Frankie and Joni
They were young lovers
Nothing could tear them apart
Don't worry baby, says Frankie to Joni
I'll never do you no harm

In a ****** motel
On the outskirts of town
Joni goes dancing with Jake
The rhythms they make, there aint no doubt
God help them if Frankie found out

A cruel twist of fate
Frankie came home
She found Jake and Joni in bed
In a hail storm of lead from a .38 chrome
Jake and Joni were dead

Frankie and Joni
They were young lovers
Nothing could tear them apart
Say what you will about this thing called love
Some people just aint no **** good

if i was a pearl i’d feel itchy scratchy stuck inside an oyster shell if i was a tree i’d  be a big fat redwood fantasizing about Julia Butterfly Hill living and peeing around me if i was a dog i’d be a Catahoula hound if i was Italian i’d be Sicilian if i was pasta i’d be spaghetti if i was Icelandic i’d be Bjork if i was a rock star i’d be Elvis Presley Bob Dylan Jimi Hendrix Jim Morrison John Lennon Bruce Spingsteen Maynard James Keenan if i was i writer i’d be Herman Melville Mark Twain James Joyce William Faulkner Thomas Bernhard Yukio Mishima Naguib Mahfouz Phillip K. **** Gabriel Garcia Marquez Annie Proulx Lydia Davis if i was a poet i’d be Walt Whitman Sylvia Plath Ted Hughes Gwendolyn Brooks Pablo Neruda  Heather McHugh Carl Sandburg Robert Frost Arthur Rimbaud Dante Alighieri Homer if i was a painter i’d be Leonardo Da Vinci Michelangelo da Caravaggio Johan Vermeer Rembrandt van Rijn Paul Cezanne Marcel Duchamp Jackson ******* Mark Rothko Ad Reinhardt Anselm Kiefer Susan Rothenberg if i was a photographer i’d be Man Ray Ansel Adams Edward Weston Diane Arbus Robert Mapplethorpe Sally Mann Helmut Newton Richard Avedon Annie Leibovitz if i was a philosopher i’d be Socrates Plato Aristotle Jean Jacques Rousseau Sören Kierkegaard Immanuel Kant Karl Marx Georg Hegel Friedrich Nietzsche Henry David Thoreau Ralph Waldo Emerson  Jean-Paul Sartre Jean Baudrillard Michel Foucault if i was a singer i’d be Woody Guthrie Otis Redding Grace Slick Bob Marley Joni Mitchell Marvin Gaye Johnny Cash Patsy Cline June Carter Patti Smith Chrissie Hinde Nick Cave P J Harvey Beyonce if i wa a band i’d be Velvet Underground Ramones *** Pistols Clash Cure Smiths Joy Division Uncle Tupelo Pixies Nirvana Nine Inch Nails Madrugada Sigur Ros White Stripes Thee Silver Mt. Zion Memorial Orchestra Justice of the Unicorns if i was a boot i’d be Chippewa Frye Ariat Red Wing Tony Lama Wellington if i was a shoe i’d be Christian Louboutin Jimmy Choo Kedds Chaco Chuck Taylor p f flyer if i was a dress i’d be Channel Dolce & Gabbanna Giorgio Armani Marc Jacobs Comme des Garçons if i was a cowboy shirt i’d be H bar C Rockmount Temp Tex Karman Wrangler Levis Strauss Lee if i was a hat i’d be a Stetson Borsalino Stephen Jones if i was a fruit i’d be a mango apple banana blackberry if i was an scent i’d smell like fresh perspiration jasmine sandalwood ylang ylang the ocean if i was a doctor i’d be a gynecologist neurosurgeon if i was a flower i’d be a hibiscus rose orchard if i was a stone i’d be a sparkling ruby diamond opal if i was a knife i’d be a k-bar switch-blade machete if i was a gun i’d be a Remington Winchester Beretta Glock AK-47 if i was a car i’d be a Lamborghini Ferrari BMW Saab Volkswagen GTO Ford Mustang Dodge Challenger if i was a  TV show i’d be Law and Order if i was actor i’d be Charlie Chaplin Humphrey Bogart Steve McQueen Robert De Niro Ed Norton Shawn Penn if i was an actress i’d be Marlene Dietrich Ingrid Bergman Natalie Wood Audrey Hepburn Marilyn Monroe Helen Mirren  Meryil Streep Brigette Fonda Robin Wright Julianne Moore Angie Harmon if i was a female comedian i’d be Gilda Radner Lily Tomlin Nora Dunn Joan Cusack Sarah Silverman Tina Fey if i was a  football player i’d be Sid Luckman George Blanda Walter Payton **** Butkus Mike Singletary Joe Montana Jerry Rice Payton Manning LaDanian Tomlinson  Drew Breeze if i was a celebrity i’d be Charlotte Gainsbourg if i was a rapper i’d be Tupac Shakur if i was a movie director i’d be Sam Peckinpah Robert Altman Stanley Kubrick Roman Polanski Werner Herzog Rainer Fassbinder Louis Bunuel Alfred Hitchcock Jean-Luc Godard François Truffaut if i was a bird i’d be a eagle hawk sparrow bluebird if i was a fish i’d be a dolphin shark narwhal Charlie the tuna if i was breakfast i’d be a French toast pancake folded in half with 2 strips of bacon in between if i was a cold cereal i’d be snap crackle popping rice crispies shredded wheat cheerios oatmeal if i was tea i’d be Japanese green matcha Irish breakfast Tulsi Thai holy basil Lapsang souchong Luzianne Lipton if i was a soap i’d be French hand milled ayurvedic Avon Ivory Dove Pears Aveda  if i was a man i’d be a football basketball baseball tennis swimmer athlete if i was a woman i’d be a track star runner writer painter gardener doctor nurse yoga mom i'm just scratching the surface and the beat goes on lahdy dah dah

Surely
your eyes smile like
sunflowers in August
dropping their seeds
from skyscraper heights
as you hang from your cross
nailed together by your own
rough-hewn hands
dropping their seeds
as the wind runs its fingers
through the weeds
windchiming like a
platinum-plated Joni Mitchell
and surely you touched mine
surely surely surely
and I wish like Christmas Eve
                      like a first junior high dance
                      like a death bed watch
that I could afford even
a bottle of you
but the demand for you is high
and the supply . . .
         well, you know, there's never enough
and you keep raising the price and
surely surely surely
                    you know, there's never enough
so I lie here
among the weeds
seeking out your seeds
some small, priceless part of you
as you rise out of my reach
                         like a house with a seaside view
                         like a villa in Tuscany
                         like gold
which you are
surely surely surely
you are
with your sunflower eyes
and your Christmas Eve wishes
you pay for my sins
dropping your seeds and
surely surely surely
                     you know, there's never enough

i.

I think meetings are like satsumas;
the skin
can peel
off in
tiny pieces,
your fingers will get covered in the juice
and you can spend hours picking off the white stringy bits
and then the fruit will taste sweet and it will be all worth it.

Or it peels off in one easy motion and it’s all full of pips or it’s dry or it’s bitter and that’s like meetings.

Meetings are strange because they can go on forever or they can be over in a minute.

Some people you meet everyday.
Others you meet once and never see them again.
My parents had the second type of meeting.
They met at a bus stop and my mother complained about the weather and my father agreed it was too hot and then he gave her his number and then she called him.
He became her window cleaner.
He moved in.
They lived in the same house.
They never saw each other.

Everything was terrible.
They never met again.
They drew up different lists:
Frankie, Rae, Teagan.
Genevieve, Emily, Jessica.
Somehow it became something else that neither particularly liked and the outside world didn’t much like it either. They locked the doors and I watched from the window.

Why don’t you go out? Don’t go out.

Everything was terrible.
Mother saw it on the TV.
Father saw it through other people’s windows.
But I can seem never break the peel.
It doesn’t come off in one easy motion
and it doesn’t come off in pieces.
It doesn’t come off at all.

But I am the girl from the cobweb;
I am the spider who stopped catching flies.
From the smell of gravy and soapy water to the kebabs and urban fox.

