a connotation of infinity
sharpens the temporal splendor of this night

when souls which have forgot frivolity
in lowliness,noting the fatal flight
of worlds whereto this earth’s a hurled dream

down eager avenues of lifelessness

consider for how much themselves shall gleam,
in the poised radiance of perpetualness.
When what’s in velvet beyond doomed thought

is like a woman amorous to be known;
and man,whose here is alway worse than naught,
feels the tremendous yonder for his own—

on such a night the sea through her blind miles

of crumbling silence seriously smiles

1
I celebrate myself, and sing myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease observing a spear of summer grass.

My tongue, every atom of my blood, form’d from this soil, this air,
Born here of parents born here from parents the same, and their
parents the same,
I, now thirty-seven years old in perfect health begin,
Hoping to cease not till death.

Creeds and schools in abeyance,
Retiring back a while sufficed at what they are, but never forgotten,
I harbor for good or bad, I permit to speak at every hazard,
Nature without check with original energy.

2
Houses and rooms are full of perfumes, the shelves are crowded with
perfumes,
I breathe the fragrance myself and know it and like it,
The distillation would intoxicate me also, but I shall not let it.

The atmosphere is not a perfume, it has no taste of the
distillation, it is odorless,
It is for my mouth forever, I am in love with it,
I will go to the bank by the wood and become undisguised and naked,
I am mad for it to be in contact with me.

The smoke of my own breath,
Echoes, ripples, buzz’d whispers, love-root, silk-thread, crotch and
vine,
My respiration and inspiration, the beating of my heart, the passing
of blood and air through my lungs,
The sniff of green leaves and dry leaves, and of the shore and
dark-color’d sea-rocks, and of hay in the barn,

The sound of the belch’d words of my voice loos’d to the eddies of
the wind,
A few light kisses, a few embraces, a reaching around of arms,
The play of shine and shade on the trees as the supple boughs wag,
The delight alone or in the rush of the streets, or along the fields
and hill-sides,
The feeling of health, the full-noon trill, the song of me rising
from bed and meeting the sun.

Have you reckon’d a thousand acres much? have you reckon’d the
earth much?
Have you practis’d so long to learn to read?
Have you felt so proud to get at the meaning of poems?

Stop this day and night with me and you shall possess the origin of
all poems,
You shall possess the good of the earth and sun, (there are millions
of suns left,)
You shall no longer take things at second or third hand, nor look
through the eyes of the dead, nor feed on the spectres in
books,
You shall not look through my eyes either, nor take things from me,
You shall listen to all sides and filter them from your self.

3
I have heard what the talkers were talking, the talk of the
beginning and the end,
But I do not talk of the beginning or the end.

There was never any more inception than there is now,
Nor any more youth or age than there is now,
And will never be any more perfection than there is now,
Nor any more heaven or hell than there is now.

Urge and urge and urge,
Always the procreant urge of the world.

Out of the dimness opposite equals advance, always substance and
increase, always ***,
Always a knit of identity, always distinction, always a breed of
life.
To elaborate is no avail, learn’d and unlearn’d feel that it is so.

Sure as the most certain sure, plumb in the uprights, well
entretied, braced in the beams,
Stout as a horse, affectionate, haughty, electrical,
I and this mystery here we stand.

Clear and sweet is my soul, and clear and sweet is all that is not
my soul.

Lack one lacks both, and the unseen is proved by the seen,
Till that becomes unseen and receives proof in its turn.

Showing the best and dividing it from the worst age vexes age,
Knowing the perfect fitness and equanimity of things, while they
discuss I am silent, and go bathe and admire myself.

Welcome is every ***** and attribute of me, and of any man hearty
and clean,
Not an inch nor a particle of an inch is vile, and none shall be
less familiar than the rest.

I am satisfied - I see, dance, laugh, sing;
As the hugging and loving bed-fellow sleeps at my side through the
night, and withdraws at the peep of the day with stealthy
tread,
Leaving me baskets cover’d with white towels swelling the house with
their plenty,
Shall I postpone my acceptation and realization and scream at my
eyes,
That they turn from gazing after and down the road,
And forthwith cipher and show me to a cent,
Exactly the value of one and exactly the value of two, and which is
ahead?

4
Trippers and askers surround me,
People I meet, the effect upon me of my early life or the ward and
city I live in, or the nation,
The latest dates, discoveries, inventions, societies, authors old
and new,
My dinner, dress, associates, looks, compliments, dues,
The real or fancied indifference of some man or woman I love,
The sickness of one of my folks or of myself, or ill-doing or loss
or lack of money, or depressions or exaltations,
Battles, the horrors of fratricidal war, the fever of doubtful news,
the fitful events;
These come to me days and nights and go from me again,
But they are not the Me myself.

Apart from the pulling and hauling stands what I am,
Stands amused, complacent, compassionating, idle, unitary,
Looks down, is *****, or bends an arm on an impalpable certain rest,
Looking with side-curved head curious what will come next,
Both in and out of the game and watching and wondering at it.

Backward I see in my own days where I sweated through fog with
linguists and contenders,
I have no mockings or arguments, I witness and wait.

5
I believe in you my soul, the other I am must not abase itself to
you,
And you must not be abased to the other.

Loafe with me on the grass, loose the stop from your throat,
Not words, not music or rhyme I want, not custom or lecture, not
even the best,
Only the lull I like, the hum of your valved voice.

I mind how once we lay such a transparent summer morning,
How you settled your head athwart my hips and gently turn’d over
upon me,
And parted the shirt from my *****-bone, and plunged your tongue
to my bare-stript heart,
And reach’d till you felt my beard, and reach’d till you held my
feet.

Swiftly arose and spread around me the peace and knowledge that pass
all the argument of the earth,
And I know that the hand of God is the promise of my own,
And I know that the spirit of God is the brother of my own,
And that all the men ever born are also my brothers, and the women
my sisters and lovers,
And that a kelson of the creation is love,
And limitless are leaves stiff or drooping in the fields,
And brown ants in the little wells beneath them,
And mossy scabs of the worm fence, heap’d stones, elder, mullein and
poke-****.

6
A child said What is the grass? fetching it to me with full hands;
How could I answer the child? I do not know what it is any more
than he.

I guess it must be the flag of my disposition, out of hopeful green
stuff woven.

Or I guess it is the handkerchief of the Lord,
A scented gift and remembrancer designedly dropt,
Bearing the owner’s name someway in the corners, that we may see
and remark, and say Whose?

Or I guess the grass is itself a child, the produced babe of the
vegetation.

Or I guess it is a uniform hieroglyphic,
And it means, Sprouting alike in broad zones and narrow zones,
Growing among black folks as among white,
Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I
receive them the same.

And now it seems to me the beautiful uncut hair of graves.

Tenderly will I use you curling grass,
It may be you transpire from the ******* of young men,
It may be if I had known them I would have loved them,
It may be you are from old people, or from offspring taken soon out
of their mothers’ laps,
And here you are the mothers’ laps.

This grass is very dark to be from the white heads of old mothers,
Darker than the colorless beards of old men,
Dark to come from under the faint red roofs of mouths.

O I perceive after all so many uttering tongues,
And I perceive they do not come from the roofs of mouths for
nothing.

I wish I could translate the hints about the dead young men and
women,
And the hints about old men and mothers, and the offspring taken
soon out of their laps.

What do you think has become of the young and old men?
And what do you think has become of the women and children?

They are alive and well somewhere,
The smallest sprout shows there is really no death,
And if ever there was it led forward life, and does not wait at the
end to arrest it,
And ceas’d the moment life appear’d.

