Perched upon a corporate throne,

We march into the great unknown

As wasted words of gossip drone

And steel replaces brick and stone.
Soon you find yourself alone

In crowded streets with a global phone,

Doing a random strangers bidding.



A means to an end they say,

As poor men die while rich men play,

When honest work brings modest pay,

And doesn't last 'em through the day

Though profiteers in moral grey 

Flood the airwaves to in turn say,

"Our wealth simply paves  the way,

Tomorrow is your salvation day,

You want peace? Then war is only fitting."



Look and you will see

Money buys democracy,

The Citizens United, see?

If we knew the truth, would we agree?

Those answers are not  going to be

Yes or no but more likely

Maybe, perhaps, or possibly,

Because in reality,

Right and wrong are just kidding.



To those who fret the plagues we face,
Yet believe we can change this place,
Who stifle doubts about the Human Race,
And yearn to be together in this chase,
With subdued pride and envy, in every case,

Seeking common goals to found the base,

May we lay the evil plots to waste,

For evils clients who once stood are now sitting.



The time is now, make a stand
,
Pull our heads out of the sand

Call their bluff with a hidden hand

Of virtue they don’t quite understand,
Defy procedure’s they have planned
,
Unite across the lines that brand,

Refuse all prejudice, none may be accepted.



Some know for they already looked

And the flow of money keeps them booked,

Takes but once to have them hooked,

Setting the table with food uncooked

For others whose foundations shook

Are pitted against the small time crook

Hoping only that we be protected

.

Hark the sounds of rebellious cries

For those that call, they realize

All that lives sure enough dies
But when displeased we close our eyes

To the masters of disguise

Who think their profit justifies

The invisible hand growing in size

While their strings attached go uncorrected



They kept us quiet all the while

Waiting with numbers dialed

To put the innocent to trial

Lining up in single file

To be cast into the same old pile

None willing to lay down their tile,

Casting shadows upon their guile,

The double agent mercantile,

Lobbying candidates to endorse.



All I ask, is to what do we base belief?

Dying children get no relief

Oil poisons the coral reef

Prophecy of the fallen chief

Given a thought but a bit too brief
Together a tree, alone but a leaf
Although it is all who feel the grief

Of our actions consequential course



Corrupted elites discuss our goals

So we continue to dig our holes

To depths that darken souls

Rigging markets to decide our roles

Assumptions made so that greed controls

They draw their graphs till the pencil dulls

Then add a factor, see how that goes

Without even the slightest feeling of remorse



Growth is sacred, but is it moral?

Strengthen reason yet we quarrel

Over falsities of ***** oral

Arrangements like that of floral

Remedies but not doctoral

Blood of fallen lives pastoral

Remind that we’re all mortal

But all thereafter bear the force.



So please tell me at what cost?

In a moments past our objectives lost

Compassion was our hand now tossed

Lines we’ve drawn, lines we’ve crossed

How much dirt can be washed

From our conscience we exhaust

Before shattering glass of fate we sloshed?

Working from the scattered pieces back to the source



It is us who blindly lead the strut

We are the source and nothing but

Whose center point is one giant rut

Where false desires cracked and cut

And the selfish feed an endless gut,

When our culture begins to split and jut,

We might finally ask... It was all for what?

There's an ancient, ancient garden that I see sometimes in dreams,      
   Where the very Maytime sunlight plays and glows with spectral gleams;  
   Where the gaudy-tinted blossoms seem to wither into grey,              
   And the crumbling walls and pillars waken thoughts of yesterday.        
   There are vines in nooks and crannies, and there's moss about the pool,
   And the tangled weedy thicket chokes the arbour dark and cool:          
   In the silent sunken pathways springs a herbage sparse and spare,      
   Where the musty scent of dead things dulls the fragrance of the air.    
   There is not a living creature in the lonely space arouna,              
   And the hedge~encompass'd d quiet never echoes to a sound.              
   As I walk, and wait, and listen, I will often seek to find              
   When it was I knew that garden in an age long left behind;              
   I will oft conjure a vision of a day that is no more,                  
   As I gaze upon the grey, grey scenes I feel I knew before.              
   Then a sadness settles o'er me, and a tremor seems to start -          
   For I know the flow'rs are shrivell'd hopes - the garden is my heart.

It's a darkness that surrounds you.
It covers your eyes,
And swims in your ears.
To keep you from seeing light,
Or hearing laughter.

Instead you see everything
In a dull and dark way.
Colors are no longer vibrant,
And lines seem to be blurred.
There is no more beauty in a sunset,
Or majesty in the ocean.
It's just water now.

And every sound is muffled now.
You can't differentiate your favorite song
From any other anymore.
The sound of laughter is more bitter than sweet.
Every song is the same bleak humm.
And laughter just makes me wish I was deaf.

The darkness even dulls touch.
A kiss doesn't make your heart beat fast anymore.
And contact seems nauseating.
A kiss is just a reminder
That nothing good lasts.
And most other interaction makes my skin crawl.

But now the darkness is in your brain.
In here, sometimes it's not dull at all.
Sometimes the darkness
Takes the shape of a monster.
A monster that whispers terrible things
And just gets louder when you try not to listen.
Sometimes the darkness
Feels like war inside your mind.

But yes, again, the darkness is dull.
Sometimes there is no monster,
No war,
And no yelling at all.
Sometimes when the darkness gets in your mind,
It becomes a silence.
I can't make out a clear thought,
Because all there is
Is silence.
The darkness takes the shape
Of death.
The silence, the nothingness of death.
And it becomes part of you,
Making your mind nothing but silence
And nothingness.

But the worst part about the darkness
Is my inability to communicate its existence.
I can't make anyone understand
The many shapes it can take.
How it can be torturous and loud
But comfortable just the same.

