(0)
Fly perfectly straight and high, and show the fly
out of the fly-bottle on your way.
Rise to victory, far above the blue sky,
and reap the reward: the opening of paradise!

The road ahead is clear and open this way,
with things small and big growing and disappearing up this way.
You will see sunrises and sunsets waxing and waning,
with mention of the moon and stars in the dark.
Be mindful as you sway, it's got to be laser-sharp.
There is no hard shoulder on this highway,
miss it by an inch and risk losing everything forever!

There is hope, there is light up high
pick up your paintbrush, just like the sun does
goodness knows how it sneaks in, right in the black
canvas of the night, painting the first light
lo, it shows up in heaven, the candle of the daylight.

As long as there is a man and a woman,
never give up, our canary bird can fly
rosy or not, the nest in every morn nets a sunrise!

(1)
A woman indeed plucks up the courage
she never had to look up to the stars
be it for the guide or the light in the night.
Fathima herself was the full Moon every night
is thanks to her Godsent innate light.

With it, she can bask in the full spread of the pi
on top of its short decimals mounting high
constantly as if countless stars in the sky.

The time and space under the sun
and that under Fathima's light
are far apart from each other
yet they coexist side by side.

As she points out,
"A circle is masculine
while pi is feminine."

Pi forms the circle with fine prints,
decimal dots continue to spring,
sprawling trillions of new digits,
the bandwagon is still increasing.
Connecting the dots is an untouched dream.

The full moon pi picture is veiled,
unseen at large, yet in short, 3.145 it can live!

(2)
Fathima flies her lock of hair
in the lurking air of the transcended pi
the primitive feminine does that,
no wonder she is God's secret feminine opus!
An immeasurable black hole lies in between
the short and transcended pi, running like a river,
dancing anew on every riverbank
in the many curls of Fathima's jet black hair.

She lent out a hair to the planet earth
and crossed over like a silhouette
without spilling out the colour
of the transcended end of the pi.
The earth takes it in the core in her heart
as if it would keepsake it forever.

Weaving the pi in Fathima embeds two hairs ties one
perfect circle at the back and one at the front of the universe.
Inside each hair the earth is finest fluid in the core
none is as deep as high as proportionate a perfect flow.
No time is as revealing no music is as sweet in this orb
no force is as mighty nor as prevailing a true giant
causing gravity and the heat at the earth's core.
Matter and spirit mix free in the play both wax lyrical
thanks to the pure resonance of 'Qun Be' the word of God!

(3)
The way to the earth's core is exposed to none other
save the Angel of Death the lucky one.

See both sides of the one lofty sky swathed in countless stars  
but the day and night render through still remains an unseen one  
Terra is shalet zeroed in Fathima is heaven on earth!  
Up in the sky-high bank turning the starry bowl upside down
Fathima took no star nor a pearl diving deep down the Arab water,
the brightest luminary came after Muhammad (PBUH),
in veil from the Night of Measures and into the flipside in the night
she's gone without lifting the veil but left her penetrating mark.

Few could find the shortcut contemplating on a blank canvas
the Moon looks down into the abyss down the sea eyes on far
for a mirror in the bottom on the as above so below matter
since Godsent Fathima touched on the all-inclusive primitive water.
The sun gets caught up in the very water dew she raised in the sky
the ancient fold of time still unfurls with the sun-kissed flowers
for the new hands yet the fingerprint on the sun remains only her!

Azrael heads to Fathima around the year 632 after death
touches down in Medina on his usual thin earth he steps.  
But this time a little mundane dust couldn't be thicker
he keeps descending deep down to the earth's centre
following from Medina but the angel locates her
inside the perfect circle a closed geometric figure.

(4)
Fathima is the female headline her secret is not all known
when she used to visit the Prophet Muhammad (PBUH)
he would stand up for her hold her hand and kiss it
and seat her on his seat, she would do the same to the prophet
when he would visit her like they did know each other
in and outside the spheres of heaven and earth!

She is the embodiment of the infinite feminine variations
the first spiritual woman created following God's word Qun.
Her is the mother tongue of the ever diversified feminine lingua
no one woman on her own can rhyme with her alone
she has no peer her rhetoric is unique like none other.
The galactic run from planet to planet up on the starry ladder
climbing high up the mountain heaven yet streams out like oval
off their rock bottom stone until that unleashes the final run
in perfect circle delving into the rhythm of the loop at the centre
made of Fathima's hair charged by 'Qun' God's uncreated word.  

Prophet David can sing on the bank of the river
and can see the fish are jumping to him out of the water.
The masculine is open form, eye on everywhere,
but not her the woman is in juxtaposition her
all-inclusive schema supplanting the details rest only on her.
She is the unseen world within the world at best imagine her!
Guess, through this inwardly open door who might disappear?
It's nature before the scientist on ultimate discovery of the matter!  

Aligning with her down the rainbow up high the land absorbs
the grooming sky looking on the running rivers within her.
Her words spread through like the smart cloud that flies far
over the lands and valleys but not even the wind none other
gets a sniff of the potion and melody it caries until that rain down
without a hurdle without a visual she moves on at the target
such a soul needs no after death lift from the angel of death.

Before Azrael Fathima loses an arc of the circle then and there
so not the earth but giant Azrael can take the pressure!
Marked by a fluid discharge since then she is cooling this fire
In Shaa Allah God willing when she ajars it, it will be elixir!  

(5)
Draw a straight line, but it won't be perfect
it keeps bending, fly straight touching the sky
the flight path won't look like a straight line
it would be like the crest of a crescent moon
like curve touched the sky, like climbing up
atop the pyramid is not going high straight on
it goes up from the widespread seked slopes.

Moves in golden ration 1.618 not the full two
and gets the designing formula flawlessly full
micro to macro all levels all the way to the true north!    

Fathima being the original feminine eyeing at her
she can tap in the knowhow of naturally feminine nature.
And discovers the immanent pattern - the world
is pre-designed and measured is never a coincidence.
The creatures' creativity, scientist's science
is to follow, discover working formulas like phi and pi.

Play along it works until an unknown hour strikes
comes with accurate knowledge dead on time
numerically correct never miss taking a life away
as if it was calculated beforehand before the birth.
A newborn is born for a limited time
already set but no one knows when it goes up  
is a deadlock clock but it isn't so shrouded
in the blueprint of the creatures' grand design
there the clock ticks safe and sounds it never dies!  

(6)
Fathima hailing from the other side of the pool
eyes on the ever live pre-design side of the creation!
Then its corporeal face was only a water drop,
the primitive one looks see-through it has dead zero
knowledge of its lively other side of the pool.
She comes closer and perfectly mirrors both sides
that shines through on her reflected face on the water.
An absolute new image that livens up the dead part
Bang - Big Bang! The corporeal world gets the spark
explodes out from the very first drop of the water!

Fathima's appearance was miraculously instrumental
God reveals nature the finite and infinite, 0 and 1,
future in the present and the death and life in play!
Nature follows suit it just saw the perfect role model
banged out but only to its corporeal set
it aspires to be with its infinite reality yet!

Fathima leaves the door open constructing a perfect circle,
hardly straight, took the mixed bag of countless variations
she zooms into the abyss irrational portion of the first matter,
the primitive water drop and aces the circle with her hair
that nothing can equate throughout the corporeal world.
Done the math discovering the zero starting point at the bottom.
The ocean of digit numbers, the DNA of all things material
banged out of it, still, the zero is numberless irrational!

(7)
All things, within oneself and in a set constantly vibrate,
strive to align with the enduring reality of itself.
The atom vibrates to reach out to its immortal portion
that doesn't die and is in the know of its lower base.
The planets are in a defined circular orbit, accurately measured
just the apex on top of their dynamic pyramid the pyramidon
is tucked away; they too have an irrational portion in the circle.

With the finest spin, they zoom in the spacious universe,
in part and like the sun outside the constellations round they go
never miss a target line yet to re-discover Fathima's perfect circle
the origin of their digital essences' breakthrough
the door to their transcended destination de jour.
Lo the matter turns the last stone pulsing across the cosmos
the mortal horizontal spread, the spirit returns home.

The earth has a line in its swansong it has a place in paradise
it's not here to stay for good neither to perish forever!

Matters form and break without losing the rope,
it's not to paint the shades of the eternal blue
but to ace an irrational portion in the circle
at the heart of the earth, as above, so below.  
The deep the high the perfect circle
up and down the centre of gravitation for all!

At even and at odd the vibration within the matter is fluid
somewhere is parched there the arch matter must make a splash.
Far away on that dark beach, the full-fledged sea of the matters
outpours its billowy potion with the Moon on the frontline
from deep within the physical world's most glowed up firefly!

(8)
The seven seas swell up smoothly into the moonlight-dip
oh, the waterless Moon at the core is still fasting.
Led by time the sweet swan punting along the waves
streams down the watery inner circle of the planets.
Until stuck in the Moon no water in the last waterfront
but paradise is on the other side of the pool!  

The sun dips away into the night
while the eve baths in the shades of pink and gold,
the dazzling hues soon turn to taupe.
Drawing down painting the picture in full colour
only to find the time is up on the halfway,
yet to print a colour copy of the night!
The other unseen half is passed down to the Moon
tiptoeing in slow motion in the depths of the night
barely keeping the head afloat in a fathomless ocean
of shades of black hails from where knows no one.  

The sun enkindles the moon half-lit keeping itself away
amid shadows as if comparing the shades now it knows
a Mehrem a veiled female is ahead not to look on or
compared to that the sun has no light or true are both.

Wrapped in the eternal night beneath its black mole
once the moon on the front approaching most close
directly down to the centre of the earth eyes on
over that inlaid string hairy black perfect circle
never did it turn back the same gaze is still on
orbiting around the earth in synchronous rotation.

(9)
The never-ending night is becoming a night indeed
it's coming to an end so soon in our time.
In Shaa Allah I will see it with my eyes before I die
in the Night of Measures in an odd night in Ramadan
Fathima from the transcendental end of irrational heart
will turn on top of the curve opening for the first time
a 9-degree angle in the circle at the centre of the earth.

Instantly the leading force, time will get the first sniff
of the other world, so peaceful heart-melting serene.
Rapturous time feeling an ounce of the enduring peace
for the first time cutting all the corners with ease
will be propelled into its yet uncharted golden mean.
Scurrying to the peaceful abode time will be on its wings
across the globe, people will be stunned seeing
how first the times pass from then on incredibly quick!

Fathima, the first spiritual woman on duty, will start
pulling her hair back off the circle at the centre
Juxtaposed in between the worlds of here and hereafter.
She will take back every inch of it, the heavenly bodies
will feel the pinch of her every little subtle pull
that too is a boon helping them perfect their circle.

(10)
Soon she opens it just 9-degree wide at first
the Moon will see a glimpse of the first drop of water.
Without it, it's living perched without the water of life
that's destined to rain down soon and the Moon
back into its original pond shall revive!
Mapping the pi's whole infinitesimals playground
finally, Fathima will turn the circle upside down
on the dot the stunned sun shall rise in the western sky!

By now under Fathima's hair's shaded closed circle
it must have sailed far over the blue sky in the other world.
Billowing with the breeze over the sea of uncharted water
and stacking to the brim with all that it could discover
humbly stood like a cloud in that corner of the sky.

