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"splotch" poems
My petals were withering, The butterflies turned into wasps. An oppressive silence- Weighing down on my conscience And the fingertips - used to drawing sunrises -compelled  to write eulogies instead. Of Chapped lips and vacant eyes. And how the autumn had caught up to us. And I remembered, With an aching guilt- How I had not even played in the rain, Not much, not at all. My words had rusted, My voice- cracked, and unfamiliar Even to my own ears. The summer long poems that I wrote in love Were set ablaze, To help me survive a winter without you. Oh, when I said our love would keep us warm This is not exactly how i had it planned. And you did not get to read even a word. One always thinks they have time. But we did not. Not then, and definitely not now. As a child, I grew up wanting a lot from myself -even the world, if I were to be honest. Somewhere along the line, All I wanted was for this all to not hurt. And somehow the polar opposites are more alike Than I'd have thought. 'Cause you see, people who want a bit of everything Are very close to wanting nothing in particular, not much. And I wish I had learnt to differentiate Of when to sharpen my sword and when to use my pen Cause now I'm down to my last petal And all you have is a blue splotch on your shirt.
0
Jan 13, 2018
Jan 13, 2018 at 8:47 AM UTC
Petals
Pained intake of breath Hot air against my cheeks You’re wrapping white cloth over my arms I’m watching red seep in like ink bleeds Faintly, behind a splotch of black I see your eyes grow wet And though I am barely holding on I can feel the tremble in your fingers And an echo of a voice Calling my name You’re desperately trying to push paper into the wound And I’m feeling myself bleed out despite your efforts You take me to a doctor but still I leak Transfuse your own red into me But it just leaves through my eyes and makes me feel weak “What have you done to yourself?!” you cry And I sigh through a fit of tears You’re trying to take the pain out of me And i'm disappointing you with every breath I take Just like you cannot will another moon into existence You cannot love someone out of an illness
0
Apr 19, 2022
Apr 19, 2022 at 10:24 AM UTC
Will It Into Me
a small teaspoon of sweet brown sugar sprinkled on her nose her brown hair cascaded down her back her dark blue eyes gleamed in generosity and beauty. they grew, beginning to splotch everywhere upon her face. some called her ugly, despite her vibrant eyes her long wavy hair, others, her mum, to be specific, said she was amazing and looked fantastic and who wouldn’t want ‘beautiful’ freckles? the insults didn’t stop, they flew at the girl with freckles like peter pan charging through the air at top speeds. as the girl with freckles grew up, she and they started to accept the fact that the shining sun created gifted, granted her with brown-sugar freckles.
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Oct 19, 2016
Oct 19, 2016 at 12:44 AM UTC
Girl with Freckles
When I think back to the past, my memories seem to blur together as if I have spent twenty one years on a non-stop merry-go-round. Ups and downs, too much to take in at once, the people you love only a splotch in your spinning, ever-changing field of vision. You wonder how long they’ll stay, leaning over the metal railing separating them from you; you wonder if they’ll call out to you until they become hoarse…but no one stays for long. You think it’s fun and harmless until the carousel stops and you realize you’re the only one left. You clamber off the platform in a drunken stagger and wait for your mind, still caught up in the whimsical whir of charisma and carelessness, to catch up with reality. Eventually your thoughts slow and your vision steadies. Everything comes into focus. It seems eerily quiet compared to the cacophony of conversation and carnival music that was swirling and intertwining in the air just minutes ago. Now there’s silence and you’re left to contemplate your past…and your future. This is the reality check, the wakeup call that sends so many adolescents into a panic; an early mid-life crisis if you will. Twenty one years spent so quickly, so carelessly…only eighty more to go. And you can only wonder, “How will I waste those?”
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Apr 28, 2012
Apr 28, 2012 at 10:08 PM UTC
Infinite Carousel [a vignette]
Pride os a strong word So many people use it They have pride in their clithes Their appearance Their hair Their homes. However for me Pride comes in some unusual forms. Pride comes from text on a page, And ugly ink splotch on a stark white dress Pride comes from poetry The elegant ways it dances from the poets mind as it plays its way across their lips or to their finger tips Pride comes from new words Never seen before combinations New ideas and new arrangements And endless sea with no boundaries but your own. Pride comes from within me. Pride in my poetry.
