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fray narte Jul 24
There are nights when I run out of flesh,
of skin and bones
to melt,
to offer,
to fill this glaring pit,
now just a rusting can of worms
There are nights when my soul wraps itself
in silken ribbons and velvet gowns
slipping slowly off this skin:
a striptease for death;
maybe more.

There are nights when my soul
stills in a corner
and readies itself for Plath to collect.

Get it all out now —
the linen is too short,
the myrrh, too little
for the allusions and all these twisted laments.

This wake is good for just one tragedy.

Get it all out —
the obvious references,
the tributes to another poet,
who killed herself —

get it all out, little girl.

There is no room for two in a coffin
in a world where
Lady Lazarus dies and stays dead.
fray narte Jul 9
i wanna dive head first
into a map of the night skies
trapped inside our four-walled room;
maybe this is where black holes go to die
and they can all stare back at me —
swallowing a chaos of sobs
and a chaos of all your favorite songs;
regardless, i’ll dive into the night skies,
or what it used to be
and name these stars – the ones that remain anyway,
after you.
after me.
after us;
at least they take a long time to die –
long enough for flowers to droop and fall apart
on weeds and lonely epitaphs.

and dear, i hope heaven is holding you closer than i could ever had;
tell me, did you, like sylvia
write suicide notes and call them poetry?

and god do i hope that heaven is holding you so close,
you forget all of the world’s sadness
you once took for your own.

out here, the calendula falls and
my eyes mourn over petal-covered graves
poems cannot hope to beautify.
and i still wish this is something i can wake up from
I am Sylvia Plath and decide to commit a suicide
Before night, before midnight, before any incident spoils my intention that goes totally upward, or any single communication proves it is life: generally  moves on haphazard, neither do I want be introduced as a horrible criminal never been merciful to grandiose thought in keeping self magnified or words very elegance. Away… don’t look at me in this way since reality is so horrified, since I’m a goddess with only one eye  lying beside the lake and playing with water flowing on the line of the green jungle what we call it life to shot the fingers on heavenly drops and sing the song of eternity  to confess: I’m not as honest as other gods attached to the mirror of the wall with four eyes to reflect the  realities of  people of come and go, creating   flickering and shaking atmosphere over my sights that makes me semi- blind when  three other eyes remaining behind the mirror and  one eye -goddess is not trustworthy enough in exposing the  murmurings  of  the woman reposing on river side in pledge of tuning the song of solitude with silent outcry:
La  La  La                  La La La                       La  La La     *

                                                             My Love:
How creative you are, not cruel at all, just very creative in exploring the long distance between doves of love and very cunning in employing people to excavate a chasm of agony, torturer and blood between you and I… I’ me Sylvia Plath and decide to commit a suicide, before maroon crimson night, before children know what their mother really decide, before horrible fish rises abruptly inward to devour my heart or demolish all my beauties of ladylike in shadow of  your last statement warned me  “ for what  you are still in dark?”
Dark! What a brilliant statement in the first and last and lost time, on duration of nights insomnia or feeling nausea when autumnal  rain attacked the yellow red leaves to fall to forecast that  unity is so far. When nights’ owl very kindly repeats your heart  dark…dark…when the mirror broken, eyes  spatter on all over the world, god and goddess remain eye less, completely blind, and our last reminder…your last medal on my heart still dark.
I am Sylvia Plath and decide to commit a suicide.
On the basis of Sylvia Plath's life and her poem " Mirror".
Sylvia didn't waste time

She kept time

In a bell jar

On her nightstand

Next to the blissfully whirling blackness of eternal oblivion

All in the hopes it might one day grow wings

And lift her beyond the owl's talons clenching her heart
for Sylvia Plath (1932-1963)
Caitlyn Seal Apr 15
I do not know her name
For she said she did not have one
I know not where she come
For she said she was from nowhere

I met Her at the carnival
she was at the Funhouse
her clothes did not match
And her tangled golden hair reached her waist
what caught my attention was the balloon
A color I’d never seen before
Drawn in, I followed her inside
She was humming
She carried herself as a traveler
passing through each moment
Even as we were going up steps,
It felt as though we were getting deeper
The lights were dimming
The noise was fading
It was me and her
We entered the hall of mirrors
when she began to laugh
Reaching painful tones
Her balloon popped
And with a smile on her face
She turned around
She looked at me with her empty sockets
And said, “Is it not funny to you?
Mirrors all around me
And I still can not see who I am!”
Megan Edwards Apr 12
Have you ever heard the sound of nothing?
A desolating sunbeam hitting the ground
Each individual on the hunt for something
Yet, nothing can be found.