The time is finally ticking fast to rain down with love
paradise's welcoming schema rendering in waterpaint drops
on the Moon over the sea of matters, that's most glowed up firefly
ah, finally can break the fast sipping in a drop of elixir!
It's their heavenly adopted, Miʿrāj performed, primitive water.
The Moon with the seven seas will leave off the corporeal shell
gliding gracefully with this stately water nymph as if it never dies
and will make a splash plopping into the pond of paradise!  

For the matter ultimately is water and its extent is sound
Fathima will fetch it the water of life and take it to the next life!
Oh, the matter shall do both die and revive with Israfil's sound
the cloud will fly out of the dead water on the ground,
like the earth with chorus songs of the rain revives.
When that a melodious nymph in the water makes waves
see paradise is here the Moon over the sea can't take off its eyes.

(11)
Hang on though they all set ready on their horizontal span  
to pull in such a fluid yet colourful descending like a rainbow swan.
First chaste Fathima will evaporate her hair's perfume away
that's yet lingering in the water warming it up to its premium
no crowd then can see where this heady, fragrant cloud will fly!
There are the momentum and delights where that will alight.

Israfil might then blow his trumpet swooning the world away
the secret will remain a secret exception is said in the Qur'an.
A strange sound will silence the chorus of the innate digits
collapsing the floating cosmos bubbling on their music.  
The corporeal circle will collapse as if there is no base no pi
the melody of the first word Qun means Be will still be loud
supercalifragilisticexpialidocious so how can we all expire?

Israfil too will play his reviving trumpet pure mellifluous
and In Shaa Allah numerically perfect Fathima will rise
amidst the resonant Qun as like she did in the beginning
when except prophet Muhammad (PBUH) there was nothing!
Now the earth once zeroed in beneath her hair will follow her
the stunned terra will discover Fathima took her hair away
only to shift the constellation up onto the upper world!

The old songs of the planets the chorus of the digits will revive
from the zero bases in the core the digital panache that dance
planet upon the planet as if they are always at the perfect hertz.

Indeed that is yet to come, the arts of the fine layers
opening from the irrational pi, the finest one is to flower
when Fathima will unloop her circled hair at the centre
piercing the very immanent irrational cut
that no creation can fathom only the loving creator Allah
will turn odd to even in between the here and hereafter
then the ocean stuck in deep salt shall turn to enduring potion!
The As-Sirat shall turn to be the bridge to paradise
the body shall revive with the enduring soul forever
and with ah Fathima couple shall enter paradise In Shaa Allah
with the rhapsody 'all praise is for Allah' Alhamdulillah!

If I could be a better man,
I'd have enough insight
To always come up with a plan.
In times of trouble, danger, or distress,
I'd keep my emotions under control,
And never run out of rational sense.
No circumstances would ever drown me,
Or rise above my head,
Because I'd know how to swim the currents,
And land on solid ground instead.


If I could be a better man,
I'd have enough courage to follow through with every noble goal I set.
And every appeal to selflessness
I am tempted to forget.
There'd never be a task
I couldn't undertake,
Even if it meant
My life was at stake.
Money, time and resources
Would never grow on me,
But I'd give of these objects endlessly.
And at the end of the day
I'd still know how
To be completely and utterly free.


If I could be a better man,
I'd never fear the entity of change.
I'd embrace this shrewd reality,
Unhindered by its pace.
I'd keep a face like solid flint
When revolution
Threatened to derange.
At will I'd change my emotions
To better fit each phase;
Each chapter of life
From page to page;
I'd wire my brain to electrically flow
Smoothly and flawlessly,
Everywhere I'd go.


If I could be a better man,
I'd never struggle with uncertainty;
I'd always know what choice to make,
No matter the options that lay before me.
I'd never have to second guess,
Overthink, obsess or stress:
The presented realities and decisions of life;
A special wisdom I'd possess.
A knowing in my gut and heart
Of all that is my destiny,
With the calm assurance of having what it takes
To get to where I want to be.
The truth itself would become my eyes,
And never from my heart escape or flee.


If I could be a better man,
I'd always be a man of my word;
Letting my actions always
Positively confirm the things you heard.
I'd mean every syllable I spoke to you,
With fiery convictions I knew to be true.
I'd always know how to communicate,
And wouldn't let grievous words
Separate
Relationships so vital and true;
The stuff we're made for,
And shouldn't undo.


If I could be a better man,
I'd be a fountain of virtues flowing,
Ever going;
Like a rumbling and roaring
and rushing waterfall,
Dazzlingly Tall:

Wisdom

    Prudence

   Diligence

  Patience

Courage

  And Emotional Intelligence

     Faithfulness

   Rectitude

  Purity

  Relentless tenacity

    Fortitude

      And overall confidence

                                            With surety


If I could be the perfect man,
There'd be one thing I'd always know how to do.
And that is, my friend, in all sincerity:
Faithfully and infallibly
Loving God and You.


But since I know
I am far from perfect,
I will do the best I can.
And though I fail now and then,
I will get back up
And stand.
I will seek forgiveness
Down on my knees;
Ask God for humility,
Grace and Mercy please.
My weaknesses I'll count as blessings,
And thank God I don't have to be:
The Savior of the world -
Superman -
Who for comfort, has no need.

Every atom is lenient towards the human being
streaming up from the deep root they spur
laying down the perfect descending of the stars.

They can take on the stellar in their deep club
that shows up opening the windows up in the sky
and down on to the earth cast their eyes!

The slim fit sharp atom knows all the shortcuts
constantly vibrating not a single star can catch nor will it ever
thin out – it has the extraordinary stroke of luck.
But the eyes are on the humans not over the amber. 
Dreaming to be physically absorbed within the human being
to be in the human’s divine proportion ever transcendental
a far cry from the sun and the moon but with it both gel together! 

Once they came so close almost touched the dream
they rose to the occasion, squaring the circle,
laser scanning through, as above so below, so humble.
Submitted them without waxing lyrical took the brush off
the colour bowl of the day then blindfolding the moon
in the night reached out to the paragon of the phi mania,
flawlessly made to measure, numerically perfect Fathima!

Presented themselves before her as pure blank
whereon she can jot like her chalkboard
or do as she please like she could show up
taking it as her shadow in silhouette, she exactly did that.
Touched down on the earth, in the veil
and revealed her as above so below.
The ocean moved stirred the water but none saw the sunshine
behind the full moon in bloom that steals the starry night.

Day in day out Fathima did all in a veil she lived and gone.
Keeping the atom on its toe ever honing tracing the footprint
in its own shadow as once a human being without a mark
crept in it lived in pi magic and leaped out!

‘tis but a thing she does
The female assassin
They say that poison is her weapon… maybe on occasion
But that is a level she’s surpassing
You see, what they fail to understand is that she doesn't take lives for vengeance
‘tis but a profession
The beautiful, tantalizing female killer
Her male victim’s obsession
One minute she’s a runway model… with her devilishly sinful grin
A smile so engrossingly enticing… full, red lips that cut across her face playfully
Against her flawlessly peaceful skin
One word for that…’killer’
Forbidden pleasures… blissful sin
She’s taken out big names… maybe even one or two heads of state
To dinners she’s escorted these men… and later on left them in their deadest state
She walks through the front door, but when leaving she can scale windows
Agility is her forte… ‘Man killer’ she is
The black widow…
In a red dress
You may be reading this thinking you can never fall prey to her seductive tentacles
‘tis an argument I do not even wish to get into
I digress.

It was their first time, their first time ever. Of course neither would admit to it, and neither knew, about the other that is, that they had never done this before. Life had sheltered them, and they had sheltered from life.

Their biographies put them in their sixties. Never mind the Guardian magazine proclaiming sixty to be the new fifty. Albert and Sally were resolutely sixty – ish. To be fair, neither looked their age, but then they had led such sheltered lives, hadn’t they. He had a mother, she had a father, and that pretty much wrapped it up. They had spent respective lives being their parents’ companions, then carers, and now, suddenly this. This intimacy, and it being their first time.

When their contemporaries were befriending and marrying and procreating, and home-making and care-giving and child-minding, and developing their first career, being forced to start a second, overseeing teenagers and suddenly being parents again, but grandparents this time – with evenings and some weekends allowed – Albert and Sally had spent their time writing. They wrote poetry in their respective spaces, at respective tables, in almost solitude, Sally against the onslaught of TV noise as her father became deaf. Albert had the refuge of his childhood bedroom and the table he’d studied at – O levels, A levels, a degree and a further degree, and a little later on that PhD. Poetry had been his friend, his constant companion, rarely fickle, always there when needed. If Albert met a nice-looking woman in the library and lost his heart to her, he would write verse to quench not so much desire of a physical nature, but a desire to meet and to know and to love, and to live the dream of being a published poet.

Oh Sally, such a treasure; a kind heart, a sweet nature, a lovely disposition. Confused at just seventeen when suddenly she seemed to mature, properly, when school friends had been through all that at thirteen. She was passed over, and then suddenly, her body became something she could hardly deal with, and shyness enveloped her because her mother would say such things . . . but, but she had her bookshelf, her grandfather’s, and his books (Keats and Wordsworth saved from the skip) and then her books. Ted Hughes, Dylan Thomas (oh to have been Kaitlin, so wild and free and uninhibited and whose mother didn’t care), Stevie Smith, U.E. Fanthorpe, and then, having taken her OU degree, the lure of the small presses and the feminist canon, the subversive and the down-right weird.

Albert and Sally knew the comfort of settling ageing parents for the night and opening (and firmly closing) the respective doors of their own rooms, in Albert’s case his bedroom, with Sally, a box room in which her mother had once kept her sewing machine. Sally resolutely did not sew, nor did she knit. She wrote, constantly, in notebook after notebook, in old diaries, on discarded paper from the office of the charity she worked for. Always in conversation with herself as she moulded the poem, draft after draft after draft. And then? She went once to writers’ workshop at the local library, but never again. Who were these strange people who wrote only about themselves? Confessional poets. And she? Did she never write about herself? Well, occasionally, out of frustration sometimes, to remind herself she was a woman, who had not married, had not borne children, had only her father’s friends (who tried to force their unmarried sons on her). She did write a long sequence of poems (in bouts-rimés) about the man she imagined she would meet one day and how life might be, and of course would never be. No, Sally, mostly wrote about things, the mystery and beauty and wonder of things you could touch, see or hear, not imagine or feel for. She wrote about poppies in a field, penguins in a painting (Birmingham Art Gallery), the seashore (one glorious week in North Norfolk twenty years ago – and she could still close her eyes and be there on Holkham beach).  Publication? Her first collection went the rounds and was returned, or not, as is the wont of publishers. There was one comment: keep writing. She had kept writing.

Tide Marks

The sea had given its all to the land
and retreated to a far distant curve.
I stand where the waves once broke.

Only the marks remain of its coming,
its going. The underlying sand at my feet
is a desert of dunes seen from the air.

Beyond the wet strand lies, a vast mirror
to a sky laundered full of haze, full of blue,
rinsed distances and shining clouds.


When Albert entered his bedroom he drew the curtains, even on a summer’s evening when still light. He turned on his CD player choosing Mozart, or Bach, sometimes Debussy. Those three masters of the piano were his favoured companions in the act of writing. He would and did listen to other music, but he had to listen with attention, not have music ‘on’ as a background. That Mozart Rondo in A minor K511, usually the first piece he would listen to, was a recording of Andras Schiff from a concert at the Edinburgh Festival. You could hear the atmosphere of a capacity audience, such a quietness that the music seemed to feed and enter and then surround and become wondrous.

