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"illustration" poems
Justify the real illustration on the pastel, this is a painting festival live your thoughts and ideas and dreams. Illuminate the night, stretch the light and make the night turn white. The luminous charm didn't work this time, I'm fine but let's look for something neat to see, so we can look harder and harder and harder, nice to know we went farther and farther than we knew we could, so picked my rain coat and yelled hey looks like rain and rain came down. The thunder preyed on the sky and all we saw was light and we went higher,higher,higher and higher, higher, higher and higher, higher, higher and the Highlands seeked all in sight was light and the sky sighed out grief and died from the white light
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Jul 28, 2015
Jul 28, 2015 at 10:17 PM UTC
night light
I picked a flower in May just to watch her blossom all for myself Beautiful and brilliant I sat her in a glass on a shelf I added water so she wouldn't go dry Magnificence such as hers I couldn't let die I watched as she grew Time flew and flew Her petals orange and blue like a vanilla sky As she prospered and danced I noticed a change Something very strange that caught my eye Her stems became vines intertwined simultaneously with my poetry and life In place of green, She overflowed out of the glass in white sheets of paper And it was there she made her illustration so divine A perfect drawing of a heart That turned out to be mine
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Apr 24, 2016
Apr 24, 2016 at 9:03 PM UTC
A Flowering Love
Somehow I scrounge through these jumbled words in my notebooks and I piece together this puzzle. When connected it forms some idea of who I am - my brain... my heart... it personifies my existence, so to speak. Although, like all puzzles even when put together as a whole to form a landscape or object, the cracks from the pieces are still present... Now, from afar people wouldn't notice these cracks - these blemishes in the photo, but like a collage when up close, it becomes more evident - the imperfections become more radiant or profound... The glue so to speak for this picture of words - this illustration of life would be - it is those cracks, those blemishes that make a puzzle - a puzzle... and a person - a person. Each individual, as everyone knows, has different life experiences, different scars to form different pieces to make up their own unique puzzle. One piece may be interpreted through skills or hobbies and another with goals. Each and every second of a persons' life could ultimately be a piece of a puzzle.
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Sep 13, 2012
Sep 13, 2012 at 8:56 PM UTC
Puzzle
I feel like he was created just for me. I think im holding hands with Destiny. He Encourages me to be The Woman The Father has presdestined me to be. Hes like a dream given unto me. He sees straight thru me like he can hear my thoughts telephatically. Got me fiening for him like jodeci Plunging into the depths of his soul's love as I enjoy The journey of his story.... Hes The Instructor of love and Im the student thinking critically. He has left An impact on my life tremedously..... Im drowning in his love ever so endlessly. He is Waves from the oceans currents of pure bliss And I......I am his ocean shore that his waters of love kiss. He's like a precious treaure I have discovered. Unlocking the chest to look inside and see what I have uncovered. Im happy for what I have found Hes A King worthy of Sparkling crown. I wish I could wear his love Like a White Flowing Wedding Gown. I feel he completes me like a sentence Yah is the subject, He's the predicate and im the noun. With his words he painted a vivid picture of me Its a picture with definition, depth, and clarity. Its almost like he captured every little detail so Carefully. As if I were an image of an angel made so Heavenly. Apparently, In his eyes Im a portrait crafted very delicately. A beauty constructed with integrity. Sparkling like the waters of the deep blue sea. To Be held in The Artistic nature of his Creativity Is a Wonderful sight to see With his poetry I see The illustration of his spiritual Imagery I caressed the Compassion of his vibes that discerned The ambience of his Frequency. His Energy Sweetly Speaks so pleasntly His Diction shows me his style Musically. His wisdom shows the level of his Maturity And it makes me drawn to him as if Its a force was pulling me closer into his gravity Ill admit this experience is kind of scary But My lovely Beautiful Mahogany theres no place I rather be than with you standing by my side next to me. Feeling as if I am Soaring like a bird so Free. He Surely bring out the Best characteristics of me. I Believe Im Subconsciously holding hands with destiny #destiny #serendipity #Love #beauty
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Dec 28, 2016
Dec 28, 2016 at 12:59 AM UTC
Holding hands with Destiny
I feel like he was created just for me. I think im holding hands with Destiny. He Encourages me to be The Woman The Father has presdestined me to be. Hes like a dream given unto me. He sees straight thru me like he can hear my thoughts telephatically. Got me fiening for him like jodeci Plunging into the depths of his soul's love as I enjoy The journey of his story.... Hes The Instructor of love and Im the student thinking critically. He has left An impact on my life tremedously..... Im drowning in his love ever so endlessly. He is Waves from the oceans currents of pure bliss And I......I am his ocean shore that his waters of love kiss. He's like a precious treaure I have discovered. Unlocking the chest to look inside and see what I have uncovered. Im happy for what I have found Hes A King worthy of Sparkling crown. I wish I could wear his love Like a White Flowing Wedding Gown. I feel he completes me like a sentence Yah is the subject, He's the predicate and im the noun. With his words he painted a vivid picture of me Its a picture with definition, depth, and clarity. Its almost like he captured every little detail so Carefully. As if I were an image of an angel made so Heavenly. Apparently, In his eyes Im a portrait crafted very delicately. A beauty constructed with integrity. Sparkling like the waters of the deep blue sea. To Be held in The Artistic nature of his Creativity Is a Wonderful sight to see With his poetry I see The illustration of his spiritual Imagery I caressed the Compassion of his vibes that discerned The ambience of his Frequency. His Energy Sweetly Speaks so pleasntly His Diction shows me his style Musically. His wisdom shows the level of his Maturity And it makes me drawn to him as if Its a force was pulling me closer into his gravity Ill admit this experience is kind of scary But My lovely Beautiful Mahogany theres no place I rather be than with you standing by my side next to me. Feeling as if I am Soaring like a bird so Free. He Surely bring out the Best characteristics of me. I Believe Im Subconsciously holding hands with destiny #destiny #serendipity #Love #beauty
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42
I sat down to draw a picture of you. It grew so expansive, so beautifully, colossal; I fell in love all over again.
