Month after month, with its voices of failure.
I am helpless as the sea at the end of her string.
I am restless.  Restless and useless.  I, too, create corpses.

I shall move north.  I shall move into a long blackness.
I see myself as a shadow, neither man nor woman,
Neither a woman, happy to be like a man, nor a man
Blunt and flat enough to feel no lack.  I feel a lack.
I hold my fingers up, ten white pickets.
See, the darkness is leaking from the cracks.
I cannot contain it.  I cannot contain my life.

I shall be a heroine of the peripheral.
I shall not be accused by isolate buttons,
Holes in the heels of socks, the white mute faces
Of unanswered letters, coffined in a letter case.
I shall not be accused, I shall not be accused.
The clock shall not find me wanting, nor these stars
That rivet in place abyss after abyss.

THIRD VOICE:
I see her in my sleep, my red, terrible girl.
She is crying through the glass that separates us.
She is crying, and she is furious.
Her cries are hooks that catch and grate like cats.
It is by these hooks she climbs to my notice.
She is crying at the dark, or at the stars
That at such a distance from us shine and whirl.

I think her little head is carved in wood,
A red, hard wood, eyes shut and mouth wide open.
And from the open mouth issue sharp cries
Scratching at my sleep like arrows,
Scratching at my sleep, and entering my side.
My daughter has no teeth.  Her mouth is wide.
It utters such dark sounds it cannot be good.

FIRST VOICE:
What is it that flings these innocent souls at us?
Look, they are so exhausted, they are all flat out
In their canvas-sided cots, names tied to their wrists,
The little silver trophies they've come so far for.
There are some with thick black hair, there are some bald.
Their skin tints are pink or sallow, brown or red;
They are beginning to remember their differences.

I think they are made of water; they have no expression.
Their features are sleeping, like light on quiet water.
They are the real monks and nuns in their identical garments.
I see them showering like stars on to the world--
On India, Africa, America, these miraculous ones,
These pure, small images.  They smell of milk.
Their footsoles are untouched.  They are walkers of air.

Can nothingness be so prodigal?
Here is my son.
His wide eye is that general, flat blue.
He is turning to me like a little, blind, bright plant.
One cry.  It is the hook I hang on.
And I am a river of milk.
I am a warm hill.

SECOND VOICE:
I am not ugly.  I am even beautiful.
The mirror gives back a woman without deformity.
The nurses give back my clothes, and an identity.
It is usual, they say, for such a thing to happen.
It is usual in my life, and the lives of others.
I am one in five, something like that.  I am not hopeless.
I am beautiful as a statistic.  Here is my lipstick.

I draw on the old mouth.
The red mouth I put by with my identity
A day ago, two days, three days ago.  It was a Friday.
I do not even need a holiday; I can go to work today.
I can love my husband, who will understand.
Who will love me through the blur of my deformity
As if I had lost an eye, a leg, a tongue.

And so I stand, a little sightless.  So I walk
Away on wheels, instead of legs, they serve as well.
And learn to speak with fingers, not a tongue.
The body is resourceful.
The body of a starfish can grow back its arms
And newts are prodigal in legs.  And may I be
As prodigal in what lacks me.

THIRD VOICE:
She is a small island, asleep and peaceful,
And I am a white ship hooting:  Goodbye, goodbye.
The day is blazing.  It is very mournful.
The flowers in this room are red and tropical.
They have lived behind glass all their lives, they have been cared for
        tenderly.
Now they face a winter of white sheets, white faces.
There is very little to go into my suitcase.

There are the clothes of a fat woman I do not know.
There is my comb and brush.  There is an emptiness.
I am so vulnerable suddenly.
I am a wound walking out of hospital.
I am a wound that they are letting go.
I leave my health behind.  I leave someone
Who would adhere to me:  I undo her fingers like bandages:  I go.

SECOND VOICE:
I am myself again.  There are no loose ends.
I am bled white as wax, I have no attachments.
I am flat and virginal, which means nothing has happened,
Nothing that cannot be erased, ripped up and scrapped, begun again.
There little black twigs do not think to bud,
Nor do these dry, dry gutters dream of rain.
This woman who meets me in windows--she is neat.

So neat she is transparent, like a spirit.
how shyly she superimposes her neat self
On the inferno of African oranges, the heel-hung pigs.
She is deferring to reality.
It is I.  It is I--
Tasting the bitterness between my teeth.
The incalculable malice of the everyday.

FIRST VOICE:
How long can I be a wall, keeping the wind off?
How long can I be
Gentling the sun with the shade of my hand,
Intercepting the blue bolts of a cold moon?
The voices of loneliness, the voices of sorrow
Lap at my back ineluctably.
How shall it soften them, this little lullaby?

How long can I be a wall around my green property?
How long can my hands
Be a bandage to his hurt, and my words
Bright birds in the sky, consoling, consoling?
It is a terrible thing
To be so open:  it is as if my heart
Put on a face and walked into the world.

THIRD VOICE:
Today the colleges are drunk with spring.
My black gown is a little funeral:
It shows I am serious.
The books I carry wedge into my side.
I had an old wound once, but it is healing.
I had a dream of an island, red with cries.
It was a dream, and did not mean a thing.

FIRST VOICE:
Dawn flowers in the great elm outside the house.
The swifts are back.  They are shrieking like paper rockets.
I hear the sound of the hours
Widen and die in the hedgerows.  I hear the moo of cows.
The colors replenish themselves, and the wet
Thatch smokes in the sun.
The narcissi open white faces in the orchard.

I am reassured.  I am reassured.
These are the clear bright colors of the nursery,
The talking ducks, the happy lambs.
I am simple again.  I believe in miracles.
I do not believe in those terrible children
Who injure my sleep with their white eyes, their fingerless hands.
They are not mine.  They do not belong to me.

I shall meditate upon normality.
I shall meditate upon my little son.
He does not walk. &n

*** trafficking – the trafficking and debasement of souls; Drug trafficking – the trafficking of substances that debase the body.  Here compared you will find the prevalence, impact, and rehabilitation processes associated with *** and shrug trafficking.  Respective clientele, demographics, and locales that these types of trafficking touch will be revealed in order enlighten you to their world-wide prevalence. The physical, emotional, spiritual, and psychological impact of lifestyles that result from these two types of trafficking will be detailed to etch vividly an image of just how far-reaching the impact of these two activities is. Light will be shed upon the rehab processes that lead to recovery from each.
                 According to UnoDC.org, the United Nations Office on Drugs and Crime, the use of illicit drugs has remained in a stable trend, with approximately the same number of people using illicit drugs each year. This trend has continued for a number of years. Upon examining the world drug report, written by UnoDC.org, production of several drugs exhibit particularly interesting trends. ***** production for example fell and spiked in a somewhat predictable patter from 1990 until 2010. When this data is graphed a reasonable medium appears for all the years, revealing that ***** production has stayed around an average production of roughly 200,000 hectares annually. Likewise, coca cultivation pictures an interesting trend. From 1990 to 2010 coca production appeared to be almost identical each year, and with little to no rise or fall in production, there is a similar trend in its being trafficked.  
Nefarious: Merchant of Souls is a documentary that was released in 2012 by Exodus Cry Its producers and researchers saw firsthand the atrocities of the *** trafficking industry. The film crew interviewed former pimps and prostitutes, spoke to traffickers, the families of the trafficked and to individuals still actively engaged in three sides of the *** trade referring to currently employed pimps and prostitutes as well as those who purchased ***. The researchers and producers interviewed eastern European gang members and took a trip to Amsterdam’s red-light district – home of legal prostitution. They journeyed to Los Angeles and saw the glamorized side of the dark issue of *** trade.
According to Nefarious, the number of humans trafficked for the purpose of providing ****** services is on a shockingly steep rise. In a matter of a few years, *** trafficking rose from the third largest criminal enterprise to the second. It is second only to drug trafficking and is vying for the position as top criminal enterprise in the world. It is encroaching upon that position far more speedily than any authority or decent human being would care to acknowledge.  A survey taken in 2010 by DART (the drug awareness resistance training program) revealed that 21.8 million people aged 12 and older had taken an illicit drug in the previous month. In 2010 it was estimated that between 153 and 300 million people had used an illicit drug at least once in the previous year. These statistics fail to take into account the impact that this usage has on the lives of the families of drug users. Neither do these statistics reveal the extent to which drug users lifestyles are impacted by drugs. However, nearly  every single human trafficked for ****** purposes is completely and utterly enveloped in the lifestyle of prostitution and the violent world of being prostituted. In Nefarious a shocking statistic is revealed. Approximately ten percent of the entire human population of earth has been trafficked. Both human and drug trafficking are prevalent across the globe. Human trafficking occurs in 161 of 192 countries. Illicit drugs are trafficked in every country that has laws that deem substances unlawful. There are little to no race, religion, ethnicity, or age restrictions on who can and is trafficked for use of ***, but drugs are far more limited by age and ethnicity in their use.
Drug trafficking, though similar to *** trafficking in many ways, is in no way as substantial a damaging force to the mind, soul, and spirit as the world of *** trafficking  is in terms of the critical and dangerous force it exhibits in the emotional, physical, psychological, and spiritual  impact it has on young girls. Both drugs and *** trafficking have some influence in all of these respective areas. The primary area in which people are affected by drug use is the physical. Drug users’ health declines, they become physically or psychologically dependent, and they may develop diseases from sharing of needles or lack of inhibitions that lead to *** with an infected individual. Drugs may, in some rare cases, lead to psychoses and mental disorders. They may cause brain damage, which is both physically and mentally damaging. Drugs may even set one’s heart and soul in a place that they are more susceptible to lies or truth. They alter spiritual state for some individuals, but only mildly. However, *** trafficking victims are impacted majorly and in their entirety as a person. In all aspects of the physical, mental, and spiritual, *** trafficking victims are consumed by *** trafficking. In Nefarious it is revealed that In order to “break” *** trafficking victims they are profusely beaten, and are psychologically toyed with to create a twisted trust and dependence on their various handlers. They are repeatedly *****, and are examined like cattle by those who wish to buy women. They are imprisoned in dark rooms and not allowed to leave unless told to do so. They are bedridden and forced to ******* themselves. After being broken in ways described above and sold to a ****, girls are forced every day to meet certain quotas of customers and cash flow. If they do not meet these they are beaten even more. They lay in bed sometimes a week at a time to recover physically enough to usefully return to their “job”.  Through this hellish ordeal, their soul, self-worth and identity are being attacked by circumstances that devalue them. They become like animals.
*** trafficking victims become dependent on their environment for normalcy. This is so true for some individuals that even though they have been rescued from the lifestyle, they return.  This is not because the *** trafficking victims enjoys the lifestyle of prostitution, and it is not because they want to. Instead, it is because they think they can be nothing more than a *******. The *** trafficking victim, in this case, believes that they need to settle into the numb and thoughtless mind state that they develop when broken. Returning to prostitution does not evidence an addiction. In contrast, it is the cry of a soul that is desperately trying to cope. They do this in order to feel as if they can survive.  
The rehab processes for *** and drug trafficking differ greatly in commitment and length, but are similar in that they both require physical and psychological rehabilitation.  Drug rehabilitation programs typically consist of twelve-step programs or something similar. They last a number of months, or occasionally a few years. They allow individuals counsel and encouragement, and they attempt to, by abstinence, exorcise an addicted individual’s addiction. *** trafficking rehabilitation requires the re-creation of an individual. Self-worth must be reconstructed. The spirit must be healed in order to allow for psychological healing. Prostitutes are not addicted to prostitution, but prostitution produces dependence in that the prostituted crave normalcy. This dependence must be killed. Successfully rehabilitating women from this forced lifestyle requires lifelong commitment and endless resources. It requires passionate fanatics, people who will pour their life into changing the lives of others, because only the incurable fanatic can wreak havoc on the tragedy of human trafficking. Any short-term effort to rehabilitate a *** trafficking victim is doomed to failure. The degree to which the brokenness of *** trafficking victims becomes ingrained in them is so extreme that it takes a lifetime to reshape their lives.
While researching *** trafficking in order to accurately produce Nefarious, the researchers and producers of Nefarious became convicted by facts that they collected. The evidence they collected speaks to the fact that *** trafficking does not just attack the body; it attacks the entire being, and in far worse ways than drugs ever could. Varied races and ages are prostituted and / or consume drugs. The impact of both of *** and drug trafficking is severe, but much more so severe in the case of human trafficking. The rehab process for human trafficking is much more in depth and is testament to the horror and degree of psychological, mental, and emotional disfigurement, as well as acclimation to a horrible situation to the point that horror becomes normal – a new definition of addiction. Human trafficking is an atrocity that is far more horrendous and prevalent than imaginable. It is far more destructive than drug trafficking. Drug trafficking is one of the most destructive forces in this generation.  Surely consuming drugs is one of the most horrid things we can do to our bodies, but what about consuming souls? *** trafficking consumes souls, hearts, minds and bodies. It splits, fragments, debases, brutalizes, obliterates, murders, rapes, molests, destroys, and dehumanizes the prostituted.  Drug trafficking attacks the body the soul, and sometimes the mind, but in much milder ways.