Meetings. Where do I begin?

ii.

Adrian Wren was wondering how many leg bones
it would take to build a wall around his house,
or rather round his old house.
The bones would have to go around the neighbour’s houses too
so he supposed it would take quite a lot of bones to go round all the houses.

He was writing an article about a murderer who kept the leg bones of his victims.
This was not a crucial element.
It was supposed to be about the murderer’s childhood,
in which the murderer was the victim.
The childhood did not answer the question: why leg bones of the victims?
The bones were building up in his head.
How would you glue bones together?
Adrian began typing;
the isolation and loneliness of being a middle child, the least favourite son.
The problem with being the victim.

It was actually kind of funny, when he thought about it.
Why a leg bone? Why not something smaller, that could be hidden?

Adrian wondered if the girl in the red boots thought about things like that. The girl who had knocked on the door of the too small flat to use his shower and borrow a cup.

Her shower,
she said,
kind
        of
            just
                   dripped.

iii.

Sometimes, I tell lies. Or not quite lies. Half truths. For example:
• These shoes belonged to a dead woman.
• Sea cucumbers can use their internal organs as a defence  mechanism.
• My cousin nearly died whilst attempting to eat a match.

I just want to tell something to someone but I don’t always have the real story, so I tell a not quite story. Or ask a not quite question. For example:
• What would life be like if humans had shells?
• Do we have shells?
• What do people living on mountains do with their faeces?

Right now, I’m looking at the flecks on the carpet, trying to find faces. Once, there was a house built above a graveyard and faces appeared on the floor. I wish there were faces on this floor. I wish I lived above a graveyard.

I live on the ground floor, above the bins. It’s interesting to watch what people have to put in the bins.

If only you’d concentrate on something important as much as you concentrate on that window.

But here’s the man from four floors away, putting his ******* in the bin. His clothes frown, his hair frowns, his whole being frowns. Frowns are like creases ironed into clothes, but who is the iron, what are the clothes?


*iv.

Adrian Wren was still trying to solve the riddle.
Most people thought they gave cryptic clues
about themselves but they were actually
just the conventional ones reworded.
This was a real riddle.
It was about her and it wasn’t about her.
It began with a J and ended with an I.
Anything could fit in between.

Jaci? Jessi?

She had a habit of appearing,
maybe at the bottom of the stairs.
Adrian was somehow angry at her,
just for being there,
sitting on the stairs,
picking a spider out of her hair,
walking out then coming back in as
if to test she really knew the code.
He was trying to write up an argument about people
on benefits but the space bar
keptgettingstuckandthewordsgotclumpedtogetherintonewwordsthat­noonehadanysuggestionsfor.

Jenni? Jodi? Juli?

Sometimes, he was certain she was trying to steal something.
Other times, she was one of those strange specimens
who attached themselves to another, because of an accidental look.
Mostly, she was just the girl in the boots without a name.

Jerri? Josi? Jani?*

Adrian found that the riddle hung
                                                             on
                                                             the edge
                                                              of­ the mind,
an itch which wasn’t really too itchy.

There were other things to worry about:
• Work
• Old things reopening
• Work
• Ignoring the phone
• Work
• A knocking at the door.
• Do you mind, if I come in – it’s just there’s this programme on telly and-

v.

Just tell me your name. He didn’t want to play this game.
Only, it was addictive, now he’d got started.
Now, it was a matter of having to know.
I gave you all the clues I’m giving, she grinned.


Joni,
Adrian said finally,
looking back at the screen
of his laptop.

vi.

Joni-Rae.
It was hyphenated because they couldn’t decide,
because they never really met.

Sometimes, people will call me Joan if they hate nicknames and Johnny if they can’t pronounce it.

Joni-Rae, but actually only ever Joni.
Begins with a J and ends in an I.
Does that still count, if I amputated part of it?
His middle name was nearly Ray too.
Adrian Ray Wren. Too many Rs.

I’m still looking for my middle name though. Does it mean I’m missing a bit of my meaning? Is there a bit of me I haven’t met just yet? Can we meet ourselves or only other people?

1970 Odysseus visits cousin Patsy in New York City she introduces him to her best friend Lauren’s older less attractive more reclusive sister Tanya Mulhaney extremely wealthy family father founded corporation manufactures pinball machines which years later develop to video games then casino empire he favors and spoils Tanya but dies suddenly her envious sisters and mother gang up on Tanya is pale skinny flat-chested copious brown bush Odysseus sits in bathtub with Tanya and he probes in a way they hits it off maybe no boy has ever touched her in that way her complexion is so fragile slightest fluster prompts pink blotches on her cheeks neck chest back he admires her book smarts he’s attracted to her refined strangeness he thinks her bush and flat-chest are **** she laughs shyly offers to take him around the world he accepts Odysseus tells his parents Mom goes crazy yells into telephone what are you a ******? you father and i work like fools to send you to the best schools so you can make something of yourself you’re going to throw everything away to be a ***? i tell you we’ll disown you you won’t have a home to come back to do you hear me? we’ll disown you! she sobs how can you just walk out after all we have done for you? you ******* kid! Odysseus takes leave of absence from art school he and Tanya take Iberia jet 12 hour flight with stopover in Iceland to Belgium Tanya sinks into one of her moods swallows several pills to help her rest sitting on other side of Odysseus is curly haired skinny talkative musician claims he has jammed with Miles Davis and other jazz greats Odysseus says yeah right and i’ve shown with Johns and Twombly where exactly are you heading in Europe? musician answers he is a scientologist on his way to visit L. Ron Hubbard in England Odysseus does not know what Dianetics are and wants explanation he asks many questions and musician talks for hours they enjoy each other’s rapport as jet descends in Brussels they exchange home addresses in the States 9 months later when Odysseus returns to America a friend notices scribbled address while skimming through his travel journals Odys! how did you get Chick Corea’s address? do you know him? do you realize how brilliant he is? he’s a keyboard virtuoso! Odysseus questions Chick Corea? who’s Chick Corea? he looks at journal page then says oh that guy i sat next to him on the jet to Europe so he really is a famous musician huh? wow!

in October 1970 Brussels is damp chilly Tanya wears hip-hugger jeans black turtle-neck top North Face shell she huddles her arms around her chest smokes cigarettes looks through hotel room window out into gray overcast sky speaks in defeatist voice i didn’t bring clothes for this weather she picks at her plate in hotel restaurant glumly vacillates later in bed after refusing *** decides they leave tomorrow fly to Canary Islands for several weeks to get tan before traveling through Morocco during winter months Canary Islands are laden with Swedish tourists including bikini clad young girls many not wearing tops Odysseus is thinking about how to swing some of that Swedish free love once Tanya gets drunk succumbs to Odysseus’s ****** overtures it is good  one day while returning to hotel from beach 2 Spanish police stop and question Tanya and Odysseus police order to see their passports then command them into squad car police bark in Spanish rifle through their daypacks point a finger Odysseus can smell alcohol on their breaths Tanya and Odysseus are terrified police drive off main road to remote location abandoned ruins no one is around police order them to step out police drive off laughing Tanya’s complexion is crimson she sobs they could have murdered us no one would know who we are or where to find us we’re lost where are we? Odysseus looks around replies don’t worry we’ll be all right i watched where the driver was going we’ll retrace their trail