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Feb 17, 2016
Feb 17, 2016 at 12:08 AM UTC
Pride
What stories could journals tell? What we forget is that they are not just repositories of words but also of thoughts, feelings, emotions They are places in and of themselves Saving these emotions, stashing them away so they can be discovered at a later time. But the true beauty of these journals lies within discovery itself A droplet of water will fall further down a curved surface taking a pale tan color like its surroundings It will fall off the surface Onto the fibers of the page below Leaving a darkened splotch More droplets will follow More tears will follow As twenty years from now A thirty-five year old woman rediscovers the girl she once was.
0
Aug 12, 2014
Aug 12, 2014 at 11:28 PM UTC
Journals
Her fingers were covered in corn. the corn after chewing, broken pierced, churned- it could spread as butter thick on stale toast, if needed "it's fine, don't you worry, we'll get you all cleaned up" she stared indifferently Strings dangled from her mouth, unswept full of necessary greens ---"mhm there there, this will give you so much energy" --- drags of breath, half inhale half choke. nothing to look forward to, not the next soaking glob, not the cursing woman in the bathroom, not the spill of light to her eyes Where are the ladles, Did you check on it? The key? Just moved, most the suitcases aren't there yet. Remember to bring the Did you check on it? pay attention. Have you seen my grand kids? who are you? Sunday's are for the active ones The games down the hall are too far. Why worry with legs, if she could just adjust to the left the world could sag into an ongoing dream- No demands, no games, no movement. The nurses hair net had more presence than the splotch of gray against her peeling itchy scalp. Drool leaked from leather lips, dampening the collar of her two month sticky blouse. Arms curled and locked,displaying under the wax skin cranberry patches- she never wiped them off. Always the soft murmer of a snore, always the smell of unbrushed teeth and hampers. "Did you touch those where don't touch me scott scott scott leave my things alone thevenin I need a stop lying I want to go scott, scott? scott. I can't remember any" I said my name four times before she heard me, knew me I fixed her pillow and my sister marked off the day on the calendar. We told her about school, the marching band, each word filled with forced enthusiasm. She bobbed her head in circles, lazily rolling her eyes, the curtain shading the empty space. We spent 30 minutes precisely. She was more than I realized. I never knew she had horseback riding, violin playing days. She traveled and hiked. We could have been close. Unraveling with the mystery, I felt the lateness of my curiosity. It was 30 minutes precisely, always. We acted as strangers, reciting routine and wishing each other a happy day and a quiet love you
0
Sep 9, 2012
Sep 9, 2012 at 5:21 PM UTC
Lunch Time at Daycare
Her fingers were covered in corn. the corn after chewing, broken pierced, churned- it could spread as butter thick on stale toast, if needed "it's fine, don't you worry, we'll get you all cleaned up" she stared indifferently Strings dangled from her mouth, unswept full of necessary greens ---"mhm there there, this will give you so much energy" --- drags of breath, half inhale half choke. nothing to look forward to, not the next soaking glob, not the cursing woman in the bathroom, not the spill of light to her eyes Where are the ladles, Did you check on it? The key? Just moved, most the suitcases aren't there yet. Remember to bring the Did you check on it? pay attention. Have you seen my grand kids? who are you? Sunday's are for the active ones The games down the hall are too far. Why worry with legs, if she could just adjust to the left the world could sag into an ongoing dream- No demands, no games, no movement. The nurses hair net had more presence than the splotch of gray against her peeling itchy scalp. Drool leaked from leather lips, dampening the collar of her two month sticky blouse. Arms curled and locked,displaying under the wax skin cranberry patches- she never wiped them off. Always the soft murmer of a snore, always the smell of unbrushed teeth and hampers. "Did you touch those where don't touch me scott scott scott leave my things alone thevenin I need a stop lying I want to go scott, scott? scott. I can't remember any" I said my name four times before she heard me, knew me I fixed her pillow and my sister marked off the day on the calendar. We told her about school, the marching band, each word filled with forced enthusiasm. She bobbed her head in circles, lazily rolling her eyes, the curtain shading the empty space. We spent 30 minutes precisely. She was more than I realized. I never knew she had horseback riding, violin playing days. She traveled and hiked. We could have been close. Unraveling with the mystery, I felt the lateness of my curiosity. It was 30 minutes precisely, always. We acted as strangers, reciting routine and wishing each other a happy day and a quiet love you