All goes onward and outward, nothing collapses,
And to die is different from what any one supposed, and luckier.

7
Has any one supposed it lucky to be born?
I hasten to inform him or her it is just as lucky to die, and I know
it.

I pass death with the dying and birth with the new-wash’d babe, and
am not contain’d between my hat and boots,
And peruse manifold objects, no two alike and every one good,
The earth good and the stars good, and their adjuncts all good.

I am not an earth nor an adjunct of an earth,
I am the mate and companion of people, all just as immortal and
fathomless as myself,
(They do not know how immortal, but I know.)

Every kind for itself and its own, for me mine male and female,
For me those that have been boys and that love women,
For me the man that is proud and feels how it stings to be slighted,
For me the sweet-heart and the old maid, for me mothers and the
mothers of mothers,
For me lips that have smiled, eyes that have shed tears,
For me children and the begetters of children.

Undrape! you are not guilty to me, nor stale nor discarded,
I see through the broadcloth and gingham whether or no,
And am around, tenacious, acquisitive, tireless, and cannot be
shaken away.

8
The little one sleeps in its cradle,
I lift the gauze and look a long time, and silently brush away flies
with my hand.

The youngster and the red-faced girl turn aside up the bushy hill,
I peeringly view them from the top.

The suicide sprawls on the ****** floor of the bedroom,
I witness the corpse with its dabbled hair, I note where the pistol
has fallen.

The blab of the pave, tires of carts, sluff of boot-soles, talk of
the promenaders,
The heavy omnibus, the driver with his interrogating thumb, the
clank of the shod horses on the granite floor,
The snow-sleighs, clinking, shouted jokes, pelts of snow-*****,
The hurrahs for popular favorites, the fury of rous’d mobs,
The flap of the curtain’d litter, a sick man inside borne to the
hospital,
The meeting of enemies, the sudden oath, the blows and fall,
The excited crowd, the policeman with his star quickly working his
passage to the centre of the crowd,
The impassive stones that receive and return so many echoes,
What groans of over-fed or half-starv’d who fall sunstruck or in
fits,
What exclamations of women taken suddenly who hurry home and
give birth to babes,
What living and buried speech is always vibrating here, what howls
restrain’d by decorum,
Arrests of criminals, slights, adulterous offers made, acceptances,
rejections with convex lips,
I mind them or the show or resonance of them-I come and I depart.

9
The big doors of the country barn stand open and ready,
The dried grass of the harvest-time loads the slow-drawn wagon,
The clear light plays on the brown gray and green intertinged,
The armfuls are pack’d to the sagging mow.

I am there, I help, I came stretch’d atop of the load,
I felt its soft jolts, one leg reclined on the other,
I jump from the cross-beams and seize the clover and timothy,
And roll head over heels and tangle my hair full of wisps.

10
Alone far in the wilds and mountains I hunt,
Wandering amazed at my own lightness and glee,
In the late afternoon choosing a safe spot to pass the night,
Kindling a fire and broiling the fresh-****’d game,
Falling asleep on the gather’d leaves with my dog and gun by my
side.

The Yankee clipper is under her sky-sails, she cuts the sparkle
and scud,
My eyes settle the land, I bend at her prow or shout joyously from
the deck.

The boatmen and clam-diggers arose early and stopt for me,
I tuck’d my trowser-ends in my boots and went and had a good time;
You should have been with us that day round the chowder-kettle.

I saw the marriage of the trapper in the open air in the far west,
the bride was a red girl,
Her father and his friends sat near cross-legged and dumbly smoking,
they had moccasins to their feet and large thick blankets
hanging from their shoulders,
On a bank lounged the trapper, he was drest mostly in skins, his
luxuriant beard and curls protected his neck, he held his bride
by the hand,
She had long eyelashes, her head was bare, her coarse straight locks
descended upon her voluptuous limbs and reach’d to her
feet.

The runaway slave came to my house and stopt outside,
I heard his motions crackling the twigs of the woodpile,
Through the swung half-door of the kitchen I saw him limpsy and
weak,
And went where he sat on a log and led him in and assured him,
And brought water and fill’d a tub for his sweated body and bruis’d
feet,
And gave him a room that enter’d from my own, and gave him some
coarse clean clothes,
And remember perfectly well his revolving eyes and his awkwardness,
And remember putting piasters on the galls of his neck and ankles;
He staid with me a week before he was recuperated and pass’d north,
I had him sit next me at table, my fire-lock lean’d in the corner.

11
Twenty-eight young men bathe by the shore,
Twenty-eight young men and all so friendly;
Twenty-eight years of womanly life and all so lonesome.

She owns the fine house by the rise of the bank,
She hides handsome and richly drest aft the blinds of the window.

Which of the young men does she like the best?
Ah the homeliest of them is beautiful to her.

Where are you off to, lady? for I see you,
You splash in the water there, yet stay stock still in your room.

Dancing and laughing along the beach came the twenty-ninth
bather,
The rest did not see her, but she saw them and loved them.

The beards of the young men glisten’d with wet, it ran from their
long hair,
Little streams pass’d all over their bodies.

An unseen hand also pass’d over their bodies,
It descended tremblingly from their temples and ribs.

The young men float on their backs, their white bellies bulge to the
sun, they do not ask who seizes fast to them,
They do not know who puffs and declines with pendant and bending
arch,
They do not think whom they ***** with spray.

12
The butcher-boy puts off his killing-clothes, or sharpens his knife
at the stall in the market,
I loiter enjoying his repartee and his shuffle and break-down.

Blacksmiths with grimed and hairy chests environ the anvil,
Each has his main-sledge, they are all out, there is a great heat in
the fire.

From the cinder-strew’d threshold I follow their movements,
The lithe sheer of their waists plays even with their massive arms,
Overhand the hammers swing, overhand so slow, overhand so sure,
They do not hasten, each man hits in his place.

13
The ***** holds firmly the reins of his four horses, the block swags
underneath on its tied-over chain,
The ***** that drives the long dray of the stone-yard, steady and
tall he stands pois’d on one leg on the string-piece,
His blue shirt exposes his ample neck and breast and loosens over
his hip-band,
His glance is calm and commanding, he tosses the slouch of his hat
away from his forehead,
The sun falls on his crispy hair and mustache, falls on the black of
his polish’d and perfect limbs.

I behold the picturesque giant and love him, and I do not stop
there,
I go with the team also.

In me the caresser of life wherever moving, backward as well as
forward sluing,
To niches aside and junior bending, not a person or object missing,
Absorbing all to myself and for this song.

Oxen that rattle the yoke and chain or halt in the leafy shade, what
is that you express in your eyes?
It seems to me more than all the print I have read in my life.

My tread scares the wood-drake and wood-duck on my distant and
day-long ramble,
They rise together, they slowly circle around.

I believe in those wing’d purposes,
And acknowledge red, yellow, white, playing within me,
And consider green and violet and the tufted crown i

Taurus, bull goddess, strong and proud.
Sometimes lazy, quite often loud.
Mother, protector, stubborn as hell.
Obstinate, difficult, but meaning well.
She sharpens her horns on whoever comes near
And more than her horns, it’s her mouth you should fear.
Creature of earth, Taurus woman is strong.
Won’t let you forget that she’s never wrong.
She’ll love you forever, loyal ‘till death.
She’ll defend you fiercely, give her last breath.
If you love one be thankful, she’ll not let you fall.
She’s Taurus, proud mother, and she’s standing tall.

