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A Mareship Oct 2013
Dullness comes like rain,
Eyes dull like champagne
Left out in glasses cold,
Like underpolished gold.

Such mollycoddle words
Such words I’ve often heard,
Disguised as strong commands,
With my shoulders meeting hands.

A shooting spree of dreams
On a melancholy green,
I hide him under beds,
And tell the room he’s dead.

Dullness comes like rain,
Like old champagne again,
Paralysed and rolled,
In underpolished gold.
AMISHA Sep 2018
Success never came without critique & hate
No matter friend or foe, they'll close down their gate.
The smile will turn into a smirk
The eyes will change into a lurk
Some may even walk on to the other side
But that's when you'll know you're doing it right
Your light maybe blinding to some
and some may even turn to ash
but don't give heed to the glare,
whispers and oh all the gnash.

Dance on your victory, you've made them so proud,
the ones who love you; so bring down the shroud;
of darkness and dullness & shout out to call,
your strength and beauty that some may appal.
Cause' you are a diamond that shines oh so bright,
but some may not see it,
so why don't you guide.
Cause' you've got it right
So stand tall with pride
Cause' you are the light
and you shine so bright.

A.S.
Feel free to express your thoughts.
Ferns Jul 2018
The pile of books
The array of papers
They long-await
that ink will pour
on their vacuous
void of emptiness
For the deadline
draws near
Yet I'm still here
Sitting on my windowsill
Lackadaisically waiting
Certainly expecting
For water to descend
From the firmament
surrounded by dullness
where a mass of clouds
are there to be seen
Ah, Nikolaas, my love for him is not the same, as my love for thee;
My love for thee was once, and may still be, sweeter, purer, more elegant, and free;
But still, how unfortunate! imprisoned in mockery, and liberated not-by destiny;
It still hath to come and go; it cannot stay cheerfully-about thee forever, and within my company.

And but tonight-shall Amsterdam still be cold?
But to cold temper thou shalt remain unheeded; thou shalt be tough, and bold;
Sadly I am definite about having another nightmare, meanwhile, here;
For thy voice and longings shall be too far; with presumptions and poems, I cannot hear.

Sleep, my loveliest, sleep; for unlike thine, none other temper, or love-is in some ways too fragrant, and sweet;
All of which shall neither tempt me to flirt, nor hasten me to meet;
My love for thee is still undoubted, defined, and unhesitant;
Like all t'is summer weather around; 'tis both imminent, and pleasant.

My love for thee, back then, was but one youthful-and reeking of temporal vitality;
But now 'tis different-for fathom I now-the distinction between sincerity, and affectation.
Ah, Nikolaas, how once we strolled about roads, and nearby spheres-in living vivacity;
With sweets amongst our tongues-wouldst we attend every song, and laugh at an excessively pretentious lamentation.

Again-we wouldst stop in front of every farm of lavender;
As though they wanted to know, and couldst but contribute their breaths, and make our love better.
We were both in blooming youth, and still prevailed on-to keep our chastity;
And t'is we obeyed gladly, and by each ot'er, days passed and every second went even lovelier.

But in one minute thou wert but all gone away;
Leaving me astray; leaving me to utter dismay.
I had no more felicity in me-for all was but, in my mind, a dream of thee;
And every step was thus felt like an irretrievable path of agony.

Ah, yon agony I loathe! The very agony I wanted but to slaughter, to redeem-and to bury!
For at t'at time I had known not the beauty of souls, and poetry;
I thought but the world was wholly insipid and arrogant;
T'at was so far as I had seen, so far as I was concerned.

I hath now, seen thy image-from more a lawful angle-and lucidity;
And duly seen more of which-and all start to fall into place-and more indolent, clarity;
All is fair now, though nothing was once as fair;
And now with peace, I want to be friends; I want to be paired.

Perhaps thou couldst once more be part of my tale;
But beforehand, I entreat thee to see, and listen to it;
A tale t'at once sent into my heart great distrust and sadness, and made it pale;
But from which now my heart hath found a way out, and even satisfactorily flirted with it,

For every tale, the more I approach it, is as genuine as thee;
And in t'is way-and t'is way only, I want thee to witness me, I want thee to see me.
I still twitch with tender madness at every figure, and image-I hath privately, of thine;
They are still so captivatingly clear-and a most fabulous treasure to my mind.

My love for thee might hath now ended; and shall from now on-be dead forever;
It hath been buried as a piece of unimportance, and a dear old, obsolete wonder;
And thus worry not, for in my mind it hath become a shadow, and ceased to exist;
I hath made thee resign, I hath made thee drift rapidly away, and desist.

Ah, but again, I shall deny everything I hath said-'fore betraying myself once more;
Or leading myself into the winds of painful gravity, or dismissive cold tremor;
For nothing couldst stray me so well as having thee not by my side;
An image of having thee just faraway-amidst the fierceness of morns, and the very tightness of nights.

And for seconds-t'ese pains shall want to bury me away, want to make me shout;
And shout thy very name indeed; thy very own aggravated silence, and sins out loud;
Ah, for all t'ese shadows about are too vehement-but eagerly eerie;
Like bursts of outspread vigilance, misunderstood but lasting forever, like eternity.

'Twas thy own mistake-and thus thou ought'a blame anyone not;
Thou wert the one to storm away; thou wert the one who cut our story short.
Thou wert the one who took whole leave, of the kind entity-of my precious time and space;
And for nothingness thou obediently set out; leaving all we had built, to abundant waste.

Thou disappeared all too quickly-and wert never seen again;
Thou disappeared like a column of smoke, to whom t'is virtual world is partial;
And none of thy story, since when-hath stayed nor thoughtfully remained;
Nor any threads of thy voice were left behind, to stir and ring, about yon hall.

Thou gaily sailed back into thy proud former motherland;
Ah, and the stirring noises of thy meticulous Amsterdam;
Invariably as a man of royalty, in thy old arduous way back again;
Amongst the holiness of thy mortality; 'twixt the demure hesitations, of thy royal charms.

And thou art strange! For once thou mocked and regarded royalty as *******;
But again, to which itself, as credulous, and soulless victim, thou couldst serenely fall;
Thus thou hath perpetually been loyal not, to thy own pride, and neatly sworn words;
Thou art forever divided in his dilemma; and the unforgiving sweat, of thy frightening two worlds.

Indeed thy godlike eyes once pierced me-and touched my very fleshly happiness;
But with a glory in which I couldst not rejoice; at which I couldst not blush with tenderness.
Thy charms, although didst once burn and throttle me with a ripe vitality;
Still wert not smooth-and ever offered to cuddle me more gallantly; nor kiss my boiling lips, more softly.

Every one of t'ese remembrances shall make me hate thee more;
But thou thyself hath made more forgiving, and excellent-like never before;
'Ah, sweet,' thou wouldst again protested-last night, 'Who in t'is very life wouldst make no sin?'
'Forgiveth every sinned soul thereof; for 'tis unfaithful, for 'tis all inherently mean.'

'Aye, aye,' and thou wouldst assent to my subsequent query,
'I hath changed forever-not for nothingness, but for eternitie.'
'To me love o' gold is now but nothing as succulent',
'I shall offer elegantly myself to not be of any more torment, but as a loyal friend.'

'I shall calleth my former self mad; and be endued with nothing but truths, of rifles and hate;'
'But now I shall attempt to be obedient; and naughty not-towards my fate.'
'Ah, let me amendst thereof-my initial nights, my impetuous mistakes,'
'Let me amendst what was once not dignified; what was once said as false, and fake.'

'So t'at whenst autumn once more findeth its lapse, and in its very grandness arrive,'
'I hopeth thy wealth of love shall hath been restored, and all shall be alive,'
'For nothing hath I attempted to achieve, and for nothing else I hath struggled to strive;'
'But only to propose for thy affection; and thy willingness to be my saluted wife.'

And t'is small confession didst, didst tear my dear heart into pieces!
But canst I say-it was ceremoniously established once more-into settlements of wishes;
I was soon enlivened, and no longer blurred by tumult, nor discourteous-hesitation;
Ah, thee, so sweetly thou hath consoled, and removed from me-the sanctity of any livid strands of my dejection.

For in vain I thought-had I struggled, to solicit merely affection-and genuinity from thee;
For in vain I deemed-thou couldst neither appreciate me-nor thy coral-like eyes, couldst see;
And t'is peril I perched myself in was indeed dangerous to my night and day;
For it robbed me of my mirth; and shrank insolently my pride and conscience, stuffing my wholeness into dismay.

But thou hath now released me from any further embarkation of mineth sorrow;
Thou who hath pleased me yesterday; and shall no more be distant-tomorrow;
Thou who couldst brighten my hours by jokes so fine-and at times, ridiculous;
Thou who canst but, from now on, as satisfactory, irredeemable, and virtuous.

Ah, Nikolaas, farther I shall be no more to calleth thee mad; or render thee insidious;
Thou shall urge me to forget everything, as hating souls is not right, and perilous;
Thou remindeth me of forgiving's glorious, and profound elegance;
And again 'tis the holiest deed we ought to do; the most blessed, and by God-most desired contrivance.

Oh, my sweet, perhaps thou hath sinned about; but amongst the blessed, thou might still be the most blessed;
For nothing else but gratitude and innocence are now seen-in thy chest;
Even when I chastised thee-and called thee but an impediment;
Thou still forgave me, and turned myself back again into elastic merriment.