He’d had a history teacher in his VI form years who allowed him the run of his LP collection. It had been revelation after revelation, and that had been when the poetry began. They had listened to Tristan & Isolde into the early hours. It was late June, A levels over, a small celebration with Wagner, a bottle of champagne and a bowl of cherries. As the final disc ended they had sat in silence for – he could not remember how long, only from his deeply comfortable chair he had watched the sky turn and turn lighter over the tall pine trees outside. And then, his dear teacher, his one true friend, a young man only a few years out of Cambridge, rose and went to his record collection and chose The Third Symphony by Vaughan-Williams, his Pastoral Symphony, his farewell to those fallen in the Great War  – so many friends and music-makers. As the second movement began Albert wept, and left abruptly, without the thanks his teacher deserved. He went home, to the fury of his father who imagined Albert had been propositioned and assaulted by his kind teacher – and would personally see to it that he would never teach again. Albert was so shocked at this declaration he barely ever spoke to his father again. By eight o’clock that June morning he was a poet.

For Ralph

A sea voyage in the arms of Iseult
and now the bowl of cherries
is empty and the Perrier Jouet
just a stain on the glass.

Dawn is a mottled sky
resting above the dark pines.
Late June and roses glimmer
in a deep sea of green.

In the still near darkness,
and with the volume low,
we listen to an afterword:
a Pastoral Symphony for the fallen.

From its opening I know I belong
to this music and it belongs to me.
Wholly. It whelms me over
and my face is wet with tears.


There is so much to a name, Sally thought, Albert, a name from the Victorian era. In the 1950s whoever named their first born Albert? Now Sally, that was very fifties, comfortably post-war. It was a bright and breezy, summer holiday kind of name. Saying it made you smile (try it). But Light-foot (with a hyphen) she could do without, and had hoped to be without it one day. She was not light-footed despite being slim and well proportioned. Her feet were too big and she did not move gracefully. Clothes had always been such a nuisance; an indicator of uncertainty, of indecision. Clothes said who you were, and she was? a tallish woman who hid her still firm shape and good legs in loose tops and not quite right linen trousers (from M & S). Hair? Still a colour, not yet grey, she was a shale blond with grey eyes. She had felt Albert’s ‘look’ when they met in The Barton, when they had been gathered together like show dogs by the wonderful, bubbly (I know exactly what to wear – and say) Annabel. They had arrived at Totnes by the same train and had not given each other a second glance on the platform. Too apprehensive, scared really, of what was to come. But now, like show dogs, they looked each other over.

‘This is an experiment for us,’ said the festival director, ‘New voices, but from a generation so seldom represented here as ‘emerging’, don’t you think?’

You mean, thought Albert, it’s all a bit quaint this being published and winning prizes for the first time – in your sixties. Sally was somewhere else altogether, wondering if she really could bring off the vocal character of a Palestinian woman she was to give voice to in her poem about Ramallah.

Incredibly, Albert or Sally had never read their poems to an audience, and here they were, about to enter Dartington’s Great Hall, with its banners and vast fireplace, to read their work to ‘a capacity audience’ (according to Annabel – all the tickets went weeks ago). What were Carcanet thinking about asking them to be ‘visible’ at this seriously serious event? Annabel parroted on and on about who’d stood on this stage before them in previous years, and there was such interest in their work, both winning prizes The Forward and The Eliot. Yet these fledgling authors had remained stoically silent as approaches from literary journalists took them almost daily by surprise. Wanting to know their backstory. Why so long a wait for recognition? Neither had sought it. Neither had wanted it. Or rather they’d stopped hoping for it until . . . well that was a story all of its own, and not to be told here.

Curiosity had beckoned both of them to read each other’s work. Sally remembered Taking Heart arriving in its Amazon envelope. She brought it to her writing desk and carefully opened it.  On the back cover it said Albert Loosestrife is a lecturer in History at the University of Northumberland. Inside, there was a life, and Sally had learnt to read between the lines. Albert had seen Sally’s slim volume Surface and Depth in Blackwell’s. It seemed so slight, the poems so short, but when he got on the Metro to Whitesands Bay and opened the bag he read and became mesmerised.  Instead of going home he had walked down to the front, to his favourite bench with the lighthouse on his left and read it through, twice.

Standing in the dark hallway ready to be summoned to read Albert took out his running order from his jacket pocket, flawlessly typed on his Elite portable typewriter (a 21st birthday present from his mother). He saw the titles and wondered if his voice could give voice to these intensely personal poems: the horror of his mother’s illness and demise, his loneliness, his fear of being gay, the nastiness and bullying experienced in his minor university post, his observations of acquaintances and complete strangers, train rides to distant cities to ‘gather’ material, visit to galleries and museums, homages to authors, artists and composers he loved. His voice echoed in his head. Could he manage the microphone? Would the after-reading discussion be bearable? He looked at Sally thinking for a moment he could not be in better company. Her very name cheered him. Somehow names could do that. He imagined her walking on a beach with him, in conversation. Yes, he’d like that, and right now. He reckoned they might have much to share with each other, after they’d discussed poetry of course. He felt a warm glow and smiled his best smile as she in astonishing synchronicity smiled at him. The door opened and applause beckoned.

To be your favorite this is the honorary title of the world. You're great, legendary, grand.
I'm your fan, audience hall applauds you, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo, bravo. Hats off to you. You throw flowers, and I'm telling you I'm yours and only yours, be always with you, I'm so happy to build next to you, I just adore you and have great respect for. You're the only one in the world, who I think every minute. You're like a girl from a fairy tale. I still do not believe that I have met such a wonderful girl. Your sweet voice is unforgettable. I like your gentle laughter. Are you so nice to spend time together. Your beautiful eyes drive me crazy. Your eyes are always fascinates me. When I'm around you, I'm on cloud nine. At the sight of thee my heart is filled with joy. Next to you, my soul is always singing with happiness. Such a beautiful girl like you, I'd love tenderly kissing hands and feet. Peerless, darling, precious, smart, impressive, you are the most valuable part of life, the most precious, most beloved, best. Good, very beautiful, friendly, sincere, feminine, fascinating, shy, gold, amazing, loving, wise, unique, irreplaceable, charming, charming, seductive, charming, attractive, pleasant, simply delicious, fluffy, lovely, hospitable, touching, soft. To me, you're a very **** girl, believe me, you **** goddess, in which lies the passionate nature, so gentle, so sensual. Alluring to her subtle beauty, so amazing, fascinating, magical beautiful, charming, attractive nymph with which you want to be forever. I'm in love with you, and enthralled by your beauty, you're my idol, you're perfect, I dream to be your early days when you first met, you are the most beautiful creatures in the universe. I think about you day at night. You're gorgeous, perfect from the tips of the fingers to the very tips of the hair. I love your gentle eyes, your luxurious sensual lips, your **** nose, your delicate silk hair, I love you, and I can not live without you, and I give you the beautiful wings, which will allow you to fly, looking up from the earth, they will give you good mood. You are my angel. You are my happiness, treasure. You are my Love. I'm going crazy over you. You're the girl that I always dreamed that I was looking for all my life. You're the girl of my dream.  I) I love you, looooooooooveeeeeeee youuuu)
Your charming charm - it's super **** mega power that simply can not be overcome. Gourmet sweetest, love your luxurious body when I see you, just one word sounds in my head: yum, you give yourself fully. I will always love you just subconsciously, unconsciously, your gently ****** image is set down in the depths of my mind completely. From your amazingly contagious beauty opens her mouth and lost the power of speech. Dizzying, amazingly beautiful, you're like a giant tornado, which all attracted to you. And the heart and soul yearn all the time just for you. No matter you love me or not, the important thing is that I still love you, and in my subconscious, I will only love you forever. Your luxurious appearance of the highest quality, it is a workshop, filigree work of Mother Nature, it is simply a masterpiece, which is a unique example of true beauty, you have no equal, you have a high-caliber girl. You to the extent absolutely beautiful, so beautiful, so exotic, ******, and poetic sounds your way is a very beautiful love music that I'm just afraid and embarrassed to come to you, I'm afraid to talk to you, if I stand next to the goddess, or with super mega star, a model world-wide, which probably even know the aliens. The heart beats faster, I can not speak properly, with excitement, tingling all over his body, and just shakes. All these are symptoms of true love to you quite simply: uh), wow). Be your boyfriend, and her husband is for the greatest honor in the world, I stood in front of you on your knees holding flowers. Your appearance is perfect, just like Barbie. You're beautiful to such an extent that only you and I want to have *** forever, infinite, infinite number of times. You are inaccessible, you are like a star, the light of the soul which is like a spotlight in my deep dark loneliness. In love with you thorough. You just amazingly beautiful. You are the best of the best. The goddess of all goddesses, Empress of all the empresses, the queen of all queens. Beautiful girl you just imagine it is impossible. Sexually you just can not be nothing. Prettier souls just do not find. Perfect you had nothing, and will not, simply because I think so. Laponka, I am your loyal fan you're my only idol, idol, an icon of beauty. It does not matter who you are, I'll take you any. Because I'm thirsty anyway only be with you. You have a **** smile, and your sensual look, he is simply amazing. And from your voice and look pleasant shiver throughout the body. You're special, the best there is in all the worlds, universes and dimensions. You're just a feast for the eyes. To you feel powerful, love and ****** desire. You steeper any ****** and afrodoziaka. From your beauty a tapeworm from embarrassment and embarrassment.
I'm obsessed with only you, my Miss Universe, put points bezumilliard your beautiful appearance, and the infinity symbol to boot. No offense, my sweetest, but your beautiful body excites the imagination of your way completely amazing, you're so fine that you do not need, no makeup, no clothes, so perfect, natural beauty, endowed with a divine your beautiful body. Merged with your whole body, mind, heart, and mind, for all eternity, I thirst. You dominiruesh in my heart, mind, soul, and you are deeply in my mind and the subconscious mind, everything is filled only you, my goddess, and I see you in my dreams and I sincerely happy when I see you in them. If I saw you in reality, so it was a happy day, which was not in vain. Be nice to me, as you decorate all eternity, that I want to spend with you a tete-a-tete.
You are my beautiful goddess of love and eroticism, and only you I adore. Rare, beautiful beauty, nature gave you only. The closer you are, the more beautiful. Your delicate skin is so beautiful when the light shines, you have an amazing perfect color. I'm in love with you over. You are super beautiful. I thirst for you tirelessly, you prohibitively, infinitely perfect, you are too, too attractive. You steeper any ******. Flawlessly beautiful as a doll. You are so appetizing. You are the light of happiness, you come and go the light of love and happiness. Do you decorate them all, you are all, because you're beautiful.
You are more beautiful than the most beautiful. Merge forever with thy spirit, and the inner world of your dreams, my lonely soul. See the depth of your I wonder. Whatever gift you my eternal devotion: you are my life, and my eternal destiny, you are my only right choice, you're all that I love, and I want to. And my heart, and my mind is open only to you. You look so romantic and beautiful, your charm, your charms beckon my mind to you, it is useless to resist you, they can only be fully comply, one to commend you. My legs are just for you, my eyes look only at you, and I focused only on you. All you just overflowed in me. And inside, out of love for you, incredible, absolute ease. And from that you're not with me, it hurts the heart of almost any heart attack. Earthshaking, I totally fell in love with you, beyond ******-poetic, beyond ****. Yeah right, you're my Empress, and only you I adore, look at this temple of my love, dedicated to you, to the great altar, look around you everywhere, sit on the throne of love, my great and beautiful goddess. Your every kiss is indescribable and priceless, it is vital needs. Every your opinion, fantastically romantic and touchingly beautiful. He kindles the fire of love and passion in men. Your charm - is a powerful force that attracts all and sundry. Awakens the true, sincere love for you, universal scale. This throne only to you the eternal praise and worship the one, and the chorus singing about your beauty just for you. As you perfect every millimeter of your perfect, sultry-hot-**** body. My world is unique in your beautiful eyes, in your feelings and emotions and not get tired of talking about your perfect proportions.
Author: Musin Almat Zhumabekovich

You are my
Ensorcelled Elysium,
You are my
Eden Dream.

