In a wakeful contradiction, it lays fact between my fiction,
Tangling subatomics, it unravels as its tricks spin
deeper toward the outward...
                                      it won’t let up, 'til I give in.

Over matter, lay my mind…
I tell a lie to pass the time...
But there’s no reason nor a rhyme --
                                            Less still, a purpose?
I search for something to remind my mind
                     that there’s truth that isn’t worthless…

But as always, failure appears;
                              in a sort-of amnesic continuity.
And my reality lies to my own mind
                              Just as well
                              as it succeeds in its futility.
With destruction as its manifest,
It tells me that I stand my tallest
                              Upon two buckled knees.

And just as faith will find one’s doubt --
                  a search within has left without.
It seems that an answer, once sought out,
                  will be left lacking its question.
My truth divides itself,
                   as a product of infinite misdirection.

I try to substitute a reason for a rhyme.
But with no lies left to pass the time...
                              I swallow a dose of ignorance.
It goes down smoother than the truth.

In a war that started with a truce,
This world betrayed my faith to show me:
                                 that I'm only tall enough
                                 Once I’ve been
                                                         cut
                                                             down
                                                                ­     slowly.

A pill too large to swallow,
                I think I’m choking on myself . . .
Or the irony of asking,
                     “How could I be so careless?”
Here I stand, Barely standing,
                   Consumed almost entirely
By my own dry-heaving self-awareness...

Left to fight the fears that my nightmares create;
I’m still running from my past,
                          yet, haunted by my fate.
They walk beside me always,
                          shadowing wholeheartedly —
Existing as a duality, both apart from,
                         and a part of me.

These ghosts have taught me very little...
                                    Aside from what I hate.
But, I've come to learn not to fear
                                    The forceful hands of fate.
For I shudder not at the thought of destiny,
                                    Or the inevitable in time...
Instead, I fear the eventuality of the choices
That were solely, and entirely, mine.

I fear that my will may be of enough influence, alone...
That fate itself may collapse beneath decisions like my own.
Or that I, myself, might be constructing
What destruction I will find
Among my shattered spirits and convictions,
In these depths to which I climb.
​

Unfinished,
unpolished,
unfurnished;
unpublished.
Like us, a draft
of what can be called
"the both of us."
A draft created
that's open for change.

A change
to be better
---better
than who we are
or what we are
in the midst of the conflict
that floats around us
for the sake of us
for the both of us
---for each other.

A change
to be smoother
---smoother
with no mistakes,
with everything
in order;
consistent,
and coherent
even with the dialogues
we say that matter.

A change
to be clearer
---clearer,
meaning it is
at least what it is
meant to be conveying
with no underlying
vague wordings
when it comes
to our feelings
---for one another.

But that's there all is:
a draft
of what could be called
the both of us;
a product
of what we can become
if we make it become;
a product
of the possibilities
of what can be us,
of what might be us,
of what is it between us
between the fragments
of the words,
the lines,
and the series
of all of them
that constantly paint
faint descriptions of us,
descriptions
created [fabricated]
in my mind
like a work of fiction,
of pure imagination.

Unfinished,
unpolished,
unfurnished;
unpublished,
l­ike the poems
I wrote for us;
like the poems
about us;
like us, a draft.

Slippery tentacles swirl,
overlapping each other
in eagerness,
engulfing,
embracing,
the others.

To be mindless
clay thoughts
clumping, and
separating
with the tide.

Slimy, as seaweed
but smoother, and yet
bumpier
as well.

Slipping, sliding,
simple thoughts of
embrace,
simple arms of the
octopus.

O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous *****, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

                        Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous *******
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

  Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'**** lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I ****
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A ****** light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle ***** of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

  Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my *****, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

  He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

  'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His ***** grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the ***** of a hated thing.

  What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

  Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all ****,
Bursts gradual, with a wayward indolence.

  Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his ***** beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

  O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

  And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrt

Funny how Someone can
Asunder a heart of thine
And thou still dost adore them
With all thy riven smithereens

My love, please come to me,
In my life thou dost linger
A love from my sweet past
That beamed than many a star

My love, long have I endured
A heart sundered by love
Though wherever  I wander
Thy sweet love I still dost crave.

Oh my love, come back to me
So we may pick these riven pieces
That like sea waters scattered be
And I'll smoother thee with kisses

Together we'll never sunder
For my love will be thy love
Beaming so bright forevermore
As thy  love will be my love

Blissfully we'll dwell ever after
Like twinkling stars in galaxies
With our enchanted passion
Effulgently lingering in perpetuity.

