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Michael R Burch Mar 2023
****** Errata
by Michael R. Burch
I didn’t mean to love you; if I did,
it came unbid-
en, and should’ve remained hid-
den!



Less Heroic Couplets: Marketing 101
by Michael R. Burch

Building her brand, she disrobes,
naked, except for her earlobes.



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

for Beth

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



Cover Girl
by Michael R. Burch

Cunning
at sunning
and dunning,
the stunning
young woman’s in the running
to be found **** on the cover
of some patronizing lover.

In this case the cover is a bed cover, where the enterprising young mistress is about to be covered herself.



First Base Freeze
by Michael R. Burch

I find your love unappealing
(no, make that appalling)
because you prefer kissing
then stalling.



Nun Fun Undone
by Michael R. Burch

for and after Richard Thomas Moore

Abbesses’
recesses
are not for excesses!



Less Heroic Couplets: *** Hex
by Michael R. Burch

for and after Richard Thomas Moore

Love’s full of cute paradoxes
(and highly acute poxes).

Published by ****** of Parnassus, Lighten Up Online
and Poem Today



Retro
by Michael R. Burch

Now, once again,
love’s a redundant pleasure,
as we laugh
at my childish fumblings
through the acres of your dress,
past your wily-wired brassiere,
through your *******’ pink billows
of thrill-piqued frills ...
Till I lay once again—panting redfaced
at your gayest lack of resistance,
and, later, at your milktongued
mewlings in the dark ...
When you were virginal,
sweet as eucalyptus,
we did not understand
the miracle of repentance,
and I took for granted
your obsessive distance ...
But now I am happily unbuttoning
that chaste dress,
unhitching that firm-latched bra,
tugging at those parachute-like *******—
the ones you would have gladly forgotten
had I not bought them in this year’s size.

Originally published by Erosha



Poppy
by Michael R. Burch

“It is lonely to be born.” – Dannie Abse, “The Second Coming”

It is lonely to be born
between the intimate ears of corn . . .
the sunlit, flooded, shellshocked rows.

The scarecrow flutters, listens, knows . . .
Pale butterflies in staggering flight
ascend the gauntlet winds and light
before the scything harvester.

The winsome buds of cornflowers
prepare themselves to be airborne,
and it is lonely to be shorn,
decapitate, of eager life
so early in love’s blinding maze
of silks and tassels, goldened days
when life’s renewed, gone underground.

Sad confidante of worm and mound,
how little stands to be regained
of what is left.
A tiny cleft
now marks your birth, your reddening
among the amber waves. O, sing!

Another waits to be reborn
among bent thistle, down and thorn.
A hoofprint’s cleft, a ram’s curved horn
curled inward, turned against the heart,
a spoor like infamy. Depart.

You came too late, the signs are clear:
whose world this is, now watches, near.
There is no ****** for the heart.

Originally published by Borderless Journal



Virginal
by Michael R. Burch

For an hour
every wildflower
beseeches her,
"To thy breast,
Elizabeth."

But she is mine;
her lips divine
and her ******* and hair
are mine alone.

Let the wildflowers moan.



If Love Were Infinite
by Michael R. Burch

If love were infinite, how I would pity
our lives, which through long years’ exactitude
might seem a pleasant blur—one interlude
without prequel or sequel—wanly pretty,
the gentlest flame the heart might bring to bear
to tepid hearts too sure of love to flare.

If love were infinite, why would I linger
caressing your fine hair, lost in the thought
each auburn strand must shrivel with this finger,
and so in thrall to time be gently brought
to final realization: love, amazing,
must leave us ash for all our fiery blazing.

If flesh’s heat once led me straight to you,
love’s arrow’s burning mark must pierce me through.



Plastic Art or Night Stand
by Michael R. Burch

Disclaimer: This is a poem about artificial poetry, not love dolls! The victim is the Muse.

We never questioned why “love” seemed less real
the more we touched her, and forgot her face.
Absorbed in molestation’s sticky feel,
we failed to see her staring into space,
her doll-like features frozen in a smile.
She held us in her marionette’s embrace,
her plastic flesh grown wet and slick and vile.
We groaned to feel our urgent fingers trace
her undemanding body. All the while,
she lay and gaily bore her brief disgrace.
We loved her echoed passion’s squeaky air,
her tongueless kisses’ artificial taste,
the way she matched, then raised our reckless pace,
the heart that seemed to pound, but was not there.



She Was Very Pretty
by Michael R. Burch

She was very pretty, in the usual way
for perhaps a day;
and when the boys came out to play,
she winked and smiled, then ran away
till one unexpectedly caught her.

At sixteen, she had a daughter.
She was fairly pretty another day
in her squalid house, in her pallid way,
but the skies ahead loomed drably grey,
and the moonlight gleamed jaundiced on her cheeks.

She was almost pretty perhaps two weeks.
Then she was hardly pretty; her jaw was set.
With streaks of silver scattered in jet,
her hair became a solemn iron grey.
Her daughter winked, then ran away.

She was hardly pretty another day.
Then she was scarcely pretty; her skin was marred
by liver spots; her heart was scarred;
her child was grown; her life was done;
she faded away with the setting sun.
She was scarcely pretty, and not much fun.

Then she was sparsely pretty; her hair so thin;
but a light would sometimes steal within
to remind old, stoic gentlemen
of the rules, and how girls lose to win.



Cold Snap Coin Flip
by Michael R. Burch

Rise and shine,
The world is mine!
Let’s get ahead!

Or ...

Back to bed,
Old sleepyhead,
Dull and supine.



Song Cycle
by Michael R. Burch

Sing us a song of seasons—
of April’s and May’s gay greetings;
let Winter release her sting.
Sing us a song of Spring!

Nay, the future is looking glummer.
Sing us a song of Summer!

Too late, there’s a pall over all;
sing us a song of Fall!

Desist, since the icicles splinter;
sing us a song of Winter!

Sing us a song of seasons—
of April’s and May’s gay greetings;
let Winter release her sting.
Sing us a song of Spring!



The Unregal Beagle vs. The Voracious Eagle
by Michael R. Burch

I’d rather see an eagle
than a beagle
because they’re so **** regal.

But when it’s time to wiggle
and to giggle,
I’d rather embrace an angel
than an evil.

And when it’s time to share the same small space,
I’d much rather have a beagle lick my face!

*

Over(t) Simplification
by Michael R. Burch

“Keep it simple, stupid.”

A sonnet is not simple, but the rule
is simply this: let poems be beautiful,
or comforting, or horrifying. Move
the reader, and the world will not reprove
the idiosyncrasies of too few lines,
too many syllables, or offbeat beats.

It only matters that *she
taps her feet
or that he frowns, or smiles, or grimaces,
or sits bemused—a child—as images
of worlds he’d lost come flooding back, and then ...
they’ll cheer the poet’s insubordinate pen.

A sonnet is not simple, but the rule
is simply this: let poems be beautiful.
Y Rada Jun 2017
To the niqab girl whom I met in Cagaya De Oro City
You were in front of me as we waited in line for hours
We smiled first politely and then we began to talk,
We Shared different insights in almost everything:
Your face veiling practice in Islam fascinated me
My headcovering as Christian piqued your curiosity
Conversations turned to fashion, extremism, and Filipinos,
You saw my face and I saw your beautiful eyes
Yet we never asked each other's names or Facebook accounts,
We were different yet somehow we mirrored each other;
Different religions yet linked by passion to serve God
Different ethnicity and language yet tied by nationality.

It's been weeks since the Marawi siege and I think of you
Hoping that every niqab girl I see in Iligan is you
We were strangers that rainy afternoon of June 2016
Yet I grieve for your loss - - - - - - - - - - - - - - - - - - - - - - - - -
Words are not enough to comfort you sister of the stars but
May your Allah guide and protect you in these times
May my Jesus cover you with His precious Holy blood,
To the niqab girl whom I met in Cagayan De Oro City
Perhaps we'll never see each other again in the future but
Thank you for letting me see the beauty of cultural diversity
And that coexistence is possible if we have open minds
And living in harmony is attainable if we open our hearts.
1. May 23, 2017 the island of Mindanao is under Martial Law due to the siege of Maute  in Marawi City.

2. I never knew her name but I called her "niqab girl" every time I think of her. Despite the chaos in her hometown, I really hope she's alright...
zebra Apr 2017
kisses on your warm sweet mouth
tender lips caressed
exploring your ******* and raised ******* ..
belly and thighs enveloped
those eager dark delicious places that i covet so
your musk erogenous
the path to your hungry soul
eater of the poison apple
your eyes widen bright with delight
a strange synesthesia you say
your smile a hypnotic alter
you prone
back arched
belly willing
as i drag a curved blade slowly across your winsome flesh
worshiping you
breathing your warm breath into my mouth and nostrils
come now
you coo
i am sheildless

then little strangles that excite
to see how you do
will you love it
adorations twisted mind
she demon
a wizened dizzy Venus

please yes
her **** drenches the bed
a warm viscosity
legs widen
feet piqued
*****
exotic delicatessen

Heralded
i enter with long sweet butter strokes
the sabbath of desire
I swear
i wont let you suffer...
never !
why you say?
because i love you
lovely scythe you call
as if lulled to sleep
whispering dreadful incantations   .
i ache to close the curtain
to lifes scalding chatter
wrap me
in a raggy shawl
impale the throat
like ive alway dreamed
a last exhalation
flood gates pour forth
as deaths dark fold
dissolves all

i rock you drugged
absinthe and wormwood
a last ***** of candles flame
white gauze cinched
lips on a lost mouth
eyes a static pyre

i linger
wishing you still plush
an animated glow
so that i could feel your arms,
now milky white relics
only to take you all over again and again and again
dreamer of the abyss
yet you stand
aberrations, smoke ghost
sacrificially swaying your hips
calling from Hades
dancer of ritual copulation
i melt like wax in the sun
wither
and die myself
marriage Italian style
dead bells in love
blotted out by the Sirens of Mara
Mara ..Greek Damon of deception and distorted thinking
SassyJ Jan 2016
Sensation, intuition, feeling, and thinking,
Is wrapped inside a ball,
A small pink ball inside our head,
That won't stop till we're dead,

Analytical bedrock inside oozing theories,
Elemental atoms sizzling logic,
The imaginative stranger,
One abstracted and eccentric,

Walking with shadows,
Talking and mocking,
Through these theories inside us,
Tilting our caps ‘til we’re shaking our heads,

Pensive love in storming analysis,
Sapiosexually excited, piqued interest,
Unemotional and thoughtfully attuned,
Absently minded, always condoned,

Unconventional and impartially stringed,
Weirdly wired in auxiliary functions,
Misconstrued and misunderstood,
An ****** intelligence bleeding paranoia,

Knocking unto me,
Into you, inside us all,
It’s something we all yearn to be,
And when you fail and prevail we laugh,

Crickling crickets thinking nothing,
Washing down the storm drain,
With no thoughts fluidly sliding down my throat,
Pop goes no questions into absolute concise words like freshly broken glass,

Again shadows await, but different shadows,
Blinking at me staring at you,
Wondering what’s what, inside this dementia made sense of a lovely afternoon,
Inside your sane, autocorrected, predetermined, twitching, little…mind.

Inspired by Myers Briggs Personality Test
Tyler is INTP... Logician  (Introverted INtuitive Thinking Perception)
The drifter, dreamer the absent minded professor!
SassyJ is INTJ... Architect  (Introverted INtuitive Thinking Judging)
The starry-eyed idealist manoeuvring life as if a giant chess board!

What Myer Briggs personality type are you?... See link below
It would be great to know.Please comment!!
http://www.16personalities.com/intp-personality
I am open for One a week collaboration till March 2016. Interested? Leave a comment or message me.

No 1. One a week series collaboration with Tyler James Birabent
Wow, It was creatively fun working with Tyler especially in my first ever collaborative writing here at HP. The piece was inspired by Myers Briggs personality test Tyler is (INTP) whilst I am (INTJ).Tyler is analytical, logical and a very composed individual. At the best of times he has beautifully mused and surprised me.

Thanks Tyler for working with me! ;0)
Tyler HP link: http://hellopoetry.com/tyler-james-birabent/
zebra Feb 2017
all my life
ive only thought of one thing
YOU

you are why i got an education
why i tried so hard to make beautiful things with my hands
why i got dressed up
why i learned to sing
and dance

why i never stopped trying to make a living
why i always went to the gym
and worked out to be diamond hard
why i was polite or inconsolable
why i ran seven miles a day
why i tried to be charming
why i could never stop playing with myself
why i got through james joyce
why i learned
conversational hypnosis
neuro linguistics
magick
and
witch
craft

to invoke a spell
that would compel
YOU
to dance
the wiggle wiggle
naked
from hot rhythms
and slow melodic
sways
as i prayed
burning
blood red candles
during the darkest moon
for adorations
with endless masturbations
to your beautiful *** and feet
for tender red lipped mercies
kisses kisses kisses

because
you are beauty piqued
from your golden angelic head
soft silken hair
to your sweet pink arched feet
and twinkling painted toes
magnetized
to yank my eyes
and be your
**** boy *** toy
my goddess glitter ****
queen of heaven
all paradise any man needs

BUT
sometimes i couldn't have
YOU

and
it velvet crushed me
taught me hopelessness
broke my will
gave me fear
made me cry
and shiver inside
tore my heart to smithereens
twisted my in-nerds
like jagged metal
melting me
as i spiraled
down
into madness
all burning veins of fire
until inferiority dragged deep
suffocating me
shuddery
like
winters
midnight freeze
and howling winds
through
hollow desolations
marrow-less
bones
Season One

EMMA AND THE MAGICAL VALLEY
-C9fm

Once upon a time, in a small village nestled at the foot of a mighty mountain, there lived a curious young girl named Emma. Emma was known for her vivid  imagination and her love for adventure. She would spend her days exploring the surrounding forests, in search of hidden treasures and secret pathways.