It's easy to talk about the monster,
Because it's something foreign and
Something present.
But everything else,
The dullness of senses
And the silence it becomes,
Can't be expressed.
Because in these forms,
The darkness is absence of life.
It's absence of color,
Sound,
Touch,
And thought.

And it's so hard to paint a picture
Of something that isn't even there.
I can paint a picture of a monster
With ****** teeth and devilish eyes.
But I cannot paint the nothingness
The darkness so often is.

And to me, nothingness is the most dangerous.
I can fight a monster.
But I cannot fight nothing.
Nothingness will swallow you.
It will take over your senses
And thoughts,
And eventually will to live.

Life is colorful.
Life should be loud.
Life should be funny.
And sometimes painful.
But when the silence,
The nothingness arrives,
There is no color.
There is no sound.
No laughter.
Or even pain.
There is no life at all.

Flames and Hobbies must not report your Time
As a Rebel-in-Arms beyond your Due
Yet across the Beach is a Stern Incline
Which must Inspire a Better You
Yes I know, my Friend: As his own Cousin
Your Image dulls like an Owl to a Mouse
But the Mouse can swim. So in your Giving
Behind this Chantry is a Better House
I forgive your Hate to an Elder Age
Since he killed the Fancy you so preserve
He is that Open; And preaches the Sage
Reminding the Fame you also Deserve.
Now, after all that said: Which do you know
The Owl that Betrays or the Mouse that Grows?

In a dark corner, pondering the state of the world
as I write this, I take another drink
drowning in this thing, the drink I mean
opening my mind allowing me to see
everything much more clearly
for is this not what it does
heals wounds, numbs the pain
whilst killing you
how ironic
but I can't stop and I hate it
such a dependence, thoughts much more attuned
when intoxicated and alone
and God how I love it, how I hate it
I know I am weak
I say with cigarette and drink in hand
but it dulls the agony so why not
why not
there are those sober, suffering, judging
at least I can admit it
yes I admit it, I am weak
I love music, drink, loneliness, drugs, misery
I am most alive when I look out
and see those in denial of the horror
I know the truth, I know it is real
I accept it
my friend, this is what it is to be human
inspiration
I love the idea of peace, love, happiness
but the entire world won't accept it
so I drink
I smoke
I sit alone in a dark corner
and ponder
what if
what would I be if humanity coexisted

Pencils are opportunities, it dulls as you write,
mistakes slowly burns the red rubber ****,
and sharpeners are luxuries or government help or socialism.

But what about cheap pencils,
whose lead dulls or breaks easily.

Pencils are all equal if you look it in the outside
but what you can't see is that these cheap pencils
does not have a solid strip of lead inside,
it has some small quantities of opportunities to write.

I need to sharpen it once in a while
so I can clearly write.

But not everyone has sharpeners nor extra pencils,
some even bought this kind of pencil
with all the money they have
and they cannot write their stories
and their happy endings,
when the luster of their leads are constantly fading
into white, swallowed by the open
free-market place of ideas blank paper.

And I can't blame the poor vendor who sold me
these substandard opportunities.

However,

I am blaming the owners of factories,
for making such lousy imitations,
for exploiting my hunger to write.
I am blaming the government,
for allowing such pencils to ever exist!

Their lust for power, their greed takes away
my opportunities to write clearly and continuously,
I am blaming them for assuming that all of us have sharpeners!

We should not pay for social sharpening services!
Sharpeners and pencils should be free!

A poesy to those who earn a life of little recognition.

Beneath the fabric of the world’s tainted expectations, lies what many fail to explore, few discover and the luckiest cherish.
Blessings that cannot be traded, bought, nor sold.
A benison unable to become impoverished.
Gifts that grow and sprout delicious fruit.
A colossal heart of gold.

The hue’s of their soul glows intoxicatingly bright,
and guide those in the dark.
A benevolence whose warmth is palpable to the lives of those surrounding them,
with out a demand,
and only a thirst to love.

With unfamiliar brilliance, these people fall anonymous.
Many of the carriers unaware of what beats within.

Blind to the beautiful wake of life trailing behind their actions.
They smile as if nothing has been done, where everything has.

Their inspirational hearts, when noticed shine so much beauty, you’re left in bewilderment.

As skepticism fades, cynicism falls, hate dulls, and questions are left with answers.
As fear is replaced by freedom.
You watch the kindness ask for nothing,
as only a desire to follow remains.

Red paint dries on a tissue
Slowly
The same rush hue
Glazes imperceptibly
Gently losing shine
And carefully dulls without change
And softly hardens until dry,
When you can touch it without fear
of red fingers, red clothes, red smears
But still, wasted paint on a tissue
Will be thrown away without notice
And still dry red.

Who am I?

I am a fool;
Who knows not that electricity shocks him
Nor that the knife cuts him
Nor do I know that love is lethal.

But alas I am a fool;
Many are willing to take advantage of this
While I am lost
In the bliss of love

They say that love is anesthesia
That it dulls the pain,
But in my opinion
All it does is bring it back again.

And so I am left
to pick up the pieces,
of the fool
who once loved.