What if they told you you'd never make it...
What if they said you'll just be another statistic?
They tell you your not strong
and your dreams aren't worth it.
That your soul is ******
and your heart for the taking.
Your bones, their brittle.
Your eyes filled with life.
Blow after blow
you still stand higher.
Not higher than the mountains,
but higher than they'll ever be.
Your not another statistic
you'll make it
just breathe....

What does it mean to be a Chicano/Latino in the US?
What does it mean to be Black in the US?
What does it mean to be a minority in the States?
You know what that means...it means that we have a lot to prove  
As in the words of Booker T. Washington:

"When a white boy undertakes a task,
it is taken for granted that he will succeed.
On the other hand, people are usually surprised
If the [*****] boy does not fail. In a word, the [*****] youth
starts out with the presumption against him."

Now in a society where institutionalized racism,
Or racism without racists, prevails
We are disenfranchised from even being considered youth.
We are a bunch of wetbacks, idiots, *****...you name it,
Where failure is expected of us...

...but enough is enough, we should not abide to the stereotypes
And stigmas that society stamps on our foreheads.
As a matter of fact, I do not ever recall giving this white patriarchal society
My blessing to call me whatever the * it decides to call me.
We are here to take manners into our own hands, here to do whatever the heck our heart desires.
We are here to create the change that we wish to see in the world.
We are here to become the few & growing positive statistics that we fight for.
We are here to create voice and shed the light on those wins that we take to our hearts.

No one is here here to reflect the stereotype that this *** up society
Tries to slap us with on an everyday basis.
We are here to change perception of who we are and where we stand in society.
We are positive statistics...not a stereotype.

I am the shadow of trayvon martin
Lying on the ground just as he did
I'm black just as he was
I wasn't planning to die that day either
I wasn't threatning nobody either
that day
The gunshots echoed
just as loud
when I was shot down as Mike Brown
yet his name echoes through the streets years later still
mine followed me to the grave
They don't care about me it seems
If I cried "what about me"
Who would ever see?
because my hashtag has even been drowned so deep in the depths of R.I.P's that I can't barely breathe anymore
When we think black brutality
Why do the names of trayvon
Mike
Tamir
Sandra
Rush to our heads just as fast as blood once rushed to theirs?
Does my black life, too, matter?
I can't blame you
That there have been so many deaths due to oppression and police brutality that they all seem to sound the same
No matter how loud we scream Black lives matter
We will never be seen as the living
But the potentially dead
We cry for justice to a system that's no longer built to accept us
A president that tries to forget us
A black voice will always be too loud to a world who never intended on listening
Who am I?
Besides a hashtag and a t-shirt with my face on it?
A black lives matter sign and a melanin fist?
A statistic?
I am black excellence
Regardless of how much sin you may see in my kin

Sometimes I wonder if my suicide attempt actually worked and this is just hell i'm living in now.
Like I’m just another part of the statistic.
Research has shown that around 70 percent of people with BPD will have at least one suicide attempt in their lifetime, and many will make multiple suicide attempts, and people with BPD are more likely to complete suicide.
Sometimes I stand and everything goes black, and the static in my head gets louder and louder.
Sometimes I cry, sobbing between heaving- but not often because it’s hard for me to display emotions normally.
We’re supposed to be constantly feeling things at an intensified level than neurotypicals.
Sometimes I get distant. I disassociate from myself and exist somewhere in between reality and the void.
It’s hard for me to say sorry to those I hurt in the process of me hurting myself.
I can’t sit still.
My mind’s moving 100 mph and it’s almost impossible to slow it down.
Countless flashbacks play in the back of my mind on a reel. Like a horror flick I can’t get out of.
Like I’m in a nightmare and everything in me is saying run but my legs won’t move.
When you have BPD you can’t really control your emotions.
It’s an emotional switch that flips. Like the breaker box is shot and all the wires are frayed.
I wear his T-shirt’s when he’s gone to remind me that he still exists. His smell on the pillowcase is the only reminder that he was even here, that it was real.
When you have BPD nothing seems real. You often question if you really do exist.
A friend asked me why I write everything down and turn it into a poem. The only way I can assure myself it really happened is to let it live on through my art.
Everyday I wake up and ask myself if I can just be normal today. Be a normal sister, a normal girlfriend, a normal human being. I always set my expectations far too high.
It may not mean much to him but his slightly different demeanor has me in a state of panic fueled by my overwhelming fear of rejection and abandonment.
I live with this everyday and some days it’s harder to push all the fears to my subconscious.
It’s like I’m falling rapidly down a mountainside and the sudden occurrence of fear in overwhelming quantities is crushing my chest. Clogging my windpipe, making it seemingly impossible to breathe.
Living with BPD is the equivalent of constantly being at war with yourself. You don’t get quiet moments.
But I sustain myself on the idea that everything will be okay.
Everything’s okay.
I’m okay.  
And people ask me why I can’t just shut it off, as if it is that easy.
I’m doing everything I can to stop the voices in my head from screaming over his whisper in my ear.
I find comfort in the fact that he loves me despite the chaos. I sustain myself on the fact that he loves me. That’s all the justification needed.
I know he’s probably sick of always putting me back together, but his touch makes all the sharp edges fit perfectly together.
I have no impulse control.
But I am slowly accepting my disease, and I remember to not let it define me.
I’m learning to cope, and I have to remember to be kind to myself.
If you’re struggling with mental illness, please remember to be kind to yourself.
If some days you need to stay in bed, that’s okay.
If some days you forget to take your medication, that’s okay.
If some days you act on your impulses, that is okay.
Don’t hide yourself from the world because you are different.
You are radiant, you are celestial, you are loved.
Always remember you matter.
May is BPD awareness month and my only goal is to speak to other through my story.
If you or someone you know is struggling with BPD, educate yourself on the symptoms and traits.
Let’s raise awareness for Borderline Personality Disorder

INTRODUCTION TO THE FIRST WORLD WAR
            BY RAJ NANDY: PART ONE

                   INTRODUCTION
  “What passing-bells for those who die as cattle?
         Only the monstrous anger of the guns.
        Only the stuttering rifles’ rapid rattle
    Can patter out their hasty orisons.”
      -by Wilfred Owen, British Army Lt. killed in
        action in France on 04th Nov 1918.