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Jun 10, 2017
Jun 10, 2017 at 11:57 PM UTC
Illustration
grey and worn the lawn chair has dead leaves stuck to it its one bent arm an expression of pained indifference mud clings to its feet and a single vine like a thin snake wraps its way across its frame seeking the sun i pull at it to set the chair right to seat myself and **** at the breeze from the open field marvel that a cow stands not five feet away silently watching my every move with a wary eye lunching on the grass and **** but the chair now uprooted from its long held position seems more than ever a proclamation of mans intent to be seated here on heavens lawn clear illustration of the intent that you are supposed to take this bent greasy seat sit at your leasuire in the bountiful sunshine it is one of a dozen in the field in this beautiful slice of heaven the lawn chairs litter the field like broken teeth set in a line that wanders across the wilderness growth each having suffered from years standing in the open field two almost completely consumed by bushes one had been tossed into the tree where time had swallowed it into the bark this broken and brutalized fence of chairs these lawn chairs of heaven's field sit in this beautiful place some would say eyesore i say artwork of life's randomness... what party of fools once sat here dressed no doubt for the occasion perhaps celebrating perhaps mourning then got up from these plastic seats and left them behind as testament to that forgotten day... so i sit in heavens lawn chair a mute salutation to my unknown compatriots who painted this pastoral scene of plastic in a field
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Oct 4, 2014
Oct 4, 2014 at 2:08 PM UTC
heavens lawn chairs
grey and worn the lawn chair has dead leaves stuck to it its one bent arm an expression of pained indifference mud clings to its feet and a single vine like a thin snake wraps its way across its frame seeking the sun i pull at it to set the chair right to seat myself and **** at the breeze from the open field marvel that a cow stands not five feet away silently watching my every move with a wary eye lunching on the grass and **** but the chair now uprooted from its long held position seems more than ever a proclamation of mans intent to be seated here on heavens lawn clear illustration of the intent that you are supposed to take this bent greasy seat sit at your leasuire in the bountiful sunshine it is one of a dozen in the field in this beautiful slice of heaven the lawn chairs litter the field like broken teeth set in a line that wanders across the wilderness growth each having suffered from years standing in the open field two almost completely consumed by bushes one had been tossed into the tree where time had swallowed it into the bark this broken and brutalized fence of chairs these lawn chairs of heaven's field sit in this beautiful place some would say eyesore i say artwork of life's randomness... what party of fools once sat here dressed no doubt for the occasion perhaps celebrating perhaps mourning then got up from these plastic seats and left them behind as testament to that forgotten day... so i sit in heavens lawn chair a mute salutation to my unknown compatriots who painted this pastoral scene of plastic in a field
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43
the nature of this night spreads its thin harvest upon my table a gruel and water porridge feast with the fanfares of her jaundiced hand many more lined up with eager grin for the warmth of paupers kinship thin blanket wrapped round our shoulders snow gathers at feet she captures the moment on paper the image of all of us gathered like when we were young the grandiose illustration with its brilliant colour fanfare with jugglers and wine swilling laughing men blinded by drink chorus line of female dancers who wear costumes of the hundred years war lead the assault on the last bastions of the ignorance of bliss all descrying that we can ill afford to be sleeping while empires are built in our namesake the so daintily shod soldiers whos feminine wiles misunderstood have taken over the dancehall beneath us and have taken up song the grandiose illustration caught by her pen on sketch pad has leanings to the Marxist revolutions and philosophys of the rhetorical but in the end we join them and drink the port sing the song a thousand years of tales to be told in the eyes of a single girls sweet thoughts epic landscapes filled with noble men and storybook girls the grandiose illustration shows the two of us on the beach with the sun racing down to touch the high towers of miami and fill the laughing joys of thouse who toss and tumble in the breaking waves the nature of this night in one small corner of the illustration a simple window with the shade drawn that says goodnight
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Feb 6, 2014
Feb 6, 2014 at 1:03 PM UTC
storm warnings
