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Kailey Brown Dec 2014
People proofread because they want to find their errors.
People find errors so that they can correct them.
People correct them because they want perfection.
People want perfection so that society will love them.

But there is beauty in errors.
There is beauty in the flaws, not only on paper,
But in the flaws of your person.
There is beauty in the rawness that comes with lack of Proofreading.

Perfection is overrated.
Perfection is unreachable.
Perfection is what stands between you and your dreams.
Perfection is masked fear.

Maybe it's just me,
But I would rather see someone's raw imperfections,
The things that scare them,
The things that they's rather hide,

Than the picture perfect image that they create,
With Proofreading.
David N Juboor Apr 2016
If I were a teacher,

I'd teach plagiarism
Like a patent office.
I'd teach publication
Like plagiarism,
And I'll proofread
Any paper that properly
Cites their sources.

I'd teach every
Kid from age X to Y
That if I can't
Lift them as
High as they
Want to go
Than somebody
Else
Can.

I would be the man,
That teaches subjects
Like I'm their King,
And I'd spread
Knowledge to every
Acre of my empire
I'd teach anything.

See,
I'd teach chemistry
By making the reaction of
Why and How
Always synthesize
Wow.

I'd be a catalyst
For positive change
By keeping every
School-yard bully
and kid that's always picked last
Around after class
To teach them physics,

Like if you have mass
And you take up space
Then you ******* matter.

I'd put the cool
in Coulombs.
I'd be so electrostatic
About magnetic fields
You could feel my fluxin'
Energy in the hallway.

I'd say
His story,
And Her story,
And everyone in-between's story,
Is about the day their parents met.

I'd teach ***-ed
Like it's about the
Day their parents met.
And it wouldn't be weird
It'd be beautiful.
Because anybody falling
In love is beautiful.

And speaking of beautiful:

Mathemagics,
Would no longer
Be a bottomless hat
But a bird.
With feathers and wings
And things that always
Find their way home.

I'd transform
The Fourier of
Our foundations
With equations
Of equality
Like you,
And I are
Always equal to
Us.

It'll be cake
To be genius.
....Or pie
Or whatever else is rational
In this situation.

And I
Would measure intelligence
With the answer to the question
Of why we are alive.

I'd standardize
Every test
By removing
Any box that
Takes us
Further apart

I would make art
Combining every
Color from East to West
In a masterpiece
That every child can draw
We'll call it "human"

I would solve
World hunger
And war,
And every other problem
That stems from greed
With answers to the
Questions that I still
Don't know

But I would show
Everyone whose ever
Made you hurt
That a broken heart
Has still got the
Courage to beat

Because it's their words
Where the heart breathes
Where the heart bleeds
Where the heart sleeps

And it's our dreams
That keep us awake
In the wake of our past

So I'd put every love letter
And box of their ****
On a bonfire, light a match,
And we would watch it burn.

Hell,
If I were a teacher
I'd say there's
So much left
That I've still got
To learn.
Julia Oct 2017
If this were a haiku, I'd have
seventeen syllables to explain
why I'm running
out of syllables
to tell you why
the doorknob,
and not between my fingers,
is where your hand shouldn't be.
Message Delivered

If that sounds confusing,
it's because it isn't,
and you're only confused because I
proofread the text messages
and you forget words,
but it's like you forgot "you"
after "I" and "love,"
and you just never thought to put it back.
Message Delivered

I checked the date
and you missed
Monday morning in Lowry
and the morning before that in Farmer Boy,
and we've got a whole calendar
of affections that you're missing
because you opened up
to a month too far back
and now you're in love
with moments that forgot you
Message Delivered

I’m holding out for cycles of goodbye kisses
and I only got them
when you woke up,
and i’m not sure you ever did again
because you’re living
in sweet dreams
that are quietly bitter
and your ideas don’t love you
like you’ve convinced yourself you do.
Message Delivered

If I could go back
i'd give you space,
i’d break my own heart
not listening to the sound
of your breath
as you fall asleep next to me
but you're finding shelter
in broken affection
afraid to be alone
forgetting
who you are in
familiarity,
in Her
Message Delivered

I’ll fall asleep tonight,
and wake up tomorrow,
the same way I did yesterday,
thinking of something that wasn’t,
or maybe really was
and praying I could fall back into that dream
but sleep isn’t quite that easy,
and blissful ignorance
is granted only to the few
Message Delivered
Cecil Miller Nov 2016
My Dearest; Darkest Devotion,

Ah, but what a long time it's been!

And now, it is with a slender paled sliver of hope this letter finds you before I arrive at your chamber, for I must solicit your heart with the contents of mine.

This night I ponder upward to the twinklings amid the void and my thoughts do turn to that time we first met, before I knew you, and how you let me know you, and eventually I let you know...me.

Having learned the truth of my true vampyric nature, your reaction was not as open a reception as I would have it. I concede I have not been the same sense you drove that plank through my chest and deep into my very still heart. There stayed I until, alas...

A hapless young wanderer, a splendid morsel of a group of people on a retreat from the town, rummaging through nature to find kindling for a bonfire, took grasp of the parcel of wood that protruded from the shallow earth where I was left forsaken, and in his misfortune did un-stake me.

I assure you, at this very moment, I feel quite quenched of my thirst.
My hunger for the sweetmeats of revenge have yet to be satiated, however, I will see you very soon, My Pitch Blackness. And you. too, shall see me.

Eternally yours,

Vladimir Tepes.

P.S. Happy Halloween.
I live in a room where time stands still
I have been sick of late
I have need to take yet another pill
They don't really do any thing to help
But I keep hoping that they will.

Sometimes I think that I am as dead as
I am ever going to be
That is if I still wake up tomorrow
I am bright enough to see
To whom it is I bless
And just where it is I bring sorrow
I keep wishing for good health
For that I would beg steal or borrow.

I dream the craziest of dreams
Last night I caught my mentor mixing metaphor
Watch me go 'round in circles
I've got one foot nailed to the floor
I stand in a room made of mirror
I see myself clearly
Yet I start out looking for the door.

I woke up and started drinking today
That is the only relief I get
When I go around town smelling like alcohol
I'm not exactly teacher's pet
But I will live to uncork another bottle
Oh on that one you can bet.