The Socialists called it the ‘Imperialist’s War’,
and it was the ‘Trench War’ for the soldiers;
But Europe hailed it as ‘The War to End All Wars’,                
Expecting it to end prior to 1914’s Christmas!
But alas, it soon became a mighty global war
fueled by national and ethnic aspirations and
territorial lust!
The assassination of Archduke Ferdinand, heir
to the Austro-Hungarian Monarchy, -
On the 28thof June 1914 at Sarajevo, was the
spark which triggered off this great catastrophe!
During 1876 when German Chancellor Bismarck
was asked about chances of an European War at
a future date;
He felt that Europe was like a big store house of
gunpowder keg!
While pointing to the volatile BALKANS he had said,
That European leaders were smoking in an arsenal,
where a small spark could cause a mighty explosion!
And 38 years later the world had witnessed,
Bismarck’s unfortunate prediction!
This war ended on 11th of November 1918, after a
four and half year’s long duration;
With 16.5 million military and civilian deaths, and
many more wounded and missing in action!
For the War had spread beyond the traditional
killing fields,
Killing many innocent civilians following the
bombing raids by German Zeppelins!
Now, before proceeding further some background
information here becomes necessary,
To understand the socio-political events leading
to the unfolding of this Great War Story!

         PRELUDE TO THE GREAT WAR
The Nationalistic fervor aroused by Napoleon,
And the February Revolution of 1848 in France,
Inspired Europe’s inhabitants to preserve their
ethnic and racial identities, without leaving
things to chance!
The Italian and German unification, and the
Hapsburg Austro-Hungarian polarization,
Aroused the expectations of the Slavic people,
Who remained spread all over Central and
Eastern Europe!
The various ethnic groups forming the Slavic race,
Always dreamt of an independent Balkan State!

         CAUSES FOR ‘THE GREAT WAR’
Imperialism, Nationalism, Militarization, Alliances,
and finally the assassination of the Archduke
Ferdinand,
Are the five main causes for this war, which is
generally mentioned by our Historians!
However, I shall now try to acquaint you briefly,  
With some relevant events from our recorded
History.

BRITISH IMPERIALISM:
Towards the turn of the 20th century Britain was
the dominant global imperial power;
And since the mid-19th Century it was seen that
the sun never set over the British Empire!
The British had a vast mercantile and a naval fleet,
To trade with, and administer their far flung colonies.
At the turn of the 20th Century the British Navy was
changing over from steam to oil power like other
big nations;
So the oil fields of the Middle East was important
for British militarization.
Also passage through the Suez Canal was vital for
maintaining their colonial possessions!
These facts will get linked up in Part Two of my
later composition!

GERMAN NATIONALISM:
The nationalistic fervor aroused in Germany
since Chancellor Bismarck’s days,
Made the Germans try to outstrip the British
in many ways!
This fervor was reflected in Goethe’s poetry and
through Richard Wagner’s musical notes;
Between 1898 and 1912 five Naval Laws were
passed in the German Reichstag, by majority
votes,
For building battleships, cruisers, and 96 torpedo
boats;
Which later became a scourge for Allied and
British shipping, known as the U-Boats!
The German nationalism and militarization went
hand in hand during those days,
While her industrialization also progressed at a
rapid pace.
Kaiser Wilhelm II had sought “a place in the sun”
by trying to outstrip the British in the arms race!
Statistic show more number of German scientists
had received the Noble Prize for their inventions,
Between this period and World War- II, when
compared with the combined winners of other
Western nations!

AUSTRIA-HUNGARIAN MONARCHY:
In 1867 by a comprising agreement between
Vienna and Budapest the capital cities,
The Austro-Hungarian kingdom became a Dual
Monarchy!
Many ethnic groups had composed this Monarchy
in those early days as we see;
With Germans, Hungarians, Romanians, and Slavic
people like the Czechs, Poles, Croats, Slovaks,
Serbs, and the Slovenes!
While the Austrian Officers of this Monarchy spoke
German, the majority of the soldiers were Hungarians,
Czechs, Slovaks, who never spoke German!
So the soldiers were taught 68 single-words of
German commands,
For the Austro-Hungarian Imperial Army to function
collectively as one!
While Francis Joseph their sovereign and emperor,
aspired to become a strong centralized European
power.
But out of the 50 million people of this Monarchy
around 23 million were Slavs,
Who always dreamed of an independent Slavic
Kingdom in the Balkans!

THE BALKANS & THE KINGDOM OF SERBIA
After the Iberian and the Italian peninsulas of
Europe, the BALKAN peninsular is seen to be
lying in Europe’s extreme south east, -
South of the Danube and Sava River, bounded
in the west by the Adriatic and Ionian Sea.
In the east is the Aegean and Black Sea,
With the Mediterranean Sea in the south, -
washing the tip formed by Greece with its many
islands around!
Now much of the Balkan areas were under the
Ottoman Empire since early 14th Century;
And here I cut across many centuries of past
European History!
Following a series of revolutions since 1804
against the Turks,
The Principality of Serbia was carved out in the
area of the Balkans!
A new constitution in 1869 defined it as an
independent State of Serbia;
Was internationally recognized at the Treaty
of Berlin in 1878, to later become the Kingdom
of Serbia!
This kingdom was located south adjoining the
Monarchy of Austro-Hungarians, much to their
annoyance those days,
Since the Kingdom of Serbia was looked upon
as a ‘beacon of liberty’ by the Southern Slavic
race!

THE BOSNIAN CRISIS (1908-1909)  
This dual provinces of Bosnia and Herzegovina
in the Balkans,
Were formally under the control of the
Ottoman Sultan.
With permission of the Congress of Berlin in
1878, it was administered by Austria-Hungary;
Though the legal rights remained with Turkey!
But the Slavic population present there had
Nationalistic ambitions,
Aspired to join the Slavs in nearby Kingdom of
Serbia, to form a pan-Slavic nation!
The Slavic population in Austria-Hungary, also
entertained such dreams wistfully!
Now in 1908 a ‘Young Turk Movement’ based
at Macedonia,
Had planned to replace the absolute Turkish
rule in Bosnia!
And by modernizing the Constitution hoped
to rejuvenate the sick Ottoman Empire.
These developments set alarm bells ringing
in Austrian capital Vienna!
So on the 6th of October 1908 they quickly
annexed Bosnia and Herzegovina!
After having lost a war with Japan, and following
an internal Revolution of 1905 the Russians,
Prevented an escalation by staying out of the
Bosnian Crisis!
But the annexation of Bosnia had angered the
Serbs greatly,
So they started to train secret terrorist groups to
liberate Bosnia from Austria-Hungary!
These terrorist groups operated in small cells,
Under the leadership of Col. Dimitrijevic, also
known as the ‘Apis’ those days.
Now, a secret cell called the ‘Black Hand’ operated
in the Bosnian capital of Sarajevo with Gavrilo
Princep as one of its members;
Who was trained and equipped in Serbia along
with other ‘Black Hand’ members.
The Austro-Hungarian Monarchy had remained
distressed about these subversive activities by
the Slavic race!
So in Jan 1909 they obtained the unconditional
support from Germany, in the event of a war
with Serbia even if Austria was the aggressor!
And also secretly hoped in a war to annex
Serbian territory!
For in the two Balkan Wars of 1912 and 1913,
Serbia had greatly extended its territory to
become a powerful adversary!
Serbia had also obtained an assurance from
its protector Russia, should a war break out with
Austria!
Now, as tension mounted upsetting the delicate
balance of power in the Balkans gradually,
Archduke Franz Ferdinand with his wife Sophie,
planned to visit Sarajevo from Austria-Hungary!
It was a God sent moment for the secret
organization the ‘Black Hand’,
To plan the assassination of Archduke Ferdinand!

THE ASSASSINATION: SARAJEVO 28TH JUNE 1914
Now when I look back in time I pause to wonder,
How such an amateurish assassination plot could
have ever succeeded,
Without the cruel hands of destiny and fate!
The 28th of June was a bright summer’s St. Vitus
Day and a holiday in Serbia;
And also the 14th marriage anniversary of Franz
Fernandez and his wife Sophia!
Several assassins were positioned along the route,
Which was to be taken by the Archduke!
While the motorcade proceeded to the Town Hall
a bomb was thrown,
Which bounced off the rear of Archduke’s car,
Injuring few bystanders and a passenger in the
rear car!
The Archduke however refused to cancel his trip,
Saying that it was the act of some lunatic!
After completion of the Town Hall ceremony, the
Archduke wanted a change of plan deviating from
the laid down route;
By wanting to visit the patients in the hospital,
Injured by the bomb which had struck his cars
rear hood!
But the Czech driver was not briefed and took
a wrong turn by mistake;
Reversed trying to correct himself, stalled the car
stoppling next to Gavrilo Princep!
Presenting Princep with a stationary target, a
cruel work of destiny and fate!
Prince pulled out his pistol and fired two shots  
at a point blank range, killing both Ferdinand
and  wife Sophie;
When Ferdinand cried out ‘’Sophie, Sophie,
don’t die, live for the children’’, - words which
now remain enshrined in History!

TRIAL OF PRINCEP & THE CONSPIRATORS
The trial began in a military court on 12th of
October at Sarajevo,
With three judges and no jury, when Princep
pleaded 'Not Guilty'!
Killing of Duchess Sophie was an unplanned
accident,
Since he wanted to **** the Governor instead!
He claimed to be a Serbian nationalist working
for the unification of the Slavic race,
and detested the annexation of Bosnia by the
Austo-Hungarians!
Along with 15 other accused, Princep was found
guilty of high treason;
But being underage, was sentenced to 20 years
labour in prison.
But died three year's later from tuberculosis!