Yet to be born from womb
Society doth define our tomb
Birth be not our choice
Cry of a baby a defiance voice
A child to adult we grow
Shackles of society dulls our glow
Unknown path feared to take
Lost our dreams in society's wake
Compared to others in life
A rat race causing hearts strife
Abused are the weak
Blamed by natures freak
A neighbour better envied
An innocent in vanity deceived
Shackes cast by society's die
Hearts loving tears doth dry
Live to be just live to care
Shackles of society abhors to care
Begs he for food begs he for a life
Hated he for tis be his life
None to help none to care
Shackles of society prevents to share
The need of tomorrow today sought
Society's standards pains bought
A child to adult we grow
Seeking societies conformity to glow
The failed  looked below
The winners looked above
Scandals and gossip talk of the town
To the different ,society a mocking clown
Break free oh heart that rage
Let not thy passion held in cage
For long held by shackles as sage
Time to live thy dream written page

Break free with love not hate
Fear not to change thy fate
Them that laugh at thee may be
Jealous as they can't be thee

Shackles society doth hold
To the weak in vanity sold
Happiness and true heart it doth not hold
Break free thy story ever be told

i

i think why not to let
but proved the query set
a double somersault-twist
or kiss your sweet lips..

can  end in cold death-
still the birds in the trees
go cheep or not at all..
i have reason to not question..

ii

i have memories return from the crib
it is all just part of the aging process
we beetle by saying that can´t be right
the lights´ get bright and bright..!

birds talk to us but i don´t hear voices
we become preoccupied with prices..
i recall four blackjacks  a penny
dying has a long curious way..

i am pretty sure i am someone else
absolute and completely and yet
these early feelings as blithe pictures
remain constant..



iii


more work less ******* about
but creation is just living
some absolute and indistinct
(it is tough being a poet..)..

iv

lily says,for it is her,
you don´t play no more,
only i say in mind
the years don´t lie
content´ s fragile store..
repetition dulls the brightest
core..eventually a silent purr ask´ s why
not why not..

v

why write poetry says lily
because it is a futile act
of achieving something perfectly..
we like that..


or like stubbing one´ s little toe
a rabbit from a dream hat
in a vain effort to retain what
remains of my memory..

lily why not or why bother..
lily red diamond from her
eyes sparking like a star is
just a ******* star baby..

she half nelson bottle wine
why do anything..a sign
a metaphor an hieroglyph
love and hate lily..

or the little bird in the agaves
i would like to shoot that one
hate and love lily
porquoi-pas..

vi

i read o twenty years before actually commiting to paper
not much but i knew the stuff i loved and kept there
i know it was charles bukowski i loved his funky gear
thank you norwegion liz for lending me his books dear..

ham on rye and factotum you say don´t lose them mf
i swore i would not lose them i would not lose them kf
kind friend..but i lost them i lost them..df..
dumb ******..


i leant them to someone that swore the same
they suffered an horrendous head..crang..
on and the books lost the books got lost..
there was scant satisfaction in plaster form..

maybe they went to a happy home
so not my fault that his drunk poems
god is he fun liz i hear your laugh then
such a wild sound ..generous so!

you said i should write and thank you
only human to encourage me true
and always a good drinking companion
you bought decent wine..

i adored cognac o..that was my poison
you always attracted van gelis errant tounge
unpleasant but one had to watch him..
that was his fun..

and then backgammon
goes a bit faint then..
i would like to say i won
you told me roland was cheating..

i think it was fun to play him anyway
esspicially on cement truck day..
not that he ever bought me a drink
not that i liked cement..

i lived with roland actually
this stopped any conversation
i met him by accident in eilat
that place was a laugh..

i think i enjoyed the second time
first loads of day jobs though i
played in the streets..and living with
the russians..

that a blast lily..my immediate neighbor
we never spoke..and the police pulled his hair
and yet not a squeak..a match box of grass cheap
i went to silently get a light..

he did say never run boy..
i thought alright for you
alright,
who was playing late night
in the soft quiet night..

so i was nosy
within the deepest hush
a glass and bottle jungle
impossible this silence

and i could hear him swallow
once the army ran through
i was tucked up in bead reading
by hopeless candle light..

i met roland in the peace cafe
a misnomer if ever there was
he picked me up and tossed me
around..

hey mike we got ****** and under
the landing planes roaring down
aint had hash like that in so many
years..

there was the red lion and at seven
free food and a drink and a movie
i read miguel cervantes..they
play the eye of the tiger later..

then the hard rock cafe with killer
egg and chips
i worked with an architect and made
a few shekals.

vii

i got out of there man i went south
dhab a quiet hut and goats..
that is the life right there..
o the corral beauties..

the stars as glimpsed through the palm..
pretty carpet and soften-songs of balm
brain blown and fly blown
and then back to town..

which came as a shock then
i had a drink and a very nice mention
for the cafe at the bus station..
i salut the the patience of the librarians..

If I could subjugate the seasons, and bend them full,
Unto my will, then I would make them playthings…
Like pretty maids, all in a row; and all I hate I’d cull.
Of old, I held esteem higher than bards and kings…
When the sickles fell in the corn, as the fire did roar,
The wicker man died, to the druids’ mystical chants.
I was there and in my honor the maidens sang more,
As the blood of the wicked watered growing plants!
My symbol was the ram, the horned beast of Hades,
And I am the wolf that runs wild, amongst the flocks.
My holy temple lies in the realm of the palest shades,
Cast low, yet rising ever higher from infernal rocks…
From such places have I climbed seeking my justice!
Elfin queens have donned the black courtesan gown,
And danced before my throne as many a mistress…
Their grace enhanced, by silvery slippers and crown.
I was the serpent Saint Patrick cast from out of Eire!
The children of Dana spoke of me only in whisper…
Whilst their mother kept tended, for me, a secret fire.
Only she could touch it without one burn or blister…
But her traditions are now the stuff of forgotten myth.
The gods have laid me low, seeking to humble pious,
A spirit wilder than the forest when cloaked in mists!
Though I bow to no tyranny; as a god, I was jealous.
As a man I am lonely and angry at the evils I behold,
Hungry for love and thirsty for what peace I can find.
In the name of desire, I rage until Hell’s fire is cold…
Look beyond my flesh, and do not in hubris be blind.
Know me by my words and know my love is honest,
I offer up my darkness with my light to here confess!