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30
I arrived-- though I needn't a formal invite, for you and I, we are two old friends. Companions walking along a similar trail. The leaves distort and distress the yellow and gleaming light of the victorious Sun, who has once again conquered Night and all her iniquities. Scents and colors fill the air, pinks and reds and greens mix and match and blend together, forming a rich atmosphere of synesthetic remarkableness. Each atom and molecule of the wind shivers and shakes atop their invisible chariots, perhaps the true location of Atlas and those great, big hunks of shoulders; "Man, what a man." Take it because you know you like it-- we are social creatures, creatures of logic of habit creatures of horribly idiosyncratic and idle instinct, rulers of fleshy bodies which we hardly understand. The Sun grimaces as it retreats back to the negative air, once again, not to poke its radiant face out until the next morning. The Moon came shimmering out, smiling furtively and compactly, looking down like my oldest confidante. After all, who else but our fair Luna atop the stars is the keeper of all our deepest and most primal secrets? In the cover of her noxy cloak we sin and hide, pushing every secret under and between the cracks in her space, patching up time and keeping dark and brooding Atlas good company. "You're one of the few great guys." Oh, my fat and failing Atlas, lover for the Night and of my night, you are a temporary stop on my trail, a brief twilight in my life's journey. The Sun creeps its spindly, golden fingers under the cloak of the Moon, Night: the stitchings and sewings of the sins of mortal men. Playfully, the light stretches out, first dancing along the stage of the horizon, then inching closer, desperate for living contact, for the greatest warmth of over 2 billion hearts all beating at once-- perfectly, in time. Our world is a note on this Cosmic sheet music; you are barely a splotch on the sheet. Our existence is the single beat out of infinite others, without a beginning but possibly and end. I know that there will be twists in my path, bending and curving to avoid the stars' wrath and the Suns' might, but, might it be that our two trails are simply not meant to meet?
0
Jun 16, 2012
Jun 16, 2012 at 3:55 AM UTC
Confident Confidante
I arrived-- though I needn't a formal invite, for you and I, we are two old friends. Companions walking along a similar trail. The leaves distort and distress the yellow and gleaming light of the victorious Sun, who has once again conquered Night and all her iniquities. Scents and colors fill the air, pinks and reds and greens mix and match and blend together, forming a rich atmosphere of synesthetic remarkableness. Each atom and molecule of the wind shivers and shakes atop their invisible chariots, perhaps the true location of Atlas and those great, big hunks of shoulders; "Man, what a man." Take it because you know you like it-- we are social creatures, creatures of logic of habit creatures of horribly idiosyncratic and idle instinct, rulers of fleshy bodies which we hardly understand. The Sun grimaces as it retreats back to the negative air, once again, not to poke its radiant face out until the next morning. The Moon came shimmering out, smiling furtively and compactly, looking down like my oldest confidante. After all, who else but our fair Luna atop the stars is the keeper of all our deepest and most primal secrets? In the cover of her noxy cloak we sin and hide, pushing every secret under and between the cracks in her space, patching up time and keeping dark and brooding Atlas good company. "You're one of the few great guys." Oh, my fat and failing Atlas, lover for the Night and of my night, you are a temporary stop on my trail, a brief twilight in my life's journey. The Sun creeps its spindly, golden fingers under the cloak of the Moon, Night: the stitchings and sewings of the sins of mortal men. Playfully, the light stretches out, first dancing along the stage of the horizon, then inching closer, desperate for living contact, for the greatest warmth of over 2 billion hearts all beating at once-- perfectly, in time. Our world is a note on this Cosmic sheet music; you are barely a splotch on the sheet. Our existence is the single beat out of infinite others, without a beginning but possibly and end. I know that there will be twists in my path, bending and curving to avoid the stars' wrath and the Suns' might, but, might it be that our two trails are simply not meant to meet?