           CONCLUDING PART ONE
  ''Blow out, you bugles, over the rich Dead!
   There's none of these so lonely and poor of old,
   But dying, has made us rarer gifts than gold."
      -Rupert Brook, part of the British Naval Expeditionary
       Force, buried in Skyros, Greece 1914.
Now, looking back over a hundred years in
hindsight I do realize,
That this assassination was not the immediate
cause or the spark which triggered this War,
But only an excuse and a pretext for the
Austro-Hungarians to carve up Serbia,
And distribute those territories between
Allies and friends of Austria;
Also enhance the prestige of their Empire!
Since the war had commenced almost two
months after the Archduke’s assassination,
Austria had lost the high moral ground for
vengeance with righteous indignation!
It was a cynical and a predetermined plan
of Austria in connivance with Germany,
To destroy Serbia and squash the hopes of
Slavic people for a pan-Slavic State, - as we
now get to see!
This war ended with the dissolution of four old
Empires of the Austro-Hungarians, Ottomans,
Tsarist Russians, and the Germans!
While new nations of Czechoslovakia, Yugoslavia,
Austria, and Hungary, got created from the
dissolved Empire of Austria-Hungary.
Russia gave up lands creating Finland, Estonia,
Latvia, and Lithuania.
The Ottomans gave up lands in SW Asia and the
Middle East, and in Europe retained only Turkey!
Thus this Great War had creating new nation states,
And gave Europe its new revamped face!
Composed by Raj Nandy of New Delhi,
Thanks for reading patiently!
   TO BE CONTINUED LATER AS PART TWO
**ALL COPY RIGHTS ARE WITH THE AUTHOR

sometimes you look at these people and think:
is it better me drinking whiskey, or is it better treating
them ontologically as zoological specimen
                                                  and worth of caging?
i think that the Aristotelian awe-principle
for the practice of philosophy was
overly-exaggerated with dues
that consider science, i think that science
confiscated the emotional
imprint of philosophy that's bound to awe
and said: willcommen unto die phobia-realm...
which i still ascribe to postcolonialism...
  the times' propaganda say:
             arachnophobia is perfectly suited
to match-up to a billionth remark of Islam,
which is why i find Islamophobia so weird...
   arachnophobia consists of only one spider...
minding the phobic in Islam?
                          it's not a case of one spider...
it's a case of spiders...
                             they can't reason with
the Big Brother opportunism, which exists...
turning the blind eye won't help...
  it will simply aggrivate such people...
and using this language has created such
frustrations... correctly? aggravate,
dance of vowels. phobias aren't big, they're small...
miniscule... tell people that something is
small when it's actually big enforcers
a postcolonial past more so...
   i see these children like the psychotic reaction
to a prophesy kindred ot Harold II's slaughter
of the innocents...
                  they're there to edorese someone...
      after all: who gives a **** about these people?
                                                         ­  (endorse)
the psychiatrist gets paid, the mental health nurse
gets paid... why would they give a **** in a way
that says: i wasn't paid for this bollocking!
  maybe up in Manchester... but down here in London,
they don't buy disguises, you're
labelled Romanian: you're bound home where
you could have been a plumber but are reduced
to a straitjacket because: some ******* said
you didn't **** her... Philip Collins and hey:
welcome to paradise.
                        down 'ere in Loon-town you get
your money's worth...      
                   i wish they took care of me...
   silence pays... you get your cringe's worth of ****
to the Kilimanjaro's worth of calling
               bottled crema-foam on a phallus
an anorexia... as i see it: anorexia in Freudian lingo
is an objection toward treating ****** artefacts
in culinary terms... means that paradox
of having a cake and eating it too...
                obviously you'll sexualise problems...
i think anorexia is a question of making
          ****** parts culinary aggregates...
                i'm not jotting: girl, aged, 16, ***-starved..
i mean in general... making ****** objects
equivalent toward a culinary status for a care
to make them more appealing in being ******...
the anorexic might start thinking: so i **** it,
and don't eat it?   penguin clap for an icecream cone!
ruffian yoga minus the slippers and the seal clapping...
the loudest revision of applause: i can guarantee....
cos the flippers were wet... hence the additional
aquatic acoustic.
                    this is very much akin to that quantum
theory of: tornado at coordinate a.,
         and a butterfly as coordinate b.,
          i can see anorexia as a substitute to sexualised
preferences in making body-parts partially edible...
            i see **** i think of the cow's ******-pouch / pillow...
    i don't know, maybe because being in my 30s
i can still fake arousal when looking at it...
       i am not the original alienist... some martian
took my title role...
          but i can understand anorexia as a way to rebel
against putting potato mash and a steak and a few
veggies with the same duty nod as one might put
a ******* object into one's mouth and having to
a Werther's Original suckling tactic on it and
never attach a bone to it, i.e. never eat it...
      anorexia by my standard is verily sexualised...
   you put something into an open space and
it's almost a trans-transgender movement...
      which is why i find the transgender "curiosities"
obstructs in art... post-transgender occupancies
           are not reserved for the easily pleased...
anorexics are such people...
             this is sexuality confused with dietary requirements...
this isn't a circumstance of pronouns politicised
and exploits of modern medicine...
                   i do tend to abuse seafood
whenever i am cringed by the suggested floral pattern
whenever i dare not see the benefits of cesarean...
and i just can't see islamophobia fitting the irrational
rationality of other conscripted phobias...
          poor choice of Greek to be honest...
                      i think they're referring to:
a subtler suggestion, minus the crusading empowerment
that's yet to be honed on...
                        well **** yeah...
once you've actually a philosophy book,
   you'll become immune to any writing advice...
                you'll actually become immune
to advice for writers.... bhy writers... because you'll
realise their opinions are disputable and therefore
disposable... because they forgot that the one thing
that democracy hates... is its subversion,
                     art is the foremost stealth-seeker of
despotism in democracy... because it simply loathes
plagiarism... art is despotism in democracy...
               and it knows it... it's just too "shy" (aah...
wee wee poo poo) to admit it...
                 from what i learned from athos?
the best advice? is to not give any advice.
                    athos? alex dumas, the three musketeers.
the moment you finish a philosophy book,
a creative writing workshop and a quote by
Hemingway will seems as nothing but a bad dream -
these quotes come from people who abhorred
the mere concept of spelling, due and through
it being an "inconvenience"...
this is from people who suggested you were always
an incapable narrator without a daydream to
escape into... these writers began sounding like
your english teachers...
              then again... is sexualising problem better
than abstracting them? personally, and
without due approval: and all the more happy for
such a circumstance having been presented for me...
            we know the sane are too numerous
because they are allowed to make too much sense
of their dreams...
                     i contend anorexia, not as an eating disorder,
but as a disorder of a culinary aversion toward
          sexualising non-culinary objects in culinary terms...
or adding cream to the phallus or melted chocolate
to the ****...
                 i find that certain culinary objects are
oversexualised...
   and this is the norm: that extends into what
quantifies as the norm, for the norm is always
a quantifiable parameter than a qualifiable
      exchange, since an exchange never appreciates
     a qualification, or a grocer's worth of norm
for a conversation of two quid's worth of earning
equates to 20 tomatoes...
    we have assumed to know it all
whereas we are congregating in a plughole
     of close proximity prefixes, i.e.
re-: reflect, reflection, reflexion, reflex,
  reiteration, reimagining, retraction, reaffirmation...
    it's a tsunami of language / lounging with too
many images... it's "lounging" with too many images...
it's the proximity of prefixes... twinned with
the opportunism of the genus of synonyms creating
a deaf-shaft of faking rhetoric...
     i still placard the whole circumstance
a dance of vowels, or the unforced deviation of
keeping up an aesthetic....
                     no, i can't claim schooling,
because i don't want to claim being indoctrinated...
     and perhaps my Freudian is a little-bit
copper-wired / ageist...
                  but isn't food for the anorexic
  a bit like turning a ****** object into food
          for the ennobled aggregational stereotype?
the jokes aren't jokes for anorexics...
  the cucumber is doubly manifest
                         as both edible, as both sexually
arrogant... and thirdly as "inspiration" for
an architectural project...
                      oh **** fame... little albino blondie
can **** on my testicular cancer for all i care...
               and say the bulge was: like
******* on a cowish ******...
                                      i like puppets anyway,
cos i'm a bit laxed in that way...
                         for all the things that might be
given, of the few things that can't be translated
from house or car, or a wife and 3.4 children statistic:
personal integrity.
        obviously certain people can only hum along
to the achievements of a zenith's worth of a house
and a car and a dog...
                            personal integrity is almost too much
for them, such "essential" components of being
a human rather than doing a human reaction
       later involve the cliche of the ultimate gamble...
and we all know how humans love to gamble...
well... few ever manage to gamble the stake of:
a leap of faith... and we all know how Nolan's inception
         ends...           that's me seeing the film a few years later...
      so how does man, the gambler fair
   when he's asked to gamble with the odds
  leap ratioed against a stumble?
                                      numbered is that 10:1?
it's just fascinating that vowels are the sole assured
                        proprietor of "dyslexia",
or as i care to mind: even with a language proficiency...
and tongue-tied waggle that's excusable for
anyone ready to write something down.
      i can appreciate being an individual,
but i can't celebrate it... i'll only utilise my individuality
to create a new plateau, a norm, the most
distinguished liberalism of my individualism;
     i will only utilise my individuality to create a new
norm - and anything that comes against it:
can burn in hell.

