Strange sounds quietly etch from under places
No one ever wants to chance
Calling out softly to those who can hear them
In a repetitive wistful chant

Speaking of darkness in voices unknown
Faintly crying out to be heard
Telling sad tales to those who can hear them
Without ever saying a word

Lonely winds reverberate around misty cold
Stirring the etching of sound
Seeking the spirits of those who can hear them
Wherever they may be found

A touching of minds in wistful repetitive chants
Stirring the sound of misty cold
Quietly etching into the hearts who hear them
The sadness of their souls

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The coca-cola breath!
Flashing lights, tweetie birds, the rough narcotic stench

The sky is devoid, it is scared of the streets etched in starlight, everything shining-- tangerine and Coit and ohhhh boy
don't'cha know what you're in for?

Twilight and she is a figment on my mind
the bark of cigar is fiery opal on my slender frame
I can hear something along the lanes of love
Echoing behind me, the rising sun

Funny dudes in new suits, pressed, steamed, machine-rolled
pills in the pockets
shipped locomotive
Every etching has its china
every etching is porcelain skin
The fog is a silken balloon, unconcerned, wayward
The men longingly abide in its cool, the breath of an over-excited lover, singing in the showerhead an embarrassing microphone
over the west coast

It's all over! it's the end
the roads are devoid of the things that called you
They are a clarion horn on the Claremont, facades etched with windowpanes
here the americans eat tofu and pretend it's bacon

I am in the rapidly rotating spoke, enjoying the taste of woodchuck, upchucking my guts every Sunday, white knuckle-- praying to god
release
release

what a steal that's a fantastic car for the price!
it is only 10 years of payment
only 10!
House worth 40, kids worth 60, medicinal payments
corn flakes
Fortified iron gates and god says,
naw let them all out until they drown,
I'll never flood the earth but I'll make it puddles
and if they want they can lay face down

I am eating Korean stew and wondering what will happen
when unification builds a railroad from Moscow to Busan
I will travel it and write a novel or two
it will be
"On the Railroad"
and start in San Francisco or a little while outside
on an October evening with not a fog in the sky
Just sky, blue, blue sky
A child on the hillside
blowing bubbles in the apartment complex or the gravel mound
next to new homes, now cookiebread gingerbed frames
Doing tricks on BMX bikes, getting our elbows smashed, a designated paramedic
It's all built up now, concrete streets and lonely streetcorner lamps saying
Hey we're gonna light up this little space
Hope you don't mind
Please don't play too loud

And given that these spheroids are monumentally moving
hurling like a pitched water glass
everything staying put under the motion of it
Such a lovely rooting of mass

I will call alongside it, crawling towards answers etching on murals and on the stamping of curbs
E-5 West main
4451 Lowell Street
554 Happy Valley Road
It's all the fun little tributaries of surface waters
heading with precognition towards seas
roped into it by specific gravity

On the phone i spoke to Mr. Victorious
I asked him about his particular drone
down south there in the more direct limelight of the night
he told me about his uncle, in prose
of course
we just hung our heads over the speakerphone
Not sleeping the way we should
shouldering burdens as ***** in deserted zones
laughing and preaching to cottonfields

Then there was the girl
the one we forgot, truth be told
The one unrequited impetus for all art, all physicality and feeling
loved by god in the corporeal
She is the saffron reed in my eye, the one i forgot to preach Victory to
She that one oblong pebble, rolled by the stream
passing our campgrounds and continuing her journey to sands
small little microscopic tetrahedral perfection
I could get stuck in between my teeth
or perhaps left on the sweat of the skin
the lost moments of beachside living, love for the expansiveness, left in the diner seat of the car, gotta keep moving
Carrying her away and if not careful,
nestling her back atop the summits from whence she came.

it is a cola in the glass on the shores of the bay,
it is a divine moment of contact in the oceans
two sailors acknowledging their vessels
with light shows and the play of eye
off the horizon, a green light o' sprite.

The truest bliss you impart upon me
sends a shiver down each column of my spine,
etching track marks over all my body,
a drug no-one can perfect or refine.
Your visage leaves lightning bolts on my eyes
and a heart palpitating in my chest.
Your body silhouetted in night skies
melts my deepest poetry to mere jest.
When we touch, it smashes my composure
into oblivion and far beyond.
When we lock eyes, I'm chilled from exposure
but for certain, only I feel this bond.
Although I strive for a day we would meet,
with the others, I could never compete.