One sunny afternoon, Emma stumbled upon a mysterious map, tucked away in an old chest she had discovered deep within the woods. The map depicted a path leading to a fabled land known as "The Enchanted Valley." Legends spoke of its breathtaking landscapes, magical creatures, and hidden wonders.

With a spark of excitement in her eyes, Emma decided to embark on a grand adventure. Equipped with the map, a trusty backpack, and her loyal canine companion, Luna, she set off on a journey to uncover the secrets of The Enchanted Valley.

As Emma followed the map's winding trails, she encountered various obstacles and challenges. She crossed treacherous rivers, climbed towering cliffs, and navigated dense forests. Along the way, she met peculiar creatures who offered her guidance and shared their wisdom.

After days of perseverance, Emma finally arrived at the entrance of The Enchanted Valley.

Emma was amazed as she entered the magical valley. It was like stepping into a fairytale. She saw  a beautiful meadow, filled with vibrant flowers of all colors. The grass was a vibrant green, and a gentle breeze rustled through the trees. The valley was surrounded by majestic mountains, their peaks reaching up towards the sky.

As Emma explored the valley, she noticed a sparkling river flowing through it. The water was crystal clear, and she could see small fish swimming beneath the surface. A wooden bridge crossed over the river, leading to a hidden path on the other side. It seemed to invite her to discover more of the valley's secrets.

Emma couldn't resist the temptation and decided to cross the bridge. On the other side, she entered a dense forest.  She behold tall trees with leaves in shades of gold, red, and orange. Sunlight filtered through the branches, creating a magical glow. It was a perfect place for fairies and woodland creatures to hide.

As she ventured deeper into the forest, Emma came across a small clearing. In the center stood a majestic waterfall, cascading down into a sparkling pool as water flowing gracefully, creating a soothing sound that enchanted Emma. She felt a sense of peace and tranquility wash over her. It was like a sanctuary amidst the magical valley.

Feeling refreshed, Emma continued her journey through the valley.

She came across a cave nestled at the foot of one of the mountains. The cave entrance was adorned with colorful flowers and vines, as if nature itself had claimed it as its own. Emma's curiosity piqued, and she decided to explore the cave further.

Inside the cave, Emma discovered a treasure trove of sparkling gemstones and glittering crystals. The walls seemed to shimmer with magical energy. It was a sight she had never seen such wonder and amazement as she marveled at the beauty before her.

As Emma left the cave and continued her journey, she couldn't help but feel grateful for the opportunity to experience the magic of the valley. It was a place she would cherish forever, a place where dreams truly came alive.

True to its name, the valley was a breathtaking sight to behold. Lush, vibrant meadows stretched out as far as the eye could see, adorned with colorful flowers and shimmering streams. Majestic waterfalls cascaded down towering cliffs, their soothing sounds echoing through the valley.

Emma's heart raced with excitement as she thinks of  the wonders surrounding the magical valley.

She encountered mystical beings like talking trees, mischievous fairies, and gentle giants. Each encounter filled her with awe and wonder, as she learned more about the magic that permeated The Enchanted Valley.

As the days turned into weeks, Emma immersed herself in the enchantment of the valley, forming meaningful friendships with its inhabitants. She discovered hidden caves filled with ancient artifacts and stumbled upon a magical book that contained stories of forgotten lands.

As Emma ventured deeper into the forest along the winding path, she couldn't help but feel a sense of anticipation. The image you sent me perfectly captures the enchanting atmosphere, with the tall trees creating a canopy overhead, filtering the sunlight and casting beautiful patterns on the forest floor.

As Emma walked along the path, she noticed the gentle rustling of leaves and the occasional chirping of birds. The air was filled with a crisp freshness, carrying the scent of moss and earth. The path seemed to beckon her forward, as if it held secrets waiting to be discovered.

With each step, the forest seemed to come alive. Emma could almost imagine the trees whispering to one another, sharing stories of the magical creatures that dwelled within their branches. She kept her senses sharp, eagerly seeking any signs of the valley's inhabitants.

As she continued, the path began to ***** gently downward, leading her to a small clearing bathed in soft, golden light. In the center of the clearing, there stood a majestic waterfall, its cascading waters sparkling in the sunlight. The sound of rushing water filled the air, creating a soothing melody.

Emma approached the waterfall, captivated by its beauty and the tranquility it exuded. She dipped her hand into the cool water, feeling its gentle flow against her skin. The image you shared shows the waterfall in all its glory, surrounded by vibrant wildflowers and moss-covered rocks.

Curiosity and excitement welled up within Emma. What other wonders would she find in this magical valley? With a renewed sense of adventure, she decided to continue her exploration, eager to uncover the secrets that lay hidden within the depths of the forest.



Emma embarks on an adventure through the valley, encountering talking animals, sparkling waterfalls, and an ancient forest. Along the way, she learns about friendship, bravery, and the power of imagination.

The valley itself is a breathtaking sight, with lush greenery, vibrant flowers, and towering mountains in the distance. The air is filled with a sense of wonder and magic, making it a truly captivating place.

Throughout her journey, Emma encounters various challenges and meets fascinating characters, including a wise old owl, a mischievous fairy, and a gentle giant. Each encounter brings new lessons and experiences for Emma as she discovers the secrets of the valley.






The young girl stumbled and fell rowed back to the meadow,

she noticed a narrow path leading deeper into the valley.  A winding trail, surrounded by tall trees and dappled sunlight. Intrigued by what lay ahead, she decided to follow the path and see where it would lead her.

The path meandered through a dense forest, towering trees that seemed to whisper secrets to one another. Shafts of sunlight filtered through the canopy, creating a magical ambiance. Emma could hear the gentle rustling of leaves and the melodic chirping of birds.

As she walked, Emma stumbled upon a clearing bathed in a soft, golden light. A tranquil scene—a shimmering lake shimmering in the sunlight, surrounded by a ring of vibrant wildflowers. The water of the lake was so clear that she could see the reflection of the surrounding trees and the sky above.

Drawn to the serenity of the lake, Emma sat down on the grassy bank, sitting with her feet dangling in the water, a look of contentment on her face. She watched as small fish darted beneath the surface, creating ripples that danced across the lake.

Lost in her thoughts, Emma noticed a gentle movement at the edge of the lake. She looked closer and saw a family of graceful deer approaching the water. Deer their elegant forms silhouetted against the backdrop of the lake. It was a truly enchanting sight.

The deer gracefully lowered their heads to drink from the cool waters, their presence adding to the magic of the valley. Emma felt a sense of harmony and connection with nature as she observed them. It was a moment of pure serenity and wonder.

After a while, the deer finished drinking and gracefully vanished into the forest. Emma, filled with gratitude for this enchanting encounter, continued on her journey through the magical valley.  As she walks along the path, a sense of anticipation in her steps.

The path led Emma to a hidden grove, where she discovered a circle of ancient standing stones weathered by time and adorned with moss and ivy. They emanated an aura of mystery and power, as if they held ancient secrets within their rugged surfaces.

Intrigued by the stones, Emma approached the circle and placed her hands on one of them. Suddenly, a surge of energy coursed through her veins, and she felt a deep connection to the land and its mystical past. She's standing in awe, her eyes wide with wonder and excitement.

As Emma stood in the midst of the standing stones, a gentle whisper filled her mind. It was a message from the ancient spirits of the valley, guiding her towards her true purpose and destiny. She listened intently, feeling a sense of purpose and clarity wash over her.

Filled with newfound determination, Emma bid farewell to the standing stones and continued her journey through the magical valley. She walked along a winding path, her heart filled with anticipation for the adventures that awaited her.

And so, Emma's adventure in the magical valley continued, with each step bringing her closer to the wonders and mysteries of this extraordinary realm.






Emma delved deeper into the magical valley, she began to feel a subtle change within herself.  She found herself  in a beam of ethereal light, her hands glowing with a radiant energy.

She continued her exploration, she discovered a hidden grove adorned with blooming flowers of every color imaginable. The air in the grove was thick with an otherworldly energy, and Emma felt an intense warmth emanating from her heart.

Curiosity piqued, Emma reached out towards a delicate flower, and as her fingertips brushed against its petals, a surge of energy surged through her. She felt a connection to the life force of the valley, an extraordinary power coursing through her veins.

It was in that moment that Emma realized she had been bestowed with a remarkable gift. Her touch had the ability to heal, to mend wounds, and to alleviate suffering. She became a vessel of pure, healing energy, her presence bringing comfort and renewal to all living beings she encountered.

With a gentle touch, Emma could soothe ailments, mend broken hearts, and restore balance to the natural world. She extends her hands towards a wounded bird, its feathers shimmering with newfound vitality as it begins to flutter its wings once more.

Word of Emma's extraordinary abilities spread throughout the magical valley. Creatures from all corners sought her out, seeking solace and healing. Emma dedicated herself to the service of others, using her powers to bring comfort and health to those in need.

As she traveled through the valley, Emma encountered beings of all shapes and sizes, each with their own unique ailments. She healed animals with injuries, plants suffering from blight, and even helped to restore harmony among the valley's inhabitants.

Emma's presence became a beacon of hope and healing in the magical valley. Her selfless actions touched the hearts of all who crossed her path, and her power continued to grow and evolve as she embraced her role as a healer.

And so, Emma's journey in the magical valley transformed her into an extraordinary human, blessed with the ability to bring healing and restoration to all she encountered. Her empathy, compassion, and the healing touch she possessed became a force for good, spreading joy and well-being throughout the enchanted realm.


Emma ventured further into the magical valley, she came across a picturesque meadow filled with vibrant flowers, blossoms in various shades of pink, purple, and yellow. The air was perfumed with a delicate floral fragrance, and butterflies fluttered gracefully from one flower to another.

Enchanted by the beauty surrounding her, Emma found herself drawn towards a serene pond located in the center of the meadow. Lily pads floated gently on the water's surface, and dragonflies hovered nearby.

Curiosity piqued, Emma approached the edge of the pond and noticed a small rowboat tied to a nearby dock.  she found a boat, painted in shades of blue and adorned with intricate carvings. It seemed to beckon her for a peaceful journey across the calm waters.

Without hesitation, Emma climbed into the rowboat and set off on her adventure. As she rowed along, she marveled at the serene beauty of her surroundings. The towering mountains framed the valley, their peaks reaching towards the heavens. She really can't imagine the grandeur of the mountains, their majestic presence adding to the enchantment of the valley.

As Emma continued her tranquil voyage, she spotted a graceful swan gliding effortlessly through the water. She saw a flock of swan, its pure white feathers glistening in the sunlight. Mesmerized by its elegance, she followed the swan's lead, steering the rowboat towards a hidden inlet.

The inlet opened up to a secluded waterfall cascading down from a cliff face. She couldn't imagine what her eyes captured, the beauty and power of the waterfall, with water plunging into a crystal-clear pool below. The sound of rushing water filled the air, creating a soothing melody that resonated deep within Emma's soul.

Drawn to the allure of the waterfall, Emma docked her boat and stepped onto the shore. She approached the base of the waterfall, feeling the mist kissing her cheeks. As she stands at the foot of the waterfall, a sense of awe and wonder evident in her eyes.

As Emma stood there, a shimmering rainbow appeared in the mist. It arched over the waterfall, creating a breathtaking sight. Astonishing vibrant colors of the rainbow, stretching across the sky, and reflecting in the sparkling pool below.

Captivated by the magical display, Emma couldn't help but feel a sense of gratitude and joy. Starring in the sky and smiling, her heart filled with wonder and appreciation for the beauty she had witnessed.

With a heart full of cherished memories, Emma reluctantly left the waterfall behind and returned to her rowboat. As she rowed back towards the meadow, she couldn't help but feel a deep sense of gratitude for the magical experiences she had encountered in the valley.

And so, Emma's journey in the magical valley continued, with more enchanting discoveries and wondrous sights awaiting her.


As Emma's reputation as a powerful healer grew, people from far and wide began to seek her out for assistance. The image you sent me shows a diverse group of individuals, each with a different ailment or affliction, gathering around Emma in the heart of the magical valley.

Word of Emma's extraordinary abilities had reached neighboring villages and even distant lands. People traveled great distances, overcoming obstacles and hardships, driven by the hope of finding solace in Emma's healing touch.

As Emma connected with each person, she listened attentively to their stories, empathizing with their pain and suffering. With a gentle and compassionate demeanor, she offered her healing energy, allowing it to flow through her fingertips and into the bodies and souls of those in need.

Emma's healing abilities extended beyond just physical ailments. She had an innate understanding of the interconnectedness of mind, body, and spirit, and she used her gift to bring harmony and balance to all aspects of a person's well-being.

People marveled at the transformative power of Emma's healing touch. Chronic illnesses were alleviated, emotional wounds were mended, and spiritual blocks were dissolved. Her power healed every individuals, even imbeciles and all manner of problems experiencing profound healing and a renewed sense of vitality.

Emma's presence in the magical valley became a beacon of hope, not only for those seeking physical healing but also for those in need of emotional and spiritual support. She offered guidance, comfort, and a listening ear, providing a holistic approach to well-being.

As time went on, Emma's healing abilities continued to evolve. She delved deeper into the mysteries of the magical valley, seeking ancient wisdom and learning from the mystical creatures that resided there. Her understanding of the healing arts expanded, allowing her to delve into more complex and intricate cases.

She delight in reading ancient stories as she  scrolls, engrossed in study and deep contemplation. She sought to refine her skills, to better understand the intricate workings of the human body and spirit. Through her dedication and thirst for knowledge, she became an even more formidable force in the realm of healing.

And so, Emma's journey as a powerful extraordinary human continued in the magical valley. Her healing touch brought relief and transformation to countless lives, leaving a lasting impact on all who were fortunate enough to encounter her.


But as with any adventure, Emma knew her time in The Enchanted Valley had to come to an end. With a heavy heart, she bid farewell to her newfound friends and began her journey back home, carrying with her memories that would last a lifetime.

Upon returning to her village, Emma realized that the true magic of The Enchanted Valley lay not only in its enchanting landscapes but also in the lessons she had learned along the way. She discovered the importance of bravery, perseverance, and the power of imagination.