they fly to Tangier travel south by train Tanya is irritable insisting Odysseus carry her backpack Casablanca is ***** 3 men peer from sunglasses act suspicious wear tattered trench coats Tanya and Odysseus snack at cafe which provides hookahs for smoking hashish Odysseus scores several grams Tanya laughs suggests they rent car drive south travel to sandy beaches of Diabet for 6 weeks in the morning she paces around French hotel room with cigarette in one hand ashtray in other like she is sultry 1940’s Hollywood actress she stays in room and devours Penguin Classics Tolstoy Stendhal Proust Huysmans Zola turns out Tanya is sexually frigid she buys Odysseus anything he wants but does not put out they take train Marrakech it is sun drenched with blue skies mountains in distance Odysseus wants to go out explore get ***** with the natives he visits Medina daily witnessing many bizarre scenes he does not understand a woman squatting over an egg a man with no legs dragging himself through marketplace holding up cigarette butts in his hand he meets a professor who is out of work because king of Morocco has closed the universities due to teachers’ strike professor explains woman squatting over egg is fortuneteller and man dragging himself has been offered crutches many times yet makes more money playing off pity of tourists cigarette butts are for sale the professor invites Odysseus to visit Berbers in mountains Odysseus persuades Tanya she reluctantly agrees the 3 travel by bus in first-class front row seats vehicle filled with lively families chickens pig bus driver has assistant who lugs people onto bus or shoves them out door at a midpoint bus stops in little town everyone exits bus then men women children urinate in street local venders sell trinkets snacks Odysseus buys nibbles shish-kabob that later professor informs is roasted cat and dog they reenter bus wait suddenly butchered lamb flank is flung onto Odysseus’s lap a man climbs aboard bus stairs then grabs large carcass and heedlessly walks to back seat Odysseus wipes blood and slime off his jeans Tanya demurely giggles bus climbs mountains arrives at small Berber village professor leads them along narrow winding street of shanty huts sheltering merchants open kitchens professor tastes from various steaming iron kettles finally decides on one they are directed to rickety roof where they sit wait a boy comes up with plastic bowl filled with water and small box of Tide following professor they wash their hands then minutes later proprietor brings up simmering *** of couscous serves it with scratched raw plastic bowls no eating utensils they eat with their fingers Tanya seems bothered declines to partake she withdraws into silence after meal she becomes irritable complains of headache says she needs to return to Marrakech she remains standoffish on bus all the way to French hotel

after Marrakech they take boat trip to Italy while onboard Odysseus meets Italian Count who has an eye for him Odysseus wears Jim Morrison beat-up leather jeans Bruce Lee t-shirt scraggly whiskers Count wears thin manicured beard tiny red Speedo swim trunks Tanya grins amused Count offers Odysseus and Tanya to be guests at his villa in Milan city flourishes with stylish clothes loud lively restaurants classical sculptures covered in car pollution following several weeks of aristocratic wining and dining amazing 11 course elegant soiree Odysseus botches compliance with Count’s desires they are asked to leave Tanya laughs hysterically they board train to Germany based on Tanya’s tour book they find historic hotel with wind rattling windows coin operated hot water bath in Munich Tanya stays in room Odysseus goes to dance club meets brown-hared pale skinned German girl neither speak the other’s language he pays for hourly rated room they play German girl in animated gesturing warns him as he is going down on her but he does not understand until several days later scratching beard finds ***** seeks A-200 lice treatment German version leather pants disposed Tanya knows but says nothing she buys Volkswagen they drive through Black Forest Tanya wants to visit King Ludwig’s castles Odysseus does the driving mostly they listen to the Who’s “Who’s Next” and Joni Mitchell’s “Blue” he follows Tanya’s instructions not knowing who King Ludwig was eventually he learns Ludwig was colorful character built extravagant Disney like castles and friends Richard Wagner Bavaria is cold gray brown deep forest green scenic Swiss Alps visible in southern view they drive from Neuschwanstein to Linderhof to Herrenchiemsee then Freiburg lodge in bed and breakfasts Tanya grows restless by all the driving decides to ditch car along road in northern France as Odysseus unscrews car license by road side several cars stop French people concerned they need help Tanya is anxious hoping for clean get away from abandoning vehicle they board train to Paris Tanya speaks a little French in spring of 1971 they are backpacking in search of hotel on Left Bank it rains all morning sky is overcast Tanya reads “Pride and Prejudice” Odysseus draws in sketchbook at sidewalk café sitting next to them are older Parisian couple man detects they are Americans he turns to them expresses in English his contempt why can’t you Americans learn from France’s lessons in Vietnam? Tanya and Odysseus don’t look up they feel like dumb ugly Americans within days they leave Paris

cross English Channel by boat they find temporary apartment in Earl’s Court in London it is overcast almost every day within a month they move to larger place in Chelsea with backyard with run down English garden Odysseus weeds garden plants tomatoes lettuce carrots radishes flowers Tanya stays in her room smokes reads at night they go out to ethnic restaurants one night they visit Indian restaurant a very proper English woman sitting at next table orders exotic fruit for dessert Odysseus asks waiter what kind of fruit waiter answers mango Odysseus has never seen or tasted mango English woman delicately eats the fruit with fork and knife Odysseus orders mango for dessert he attempts to imitate how English lady proceeded fruit slips around on plate finally out of frustration he picks it up in his hands bites into it he is aroused by how luscious mango is sniffing with nose scraping fruit’s skin with front teeth then ******* the seed Tanya makes a face suddenly the seed slides from his grasp shoots across table Tanya’s cheeks neck turn scarlet voice raises stop it Odys! you’re disgusting! are you intentionally trying to embarrass me? why are you doing this? he replies i’m not doing anything to you i’m enjoying the most delicious fruit i’ve ever tasted who cares what it looks like? later she laughs about incident offers to buy more mangos promises to take him shopping at Harrods tomorrow he goes along with their arrangement until it all seems like pretty background scenery to an empty intimacy missing all his friends back at art school he writes about his loneliness he feels trapped in Tanya’s web several times he sneaks English girls into his room when Tanya jealously confronts him he admits he has had enough and wants to go back to Hartford she suggests at the least they fly to Bermuda for several weeks to get tan before returning he declines on June 30 1971 Odysseus returns to Hartford and Tanya moves to San Francisco on July 3 Jim Morrison overdoses in Paris

A rose in the middle of December is what I saw outside. Instantly, I connected this odd occurrence with my life. The thought hit my thoughts like a ton of bricks. That is what I am, I had thought to myself. That describes me.

As I looked out my living room window on a sunny, but freezing, Saturday afternoon, I was surprised to see this solitary rose that had bloomed on my mini rose plant.  Providing me with a few salmon colored roses each season of its bloom, without fail this plant regrows again and again in my garden. I first planted it there since forever ago, or so it seems.

Usually, such a flowering occurrence should be no big deal, nothing major or out of the ordinary. Certainly, I would not find this as something really noteworthy to write about. Rose plants do that kind of thing all the time.

But it was frigid cold outside, and the middle of December.

What a strange, yet amazing thing to behold! Maybe there is a proper explanation for it, but I don’t care. The petals were just as colorful as ever when really they should have wilted awy from the cold. All the other flowering plants in my garden surely did! It didn’t really make sense, but its presence was pretty awesome.

I eagerly went to find my camera to take a picture of my sweet, little rose. The grass was dotted with tiny patches of snow to show that-yes indeed-winter is really only days away from its official entrance. Plant activity and growth really should be over. Isn’t that right? I know we have had some warmer days during the previous month, but the icy cold seemed to have come to stay for a while. It surely defies logic to think of blooming flowers on such days.

I often look for “God moments”, as I call them, in which God gives me something to hold onto that reveals His love to me. Not looking for anything earth shattering, I see often see God in the little things, in the details of life. And I don’t even always look for such things, for sometimes I doubt God really cares or really is that effective in my life. You see, that is not uncommon for someone who deals with chronic depression. I learned early on in life that nobody is there for you, not really. I know Christians aren’t supposed to feel this way, but if I can be bold to be honest, I am. Often, I just think I’ll get by on my own. If I can’t get by on my own, I often try to put up with it instead of turning to God for help.  But lately I was feeling desperate.

Suffering with depression all of my life, and with managable anxiety, the thought of the approaching Christmas had been especially difficult for me. I know that people are “supposed to” feel uplifted with the holiday, but I was not. To reveal this is a source of shame to me, and I have learned to mask such uneasy feelings, trying to fake it for the sake of showing the world that I really am OK inside. It is like I expect everyone to look at me and say, “What’s the matter with you, loser!”

I knew I could find two things that would appeal to me—Christmas music and lights. Yet the music that I often love could not do it for me. The lovely Christmas lights, shining in the dark of night, didn’t matter either. I was feeling dejected, and I was growing weary with life—again. When not obligated to go anywhere, I felt like hiding from the world, feeling safer from anxious thoughts by myself. And as safe as I tried to feel in my comfort zone, this was frightening to me. This did not feel like living to me.