Endless nights are passing, shadows lurking upon one another, one of greater darkness than the other, just waiting for pray alike a spider,
Fingernails possessed by a woman, sharper than knifes, almost alike claws they are an ornament to her delicate looking sweet body,
Her ****** devotion, driving her mad in a moment of distraction from deep within her split mind, time stands still, meaning is lost,
What's left to hunt in a place in which a monster causes rampage ?
Wasting no time, she seeks her next victim, drenched in impurity.
Approaching it the girl pretends to be gentle, caring yet worried but in truth she had only one plan, to feed of its despair, its infinite pain,
With crimson tears of both joy and fear of what she had become, the gal greets it to the end of its already shortened life after she gained trust, respect, maybe even a little love in this blazing hell with no sun,
Knocking it over she ramms her nails into the flesh of his face, piercing through while making sure he is not able to gain any motion,
Softly, in a slow cruel yet elegant manner she rips off chunks of it,
A distorted scream fills the room, laughter accompanies it as she loses herself to this waving melody of pain, questioning wheter or not to be replaced by the transience they have named life, or wether to live on,
As soon as he stops screaming she cuts through his cheek, getting stuck, breaking away her nail to set her hand free once again,
Nine knifes remain in there after all, surely that would be enough,
Clapping her hands in glee her next motive was a skillful punch to knock him out after her satisfaction of ruining his face had reached its peak in a riot of unexplored, absolutely undefined emotions,
Awaiting the awakening of her pray the lunatic sharpens her nails once again, now they would go on to the second act of her crime,
Tortured with true or false of this action she decides to take a stand
*******, simply to draw on the blood drenched body with cutting marks of the finest lines in an art of lunacy, a nightmare,
Recurrance in emotions, recurrance in her actions, for her it's "fun",
Act 3 has come close, it was time to rip him open and reveal his treasure, for what she actually wanted was a heart she never had,
Straight cutting to the mans chest it had been done, all what was needed now would be to break his rips to fully expose his insides,
Ah, phantoms of a long past, as the present burns away with cuts,
The symbol of hatred had achieved her final destiny, at last that is,
Each ***** was either ripped off and thrown out in fury or devoured immediately in her hunger she felt whilst working,
Hanging him by his guts she takes everything out till he is hollow,
Lifeless she watches him rot a little, having crushed his bones,
What was left when time is moving once again in a realm of light ?
Her crime goes unrecorded, unnoticed as the corpse became fuel for the fire alike hell, until her twisted mind drags her to do this again

~ Umi

beginning with a title... the transcendent bicycle...
because it really is just that...
if you have walked as much as i have:
a marathon from Romford
to St. Paul's and back...
a marathon from Romford to Epping
and back...
       i don't know but i do know that
i might have been aiming for: flesh of my flesh...
aged 34... but i'm still "trapped" inside
the dimension of the bicycle like
i'm ******* quicksilver / the flash...
i haven't ridden a bicycle in well over a decade...
today i found out i have ghost muscles...
the bicycle became the antithesis of
prosthetic limbs...
   it's hardly a Descartes contemplating
a desk and / or van Gogh's chair...
beauty in pickling... depths of thought in:
picking, juices...
how a second birth happens with
the advent of thought...
when... penetrating inanimate things...
to think about objects is to...
become more objective?
         it's not like i'll summon...
a Freudian complex...
using a bicycle... as a Deleuze
did when ushering in the bicycle from
a Beckett's perspective...
  beside the "village bicycle" i hardly
want to give sway to some ******* metaphor...

the bicycle is more than a chair
a chair is such a fermentation process
since you can sit on it...
but can hardly concern yourself
with making a ******* gallop on it...
but a bicycle is not a horse...
but a bicycle is not a horse...
writes the man that...
yes... i have ridden horses...
all the equestrian clubs in Essex can shy away
from the detail of...
i have allowed myself to ride a horse
to a gallop... neck, sore... entangled in:
want of massage... yes...
but a bicycle is not a horse!
it's a dog... at best... it goes where you want
it to go...
the leash of gears the muzzle of the breaks...

the **** i need a car for?
in London... even if it's outskirts /
kilt Loon'don?
     ha ha FARKER TARTAN WILLIAMSSON...
blah!
enriched with hidden energies of
newly discovered... otherwise plainly
shelved sensations of motion...
there's nothing new about a bicycle...
said the man who withheld a smirk
when attesting...
a gap... the same centre of gravity... though...
almost like the buoyancy arrived at
when swimming...

oh how my father tried to teach me...
how peer pressure taught me instead...
it's this exasperating O oh and ah...
that's not really becoming of adding any more
detail to a rekindled love for life...

notably concerning England...
and outer-suburbia...
- when you have been walking these
labyrinth streets for months...
to be suddenly injected with
a very new, but at the same time:
a very old concept... dimension: which sharpens
the genesis of thinking about the sentence...
a new dimension of... speed...
time, space are their own affairs...
invoked for a day by a day...
walking is merely movement...
cycling? that's not merely movement...
that's...             speed...
because... there's a whole chi focus
of X yes precisely X...
        only half an hour's worth of cycling
and i covered the whole peninsula of the area...
unbelievable the detail of acquiring
traffic coordination...
a shared responsibility that a mere
pedestrian might take for granted...
      
tomorrow's a Sunday and i'm supposing
come circa 7am the
traffic should be "slim"...
having tested the breaks and the gears
somewhat proper...

bicycle bicycle... where have you been
all my past decade...
bicycle: grandfather Joseph...
death toll murk... fill the bells!
let them not resound in the night
while i reclaim the wind for my own...

- that i sometimes drift in and out
of solipsism...
yes... that solipsism is
laboratory minded experimentation
with states of autism...
but you're given the excuse
of riding a bicycle...

i wonder what wings might feel like....
a bicycle is not a horse...
a bicycle is more or less a dog...
it's certainly not a cat... meow...
if there was an advent of wind to harness...
but there's me... merely pulverising forward...
the leash the muzzle
all that's frame and the breaks:
downhill...

the lullaby of emotions intrinsic in:
blocking all rancid thinking... all thinking
like so...
Zen by ***... it's not that i know more...
i know... different... but first you have to walk
said distances... before loopholes...
wormholes appear gesticulating the mind
with a provided for, otherwise...

i'm 34 and i feel like i've just...
accomplished more than
having shed feather of my virginity...
never make me feel so entrusting...
never make me feel so demanding "x"...
peddle ******* peddle...
tread-water.... in your pyjamas...
i do remember, like an elephant's cranium
might... details of a historical tattoo...

philosophy books are...
paupers of metaphor...
language is ever hardly elevated into
a bouquet...
i don't want to be in love again...
i don't want to be such an...
undemanding... lack of ambition...
lack of sacrifice...

take me into the woods
and shoot me in the back of the head...
but before you do...
i'll merely ask...
take me into the sort of woods
where the deed be done...
but appreciate walking me so far
off the well trodden path
that you might not remember
how to retrieve a safe-footing back...
take me into the woods of no known
horizon...

guarded by a strict wall of a mile of trees
that block out the otherwise pleasant
azure of the sky come hiding the sun
at sunset... or sunrise...
in that zenith of immobile grey
between the hours of commotion
when nothing is to be salvaged as one's
own... but... abhorred as it too must be...
somehow... shared...

some privy in on England... a land
of fertile imaginings...
when Descartes had his table, and chair...
to fist & fester on...
i'll lay clamour to the debris of alt...

yes: an overbearing load of sensation:
delusional.. let's put him in his "right"
place... let him believe the sole provided
the psychiatric source of angst
no purpose = no posit of transcendence...
no bicycle...
   custard... pie-load...
angst...
               jerking off from "excess" libido...
well... exercise the "excesses" of libido elsewhere...
exert well squid parallels
and more: firm grasp... "tentacles"...
see the same within the confines
of an "elsewhere"...