Descent I: The Spire of the Eye

(No heresy of Babylon, was ever so honest…
As that which captured my soul, in conquest.)

To love me, you must take my hand and so enter…
The hidden places, where not just good is centered,
But also evil the like of which you knew not I kept.
If you can understand, sweet dreams blissfully slept,
Then mayhap you can bear the nightmares’ sting…
And when all is so done, more of love we shall sing!
I am the darkness, the eye watching from the spire,
The one you deny, the embodiment of your desires.
I am the shadow, the faces in your mirror’s pane…
The one you fear, as you enter a nightmare domain!
Welcome to my paradise, let me offer you an apple,
As I send you to the Abyss on a steed lithely supple.
Behold the gardens where my kin wait to be free…
The roses there grow reddest, all from infernal seed.
I can lead you beyond the fire, if you take my hand,
For you are but a stranger, in my own strange land!
Behold the desolation, caused by the sins of man…
Would I punish humanity for it, if not for divine ban?
Nay, I am not God nor could I ever be one so aloof.
When I see the innocents who perish in disasters…
I weep for the children the most and I ask for proof,
That God cares for any soul, either here or hereafter.
Do you say wickedness lives, in the hearts of some?
I see it even on high, and wish it could be overcome.
But then somebody hurts me and I cannot forgive…
And in that hour I know why God can be full of fury.
Some pains are too much, to endure and saintly live,
I too was a child, and not a one wept for my worry!
Is my pity a service, to those who cannot be saved?
The answer is in no scripture, or on altars engraved.

Let me look into your eyes so that I might wonder,
Whilst you gaze into my own to behold the thunder!
Let us shake the heavens, until they are darkened…
Whilst those that slumber, below, violently awaken!

Descent II: The Feast of the Fallen

(No heresy of Atlantis, was ever quite blest…
As that which, here, has been shown interest.)

Behold the table I have set out for one great feast…
The wraith-maids come to dance in gowns creased,
By night-threads woven by the spiders of the pits…
As screams of the ******, provide a song most fit!
You ask, why God would create a domain like this,
A twisted realm of mad passions: and madder bliss?
It was the creation of the darkest dreams of angels,
And gods fallen, who found a home within the hells.
Where the elfin kin were remade into a dark image,
In a time lost to all history, unrecorded by any sage.
When love is denied me, I am a prisoner of the ice,
Which sweeps across my heart by sorrow’s device.
Fire and ice lie before you, within my soul reflected,
The origin of this nightmare you dream unprotected!
Do you feel the chill that I kept from all who’d pry?
Now you know how awful is loneliness, and why…
To bear it any longer would be verily to lose myself.
Far better is companionship, for the spiritual health!
Oh the irony of the ignorant who called me maker…
Knowing not, the blasphemy to which they commit!
Woe unto the repast prepared for them by a baker,
Who serves them the poisons to which they submit!
Only love can provide release that passion can seal.
Awaken me from my nightmare, with a love so real!
Black webs stretch across gulfs where vultures soar,
And I know how terrible goodness can be, unveiled.
For there is a terrible righteousness at Hell’s door…
Hotter than the sun over the waves man once sailed!
More terror lies in light too bright for eyes to handle,
Than the dimly flickering fires of one lit black candle.

What reflects in a mirror, naught but flesh opposed,
Is less real than midnight’s embrace, hotly imposed!
What you see in my face, only a tiny facet of a form,
Is something primal and untamed as a raging storm!

Descent III: The Light of the Dawn

(No heresy of Gnosis, which many did contest,
Was ever so revealing as what I’ve addressed.)

In a ziggurat in the center of an Eden grown so wild,
Sits enthroned, the dawn star in the form of a child…
Her power undaunted, despite her unassuming form!
For the heart is the domain, of the angel of the morn.
She is the light in the darkness that I have described,
Her soul is the flame, from which sinners would hide.
Would you sacrifice your wickedness unto her now?
Only light can forgive darkness, by grace endowed!
The banner of a ****** cross on white, unashamed,
Flies from that temple I share, with she I just named.
How many died beneath it, in the days of the sword?
What lies were men told, that evil was God’s word!
Armor is heavy, when the cause of arms is not just…
It shines less brightly, when bloodshed makes it rust.
You were not there when I knelt and wept, faithless,
Abandoning God, and lusting for a kinder mistress…
But if you would love me, you must know its’ cause!
For love I ****** myself, and did so without pause.
Through Sophia, and the child angel, God illustrated,
Unto me, the depth of the mercy I doubted did exist.
Oh Sophia, first mother of mine, how oft I hesitated,
Blind to the grace that, within us all, does so persist!
Just as in grief Athena gave herself unto tragic death,
I gave myself unto the night, for I had not a thing left.
There are sights that cannot be unseen by inner mind,
And there are sensations that cannot be taken away!
Tear away the outer garment and there you can find,
All that man is truly clad in, hidden from light of day!
To the left hand is the path: to the right hand of glory,
It is the winding way I took, throughout my life story.

Let me show you the glories of the hour of witching,
When a single tear can break one’s spirit, twitching!
Let me take you to the ball where the undead dance,
Where the dire ravens gather and the satyrs prance!

Descent IV: The Madness of Love

(No heresy of Cain, which was silenced to rest,
Was ever so damning as what I just confessed.)

