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kay Jun 2014
Hazy half-light mornings interspersed with giddy sleep
Silent showers and quick grooming
Breakfast maybe, chores and work and walking in my slippers.
Afternoons tense with labor and stress
Broken up by slow-falling meditative mind rain
And usually Fall Out Boy in my ears.
Quickdark evenings.
No light.
Demons aren't occupied with being scared of being burned.
Staying up until god only knows and then some
Laying in the dark and feeling panic
Ice bones, fire veins, a noose around my throat
And not even in a **** way.
Shaking, teeth chatter, eyes roll, spin, turn, off the bed.
Sit on the floor. Lay down. Room's spinning.
Stumble to the dresser.
Grab the cure.
Illegal cure, no one knows anymore.
Dulled by use, old when taken, press harder.
Crimson bubbles, drips, rolls and stains.
Demons lap it up, whisper thanks, leave.
Sun comes up, lay in the half light.
Fall asleep giddy with pain.
Another night of television hell I was in the middle of a hell of a block.
And withoout the funds my usal cure of hookers and *******  wasnt a open
road so to speak.

I was lost I wondred the streets like  ****** in need of a john.
When through the darkness it appearded a well lit haven in the middle of
a thoughtless storm.

The cinema cafe drinks and films  hmm from looking at the marquee seems
there wasnt much to choose from .
It read like a preschooler had puked apon the board.

There were sequels, and prequels,  gay vampires that walked around in the day,
Weirdos who flew around on broom sticks and loads of treenage **** minus the ****.
Dear lord! I had to get to the bottom of this problem.

The pimple faced kid at the booth asked me in a squeeky yet firm semi manly
voice can I help you sir?
Yes my dear crater face whats with this **** you call films here ?
Umm I dont make em sir there just whats popular.

The greezy faced hampster had a good point in what he said that is.
cause other than that I had no clue what he was working with really what do you think
I am some kinda pervert?

Let me ask you something do you like this **** you sell tickets to?
**** no dude its garbage for halfwits and retards  and some people from Canada.
Who the hell wants to see that **** from twilight  play snow white?
Let me ask is that a adult film?
Duh no ******* we dont show thoose here.

Would you know were I could see thoose films?
Im doing some umm research on human sexulality  it involves alotta big words
which i cant spell so i'll spare you the details  just point me in the right direction
and nobody gets hurt.

Dude they havent shown thoose kinda movies in theaters for years.
Oh yeah and theres this thing called the internet once is way better than writting on your
cave walls.
Kids there really great *******.

After some back in fourth who gives a **** or really reads this ***** banter.
The man with the pizza face finally hit his limit.
Look *******!
I dont make the **** ,I dont watch the ****!
If you gotta problem take it up with the studio exects in Hollywood.

You gotta point there sparky give me your keys!
What! No.
Give me your keys or else.
Or else what grandpa  your gonna hit me with your walker.

No you silly *******.
Or else I'll shoot you.
Ya see young man that should wear a iron mask.
You may have a I Phone
But I have a handgun  and  that always wins the debate no hand em over.

After a brief moment of the little ******* ***** crying and begging for me not to **** him.
Really he watched to many TV shows I wasnt gonna **** him besides.
Im allergic to prison and it wasnt even a real gun what a *******.

I was off in my borrowed car  to the land of bad ideas and great **** jobs.
A place more fake than barbies dream home minus that dickless tool she always
hung out with  not that I played with Barbie's but she does have some really kickarse *******
and im a big fan of ******* hell what great writer isnt?

It was a drive that seemed to take forever  but finally i pulled up to the front gate
of Warner Brothers studios.
The little weird looking gate keeper looked at me and said .
can I help you sir.

Yes please direct me to your leader strange gaurd troll.
Uhh sir this is a closed lot only people with passes can enter.
Well what if i know the secret word?

Who told you about the secret word?
I had him with that one.
These Hollyweird vampires couldnt have enough brain power to
keep some pass on them.
Okay whats the secret word sir?

I had to think deep and from such a shallow mind that was asking alot.
What could it be it had to be something that rang true like snorting a line of
coke of Katy Perry's  ***'s.

Dear lord I had it.

Brad Pitt ***** donkey *****.

The man looked at me in utter shock  I wasnt sure if he was gonna let me pass
or try to pull me out my slightly worn odd smelling borrowed car.
Alright sir it's lot 69 hahaha  yeah I know im demented.

Right next to the lot there filming Winds Of Change **** The Musical!
Staring Johnny Depp and Bogo the ***** chimp.
****** i wish i wasnt busy  that chimp seemed like he had a good head on his shoulders.
Well when he wasnt jerking off and eating bannans while throwing his poo.
What a talent indeed.

I found myself in the studio people running every which a way.
It was total confussion   seemd like no one had a clue what the hell they were doing.
Hey ******* shouted some weird little man in a chair who the **** are you!?.

The little red haired man must truely be dellusional.
How could someone not know Gonzo?
Well sir just who the **** are you? I replied.

Well im Ron ******* Howard *****!
Hmm never herd of you are you a director or something?
What!!!
Ever hear of Andy Griffith  or Happy Days?
Oh yeah your that little dork that hung out with that cop yeah what a snitch.
I was playing his son *******.

Dam well seems this ginger finally explained to me why that man always had him around
it all makes sense now i just thought he was some kinda pervert.
Course seems like he had picked up some bad habbits from that Fonzie guy
never trust a man who calls the restroom his office but what a man does with
another man in a ***** restroom for plesure or profit is his own bussiness.

Look *******  what the hell do ya want?
Lets start with a gallon's of nothern light maybe some top shelf hookers some good music.
Maybe a couple hits of some lets say nose candy maybe turn off the lights and see what happens.
Im just saying sometimes ya gotta let nature take it's drug filled course.

Im not talking bout from life dip **** i mean what the hell are you doing here?
Oh **** sorry there  carrot top.
I wanna see the person in charge that green lights all this remake **** you souless
morons put out and call entertainment.

The little red haired devil was silent as he explained to me no one ever saw the
studio head it was like meeting Santa Claus or ****** or being in the pressence of a unicorn
really whats the diffrence.

He warned me of the dangers of meeting such a great mind yet like I do with
most people I simply shook me head and agreed much like i do with
women im trying to sleep with duh like I care about her tweenty seven cats.

Finally after learning I wasnt taking no for a answer he lead me to a room
And in this room was a screen and apon the screen appread a face.
Who dare question the mighty head of the film studio!!

The voice was loud  still it had that comfoting quallity that you just have to love in
a windbag *******.
Umm me.

You well who the hell are you?
Duh ******* im the long winded ******* writting the story.
Oh well what the **** do you want?

Sir I wanna know what the hell's wrong with you people.
Look im a drunk but i could never be drunk enough to pay a fortune to watch half the **** you call entertainment between remakes and films based on gay *** stories about vampires
and dudes who run around the woods calling themselves werewolves.

You mean you actully saw twilight?
The voice asked me on the verge of laughter.
Duh i see a bunch of hot chicks  going anywhere im following without asking
much like the mindless drones that watch that ****.

Sir your a sad sad man.
The strange face on the screen vanished out from the curtan appeared
what looked like *** it was Bugs Bunny !!

Bug's!  
What's up gonz?
****** i always knew you were real much like Fergie and spanish fly.

Gonzo i know half this **** ***** but its because mindless idiots love studip ****.
Look you were once a popular writer and you cant even spell.
Ouch now go ahead mighty furry samuri.

Ya see whatever makes money we put out and really stupid young girls much like your teenage
wife love that **** and being perverts like yourself wanna get laid you'll take them to that ****.
Bugs are you saying it's all about money?

No **** *******.

We talked drank watched backroom casting couch tapes of early starlets like
Harrison Ford no wonder he was so good with that whip.

It was magic minus the  money loving **** mouse that'll sue your ***.
Bugs I gotta ask you a deep question?
Shoot there Gonz .
Is Mickey really just a cross dresser calling himself Minnie?

You are messed up in so many ways Gonz.
We laughed swapped ***** stories  like the time Bugs slipped
Daisy some ****** and got a ******* in the magic castle  while goofy watched.

What the **** is Goofy?

Gonz .
My furry amigo said to **** if I know.

Untill next time kids stay crazy

And remember if you wish apon a star  ya better make sure to whom thoose copy rights
belong to truley are.
Cause thoose rich ******* will sue your *** .

Cheers

                               FIN?
km Dec 2010
I love communication. I love the push and pull,
the darting of eyes, the grins and the smirks.
I love the deepened sound, the quick inhalations,
the hands to face.
Hands to face, hands to your face and back to mine.
Locked eyes, hands in pockets.
My pockets, your pockets.
Your thumb is sticking out. Mine is hidden.
Curled up in a ball. Holding spare change.
Counting as you talk. 1 dollar and 35 cents.
I think.
Maybe that isn’t a dime.
Maybe it’s a penny. Maybe I have 1 dollar and 26 cents.
You keep talking. I keep recounting.
A little boy walks by and does something silly.
I stop listening and laugh.
I look back, apologize.
Sorry, that was cute.
I say something ordinary. You think I’m profound.
I’m not. I’m ordinary. I just like to think. And say things out loud.
To hear my own voice against yours.
Against the wind and the silly boy.
I check my phone for the time. Not a watch.
No one does that anymore. No one owns watches.
I own one, but its battery is dead, its missing a link.
It doesn’t fit on my wrist. My bus is coming. I might miss it.
I better run.
So I say something expected. See you later.
Or, Have a good-day. Or, I hope your whatever goes well.
Because that’s what you say when you’re catching a bus.
So we depart, and I skip down the steps,
like I probably did when I was 7.
Because sometimes I just feel like skipping.
I get a high off the jump.
A nostalgic shot of carelessness.
Then I remember,  I’m in public. Walk normally.
And you’re probably watching me as I stop skipping and start walking – normally.
You’re probably thinking what the hell was that?
You’re probably laughing.
I don’t look back. My bus is here. I argue with the driver.
Someone stole my bus pass sticker. Yes I’m serious.
The carpet cleaners did it. I’m going home in four days.
I’m not paying for a fare.
He lets me on, finally, after taking in a deep breath.
Sometimes I do that to people. Exhaust them.
I had to this time. 1 dollar and 35 cents,
or 1 dollar and 26 cents, won’t cut it.
I have to get home. It’s too far to walk.
I take my seat, and I feel like an outlaw.
I know I’m not one.
I just like the way the word sounds.
Sounds dangerous and romantic.
I hate romance.
No that’s not true. I hate what people expect of romance.
I like what I expect of romance, and it’s not what people expect.
By people I mean people who like romance novels and movies.
They don’t know what love is because they think you can define it.
I’m almost home, on this bus.
I wonder if I should take the back door, to avoid the man I argued with. Or the front, to say thank you, because I mean it.
I didn’t want to have to walk.
Today I decide to be friendlier than usual,
and walk to the front to say a cheerful thank you.
What I really meant was thank you,
for not being a persistent ******-bag.
And he says something typical. Have a good day – or something.
He probably meant: get off my ******* bus. Buy a pass.
Don’t leave your student ID on your dresser,
when carpet cleaners come for the day.
I get it, and I’m sorry. But I needed to come home.
May not be printed for other than home use, published or used commercially.
Maxwell Sep 2015
A few weeks ago I was given flowers.
Pink, yellow, white and a touch of purple all in a pretty vase.
On my dresser they sat and everyday I saw them.
As time went by they started to turn brown.
They curled in on themselves like a baby in the womb
And soon after that they began to fall,
just like leaves on an October night.
A few of the flowers still remained beautiful,
they still had that sweet smell.
I picked their petals and saved their beauty.
I pressed them in a book to  preserve their looks
These petals sat on my dresser,
day after day.
Their color faded, like an artists painting gone wrong.
what used to be beautiful became nothing more than a mess,
I just wanted to save the beauty.
The beauty of the first kiss, the first love, that first time,
the feeling I wanted to save.
But there have been more kisses, another love, a new path.
And just as the flowers on my dresser died so sudden
my walls fell down, my heart opened up, my path changed.
Just yesterday I was outside with that new love
and I saw a flower growing in between the sidewalk cracks.
Beautiful, new, fighting for a chance.
It was there that I realized; beautiful things are not ours to take.
And if something wants to grow then it will find a way to grow.
All because a few weeks ago I was given flowers.
My boyfriend recently got me flowers and over time they have started to die. One day while looking at them this poem came to me.
laura Dec 2019
When I look into my bedroom
I see a shelf of various book
genres that I read over and over
again, when I look into my bedroom
and look beyond the rest I see a
window which I have seen many, many
different things through, when I look
into my bedroom and door ahead I
see a dresser with many clothing items
I will cherish for life. Above I see some
of my most valuable collections, when
I look into my bedroom and look down
I see a box of various types of *****
which I have kicked and thrown all over
the house When I look inside my closet
and look down I see board games that
I have played over and over again.
When I look inside my closet and look
straight ahead I see sweatshirts that
have kept me warm in the winter months.
When I look inside my closet and look
up I see enormous puzzles that I have
spent days and days and days to complete,
when I look into my bedroom and look
right I see my bed where I have had
good dreams and bad dreams and dreams
in between. When I look into my bedroom
and look right I see soccer cards which
I have spent hours organizing and putting
in their holders. When I look into my
bedroom and look beyond my bed I see
a shelf with fidget spinners, nerf guns,
athlete cards, travel games, and remote
control cars everywhere, when I look
into my bedroom and look beyond my
dresser I see a big box of athletes cards
which I have studied over and over again,
when I look in my bedroom and look at
the walls I see posters of athletes who
inspire mes like no other,
when I look into my bedroom and look
above my closet I see my mini basketball
hoop which I have attempted many shots
on. when I look into my bedroom I see
my very own personality.
This is a poem that my 10 year old brother wrote and wanted you guys to see.
12/30/19
the dresser, will be dressed,
if not with work, something
else.

it is ready, will be sent, despite
undecided minds, impropriety.

will be sent despite blood
from bulbs, stranded fingers,
picked, plucked at rags, thead.

and filaments.

it seems the work is cupboards.

cabinet makers.

sbm.
Sarina Nov 2012
I let go too soon, of these three fingers
pinning a white dress to my knees,
such a strut they possess, and psychic
for the waggle I do on my tulip-days:

mama said that the lace came from an
elves’ head, I could not wear it.
I put it in a dresser drawer, as I lost
my appetite for marriage and friends.

She said that father wanted to see it,
I should parade my red, pulsing veins.
A torpedo, it became, cowering until
liftoff  and glory hallelujah first kisses.

Was it not funny when I, poor chap,
kept garbage in my teeth and laughed
when you slithered your tongue inside,
like Friday penetrating the weekend?

You are a Leo; I am far from such, but
I understand why you may be insulted,
as mama garbs turquoise as the sky
and all our daffodils burn like rubber.

Each says it is because they love me,
railing cat-scratches with a stitch –
but I do not want that, see earthquakes
that hammer on  our tulip-days, dear.
vy Dec 2013
i. "Why did the number of parking tickets spike
when Persephone was carried off to the underworld?
Demeter wasn't working."
She liked greek mythology puns.
It was a good thing I was creative.

ii. Truth or Dare, I asked her what
was the best decision she's ever made.
she answered with, "In 7th grade I named my puppy Achilles,
so when I saw him I could say, 'Achilles, heel!'"

iii. It took me two weeks to realise that
when we held hands, I wasn't really
holding her hand, but a chainsaw,
ready to slash through anything that stood in our way like
Hercules chopping off the Hydra's head.
I was immortal.

iv. August eleventh; 9 PM
we watched for the meteor shower.
I connected the freckles splayed upon her knee,
told her they looked like the constellation of Cassiopeia.
"Be Sirius" she jested.

v. She had a bad habit
of smoking at the beach and I
Wondered if she knew that with
every single flick of ash into the water,
Poseidon was cursing her to the River Styx.

vi. Headaches visited her often, I joked that
maybe she was getting ready to birth
a Goddess from her cranium. She
did not find it clever.

vii. You could say we became like Aphrodite and
Hephaestus. I, longing for her. She,
lusting after another. A synonym for her
headaches would be me.

viii. Apparently if you hack off a Hydra head, two
would grow to replace it. Knowing this sooner
probably would have saved me from numerous
amounts of Kleenex and chocolate.

ix. She left me a note on the dresser,
"Fun fact: Medusa's favourite cheese was
Gorgon-zola. PS - you remind me
of Medusa, please remember to brush your hair."
She reminds of Medusa as well, I do not doubt that if we
meet again, her eyes would still turn me into
stone.
jeffrey robin Nov 2013
Now

I swear to ya
This is a TRUE STORY!