I'll always give you the truth you see
On that you can depend
Even if I tell you a lie over coffee
While sipping my special blend
Later I will type 'what is what' you see
But I won't proofread before I send.
Janek Kentigern Oct 2016
Sadness
it's strong stuff...
I've had so much I can't walk
without falling
I can't talk
without stalling
And slurring
Can't think
without blurring the lines
between problems
and mere actualities.
Lacking the faculties
to sort factual reality
from the masochistic fantasies
that lurk at the back of me;
Passively, I watch them attacking me
ransacking stacks of ****
that once brought me happiness
laughing mirthlessly, cursing the birth of me,
tormenting, caressing,
augmenting the worst of me,
Cementing self pity, bitterly nursing the urge
to revel in misery. Rolling in muck
and mire of recent history,
desiring nothing.
In anger I pander to these base demands,
Mistaking mere sickness
For something more grand
Avowing the charge of my own propaganda,
Allowing this world that I loved
to be slandered
Cowed
My friends are pulled down to an
unflattering angle. From here they appear
(no matter how dear)
to be traitors and thieves,
with knives up their sleeves.
I'll believe every lie my sick mind can conceive.

Don't give me the keys
'cos I'll drive off a cliff
Don't give me a pen
Cos I'll only write this
There's nothing unique in the words that I speak,
and this piece is nothing but
cliches,
mixed metaphors you've met before
similes sing of sick malaise.
Tongue out of cheek,
Dazed.
I'm released from policing
my verse,
Sad soul knows no quality Control,
As the heart beats crazily, I proofread lazily
sentimentally, hazily.
Without a **** to give
I chuck away the voice that says
“Don't write if it ain't great.”.

Days achieving nothing
but self inflicted *******
Gouging self-inflicted chasms
between loved ones and I,
apoplectic rage in spasms,
fits of fleeting normality
Bridge defeat, despair and insanity.
Weaponised hatred for all of humanity.
A small inconvenience
becomes a calamity.
Then revert to intertia perverted by vanity.

Next, corner a companion and
complain away the pain and drain your glass again and again without restraint

Explain the ways that your to blame, oh the shame the shame,
Dissect regrets, reflect until you've bored yourself to death,
(let alone the poor sod who kindly nods and slyly checks their watch, before they stammer out excuses,
Hints which I'm too hammered and useless to hear,
Too wrecked to check myself. They've done their duty as a mate, but remember,
steer clear of the fate,
Of getting ****** down into the vortex, of depression and regrets.
We've all got our problems. He's out of cigarettes.)
Whilst here I  reading aloud
still sore texts, to detect traces of affection.

Sad ****, sad drunk, alone again,
Get my coat, forget my phone. The inconvenience provides some light relief,
From the background grief.
Now tomorrow's replete with distraction s and tasks to complete.
The horizons' brightened with the prospect of splashing some some cash, and so much to choose!
Afternoons busy spent perusing reviews,
Megapixels, memory, which brand do I trust?
But I know I'm just
buying time,
Before the consumption high subsides
and I'm back with this background mosquito pitch whine saying "maybe I'm better off dead".
Bite you lip, hold on, its temporary. and whilst it feels scary, remember
Your not sick, you're not dying, your just heartbroken,
trying to move on, and maybe occasionally crying.
And that's healthy.
The weeping ain't that bad,
It's the cold light of day. It's the misguided logic. That's says "you had the best time of your life, now you've lost it,
All that was worth having,
Is behind you, and may I remind you,
You ain't getting younger, it's starting to show,
And times flowing towards the end, the time you spent on earth was wasted, getting wasted, not facing life head on and you'll never change. It's not strange that she's found someone better"
etc etc

You've been here before and each time it gets better. If you could write a letter to your younger self you could share a wealth of knowledge about Dealing with horrors from within.
Emotions invade us, but we can repel them. But you have to embrace them before you expel them.
So whilst it's not fine yet
And whilst I still pine, yeah, I'm resigned for the time being,
seeing the bigger picture.
And we're designed to recover then remove the stitches. No plans go without hitches. At last, whilst they might not go as fast as we like,
In the night take respite cos
Like the drunken high, and this ******* Hangover
This too shall pass
And one day you'll wake up sober.
Sharde' Fultz Sep 2016
Genetically. Modified. Organism.
We do a lot o'talkin
And a lotta ppl mad at that name.
But I got dipped in the water to proclaim,
Im a GMO.
The fall of man didnt hold the power to tie me down no mo
My descension simultaneously displayed the ascension of my soul
My eyes glow with the reflection of my heavenly father who transcended from ***** feet with blistered soles
Ive been genetically modified to not see the world as which we know
We're living in the fog worshipping the money that we grow
We dont follow the narrow road
We dont love ourselves no mo.
Spent too much time bein broke
Caught a break, bought a whip
Bought some jays, bought some rims
But gettin towed
Whole house repoed
Iced out, chrome.
gold.
Investments? zero
We need new heroes

Drank the lies that ***** whipped into our minds while we were bleedin on his ***
Breaking earth and pulling weeds
We gluin weaves like, dawg. Where my edges go?
Now you tryna train yo naps cause everybody goin au natural
But you STILL mad cause yo curl pattern dont show that 2 percent of Navajo.
Changed yo hair but didnt change yo thinkin tho
Too long that permed subconscious sinkin through yo follicles
Mother earth dun been pulled harder than those edges
Act like you got some self-respect, go outside and clip those hedges
But her roots dug up
The seeds we sew
Aint enough to feed the whole
The rich, THEY bite the hand that feeds
But their stomachs; still on swole?
People like to get online and fuss,
Stop the GMOs!
Following the likes and living in fear sgonna leave the po--
HUNGRY. ..and po
I mean, what is science, fo?!
With climate change, and the persistent depletion of arable land, where yo seed gone go?
How yo plants gone grow?
Hopefully that won't have to be the case but I get the feelin
Mama nature's feelinnn
So'...