From that day forward, Emma became known as the village's own adventurer, and the greatest physician of the land. captivating everyone with her tales of The Enchanted Valley. And as she shared her stories, she inspired others to embark on their own journeys, reminding them that magic can be found in the most unexpected places, if only they dare to seek it.

A story by Cloudnine Fairmane C9fm EMMA AND THE MAGICAL VALLEY
A story of my imaginations. It was fueled by how I sometimes feel.
Lora Lee Aug 2017
sitting here but not
my insides
       in a twist
my organs blooming,
their flower landscapes
rising in my solar plexus
like poetry expanding
its cellular shapes
into
        light frequencies
I need way more.
I need the pulling off
      and stripping down
of souls
I need to meet in
a depth of falling
I need to be pushed off
the silent gates of madness
into endless sea
no looking back
senses piqued
from slightest brush
of oral butter pouring
on hot cream
my mouth, a searing
crimson wound
oscillates in
contraction radar pulses
ripe for intense
tongue exploration
         aching to be filled up with
your distinct flavor
My essence molecular is
overflowing with fluid
giving me life
in throbbing, raw
electric vibes
whipped organic, in
                 rolling tides
Somewhere, out there
                  our volcanic impulses
                          meet in steamy ebbs
                     and send energyflow
to a new and ancient universe,
magnetic
and I am
a raging heaven's child
      wrapped in
           a tight little
              tourniquet
     blood pumping
through these veins
             my longing for
                 dark stretches
   of intimate caresses
to soothe
  the spikes
      of snaking pain
Give me
those airwaves that
let me breathe freedom
into the fields of our skin
Let me run like wild herds
of the animal within

and as I find myself
hanging off
my
      own
  edges
my many-braided loops
         in zigzag split,
a-fray
my skin rips open,
parting fibers
that expose my
very
      DNA
helix swivel
     undulation
hips grinding into
                     soul
reaching in to
pull out
fresh rebirth
from between my folds
O help me to allay
this tender affliction
undo me, already
so I lose control
one little shove
and I am over the cliff
deep into ocean
**** over spliff
I am beyond ready
so grind it to the hilt
Give me your
tender-ripped heart,
spill your honeycomb milk

I am here, ravenous
in the pan
uncooked yet ripe
saliva and breath
steaming my own innards
flushing out strife
I am piquant hot pepper
ready to be broiled
my blood is already
                             boiling
my tender meat oiled
mull me over
in your oral cavity
like sacred wine
until I drip
through your bones
and down your spine
Just meld with me
                        and flow
into that light tunnel
of dark time and space
so I can stake out
my rhythms
and claim
      my
new
sacred
      place
Thank you, everyone, for all the love. Right back at you

https://www.youtube.com/watch?v=lG8l6JyQb0A
Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,--
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark.  Some few we know--
Or think we know. . .  Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . Closing then the door
I heard it die behind me, fade to whisper,--
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts--and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,--
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think--yet this is guesswork)
Will please him,--it is in a strain he fancies,--
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self--this too is guesswork)

The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,--
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him.  He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'--There I let it end. . . .
Sometimes, of course, and when we least suspect it--
When we pursue our thoughts with too much passion,
Talking with too great zeal--our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes
As we shall deem them likely to admire:
'Praise me for this' we say, or 'laugh at this,'
Or 'marvel at my candor'. . . all the while
Withholding what's most precious to ourselves,--
Some sinister depth of lust or fear or hatred,
The sombre note that gives the chord its power;
Or a white loveliness--if such we know--
Too much like fire to speak of without shame.

Well, this being so, and we who know it being
So curious about those well-locked houses,
The minds of those we know,--to enter softly,
And steal from floor to floor up shadowy stairways,
From room to quiet room, from wall to wall,
Breathing deliberately the very air,
Pressing our hands and nerves against warm darkness
To learn what ghosts are there,--
Suppose for once I set my doors wide open
And bid you in. . . Suppose I try to tell you
The secrets of this house, and how I live here;
Suppose I tell you who I am, in fact. . . .
Deceiving you--as far as I may know it--
Only so much as I deceive myself.

If you are clever you already see me
As one who moves forever in a cloud
Of warm bright vanity: a luminous cloud
Which falls on all things with a quivering magic,
Changing such outlines as a light may change,
Brightening what lies dark to me, concealing
Those things that will not change . . . I walk sustained
In a world of things that flatter me: a sky
Just as I would have had it; trees and grass
Just as I would have shaped and colored them;
Pigeons and clouds and sun and whirling shadows,
And stars that brightening climb through mist at nightfall,--
In some deep way I am aware these praise me:
Where they are beautiful, or hint of beauty,
They point, somehow, to me. . . This water says,--
Shimmering at the sky, or undulating
In broken gleaming parodies of clouds,
Rippled in blue, or sending from cool depths
To meet the falling leaf the leaf's clear image,--
This water says, there is some secret in you
Akin to my clear beauty, silently responsive
To all that circles you.  This bare tree says,--
Austere and stark and leafless, split with frost,
Resonant in the wind, with rigid branches
Flung out against the sky,--this tall tree says,
There is some cold austerity in you,
A frozen strength, with long roots gnarled on rocks,
Fertile and deep; you bide your time, are patient,
Serene in silence, bare to outward seeming,
Concealing what reserves of power and beauty!
What teeming Aprils!--chorus of leaves on leaves!
These houses say, such walls in walls as ours,
Such streets of walls, solid and smooth of surface,
Such hills and cities of walls, walls upon walls;
Motionless in the sun, or dark with rain;
Walls pierced with windows, where the light may enter;
Walls windowless where darkness is desired;
Towers and labyrinths and domes and chambers,--
Amazing deep recesses, dark on dark,--
All these are like the walls which shape your spirit:
You move, are warm, within them, laugh within them,
Proud of their depth and strength; or sally from them,
When you are bold, to blow great horns at the world
This deep cool room, with shadowed walls and ceiling,
Tranquil and cloistral, fragrant of my mind,
This cool room says,--just such a room have you,
It waits you always at the tops of stairways,
Withdrawn, remote, familiar to your uses,
Where you may cease pretence and be yourself. . . .
And this embroidery, hanging on this wall,
Hung there forever,--these so soundless glidings
Of dragons golden-scaled, sheer birds of azure,
Coilings of leaves in pale vermilion, griffins
Drawing their rainbow wings through involutions
Of mauve chrysanthemums and lotus flowers,--
This goblin wood where someone cries enchantment,--
This says, just such an involuted beauty
Of thought and coiling thought, dream linked with dream,
Image to image gliding, wreathing fires,
Soundlessly cries enchantment in your mind:
You need but sit and close your eyes a moment
To see these deep designs unfold themselves.

And so, all things discern me, name me, praise me--
I walk in a world of silent voices, praising;
And in this world you see me like a wraith
Blown softly here and there, on silent winds.
'Praise me'--I say; and look, not in a glass,
But in your eyes, to see my image there--
Or in your mind; you smile, I am contented;
You look at me, with interest unfeigned,
And listen--I am pleased; or else, alone,
I watch thin bubbles veering brightly upward
From unknown depths,--my silver thoughts ascending;
Saying now this, now that, hinting of all things,--
Dreams, and desires, velleities, regrets,
Faint ghosts of memory, strange recognitions,--
But all with one deep meaning: this is I,
This is the glistening secret holy I,
This silver-winged wonder, insubstantial,
This singing ghost. . . And hearing, I am warmed.

     *     *     *     *     *

You see me moving, then, as one who moves
Forever at the centre of his circle:
A circle filled with light.  And into it
Come bulging shapes from darkness, loom gigantic,
Or huddle in dark again. . . A clock ticks clearly,
A gas-jet steadily whirs, light streams across me;
Two church bells, with alternate beat, strike nine;
And through these things my pencil pushes softly
To weave grey webs of lines on this clear page.
Snow falls and melts; the eaves make liquid music;
Black wheel-tracks line the snow-touched street; I turn
And look one instant at the half-dark gardens,
Where skeleton elm-trees reach with frozen gesture
Above unsteady lamps,--with black boughs flung
Against a luminous snow-filled grey-gold sky.
'Beauty!' I cry. . . My feet move on, and take me
Between dark walls, with orange squares for windows.
Beauty; beheld like someone half-forgotten,
Remembered, with slow pang, as one neglected . . .
Well, I am frustrate; life has beaten me,
The thing I strongly seized has turned to darkness,
And darkness rides my heart. . . These skeleton elm-trees--
Leaning against that grey-gold snow filled sky--
Beauty! they say, and at the edge of darkness
Extend vain arms in a frozen gesture of protest . . .
A clock ticks softly; a gas-jet steadily whirs:
The pencil meets its shadow upon clear paper,
Voices are raised, a door is slammed.  The lovers,
Murmuring in an adjacent room, grow silent,
The eaves make liquid music. . . Hours have passed,
And nothing changes, and everything is changed.
Exultation is dead, Beauty is harlot,--
And walks the streets.  The thing I strongly seized
Has turned to darkness, and darkness rides my heart.

If you could solve this darkness you would have me.
This causeless melancholy that comes with rain,
Or on such days as this when large wet snowflakes
Drop heavily, with rain . . . whence rises this?
Well, so-and-so, this morning when I saw him,
Seemed much preoccupied, and would not smile;
And you, I saw too much; and you, too little;
And the word I chose for you, the golden word,
The word that should have struck so deep in purpose,
And set so many doors of wish wide open,
You let it fall, and would not stoop for it,
And smiled at me, and would not let me guess
Whether you saw it fall. . . These things, together,
With other things, still slighter, wove to music,
And this in time drew up dark memories;
And there I stand.  This music breaks and bleeds me,
Turning all frustrate dreams to chords and discords,
Faces and griefs, and words, and sunlit evenings,
And chains self-forged that will not break nor lengthen,
And cries that none can answer, few will hear.
Have these things meaning?  Or would you see more clearly
If I should say 'My second wife grows tedious,
Or, like gay tulip, keeps no perfumed secret'?

Or 'one day dies eventless as another,
Leaving the seeker still unsatisfied,
And more convinced life yields no satisfaction'?
Or 'seek too hard, the sight at length grows callous,
And beauty shines in vain'?--

                                These things you ask for,
These you shall have. . . So, talking with my first wife,
At the dark end of evening, when she leaned
And smiled at me, with blue eyes weaving webs
Of finest fire, revolving me in scarlet,--
Calling to mind remote and small successions
Of countless other evenings ending so,--
I smiled, and met her kiss, and wished her dead;
Dead of a sudden sickness, or by my hands
Savagely killed; I saw her in her coffin,
I saw her coffin borne downstairs with trouble,
I saw myself alone there, palely watching,
Wearing a masque of grief so deeply acted
That grief itself possessed me.  Time would pass,
And I should meet this girl,--my second wife--
And drop the masque of grief for one of passion.
Forward we move to meet, half hesitating,
We drown in each others' eyes, we laugh, we talk,
Looking now here, now there, faintly pretending
We do not hear the powerful pulsing prelude
Roaring beneath our words . . . The time approaches.
We lean unbalanced.  The mute last glance between us,
Profoundly searching, opening, asking, yielding,
Is steadily met: our two lives draw together . . .
. . . .'What are you thinking of?'. . . My first wife's voice
Scattered these ghosts.  'Oh nothing--nothing much--
Just wondering where we'd be two years from now,
And what we might be doing . . . ' And then remorse
Turned sharply in my mind to sudden pity,
And pity to echoed love.  And one more evening
Drew to the usual end of sleep and silence.

And, as it is with this, so too with all things.
The pages of our lives are blurred palimpsest:
New lines are wreathed on old lines half-erased,
And those on older still; and so forever.
The old shines through the new, and colors it.
What's new?  What's old?  All things have double meanings,--
All things return.  I write a line with passion
(Or touch a woman's hand, or plumb a doctrine)
Only to find the same thing, done before,--
Only to know the same thing comes to-morrow. . . .
This curious riddled dream I dreamed last night,--
Six years ago I dreamed it just as now;
The same man stooped to me; we rose from darkness,
And broke the accustomed order of our days,
And struck for the morning world, and warmth, and freedom. . . .
What does it mean?  Why is this hint repeated?
What darkness does it spring from, seek to end?

You see me, then, pass up and down these stairways,
Now through a beam of light, and now through shadow,--
Pursuing silent ends.  No rest there is,--
No more for me than you.  I move here always,
From quiet room to room, from wall to wall,
Searching and plotting, weaving a web of days.
This is my house, and now, perhaps, you know me. . .
Yet I confess, for all my best intentions,
Once more I have deceived you. . . I withhold
The one thing precious, the one dark thing that guides me;
And I have spread two snares for you, of lies.
Winter Green Feb 2015
I was just an obsession to you
A hobby, a toy
That you could play with one day
exploit all of its wonders
see what it could give to you
And the next day just casually toss in a shadowy attic
To be forgotten
To be found far in the future
Old, and dusty
Not broken, just dark from disuse
and abandonment

This is what you thought of me
This is how you treated me
Like a novelty, a child's toy
I can't believe I fell for your casual ways
The way you made me feel special
But I was never special
I was just another brief obsession of yours
A curiosity
I drew your attention, piqued your interest
But now you've found a new toy to play with
And I'm left here collecting dust
This is my first poem ever and I'm new to writing poetry. Any advice is appreciated.
Tyler Mar 2021
A piqued sweater
A constant reminder of a snag in the design.
A moment unexpected.
A pull too strong for comfort,
but not so strong to tear the fabric
away from its intended purpose.  
Leaving less of a mark of the memory
and more of a reminder of what could be.
A warning of frivolity and reckless abandon,
or at least the consequences of such.
Not unrepairable. Not to be discarded.
Simply to be well-worn.
To be cautious of being caught.
To be lived in arms crossed, if need be.
To live in the present,
afraid of the future, or something akin,
and aware of the past. Unfading.
Aware of the thread so easily tugged
into the pattern of unraveling.
Rae Anne Jul 2016
He was so intense
His brow, forever cast down,
*Was always furrowed.
Star Gazer Aug 2016
"Forget me already. It's not mmm... good for you to still remember me. Uhh; I want you gone from my life, please?" Sarah requested with frustration creased on her face.