the nature of this night spreads its thin harvest upon my table a gruel and water porridge feast with the fanfares of her jaundiced hand many more lined up with eager grin for the warmth of paupers kinship thin blanket wrapped round our shoulders snow gathers at feet she captures the moment on paper the image of all of us gathered like when we were young the grandiose illustration with its brilliant colour fanfare with jugglers and wine swilling laughing men blinded by drink chorus line of female dancers who wear costumes of the hundred years war lead the assault on the last bastions of the ignorance of bliss all descrying that we can ill afford to be sleeping while empires are built in our namesake the so daintily shod soldiers whos feminine wiles misunderstood have taken over the dancehall beneath us and have taken up song the grandiose illustration caught by her pen on sketch pad has leanings to the Marxist revolutions and philosophys of the rhetorical but in the end we join them and drink the port sing the song a thousand years of tales to be told in the eyes of a single girls sweet thoughts epic landscapes filled with noble men and storybook girls the grandiose illustration shows the two of us on the beach with the sun racing down to touch the high towers of miami and fill the laughing joys of thouse who toss and tumble in the breaking waves the nature of this night in one small corner of the illustration a simple window with the shade drawn that says goodnight
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38
~~~~~~~~~~~~~~~~~~~~~~ Infinity's Mirror by Nat Lipstadt Two mirrors, set in opposition observe created notional blending, a reflecting pool of bonding's of unglued, contrary compositions. Mirror to mirror, his imagery, fuses to Sylvia's images, hers, faintly recollected, now living face, face to face, with his past insurrections, alters his future visions. From cold water lake she's drawn, impaled by refracting regrets, retrieved, drawing her words upon him, an awakening slap to drink, beloved, tragic magic, infinitely captive. But this old man's tiddlywinks, land-locked words, blunted instruments, needy for release & salvation, are neither silvered or exacting, just stains on a dulled, tarnished brass spittoon, except for the brunt'd bunting of lines across his roughened terrain'd face, black and white, pen and ink etched illustration of howling agitation. His words worn down, hardened, red faced, purloined speckled pellets, damp to roll on down her rutted, almost ancient, tear streak paths, disbelieved superstitions, sacrificed for one of her living morsels of words. Man, here to her, pledges allegiance, audaciously defiling her poetic sanctity, a visage endless repeated, delivers her shiny poem-poised countenance, even though no forgiveness from time can a mirror afford for either, from her words, confession born, terrible truths beyond, beyond the finite. ~~~~~~~~~~~~~~~~~~~~~~~ Mirror by Sylvia Plath I am silver and exact. I have no preconceptions. What ever you see I swallow immediately Just as it is, unmisted by love or dislike. I am not cruel, only truthful--- The eye of a little god, four-cornered. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over. Now I am a lake. A woman bends over me, Searching my reaches for what she really is. Then she turns to those liars, the candles or the moon. I see her back, and reflect it faithfully. She rewards me with tears and an agitation of hands. I am important to her. She comes and goes. Each morning it is her face that replaces the darkness. In me she has drowned a young girl, and in me an old woman Rises toward her day after day, like a terrible fish.
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Apr 25, 2016
Apr 25, 2016 at 4:17 PM UTC
2016 Infinity's Mirror by Nat Lipstadt/Mirror by Sylvia Plath
~~~~~~~~~~~~~~~~~~~~~~ Infinity's Mirror by Nat Lipstadt Two mirrors, set in opposition observe created notional blending, a reflecting pool of bonding's of unglued, contrary compositions. Mirror to mirror, his imagery, fuses to Sylvia's images, hers, faintly recollected, now living face, face to face, with his past insurrections, alters his future visions. From cold water lake she's drawn, impaled by refracting regrets, retrieved, drawing her words upon him, an awakening slap to drink, beloved, tragic magic, infinitely captive. But this old man's tiddlywinks, land-locked words, blunted instruments, needy for release & salvation, are neither silvered or exacting, just stains on a dulled, tarnished brass spittoon, except for the brunt'd bunting of lines across his roughened terrain'd face, black and white, pen and ink etched illustration of howling agitation. His words worn down, hardened, red faced, purloined speckled pellets, damp to roll on down her rutted, almost ancient, tear streak paths, disbelieved superstitions, sacrificed for one of her living morsels of words. Man, here to her, pledges allegiance, audaciously defiling her poetic sanctity, a visage endless repeated, delivers her shiny poem-poised countenance, even though no forgiveness from time can a mirror afford for either, from her words, confession born, terrible truths beyond, beyond the finite. ~~~~~~~~~~~~~~~~~~~~~~~ Mirror by Sylvia Plath I am silver and exact. I have no preconceptions. What ever you see I swallow immediately Just as it is, unmisted by love or dislike. I am not cruel, only truthful--- The eye of a little god, four-cornered. Most of the time I meditate on the opposite wall. It is pink, with speckles. I have looked at it so long I think it is a part of my heart. But it flickers. Faces and darkness separate us over and over. Now I am a lake. A woman bends over me, Searching my reaches for what she really is. Then she turns to those liars, the candles or the moon. I see her back, and reflect it faithfully. She rewards me with tears and an agitation of hands. I am important to her. She comes and goes. Each morning it is her face that replaces the darkness. In me she has drowned a young girl, and in me an old woman Rises toward her day after day, like a terrible fish.