how ***** i became being so...
muscular abiding... simultaneously... docile... too...
it's not a Lamborghini it's not
a British T... triumph motorcycle...
it's a peddling ingenuity of
somewhat self-origin...

i could have eaten up a Solomon's share
of ****** and *******
that same of wisdom...
should i, could i, would i have
demanded less than was already left available
from the Tetragrammaton...

how did "we" ever learn to laugh...
how was HA... the hebrew definite article spawned
those biggest,
no... those grieving questions...
how a monotheistic deity might be all
good... yet somehow not all powerful...
yet all powerful but not all good...
bling alley... cul-de-sac view:

the algebra not solved: attempted by
numbers...
letters later sieved...
and more letters sieved...
played the party pooper with membrane knowledge
of katakana and Hangul...
because... Latin script does slip...

chi-focus?
the multiplication ascend of:
what was walked prior...
can now be cycled... shortened because no
"lost" time was ever to be grieved...
although... the front suspension is...
an unwelcome addition...
ha ha... privy me on details
like... excesses that are there...
21 gears and when there was a rigid frame
throughout and rising up from
a sitting position is not necessary...

no... i'm not gearing up for motorcycles...
i like the idea...
but also... subsequently... the experience...
of a double-decker... bus...
of a bus of being the transit mahjong skeleton...
pieces... mein alles!

mein alles!             gott, mit... uns!

yes... unbelievable... the demands for yachts...
for ******... diminished into a fizzle....
when a Beijing demand for bicycles
skyrocketed... and all that was left to salvage
was... promises of a Sunday,
circa 7am...

hidden gems of plied-play-dough-esque:
sort of truths...
sort of beefing up... doubting pork...
within the confines of chops...
between me and a prisoner...
between me an a prisoner...
it's hardly the yacht...
the hardly any nuance of bother...
believe the existence of hierarchy...
because the Bolsheviks didn't
come about the first time around...
second try...
escape the English cwown they said...
escape the litany of squares
they-void-thought... "said"...
herr omar bin sa-id...
conquest of the Hey-Brews... "said"...

don't undermine the intricate
tribal workings of...
half-possessed...
half truant... thereby almost totally... true...
associates of Casimir the Great...
there be a god of wisdom
and there be a god of fire...
there be a god of letters...
if so...

the same god will be inclined
to mind...
an apostrophe as much as a surd (letter)
in Ęgli-sh...
when not minding... "it"..
lay an Ę to the side to wreck havoc with...
ha ha!    Щ...

  Ę / Щ... the **** are you looking
at me... like i were the one
who killed your mother with a *******
harmonica / what have these galoshes to do with
"these" galoshes...
what has this pumpernickel to do with
this windmill... "this" is an obstruction...
the proverb states...
what has a pumpernickel to do with
a windmill?

exactly... ****-all!

two-riddle *******' worth... worth of...
newly ******* jargon... and crust of...
for the load that might be minded
invigorating life... as life in prospect...
re-orientating man toward the clamour
of detailing sky...
not on foot...
not on horse...
not via car... will you...
to hell with running down...
a stampede of perspective...

planet... luancy? is that where we are all,
from?
i am born of madness...
i am this salty precursor of i think...
clearly i first arrived...
later... i somehow managed to "think"...
i didn't think first
but i certainly didn't either:
i think therefore i am therefore i think...

i was more on the lines of...
from the lineage of:
trouble...
i am therefore i think therefore i am...
i am not a spider i'm not all emptying and detailing
the filling of gob-***** with
i am hungry i am vector...
i am therefore i think therefore i am...
but this... ****** of french...
premature *******....
of i think therefore i am... therefore i think:

honestly? thinking is sometimes not...
necessary...
sometimes water needs no... glue, metaphor...

Amsterdam's open mouth darkseid
apocalypse abode...
le trio joubran - masar.... a finite quest...
primo.... detailing conquest...
handling crux....

            the cat's in the riddle...
the yard is in a mile...
scrutiny of the Levant...
           leverage of hark... -ing
denote: closure... of "ambition":
this lesser "king"...
brow of the most dignified...

                   keeping with allowance
(an)
  justly, met...
  
give me wind:
   give me... air...
not... hair... i laugh... i laugh too little...
i chisel my teeth...
i scream: nothing primo!
my life but q.
there are more lived importances
that matter, thus...
cradle... diamonds...

"the end".

Stage Design/American Drama


Down front on America’s stage—
awash in a universe
of light arranged by
the ultimate technician.
Come closer.  Anticipate
spectacle.

First sun-splash
on these shores fashions
fool’s gold of surf that heaves against
foam-smoothed, lobster black,
slick rock beaches of northern Maine/
bubbles about black rubber boots of men in boats—
another day, another dime,
shivered away in ancient rime—
adrift in fog on the black
                                          glass
                                                   harbor
                                                               surface.

Grand Canyon sunrise
          EXPLODES
               copper and white/
                    orange and green/
                          blood red/
over many thousand pounds
of brash brown
        dirt—
in every direction/especially down.
       Soldierly shadows armed with swords
       of slivered sunlight hack through scrub
       like so much meat, to each day’s final
       battle at the canyon’s rim/
while a mile below the torment
called the Colorado
turns silver and gold,
black, blue, and
thundering
mud.

Louisiana bayous trickle chlorophyll caramel over twisted hickory sentinels, monumental elms and sycamores—even the alligators.  More mystery here than far-flung nebulae—and everything fighting back ***** green kudzu.

The Badlands of South Dakota, striped like the surface of a ***** peppermint planet—sizzling in the sun, bone cold in the shade—knobby tan canyons wrapped in ribbons of rust that dribble sounds one can neither recall nor reproduce.

Same phenomenon frames dawn over spongy folds of tall green cilia ocean called simply The Plains.
Kansas, Nebraska, horizons so far away thunderstorms creep along like dark, threatening slugs.
Distant night fireworks laden with punishing hail hide tornadoes and winged farmhouses in the horizontal gloom.  In the morning—those sounds again.  Critters?  Wind.  Ghosts, maybe.

Spectral mists of the Great Northwest cloak clear-cut sores on Nature’s sacred,
fragrant, deep green shores, falling steep to the creamy Pacific.
Light's a plaything here.  Big Sur
renders color to gem, sparkles
down the coast
to rusty Golden Gate and grimy LA,
where the sun goes down brown
and the rain shines
like gun metal.

Georgia soil—
homicidal redheaded cousin running loose, looking for trouble—
grows swampy hardwood groves/
leaves hung limp from humidity/
masking antebellum secrets/
offering sanctuary to voodoo practitioners and moonshiners alike.
Magic, danger, ******, and ghosts
of slaughtered slaves wander tight-packed old-growth forests.
Some say the soil is red from ancient conflict,
unanswered pleas for mercy drowned
in the drenching rains
of hurricanes
strayed north from the Gulf of Mexico.
Others claim tears of countless mothers will never leave
Civil War blood completely dry.

Northern New England foliage--
master maples drunk on fresh cider/
psychedelic finger-paint exhibitionists high on
the year’s last harvest,
intoxicated by Nature’s largess/
symphonies of scarlet, tangerine, lemon, even purple--
regal birds migrate over lakes so blue
you could chip your teeth on them,
and a diehard hemlock conducts its final green opus to a sea of primary colors.

Iowa is quiet and corn, obscuring whole towns and the lives held captive therein.  All the green on Earth is planted here; all the sun, all the sapphire sky feeding knee-high-by-July crops, bleaching spare white churches, white picket fences, white-on-white generations and all their vanilla dreams.