(At least as I heard it)

••••

There was this girl and man was she in love!

BUT

Then one day her LOVER says to her

LOOK
I KNOW YA LOVE ME BUT I GOTTA  TELL YA

IM NOT AS I SEEM

I SEEM  TO YOU AS A MAN
IM NOT!

DEEP DOWN INSIDE I KNOW  MYSELF AS A WOMAN

AND IM GONNA HAVE A *** CHANGE OPERATION
TO MAKE MYSELF AS I REALLY AM

••

Well
She was appalled
(To say the least!)

••

She thought

ALL THIS TIME I'VE BEEN MAKING LOVE  TO ANOTHER WOMAN!

AND IT DID NOT BOTHER ME!

I MUST BE A LESBIAN!

This thought didn't bother her

It was the fear of being exposed as one

Of coming out of the closet
That frightened her

She thought

WAIT!
I GOT IT!

I TOO WILL HAVE A *** CHANGE OPERATION!

THEN MY MAN BODY CAN MAKE LOVE TO A WOMAN
AND NO ONE WILL FIND IT STRANGE !

and this she did

Some time later she met this woman who she was very much attracted to

After some time
She found herself together with this other at her apartment

And after some groping around they were standing there naked

And it turned out the the other was a actually a man in drag
A
Cross dresser I believe they are called

Again
She was appalled

She accused this person of deceiving her

This person said

NAY NOT SO!

I KNEW YOU WERE A WOMAN IN A MALE BODY
(JUST LIKE ME!)

FOR I AM A WOMAN

STUCK IN THIS BODY TIL I HAVE A *** CHANGE OPERATION!

SO

WE CAN HAVE A TRUE LESBIAN RELATIONSHIP

EVEN THOUGH IT IS THROUGH MALE BODIES
THAT THIS TAKES PLACE

THE BODIES ARE JUST BODIES BUT IT SHALL BE OUR TRUE SOULS WHICH MATE

Now

She
(The original she)
Was mighty confused

For there was many an implication
Dangling there

And she didn't know if she should be believing what was said to her

••
Now of course

Some a you out there might be sayin the same thing

--

But it's the truth

It's a true story

Just like I said

I mean

It's truly the story that I heard
Morgan Feb 2014
It was 3 PM on a Tuesday
in the summer, just before
my first semester of college.
I went out on a whim and
bought a cheetah print lava
lamp for forty six dollars
at some stand in the mall,
despite you persistently
advising me not to
waste money on
"insignificant ****"

The next day it rained
from 7 AM until 5 PM
and I forced you to lie
in bed with me all day,
with the curtains drawn
& the lights out.
I wanted us to observe
the weird, red
shapes forming
inside my new cheetah
print lava lamp...
Something about it
captivated me.
I never had one as a kid,
And you just sat there
holding my hand for
fifty eight minutes before
I whispered, "did you see
how pretty that one was?"

You laughed gently
and shifted your eyes
toward my dresser,
at which point
I realized
that was the very first time
you looked away from me
since we had laid down
And
with that thought,
the butterflies
woke so chaotically,
I thought I'd never
catch my breath
Her face displayed a smile,
Her skin made out of false matters,
She painted herself in gold.
How beautiful where her skin,
Her skin striking in the sun,
The paint shone bright,
And inchmeal, she melts.
How could you paint
Plastic out of gold?
Have you dreamt of a world
Filled with her infamous thoughts?
Have you lived in a world
Where her existence
Is just a living nightmare?
Beings? Night terrors?
All because of a
toxic Barbie doll.

You sit by my wooden dresser
There in the corner of my bedroom.
Sweeter you look in front of me,
Than the way you chatter behind me.
Every piece I hold onto,
Thee steal and smirk...
Doing it as if I have not yet caught.
You loved taking my heart into your palm.
Breaking them into pieces
And would make ******* out of them.
What a waste for me to let you
Break it for me.

Call me bossy,
Maybe I’m just clever.
You could be so jealous
I guess I’m just smart.
Do you have those brains, too?
I’ve heard you had none.
You’re pulling me down,
While you had nothing to brag about.
The best of me,
Oh that crap of yours,
I give it my all,
While you had none.
Responsibility, what a word.
Recalling the first times,
You seemed to look innocent.
It was memorable
for you never liked me,
Neither did I.
“Best friend”?
It is such a believable name,
Isn’t it? But, I don’t remember it.
“Stop being my friend”
******, then leave me behind.
I would not be the one doing it for you.
Opening your diary,
While you never read mine.
You ask how I was,
I answered, “I’m fine.”
Your concern? Angelic yet fake.
Look now who’s a Barbie in her smile.
I  am not playing puppets,
I just knew what to do.
I just had a lot of things in mind,
Wishing you told me yours.
I saw those words you held against me,
“She’s this girl and she’s that.”
You little ******, don’t be such a brat.
My mother taught me gossiping is bad,
Why do you do it to me?
I looked like a villain
but I was just a victim.
Oh, I learned in my life...
How I could say “no”,
It is brave, little one.
And to learn is to never trust
And to never talk to a Barbie doll.
Never talk to a Barbie doll!!
Careful, guys. I wish for your safety.
Never love someone who doesn't deserve that love.
Some people are just fakes.
I had two rats, to fill my days
Through spines of books and bed clothes
They chewed their lazy way
And when they saw you, froze

Through spines of books and bed clothes
Released out of their cage
And when they saw you, froze
For chewing was their rage

Released out of their cage
And when they saw you, froze
For chewing was their rage
Their pile of ***** grows

And when they saw you, froze
They lurked behind the dresser
Their pile of ***** grows
The cage mess is the lesser

They lurked behind the dresser
They chewed their lazy way
The cage mess is the lesser
I had two rats, to fill my days
I used to have two furry friends who meant everything to me
I'm the morning whisper that punches you in the gut
the winning lottery ticket that you didn't buy
an inconvenience with impeccable timing
the drinks you spill on nameless lovers
i'm the giggle when a dog sniffs your hand
i'm a naked water fight in January for no reason
i'm cold pillows shaped like a former lover
your favorite t-shirt when it's lost
and found
the drip drip in the sink when you wanna sleep
the creepy crawlers you can't shake
the colorful wrapper with nothing inside
a no vacancy sign at the end of the road
your vulnerability when you're most tender
i'll call you names when you're not looking
look at you funny when you're not listening
i'm the sense that doesn't make,
the only sense there is
i'm your senses when you want to shut me out
the wrong L-word at just the right time
i'm your second chance when you need a third
the maybe, when you really wanted a yes
i'm what feels your pain
the broken promise that brings you more-
pain
what turns the tide when you're not looking
i'm a moonlit midnight swim
i'm sometimes ****-naked
your favorite shade of lipstick
i am your guardian angel
the absence you hold
i'm the scenic route after a bump in the road
the sunset drive that saves your soul
i'm the texture of wet sand between your toes
the burn in every tear you've cried
i'm the vintage dresser you found on a rainy day
the song you hate, stuck on repeat
i count the palm trees when you're not looking
i forget lovers lost and found
i am the one who messes up your hair,
just to dry your tears
i am the vault of all your deepest darkest secrets
always inconvenient and never around
i'm laughter when you least expect it
the 4 am call you don't wanna take
i'm the mirror that sells you lies
the denim shorts that makes your **** look really cute
i'm the cherry (on your wedding dress)
a joyride and a swing-set all in one
i'm what turns you on
what turns you away
i'm your throne
your downfall
your ecstatic,
uplifting
wonderful
life.
Phil Lindsey Apr 2015
The Street
An accountant went to work one day
Passed a beggar on the street
“Hey buddy, can you spare some change,
     I need a bite to eat.”
The accountant took a dollar out;
Pushed it toward the man
“You know, Bud, you should get a job
Do you have some kind of plan?
I see you here each morning,
Watching while I go to work.
Asking strangers for their extra change -
Man, are you a ****!”

The beggar gave the dollar back,
“You can keep the buck.
I watch people for a living
Some are kind, and some just ****.
I record all their reactions
And I’m going to write a book
You’re in Chapter Four, I think:
‘Those who took a second look.’
Chapter One? Those people pass me by
And look the other way.
Pretending they can’t see me,
Not hearing what I say.
Chapter Two is full of angry folks
Who stare like I’m diseased,
One of them once spit at me –
He missed though; I was pleased.
Some people give me money
Covert, so others do not see
Like I’m a change jar on the dresser -
They’re in Chapter Three.
But Chapter Four, my favorite,
Is the one that you’ll be in.
You gave me grief for sittin’ here
But you did it with a grin.
And you reached into your wallet
Though I suspect you had some change,
And TALKED to me a minute
THAT’s the part that’s really STRANGE!”

“Only one in out of a hundred
Will spend a minute of their time
And add some conversation
To their nickel or their dime
To ask what brought me to this street
Or where I’m going next.
Most engrossed in mobile cell phones;
Talking;  Sending text
To others who are just like them
Scurrying to work
Too rushed to spend a minute
With the jobless beggar ****.”

“So when a person such as you
Stops to give me time of day
I know he’s worth a listen to,
I want to hear what he might say.
And if you can spare a bit more time
Let’s get some coffee down the street.
You can keep your dollar,
It’s going to be my treat.”

The Coffee Shop
They sat at a corner table
And ordered two - both black
And the beggar started talking
When the waitress turned her back.

“I’m an author and a poet
My office is the street
I find poems, verse and stories
In everyone I meet.
And I sense you have a story
It’s my intent to find it out.
So tell me Mr. Business Man,
What are you about?”

The Accountant’s Story
The coffees came, he took a sip
Eyed the poet with a smile,
“Will you please pass the sugar?
This might take awhile.
I’m a professional accountant
I do audit work and tax,
And now, it’s after April
I have a few days to relax.
I went to college at a big name school
Then I passed the CPA,
Was recruited by a couple firms,
I started right away.
Been doing this for twenty years.
Senior partner after ten –“

And the poet interrupted,
“Would you do it all again?”

“I have a wife, two kids, and I'm a member
At a real exclusive club
A standing weekly tee time
(Sometimes I have to get a sub)
Because I often work on weekends
So I don’t get far behind
And it’s quiet in the office
But the wife and kids don’t mind …….”

The accountant’s voice then trailed off
As he stared down at his cup,
Stirring sugar round and round.
“That about sums it up.”

“But I asked you if you had the chance
Would you do it all again?
I kind of get the feeling
That your keeping something in.
I kind of get the feeling
There’s something missing in your life
With your country club and tee times
With your two kids and your wife.
And your audits and your taxes
And the partnership you’re in
Now go back to your Big Name School
Start the story over again.”

Accountant’s Story Two
“I was gonna be a teacher
And probably a coach
I thought that kids could learn from me
If I took the right approach.
And then a guidance counselor
Stopped me in the hall
Hey Bud, What will you study
When you enter college in the fall?
“I said, ‘I guess I’ll be a teacher.’
He replied, ‘The Hell with that
You’re smart, and very good at math –
Accounting’s where it’s at,
They make a lot more money
Than a teacher ever will
You should be an accountant
You should use your skill.’ “
“At the time I thought it made good sense
I was very good in math
So I took accounting courses
And have continued down that path.
That is it.  My story.  How I got right here today.
I’ve made a lot of money
More than you I dare to say.
So tell me Beggar / Poet
Do you make enough to eat?
Where do you go in winter
When its freezing on the street?

Second Cup
They called the waitress over
And ordered two more Joes
The Poet said, “It’s my turn
Here’s how my story goes.”

The Poet’s Story
I’m an author and a poet
And I live right down the street
Like I told you I get stories
From the people that I meet.
As for making money
I’ve published once or twice
Pays the condo rent and buys me food
The royalties are nice.
But writing is a hobby
I went to college just like you
But I lost it when I got there
Had no clue what I should do
So I drank and took a lot of drugs
Partied way more than I should
Till a teacher took me to the side
And said, ‘Buddy it’s all good.”
Get it out.  Learn lessons. And then go out and teach.
You never know who you can help.
Or the people you can reach.’
So when it's cold here on the street
The winter winds are biting
I’m at an inner city school
I teach creative writing.
And the money people like you give?
I pick out kids that don’t have much
Add a couple twenties of my own
So I don't get out of touch.
I take them shopping after school
And I buy them school supplies.
I figure ends support the means,
And forgive my 'beggar'  lies.

The End
Now you have both their stories,
And I might have let mine slip.
The accountant paid for coffee.
The poet left the tip.

PwL  4/7/15
st64 Jun 2013
how he loved his sweetheart queen
she always wore the silver bracelet
he gave when she turned sixteen
now their kids are growing; how time has flit



10 a.m.

Eyes opening, sun comes streaming through the windows. It's so late!

I rise, feel so groggy....what's this weighty load on me...?
I've been sleeping, yet feel profoundly *weary
.
Where is everyone?
"Muriel...?"
I get to the bathroom to wash and shave.

My wife appears at the door, "Honey, where have you been? Oh, we haven't seen you in so long... Welcome back! Come down for tea, dahling."
She pours a glittering smile and reaches up to touch my cheek with the back of her left hand, fingernails painted deep red...her nuptial rings still a dazzle after so many years...but she....
"Alright, dahling?"
"Y-yes, dear."

She had never called me darling...or even dahling....before...!
Huh?
And off she goes, to the kitchen.
Welcome back?? did she say?? And her eyes were shining so bright...
Wait a minute....just  hold on ....what....??
I shake my head, unable to toss some heavy feeling....a dense cloud in my head.



10:30 a.m.

Now I'm dressed and freshened up, I head down.

Feeling better, I see my warmhearted and humorous son at the pine dinette table.
I smile warmly as he turns to look up...I remember the promise that we'd go fishing this weekend.
"Hey, budd....."
I reach over to touch his hair, but he flinches away..!

"Who's this, Mom?" Kyle demands hotly.
My wife gives a bright smile which doesn't quite reach her eyes and says: "Now, Kyle....behave. It's Daddy.."
"Oh, he's just .....tired, ok."

She waltzes over and politely hands me a steaming mug.
What in the name of....???
Over the cloud of coffee, I watch them all.
Little Jenny, but my jolly toddler...now on her mother's hip...watches with wary eyes and reaches out to scratch me, her pacifier hanging from a blue ribbon, like a noose from her 'happy-smiles' bib.

"But Mom, he's been away so long...for years and..."
I hear him whispering sullen and lizard-like, to his mother....but he's hissed into silence.

What in the heck....?
"Now, children," Muriel says patiently, "go play out in the yard..."

Oh, I'm feeling so frazzled!



11:00 a.m.

I decide I've had enough.

My wife is at the sink, thickly busy rinsing cups and plates; she smiles sweetly, humming.
She never did like doing dishes....
Now there she stands, looking all coiffed and made-up, hopelessly incongruous...

I shake my head; thoughts roll and collide, like mysterious marbles across my mind-floor...
Kyle watches me hostile, from the garden...arms folded defiantly across his chest.
Jenny's on her tricycle, red as a fire-engine.....eyes blankly staring, bent on crisscrossing her scalene triangle trip.

I turn to ask: "Muriel, where's your bracelet, dear? You always have it on."
"Oh, dahling...don't you worry. It's upstairs on the dresser."

And yet.....I was there earlier whilst dressing, and I didn't see it!