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32
Here comes The Change That has the range Of emotions And demotions And devotions Of a perilous populous That likes to raise a fuss When they eventually learn who I am And treat me like I'm the Son of Sam To be specific They discover I'm gay And begin to filet My mentality In totality For fatality Merely by acting differently If my sexuality isn't the first thing people know about me I get to witness The Change Like a dog with mange I am shedding my hair While screaming no fair Because of the shift I see Because of the **** I need To make my heart bleed There is a steady bellowing burdensome baggage From those that want to ****** some ******* So I search for weight lifters But only find shapeshifters That become great grifters When The Change occurs And The Change burns So The Change turned Me into an interdimensional changeling And an unintentional rage king After they use words like flaming Because the results are so draining It becomes hard not to hate people Who are inspired by hate steeples They say I'm going to Hell While I notice the smell Of being buried in their banal **** While they play their greatest hits That are as unoriginal As they are cynical They say I'm a degenerate An embarrassment A parent's lament I want to change into a carefree bird Instead I stay in Hell with the herd Wanting to escape like Lupin the Third Rather than be oppressed like the Kurds But there is no relief Only re-grief When changes aren't permanent But The Change is There's an illustration of my life That will change your perspective The picture is in my words When the painting is what I choose to say And the canvas is your mind Whose textures I could never imagine So I jump off a cliff blindfolded Expecting to be changed once I land
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Nov 20, 2017
Nov 20, 2017 at 6:13 AM UTC
Change
Here comes The Change That has the range Of emotions And demotions And devotions Of a perilous populous That likes to raise a fuss When they eventually learn who I am And treat me like I'm the Son of Sam To be specific They discover I'm gay And begin to filet My mentality In totality For fatality Merely by acting differently If my sexuality isn't the first thing people know about me I get to witness The Change Like a dog with mange I am shedding my hair While screaming no fair Because of the shift I see Because of the **** I need To make my heart bleed There is a steady bellowing burdensome baggage From those that want to ****** some ******* So I search for weight lifters But only find shapeshifters That become great grifters When The Change occurs And The Change burns So The Change turned Me into an interdimensional changeling And an unintentional rage king After they use words like flaming Because the results are so draining It becomes hard not to hate people Who are inspired by hate steeples They say I'm going to Hell While I notice the smell Of being buried in their banal **** While they play their greatest hits That are as unoriginal As they are cynical They say I'm a degenerate An embarrassment A parent's lament I want to change into a carefree bird Instead I stay in Hell with the herd Wanting to escape like Lupin the Third Rather than be oppressed like the Kurds But there is no relief Only re-grief When changes aren't permanent But The Change is There's an illustration of my life That will change your perspective The picture is in my words When the painting is what I choose to say And the canvas is your mind Whose textures I could never imagine So I jump off a cliff blindfolded Expecting to be changed once I land
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63
709 Publication—is the Auction Of the Mind of Man— Poverty—be justifying For so foul a thing Possibly—but We—would rather From Our Garret go White—Unto the White Creator— Than invest—Our Snow— Thought belong to Him who gave it— Then—to Him Who bear Its Corporeal illustration—Sell The Royal Air— In the Parcel—Be the Merchant Of the Heavenly Grace— But reduce no Human Spirit To Disgrace of Price—
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2.9k
Publication—is the Auction
I was once God's Picasso painting (the Guernica era). Chuck Jones' illustration of the tortured artist, laid out like Wile E. Coyote on a bed of scalding rocks and a white flag screaming "SURRENDER" clenched with both palms. If it were feasible, I'd have dove head first into the smoky center of the sun if it meant my audience understood the shrieking woes I had to bellow through to reach their overwhelmed palates. But Tragedy is the sitcom foil that has long outstayed its menopausal welcome, and I would much prefer a haunting. To Hell with those who repulse the flies with the vinegar of exploitation, gawking as their spit seeps through seven layers of collected scars, who ventilate the wrists to keep the audience comfortable. Real aesthetic power comes from a shower of light hail on the spine, the moments a ghostly hand ****** you on the finger with quietly hidden truths always whispered from a field away. It's far more bracing, the lump in the throat, not the electrical gasp of shock. It's a far greater sign of a forthcoming apocalypse, the angel weeping in pain, not the footsteps of the wailing banshee. The wisp over the wallop.