Is this how I am going to live out the rest of my pitiful life? This was one of my kinder thoughts.

I usually get through Christmas OK, making the best of it, but my losses often feel bigger than my blessings. In 1998, I lost an estranged brother to suicide. In 2005, I lost a father to Alzheimer’s, a few weeks after Christmas. In 2007, my mother had to spend Christmas in a nursing home recovering from major surgery. That year, I struggled through that season with very hopeless feelings, for my mother was in jeopardy of never walking again. She spent almost half a year in that place—a woman with sever scoliosis, and chronic back pain, who cannot stand for very long. In my hopelessness, I seem to forget the miracles in my life, for my mom’s return home seems like one to me.

I also see my father’s experience and death from Alzheimer’s as something far more than a tragedy. For many years, I avoided my father, wanting really nothing to do with him. Grudges surely seem larger than life over time, and although I wanted to forgive my father and seek reconciliation, fear often stood in the way. Even though my dad grew remorseful for how he raised his children, it took my brother’s suicide for me to find forgiveness for a man I thought never supported me or believed in me. For over two years, while my dad was ill and dying, the bond between us grew into something special. I know from personal experience that even in the difficult times, there are larger purposes involved.
  
No doubt, I have been provided with some huge challenges in life. Thankfully, I always pulled through when I surely felt that I would crumble into pieces. I clung to my faith in God, even when that faith felt like dying embers in a fire, for it seemed to be all that I had. Nothing else worked. Nothing else satisfied for very long. And when it did last, I wanted more and more, like a drug addict looking for his next fix.  

I have often been plagued with self doubt. What is my purpose in this life? Why am I here? I knew I was not alone in this thinking, reminding myself that I am not the most unique person in my suffering. So I searched the internet, a convenient source to turn to when you can’t seem to face people, and the world.  

Not wanting to live or value your own life is a horrible state of mind that I would not wish on anybody. I have relied on a depression medication since my brother died, and still do, but there had to be something more to help me. Deep down inside, I did not want to die, but I didn’t know how to live either. The heart of the matter was that in my worst bouts of depression, I was just so broken inside. I survived enough to go through the motions, but I felt like I was losing the battle—and really did not want to win the war anyhow.

I still remember the “God moment” I had when I was in London, England in August of 2011. At that time, life felt like an adventure as I went on my very first overseas trip to Europe. I have yearned to go to Europe since childhood. It was a Sunday morning in London, and a religious program was on. From what one man was saying on TV about his experiences, my ears perked up and I hurriedly scribbled some things down on a pad of my hotel paper before I forget some of his statements that stood out to me.

During my short stay in London, I was experiencing a cold. I wanted to feel Gods presence as I felt the swallowed up feeling of being a stranger in a faraway place. As intruiged as I was,  in the huge, bustling metropolis, I admit I was feeling a bit overwhelmed. I find big cities as places in which people pass others with no concern other than to go about their way. London was fascinating, but I am a suburbanite, for sure!

The things this man was saying on TV really impacted me at the time, and I now carry that scrap of paper around with me in my wallet. Little did I know that a few months later that these statements would help to pull me through from reaching into despair. That despair began a few months after that trip when I was quite sick with the flu, twice in a row, and feeling very isolated and weary.

Sometimes, we have to get into that place where all there is is God.

It is not that I did not believe in God. I did not think God believed in me.

Sometimes, we grow best in hard times.  

All my crooked crutches and phony props, as I call them, weren’t working. If the computer wasn’t taking up much of my free time, television was numbing my senses from the stark reality that life felt empty for me. Where was God? Logically, I knew I had no reason to be bitter, for I knew the answer. I felt so far away from Him, helpless and hopeless—yet I clung to this hope—God never moved at all. I was the one who walked away, but like the prodigal son in the Bible, God would be waiting there for me with a joyful expectation. I truly believe that even though I often wonder how God puts up with me.

It has been a long time—if ever—that I fully trusted in God alone. Yes, I believed in Him, and trusted in Jesus as my savior, but I often held back. I was still so angry and hurt about the past. Why didn’t God rescue me from such a horrible childhood? Why was I bullied in school? Why didn’t I have a better family? Why did loneliness and insecurity plague me as it did? Why wasn’t I beautiful? Why didn’t I have a better life? Why this and why that. Even though I logically knew better, in my hurt and wounded soul, life felt like a big, horrible mistake. God must have not cared about me. I may not have consciously acknowledged it, but my actions proved otherwise.

We live in a world where you got to be stronger, you got to be better; you got to be tougher; you got to be faster; you got to be more successful. The media pounds this into our brains all the time in many different forms. How many of us feel like we can never measure up? I am sure I am not alone in feeling the inadequacy. Yet I could not concentrate on anyone else’s pain when I was so wrapped up in my own.

A rose in the middle of December—I put it all into proper perspective. What a fragile looking thing, but an enduring one! It symbolizes to me the invincible, indelible human soul in the midst of an often perplexing world. When all around seems bleak, when life takes a toll on you, that remains unscathed, untouched by the trails we often have to face.  When we die, I wholeheartedly believe, it will be the only true thing that remains of us. When our bodies decay into dust, our souls will be like that rose, brilliant and beautiful.    

Besides myself, there are two groups of people, near and dear to my heart, which I could compare to that symbolic rose in my garden. My current job is working with special needs students, usually with autistic children and young adults. I worked 19 years in a bland office job, and could not ignore the constant nagging feeling to get the courage and desire up to do something more fulfilling with my life. With fearful, but bold determination I thought: It’s now or never.  Maybe it was not the wisest thing, but it felt so freeing to say to my boss, “I think I quit”, without another job to back me up. I basked in the encouraging applause of many co-workers who wished they had the guts to do the same, but soon the panic set in.

What do I do now? What can I do now?

Never working with children before, I felt a call to work with them, and I absolutely have a greater sense of purpose. Many of these children cannot talk. Many of them cannot walk. Many of them accept people just as they are, for I believe they want the same in return. Their lives teach me what really is important in life—and that is compassion.

Other than children, I also love the elderly, sensing their desperate need for love and compassion. Forcing myself to get my mind off my own troubles, I heeded my pastor’s call to not simply “go to church” but to “be the church”. I knew I had talents. I knew could open my mouth and carry a tune. From what I went through in my life, I knew I had the compassion. After all, I dealt with my dying father in a nursing home. With a nursing home ministry in my church, and a nursing home right across the street, it was obvious—there are others out there that need hope and they need love. So what was my excuse?

In this world that expects you to be stronger, better, tougher, faster or more successful, there are those that live in the world that they don’t fit any of these categories. But yet they are here. They exist. Can they be ignored? The answer is surely, yes, and they often are.  Perhaps, the world is uncomfortable with them, does not know what to do with them. They don’t fit into the false demands for perfection. They don’t fit into push and shove to get ahead of everyone else, but they remind us, sometimes to the point of discomfort, how fragile the human condition often is.  

Lately, I have had such a hunger that food cannot satisfy. I yearned for a peace, one that only God can provide me with. I found two uplifting stories on the internet of people who struggle on and whose lives defy the idea of a perfect world. One of them was about an Australian man, Nick Vujicic, who was born without arms and legs. He was picked on at school because he was perceived as a freak, as someone who did not seem to have any real chance at living a normal life. And he was angry that he did not look like, or function like, most everyone else. At about the age of eight he wanted to end it all, thinking he had no purpose in life. He eventually gave his life to Christ, and now lives a full life, reaching out to others with his incredible story of hope and perseverance.

Another woman, Joni Eareckson Tada, continues to amaze me. She is a quadriplegic from a diving accident gone horribly wrong. Her story touches many people with her hopeful attitude and her amazing faith in Christ. She, too, wanted to die when she thought her life had no more meaning. Recently, she has even fought breast cancer and chronic pain that has added to her decades of struggles with immobility.  She touches so many lives with her honesty about her suffering, giving people hope in times that seem hopeless.            