The trees feel lonely,
They meet the sky for a chat.
They beg for money,
But the sky gets nothing back.

Together, the world turns grey.
The smell of death starts to cover the streets
While they all stand and wait
We just stay inside and try to fall asleep.
Just something abit different, hope you enjoy
Jana Chehab Mar 13
Zodiac signs have failed to tell
of an epoch of limerence waiting ahead
neither could a compass navigate
a homesick constellation to its rightful cell
and yet I travel, swim, and tread
on a glimpse of you
on a foreign thread
on a beacon of fury to accommodate

Epiphany emerged
the world’s ablaze
mnemonic particles floated again
Astral projection took its toll
your skin reached out and took the fall

I oft hear sounds; my sonorous wails
my sword-of-a-body
and my serrated edges
drove them away
but there you were
a scabbard of steel
to engulf and congeal
to hold and to heal

Alpha Cephei has got nothing on you
you became the star that ruled the Earth
the right hand of the northern pole
the right hand I chant my paean for
you were 49 light years away
until you adhered to my directions

My roots will cease to loosen their grip
on your light rays and elysian touch
on what I crave, yearn, and long
for you are the home that got me stuck
and you are the space where I belong
burst bubble Mar 3
how wonderful is the essence of childhood innocence and naivety?
children who question even the simplest daily tasks you complete so many times you’ve lost count make you wonder what it was like to complete the task for the first time.

how wonderful is the simplicity in thinking, the yearning for knowledge that is yet to be obtained?
the question as to why you drink coffee instead of a babyccino or wine over juice allows for our true motives to be exposed; for we do not always consciously choose coffee over babyccino. the idea, to an average adult, would be absurd!

‘me, an adult, drinking a babyccino? how childish.’

but why wouldn’t you choose babyccino over coffee? coffee makes grown ups shake and trip over their words, eyelids jammed open exposing their bloodshot soul.

do we choose coffee for fear we’d be perceived as childlike if we’d have chosen babyccino? what is so terrifying about the ideology of childhood? why do we crave growing up so badly and with such haste? what is so shameful about the questioning of existence and looking knowledge in the eye, desperate to have the last word?

why don’t we choose juice over wine? is the taste of sweet comfort too overbearing for your tongue? does the colour of orange juice remind you of wednesday mornings when you come downstairs, keen to work with jellybeans in maths as your teacher had promised you the day before? or maybe the coloured counters which had been stored away for a while because a classmate was caught trying to eat one.  

the truth is, wine is bitter. no matter how refined your taste might be, there is an undeniable bitterness in wine which adults love to ponder, the same way they love to ponder over pessimistic news stories that are equally as bitter. they discuss the wine, using pretentious words to describe the undertones and how sensual it tastes, refusing to acknowledge the overt bitterness they are so eager to gobble up when they return to sobriety.

‘it’s too sweet,’ they’d shake their heads at the palm which offers apple juice, while eagerly smiling and nodding at the dark, tinted glass which induces headaches.

how about the brittle roll of grey, tossed on our doorstep every morning? the one you ask me to fetch you in the youth of the day, when sparkling sun-rays dance on my face? what do you make of the fine print that tells you what is occurring on the side of the world submersed in slumber while you’re in your wake?
what do you make of the numbers that tell you it’s warm outside?
why not feel the warmth from the orange orb above yourself?
why not dance under the small droplets of the ‘mist’ setting on your hose?

and why do we lose ourselves to the pursuit of validation, to the judging eyes of the streetwalkers which our eyes never lasted more than a second on when we were younger?
i now write as someone who is tired, ability to think in a childlike manner worn down heavily from the constant chafing of dawning adulthood. but i also write in the hope that small moments like these will recur, like clouds in the sky clearing momentarily for the sun to smile at me.

though looking up i’m often met with a vast, grey face, i shall continue to smile at the silver wrinkles, engraved by years of laughter and juvenile innocence.
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