Shoot, Seasons dont know which way to flow
Cause we're walkin down the street throwin trash all on her flo
Like we aint neva been to anybody house befo.
Fillin it up wit smoke blottin out the sunlight
Making her plants choke.
Now the clouds broke.
Cryin acid rain and now your drinkin waters soaked

Im not tryna throw shade.
Im not half as deep as the aformentioned might denote
I aint gon lie
I dont
STAY.

woke .
I dont do my research on every clever quote
That I post
Hey, Im the FIRST one to let you know that I dont know.
But when I DO know
Aaaand I know fasho
And I hear somebody like, yeah this and that and so and so...talkin OUTside they ear. HOLE?!
I be like,
bro...
smh




-*sorry, I'm sleepy and have not proofread
Umm..cpl things; I was feeling all artsy fartsy after an open mic and a woman read a poem that mentioned how she was mad she didnt get her grandmas pretty indian hair and idk how my train of thought got to gmos, but my blender brain created this and I reckon I like it. At the moment. Lol
Aoife Aug 2016
the nights you call lonely
are the nights i spend
reading and writing and drawing
and loving my own company
i enjoy dreaming of possibilities
and laying in complete silence
you see, my mind is so loud
louder than the party you're at tonight
and for me that is enough
i balance it out by being quiet,
by producing shambles of poetry
and endless jumbles of words
to try and understand
that it is okay to love the silence
and the mystery of who i am
you find yourself in bright lights
and loud music
i find myself in the dark
we have been afraid of our whole lives
it is the darkness and the silence
that make you so scared of us
but we are simply introverts
trying to fit into a world made for you
while you are dancing your heart out
ours are pounding in pride
as we proofread our writing for the 100th time
your open arms and our open minds
embrace in harmony
you see, i started writing us instead of me
because i know i am not alone
on these nights you call lonely
i call lovely
JM McCann May 2015
I don’t tell them I’m going to a protest,
as I know they will not say no, it really
is far safer.
The police have been pretty fair, only a couple
of ******* arrests and cause white privilege
I probably won’t get arrested.
In a black and white democracy color is prohibited.
I never have been close in a protest yet, the police always tolerant
maybe the commissioner doesn’t ****.
I don’t boast to them about starting a chapter in my
school.
I don’t them that the chapter I started with them was finished hundreds
of pages ago.

I don’t tell them I cut class to protest the B.S minimum wage
how I ****** the very thing I’m trying to start cause 
I was in a pissy mood.

I don’t them about how my friend and I were okay
with paying a guy trying to sell us **** to buy
us alcohol, later losing 20$
and not okay with going into a tattoo shop for the same purpose.
I don’t tell them about wandering around Chinatown
feeling like we should be drunk.

About the girl who in eighth grade asked me to touch
her *****, and I don’t tell them how
two years later we start hanging out— over facebook.
She moved to London.
About how she will be in the city the day my family goes away,
about trading facebooks for fifteen minutes
and having weird *** crap on my Facebook
and talk of how Jesus is an improper child on hers.

Nor do I my parents about meeting up with a
girl who I meet a month ago at a pillow fight,
and how right they were when they said ******
tables manners will catch up to you,
about how leaving a protest cause "my parents
are ******" and later seeing those people at the burger place.
I tell my parents I’m chilling with my buddies.
I tell them that I got pizza instead of burgers.
Because friends are safer to parents than a nineteen year
old girl you met at a pillow fight and how the entire time you
could not tell if it was friends meeting up or
people who wanted more.

I don’t tell them the reason why I’m so ******* fragile
is that I can’t tell if I’m manipulating myself or being real,
or how I’m the only one who is hurting me,
for fear of saying what I just told you.

Now all of this ******* **** lives in me and I have
nobody to proofread this.
Lovely.
Again kind of me in a less than stunning place I will for sure be editing this and creating a few new poems off this
Vaishnavi Mar 2014
I saw inscrutable
senses,
I saw how he pushed,
pushed them away,
I never saw it heaving back,
I saw him stealing,
stealing a particular
piece of enrage,
I saw his mansion
where he built,
built a powerful
vengeance,
he covered himself with,
with dusk and dawn,
he proofread himself
occasionally so,
he imbibed forest,
forest of shadows
and masks,
I saw he smashed,
smashed the only vase
I thought was worth saving,
I saw him being a human,
human his world wasn't for him.
Em MacKenzie Jan 2019
I’m a written and published open book,
you just have to read past the first chapter.
You skimmed the pages and took a look
at the last line to see if there was a happily ever after.
But like most things it’s up to interpretation,
left open ended in way for a hopeful sequel,
‘cause like all things true it’s plagued with complication,
but our story has no end and it has no equal.

And you, you were my favourite memoir,
your depth lined the thesis of a never ending essay.
I became inspired so I held an impromptu seminar,
a whole panel to if your picture was sepia or artistically grey.
I memorized every single thing you said,
every cryptic metaphor, every perfect rhyme.
I’ve lost count of how often that I’ve fully read,
and I still don’t understand after all of this time.

You’re a novel and I’m a novelty,
but you need a title; what should it be?
I’ve been writing you so that the whole world can see,
the way you shine bright effortlessly.

You were my own personal thesaurus and dictionary,
providing different words to dress up each thought.
You’re a first and only edition; what a rarity,
laced with metaphors and satire that’s barely caught.
You’re what Shakespeare aspired to always write,
and you accomplished it simply by being born.
I’d translate you to brail so those without sight,
could hear about you and the beauty they now mourn.

You’re a novel and I’m a novelty,
no need to proofread, no cause for editing.
I’ve been writing you so that the whole world can see,
the way you shine bright, always illuminating.

I’m a prologue,
and we’re the conclusion.
My authors note; the words of a demagogue,
but the details still lack any illusion.

You’re a novel and I’m a novelty,
I’ve memorized every word and dissected them cautiously.
I’ve been writing you so the whole world can see,
and once they skim the synopsis; they’ll never stop reading.
It's not all that hard, it's so easy to learn,
Each and every one of these simple rules.
You see, I'm not even American,
But not even us Mexicans are such fools.

I know this language like I know myself,
I never laid hand on the shelf,
Where everyone placed their literature books,
Just to drop it for looks.

It's easy to remember,
Why can't you see,
English is so easy,
Or is it just me?

No.
That wouldn't make sense.
Spanish was my first language.
Yet I've come to know English better than my native tongue.