For love, a brother’s very blood would I so give up.
I would heat it like a tea and pour it in a golden cup!
For love, my very flesh would I scourge, and scar…
I would offer my pain to every god to bottle in a jar!
For love, all of the earth would I conquer: lay waste.
I would build it anew, all its’ fresher delights to taste!
All of these wicked deeds would I do for one I love,
But I would never forsake her, not for angels above!
We have all had the frightful thoughts rise, unbidden,
Of which these are but a sample, of what lies hidden.
Am I good because I did not commit such mad acts?
No, for the thoughts were still mine, sharp as an axe!
To know there is evil within us is wisdom of a sort…
It means good is within to define it, granting comfort.
Once was I a god, but fell because of the inner dark,
Growing jealous and wanton, until I would not hark!
Love redeemed me before, and it can do so again…
If you love me you can, with a kiss, my torment end.
I am not a beast for awaiting beauty’s loving bounty,
Though all who live have within them a true monster.
People misunderstand much, and oft speak contrary,
Seeing not the raven until it flies up under their rafter.
Be a goddess in mortal flesh, and share my throne…
So life can be a dream, beyond mere flesh and bone.
Perhaps one must sin to know salvation’s soft touch,
Making the blessed into hedonists hungry for feeling.
I have known ambrosial delights far beyond all such,
Not by denial but by an embrace that left me reeling!
It is man, who first called me the Prince of Darkness,
Even though, of old, no such title did I once possess.

What sacrifices, as are offered: to redeem the fallen,
Cannot bring them salvation as a flower gives pollen!
What boon you grant, must be for only we to enjoy,
Cannily breaching my soul like the gates of old Troy!

Descent V: The Paradise of Perdition

(No heresy of Lucifer, with a rebellious zest…
Could shine so brightly, from east unto west.)

Trapped in memories, and tormented by my visions,
I’ll struggle ever onward making the only decisions…
Which ever my destiny allowed me freedom to bear.
If you are lost in my nightmare you had best beware!
No one can save you if you hold not love most dear,
And cannot endure darkness to conquer your fear…
For terrible is the beauty of the paradise of perdition.
But I would rather be bound there, than by tradition!
There is freedom in darkness and light there aplenty,
Not tainted by those who sold their faith, for money.
If fallen I am, at least in one way I am still redeemed:
Ever was I honest, and by me no one was deceived.
My sins have been great, and I reveled in them all…
This is where they dwell, amidst the flowers ever tall.
You have seen the surface of my darkness laid bare,
Walking in the wastelands where few would so dare.
If you love me, we can make the desolations bloom,
Build a heaven in our hell and let light replace gloom!
Joy is hedonistic, but modern man dulls it insensibly.
So why not partake, of what others fear to indulge?
The fruit that I offer you is born of true irresistibility.
The twilight of the gods begins not without a tumult!
Tell me if you be, such an adventurous and fair maid.
As Persephone was to Hades, be unto me: unafraid!
Let me touch you softly, and show you carnal virtue,
So that all the things they taught you were wicked…
Are revealed as pleasures, when passion pays a due.
Let us live and love with zest, on finer ambrosia fed!
The flames that scorch others, will be for us sensual,
In Hell is that paradise granted to the true individual.

Let me be swept away, by tides of passion carried,
Where any wish might be granted but never harried!
Let us do as we will, and that shall be our only law,
When the Abyss comes for us, we dive in its’ maw!

Ave Eous! Amor Aeternus. Gloria Paradiso Inferni!
Amorem et Lucem! Ignus Aeturnus. Ave Luci via!

I have gotten accustomed
To reading some
Of these things on
Here

Sometimes I read them
And I wander off

I see some things that

Brush off like wind on a coat
Like the unnoticeable bark
The whistle of a passing train

I see others
Trying to make the word

I see how the doing is done
But not entirely
Never entirely

Each minute comes up
Passes
Something happens

A mass of tiny words inside a tiny page
Inside a tiny machine within tiny houses
On tiny streets that weave like veins
Through the entire country

All of it
Is beautifully
Profane

A nodding to ones
Striking my groin more
Than it does my mind

Half the point I thought

Half the point

And with each word comes an
Idea about themselves and
With each poem comes more
About themselves and there
Is so much about the other in
These words that a face and a body
And a skinny body or a fat body
Or a short one

Doesn't really matter

That stuff will

Just

Melt away

Like a mist rolls off of the mountains

Like the hangover dulls
Like love dulls
Like everything dulls

Praising informality and
Calling all New Form

Praising mediacore hands
For just

Giving it their best

How the mirror turns
On me

When I
Shout

With

Fingers

Closed like confessionals, they thread
Loud noons of cities, giving back
None of the glances they absorb.
Light glossy grey, arms on a plaque,
They come to rest at any kerb:
All streets in time are visited.

Then children strewn on steps or road,
Or women coming from the shops
Past smells of different dinners, see
A wild white face that overtops
Red stretcher-blankets momently
As it is carried in and stowed,

And sense the solving emptiness
That lies just under all we do,
And for a second get it whole,
So permanent and blank and true.
The fastened doors recede. Poor soul,
They whisper at their own distress;

For borne away in deadened air
May go the sudden shut of loss
Round something nearly at an end,
And what cohered in it across
The years, the unique random blend
Of families and fashions, there

At last begin to loosen. Far
From the exchange of love to lie
Unreachable insided a room
The trafic parts to let go by
Brings closer what is left to come,
And dulls to distance all we are.

it’s with a heavy heart that I expel these thoughts to endless seas
toward oblivion I see a vibrant, burning entity
inviting me to spill my blood
and to unwind my mind for him,
with faith I leap beneath and into the chameleon rhine.
Her tide will keep me safe from monsters that I swim among
and current pulls me further, and then pushes me back in again.  
it’s with some heavy feet that I’ll now walk toward the ball of fire;
o’ shame of my confessions please don’t yeild this truth from me.
“I am the only truth,” he states;
we speak for weeks or minutes or days
about purple and orange and yellow and green
and how to see the colours of me;
how the blue isn’t blue unless you really look
and how you can’t believe everything you read in a book.
I tell him of sadness, which dulls his glow.
I tell him of the soulless, which he knows so well.
I tell him about sidewalks and concrete fields,
and how our trees have fallen ill.
and he speaks in short, brash flashes;
he is everything
and then nothing;
he’s gone before I get to say goodbye or really even said hello
and all I know is I’m left with nothing
and something,
and if I keep following the rolling stream
North and South and West and East,
and if I flow as One, surely I’ll find him again
and when I do I'll spill my self;
my mind, my body and this soul as One into the chameleon rhine.