I wanted what these two people had. No, I did not want their afflictions, but I wanted to be able to reach out to others and touch their hearts, as well.  I wanted that faith, desperately, a faith that will not back down in the face of fear, in serious doubts, deep sadness, and pain. These people had little choice but to turn to God. The alternative was utter bleakness, a lack of purpose, and a slow death. But they defied the odds and etched a life out of faith, helping countless others to endure their struggles and to find meaning in life. There were plenty of times when I did not pray to reach out to a God that I gave my heart to many years ago. I bought into the belief that God was as inadequate and ineffective as I was feeling.    

Sometimes, we have to get into that place where all there is is God.

It is not that I did not believe in God. I did not think God believed in me.

Sometimes, we grow best in hard times.  

With plenty of tears, I cried out to God. It was a gut wrenching cry of someone with nothing to give but a broken heart. I wanted that kind of faith, and I meant that with every fiber of my being. Deep inside, my faith wasn’t gone. It never really left me, but only God had the ability to grow it, to prosper it, and to produce “life” back into my life. The battles might have felt overwhelming, at times, but I have always been a survivor. In spite of heartaches, and from what they actually teach me, I can be an encourager to others. Instead of just wanting to make everything go away, I can look forward to new chapters in my life.  

I know there will still be times when I will struggle to want to face another day, yet with my faith in God, I can.

So a rose growing outside may be not a big deal. Writers and poets have seemingly exhausted the topic, hailing it the most precious of flowers, the most perplex, with such lovely fragility, yet sheltered by stinging thorns. My inspiration to write on the same subject may not be unique, but as a rose blooms, and its glorious petals unfold, so does my story. I admit I hesitated to finish writing this, not sure I wanted to expose these things about my life. It takes a lot of guts to admit how imperfect you are in a world that seems to shun or poke fun at such things. But if I can encourage even one person, who has similar struggles, I will gladly try to be an encouragement.    

For almost a week now, existing in a stark contrast of its surroundings, that little rose remains, cold winter weather and all. Every day since, for about a week now, I continue look for it outside and find it going against the grain.  All the other flowers in my dormant garden are long gone. It will be gone eventually, but I am still enjoying my “God

I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”
There's A Wocket In My Pocket by Dr. Seuss

Getting the fashion industry excited about an event is no plum task. And yet season after season, Anna Sui does it with her thoughtful and fun runway shows. Blame it on her ability to transport her audiences deep into her world full of references that range from Pre-Raphaelites to Diaghilev to disco. (Of course, the retro soundtracks and top models don’t hurt, either.)

Lately, Sui’s been sharing her passion for fashion history with a wider audience by taking on many collabs, the latest of which is with O’Neill, in stores now. Just in time for summer, the designer crafted a selection of swimwear and cover-ups that echo the bohemian mood of her main collection but also target a new kind of customer. We caught up with Sui at her Soho store to reflect on her career, her favorite muses, and texting with Anita Pallenberg.

You’ve been doing more collaborations in general lately—why is it important to you to diversify into these arenas?

Well, there are certain limitations that we have as far as production for what we’re able to do. A great way to overcome that is to work with somebody who has the expertise in that product. So working with Frye, they make the coolest, sturdiest boot that you can imagine, and so I think this is my third time collaborating with them. They’re just dreams to work with. It takes you to another place. And also you learn so much, because we’re so limited as far as resources now that it opens up new avenues. I did the same with the Coach bags and with the luggage with Tumi and now this collection with O’Neill.

How did you get involved with O’Neill?

Our sales manager knew somebody at O’Neill, and she started thinking that it would be such a great pair-up between O’Neill and Anna Sui because O’Neill is very much our girl. They’re very print-oriented and known for their surfer style, but we wanted to incorporate our bohemian style with it. I think that we’ve blended it so well. The clothes are just so dreamy; we were all just oohing and ahhing over these lace pieces.

That perfect white lace dress is a very necessary summer item.

It’s so true. I remember one summer I was looking at Naomi [Campbell] pictures on a yacht on Daily Mail or something, and every day she had the most beautiful, little white baby-doll dress. I thought, Where did she find all those?! But she can just zero in on something, too. That’s always been my dream, to have all those gorgeous white baby-doll dresses.

You have the best references season after season—who was the beachy surfer girl that you looked to for this collab?

We wanted to capture that true bohemian feeling of the ladies of Laurel Canyon: Joni Mitchell, Michelle Phillips, all those girls you put pictures on the wall and are like, “I hope I grow up and look like this.” So what we tried to capture was that dream.

I think fashion in general is really swinging toward the Anna Sui vibe, very bohemian.

It’s exciting. It’s kind of like a new beginning again. We’ve had so much reaction from all the stores and press—it’s like when I first started. It’s got that same feeling. It’s wonderful.

How do you define who your customer is and continue to change and grow with her over the years?

I think that somewhere I never grew up, and it’s still that same dream as when I was looking at the pictures of Michelle Phillips. It’s still always that same thing, and no matter where I go with the collection, Vikings or Pre-Raphaelites, there’s still that bohemian girl there. That was always my ideal. As much as I try to veer away from it, there are always a couple of those Michelle Phillips and Joni Mitchells in the collection. Through every collection you can find them.

So what’s the secret to staying young forever then?

I think loving what you do. You can’t ask for more. This is what I wanted to do since I was 4 years old, and just the fact that I’m able to do it and do it globally—I work in Japan and I work in Europe and I work in New York—it’s kind of a dream. It’s a lot of hard work and I’m very, very dedicated to it. I do a lot of sacrificing of other things, but it’s what I’ve always wanted.

As someone who’s been in the business for so long, how do you stay inspired and not get worn out or jaded?

One of the things that I love the most is research—learning new things and exploring new things. That’s what I do when I work on a collection: I find something that sparks my interest and then I’m obsessed with and I just go into it. It’s like going into the rabbit hole. Then all of a sudden you find out all these other things because one thing leads to another. Like when I did the Ballets Russes collection [Fall 2011], I saw that beautiful Diaghilev exhibit at the V&A; and I thought, OK, now I can be inspired by those Léon Bakst drawings. I remember one of the Ormsby Gore sisters was telling me that the way they started wearing vintage was because of a sale of the Ballets Russes costumes in, like, 1968. They couldn’t afford the principal costumes, but they could afford the costumes of the Sugar Plum Fairies, all these crushed velvets. So they started wearing them on the street, and all of a sudden the Beatles and the Stones and everybody else started following what they were doing. Well, don’t you know, in the Diaghilev exhibit, there was a film of that auction. I was just like, “Oh, my God.” That’s what sparked that whole thing where everyone was looking romantic and medieval. I love finding that connection. That makes my day—that makes my season when I find that out.

Do you feel like it’s harder or easier today to communicate that to your customer? I feel like with the pressures to make Instagrammable moments, it’s become very hard to get people excited about the history of fashion.

There are so many levels in what I do. Somebody like Tim [Blanks] will get the really intricate things, but then the obvious things will be the things that people talk about the most. I always try to bring it all back, make it current, and tie it in to something that’s happening in our pop culture, like the Viking thing. It’s really true—I was watching [the History channel TV series] and I got that idea. It wasn’t an intellectual idea, but that’s really how it happened. I think that you have to put it on different levels.

Is there one specific era or muse you feel like is the most Anna Sui?