Thou art now pure-and not by any means meek, but cruel-like thy old self is;
For unlike 'tis now, it couldst never be satisfied, nor satiated, nor pleased;
'Twas far too immersed in his pursuit of bloodied silver, and gold;
And to love it had grown blind, and its greedy woes, healthily too bold.

And just like its bloodied silver-it might be but the evil blood itself;
For it valued, and still doth-every piece with madness, and insatiable hunger;
Its works taint his senses, and hastened thee to want more-of what thou couldst procure-and have,
But it realised not that as time passed by, it made thee but grew worse-and in the most virtuous of truth, no better.

But thou bore it like a piece of godlike, stainless ivory;
Thou showered, and endured it with love; and blessed it with well-established vanity.
Now it hath been purified, and subdued-and any more teaches thee not-how to be impatient, nor imprudent;
As how it prattled only, over crude, limitless delights; and the want of reckless impediments.

Thou nurtured it, and exhorted it to discover love-all day and night;
And now love in whose soul hath been accordingly sought, and found;
And led thee to absorb life like a delicate butterfly-and raiseth thy light;
The light thou hath now secured and refined within me; and duly left me safe, and sound.

Thou hath restored me fully, and made me feel but all charmed, awesome, and way more heavenly;
Thou hath toughened my pride and love; and whispered the loving words he hath never spoken to me.
Ah, I hope thou art now blessed and safely pampered in thy cold, mischievous Amsterdam;
Amsterdam which as thou hath professed-is as windy, and oft' makes thy fingers grow wildly numb.

Amsterdam which is sick with superior lamentations, and fame;
But never adorned with exact, or at least-honest means of scrutiny;
For in every home exists nothing but bursts of madness, and flames;
And in which thereof, lives 'twixt nothing-but meaningless grandeur, and a poorest harmony.

Amsterdam which once placed thee in pallid, dire, and terrible horror;
Amsterdam which gave thy spines thrills of disgust, and infamous tremor;
But from which thou wert once failed, fatefully, neither to flee, nor escape;
Nor out of whose stupor, been able to worm thy way out, or put which, into shape.

But I am sure out of which thou art now delightful-and irresistibly fine;
For t'ere is no more suspicion in thy chest-and all of which hath gone safely to rest;
All in thy very own peace-and the courteous abode of our finest poetry;
Which lulls thee always to sleep-and confer on thee forever, degrees of a warmest, pleasantry.

Ah, Nikolaas-as thou hath always been, a child of night, but born within daylight;
Poor-poor child as well, of the moon, whose life hath been betrayed but by dullness, and fright.
Ah, Nikolaas-but should hath it been otherwise-wouldst thou be able to see thine light?
And be my son of gladness, be my prince of all the more peaceful days; and ratified nights.

And should it be like which-couldst I be the one; the very one idyll-to restore thy grandeur?
As thou art now, everything might be too blasphemous, and in every way obscure;
But perhaps-I couldst turn every of thine nightmare away, and maketh thee secure;
Perhaps I couldst make thee safe and glad and sleep soundly; perfectly ensured.

Ah, Nikolaas! For thy delight is pure-and exceptionally pure, pure, and pure!
And thy innocence is why I shall craft thee again in my mind, and adore thee;
For thy absurdity is as shy, and the same as thy purity;
But in thy hands royalty is unstained, flawless, and just too sure.

For in tales of eternal kingdoms-thou shalt be the dignified king himself;
Thou shalt be blessed with all godly finery, and jewels-which thou thyself deserve;
And not any other tyrant in t'ese worlds-who mock ot'er souls and pretend to be brave;
But trapped within t'eir own discordant souls, and wonders of deceit and curses of reserve.

Oh, sweet-sweet Nikolaas! Please then, help my poetry-and define t'is heart of me!
Listen to its heartbeat-and tellest me, if it might still love thee;
Like how it wants to stretch about, and perhaps touch the moonlight;
The moonlight that does look and seem to far, but means still as much-to our very night.

Ah! Look, my darling-as the moonlight shall smile again, to our resumed story;
If our story is, in unseen future, ever truly resumed-and thus shall cure everything;
As well t'is unperturbed, and still adorably-longing feeling;
The feeling that once grew into remorse-as soon as thou stomped about, and faraway left me.

Again love shall be, in thy purest heart-reincarnated,
For 'tis the only single being t'at is wondrous-and inexhaustible,
To our souls, 'tis but the only salvation-and which is utterly edible,
To console and praise our desperate beings-t'at were once left adrift, and unheartily, infuriated.

Love shall be the cure to all due breathlessness, and trepidations;
Love shall be infallible, and on top of all, indefatigable;
And love shall be our new invite-to the recklessness of our exhausted temptations;
Once more, shall love be our merit, which is sacred and unalterable; and thus unresentful, and infallible.

Love shall fill us once more to the brim-and make our souls eloquent;
Love be the key to a life so full-and lakes of passion so ardent;
Enabling our souls to flit about and lay united hands on every possible distinction;
Which to society is perhaps not free; and barrier as they be, to the gaiety of our destination.

Thus on the rings of union again-shall our dainty hearts feast;
As though the entire world hath torn into a beast;
But above all, they shan't have any more regrets, nor hate;
Or even frets, for every fit of satisfaction hath been reached; and all thus, hath been repaid.

Thus t'is might be thee; t'at after all-shall be worthy of my every single respect;
As once thou once opened my eyes-and show me everything t'at t'is very world might lack.
Whilst thou wert striving to be admirable and strong; t'is world was but too prone and weak;
And whilst have thy words and poetry; everyone was just perhaps too innocent-and had no clue, about what to utter, what to speak.

Thou might just be the very merit I hath prayed for, and always loved;
Thou might hath lifted, and relieved me prettily; like the stars very well doth the moon above.
And among your lips, lie your sweet kisses t'at made me live;
A miracle he still possesses not; a specialty he might be predestined not-to give.

Thou might be the song I hath always wanted to written;
But sadly torn in one day of storm; and thus be secretly left forgotten;
Ah, Nikolaas, but who is to say t'at love is not at all virile, easily deceived, and languid?
For any soul saying t'at might be too delirious, or perhaps very much customary, and insipid.

And in such darkness of death; thou shalt always be the tongue to whom I promise;
One with whom I shall entrust the very care of my poetry; and ot'er words of mouth;
One I shall remember, one I once so frightfully adored, and desired to kiss;
One whose name I wouldst celebrate; as I still shall-and pronounce every day, triumphantly and aggressively, out loud.

For thy name still rings within me with craze, but patterned accusation, of enjoyment;
For thy art still fits me into bliss, and hopeful expectations of one bewitching kiss;
Ah, having thee in my imagination canst turn me idle, and my cordial soul-indolent;
A picture so naughty it snares my whole mind-more than everything, even more than his.

Oh, Nikolaas, and perhaps so thereafter, I shall love, and praise thee once more-like I doth my poetry;
For as how my poetry is, thou art rooted in me already; and thus breathe within me.
Thou art somehow a vein in my blood, and although fictitious still-in my everyday bliss;
Thou art worth more than any other lov
1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen-
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,-and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,-
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.

It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!-
The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea . . .
And a sun far off in a shell of silence
Dapples my walls for me . . .

It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.

Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.

It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.

There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains . . .

It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor . . .

. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know . . .

Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.

3

I walk to my work, says Senlin, along a street
Superbly hung in space.
I lift these mortal stones, and with my trowel
I tap them into place.
But is god, perhaps, a giant who ties his tie
Grimacing before a colossal glass of sky?

These stones are heavy, these stones decay,
These stones are wet with rain,
I build them into a wall today,
Tomorrow they fall again.

Does god arise from a chaos of starless sleep,
Rise from the dark and stretch his arms and yawn;
And drowsily look from the window at his garden;
And rejoice at the dewdrop sparkeling on his lawn?

Does he remember, suddenly, with amazement,
The yesterday he left in sleep,-his name,-
Or the glittering street superbly hung in wind
Along which, in the dusk, he slowly came?

I devise new patterns for laying stones
And build a stronger wall.
One drop of rain astonishes me
And I let my trowel fall.

The flashing of leaves delights my eyes,
Blue air delights my face;
I will dedicate this stone to god
And tap it into its place.

4

That woman-did she try to attract my attention?
Is it true I saw her smile and nod?
She turned her head and smiled . . . was it for me?
It is better to think of work or god.
The clouds pile coldly above the houses
Slow wind revolves the leaves:
It begins to rain, and the first long drops
Are slantingly blown from eaves.

But it is true she tried to attract my attention!
She pressed a rose to her chin and smiled.
Her hand was white by the richness of her hair,
Her eyes were those of a child.
It is true she looked at me as if she liked me.
And turned away, afraid to look too long!
She watched me out of the corners of her eyes;
And, tapping time with fingers, hummed a song.

. . . Nevertheless, I will think of work,
With a trowel in my hands;
Or the vague god who blows like clouds
Above these dripping lands . . .

But . . . is it sure she tried to attract my attention?
She leaned her elbow in a peculiar way
There in the crowded room . . . she touched my hand . . .
She must have known, and yet,-she let it stay.
Music of flesh! Music of root and sod!
Leaf touching leaf in the rain!
Impalpable clouds of red ascend,
Red clouds blow over my brain.

Did she await from me some sign of acceptance?
I smoothed my hair with a faltering hand.
I started a feeble smile, but the smile was frozen:
Perhaps, I thought, I misunderstood.
Is it to be conceived that I could attract her-
This dull and futile flesh attract such fire?
I,-with a trowel's dullness in hand and brain!-
Take on some godlike aspect, rouse desire?
Incredible! . . . delicious! . . . I will wear
A brighter color of tie, arranged with care,
I will delight in god as I comb my hair.