Linger beneath Montana’s cobalt crystal canopy to know why it’s called Big Sky.
Stark, Crazy Mountains chase stuttering clouds above treeless, tumbleweed towns,
bathed in the same blues as Wyoming, blown through a wild man’s horn.

A wink of sunlight
mirrored in unseen peaks
perhaps hundreds of miles away—
snow so white/Rocky Mountains so hard and gray—
behind a universe of wheat flatness beckoning the eye to infinity, slowly,
slowly, the Continental Divide rises
from the horizon like a monster parade balloon filling with gas on another continent.
The Flat Irons--majestic stone slabs lounging against Boulder's nearby foothills--
were cursed by ancient observers.
One peek at their precarious slopes compels you to return.
Been back three times and I’m still not sure I believe it.

Southwestern deserts’ blaze,
haze, and halo—spotlights hot,
focused on towering sandstone totems.
Deep gashes of flowering canyon, adrift in the flat and barren,
rage water, mud, and death during summer storms.
Scrub and sand, dust and desolation, land unfit for demons.
Get thee behind me, Arizona.

Endless, straight, lonely two-lanes
carve the lunar landscape of west Texas
into parcels of wasteland, miles marked by
bleached carcasses of ranch animals
and their predators, some hung
on fences as a warning
that people really do
live there.

Cities have their place,
                    their places,
                    their placement--
but my heart can’t pound to the beat of traffic
like it does to waterfall spray.

Turn your back to the fire in sufficient twilight and a mountain range sharpens into a line—
coyotes prowling, howling on the perimeter.
To spy on a wild animal lost in thought.
The sight--and sound--as swans alight or leave a hidden pond.
Northern lights and swamp gas,
everywhere the stench
of Earth.

This
is what matters—
all around us—
this alone.

Not politics,
not religion,
not countries.

Just this—
stage.

The knife cutter calls in the summer noon
on his bicycle he pedals his wheel
sharpens all that rust too soon
knives past prime too blunt to ****!

Glues his hair the sweat of roam
his cheeks bear long uncut beard
pray he finds a wanting home
that needs to sharpen not just word!

If comes his way a timeworn knife
he sits to roll the clunky wheel
works to feebly sustain life
bowing to the smallest deal!

He is no poet no skilled scribe
an old hand from a vanishing age
belonging to a losing tribe
that still gives knife cutting edge!

Winter steps firmly into the room
Fall, Spring, and even Summer are shaken
Everything Winter lays its black, brittle, cracked hands on
Loses it color
Even the Sun is frightened
Winter has a darkness of no other
Winter brings on thoughts of depression
It works its way into minds and simply
     Twists
Shoots through your eyes like a bullet to the brain
Instant and unnoticed, dead in a blink of an eye  
Then its dark thick roots feed on our brain
Then slowly claws its way down to your feet
     Relentlessly
Soon your feet are planted in one spot
You're a Winter tree, dead and dark
Your arms are its branches, for it to control
It
     Consumes
you
You dwell on one thing
Soon you smile at the thought
You long for it
     Death

Don't let that fiend
Step in and crumble your mind
Few recover
Nothing burns like the cold of snow
Melancholy is the sound of Winters trees brittle branches
Blowing through the icy, dry, wind
     Beware

Nighttime sharpens, heightens each sensation.
Darkness stirs and wakes imagination
Silently the senses abandon their defences...

Slowly, gently, night unfurls its splendour.
Grasp it, sense it tremulous and tender.
Turn your face away from the garish light of day,
Turn your face away from cold, unfeeling light -
and listen to the music of the night...

Close your eyes and surrender to your darkest dreams!
Leave all thoughts of the world you knew before!
Close your eyes, let your spirit start to soar!
And you'll live as you've never lived before.

Softly, deftly, music shall caress you.
Hear it, feel it, secretly possess you.
Open up your mind, let your fantasies unwind,
in this darkness which you know you cannot fight
the darkness of the music of the night.

Let your mind start a journey through a strange, new world!
Leave all thoughts of the world you knew before!
Let your soul take you where you long to be!
Only then can you belong to me.

Floating, falling, sweet intoxication!
Touch me, trust me, savour each sensation!
Let the dream begin, let your darker side give in,
To the harmony which dreams alone can write,
The power of the music of the night!

You alone can make my song take flight,
Help me make the music of the night.

Imagine the earth as a big metal ball
Now see a crow with beak and claw
He sits on that ball and sharpens it beak
Millennium after millennium, week after week
Till that crow's beak was so sharp, no words could explain
Whittling that steel earth sized ball down to the tiniest piece of grain


That dear friend will be the VERY beginning of eternity  
How is that for clarity

A curtain held by one nail
Faded blush pink, tilted
Ratted hair into knotted beauty
Eyeliner set as feathers
***** crusted stage, crackling with every step
Audience of the haunted, ghostly clapping
Amused by the audacity
She twirls
Egotistical, making her toes blister
She closes her eyes, her thighs tingling
Meat hanging on a bone barely
Hells lounge
What a crowd
The devil sharpens his hair
Perfect horns of despair
He smokes his cigar
"Keep going my queen
Famous was the only request
You never said where"
Satan's personal entertainer
He kisses her forehead,
carressing her mangled body
He loves her the best a man can,
when being the king of hell
A ferocious request, "bow everybody"

I remember the smell of summer rain
and how thunderstorms used to help me sleep when I was young.
I remember St. Patrick’s Day
and how the grass always seemed more green than any other day of the year.
I look at pictures of my family when I was eight
and it’s a harsh truth to admit
that I don’t remember much about my parents being together.

I remember having a sense of wonder in my childhood
that now I see was so precious and rare.
If we could all have that astonishment at the little things in life as adults
the world would be a much happier place.

Colors are no longer as vibrant.
I’ve started to look into the darkest corners of my mind
and the world to find new miracles and beautiful tragedies.

Christmas used to mean love, family and comfort.
Sleeping underneath the tree, the smell of pine needles would lull me.
Nowadays, gin is as close as I get from January to November.
With each sip, it’s the bitter taste of Christmases past
and the ripe, sweet smell of nostalgia.

People walk into my life through many doors and exit unexpectedly as well.
I’m in a forest, it all looks the same.
I turn at every tree with moss
Desperately searching for something new
and the hardest part is always searching
Never knowing which path leads to demise.

The friends that I keep are the ones I hold close
Are the good ones that stick through the depths of it all.
I remember the smell of my mother’s perfume
Yet the sound of her voice becomes more distant with each passing month and year.

Saturday morning cartoons used to be enough.
This wine is my blood and my blood has boiled out.

How to define pain and how to escape the wreckage?
I used to believe that time heals but the opposite has proven itself to be true.
The more details become unclear and fuzzy,
the sharper the knife becomes.
The more it hurts with passing days.  

I once heard that mourning is like being inside of a snow globe with flurries with slick, stealthy blades that sometimes float by and sometimes cut deep with no warning.
Time sharpens the daggers and that is a truth that is time(less).
Trust meant the world and gullibility was not a death sentence.
As we age, we find new ways to cope. We get by.

My dreams have been vivid and coated in a melancholy feeling
that I can’t break no matter how hard I try.
Woken up by the drunken calls of lush fools in the grass outside of my window,
I close my eyes and try to slip back into sleep.
Meeting failure, the clock taunts by the second
Synced with the laughter of the people outside, surrounded by friends.

Some say the glass is half full, some half empty.
I say the glass is being poured to the brim, on tap.
I take comfort in the solitude I used to curse in the early hours when slumber never came.