It flashed on the television screen
The death toll rising
It was just another stat for me
Just an inanimate number
General Knowledge
Before that day

Before that day
It was just a boring news piece
Repeated all the time
Shouting matches on television
No on cared bout the dead
Just numbers to them
To me

Some days less some days more
A minister said deaths per capita were less
Tell that to the widow
Percentages and line graphs and histograms
And vultures and hyenas for trps
So dry no emotion
Before that day

Anchors and politicians
Calculating and comparing
Different countries and classes
By deaths and cases
Like stock market
Humans in flesh and blood
Like shares and indices

These lives these smiles
What destiny held for them
Who knows
Gone away in the icu
To just become another statistic
Another pawn for politicians to fight about

Thousands and thousands of people
Becoming numbers
Meant to be forgotten in days

The magnitude made me numb
I didn't care
It wasn't me
Wasn't my family
It didn't affect me
To me it was a
Just a never ending vacation

Rates of poverty and unemployment
Didn't matter to me as a child
Misery and anguish of people
Millions and millions of people
Just a figure to be momentarily saddened by

While I cursed at the zoom meeting screen
Someone's mother and father passed away gasping for oxygen
Leaving a newborn orphan
And while I ate the same bland food
Someone died walking miles towards his home

Before that day
It didn't matter
It wasn't me
Wasn't my family
Till it was

It's painful
A person becoming a statistic

To the teachers who never really cared and ignored my problems;

To my fellow “*****”, “misfits”, etc. Who will no doubt receive more abuse upon my passing, as my tormentors will no longer have me to push around;

To those who never cared, never spoke, probably never knew my name;

To the one true friend, whose caring was the only thing that prevented this event from happening sooner;

To the God, if he does exist, who chose to play a cruel, cruel joke on me when he placed me where he did and surrounded me with so many uncaring faces;

What about my teachers? Will they be sorry to see another student become a statistic? Certainly the administration and Principal will mourn, as my death will not reflect well on them as an institution. Well, I apologize for making the statistics for your administration worse. But I don’t expect an apology for the false sympathies of people.

As for my fellow students, those who made a more significant impact on my life, I know better than to expect my tormentors to mourn.

There’s another group I have not yet addressed: those not like me who left me alone. Or should I say ignored me. I appreciate you sparing me any further harassment, but your inaction, your withheld hellos and how are you’s  did more hurt than any name calling. Your inaction effectively excluded me from student life, from the human race. You left me isolated and alone, and no words I could say can convey to you the suffering you caused. I could name names, but in doing so, I would do more now for you than you ever did for me in life.

I do not know what awaits me when I get down off this rope. Will there be a void? Or will I come face to face with God? I just don’t care anymore. If you’re anything like your people, I wouldn’t want to know you. You preached to love one another, yet I’ve felt everything except love from Christians. Even if I knew you were different, well, I'd still reject you. You have left your “followers” to treat people like me poorly. You have allowed so many of the people you “love”, including me, to suffer. So you want me to trust you with my life? I don’t want to spend eternity with a careless deity like you, or with the company you keep.

I’m trying to watch TV but I don’t know what I’m watching. It’s so lonely here. I want to sleep but it just won’t come. I’m so tired of hurting and being alone.

I hope that with my death, there'll be a wider awareness for child abuse and the effects it could have on a person. That's the only wish I have right now. A lot of people will be hurt with my passing, disappointed even, or maybe it won't matter. But I'd like to believe, no matter how much of a ****** up person I am, I died for a cause greater and bigger than myself. That's the only consolation that I have right now.

So that’s it. That’s me. Leaving the world to be a better place.

Goodbye - T



© Copyright Tyler Atherton

I want to write a poem about you,
but all the words sound good in my head until they get out on paper.
I can't make anything out of the slur of words I wish I could say to you.
There's a sentence for all the years I want you to have back,
and words for all the days you spent waiting for probation in a cell.
You are still just as much of a man as you were before they stripped away your sanity.
They say that people make mistakes,
But you had to give up most of your life for just one of yours.
I like to think you spend so much time in the company of a bottle
because somehow, in your mind, you'll find the years that you lost at the bottom of every one.
I want you to know that Alcoholism is not a choice,
Nor is it a death sentence.
I want you to know that I do not bow my head in shame at you;
You are not a monster.
You are a child,
One that never got to experience innocence before it was taken from you.
You are not a trophy to be on display,
You are not a spectacle to be snickered at,
You are not a John Doe to be left lying in the cold,
You are not next week's breaking news,
You are not stupid,
You are not broken.
You are not a statistic,
You are not a stereotype.
You are sick.

Walking through the halls with dull eyes
Dull eyes that’s watching a dull life
Full of nothing
If I had a dollar for every time someone would ask me
“Are you okay?”
I’d be rich
Because the amount of times that I’m seen walking through that corridor
In a haze
I can’t comprehend the world around me and I don’t want to
I’m just a ticking time bomb until I finally snap and throw myself off of the building
The world is so loud I can’t hear my own thoughts
And sometimes that’s a good thing
Then I can’t hear the ghost in my mind pushing me towards the edge
But then I can’t hear the voice that’s trying to pull me away
It’s quieter than the other voice
But it wants to be heard through a world of noise
And then when reality snaps me out of my thoughts
When someone asks
“Are you okay?”

But all that makes me think at first
Does someone actually care?
Is there a light that can save me?
Should I reach out
But then people will think I’m an attention seeker
When I reach out for help I’m not looking for you to pay attention to me
I’m looking for help
I’m looking for someone to help me get better
I’m looking for a shoulder to cry on when times get tough
But all I could say
All my mouth that’s weak from screaming to myself of how horrible I am
All it could say was
“I’m fine, I’m just tired,”

Like a liar
I am tired
Tired of the world
Tired of the worlds *******
Tired of living
Can’t anyone realise how damming of a word “fine,” is?
Because I’m never fine
I’m never even okay
There’s still always that voice in the back of my mind
Yelling at me to stay in my pit of depression
I’m not okay
I’m not fine
I’m not tired
I’m suffering
And scared
They say that every 40 seconds someone kills myself
So in 40 seconds I might be dead
Or I might be stuck waiting
Waiting for that time
Every 40 seconds
That means over 800000 commit suicide every year
And that’s a statistic
That’s all it is
If I **** myself
I’ll become another statistic
Another number in the worlds system of math
But math was always confusing to me
I’d get tangled up in the equations until I couldn’t get out
Your stuck in that statistic so no one will notice you besides the people that you knew
It won’t change the worlds suffering
The clock is still ticking

Sometimes I feel like the world is caving in onto me
It’s all collapsing
I’m banging my head on the wall not because I’ve gone mad
But because I strive to feel something besides emptiness
I’m screaming out not because I’m scared that someone’s about to **** me and I need help
It’s because I need to hear something and I need to hear myself talk
How much noise do I have to make to be noticed
When your suicidal
You feel like you can’t do anything right
You can’t even reach out for help right
I had to have my mother find out
Imagine that
You open up my box of secrets to find blood stained tissues and blades
Imagine a mother to realise that her baby girl has been going through so much but too scared to tell anyone to avoid the confrontation if everyone you know
“Why would you do that?”

Saying that I’m fine through my teeth
Faking a smile for so long until my own face hurts
Blind from faking a light in my eyes to pretend they have some sort of life in them
This is how I have to fight my inner demons
Because I’m too scared to get help now
So I’m waiting for someone to notice
I’ve said I’ve stopped cutting myself
But a week ago I drew the blade across my skin again
This is a sign of weakness
And a sign of my own battle
The scars that will be embedded onto my skin forever now will haunt me
As a demon that reminds me of my suffering
And as a reminder to be strong
A reminder that this isn’t just weakness
That it hasn’t been my 40 seconds yet
That I’m still not a statistic
That I still have a smile somewhere
I still have some light in my eyes
That I am fighting with every fist and weapon I can gather
Because sometimes to stay alive that’s what you’ve got to do
Suffer to live
In still fighting with whatever I can
I’m using my voice because it’s all I’ve got left because everywhere else is numb from it all

I’ve planned my suicide
Several times
4 times
To be exact
Whether it be with a blade
Pills
Rope
Or just jump off my building
I’ll become that statistic I dread of
If I’m going to die it’s better to do it in silence
People that die daily die in silence
Because they’re too weak to talk anymore
They’re talked all their life
All of their words have been used up
This is saying it
This is speaking
Louder than the screaming voice in my head
Hoping that someone can take this and help themselves so they don’t become another statistic
So they can do what they want to do to be happy
Hoping that I can listen to myself
That I’m not fine
And that that’s okay

PTSD is not something you get over.
It is when soldiers get tired of hearing their own shots fire
Into a purple horizon of nothingness.
It is when assault victims are scared of becoming a statistic
And their brokenness is suffocating
It is when fear compels the mind to change
And it willingly obliges.
PTSD is when the darkness of human nature becomes evident
It is when it's stronghold is suddenly
More prominent than the beauty in the world
It's brash fingers create a vacuum
That ***** the sanity from your mind
Until you wake up in the middle of the night screaming
"Don't shoot me!"
"Don't **** her!"
You see him and now he is with your little sister
Taking her into his Jeep
While you stand there, watching
******* because you can do nothing about it.
This has not happened
And probably never will
But you are crippled by paralyzing bouts of anxiety and guilt and fear
From which your mind cannot console you
You can no longer hide the loss
That this event, this person, this illness
Has placed strategically within you.
It is when you will do anything to get these memories to stop playing on repeat
An endless loop maybe ended by alcohol
Check
Cutting
Check.
Promiscuity
Check
Anything that will eliminate cycle of not knowing
Of reliving
If only for a short time
Even pretending you believe in God
Because it makes it seem like there is a reason for this confusion
But then you begin to question why God would do this to his child
So you digress into darkness once again
Left feeling unsure.
PTSD is when you stop repressing memories
And they come back so forcefully that they knock you to the ground
Leaving you bruised and ******
Leaving you lost.
PTSD is different from other sicknesses
Because you do not feel sick
You feel there
Like you are in his bed again
And his room smells like mushrooms
That is actually a field of grenades
Waiting to explode throughout your small body
You remember the tone of his words
Slipping from his lips as though they are snakes
Strangling me, leaving breath unable to escape
This is not sick
As you feel no symptoms
But an altered state of consciousness
You do not even realize you are disconnecting as it happens
But this is Hell
This is war
You are broken
And the worst part about it
Is that you must understand your triggers
Your dissociations
Before you can get better.

i write about these things,
because in all honesty?
they don't matter to me.