And the conquests of my bolder past return
Like strains of music, some lost tune
Recalled from youth and a happier time.
I take my sweetheart's arm in the dusk once more;
One more we climb

Up the forbidden stairway,
Under the flickering light, along the railing:
I catch her hand in the dark, we laugh once more,
I hear the rustle of silk, and follow swiftly,
And softly at last we close the door.

Yes, it is true that woman tried to attract me:
It is true she came out of time for me,
Came from the swirling and savage forest of earth,
The cruel eternity of the sea.
She parted the leaves of waves and rose from silence
Shining with secrets she did not know.
Music of dust! Music of web and web!
And I, bewildered, let her go.

I light my pipe. The flame is yellow,
Edged underneath with blue.
These thoughts are truer of god, perhaps,
Than thoughts of god are true.

5

It is noontime, Senlin says, and a street piano
Strikes sharply against the sunshine a harsh chord,
And the universe is suddenly agitated,
And pain to my heart goes glittering like a sword.
Do I imagine it? The dust is shaken,
The sunlight quivers, the brittle oak-leaves tremble.
The world, disturbed, conceals its agitation;
And I, too, will dissemble.

Yet it is sorrow has found my heart,
Sorrow for beauty, sorrow for death;
And pain twirls slowly among the trees.

The street-piano revolves its glittering music,
The sharp notes flash and dazzle and turn,
Memory's knives are in this sunlit silence,
They ripple and lazily burn.
The star on which my shadow falls is frightened,-
It does not move; my trowel taps a stone,
The sweet note wavers amid derisive music;
And I, in horror of sunlight, stand alone.

Do not recall my weakness, savage music!
Let the knives rest!
Impersonal, harsh, the music revolves and glitters,
And the notes like poniards pierce my breast.
And I remember the shadows of webs on stones,
And the sound or rain on withered grass,
And a sorrowful face that looked without illusions
At its image in the glass.

Do not recall my childhood, pitiless music!
The green blades flicker and gleam,
The red bee bends the clover, deeply humming;
In the blue sea above me lazily stream
Cloud upon thin-brown cloud, revolving, scattering;
The mulberry tree rakes heaven and drops its fruit;
Amazing sunlight sings in the opened vault
On dust and bones, and I am mute.

It is noon; the bells let fall soft flowers of sound.
They turn on the air, they shrink in the flare of noon.
It is night; and I lie alone, and watch through the window
The terrible ice-white emptiness of the moon.
Small bells, far off, spill jewels of sound like rain,
A long wind hurries them whirled and far,
A cloud creeps over the moon, my bed is darkened,
I hold my breath and watch a star.

Do not disturb my memories, heartless music!
I stand once more by a vine-dark moonlit wall,
The sound of my footsteps dies in a void of moonlight,
And I watch white jasmine fall.
Is it my heart that falls? Does earth itself
Drift, a white petal, down the sky?
One bell-note goes to the stars in the blue-white silence,
Solitary and mournful, a somnolent cry.

6

Death himself in the rain . . . death himself . . .
Death in the savage sunlight . . . skeletal death . . .
I hear the clack of his feet,
Clearly on stones, softly in dust;
He hurries among the trees
Whirling the leaves, tossing he hands from waves.
Listen! the immortal footsteps beat.

Death himself in the grass, death himself,
Gyrating invisibly in the sun,
Scatters the grass-blades, whips the wind,
Tears at boughs with malignant laughter:
On the long echoing air I hear him run.

Death himself in the dusk, gathering lilacs,
Breaking a white-fleshed bough,
Strewing purple on a cobwebbed lawn,
Dancing, dancing,
The long red sun-rays glancing
On flailing arms, skipping with hideous knees
Cavorting grotesque ecstasies:
I do not see him, but I see the lilacs fall,
I hear the scrape of knuckles against the wall,
The leaves are tossed and tremble where he plunges among them,
And I hear the sound of his breath,
Sharp and whistling, the rythm of death.

It is evening: the lights on a long street balance and sway.
In the purple ether they swing and silently sing,
The street is a gossamer swung in space,
And death himself in the wind comes dancing along it,
And the lights, like raindrops, tremble and swing.
Hurry, spider, and spread your glistening web,
For death approaches!
Hurry, rose, and open your heart to the bee,
For death approaches!
Maiden, let down your hair for the hands of your lover,
Comb it with moonlight and wreathe it with leaves,
For death approaches!

Death, huge in the star; small in the sand-grain;
Death himself in the rain,
Drawing the rain about him like a garment of jewels:
I hear the sound of his feet
On the stairs of the wind, in the sun,
In the forests of the sea . . .
Listen! the immortal footsteps beat!

7

It is noontime, Senlin says. The sky is brilliant
Above a green and dreaming hill.
I lay my trowel down. The pool is cloudless,
The grass, the wall, the peach-tree, all are still.

It appears to me that I am one with these:
A hill, upon whose back are a wall and trees.
It is noontime: all seems still
Upon this green and flowering hill.

Yet suddenly out of nowhere in the sky,
A cloud comes whirling, and flings
A lazily coiled vortex of shade on the hill.
It crosses the hill, and a bird in the peach-tree sings.
Amazing! Is there a change?
The hill seems somehow strange.
It is noontime. And in the tree
The leaves are delicately disturbed
Where the bird descends invisibly.
It is noontime. And in the pool
The sky is blue and cool.

Yet suddenly out of nowhere,
Something flings itself at the hill,
Tears with claws at the earth,
Lunges and hisses and softly recoils,
Crashing against the green.
The peach-tree braces itself, the pool is frightened,
The grass-blades quiver, the bird is still;
The wall silently struggles against the sunlight;
A terror stiffens the hill.
The trees turn rigidly, to face
Something that circles with slow pace:
The blue pool seems to shrink
From something that slides above its brink.
What struggle is this, ferocious and still-
What war in sunlight on this hill?
What is it creeping to dart
Like a knife-blade at my heart?

It is noontime, Senlin says, and all is tranquil:
The brilliant sky burns over a greenbright earth.
The peach-tree dreams in the sun, the wall is contented.
A bird in the peach-leaves, moving from sun to shadow,
Phrases again his unremembering mirth,
His lazily beautiful, foolish, mechanical mirth.

8

The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.

My work is uncompleted; and yet I hurry,-
Hearing the whispered pulsing of those drums,-
To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!

I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,-
Will I find it tonight once more when I climb the stair?
The drums of the street beat swift and soft:
In the blue evening of my heart
I hear the throb of the bridal star.
It weaves deliciously in my brain
A tyrannous melody of her:
Hands in sunlight, threads of rain
Against a weeping face that fades,
Snow on a blackened window-pane;
Fire, in a dusk of hair entangled;
Flesh, more delicate than fruit;
And a voice that searches quivering nerves
For a string to mute.

My life is uncompleted: and yet I hurry
Among the tinkling forests and walls of evening
To a certain fragrant room.
Who is it that dances there, to a beating of drums,
While stars on a grey sea bud and bloom?
She stands at the top of the stair,
With the lamplight on her hair.
I will walk through the snarling of streams of space
And climb the long steps carved from wind
And rise once more towards her face.
Listen! the drums of the drowsy trees
Beating our nuptial ecstasies!

Music spins from the heart of silence
And twirls me softly upon the air:
It takes my hand and whispers to me:
It draws the web of the moonlight down.
There are hands, it says, as cool as snow,
The hands of the Venus of the sea;
There are waves of sound in a mermaid-cave;-
Come-then-come with me!
The flesh of the sea-rose new and cool,
The wavering image of her who comes
At dusk by a blue sea-pool.

Whispers upon the haunted air-
Whisper of foam-white arm and thigh;
And a shower of delicate lights blown down
Fro the laughing sky! . . .
Music spins from a far-off room.
Do you remember,-it seems to say,-
The mouth that smiled, beneath your mouth,
And kissed you . . . yesterday?
It is your own flesh waits for you.
Come! you are incomplete! . . .
The drums of the universe once more
Morosely beat.
It is the harlot of the world
Who clashes the leaves like ghostly drums
And disturbs the solitude of my heart
As evening comes!

I leave my work once more and walk
Along a street that sways in the wind.
I leave these st
Liz Nov 2015
It's a darkness that surrounds you.
It covers your eyes,
And swims in your ears.
To keep you from seeing light,
Or hearing laughter.

Instead you see everything
In a dull and dark way.
Colors are no longer vibrant,
And lines seem to be blurred.
There is no more beauty in a sunset,
Or majesty in the ocean.
It's just water now.

And every sound is muffled now.
You can't differentiate your favorite song
From any other anymore.
The sound of laughter is more bitter than sweet.
Every song is the same bleak humm.
And laughter just makes me wish I was deaf.

The darkness even dulls touch.
A kiss doesn't make your heart beat fast anymore.
And contact seems nauseating.
A kiss is just a reminder
That nothing good lasts.
And most other interaction makes my skin crawl.

But now the darkness is in your brain.
In here, sometimes it's not dull at all.
Sometimes the darkness
Takes the shape of a monster.
A monster that whispers terrible things
And just gets louder when you try not to listen.
Sometimes the darkness
Feels like war inside your mind.