Continue reading...
90
beholding the tipping Big Dipper, with its dangling handle, traverse a midwinter northern sky rising in concert with a steadfast sword wielding Orion, mooring the southern firmament, I stand atop a splotch of black macadam, straddling the equidistant expanse of all ascending celestial spheres Music Selection Charlie Parker Estrellita Oakland 1/23/15 jbm
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Jan 23, 2015
Jan 23, 2015 at 10:27 AM UTC
equidistant
Inspiration fails me, my pen refuses to move from its place on the page, leaving a splotch the size of the thoughts I wish to write. I wish I could fill ten notebookes with my sociopolitical nonsense and whinings of every trivial romance in my young life. I want to dry up pen after pen, wake up hungover from writing late the night before, cover each and every slip of paper in alliterations and onamonapias. If only I could be a real artist, one who carries her notebook and pen to libraries, coffee shops, and movie theaters, finding inspiration in ever face and street corner. But no. I'm just sitting here, pen in midair, staring at a blank page.
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Jan 9, 2013
Jan 9, 2013 at 3:59 PM UTC
Blocked
I know you still can't breathe And your ribs burn But I love it When I finish laughing first Because for a moment I am the insomniac Enthralled by the lucid dreamer (your eyelids flutter) I am the Catholic Entranced by the shameless drunk (your hiccups slur) And your giggles pop like Bubble bath and boiled syrup And everything is funny Everything is spine-chillingly funneled Your sprite and shrieks nosedive Into my bloodstream Spike my heartstrings And your cheeks Swell and splotch and squish Into those sparkling eyes Until they gush And you try to stop it, but Like gagging on lake water You can't Not until every sprinkle gets spewed And baby, there is so much So much beauty Spawning inside of you So much to share, and I starve for it I soar with it And for a moment A dreamer stirs the city A drunkard saves the world The children stump the wisemen As you shake the cobwebs From your ribs For one more second Reality is fragile Love is tangible And nothing else is
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Sep 19, 2018
Sep 19, 2018 at 1:12 AM UTC
Chin Up, Buttercup
You're special. All my life I considered myself to be a multicolored iridescent stroke of art in this world of pastels shades and fine lines. I knew right from the start that I wasn't a masterpiece presented by Picasso or Kahlo. I was a pretty splotch of sunny hues and velvety blues cleverly spilled over the black canvas. To find me beautiful, it required a keen eye that was ready to overlook the dainty presentation of the works of Van Gogh. There exists a story of pain and insanity behind each work of his creativity. I am and will always be the scribbled I ink across the sheet. There is a piece of poetry within me, for the person who is patient enough to look through my messy facade. And to pick up the pen and write a sonnet across my heart. Even with the multicolored spots I bleed the words of love and loss. The two most basic emotions that are often left unexplored. My soul hummed the old school love songs that no one could ever recognize. Until the day I met you. Even in a room full of exquisite wonders you chose me. You whispered the lyrics to my favorite song and left me spellbound. With a lopsided smile you held out your hand and asked me for a dance, without any conscious effort I floated and there I was; held securely in the arms of the man who owns my heart.
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Jan 7, 2018
Jan 7, 2018 at 3:14 AM UTC
To the man who owns my heart
I try to explain the world-- the deeper meanings to my mumblings all of it a frustrating mess, an artist canvas splashed with too many colors-- that it becomes impossible to depict which is what. Is that blue or is that aqua, I don't even know anymore. When it comes to understanding my thoughts, it becomes a psychotic break from reality-- where I imagine my fingernails scraping chunks of flesh from my neck. I plead for my hands to place themselves around my throat, "Please suffocate yourself please just let me out" Begging for someone to understand the mess, that the khaki colored object actually means something. Each splotch a representation of myself every detail aligned to explain a greater idea. As arguments end, they scribble deep within a sketch book of sickening black ink; Marks its place in the drippings of my thoughts, making those colors lost in translation so not even the painter knows how they feel.