Baffled, I step out to the kids.
I prune the bougainvillea and then rake some leaves. Hairs stand up on the back of my neck....
It feels as if I'm being watched...when I look up to see, they are all quickly resume their activities.
Muriel just keeps on that shiny smile for me.


11:30 a.m.

This is it.

As I rake, some leaves make way for a clearing in the yard.
Bending down to scoop some up, a shiny reflection catches my eye...there's the silver bracelet with that beautiful twist of blue as gemstones.
What was it doing here...?

Still pondering, I see my wife's head **** up from the kitchen window...lips curling back...oh, no smile this time...body looking too *****...eyes like saucers, way, way too interested.....

I look down again...move some more leaves.....a curled hand....But it looks like ......

I recognise my Muriel's hand, her clear and pushed-backed-cuticle fingernails....her arm..her face....but.....
she's here.....!!

What the.....??

I turn round slowly to look.....only..... too slowly.....







how I loved my sweetheart Muriel
who always wore her silver bracelet
with that beautiful
twist of blue




S T, 11 June 2013
Partly inspired by movie 'Haunting in Salem'...just some ****** film I couldn't finish....lol
Dozed off and wrote this thing, instead :)


sub-entry: none
Nomen Jun 2020
Jason and the Argonuts

I heard about it from a coworker who thought it was a joke. Had seen it on an internet message board. Found it hilarious. I don’t. I’m certain I know what’s really going on. What’s hiding in plain site. And I want to see it for myself. Seems that most people who’ve come across it just write it off as kids messing around. After all, who would take this sort of thing seriously? If somebody were to do so, goodness knows there might be a pretty big mess.
Follow the directions I found online to this place called Joe’s Pizzeria. Find the brick oven. Press a secret button. The oven changes form. There's a mahogany door. I descend a stairwell, which opens into a small basement room. There are a number of chairs arranged in a circle. Four of them are occupied.
Without making it too obvious, I try to determine the safest place to sit. Across from some hipster with a pencil-thin mustache, I see a pair of identical, androgynous twins. Both wear identical jogging suits. A few chairs to the twins’ right sits a Native American looking fellow in full headdress. He stares blankly at the wall, making a slow chopping motion with his right hand. I take a seat closer to mister moustache.
Well, this is it. There's nothing to do now but wait.
A few minutes pass in almost complete silence, save for some giggling on the part the twins. Suddenly, the basement door swings open. In walks a portly redheaded man, wearing a neon yellow shirt and green cargo pants. He smiles and waves to everyone, then sits down next to me. I try to ignore the stench of what I believe is asparagus.
“Well, I see we have a new face here tonight!” He exclaims; “Always happy to see a new face!”
He looks at me and I realize it’s time to do what I came to do.
I stand.
Breathe in. Breathe out.
“Hello, my name is Dan, and I’m a serial killer.”  
“Hello, Dan,” the group responds in a collective droning voice, resemblant of worshipers at Catholic mass.
“Yes, hello to you, Dan!” the man in the yellow shirt huffs out, getting to his feet. “It’s splendid that you are able to join us. I’m the group leader, Jason. Welcome to Serial Killers Anonymous!”
I simply stare at him. I have no idea what to say.
“Okay, first and foremost, I want you to know that even though you’re new, I trust you like I would any of our more established members. Call me crazy, but I think we’re all in this together! So, it should go without saying that what happens in this basement stays in this basement. All members are prohibited from discussing group with outsiders, except when promoting the idea that it’s only an internet gag. Also, to help newcomers feel more comfortable, I like to share my personal history with them right off the bat, along with how it relates to the founding of this group. Once I’ve finished, one of our older members, I suppose it will be Mark, will tell the story of how he came to join us. And after that, you’ll get a chance to speak, if you choose to do so.
“Now, as should be obvious, I am a recovering serial killer. The news media referred to me as the Coat Hanger Killer. I was credited by our local Olympia County police with the murders of twenty prostitutes. In reality, though, there were a half dozen more. And there’s no telling how many more women I would have killed if I had not confronted just what it was that drove me to commit such atrocities and dealt with it.”
I return to my seat and it hits me...this man is the Coat Hanger Killer? The Coat Hanger Killer, also known as Hanger-Man to true crime aficionados, was a hero of mine when I was younger. He got the name because he was known for inserting straightened coat hangers into his victims’ vaginas. After the Coat Hanger Killings inexplicably stopped, authorities presumed Hanger-Man to be either dead or incarcerated for other crimes. There’s no way he could be this ginger with the loud shirt.
“I was born out of wedlock to a teenage mother,” he continues. “Raised in a strict Christian household. As a naturally rebellious person, my mother resented her puritanical upbringing and began engaging in promiscuous behavior at an obscenely young age. She thought it would be liberating, but her sleeping around led to an unwanted pregnancy It is not even clear who the father – my father – might have been.
“Well, my mother wanted to get an abortion. And knowing how desperate she must have felt, I cannot blame her. But when she went to a clinic, she learned that legally speaking, minors are not allowed to decide such things on their own, which lead to my being born. Mother was less than thrilled about this. In retaliation, she became more promiscuous than ever. And it did not take long for her to get pregnant again. However, this time, she decided to take matters into her own hands –’’
The narrative is interrupted when one of the twins suddenly blurts out,“With a coat hanger!” This elicits some chuckling from the other, which dissipates upon a severe look from Hanger-Man. He continues speaking.
“Yes, that's right. She went into the bathroom and after what must have been a grisly spectacle, my mother was no more. And there’s no denying just how much this damaged me. I spent a good deal of my childhood crying alone in my room, thinking about my mother’s licentious behavior. Thinking about her death. It absolutely tore my mind to pieces! To pieces! And eventually, all my obsessing over promiscuity and coat hanger abortions led me to become the Coat Hanger Killer.”
All the true crime books I’ve read dealing with the Coat Hanger Killings suggested that the killer did not hold himself in high esteem, which accounted for his tendency to violate his victims with an object so lacking in circumference. It's amusing how wrong they seemingly were...unless there’s some oedipal thing going on here, which wouldn’t surprise me.
“I was utterly consumed by my desires.” he continues. “I obsessively thought of new ways to ****** prostitutes and not get caught. Yes, the sad truth is that my entire life revolved around serial killing for a number of years.”
He stops talking and stares up at the ceiling, letting out a deep breath, apparently orchestrating some sort of dramatic pause.
“When I finally realized that serial killing had taken over my life, I knew I had to change. And I did. And you can change, too!”
At that, he looks at me with pleading puppy dog eyes. This man, who has taken at least a score of human lives, is now using the cutesy approach in an attempt to establish a connection with me.
“Do you want to change?”
“Yes,” I lie.
“Then let’s get to it! Let the healing begin!”
And it begins.

The moustached man rises from his seat.
“Yeah, I’m Mark You all know me, except for the new guy. I’m Mark and I’m a serial killer.”
I mouth along as the group drones its greeting.
“I don’t wanna be here, but I don’t have a choice. If I don’t go to these meetings, my wife says she's gona leave me. See, this one night, I had just finished up with something I saw in a Ranch Burger parking lot. Wound up getting caught by my wife, stuffing it under our bed! I like keeping my finds under there after I’m done. It helps me get my rocks off when I’m nailing the old lady. Trouble is, before you know it, the body starts to stink. Then you gotta toss it. Good thing my wife has asnomia! Anyway, I almost had the whole thing hidden, when she comes in the bedroom. I didn’t even realize she was in the house! See, I was having some trouble getting the head underneath the bed frame, 'cause this one, lemme tell you, this one had a huge ******’ head. And my wife, she starts screaming and ****. Says something like, 'Mark, tell me you aren’t shoving a corpse under our bed! Please, tell me you aren’t!’ So, I told her I wasn’t.”
Mark’s witticism leads to raucous laughter from the twins, again ended with a severe look from Hanger Man. I stifle a yawn. The Indian remains impassive. Our orator continues with his narrative.
“I’m glad you guys find it funny, because my wife sure as **** didn’t. She fell to her knees and started crying. I swear, if there’s one thing in the world I can’t stand, it’s to see that woman cry. Breaks my heart. Except all of a sudden, she stops crying and starts screaming about how she knows what I’ve done and wants a divorce! So, I go up to her, put my arm around her shoulder, and tell her how sorry I am. Then I promise I’ll never shove another body under the bed. She asks me if I mean it and I say yes, figuring that’ll be the end of it. But then she starts begging me to swear that I won’t even score anything anymore. That I’ll quit. Quit for good!
"Well, I’d do anything to make my wife happy, right? So, I kiss her on the forehead and tell her nothing bad like that is ever going to happen again.
“But I’ll be ****** if the very next day I didn’t start getting that old itchy feeling as soon as I woke up. It was so strong I just couldn’t ignore it! Knew I was gonna have to score something soon as I got the chance. Of course, being so desperate, I wound up snagging this ***** that was all fat and gross at some supermarket. I did my business, then drove home and decided to leave the body in the garage, because I thought my wife never went in there. But go figure, she just had to pick that night to go ******’ exploring! Winds up seeing me ***** ******’ the ugliest, grossest, fattest score I ever made in my life. It was embarrassing, you know? Especially with how flat-chested my wife is.
“Anyway, to my mind, I had sort of kept my promise. I mean, I wasn’t putting anything under the bed, was I? But she didn’t see things like that. Just ran off in tears. Went right upstairs and locks herself in the bathroom. I eventually talk her out, but get the silent treatment for a couple days. Eventually, when she’s finally willing to talk, she tells me about this group. Says I go or else she’ll pack her **** and leave.”
“Excuse me, Mark,” Hanger-Man interjects, “but you are misrepresenting the character of your marriage! At last week's meeting, while you were occupied in the bathroom, your visiting wife revealed very much indeed about how you really treat her!”
At that, one of the twins decides to speak at length.
“Hey! Our dear leader isn’t going to let you get away with lying about your spouse, you know. Why, I bet he likes your wife so much, he wants to stick a coat hanger up her ****. After all, that’s the only way of showing affection he really knows.”
Both twins again erupt in laughter, this time so strongly that they fall out of their chairs. Hanger-Man leaps to his feet and begins chastising them for their lack of respect, which only seems to cause them to laugh even harder. Sensing failure, he throws up his hands in frustration and apologizes to me for not getting to my story, then announces that the meeting is to end early due to Nat and Richard's unruly behavior.
I wonder which one is which, but my interest fades. I head to the exit. Walking past Mark, I hear him talking to himself. Think I catch him say something about his “***** wife leaving,” before he sits down and buries his face in his hands. It occurs to me that a group of serial killers meeting in the secret basement of a pizzeria is strange enough without one of them bringing along his wife.
Open the door and head up the stairs. A man with flour on his hands, who was not here when I arrived, watches me coming out from behind the brick oven. I’m sure I see him wink as I leave.

Five minutes pass. I am standing in front of Joe’s, having decided to take a taxi home rather than walk. I'm trying not to stare at the Indian, who's situated next to a woman who'd been waiting outside in a **** nurse costume. He rests on his haunches, slowly rocking back and forth, still steadily chopping away at nothing. Everyone else from group has departed, the twins notably in a chauffeured limousine, whose driver bore a striking resemblance to Gene Wilder.
I feel uncomfortable. Perhaps I should try to make conversation.
“I’m pretty tired. Hope a cab comes soon.”
A grin appears on the strange man's face, which seems to stretch all the way back to his ears. The tomahawking stops. I wonder what would happen if I were to reintroduce myself.
“My name is Dan, as I said inside, but I think I should make a more formal introduction. It’s a pleasure to meet you. I’ve never met a Native American before.”
“Chief Killing ******, round eye. Pleasure is all mine. And the reason you haven't met any of us is because there are not that many of us.”
A taxi mercifully appears.
“Yes, you’re right. See you next time, Chief.”

Romance

All alone in my apartment. I can find no reason not to give in to myself.
Down the stairs. Make my way through the vestibule and onto the street. Experience love at first sight with the anorexic looking woman standing on the corner of Seton Place and Ocean Parkway, waiting for the R-13 bus.  Approaching her, I get aroused. Ask for the time. She turns to speak with me. I pretend to examine the bus schedule. I have not looked a woman in the eyes since I began ******* at the age of eleven.
She tells me the time and I thank her, then quickly turn away so she will not notice my arousal. Our brief conversation replays itself in my mind until the bus comes.
We board and I sit as far away from her as possible, trying to position myself in such a way that my ******* will remain unseen. I wonder what stop she’ll get off at. I’ll get off there, too.

Our stop happens to be 2nd Street, between Peters Avenue and Chambers. My ******* has subsided. I am able to rise from my seat without concern. She exits from the front and I from the back.
Hide behind a minivan. Peer around it and see her enter a nearby apartment complex. She lives right here. As she fumbles around in her handbag looking for the right key, somebody wearing a U.S. Navy “Fear the Goat” baseball cap storms out of the building, slamming into her. She loses her balance and falls. The man continues on his way. He reaches the corner and turns out of view. She stands and regains her bearings, giving me time to ready the handkerchief and chloroform that I always keep with me.
Soak the handkerchief in chloroform.
Look to the left. To the right. Nobody is coming. Dash out from behind the minivan and head for my patient, who is just now opening the door.
Before clasping the rag over her mouth, I realize I have not planned our session very well. Where will I take her? Will we be seen? It doesn’t matter. I’ll think of something if the need arises.
After a brief struggle, my patient slumps over, dropping her keys. I bend over to get them, trying to cop a feel on the way back up. Enter the building and head for the nearest apartment door. Suspect it will be hers.
I keep her arm over my shoulder. Hold her by the waist, keeping her semi-*****. The feeling of having her limp by my side I can barely describe.
Now we’re almost there.
Almost –
I feel the rudiments of an ******* forming as I lock the door behind us. Home sweet home.

We have been in her bedroom for long enough to prepare for our session. I gaze at my patient, supine and unmoving. Seeing such perfection makes me lose control. Open my zipper, reliving each moment of tying her wrists to her bedposts. How I bound her with old, unwashed *******. ******* I found balled up, forgotten under her dresser, just waiting to be sniffed. I start jerking myself off. And this, I believe, means our session is ready to begin.
"Well, to start things off, why don’t you tell me a little bit about yourself? Just whatever comes to mind."
Silence.
“How about your your name?”
Silence.
“What do you hope to get out of therapy?”
Silence.
“Where do you tend to purchase your feminine hygiene products?”
Silence.
“Do you generally get along well with your family?”
Silence.
“What is your favorite color?”
Silence.
"What’s your favorite word?"
Silence.
“Are you perhaps feeling a bit uncomfortable at the moment?”
Silence.
“Do you find me attractive?”
Silence.
“Assuming you no longer do, at what age did you stop believing in the tooth fairy?”
Silence.
“Can you name a word that begins with the letter ‘s’?”
Silence.
Stop mid-stroke. My patient has not yet moved a muscle, made a sound, nor otherwise offered any response. Perhaps it’s not surprising that she would show so little trust in her psychotherapist.
"If you are going to be this uncommunicative, there is no reason for our session to continue. Good riddance to whatever is lurking around in your id; I see that I have no choice but to terminate our relationship."
Shove my ***** back into my pants. Hands won’t stop shaking. Stumble out of the bedroom. Out of the apartment. Onto a quiet, empty street. Still shaking. Head for the bus station, but can’t make it halfway there before feeling on the verge of collapse. Make a detour into an alleyway. Fall to my knees. *****. Curl up on my side and my mind slips away...