But yes, again, the darkness is dull.
Sometimes there is no monster,
No war,
And no yelling at all.
Sometimes when the darkness gets in your mind,
It becomes a silence.
I can't make out a clear thought,
Because all there is
Is silence.
The darkness takes the shape
Of death.
The silence, the nothingness of death.
And it becomes part of you,
Making your mind nothing but silence
And nothingness.

But the worst part about the darkness
Is my inability to communicate its existence.
I can't make anyone understand
The many shapes it can take.
How it can be torturous and loud
But comfortable just the same.

It's easy to talk about the monster,
Because it's something foreign and
Something present.
But everything else,
The dullness of senses
And the silence it becomes,
Can't be expressed.
Because in these forms,
The darkness is absence of life.
It's absence of color,
Sound,
Touch,
And thought.

And it's so hard to paint a picture
Of something that isn't even there.
I can paint a picture of a monster
With ****** teeth and devilish eyes.
But I cannot paint the nothingness
The darkness so often is.

And to me, nothingness is the most dangerous.
I can fight a monster.
But I cannot fight nothing.
Nothingness will swallow you.
It will take over your senses
And thoughts,
And eventually will to live.

Life is colorful.
Life should be loud.
Life should be funny.
And sometimes painful.
But when the silence,
The nothingness arrives,
There is no color.
There is no sound.
No laughter.
Or even pain.
There is no life at all.
Paramount Pawn Jun 2015
Who are you to tell me I'm no good?
***** you
And your classy ways
I'd rather be a pig
Than a trained dog
Be myself
And just let life
Take me far away in this universe of gray
Emily Martinez Aug 2011
When the darkness comes
the light of day is painful
the most brilliant hue of blue
makes you want to close your eyes and never open them again.
And when you do, you cannot close them.
Even the hollowing aura of sleep does not drown you the way the dullness does.
When you're disgusted by sincerity
and you run from happy eyes because they haunt you.
They seem empty, unreal, too alive.
The pulse in your veins makes you squirm,
makes you feel like the living dead because you know this isn't life.
This is the shadow of death when the sun is behind him and he is walking backward so that he grows on you and stays with you as long as you will have it.
Until you awaken from sleepless nights
and decide to breathe again.
You live in a world of all black and white.
Not the slightest glint of pigment, not the smallest touch of gray, not an inkling or a semblance of happiness or hope.
You blend in well with the world of black and white, of dullness and lethargy, knowing nothing other than lack of color and eternal melancholy.
ConnectHook Sep 2015
Boring old militant Marxist Farts
who blather on, in fits and starts
about class war and revolution
(demonstrably a failed solution)
rather than pitied should be scorned;
their websites tapped, subscribers warned.
Such talk begins as plodding fodder
dull as lead – yet even odder:
people read this wretched dreck!
History ought to hold in check
their pawn-shop plans to topple kings
they talk a good game – till it brings
armed madness, rage, the peasant wars
thugs and riff-raff looting stores,
death-camps, purges, civil chaos
union dues, returned to pay us
****** end to a treacherous story –
guns for butter and guts for glory.
Mao’s red flowers, Trotsky’s pick
Stalin’s bearhug – lies as thick
as honey dripping on a corpse.
Centralized control that warps
a free man’s mind. And yet they find
their audience loaded, pumped and primed.
In spite of numberless essays
the true believer bucks and brays
hee-hawing on, in Maoist jargon,
urging buyers to the bargain:
shining paths – that lead to graveyards
strewn with texts by Marxist blowhards.
Endless screeds by tenured traitors :
dialectic masturbators…
Marxist dullness has its edge.
Boring – yes, but forms a wedge
to split the status quo in factions
gaining time to plan their actions.
Arm in arms; so sad it tickles –
hammering plowshares into sickles
battering bewildered readers
(propagandized bottom-feeders).
Red conjecture never softens
pounded in like nails in coffins,
though their pipe-dreams burn away
when exposed by light of day.
Communist theory rings the blows
to forge the chains. The movement grows.
It’s lengthened, strengthened, link by link
ensnaring those who’re prone to think
they know what’s best for rank and file,
propagandizing all the while.
Agitating Marxist praxis
forms their struggle’s central axis.
Starry-eyed, they sing the anthem
plotting mayhem. Yes – I grant them
zeal, devotion, earnest madness…
but their ends begin in badness.
Brooding hate – their only god,
biding time to shoot their ***.
Nip their notions in the bud
before they blossom into blood.
Point them out for what they are:
faceless scribes of future war.
Worst of all: they’re as predictable
as their theories are inflictable.
Gaze into the hole of history
comprehend the tragic mystery…
Best YouTube of all trust me:  
https://www.youtube.com/watch?v=lwoSFQb5HVk
Andrew Duggan Nov 2017
A liquid wind blows across fertile loss-covered landscapes.
Seducing and touching, enticing me into a silent embrace.
How does love continue to love in a place like this?

I saw you waiting, looking at the men swimming in the ***** dead water. A faint smile from an old woman, her eyes half closed and fingers bent. The sounds of traffic and voices over the bridge.

I kissed you, and you moaned slightly, the first moment of the world. As the veil of winter grunted along the river bank and the dark clouds began to sing.

Now the trees have too much knowledge in grief. But  I remember the faint-like layers of your eyes and everything that was close to my face.
LDuler Mar 2013
Why people feel the need or desire to
Listen to the radio
Or surround themselves with machines that whir and beep
Or white noise to fall asleep
Or go to concerts
Is beyond me
I don't understand why
People want noise all the time
They're committing a terrible crime!
They mutilate silence
Tarnish delicate laconism
And mangle quiet
Machines everywhere!
Machines and devices, noise and distraction from the essence of life
Tooting, blaring, screeching, whistling, crashing
Honking, booming cracking, grinding, and trilling!
We happily bask in this cacophony

So much noise that we tend to forget that
How truly precious real silence is-
A gold nugget in a long, tumultuous river.
Yet we don't want any of it, not even a sliver
Silence is that which comes nearest to expressing the ineffable
It's so pure and so true, so delectable
Silence is a true friend who never betrays
Whatever has happened to saying it all with a simple gaze?
Words are by no means proof of wisdom
Silence isn't ignorance or dullness of mind
Silence is refined
Silence is
A pause between birdsongs
The mournful song of lonely hearts
The sigh of a tree
The shift of the clouds
The obscure and perishing rhythm of forgotten thoughts
The throb of the summer sun
The timid streaming of tears down a child's cheek
The fall of a snowflake
The pulse of the veins on a frail white wrist
And a kiss between whispered promises

Babble is empty
And words, like wire
May seem solid
Yet they can be twisted to resemble anything-
Weak promises, false prayers, delusive prophecies
And can easily be broken, if one distorts them enough.

Silence is more eloquent than phrases
It is not nothing
It has a form, dimension, substance
A texture and quality of its own
So many people associate it with mystery, privacy and isolation
When really it reveals it all
Silence can be jealous; rough and small
It can be peaceful; blue and hazy
It can be tumultuous; confused and crazy
Silence can be loving; soft and surrounding
Or it can be spiteful; violent and pounding
Silence can chaste; reserved and shy
Or it can sensual, with a voluptuous sigh
Silence can be puzzled; blurry and nauseous
It can be disgusted; halting and cautious
Silence can be grieving; a falling apart
It can be horribly heavy; the weighing of unspoken secrets on a fragile heart
Silence can be anything
Agitated, insecure, submissive or authoritative
Giddy or gloomy, vicious or respectful
Silence contains it all
Every word, every language,
All the knowledge, all the memories, all the emotions
If you've ever watched a sunrise, or been in love, or spent a night home alone, or sat in grieving silence as someone held your hand
Then you know this

The silly young, the brash and impatient ones, always break the silence
With gossip and music and profanity and small talk
They always giggle, interrupt, argue and squawk
Constant conversations, words, motions, defense, offense, back and forth
Yet those who are comfortable with each other can sit without speaking
Because to love and be quiet is enough
To hold hands and not say a word is enough
Silence is the gift of the world that we've pushed aside
A precious gift wrapped in white that we've rudely denied
Silence is the highest form of thought
And it is by slowly developing this mute contemplation in us that we will,
Step by step,
With reflections, speculations, and musing
Be able to reach what is true about ourselves.
When we are quiet and timid
We sit silently and watch the world around us
We see things, we read things, we hear things that others don't, we keep quiet about them, and we understand.

I don't understand why people fear the hush
Perhaps people are afraid to surrender to the clear ****** of it
Maybe all these fools think that to keep quiet is to erase yourself
Maybe they associate silence with loss of life
Perhaps some of them know that listening to the silence can be painful
That it can reveal the pain of the world
So they cower and shy away from it

Yet look at what I've done
I'm just like the rest of them, aren't I?
I wrote and wrote, yet what do all these words mean?
How pretentious of me to think I could be one to put silence into words
Ode to Silence by Geneviève Pardoe Macchiarella is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
Sheldon Dsouza Mar 2015
It’s the beginning of the monsoons and of the week,
A clouded chilly one with the clouds blanketing the sun.
I’m struggling to get out of bed and into my daily routine,
Running late as always, there’s never time for fun.

The first rains of the season were not welcomed with a smile,
Cars, Buses and mopeds splashing and spraying water all around.
People cursing the rains and others on the roads,
Racing to the office is not as easy as it may sound.

It’s a dark dull day with no sunshine to light my path,
And the rain to rob me of the dryness I had left.  
As a child I remember this being different in every way,
The rain bringing me cheer and happiness, never indulging in theft.