You cascade
Upon my Dreamscape,
Enshrine my slumber in
A flowered gale of aromatic petals
That envelop me, beckon me
To herald the rebirth
Of Days of Yore.

You vein
The Glistening Glade of Memories
With your
Brooks of Aqueous Emerald.

Tis' the
Phantasmagoric Plane
Where still
My wayworn spirit wanders, wearily
In search of the magic
To enfetter
The Hands of Fate
(For they conspire against us).

Swifter than your descent
Into my soul
(Five seconds still and flat)
By
The nexus of your affections,
You evanesced
Like vapor,
Yet
I shall not concede to
The Malevolent Matriarch of Destiny.

For you
O, Breath of Life,
Forsook me not
So I sublime all stains
Tarnishing my flesh
By cries to The Ethereal.

At midday
Awaiting the Twilight
I long for
The birth of The Womb of Aether’s
Progeny,
Starlit winds.

I muse
Swimmingly in Seas of Reminiscence,
Banished from that Blackened Bastion
Of Shadowed Heavens,
For when darkness shrouds
My dreams can be seen
Draping the skies.

I then fathom,
You must not be far off,
Wishing,
Hoping,
Believing
That perhaps
You too
Wonder upon stars
Longing to find that one
That entwines us anew.

You shall alight,
Upon me once more
As
August Sun’s Nimbus
(If only for a moment)
Is thwarted
By
Ebony Miasma
That drenches Cimmerian skies.

In search
Of Ardor’s Light abiding in
The Sylvan Shrine of Your Numinous Eyes
I plead that
The Crag oppress
The Coals of Tribulation,
Until my anguish is
A Diamond Heart.

The pilgrimage
I must bear,
Must be traveled by
The Adamantine alone.

Where have you gone,
Tree of Life?
Why have you withered,
Yggdrasil?

Do I possess
The Eradia of Souls,
By which you shall
Effloresce?

I would halt the cogs of time,
Relinquish my liberty,
To slumber for eternity
In crystal stasis
By your side.

Even in that crystalline quietude,
I would be eminent,
I would be exalted,
I would be ennobled,
In the knowingness that
Your
Stalwart Heart
Radiates
Just beside me.

I exhale Empyrean Winds
When rapt in reverie,
Yearning to be
Captive to your devotion,
Yours alone.

The Bliss of Your Most Holy Kiss
Would signet me
With the
Bounty of Your Name
Burnishing the skin
On my lips.

Though ephemeral,
Your presence divined,
Your presence
Was my anointing.

To be solaced
By the astral resonance emitted
By your touch
Sent the
Pulse of Nirvana
Surging, rippling,
Like a kaleidoscope tide,
Down my spine

You are
The Waters of Vitality
That floweth from
The Creeks of Eden,

You have been
Poured upon my palate
From the
Goblet of Redemption
That I may drinketh
Of
Supernal immortality.

When once again we meet,
Perhaps the tears you summoned
From my spirit
By your
Stirring caress
Shall have absolved me
Of the pangs
In loving a man
(And man alone).

Perhaps then,
The sentiments
I pine to profess,
Will resound.

A melody
Sung in legato,
A  mellifluous melisma,
Flawlessly delineated
And
Intonation in deiform
Or perhaps,
Flowering fioritura
Lacing airwaves,
By the Empress Coloratura.

Perhaps then, piety
Betwixt you and I,
Will waft the air
And I might then,
Permit my quaking body
To succumb to
You alone.

Until that morn,
I shall be vigilant,
Counting the Dawns,
Counting the Twilights,
Until
I can gaze
Into your forested eyes
If even for but a moment.

For even but a moment
Spent with you,
Will bleed a nostalgia
Across my mind's sky,
Painting clouds crimson with passion,
And
That I shall revere,
And
That shall last
And last
And,
Last… And
Last.

O, it will last,
To Elysian Infinity.

∞
            I am a vestige,
               But I shall live once more,
                  In the light of memories
                       That blossom, are perennial,
                           And imbibe the dazed glory of the past
                       Until the past is vanquished
                 By a future that is fragrant
             With the mist of romance
          And eclipses the simulacrum,
       A fictitious sun of the infernal masquerade,
    The antithesis of the truest holy,
Then, rapture of life shall mystify no longer,
For the Numen of Truth,
  Shall cleanse creation without a drop of façade,
      His Providence shall emancipate the hollow,
             The Death of Dreams shall writhe
               In everlasting abeyance,
                 Absolving our wayward spirits,
                  The Winds of Change,
                  The Scourge of Pain,
               And
          The Loveless Wraiths
        That haunted our husks
      Shall be transcended for aeons,
  And tribulation made distant, made nebulous
As the Genesis of Time and Space itself
  For we embark on an exodus,
     Beseeching salvation to redeem us
        When the Requiem of Iniquity
           Is triumphed by everlasting cadence.

Be Valiant,
                 Be Sapient,
                             Be Love
                                       And
                                          By this
                                                You shall conquer the world
                                                           ∞

The stars still shone last night, and tasted pretty like my last sonnet;
And I still loved thee; and imagined thee 'fore I retreated to bed.
Ah, but thou know not-thou wert envied by t'at squeaking trivial moon;
It seduced and befriended thee; but took away thy sickly love too soon.
Ah, t'at moon which was burnt by jealousy, and still perhaps is,
Took away thy love-which, if only willing to grow; couldst be dearer than his.
But too thy love, which hath-since the very outset, been mostly repulsive and arduous;
And loving thee was but altogether too customary, and at gullible times, odious.
Ah, but how I was too innocent-far too innocent, was I!
Why didst I stupidly keepeth loving thee-whose soul was but too sore, and intense-with lies?
And at t'is very moment, every purse of stale dejection leapt away from me;
Within t'eir private grounds of madness; but evaporating accusations.
Ah, so t'at thou desired me not-and thus art deserving not of me;
But why didst I resist not still-thy awkwardness, and glittering sensations?
Oh, I feeleth uncivil now-for I should hath been too mad not at the moon;
For taking away thy petty threads, and curdling winds, out of me-too soon.
And for robbing my gusts, and winds, and pale storms of bewitching-yet baffling, affection;
But in fact thrusting me no more, into the realms of death; and t'eir vain alteration.
Ah, thee, so how I couldst once have awaited thee, I never knoweth;
For perhaps I shall be consumed, and consequently greeteth immediate death; within the fatal blushes of tomorrow.
But still-nothing of me shall ever objecteth to t'is tale of blue horror, and chooseth to remain;
And I shall distracteth thee not; and bindeth my path into t'at one of thy feet-all over again.
Once more, I shall be dimmed by my mirthlessness and catastrophes and sorrow;
Yet thankfully I canst becometh glad, for all my due virtues, and philanthropic woes.

I shall be wholly pale, and unspeaking all over me-just like someone dead;
And out of my mouth wouldst emergeth just tears-and perhaps little useless, dusty starlings;
I shall hath no more pools or fits or even filths of healthy blood, nor breath;
I shall remembereth not, the enormous fondness, and overpowering passions; for our future little darlings.
For my love used to be chilly, but warm-like t'ose intuitive layers behind the sky;
But thou insisted on keeping silent and uncharmed-a frightfulness of sight; I never knew why.
Now t'at I hath returned everything-and every single terseness to my heart;
I shall no more wanteth thee to pierce me, and breaketh my gathered pride, and toil, apart.
For I am no more of a loving soul, and my whole fate is bottomless and tragic;
I canst only be a lover for thee, whenst I am endorsed; whenst I feeleth poetic.
I shall drowneth myself deep into the very whinings of my misery;
I shall curseth but then lift myself again-into the airs of my own poetry.
For the airs of whom might only be the sources of love I hath,
For t'is real world of thine, containeth nothing for me but wrath;
Ah, and those skies still screameth towards me, for angering whose ****** foliage;
Whenst t'ose lilies and grapes of my soul are but mercifully asleep on my part.
I wanteth to be mad; but not any careless want now I feeleth-of cherishing such rage;
For I believeth not in ferocity; but forgiveness alone-which rudely shineth on me, but easeth my painful heart.
I hath ceased to believe in my own hand; now furnished with discomfort;
But still I hath to fade away, and thus cut t'is supposedly long story short.
I hath been burned by thee, and flown wistfully into thy Hell;
But so wisheth me all goodness; and that I shall surviveth well.
And just now-at t'is very moment of gloom; I entreateth t'at thou returneth to her, and fasteneth yon adored golden ring;
For it bringst thee gladness, which is to me still sadly too dear, everything.

Ah! Look! Look still-at t'ose streaks of blueness-which are still within my poetry on thee;
But I shall removeth them, and blesseth them with deadness; so that thou shalt once more be young, and free.
For what doth thee want from me-aside from unguarded liberty, and unintimate-yet wondrous, freedom?
For thou might as well never thinketh of me during thy escape;
And forever considereth me but an insipid flying parachute-to thy wide stardom;
Which deserveth not one single stare; as thou journeyeth upon whose dutiful circular shape.
And a maidservant; a wretched ale *****-within thy inglorious kingdom;
Which serveth but soft butter and cakes, to her-thy beloved, as she peacefully completeth her poem.
The poem she shall forceth to buy from me-with a few stones of emerald;
To which I shall sternly refuseth-and on which my hands receiveth t'ose climactic bruises.
For she, in her reproof-shall hit me thereof, a t'ousand times; and a harlot me, she shall calleth;
And storm away within t'at frock of endless purpleness; and a staggering laugh on her cheeks.
And I-I shall be thy anonymous poet, whose phrases thou at times acquireth, at nighttime-but never read;
A bedroom bard, in whose poetry thou shalt not findeth pleasures, and to which thou shalt never sit.
A jolly wish thou shalt never, in thy lifetime, cometh anyhow-to comprehend-nor appreciate;
But should I still continueth my futility; for poetry is my only diligent haven, and mate.
In which I shall never be bound to doubteth, much less hesitateth;
For in poetry t'ere only is brilliance; and embrace in its workings of fate.
And sadly, a servant as I am-on her vanity should I needst to forever wait, and flourish;
To whom my importance, either dire profoundness-is no more t'an a tasty evening dish.
And my presence by thee is perhaps something she cannot relish;
I know not how thou couldst fall for a dame-so disregarded and coquettish!
To whom all the world is but hers; and everything else is thus virtual;
So t'at hypocrisy is accepted, as how glory is thus defined as refusal.
But sometimes I cometh to regret thy befallen line of glory, and untoward destiny;
I shall, like ever, upon which remembrance, desireth to save thee, and bringst thee safely, to eternity.
But even t'is thought of thee shall maketh me twitch with burning disgust;
For I hath gradually lost my affection for thee; either any passion t'at canst tumultously last.
And shall I never giveth myself up to any further fatigue-nor let thy future charms drag me away;
For I hath spent my abundant time on thy poetry-and all t'ose useless nights and days;
As thou shalt regard me not-for my whole cautiousness, nor dear perseverance-and patience;
Thou shalt, like ever, stay exuberant, but thinketh me a profound distress-a wild and furious, impediment.
Thou hath denied me but my most exciting-and courteous nights;
And upon which-I shall announce not; any sighs of willingness-to maketh thee again right;
nor to helpeth thee see, and obediently capture, thy very own eager light.