My biggest idols are Anita Pallenberg and Keith Richards. So at the end of the day, it’s always like: Is there something that Anita would wear? Is there something that Keith would wear? Is it cool enough for them? And then I usually send Anita an image and say, “This is the outfit that I did for you.”Read more here:marieaustralia.com | www.marieaustralia.com/evening-dresses

Tribute to my childhood hero
Joni Mitchell

The album covers beaten
The player old and worn
The needle barely tracking
From all the scratches borne
Upon the vinyl surfaces
Of albums that were stored
Unlocking wonderous worlds
Of music I adored

I would lie in cloistered darkness
To hear a voice so sweet
There I'd usher in the nighttime
To worship at her feet
Struck by earthy lyrics
But somewhat strange
Unearthly tunes
To trace with disconnected fingers
The most sensitive of wounds

How sad that good songs
Unsung heroes
Like "Morning Morgantown"
Wouldn't live forever
To "buy your dreams a dollar down"

Recall "Big Yellow Taxi"?
You can rest assured I do!
And "Ladies of the Canyon"
And her epic album "Blue"
Most folks recall a song
Entitled "Both Sides Now"
'Bout clouds and love and life
But they do not know
Her poetic expression
Unearthed deep jazzy riffs
Elitism. Hypocrisy.
And "Summer Lawns" that "Hissed"

At the pinnacle of greatness
Her album "Court and Spark"
Will always be a touchstone
For purity in art

A deeply troubled woman
At certain times in life
Loving truely... deeply
In the "Industry" meant strife

A versatile genius
Her lyrics resonate
Fot the very thing that scarred her
Also made her great

---

At times I'd sit and ponder
A self-inflicted crime
But I would postpone the act
To hear her one last time
Her songs touched me so deeply
Places only she could know
With her voice to guide me
I found a place to go
She became my inspiration
My metaphor. My muse.
Joni Mitchell told my heart
To write of its abuse

I aspire to higher standards
A perfection as it were
And should my work be recognized
I owe it all to her.
Though endlessly I search
For perfect sense of art
It's brought on by

INPERFECTION

But a kind and loving heart.

What I saw in her self portrait
Was a humble, gentle face
She was the greatest mentor

a human life could grace


SoulSurvivor
(C) 10/14/2014
Rewritten
(C) 7/17/2015

The 3 toed sloth
Rhymes with goth
Or is it oath

Moves slowly

Sometimes algae grows on his head
Joni Mitchell didn't mean him when she said

Wild things run fast
3 toed sloth, he'd come last

Once a week he climbs down from his tree
And that's to have a poo and ***

Now sloths get amorous
But *** is tricky up a tree
He moves too quick, he's not used to it
And hits the ground involuntarily

Randy broke his arm
Kind people fixed it with titanium

He resumes his slothful days
But now he's more careful with his loving ways

Here are the names of my lovers,
The women I sleep with, whom
I use, like they use me.
Spent, they discard me, for when their pleasure needs
Satiated, they climb aboard another man.

What they do not know,
Is that in my mind, in my ears,
everywhere,
I did not let them, or you go,
We are still romping,
For I
Take them as needed.

I need them all,
For my pleasure needs, like my unshaped heart,
Addictive, endless.

If your is name is here, I do not
Apologize.

Pink
Adele
Lilly Allen
Anna Nalick
Bess Rogers
Beyonce
Brandi Carlisle
Cat Power
Colbie Callait
Duffy
Eva Cassidy
Evanescence
Alison Sudol
Fiona Apple
Florence Welch
Grace Potter
Ingrid Michaelson
You
Joni Mitchell
K.D. Lang
Kate Nash
Kate Voegele
Leona Lewis
Lizz Wright
Madeline Peyroux
Marie Digby
Mary Wells
Norah Jones
Regina Spektor
Sara Bareilles
You
Sara Haze
Taylor Swift and Tracy Chapman
Tristan Prettyman
Vanessa Carlton

So many others, used so long ago, I can't remember the faces,
Which can't be googled.

Use them hard, use them often, more than daily.
Bluntly, I tell you
Your name is on my list,
Even if I do not disclose it.

The three toed sloth
Rhymes with goth
Or is it oath

Moves slowly

Sometimes algae grows on his head
Joni Mitchell didn't mean him
when she said

Wild things run fast
Randy, three toed sloth,
he'd come last

Once a week he climbs down from his tree
And that's to have a poo
and ***

Now even sloths get amorous
But *** is tricky up a tree
He moves too quick, he's not used to it
And hits the ground involuntarily

Randy broke his arm
Some people fixed it
with titanium

So he can resume his slothful days
But he's more careful now
in his loving ways

I want to talk to you.
Driving over a fresh carpet of snow, this is a mix of belting Joni Mitchell
and shouting ****!! as I say a quick prayer
and slam on the brake.
Being an individual today.
Having an imagination today,
that took me so close to you that
it scared me.
I want to talk to you.
Today I described to somebody
the way you dance.
Laughing, I described to somebody else
how you make me smile
and to the same person
how ridiculous this is.
Girl I need an instruction manual to handle you.
I want to talk to you for no good reason other than that I do.
Today I worried and I clawed at my face
and a donation box outside of a Starbucks made me think of you and soften my eyes.
Easy
frightening
a little bit out of control
My legs felt weak in the shower today after months of flying me over to you.
I will give them a rest for a while.
I want to talk to you.
I climbed up a poem as if completely vertical while I was waiting.
It ******. It was hard.
Kiss me.
(I'm sorry, that was rather forward.)
You are a deep bass note hitting hard in the back of my ribs.
I will chase you down a side street, tripping on bricks,
Soaking in the rich autumnal breeze,
mouth aching from smiling too long,
and after I catch my breath from laughing
maybe I might
--not saying anything concrete--
kiss you.
But all I ask of you tonight,
all I can earnestly implore with a distant vision of clutching your hand
is that we talk.

I used to think that all of them were just bodies. She-figures, they came and went, facilitating infinite happiness and following with hellacious heartbreak, aorta explosions galore. They pass. I stay. She goes. I remain. We all take a trip, but she falls asleep while I follow the road, I sing the song, make the lyrics up as the 101 heads West, and I careen against the Pacific. I see silvery-white plumes of whale breaths spouting, they break the rocks of my rock and roll. When the levee breaks, we'll have no place to go- I'm going back to Chicago.

California. Line 5. Verse 1. She is born in Arkansas, in Denver, in New York City, in the back of a taxi cab, her parents waiting for a table at Earth Cafe, 1989. There are concerts, balconies, elevator shafts, and on benches. The gain rises, the volume up and up and up, I offer her a cigarette, I ask her if she likes my dress, I show up with two palms full of a flame, and I say hello. Browsing in high-definition, the water is warm, my feet are planted and I have everywhere to go. Classical emporium of light fill me with ease, greatness, and belief. She asks me if I'm gay. Every great confusion can be proven to be fortuitous with enough time on hand. I kiss in cars, in bathrooms, and barrooms, in hallways, on staircases, on beds, church steps, and legs. I touched a leg, ran my fingers through her hair, my thumbs curved to the height of two ears alongside a size B head. I love art *****. i burn candles, and I swirl the wax around until the walls wear masks of white. I check-in to a hotel. I stop to buy wild flowers on the side of the road, or to climb down a ravine, we open a page into an enormous patch of strawberries, wind-surfers, and the golden Palo Alto beaches. I am in Bronzeville, on my way to Bridgeport, I am riding the train, browsing magazines, and singing new songs in my head. My lips are wet with excitement and the musings of the Modern Art Museum and the gift of a first kiss; behind the statue on Balcony 2, near the drinking fountain, the Eames couch, and two lips meeting anew. Bravery in twos.

Chapter 1, Verse 2. The chorus is large and exciting. New plastic shining coats. Smocks patterned with the Random House children's stories that we played with as children. We didn't wear gloves, or hats, or pants, or our hearts on our sleeves. I was up to my knees in hormones and very persuasive. My fifth birthday was at the Nature Center, you chased me into the boys' bathroom and kissed me with your wet and four year old lips in the second stall from the door. I eased up maybe 2% since then. The speakers are a little bit fuzzy, it's like listening to the spit of someone's tongue cascade the roof of their mouth while they pronounce the British consonants of the 90s. Said and done and saving space.