You're not North American, British, or Australian?
Alright whatever, I'll let it slide.
But really, born and raised here?
Come on, it's a free ride.

Deosnt it btoher you taht erevy wrod is speled rong?
Notice can't that you is order your wrong?
Proud to be an American, it isn't really saying much.
Cuz it lik jus syin I cn bearle evn speek such.

Yes, I think you're stupid, every time you spell wrong,
Because it's so easy to fix even a word that is long.
It makes me wonder wether your autocorrect's off?
Because that simple thing, knows each time that you're off.

Is it really so hard to put in that one vowel,
Or put in the consonant so your spelling's not foul.
Or correct the double-negative, you know it's not true,
It's easy to do, just proofread right through.

We all have the ability needed learn,
Yet it seems your ability's been placed in an urn.
You've got a big brain, so why don't you use it?
Trust me, I know, you shouldn't abuse it.

If you have pride in nothing else,
That's fine,
But it's good to have pride in the fact that you know,
YOUR LANGUAGE.
Be proud that you can communicate well,
Be proud that even the nerdiest of nerds can't use words you won't understand,
Be proud that you know how to use correct punctuation,
Be proud to know where "ph", "gh", "ou", "eau" and the silent "t" are used,
Be proud to know which words comes first, and which one comes last,
Be proud to know English, you can learn it all fast,
Be proud to know the art of words,
The art so many ancient cultures knew,
The ancient Japanese, and Romans, and even the French,
Yet America has forgotten how to use words.
Be proud to be a leader of the generation in the USA,
The generation that brings back knowing our own tongue,
So that foreigners who come don't know us better than us.
Be proud to know the beauty of language.
It really bothers me, it almost ****** me off, how much people seem to go out of their way to not learn their own language. People can compose great poems, but if you can't spell, or if the order's all wrong, your poem begins to lose its meaning and artistic value, it doesn't even make sense anymore.
Riq Schwartz Aug 2012
Step one,
choose your topic.
Likely yourself.
Because what greater
subject could there be?
None
surely.

Step two,
choose an image.
Find something
that can serve
as a metaphor
for you.
Find the rain forest
for instance.
Or perhaps a pond
frozen over in winter.

Yes,
these should serve nicely.

Step three,
place yourself
somewhere in the midst of these things.
Let you be
the trunks of the trees
supporting the lush, green canopy.
You, poor, tired,
supporting the thick boughs
that are the real life
meters
and
meters
and
meters
above you.
Or is your face
the ice of the pond.
All that people ever notice
is how much you can take
before you break.
But there is so much more
just beneath the surface.
So much
teeming with life.
No one knows
how deep you go.
No one will know
until the ice thaws
     (which is unlikely to happen anytime soon.
          but the metaphor was never meant to extend that far.)

Step four,
write yourself in
to the piece
in such a way that no one else
will be able to identify you.
     (Unless they're **** cunning.)
Perhaps disguise your identity
within the purpose of the piece
or the flowing imagery
seeping through the spacious cracks
in your technique.
Riddle the work
with subtle ins and outs
and minute complexities
that vex the reader
away from your intentions.

Nicely done.

Step five,
ruminate.
contemplate
your reflection
as it appears
in your monitor.
Not the image of your face
bouncing off the glass
but the snapshot
of your thoughts
so opaquely back-lit.
Remind yourself
that this is for you
and no one else.
Proofread.
This is just for you
and no one else.
Revise.
This is just for you
and no one else.
Justify
this is just for you.

Step six,
post to a public forum.

*Check back in an hour.
Surprise! The poem is about me!
See? It's satirical.
Sorry it was so long.
Maria Etre Nov 2015
I misread
a lot of you's
I proofread most of your mistakes
you ****** at grammar

I silently made my red pen dance
on your blue inscriptions
that you thought
were unique

I scratched the wrong words
I indented your run on's
I even added a bit of sincerity  
to all your reality

I stepped back and looked at you
you were blotches of red on scribbles of blue
you were a mistake
that I thought I could fix
at the end of the day,
I took that paper crumpled it
and aimed at the trash
and scored

My red pen yearned for correcting many more
but my red pen gave up scratching
and wanted to create its own story
of its very own mistakes
of its own doing,
so it can create a masterpiece of
"me"
indiedoodles.net
skye Feb 2019
Writing about you
is my favorite cliché;
It's an error that I
will never ever omit.
it's always been you.
Vernon Waring Jul 2015
Three in the morning, halfway
through my shift at a printing
plant. I'm tired as always, my
mind frazzled, my eyes bleary.
I'm creeping through the night
as I proofread technical manuals
and pharmaceutical ads and
brochures aimed at type two
diabetics. I'm on life support
here, stuck in a depressing gray
environment, a vampire on the
graveyard shift, the burial
ground of too many aging English
majors struggling to make a buck
while the rest of the world is home
asleep, dreaming in color, people
whose minds and bodies will forever
have a normal relationship with
sunlight.

As I proofread, I listen to talk radio
with its opinionated personalities,
irate callers, and nocturnal candor,
all of it making those Sinatra-like
wee small hours of the morning fly
by like a moth rushing toward
a bright burning bulb.
Risa Njoroge Jun 2019
Letters are old school, but I guess so am I.
In a way, I guess that is true,
I sometimes feel like I am an old fool,
Stuck in the Motown groove,

The 21st Century is not for me,
Waiting a minute before I can hear the next song,
And when it eventually comes on it's one filled with hate,
And let’s not even talk about trying to date,

They said to leave a message after a beep,
For my old soul that means a beat,
That brought with it dance and heat,
Words and rhymes and a drumbeat,

See back in my day, a letter meant waiting on the mail man,
And not looking for blue ticks from an app I got from an online store,
It meant post stamps and asking friends to proofread,
It meant punctuating every line so that you knew without you I could not breathe,

Being in love was not just words and play,
It meant dancing in the street; we called it grooving,
Not sweet talking and lying,
The old fool in me is tired of trying,

Am not saying that you are lying,
But you are in no way trying,
To meet me in the street,
Or groove to a Motown beat,

I wish you were sending me flowers,
While you were out there spending time,
With worlds that were not even meant to be real,
My old soul needs more than one-off dines or drinking box wine!