you can call it assimilation, then you'll call it
   i'm making a worded salad, so it doesn't really matter
whether i speak the language or not,
being native you'll tell me i have to be a diacritically
riddled over-laden version of you  nativeness...
you'll basically tell me i have to speak a worse-off
native than you didn't bother to grasp...
after that? i turn Sioux and scalp you.
  because that's what you deserve.
i could have come up against you
in the thick of night and turned you into a kebab,
and do you think anyone would have
cared? is it one thing to assimilate,
and another to assimilate into a skin-head culturalism
implosive that's brimming to the full with your patriotic
hopes as being acted upon? i can speak the perfect
English and still be more welcome in Scotland
than in Kent... but that will not not do,
not until i shave my hair off,
grow a beard, and runsack my skin
with quasi-Hindu ******* tilts...
           and when this foreign legion
of Swedish journalists bemoan why
their **** ain't where their heart is?
have you seen the *sienkiewicz"
trilogy of *potop? you want history?
how about: in the beginning
there was an invading horde of Swedes
that tried to topple the proto-commonwealth
of Poland and Lithuania...
  even how much i cared to learn the tongue:
i'd be left belittled by ugly accenting
stereotypes...
                          i'd be Islam of drunk,
while the engineers would be left saying:
and unto us amphetamines,
and Mamelukes were never Egyptian...
because Egypt was what Egypt desired...
a quasi thingy... then i turned my ear
to Macbeth, and earned 70 years
and a Spartacus' worth of ears to my nearing 31...
                   i turned to Macbeth the theatricals
silences, and let, the music... play.
i can learn the language, but i am expected
to push the natives from a career of criminality,
i am expected to become the criminal,
i've learned the language beyond the natives,
what else?
   to learn the debasement of the natives akin to
every other culture? am i to become the
criminal statistic of the ruling political elite?
so they can "know" but that they merely quote?
   i owe my ode to Macbeth,
for Hamlet can become tiresome aligned with
Sisyphus in hell...
              we'll have builders by the end of
the debate...
     how much more do i have to learn?
is language not enough? then velkommen Syriac!
               is it not enough that i know the tongue?
must i be jeopardised by using it,
and say that universality is to be excluded,
simply because it does not abide by an utopian
ideal of pure English sprechen pure English?
         there are scapegoats to be festering upon
the spike that's readied to be fried...
but come on... is this deutschesprechen?
              it can't be! if i pretend to be Malcolm...
you pretend to be Duncan,
but nonetheless the speech makes us both truant
ghouls and guises receding
   into the demands of operatic - kindred to
Lady Macbeth (a protestant, or should she be
known catholic: McBeth) -
      as Glasgow religion of the coliseum of the times
testifies... celt and ranger... green & white vs. blue and
   black...
     lady mc.: what beast was 't thou,
        that make you break this enterprise with me?
(no matter if you killed a man, of whatever
stature he be worth, what beast are you to suddenly
cage my heart, when having agreed to make my heart
and feeling thus: storm the heights of Ben Nevis,
and descend as angrily as a woman might please,
  and with her whim, descend from the mountain
as if a mountain descends into desert?! what
courage, ye! to throw a woman into such woe
and leave a man's promise, the very least
a man can bestow upon this earth: but a woman
yet to come to correct!) so thus the elvish Anglican
was spoken, and thus continued:
- when you durst do it, then you were a man;
   and, to be more than what you were, you would
be so much more the man. nor time, nor place,
did then adhere, and yet you would make both...
  from his boneless gums...
nor have i understood Hamlet as the model student,
the puppet if not the mere mascot...
for the Freudian couch... then again i navigated
past Kant with Macbeth,
having yet to complete reading the critique...
       i took to maturity, and said
what others wished upon: there is true
adult agony in a well versed poetry...
       more so than adolescence in what's deemed
a maturation process...
             perhaps i should have served the concern
for Hamlet and laid bare upon the psychoanalytic
couch... but Macbeth: of said
sepia as copper, so said of woad as in aquamarine
surrender... led me to cite...
          for i was never bound to own the tongue
i would acquire... i was told:
   well, hello there, dishonourable squire...
ah... the queen's majestic airs...
    will make any Irishman desist from the republic's
gaze...
             and sloth in a respectably believed state
of consolidatory affairs under the kites of Yates...
   but never you mind the Silesian consumed
by former guardian of the coalmine...
or what L'vov wouldn't say in Ukrainian...
mind you Nevada and Lasso Vegan...
mind you that...  for that speaks biblical studies!
i will never assimilate, in that i will never be
allowed to own this tongue...
            and if i am allowed to own it...
i am but a furry-faced-bloat of faked pleasantries
   and closet nationalism...
        i wish i could own this language as if i
might own a typewriter... but i'm apparently
not welcome, by the pseudo-irish who
mediate the English assertion of the understanding
of the dover sieve...
                 ******* leprechaun mafia...
  paddy paddy oo too the butch-faced freckled girl...
   it's as if the Italians have Manhattan,
    and the Corke conglomerate prescribed
everyone a pint of Guinness rather than iron-pill
supplements...
                 well: and so the Titanic bellows
out an oceanic morse code of tantrums on
the accordions.
                      which sorta soothed the mermaids
digest contemplation for the vegan accomplishment
of shrimp... and over seafoods...
being digested.
         now i'm apparently not speaking English,
or i'm speaking English and i don't understand it,
or i'm understanding how i'm speaking English,
and how i'm supervising all things uranium
                               bound hallucinogenic...
or how, even though urbanity took off and
the countryside disappeared, you think you'll never
meet peasants in smirk attire to condescend you
gravity toward theatre or opera...
     but peasants are reall... you can recognise a peasant
the minute they don't recognise you insulting them;
it's a bit like telling a very witty joke...
         i don't get witty jokes because i tend to treat them
like a siegl heigl salutation...
   and i respect the memory of Octavian...
                                 it's the wittiness that comes into
contact with actually not telling a joke: and people
end up laughing... that's when you spot the peasants.
    so you see... i speak the ****** language,
but i'm sorta denied the access for drinking a cosmopolitan
at a Shoreditch pub...
                        which makes all arguments
for learning the language obsolete in terms of gaining
a "fair" advantage... and this is European to
European lingo...
        didn't i ask that Swedish journalist
ingrid carlqvist to watch the trilogy, including
potop about the war between Sweden and
the Polish-Lithuanian commonwealth, and ask her
about what's to be culturally inherited?
**** me... maybe i'm sleepwalking...
                     dodo zombified or something...
                                     oh wait...
                                         if ever there was a regressive
reparation policy in a country:
i'd hear: guilt from western countries taking the bribes
of the Marshall Plan...
      and overt pride from countries post-world-war ii
being prescribed communism, as a way to rebuild
their nations: for fear of having to commit to
hara kiri... or *******...
                                         as said: becoming
the easily bribed convenience...
                              the concept of assimilation
within the construct of selective migration has transcended
the mere acquisition of language...
  acquiring a language isn't enough...
         the reverse policy of colonialism is hushed-down
ethnic cleansing...
          which goes beyond language per se,
since it goes beyond dialect ex lingua...
              it is a necessitation of also acquiring
national stereotypes of unengaged in dialectics...
it is one thing to rhetorically assert a need to debate,
and another to understand that dialectics ≠ debate;
but rather a service to prompt and engage thinking,
rather than debating... dialectics is an art-form,
     it's intended to encourage thinking,
rather than the continuum of polarised / schizoid
debating: debates never accomplish a convergence...
whereas dialectics is intended to establish
a convergent pinpoint... as Socrates said unto the young,
so i find myself talking to old men and being
in accordance to have shared a park bench,
one sunny afternoon at the nadir of summer.
                why is it that acquiring language is not
enough these days?
       or why is it that a poor acquisition of a language,
or acquiring a language without correcting
accentuated stresses particular to a tongue
are given a freer access to labour, then
acquiring a language to a standardisation of
mimic localisation, and fence: a faking of
a faking (ad infinitum) or locality?
i.e. overly-successful assimilation?
             overly-successful assimilation is punished!
   it is punished by speaking as a fluent native
might... but having no discriminatory biases
that could enable one to be completely native...
and this is punishable!
             by a stance that it's a robotics project,
that one is nothing more than an a.i. enterprise...
even those dearest to me acknowledge me
as a robot... an a.i.,
           but they can't seem to understand that
artificial intelligence, and authentic intelligence
cannot be superficial intelligence of
natives... for the natives have a placebo
to what is otherwise a Pompeii resurrection
to the volcano-dynamic of analysing-ergo-synthesising
           ana ergo syn           which
constructs the opposite of thesis and antithesis,
given that the equation combines two adequate prefixes,
ana- and syn-...
                      "against" therefore "with".
isn't that how we cling to social pressures
or prejudices and still accumulate 8 billion examples
of a comparative e.g. that's a John Smith?
     i have yet to come across a contemporary that
might become as if fatherly...
   i just see opportunist buckling down the M25 of
encircling nothing more than a venture into
gaining a quick buck... and it could, it could
almost be sad... but it's not...
              it took me almost 13 years of synthesising
the English language: synthesising i.e.
mimicking - before i started analysing it...
      and when i say the groundwork for any
theory on the subconscious is to focus on grammar
and grammatical word interjections into
a Joycean stream-of-consciousness...
                              for that's worth the upper-tier
working from the sub-level...
                          of utilising language:
then the unconscious is far from dreaming...
it's equivalent in seeing how i acquired a language
at the age of 8 to synthesise / mimic what the children
around me were saying...
   but that it took me so long to analyse the language...
which the children around me acquired within
a reflexive bias to later strand such reflexiveness into
a divergence of calling their angular retraction
philosophy, linguistics, poetry, psychology...
whole all i had to do is to appropriate a reflective bias to
later strand such reflectiveness as to say:
of my mother i say polski, of my father i say:
             ojczym - and i can reflect upon him,
foremostly his diacritical lack of the wriggling-blagger's
economisation, when due coinage is needed.