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May 3, 2015
May 3, 2015 at 7:49 PM UTC
When I Argue. Why I Paint.
It's acold misty morning The large grey cobblestones creating valleys by themselves The old black lampposts casting the imaginings of light The buildings shuffle between dark grey and black as if they were a depressed Chameleon A man walks along this pathway His dark black Brioni suit covered by the enveloping arms of his coat The buttons undone as the coat ***** dramatically in the wind that isn't there The outfit is completed with a black fedora which he wears upon his head He walks down the pathway and passes a small man With ragged clothes and a baggy hat He barely notices the painter as he Iis consumed with his Own demons The painter holds a brush in his right hand An old thing with paint and chips on the wooden handle The bristles are long Not imacculate But well used In his left hand he holds his pallette It has every colour imaginable But only a small splotch of it The painter walks behind the man with the fedora And he painted He painted galaxies on the cobblestones and valleys separating them He painted patterns into the sidewalk and stories into the bricks His style a rough painterly style Jagged geometric lines creating organic spirals and waves A Van Gogh style Painfully wild strokes That seem to contain the souls of suffering and pain His flat yellows contrast to his vivid reds Powerful imagery created by nothing but contrast Emotions toyed with by jagged currants and swirls The painter painted Trying to catch up to the man with the fedora Painting eruptions of beauty from the lampposts And birds and flowers floating upon the air As the fedora man's heels lifted paint was laid down in insane yellow Driven insane by trying to catch up to this man Driven insane by trying to show the man beauty The painter ran out of paint A masterpiece a mile long Seen and admired by all who walked behind But the artist had failed His face Contorted as his emotional suffering manifested physically His heart broke again as he realized that this man with the fedora wouldn't stop He would live his whole life Without seeing beauty The painter was put in a nice jacket and a white padded room to live the rest of hus days Forced to live in his misey.... His  emotion.... His failure...
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Jul 2, 2015
Jul 2, 2015 at 1:09 AM UTC
my failure
It's acold misty morning The large grey cobblestones creating valleys by themselves The old black lampposts casting the imaginings of light The buildings shuffle between dark grey and black as if they were a depressed Chameleon A man walks along this pathway His dark black Brioni suit covered by the enveloping arms of his coat The buttons undone as the coat ***** dramatically in the wind that isn't there The outfit is completed with a black fedora which he wears upon his head He walks down the pathway and passes a small man With ragged clothes and a baggy hat He barely notices the painter as he Iis consumed with his Own demons The painter holds a brush in his right hand An old thing with paint and chips on the wooden handle The bristles are long Not imacculate But well used In his left hand he holds his pallette It has every colour imaginable But only a small splotch of it The painter walks behind the man with the fedora And he painted He painted galaxies on the cobblestones and valleys separating them He painted patterns into the sidewalk and stories into the bricks His style a rough painterly style Jagged geometric lines creating organic spirals and waves A Van Gogh style Painfully wild strokes That seem to contain the souls of suffering and pain His flat yellows contrast to his vivid reds Powerful imagery created by nothing but contrast Emotions toyed with by jagged currants and swirls The painter painted Trying to catch up to the man with the fedora Painting eruptions of beauty from the lampposts And birds and flowers floating upon the air As the fedora man's heels lifted paint was laid down in insane yellow Driven insane by trying to catch up to this man Driven insane by trying to show the man beauty The painter ran out of paint A masterpiece a mile long Seen and admired by all who walked behind But the artist had failed His face Contorted as his emotional suffering manifested physically His heart broke again as he realized that this man with the fedora wouldn't stop He would live his whole life Without seeing beauty The painter was put in a nice jacket and a white padded room to live the rest of hus days Forced to live in his misey.... His  emotion.... His failure...