Stopping at a red light, all wet and soggy,
I see this small figure making way between the vehicles standing.
On every window and door she knocked with enthusiasm,
This little girl hopping around in every puddle landing.

Trying to sell the water lilies she had in her hand,
Not letting the frowns or the drops of rain her spirit lower.
She shines off all the hate and the disgust,
Through the muck and water walking to sell this pretty flower.

All of the dullness and gloom she got rid.
A smile on my face and in my heart she brought,
This little girl with those bright water lilies,
Like the flower she sold, all eyes and hearts she caught.

Bringing smiles and spreading fragrances in times so dull,
The water lily blooms in the muck and conditions degrading.
So did this little ******* this dark rainy day,
Returning cheer and happiness drained in the rain by blooming.
A C Leuavacant Feb 2015
Thursday evenings spent with you
Each Growing more repetitive than the last    

I see that you still recognise my face
But can tell from the dullness in your eyes that you cannot make much sense of it  
You feel the memories  
But your search for their meanings have long since reached bitter ends  
Leaving you Cast aside in the sterile loony bin

Oh, What such a bitter enemy is the clock on the wall
How badly the passing of time can damage us  
How our greatest gift can turn so rouge
rotting us away from our core
Turning even the strongest of love
Into a cascade of dust and insanity

How unjust but fearfully true
That our greatest of pains
In the real world would not even be strong enough to cut butter
Ramona Argo Sep 2014
There's an awkward thrill I feel
like wicked-wet rabies –
Oh. Ah. Oh.
To gaze over photos of the woman I created.
With my warped perception,
saturating and cropping everything into delicious
oblivion.
I am the knife as well as the ingredients
that sauteed her together in a camera flash.
She sits hot like heaven.
And I want to
stare at her picture all day until she comes to life.

The woman I created, I hang up like perfected rotisserie
and fall in love with her accidentally every day.
Looking into those precisely underlined
tiger-*** eyes of startling navy. Knowing their true dullness.
Hissing at the free-swinging curls
and the hours behind them. Loving the lie.
The flowy top and sleek trousers gliding down lovely as Niagara
over chaffing chub; all hidden. And thighs; unshaven.
And that topical smile everyone likes to see, waiting to plummet
into suicide like a kite hanging in one tight second.
Her image is my greatest
False accomplishment.

I hang my portrait up on a wall of the internet
for people of the world to migrate to
the photo exhibit, my little show-off room.
They make offers and toss compliments
with their “I like this. I like this." nonsense.


They don't know that the girl in the portrait, she
isn't organic. They seem not to notice
that she is something of a chemical flower.
Her face is my face, only with whiteout poison-paste
smoothed over twice.
And they want to
stare at her picture all day until she comes to life.

Gazing upon her believed-to-be beauty, as I hang my paintbrush,
she bites her body still as a painting,
bruised and needled
into perfect frame. She cries
like Jesus Christ, as she is stared at, but not seen.
I am the artist as well as the object.
And the woman in the portrait is
nothing,
but dot after dot of manipulated color.
And we want to
stare at her picture all day until she comes to life.
K Balachandran Jan 2012
Hot properties,
scarce commodities.
Cool customers,
good money.
Business on the increase,
graphs go up.
Other things
quickly pushed under carpet.
Culture and spirit of adventure wilts.
World looses it's heart and goes to seed.
Carsyn Smith Mar 2014
Head up, stay strong, fake a smile, move on,
they always said,
No one will see a broken spirit.

They were wrong.

Your eyes saw past it all.

The way your eyes loved my soul
wasn't in vain or vanity.
They didn't see the complex masks
or the pounds of makeup --
Your eyes saw me in all my simplicity.
You dove into the darkness of my eyes
and found this small broken light --
some strange thing you called a *soul.

Your eyes loved that shattered light --
they held it with kind words and soothing embraces.

I felt like The Golden Girl turned inside out:
a face comprised of dullness and imperfection,
a soul of great beauty and grace.
With words, smiles, and touch,
you convinced me to stay in my skin,
but for once in my insipid life,
my soul felt alive and bright.
No longer would I battle the darkness,
no longer would I be afraid of the monsters inside.
Your eyes struck the match that ignited my soul again.
Any tips? I appreciate your feedback.
~C E Smith
Caterra Jackson Nov 2018
Jealousy is sneaky.
It makes you believe that
you’re not really pretty.
It plays tricks with your mind,
It makes you relate only
with negativity all the time.
Jealousy is fake.
It makes you mistake dullness with greatness.
It leans more on back biting and shade.
Jealousy is dangerous.
Even though you’re Fabulous,
It makes you feel uptight about your lack of confidence.
It makes you feel useless,
It keeps you in malice and offense.
Jealousy lives to compete.
In order to control mind games and accept defeat,
To keep your jealousy on duplicitous repeat.
Terry Collett Oct 2013
All through science she has thought about him, scribbling his name on the palm of her hand, doodling his name on the inside cover of her exercise book. The teacher rattles on about chemicals, about combinations, of numbers, but Christina isn't listening, she's gazing out the window at the sports field over the way, there where she and Benedict go some lunch times if it's fine and she's not stuck in the girls playground watching other girls play at skip rope or other childish games or chatter. The weather looks fine, the sky blue, clouds sparse. Good. Be out there. He will be there, too. Miss him when he's not about. A piece of chalk whizzes by her head and the teacher calls her  name and to concentrate and not daydream. She turns to the front and picks up her pen and takes down the writing on the board. The teacher scowls, eyes like hawk's. She saw him at morning break in passing by the tuck shop. He gazed at her. Sent tingles through her. Watched until he was out of sight. She scribbles in the exercise book, writes down the script on the board. Last night she dreamed of him. Had his photo under her pillow. Her head inches away from him. She pretended he had come to her room at midnight(the parents were downstairs still) and stood by the door looking at her. She told him to come closer and he came and sat on her bed. Seemed so real. Mere inches away. Hand near mine, pretended to touch. The teacher talks on boringly, she writes faster. The other kids seem to focus, make effort, look up, write down. At breakfast her mother was in a mood. Dark mood day. Moaned about state of my bedroom. Clothes everywhere, she said, books, paper, I won't have it. Christina puts down her pen. Inky fingers, pen leaks. ****. She wipes on a tissue, rubs away. Still stained. The other day she held Benedict's hand palm upward and read his lines. Wanted to see how many children he'd have or his wife. Couldn't decide. Wasn't sure. She liked his hand in hers, his fingers, the smoothness, the skin on skin thing. They kissed briefly, other kids were watching, making silly sounds, comments. She thinks her twin brother says things about her to their mother, not out of spite or telltale, but innocently in chatter over the dinner table or by way of idle talk. Her mother invited Benedict to lunch one school day. Studied him, questioned him. One of her black mood days. She managed to take him to her room for a few moments while her mother was out and showed him her bed and her doll collection and such and kissed quickly until they heard her mother's return. The lesson will soon be over. She cannot wait. Bored titless. She closes her exercise book and puts the cap on her pen and stares at the teacher as she finishes her talk. Her big brother has books under his bed. She saw one the other week while looking for his record player to borrow. Magazines of naked women. Piles stacked neatly. She removed one and opened the pages. She stopped at a page where a woman was kneeling dog like. A man was there ,too. She blushed, closed the magazine, shoved it back under the bed and went out of the room and to her own room. What the hell was that all about? She tried to push it from her mind. Her big brother had touched her in her room and she said nothing. The magazines were still there, she supposes, watching the teacher answer questions of those who were interested or pretended they were to get in the teacher's good books.  Hands rose in the air by those with questions of science. Christina ponders a question:  why do some women kneel dog like? She doesn't ask. Imagines the teacher's face, giggles from other kids. Best not to. The biology teacher was best to ask. But he will probably blush. So would she. She wishes time would fly. The sky is still blue. Clouds drift lazily. Her big brother lifted her skirt under the dinning room table and touched her leg. She said nothing, but stiffened, he smiled. Mother moaned about my untidy room, the ***** clothes under the bed, put in the wash basket, she went on. A bell rings from the passage, lesson over, thank God, she thinks, shoving her books in her bag. She goes to the washroom and enters a cubicle. The fingers are still ink stained. Benedict's name is written small there on her palm. She kisses her palm. She remembers the first time she saw him. He was new to the school, came just before Christmas. He stood in the assembly hall in a year above hers. His sister was in her class. They talked about him. She introduced him to her one lunch time on the sports field. They talked shyly, sat near, didn't touch, uneasy the first time. She left the cubicle, washed her hands, scrubbed her fingers with the white soap. Cleaner, still slightly stained. Try again later. She leaves the wash room and goes along the passage  hoping to see him. Crowds of kids pass by. A boy and girl by the gym door smooch, his hand on her thigh, her hand on his neck. But no Benedict. She stares about her. No. Not about. She moves towards the next lesson, maths, double, time passes, boring, wants to see him. The bell rings, next lesson, his sister walks beside her, not him, o if it was him, if only.  The passageway is dull, her life seems dim.
PROSE POEM. SET IN SCHOOL IN 1962.
Sreeja Banerjee Dec 2015
Ami
I believe in love
not a bickering of the broken heart
I believe in love
with the tangled emotions overwhelming me
I believe in love
though there is someone who can see a cynic in me

I’m beautiful
not to the masses
I’m beautiful
to the ones I choose to show this trait in me
I’m beautiful
to those who choose to see this trait in me

I’m a poet
not by writing rhyming verses
I’m a poet
with the numbness, dullness of the poetic verses in me
I’m a poet
by being the person that is me
The word 'Ami'  means 'me' in my vernacular language, Bengali.
Layla Mar 2013
Freedom was close to me.  
She never did want me to see.
A pain undone
That nobody could bear to run.
  