My body somehow knows
The grief tomorrow holds.
I ache and throb
But I cannot sob;
The urge to cry
Stings my eyes.
My feet drag heavily
In the depths of this valley.
Every year without fail
I remind myself I am too frail.
"You're strong without the numbers,"
Yet I was too weak to pull you from your slumber.
Each March 22nd
Feels just like the 1st end,
When your heart stopped beating
And mine started bleeding.
I'd skip this whole day
But I'd miss the chance to say:
I miss you, lovely little hurricane.
It's all I can do to keep sane.
The smell of mint
Hurts just a hint.
The skinny jeans and hair bows
I could never disown.
I wear your effect  
On my forearm *****.
The pain of loss is akin
To etching you into my skin.
My hands shake with cold,
Though not as cold as a headstone.
Oh, how my body knows
The grief tomorrow holds.

.
Snow drifts down
     laying a lawn cold sheet
across the frozen ground,
          creating art reliefs
like acid etching glass,
open space rolling and undulating,
in small hills and depressions,
     bedecked in a veil of white.
The silence is deafening,
quiet having been enjoyed
     and surpassed,
briefly punctuated by the call of a bird,
     A sharp whistle that shrieks
and attacks the silence.
The fresh smell of snowfall wafts up
     as it settles and glistens
in the light of silver moonbeams,
randomly peeping through clouds.
The taste of peace,
                     tranquility,
in the frigid air,
sends imagination soaring
from the desolation of isolation
to another time and place.
          The snow falls,
     falls,
in a relentless race for the ground,
               all is still,
               nothing stirs,
as the moor welcomes its quilt
and sleeps with a cold heart,
     dreaming,
                       of being kissed by the Sun.



© Pagan Paul (28/05/18)

Around 4 in the evening, I proceeded to Karaikkal, a Union Territory.

By the time we reached Nagapattinam, I noticed that the driver was tired and asked him to have a strong cup of tea. When he was gulping it reluctantly, I, who did not like strong tea, watched the cows walking along the narrow ways. But, the cows did not look at me. The cows I watched. The cows that did not pay any attention to me. I was a bit out of breath realizing how quickly nonexistent relationships were formed in an unknown Tamil village.  I lit up one more cigarette. I remembered the doctor in Britain, a stunning beauty, who prescribed that as soon as I found it difficult to breathe I should light up a cigarette. ****! When it is hard to breathe because of nonexistent relationships and when I light up a cigarette as an antidote to that, there appear row upon row of relationships of some sort or other.  

I began to detest bitter strong tea. I was irked by the cows that went along the narrow ways. I felt hatred towards their not so small udders. An afternoon dawned one day when I felt the same kind of vengeance towards udders. The blood stains from the udders that were slashed down emerged on my hands, legs, back and under belly.

Once again I felt revulsion for bitter strong tea. The driver sipped the hot bitter tea. I hated the moment when I asked him to have tea. I loathed the words that I used to say that. I despised even the words that I had kept in reserve to say that.

Then, I watched the people etching tattoos by the roadside. I wondered how it will be if I got a tattoo for myself.  I tried to recall how deep I was to get a tattoo done.

A person I liked.
A name I liked.
A place I liked.
A digit I liked.
A syllable I liked.
A memory I liked.

I felt a lot of aversion. Wondered if I should tattoo my mother’s name on my shoulder. I found it amusing that when I die people may identify me by my mother’s name. But, I felt sad when I thought that stranger women may plant their kisses on it. ****! I felt so sad.  I abhorred those bitter cups of tea and narrow ways. I lit up one more cigarette.  Then, I, who tattooed my mother’s name on my shoulder, started decaying on the spot.  Rotting with a terrible stench. The people, the cows and the goats that I did not mention before bolted.  Abruptly, the driver came and told me that we could move from there.  I felt so bitter towards even the bitter tea that was inside him.

Somehow, we reached Karaikkal. Yes, at 630 in the evening. Even though I had never been to Karaikkal, a Union Territory, I sat on the same chair in the same corner of the same bar. The bearer poured me the wine.

He kept pouring the wine.
He kept pouring the wine.
The wine kept emptying.
The wine kept emptying.
The wine kept unraveling.
The wine kept unraveling.

It was a Dutch woman who gathered me up and took me with her when I got totally unraveled. She was older than me. There was no power in her room. The way she washed my body in lukewarm water could have put to shame even the midwives giving a bath to babies. When I rose up sometimes and asked her name, she sealed my lips with hers. When it was repeated many times, I thought that her name must mean something like a kiss. And, she never spoke a word except with lips.