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Apr 29, 2010
Apr 29, 2010 at 10:56 AM UTC
The Guernica Years
dragon’s flames rubber bands and blank paper sheets a pair of ***** red sneakers black and white keys thick, old books crumpled paper a box of paints pencil shavings shades of gray stacks of cds dog-eared magazines ancient stuffed toys newspapers from two months ago ninja gear and beyblades a box of keychains picture-plastered walls last week’s jeans yesterday’s jacket ballpens with no ink worn out satin slippers an overused waveboard loose change and illustration boards all found in my room
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Oct 9, 2011
Oct 9, 2011 at 3:56 AM UTC
my room
He was one of those guys who marry money. And you can grok that in any sense you desire. But be forewarned, my friend, I am well-versed in a multitude of Marry-For-Money manifestations. Take, for example, marrying the Boss' daughter. Come with me, for illustration's sake, Join me in one such dis-functional household: George & Martha's place on campus-- A classic Tudor-revival home, Ivied & plushly-appointed, A coveted faculty perk Which goes along with the gig. And the gag, for that matter. I speak, of course, of Edward Albee's Two perversely miserable humans, Married to each other, to wit: George & Martha, leading lives of Pubis-scratching desperation, in "Who's Afraid of Virginia Woolf?" She's the only daughter-- Daddy's precious jewel-- Only girl-child of the President Of a small, rural college. He's the middle-aged professor With no great pedagogic or research prowess. His working-class perspective, Viewing the quiet academic life to be A significant step up in genteel existence. Except--and there's the rub: Mere existence is a far cry from Living the good life Dan Draper & The rest of Satan's Mad Men minions Taught him to take for granted. So George & Martha, In terms of core values, Have little in common; More like opposites, in fact: His starvation diet as a child & Her helping out Mom at the Food Bank on Saturday mornings. It's those formative razzmatazz years, He lacked the behavior blueprint, The overwhelming fatigue of acting. He's perpetually memorizing lines, Practicing ****** expressions & Physical gestures & phrases. Guard up, another Oscar-worthy performance, Burton is superb & Elizabeth Taylor Showing us precisely why she is & Will continue to be revered as an actress. George knows she has his number. The thing about the play is the Intense malice the couple feel for each other. For the audience, an experience in stage drama Best classified as an intensely painful morality play. A good thing to remember: Live Theater Adds value to a community. Give generously, please! But I digress.
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Aug 14, 2016
Aug 14, 2016 at 12:27 AM UTC
"Married to the Mob"
He was one of those guys who marry money. And you can grok that in any sense you desire. But be forewarned, my friend, I am well-versed in a multitude of Marry-For-Money manifestations. Take, for example, marrying the Boss' daughter. Come with me, for illustration's sake, Join me in one such dis-functional household: George & Martha's place on campus-- A classic Tudor-revival home, Ivied & plushly-appointed, A coveted faculty perk Which goes along with the gig. And the gag, for that matter. I speak, of course, of Edward Albee's Two perversely miserable humans, Married to each other, to wit: George & Martha, leading lives of Pubis-scratching desperation, in "Who's Afraid of Virginia Woolf?" She's the only daughter-- Daddy's precious jewel-- Only girl-child of the President Of a small, rural college. He's the middle-aged professor With no great pedagogic or research prowess. His working-class perspective, Viewing the quiet academic life to be A significant step up in genteel existence. Except--and there's the rub: Mere existence is a far cry from Living the good life Dan Draper & The rest of Satan's Mad Men minions Taught him to take for granted. So George & Martha, In terms of core values, Have little in common; More like opposites, in fact: His starvation diet as a child & Her helping out Mom at the Food Bank on Saturday mornings. It's those formative razzmatazz years, He lacked the behavior blueprint, The overwhelming fatigue of acting. He's perpetually memorizing lines, Practicing ****** expressions & Physical gestures & phrases. Guard up, another Oscar-worthy performance, Burton is superb & Elizabeth Taylor Showing us precisely why she is & Will continue to be revered as an actress. George knows she has his number. The thing about the play is the Intense malice the couple feel for each other. For the audience, an experience in stage drama Best classified as an intensely painful morality play. A good thing to remember: Live Theater Adds value to a community. Give generously, please! But I digress.