See back in Motown, when a man loved a woman,
He could not keep his mind on anything else,
He did not put a little loving on her, or shelve her
It meant the whole street knew her, and even knew her favorite beat!

I have known only one other of your kind, the sweet-talking guy,
You have me down on my knees wondering when you are going to leave,
That is not love, I don’t know what it is,
Feels like it, but this is something else!
I went ahead ahead an fell in love, but after self searching and listening to a great friend, I realize that maybe this is not love!  
Happy reading!
Anthony Terragna Mar 2015
One. Two. Close your eyes. Renew.
Three. Four. Release your thoughts. Explore.
Five. Six. Express. Fix.  
Seven. Eight. Nine. Repeat. Refine.

Ten. Breathe in. Let's begin.

"What's the matter, Logan?" Jessica asked.

I paused to reflect upon the moment when my hand reached over my heart. I was helplessly pointing towards my chest to express the chaotic feeling inside. "What are these feelings?" I pondered.

"What? What is it? Chest pain?" she asked.

I shook my head with my hand tapping against my heart. "How do I tell her that I feel irregular heartbeats? How do I tell her that I am feeling something completely indescribable?" I thought. I rubbed my stomach in rotating motions.

"Logan, is it your stomach? Do you have a stomach ache?" she asked. The deep look of concern in her eyes heightened the feelings inside. I reached over to my phone and texted her a brief summary of how I felt.

"Logan, seriously?" she asked after reading the message. She leaned over moving closer to my lips. "A mosh pit of butterflies," she whispered. I could feel the warmth of her breath against my cold lips. "Well, I am ready to rave if you're willing to ...," she said before she was interrupted.

I closed my eyes and leaned in closer. "One size fits all," I thought to myself. When two souls fill the large vacancy between each other's arms, there is nothing to do other than embracing that invaluable time together.

The butterflies subsided.

Ten. Breathe in. Reflect.

Nine. Eight. Seven. Euphoric heaven.
Six. Five. Rejuvenate. Revive.
Four. Three. Proofread. Agree.  
Two. One. Close your eyes. Have fun.
I am about to write more for my novel, The Sensualist; A Voiceless Young Man's Struggle for Love. So, I am trying out something new as well as sharing it publicly. This novel will hopefully be crowdfunded via Kickstarter in the future. This is not an excerpt, but a warm up to write.
am i ee Sep 2015
i'm gonna get me
a new set of eyeballs
too much readin'
n writin n stuff

can't proofread
worth a dam
gotta go live my life
not set here n write

now i got me's
a little nut
and she writes
not so slow

i ain't much
fer words
likin the
sound of silence
myself

but this little
new nut
she's kinda a
cute little darlin

so with my eyes
whirling in despair
i slog forth
until they can
be repaired.

i gotta get me
a new set
of eyeballs,

one new set of eyeballs
i'm gonna get
me.
hey if anyone can bring in the cowboy accent to make myself with a spelling that reads the way i am hearing it in my head that would be fantastic.

sound like maa self, i am open to suggestion.  i hear it but haven't read much of it, so i know i'm off with the spellings that convey the accent.  thaneee
XIII Jun 2014
Poems don't always have to rhyme
Not all are salable, you won't have a dime
It'll be forgotten as it passes time
You can only be proud to call it 'mine'

It won't be judged by a critic
Nor passed to a panel like a thesis
No one would proofread it
Nor someone scolding you to remember the basic

But without rhyme, how can you call it a poem?
Shouldn't poems have that beautiful tone?
Play with words to rhyme - a job of a poet
But not all poems that rhymed are the best
Maria Etre Oct 2016
Someone told me
our bodies contain
enough carbon to make 900 pencils
ending it with
"you can write with your body"

First, let my body meet yours
let our fingertips touch
and let our bodies
yearn to start
some good writing
tease our carbons
to create, to begin
to fall
to blend
to melt

Now darling
the only way I'd begin a poem
is with you
starting with a kiss
a capital kiss
for the first letter
of the first word
should be bold
and beautiful
silent but loud

The sentences my body start
yours finish
no matter how long
"run on's", fragmented they are
you start I finish,
I start you finish

Interrupted by breaths
gasping for life, inhaling
the souls of muses
and exhaling such beautiful
poetry, such deep writing
that only our bodies know how
to create, how to read, how to vocalize
how to share

Stanzas interrupted by moans
that sing and hum the hymns
of poetry that cannot be
embodied in words
moans that orchestrate
symphonies
leading our bodies
to dance
to love
to enjoy
such intensity
that my pencils fail at
capturing

Let my body write with yours
and re-write the ways of love
edit, proofread, scratch, claw
mark and re-create
new ways of falling
of loving, of sighing
let my body write with yours
and bask under
such powerful chemistry
where carbon burns
And flames
ignite

Let's write
Lexi Vinton May 2013
She typed her poems in size 6 font
afraid of someone
reading over her shoulder.

She was a writer
afraid to share what she had written.

She knew
that she had revealed too much of herself
too much of the part of herself
that she keeps hidden,
suppressed.

To have someone read what she wrote
and know about her,
terrified her.

Yet she kept writing
knowing that it was what she wanted to do,
what she had to do.

If she didn't write,
no one would ever know anything
about her.

So she wrote
and proofread
deciding how much of herself
to reveal.

She would delete
and modify
until it seemed as if she was
an anonymous poet.

Yet someone always could tell
that it was her
doing the writing.