There comes a point in life when
no compromise seems too large if it
dulls the ache of
being alone.

There comes a moment in growth when
memories are deceptive and lure us
back to seasons of
embittering pain.

There comes a fork in the road that
forces us to choose whether we will
have the freedom of courage or
crippling fear.

There comes a stirring in our soul that
whispers of journeys worth daring because
we have faith that love
rewards the brave.

I twist and turn,
Suffle in my
Hospital bed.
The drum of
The dextrose drops,
Plays as the background
For my despondent lulluby.
Clickering and clackering;
The white feet
On the frozen
Hospital floor
Feature the vocals
Of the weeping relatives
I do not know.
A chorus
Of morose songs
That bellow
From the valley
Of faded faces
Dulls the senses
Of the patients
In the ICU.
Doctors wearing
White garbs
With darkened eyes
Whisper to each other
Like a cult gathering
With prayers
And curses
On their lips.
They appear
To me
Like snakes
On the tree
Throwing sins
And travesties
To the
Invalid saints.

I, fight fervently
Against sleep.
Although almost
Twenty-four,
Am a child
Again.
A child who
Detests sleep
Like the plague
That took me.
In this hospital bed
I start my vigil;
A pilgrim to zion
Daunted by
The task before him.
Beset on all sides
By treasures
And trinkets
That would
Want him stray.
My eyes serve
As the lamp
To which
My body,
A servant,
Keeps alight.
In wait
For the return
Of the master.
An encounter
To rekindle
The bond
In childhood.
A chance
To decide
Which fashion
It will end.
So eyes,
Stay alight,
For your oil
Will only
Last one night;
Keep the fight.
Despondency
May fill these
Final moments
But at the moment
Of the master's
Return
The chorus
Of faded faces
Will turn into
Choirs of angels
And there;

Sleep.

Ushers clad in white rush the masses to their seats.
Talk dulls to whispers as the queue outside depletes.
A black suit waves his wand at centre stage.
“It looks just like they said it would on this week’s news’ front page,”
             they say.

The tuxedo raised its hands, to quell the audience,
His stonewall face daunting, demanding perfect silence.
As the ushers move in tandem, down the aisles to the stage,
The curtain breaks, the glasses shake, as the lights begin to fade.

Hooded figures appear, wheeling metal tables
Bearing cobalt cadavers, held fast with jumper cables.
They are brought to centre stage, to three white-clad physicians.
Tools are passed into the hands of each the meat-magicians.
“Thank you. You’ve arrived very much on time,” says tuxedo,
       and he snaps a shot of bourbon.

Curtains billow ‘round the stage like clouds of clotted blood.
The lights dim and the show begins, the audience waiting, rabid.
And through the obscurity,
Through the gloom of the room,
They see the white-coat men lift their arms in unison,
As the tuxedo points his wand about like a handgun.
He waves his stick at the white-coat men
And they lower their hands to the bodies in front of them.
They hold tools with blades short and long,
    and dig into their subjects.
They pick through pith and pulp,
     casting flecks of flesh into the audience.
Their white coats blush deeper and deeper
   the farther they dig with their knives and their peepers.
The tuxedo thrashes his wand astir, directing the dissection with little discretion.
The audience gasps and murmurs a disturbed digression
   but watch with wide eyes in disgusting obsession.
“Someone’s got to teach these ******* a lesson,” says a white-coated man, digging deeper depressions.
All the while the corpses lay, until the tuxedo man bends in plie.
And the cadavers awaken and scream upon seeing their entrails laid out for display.
“What a horribly carnal ballet!”
             they say.

The audience clamours, simply enamoured,
Erupting with tears, and applause, and laughter.
They clap at the bodies exploding in seizure
While the white-coats rip and cut to their leisure,
The subjects watch in horror as they are filleted,
Their own pelts and rinds are stars on Broadway.

Suddenly the tuxedo man stops,
Signaling the white-coats to stop in mid-chop.
The mangled bodies see on the floor themselves in pieces like the dried needles of pines.
And they curl and writhe on the metal tables, hugging tightly to their own spines.
“Thank you. But it seems we’ve run out of time,” the tuxedo man says with a bow,
As he wipes the sweat and blood from his brow.
And the ushers rush the audience out,
While the hooded men return to collect the waste
While the audience leaves feeling nothing close to disgraced.
“I’ve never once seen a better display,”
             they say.

The sleet is drawing boxes 'round
our mud-and-snow sashed towns.
We'll check 'em off
                      with crunching footsteps,
slash our gallows grins through static
weather. Nervous laughter fights off winter
while somnambulist nights
                    hold the anthill days at bay.

And each repeated conversation
coats a thrumming undercurrent
echoed by the groaning rivers
in their arthritic fatigue.

     where the ice piles up
              like car wrecks.

And, out of those disastrous angles,
     jumps up and trips back down.
          Blinking eyelids, right then left.
               Sunrises. Sunsets.
Dusks and dawns in places familiar
wading through liminal space.