I went to a few concentration camps.
There were several big lamps.
They searched in the dark black nights.
They held all my frights.
  
Then came my pebbles.
One was round and marble smooth.
There was no dull for its color shone
I bid farewell to the dullness of life and the dullness of prison.
  
Size was fair in my twisted little game.
Pebble One.                           Pebble Me.
Pebble Two.                           Pebble Brother.
Pebble Three.                        Pebble Mother.
Pebble Four.                          And Pebble Father.
One was found.                     I saved my life.
Two was found.                     Welcome Brother.
Three was found.                  Hello, Mother.
  
Where was Four?
I would bother to save my Father.
There it was.
My hidden rocks.
One, two, three and four.
  
Some say that there is tricky feat called a cheat.
That is not what I am.
To cheat means one is beat.
  
I am not what beat is.
I am what a treat is.
Mother shall have her house.
Brother shall boast in his bed.
I will have all the bread.
Father will have freedom that is not forlorn.
  
The pebbles are what kept us alive.
It is as if we are stuck under a beehive.
One came out to sting.
With that sting it took every single thing.
  
The Russians came after many years.
I would have cried but I had no tears.
My life was fuller.
My soul gained strength.
Marion B.  
Had the strength to know when to flee.
Read the fourth stanza whichever way you deem fit. It is meant to be read in several ways.
Diana Zuhlsdorf Jun 2014
Deep brown color, messy as it’s eaten.
Like something that failed to crunch.
Brittle yet soft, rough and delicate.
It can be fudgy, chewy or cake-like, topped with walnuts or apricot glaze.
A heavy horse failing to hike the high mountain of crisp.
******* the outside, but not as taut as chocolate-chip cookies, or M&M;’s,
A fragile strength that breaks with subtle touch.
Smooth and moist inside, melted chocolate held together.

Created solely for a royal’s mouth to taste,
Slowly dissolving, sea foam ****** by the damp sand,
A guilty pleasure I cannot live without.
The brownie becoming a beautiful bouquet blossoming
In my chocolate tinted mouth.
It cures whatever ails you,
The flavor empowering any mist of dullness or bitterness.
Forgetting about everything, as he mixed the batter
Creating the perfect combination of smoothness, sweetness,
And the creamy after-taste.
Our favorite thing to bake together.

Friday evening we scurried to the kitchen, creating our own baking contest.
His hazel eyes, swirling with the batter poured in circles,
His lips, whistling to the beautiful sight of brownies, plumping as they bake.

Days later, we would come back to that kitchen,
With the scent of freshly baked brownies still lingering in the air.
We would look at each other’s deep brown eyes
Like the brownies we baked and enjoyed together.
His lips, a wallop of sweetness.
Actually, this poem was an accident. The only thing I was thinking of were literal brownies. I am only 14 years old, please don't sue me.
There was a moment, so unexpected,
When I woke, seeking just ordinary,
Resigned to loneliness, unconnected,
Our encounter—felt imaginary.

Seeking isolation, no need for lust,
Appreciation gone, beauty no more,
Passion burned, with eyes I no longer trust,
You—a seduction I’d not known before.

Pulling back from feeling, and nakedness,
All the beauty, futile, unrequited,
Choosing instead dullness, and wretchedness,
Our spark—an extinguished soul ignited.

Recoiling, fear, cursed sexuality,
Libidinous impulses, uncontrolled,
Bare, on altars of sensuality,
You—inviting love I cannot withhold.

Kiss me, hold me, bring my love in deeper,
Forgive me, embrace me, don’t let me be still,
Touch me, and own me, and be my keeper,
Your look—I resisted, but have lost my will.
Blogging at www.insightshurt.com
Instagram @insightshurt
Buy "Insights Hurt: Bringing Healing Thoughts To Life" at store.bookbaby.com/book/insights-hurt
Madisen Kuhn Aug 2018
if you look up, you will see
the bright-eyed and
the wide-mouthed—
the interesting, the casual, the adored
glistening in the warm night
peered at through microscopes and
telescopes and stethoscopes
far and far away

we are so desperate to be close
close and close and
close enough to see the blemishes
the scarring and the peeling
effaced by obvious and biased inner-commentary
they’re just not as red or sore as mine
perhaps they were formed under
a different kind of sun

what does the unfamiliar heart say?
does it sound at all like mine?
will i ever escape the sloppy grasp of dullness?
will the world swallow me whole?
if i count the days on both hands
on toes, on eyelashes—
if i only eat green things and
read tattered books and
pretend that i don’t mind—will i ever
break the mirror?
will i find seven years of good luck
between the jagged edges?

to exist as a reflection
is to not exist at all
there are lonely, dark purple heavens
waiting for you to sever your longing gaze
to stop lying to yourself
to hop onto the back of the cow
and begin living somewhere beyond the moon—
to realize, with closed eyes
you belong to the sky
Layla Mar 2013
Read the fourth stanza whichever way you want to, one column, two columns, one full stanza, etc.
Freedom was close to me.  
She never did want me to see.
A pain undone
That nobody could bear to run.
  
I went to a few concentration camps.
There were several big lamps.
They searched in the dark black nights.
They held all my frights.
  
Then came my pebbles.
One was round and marble smooth.
There was no dull for its color shone
I bid farewell to the dullness of life and the dullness of prison.
  
Size was fair in my twisted little game.
Pebble One.                           Pebble Me.
Pebble Two.                           Pebble Brother.
Pebble Three.                        Pebble Mother.
Pebble Four.                          And Pebble Father.
One was found.                     I saved my life.
Two was found.                     Welcome Brother.
Three was found.                  Hello, Mother.
  
Where was Four?
I would bother to save my Father.
There it was.
My hidden rocks.
One, two, three and four.
  
Some say that there is tricky feat called a cheat.
That is not what I am.
To cheat means one is beat.
  
I am not what beat is.
I am what a treat is.
Mother shall have her house.
Brother shall boast in his bed.
I will have all the bread.
Father will have freedom that is not forlorn.
  
The pebbles are what kept us alive.
It is as if we are stuck under a beehive.
One came out to sting.
With that sting it took every single thing.
  
The Russians came after many years.
I would have cried but I had no tears.
My life was fuller.
My soul gained strength.
Marion B.
Dedicated to Marion Bluementhal Lazon for inspiring me and my fellow eighth graders with her story
Cranberry Juice Apr 2015
I am a sound of a humming bird's voice, singing peacefully without no distraction
A dark colored maroon for its unique dullness,
A mountain higher than you can ever imagine,
A swan for its belief in it's own beauty,
And a lamp that shines brightly no matter how dim it gets.
I am a sunflower who blooms toward the sun of my color,
An apple tree who bears fruit for the needs,
A lake that goes deep into thoughts and emotions,
A Minecraft game that all people can enjoy,
A cup of water for its purity,
An A for its position in the alphabet and sharpness in mind.
I am an ice-cream that revives people on certain understandable days,
A volleyball that can be pressured up,
And the Divergent book that shows I can always be different.
Written in 6th grade, Mrs.Torrado's class. Published today :)

I am ME
John Mahoney May 2012
all day long, their banging disturbed me at my work
startling me from my reverie, lost deep in the world
of I Wish I Had A Heart Like Yours, Walt Whitman

the birds, returned early from wherever it is they hide
during the long winter, have come to fling themselves
against the over-sized picture window in my living room,

songbird pitch themselves into my poet's dull daytime
so that i am moved to rise from my desk, to look out,
to seek a bird flying away, or peer down to search for the

tiny body maybe roosting among the stalks of the overgrown
hydrangea, which captured  autumn’s maple leaves, worn
like a Chicago matron's mink to keep the winter chill at bay

and, as the spring surrenders to the warmer days, i mow the
brightly greened grass, innocently cutting row after row,
to turn finally to the narrow strip nearest the picture window,

a mixture of grass, dried leaves and tiny twigs, all mulched
by the power mower, where i discover these dessicated bodies  
exhumed from shallow graves at the base of the newly leafed

hydrangea, their stiff, dry feathers bristly, colored a washed
out grey, tiny feet tightly balled, with all the soft parts missing
and the beaks a startling white, as though bleached, bright against

the dullness of the little corpses which seem to have sunk into
the mosses of the yard, so that they lay preserved below the blade
for the first late-spring chore -- mowing the bird bone garden

i sleep with the bedroom window ajar despite the overnight chill
and dream of the memory of birds, their shapes, their white beaks
and, still, the bird songs wake me in the cool green spring morning
Venturing out
Into the woods.
Everything behind her
Is in Black and white -
Grey, but with a hope-filled
Blue sky.

Her red butterfly
Carries her transformed ideals
Within - it's always hovering close-by.

With every forward step,
Away from this manipulated
painful reality,

The scenery is painted,
Bringing it all to life -
A rainforest green;
Her sacred canopy.

Vivid,
Ever so bright,
Be it, by day,
Or, be it, by night.

Black and white do not exist
On this side of her world -
There's no grey!
Here, even shadows embrace
The blessed, illuminated,
Brilliant, pure light.

Doom,
Gloom,
And dullness,
Instantaneously banished!

Momentously replaced by
An addictive, elated state of vitality -
A miraculous invisible substance;
She embraces her newfound sanity!
Insanity just vanished!