So she shared her poem
anyways.
allen currant Oct 2014
hot screams
pictures flashing remember remember don't forget to have proof proofread a persona a shifting ego rising and falling with the waves a rhythm older than stone and sadness older than hard cider arms folded begging not to be touched begging for an old familiar couch that swallows thoughts whole swollen with years of desires and drool and cottonmouth
hot hot screams
rip through ears holding a pain of identical magnitude a hideous sameness twitching dancing across nervous systems as people disappear and rain sprinkles the front porch in road blocks and tired conversation tired awareness
never drink again never dream again never eat or sleep or scream again
resign while politics eats away at abandoned barns upstate and rapists walk free under the guise of fraternal bonding shoot first ask questions later or just don't ask any ever as if the answers have been found provided by
the flashes seen with eyes closed the flashes seen in eyes clothes the flashes blinding and true blinding and real blinding binding
and the chains are made of severed hands the captor a trillion eyes piled up and growing putting debt and babel and the fuming gods to shame fuming gods of shame and image reflection and refraction twisting twilight twice around twenty somethings like twine twenty somethings need more somethings anythings everythings need want need want kneed want wasn't enough tough pill to swallow wallow wallow just follow the leader beaming glorious light like liquid soap
hot hot hot screams screams hot hot screams hot screams
C S Cizek May 2014
She rested her thin hands beside her keyboard
and proofread the email to her landlord.
She was adamant about getting the most
from her lease and, though wealthy,
insisted on knowing the price of everything.
Milk is almost five dollars and gas is almost milk.
Littered around her bedroom were shoeboxes
of handmade jewelry, pearls, and war correspondence,
each as fragile as a land mine. Loose soil footsteps,
shrapnel, and a Sofield soldier torn in two.
Lacey Good May 2016
Nothing you said makes me happier
Not “I love you”
Not “I miss you”
Not the sweet words,
The secret language
You used with only
The girls filled with hate
Now I think, to this day
That nothing you say
Could ever make me happier

Nothing you said makes me happier
Not “Come over”
Not “Come closer”
Not the proofread lines,
Carefully exacted
For the time you just left
Me to wander, distracted
Alone in a crowd
We no longer interacted
That didn't make me happier

Nothing you said makes me happier
Not “We need a break”
Not “I'm moving away”
The looks that you gave
Or the way you berate,
Not even a whisper
Of lie and debate
Will make me happier
Than when you told me
“I'll be dead by forty.”
Mateuš Conrad Dec 2016
she can never wear ****** white, she can never wear
that moral pregnancy - and i don't see why this
hasn't been established as a fetish
awaiting the nearest mongol...
            i don't know why it exists
in the first place...
     i skipped through R. Brautigan
and left him drinking and desperate,
ig  desperate when i see a bottle
of whiskey's shrinking girth
in the bottle... don't get me wrong,
i adore the poetry, but autobiographies
always led me to skim-read some
examples... i own a need for such
excuses because i feel i'll be one of them.
it's not a case of sadness being written down...
the sad part is writing an autobiography
as your life takes shape...
                     the sad part is
   an autobiography that's written parallel
to a "life", you wear a necktie and a
pair of moccasins and a silk robe...
                     fo' da' sho' -
    and never the shove or shovel to be the first
in line... because that matters: let the idiots
through, i don't mind lighthearted
entertainment before i board the bus...
             when you apply diacritical indicators
you get to worry about orthography...
when you don't apply them?
   you get quickstep spelling...
                   you get incorporating the digital
Amazon rainforest shrunk to a toothpick
or an A4 sized paper, later rolled into a cigar
by Castro.
                           but you know what really bothers me?
listening to bob marley and reading pashtun
poetry... it's Afghan and an antidote to Rumi...
no (so-called) "feminists" cite pashtun...
              don't get prickly proud on me having
     the ability to cite obscure cultural ref. points...
bob's bob, the end.
    what? damian or stephen or ziggy too?
                        well, the more the merrier.
                 but these so-called feminists are never overheard
citing pashtun women...
            women not citing women... tragic...
      i guess the two can't relate...
if you forgot what an Afghani woman looks like...
kinda like a Pakistani woman, before
the Mongol fiddled about with a ******* violin...
       pretty? sure... maybe John Smith Sargent Mj.
knew about
        it, when he ****** W into Afghanistan,
   protective of the truth about the "burning bush's"
original message aimed at Abraham:
circumcise him!
           Abraham... you what? **** him?
burning bush: circumcise him!
        well, **** me, what a desirable revision!
now we'll forever crave the need for ******* cushions!
  who said kangaroo pouch isn't soft enough?
      kangaroo in a boxing ring: bucktooth combo
punched out... and everyone huh?!.
               but feminists never cite these women...
i'm a quasi-exile, or at least my parents are,
i didn't exactly wish to live on these isles...
but then again jean-paul zee deux ******
everything before i even got the cameo role in
the film: history of the world.
               that's basically me ******* down
an alley named after him, every time i rekindle
originating in that ol' stockpile of garbage...
   but at least the e.u. will improve the roads...
               we might finally get an artery's worth
of autobahn concrete connecting Cracow
and Katowice... you never know... might be a case
of walking on water...
               but to be honest i don't mind
that she can't wear ****** white...
i don't mind she had 20 ****** partners before
she decided to milk me... it's the lying...
lying becomes much worse than the act itself...
     i'd prefer to know she was a ***** *****...
what i don't like is this faking of childhood,
this innocence-sprechen antics....
     it's like reacting to a flu - you get all
dizzy and juggernaut-sinking obnoxious...
    because the story goes: the truth liberates
you from being an enforced thespian...
                 no one wants to be an actor
forcefully... no one...
                         esp. if they're not getting paid
for pretence...
      the truth is at least a mobilising enforcement,
you know you've been given a faulty
refrigerator, but that means you're utilising
an awareness of possessing a faulty refrigerator...
     being lied to... you get utopic inhibitions
  thinking it's not half-of-the-story,
when it actually is.
             that's what's inherent in *** with prostitutes...
        no inhibitions... we're square,
proofread countless times, no secrets, just two naked bodies.
it's when people take to enforcing wearing
Gucci on their psyche... that **** is worse
than donning a strap-on in a lycra gimp-suit.
           but such is the force of the pashtun landlays...
you react to them like so...
            i choreograph them above the haiku,
even though they're twinned,
like some village in Lichenstein (liochestein,
a googlewhack) - Liechtenstein -
twinned to a village in scotland -
               obviously the there's no innuendo
because both originated in deemed obscurity...
       they did much injustice to Kafka given the small
print, and overdid the justice done with
    printing oversized Bukowski...
but then there's a Sunday newspaper to look forward to,
which will evidently make the Monday print
a bit... slim.
                     never mind... a great phrase from
the landays is little horror, or being a woman in her
20s being betrothed to a man-child aged prior to
kicking things off with puberty...
  and dear ol' me, why don't feminists even take a second
to look at the women talking in Afghanistan?
    sure, the veil puts them off immediately...
       women talk with their genitals and men talk ******...
as was always the case...
    i am, currently talking as if i were an ******...
and Alice over here has no tongue,
                except the one that replicates oyster salivation...
as some might crudely put it.
         and then there's Mallarmé.... ugh...
                     pisshead compatriot Poe... and Baudelaire...
honestly... we have just begun writing
       the most pristine of poker sessions...
i tell you and fake how literate i am, or illiterate,
or with an adequate or with an inadequate diet of literature,
and you poker me, and vice versa,
       because by the time a Tuesday newspaper comes along,
we'll both be brooding with angst, wishing we
could only possibly be bored.
Puny Penguin Jul 2020
You are gorgeous, simply beautiful
the fact, indisputable, irrefutable
you are worth it all, and you're enough
thank you for being the you I know
and have come to love.
I love you without hesitation.
Words of Affirmation