And when thy idiocy shall bringst thee the most secure-yet most amatory of disgrace, turn to me not;
I hath refused any of thine, and wisheth to, perfunctorily-kisseth thee away from my lot,
I shall writeth no more on thy eloquence-for thou hath not any,
As nothing hath thou shown; nothing but falsehood-hath thou performed, to me.
Thou hath given none of those which is to me but virulent-and vital;
Thou art not eternal like I hath expected-nor thy bitter soul is immortal.
Thou art mortal-and when in thy deft last seconds returneth death;
Thou, in remorse, shalt forever be spurned by thy own deceit, and dizzily-spinning breath,
And after which, there shall indeed be no more seconds of thine-ah, truly no more;
Thou shalt be all gone and ended, just like hath thou once ended mine-one moment before.
All t'at was once unfair shall turneth just, and accordingly, fair;
For God Himself is fair-and only to the honest offereth His chairs;
But the limbs of Heaven shall not be pictured, nor endowed in thee;
To thee shall be opened the gate of fires, as how thou hath impetuously incarnated in me.
No matter how beautiful they might be-still thy bliss shall flawlessly be gone,
Thou shalt be tortured and left to thy own disclosure, and mock discourses-all alone.
For no mortality shall be ensured foreverness-much less undead togetherness;
As how such a tale of thy dull, and perhaps-incomprehensible worldliness.
By t'at time thou shalt hath grown mature, but sadly 'tis all too late;
For thou hath mocked, and chastised away brutally-all the truthful, dearest workings of fate.
And neither shalt thou be able to enjoy-the merriments of even yon most distant poetry;
For unable shalt thou be-to devour any more astonishment; at least those of glory.
And thus the clear songs of my soul shall not be any of thy desired company;
Thy shall liveth and surviveth thy very own abuse; for I shall wisheth not to be with thee;
For as thou said, to life thou, by her being, art the frequented life itself;
Thus thou needst no more soul; nor being bound to another physical self;
And t'is shall be the enjoyment thou hath so indolently, yet factually pursued-in Hell;
I hope thou shalt be safe and free from hunger-and t'at she, after all, shall attendeth to thee well.

And who said t'at joys are forbidden, and adamantly perilous?
For t'ose which are perilous are still the one lamented over earth;
For in t'ose divine delights nothing shall be too stressful, nor by any means-studious;
For virtues are pure, and the walls of our future delights are brighter t'an yon grey hearth;
And be my soul happy, for I hath not been blind; nor hath I misunderstood;
I hath always been useful-by my writing, and my sickened womanhood;
Though I hath never possessed-and perhaps shall never own, any truthful promise, nor marriage bliss;
Still I longeth selfishly to hear stories-of eternal dainty happiness, for the dainty secret peace.
Ah, thee, for after thee-there shall perhaps no being to be written on-in yon garden;
A thought t'at filleth me not with peace, but shaketh my whole entity with a new burden.
Oh, my thee, who hath left me so heartlessly, but the one whom I hath never regarded as my enemy-
The one I hath loved so politely, tenderly, and all the way charmingly.
Ah! Ah! Ah! But why, my love, why didst thou turn t'is pretty love so ugly?
I demandeth not any kind purity, nor any insincere pious beauty,
But couldst thou heareth not t'is heart-which had longed for the one of thine-so subserviently and purely?
For I am certainly the one most passionately-and indeed devotedly-loving thee,
For I am adorable only so long as thou sleepeth, and breatheth, beside me,
For I am admired only by the west winds of thy laugh, and the east winds of thy poetry!
Ah, but why-why hath thou stormed away so mercilessly like t'is;
And leaving me alone to the misery of this world, and my indefinite past tears?
Ah, thee, as how prohibited by the laws of my secret heaven,
Thus I shall painteth thee no more in my poesies, nor any related pattern;
There, in t'is holy dusk's name, shall be spoiled only by the waves of God's upcoming winters,
In the shapes of rain, and its grotesque, ye' tenacious-and horrifying eternal thunders.
And thus t'ese lovesick pains shall be blurred into nothingness-and existeth no more,
But so shall thy image-shall withereth away, and reeketh of death, like never before.
For I shall never be good enough to afford thee any vintage love-not even tragedy,
For in thy minds I am but a piece of disfigured silver; with a heart of unmerited, and immature glory;
Ah, pitiful, pitiful me! For my whole life hath been black and dark with loneliness' solitary ritual,
And so shall it always be-until I catch death about; so grey and white behind t'ose unknown halls.
And shall perhaps no-one, but the earth itself-mourneth over my fading of breath,
They shall cheereth more-upon knowing t'at I am resting eternally now, in the hands of death.
And no more comical beat shall be detected, likewise, within my poet's wise chest;
For everything hath gone to t'eir own abode, to t'eir unbending rest.
But I indeed shall be great-and like an angel, be given a provisionary wing;
By t'is poetry on thee-the last words of mouth I speaketh; the final sonata I singeth.

Thus thou art wicked, wicked, wicked-and shall forever be wicked;
Thou art human, but at heart inhuman-and blessed indeed, with no charming mortal aura;
Thou wert once enriched indeed-by my blood, but thy soul itself is demented;
And halved by its own wronged purity, thou thus art like a villainous persona;
Thou art still charmed but made unseeing, and chiefly-invisible;
Unfortunately thou loathe scrutiny, and any sort of mad poetry;
Knowing not that poetry is forever harmless, and on the whole-irresistible;
And its tiny soul is on its own forgiving, estimable, and irredeemable.
Ah, thee, whose soul hath but such a great appeal;
But inanely strained by thy greed-which is like a harm, but to thee an infallible, faithful devil.
Thou art forever a son of night, yet a corpse of morn;
For darkness thriveth and conquereth thy soul-and not reality;
Just like her heart which is tainted with tantrum, and scorn;
Unsweet in her glory, and thy being-but strangely too strong to resist-to thee.
Ah, and so t'at from my human realms thou dwelleth immorally too far;
As art thou unjust-for t'is imagination of thine hath left nothing, but a wealth of scars;
I used to recklessly idoliseth thee, and findeth in thy impure soul-the purest idyll;
But still thou listened not; and rejected to understandeth not, what I wouldst inside, feel.
After all, though t'ese disclaimers, and against prayers-hath I designated for thee;
On my virtues-shall I still loyally supplicate; t'at thou be forgiven, and be permitted-to yon veritable, eternity.

Today she broke my heart
The pink turned to blue
The lines severed
Repaired with glue

Today she broke my heart
The fool who believed
False love was real
And it was

For awhile

I can't sleep at night...

She found her one and only

Now I'm just one and lonely

I'll sob a tear for you
A selfish gesture
Maybe two...

But that one cut...that one cut...
She gave to you

Dark energy releases the clergyman's thesis
A golden arch to worship your false prophets
Some will ask:
Where are the Starships?

A break from the rhythm

The very wave that produces the symptoms

SNAP!

He's laying with my lover
She is purring under his covers

Today she broke my heart..

I love words and
I love metaphors.
I love the muse that inspires the words
and how flawlessly these words form metaphors.

I love deciding how people perceive me.
Even I am beautiful when painted metaphorically.

You once told me how you were captivated with photos, how it fills you with satisfaction capturing a picture perfect portrait of a moment, memory, or even a mere mortal. I almost always never understood this addiction of yours on why and how you’re more than determined to collect snips of your life in a paper inked by dozens and dozens of color to paint a single picture. It is somewhat a kind of a waste but you never thought of it like that.

“What is it with you and photographs?” a question I finally got to ask you after harboring enough courage. Yet you merely answered with a shrug and looked away, away from my prying eyes, away from the echoes of what I just asked you. I was on the verge of giving up on you when you suddenly held my hand tighter than usual. “Because…,” you muttered in between huge gulps of breath. I wrapped my arms around you hoping to shield you from your turmoil. For minutes we sat there, still and not making any sound while I let you hold on to me as if I was your lifeline. Anchored back to the present, you told me, “I’m just scared that’s all.” I waited for you to continue, to go on with what you were saying, but you just did not. I turned to look at you only to find you staring at the far distance, looking lost, gone.

I yanked my hand out of your hold but you were still transfixed far, far away from me, far from this reality. Your stare just did not falter at the slightest even as you told me the words which bugged me for the most of my hours, days, or weeks even. Those times following your passing that is. Yes, you left me. You left me hanging and alone without knowing the reason why you ended your life just like that. I’ve always been blinded by the pretense that you were more that okay amidst it all. Probably it comes with the denial of your loss. But if there’s any consolation, I finally know you aren’t okay at all, now when it’s all a little too later that I should have known.

But now as I lay here, I come to think of the last thing you told me. *“If a picture is worth a thousand words, then as to what worth would a million photographs be?”

As I recall you saying it that night, hours before you pulled the trigger over your head, I assumed it was merely rhetorical. I merely thought you were playing Socrates in order to halt me from bombarding you with any more questions. It kept me up all night staring at the ceiling only to receive a phone call at 3:00 A.M. on how you were rushed to the hospital and how the doctors shook their head in the inability to save you.

Until now, I’m still kept awake not of the distraught on your sudden death but because of that question you took me by surprise. I answered nothing then but I am afraid I do know the answer now. You did not capture those sunrises and the blossoming of flowers out of sheer creativity. Instead, it gave you a glimpse of a new beginning that this life failed to give you. You did not capture the candid smiles of random individuals out of a coincidence but because your heart yearns for this kind of happiness to be instilled deep within you. You did not capture the city lights just for the vivid imagination it fueled your satisfaction. It was the colors which brought light to every impending doom you have yet to undergo. You did not capture the landscapes and skyscrapers out of nothing more than an appreciation of abstract art. Rather, it gave you the leeway to live in a fantasy as the surrealism in these photos fuels your unwavering resolve to escape the trap this reality caged you in.

Darling, you weren’t just collecting photographs out of a hobby, out of a custom. And now, I know why you told me you were scared that time I asked you about this obsession of yours. *You were scared to find out that your life is a meaningless pit, like a hollow chasm with nothing but a void. In search of yourself, you found fragments of ‘you’ in these ink-stained scraps of print. It was how you defined your existence: in shots of images of the existence of others. Some might not understand, but you are brave and brilliant to this all. Brave for facing all your demons alone, no matter how I would have wanted to save you from your distress, and brilliant for discovering that our lives are merely a collection of lives complementing each other.

So, darling, maybe this is the end of the line for you, the brink of your voyage to obtain a million photographs. And to answer your question, if a picture is worth a thousand words, then a million photographs would be worth a life. These million photographs are all you. These photographs are what make you whole, flawlessly complete. You will realize you always were as opposed to what the world let you believe in. And then maybe, just maybe, as you finally lay to rest, far-off from the tragedy this realm of this cruel dimension, you can be finally be at peace and eventually manage to realize that you lived not just a portfolio of photographs but a masterpiece.


*(k.p.)

I adore you
Not as a collector idolizes what's his to keep

You're beautiful
the cusp of your hills
leading to a shallow sink hole
just before the meadows

You're perfect
The circular masses
surrounded by pure white sand
Even when it rains
emotions gleam flawlessly

You're joy
Hide poorly your white city
Covered by soft rose gardens
That part
In a way that evokes happiness
Within me

I adore you
Not the way a collector
Idolizes what isn't his to keep
But as

A traveler...
Lost in another land

...finds himself.