Unraveling wine, lukewarm water, the nonstop conversation by lips. Though lips got tired, I heard the murmur from my pelvis. She too must have heard that. She touched my *****. Quite a guy she exclaimed cracking a joke. Told her I salvaged it from the sea at Tanjore and it was some temple mast some sculptor abandoned. If it’s a temple mast, let the festival begin she said.

It was some festival.
Festival of festivals.
Black lacquer bangles, vermilion, ribbons
Hydrogen balloons
Spinning tops
It was some festival.
Festival of festivals.

A simile as washed out as a festival ground emptied of crowds. For the lack of a better one.  Returned from Karaikkal, a Union Territory, at some hour.  I dumped that taxi driver on the way. Not only because I was disgusted with bitter tea, but also because his name was not Thintharoo.

I can never again put up with a driver whose name is not Thintharoo.




**(trans by Ra Sh)

Dear Poet Friends, over the last few years I have seen some of our poets make passing remarks about Van Gog, thereby displaying their interest about this talented painter, who had died unrecognised!  Vincent gained full recognition posthumously, for which his brother Theo’s wife was greatly responsible. Hope you like this short and concise true story in verse. Best wishes, - Raj

   A TRIBUTE TO VINCENT VAN GOG’S
                      SUNFLOWERS
                        B­y Raj Nandy
  
”One may have a blazing hearth in one’s soul
  and yet no one ever come to sit by it. Passerby
  see only a wisp of smoke from the chimney and
  continue on the way.” – Vincent Van Gogh(1853-1890)

A BRIEF BIOGRAPHY :
Though during his brief life-span of 37 years he had
remained almost wholly unknown;
His artistic talents began to exhibit itself during his
early years, -
To become a colossus amongst post-impressionist
painters in his later years!
The son of a Dutch clergyman, he had worked in
various capacities, -
In his uncle’s art gallery, in a bookstore, and pursued
theological studies in Amsterdam University.
Also followed by a short stint in Belgium’s coal-mining
district as a lay missionary!
At the age of 27 years took to painting with financial
help from elder brother Theo,
Who encouraged and helped him for the next ten years
or so.
This was the most creative period of Vincent’s life,
Followed by an attack of dementia when he cut his
own ear lobe risking his life!
On 27th July 1890, he shot himself, bringing his
great artistic career to a tragic end!

SERIES OF ELEVEN SUNFLOWER PAINTINGS:
Vincent commenced his famous sunflower series
to decorate his house in Arles, France,
While anticipating his friend Paul Gaugin’s visit in
advance.
His first four canvases had paintings of cut sun -
flowers in bunches of twos and fours;
Painted in Paris during Aug-Sep 1887, which the
world still adores.
But his later Arles series of seven still life canvases
are better known to us;
And this series of paintings had made Vincent
internationally famous!
The most valued of these seven is a vase containing
a bunch of 15 sunflowers, -
Now displayed at the Art Museum in the city of Tokyo;
A Japanese firm had paid 40 million dollars at an
auction for this masterpiece to show!

                    A SHORT CONCLUSION
Vincent brought his passion for sunflowers from his
homeland in Holland.
Which became synonymous with him like those ‘water
lilies’ with his contemporary painter Claude Monet.
Vincent painted the various stages of the flowers in bloom;
From its budding stage till it wilted and swooned!
Chrome yellow and yellow ochre made them look fresh;
And arid brown and somber shades showed its wilted stage!
Thus his paintings covered all angles of spectrum of life
itself;
In turn reaching a deeper understanding of how all living
things are tied together and made !
His explosive energy was displayed through his vibrant
shades of yellow.
Using red for passion, and green for conflict to show.
Grey shades were used for life’s inevitable surrender,
with blue symbolising infinity;
Thus this Dutch Impressionist painter harnessed a
moment of time in eternity!