I imagine, quietly,
if this were it.
If, while I waited on this train platform,
this ever-romanticized,
transient in-between,
someone pushed me into the tracks.
It would be an accident, of course.
What was I waiting for, anyway?
The news would hear it first,
and they'd be the first to forget me.
Clamboring over my unremarkable story
to the next and the next and the next.
I hope I'd make a favourable statistic.
Then what family I have would hear,
once they determined who I was,
and they'd worry I wasn't pushed.
They'd have so many questions
I'd be unable to answer,
much like when I visit.
Then would come a lover,
as sad as those who loved me,
and they would keep my photo
until they grew tired of looking.
For their own sake,
I'd hope they got tired quickly.
Friends would remember me
and tell me kind words I wouldn't hear,
and I'd be of no help to them anymore.
Every once in a while,
I'd come up in a conversation,
and I'd hope they'd grin at a memory,
but it would be more likely they'd frown.
There it'd be,
my young life detailed
in saddened conversation and tears,
until I'd be left another piece of the past.
The statistic of an unremarkable life.

One in the chamber

Two in the clip

Only a split second

Before your sanity slips

Street Dreams

Road Warriors

Lost causes rebel

Rob,steal,****,****...

They will

Trying to prove they are strong

Just to belong

That's not gangsta!

Your pants hangin off you

Make *****,burly convicts

Wanna rub up against you

Hydrofried and twisted

A walking statistic

Confident and content with failure

Same path passed on

You'll leave your fatherless children to cry

When your dead and gone

New sneakers,fresh cut, crisp clothes

But inside you **** like a black hole!

I. When I was 5, I thought recess was probably the best thing ever invented. Until the first autumn rainfall, when the sky opened up and unleashed it's sorrow unto the earth. The children were kept inside that day. As the storm thundered on around us, we ran to play on the other side of the classroom. The boys charged to the shelf with legos and blocks, while the girls lined up at the miniature kitchen. I followed them to the tiny toy oven, even though, secretly, I thought those lincoln logs looked really fun.

II. When I was 6, I thought my first grade teacher was the sweetest woman to ever have lived. Then, one day she lined us to to go outside, calling out, "Boys on one side, girls on the other" reminding of us of a divide between genders that we did not understand. Marking off differences on a checklist that none of us had read yet.

III. When I was 7, like most little girls I daydreamed of the perfect wedding. The part I played over and over in my head was my brother walking me down the aisle, "giving me away". Because even in the second grade, some part of me knew that I belonged to the men in my life.

IV. When I was 8, I learned that the praise I'd receive from the boys I called my brothers would always be conditional. No matter what award I received, how fast I ran, how tough I fought, how smart I was, I'd always be "pretty good for a girl". And that is never a compliment.

V. When I was 9, the YMCA told me I had to stop playing the sport I'd loved for 5 years because I was a girl. I took my first feminist stand by quitting, because I don't care what they say, softball and baseball are not the same thing.

VI. When I was 10, my brother informed me that the day I brought home a boyfriend was the day he bought a gun. Because that's how you protect your property.

VII. When I was 11, a boy ran up to me on the playground and told me I was cute. For a moment, I felt confident, a feeling that was foreign to me. Until the boy and his friend started laughing uncontrollably, as if they couldn't believe that I'd ever think that was true. I cried a lot that day because I hadn't yet realized that my self worth wasn't directly proportional to how many boys found me attractive.

VIII. When I was 12, my aunt gave me my first make up kit for my birthday. When my grandmother tried to force me to wear it, I refused, yelling, "It's my face!" She proceeded to tell me that I'd never get a boyfriend with that attitude. After all, who was I to want to be in control of my own body?

IX. When I was 13, I thought gym was a subject invented by sadistic hell fiends created just to torture teenage girls. It was the hottest day of the year, and I'd just ran a mile, so I opted not to change out of my tank top before continuing on to my next class. A teacher cornered me at my locker, advising me to put on a jacket before I became a distraction to the boys.

X. When I was 14, I confessed to my mother the wanderlust inside of me. Exclaiming about travelling to new places, having new experiences. That's when she looked me dead in the eye and told me to always take someone with me. Preferably, a man. I couldn't bring myself to be angry. We both knew what happened to women alone on the streets, and I felt bad for the way I made her eyes shine with worry each time I left the house without her.

XI. I am 15, and I walk with my fists clenched and my head down. I am always conscious of what clothes I wear and whether or not they could attract "the wrong kind of attention". I attempt to shield myself from the world, but I can feel my barriers cracking with each terrifying statistic, each late night news story, each girl that was never given justice. The world is a war zone, and every woman must put her armor on before walking outside. My life has been one battle after the next. I am a 15 year old war veteran, and have the scars to prove it. I've learned from my experiences and am left with just one question:

At what age does the war end?

I was threatened
With tantric ****
Online
I refuse to be a statistic
I want to be a survivor
I refuse to be a survivor
I need to thrive
Through this
I found
Why I am on this planet
To stop this
From happening
To someone else
Not enlightenment
I know
The sad fact
That I am
Still a statistic.
But I am much more
Than that.  
I am a human.

cellphone to heart, mobile to immobile, electric dead to living

you know that sleep and I are but passing acquaintances,
when it drops in, to heavy my lids, it is through a cracked window slivered, just enough for a Pan boy to grab me and away me to Almost Neverland

when the alarms sound that it’s sleepy time,
(quite like that quiet verse)
no time to delist the “those pre-shluffy to do things,”
cell drop upon my chest, like an open mic,
then the raging observatory tapestry begins!

the cell lies directly above my ventricular chamber,
and communication is live, the brain cutoff switch, well, cutoff

all manner of imps, devils, rejected poems, angels and
Greek gods and some Indian as well, stand in line for to make
free calls via a beating human message call center, utilizing my friends and family verizon plan to register complaints,
close out unfinished biz, or just contact, friends, family or other
mischievous imps or even you, in other time zone worlds

though my brain may not interfere, like the CIA, it records all
conversations and give me a list of new poem titles, notions, stories glories and wrenching heartbreaking heartbreak,
requiring “fleshing out” when I awake from my three fingers
of scotch, glass eye tears drops made me drunk,

damning this transmigration chorus of voices that offer up a treasure of divine humankind’s hopes and travails,
and the occasional call on the divine’s 1-800 confession line,
hear it all, my chewing out by one particular god of mine who does not suffer my criticisms well of his ungodly actions, nope not sweetly and

when else would he dare contact me, except when no edgewise
words of mine can appear to contradict his mealy mouth excuses

did you musty misty mistake  my poems  as the product of
the miracle water wages of my imaginary inspiration,
no, not, from the replaying of your desperate exclamations,
the cancerous shrieks of loss and prickly investiture of the aesthetics of soft whispers and solitary foot treads,
that is where my insanity is bred, and tumbling s-words, sworn

don’t consider it eavesdropping as there is no signed rental agreement, consider this unfair warning, if you should secret use my cellular line, your everything is now ******,
your genetic material is materialistic mine and my poems yours,
this bittersweet sentiment is a measure of our bloods commingling,
your tears and impish silliness, are shiny hidden within mine

somehow I feel compelled to state this unique statistic:

I love you

4:47pm on 3/11

who writes poems like this?
silly old boys with gray hair, standing on one left leg.  but you knew that, right?

Love is universal, they say.
Then why does a kiss incite such a riot?
How does one live their life,
When they're too busy not getting killed by media or by society?

Tired of being a label, tired of being shunned,
Tired of seeing the numbers increase.
There go the people trying not to react to the Orlando news,
Because if you're not straight, you're just one of "those" people to them.

America is a land of opportunity, a land of hope,
Judging from the events, I guess that's true only if you're straight.
How do you display your Pride,
If you're playing a game of Truth or Die?

If this is the perfect life, then I do not want it,
Because apparently I would be just a statistic.

I can't name or count how many guys I've looked at approvingly thinking 'I'd love to **** him' or whatever people say when they give that approving eye glance and nod thing. Of course I do it. All the time. I'm eighteen for gods sake. I can look!

However,

I can count all the guys I've genuinely fancied on both hands.

I can count the guys I've really liked on one hand.

I can count the guys I've kissed on *******.

I can count the guys I've actually called my boyfriend on one finger.

But that is not the man I love.

None of them are.

Because he's not a statistic.

He's a part of my soul.

Have you ever dreamt of what's it's like to wake up knowing you left others to live their lives as your soul ventures on it's new journey, after death, but before Christ you will bend hand and knee letting Him know you believe and hope that you will fit through the narrow pathway into the gates of heaven not quite sure of what it will be, but sure enough of it being pure greatness. And in a split of a second all of your lifetime memories replay inside of your mind causing a neurological explosion of nostalgia to release and you remember...remember those you love living in the moment and feeling the pain of sorrow

Can you prove to me that it isn't a struggle to tell a young black boy that he will never experience the physical presence of his mother, because she was taken away from him when he was just a baby. A baby, who will grow and wonder why none of the familiar faces is the one he is in search for. A child, who will never have the benefit of being a mamas boy. A young man, victim of defaulted abandonment issues. Just another precious black son, who will be challenged as another statistic because he was deprived of the greatest love one can ever receive.

A mothers love is one of the greatest love there is, but a black mothers love is even more powerful. Because a black mothers love is built on back aches from working all day long to feed her children dinner ever night. Foundation so strong, Hercules himself would break a sweat. A black mothers love is shaped by the predetermined deck of cards she was dealt as a person of color ever since the beginning. Misused and hardly understood. Her worth, a beautiful black queen so devine, it shall endure until the end of time.

And still I ponder!

How can you tell a mother holding her newborn child that before she sees her last day, her sons body will leave this earth before her own? Giving her the knowledge that will cause hurricanes to reach shore. Changing her life for the worst, because she must raise a boy who may not make it into being a man, but he will always be a mamas boy. And she will do her ****** best to make sure his life was worthwhile and had meaning. Impacting more then just herself, but the world around.