Sarah wasn't your average university student, ash blonde with streaks of red in her hair, slim tanned legs just enough to make a young teen salivate. She was neither tall nor short, and if Goldilocks had met Sarah before Goldilocks would have exclaimed 'just right' about Sarah's height. You couldn't tell whether she was rich nor poor because Sarah had always worn amiable denim jeans though they were always ripped. It could have just been her fashion statement, a sardonic "looky over here people. I'm charming pfft, no one knows how charming I am and I don't even have to show skin to do so". Sarah though seemingly perfect on the surface, had always had self esteem issues; she'd mumble sentences and say "don't worry" when she struggled to convey herself.

"... Please?" Sarah requested with frustration creased on her face.
    To Jim, this was the usual request he'd heard over and over. At this point, about a million and twenty three times; it no longer phased him. Jim gulped in a mouthful of air before going onto his retaliation; except his retaliation did not involve calling her 'a *****' nor did it involve calling her 'a **** covered ***** that no one will ever love'. No... Jim was civil tongued in a rather strange demeanour.

"Sarah darling. The moment I forget you, the skies will fall, the clouds will shake, rain will flood the Earth because the very second I forget you, my world and I will have been destroyed", Jim said with a sheepish grin. Jim was a cunning man, almost too smart for his own good at times. He'd always reminisce on that one date he had with Sarah. He had taken her to a nearby farm, and nearby to a suburban kid was a two and half hour drive. The farm was not the most romantic place but to Jim, cow manure and sheep manure whispered "this is the most organic and romantic place you can ever find". The minute they had arrived in the general location of the farm, Sarah had already been, hungry, tired, sleepy, angry and most of all she had to put up with Jim not revealing anything to her....So fear was one of the cause of her anxiety with Jim, though she could trust Jim with her life so it somewhat lessened, the very moment that fear piqued.

The ground, wet soil, faint smells of manure, 'Nature'. Jim flaunted the minute he had arrived "HOLY SHEEP! Look around Sarah, aren't they wonderful?"
          Sarah mumbled, as she most likely always does "they....mmmm....they are nice....umm I guess".

Jim projected his voice, shocking Sarah again, but at this point a feather falling to the ground would have spooked poor little Sarah. "SARAH! Look over here. Do you see the cow. Why don't we call her Cherry?"

"Why Cherry?" Sarah asked with a puzzled look on her face.

Jim took a big breath of the farmland air "Because ...cherries are edible."

Sarah slightly disgusted but with a smile on her face nonetheless.

Suddenly, Jim grew quiet; and for a blabbermouth, 'would forget to breathe because he's talking' Jim, this is a pointer that there may be something that wasn't exactly right.

Jim spoke, breaking the silence created by the void of words that was Jim and Sarah, 'Babe. I've been thinking... and before you jump to conclusions, no we are not breaking up, not on a farmland, that's how you'll **** me and feed my bodies to the pig or something....and nothing eats Jim Thorens except dinosaurs. I wanted to say, I've been thinking about how lucky I am. No I didn't win the lottery, nor did I come to an inheritance of a million dollars; one because I don't gamble and two because ...my shitheap of a family won't even leave a cent to me probably. But I am a lucky man, because I have you and having you is like winning the lottery. It is like inheriting a million dollars. It is like having the palms of the world, in a single minute I get to hold your hand."

Sarah spoke, tears invading the corner of her eyes, "Maybe this world is too good for us. I don't know but lately, it feels as though walls are collapsing and I can't keep feigning it anymore. I chose to come along with you in hopes you'd end things with me", Sarah had hardly ever spoken for so long without a few umms or ahhs in the way, but this time something came over her.

"...But I love you babe. Don't you love me?" Jim building a bridge to clear the doubt in between their relationships. Sadly, the bridge he built in the form of a question did not support the weight that they both held. One loving too much, and another loving too little.

A few days had passed. Well what was a few days for those who aren't heartbroken, felt like decades for those with a hellish hole forming in their hearts. A few days, merely a few days, with the overclouding, overbearing sensation of a lifetime.

Jim Thorens had called Sarah Silva to arrange a meeting, with the tone of 'complete strangers, who tried to hid that they were past lovers'. "Hey Sarah, It's Jim here. I've been wondering if...ummm if you'd ahh want to get a coffee. So we can have a little umm chat?" Jim spoke as he left a voicemail.

Jim Thorens saw Sarah Silva making her way to the empty chair in front of him, a smile lit on his face as it had always done in the before-times. Except now, it wasn't the same as the before times.

"Forget me already." Sarah mouthed in silence and though Jim could not read lips, he understood. He understood every bit of that silent air.

"Forget me already. It's not good for you to still remember me. I want you gone from my life, please?" Sarah requested with frustration creased on her face and a subtle roll of her eyes. This time, Jim's pain was audible.

"What if we..." Jim started to speak before being completely cut off by Sarah.

"Don't worry". Sarah said, as she stood up and left.
Jaron Jan 2019
From the cupboard two mugs are brought
Grounds are measured, water hot
The drips fill up the coffee ***

From the spout the bold brew streams
One sweet with sugar, rich with cream
The other black, reflection gleams
Both give rise to wisps of steam

Anticipation piqued
Each unique 

At first, slow sips with careful words
Not too much, don’t get burned

Pleasure comes with each sip
The words caressing from your lip
Drinks become deeper, feelings slip

My cup’s now empty, but my heart is lit
talk to me until we fall in love. do I love you or the brew?
invisible isotopes
gently rain down
onto the chins
of infants

we whisk
them
away with
soft kisses

tiny
irradiated
dust flakes
float onto
boutonniereless
lapels

we brush them
off with fresh
carnations

Oak leaves
blown from
denuding limbs
by soft puffs of
radioactive
plumes

are shaken
from our
door mats

green grass
sprinkled with
Strontium 90

is mowed
and mixed
into our
compost piles

the pristine
waters
of March
are laced with
uranium
tainted
iodine

it coolly
slakes
our
piqued
thirst

the rouge rose
gilded with
a golden plush
of soft plutonium

is plucked
to adorn late
evening
dinner tables
and exchanged
by sweethearts
as amorous
gestures
of resignation
between
condemned
lovers


Oakland
3/28/11
jbm
Andrew Guzaldo c Oct 2018
“I believe I’m gratified to have loved her,
If not where would my heart have been,
My eyes were radiated by this naiad,
Regalia she has given will last ever ageless,

To have been near her held her hand,
Brushed my fingers through her hair,
Listened to her incentive ways she had,
Given to me before she had gone faultily,

Rivers flow as wind carry life’s ballad inlet,
Leading me deep into the paradise I longed for,
Overwhelming protecting me from world afar,
Strong caring is what keeps our souls as one,

It’s an obsession the way we let ardor consume us,
In her eyes I found new visions have been revealed,  
As the sea forgets in its furore lading aboard,
No rest from travels it is my libation for memoir,

World of the deep fell into darkness of nets,
I would have liked my naiad by my side,
I imagine that my heart palpitating sadness,
If I were to pique the naiad would it make all well,
I shall never KNOW”
By Andrew Guzaldo 10/07/2018 ©
By Andrew Guzaldo 10/07/2018 ©       #Poem#128
P E Kaplan Apr 2014
First, I spotted the gaggle sagging innocently enough,
One might say blissfully reflected in the laptop screen.
Then out of nowhere came the phrase, "whodunit?”
And from the hanging sag, a sly, silky, voice whispered,
"Ahhh, don't stop before the good part."

Clearly a few clues were left behind, wispy hair strands,
Scattered age spots, skin tags, a few moles, posed upon a
Pale listless, crinkly, lightly pimpled, surface, and from a
Wrinkly, shallow crevasse a voice teased,
"Ahhh, don't stop before the good part."

Totally hooked, curiosity piqued, southward I spied,
A once upon a time perky, treasure chest, half hidden,
Now two solemn, empty grain sacks laid east to west,
And close to death but not quite, lazily they muttered,
"Ahhh, don't stop before the good part."

The final chapter, an ancient, untold mystery solved,
No crime, no villain, nothing stolen, only flesh alchemy,
Where a plateau of supple, touchable, skin once resided,
A lumpy, bumpy, flabby flesh pillow lolled, and it murmured,
“Ahhh, Boston cream pie, a quick nap, that's the ticket."
Bathsheba Nov 2010
Out today

To buy some plates

Nought to my liking

I’m in a terrible state!

Stuck behind

a

Renault Espace

‘Yummy Mummy’ (sticker)

In pride of place!

It piqued my interest

So …. I had a peek

‘Yummy Mummy’

What a cheek!

A face that looked like a sicked up bun

Could only

ever

be

loved

By this

Wobbler’s Mum

Oh my God

It made me laugh

“Cover up those warts,

hey, borrow my scarf”


What would posses this creature from hell?

To create the illusion

That she was a swell

Does she not realise

That we all have eyes?

A priest would think twice

Before he baptised

You would cross the road

To avoid this face

Yet …. She’s out in the public

What a ******* disgrace!

Next to her sat a fat baby pig

Dressed up to the nines

Methinks …

“It’s time for a cig …”

As I inhale

I look up to the sky

Apply too much gas

“Oh **** … I might die!”

I slam on the brakes

But alas

It’s too late

No time for reactions

No time for debates

Crash

Bang

Wallop


Straight into the rear

The car is a write off

There is trouble

I fear

As I gather my thoughts

This creature appears

Bedraggled and angry

Piglet’s in tears!

I try my best to calm her down

Soothe her wobbly bits

But she is all a bother

Piggy’s got the *****!


So … I look up and down the road

See … I know the drill



Just one simple gentle push

‘Yummy Mummys’

Over the hill!

Now …. Don’t you go a worrying?

Piglet

is

Safe and secure


I toss old squeaker in the boot

Start on my new detour

Soon I’m home and fired up

It’s time to raise the heat

Piggy will be spit roast

Sweet juices will secrete

Apples are gently cooking

Tatties are crisp and just done

I invite the neighbours over

For some summer bbq fun

Old Man Rodgers sits on his chair

Tucking

into

Porkpie’s arm

Lucy Lee the ******

Gobbles with old aged charm

We had a laugh that breezy day

Love was in the air

We danced naked round the spit roast

With abandonment

No care


Soon the feast was over

There was nothing left but bones

We tossed them in the wishing well

With the rest of the unknowns

**So next time you get an inkling

That you’re a ‘yummy’ or a ‘babe’