Foot Notes:-
Dr Jan Hulsker, a foremost scholar on Van Gogh, had said that this Sunflower series of paintings brought Vincent eternal acclaim & fame! During his short life span he made 700 paintings, 1600 drawings, 9 lithographs & one etching. His ‘Potatoe Eaters’, ‘Red Vineyard’, ‘Starry Night’, - are all famous paintings. Paul Gaugin, & Claude Monet, were his other ‘Impressionist’ contemporaries. Impressionism  emphasised changing qualities of light & colour, visible brush strokes, open composition,  creating an impression of a moment of time! Derives its name from Claude Monet’s harbour painting titled “Impressions & Sunrise”. This art form became popular in 1880s and 1890s.
*ALL COPY RIGHTS RESERVED BY RAJ NANDY

I admire you,
I really do,
The way words flow through you,
Almost like you're some form of prophet,
Each syllable etching a new crack of brilliant clarity in the timeline of our former hazy days.
I admire you,
I adore you,
Let me keep you.

Forgotten flesh behind cold walls,



pressing nose to steamed glass--


With weightless memories,
your ache hides within a dream
like whispers on a scream.


--playing moon games.

a black widow wrapping
flies is the only sound.

The silence roared like fire,
standing in the shadows of surrender...

etching goodbye in the mist.

Diacridic
He lays
While the leaves sit underneath
the brilliance of sincerities tree,

and thinking to you
were all the things done by.

As it were
Discriptless
Pages left turned and inkless
What's left behind inside
the minds of an intertwining summer
a conclusion predesignated.

I saw to you,
just as I waved hello to goodnight’s moon.
As they touched along the surfaces
fleeting into the skin
A welcomed wound.

And didn’t you know,
That the pictures I stole
Of every point of you
Were etching onto sheets of heaven
into the reflections of the mirrors
that sit before your bedside.

While it rests
with mixed spirits,
the roses that I bore

Passing through glowing bodies
are the images you started to dream with me
while the silences burrow

A judgement left only partially bridged.
Melded with the manifestation of adoptions quest

And as the calls ring in secluce,
I still feel that this alley is ghostless
Lest this vase breathe the life
of unwilted flowers

where the flip sides meet
on the evenings tides
joined by charmed indifferences

in company with the character
of an old flame,
only tangible with
lights which lay ahead.

medleyed in to what's to be.
​

the river flows as
living memory

the birds of the
Nile are its
knowing eyes

fly catchers
ply the rich
delta
probing
sediments
of sand
washed
from
distant
Nubian
mountains
eons
ago

layers of
recollection
go fathoms
deep

shrieking
gulls
plumb the
mud flats
with heroic
persistence
as they did
when the
first rafts
drifted out
of the
Great Rift
ferrying
civilizations
forebears
to the
opening chapters
of world history

the first
seafarers
competed with
greedy spoonbills
to navigate
porous
papyrus
crafts
through
the narrow
channels
of the
Damietta,
transporting
ideas, skills
and goods
to build an
emerging
world

mallards
troll the
same
gentile
eddies that
goaded the
Mother of
All Waters
to float the
basket cradling
Yahweh’s
infant prophet
Musa, into the
loving arms
of Bithiah
who nurtured
the vanquisher
of Osiris’
galleries of
Gods

a litany
of conquests
rolled on the
silver waves
of this river

conquerors
maneuvered
the truculent
currents
like sharp
eyed hawks
skimming the
pliant waters
with well
extended
razor quick
talons
picking the
Nile’s bounty
clean

this fertile
delta remembers
more than
6,000 seasons
of harvests

the
cycles of time
has produced
seasons of plenteous
abundance and
desperate privation
all cleverly exploited
by generations of
fearless herons
who wrangled
the demons
of hardship
to route the
dread of hunger
expelling despair
from the Egyptian
DNA, etching
a new hieroglyph
of freedom onto
survivors hearts

the Niles
sorrows
and glories
perpetually
wash this
magnanimous
delta
surely as
the gentle
wakes
of feluccas
continue
to lap its
shore

the marshes
have not withered

the verdant
reeds prosper

flamingos find
the water
rich in fish

in due
season
the red
lotus will
paint
the arcuate
alluvial
fans in
scarlet
autumnal
hues

In the
Valley of
the Kings
the shadows
of migratory
flocks mark
the foundation
stones of the
pyramids
as they did
when slaves
pushed them
into place

the eternal
lines of
pharaohs
rule has fallen,
their gods
imprisoned
in hieroglyphs
adorning their
royal tombs
on display
in the worlds
museums

the weathered
pyramids continue
to crumble

the face of
the sphinx
withers away

torrents of
blood flowed
in this rivers
currents, now
strained clear
by the reeds
anchoring
its banks

the fleeting
rule of regimes
are pictured
as momentary
reflections
skimming along
the ripppling
water; the
rise and fall
of rulers is
captured like
the shifting hues
sunrises and
sunsets bespeak
upon the waters

the ascending
waves of
the Sacred Ibis
dance atop
the Nile’s gray
waters; the
river jumps
to life as the
graceful wings
take flight
to foreign
destinations;
expecting
to return
again as
the cycles
of seasons
round once
more

as the Nile flows
its memory deepens
the eyes of the birds
watch and remember


Music Selection:
Gary Bartz, I've Known Rivers

Oakland
3/31/12
jbm

With each
CLICK
Our breath is held
Will he,won't he
Will he, won't he
The suspense is killing me
And....****
Door left open still
Pestered by the plebeian chill