I tell you, there is not a pain greater than a mother laying her son to rest, because  his days are ceased before her own. It's non-traditional, a bit unorthodox but is slowly making its way into a norm as the number of young black lives lost rises. Im just tired of seeing the numbers of my people drop slowly but surely  

So, still I ask when are black lives going to matter? How many more lives have to be stolen from us until we say enough is enough? How many more lives have to be stolen until we teach our young ones to love their skin, and every little thing that makes them them. Teach them, that black is beautiful and always has been. Maybe then we will find peace, And if not we will die trying.

Children drugged with truthless tales . . .
Unwise men embrace their treasure;
Algorithms urge the sales
In malls devoid of merry measure.

Plastic sparkles in the air;
Automotive ads turn festive . . .
Forced good nature everywhere
Makes the shopping crowds grow restive.

Corporate greed spins altruistic
Hyping goods, suppressing Christ.
Our Yuletide is their big statistic
Oversold and underpriced.

Secular beribboned fluff:
Peace, Goodwill . . .  but don't say God !
And heaven knows you've had enough;
Just download the app—acquire the mod.

Coca-Colaed, Disneyfied
You're wrapping paper for their fire;
Eggnogged, Santa-ed, thrown aside
While Babel's flames roar ever higher.

The godlessness shines right on through
Where Christmas lyrics die, unheard.
The Yule-log and the sparks that flew
Expire in embers long unstirred.

The old usurper carting toys
And Chinese knock-offs in his sled
Sets off a lot of empty noise:
Insanity in green and red.

The lurker leers and hauls his bag
(jolly antichrist distraction)
While flying Bishop Nicholas' flag:
A winter psy-ops covert action.

Only message left: go drink!
And may your cup o'erflow with cheer
Before you risk to start to think
Yourself and God right out of here.

Hallmark haloes, bygone kitsch
enwreaths the memory of the years,
Kindling maudlin sadness which
wells up in melancholy tears

For Christian culture (rest in peace)
Long-corrupted by dollar signs;
For fa la la and fattened geese
And holly midst the ivy vines;

For Dickens' gospel of the season
Anglican angelic ghosts
Pushing us beyond unreason
Toward the future's spectral hosts;

For folklore now reduced to ash
Commercial blow-outs, ***** snow;
For Saturnalian urge to smash
the store-front windows where they show;

For useless manger figurines
Passed down from some more faithful time;
For hallowed and nostalgic scenes
No longer worth a Roman dime.

1 in 5.
That's the statistic. 1 in 5 women have been sexually assaulted or *****.
I, I am that 1. I represent 1 in 5 victims of ****** assault and ****.
My ****, it wasn't a violent one.
On the contrary, it was filled with trust that would end in a broken promise of: "I won't force you." And "it's okay baby, you can trust me." You see, my ****, it wasn't a violent one.
Even though I didn't have a knife to my neck, I had daggers in my back. But we live in a culture where unless there was a struggle, my attack doesn't count. This culture thrives on "no is no" but what happens when you can't say no? What happens when the same hand you trusted is covering your mouth?
You see, my **** wasn't a violent one, I just "let the situation get out of hand."
I am 1 in 5, but this statistic isn't accurate. This statistic doesn't cover the other victims, the ones that weren't physically touched.
They have to deal with a heart they didn't break, trust they didn't burn, a life they didn't take.
Because you see, my **** wasn't a violent one, but nothing will ever be the same.
I am 1, but I tell a million stories.

I live a life that's far from normal
Normal as you all do see
My world is...well, more nocturnal
Look real hard and you'll find me

Living life like I do's different
It's not a life I recommend
It works for me, but I'm not normal
My life is somewhat at loose ends

I'm off the grid, I'm a non-person
I'm a statistic and nothing more
I'm just a shadow in the shadows
I'm looking for my next big score

You pass me as you walk the city
You think you see me, but you're wrong
You see just what I want to show you
Just look again, and I'll be gone

Under bridges, in old buildings
In the subways far below
I'm living life as I concieve it
Into the light, I rarely go

I'm off the grid, I'm a non-person
I'm a statistic and nothing more
I'm just a shadow in the shadows
I'm looking for my next big score

I see you coming from a distance
I'm gone again, before you're here
I've hiding places you won't discover
I'm on my way when you are near

I live a life beyond the reaches
Of those who want to know my name
I live my life the way I want to
To me it's only just a game

I'm off the grid, I'm a non-person
I'm a statistic and nothing more
I'm just a shadow in the shadows
I'm looking for my next big score

dear girl,
i would like to apologize on behalf
of those that will never.
the world lied to you
since you were old enough
to balance a book
to listen, retain,
consume without question

i would like to apologize on behalf
of those that informed you
your value is calculated
by the sum of your parts
that you are worth the contrast of fat deposits
over the angles of fragile bones

i would like to apologize on behalf
of those pining characters they wrote you,
every soul with a haunting disposition
who was given the noble ambition
to invoke longing within those
that remain on the outside
of the glass

because the songs that were sung on the radio
cast you as the the inspiration
but when they painted you lips for love
they denied you the language of narration
and you lived your life thinking
you could invoke magic
if you were only willing
to wait your entire life
for someone else to conjure it

i am sorry
that we filled your head
with empty adjectives
to whisper in your ear
that you were nothing
unless validated by the eyes of strangers
seeing you as nothing more
than a commodity
for which to window shop
and consume

and when they abandoned their casual browsing
their wants transcended your right
to exist
and it was you
they chose to invade
to tear open
because after all,
you were man made
a nail scratching a rib
a void to fill up
with whatever poison they thought you’d look sexier
choking on

dear girl,
i would like to apologize on behalf
of the fact that you remain unnamed,
an improper noun
a caricature,
a statistic,
a silhouette on the back window
mouth a perfect oh
that will never know words

i am sorry that the second
you entered the world with two X’s
they would reduce you
to an exquisite tragedy,
place them over your eyes
and declare that the death of a beautiful woman
is the most poetic thing in the world

i would like to apologize
because this world was never
quite big enough to hold you
and we knew
and we saw
and we opened our mouths,
took a breath,
and we closed them

My mirror is covered in cracks and flaws, and some parts that make you look fatter, like a funhouse mirror, and it clings to dust and dirt and fingerprint smudges of oil.
But I don't replace it.
Because sometimes it's easier to spot the flaws in the mirror than to fixate on my flaw riddled body,
Flaws that aren't just skin deep,
The night is beautiful but deadly.
When you can't see, you have to find new flaws to detest,
It's addictive to beat yourself,
I'm in an abusive relationship where I don't mean to hurt me and I can't leave myself-
And there's some macabre satisfaction in the dependable breaking,
Like I know every night I will go to sleep hating the fact that I am still breathing,
There are memories haunting me from as young as ten,
Things that shouldn't still be repeating,
I can't work out how it just keeps accumulating,
Words spoken
And thoughts
And I don't know if anyone else feels sentences as deeply as I do,
And I'm running out of personality to stick pins into,
Trying to fix myself with voodoo
They say negative reinforcement is the quickest way to correct behaviour but I make the same mistakes
it's not okay that I constantly feel like I'm failing,
But life is more than a high-stakes game
And everyone's saying that all teenagers feel this way
But it's not reassuring to know that my generation is one of lost souls and hate.
And we're all really angry,
Whether it's because we'll be working till we're 90 or conflict left undated
Racism still exists and the Chancellor of Germany is getting called a ****
While anyone Asian is labelled Indian or ****
And eating disorders run rampant through the territory where anorexic girls get priority while the boy who binge eats is just called fatty.
And this is where I insert a statistic to convince you that we're unhappy but I refuse to be quantified just so I can mean something.
And it doesn't let up,
Compliments are uncomfortable and seeing good in yourself is arrogance, criticisms self pity
And you never know if they want to help you or just ensure that you understand the importance of conformity
It doesn't take much to convince someone you're okay.
There's not much you need to say
And if you can laugh then you're fine and we know no one checks the closets for skeletons because they're filled with people too afraid to come out of them
People accept 'fine' because they just need to know that they asked the question,
And besides, deeper questions get stuck beneath my skin.
And even when someone else compliments me I don't believe them,
Pushing away others cause I need distance,
Sometimes I feel sick from the level of enforced interaction but people only see the side they want to see.
When I told my friends about the time I struggled with suicidal thoughts they expressed their sympathies and it hasn't come up since.
Romanticising illnesses leaves me unsure if I am suffering or if I just want to be,
And part of me has to agree that diagnosis and its certainty would be better than the admission that life is just like this
You can't get better if it's something you can't fix
I don't think I'm broken but maybe I was made to the wrong specifications cause it feels like I am missing something but at the same time there is too much of me and not just physically
I am choking on the sheer volume of my past, present and impeding future
Trying to get it together
Told that it's okay if I don't know where I want to go
But in year 9 we picked our gcses which determined our a levels which determined our university courses which determine our career, if we even get there.
I keep finding new problems
I am still haunted by the old ones.
But I'll be okay,
Cause today
Someone told me to love myself.

A statistically probable Car crash
tore open the night with the screams of twisting metal.
The phone calls, the text messages,
that threatened to tear apart my world,
that tore me from my apathy,
and made me feel again.

A statistically probable Break up
tore apart a dear friendship with empty words and tears.
The misunderstandings, the contradiction,
that nearly pulled me under the waves
into the sea of my depression,
to drown me there slowly.

A statistically probable smoker
torn between two sides of of a pained and troubled coin.
The spitefulness, the empathy,
that threatens to bury me in another's pain,
and smother my last shred of love,
leaving me cold and hard.

When you look at the troubles life lay before you,
Sometimes you cannot deny the troubling truth,
That we are all statistics to be calculated,
rarely less, rarely more.

It leaves you, no active power, no direction,
Listless, unable to program, build,- a mockery.
Worst, the low depairing. embarassing shrouds.
Without that centre; a discrete despair - please don't mention.
Hopelessness remains - just so much broken crockery.
Contempt rises from old mates. Passed fluffed up clouds!