I was walked through corridors
of hardened steel, floating in a harbor.
My young eyes did not marvel
at the way it sat above the water.
My eyes drifted toward the sharp flashes
of filler metal, melting in between two joints.
I was told not to look directly at it;
I couldn’t look away.

My bones grew,
and my structure was fused
into its permanent fixture and
today I’m given a mask,
heavy tinted black glass over my eyes.  
I’m not told to look away,
merely blinded.
Watching the same work I marveled at years ago
hands working tirelessly at a task,
performing flawlessly,
and when I close my eyes,

the spark persists.

Even now floating metal masses,
though seemingly improbable,
still do not amaze me
like the light created
in broad daylight.
But even this joint
is not fused flawlessly,
smooth and stubborn,
metal makes sure of this.

Leaves,
Flying flawlessly mid air.
As I would dance,  in your orange shadows of lost green.

Receiving nothing, but, breezy kisses of gusty fall.

We sway and twirl painting skies

Oozing shadows, now becoming decor of anew.

Floors being swept with flesh of summers past.

All dancing and tumbling in an ocean of skies.

Drowning paths with forgotten lush and past.

Juliet, your Juliet.
I grew out of her.
She was all dreamy, and fabled.
She was brave enough to love you.
She was brave enough to be crumpled to shreds yet fake a smile flawlessly.
She grew on you.

Juliet, your Juliet.
I grew out of her.
She was graceful and too kind to be true.
She was the daisy of your garden, where flowers weren't just a few.
She loved sunshine as much as the misty moon.
She was ravishingly rhythmic. Forming melodies out of those midnight stars,
adding beats and verses to your mundane mornings.
Your Juliet, your Daisy, your sanguine Sestina
all of them. Yet, nothing better than a reverie.

Juliet, your Juliet.
I grew out of her.
She was all chirpy and consoling.
Solace was what made her.
Her love was fire, worth burning for.
At times, her eyes form glaciers,
arctic and numb.
At times, she feels worn out and ready to drop.
But, Juliet's audacious to hold on tight yet, taken down by you. Remember, she grew on you.

Juliet, your Juliet.
I grew out of her.
She was delicate but humorous.
Compassion knit her soul together.
You tell her, she is all you ever wanted and is grateful for.
But, the woman lying next to you hears the same.  

She was a writer and left you one.
Juliet, your Juliet.
Not anymore.

I had a forest tryst
with Amanita,
after it rained,
I went to see her.

Dank and slain,
suited to decompose:
her bed; and as I sank--
in ballet bare-toe
the white angel arose.

She was flawlessly pale,
and 'round her neck,
still, a wedding veil.

She slipped the straps 'round her neck,
befalling her gown at my request,
she slowly turned in place,
for her suitor to inspect,
never did comely beauty,
on Jerusalem bedeck,

On her head sat,
a white knit -cap,
to it her veil was attached,
I could not gaze on her form,
till I got past this piece she worn.

I asked my love,
to doff her bridal wear.
" My love, my groom
wears my chastity belt round my hair."

Then I could not resist,
I brought the veil up,
and gave her a kiss,
a gentle curse,
she spoke to my lips,
in great thirst I sipped,

Alas, then I saw the ring,
she pulled back,
and deep in my eyes she looked in.
through her gown
in the mire I started to sink,

I felt her gown moving through me,
with the poison of her Gothic beauty.
On her spectral white,
not even the fly alights,
I commit suicide twenty times over,
by taking a bite.

She smiled to my fear,
in her eyes, heaps of bones,
and whispered in my ear,
to whom she was betrothed.
"death"

We line up in two parallel columns, me at the front of the first column and you beside me on the other.
You flash me a challenging grin. I smile back, accepting your offer.

The coach blows the whistle and we start to sprint across the hall towards the line of hurdles.
We match each other's pace, leaping across the hurdles of increasing height in perfect synchronization.

We reach the final and tallest hurdle.
You briefly turn your head towards me and mouth something.
I can't hear what you're saying - you're too soft. Or maybe my heart is too loud.

I shift my focus back to the last hurdle and heave my springy legs up, confident I can at least break even in this match.
But even before my right ankle was on the same level as the hurdle, my line of sight plunges, and I crash head-on into the embarrassing mess of defeat.

I tilt my head up in time to catch you flawlessly hop across what's become of my failure, your posture lacking any hint of looking back at me.
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -
*Till now, you haven't looked back.
And I still can't get over that last hurdle,
the same way I haven't gotten over you.

My acute dementia
Seems to precipitate the need for immediate euthanasia
A hurried departure
Through the aperture
Deep set in the hollowness of time
Because essentially life’s been a lackluster mime
Imbibing flawlessly flawed ideas
That inform my capricious
Nature to various stimuli
It’s a life story based on a true lie
Frivolities interspersed with grave concerns
The myriad adjourns
Futile attempts at mitigating
A self-imposed galling.

For one month Odysseus toiled and
Built up the house that stood so great before,
Clearing away the cobwebs that had been.
Twenty years since truly being a home,
Twenty years since being filled with laughter
That was more than lust of insolent men.
And so Odysseus sent for his son
That they may set out on an angling jaunt.
Whilst they were making their way in the deep,
A strange singing filled the air and they were
Surrounded by fog as thick as the stew
Telemachus’ mother often prepared.
Out of the mist strode a Nereid with skin
The color of the purest of milk creams.
Silky hair fell in lush amber waves down
Her flawlessly curved back, flowing smoothly
Such as the Nile river in the wind.
And she said unto them, “Friends, do not be
Frightened, for I shall bear you no harm. You
Who have come from years of fear and anguish,
I now call to bear a terrible task.
There is a great daemon in these waters,
An archfiend who calls herself Lamia.
She eats any children who dare descend in
Waters where she lurks hidden in shadow.
She snatches at the ankles of the young
Like a solicitous epistle grasps
At the heartstrings of those who read it. She
Is a sickness that has no remedy,
A war with no end. She is the dark thought
One cannot be rid of. She is pure death.
Please, great Odysseus, vanquish this thing
Haunting every step of the innocent.
I give to you this costume that one may
Receive the breath of life underwater. ”

Upon agreeing to the colossal
Undertaking, Odysseus and his
Progeny initiated their search
Across the marine for the beast behind
The mask of trepidation. However,
‘Twas not long until Lamia herself
Appeared to them and made to devour
Telemachus himself, for he was a
Young man, young enough to vex her temper.
This thing that had risen out of the depths,
She had a beautiful face matched closely
Only by Venus herself. But beneath
The splendor is that of an animal
With the scaled, winding tail of an immense
Serpent and talons ending her long hands.
She apprehended the son of our great
Hero in a clawed fist and began to
Raise him to her massive gaping gullet.
Before the harm was done, Odysseus
Seized a sarsen from a near formation
And heaved it at Lamia’s beautiful
Head. The boulder succeeded in breaking
All of her shining teeth, preventing her
From consuming Telemachus. She
Fulminated for a moment, and then
Hastily withdrew to her cavernous
Space.
           Odysseus followed, retrieving
A bronze sword from a shipwreck he passed in
His haste. Brandishing his weapon fiercely,
He charged. Managing to scarcely avoid
Lamia’s lashing tail and slashing claws,
He climbed to the base of her neck and plunged
The sword into the soft flesh that was there.
He tore the blade back and forth, severing
The pronounced head from her ghastly body.

After slaughtering the daemon, the two
Swam for shore, Telemachus breathing by
Way of keeping hold of his father’s suit.
Once at the surface of the sea, they were
Met once again by Amatheia,
The Nereid who’d charged them with the duty,
Who rewarded Odysseus with a
Magic bag that could hold any item,
Size or shape, and never got heavy, no
Matter its load. When given, it held 100,000
Drachma, a great deal of money for them.

After thanking her freely and being
Thanked in return, the men were magicked back
To their home on Ithaca, where remained
Penelope, wife to Odysseus.
They lived quite happily off the money
Gifted graciously to them, and were graced
By the great Gods forevermore for the
Grim duties performed by Odysseus.

What a relief to set aside
my mechanical pencil
and write with you,
O Ballpoint Pen
found at the bottom of my pen box.

On your side is engraved
“Samy’s Camera.”
Did I walk out with you by accident?
or was it on purpose,
beguiled by your sleek, cool body
as you nestled into my hand
and I clasped you tight
likw my boyfriend in a steamy nightclub
dancing slow to Moon River.

Was I writing a check for
a roll of Kodak film,
ASA 400?
Or was it more recent?
Purchasing a digital mini-camera
to carry in my purse?
Before cellphones took selfies so flawlessly
that I tucked my Sony
into the dresser drawer
behind my underwear.
It lies abandoned
soon to be joined by all my
mechanical pencils.

You, my Pen, are my reliable companion
who will record lists for me:
To Do lists
Shopping lists
Birthday lists
Laundry lists.
You will record why my lover
doesn't want me anymore, but
I will tear up that scrap of paper
as soon as the ink has dried like blood,
that heartless man,
unworthy of the ink I waste on him.

O beautiful Pen,
sleek as the fur on a cat,
smooth as a gin and tonic,
solid as his hand on my breast.
for merely.

I hereby relinquish my mechanical pencil,
whose lead keeps shattering.
But you, dear Ballpoint Pen, I can press hard.
And how much more beautiful
with you
are the curves of my words.

Let me be frank.
For once this poem is not about you.
It's about me.  

I was born nine days late
& I've been trying to make up for lost time ever since.
But I've never felt the need to rush
anything
or anywhere—or anyone.
I went through more band-aids than Barbies growing up
& I used to love to climb trees—
until I fell out of one.
I've got about seventeen different favorite colors
including cerulean, yellow ochre, & ******’s green—
They all exist, I swear.
I used to stock oil paints in the college bookstore.
I think I told you that before, right?

Crap.
Me.
This poem is about me.

I knew I wanted to write every since my
stubby, five-year old fingers
punched the keys on my mom’s old college typewriter.
I would take naps beside it, listening to the hums & whirrs
of that beautiful blue machine.
I think I've been in a dreamy state of mind ever since.
I’m almost positive it's stunted my growth.
I've never been taller than 5’3”—
but I like that my feet never touch the floor
when we sit in restaurant booths.
& I like that my head falls on your heart
whenever I hug you.
I try so hard to hear your heart murmur—
though I can never seem to find it.

****.

Swedish Fish are my kryptonite,
& love sinking my teeth into fresh cantaloupe.
I enjoy slowly peeling the labels off of my beer bottles.
Some say that means I’m sexually frustrated.
I don’t really buy it.
I say I just like to constantly be doing something
with my little hands.
I’m happiest when I’m in the water & when I’m singing—
which makes my shower one of my favorite places
in the world.

I used to be a sucker for drummers,
before I was a sucker for guitarists.
Now I’m just a sucker for anything
with a sense of humor & good high five.
I’m good at picking out people’s quirks
& putting them into words.
I observe more than I speak—
& sometimes, I think that bothers you.
You know me— you can tell
that I’m not divulging the entirety of my thoughts.

**** it.

I have to see the ocean every year
& marvel its size—
if only to remind me how small my problems really are.
It's painstakingly obvious that I'm a Scorpio
& I don't necessarily think that's a good thing,
but I try to own it as best as I can.
I love the smell of extinguished candles, warm lighting,
& adding the “and many more” every time I sing “Happy Birthday.”