In this gay little coffee shop
Surrounded by the unrecognised talent of Brighton:sketch artist staring at me, writer on his laptop, songwriter etching vigorously with his pencil.
All of which aren't closing the door.

The eyes roll.
Labouring my body up, hammering my legs across the floor, turning the factory handle.

All is ask is for some carrot cake,filtrate water,polo jumpers, avocado salads,tiger bread, slimmer trousers, slipper sock , a toyger.
Click
And then images of Kim Jong un pass through my head.
If I ruled you'd all be dead
Firing squad for an open door,
Loud music on the train'll be no more.
Stop the screaming misbehaving brats
The rabble of Spanish students
All this PC stuff on the news, train seats filled with cans of *****

Suddenly
The artist strolls up
Let's down his cup.
Closes the door swiftly
And slips back in his chair

Oh, so there is a god.

I guess Jesus didn't lie.

He writes boy on his leg
Etching the letters the world won't understand
Wishing the felt tip pen could
Break the gravestones on his chest
And fill the valley between his legs

He writes boy on his leg
It's a word kept secret in fear
He's a mustang learning his legs
And the world is a pack of vicious wolves
They don't know what to call him
Only he does

He writes boy on his leg
Takes a picture and sends it to the one he knows understands
The flash against his pale skin stark and bright
Like sleepy eyes against fresh snow

He writes boy on his skin
Because he can't write it anywhere else

The Rockies sing to us at sunrise

      when crystal snow-capped peaks
chant iridescent matins to the dawn,
      the dawn of a fresh new mountain day.

Luminous pastel clouds
     hover across the horizon
painting the hills and valleys below
     in mysterial shades of
lavendar, amber and rose.

The Rockies sing to us at daybreak
      when every crest and vale
unites in raising anthems to the dawn,
      The dawn of a bright new mountain morn.

Forests and fields awaken.
      A bull elk grazes by an alpine lake.
An eagle soars through the morning mist
      over rainbows of Indian paintbrush.
A hilltop lake spills over its rim
      and cascades down the *****
etching serpentine streams in the valley below.

We can hear the mountains singing.
      In every creature, ridge and flower
They bring to us their jublilant songs
      of wilderness, wildlife and wonder
.

We can hear the Rockies singing.

      The mountains sing forever!

*June, 2009

The amount I've written about you is becoming problematic dear...
When will the ink run out?
When will the trees start screeching at me to give up?
I'm going to have to stop etching these words onto their skin.

Are you sound of mind?
Addicted to dandelions
like the ocean is to ice.
Wait outside the blood bank,
learn how to write dialogue
and make saccharin spines.

My journal is a tangle of spines,
keep an open mind
help me box up my ****** dialogue.
I’ve always been a fan of dandelions
etching paths along the river bank,
streams within the winter ice.

Buckets of camphor ice
relax the notches in spines
as we wait in line at the food bank.
Thoughts of jawbones on my mind,
the taste of dandelions
and organized pre-scripted dialogue.

Backhanded blue dialogue,
counting the vanilla crystals of ice
blowing the smell of cinnamon into floating dandelions.
My hands handle happiness spines
with the peace of mind
of money in the piggy bank.

Let's rob a bank
shooting quiet malleable dialogue
through an altered state of mind.
Your ribs are two sheets of ice
ivy wrapping around our intertwined spines
crumbly blowing breaths of dandelions.

Second hand dandelions
build up in the river bank
muddy trenches around spines
whisper outspoken blue green dialogue.
Three pounds of dry ice,
warm water vapour at the back of my mind

Store buy your dandelions, bear in mind
that the West Bank is covered in ice
and that spines speak their own muted dialogue.

You say "Your body is a temple."
I agree; My body is a temple.
But I think you may be mistaken.
that God may not have given us a temple to be kept ordered and clean;
but Our God, Our Creator, Our Father
Saw fit to, instead, give us a blank canvas.