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60
Look out here It comes Sum of someone's sums Perverse calculation Trigonometry as sensation Graphic illustration Of a pre-ordained mathematic Desire Intersexual intellectual Pythagorean triangle of lust Figures Add and attract Add and subtract Add and subtract This physical abstract To form the total goal To fit the math of a Human hole
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Aug 3, 2016
Aug 3, 2016 at 6:15 PM UTC
Seductive sums
Maybe the way the curve of your spine fits into me is an indication of how the earth meets the sea. Frothing, frigid and free Maybe the way our lips convene is an illustration of a star being born Colliding, rising, expanding With every breath we whisper to each other the wind caresses the mountains in such delicate manners Maybe the way our eyes meet searching for a long lost landmark {Home at last, or at least until tomorrow} reveal the discovery of deeper mysteries Cold, comforting, coalescent Maybe the simplest brush of skin brings earthquakes to our veins Seeped with unspoken words warmth and peril rolled in one Maybe, just maybe, the first ****** between two lovers is the modern tsunami, a flood of pleasure, teeming with emotions and laughter The rain that lulls us to sleep is the same as the water that cascades down cracks and cliffs Racing to meet her soulmate, Salt water Fresh water Two hearts beat in solidarity Melting one into the other Tongue on tongue Fingertip to fingertip Maybe the way we started is the way we end, with nothing but empty space and deafening silence.
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Jan 18, 2018
Jan 18, 2018 at 9:50 PM UTC
Maybe
It's funny how I always think of you, as my sanctuary, someone I can run back to, and tell that "I love you," But all there is a wonderful raconteur that filled you with alluring words and beauty All you are is a piece of art; an illustration of imagination I am head over heels for you despite knowing how troublesome; it is to me In the end, all I can say--is that; "She is my Wonderwall,"
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Apr 20, 2021
Apr 20, 2021 at 8:57 PM UTC
Wonderwall
Paul, he likes his lighters and his spoon “Taste that kerosene.” he offers ‘Nah, I’m cool.’ There are people running naked in the street This one girl, she slipped Her blood becoming a perfect illustration of a fractal as it mixed with the rain water Snaking through the leaves Trickling to the gutter On its way to the sea Lucky blood I wish it was me I hold the syringe up to the light Double checking I got it right And I wonder, in this moment, what you would think of me? “So then” Paul slides down the wall to the floor Legs spread in a V, he winks at me Like a drunken ********** offering more “What’s your poison?” ****** But don’t get excited Paul, that’s not what I’m here for.’ I expose his skin, and let the needle sink in “You used to be such a good girl. Goody goody.” He laughs from his spot on the floor “Goody; such a weird word. But that’s what you were.” I recap the needle, carefully now "What happened to you, Goody? What?” He twitches and slides down more ‘The hospital would be more suited for you, ya know.' I pack up his insulin, store it back in the fridge. ‘Okay Paul. I’ll be back in the morning. Try not to OD again.’ “Goody Goody.” He laughs up at me from his spot on the floor. “Goody Goody, that’s what you were.”
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Apr 18, 2013
Apr 18, 2013 at 1:31 AM UTC
Despite your affinity for peeing on our fence, I liked you as a neighbor.
"I always wanted to wander." "To wander? To where?" "From Walla Walla to Uganda." "That's a wide world to wander!" "You wanna?" "Wanna what?" "To wander?" "To where, Uganda?" "Youbetcha!" "I don't want to onomatopoeia anymore!" "Are you refusing me?" "You're confusing me!" "Do I do that usually?" "Yes, and it's abusing me! "I didn't used to be." "But you see it's no use to me, So start talking lucidly! You're coming across abstrusely By talking so loosely. You've got a lot of 'splaining to do Lucy." "It started out grand!" "But quickly got out of hand." "But you fail to understand." "You should have planned." "Is that a reprimand?" "You're like the ampersand." "I don't understand." "It means 'and per se and'; The pronunciation became bland And three Latin words became 'ampersand'." "But, don't you need a vacation?" "What is the relation?" "It's a matter of pronunciation, And sometimes punctuation. Some words deserve elimination. Yes, and some deserve illumination. Thus my original illustration. In the interest of communication, Some things deserve enunciation." "I will accept that explanation." "But, I'm still hugely fond of The two of us going to Uganda; As we internationally wander I'm sure it will make you fonder The more the two of us wander." "But I really don't wanna!" "Don't wanna what?" "Go to Uganda!" "That's what you don't wanna?" "You betcha!" "It's okay. They probably won't letcha."
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Jan 17, 2017
Jan 17, 2017 at 1:08 PM UTC
DISCUSSION
Gauge Symmetry It was an eminent arrival: to awake in a definite location in time and space, involving the single ***** with more zeal than the rest. But where am I really? Staring at these thorny lines engraved in my palm during an hour I should be asleep. I can’t help but think that the love of a life should have spared me. A caption below the photograph in the times reads It’s an illustration of a tactic employed by Hezbollah and Hamas to use their own civilians as human shields. And somewhere else laying on rubble, once road, a blood smeared newspaper ruffles in the breeze, then violently unfolds from a burst of wind, never to be read, a stray dog licking a wound pauses and perks it’s ear. Earlier, in the library I walked the spiral staircase and traced my fingers down a dusty spine: “How we became Post-Human”. It must have been an artificial insemination. My skull throbs from an inoperable legion of fractal thoughts which I developed upon listening to the sounding tremble in Pathetique, too immature to know the power of what it heard like that time I foolishly laid my eyes on a carnivorous tulip, it spat me out alive. Moon is no comfort, only an aperture. The day is overexposed and my eyelids clasp down like a shutter, I try to fall asleep to remember where I really am and where I've always been.