I am saving up for Grace. A crush in the mid 2000s, black hair, long legs, and the only brunette for a decade before or after. We played doctor, with the electric scalpel we turned our noses red with Christmas time South American powders. A safe word for an enemy, the sun for an enemy too. You bolted out and took my early Jimi Hendrix Best Of compact disc case too. While we're at it, you took my Michael Jackson cassettes as well. I go mid-range, think Kiri Te Kanawa in the whispers of E.T.'s Elliot. Stuffed-animal closet party for seven minutes in heaven. Your family came with butlers while mine came with over-educated storage. A blue borage sky in the intestines of life, a splinter in the shanty-town of invincible daily struggles- both of us were born again in O'Hare Airport's Parking Level D. Too many nonsensical arguments in two-tone grayscale ripping open the packaging of a course about trysting in your twenties.

Your stomach's history is overpowering. It is temperamental, mettled by spirits and sleepless nights, borborygmus, wambles, and shades of nervousness you were never comfortable speaking openly about. The history of your ****** was privatized, in options and unedited films shot over and over candidly by a mini DV desk camera, nine months to read you wrong to weep in strong wintry walks back and forth from The Buckingham to the Dwight Lofts, Room 408 without a view. All of your secrets in a little miniature of a notebook, bright cerise red. You captured teardrops in medicinal jars meant for syringes. You tied strings to your fingers, named your field mouse Ginger, and introduced your mother as Lady Darling. Captain with stingray skin, the hide of Ferris Bueller with the coattails of James Bond, dusted with daisy pollen, and clearly weakness. You ate me like bitter herbs on Thursdays, and like every other woman I've ever met, on Tuesdays you always kept me waiting.

I have wings for everything. Yellow wings for a woman in a yellow dress, Red, White, and Green wings for Bernice from Mexico City, Purple wings for  Mrs. Doolittle the doctor who worked at Taco Bell, the Jamaican priestess who was traveling through Venice Italy- we smoked hash with the grandchild of James Joyce on the Northern pier against the aurulent statues of Apollo and Zeus, Cupids' collection of malevolent tricks, SleepingB Beauty's rebuttal in fending off GHB attackers, my two dear friends who were kidnapped in clothes, abandoned in the ****, and only remember eating chocolate donuts with sprinkles and the bruises and dirt on the insides of their thighs. Nothing clever. Nothing extraordinary. Everything sentimental, built to withstand soot, sourness, and early female bravado.

You know how to play the piano so you've said, but i only have the CD you gave me to prove it. I do have evidence of your addiction to men and *******. I have your collection of dresses with tags still on them (but every woman has some of those), there is the post office box in Kauai, the Halloween card from last November and the two videos I have stored on an external drive in a nightstand adjacent to the foot of my bed. You sleep atrociously, talk too quickly, and **** like your father abandoned you when you were five. Your talent for taking photographs is like your skill-set for playing the piano, but I don't have the CD to prove it. You don't believe in social media, social consistency, friendships, or hephalumps and woozels- with the exception of the classes we shared together in college, I've never seen you outside of the most glamorous of fashion. You hate flats, hats, and white wine, and for as sad as you can seem to be at times, I've only had you cry on me once. While we were on the phone, three days after your mother hung herself. That's when I last left California, and I haven't been back yet.

I love a Kristine, but once a Britni, a Brandi, a Joni, a Tina, Kristina, Kirsten, Kristen, and a Katherine and Kathryn too. I know rock stars who are my dearest friends, enemies who I share excellent taste in music with, and parents who've always had my back but show it in lashings of the tongue and of the belt. It's been two years and three states since I was two sizes smaller than I am now. I've never considered the possibility that I was the main character and not the supporting actor, but due to recent developments in antipathy and aesthete, reevaluation, and retrospective nostalgia. All of this is about to change.

I am me still evolving without my usually stolid and grim ****** features. i bare brevity to situations existing that would **** most or in the least paralyze a great many. There is one for every hour of every day, and one for every minute in every hour, second in every minute, and more than the minutes in every day. No one has a second chance, shares a different time, or works off a different clock. I have been called the master of the analog, king of the codependent, and rook to queenside knight. I share a parabola for every encounter, experience, and endeavor. I am three minutes from being a cadaver, one drink away from a drunk, and one thought away from being completely alone. I think upright, i sleep horizontally, and I love infinitely. I am the only finite constant i have ever known. I am the main character, the script, satire, sarcasm, and soundtrack are mine.

"I don’t care if you believe it. That’s the kind of house I live in. And I hope we never leave it.”

The Joni (Mitchell) Collection


https://hellopoetry.com/poem/1692219/a-case-of-you-joni-first-datelast-date/


https://hellopoetry.com/poem/957041/write-like-joni/


https://hellopoetry.com/poem/2185836/still-be-on-my-feat-for-joni/

on account of you:

she says: do you know you often smile when, day dream dozing?

me says: on account of you

she says: c’mon sweet talking man, ain’t gonna fall for that hooey!

me says: hooey, phooey, on account of you

she says: nah, you writing poetry, no fooling me no more!

me says: on account of you

she says: I bet you got one of your girl friends singing to you, through
those wireless earbuds, doncha? who is it this time? a Sara or Joni?

me says: on account of you.

she says: you think big shot, you can multitask b.s. me? doing three things
at the same time!

me says: on account of you

she says: on account of you, I’m seriously ******, you don’t tell me anymore
sweet lies and alibis, probably writing an ode to one of your poetry gf babes!

me says: on account of you, can’t count no more, how many love poems in my lifetime written, and this one too, going out to you, charged to my tab, you babe,
are my account, my accountant, my accounting....

JIMMY large nose natural hipster totally informed clever funny sincere yet aloof

JOEY tall tan lanky physique long thick brown hair in braid striking good looks yet self-unaware

SHANNON athletic build attractive brunette accomplished poet so good she doesn’t need to prove it emotional sensitive tough

ANNE Joni Mitchell good looks bohemian self-effacing impulsive submissive *****

ACT 1 scene 1

a deserted chic indie reception area somewhere present 8:30 PM

JIMMY (singling out Anne) you’re so beautiful i want you so bad

ANNE oh yeah you’re sweet to say that

JIMMY i mean it you symbolize hope inspiration in me

ANNE hope? oh god

Anne looks away runs fingers through her hair

JIMMY hear that song over the speakers?

ANNE yeah

JIMMY it’s “Home” Edward Sharpe and the Magnetic Zeroes very cool check out rough trade east version on youtube

ANNE yeah right

Anne blows air out her nose looks away in Shannon’s direction

SHANNON (singling out Joey) do you read?

JOEY yeah some

SHANNON what are you currently reading?

JOEY uh a text about economic international relations

SHANNON hmmm interesting do you ever read literature or poetry?

JOEY nah not much

SHANNON like movies?

JOEY yeah sure some

SHANNON what’s you’re favorite movies?

JOEY “The Devil Wore Prada” “Eddie” “I’m Not There” i don’t know there are tons of movies i enjoy

SHANNON interesting

JOEY i need to ask Jimmy something excuse me

Joey walks across area to Jimmy

JOEY that western shirt looks so cool on you

JIMMY thanks yeah it’s a hip shirt what up dude?

JOEY oh god Shannon is hitting on me she’s way too full of herself way too available

JIMMY hmmm nice toned body bet she’s a tiger in the hay

JOEY not interested

JIMMY me neither but i could be persuaded honestly i’m blown away with Anne

Anne approaches Shannon

ANNE Jimmy is a conceited **** he thinks he’s so cool Shannon you look so beautiful this evening your hair complexion

SHANNON funny I felt so blah all day what did Jimmy say to you? he’s not my type but not so bad if only he had Joey’s looks Joey’s shy sweetness look at Joey over there his eyes lips he’s so **** I think I’m falling in love and yet i recognize falling in love requires a huge territory of untried tolerance

Anne’s fingers stealthily pocket Shannon’s tortoise-shell comb while Shannon observes Joey fawning over Jimmie across room

ACT 2

refer to ACT 1 scene 1

Could have been a rockstar up there on choctaw ridge,
tallahatchie bridge, but just a song that flew so long back then.

pen a line and you're flying
or dying for to pen one more,

I could be her with the hair in my face
or me with myself out of place
could pump iron or jump
either way I am flying.

Choctaw was just a bridge too far
and they made a film of that.