Be careful where you drive my friend

For your life’s about to fade

Fade into the darkness

Along with all the rest

Please pay attention to these words

For this is my last bequest
Tru Baker Oct 2012
Us living as we do upside down. 
And the new word to have is revolution. 
People don't even want to hear the preacher 
spill or spiel because God's whole card has been thoroughly piqued. 
And America is now blood and tears instead of milk and honey. 
The youngsters who were programmed to continue 
******* up woke up one night digging 
Paul Revere and Nat Turner as the good guys. 
America stripped for bed and we had not all yet closed our eyes.
The signs of Truth were tattooed across our open ended ******. 
We learned to our amazement untold tale of scandal. 
Two long centuries buried in the musty vault, 
hosed down daily with a gagging perfume. 
America was a ******* the illegitimate daughter of the mother country 
whose legs were then spread around the world 
and a ****** known as freedom, free doom. 
Democracy, liberty, and justice were revolutionary code names 
that preceded the bubbling bubbling bubbling bubbling bubbling 
in the mother country's crotch
What does Webster say about soul?
All I want is a good home and a wife
and a children and some food to feed them every night.
After all is said and done build a new route to China if they'll have you.
Who will survive in America?
Who will survive in America?
Who will survive in America?
Who will survive in America?
MKF Jan 2014
Your interest is piqued
By we the people,
The prosperous poor.
Pacified by things
As simple as passion,
We push,
Pull,
And punch
Our way to the peak.
You're puzzled
By our paedarchy
Where the puerile rule
For they are the prudent.
We are the prosperous poor,
The pauperized children,
Packing our hearts
With dreams of progress
And thoughts of prodigies.
Poor by birth,
Prosperous by personality,
We are the prosperous poor.
We, the children of poverty
Who have been pure only in heart
Will proceed
To prove that the poor
Are prosperous at heart.
The prosperous poor
Are only prosperous
Because they have felt the pain
Of the poor.
Sarah Oh Jul 2015
If your eyes could speak
The way you batted your eyelashes robs me of my insanity
I try to pull myself away from you
But your beauty just throws me intro frenzy
Darling, my curiosity is piqued
Andrew T Hannah Jun 2013
It is painful perhaps to be awakened from a vision as to be born and by my body's action teach my mind the pain of being alive. Also because all creation is simpler than what some philosopher thinks. Descartes looks more outré than the painted wizard. Curse the dark hour that gave me birth. Never to have lived is best. I am alive only by accident. I alone awake at dawn. The gods have invented a terrible torture for us. I have suffered to have a soul still not yet pure enough. I'd give up years, yes, years of my own life for such. Everyone's life is the same life, if you live long enough. But better to die than live a mechanical life that is a repetition of a repetition. It is life inside life inside itself. When clocks and mirrors are reversed to show ourselves as only we could ever know.
      If man is born so soon, if life is so brief like some sleep I feared I'd never wake from. We have so little time on earth that anyone does not ever make anything better. The same or less ambition only makes the ambitious greater. There is not time enough on earth for all I'd like to do. How strange it seems, with so much gone of life and love, to still live on! Where is the life we  have lost in living? It takes life to love life. I and this love are one. It is death, which our flesh dreads, is the very death of every night, which we call sleep. My eyes, with the weight of death heavy upon them. For the death of beauty is beauty. Inspiration comes from living the death. It is not easy to die, oh, it is not easy to die the death. I do think brave death outweighs a troubled life. To return to the celestial sphere where everyone goes. When all flesh had peace, and the efreet offers a brilliant void where our mind could be perfectly clear and all our limitations destroyed. The obsolete, epic scale. In death I believe I shall be as the flowers have been. We are like family who see each other only at funerals. The wax and honey of a mausoleum – the round dome is proof its maker is alive. O death, I cover you over with roses and lilies so that I may carry earned riches beyond death like the Egyptians.
      Follow me with gilded shadows to my secret room where I read each poem entire. The poems you would have written had your life been good. I could have said more than I could ever have written in poems. Perfection, of a kind, was what I was after, and the poetry I invented was easy to experience. Experience is what you do not want to experience. All poetry is difficult to read but easy to misinterpret. The mysterious composition of poetry. No man has dared to write these words yet, but I do know, how the souls of all great men at times pass through us and our blood is mixed with their blood.
      Some of you have written poems, usually short ones, and some kept diaries, seldom published til after death, but most make no memorable impact except on your closest friends and pets. The black young cat jumped onto my lap as I write. I have suffered the total isolation of the ***. I write for those who cannot write. We need not write the books men read to be poets. The flame in which I write burns in the dark alone. So for ten more verses I keep the light on. So much to be done before tomorrow. Let us be more productive like the gnomes. One drop of oil burning, to light up seven days of writing. Save me from damnation! The profession of writing where one needs one's brains all the time. I hate my verses, every line, every word, oh pale and frail pencil I did try. Must I persist in my errors. Words have no value for words that are not true. Truth shall grow great eclipsing other truths. But now all these heavy books, are no use to me anymore, for where I go words carry no weight. I am ready to swear never to write another word, away from books, away from art. Words were but wasted breath. The art of novel writing is dead. I know that you will pay the price of authorship and make the allowances an author has to do. To know in words that which we have always known in thought. Better than most mortal flower, yours are the poems I do not write. We who move every man at a deeper level than Mozart.
      We read the Bible for its prose. Shall heaven so soon be the prize we obtain? How far is it to heaven? Since Heaven and He are one. In the sun that is young once only. Death comes but once. There is no other life, only one. Once is never the beginning of enough, is it? I do not pretend to know the reason anymore than it is. Oh, pity the dead that are dead. Who cannot take the longest journey. Who moan and weep against the huge adamant walls of life's exclusive city. A man like Houdini escaped death through his immortality. A shadowy durability for which we were not meant to live. A covenant of swords without the word. No doctor ever does the work of the carpenter if our nerve and ideologies die first.
      A dream has power to poison sleep. I dream of a duel between myself and old masters. The underground road are, as the dead prefer them, always dark and lonely. This is the sort of tableau of my doom. The death of the poet piqued the interests of his peers. It was then that he became what he admired. And from death he won the fame he would be known for. O the bullet can never **** the soul. O downpour of rain! O sad anthem, when will you end? This is the flesh we are but never to believe. The flesh that dies but in death we pity. Without me Adam would have fallen with Lucifer in his grand city, he would never have been able to cry, “O Felix Culpa.” And whoever walks a mile full of false sentiment, walks to the funeral of the whole human race. Was that why Macbeth murdered sleep? How O how could the scorpion sting itself to death!
      Awaken the leviathan of the heavy mind. What is death? A life disintegrating into smaller simpler ones. But in total emptiness, the sure extinction that we travel to shall one day be lost to us. Not here, not there, not anywhere, and soon nothing more terrible, nothing more true. I floated with the whole human family, those who are living, those who have died, and those who are not yet born. We passed into the chamber of the sleeper. We, who have died beyond the clock. Slowly the silence of the multitudes passed. Every artist must die when they sleep and sleep when they rise to face the living. Such, is the dream; you do not sleep, you only dream of your thirst for sleep. May you in your troubles not be ashamed of any suffering as ****** as it maybe, nor hear them like a hero in the grandest way.
      Let us hear poets recite their poems and tragedies to crowds of listeners. We, poets, thanks to a tongue deprived of so many inflexions, can very easily turn nouns, if we wish, into verbs. Those who say in verse what others say in prose. Because in dying is a drama. There is no quiet drama. As quiet and chaste as a poet's own life. It is the dead who need no moon to dream by. Death, in the dark, in the deep, in the dream, forever.
PV Mar 2021
It’s Funny, I see you looking, from all the way over there
And I wonder
What are you thinking
And why do I care
But then you lean in
And I listen
Then you pull back
So I watch you
You’ve piqued my curiosity
I think I’ve piqued yours
I watch you watch me
And I wonder
What are you thinking
IcarusHatesSun Mar 2019
Sorry to freak you out
When interest is piqued
Have a hard time peeking
My eyes are mega dilated
Blame your mother and father
For forming a true beauty
we tracked
her gyrations
on the weather
channel for days
eyeing the graceful
pirouette of her
cyclonic spin

incessant
bulletins of
the exploding
super storm
on a collision
course with
home, piqued
fear, kindled
fascination
drove fatigue

the day before
Sandy arrived
I followed the
flight of clever
birds lofting
away to the
safety of
inland hills

the foolhardy
mistook hubris
for intrepidness
lifting  beach front
margaritas to
the roiling sea
unaware their
jolly libation begets
tomorrows sober
realization that folly’s
miscalculations have
calamitous consequences


The Doors
Riders on the Storm

Oakland
10/29/13
jbm
Kate Ash Sep 2012
Out of everything I saw, I remember
the thumb.
Swollen and lopsided.
There it was, conquering the wires--red, blue, and green,
commandeering the clear tubes coated with stomach bile.
And the nail. What a healthy nail.
A pink rosebud with cuticle trim. Piqued with a white crest, curling.
Prime for at least fifteen more back scratches.
A drawerful of button-ups.
Pockets of heads and tails.
You can do it, Grandma.
One, two.
Heads, tails.
Up, down.
Up for braid, down for bun.
Braid? Yes. Braid.
And then there are two small thumbs bumbling through foreign terrain.
The braidee now braiding. The baby,
aging.
Tucked in, lulled by echoes of strange mothers. Bleeping pressures, sugars, drawing lines and colors.

But you have me.
And I have this thumb,
hidden under mine.
I’ll keep it safe for you, here in this shadowed palm—sanctified, secret dome.
I’ll protect it from the unhooked jaw.
From placid flesh curtains, over a damp backstage.
White light hanging over the insect—splayed on a lightning-gleamed car windshield.
I’ll hide it away.
Intermission.
Hush now.
Quiet, you. The show is not yet done.
And ******, it won’t be. Not with this thumb.
Not on my time.

I bite it.
At you. Skyward you.
Elusive and slippery. Shiny, rubber-like, all but new.
A blank belated card, lost in the mail.
What it might have said,
had I left a forwarding address.

But we’re here now in this dark hand cavern.
Tucked away, safely in lines.
Those of the palm.
Of tree rings.
Of love songs, and
Pretty things.
Lines, like wires
red, green, and blue.
They bring me closer
And closer
To the thumb.
Fat, with shiny aged skin,
stretched new.
And suddenly, I’m
Old.
Numb along one side.
Useless and dumb.
A limp puppet
plunked down
during intermission.
Felt the pretense behind closed eyes,
  composed vibrations of rhetoric              
   freelancing in executing ignis fatuus

drank the kool-aid of your own grandeur
   a punch drunk conviction's onus
   in false pretenses of a  mislead head trip

a study in contradiction's convulsions
    simmered of half past lucid judgement,
   junctures of reality submersed
      in cloudy formations
        impervious to reasoning*

...a saga written upon piqued skies of indifference
Mary sat musing on the lamp-flame at the table
Waiting for Warren. When she heard his step,
She ran on tip-toe down the darkened passage
To meet him in the doorway with the news
And put him on his guard. “Silas is back.”
She pushed him outward with her through the door
And shut it after her. “Be kind,” she said.
She took the market things from Warren’s arms
And set them on the porch, then drew him down
To sit beside her on the wooden steps.

“When was I ever anything but kind to him?
But I’ll not have the fellow back,” he said.
“I told him so last haying, didn’t I?
‘If he left then,’ I said, ‘that ended it.’
What good is he? Who else will harbour him
At his age for the little he can do?
What help he is there’s no depending on.
Off he goes always when I need him most.
‘He thinks he ought to earn a little pay,
Enough at least to buy tobacco with,
So he won’t have to beg and be beholden.’
‘All right,’ I say, ‘I can’t afford to pay
Any fixed wages, though I wish I could.’
‘Someone else can.’ ‘Then someone else will have to.’
I shouldn’t mind his bettering himself
If that was what it was. You can be certain,
When he begins like that, there’s someone at him
Trying to coax him off with pocket-money,—
In haying time, when any help is scarce.
In winter he comes back to us. I’m done.”

“Sh! not so loud: he’ll hear you,” Mary said.

“I want him to: he’ll have to soon or late.”

“He’s worn out. He’s asleep beside the stove.
When I came up from Rowe’s I found him here,
Huddled against the barn-door fast asleep,
A miserable sight, and frightening, too—
You needn’t smile—I didn’t recognise him—
I wasn’t looking for him—and he’s changed.
Wait till you see.”

“Where did you say he’d been?”

“He didn’t say. I dragged him to the house,
And gave him tea and tried to make him smoke.
I tried to make him talk about his travels.
Nothing would do: he just kept nodding off.”

“What did he say? Did he say anything?”

“But little.”

“Anything? Mary, confess
He said he’d come to ditch the meadow for me.”

“Warren!”

“But did he? I just want to know.”

“Of course he did. What would you have him say?
Surely you wouldn’t grudge the poor old man
Some humble way to save his self-respect.
He added, if you really care to know,
He meant to clear the upper pasture, too.
That sounds like something you have heard before?
Warren, I wish you could have heard the way
He jumbled everything. I stopped to look
Two or three times—he made me feel so queer—
To see if he was talking in his sleep.
He ran on Harold Wilson—you remember—
The boy you had in haying four years since.
He’s finished school, and teaching in his college.
Silas declares you’ll have to get him back.
He says they two will make a team for work:
Between them they will lay this farm as smooth!
The way he mixed that in with other things.
He thinks young Wilson a likely lad, though daft
On education—you know how they fought
All through July under the blazing sun,
Silas up on the cart to build the load,
Harold along beside to pitch it on.”

“Yes, I took care to keep well out of earshot.”

“Well, those days trouble Silas like a dream.
You wouldn’t think they would. How some things linger!
Harold’s young college boy’s assurance piqued him.
After so many years he still keeps finding
Good arguments he sees he might have used.
I sympathise. I know just how it feels
To think of the right thing to say too late.
Harold’s associated in his mind with Latin.
He asked me what I thought of Harold’s saying
He studied Latin like the violin
Because he liked it—that an argument!
He said he couldn’t make the boy believe
He could find water with a hazel prong—
Which showed how much good school had ever done him.
He wanted to go over that. But most of all
He thinks if he could have another chance
To teach him how to build a load of hay——”

“I know, that’s Silas’ one accomplishment.
He bundles every forkful in its place,
And tags and numbers it for future reference,
So he can find and easily dislodge it
In the unloading. Silas does that well.
He takes it out in bunches like big birds’ nests.
You never see him standing on the hay
He’s trying to lift, straining to lift himself.”

“He thinks if he could teach him that, he’d be
Some good perhaps to someone in the world.
He hates to see a boy the fool of books.
Poor Silas, so concerned for other folk,
And nothing to look backward to with pride,
And nothing to look forward to with hope,
So now and never any different.”

Part of a moon was falling down the west,
Dragging the whole sky with it to the hills.
Its light poured softly in her lap. She saw
And spread her apron to it. She put out her hand
Among the harp-like morning-glory strings,
Taut with the dew from garden bed to eaves,
As if she played unheard the tenderness
That wrought on him beside her in the night.
“Warren,” she said, “he has come home to die:
You needn’t be afraid he’ll leave you this time.”

“Home,” he mocked gently.

“Yes, what else but home?
It all depends on what you mean by home.
Of course he’s nothing to us, any more
Than was the hound that came a stranger to us
Out of the woods, worn out upon the trail.”

“Home is the place where, when you have to go there,
They have to take you in.”

“I should have called it
Something you somehow haven’t to deserve.”

Warren leaned out and took a step or two,
Picked up a little stick, and brought it back
And broke it in his hand and tossed it by.
“Silas has better claim on us you think
Than on his brother? Thirteen little miles
As the road winds would bring him to his door.
Silas has walked that far no doubt to-day.
Why didn’t he go there? His brother’s rich,
A somebody—director in the bank.”

“He never told us that.”

“We know it though.”

“I think his brother ought to help, of course.
I’ll see to that if there is need. He ought of right
To take him in, and might be willing to—
He may be better than appearances.
But have some pity on Silas. Do you think
If he’d had any pride in claiming kin
Or anything he looked for from his brother,
He’d keep so still about him all this time?”

“I wonder what’s between them.”

“I can tell you.
Silas is what he is—we wouldn’t mind him—
But just the kind that kinsfolk can’t abide.
He never did a thing so very bad.
He don’t know why he isn’t quite as good
As anyone. He won’t be made ashamed
To please his brother, worthless though he is.”

“I can’t think Si ever hurt anyone.”

“No, but he hurt my heart the way he lay
And rolled his old head on that sharp-edged chair-back.
He wouldn’t let me put him on the lounge.
You must go in and see what you can do.
I made the bed up for him there to-night.
You’ll be surprised at him—how much he’s broken.
His working days are done; I’m sure of it.”

“I’d not be in a hurry to say that.”

“I haven’t been. Go, look, see for yourself.
But, Warren, please remember how it is:
He’s come to help you ditch the meadow.
He has a plan. You mustn’t laugh at him.
He may not speak of it, and then he may.
I’ll sit and see if that small sailing cloud
Will hit or miss the moon.”

It hit the moon.
Then there were three there, making a dim row,
The moon, the little silver cloud, and she.

Warren returned—too soon, it seemed to her,
Slipped to her side, caught up her hand and waited.

“Warren,” she questioned.