Going Under

Apparently, time passes. I find myself standing in front of my place of employment, the Pointer Funeral Parlor. Grasping the doorknob with my handkerchief, as I can't stand to touch it with my bare hand, I open the door. Head in. Immediately see the old man, Mr. Pointer, the owner. He approaches me. As I put my handkerchief away, he shakes a newspaper in my face.
“Singer!” You know the news about that ****** downtown?”
“The ******..?”
“Look at this paper!”
He slaps the newspaper into my chest.
“Somebody smothered a woman to death with a rag soaked in chloroform. Used so much that her heart crapped out. They found traces of it in her nose and throat. Seems she died pretty quickly.
“But guess what? She came from a loaded family and we’ve got her! Sam’s downstairs with the body right now. Probably almost done.”
“I am aware of what happened, Mr. Pointer. I knew the girl. She lived just a short bus ride from my apartment. May I go downstairs? I’d like to pay my respects.”
The old man eyes me suspiciously.
“That’s what funerals are for. I pay you to keep this place tidy, not ogle the clients.”
“I will have to sterilize the embalming room when Sam finishes, anyway.”
The old man gestures around the room, “What about all the garbage here that needs to be cleaned up? I can’t have my place of business looking like an embarrassment.”
“Shouldn’t take longer than a moment, Mr. Pointer.”
“Make sure everything is immaculate! I don’t need a custodian who is unwilling to do his work. I know what you're up to. Did you think that I’d believe your story about knowing the client?”
“She was…something of a casual acquaintance. I did not know her very well. She was not in the habit of opening up. A quiet sort of person, really.”
“Well then your grief shouldn't hinder you in performing your duties here as my employee! I swear, if not for the fact that there just aren't many people lining up for jobs cleaning funeral parlors, I’d have fired you years ago. Now get to work. You can do the downstairs later.”
              Mr. Pointer scowls at me and takes his leave. When he is out of sight, I make my way to the basement.

                “Dan Singer! You little snake in the grass, what are you doing down here? Don’t you have work to do upstairs?”
“Your grandfather said I could take a break and see you.”
“Ha! I’m sure he did. “
Samantha rushes in my direction. She smells strongly of formaldehyde. I pretend to find the odor unpleasant, so as to be able to look around the embalming room as she approaches me.
“I’m so happy you’re here. I could use a little break, myself.”
My eyes settle on the body of my former patient, which rests on a table on the far side of the room. Everything else seems very far away.
“…I don’t know why I ever got into the profession of ******* around with dead bodies. Stupid family business. It’s gross. Well, I do tend to enjoy the macabre. But the way you Jews handle things is far better. Just put the corpse in the ground. Be done with it. I know you haven’t been religious since you left your family, but…”
Our session seems as if it had taken place a lifetime ago. It's almost as if it couldn't have been real at all.
“…And the fact that I’m stuck working for my grandfather is just one more pain in the ***, you know? He really is one stereotypical grumpy old man. Hey, Dan? Hello! Earth to Dan!”
“Oh, sorry about that. I’m a little bit distracted. I was a friend of that woman over there.”
Samantha’s voice takes on an almost annoyed quality.
“You were? I’m so sorry. A close friend?”
“No. More like casual acquaintances, really. I just find it strange that she'd wind up here.”
“Pretty ****** up, isn’t it? So many young women disappearing, or plain turning up dead these days. It had me on edge for a while. Remember a few months back when that lady disappeared from the Ranch Burger? I eat there all the time! Couldn’t believe it. Thank goodness I read about that goof serial killer group. Helped me laugh about the whole thing.”
“I’m sure whoever thought it up must be a real character.”
“Oh! You should totally check out the site it was on, if you haven’t. Didn’t I send you an email with the link? I forget the name offhand. With the Slinkee logo. It has all sorts of weird ****. There was a great joke on there yesterday. Something like, ‘Did you hear about the guy who liked to play Russian roulette while *******? He really shot his load!’ Ha!”
I force a smile.
“Samantha, don’t ever let anyone tell you that you don’t have a great sense of humor.”
She seems very pleased and smiles back at me, drawing a bit closer.
“Uh, Sam. What are you doing?”
“Nothing.”
Closer.
“Uh, Sam?”
“Huh?“
I turn toward my former patient, looking for help. She is in no position to offer any. “Dan, are you all right? You don’t need to be so shy when I’m around. We’ve known each other for years. I know that you're upset about your friend. You can talk to me about it, if you want.”
“I'm sorry, but I don't.”
Samantha frowns.
“Well, if you do, you know where to find me. Anyway, I’m going to take a trip to the  restroom upstairs, then speak with my grandfather. Maybe you can say goodbye to your friend while I’m gone.”
“Oh, yes. It was nice chatting with you, Sam.”
“Yeah, you too.”
Samantha fusses with her hair a bit and heads to the stairs.
Up the stairs.
The basement door closes.
Now.
Rush across the room. Within seconds, aroused and exposed, I empty myself over the face of my object of affection. Fumble about in my pocket for the handkerchief. Clean her nose and mouth. Run to the stairs. Out the basement. Out the building. This is the last time I will ever pass through that door. I do not even think of looking back.

The Golden Fleece

It's that day again. On my way to group. I have not returned to the Pointer Funeral Parlor since reuniting with my patient. Samantha has called me several times and left messages inquiring as to my whereabouts. Mr. Pointer has called once and informed me that should I not return to work, I can consider myself fired. He seems to not have considered the possibility that I might have quit.
Approaching Joe’s Pizzeria, I see the twins. They are engaged in what appears to be a lively conversation.
“You see, ****, here’s what it is. I fear death just slightly more than I hate life. That’s what keeps me from offing myself.”
“We all appreciate that you're hanging in there.”
“Oh, *******. I’m glad you can find satisfaction being a nabob trust fund baby, but I’ve never given enough of a ****.”
“I employ my position in a number of ways that enhance our fine city’s cultural standing.”
“What? You mean like giving money to museums and the opera? You think anybody cares that you’re a patron of the farts? Opera only exists so that fat Italian guys can get laid.”
“*******.”
The twins stare at one another for a bit.
“You know, I appreciate the arts. Really, I do. I once stuck my **** in a copy of Hamlet.”
“Did you?”
“Yes. Your copy, in fact.”
“Disgusting.”
“Then I stuck it in a copy of Othello. After that, Hamlet just wouldn’t do it for me anymore.”
Both twins are overcome with fits of laughter. After the better part of a minute, it subsides.
“Ah, Dan. Good evening to you.”
“Hello, Dan!”
“Hello.”
“Off anyone recently?”
“Oh, don’t put it so boorishly.”
“No.”
“Oh really?”
“Even my sibling reads the Times.”
“There was a great story recently.”
“A crime story.”
“A ******.”
“A woman was found dead in her apartment. ******* all *****-like to her bedposts with her underwear. Nothing was taken and the woman hadn’t been sexually assaulted. She hadn't even been undressed. She'd simply been given a fatal dose of chloroform.”
“How strange so much information would be given in the paper.”
“It is curious, indeed, ****. But this is a strange world and these are strange times. And I’m willing to bet that our friend over here has been contributing to the strangeness of things. I mean, this chloroform killing was quite obviously not done by us.”
“We prefer little boys.”
“No. You prefer little boys. I also like little girls. And I have to endure as best I can our monotonous and boring escapades. Ours, as you know, is an associated effort.”
“Little girls irritate me.”
“Well wouldn’t you want to ******* **** them, then? Ugh. Brother. Anyway, we know we didn’t do this last ******.“
“And it certainly wasn't Chief Killing ******. He’d have made a far bigger spectacle of the thing.”
“So, since Jay’s no longer active and leaving bodies behind isn't Mark’s style, that leaves you.”
“It might have been somebody from outside of group,” I suggest.
A half smile spreads across one of the twins' faces.
“What! Are you denying it? Why the **** would you attend a serial killer support group if you aren’t going to dish out all the greusome details of your ***** deeds?”
“Some things are best left private,” I respond.
“Yeah, like a *****’s privates?”
One of them chuckles quietly.
“Hang on, are you intimating that our friend was unable to perform sexually?”
“I think he was limp as the left side of a stroke victim.”
“Oh, was that the case, Dan? Were you unable to attain arousal?”
“I do not want to talk about this.”
“Oh, of course you don’t. I wouldn’t.”
“Me either.”
“Well then, about what would you like to talk? We do so love making friendly chit chat, you know.”
“Nothing. There's no time. Group is about to start.”
“Oh, he's right. We should get heading in. I bet Mark has some great stories about his **** of a wife for us this week.”
“I am certain that he does.”
Wondering why I even came back for another meeting and strongly wishing that I were not in the twins' company, I enter the pizzeria. They follow closely behind. We make our way to the basement.
Everyone from last week's meeting is present, along with an excited seeming man. He wears a grey fedora and grey trench coat, under which he appears not to be wearing any pants.
“Welcome, welcome!” Hanger-Man exclaims in greeting. “We've all been waiting for you, but me especially. I must make a very important announcement! We will not be having regular group. Sadly, this means that Dan will not be able to tell us his story. Sorry, Dan. Still, everybody please be seated, so that we may begin.”
Everyone takes a seat.
“It is so wonderful to have the whole lot of you here. The twins. Mark. The Chief. Dan. What a splendid group! Truly, just the sort of people I think I need to begin the first stages of a wonderful project on which I have been working with my very good friend Marvin. Say hello, Marvin.”
“Hellooo, Marvin!” exclaims the guy in the trench coat, waving his arms above his head.
“Really enthusiastic guy, isn't he?” sneers Mark.
“I find his enthusiasm infectious!” retorts Hanger-Man. “And I am certain that you all will as well, once you hear a little bit about what he and I have been planning. You see,  I have always seen our meetings as potentially being much more than just a support group for individuals sharing our particular affliction.
“So much more! You guys don't even know the half of it!” Marvin exitedly chimes in.
“That's exactly right!” exclaims Hanger-Man, giving a thumbs up. “For you see, given my personal history, I knew I could help others overcome their murderous desires. After all, I was able to overcome my own. However, I realized that beyond simply assisting people in learning to control themselves, it would be better to also focus their energies in a new direction. Yes, to focus their energies in a new, profitable direction! For what I envisioned would function not merely as a support group, but as the core of what can only be called a great exercise in entrepreneurship! Isn't that right, Marvin?”
“Yep. Jason used to talk to me all the time about how he had these wonderful ideas, but lacked the people he needed to put them into action.”
“Excuse me!” interrupts one of the twins. “But just who's this Marvin guy, anyway?”
“I was wondering the same thing, myself,” adds the other.
Hanger-Man slaps the palm of his hand to his forehead.
“Ack! I suppose I should have made a proper introduction, what with the sensitive nature of our dealings here. Well, you see, Marvin is an old friend of mine. We grew up together. The two of us lost touch as teenagers, but rekindled our relationship a few years ago, after bumping into one another at an upscale cat house in Las Vegas.”
“I was there to **** a ******,” explains Marvin. “I'd never ****** a ******. Always wanted to, but never had the chance.”
He looks around the room as if hoping for a sign that someone else might share this particular interest. Not finding one, Marvin sighs.
“I'd seen a TV show where a guy went to Vegas and was able to **** a ******. It's how I got the idea.”
“Hey, whatever floats your boat, Marv!” shouts one of twins, barely able to refrain from laughing.
“All right, all right,” says Hanger-Man. “As I was trying to explain, Marvin and I wound up reconnecting after many years of not having seen one another. It took no time at all for us to pick up our friendship right where we had left off. And even though I was a bit wary of doing so, I found myself admitting to him that I, his old friend Jason, was the notorious Coat Hanger Killer.”
Marvin solemnly nods his head.
“It was a bit of a shock.”
“I know it was, Marv, but you took it in stride.”
“Excuse me!” again interrupts a twin. “But why the **** isn't this guy wearing any pants?”
Marvin, apparently embarrassed by this remark, attempts to adjust his trench coat so that it will hang lower below his knees. It doesn't.
“Enough!” erupts Hanger-Man. “No more interruptions! I'm trying to tell a story, here!”
He scowls at the twins. They adjust themselves in their seats and cross their hands in their laps, each smiling mischievously. Hanger-Man clears his throat, then resumes his tale.
“All right, it was not too long after my confession to Marvin that I began to reflect upon what I'd been doing with my life. I suppose finally opening up about my activities to someone else allowed me to also be more honest with myself. I searched my soul and was able to trace the origin of my behavior back to what had happened with my mother. Not too long after that, I abandoned serial killing. Yes, Marvin was the catalyst for my abandoning serial killing.”
“I was very proud of you,” says Marvin. “It was a big change to make.”
“Indeed it was, my friend. But I was able to make it, thanks in no small part to you. And so,  after forsaking the murderous path on which I was traveling, I began contemplating what I next wanted to do with my life. And it was at this time that I first began to develop the idea of forming our group.”
“We started discussing it, you see, over drinks at a return visit to the ***** house,” adds Marvin. “Jason told me that he wanted to do some outreach. I told him it would be a great idea and everything picked up from there.”
“It occurred to me,” continues Hanger-Man, “that the group should encourage its members to focus their energies on something other than committing murders.”
“You mean that entrepreneur ****?” asks Mark.
“Entrepreneurship, yes,” answers Hanger-Man.
“Jason had such a great idea, I immediately signed up,” says Marvin, “and I think all of you should as well.”
“Signed up for what, exactly?” Mark asks him.
“A no fail money making opportunity!”
The twins look at one another, grinning. Mark's face lights up.
“Well, ****! I could use some extra cash,” he says. “I need to buy a taller bed frame.”
Hanger-Man smiles in elation.
“I think, Mark, that this might be just the thing for you!”
“Well, how's it work?”
“It's quite simple, really” explains Marvin. “You first join the program, which Jason has named 'The Golden Group,' by paying an initial fee. Then you convince others to join. With their payments, you begin making back your original investment. When the people you recruit begin finding new investors, you get to collect on what they earn. So, as time goes on and more people join, the money just rolls right in!”
“Stop! Hold it right there!” cries out a twin. “You're trying to get us involved in a pyramid scheme!”
“Why, you scoundrel!” shrieks the other.
“Now just a minute, guys,” whines Marvin. “You have not even heard us all the way out.”
“Nor will we!” say the twins in unison. They clasp hands and rise from their seats.
“Hey, what gives?” asks Mark. “You telling me that this whole time we've been here, the group was really some scam?”
“That's right,” says a twin. “Jay and his friend have been waiting for enough people to arrive so that they could begin fleecing us all out of our money.”
“Come on, now,” pleads an offended looking Hanger-Man. “If I were really trying to do something like that, why wouldn't I have just targeted the two of you? You’re so well off that I'd imagine you have more money than everyone else here combined will see in their lifetimes!”
Chief Killing ******, who has been sitting silently throughout the meeting, suddenly springs to his feet and cries out at the top of his lungs. Everyone in the room looks at him. He shrugs his shoulders and walks out as if nothing happened.
“What the **** was that?” Mark wonders aloud.
“Who cares?” snorts a twin in response. “My sibling and I are out of here, too. Let's beat it.”
The Twins bow toward Hanger-Man. Before he can make an attempt to dissuade them from leaving, they turn and begin skipping away. I hear them laughing as they make their way up the stairs.
Hanger-Man tells them to wait.
“Will somebody explain to me what the **** is going on?” Mark demands. “This group's seriously just some scam?”
Hanger-Man looks at him pathetically.
“No, no, there's been a misunderstanding, Mark. Only a misunderstanding, that's all. Perhaps I should not have invited Marvin to sit in tonight. I thought that with the recent addition of Dan, the time had come to introduce everyone to my greater plans.”
I have had enough. Stand and rush for the door. Head up the stairs. Hanger-Man and Marvin yelling at me all the while. Exit the pizzeria and light a cigarette. I am halfway up the block when I hear someone call out to me from an alley not far off. I go to investigate.
“It is true, indeed, what they say. You cannot trust the white man.”
Peer into the alley and see Chief Killing ******, standing idly with his hands by his sides.
“Come here, I have something for you.”
Not entirely sure why I am doing so, I drop my cancer stick and enter the alley and approach the Chief. He smiles strangely and removes a silver whistle from behind the feathers of his headdress.
“I wonder, do you know why I am called Chief Killing ******?”
“No, I do not.”
“Then let me show you.”
              He places the whistle to his lips. A piercng shriek echoes through the alley.
               “Now you will see.”
              Nothing seems to be happening. I stare at the Chief in confusion for a few seconds, before I hear the clinking of high-heeled shoes. Dozens of pairs of high-heeled shoes, all of which sound like they are heading for the alley.
“I would like to introduce you to my *******.”
I see a series of strumpets, walking single file. They break line. Cover the wall to my left, to my right. They take formation in front of a dumpster at the back end of the alley, then finally close off the entryway. All wear pink miniskirts and black corsets. Black garters. Overly large, golden hoop earrings dangle comically from their ears as they take their places. The Chief stretches his arms above his head and yawns.
“Now they will show you what they do.”
More quickly than I can react, several of the prostitutes grab me from behind. One whispers into my ear that it will be fun to **** on my severed ****. She kisses me gently on the cheek. I am unable to refrain from getting an *******.
“Farewell, friend,” says Chief Killing ******.
A short, Arab looking ****** emerges from behind those standing at the alley's entrance. She makes her way in my direction, licking her lips and slowly drawing a forefinger across her neck. She holds a machete in her left hand.
I make no effort to struggle as I am forced to my knees. The ***** raises the machete above her head.
“This will not hurt a bit, my beloved.”
Close my eyes. Breathe in. Breathe out. I know it won't.
An ironic and contemporary take on the classic Orpheus myth by a modern Beatnik
His car engine hummed as he sit,
Headlights shining through the dark onto the stone step.
Music softly bumps the night as she descends the doorway.
Curly full brown hair.
Bright green eyes.
Pink sweatpants and a flirty bathing suit top.
He had never tamed one of these before.
Usually he finds cute neon haired creatures
With drug habits and back stories.
This girl goes to bars.
She's had two kids.
She knows what she wants,
Tonight it's him.