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50
Don't call me a fool just because I don't fit your bill. I am made of mistakes and ugly laughter. I am a before, a right now, and a happy little after. I am gritted teeth and burnt roast beef and tired eyes and skinny lies and bloated bellies and tiny tellies. I am shattered hearts and missing parts and miniskirts and false new starts. I am that one channel your parents don't let you watch, or a giant, messy void called a black ink splotch. I am peer pressure, irresponsibility, and midnight crises pushed into a fleshbag to walk around the world. Don't control my life just because you can't control your own. I have my own place in this world- -a place called the throne.
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Aug 26, 2015
Aug 26, 2015 at 9:45 AM UTC
A Single Subject
Hello Pigment. I missed your squish- your fingers staining my favorite picture books. I need your oily claws your head-mashing whiff the way you smile with toothy indifference you climb over all walls I orchestrate and sit turgid with bright Grandiose on my blanched skin. my life is your palette, you have moved in like a sloppy roommate and your haphazard possessions drape the cabinets, the chair, the sink. I love it. you inhabit every vacancy -a bulky mass of magical “art” and no matter how much I mix your complementary colors, you appear ever so bright.   please… don’t leave me open canvased.   splotch to me left and right taint any negative space barge in without pusillanimous footsteps. whip your camel hair bristles all over my pages. color me, pigment!                                 Splatter, Paint.
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Oct 10, 2013
Oct 10, 2013 at 2:24 AM UTC
Splatter, Paint.
rest in peace, armadillo pancake. you died swiftly, thank goodness at the hand of my left wheel tail still attached the plates of your back folded into you like wings. farewell, my ridged armadillo splotch. i think of you every time i dodge your smudge of color and every time one of your brothers wanders by walking clueless into the same predicament stunned into pancake-hood forever. alas. rest in peace, my flat friend. you will not be forgotten.
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Sep 22, 2014
Sep 22, 2014 at 11:46 PM UTC
roadkill funeral
The night you told me I didn’t put stars in your eyes anymore was the night I didn’t see any stars myself. I thought we were written in constellations but that was more hopes of my own then fate. Yes, I was upset. But I wasn’t in love. And that’s why it didn’t hurt. I never lied when I said there was a moment when I thought we were some type of forever. Do you remember the time when you were out by the lake of New Hampshire with the most gorgeous sunrise, and you told me all you could think about was how much better it’d be if I was there to see it too? I told you it didn’t matter but when I woke up the next morning, I felt detached from where I was. There’s a part of me that wishes I saw that sunrise too. But that’s just how it is. All I have is stories of “has been”s and “could’ve been”s. A collection of “almost” and never seen sunrises— the memories carefully stacked on top of each other, organized and filed away, collecting dust. Somewhere I still think we exist though, an eternal splotch of sunshine and mutual caring, some place where our love didn’t hurt. Somewhere there’s a lace wedding veil and a matching tux that were actually worn. Somewhere there’s the unfinished scrapbook I put together that has more pages added to it. Somewhere there’s a collection of passports from all the road trips we should’ve taken. Somewhere out there, we are the type of forever I intended us to be. Somewhere, in a little cabin in New Hampshire, surrounded by evergreens and daffodils, there’s a little girl with the same name as my favorite movie character with your hazel eyes and my dark hair.
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Nov 30, 2015
Nov 30, 2015 at 8:16 AM UTC
I didn’t know how to write about you after you said goodbye and I think I know why now.