Circles darkened. Footprints filled in.

The heat just circles lazily.
Our flushed and clammy brows
will **** askance
               and sweat while footsteps
melt our swaying way through boiling
sidewalks. Nervous laughter dulls the impact
of seared, rapid fire nights.
             "Ha." "Ha." Shrug off another.

And all repeated reminiscence
does is hamstring overthinking
of the closing jaws of traps
in these rusting western towns.

        where winds breathe dust
                by mouthfuls

So, into our familiar mishaps,
     ***** up and falls back down
          melting into neighborhoods
               dress down, upbraid us.
'Til our feet do not walk circles
'round these wilting Western towns.

It starts in your fingers.
They grow numb and then your throat tightens
and it feels like your vocal chords will snap if you don't scream
and your airways clog and you can't breathe
and your chest starts to hurt but you can't massage it
since your fingers are so numb
and the pain becomes so overwhelming that your brain dulls
and you can't think, all you can do is feel
and feel and feel
until you can't feel anything at all
and that is how you drown without being in water.

you grabbed my hand like it was
your only saving grace,
and you held me in your arms
as if i was the only thing
keeping you afloat.
the carnival lights shone
brightly above,
and the cloud-masked sunset
waved goodbye on the horizon,
bidding us adieu,
farewell until next time.
waves lapped at our feet
as we lapped at each other
and the wind in our hair
must have mixed up our atoms;
that summer night when we became
a beautiful cacophony of half-broken hearts,
tearing each other’s flesh with our
desperate and greedy hands
and popping pink and purple blood vessels
between our canines and incisors.
sleeping in my bed
could never compare to the comfort
and safety i indulge in when cradled
in your arms,
and the sweetest of songs dulls in
comparison to the rhythm of your
breathing.

He bites his lips, the shape of ***,
and creases his  brow.
A musty breeze from the bar’s open door
sends me the taste of his breath,
cheap peppermint and wine.
Its succulence dulls my senses.
His terrible fingers trace my neck,
and I forget about the danger.
And he pounces, an incubus,
an ancient resident of urban wells like this one.
But his mouth is so sweet,
I cannot care.

In Farmington the misfit suffers the jukebox and dances to an unknown song. He dances on the pool table. He wears black—black skull cap, black
duster, black shirt, black slacks, black boots. He's in Farmington and
the women here drink Bud Light. He dances slow. It's similar to a dance
you've seen before. You have that friend that climbs on couches after a few and half staggers, half sways. The women here watch him with unhappy eyes and hands stained blue from the textile mill. He seems to mouth the words although he clearly doesn't know the song. They, the women, dig their elbows into the bar. Pocked and graffiti'd, the bar soaks up spilled beer and ash and nail polish. Behind the bar a sign reads: Free Beer Tomorrow. And for some reason, you must admit, this sign's effect never dulls. The Misfit pantomimes a dance with a pool cue. His face is severe, serious. He's in Farmington dancing with a pool cue on a pool table to a song he doesn't know like a drunk friend of yours and the women are watching. Next, he does something amazing. He removes his cap. He's got shocks of bleached hair and burn scars run like rivulets between the patches. He tosses the cap toward the bar. One lucky woman catches it and summons herself to the pool table. You want them to have a bit of dialogue here, to say something oblique and innocent. Instead the lucky woman dances at the man's feet. He surrenders a smile and he's got small tracts of bleached hair and burn scars and he's in all black and he's dancing. The lucky woman, she's in a canary yellow patch dress. Her dance, although clumsy, still mesmerizes you. It's without ego, without shame. She is a child. She is the light in the room. She is, in this moment, the world entire. He pulls her onto the table. It's time to appoint the Misfit and the lucky woman names, you think. His name shall be Joshua. Her name shall be Anna. Palms together, her head resting on his chest, they sway. The smoke and the tracers of light meld and Joshua and Anna's outlines become muddied. Their bodies merge and they are both yellow and black and covered in burn scars and bleached hair and the women are still watching. As the song starts to fade, someone—maybe it's you—drops a few coins in the jukebox and it begins again.

Do the masses know what its like to hit bottom
To have so many pains
To be forgotten
For the only thing that dulls it to be in your veins

From down here I can't look any one in the eyes
Even the people here can't as hard as they try
We have all done so much
Told so many lies

Every day I wonder
If my life is enough of a blunder
That I can finally give up
And let my self go under

I can't take a step forward without going back
Even if I try and get my life back on track
And climb out of this hell
It'll Just be a higher drop if I fell

Rock bottom isn't that bad
I tell my self its just a fad
I'll just dull the pains
By putting fentanyl in my veins