I like a lot of things.
I am a lot of things.
I can do a lot of things—
like sing all fifty states in alphabetical order,
make roses out of paper napkins,
& play “Oh Susanna” flawlessly on my harmonica.

But one thing I can't do lately—
one thing I have clearly failed to do on the whole
is write anything
without a piece of you in it.

He was a West Virginia farm boy.
His name was Walton, Cpl. John.
I **** thee not; we called him John Boy.

Two bunks down from me
in a barracks at Fort sux Dix, NJ,
he would write poetry after lights out
by penlight. Drill Sergeants called him a *****
when one of the recruits hung a poem in the chow hall
that Boy had written about missing his little sister.

Boy could weave a line from Whitman
or Frost or Byron, even Emily
flawlessly into a conversation.
I would try hard as hell to keep a straight face.
Boy never cracked a smile. No one else ever caught on.
Funny as hell. And pretty **** cool.

Like during the class on E and E
when asked to summarize lessons learned.
"Resist much. Obey little, Drill Sergeant".
He earned a smoke break for that.

When asked where his home was during an inspection
by the company commander, Boy replied
"Perhaps it is everywhere-on water and land" or
"under the soles of your boots, Captain".  
That one got him two days KP.

Most famously, when asked how battles are lost he replied
"Battles are lost in the same spirit as which they are won, Drill Sergeant".
That one got a big Ooorah and earned him his corporal stripe.
Drill Sergeant wasn't sure what he meant, but liked the sound of it.

We were stationed together for almost two years, Boy and I.
We deployed together. He would scribble by penlight in the bunker,
then scramble across the sand and call in close-air, then back to the poem
while the ground was still shaking, constantly blowing sand off of his journal.

Boy was hit in the left femur by a ****** round one night
while calling artillery coordinates down range.
He always left his field book in his sleeping bag.
I looked through it before it was gathered up
with the rest of his gear for shipping over to Ramstein.

Eighty-three pages of ******* awesome poetry about his daddy's farm,
his grandfather's mountain home, the snowy woods during deer season,
the first girl he loved, dogwoods in bloom, his mother's death in an auto accident.
A beagle pup that he once had.

Boy went home to West Virginia with one less leg.
I called him one Christmas a few years ago
after finding his phone number through a mutual friend.
We shot the usual ****. We were both a little drunk.
I asked Boy if he still wrote poetry. He said no,
he didn't have time with all the ***** that needed drinking.
Not much left to write about, he said. Anyway, poetry's for sissies.

r ~ 5/17/14

You with the sad eyes,
isn't that a song?
It flitted fast across your face, the pain
you hide from everyone
and especially from
me.
Guarding me from it
shielding me, you stand in front of me,
block my
vision
it is too terrible,
won't let me see the
damage.
Uncover my eyes please -
let me look.
Does it hurt when I press here?
Right here,
over your heart?
You're only going to stare on straight ahead,
No,
Please,
I'm quite alright.
And walk on by, quickly now, flash a smile, then hold her tight
Maybe she won't ask questions.
But she wants to.

Running, run after you and I'll probably
trip over my own feet
trying to keep up with you because you move
so quick, snap your fingers and
everything changes.
Caught you.
Reaching out to grab your hand
to make you turn and face me, grasp your face with both my hands
Look at me.
Angry eyes now, so cold, fire would be better,
I touched you once and you pulled away, now I'm
petrified in place.
Pure hot anger is better, you feel
something that way
like love maybe, you feel
love
and you feel
alive.
Cold anger, frozen anger is the worst
kind, the kind you
can't talk about, the kind you
can't feel, nothing can touch you
nothing can make you warm.
Let me touch you, touch you again
I'm warm from trying so **** hard.
I could make you feel okay again,
good again,
wonderful maybe, if you would let me?
No,
Stop,
Stop trying to do that
Words like ice and I'm stuck in this spot I can't even dodge
the frozen shards, sinking into, tearing
my skin, my
eyes freeze wide open, as the
tears turn to icy trails on my cheeks.
Don't touch her, don't go too close with the
ice cold fury because you might
freeze her
but you've done it anyways when you wouldn't tell her,
when you turned
away
so touch her,
touch me.

In the midst of this frigid cold comes your
breath, warm on my cheeks.
Whisper, whisper.  
With the sweetest tongue, the softest mouth and
you love me.
Again and again you love me.  
I love you.  
I love you.
The tune fits so flawlessly, slips
from your tongue to mine
and back again,
again please?  Kiss me, harder
longer,
slower every time, show me
please, how you love me,
need me.  
Sing to me, play
for me, sing the song of how
you love me.
I'll beg if I have to,
please God please.

What do they call it?
Love, I mean.
A rollercoaster
well that is much too slow
the incline not steep enough
the falls not hard enough
but I suppose it will do for a metaphor.
You don't like heights but if you hold my
hand, maybe we could stay up here
a while?  No chance
we drop and hit the ground
then we're tossed back up
skywards, flailing for one another
for a hand for a heartbeat.
With a roller coaster at least you know,
you're never going to hit the ground.  
Please wait until the train has come to a complete
stop before exiting the ride
but I don't want to leave
don't want to let go
I can't, I won't
Promise, okay?
Because I would rather hit the ground in your
arms on this ride
than be anywhere else
I'm safest with you.
I guess it's not so much like a roller coaster after all
but I like what I've written there
so I'm letting you read it.

I never wanted to make anyone
smile, as much as I want to make you.
Your smile, sometimes rare,
occasionally common
is the most wonderful thing
I can think of.
So smile please?
Laugh for me, when you're not
happy I hurt, I want to
curl my body so tight around yours, wrap you up
inside of me
until you stop hurting, and then I'll feel
alright again.
I'll **** it out through your nose, through your mouth,
take the sadness right out of your lungs, see
how I made that sound poetic, when
it's only an inside joke?
Smile please?  
There you go.  
It's not so hard, is it?  Just
do what I do, follow me.
Your smile is so
enchanting
infectious
perfect.  
How could I not
smile
when you are happy?  Because all I ever
want, all that I
need, is for you to
smile.  
And not a fake smile, not so forced -
try again,
a real, genuine smile because you are
happy
to be alive, to be
with me, to be
the most wonderful person in my life, to be
the only one that can make me
smile, really
smile.

And I see that smile,
surfacing from behind that glare that is
'just your face' (it's not your face)
and when it happens, when it
splits open, and you look so happy (that is your face)
I smile and I want to be
close to you,
closer.
Let me touch you, run my
fingers over your
face, and through your
hair and down your body let me
touch you,
touch me?
Touch my face, with your
fingers, with your
lips, tell me how you cannot let me
go
because you need me like I need
you, I can't stay
away from you, can't keep my hands off of
you, sink my fingers hard into the
soft skin of your back because I won't let you
leave, I could not live if you
left.
If you let go of me I will never
make it, not
alone, not without you,
you cannot let go.
Hold me, close to you
next to your heart and never
let me move from there, it is where
I am happiest.

I'm a rap game prodigy
irony like Socrates
that I could spit this philosophy
so flawlessly.
Unmatched like I'm scalene-
scaling my way to the top
so high like I'm a scaffolding
go ahead fold and scowl at me
and watch me cackle sarcastically-
while I tell the masses to become appealing
the apple of my eye is hip-hop do you feel me?
Massive attacks while the males become *****
and subject to the ways of misogyny
oh **** here we go again, this bothers me
what? equality?
Misuse the muse and move through your mind
makeshift mammals mimmicking media monkeys
no wonder half the world's a ******
like you when you see-
the way I spit so fluently
second language, feel the anguish
anger within me resentment
followed by residuals
the world is red and we're all cruel
consumed by corporate corruption
no function left to the fiction of fascism
so fasten your seat-belts and see me belt
way more than 16sixteens, it's sickening
how sick this flow can be so ambiguous
hip-hop is bigger than us-
it's luck, it's lust-
it's a ******* when there's a lack of trust-
it's ****, it's love
it's touch, it's ****
it's drugs and grudges
and beef and *******
it's empowerment, cowards
and records strictly to deflower.
it's appreciation and admiration
and it at one point shook the entire nation-
i'm complacent at the placement of this prophecy
that hip-hop has engrained into me
I'm grateful for the grandfather's
and the sons and the daughters
the step-fathers and mother *******
cut throat music industry
if you don't **** with hip-hop you don't **** with me.
*****.

Zebra-striped cushion covers on soft-white chairs,
cream topped calorie delights, inviting -
this patisserie in Nairobi:
"you're welcome" the smartly outfitted
African girl spoke in flawlessly accented English
as I pore over the menu - a posh girl
dressed in haute denim and a sleeved top
walks in and spoke French in pouted lips
as she found her corner spot, reading;
an Asian couple walk in, wife in hijab
and baby in tow, as the man sneers at me and
answers 'assalamu alaikum' on phone
as I ponder on identity when
the French matron in Yoga tops walks in
saying namaste to me, and calls out for Henry -
her outfitted and bespectacled pomeranian
oh don't we all want to be someone else

My hands are small
wrists delicate
but
they are beautifully worn.

I could run
my fingertips
across
your soft skin
tracing muscles
and grasping all of you.

I want to cup them
and catch your tears
hold your sadness
and allow you to feel healed.

My hands miss yours hands
the space
between my fingers
must be made to fit
flawlessly.

I want
that privilege
of intertwining
and
syncing into each other
through touch.

like two shadows intersecting,
we were flawlessly connected
I embedded my emotions into
every conversation
but time took us apart like it's
own creation
leaving me without you.
we face the sun but we cast separate shadows.

Created by perfection,
Not from without but with great intention,
Physically,you're flawless.
From your toes to your face,
Upto the longest strand of your hair,
Believing this may be a great dare,
But its true,
Its true that the flaws flow from within you,
Not your body,physique or biological make up but the mind,
And to this notion;most of us are blind.
Accepting and loving yourself the way you are,
Makes you shine flawlessly like a star.

I get off the Belt Parkway at Rockaway Boulevard and
Jet aloft from Idyllwild.
(I know, now called J.F. ******* K!)
Aboard a TWA 747 to what was then British East Africa,
Then overland by train to Baroness Blixen’s Nairobi farm . . .
You know the one at the foot of the Ngong Hills.
I lease space in Karen’s African dreams,
Caressing her long white giraffe nape,
That exquisite Streep jugular.
I am a ghost in Meryl’s evil petting zoo:
I haunt the hand that feeds me.

Safely back in Denmark, I receive treatment
For my third bout with syphilis at Copenhagen General.
Cured at last, I return to Kenya and Karen.
In my solitude or sleep, I go with her,
One hundred miles north of the Equator,
Arriving at Julia Child’s marijuana herb garden–
Originally Kikuyu Land, of course—
But mine now by imperial design &
California voter referendum.
(Voiceover) "I had a farm in Africa
At the foot of the Ngong Hills."
My farm lies high above the sea at 6,000 feet.
By daybreak I feel oh, oh so high up,
Near to the sun on early mornings.
Evenings so limpid and restful;
Nights oh, so cold.
Mille Grazie a lei, Signore *******!
Andiamo, Sydney, amico mio.
Let it flow like the water that lives in Mombasa.
Let it flow like Kurt Luedtke’s liquid crystal script.
We zoom in. We go close in. Going close up,
On the face of Isak Dinesen’s household
Servant and general factotum. (Full camera ******)
Karen Blixen’s devoted Muslim manservant,
Farah: “God is happy, msabu. He plays with us…”
He plays with me.  And who shall I be today?
How about Tony Manero for starters?
Good choice. Nicely done!
Geezer Manero:  old and bitter now,
Still working at the hardware store,
Twice-divorced, a chain-smoker,
Severely diabetic, a drunk on dialysis 3 times a week.
Bite me, Pop:  I never thought I was John Travolta.
But, hey, I had my shot:  “I coulda been a contenda.”
Once more, by association only,
I am a great artist again, quickly made
Near great by a simple second look.
Why, oh God? I am kvetching again.
I celebrate myself and sing the
L-on-forehead loser’s lament:
Why implant the desire and then
Withhold from me the talent?
“I wrote 30 ******* operas,”
I hear Salieri’s demented cackle.
“I will speak for you, Wolfie Babaloo;
I speak for all mediocrities.
I am their champion, their patron saint.”