They Park before the covered bridge.
Sit on rock by the water.
Full moon beams down and brightens the night
She speak of how the full moon
Makes the old folks at the nursing home go Zombie horde.
Wrinkled outstretched bone sacks moaning and crying.
He speak of how their jobs complete opposite.
She helps old ladies, and he cons them into
Buying vitamins they don't need.
He notes how before they even met
She was already fixing his mistakes.

Splashes and giggles are heard across the way.
They follow the sounds of adventure barefoot.
Stumble upon two lovebirds and a rope swing.

The lovebirds call at them.
"Join us!"

Various hunks of withered rope are tied off
Macgyver'd in ways that look dangerous.
There no platform or solid ground to stand on.
The girl confused as to how exactly one could use this thing.
She tries
She goes swinging right for the tree.

The boy stands on the sandy ledge and cringes.
Taking in all his surroundings.
Rope swinging, he notes,
Is not something he'd be good at.

Splash

The lovebirds heckle and cheer as he stand there
Realizing it appears like he's going to jump.
The girl, rises from the lake clumsily
She drenched beautiful disaster.
"That was terrifying"

The boy steps back from the ledge.
"I don't think I'm physically capable of doing that."
He embarrassed.
The lovebirds laugh at him as they leave.
"I feel bad for the guy" they say.

"They were kind of bullies" The girl says about the lovebirds.
"You think so? I like them." Says the boy.

They pack the sandy clothes into the car.
Head back to stone step.
Girl invites boy inside.
They lay on mattress
Watch "Orange is the new black."
A dog sleeps between them.

They pet the dog together
Occasionally brushing fingers.
Awkward fumbling shyness
She'd never had a geek before.
He's the first one to sit here like this
Usually she's already being objectified.
He cared enough to talk.
She never realized how impatient she was.

She changes into pajamas.
He doesn't get the hint.
She gets up and lights candles.
He still doesn't get the hint.
She turns her back to him
The boy sets an alarm for 5:00am on his phone.
He has work at 7:45
He puts an arm around her.
She is comfortable.
She is waiting.
He's too respectful
The boy is happy to finally have found a girl he can wake up next too.
He's so happy that he never falls asleep

The alarm goes off and the boy says goodbye.
He finally kisses her.
He thought it was a goodbye kiss.
She had other plans.
Soft hands slip down and undo the boys belt.
Finally, the boy understands.
He moves on top of her.
"Do you have... uhh.." the girls hands make an awkward balloon gesture.
"N-not with me... I have some in the car, should I grab one? or just leave?"
The girl looks desperately at the boy.
"Go grab one."
"Right!"
He steps into the unfamiliar kitchen and starts walking down the staircase to his car.
"This is uncomfortably awkward" he says
Grabbing the Trusty Square Artifact.
Return upstairs
They kiss again.
She starts to remove clothes.
He unwrap the good decision.
Suddenly they hear screaming on the T.V.
"NO! STOP! Stop it! NO!"
He looks at the television and sees doggett's absent eyes look back at him.
The boy looks back to the beautiful woman below him.
He sits back, defeated.
"I'm sorry but it is apparently not in the cards tonight."
"I understand. Wow." she reply
He awkwardly place the opened ****** on her dresser
The boy kisses her goodbye.
The girl lay there thinking about the night.
How terribly the night ended.
How she needs to call that boy again.
P Chartier Jul 2013
I am the bobby pins and hair clips you find in corners of your room, on your dresser, or behind your bed.

I am the pictures on your wall that I made when I was once manic.

I am the crumbs you find in your bed that was once my “three or four nights a week bed” which I used as a table.

I am the cafe where we met, and kept meeting.

I am day drives to no where.

I am the Middletown train station before the movies.

I am the mint lotion that keeps the bugs away.

I am the notes I would leave you, that found their way on your wall.

I am the bandaids.

I am that strand of medium length brown hair you will find in your shower

I am that guy, from trivia at that other cafe, that I wanted us to be friends with.

I am the hands that would unlock your locked pointer finger.

I am that key on your key chain.

I am the leftover tea that is always too hot for me to drink, and is left near your bed.

I am ice cream with CHERRIES, and edamame.

I am the sheets on your bed.

I am the downing film theater when you needed to feel better.

I am New Jersey.

I am the reason Netflix recommends Independent dramas with strong female lead. I am the netflix.

I am the stain on your mattress.

I am the drool on your pillow.

I am the sugar in your cabinet above your roomates whiskey.

I am all of the groceries and dates I paid for.

I am all those pictures of me on your phone which made their way to your computer.

I am the light wash boyfriend jeans.

I am that bottle of wine that sits with all other bottles, that you see when you walk out of your room and into the kitchen, and out the door.

I am the reason you once felt content.

I am the reason the corkscrew sits on that stool.

I am the reason why your toothbrush is wet, before you use it.

I am the two red sharpie marks left on those sheets that I got us.

I am mexico. The trip to mexico that could have almost seemed doable.

I am the sent of oils which remind you of hippies.

I am the shoes left at your door, or the teavana jug of tea in the kitchen right now.

I am the fourth of July. I am that pool we never swim in. I am the projected films on the fence.

I am the talker, the thought keeper, the fighter, the writer.

I am Sensual Amber

I am UBE

I am my legs on the wall when I dry them.

I am the tiny pills on your dresser.

I am just someone your next girlfriend will be better than.

I am the bobby pins.
drunk on the dark streets of some city,
it's night, you're lost, where's your
room?
you enter a bar to find yourself,
order scotch and water.
****** bar's sloppy wet, it soaks
part of one of your shirt
sleeves.
It's a clip joint-the scotch is weak.
you order a bottle of beer.
Madame Death walks up to you
wearing a dress.
she sits down, you buy her a
beer, she stinks of swamps, presses
a leg against you.
the bar tender sneers.
you've got him worried, he doesn't
know if you're a cop, a killer, a
madman or an
Idiot.
you ask for a *****.
you pour the ***** into the top of
the beer bottle.
It's one a.m. In a dead cow world.
you ask her how much for head,
drink everything down, it tastes
like machine oil.

you leave Madame Death there,
you leave the sneering bartender
there.

you have remembered where
your room is.
the room with the full bottle of
wine on the dresser.
the room with the dance of the
roaches.
Perfection in the Star ****
where love died
laughing.
Speak Bluebell Aug 2018
I was 10
when I first started to
pray for the cabinet to swallow me whole.
To splinch my human body into something a deity won't pass up unworthy
to enter a magical realm where
I can meet a godly lion and a warmer sun.
I was 10
and, even then,
I wanted to be more than just the creaks of the floorboard, more than the weight of my innocence, more than a mere disdainful stare.

I was 12
when I first started
looking out the window,
waiting for a temperate owl on a tropical sky. I twirled the wood chips I tore off my mother's dresser
with the pink lipstick stains, and thought to myself,
my god, my god, what a life I am destined to live.
I was 12,
and even then,
I wanted to be more than just the creaks of the floorboard, more than the weight of my innocence, more than a mere disdainful stare.

I was 16
when I first started
distancing myself from the wardrobe,
from the wooden dresser,
from the creaks of the floorboard,
from innocence.

I flicked the ash off my 20th cigarette to the tear-soaked dishcloth I gauzed on my wrist to keep me from tracing the intersecting lines my father etched on the living room floor after a night of bowling and tears and tears and sadness.

I thought to myself, my god,
my god, my god,
what life am I destined to leave?

I am 20.  
I want to be more than just the creaks of the floorboard, more than the weight of my innocence, more than a mere disdainful stare.
Belated posting of a poem I wrote on my 20th birthday. I found it while I was searching through a pile of papers under my dresser. Brought tears to my eyes and thought that 20-year old me would’ve loved it if people were to read this. I owe her for holding on.
megan Apr 2016
When I first heard of the concept of self harm, in sixth or seventh grade, I didn’t believe it could be addictive. I didn’t understand how people tore apart their skin just for the sake of tearing things apart.

That changed real quick when I had my first panic attack at 14 and used a dull pair of scissors to scratch a line down my arm. It barely even bled, but it was the beginning of something. It was a temporary peace, a comfort in the moment and a monster in the next.

And so it began. I bought men’s razors, carried them home in my pockets and hit them against dressers and with books until they broke apart. I hid the blades in a small cardboard box behind the books on my shelves, hid bandages and antiseptic and a long, dull razor blade (the kind you use to cut glass and paint) that I’d stolen from my dad’s tool bench. Just in case I needed to escalate.

I wore long sleeves and jeans to cover my misdeeds, the long, thin scratches lined up neatly along my thighs. Monthly became weekly became every other day as I lost control of myself, lost myself in the glint of blades and the pools of red and the feeling of pure, unadulterated relief. I was 14 acting like my life was coming to an end (I was convinced it was). I wrote poetry in the empty pages of my French workbook and scratched panicked lines down my forearms in Geometry. I became a shell of myself, a shell pockmarked with fading scars, little white lines that screamed at me whenever I dared to look.

I liked them. I wanted more scars, I wanted them everywhere, I wanted physical, permanent records of my failings and my abysmal self-worth. I wanted a reminder that I could still feel something.

Sometimes I stopped. Six months after I started I decided I needed to quit, so I drew butterflies on my arms and labeled them with the names of people I loved. I stayed off the drug for something like three months, leaving my blades untouched in their hiding place. When my grandpa died, it became too much and the blades came out, crashed into my shaking hands as I heaved with loss and the revelation that I felt nothing.

One weekend I came home from a lake trip with my dad and my best friends to find that my blade box, hastily shoved under a pillow, was gone. After searching under the bed for a good twenty minutes I determined that my mom had found it. So I waited for the next few weeks to be approached, for her to ask what the deal was, for her to say anything. And she never did. That was when I lost faith in the adults in my life and that was also when I bought new razors to keep in a new box in a new hiding place. I carved my resentment into my arms now, instead of on my legs where I’d already mapped out months of self-torture. On my arms they were visible.

I sometimes rolled my sleeves up in class, past my hidden Band-Aids and sometimes up past my scabbed cuts, to see if anyone would notice. No one did. I wasn’t cutting for attention, but I was lost and looking for help.

My best friend taught me how to sanitize my blades, walked with me to Target to buy razors and bandages. It was surreal how normal it was to us. We were talking each other out of suicide every other week because we didn’t want to be alone but we didn’t want to be alive, either. I was so, so scared that I would wake up one morning to find her dead.

My cuts went from panicked, messy, urgent to carefully executed, perfectly straight lines. I had it down to a science, sometimes going months in between but always thinking about the next fix. A year passed. I thought about it less.

There was never a moment that I decided to stop, but somehow I did, between my first job and my driver’s license and my transition into adulthood. I traced the scars on my arms but didn’t really feel like making new ones -- I was still sad, constantly, but I had started teaching myself to be happy, to find love for myself and beauty in life. As I write this, I’ve been clean for over six months.  

The urge fades over time. Sometimes, in the midst of a 3 a.m. surge-of-panic, I’m tempted to take the few blades I still have out of the iPhone box in the top drawer of my dresser. But then I remember that cutting didn’t solve anything, and it never will. My escapades in self-harm taught me to be kind to myself. And it’s so, so hard every single day. I still wish for more scars, more representation of the suffering I lived through, but I’m still breathing and I’m slowly clawing myself out of the mouth of this beast. I’m alive.

Because at the end of the day, all you can do is survive.
april 11 1952 Mom gives birth to beautiful blue-eyed girl Mom takes name Penelope from Great-Grandma Penny who died week after Odysseus was born Mom and Dad are not educated to know greek mythology and homer it is odd coincidence they picked Odysseus’s name out of book of names thought it sounded strong  anglo old money Odysseus is thrilled to have sister to share childhood with when Odysseus is 6 and Penelope is 4 Grandma Betty invites them to visit her house block away she serves them oatmeal cookies orange juice shows them her latest small painting of field brightly colored flowers birds in sky lower left corner is horse or dog painting is still wet she shows them magazine picture she copied from Odysseus realizes it is pony in lower left corner when they return home Mom yells at Odysseus “where were you? why didn’t you think to call or leave message with Teresa? do you have any idea what a nervous wreck you’ve made me!” she slaps hard Odysseus’s face reprimands “don’t i have enough to worry about without you pulling something like this? you only think about yourself it’s so typical of your selfishness wait until your father gets home he’ll deal with you now go to your room!" every time he gets caught in mistake he is punished the drill is Mom gets upset with Odysseus flies into rage yells slaps him around threatens him with Dad gets home has a few drinks Mom tells Dad explodes beats Odysseus Mom is judge jury Dad is executioner afterward Dad goes back into living room pours another drink sits in celadon green lounge chair Odysseus is trained to wipe tears put on pajamas go to Dad apologize admit fault promise to be good kisses Dad and Mom goodnight goes to bed that is the drill

Odysseus is barefaced curious exploring discovering tries to connect with Mom and Dad but they are unavailable they are his parents not his friends as far back as he can remember he lives in world of “it’s safe free here Mom and Dad can’t see us” children are smarter than parents think figure ways to self-protect something stirs inside Odysseus creature separate from Dad and Mom whatever psychological or emotional patterns are developing he does not understand obediently goes along

Mom and Granny Mattie take Odysseus and Penelope to browse shops on oak street at one store little statuette like kind Granny Mattie collects catches Odtsseus’s eye he slips it in pocket on drive home he takes statuette out to show Penelope she asks where he got it Mom Granny Mattie overhear ask Odysseus where he got statuette he confesses took it from store Mom gets livid steers car back to oak street Granny Mattie insists “it’s just a figurine let him keep it Odysseus meant no harm i don’t see why you want to make such a big fuss Jenny!” Mom replies “he’s got to learn right from wrong!” they all return to store mom explains to sales clerk what son has done Odysseus hands back figurine apologizes when Dad gets home he dishes out punishment years later Penelope remarks “that was the first time i realized Odys you needed to reach out for something beyond the family”