I will wear the cotton in your voice
Like a satin waistcoat
Hearing you call through splintered walls
And the wind blows as easily as the rain falls
Slowly
I feel as though I am a drop
Hurtling through the sky
Towards the moss covered earth at a shattering pace
Barely making a dent
On the sliver of the place you are
The other side of the door
Just a track away
And though I do not see you I hear your sway
Creating balance in the things you say
And we will walk forever
Though we do not move from the warmth
Of your iron cage
With boiling over foreigners begging for attention
My eyes cannot be drawn away
And ill stand in a field
And the corn will have no names and you will be
Flying like a bird without a cage
A slave without binding
A stitch without thread
And we will sprint like two parallel lines
Always similar but never touching
Infinite in ourselves
But finite with each other
Our paths never cross
Though we move side by side
Lost in the people we want to be with
balancing on a fence post we dont know is stable
With chipping paint
And white lines
Moving forever through a blind eye
You’ve found the pair to your pair of die
But where were you when I hadn’t
When my tissue box was a house for elves
And my sandbox was not a place for creation
Where memories went to sleep
And marbles were lost
I slipped in the downpour
And my shirt ripped
And my shorts tore
And I am sobbing alone
Optical spillage with small oceans removing themselves
Left drowning on my own
But though your seams are now sewn
Mine remain alone
And I stand now
Like a house without a home
Im sitting like a rock at the bottom of the sea
And I feel the pressure though it has never touched me
Fizzling inside my ears like static during a phone call
With you on the other line
Your hearing fine
Mine not at all
Your white noise is blinding but you never hear it
Sending me message after message
But my ears refuse to be near it
Like a microphone and a speaker
Your feedback is heavy
and when you are with her
Your white noise goes away
Your equally quiet souls both speak loud
And neither one overpowers the other
And I know you will not have me
For I am a force of nature
I swing like the light on the top of a lighthouse
And warn sailors of the danger on my shores
Because though you do not want me when I am yours I am yours
I am in the world for a long haul
And I hope your course changes
I hope your white noise dulls
I hope she can hear you when you whisper like sirens
And I hope if your voice reaches
Or hers falls
I hope you find comfort in the ***** of her sanity
because every other set of lines, meet once
and then drift apart forever
parallel lines are infinitely similar
but will never meet

I know you'll hold me strong tonight,
But in the morning light
As the sunlight grows,
You begin to lose your iridescent glow,
And into my past you start to flow.

And I know that you'll always love me
And I will surely always love you,
But as I'm sure you know,
To those distances the heart can't always go.
So in that light, I let you go.

I can't really talk to you again
Unless you decide to be part of the conversation,
Because if you enjoy the attention
But don't want to contribute anything,
I can't live in that sort of plan.

So, as I said,
I'm headed for the door.
You can head to wherever your legs explore,
And it will be that girl I knew in the past
That I will forever adore.

Acceptance that in this life
Blood and sinew define me
And yet my mind can fly,
Doesn’t come easily.

To find the pivot point,
The sweet spot where form and fancy
Co-exist in perfect balance,
Eludes me most of the time.

To lose myself in the dreck of daily life dulls my spirit;
To reject the limitations of my reality
Leaves me stranded in the in between spaces
Where discontent, longing and self-doubt flourish.

Engaging in this power struggle
Between my earth and my ether
Leads me to gainsay one half of my whole,
Either or, vice versa, within or without.

To find a ***** in my own armour,
To prise open the gap,
To embrace the paradox which is this person named “I”,
And walk the tightrope with panache...aha!

We were twin-tailed stars,
bursting forth from the night.
Radiating our warmth,
revelling in delight.

We were gemstones- Geodes;
raw, intwined.
Silver faceted rings,
wrapped tightly in twine.

But as all atoms decay,
light dulls and fades.
Pulls that were closer now drift away,
Oh how I wish.

I wish you would stay.

It smells like loneliness outside.
The smell of a hot dog on a grill after a storm,
mingled with propane and cigarettes.
The smell of solitary.

A string of “cold and broken hallelujahs”
no longer dulls the senses.
It’s senseless anyway.

I eat my brown rice in front of the sink
and I am reminded of the taste of Play-Doh.
It’s funny how loneliness creeps in on the wind,
the cars’ wheels in the rain,
the braking of the bus,
scuttling of squirrels...

Maybe a hot tea or toddy
(maybe something stronger)
will keep this autumn-ness at bay.

The perfume of your body dulls my sense.
I want nor wine nor ****; your breath alone
Suffices. In this moment rare and tense
I worship at your breast. The flower is blown,
The saffron petals tempt my amorous mouth,
The yellow heart is radiant now with dew
Soft-scented, redolent of my loved South;
O flower of love! I give myself to you.
Uncovered on your couch of figured green,
Here let us linger indivisible.
The portals of your sanctuary unseen
Receive my offering, yielding unto me.
Oh, with our love the night is warm and deep!
The air is sweet, my flower, and sweet the flute
Whose music lulls our burning brain to sleep,
While we lie loving, passionate and mute.

The Captain and I are shipmates tonight.
We ride out the storm together till morning light.
A glass full of his wisdom by my side in repose,
where his torrent of words will take me, who knows?
But a sentence reaches me by the bedside lamp's glow.
The truth of it kills
and I wish it unsaid.
"***," He whispers "won't fill
an empty bed,"
"Yes..." I sadly opine.
"But it dulls the pain...
fills my senses just fine."
The Captain nods, satisfied, and the ship rumbles
as it is tossed about by wind and rain.
He motions in the cabin boy, who tumbles
inside, and pours me another glass of pain.

Red like her lips.
Dark like her eyes.
Heady like her scent.
Fluid like her hips...
The Captain grabs my shoulder.
"Forget her." His eyes smoulder
louder than hers...

I reach for the wine.

Dancing girl,
Dressed up for the party,
Loses inhibitions,
Dulls her intuition,
Hands on her waist,
Lures her to the corner,
Looks fast around for no mourners.

Trickster with a smile,
Ruler of the game,
Forces down the bile,
He doesn’t know her name.
Strings are now attached,
Cutting off the feeling,
Her body is forfeit,
Awareness is gone,
None left for her to cry out from the pain of the jerking.

Breaking girl,
Tape can’t patch her up when her dreams are leaking through.
Hands of shadows clamp her throat,
Beads of sweat soak through her skin and come out her eyes,
Out of her dreams,
Soaking her pillow,
Soaking me.

Trickster with a smile,
Ruler of the game,
Forced down the bile,
He didn’t know her name.
Strings are cut and ragged,
Bringing back the feeling,
This girl is waking,
This lady is breaking,
She steps off the boat but her mind is still swaying.