The night you told me I didn’t put stars in your eyes anymore was the night I didn’t see any stars myself. I thought we were written in constellations but that was more hopes of my own then fate. Yes, I was upset. But I wasn’t in love. And that’s why it didn’t hurt. I never lied when I said there was a moment when I thought we were some type of forever. Do you remember the time when you were out by the lake of New Hampshire with the most gorgeous sunrise, and you told me all you could think about was how much better it’d be if I was there to see it too? I told you it didn’t matter but when I woke up the next morning, I felt detached from where I was. There’s a part of me that wishes I saw that sunrise too. But that’s just how it is. All I have is stories of “has been”s and “could’ve been”s. A collection of “almost” and never seen sunrises— the memories carefully stacked on top of each other, organized and filed away, collecting dust. Somewhere I still think we exist though, an eternal splotch of sunshine and mutual caring, some place where our love didn’t hurt. Somewhere there’s a lace wedding veil and a matching tux that were actually worn. Somewhere there’s the unfinished scrapbook I put together that has more pages added to it. Somewhere there’s a collection of passports from all the road trips we should’ve taken. Somewhere out there, we are the type of forever I intended us to be. Somewhere, in a little cabin in New Hampshire, surrounded by evergreens and daffodils, there’s a little girl with the same name as my favorite movie character with your hazel eyes and my dark hair.
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17
There’s something about the bleeding of a pen through paper and on to the other side It gives me a sense of permanency Trying hard to stay put it bleeds for its home A mother hoping so much to hold on. Leaves a mark on their children A tattoo of trauma Leaves a mark on your children A love so sweet it’s tattoo permanent mark my skin with your presence on my shoulder; permanent A hope so sweet, I hope it’s permanent Bleed through my skin, leave a splotch like pen to a paper marking home reminding you of its permanence
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Jul 22, 2021
Jul 22, 2021 at 4:53 PM UTC
No Worries
A living skin, a skein of green briars where a half-hinged door is wagged by the wind Good-natured god, decay’s stigmata-stained spires nettles paint the stairs splotch patterned, olive skinned Glass window shards grab a slip of silk curtain pick-pocket beetles engrave brute luck broadside Chimney thrushes cabined in ash are certain cynicism’s growing sums are rectified Blue jays opine time’s cuckoo clock mocking worms ply enormous copses, scrawl casts of clay Autumn gusts and rains whirl detritus stocking flung colors Pollocked, clutter’s chaos array Hours dissolve the acorns and soft seeds scatter as grasses grown tall have turned light yellow architecture’s flourishes are picked off crumbled valuables filched and turned to dirt tumult’s passages dug the driveway’s trough carrion feeders pull black quills from their shirt slugs smear a rainbow trail and mice scurry collapsed walls fall to the slush of leaf slurry
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Nov 30, 2017
Nov 30, 2017 at 1:15 AM UTC
Entropy's House
Long and endless nights, Of blood, sweat, tears, and charcoal. Melting into smile. Haven't slept in days, If I could I'm sure I would, Cigarettes will do. Paradox in hand, I form an open window, Illusive, by fLaw. Golden lights are on, Check. Chronic aches and pains. Check. Perfectionism... Check. Coffee is my blood, A running joke amongst us slaves, We might die without. Humor's important Now, because I'm already Two-far and long-gone. Far-along the shores Of distant kingdoms wreckage. Lost within again, Shattered and washed up Into mountains of peril, And treasures turned dust, Aftermath beheld In retrospect, I should have, Could have would have dones. All within a shape. I finish my drink and sit, Dusty nose n **** I want to give up, Whispering Sith Professor, Harks of homeworks past. Birds in the distance, Crickets lost within the night, Still life in mid-flight. Still life is my life, Satan is the only way, Jazz is close second. Fellow holograms, This is not an SOS, This is a farmhouse. ….... Jk, pls send help. I fear if I keep going, I may never stop. I may not want to... These are my last words before I return to dust; If anyone has The heart to come and unwind, Brains from my behind. A cuppa tea, or, A splotch of green to withhold Things from coming apart, If anyone wants To comfort such who in Nothingness departs, I'm with Descartes, In storms of bleeding hearts, a Pupil of Fine Arts.
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Jul 2, 2015
Jul 2, 2015 at 11:30 PM UTC
The Pupils of Fine Arts
If the ceilings dripped liquid metal and the scratchy rose-print sheets bit out for our bodies, we wouldn't know a thing. If God jumped into bed and tried to cram in between us, there wouldn't be enough room. In the deep night, all the stars could come down shattering into knife light, It would be perfect. All the asteroids could warp the earth into a bowl of milk, and splotch the solar system into a giant cow, but we could not join in the teet-mashing mayhem; there's nothing pure here, and our fingers hunger for bad places, instead of ushering in the good. I do not know what we will do, but the world is falling apart.