You say "Your body is a temple."
I agree; My body is a temple.
And when I look at the darkness of the night and the brightness of the stars and the colors of the ocean waves;
When I gaze at the sun and the great forests and the smooth valleys and the rolling fog;
When I take in the majesty of drifting continents and the lull of summer heat and the taste of bitter herbs; I breathe in deep.

You say "Your body is a temple."
I agree; My body is a temple.
And when I think of the Glory of my God my atoms tingle, my adrenaline floats into my blood stream,  my eyes dilate, my capillaries expand and decrease synchronously with the flushing of the chambers of my heart, my nerve impulses rustle along my axons.

You say "Your body is a temple."
I agree; my body is a temple.
A place to worship fervently, with every word and action; with every thought and movement; with everything that I have been given, my body cannot help but to cry out to the greatness of He who made me.

You say "Your body is a temple."
I agree; my body is a temple.
and when I look at my clean skin, smooth like paper;
I cannot help but want to proclaim the Greatness of my God with the etching of the hues of the mountains and the shades of the sea.
I want nothing more but to reflect His Glorious creation back to Him.

for Nick and Kaitie

1.
Yesterday, right when our call got dropped,
I was going to tell you something about marriage.

I was going to tell you something gnomic,
a maxim worth getting engraved.

I've since forgotten,
but I believe it was akin to saying that, like Truth,
marriage is impossible to define in verbal space.

So, I guess I'm glad I forgot. The words
would've seemed either too hastily conceived for their subject matter
or else weightless, enigmatic – without impact.

I think it was Auden who whined, “Marriage is rarely bliss,”
though he lightened the phrase by encapsulating it in the context of modern physics –
namely, *at least it has the ability to take place,
and that should be enough to bring bliss equal to Buddha’s Emptiness.

So, I'm happy our call got
dropped,
for the dial tone was
the pithiest aphorism on marriage any sentient life could've produced.

The key word is “produced.”

2.
    This is what marriage is not:
Socrates gurgling hemlock
    on his dusty prison cot,
giggling as he glimpsed a dikast’s deformed ****;

    Nietzsche tenured for philology
at Basel; Nietzsche feverishly etching
    Fick diese scheiße! on a Jena clinic's wall; biology
predetermining the team for which he was pitching;

    a poem; a hotdog; *******;
a discharged Kalashnikov
    engendering generational pain
somewhere in Saratov

    circa 1942;
this is what marriage is not:
    hatred, jealousy, ballyhoo,
obsessive yearnings for a yacht;

    this is what marriage is not:
anything one pair of hands has wrought.

  *August 22, 2013

Dreams are beautiful things.
Memories of past's fights,
Hope of a future light,
For a tomorrow so bright.
.
Thus we must work together.
To save our imagination before it rots.
Go out flaunting our true colors
and achieving the dreams we all sought.
.
The fell deeds of men
can be forgotten, words can not.
For they are forever etched immortal.
That's the power of dreams and thoughts.
**- Aks & Vergil.

It all suddenly seems to make sense
As you lie in your own filth

Naked, cold, intoxicated
Yet, happy

As you stare at a blank canvas
With quivering hands

Hoping to leave behind
A few stupid memories

Had there been a time where idealizations were accepted among the walk of reality that lie before us it may all prove to be a bit more comforting.
Where the daunting banter of voices that sat atop my conscience were able to soothe the pain of grieving without true loss.
Heartache failed to be coupled with death.
A place where we could walk hand in hand with dark, empty vessels sent to sail with a destination that is but a passing fog and direction pinpointed out by wanderlust souls.
We lie with a marker of selfishness that runs so close to the bone- etching its edges into our flesh with such vigor that one could hardly ignore, yet it sits on the back burner.

Come with me, my love, dance in my graveyard of pasts.
Take in the sights of freshly filled earth that mold itself beneath our feet as we take a gander at what was.
Here lies the spring evening under the sycamore, young hearts screaming with excitement, the way the wind intertwined among-
The nearly bare branches of autumn rest peacefully with the skin coat worn as a declaration of verses that died between clenched teeth and sealed lips.
This is the laughter worms now feed on.
Here are the fingertips and silk braced locks buried alongside one another but never to touch again.
Pay mind to the faces piling up adjacent to the stone wall, laugh lines rotting by the rise and fall of moonlight.