If I were there with you now,
I'd be giving you a comforting cuddle
I'd run my hand through your hair and hold you close
a kiss to the forehead, pure, not sensual
I'd hold your hands, warm them with mine
and be with you all the time, because to you it means so much
Physical Touch

I'd get you your favorite ice cream
with extra toppings, just how you like it
I'd write you letters and poems, I'll send them in the mail
I'd leave you small notes, and make you small trinkets
I'd get you the first editions of your favorite books,
and make you the shelf on which they'd be living
Gift Giving

We could go out to the city, just the two of us
Take a walk through the park, sit and talk for hours
I'll be there for you, and only you
you'd have my 100% undivided attention
I could go to yours, or you could come to mine
and that's all we'd ever need, each other's
Quality Time

Would you like a hand with that?
I'm here to help. I'll help you sleep on time
and wake you in the morning with breakfast in bed
don't stress about your workload we'll work together instead
I can proofread your essays, and help with your homework
We'll work on things together, as no problem should concern us
Acts of Service
five love languages, which one are you?
Maria Etre Sep 2020
I can't seem to master
the art of living
when all I do
is miss chapters
rewrite them
and proofread them
I wonder if God
sent  the bible
to be
proofread.
Amethyst Fyre Nov 2016
-A note for my coaches-

It's a curse of my generation, I think
I'm better off talking to you in letters made of light
than in songs made of sounds
Because at least then I can be proofread

What do people even say to each other in person?
Even with friends, I can't remember a conversation
I had today or yesterday, never mind far off in the past
I must've talked about the weather, or my next test
Or something else of equally little substance
So my brain must have just catalogued it all as discard and thrown it out

I try to imagine the future
Meeting you at a coffee shop in the city
I'm home from college for a weekend
And we'll have to talk about something

About the past, about the people I left there?
About where we're going, what we've been up to?
About politics, the weather, the news?

I can't ever think beyond that
Because even in my head, no words make it past my parted lips
But if I could, this is what I would tell you


The darkness is all around me right now
I'm trying not to let anyone else see it
But I know you've been here before
And I think you'd understand
If I told you that I'm doing my best to keep the candles lit
*Please don't let me slip out of your life
Bryce Feb 2020
Do not ask me to recite poetry,
nay, not with grape in my veins--

Do not ask me to proofread truth
as the rocks
or the water I drink in my cupped hands

I am a father of simple
child of no one
brother of singing voice
son of music

I am but acids
tripping on acid

i am but time
tripping on seconds

I am but stone
with electric current
reciting current events
eventually distinguished

but not for me
not for these
atoms,
or time
not mine

this is the curse of poets
the curse of 23 followers
and counting

the liars of open scheme
and dying rhyme

i am the last scream
that bathes in obscene
and truthful
meaning
m May 2018
Context and trust go hand in hand. If I tell you some stout men walked out of a bar, you'll understand that they're probably drunk. If I tell you they then walked into your house, you will be concerned, and then stop reading, or at least stop believing the things I say. And, understandably, you will be disillusioned with my tricks when I begin a story with an unexplained pronoun. But the fact of the matter is: the spaces between my words will not be a silence you abide. People have a tendency to fill in the gaps.

She held out one hand, her left, cupped firmly, fingers together, bound and tense. A tiny, prickly-cold ball of teal sparks bounced up and down, remarkably slowly, lying about gravity. She could feel each orphaned spark dissipate coolly on her skin. With her right, she squished the man's fingers together, then curled her hand around his, forcing it into the tight shape of her left. Curious townsfolk pointed excitedly at the hopping magic in her hand as they passed, walking from booth to booth.

It had been six years since Maria had felt so anxious, and even back then it was only half. She knew it would come today, in great waves. Rhythms of merry-making divided by chasms of trepidation, legato, slow-moving and dreadful. Her spine hurt, as though she had spent the previous day lifting boxes of reagents for her show at the end of the Midsummer Festival. Well, she had, but she knew how to lift; she was a responsible person, and knew proper form. Rather, her muscles were tight with nerves. She worried she might remember. With today's celebration all around her, the past was so near.

"Make sure you hold tense, all the way up through your wrist. If you give this unruly stuff any chance to hurt you, it will." She demonstrated, moving her left hand around rigid, and the spark-ball followed. She had a stern look on her face. "But it's fun as long as you're safe. Are you ready?"

He nodded. He must've been thirty, but he had clearly never gotten a chance to be a part of the magic before. His awestruck silence gave her a smirk.

She moved her left hand over his tensed right hand, then quickly snatched it back to her side, leaving the spark-ball floating above his slightly quavering fingers like a tablecloth trick. It bounced there, in his hand, just as it had for her. His face was concentrated deeply, brows clambering to touch but blocked by a pudgy wrinkle between. And yet his sense of wonder was somehow still clear, visible in the corners of his eyes, so Maria allowed herself a full-blown smile.

It was context that left that moment bittersweet for Maria. She would get it right this time.

She pulled at the head of her paper belt, a machination that often caught the eye of village children. The belt lapped her just above her hips several times, terminating in an odd box, something between a belt buckle and a mouse trap. As she pulled at the lapped belt, the latch cranked back, and then snapped down, tearing off a piece with a small wooden bead upon it. It was like a reel of button candies turned witch's tool.