Before taking out a clean sheet of paper,
I hold before the blue of the window
a freshly-sharpened pencil pointing toward heaven
and blow the imperceptible dust
from the needle-tip
before getting down to business.
For in life’s long journey
few things afford greater satisfaction
than turning the crank
and powering the cylindrical burrs
of a mechanism which sharpens
the dulled mind of a yellow number 2 pencil.
In the silver pencil sharpener
I witness the marriage of utility and beauty
—a model for art and a purpose for life
celebrated each morning before this small altar.

Tuesday night was always dull
however this one was oddly full
of events from 6 to 1

I don't know what happens
but suddenly alcohol sharpens
all your inner untamed inhibitions

Why is it so?
That when I am with you at night
I am always hit by delight

You're there and I am here
and so is she
but there is a certain kind of comfort
that elevates me to feel to resort
to what "us" is

That meaning that floats
over seas of oblivion
over mountains of stupor
over valleys of friendship
for the lack of a better word

Here, order me another drink
and let me drown
whatever makes sense
tonight

There once was a boy named Gimme-Some-Roy... He was nothin' like me or you,
'cause laying back and getting high was all he cared to do.

As a kid, he sat in the cellar...sniffing airplane glue. And then he smoked banana peels, when that was the thing to do. He tried aspirin in Coca-Cola, he breathed helium on the sly, and his life became an endless search to find the perfect high.

But grass just made him wanna lay back and eat chocolate-chip pizza all night,
and the great things he wrote when he was ****** looked like **** in the morning light.
Speed made him wanna rap all day, reds laid him too far back, *******-Rose was sweet to his nose, but the price nearly broke his back.

He tried ***, he tried THC, but they never quite did the trick. Poppers nearly blew his heart, mushrooms made him sick. Acid made him see the light, but he couldn't remember it long. Hash was a little too weak, and smack was a lot too strong. Quaaludes made him stumble, ***** just made him cry, Then he heard of a cat named Baba Fats who knew of the perfect high.

Now, Baba Fats was a hermit cat...lived high up in Nepal, High on a craggy mountain top, up a sheer and icy wall. "Well, hell!" says Roy, "I'm a healthy boy, and I'll crawl or climb or fly,
Till I find that guru who'll give me the clue as to what's the perfect high."

So out and off goes Gimme-Some-Roy, to the land that knows no time, Up a trail no man could conquer, to a cliff no man could climb. For fourteen years he climbed that cliff...back down again he'd slide . . .
He'd sit and cry, then climb some more, pursuing the perfect high.

Grinding his teeth, coughing blood, aching and shaking and weak, Starving and sore, bleeding and tore, he reaches the mountain peak. And his eyes blink red like a snow-blind wolf, and he snarls the snarl of a rat,
As there in repose, and wearing no clothes, sits the god-like Baba Fats.

"What's happenin', Fats?" says Roy with joy, "I've come to state my biz . . .
I hear you're hip to the perfect trip... Please tell me what it is. "For you can see," says Roy to he, "I'm about to die, So for my last ride, tell me, how can I achieve the perfect high?"

"Well, dog my cats!" says Baba Fats. "Another burned out soul, Who's lookin' for an alchemist to turn his trip to gold. It isn't in a dealer's stash, or on a druggist's shelf... Son, if you would find the perfect high, find it in yourself."

"Why, you jive mother-******!" says Roy, "I climbed through rain and sleet,
I froze three fingers off my hands, and four toes off my feet! I braved the lair of the polar bear, I've tasted the maggot's kiss. Now, you tell me the high is in myself? What kinda **** is this?

My ears, before they froze off," says Roy, "had heard all kindsa crap; But I didn't climb for fourteen years to hear your sophomore rap. And I didn't climb up here to hear that the high is on the natch, So you tell me where the real stuff is, or I'll **** your guru ***!"

"Okay...okay," says Baba Fats, "You're forcin' it outta me... There is a land beyond the sun that's known as Zabolee. A wretched land of stone and sand, where snakes and buzzards scream, And in this devil's garden blooms the mystic Tzutzu tree.

Now, once every ten years it blooms one flower, as white as the Key West sky,
And he who eats of the Tzutzu flower shall know the perfect high. For the rush comes on like a tidal wave...hits like the blazin' sun. And the high? It lasts forever, and the down don't never come.

But, Zabolee Land is ruled by a giant, who stands twelve cubits high, And with eyes of red in his hundred heads, he awaits the passer-by. And you must slay the red-eyed giant, and swim the river of slime, Where the mucous beasts await to feast on those who journey by. And if you slay the giant and beasts, and swim the slimy sea, There's a blood-drinking witch who sharpens her teeth as she guards the Tzutzu tree."

"Well, to hell with your witches and giants," says Roy, "To hell with the beasts of the sea--
Why, as long as the Tzutzu flower still blooms, hope still blooms for me."
And with tears of joy in his sun-blind eyes, he slips the guru a five, And crawls back down the mountainside, pursuing the perfect high.

"Well, that is that," says Baba Fats, sitting back down on his stone, Facing another thousand years of talking to God, alone. "Yes, Lord, it's always the same...old men or bright-eyed youth... It's always easier to sell 'em some **** than it is to tell them the truth."

Now that people are becoming more aware of my poetic efforts, interests are being expressed regarding the background of my poetry - in addition, to my spiritual muse. In this installment, I speak to a poem that ends in a direction, not initially considered...

I've attended Church services for more than 3.5 decades; as a youth, I was raised in a Baptist Church (in southern Maine). For those unfamiliar with this division of Christianity, there's nothing more important than studying "The Word of God". And hear me - there is nothing inherently wrong with studying the Bible; it's one of those necessities as a Christian. And for me personally, it just wasn't enough. As much as I love The Word, having a real and personal relationship with Jehovah became more obvious and critical for my spiritual growth. Eventually, I found my way into the Pentecostal Church, got filled with the Holy Spirit and learned to speak in tongues. Accepting this gift (of tongues) raised my ability to build my relationship with Christ. In effect, it significantly improved the way I'm able to give praises to God and to talk with Him. I share this background information to give a flavor of my thought process (that influences my spiritual writings) - and not as a criticism for those who have not accepted this gift from God. (People who have read my poetry should readily agree that it's fairly evident that my writing is based on the Scriptures and does not contradict the basic tenets of the Christian faith.)

In order to remain within my profession of I.T. (Information Technology), I've had to relocate to different U.S. states on the east coast. So I found myself living in southern Connecticut for about a decade. For more than three years, I attended this popular Church in Milford. Despite my own "baggage", I was a productive Christian, giving my time, talent, tithe and offerings to the Church freely and whole-heartedly. As a result, I started to dream of how I could give more of myself to Him - to be able to give my entire life for God's purposes (as He intends for everyone). My poetry manuscript was completed and blindly rejected by the Church - the clergy was not interested or curious about the "Christian poetry" I had written. Undeterred, I had already started working on additional poetry manuscripts. Wanting more of Christ in my life, fascination with Enoch began to grow at this time; very little about him is shared in the Bible and I never thought to research him on the Internet. The pages of my Bible are written upon with notes, concepts and ideas as I studied The Word and listened to sermons throughout the years. And yet, I noticed how little commentary about Enoch was known to me in my notes. What did Enoch know that the rest of us fail to understand? At the beginning of the Wednesday evening service, parishoners are allowed to submit questions - to be addressed directly by the bishop, prior to the evening service. I had begun assembling my poem fragments and phrases, but had not started the construction of the poem itself. So one night I submitted a simple question: "Why don't we know more about Enoch's life?"