“Dead,” was all he answered.
At the party,
I saw faces
    painted passionately
In  smiles and laughter;

Eyes sparkling
          like Crystal
In every hue of inebriation;

Hands clapping
     Extended waves
Of cheerful celebration;

Lips smearing
      lavish layers of
Love on captive ears;

Friends toasting
   The Life
With Ciroc, Moët and beer;

Hollywood wannabes rocking
     Bootlegged Ray-bans
In the dark;

Buzzed ex-lovers
         waging battles
Of the heart;

15's smashed
      into 10's,
Flashing rolls of flesh;

Uncle Johnny
    in his Walkin' glory
Stumbling way past 'when';

'83 Hustlers
         in furs and fedoras
Feasting on free treats;

Soul Train rejects
    moon-stalking
On two left feet;

iPhones and Samsungs
     Making memories
For the curious web;

PotHeads
   in the smoky loo
Getting bloodshot red;

At the party,
  The  living colors
   of life
Piqued my creative core...

And
   I saw
poetry
      in motion...

~ P
(#AtTheParty)
3/3/2014
No more vibrant bazaars with vegetables lined across carts
No more shouts of vendors piqued with anticipation for the day's sell
No more selling of fruits and poultry to the hordes of families lining near a mandi
I must be on the wrong street, my memory fails me.
No more spices being sold for a day of solace from the midnight cries of a mewling child?
No more rabble of vendors that belong on fields, away from home and from their wives?
Is this even Delhi?
Oh! Look a tricolor map on a desolate stretch of empty push-carts
Why does that torn flag that unites us all hang low in humility?
Where are all the people of the city?
Is that my India putting on a broken disguise?
The only thing holding me together is my dignity
This poem is my take on the Delhi protests.
Andrew Rueter Jun 2017
I have a light under my concrete
For others
It is fatally luminous
So it must be contained
I relegate rays to the darkest depths
So no light may exit
But then you walked on my blacktop
And cracks started to form in my road
Light began to escape
You were fascinated
I was terrified
Because the more you traversed my pavement
The further my road split
Brilliant flashes with increasing frequency surfaced
Your curiosities were piqued
Mine were plagued
By what lies underneath
And when it would blind you

I tried to warn you from inside my cocoon
You said you'd purchase sunglasses
You never understood
This light
Shatters glass like Stone Cold Steve Austin
It's intensity is a stunner
It may be the Sun itself
But you insisted on continuing
To travel down this path

As models import wrinkles
Potholes become sinkholes
Fears were realized
Senses overwhelmed
Skin burned
Blackened
Into something unrecognizable
As all signs of life fade
I'm stranded on a crumbled road
With only sightless cadavers to lead me home
Hex Jan 2021
Autumn's eve, tinting leaves, the breeze creates a gentle hiss,
     A sun shining bright, wooded air
     that bites,
     Would meet to kiss, rebirthing night.
A hunter trawled through forest sprawled,
it flowed and rose before him,
     With him came prose he must
     prepose the winter snows that awaited,
     The winter snows, would end his hunt,
     and so off he set with a subtle grunt,
     To complete his latest autumn hunt,
     a stunt raught with err.

A fortnight prior, the hunter slept in a spire, a vision came as he did tire,
     A shimmering gold figure, whose shape
     bent and flickered,
     With haunting words it smiled and
     snickered;
     "On a jaunt to forest haunts, not an
     arrow shall be nocked--
           --lest all effort be for naught."
The hunter gave the lot no thought,
     An archer, he is, a prophet, he is not,
     And so was his steed set off on a trot--
           "--Lest all effort be for naught."

A hare was eyed, time now nigh, prey and predator had arrived,
     Hunter prepping a bow draw, as hare
     gingerly awed and gnawed,
     As hare gnawed, a warning walked, out
     to the hunter's mind,
     Reminding him, to his chagrin--
"Not an arrow shall be nocked," inside his mind it ticked and tocked,
     Words flicking like hands on clocks, the
     ticking clock, he cleared with knocks,
     And so he returned to his stalk, but once
     an arrow then did nock--
           --Alas, all effort was for naught.

The ground caved in, his head spins, as his punishment begins,
     Take from the forest, and the forest
     takes back,
     Our hunter grasped, as he fell to black,
     his dream was no dream, but real life,
     He strifed over omens, regret that stung
     like a knife,
     But descent had already begun, with
     darkness endlessly growing rife.
He had spent his whole life gloating,
     now he felt as though he's floating,
     floating deep to an abyss,--
     Nay, not safety, nay, much darker, nay,
     unnatural-- nay, remiss.

Body meets tension, and blood meets a flood,
     A splash, and a crash, as the hunter fell
     with a thud,
     He had berthed on a river, clothing and
     blood curdled with mud.
Awoken from slumber, skull pounding like thunder, his mind felt asunder,
     Rolling over a flower, he climbed
     from the river,
     Perverse cold forcing a shiver, as he
     looked to the sky, and began to quiver,
Onyx above, with a moon shining three, scouting around, he shan't find many a tree,
     Or any sign that from this hell, he'll be
     freed--
            --Lest he notice the shimmer,
              approaching with speed.

The shimmer approached, the hunter recognized he,
     The shape from the vision, that whom
     warned thee,
"I see that my warning, thou did not heed, now thou must travel, if thou wished to leave,"
     The words strengthened the thunder
     inside the head of our hunter,
     But then he spoke, with an intrigue of
     wonder,
"Where must I go, with my head pounding like thunder, and self so asunder?"
     The shimmer glared, its gilded eyes
     flared, freezing the hunter like snares,
"Voyage to the Druid, speak to thee, ask for relief, and thou shall be free, but when the deal has ended, have not a spare thought--
            --Lest all effort be for naught."

And so the hunter travelled endless night,
     Bulbous purple pods glowing on the
     ground, providing light,
     As giggles from around echoed, causing
     fright.
Our archer saw faeries, goblins and elves, hiding in the shadows, deep they'd delve,
     Child's fairytales, nay, did not match
     the whelm,
     He felt as if in his own mind he'd lost
     the helm,
     In the so unknown, yet familiar realm.
At last up ahead he saw a light, the shine of a lantern, a beacon in the night,

Ahead lie a hut, a small abode, he set for the door and trekked the road,
     He made it to the home, hoping for
     luck,
     He grabbed the doorknocker, adorned
     with a buck, and rapped three times,--
--"My door you've struck, and summoned me, state your name, or propose a plea."
     A frazzled voice from the other side, so
     quickly, the hunter knew he had little
     time,
     His thoughts, a clogged drain, but finally
     became fluid,--
            --"I, the hunter, wish to speak to the
              Druid!"

Inside the shack, the two had talked, after the knocked door was locked,
     The hunter had the holder chalked, the
     Druid she was, and so he hawked,
     Asking, pleading, and begging for help,
     until she finally talked,
"I can read your future, boy, I'll call upon my Tarot, but in exchange, when comes the First of Snows, you must not lie low."
     The hunter was perplexed, reluctantly
     he agreed not to cower,
     The Druid then laid out all three,--
            --The Fool, Eight Swords, The Tower.

"Before I explain the Tarot to you, I must ask a question too,"
     The Druid spoke with wretched ardor,
     But as she hissed, our hunter had to
     listen harder,
"Do you know, the shimmering glow? It's the one who shares your fate,
     But beware its trap, within a snap,--
            --You could both open the gate."

The Tarots meant only one thing each, Naive, Hopeless, Doomed,
     Shocked by landing on The Tower
     locked the hunter into gloom,
     Then the Druid had one last warning,
     a mourning that froze the room,
"You will find that Tower, boy, and you must hold our deal,
     Resort to zeal, and turn your heel,--
            --And The Tower will be your tomb."

The hunter tripped and left the Druid, rushing back on trail,
     His spirit felt as though a fawn, frail,
     and his path like a train, on rails,
     But he knew as the wind did gale, and
     freezing rain began to hail,--
            --Traveling the veil, he mustn't fail.
Then he sauntered off to wander, not a stretch away, he sensed a haunter,
     He saw a damsel, through rain's silky
     curtain,
     Looming, deep within the black, a
     vermin frame which flowed as glass,--
            --To persist, to leave, that which
              he must pass.

A serpent, it slithered, our hunter shivered,
     A feminine side revealed, as it got closer,
     a familiar poseur,
     Our hunter had to steel,
     But as the ghastly creature neared,
     his composure wept with yield.
Half-snake, half-woman, it spoke soft and slow,
     "You're brave to show, you're weak here,
     useless I'd say-- the Tarot told, I heard, I
     know!"
     As it spoke, its tail flickered, eyes alight
     with rosette glimmer,--
            --Our hunter knew, he'd met a
              trickster.

This snake, it claimed it was part of the hunter,
     Part of the hunter, surely a blunder, he
     was no viper,
     But the snake became hyper, its voice
     high like the shrill of a piper,
"I know you and you know me, but your feeble mind, it cannot see!
     I would say to look within, but you're
     powerless, you couldn't even begin!"
     The snake had spoke with a giggle and a
     grin, and quickly turned sour,--
            --"My name is not snake, please, call
              me Flower!"

Flower ended up a consort, nary a slithering foe to thwart,
     They'd walk and they'd chatter,
     The soothing rain's patter, appended by
     small creatures scatter,
     But before long, Flower had stopped,
     with something the matter,
"A mirage, I've sensed, do you feel it, the air ever so dense?"
     The thought forced the hunter to tense,
     he felt the air, ever so dense indeed,
     But Flower he could read, her face
     screamed with plead,

"The Tower, it's here. The one from the Tarot,"
     Flower spoke slow, speech reaching a
     crawl,
     "I can bring the Tower, it will use all of
     my power,
     But you must keep your deal, you
     mustn't cower!
     Within you will always be a friendly
     little Flower,"
Her tail flicked, she smiled, "Close your eyes, archer," and so our hunter did,
     Alas, when he opened his lids, his only
     ally was rid,--
           --A Flower replaced, by a tower.

He took a moment to reflect, upon the roads that he had trekked,
     The warm river, the safest he'd felt,
     before he was shook by a jolting, cold
     shiver,
     The druid, the scholar of fate, the
     friendly mystery from whom he hid,
     Yet Flower, the extension of him, a
     snake he'd judged and wished he'd
     forbid,
All assistance lost, warmth had turned to frost, as he looked to the tower, he did fraught, but he must begin,--
            --Lest all effort be for naught.

He entered the spire, and his soul felt dire,
     As he seeked up to see stairs seemingly
     spun by a spider,
     The climb felt wholly bleak, but he
     summited the peak,
To the top suite he'd sneak, and look in with a peek,
     To see a familiar physique, shimmering
     and sleek,
     As he scouted the room, lost in ornate
     mystique,
     His legs felt swiftly weak, a lavish floor
     creaked,--
            --And this piqued the figure,
              who began to speak.
    
"Thou hast found the Tower, the Druid, and the Flower. Yet the taste, it still seems sour?
     Worry not my hunter, ye need not scour,
     your hunt has reached its final hour."
     As peril did flow, our hunter did know,
     and reached for his sidearm,
     His trusted bow.
"Sheathe thy fury, and do not worry, just enjoy my show,
     Set down thy bow, and peer the window,
     But surely, thou already knows--
             --Thou hast reached the First of
              Snows."

The light had lingered into night, soil stifled by ivory plight,
     As the hunter twisted back, he heard a
     composed crack,
     The figure had snapped, and the walls,
     collapsed,
     Then they were out in the sleet, the
     frigid air a silky sheet,
The indigo sky danced like a marionette
of winter,
     A violet aurora, sliced through like a
     splinter,
     Iris flowers in the wind, shuddering
     with a shiver.

"Thou art getting what thou desired, dear hunter,
     Or doth thou wish to wait and wither?"
     The voice of the shimmer, it spoke with
     a chill,
     As if the snow had forced it to a shrill,
     The hunter felt a thrill, as in a glance,
     the shimmer's intentions would spill
     from its stance,
"Thou knew this would come, I know thou hast great skill,
     Alas, thou art a hunter, now come
     for the k*ll."

The hunter drew his bow, and an arrow he nocked,
     He could feel his heart ticking, counting
     down like a clock,
     The shimmer turned pink and purple,
     with eyes black, like a portal.
"I never craved to hurt thou, yet thou broke thy own law,"
     The shimmer had said, but yet it stood
     still in awe,
     The hunter thought he was ready, he
     locked on, then draw,--
          --Then he felt a pain, a thrash, and
            his heart began to thaw.

He looked down and saw crimson, a **** let loose velvet ribbon,
     He fell back to the snow, and as he
     gazed skyward,
     Up stepped a purple glow, to look at the
     hunter below,
Their eyes met, and at last, true nature would show,
     The hunter's woe, he'd finally know,--
          --Was the furthest thing from a foe.

Behind the figure a gateway, a gateway of silver,
     Then the figure turned grey, his
     shimmering grew dimmer,
     Defeat still boiled in the heart of the
     hunter,
     It was met with ease, and the two
     would melt and simmer,
"Our bond is obvious, certainly, dear hunter, just as our dreams melt in snow,--
           --My heart ignites, infernally."