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Sep 8, 2012
Sep 8, 2012 at 9:34 AM UTC
The World is Falling apart.
I wonder how long it will take me to be whole. You might think that this sounds odd or possibly vain, but it is a thought that torments me constantly as I am driving home in the wee hours of the morning. I'm tired of being captured by the picture that others have of me, as I am more than a nervous disposition and a small frame. Everyday I go through the motions, yet everyone I experience seems to see right through me. I am only a temporary splotch of paint that will be covered up on their canvas of convenience. I finally reached my breaking point, and as I stood there with tears leaking through my closed eyes, you asked me if I was okay and at first I didn't even hear your voice. I try to keep my emotions under control, but I have come to accept the fact that humans can only hold in so many different feelings before they explode. You saw the small crumble of my body and mind, watched all of my colors pour out of me, and yet you stayed. I am entirely grateful.
0
Jul 16, 2014
Jul 16, 2014 at 3:48 AM UTC
Crumble
A small splotch of ink, Staining pristine white paper, Describing beauty.
0
Feb 20, 2015
Feb 20, 2015 at 12:13 AM UTC
Haiku, in Haiku
I’m counting the freckles on my skin. I’m tracing the coffee-splotch birthmark on my stomach. I’m biting my nails and cracking my knuckles and thinking about the Old House. I think it’s sort of funny how in an entire life, with all its seconds and all its moments, and all its memories, only some things really stick. There used to be a time where I prided myself on my apparently “flawless” memory; I forget things all the time.  Like my mother’s voice         my father’s face my grandmother’s eye color. I fear that I’ve forgotten the most important parts of my childhood. I remember daddy’s race cars, mommy’s wine, the time my sister slammed the van door on my head, and the time I kicked the bathroom entrance. Last week I opened the photo albums from under my mother’s bed and I’ve already forgotten all the things that I finally figured out that I forgot.   Sitting on the floor, surrounded by one-hour Walgreens prints, I started to pick open a wound that I did not even know was there. My dog’s ashes are still hidden, a copy of my mother’s Will is still missing, and last year my step father found prepackaged “emergency escape bags” in our basement along with $250 cash inside the cogs of our whirlpool. I’ve heard stories of how my mother kept documented journals of my father, but I’ve never had the guts to ask for them. I’m beginning to wonder what kind of people my parents really were.  I’m beginning to wonder just how much of my childhood I’ve forgotten                            and how much of it          I’ve lost.
0
Jul 19, 2014
Jul 19, 2014 at 9:11 PM UTC
Phantasmagoria
I’m counting the freckles on my skin. I’m tracing the coffee-splotch birthmark on my stomach. I’m biting my nails and cracking my knuckles and thinking about the Old House. I think it’s sort of funny how in an entire life, with all its seconds and all its moments, and all its memories, only some things really stick. There used to be a time where I prided myself on my apparently “flawless” memory; I forget things all the time.  Like my mother’s voice         my father’s face my grandmother’s eye color. I fear that I’ve forgotten the most important parts of my childhood. I remember daddy’s race cars, mommy’s wine, the time my sister slammed the van door on my head, and the time I kicked the bathroom entrance. Last week I opened the photo albums from under my mother’s bed and I’ve already forgotten all the things that I finally figured out that I forgot.   Sitting on the floor, surrounded by one-hour Walgreens prints, I started to pick open a wound that I did not even know was there. My dog’s ashes are still hidden, a copy of my mother’s Will is still missing, and last year my step father found prepackaged “emergency escape bags” in our basement along with $250 cash inside the cogs of our whirlpool. I’ve heard stories of how my mother kept documented journals of my father, but I’ve never had the guts to ask for them. I’m beginning to wonder what kind of people my parents really were.  I’m beginning to wonder just how much of my childhood I’ve forgotten                            and how much of it          I’ve lost.
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