I've come to learn that preachers are fickle creatures; they claim to be "dead men" - people who are unoffendable when interacting with less knowledgeable individuals in spiritual matters. And yet, with my analytical brain and decades of Church experience, I naturally rub minsters against their grain. After all, "iron sharpens iron" and my words catch on their spiritual burrs - which is something that ministers typically don't fully appreciate when dealing with me. My innocent submission uncovered an overly sensitive nerve, quickly made apparent by the bishop's unrighteous reaction to my inquiry. Instead of answering my question in a positive and forthright manner, he exploded into a contrite diatribe "of how I suffered from an escapist's mentality". Naturally I was unimpressed with his carnal response and came to the immediate conclusion that he didn't have a viable response. I'm fairly sure that this event wasn't lost on the congregation either; for when someone avoids answering a direct question, people can easily draw their own conclusions. When the time came for me to compose this poem, the minister's words were still grinding on my spirit - thus setting the tone of this work. Although different from my other poems, I can't say that I'm disappointed with the ending of my poem, given the actions of Christ's dealings with the Pharisees and Saducees. If anything, I've followed His earthly example. This poem is my reaction to the bishop's inability to provide me with a solution that I had sought.　



P.S. Although there are other people who never experienced death, such as Elijah, who was taken to heaven in a fiery chariot, Enoch was essentially snatched away by the "Hand of God", so that "he was no more". No other documentation exists, that details those who prevented their physical death in this particular way.

Mundane celebrations to mask our ever closing demise
Working 9 to 5s, never fully enjoying our limited lives
Never knowing which day will be our last
So we choose to slave away for a world
That we will never fully experience
In the hopes our successors will enjoy the fruits of our labor
But inevitably enjoy the same propaganda pamphlets that their parents once read
And slave for a world, that their successors might enjoy
All the while, the reapers scythe sharpens.

we
as the world
are living in fear
we are
cradled
by its restricting arms
sung to sleep with
lullabies and hymns
of shrieking souls
and scorching tongues
our hair is stroked
by the claws
of fear
by the piercing nails
it sharpens
to pick the locks
into our minds
fear has erased our memories
it has made a place inside of us
it has set up its bed
it has turned out the light
and it has sincerely
wished us all
goodnight.

.of course i dream i fame, who doesn't dream of either fame or fortune... but... i'm sane enough to want to achieve that sort of stature, postmortem... what? with all the celebrity culture big brother *******? who the hell seeks fame while still alive? oh... well... there are the countless examples...

and why would i take an ancestry test
of my D.N.A. make-up?

i remember the first conversation
i had with the father of my
first girlfriend...

how many famous Poles (Polaks...
do i look like something akin
to an anorexic waving a *******
flag?) there were...

i forgot Copernicus...
i forgot Marie Curie...
i forgot Chopin...

**** i forgot my own name
when i saw my first girlfriend's
sister walk down the stairs...

why would i do D.N.A. testing?
i just looked at what we eat...
and i mean we, truly,
it's called haggis in Scotland,
it's called black pudding
in England,
and it's also called
czarna kiszka (black intestines)
in Poland...
the Vikings founded Kiev
after all...
i like Nordic music, take a guess...
take a while...

my maternal surname is
Batuk... which is a Bohemian
variant of the Polak Batóg...
so a mix of Czech and...
  Viking? the Goths...

if i had the time, and also the time
reference to reply to my first girlfriend's
father... while i was rudely
interrupted by the nymph that was
her sister... it's still a dream to me...
or what's called an arranged marriage
in India...

well... i would reply...
and how many Nobel literature
laureates... came from... England?
deathly silence...
you're right...
you're importing all this ******
post empire post colonial
perspectives and you have...
0 Nobel laureates in
the category of literature...

none!
zero! nil! oh!
yeah...
       oh... really?
                                   yes!
zilch... so zip-it-up, shrimpy.

i take certain words to heart...
sharpens my memory,
i'm not offended...
i just remember better...
you sometimes require certain
rubrics that are exclusive
and do not include
the rubrics of formal education...
this memory?

oh...
      2003.

from this
vantage point
the world is
smaller than
we previously
thought, birds fly
alongside us,
cars that roared
before are
silenced,
we swim
in a sea of blue, 
a view that 
sharpens what
we already knew;
that this world is
beautiful,
a feeling that if
bottled
would be taken
in the traffic
jams & hospitals
& we would
see the Earth as a
speck of dust
floating
through a
Galaxy
much bigger
than us

Currents move the water.
Squirming, snaking and slithering
Through the depths till they reach the surface,
And then the gushes of air come,
Plucking the currents from peace
To force them forwards,

Another current swipes,
And another crashes,
Another burns with power,
And another dives through the centre,
The wind moulds the currents,
Sculpting the water to shape,
Until finally a ripple forms,

The gales flood over the crinkles,
They drag and try pierce the perfect folds,
Making the swan into an ugly duckling,
The duckling rises to its feet,
Excessive flesh flying away
Into the moist air,

The wings flap,
It stretches its legs and neck,
More impurities flicker off,
Brown feathers fade,
The beak sharpens,

Currents, gusts and ripples
All bundle into one,
The swan extends its wings fully,
And the water crashes.
Remains of the stunning creature tumble behind,
White foam and twizzling tides are left,

They reach the shore,
Swamping the sand in energy,
Clawing the helpless pebbles off the beach,
And retreating back to the ocean
Where more swans are formed
Endlessly

a connotation of infinity
sharpens the temporal splendor of this night

when souls which have forgot frivolity
in lowliness,noting the fatal flight
of worlds whereto this earth’s a hurled dream

down eager avenues of lifelessness

consider for how much themselves shall gleam,
in the poised radiance of perpetualness.
When what’s in velvet beyond doomed thought

is like a woman amorous to be known;
and man,whose here is alway worse than naught,
feels the tremendous yonder for his own—

on such a night the sea through her blind miles

of crumbling silence seriously smiles

E.E. Cummings

I wake.
The sky is clear blue
above the rooftops
whose shadows the sun
sharpens on the grass.
Dew on bare toes,
the limb-caressing air,
my garden breathes, waits, breathes
for you
these flowers . . .
I gather them against my *******
and lay them flat
on a cold slab,
cut, then grasp their stems as one:
to place in the red flower vase

Rhythmic
Tearing
Cow on grass
Settling rooks
Cross sky
All around
Sound playing
Scent
On wind
Descending
Sun
Gold leafing
The horizon
Obscuration
Veiling arc
And furrow
Crop
And shadow
Poplar lined
Fields below
Quiet here
Above
A moment
Passes
Contrast sharpens
Trees recede
Into darkness
Sun bleeds
Into Earth

I.

I wear the stern face of my ancestors,
the apron-clad Scandinavian matriarchs
who built me from rock and bone.

My husband, my good friends, my family, my colleagues
all affectionately name me "intimidating."

They say:
"You're the strong one."
"We'll send you to win the battle."
"They should have known not to cross you."

They name me fighter,
mouthpiece,
leader,
and stand like tin men in legions at my back.

I am obliged to march on;
I cannot remember a time
when my feet have rested.

My banner waves in the northwest wind
and I hold it, dutifully,
fearing its inevitable fall
as my arms shake.

II.

My arms
shake.

Wind camouflages
this constant trembling: the
fabric of my
flag
whips and ripples and any
falter
in its course
is blamed on the wind, but

veins shrink - skin
shrivels - muscles
shake - I am no Atlas,
my
breath slows
sharpens
stops -

III.

I am a dry sand-castle:
one touch will obliterate me.

I am the brittle leaf on concrete:
one shoe will shred me.