It was then the hunter noticed the arrow,
     His shot had hit, but the shimmer shook
     it off, unevenly harrowed,
     Then the hunter's vision narrowed,
     and he realized his last arrow, he'd split,
"I didn't want thy death, or mine along with it,"
     It spoke as if for two, and open the gate
     flew,
     "We're connected, me and you, I need
     not be blunt,
     I loathe to see the river dry, alas, there's
     an end to every flow,
     But blood in the snow, under a
     violet glow,--
          --Befit to end our hunt."
A long tale of naivete and peril, set in the universe of my first ever poem, Iris and Brunnera; https://hellopoetry.com/poem/3873475/iris-and-brunnera/
JL Mar 2016
Dye
I have drempt:
Lucidly, she dyes the edges clay-colored  
Eyeing eye she aligns her body with the North Star
She shivers without notice
        Ocher eyes alive
she speaks in new forms of divination
And the weather is in her palm
Trick of light    trick of eye
Her sigh awakens 9 Ravens
     without thought
            She is
    Caught in the spider web
         Spun
Autumnal ghost
Beneath Harvest moon
    swoons at the bark of the dire wolf
Without care
making eye contact
Running fingers through the silver fur
  Paying close attention to scars
Letting him drink
From lips of pink
The milk of first-kiss
And leads him home  
To a palace of bone
Humming tunes that only dogs know
Her head is light on his chest
She listens to his heart beat
Beating Eagles wing
In time
In rhyme
A tune
Of runes
Smooth Aquarius
Flowing through the toes
Of purple mountains
Spilling waterfalls and
Filling frigid
Black pools rimmed
By moss caked stone

Leaves scarlet, and hay colored
Float aimlessly on the surface of her

Peaked
Ears Stung and bit of wind
She listens whole body tensed
bow string
face    Sun stained
ethereal
Enamored
swimming in the aphotic
Lake of his soul
He plays the dulcimer of shadow
Next to fire
& the light of her blossom
exposing
Waterfall
flow
Through snow mountains
Piqued
His attention
When she dances languid
To
Forgetten tunes that only the owl knows
****
she dances star soaked
Scarlet tulips pressed
Fill every page of her mind
Preserved eternal
You can find her poetry here
http://hellopoetry.com/dye/
Bunhead17 Nov 2013
[Justin Vernon - Bon Iver: Sample From "Woods"]
I’m up in the woods, I’m down on my mind
I’m building a still to slow down the time
I’m up in the woods, I’m down on my mind
I’m building a still to slow down the time
I‘m up in the woods, I’m down on my mind
I’m building a still to slow down the time

[Hook 1 x2]
I’m lost in the world, I’m down on my mind
I’m new in the city, and I’m down for the night
Down for the night
Said she’s down for the night

[Kanye West - Verse 1]
You're my devil, you're my angel
You're my heaven, you're my hell
You're my now, you're my forever
You're my freedom, you're my jail
You're my lies, you're my truth
You're my war, you're my truce
You're my questions, you're my proof
You're my stress and you're my masseuse
Mamasaymamasamamakusa
Lost in this plastic life
Let's break out of this fake *** party
Turn this in to a classic night
If we die in each others arms we still get laid in our afterlife
If we die in each others arms we still get laid, yeah

[Hook 2]
I’m up in the woods, I’m down on my mind
(Run from the lights, run from the night)
I’m building a still to slow down the time
(Run for your life, Down for the night...)
I’m lost in the world, I’m down on my mind
I’m new in the city, and I’m down for the night
Down for the night
Said she’s down for the night
(Run from the lights, run from the night)

[Bridge]
Who will survive in America
Who will survive in America
Who will survive in America

[Hook]

[Gil-Scott Heron]
Us living as we do upside down. And the new word to have is revolution
People don’t even want to hear the preacher spill or spiel
Because God’s whole card has been thoroughly piqued
And America is now blood and tears Instead of milk and honey
The youngsters who were programmed To continue ******* up
Woke up one night digging Paul Revere and Nat Turner as the good guys
America stripped for bed and we had not all yet closed our eyes
The signs of Truth were tattooed across our often entered ******
We learned to our amazement untold tale of scandal. Two long centuries buried In the musty vault, hosed down daily with a gagging perfume
America was a ******* the illegitimate daughter of the mother country
Whose legs were then spread around the world and a ****** known as freedom, free doom. Democracy, liberty, and justice
Were revolutionary code names that preceded the bubbling bubbling bubbling bubbling bubbling in the mother country’s crotch
What does Webster say about soul?
All I want is a good home and a wife
And a children and some food to feed them every night
After all is said and done build a new route to China if they’ll have you

Who will survive in America?
Who will survive in America?
lyrics to "Lost in the World" by Kayne West, ****. Kayne West & Jeff Bhasker... I love this song! :D
~
January 2024
HP Poet: Melanii
Age: 27
Country: USA


Question 1: We welcome you to the HP Spotlight, Melanii. Please tell us about your background?

Melanii: "My real name is Arianna. I was born and raised around Dallas, TX and am currently still living here. As it relates to writing, my background draws heavily from exposure to the arts as a child and the fascination, I guess, for beauty that this instilled. My parents (but especially my dad) were enthusiastic about music, art, history, literature, and the sciences, and my interest in all of these topics was piqued by association. Growing up I can recall countless visits to the local art museum, watching documentaries in the evenings after school, attending operas with my parents, and running home after school in the early days of each month to see if the latest issue of National Geographic had arrived so I could soak up the pictures and get lost daydreaming of faraway lands and peoples.

With time these influences grew into a general interest in the humanities. I attended the University of North Texas in Denton from 2014-2017 and studied anthropology, French, and Russian after doing a 180 on my initial intention of studying and pursuing psychology as a career path at a different school. At the time it felt kind of reckless, but in hindsight it was definitely the right decision.

After graduating, I was working as a barista and somewhere along the way ended up going to Prague for a month in the summer of 2018 to do a TEFL certification, fell into poetry that fall, and then returned to Prague for 11 months in 2019 to teach English. It was very much the best and the worst of times: I met some amazing people while there, took the opportunity to travel around a bit, and lived and learned from a horrendous relationship that also transpired during that year. I definitely went into that experience without any clear objectives or expectations; looking back, life definitely took that complacency and turned the tables with it, and while it took several years afterwards for the dust to fully settle, I've made it out the other side stronger, more intentional, and more assertive than before.

Since then, life has really just been what it's been. There have been ups and downs, of course, but the lows don't hit as hard anymore. Right now, there's not much to report and I plan to keep it that way. It's nice. Peaceful. It's a new year, and with it I will continue to focus on working, saving money, making a dent in the hydra that my reading list has become, and overall just living well and building towards the future."



Question 2: How long have you been writing poetry, and for how long have you been a member of Hello Poetry?

Melanii: "As a teenager I’d scribble fragments of poems here and there, but never considered writing to be a hobby. That all changed around September 2018 when, for whatever reason, I decided that I enjoyed writing and wanted to dedicate more time to it. As mentioned in Question #2, this was right around the time I was preparing to relocate to Prague. It's kind of hard to describe; maybe it was just the excitement of the unknown, but that whole period of time had a sense of magic and beauty about the way it was unfolding which the “discovery” of poetry as a creative outlet only elevated."


Question 3: What inspires you? (In other words, how does poetry happen for you).

Melanii:  "At first, it seemed like “there was inspiration around every corner”, to quote another poet I read here on HP one time (can't remember who it was or the title of the piece, but they were describing how great poets like Bukowski seemed to find inspiration so effortlessly, and the way they phrased it has stuck with me). Fast forward five years to today, and while I don't write as prolifically anymore the words come when I have something to say.

Inspiration comes from many sources for me: music, art, and nature; random thoughts, feelings, ideas, and observations; the works of other poets; travel when it happens; disappointments in family and other relationships; loneliness…

As far as the actual writing process goes, it's pretty random. More often than not, I'd say the poems write themselves and I just jot them down once they're ready, or as they evolve and refine themselves to fruition. Not the most thoughtful approach, but it comes from the heart."



Question 4: What does poetry mean to you?

Melanii: "To me, poetry is a language — specifically a language of consciousness in its purest, most elemental form. Poetry has the ability of transcending and even defying the typical rules of language without losing cogency, and for me it's this inherent flexibility that makes it at once so unique and so impactful as an art form."


Question 5: Who are your favorite poets?

Melanii: "Federico García Lorca, Li Qingzhao, and Pablo Neruda are the top 3 names that come to mind. I enjoy the unique way that each one of them uses language and imagery to illustrate the pieces of their lives and humanity which they decided to share through their writing. There's an element of surrealism, sensuality, and expansiveness running through each of their writing styles that speaks to me in the way it encompasses the beauty and complexity of life's possibilities across good and bad times alike."


Question 6: What other interests do you have?

Melanii: "I enjoy traveling and would love to be in a place someday where I can do so more often. The urge to explore again has been gnawing at me recently, so after a little bit of research and number crunching, I renewed my passport and booked a flight to Peru for three weeks in March. I had promised myself to visit a new region the next time I traveled, and despite growing up in Texas I have yet to visit Latin America. The plan is to start in Cusco, sightsee there, then head south into Bolivia to tour the Salar de Uyuni, which has been on my bucket list since learning of its existence from National Geographic. I couldn't believe that a place like that was real, and words cannot express how excited I am to finally experience the landscape in person! With March marking the beginning of the end of the rainy season, I'm hoping to still catch some of the “mirror” effect that the salt flats are so famous for. After touring the flats, the plan is to take an overnight bus back to La Paz before heading north again towards Lima with some sightseeing stops along the way and a few days left over in the city before flying back home. So we'll see what happens!

Languages are a long standing interest as well. I studied French for 7 years between high school and college, and Russian for the 3 years I spent at university. Since graduating, I've kept up with both through podcasts, YouTube videos, news articles, and music, and despite being far from fluent in either it's helped a lot with retention and comprehension. Learning ancient Greek has also been an on-and-off endeavor since 2017 after reading Euripides’ plays and deciding that I'd like to read Medea in its original text someday. Time will tell if that ever happens, but I did recently complete an online introductory course to the language which was a nice memory refresher and helped with unpacking some of the grammatical concepts that threw me for a loop back when I first started and which are part of the reason I fell away from Greek in the first place. After Greek, I would like to learn some Coptic, Farsi, and Turkish, and would be satisfied with learning to read at least one sentence in Mandarin in my lifetime.

Outside of travel and languages, I enjoy researching and cooking dishes from various cuisines, reading, taking walks, trying out different exercise classes on days off (recently I've done tai chi, pilates, barre, aerial silks, and kickboxing, but in the past I've tried pole fitness, archery, aerial silks, cycling, and horseback riding), visiting art museums, dropping by the symphony or opera once in a blue moon, and watching videos and documentaries on philosophy, history, theology (not religious, though, just curious), and science."



Carlo C. Gomez: “Thank you so much for giving us an opportunity to get to know the person behind the poet, Melanii! We have loved adding you to this series!”

Melanii: "Thank you so much for having me and for all your efforts conducting this series of interviews! It's truly a pleasure having the opportunity to break the ice and learn more about our fellow poets."



Thank you everyone here at HP for taking the time to read this. We hope you enjoyed getting to know Melanii little bit better. I indeed did. It is our wish that these spotlights are helping everyone to further discover and appreciate their fellow poets. – Carlo C. Gomez

We will post Spotlight #12 in February!

~
Logan Nov 2017
I frequently fall with infatuation
Facing assaults of accounts and allegations
Precursored by overwrought thoughts of the distraught
That they, the piqued and pained, were aware of my plot

Harm I intended, only fuelled by lust
Being insensitive and callous is but a must
For I, the brutish devil who led you astray
Have left you enveloped in utter dismay

I dismantled your faith and replaced it with doubt,
With this symbol of mine that carries much clout,
Leaving my victims mourning in tears
For I have give veracity to their fears
The tears of my prey fabricate a rivers flow
That only I, the acccursed Aquarius may know
Love is complex. You may feel intense passion for someone and confuse that with love. Once you've realized you were not truly in love, your lover may feel betrayed.
Jenny Gordon Oct 2018
I have no idea why that first line came to mind while I was indeed cleaning.  I've not read Austen in years, nor watched movies in months.



(sonnet #MMMMMMMCDXLI)


Jane Austen's drawing rooms I'd feign avail
Me of, whose wainscot's polished oak is dense
With import as the papered walls from hence
Look smug; yes, take a turn in sheer betrayl
Across those gleaming floors, dressed ah, to scale
In empire-waist' floor-length is it pretense?
And for the *** of tea I'll sip for sense,
The dainty patterns on those walls' sweet bail.
Don't ask me why.  In scrubbing bathrooms' tour,
I could not settle on just whither to
Until that note piqued languid thoughts as twere.
I've been there so oft for discussions through
Each novel, t'would be quite refreshing, poor
As fiction's vain suggestion, if'd could do.