What a spectacle of self, is it not, dear?
We can witness blue fade to black, closing the light on this scene.
Sit here and rot beneath the sycamore tree.
Clench our hearts between our teeth and swallow messenger bottles along with them.
Never to walk in unison but let one dissipate aside the other.
Let our memories of memorized bone structure fall before our very eyes- wouldn't it be grand?

Induct this into the cemetery of past and do away with the make up of oneself.
We will let this idealization fall cold,
Watch rigor mortis seep in with such mesmeric fashion.
Tuck it away before pre-thought memories taint themselves with reality.
Lower it down under into the ever so charming embrace of wood and soil, mites and fungus.
Clean our hands of touch ever so sacred.
Let it bleed out, darling. Let it decay.
Anyway- how will we remember this when its done away with today?

Let the grieving sink in, just to coddle remembrance of nothingness.
Embrace the black holes swallowing pieces of us.
Dance among the treetops and feel the wind, when our memory dies we can truly begin.
And again,
And again.

Like whispers, nighttime speaks.

Water falls to the creek
My blood flows of emotion
As a tear drop leaks.

Whispers

The sky thick with ice
foggy visions
Fill my sight.

Nighttime

Whisper in my ear
Winds of change
Are getting near.

Serene

Thunderous day
Come back again
Speak my reflection
Of my only friend.

Two and thirty is the ploughman.
He's a man of gallant inches,
And his hair is close and curly,
And his beard;
But his face is wan and sunken,
And his eyes are large and brilliant,
And his shoulder-blades are sharp,
And his knees.

He is weak of wits, religious,
Full of sentiment and yearning,
Gentle, faded--with a cough
And a snore.
When his wife (who was a widow,
And is many years his elder)
Fails to write, and that is always,
He desponds.

Let his melancholy wander,
And he'll tell you pretty stories
Of the women that have wooed him
Long ago;
Or he'll sing of bonnie lasses
Keeping sheep among the heather,
With a crackling, hackling click
In his voice.

t'was not so long ago
in simple human years,
but eons, in poetic ones, that...

visions of fruited plains,
dimpled mountains,
candied wall-nutty natives,
easy lifted from his
eye's casual glances,
reformed to scribbled essays,
while daily walking on the
concrete steppes of his city,
gems of glass shard sidewalk sparkles
and bluest mailboxes were
raptured word tableaus,
rupturing easy with
volcanic force,
his body's planet,
mantle breaking,
crust-conquering poems,
breakout pimples waves,
molten and easy flowing...

he knew not then
what well now he knows,
the exhausted trembling
of asking,
the slowing wearing pace of
heartbeats of constant query,
the wonder of
wondering incessant,

Are You My Poem?

awoken by the body clock
in the wee, streaming,
rem sleeping hours,
asking the no longer
faithful friend,
his bathroom mirror,
is the accuracy of this
stubbled mess,
the white crusted lips and eyes,
is that my, my nowadays,
answer to

Are You My Poem?

he waits,
he, a red taillight speckle
among many, wait watching,
on a Brooklyn minor bridge
over a minor inlet
one of many, on a longer isle,
as the bridge lifts its arms,
opens its middle belly,
waving bye to a
passing-through freighter,
perhaps
destined for
happy springtime Morocco,
perhaps,
the Malay's divided isles,
wandering wondering
one more time,
if that's his etching,
line drawing poem,
passing by, bye, bye,
so each breathe forcing,
escape-asking,

Are You My Poem?

sometime ago,
a grown man,
his voice changed,
like a teenager,
writing now in but the
simplest terms,
plain jane poems,
in the cadence
of spoken words

for all the fancy phrases,
exhausted,
the sewing box of
precious alphabets,
emptied, leaving only
the tyranny of
hello, have a nice day, how are you feeling,
that's nice, goodnight sleep tight...

there were fewer poems
therein contained,
ceasing to fear,
no need for constancy of asking,
but failing in crafting to craft
even then,
trying but no one answering to

Are You My Poem?

one or two true,
asked,
are you busted,
the nib nub rusted,
your silence, long pauses,
worry us, your poem lovers,
if spent,
how deep is thy rent,
let our concern heal,
patch n' fill,
the cuttings,
the empty grooves that pockmark,
hope wishing asking,
sir sire man,
are you still hopeful,
interrogating,
asking the world,

Are You My Poem?