Must I wind up in the same
Viennese loony bin with Antonio?
Note to self:  GTF out of Austria post-haste!
I’ve been called on the Emperor’s carpet again,
My head, my decapitated Prufrock noodle,
Grown slightly bald, brought in upon a platter.
Are peaches in season?
Do I dare eat one?
I am Amadeus, ******, infantile,
An irresistible iconoclast and clown.
Wolfie:   “I am called on the imperial carpet again.
The Emperor may have no clothes but he’s got a
Shitload of ******* carpets."
Hello Girls: ‘Disco Tampons!
Staying inside, staying inside!
Wolfie: "Why have I chosen a ****** farce for my libretto?
Surely there are more elevated themes . . . NO!
I am fed to the teeth with elevated themes,
People so lofty they **** marble!"
Confutatis maledictis,
Flammis acribus addictis.

So, I mix paint in the hardware store by day.
I dance all night, near-great again by locomotion.
Join me in at least one of my verifiable nine lives.
Go with me across the Narrows,
Back to Lenape with the wild red men of Canarsee,
To Vlacke Bos, Boswijk & Nieuw Utrecht,
To Dutch treat Breuckelen, Red Hook & Bensonhurst,
To Bay Ridge and the Sheepshead.
Come with me to Coney Island’s Steeplechase & Luna Park, &
Dreamland (aka Brownsville) East New York, County of Kings.
If I’m lying, I’m dying.
And while we’re on the subject now,
Bwana Finch Hatton (pronounced FINCH HATTON),
Why not turn your focus to the rival for Karen’s heart,
To the guy who nursed her through the syphilis,
That old taciturn ******, Guru Farah?
Righto and Cheerio, Mr. Finch Hatton,
Denys George of that surname—
Why not visualize Imam Farah?
Farah: a Twisted Sister Mary Ignatius,
Explaining it all to your likes-the-dark-meat
Friend and ivory-trading business partner,
Berkeley (pronounced BARK-LEE) Cole.
Can you dig it, Travolta?
I knew that you could!

Oh yeah, Tony Manero, the Bee Gees & me,
A marriage made in Brooklyn.
The Gibbs providing the sound track while
I took care of the local action.
I got more *** than a toilet seat, a Don Juan rep &
THE CLAP on more than one occasion.
Probably from a toilet seat.
Even my big brother–the failed priest,
Celibate too long and desperate now–
Even my defrocked, blue-balled brother,
Frankie, cashing in his chips at the Archdiocese,
Taking soave lessons from yours truly,
Taking notes, copying my slick moves with chicks.
It was the usual story with the usual suspects &
The usual character tests. All of which I flunk.
I choose Fitzgerald's “vast, ****** meretricious beauty,”
My jumpstart to the middle class.
I spurn the neighborhood puttana,
Mary Catherine Delvecchio: the community ****
With the proverbial heart of gold &
A backpack full of self-esteem deficits.
I opt out.  I’m hungry and leaping.
I morph again, grab *** the golden girl.
Now I’m Gatsby in a white suit,
Stalking Daisy Buchanan in East Egg,
Daisy: her voice full of money;
My green light flashing on the disco dance floor.
I, a fool for love; she, my faithless uptown girl,
Golden and delicious like the apple,
Capricious like a blue Persian cat.
My “orgiastic future” eluded me then.
It eludes me still. Time to go home again to the place
****-ant Prufrocks ponder their pathetic dying embers.
Time to assume the position:
Gazing out from some trapezoidal patch of green
At the foot of Roebling’s bridge,
Contemplating an alternative reality for myself,
A new life across the East River,
In the city that never sleeps.
I crave. I lust. I am a guinzo Eva Duarte.
I too must be a part of B.A., Buenos Aires:
THE BIG APPLE.
But I am ashamed of my luggage,
Not to mention my baggage.
It’s like that last thing Holden Caulfield said to me,
Just before he crossed over the Brooklyn Bridge,
Crossed over to Manhattan without me,
Leaving me alone again, searching for our kid sister,
Phoebe, the only one on earth we can relate to:
“It’s really hard to be roommates with people
If your suitcases are much better than theirs.”
Ow! That stung; that was a stinger.
I am smithereened by a self-guided drone,
A smart bomb full of snide antigravity,
Transformational and caustic.
My meager allotment of self-esteem
Metastasizes into something base,
Something heavy and vile.
I drop to earth like lead mozzarella.

I am unworthy, unworthy in the maximum mendicant,
Roman Catholic mea culpa sense of the word.
I am now Umberto Eco’s penitenziagite.
I am Salvatore, a demented hunchback
(Played flawlessly as a demented hunchback by Ron Perlman),
Spewing linguistic gibberish in a variety of vernaculars:
“Lord, I am not worthy to live anywhere west of the Gowanus Canal.”
By East River waters I weep bitter tears,
The promise of a promised land denied.
I am a garlic-eating Chuck Yeager,
Auguring in, burnt beyond recognition,
An ethnic trope, a defiant Private Maggio
From here and for eternity,
Forever a swarthy ethnic stereotype
Trying to escape thru a small but significant
Hole in the ozone layer above South Ozone Park,
New York, zip code 11420.
That’s right, Ozone Park.
If you don’t believe me, look it up.
GO ******* GOOGLE IT!

And I just don’t know when to quit.
So why quit there?
Work with me, fratello mio, mon lecteur.
Like you, I took the LSAT so long ago.
Why am I not a distinguished American jurist
Asking the one question that seems to be on
Everyone’s eugenic lips today:
“Aren’t three generations of imbeciles enough?”
I am Charly from Flowers for Algernon,
A slow learner with a push broom, swept up in
Some dust from Leonard Cohen’s cuff.
Lenny: a grey-beard loon himself now, singing
“Hallelujah” for fish & chips in London’s O2 Arena.
“Suzanne takes you down, Babaloo!”
At last, I am Jesus Quintana—
John Turturro stealing the movie as usual--
This time in a hair net and a jumpsuit,
"Made of a comfortable 65% polyester/35%
Cotton poplin, you can even add your own
Ribbon leg trim and monogramming
For just the right look to be one of
The Big Lebowski’s favorite characters.
Mouse-over the thumbnail below to see our actual style
(Color must be purple). Style #: 98P, Price: $55.95. On sale: $50.36.www.myjumpsuit.com."
Fortunately, I am a savvy marketeer:
I understand the artistic potential, the venal
Possibilities of product placement. Go with me
To that undiscovered country.
The humanities uncorrupted till now by
Crass gimcrack television ads. That’s right:
******* commercials smack dab in the
Middle of a ******* poem. Why not?
Great literature has always been about
Selling something, even if only an idea.
Hey, **** me, Herman Melville!
We both know the publication costs of
Moby **** were underwritten by the tattoo artists &
Harpoon manufacturers of New Bedford,
Matched by a small research grant from some
Proto-Greenpeace, Poseidon adventure in some
Great white whale-watching swinging soiree.
Murray the ******* K, pendejo!
At last, I am The Jesus, a pervert & pederast,
According to Walter Sobjak—another post-traumatic
Post Toasty, like me, still out there in the jungle,
Still in love with the smell of ****** in the morning.
My bowling buddy, Walter, comfortably far to the right of
The Dude, and Attila the *** for that matter,
But who gives a **** if Lenin was The Walrus?
(“Shut the **** up, Buscemi!”)
“Once you hang a right at Hubert Humphrey,”
Said the streets of 1968 Chicago,
"It’s all ******* fascism anyway.”
That creep could roll, though, and as we know so well:
“Nobody ***** with The Jesus.”
Can you dig it, Travolta?
I knew that you could!

INCOMING!
I just heard from an old girlfriend who is miles away,
Teaching school in Navajo Land.
The Big Rez:  a long day’s interstate katzenjammer,
A Route 66 nightmare by car, but by email,
Just down the block and round the corner.
I had previously closed an email to her with a frivolous
“Say hello to my stinky friend.”
It was a total non-sequitur, an iconic-moronic,
Ace Ventura-mutant line from Scarface,
Which may have meant–in my herbal lunch delirium—
That she should say hi to some mutual acquaintance
We mutually loathe, Or, perhaps an acknowledgement that she–
My surrogate Cameron Diaz–has a new **** buddy,
Of whom I am insanely jealous.
Or maybe it was a simple Seinfeld “about nothing.”
Who knows what goes on in that twisted *****’s head?
She spends the next two hours in a flood of funk,
A deluge of insecurity.
A veritable Katrina ****** of self-consciousness,
Interpreting my inane nonsense in terms of vaginal health.

Hey, you want to ruin a woman’s day?
Tell her, her **** smells.

Have you ever witnessed
such flawlessly executed
blissful ignorance?

Who are you, and why
have I brought you here?

13 days--just shy of two weeks;
and here you are.
The paint hasn't dried
the pain
still damp to the touch

Pressing eager fingers
still results in
pretty residue, that
leaves fingerprints on every subsequent touch

And, dry,

Pressing eager fingers
still results in
***** flakes, that
reject fingerprints altogether

So why
have I brought you here?
To watch paint dry?
Leave while it's wet,
save yourself the water
it takes to wash your hands

Save yourself the time
it takes to wash your soul
from the presence of

such flawlessly executed
blissful ignorance.

Time ticks away every moment, the fluid motion of hands turn the pages quickly day by day, way too swiftly, the storms all pass. The rain washes away the pain of the disturbing rust filled day. Awake, barely awake, senses touch, feel, and make some curious thoughts, wonders. The passing of light creates whiplash across the skin. Burning, never still, against weak wills of consciousness. Reaching, yearning for a hunger that cannot be filled. Beaches, mountains, valleys, highs and lows, no, nowhere can fill the void. Madness, vines of ever reaching obscurity keep the ground all too near. Here, there, glass surrounds, shattering at the slightest bit of resistance. The machines work flawlessly to produce each and every last breath, until all is spent in a blunder of malcontent. We’ve all gone mad, so crazed with wonder that numbness is all that exists. Resistance, resist, worn down by the consistence of the system. Far too complex, far too submissive, this could only be, not but an accident, but a purposeful disposition of a far too ineffable being. To live, we call it, should be humorous, a good laugh, mindless, in essence. Tell me why we try; it’s in the design, embedded deep within. Some sick game of a narcissist, some race that we cannot complete, due to lack of whereabouts, purpose. You should laugh due to the fact that you will go back to work eventually, inevitably. Work.  Pointless and wasteful, trying to find a temporary need to exist. Society, all gone excessively insane, not a single logical reason for doing anything. To do, without the conclusion of completeness, and the answer to the question, why?  I just don’t know.