11Oct18a
What's left to add?
Mikaila Jan 2015
This year has been... So hard. It's been so ******* hard. There were times when I didn't know if I would make it. Times when I didn't think I had it in me to keep going and going after what I want and what I need, when they're always such long shots. Such dreams. Such ambitious dreams... I wanted to quit so many times. When **** left, I wanted to quit. I wanted to crawl under the blankets and stop being. I spent 3 days on Angela's couch after that night. I can never sleep in my own bed when I am truly broken down. I lose my home when I am raw inside. Couches, empty rooms, it doesn't matter where I hide but it can't be where I live. I wonder why that is. She couldn't have picked a worse time to tell me she loved me as much as I loved her and that it didn't matter. And then you... you were off in another world, off in another country finding yourself and your footing and everyone but me. You stopped answering my How Are You's. You didn't tell me happy birthday. Neither did ****. That was the first time I realized why holidays are the hardest for people who are sad. If you love someone and you are waiting for them to forgive you for being who you are, birthdays, Christmases, every holiday becomes a ticking clock: She has to say something. Will she say something? Will she really ignore me TODAY? Today, when the person who hated me most in high school said "Happy Birthday!! :D" on my wall on facebook? Today, when even my neighbor who grumbles about us being too loud grumbled a Merry Christmas? It becomes an agony when you realize that the answer is yes long before the day is over. Then you have to watch the hours tick by, trying not to hope, and by the end of it you just want it to be over, you don't even care anymore- you just want her not to have a reason to speak to you again, so that it won't mean QUITE so much that she is silent.
I had a lot of special days like that this year.
I wanted to quit when they told me I was small. When they told me I was quiet and bland, like vanilla icecream. The beast that lives behind my ribcage shook the bars that day and howled. (I spent a lot of time with it this year. We still hate each other, but we have uneasily realized that we are all we have.) That was the day I truly broke. **** was gone. You were gone. And the only thing I had to truly count on was suddenly in question. It was now or never, it was be better than your best, and I was barely hanging on. It was be a hundred and ten percent, when the past few months had whittled me down to a shadow of a person who barely remembered what it was to be fifty. It was push harder than you've ever pushed at the moment you are about to collapse and you thought you were going to be able to rest.
Those days made me. I hate that they made me. I hate that the biggest parts of me come from the days that eviscerated me, but they do.
I wanted to quit when **** came back and saw what I'd become. "You're wearing fake eyelashes?" she said, because she always did notice any weakness. She didn't say she saw my sunken cheeks, and the fire behind my eyes that meant I was afraid to die. "PROMISE ME you'll stay this time." I said, and I grabbed her shoulders. "But only if you mean it."
"I promise." she said.
She didn't mean it.
I knew, though. Somehow I knew that the girl I loved had left her behind, a changeling, a stranger. I tried to believe, but when she left the shock was only surface: I was too tired to be rocked to the core.
Then came the days when I truly didn't have a plan. I spent a few weeks on the couch. Anyone who reads this will not have seen me with ***** hair, in week old clothes, skinny and sleeping all the time. I make sure they never see. But for a few weeks, I had no one to pretend for and no reason to pretend and no reason to live. I only knew I WANTED to. Even then, from the couch, with my show babbling in the background, I thought, "There's gotta be something. A reason will come. I just have to wait." And a reason did come. It wasn't a very good reason, but it didn't have to be: Reasons to live are not really the reasons we live. The truth is that if you want to live, you will FIND a reason, every time. You will create one. My reason didn't mean a thing in the details. All it meant was that I was ready to rejoin the world, and live again.
I spent a lot of the in between months living on the surface of myself, just getting my feet wet. I went to work. They didn't know me there. Didn't ask. I liked that, it was simple. I waited tables, I cleaned up, and if I quietly did what I did, nobody bothered me. The biggest thing I could **** up was somebody's lunch. It was comforting. I chatted with customers as if I wasn't who I was. I was their smiling waitress with her hand on her hip, a hot *** of coffee, and a clever quip. That was a part of learning to live again, too. It was hard to stand there all day and listen to the radio. Memories would hit me and I would be unable to run away from them the way I could elsewhere. I learned to breathe through the pain, and discovered that it became muscle memory to endure it. It was almost easy by the end. The only deep thing I did with this time was to read Girl, Interrupted. As with most life changing books, I hadn't thought much of picking it up. I hadn't expected it to change me. But reading it, I could have wrote it myself. I knew how she felt, every moment, and the things she said stuck with me, stuck to me- the raw wounds that were still healing  inside me scarred around her words.
Then came the reckless stage. I was waking up. I began to listen to music again. I began to drive without knowing where I was going. I began to make choices just to see if they'd jar me enough to snap me back to my old self. They didn't. I didn't find myself again until just before school started.
Poor Giles (my car, the car that saved my life) was the cost of it. A rainy night, a loud song, and too much grief. Things really do slow down when you crash, you know. I thought they just did that in movies to be dramatic, but they don't, it's real. When I went off the road I knew I'd lost control. My mind was way ahead of me. My body wasn't in the place I thought it should be, and I remember distinctly but calmly wondering why it wouldn't listen to me and do what I wanted (it was, in fact, being thrown around by the force of the crash, and the signals from my brain saying "Move your arm!" couldn't compete with whiplash.) I woke up with the car crunched against a tree, on the driver's side, and the frame 6 inches from my face.
I didn't feel anything.
My body cried and shook as they strapped me to a stretcher, but inside I wasn't in control. I was sitting back quizzically. The moment they got me out of the car I knew I was unhurt. They cut off my clothes. My favorite bra was another casualty of that day. Cut right in half- the leopard bra I wore in the first scene I ever did in front of the UConn faculty for midterms last year. While they were wheeling me from test to test, I wondered if that was somehow symbolic. Flash forward to being in bed in a tiny room, a doctor giving me back my bellybutton ring, me asking where the pentagram necklace that **** gave me the night we met was, getting it back, putting it on. The IV in my arm was cold. I hate IVs. My mom cried, and I cried, but I still wasn't scared or sad. I cried because tears came out. It was a surreal experience, crying like that.
I didn't wake up fully from my brokenness until the nurse came in and said, "I'm so sorry, but we need your room. I'm going to have to put you in the hall." I shrugged, and they stuck me in the hall just outside. I watched them wheel a bedraggled looking man in. He was muttering. He reminded me of my uncle, the alcoholic, the one who had died the previous fall. I had a hunch that they probably had a lot in common. Interest piqued, I eavesdropped as they bustled around and talked to him. He had tried to **** himself.
That was when I woke up. I didn't really know it, but that was the moment. It was the first moment in months that I remembered my real reason. I asked my mother for a piece of paper to draw on, and she dug in her purse to find it. Ten minutes later I faked having to go to the bathroom so they'd unhook me from my tubes. I had a feeling my mother would think it improper if I told the truth. Before she could object, I slipped into his room, and handed him the paper. I said, "I made this for you. I hope you feel better." I wish I remembered exactly what I'd written. It was a simple little note and a doodle of a rose, and it said that he mattered, and that I cared about him. I got back in bed, sheepish, and my mom was as nervous about my infringement on someone else's life as I'd guessed she'd be. Five minutes later, though, the nurse came over with a piece of torn paper. He had written back to me. His handwriting was shaky and simple, like a child. I have that note hung up in my bedroom at home. He said, "You have touched my heart. Thank you! I will keep your rose in my heart. This is a life changing moment for me... Thank you!" I wondered if there was a plan, then. I wondered if all of that, the sadness, the crash, everything, had led me to be in that hospital and say something to that man that changed his life. And maybe it didn't change at all, I don't know. But I know that that moment changed me.
Back at school, I had a few blissful moments with you. A few nights of hand holding, a few beautiful kisses. I slowly taught myself not to run from you when I felt the gravity of my love separate me by the molecule. I found that I did have the courage it took to be in your arms, and that is when you lost the courage to hold me. Still, I'd take all of my grief and more for one moment with you, and I'll keep you in my heart till the day I die, whether or not you stick around.
In class, I was the first to break. To cry. Over months, I cracked open and a lot of the tears that fell were very old, and scalding. I hadn't known I was suffering until the cracks in me were widened and focused on. One day after a particularly raw moment, I walked across the street to the tattoo parlor. I didn't stop, I didn't think, and I got a tattoo that very moment. My butterfly, on my shoulder, to remind me that changing hurts, growing hurts. I loved how much it hurt. (Nobody said I was recovered fully.)
Suddenly then there was a choice before me. An opportunity and a challenge. Do something to make them remember why they chose you. Fight. Win. I dug deep. I thought, what can I say that I mutter to myself in the shower when I am not thinking about anything? What words have stuck to me? I dug, and I found Susanna Kaysen again. At 3 in the morning I sat in a chair, in the dark, in the center of the bare rehearsal studio and tore myself open.
I found the girl who, this past summer, in the thick of everything, had called McClean and tried to get a bed. Who for a week had begged to be somebody else's problem. I called a hotline. I wasn't suicidal, but only because I don't have it in me, no matter how bad I feel. I called and got a voicemail. Desperate, I called UMASS Memorial. I remember they told me that if I wasn't a physical danger to myself or others they couldn't help me, and I remember this phrase tumbling out of my mouth before I could filter it, "Should I just go slit my wrists and call you right back, then?"
I had asked for help, and the answer, resoundingly, was no. And so I spent those weeks on the couch, and then I got up and dealt with the fallout. There was no other way.
I found her and I invited her to say something. And what came out was... The biggest ******* to the things that had beaten me down those past months. I kept the lights off. I put on Bleed Like Me and danced without looking where I was going. I held myself to the chair and tried to escape. I screamed into a pillow until no sound came out. And I found Susanna Kaysen. And I freed the part of me that wanted to talk with all those wiser than thou gods who toyed with the thread of my fate, teasing it with blades- I found **** this. **** being hurt. **** being broken. **** being judged. **** anyone who looked at me and thought they knew what was inside, because Susanna was inside, no, someone different, even, than her- someone, something, angry and wild and powerful and dangerous, and she laughed, and I laughed, and we began to plan just how to say "**** this."
I spent a night with you, during that time. You held my hands. You said they were beautiful. You told me about yourself. You kissed me. You wrote, "Galaxies" on my thumb. I didn't write it on my ribs until I was sure that I'd want it there whether or not I was mad at you. I didn't have long to wait- you ran away again, and I tried to love you anyway, and I succeeded. I still try. I still succeed. It's not getting much easier, but if I know one thing it's that if I
Just
Don't
Give
Up
SOMETHING will happen. Something will come to me. If I know one thing it's that I can keep going even when I have no reason to, even when I have no fuel, even when I am utterly empty. If I just take the next step, and the next, one by one, I will end up SOMEWHERE new, and I will find SOMETHING to love. That is what I learned this year. By all accounts.... this year kind of ******. Although I had scattered moments of utter joy, I had long, smudged months of misery. But having gone through it, I am almost nostalgic. Because it proved to me, even more, that I am not fragile. I'm emotional, I'm intense, I'm unstable, but ******, I am NOT fragile. Like iron being smited, I went through the fire, I was hit over and over in my weakest places, but... in the end I have emerged, and I am not gone. And I am not fragile. Welcome, 2015.
This is technically more of a short story than a poem, but oh well.
Dhaye Margaux Mar 2016
She is the stained girl,  a diffident dreamer
Who looks for the sun and the rain together
Her  panache is to craft blissful memories
Festooned with vivid thoughts, her accessories

She is the stained girl,  a feeble believer
Who relies on a happy ever after
Yet scared to be seen from her cheerful facade,
Something that would charge her of being a fraud

She saunters in the midst of the piqued storms
Resounding the hues of the jaundiced norms
Like a bird highlighted with vibrant plumes
To fly around the walls of perplexing rooms

She wears the best maquillage, old and new
To make everyone away from being blue
She offers her hair, those gilded strands
Yet they exploit her gift with their vicious hands

She is the stained girl who seeks for uprightness
Yet pain has shaped her with creased faithfulness
In front of a looking glass, there I see
That magnificent, stained girl looks like me.
*Stained here is colored or painted.

For the Picture Poem This contest  5. Thank you for bringing back my muse.
Pearson Bolt Jan 2016
the rain fell so i kept my head down
chance alone piqued my interest and
through water-logged glasses i saw
him sitting on the front steps of an
old Lutheran church built from stone
in 1886 if the proud sign on the front
lawn was to be believed

the oak doors were chained shut

it's been four years since i asked myself
what would Jesus do
instead i wondered
what she'd do in my shoes
so i offered him my last slice
of Karma Kollision and he said
god bless you and i replied
stay warm
this world is cold

placebos like religion
might work miracles for Atlanta's
rich white mannequins
but sugar pills can't fill
a broken man's empty stomach
Marya123 Jun 2016
Two souls within pages or in a screen
Find happiness as I have never been
A delight unknown, secret elation
Borne from sweet, deep, delirious passion
Towards another soul so well entwined
One declares ‘I am yours and you are mine’
On that note, my eyes spill two sudden tears
Awakening forlorn, hidden, new fears
Of a lonely girl whose books keep her sane
Else she’d be lost writing numerous refrains
On longing for what she can’t understand
Childish dreams-crumbs under billows of sand
As time goes on, as reality strikes
Are found infatuations, crushes, ‘likes’
Each painful, into nothing drifts away
Settling into new lessons learned each day.
‘He wasn’t good for you’ they say; She smiles
They understood what she'd known for a while.
She listens, but trusts a worn intuition
A faith that one day,it’ll all bear fruition
Sometimes that faith breaks,into smithereens
Yet it rises again, sharper and keen.
The forgotten lads,she knows and admires
No longer do they provoke her ire.
For they were good, kind, unsuspecting souls
She once did think each one would make her whole
But each departure only reminded
Of new facets to which she was blinded.
They go on with their lives, she must do so
Without memories of eons ago.

"You are no beauty", (some) male brute ‘friends’ sneer
Patient voices counsel that they’re queer.
Beauty lies in the eye of beholders
If eyes are clouded, how can they smolder?
With sincerity, praise, love or a smile
How will they make anyone’s time worthwhile?
If they’re marred with lust, greedy for a ‘***’
Those men make me ***** or want to gag.
I once did dream of a tall handsome guy
Who would make me blush, who can make me shy.
Who would charm, be faithful, trusting and kind
With gentle fingers, and a strong, fierce mind.
Who could sweep me off my feet, just with words
(Of course, he’s unreal- don’t be absurd!)
Who could move mountains with things he said
Who'd be focused, practical, think ahead.
I used to think about my true soulmate
Among billions in the world, tied by fate
To meet once, unite, or never at all
Held apart by egos that cause their fall
Or clashing with fury, victims of chance
Causing fireworks in Destiny’s dance
Burning steadily for ages to come
Scoffed at by many, coveted by some.
Do they truly exist? I’ve no idea.
They cannot be a heart’s panacea
When it is broken, when it starts to bleed
When buds of affection become mere ****.
Do find a true respect, love for oneself
Tuck insecurities into a shelf
Walk with victories and defeats in your stride
By sheer common sense patiently abide.
Assume soulmates do not exist, alas!
Else, the heart will always shatter like glass.
Be of sound mind, incomparable courage
Never let them go- design your own page
Hold that person close-one who does arrive
One who makes you better, for whom you strive
To light up their days, star the blackest nights
As you move as one, never stop the fight.
He may not be tall, strong or masculine
He may not be rich, suave or brave within.
But he looks at you like you are unique
You may stumble, but his interest is piqued
He stays by your side when times are too blue
He comforts, informs, encourages too.
He celebrates your wins,never jealous
Paving his own path without being callous
He gives you your space, and uses his own
He doesn’t bother with calls to the phone
When he knows you’re busy, he can trust well
He listens with care to what you’ve to tell.
He has his faults,but works to make them right
He glows with glee when you move to his sight.
Such is what I crave-that’s what I call love
I hope you find what I described above.
midnight musings

— The End —