I am dandelion spores on a plain:
one gust will erase me.

IV.

In my chest beats the soft heart of my ancestors,
the ruddy-cheeked Scandinavian matriarchs
who built me from soft earth and azaleas.

So name me weakling,
broken-down,
dependent;
give voice to all of me.

Lift this banner,
and give rest to my weary shoulders.
Hold me in your arms
when I need to collapse.

V.

At times,
even a general must be carried by her soldiers.

i caught a glimpse of her once,
just as she was leaving.
the sunlight cut her face
like a scalpel, and she flinched.
in the doorway, the dogs
barking at her feet, the day's
bags suspended from her frame.

the one with her wallet, her phone.
her purse pinched in the crook of her elbow.
the one with her lunch, also there.
the backpack with her water bottle
and planner riding high on her
trapezius muscles. the ones holding
last night's tears still hovering above her
cheeks.

and she isn't wearing the necklace
i gave her last year on her birthday,
i can see the pale line on her collarbone
where it lived. but why would she?
the ring i bought fits perfectly
in the kitchen junk drawer,
she is unadorned.

i tried calling out to her, but the dogs,
and she didn't have the time. the earth shakes
and the world sharpens it's blade
again. she turns toward her car in the driveway
and melts back into routine.
a piece of blue-black hair falls across
her face, and i am in love with her again.
but things change, and look how naturally
she goes.

A cold snap: focus sharpens. Crystal clings to every branch
defining more than outline: Long frozen memories want to play.
Youth, buried in years, drifts; re-emerges in layers as I carefully button my coat.
Frigid air; a sharp crack of winter’s whip—for a brief moment I cannot breathe.
Combination of stark colors: world reduced to winter green, black and white.
My own world's akin to the front step; encased in ice.

Laughter shatters the perfect silence as children spill out to play.
Stark softens to water-colored blends. Children: each zipped in winter coat,
with scarf flapping as they run, whitened puffs of air trailing as they breathe.
Boots crunch, footstep designs break ****** white
as I balance, frozen: Journey begun on steps of ice.
When did the magic cease? Somewhere I took a lonely branch.

Burning bush edges the stairs; fiery leaves still stubbornly cling—a coat
of frost blurring red to pale, not unlike distant memory. I breathe
time. Wind whisks snow - nature’s blender. White
out. The bottom step vanishes, but the ice
remains. With naught to grasp, I reach for a branch,
but fall into the fire. The ice burns my face. I am too old; tears play.


Yet muscles defrost, bones aren’t splintered ice and I breathe
a sigh of relief. Flailing flightless wings I snow angel the white
powder on the walk in efforts to rise. I am conquered, the ice
is master here. Direct line of vision: A walking stick stuck to branch;
frozen in time. Dead. Realization sears, I won’t play
that game. A cardinal perches on the split rail fence, his scarlet coat

a crimson memory flash. I remember soaring: red rails against white
on my flexible flyer as I raced the wind down hills worn to ice.
The sharp turn at the bottom taken tilted to shoot across the branch
of the river, scattering skaters. For hours, I’d play
returning, blue lipped to my grandmother’s warm bread. My coat
soaked through, the hearth blazing so hot I could barely breathe.

Smiling at myself, sitting in the snow, I feel the ice
of age crack and my mittened hands form a snowball. I eye the branch
but begin to build a snowman. I haven’t forgotten at all. Rising, I play
with the day, feeling joy as brisk air renews. No matter, now, my coat
isn’t nearly warm enough, I am warmed by the past remembered. I breathe
in and the canvas that is I, again, is white.

No longer shrouded in ice, I branch
off in new directions. For in play, imagination takes mere white
and paints a fresh new coat. It takes more than air to breathe.

Now in this season
It smells like sweet honey nectar,
Thick, warm pollen that heavies the air, that
Overarching succulent sweetness I can
Never find. I'm nearly
Dreaming in the midst of day,
Lack of sleep sharpens this
Feeling of loss that doesn't coincide with
The growth around me - My mind
Is falling back a quarter year, another,
Chilled over somehow in direct sunlight -

                    My hunger could be assayed with
                    Those honeyed towers somewhere blooming, but
                    I've not been told where to find them -

Stumbling along with aching limbs and
Exhausted heart, forced anxious smile,
Can't seem to find these supposed fruits
That hang down at reach, give way to new days -
Just quiet, vacant preludes
Along all these miles of solitude.

Rhythm the knife
  hacks eternity into Meter,
  sharpens Itself into Phrase.

Our Song of the Severed Soul.

One wide-open
   mouth sings the bewildering
   majesty of Silence.

Signal drowning in the noise.

A ****** of Shrewd
   crows peck out the eyes
   of an out-of-tune reality.

This Geometry of eclipsed lines.

Free from the bonds
   of Melody, liberated
   from the Staff, awakened.

My Song the Quiet of Forests

Interstices where no discord
   mars the naked Truth,
   nor dulls the timbres of Self.

Here shall I shout my ineffable Gladness.

Where the ear of no listener
   may its fairness tickle,
   nor its Word turn astray.

*The winds of my Flute
blow sweetest.

it is always nights like this, where everything is so quiet you can hear beneath the absolute threshold, when i begin to wonder if i am going mad. technically, if one were truly losing their mind, they wouldn’t take much notice to the clarification that their reality is nothing but intricate lies spun by their brain.

pushing onwards within the dark, i can feel it. a whisper of a dance in memory slices gracefully across my cheek. the hungry caress of a lost lover. it is a random number between three and four, counting the days of sleepless solitude; as my lover is playing tricks on me.

it is just before dawn. the house breathes and groans like a wretched soul trapped in a bottomless pit long before midnight. in the gray morning light, delicate wrists stained with ink serve as maps through a desolate labyrinth. “lasciate ogni speranza, voi ch’entrate.”

from the corner of my eye i see shadows of uncharted men that feed upon the protective covering, encasing us; separating our world from theirs. the barrier is a shield at best, yet doorway at worst.

try to detach your eyes from their persistent, wandering gaze; and you might just catch a glimpse of a shadow gliding out of sight.

don’t second guess yourself sweetheart, you know exactly what you saw.

shadowy figures slightly out of reach, but still quite visible – gliding silently amidst, whispering quietly to those surrounding. looking directly at the figures, a gauzy lace veil delicately masks and covers each shadow.

unseen claws shred the thin barrier before it is tattered and torn. one by one, little by little, each figure sharpens into perfect visual acuity, wholly in sigh(t). as you slowly inch back, eyes unblinking with disbelief, their voices are no longer whispers.

the gaping pits of opened mouths drown you in hollow prattles, screeching rasps; the cruel high pitched icy sneers of laughter.

petrified with terror and shock at the shadow’s newfound ability to speak, you acutely notice that the house is creaking and wheezing. you can hear footsteps on the opposite side of the house, and with your eyes averted, they are gone.

with this, you must take into consideration that i have spent far too long with eyes wide shut, drowning in utter fear fueled by morbid curiosity for this world: things seen and heard. each is a cancerous tumor mutilating my mind beyond repair.

to me, the shadow figures’ tattered veil appears to be a doorway, a portal to another universe. this sheer possibility spawns the magnitude of infinite and parallel universes.
much like the shifting hallways concealed in an e(in)ternal labyrinth.

amidst this never ending maze, man is forced to wander blindly from birth to death; where he then circles back around to his exact place of previous conception, only to be born anew. condemned to blindly roam and repeat his unbroken cycle for all eternity.

in this labyrinth we are all gods, we are all monsters. each creation story is universal, yet individual to each new life.

the sinner and the saint are both born into divinity.