Odysseus wants to die he is 7 years old and wants to die he knows his life is critically messed up wants new different existence person he is becoming is too error prone ruined already he is way too ******* himself Dad’s temper Mom’s criticisms subsequent self-absorbed social demands drive him to ideas of suicide Dad and Mom are too busy to notice Mom always uses sleeping pills placidal nebutal seconal miltown whatever is the latest Mom says she does not dream Odysseus guesses she does not remember her dreams on account of those pills everyone dreams years later Mom remarks i need sleeping pills to forget about you Odys as Mom describes “i run a formal beautiful household” she delegates chores to weekly staff of brown skin ladies it is house of feminine décor matching pillows sheets pulled tight under elegant bedspreads everything put away in proper place furniture in precise order little dinner bell servant’s foot buzzer beneath Mom’s chair at dining room table maids in servitude once a week white woman with big shoulders foreign accent shows up to give Mom massage Mom is not to be disturbed during that hour Odysseus knows first names of each laundress cleaning lady doormen deskmen garage men janitors caterers at holidays tall black effeminate John comes twice a month on sunday to cook serve traditional american breakfast along with fried bananas apples afterward he cleans up shines silver first 13 years of Odysseus’s life are lived in buildings with elevators staff of residence employees

Mom’s closet is vast with colors textures ground level hundred or more neatly arranged clear plastic boxes containing pairs of expensive shoes walls of imported French and Italian designer label dresses skirts suits blouses top shelf fashionable purses hats other feminine accoutrements also two large dresser chests filled with drawers of sweaters scarves girdles lingerie hosiery more accessories Mom often wears joy by jean patou arpege by lanvin chanel # 5 Mom shops at saks bonwit teller occasionally marshall fields within several years most of her buying will be done at fantastico, exclusive import boutique on oak street clothes jewelry cosmetics are important to her but most important is hair she prefers bottle blonde color wears hair trimmed medium length fluffed up sprayed fixed as do many women of her generation social stature she visits beauty salon twice a week must enjoy letting her guard down with other women while being served by homosexual men her hair prevents her from driving in car with top down all other outdoor activities that might threaten hairdo Penelope mimics Mom though she keeps her things in less tidy fashion she is being groomed to be queen like mom maybe Mom is more sympathetic to Penelope because both innately share female experience Mom portrays herself as lady of elegance Penelope is different from Mom more earthy bumbling routinely scratches Odysseus’s records leaves her drawers messy Mom takes baths so her hair will not be disturbed Dad takes showers Odysseus and Penelope take baths together then apart as they grow bigger ****** is normal in Schwartzpilgrim household Dad hints reserve Odysseus follows takes showers Mom leaves bathroom door open while bathing she is constantly changing clothes traipsing around in robes slippers elegant silk lingerie
Martin Narrod Apr 2014
I have a blue blanket, it looks corduroy but it's synthetic polynesian cotton.
Considered by some to be polyester. After the ninth year of ownership I started
Telling house guests it had always been mine; but secretly knowing it came from my
Ex Kristina who left it with some of her other things in 2005 in my grand deluxe Evanston
Apartment. In like some really awesome way, I could fold the corners together to see little blocks
Of the Universe form cubes in the fourth dimension and gain a better understanding of my own
Little black shmata. Top drawer, white dresser, in the back with the leftover girlfriend underwear between
My first ever stuffed animal dog/rabbit.

Amazing how these thinned and frayed azure threads had held so many midnight conversations Together- maybe fifteen other girls had nuzzled with Kristina's blanket. Last year the guilt set in. You Watch a girlfriend, say, ratchet through your room naked for something soft to put over her to listen to
Some half-stanza from the new Yeats critical and that, do-I-tell-her feeling comes over you. Blue Polyester really had a way with women. My last serious crush, the one of six months, the one from the place that was close to where I worked six days a week, would you believe, she had not interest in that heap of thread, under my pillows spying on us sleep for twenty-four long weeks.

"Drop in the bucket" the sixty-year-olds say. I say, bring me my ******* fourth dimension blocks and cubes *******. I want to visit the existential, I want to experience the hoo-ra and Ga-Ga those kids throw around on Milwaukee waiting for $150 NBA slippers.

Wednesday is my day for telling the truth.
2:00p.m. sitting in the front of her alizarin El Dorado.
"I have something I have to tell you,"  I said, my mouth practically filled with marbles as I barely could Utter the words: it's not going to work out.
Written For Jeff Sherfey
ARI Dec 2015
I am
The forgotten tea
Sitting on his dresser.

Too cold;
Too weak
For him to love.

Yet still
He keeps me
'Ever awaiting his lips.

-ARI
HRTsOnFyR Aug 2015
Here the waves rise high and fall on the icy
seas and white caps chew the driftwood logs of
hemlock and toss them wildly upon sandy beaches.
The steep mountains rise straight from the sea
floor as the December sun shines through the dark
clouds that hang heavy with snow near the top peaks.
Blue icebergs drift slowly down the narrow channel.
This volcanic island is one of many that are scattered
along the coast of Southeastern Alaska.
On the South end of the island is another
tiny island and on it stands an old lighthouse,
a shambles. It has a curving staircase and an
old broken lamp that used to beckon to ships at
sea. Wild grasses and goosetongue cover the ground
and close by Sitka blacktail feed and gray gulls
circle. There is a mountain stream nearby and
in the fall the salmon spawn at its mouth. The
black bear and grizzly scoop them up with great
sweeps of their paws, their sharp claws gaffing
the silver bodies.
Walking North along the deer trail from the
South end of the island are remnants of the Treadwell
Mine. It was the largest gold mine in the world.
In the early 1900's the tunnel they were digging
underneath Gastineau Channel caved in and the sea
claimed her gold. The foundry still stands a rusty
red.
The dining halls are vacant, broken white
dishes are strewn inside. The tennis court that
was built for the employees is overgrown with hops
that have climbed over the high fence and grown
up between cracks in the cement floor. The flume
still carries water rushing in it half-hidden in
the rain-forest which is slowly reclaiming the
land. The beach here by the ocean is fine white
sand, full of mica, gold and pieces of white dishes.
Potsherds for future archeologists, washed clean,
smooth and round by the circular waves of this
deep, dark green water.
Down past the old gold mine is Cahill's house,
yellow and once magnificent. They managed the mine. The long staircase is boarded up and so
are the large windows. The gardens are wild, irises
bud in the spring at the end of the lawn, and in
the summer a huge rose path, full of dark crimson
blooms frames the edge of the sea; strawberries
grow nearby dark pink and succulent. Red raspberries
grow further down the path in a tangle of profusion;
close by is a pale pink rose path, full of those
small wild roses that smell fragrant. An iron-
barred swing stands tall on the edge of the beach.
I swing there and at high tide I can jump in the
ocean from high up in the air. There is an old
tetter-totter too. And, it is like finding the
emperor's palace abandoned.
There is a knoll behind the old house called
Grassy Hill. It is covered with a blanket of hard
crisp snow. In the spring it is covered with sweet
white clover and soft grasses. It is easy to find
four leaf clovers there, walking below the hill
toward the beach is a dell. It is a small clearing
in between the raspberry patch and tall cottonwood
trees. It is a good place for a picnic. It is
a short walk again to the beach and off to the
right is a small pond, Grassy Pond. It is frozen
solid and I skate on it. In the summer I swim
here because it is warmer than the ocean. In the
spring I wade out, stand very still and catch baby
flounders and bullheads with my hands; I am fast
and quick and have good eyes. Flounders are bottom
fish that look like sand.
Walking North again over a rise I come to
a field filled with snow; in the spring it is a
blaze of magenta fireweed. Often I will sit in
it surrounded by bright petals and sketch the mountains
beyond. Nearby are salmonberry bushes which have
cerise blossoms in early spring; by the end of
summer, golden-orange berries hang on their green
branches. The bears love to eat them and so do
I. But the wild strawberries are my first love,
then the tangy raspberries. I don't like the high-
bush cranberries, huckleberries, currants or the
sour gooseberries that grow in my mother's garden
and the blueberries are only good for pies, jams
and jellies. I like the little ligonberries that
grow close to the earth in the meadow, but they
are hard to find.
Looking across this island I see Mt. Jumbo,
the mountain that towers above the thick Tongass forest of pine, hemlock and spruce. It was a volcano
and is rugged and snow-covered. I hike up the
trail leading to the base of the mountain. The
trail starts out behind a patch of blueberry bushes
and winds lazily upwards crossing a stream where
I can stop and fish for trout and eat lunch; on
top is a meadow. Spring is my favorite season
here. The yellow water lilies bud on top of large
muskeg holes. The dark pink blueberry bushes form
a ring around the meadow with their delicate pink
blossoms. The purple and yellow violets are in
bloom and bright yellow skunk cabbage abounds, the
devil's club are turning green again and fields
of beige Alaskan cotton fan the air, slender stalks
that grow in the wet marshy places. Here and there
a wild columbine blooms. It is here in these meadows
that I find the lime-green bull pine, whose limbs
grow up instead of down. Walking along the trail
beside the meadow I soon come to an old wooden
cabin. It is owned by the mine and consists of
two rooms, a medium-sized kitchen with an eating
area and wood table and a large bedroom with four
World War II army cots and a cream colored dresser.
Nobody lives here anymore, but hikers, deer hunters,
and an occasional bear use the place. Next door
to the cabin is the well house which feeds the
flume. The flume flows from here down the mountain
side to the old mine and power plant. An old man
still takes care of the power plant. He lives
in a big dark green house with his family and the
power plant is all blue-gray metal. I can stand
outside and listen to the whirl of the generators.
I like to walk in the forest on top of the old
flume and listen to the sound of the water rushing
past under my bare feet.
In the winter the meadow is different: all
silent, still and snow-covered. The trees are
heavy with weighty branches and icicles dangle
off their limbs, long, elegant, shining. All the
birds are gone but the little brown snowbirds and
the white ptarmigan. The meadow is a field of
white and I can ski softly down towards the sea.
The trout stream is frozen and the waterfall quiet,
an ice palace behind crystal caves. The hard smooth-
ness of the ice feels good to my touch, this frozen
water, this winter.
Down below at the edge of the sea is yet another
type of ice. Salt water is treacherous; it doesn'tfreeze solid, it is unreliable and will break under
my weight. Here are the beached icebergs that
the high tide has left. Blue white treasures,
gigantic crystals tossed adrift by glaciers. Glisten-
ing, wet, gleaming in the winter sun, some still
half-buried in the sea, drifting slowly out again.
And it is noisy here, the gray gulls call to each
other, circling overhead. The ravens and crows
are walking, squawking along the beach. The Taku
wind is blowing down the channel, swirling, chill,
singing in my ear. Far out across the channel
humpback whales slap their tails against the water.
On the beach kelp whips are caught in wet clumps
of seaweed as the winter tide rises higher and
higher. The smell of salty spray permeates everything
and the dark clouds roll in from behind the steep
mountains.
Suddenly it snows. Soft, furry, thick flakes,
in front of me, behind, to the sides, holding me
in a blizzard of whiteness, light: snow.
This is a piece my grandmother had published in the 70's and I was lucky enough to find it. She passed on a few years ago and I miss her with all of my heart. She was my rock and my foundation, my counselor, mentor and best friend. I can still hear the windchimes that gently twinkled on her front porch, and smell the scent of the earth on my hands as I helped her **** the rose garden. I am glad that she is finally free of the pain that entombed her crippled body for nearly half of her life, but I wish I could hear her voice one last time. So thank God she was a writer, because when I read her poems and stories, I can!  She wasn't a perfect woman, but she was the strongest, smartest, most courageous woman I have ever known.
Meghan O'Neill Apr 2014
I hang paper cranes
Above my head
So I can fly in my dreams
The map of the world
That hangs on my wall
Is a canvas for me to paint
The Shakespeare quote
Reminds me of where I'm going
Baby pictures remind me
Of where I've been
My blankets are my cocoon
I'm a butterfly
I lie in the dark
Spinning poetry like a web
Popcorn feeds my stomach
Paperback novels feed my mind
My dressing gown hangs on the door
My walls are trimmed with fairy lights
A tv sits atop a dresser
Like a skeleton, it lay unwatched
I'd prefer to dream of lilac baths
Than force my brain to rot.
Under my bed there's dust bunnies
And monsters
And in the dark they creak
But I'm sleeping with my paper cranes
And flying in my dreams.
He was a boy dressed in green who flew into the Nursery one night.
He flew in to retrieve the shadow that had gotten separated from him.
He had his fairy and best friend Tinkerbell fly into the room at first.
He followed about a minute later and told Tinkerbell to find it for him.
He watched Tinkerbell fly over a dresser drawer & asked which one.
He ran over to the drawer that Tinkerbell stayed beside & he opened it.
He takes the shadow out & happily holds it in his arms and hugs it.
He tries to stick the shadow on by just putting it on his head and poses.
He then has to pick the shadow up from the floor when it falls off.
He tries again and then sees soap & says he'll use that to make it stick.
He rubs the soap on the shadow or himself & tries to make it stick.
He starts to get very upset because the shadow won't stick itself to him.
He starts breathing heavily & asks, "What's the matter with you?"
He wakes Wendy & she thinks he's crying. "Boy, why are you crying?"
He answers her differently in the recent version from the others.
He just stands up from where he is and bows to her in the other films.
He stands up in the recent version & says to her, "I'm not crying."
He's told in the recent film that he looks like a boy out of a storybook.
He calls himself a "brave adventurer" & Wendy says, "Who cries."
He looks at Wendy and says to her, more sternly this time, "I don't cry."
He asks what her name is, she says, "Wendy Mira Angela Darling."
He tells her his & says, "It's enough for me." when she asks if that's it.
He looks around & asks, "Is this a real house?" Wendy says, "Yes."
He doesn't ask that in all the other versions, they just exchange names.
He does different things depending on what version you watch.
He goes out in the hall in the recent film when a noise interests him.
He tells her some things about himself, like that he is forgetful.
"Second star to the right and straight on till morning." is where he lives.
He tells Wendy this in every single version when she asks him.
He's asked if he gets letters & says in many films, "I don't get any letters."
He says in the recent film, "I don't get any." with a little shrug.
He also says, "I don't have a mother." when told his mother must get'em.
He puts a hand up & backs up when Wendy tries to hug him.
He says, "You mustn't touch me." Wendy puts her arms down & asks why.
He says, "No one has ever touched me." and just looks at her.
He's told by Wendy, "No wonder you were crying." and looks at her again.
He says, "I told you I wasn't. I just can't get my shadow to stick."
He also tells her, "I tried everything. Even soap." points to the bar of soap.
He gets the shadow on with the help of Wendy & is happy again.
He gets a thimble thinking it's a kiss and gives Wendy one to thank her.
He tells her about Neverland & she tells him that she knows stories.
He tells her to come with him and says that they will both fly to get there.
He says before this that he knows fairies & Wendy meets Tinkerbell.
He allows Wendy's brothers Michael and John to come fly with them too.
He teachers everyone how to fly and then they are off to Neverland.
I'm sorry, I think I said before that I was on a Peter Pan kick. Don't worry, I won't write about him again for a little bit. I have other things in mind to write about. Thanks for reading and doing all the others things, or at least one of them, if you did :) Bye!
The gentle drawl of Guy Clark's voice
beckoned me from sleep,
saying that when his father died
he'd found no tear to weep.

It wasn't that his dad was mean,
nor that he didn't try,
Guy couldn't find a worthy tear--
he wasn't yet ready to cry.

The blade was broken off the knife
a half inch from the tip.
He could almost feel its  jagged edge,
recalling that camping trip

His dad had let him take the knife
to a Boy Scout Jamboree
it was there he broke the blade tip off
throwing at a tree

That knife had served at daddy's side
when he went off to war,
saving his life in combat.
Of that he'd say  no more.

His father never said a word--
put the broken knife away.
It rested in a dresser drawer
until his dying day.

It was only when Guy's hand had found
and closed around the handle
that he knew, amid the sudden tears
Dad had loved him more than Randall.
Inspired by Guy Clark's song, "The Randall knife," on You tube.
Sarina Aug 2013
***
It made scallops on my shirt, dried like salt
in seashells —
the final appearance of our love.
I
could have mourned it
as if it were more than the possibility of life
disguised by a million tadpoles. A whole

day, it took him to get home
it may be even more
miles than my body fluids travel in a week.
His, still on my shirt. Hits my knees

(always the knees, have built oceans on them)

He thinks he left, but it was I
who cleaned sand castles from all my crevices

he thinks he left, he
the snail
I have
caught up in years of needing to be ******.