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Jul 14, 2011
Jul 14, 2011 at 7:56 AM UTC
Gauge Symmetry
Day eleven, I'm missing you and I'm feeling like sinning, maybe I should start from the clement beginning. Day one, I see no more sun for I am alone contemplating how I accrete age and how many seeds I have sown. Day two, palimpsest problems weigh in heavy on my choices and my mind has many voices. Day three please don't look inside hollow me, the pregnant wasteland of my heart has been growing ruin from the very start. Day four and out all my emotions pour, I'm breathless from a sight of you and my whole world returns anew. Day five is crepuscular in nature, a perpetually playful night, authored by your omnific fingers and hidden behind the curtain, a sun just out of sight. Day six, I've uncovered a skeleton making me love you even more and I asseverate promises, becoming blurred by family uproar. Day seven is driven by a sensation of imbrication and we know an end is coming, lost in the easy salvation. Day eight starts with our bodies huddled and our minds muddled, you are a plagiary of my emotions forgotten in loo of body illustration and soul cultivation. Day nine is propelled by the intoxication of an end, conclusion of what extent? and filled with eristic thoughts of surrender to this utopian ascent. Day ten and you're caught, in my arms is where you ought to be, and I keep hearing how just awakened you sought for me.
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Jul 2, 2010
Jul 2, 2010 at 9:56 AM UTC
Day 11
i would compromise --i compromise. i appear to i mean, with peace-demeanor customized for show paraded there and there, obeisant nonsense in a confidence of meek to render compliments crowding infancies of all for the sake of art i bend my frame about cliche to have a human dragon claim "the real persists unknown" and gather at a sacred dolmen fascinating morals sung beneath the stars and sun-- you said there was a butterfly tasting at my skull, shaking with uncommon music too.. its skinny, immigrant feet abuzz within the world they called a One, wings on pause, my eyebrows in flight. a blanket iris cries warmth in clusters hung ripe, filming over all a native ceremonial, falsepolitik i pluck at them atop a fence obscure for comforts masking truth discarded, found, fashioned into furniture for candled houses built with children's sons where families try to see a clearing in the warping mirrors saddled with a dripping time no illustration comprehends . wooden beams help it rise and dim, the sunny lie, genuinely fake, authentic trick of aeons hidden in the true -- growing young, stemming back to foil brighter undiscoveries for otherwisely patient basements full of heirlooms, sheik dining areas all nodding over cheap wine we still manage to squint up at nothing at in apple layers symbolizing tidy crimes invented ceaselessly, serving existential voids-- grace, fall, stumble catch acquired tones of oak or berry-- other fruits would do, or none, as i still feel praised by your rejections -- when indifference gains a sweetness like a novel vengeance won i am indulging villainy workshopping staling norms, garden dark as cultivated loam. where i am words mooding intellect to torment, faun complexity awry
0
Mar 1, 2013
Mar 1, 2013 at 8:37 AM UTC
a taste of earthling
i would compromise --i compromise. i appear to i mean, with peace-demeanor customized for show paraded there and there, obeisant nonsense in a confidence of meek to render compliments crowding infancies of all for the sake of art i bend my frame about cliche to have a human dragon claim "the real persists unknown" and gather at a sacred dolmen fascinating morals sung beneath the stars and sun-- you said there was a butterfly tasting at my skull, shaking with uncommon music too.. its skinny, immigrant feet abuzz within the world they called a One, wings on pause, my eyebrows in flight. a blanket iris cries warmth in clusters hung ripe, filming over all a native ceremonial, falsepolitik i pluck at them atop a fence obscure for comforts masking truth discarded, found, fashioned into furniture for candled houses built with children's sons where families try to see a clearing in the warping mirrors saddled with a dripping time no illustration comprehends . wooden beams help it rise and dim, the sunny lie, genuinely fake, authentic trick of aeons hidden in the true -- growing young, stemming back to foil brighter undiscoveries for otherwisely patient basements full of heirlooms, sheik dining areas all nodding over cheap wine we still manage to squint up at nothing at in apple layers symbolizing tidy crimes invented ceaselessly, serving existential voids-- grace, fall, stumble catch acquired tones of oak or berry-- other fruits would do, or none, as i still feel praised by your rejections -- when indifference gains a sweetness like a novel vengeance won i am indulging villainy workshopping staling norms, garden dark as cultivated loam. where i am words mooding intellect to torment, faun complexity awry
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51
If your face were a barn You'd have swallows Coming 'n going out a ya nose. And your hands: If they were a bridge You'd have pigeons Cock-walking 'n cooing In the web's of your skin. And your hair! It's already a nest, Fringe all around With a crocodile egg topp'n ya up there. *Exaggerated physical illustration encouraged
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Dec 11, 2010
Dec 11, 2010 at 1:59 PM UTC
Silly poem for bald men to read to children
He wore nothing other than black even in the summer, his crystal blue eyes reflected ocean-hues and had jet black ink that could slightly be seen under the sleeve of his tattered and torn Rolling Stones tee. That boy, he was quite a mystery, had the body language of a jigsaw puzzle not wanting to be mended, although it was all opaque to me, others saw him impenetrable, however, I read him like my favorite book. This boy is exactly like me intelligent yet covert, impassive and esoteric yet a universe full of secrets and unspoken thoughts. It seemed as if his soul was somber and consumed nothing but vacuity. But I saw a masterpiece, a messily painted work of art, and that was the beauty of it. Others saw chaos on a canvas while I saw every watercolored hue that completed the exotic illustration that was, Luke.