Maria concentrated, rubbed her thumb across the wood, and it gave way to another playful sphere of light. She repeated her process, handing out a few more of these to those passersby she could convince herself she had taught to be safe.

One child had found it funny to spread her hand open suddenly just before Maria could give her the spark-ball. Maria glared the sphere into shattering spectacularly, sending sparks everywhere and seeming very dangerous. Of course, she would never have hurt the child, but when the girl ran off to her mother, Maria felt the smugness of the worst sort of teacher.

The horizon had just been kissed by the setting sun when she realized the time. She tried her best to steel herself and walked towards the weathered stage.

As she walked up the stairs and onto the stage, she looked out at the crowd. There was a sense of rurality that she hoped would be welcoming. The hearts of hard work preferred consistency to splendor, and she knew it. But she had worked so hard for this moment.

Behind her, the stage set was covered in trinkets. Ivy and moss draped over the drapery. A few stagehands rustled around behind the brown, musty curtains, occasionally sliding an open tome out into view, or rolling a small cart covered in lit candles out. None of these props were necessary, per se, but she knew her fellow performers had a penchant for the dramatic, so she wanted to impress them when they arrived. If they arrived.

Her back tightened and she could feel all the iron in her chest and arms. She could see shadows, fickle for sight, wisping at the outskirts of the celebration, teeming up from the earth and out from the forest on the outskirts of town. Please, help me, she whispered in her mind, knowing it was just for her own keeping calm. The motion behind the curtain grew quiet, and she knew things were ready. She swallowed.

"Good evening and good eats, my good folk! And what a festival it has been! For all of the wonderful people who were out in booths today, selling delectable treats and delightful trinkets they made themselves, can I get a round of applause?" She paused, and the crowd obeyed. Everyone likes to pat themselves on the back.

"Excellent, excellent," Maria said, nodding, her practiced smile radiant. "You know, before we start I just want to say: it's truly been a pleasure to share experiences with you all these last six years. I know I'm not always out and about at parties and the like, but your hospitality has been a beacon of light for me through a tough time. I want you all to know that. So, another round of applause, for being so amazing!"

She smiled and looked down at her feet for a moment, and as she did, she allowed herself to grit her teeth. She was suddenly chillingly aware of the danger she had gathered for her fellow citizens. This can't go wrong, she repeated in her mind, as she had been for weeks leading up to this day, to this show. She was sweating. She had to trust in her thoroughly proofread calculations, and the goodwill she had accrued with the fae near town in the last few years. Everything had been set up perfectly. It had to be.

And so she was smiling out at the crowd again when she flipped a switch on the dispenser head on her belt. "Now! Allow me to deliver to you all the display of a lifetime! Tonight, feast your eyes, ears, and hearts on the Parade of the Star Witch!" She grabbed the end of her belt and slung her hand out, casting the reel of paper out over the audience, and she left her hand there, gently grazing her thumb over each button as it passed.

She had cleared the first objective perfectly, but she didn't relax.

No fewer than twenty huge spark-***** shot wildly up into the air off the paper, directly overhead of many villagers, leaving wide, bright tails of blues and purples as they went. They hovered in place at the top of their range, blasting out light in unpredictable rhythm. It was loud. Children caught and argued over the used launch paper as it fell.

Maria stepped back with one foot and snapped. The candles on the table behind her roared into irresponsibly and unbelievably tall flames, instantly shifting from orange to varying cool colors. The scents of lavender and anise washed over the performance. The entire standing space of the stage lit up a deep green with the intricate details of a spell circle. She manually triggered the latch on her dispenser head, severing the paper, and snatched one last button into her hand. It was time for the second stage.

She turned and spun gracefully into the center of the circle, her dark sundress taking the light of the stage and the still-hovering spectacle above moodily. She put her hands together, and the wind began to swirl fiercely, and as it grew shadows eked out into the fading sunset, upright and physical, on either side of her. They lashed around rapidly, plentiful and playful, but seemed unguided by the sudden gusts.

She felt a sudden, sharp pain behind her eyes. One of her traps must have triggered backstage. Whoever it was had come too careless, and too late. No one could stop this now, not this time. It was finally going to happen right.

She raised her left hand up into the twilight sky, that last single button rising into the sky to be the biggest sparkler yet, in the shape of a massive star. Everyone would remember who brought them the joy of this night for years.

The shadows suddenly grew rigid, and then hands reached out of each, and the parade began in earnest.

Fae poured out of each shadow-portal in a march, walked off the stage, and continued out, stepping up into the air over the stunned crowd. They wove their own path through the air, finding a beat that affronted in theory but pleased in practice. They were of inconsistent shape and size, not just between individuals, but between moments. It was difficult to pin your eyes on any feature they had, but it was harder still to find them anything but dazzlingly beautiful. If the denizens of the town were impressed by the lightshow, they were rapt now.

Some of the fae reached down and pulled an audience member up to them, dragging them into the march. Those left on the ground blossomed with envy.

Now, at last, Maria relaxed. The props had been enough. Her work had been enough. Her "fellow performers" had accepted her offerings, and tonight the town would fall away from the cruelties of reason and time, and into something delightful, eternal, and fun.

There was -- to describe it as a sudden turn gives the suggestion that this eventuality was not certain. But it was abrupt, as more people were pulled up into the parade. Kissing spread like wildfire across the skywalking troupe. Some townspeople seemed uncomfortable. Some followed suit. But no one ran.

The town had left the world. The people would be swallowed up by the fae, or become them, or both, and the night would soak in revelry ad infinitum.

It was context and trust that always misguided the prey of the Town-Eater Witch.

A crackle before her, a gemstone green and deep, borne of Oberon. She collected her payment with a hand still shaky with adrenaline, and then she was the wind, and then she was gone. But the sparks remained.
You stir it and stir it
and the whirlpool is there, it
looks so inviting,
so you **** it inside. words
dribbling down your chin,
but you're still ******* it in
as if stirring alone will not win you
a place at the foot of god's throne.

Proofread and ready,
are you missing the eddy
is life being where and not when?

Stealing a march on Radzinski
on my toes matching moves with
Nijinsky,
but someone is out there to jinx me
I may as well stay where I am.

— The End —