He thought he left, but white beaches
are still in my dresser —
it is what remains.
I am so tempted to say, "your *** outlived you"
but it would not be the
first time his **** did the work for him.
Call the roller of big cigars,
The muscular one, and bid him whip
In kitchen cups concupiscent curds.
Let the wenches dawdle in such dress
As they are used to wear, and let the boys
Bring flowers in last month's newspapers.
Let be be finale of seem.
The only emperor is the emperor of ice-cream.

Take from the dresser of deal,
Lacking the three glass knobs, that sheet
On which she embroidered fantails once
And spread it so as to cover her face.
If her ***** feet protrude, they come
To show how cold she is, and dumb.
Let the lamp affix its beam.
The only emperor is the emperor of ice-cream.
Chris Thomas Jan 2023
"A patient man bides his time,"
Theodore tells the man in the mirror
Tomorrow, all the levees will break
And all the fables will be told
Of distant Decembers and forgotten fathers

Livelihoods will be threatened
And remorse will fall by the wayside
He watches as icicles on the awning
Melt away into puddles on the ground
"Warmer every day," he thinks to himself

He hangs up his scarf and overcoat
The way a simple man, with complex demons, is wont to do
And as his wants devolve into needs
And as all his anchors deteriorate to rust
Her smile unnerves a once-settled man

To think of the quality of glove necessary
To hold onto the wagon in this day and age
So Theodore pulls the door to,
Leaving Chopin's "Horseman" to gallop in peace
And in pieces

He watches her from across the courtyard
"Such sweet bliss in her footsteps," he sighs
And it seems to him as if the snow dissipates
Just from the warmth in her steady gait
Just from the radiation behind her brown eyes

He slides open the dresser drawer
A haven for scattered trinkets, odds, and ends
A place of respite for the weary souvenir
There, amidst all the corroded memories
Lies a corroded pistol, unspoken and unburnished

"And a lonely man drinks his wine,"
Theodore says, as intrepidly as he is capable
For there is a time when fathers stop teaching
A time when mothers stop singing
And a place where the sins stop searching

A last breath is deeply inhaled
But never again will find its escape
With a thud that echoes to Seymour Street
Theodore crumples to the cold wooden floor,
A simple man, finally free of complex demons
This is a poem about hopelessness, unrequited love, and the sense of loneliness that accompanies every loss.
Ma Cherie Aug 2016
My Father: I Never Promised You a Rose Garden!
My Mother: Well I Never expected a thorn bush either!

I always thought it was quite funny
I remember this on sunny days
when my parents were driving my Father would ask my Mother if anything was coming from the other direction and he'd say:
"Is it okay George?
And my mother would say:
"Okay, Hit it Henry!!!"...I still have no real idea why...I remember and I sigh...
as a twinge of sadness comes sneaking in.

There were certain people that my Father did not care for and he would say they were snobs ..."****** intellectuals"... as a child I got confused by that but now it makes perfect sense....it was said without pretense.
I had to figure it out.

Without a doubt...
I have many fond memories of my family...especially my Dad, who really sacrificed more than anyone I've ever known
who sowed every seed he'd ever sewn
Raised 4 kids till they were grown
all the fading memories that I blindly used to perceive as bad...
have now melted into the Beautiful
They are now the things that endear me to them... as I remember...they make me smile for a little while.

My Father has passed now some five years... was born a simple man of simple means...
times for him or more than just a little lean
Shoes three sizes way to big
stuffed toes with old newspapers
a dresser drawer....fashioned Sisters crib
He was a Phoenix rising from those ashes
And he was never out of fashion...
a Master Carpenter... a builder of my dreams...
raising beams
dressed in denim bib overalls and a white T-shirt...a red, white and black bandana in his pocket to wipe his sweating brow

And now....ever since the day he died
I have tried...but my Mother and I now have this distant love
so I know he's still guiding me, and us from far above
I never would have made it this far
way too many scars...
It's a strange feeling to feel so very alone
feel like I have no real home
in the world...
I am a caretaker of an apartment....

I feel he would have done
anything for me  
he would never let me see...
such awful things
and be
down in such lonesome places
with strangers, such unfamilar faces
Or so I used to think

I've been at the very brink
Now I understand he wanted me to know
to struggle for my life and so I would grow
as even a thornbush would...
It taught me to be humble even when I couldn't walk
to listen and not to talk
even though I have my children, my progeny...
If sometimes I still can feel so very alone...
so no matter where my Gypsy heart roams
I carry those memories with me they are my church in the day...and in the night
I remember his final words
and I know.... it'll be alright
He taught me how to fight
and I am fighting beside him now...

I am carrying out his final wishes
I cook them in my famous dishes
My Father absolutely enjoyed the sharing of food...
Always was in the mood for something delicious...
So I sprinkle
them with his way
the things he'd often say
with his stoic compassion,
an understanding heart, so kind
I try to share his brilliant mind...
I am thankful that he wanted me and made certain I was here
His memory to me so dear...
with him I have no fear
Thank you Father
Thank you Daddy...
Love you Ma Cherie....

Cherie Nolan © 2016
I remember this banter between my parents and thought it was funny. Then I started reading this and it made me feel sad but it's all good it's all part of the process. :)
Alexander Klein Jun 2016
Indigo. A dream of the color, and the sound of soft rain. Bathing birds babbled among pines beyond her window, and morning light was warm on her closed face. An ache in the spine. Creaking knees. Shoulders cold cliff-rock. Complaining muscles knotted tight as wood. The wooden house around her also creaked in the wind. Smelled wet. And somewhere echoing through her fields Edgar barked three times, then once more in playful affirmation. Today maybe the last today. In her mind’s eye, falling almost back into dream, Nora surveyed the long acres surrounding her cold home: untended wheat, alfalfa, cattle-corn, all woven through untold ecosystems of weeds. Stray indigo flowers and violets. Scattered dust-filled barns. What the place might look like after all this time. With her right hand she sought the frame of the bed, found it, rough chips of paint flaking. Slowly exhaling at once Nora lifted her iron legs over the edge, thin-socked feet found the bedroom’s planks. Cold air. November hopelessness. With spider-sensitive fingers she plucked her way around the room, imagining violet dawn spilling through her screen window. Stood before the poker-faced mirror out of habit, ran her brush through hair that must now be silver. She felt the satisfying tug on her scalp and loudly past her ears. If her dresser was in front of her, to her right was the window and the pine-scented boxes where she kept his clothes, behind was her rumpled bed, and to her left then was the bathroom. She felt along the door-frame, the sink, the toilet, and sighingly she settled onto its seat. Relief.
Rain drops on her roof were like the “shh” breathed to an infant. Warm blanket of rain over the cold farm. The breathy wind was driving the rain towards her house, cranky knees told of a storm to come. The boisterous wind had the sound of laughter and strife, of voices: the twins arguing somewhere, Edgar probably with them over-enthusiasticly ******* their footsteps. The bellowing wind made the house creak more than usual, but there was something else. A distinctive groan from the foundation up the east wall to the roof-tiles. Someone was in the kitchen. Constance, just like it used to be. Connie was here and the twins were outside: they had arrived closer to dawn than Nora expected. Heavy truck’s tires in mud, headlights had pioneered dawn darkness. Smell of soil. Massaged her own back, kneaded the the flesh on either side of her spine, then wiped and stood from the seat letting her nightgown fall all down around her knotted ankles. Washed herself, and a short shower before the water turned cold. Dried her wrinkles feelingly, smelling soap, and pulled her soft nightgown back on. Socks.
Always a joy whenever Constance came to call — less frequently these days it seemed — always a joy to be with her grandchildren though little Bastian was still mistrustful of her. Always a joy to see her daughter’s family… but she never got to see Matt’s. An image of her son’s face, a red haired ghost of the past, flickered in Nora’s memory. He couldn’t stand this place since he was young, hated his full name “Matthias,” maybe hated Nora too. No reason to stay after his father died. He fled to the city. Must have a wife, several children by now. Well. At least Constance kept coming by. The rain grew heavier, played on the roof like the roll of a snare drum.
Out of the bathroom and bedroom, feeling the planks of floorboard with her soles, hand by hand and foot by foot she traced her steps down the rickety stairs. Uneven. Nora knew the chandelier she once hung here was red; she pictured the color as hard as she could to envision its reflection on each surface of the stairwell. Smell of pine. Like the smell of his clothes safely preserved in the boxes by the window. Jagged nostalgia. Nora had met dear Rowan back in another world: a world of whirling sights and colors and beautiful ugliness and ugliest beauty all. To America when she was nineteen, leaving behind all Germany and studying her new tongue. Had still devoured books then, was able to become a school teacher. When twenty-three, met in a chance cafe Rowan who worked the docks. Red hair. Scottish but of many American generations. Nora grabbed blindly at a face just out of memory’s reach. Her hold on the bannister revealed the places where varnish had been rubbed away by her wringing hands. From the kitchen, acrid cigarette stench and shuffling. Inflamed knees hating her meticulous descent, but better this ordeal each day than to abandon the bedroom they had shared. When the two met, Rowan still sent money to his agricultural folks in New York (“Upstate,” he protested more than once, “Not that awful city, but in the countryside!” and he’d pantomime a deep breath) because of the expenses of running their farm. Nora’s now. From the cafe he had bought her an almond pastry, triangular, smaller than a palm, its sweet crisp flakes made her think of Mediterranean forests, and when the two were married they worked this hereditary farm. Nora knew all the animals, when they still kept livestock. Now Nora’s farm, whose after? When her little Matthias was born they had praised him as the farm’s inheritor. Unwise.
Last step. Sound from the kitchen of Connie shifting in her seat, rustling papers. Smell of strong coffee. Strong cigarettes. Composed herself, quietly cleared throat. Sauntered down the hallway, monitoring expression and tone. Nora said, “Hello Constance. When did you three get here?”
“Hey ma,” said the woman’s voice when the elder crossed into the kitchen. “For christ’s sake don’t call me that.”
“For christ’s sake, don’t take his name,” Ma scolded, but then traced her way past the table to the countertop and felt about for utensils. “I’ll make you something Connie.” The counter was in front of her, bathroom to the left, stove to her right and along that same wall was the back door. ”How about some nice eggs and toast like how you like.”
“No ma, I handled it already.”
“And what color is that hair of yours this time?” Ma asked, carefully inserting slices of bread into the toaster. “Seems like months you haven’t been by.”
A patronising, sarcastic chuckle. “…it’s orange, ma.
Listen—”
“That is so nice. Your father’s hair was just that shade of orange.” Felt around inside the refrigerator. The styrofoam carton. Small and cold and round, her fingers seized four of them. “Do you remember?”
Pause. “I remember, ma.”
“What I don’t understand,” said Ma swallowing a cough, expertly igniting one gas burner as practiced and putting on hot water for tea, “is why you don’t fix to keep it natural. I love our nice fair hair, very blonde, very pretty.” Back home in Germany Nora had been the favorite of two men, but many years since engaging in the frivolous antics she in those days entertained. “Best to flaunt your natural hair color while it’s still there: orange like Matt and dear Rowan, or fair like you and Lorelai got.” Memories of her own face as she remembered it. Relatively young the last time she had seen. What wrinkles there must be. What a mask to wear. No wonder Bastian. Nora ignited another burner. Tick tick tick fwoosh. Smelled gas. Sound of the almost boiling water complaining against its kettle. Phantom taste of anticipated tea. Regret. The contents of the vial hidden on the top shelf. Today maybe the. Sound of heavy rain. “And how are your bundles of mischief?”
Connie sighed. “I told Lorelai to get her little **** inside the house, as if she hears a word. She’s playing with Ed somewhere in the fields I don’t wonder, rain be ******. That girl is such a little — well she’d better not be down by the creek anyhow. Could get flooded in a downpour like this. Bastian was out with her, but he’s playing in his room now. You know we don’t have time to stay long today, it’s just that you and I got to finally square this business away. No more deliberating, ok?”
Swallowed. “Course, Constance. Just nice to hear your voice. You’re taking care?”
“Care enough. Last time I was — oh! Jesus, ma!”
Ma’s egg missed the pan’s edge. She felt herself shatter the shell into the stove top, in her mind’s eye saw the bright orange yolk squeezed into the albumen. The burner hissed against liquid intrusion. Connie made a strained noise and scooped her mother into a seat at the table. Movement. Crisply, the sound of two fresh eggs being broken and sizzling on the pan. Scrambled as orange as Connie’s guarded temper. The table’s cool surface. Phantom smell of pine wood polish and recollections of Rowan at his woodworking tools building this table once. Other breakfasts. Young Constance, young Matthias. Young self. Her left hand massaged her aching right shoulder, then she switched. The sound of plates being readjusted with unnecessary force.
“You know,” said her daughter, “living in one of them places might even be fun. Might be good for you instead of moping about this place. But like I’ve been saying, we got to make our decision today: sell this place or pass it on. I know you don’t take no walk, cause where would you go? What’s the point in keeping all this **** land if you’re not gonna do nothing with it? You can’t even ******* see it!”
“Constance! Language!”
“Come on ma, just cut it out! This is great property, and you’ve let it get so it’s bleeding money.”
“…But Constance I can’t sell it, not like your brother wants me to do. He’s always trying to get rid of this place and turn a profit, but someone needs to take care of it! You know that this is the house that your f—“
“‘That your grandparents lived in where your father and I raised you…’ Yeah I know, ma. And I get it. Believe me. But what you’re doing is just plain impractical, why don’t you think about it? All you’re doing is haunting this place like a ghost. Wouldn’t you rather live somewhere where you can make friends? Things can’t go on like this.” A plate was placed softly on the table and it slid in front of Ma. Can’t go on like this. Egg smell. Salted. Toast, margarine. A cup of tea appeared nearby. “Anything else you want? Here’s a fork.”
“What will you eat, Constance?”
“I ate, ma, I ate already. Have your breakfast, then we can talking about this for real. Ok?” Then, the sound of her daughter’s body shifting in surprise, a pleasant unexpected, “Oh,” before Connie said low and matronly, “Hi baby, how you doing? Are you hungry?” But only the sound of the downpour. Orange eggs still softly sizzled. The wind pushed the creaking house. “Sweetie, you don’t have to hide behind the door, it’s ok. Come say hi to grandma… don’t you want some scrambled eggs?” Refrigerator’s hum. Barking echoed, coming over the hill. But not even the little boy’s breathing. Grandma had met the twins two years ago, following the **** of Constance’s rebellious years and independence. Nora was reminded of her german gentlemen and her own amply tumultuous adolescence. She could forgive. Two years ago Lorelai and Bastian had already been too big to cradle and fawn over, but they were discovered to be just starting school and already bright pupils. Grandma hung her head. Warm steam from where the uneaten eggs waited patiently. Edgar’s approaching yapping. And, fleeing from the doorway, a scampering of feet so light they might have been moth wings. Down the hallway back into his room. “Sorry ma,” said Constance.
Shrugged. A nerve flared in pain up her neck but she didn’t react. Only fork scrape. Ate eggs. On introduction, poor little Bastian had burst into tears and refused to go near her. Connie had consoled: “It’s ok baby, she’s just Grandma Nora! She’s my mother.” But poor little Bastian inconsolable: “No, no, no! She’s not!” What a wrinkled mask it must be. How hideous unkempt with silver hair. How horrible unflinching eyes. “She’s not,” would sob the quiet boy in earnest, “she’s a witch! Don’t you see?” And he never would let Grandma hold him. Lorelai was always polite, hugged warmly, looked after her pitiable brother, but her mind too was far elsewhere. Edgar alone loved them all unconditionally and was equally beloved. Barking. Yowling. Scratches at the door. Downpour. Door and screen door opened, wet dog happy dog entered, shook, and droplets on her cheek.
And there appeared Lorelai, a star out of sight. “Hey mom. Hi grandma!”
Grandma swiveled for cosmetic reasons to face where the door. Grinned, “Hello Lorelai. Wet?” Envisioned yellow sunlight entering with the excitable girl in spite of the deluge.
“Oh it’s so rainy out there grandma, I found little streams through your fields and big mud puddles and Edgar showed me where your secret treasure was, we found it!”
“Stop right there, missy!” commanded Constance. “For christ’s sake you look like you took a bath in the mud and the **** dog with you. Come on, your filthy coat needs to be on the rack, right? Now your boots.”
Warm nose found Nora’s palm, excited lapping. Slimy fur, smelly fur. A cold piece of egg dangled in her fingers, then dog breath came hot and licked it up. Satisfied, he trotted off elsewhere, collar jingling out of the kitchen and down the hall.
Little Lorelai lamented, “I couldn’t help it mom, the mud was all over the place! When we got past the motor barn and the one alfalfa field that looks like a big marsh frogs went ‘croak croak croak’ but Edgar growled and chased them and then we made it all the way in the rain to the creek and it’s so much—”
“Now you just hold on. Hold still!” Sounds of wrestling. Grunts of a struggle. “That creek must have been overflowing! Didn’t I tell you not to? You didn’t take your new phone out there did you, Lori?”
“No ma’am.”
“**** right you didn’t, cause I sure ain’t buying you a new one. Didn’t I tell you not to go all the way out there? Didn’t I? Now you get into that bathroom and wash your **** hands!”
“But I’m telling Grandma a story!” huffed little yellow haired Lorelai.
“Well wash your hands first and then we’ll hear it, Grandma don’t listen to misbehaving girls who are all muddy and gross. Not a squeak from you till you look like you come from heaven instead of that nasty creek.”
A profound sigh, a condescending, “Fine,” a door closing and a squeaky faucet running. Muffled hands splashed, dampened off-key ‘la la la’s.
“Who knows what the hell that one is ever talking about,” said Connie. “It’s everything I can do to get her to shut up for five ******* minutes. You done with your eggs?”
Ma fidgeted. The plate was scraped away, and a clunk by the sink. Licked her lips, mouthed a syllable, about to speak. But then her house creaked three strong along the east wall. From deeper within bubbled a suppressed sob: “Mom,” little Bastian wailed, “Mom, come quick!” Constance sighed, Constance cursed, and Constance swept off down the hallway struggling to refrain from stomping.
Sound of washing. Wind. Rain. Alone. Cold. Picking out the paint for this room, listed in gloss as ‘golden straw yellow.’ Rowan hadn’t liked it and chose himself the bedroom’s color in retaliation. The loss of the home they had built together. The contents of the vial hidden on the top shelf: do they see it? Bathroom sink stopped flowing, door wrenched open. Smell of soap, clean smell. Grandma said to her, “Your mother went to check on Bastian,” Taste of eggs still yellow on her tongue.
“What a *****!”
Stunned. “Lorelai!” she snapped. “Don’t you dare take that language!”
“But mom does it all the time.”
“Then Lorelai, it’s up to you to be better than your mother. When I’m not around any more, and your mother neither, you’ll be the one who keeps us alive.”
“But as long as you’re alive you’ll always be around, you’re not a ***** like mom. And remember? I got all the mud off so can I finally tell you can I what we found? Well actually it was Edgar found it. Oh and I’ll describe it real good for you grandma just like you could see it: when we pulled up we were just wandering in the blue rain, Bastian and me, and silly Edgar joined us but Mom tried to make us come back of course but I told Bastian to stay with us at first, but later I changed my mind on it. It was he and me and Edgar were hiding in the old motor barn where it smells like a gas station remember grandma and he was so excited to see the sun when it rose and made the morning violet sky he started clapping and Edgar got excited too and was barking ‘bark bark’ and howling so I told Bastian to go back even
Pink Taylor Jan 2010
A farmer, a diligent worker, I am.
Passed down the same employment
The same land, generation to generation
This field has never grown the best crops
But always enough to scrape by
It has always been, to the naked eye,
Filled with weeds
But I labor all day, sometimes in the blaring heat
Pulling weeds and caring for each precious plant
For not being one more **** I have to pick.
Some weeds are deep-rooted and will not pull
And I pass them by
Acres and acres of land with weeds
Harbored off into sections
Singly alone, it takes weeks
To rid one of weeds and then harvest
But the little money I gain back from that
I cherish that much core.
A farmer from generations and generations of diligent workers am I
And this is my story.