Her aura
Paints her surroundings,
They are so alive -
In high definition, in full colour.
There are no toxins here,
No sorrow,

Nothing is needed,
Time stands still -
No need to borrow.

All of the brokenness
Is left behind,

She wanders off! -
Her soul
Free to unwind.

Here, she has no fear of heights -
There is a sacred comfort
In all that is phenomenally high,  
And so,
In all that grows,
From deep down
Below.

She inhales purity
Into her lungs,
She exhales
All of her noxious emotions,
She sighs with relief,
As she lets them all go.

Sinking her feet
Into the rich ground,

Each footstep brings her closer
To the edge of her world;
This is where she is often found.

Here, she is free...
She asks herself  "To stay, or to go?" 
The answer, she already knows,

The soft breeze carries
This wanderlust decision away,
As the free-spirited wind
Gently blows.

By Lady R.F ©2016
This poem was written to describe, and to help explain, the cover of my book.
"The Edge of My World"
(soon to be released.)
It explains why I chose the cover, and what I was feeling and thinking.
It explains my book's contents.
Poetic T Feb 2017
She was a dainty little one, that's what her mother
used to say, but now she wasn't so young.
Time was a tide that had flowed over her hair once
blonde and flowing down her back now a shimmering grey.

But she had noticed a decline in the world of those of
mature age, clothes were drab ugly and grey.
So much unattractive clothing made by the mother of
modern age dullness. Trying to sweeten the *** by calling
each a different name

The Ashen Collection:  It fell from the clouds and landed on you.
The Pearly Collection:  Even beauty doesn't need colour

Were they not color blind? Ok maybe a few were, but
this was just horrible, it was like wearing cement.
Just as stiff and ghastly to even wear. This just made
people look frightful in dismal clothing not suited to be
seen in the light of any day they walked out in it.

So I had to make a stand, I had to keep this dismal color
from tainting the eyes of a younger soon to be older
generation. I had wrote to the fashion designer by
Email, what just because I'm old doesn't mean I haven't
got skills. Her name is Miss Grey Bottom....

---------------------------------------------------­---------------------------------------------
Dear Miss Grey Bottom,

As I am one of less years than more, it would be appreciated that
these years are filled with friends amusement and children's laughter.
I see though that your clothes line has been hitting the scene,
Yes I'm hip with the lingo..

I ask that you add a little color to this line of mature wear
due to the numbing effect it has on those wearing it?
There is no color in there face, no smiles just blank eyes.

At This time were most alive, we need the vibrant feel of life
in our daily lives. Not the mundane clothes that numb the senses.

Yours Sincerely,

                           F.G
-----------------------------------------------------------­-------------------------------------

I waited and waited, well ok I waited two weeks, ya don't
know how long you have left, it was like waiting for paint
to dry under the ocean. But I waited I even shrank an inch
in the time I wasted. So I thought I would do something about it,
as more and more were just walking around in dismal
clothing draining what little youth they had left. So I got a
few of my crew, and we got our design on. Front loop,
garter stitch, knit left loop, there so many weavings that we could
tell you about but now the first piece was finished.

"Try it on, it was an mixture of all our creativity, so we got
Mr. Robin he was 65 years old and had such cute rosy checks..
He looked puzzled?? "What's a matter Mr. Robin? Half his head
was sticking through the top of the jumper, not worried about
messing his hair or lack of...
He then preceded to tell us that it looked like a unicorn had
thrown up a rainbow on it.. "Oh, Colourful metaphor,
and then he proceeded to dance, I think he was break dancing??
He had good moves for his age.

"Ladies it itches so very badly, “I wasn't dancing,
"It feels like I have ants in my pants, crawling around
this jumper that I must take off now...


Sighing and regaining his composure,

"I never knew I had those kind of moves still in me,

Giggling slightly, he then folded the jumper.

He politely put it on the table, saying that if each did a
singular design, their own creation that it would be an art piece,
each a creation of their colourful imagining.
But please, please not in wool, try other fabrics.
And with this ladies of knowledge weaved there ideas together.
Two months later and quite a few pennies spent they produced
their own line of vibrant colours fulfilling the gap where drab,
grey clothing had drowned the feelings of an older generation
needing colour in this moment of their lives.

It now felt like what once was missed entered their lives through
the creations of these vibrant grannies.  But as there designs were embraced by the [silver mains] people of older graces.. The dullness was fading, and a certain lady didn't approve of such sunlight in
those that once wore her garments now being used as wash clothes.. Miss Grey Bottom was sullen for her plans to make the word
feel as she did, sombre in thoughts that weaved into her designs.
But she wasn't giving in  without a fight, she brought out new collections that had a hint of silver grey a hue not colour but
not as bland... but this was a start, its was called the;

Cloud collection:  Everyone has a silver lining..

Fashion Granny smiled, as she knew that seeing those of
Mrs Grey bottoms age infused had slightly changed her,
and with that they made more clothing to invigorate those
of climbing years..
Reviews were steadfast from those wearing there line:

Mr Whitehall:  I love the colouring of your clothing, it was
like it was made for my personality.

                                        Thanks F.G

Miss Waterson:  I feel like a millions pounds, this line enriches
my life every day I wear it.

                                        Thanks F.G

These were but a few of the thousands of reviews they were
scoring at 4.9 out of 5 stars in the reviews and the grannies smiled,
glad that they brought some reflection into their collection of clothing.
There was a knock at the door, and to all there surprise none other
than Miss Grey Bottom.

"Hi grey, about time you answered my email,  
Said her sister. Yes Miss Grey was fashion Grannies sister,
older by 10 years 2 months and 3 days.

"Why wouldn't you answer my calls and emails??
" I was really worried about you and those clothes so
gloomy yet I could tell the beauty was trying to come out
with those beautiful lines,


She just stared at her sister in silence and then, noticing
a tear she wiped it with her thumb tenderly holding her sisters
face. Miss Grey burst into tears and Fashion Grannie held on
to her sister, they hugged for what seemed like forever before
Miss Grey composed herself. "I have missed you so much,
Fashion granny smiled,
"Me to, you silly sausage, 
 
She introduced her sister to all those who helped her with
the colouring and design of their brand F.G, then they sat;

"Your my sister I didn't want to burden you with my
problems,


Fashion granny lent over and kissed her sister forehead

"You silly sausage, that's what family are for,

With those words a smile eclipsed Miss G B's face,
a smile rose across her sisters remember that beauty
that she once knew returning to her sisters face.

"Well you have me and my crew as friends now..

"Your crew, giggling aloud Miss G.B couldn't
even frown for she was for the first time in a long
time smiling, laughing.. Even though tears were
falling they were of happiness, not sadness as before.

Three Months Later,

The world had become a brighter place as sisters
and friends created art woven from cloth and not
only for those of silver locks, but these were hip
grannies they were weaving for the younger crowd.
The first show was about to start and they looked
out to see if many had come to see the new line,

A unicorn had thrown up a rainbow collection:
         So much colour you'll see rainbows in your sleep

It was an international hit, and the grannies were so proud
of what they had done not a singular person, but as close
friends. They carried on with this until they retired which
was not as far away as you'd think. But they had made new
friends and two sisters had once again found each other again
both thinking of how proud there mother would be now.
Wrote for my daughter, she is awesome 1359 words I know little long but worth it for her
Burlesque fatuous is the implication of your emotional daily pretentiousness. I am seldom, otherwise a psychopath, able
to own fraternity which I can't
discernment or jester because there is an art to love and ******
And it's a conventional edit to your own dullness. I am vivid,
Debris to impersonation.
I am absent but identical
to thin air. I am a Prometheus
Arabian night in Lysistrata premise.
My words may remind you of the day I held your eyes in infinite cluster. Perhaps my love isn't enough for you to understand. For example, the glassed vain is paralysis iridium illicitness which is svelte to inadmissible synthesis. The cloud let are torsion, assail with cypress and impossible solariums; and the propane was a sensation of disjointed loveliness.
Every time I go for a walk, mosquitoes understand my lonely talks because they sip my blood at a quarter past ten but these glazed roads scrutinized my wrist, escorted vernal preposterous blue/purple relentless ghostly cheekbones.
Thought I could festive the blaze among the cedar bridge road
but take a pause and look at my skin and thighbones,
Preterists to flowered unless I smile and tell you
"This is heartbreak"*

*Unable to keep up with your facetiousness, personality failed me temporarily. Mind melting in a moment of dissonance,
This cognitive refrain refracts the 'I' that oscillates accordingly.
One's morphology, tuned to its own metric of change.
Hypnos whispers and sleep beckons, taunting insomnia (which makes a mockery of all humans) but Morpheus has no time for anything less than grandiose archetypes.
Last night I may have dreamt or drunk some foolish things, told people the truth untruthfully, let slip more than I should have.
What a pity, secrecy. They say
information wants to be free.
Who lingers in the details?
Past memories are liberated only by the present. I stand here in the downpour, soaking it all in.
Compassion, god is in the rain.
My fulgurite heart resting on the palm of a deity, at a tilt, slowly it's sliding off; when it fell I gasped.
The reflection of wide eyes in each of its atria, emotion flowing through these venae cavae, those
dilated eyes shimmered before it shattered, gleaming with passion. Us, in the blink of an I.
written on May 13th, 2017.
Arlo Disarray May 2015
Daily poems lack in flavor
Dull, blah, plain, and boring
Nothing exciting there to savor
Usually, I end up ignoring
Otherwise, they just always leave me snoring

Originality is unaccepted
Vanilla is the taste you all so crave
I like to leave my mind unprotected
But that's because I'm so ******* brave
While you all just live your lives as slaves


I'm just bored to death with poems about flowers,
About love, about stars. Write about something sour!
There are plenty of ugly things out there to write
They're lonely and sad as they're kept out of sight

So I'll spill my love of my hate for you all
And I'll sigh myself to sleep as I'm reading on the wall...
Brian Oarr Oct 2012
It had been one of those enervating days,
when officialdom and red tape paperwork
had ****** the yolk and marrow leaving only
a dullness that yawed the ghost ship of her frame.