weeping from the
believed warmth
of their caring,
they too, knowing,
that life has its ways
of choking your voice off,
compelled to advise,
still and then and now,
the constant in my equation,
extant yet,
extant yes,
a voice that still rises
at the end of the
periodic element interrogatory of

Are You My Poem?

the poem answers,
muddled, muddied,
everyday life eats you up,
instead of you feasting upon it,
the tempo, the style,
all now humbug static interference,
but every know and every then,
a long winded answer dances
it's way from the core,
answering well
the question less asked,

Are You My Poem?

spent,
the poet
lol's,
for his truest friends here,
answer the pondering,
in deed, indeed,
you, near and dear
poet brothers and sisters,
you are the answer,
to words looking now,
a tod-toad-tad silly,

**You Are My Poem!

My fingertips will never let me forget the scent of stale cigarettes.

I was a fool in London. All the friends I made had better accents than me.
I dreamed of Bulgaria and Brazil.

I walked through mud. I waited for French tides.
I trudged in heavy water waders.

My hands built a house with stones older than the country on my passport.
The etching of cement on my boots still reminds me what we carried there.

We drove along tired volcanoes and craggy cliffs in the dark.
I never learned how to drive manual.

We flew further south. I dried out in the sun.

The glands of Spanish streets pulsated
citrus mist into the air, my lungs.
I never did remember the difference between limon and lime.

We stayed in a haunted castel but missed Halloween.
The upper peninsula, where Napoleon dreamed of a better dinner.
We moved to Shangri-La. Even in Eden, people still snore.
But there were cakes laced with flowers. And I was over the moon.

Then, a dreamscape. The closest to the Arctic I’ve ever been.

We ate deer for dinner. I baked Danish pies. I slept supine in a smoke-filled yurt. It was all peace. It was all over.

what does it take to ruin someone and for them to ruin you?
I can look in your eyes and see what is true, I can
break into your motives and see why you do it, I can
take a flame to the glacier and melt your ice down, but
in my ears beating my burning heart sounds like a thunderous
cry, etching your name on my soul, when you leave there can be nothing,
I can never be whole, my mind is a solver, I crawl into blank spaces
and find underneath them the hidden, dark mazes- without the problem
there can be no solution, only when you are there can I have absolution-
you are a lock to my key that will melt- constantly forming-
into something I've lost. Every day has a morning- but the night destroys
day and the dark is afraid- I am only for you, now, forever and always
(at least til the next, when I fall in the hallways)
my heart is not open, it is a strong focused beam-
to bring light to your days, and bring hope to your dreams.

My mind could not conjure up the notion that the word, the name, meant something. A-n-n-a. I looked. I looked: she stared back the same. Unknowing, unfamiliar. I wanted to remember, I wanted to.



7 a.m, in the crawlspace underneath the house, flashlight grasped in my hand, sweat from my forehead plastering my hair against it. It smelled like dust. I inched forward on my stomach, writhing as a worm. My body seizing against dirt and webs. I yelled out her name. Just to see. Just to test if my mouth still knew how to speak.



Anna.



Anna.



There. In the corner. I flicked my light against a box with tape on the side and her name written on over it in marker. I whispered it to make sure. Anna. One more time. Anna. I sunk my face into the ground. My breath, soft from my lips but coarse in form, disrupt the filth, made me cough. I crawled over to her with ease, as if the bones in my body were pushing me, the muscles guiding me; these pulsing veins, telling me.



When I opened the box, the first thing I saw was her, smiling back at me in the form of a memory. July 1996, our wedding framed around sanded wood, with splinters etching at the sides, aching for a hold on them. And I cradled her, despite this. Despite my skin giving in.



Anna.



I almost forgot.



My head was hurting again. I blamed it on the suffocating of the casket underground enveloping me, not the staples buried into the skin of my skull, not the remembrance that underneath piles of dirt, her body was just a stack of old bones with only a stone to tag her as proof she was once living.



Anna. My Anna. I cradled the picture against my chest. I clung to her.



My light began to flicker, a spider crawled across my finger. Anna was diminishing, like a ghost, like a gentle sweep of navigating headlights turning a corner, creeping away, and suddenly gone.



Anna. A-n-n-a. I shut my eyes. I could finally remember.

Cutting my organs and rearranging my bones
Discarding of the skin like ***** band aide
Watering insecurities and dipping in my pink
Fitting me in the solace of your neck
But never in your arms
Drowning in your touch
Etching into my memory the bitter sweetness of this
One sided love
Craving your torture and remedy in one.....