WOODSTOCK


They came from The South, The North and The West Coast
450,000 together for peace and music, half a million at most

Richie Havens inspired all while singing his "Freedom" song
Country Joe McDonald dropped "F" bombs his whole set long

Carlos Santana amazed us, as he gave all and sacrificed his soul
Arlo Guthrie with Woody's ****, packed his pipe and smoked a bowl

Canned Heat and The Bear asked us to work together united stand
Levon Helm pounded skins and sang "The Weight" with The Band

Joe Cocker warned us more than once that he might sing out of tune
One after the other, CSNY, Alvin Lee, Sha Na Na midnight 'til noon

Janis gave a piece of her heart along with a "Ball and Chain"
Jefferson Airplane sang about Alice out in the pouring rain

The Fogerty's sang about where they were born and two girls one proud
And for the life of me I can't figure out why The Who played to this crowd

Jimi capped it off with The National Anthem and "Purple Haze"
the perfect ending to four long daze of rock and roll blaze

So if your travels take you to New York Up State
Stop at Bethel Wood, the place where Rock History was written in Slate

"1969, when music was grooved in vinyl and carved in Rock"


inspired by the song "Woodstock"
written by Joni Mitchell

she sings soft and sweet
as sunlight shines through her soul
sorrow's shadow shifts

huis clos|no exit

for Verlie Burroughs


https://hellopoetry.com/poem/2187204/all-ive-learned-from-love-for-leonard/

https://hellopoetry.com/poem/2185836/still-be-on-my-feat-for-joni/

https://hellopoetry.com/poem/2190030/where-the-light-iswhen-i-find-it-john/

nobody gives a ****
about poetry
or books
charles bukowski
or siddhartha
nobody gives a ****
about the universe
or extra terrestrials
carl sagan
or that we are stardust
nobody gives a ****
about Led Zeppelin
or Pink Floyd
Joni Mitchell
or Nirvana
nobody gives a ****
except for me

She came from a childhood of magic
of scrap metal bubbles and a love of Christmas
a father whom was often gone but never forgotten and never unloved
a mother whom tried for her little girl but ended up lost in the bottle to wash the world away
born in the small world that was Dogdeville, 1947
but being whisked away to Madison, a bigger better place
of sound public education and endless Indian trails along the deep blue lake
She grew with independence and an inevitable book under her arm, for that was what she knew
{a latch-key-kid from age five up}
pouring her heart into the creation of stories and poems
filling her mind with the worlds of great authors
'the classics'  
a seven year old to afraid to share the depth of her written word
speaking to a class with heads down on their desks for she feared the thoughts in their eyes
her last word greeted by the great applause that brought her to love writing
love books
love English {her never ending favourite class}
She grew with words as her protection
and friends who understood her strange imagination
learning to drive in her boyfriends truck
his head between his legs in fear
leaving school a credit short when a fun night turned into a little baby
growing inside her young body
{in those days you couldn't go to high school an unmarried pregnant teen, you just couldn't}
17 at Martha Washington Home for ***** Mothers
her graduating was thanks to English {as many things in her life are}
a caring teacher who stood up for a scared young girl
we still haven't found were Nadine is {the little baby that grew inside her}
that next year she started college
a freshman in a class of thousands
University of Wisconsin Madison
hiding away in her studies
{creative writing}
over sized glasses and frilly wild hair
once again she graduated and
She was off
leaving Wisconsin in the dust
out to California {her land of dreams}
gate 6 and the shifting mass of house boats
raising three boys on 36 by 8 feet of bobbing wood {in the shape of a football}
my two uncles 'The crash and burn brothers' and my father 'baby poops a lot, batteries not included'
walking day after day to the Bait Shop Market for black coffee
and the feeling of being alive
She came to age in the craze of the 60's
continued to grow through the fight of the 70's
remembers the blue romper in high school gym when Kennedy was shot
marching with students on the streets when Martin Luther King went down
listening to Bob Dylan
'The Times They Are a-Changin' through it all
{The line it is drawn
The curse it is cast
The slow one now
Will later be fast
As the present now
Will later be past
The order is
Rapidly fadin'
And the first one now
Will later be last
For the times they are a-changin'.}
her friends shared hatred of government as Nixon came and went {she never would have voted for him. Not in a million years}
the draft of their friends
going to a land that they all knew they wouldn't return from {far away from those they loved}
She became to personally know Melba Pattilo-Beals as they worked together
editing 'Warriors Don't Cry' {the story of a young black girl going to white school}
in a society run by the music
Peter Paul & Mary
Bob Dylan
The Beatles
Janis Joplin
Jimmy Hendrix
The Rolling Stones
Crosby Stills & Nash
The Who
The BeeGees
The Grateful Dead
Rod Stewart
Joni Mitchell
Joan Baez
Country Joe and The Fish
run on the beat
the lyrics
the melody
the overwhelming need to be
different
through the 50's
60's
70's
80's
90's
The Hippie Movement
Vietnam
Kennedy
Nixon
Through raising three boys
two university degrees {UWMadion's creative writing and law}
second one while raising me
Through all of that and so much more
she was lived
seeing the world through the eyes of a writer
a child
a teen
a mother
a grandmother
an editor
a lawyer
a women
She is the reason I am living
and she gave me the love of writing
and the love of the world.

three of four funerals
gun collection, gun
long narrow boxes in the trunk of my first car

Dad’s dad, Bergen-Belsen, babbling
Dad’s mom, floorboards
Mom’s dad, collectibles
Mom’s mom, alcoholic

obituaries, guns, boxes, garages
adults, guns, St. Peter, Joni

Dad’s dad, lessons, dreams
Dad’s mom, cabbage recipe
Mom’s dad, extra hugs
Mom’s mom, low blows

memories, value, months
A pawn shop good rate
moral boundaries:
kids on the street, no parents

alien
and
surreal
like
picking the ripest mango,
slow dancing under the brightest stars,
lighting candles in the backyard,
tiptoeing on creaky wood floors,
searching for ghosts in old white houses,
staring at the sun too long,
running down empty roads in the middle of the night,
smiling at the most inappropriate times,
swimming with the moon,
finding someone else’s eyes in a crowded room,
empty rocking chairs,
bellyaching laughs,
aviator sunglasses,
twenty hour car rides,
endless stretch of field
and the best of joni mitchell

your mind
is in a punch bowl
floating,
drunk and dizzy
and
as light as a balloon

your heart,
is licking old wounds
and tearing off ****** bandages,
ready for war once again

your mind blows a fuse
and there’s an earthquake in your chest
that little solider in there
no matter how broken and depressed
always seems to know
exactly what is best

I write such pretty words
About the ones I've sort of loved
I used to think I'd be like Joni Mitchell
And love all the beautiful men
With their beautiful voices
And their beautiful souls
I've gotta get me a singer in the park, dancer in the dark
A ***** word thief to mirror my own heart
Funny how life goes exactly how you don't plan it
Or if you were prepared for that
It will go according to plan but taste like splenda
Sticky, fakesweet
Me, I'm riding steady on the latter
Sometimes getting sadder
And barring that time when I was sixteen
All the loving never felt like love
Not all the way
I don't mean to degrade those salty days
I've got a headful of memories that I'd never trade
I don't know what I'm thinking when I say the love I make could be better
Maybe because I've never been made stupid, never really been played
Which is to say that I've never actually gone all the way
Never settled or sacrificed anything I couldn't get back
Most of me is always tucked away
Escaping only in blinding bursts that leave everyone involved a little scared
I don't remember how to temper myself
In relation to anyone else
But I remember every time I've realized that something wasn't what I wanted
I'm **** good at falling out of it
And writing lots of stupid poems about it
I've watched too many people rip each other apart with it
Felt it start to rip at me
Of course I'll never let that happen
I'm the first to advocate divorce
But some days I get really worried that I'm not capable of anything more
It's not that I'm broken
I just have really,
Really
Good boundaries
Maybe I'm lying, scared and selfish
Going against my own mind
I know I've felt bliss
Once I felt infinite
But that was a different me, all soft and made of clay
This me, pushing out these particular words, well
I've never been in love
I'm always a little bit in love