She decided not to cook, as much as
payback for her ordeal by proper channels.
And so to the "Toilet Bar", cafe of choice
for malicious villagers, though rarely women.

The men folk hardly stared upon her entrance,
by now they knew those leopard skin boots,
that packed a wallop they grudgingly took
stock of, then returned to their cheese and wine.

This was her quarter of salt cod with cream,
prepared by owner Paula and daughter Carolina,
the only other women tolerated amongst the chairs,
that smelled of tar and testosterone.

Lacking collars three tumbled to the stony street,
drunken mechanic, one armed plumber, peg-legged sailor,
the kerfuffle amusing her, their wicked aunt.
Another Lagoan night that shimmered out to sea.
Inspired by the bravest woman in Lagoa, Portugal
MdAsadullah Dec 2014
Oh Sleeping believer on the bed!
Three knots at the back of your head,
each contains Satan's words enchanting.
' The night is, long, so keep on sleeping, '
' The night is, long, so keep on sleeping, '
' The night is, long, so keep on sleeping, '
wake-up praising Allah, untie the first one,
perform the ablution second will be undone,
execute the salah so that remains none.
Send the dullness, gloominess far away.
Get up in the morning lively and gay. :)
And there you were,
Black and white.
Emotionless: No excitement, no euphoria, no sadness, no fear,
Void of art, void of darkness, void of light.

How easy it is to be distracted away,
From you, from that of which is so important,
Yet your dullness can be compared to a lonesome tree which for a hundred years had had no sway,
Or a handsome husband who is nothing but impotent.

How deep, how dull,
And yet attractive to some.
And in these wee hours when the very air seems to lull,
And I slowly drift off hoping to tear through the fabric of space and time,

I pray I don't get distracted.
Because to understand that very dullness,
Is to conquer and to finish what I started,
And to blossom in all a nerd's fullness.
Studying for your finals can be very distracting, don't you think?
Robert Ronnow Feb 2023
There are actual people
half woman half man
running mornings and
dream people in movies
half language half light.
Tomorrow is John’s funeral.

* * *

This is my minute
my moment
Oops, gone!

Anything can happen
if you don’t resist
Resist!

* * *

But who am I? You think bullets won’t
****? I’m the guy they put before a
wall and shoot then eat lunch.

* * *

Long as yr livin
yr havin that dream in
which yr killin the villains
w/o even needin a weapon.

* * *

If it was fun, they wouldn't call it work,
but it is fun. It's what we do, a bird
sings, dogs bark. We work. Sing bark work.
Honey, put on your shorts, it's gonna be 90 today.

* * *

How right is the rabbi!
"What a good and bright world this is if we do not lose our hearts to it,
But what a dark world if we do!"

* * *

We saw a barred owl
camouflaged in winter branches.
Bird of death (in myth), hunts down the dark,
floats to a farther tree, turns its back, and naps.

* * *

The sadness of summer, the silence of winter
you can’t sum it up in one more metaphor.
So don’t complain about the epoch you live in.
Go to Big Hidden Lake and jump in!

* * *

Down to negative calories, in deep snow
we find soft wintering rose hips, gobble them down.
First time for me a wild edible made a difference,
not just a delicacy. Then we snowshoe out.

* * *

Spring morning
flycatchers, jays, thrushes, a woodpecker’s loony cry.
A toilet flushes.

* * *

Zach
awoke from a scary dream
I kissed him back to bed

He asked
are all the doors locked?
I said yes knowing they would not hold

* * *

The republic may expire
but birds go on traveling, singing
in their best attire.

* * *

My plump cashier
has a new love.
Her skin is clear
and her line moves.

* * *

Desafinado means slightly out of tune which is not a problem.
It’s a fortunate condition. Zach just called from school sounding clear
and happy to say there’s floor hockey this afternoon. For me, another       cold,
slow Spring. How lucky!

* * *

At basketball I was reminded
the better players in their private moments
think on the ultimate reward. Perfect rest.

* * *

You come in our backyard, we go in yours.
That about sums it up. Assuming there are definable, accepted backyards.
Suppose it’s all one backyard and time is all one sheet of ice?

* * *

My son Zach said as a toddler he liked the old house
and he’s having a good time now at the new house.
We were lying together in the window seat passing the early morning       time,
late September and happy as I was I thought what’s running out is time.

* * *

The young women’s bodies were awesome. I appreciated
the couple of Muslim women who kept their bodies
covered. That was easier on an old man’s eyes.

Not that I wanted to change the American girls’ ways.
They seemed comfortable wearing underwear outdoors
and unaware, more or less, of the longing it provoked.

* * *

To invade a clean house
searching for weapons or insurgents, I agree
with the enemy, that is a sacrilege.
Not that I accept their god, and there could be,
hiding, a mouse.

* * *

I tell my sons
If some man tries to pull you into his car, fight
kick bite yell run punch curse scratch knife
make him **** you right there in the street
use your feet your fear your hate.

* * *

If everything seems under control, you’re not going fast enough.
—Mario Andretti

* * *

The river in its muddy symmetry
high water mark in Spring
is a god to me
in a way that I can be to a dog while thinking
or the sky is to the hanging apple.

* * *

A day, a new day, starts at 5:00.
Earlier than that it’s still yesterday,
the rags and dreams, the sweat and worry, the *** and laughter
of that day. The alcohol and aspirin, the sunset and machinery, the dinner       and toothache
of that day. The germs and friends, the sports and editorial, the gleam and
      dullness
of that day.

* * *

The key to success is cross out, delete, compress,
rub out, expunge, black out scratch out blot out,
censor, crop, shorten and silence.
Clip, cut, erase and eradicate.
Hate everything you write.

* * *

I will be saved
and spanked too.

* * *

Phil is on a movie diet. Bad movies in which the logic switch is turned off. Jumps from scene to scene like a cat.
Most ******* is hilariously obscene. Genitals like little animals. Snowplows hit potholes sending up sparks.

* * *

Make way for a future that’s irresistible!
Dust. Rest. Mist. Rust.
One day follows another until the last day.
And on that day, there will be weather.

* * *

Driving in traffic
80 mph, 80 y/o.
Turkey vultures shrug shoulders.

* * *

When an archangel
flies into your windshield
sing cuckoo!
Jessica Rae Aug 2013
"Streaming down her face, tears of a horrible place.
Her worst fears are coming true, even more all because of you.
She moans in pain, unsure of what to do.
Looks in the mirror, to see what she's hated.
No more room for pain, its overrated.
In the world of lust, her bedroom turns to dust.
All her vivid memory's continue to rust, all because you had to make her blush." 
  (est. j.r.e.)
Alaska May 2014
such a beautiful mess, intertwined and overrun
overgrown and tangled and chaotic and fair
a swirl of thorns and dewdrops and earth
eyes that sparkle with petrichor and hope
hair with sunrays weaved and rivers entwined
bones which are not bones, but inky flora and mud
sculpted by the trees and the stars and the air
ephemeral glow and luminent dullness
smell the grass and the weeds and the stone and joy
hear the light and the rain and peace and dirt
taste the wind and the toxic petals and soul
see the longing and leaping and flying and warmth
feel the lucid colors and the pastel dreams
such a beautiful mess, unclothed and airy and loved.

{alaska}
Gray is the color of complacency,
and rightly so,
it shows the dullness of apathy,
cold and metallic.

White is color of purity,
and rightly so,
its cold warmth,
its softness,
it is better by far than gray,
but shares still its scale.

Red is the color of rebellion,
and of passion,
and rightly so,
red is deep and powerful,
encompassing rage and defiance alike,
and for this reason I choose red.
Arlene Corwin Feb 2017
Boredom #2

I’ve never seen so many synonyms for one small noun,
Blocking maturation and enjoy-dom:
Boredom.
“Weariness, ennui: frustration;
Restlessness, dissatisfaction, unconcern: frustration;
Lethargy, lassitude, flatness and frustration;
Dreariness, repetitiveness, apathy: frustration;
Tedium, monotony, dullness. yes, frustration.”

Can it be overcome, this boredom?
No more war - the boredom won,
Exchanged for something more like fun?
It can.

A friend who, when we speak, says,
“It’s a part of nature…has no answer...”
Reasoning fallacious,
She is wrong as wrong can be
And her reasoning a fallacy.

Awake at night: hormones, full moons;
The glut of light: electric gadgets and devices,
Radios that play a song too strong, too long..

A trick I’ve learned that’s brought results;
A knack, a shortcut worth consulting
Is to train the brain to focus on/in/with the brain;
Travel round in, sense and feel…
Make it real – as if you really feel
The part you aim at, frame then tame.

In seconds you’ve an object that’s becomes a subject.
Boredom fled, you freed,
You and your mood well pleased, released
And taken places least expected,
Un-objected to by you,
The burden boredom’s through.
And doomed!

Boredom 11.24.2016/ #2 revised 2..16.2017
Revelations Big & Small; Definitely Didactic;
Arlene Corwin

— The End —