As I was working in my field one day a man came up to me
He had a clean pressed black suit
And hundred dollar sunglasses
Well dressed for business.
He asked me, "Why do you work so long and hard with pulling deep-rooted weeds when you hardly get any pay?"
I explained my family's field of generations and generations.
It never gets any better, but hey, it never gets any worse.
I could feel him looking down upon my labor in my family's field of generation after generation
He said to me, "A pretty lady such as yourself should not be working in such heat."
This man, he told me of his fields back home.
He had cows, even. Chickens and horses.
"The finest of the finest," he assured me, "bred from rare and royal breeds."
He told me of a home where I would be cool and looked after and no longer would have to
"scratch such pretty hands working in such a lowdown field."
Well this business man in his clean pressed black suit
And his hundred dollar sunglasses,
He took my hand, looked me in the eyes
and tenderly said,
"It doesn't have to be this way.
Come with me, I will show you."
And I followed him to his red corvette
And we drove into the sunset
On passed the moon
And when we arrived
It was as splendid as he had said.
Fields and fields of green
"All of this is yours," he said, "just stay with me."

And for days I was cared for by him
I spent my time in the cool house
Both of us together
He rarely left, but when he did it was to harvest the field
It had few **** that he didn't bother pulling
Or to feed and care for the prized chickens, horses, cows.
Or to cash the money the fields had earned
Always giving me
Much more than I needed.
He massaged my back and sang me songs
And told me I would never have to worry about anymore weeds for the rest of my life
Let him do all the worrying.
And I did.
And all was well.

That night I awoke with an itch in my throat
That itch turned to a cough and I fully opened my lids
To a thick grey haze that turned at the soft flesh of my eyes
I coughed again and again to sit up and look around the smoke-filled room.
I crawled my way out of my silk-sheeted bed in my silk nightgown and tried to call out
But nothing but tears came from my eyes
I felt my way to the door, touching my money on the dresser and I pocketed it.
I struggled though the flames and the heat of the smoke.
My vision blurry, head light, lungs shriveling, eyes burning, feet cut and scraped from broken glass upon the floor
And as I finally mad my way to the front door
My hand passed over a note taped to the wall in the entry way.
I pocketed this as well.
I rushed out into the cold night air that felt free from the heat of the thick haze
I blinked away the tears in my eyes, took a few breath and cleared the dizziness
I pulled out the note and it read:
"If you survive, I want you to know: I'm sorry."
I continued to cough.
And I didn't bother to blink away these tears.

The police arrived a few hours later.
The house and barn and field burned down,
They were still able to identify the cause:
There was a storm that night and lightening had struck
A tall **** near the edge of the field
By the barn
This **** was big, tall, and deep-rooted.
No one had bothered to pull it.
The barn caught fire first and all the finest of the finest chickens and horses and cows bred from rare and royal breeds
Were laid to wast,
Bones found in the ashes.
The field and home burned at the same rate,
No bones found in the ashes.
And the man dressed for business
In his clean-pressed black suit
And his hundred dollar sunglasses
Was no where to be found.
The police said they would do their best to find him
But I knew they wouldn't do either.

I ran back home in the chill of the night that had once seemed comforting
It bit at my toes and my ears and the tears on my cheeks
It numbed everything else that the protection the silk offered
My rubbed-soft feet found it hard to run more than a mild in the cold dirt and rough rocks
But they ran back past the moon and out of the sunrise,
Coarse and calloused by the time they reached the old farm.
There were now more weeds than ever and my hands had run smooth from not a days work, not a **** pulled so long
And I removed the burnt, torn, frozen silk and bought new sturdy working clothes with the money I pocketed
I looked out upon the old abandoned field of generations and generations of my mothers
And I prepared for the fresh open wounds I would have by the ned of this day
Determined to make this field as beautiful as it once had been I grabbed the base
Of the first **** at my feet.
And pulled.
Shannon McGovern Aug 2011
Her eyes burned from ammonia and snow as she shoveled the driveway
in the parts where the cat litter failed to appropriate traction.
This is what cars are for she said before she slipped away onto a twin mattress
next to pile of laundry and a pillow of books.
Sleeping with dryer hot clothes is only comfortable until you realize
you are still alone and loneliness is only formidable when you know it is indefinite.
So she folded each item into a pile and wondered if a suitcase wouldn't be better
than her dresser. But running away is not an answer like pit bulls and vipers having daughters, even though they ran out of formaldehyde and jars.
Martin Narrod May 2014
"I know your vexed great spirit, miles away, a gentler more playful you thrives on a journey of life. There among a ridge, the plateau where you dance, leaping, ripping yourself out of the air,escaping towards the light. Free from the weight which chastises and locks you up. Out of the medicine cabinet quaffing your deepest breaths, urging your hours shorter and shorter. You cascade like glass buttons scattered on the desert floor, let those wet cloths be forgotten, may your sorrow disappear amidst that great arenose simoom.  When the ghibli makes you stutter before the bright outlook you once displayed, do not forget to visit the flowers that bring you the most  peace of mind"------------------------------------------------------------­------------------------------ It's here. In the pile-ons, wrapping around your head like a cool, wet bandage, keeping out a headache, or the rancorous guilt of an ugly night. It sits on the top-layer of your forehead, beading off in fresh droplets of self-pity, uncomfortable and self-defeating restlessness and despair. I rub it with my hands, removed each new wave of desperation and soothing your hairline with a swath of my hand. I raise up, your cucumber colored walls, that bright pink bedspread, nothing different ever changes. The masonite paintings still there, that old familiar **** carpet, a thatch-work of menage-a-tois and fifth grade-style arts and crafts. The light bulb has been out for six years, third drawer right-side down is still stuck, a mystical blow dryer blocks it closed, and the door won't ever quite close- I take a shower with the world wide opened and you trailing a fastening steep. And so your fever rises, your feet soak in a tepid iron clad bed frame while your mind rattles against your skull. Thirty days have past, lifeless, echoing in this wicked upstairs chamber. The West Wing. Slatted blinds, the white dresser, the Chanel books, the pool party photos, the blue swim-meet t-shirts, the fake gold trophies and the true gold hairs on your head, my fingers dash across your forehead again meeting your brow with the cool folded washcloth, I reach for your back and you turn, slightly rolling; something routine, unsteadied, even wicked limps in a stress ball inside your bottom lip. It's just a quiver. Nothing different ever changes. It's the devil inside, and I am nowhere to go. Maybe midnight or maybe twilight. Every hour of morning is another hour of night I'm ever taking my sleep back into. I don't count the days, just mark them in the thoughts of worry that flurry through in brief thoughts. I am obsessed with care-taking now. Three hours have passed since I showered you out of your black party dress and sparkly Gucci slip-skirt, since I took bits of post-digested food from your hair, held your nose with a tissue and told you to blow it all out, again, another night of building a sick room and sauna. I never tire, I just make arrangements, I build a small room and I wait the weight out. Nothing different ever changes, and I don't expect the unexpected or dare to meet your smile again.-----------------------------------------------------------­------------------------------ Three months ago, thrifting on Valencia and 26th Street. Walking from Blue Bottle to the Bay then to the Breakers. I climb atop A Buena Vista with man Adam, you scale a mountain-sized hill with your teal green and cherry red Nikes. We make a photograph in front of white dogwood blossoms overlooking a steep Ravine to the East. A bird chirps, a homeless woman barks, and four children smoke cigarettes and joints in a treetop. Every ***** goes up and down, each footstep dithering amidst our biduous ascent. I buried you last Thursday beneath the dogwood, your cherry red and teal green gym shoes planted at your doggerel.
Meka Boyle Aug 2013
Is this what it means to be alive?
The heavy thud of strong ***** and cheap beer
Sounds slowly throughout my empty body.
5am sinks into 6 am
And I remember that I never made a wish
When I was blowing out my candles.
Warm suds mix with the remnants of my birthday cake,
As my trembling hands focus on the glass container
Beyond the slightly dull kitchen knife
That rests alone on the marble countertops,
Facing it's long sleek body towards my upright torso:
A modern take on spin the bottle.
No one cares, here.
Houses flood in and out with lonely crowds of
"Nice to meet you" and "I've missed you so much",
Until all you can hear is a constant drone of yesterday and tomorrow muddled together in a ***** sink.
Is this how it feels to grow older?
Each year seeps into the next, and sometimes I forget my name,
Lost in the American dream of party hats and pinatas.
There's nothing real here, anymore.
It was all left behind: all the cherry stained finger tips, macaroni noodle jewelry, piles of presents by the living room door:
There's no room for any of it, now.
The train rolls by like tiny knights clinking around in their brass armor,
Off to slay emerald dragons that only appear
Right before sunrise,
And evaporate before their presence can be uttered from the lips
Of anyone ****** up enough to see them.
Another year has snuck it's way into the room,
Gradually slinking over to the small leather couch,
Where I dutifully await its arrival.
Outside, the world grows restless;
Sleep walking, the city streets begin to dance and pulsate with empty ambition,
Jerking back and forth to the rhythm of the rusted train tracks
And nameless sounds of empty avenues and sidewalks.
Knees curled to my chest, I'm five years old again,
Listening to the tired clamor of white and grey birds and the smell of salt water.
Everything's easier when you only know enough to paint your world with the same colors
You found in library books and pamphlets from the aquarium.
Now, the acid in my stomach churns with yesterday's Taco Bell
And the distant squalor of seagulls falls flat against the ***** windows
Of my second story apartment:
Nothing grows here.
What's left of yesterday's light
That hung around until the morning,
Slowly spreads across the kitchen floor
Until it reaches the thick, shiny skin
Of our resident house plant,
Basking in its sorry habitat,
It's spindly arms reach out towards the window,
Only to be smushed back towards its fleshy body
By the paper thin mesh netting:
A testimony to the world around it.
I'm fourteen, again,
Fighting back tears in algebra class and planning my Friday night,
Because life turns the color of Nebraska mud
As soon as you dilute your reality with that of everyone else's.
Bang bang,
Sounds are only as poignant as our imagination;
Afraid of what we would hear,
We force the fairy tales that once flew freely throughout our worlds,
Into a tiny ten minute daydream,
Too brief to ever be accepted as anything more
Than a distant memory of a half there story
That served no purpose
Outside of entertainment.
We've replaced never land with shopping malls
And Main Street.
Throwing our arms up as we pivot down onto the paved floor-
Fairy dust can only hold so much before failing,
Leaving us to our own devices
And a slew of infomercials and prime time television series.
Being nineteen isn't that different from any other age.
The past continues to build up like caked mud
And dog **** on the bottom of peeling, white tennis shoes.
One, two, three,
Maybe growing up isn't so painful after all,
Until you look back and realize you accidentally
Left your entire life behind in the process,
Tucked away in a musty banana box
Between a broken pink dresser and old magazines
Somewhere in your mom's garage,
And the more you think about it,
Try to remember it in every subtle detail,
The more you gently try to force it out of the crevices of the past,
The more faded and distant it all becomes.
Age makes us clumsy, time makes indifferent,
And nostalgia will drive you mad.
The light in our eyes that was once illuminated by childhood ambition
Now shines from the reflection of a glossy
Photo album that lies face down
Amidst the remains of an instant milk childhood
And birthday wishes that gave us something to believe in.
Now our gods rest indifferent on the chapel floor,
Reaching out from under cedar pews
To grab the ankles of desperate sinners,
As they drift up the isle
To drown out their passion in holy water.
Nothing changes, here.
All around us, the same old song falls effortlessly from the end of every syllable we
Mindlessly spit out like watermelon seeds.
Generation to generation,
We preserve our day old revelations about what it means to feel,
In the hopes that we may fight off death
By forgetting that we were ever alive.

— The End —