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Jul 18, 2015
Jul 18, 2015 at 6:13 AM UTC
Chaos on a Canvas
I remember the day you came into school with fresh slits on your wrists You had written your world into your own flesh and skin. Those lines created the pages by which I used to write down our story. Those cuts displayed every flaw our relationship ever endured. And I will always remember the day you kissed me Telling me, begging me not to worry about you. Telling me the drawings of blood were "nothing" Telling me you loved me. To this day, I am left overflowing with questions. Did it hurt? Did it make you feel free? Did it make you feel alive? Did it make you feel? But more than anything, I want to know why you chose me. And my god, I wish this was some poetic analogy for something beautifully tragic. I wish this was some secret I was too afraid to utter. But it's not. And I wish that I had never seen such a horrific sight Because those scars were not beautiful to me. They weren't something to be romanticized They weren't something to be loved. Because every inch of your punctured skin was a nightmare for me. I relive that moment every day of my life. That image forever trapped within the confines of my skull. And I will always remember the day you left me. Again and again we fell together. I held my pain in so deep it created canyons in the breaks on my heart. But you. You wore your pain like a badge of honor You paraded your scars like they were trophies But they were more than that. They were a scare tactic that was suffocating me A plot to force out every ounce of my love for you A way to blackmail me into staying with you. And my god I loved you. And I could have loved you until the day I died. But I couldn't see past it. I Couldn't see past the traumatic illustration set before me past the illustration that stopped my heart beating in my chest. And I will never forget the day you walked up to me and showed me a display Of my initials carved into the skin of your forearm.
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Dec 31, 2015
Dec 31, 2015 at 1:50 AM UTC
Slits
I remember the day you came into school with fresh slits on your wrists You had written your world into your own flesh and skin. Those lines created the pages by which I used to write down our story. Those cuts displayed every flaw our relationship ever endured. And I will always remember the day you kissed me Telling me, begging me not to worry about you. Telling me the drawings of blood were "nothing" Telling me you loved me. To this day, I am left overflowing with questions. Did it hurt? Did it make you feel free? Did it make you feel alive? Did it make you feel? But more than anything, I want to know why you chose me. And my god, I wish this was some poetic analogy for something beautifully tragic. I wish this was some secret I was too afraid to utter. But it's not. And I wish that I had never seen such a horrific sight Because those scars were not beautiful to me. They weren't something to be romanticized They weren't something to be loved. Because every inch of your punctured skin was a nightmare for me. I relive that moment every day of my life. That image forever trapped within the confines of my skull. And I will always remember the day you left me. Again and again we fell together. I held my pain in so deep it created canyons in the breaks on my heart. But you. You wore your pain like a badge of honor You paraded your scars like they were trophies But they were more than that. They were a scare tactic that was suffocating me A plot to force out every ounce of my love for you A way to blackmail me into staying with you. And my god I loved you. And I could have loved you until the day I died. But I couldn't see past it. I Couldn't see past the traumatic illustration set before me past the illustration that stopped my heart beating in my chest. And I will never forget the day you walked up to me and showed me a display Of my initials carved into the skin of your forearm.
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41
*Nature welcomes you with an embrace The wind playfully caresses you And the crescent moon still visible And the sun playing hide-n-seek About to rise, coloring the flaming sky In the amphitheater of celestial sphere There is the drama unfolding of a new day All the spectators, waking to the spectacular Applauding, as a tribute to the grand illustration Of abstract paintings, with a rich hue Dawning on us whith a new plot to enact The sunrise guiding us with a new ray of hope Birds leading the way, helping us dream To reach higher and cross new horizons I am also a spectator in the crowd Thronging to face life, as new day has dawned* © Amitav (Radiance)
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Jun 5, 2014
Jun 5, 2014 at 9:46 AM UTC
A New Day