Parallel tremors follow your heavy footsteps through the moss that carpets a maze of tired oak. Solemn warnings calcify soft thoughts and point you at the coal on the horizon. Its splinterglow peeks hot squints through the arboreal tangle. Topaz streams convene and braid themselves around your spine. The stones in the riverbed grow smoother and each becomes a grain of sand. You let the sand console your roots as you curl your toes and fall asleep.

I touched the presence of warmth on my pillow
it made me feel sure that I was safe,
went back to sleep smoother than my heartbeat.
Then I awoke to find myself hidden
behind memories of you.

Standing on the corner of never say no,
my feet are firmly planted
in I cannot say I am sorry.  
Will I be the rock laying here asking myself
where I found this bitter pill
under my tongue?

Did I sleep while it rained on everything we ever had
until nothing but sand existed
inside all of these silent moments?
When bluebirds sang
about how the stars laugh
was I here drowning
in my pride?

I touched the presence of warmth on my pillow,
then I reached out to yours
felt the cold.
I lay here and listen to the rain
falling smoother than my heartbeat
I have never felt
so alone.

they never tell you about the seagulls and the pigeons, do they?
sure sure, they have the bees and the birds covered,
your #mama and your #papa - you overheard them doing the
piston orchestra and said: the sort of onomatopoeia that
sounds just like you, that silences the sort of: just like you.
but why not listen with covert  benignant anticipation -
i did think English was a rotten
tongue, but i think French is worse...
                                                        ­  endear you? sure:
                 they put these additions
to the encoding, but never, ever explain how it works...
if dialectical is gone then diacritical
remains...
                                          ­                               and it's there,
a pink ostrich doing the go-g'ah dance
imbecile pigeon: neck a strut and half
by half nearly hanging off a desecrated body that's in limbo
on the scaffold where Charles I met his first cousin ******
thanks to Ollie Cromwell.... none of the Versailles
i have you know....
                            there should be a Greek
                   Kn                  symbol....
             not K as in potassium... something more.
and i'd never hear ****** jesus' i'm
the mountain                            on the radio,
thank you advertisement.
               but that thing about Jihadist French?
well... it's here,
                               i thought the English
were bad with not using diacritical marks,
second in command? diacritics,
first in command? dialectics?
abandon the first, the second is hyenas' razor
sharp: bite and smile at the same time.
           no, i'm not joking...
i'm choking you.
                             this is what the Jihadist in France
saw...
                            main example? how diacritical marks
**** around the syllable laws...
             bypass them straight... past them...
             main example? they never teach this...
i was never taught this, i was taught this in
an anti-alphabet ruling - it's not atomic
(but it really is), hence it's compounded -
but it's really atomic,
               where are the ancient atomic scientists now?
nowhere.
                         all of this came from
a footnote from maldoror, by isidore ducasse -
i too thought about putting Uruguay on the map -
                    in the notes, the use of "accent",
yes, a revelation from on high -
                      look at the French, how they speak it:
aplatissement
                             apply diacritic revision
and cut off the excess: aplatissemą -
                             (humiliation) -
          if only the French, then only the French know
how to create dyslexia... excess spelling
where distinct phonetic units should exist -
they never teach you how diacritical marks change
the syllable cutting up, the butcher's or forensic's inquiry -
                 they never teach you the use of diacritical
marks like they might teach you punctuation markings -
                  they never do the science of liberated pause -
liberated i.e. understood -
                                    you're just given the fudge
and told... CHEW! CHEW! CHEW!
                                    they never tell you how to
cut-up words as they should be cut up..
                                   never did they say
colon = umlaut over u and means prolonged
   i.e. uu          or omega
                                        because never was the
current aesthetic questioned...
                             Dictator Blue, adherent of
the dictionary bible said: already said, rex, rex, ego rex.
                    but there's this thing going on
from above - on high -
                           and all they want is to understand...
                  even i would hate to be left out...
still from the notes from the book maldoror -
                s'arrêter à             (to dwell on /
                                     stress) -
ê (circumflex) is like the grave approach -
                 the circumflex is binding -
            i.e. the -er is optional, but a necessary
aesthetic for the form to be written, but not said -
meaning the sound units disappear -
                  hands on the joints, a book is closed -
ê represents this: s'arrêt
                                                         ­  (-er) -
                   saret -
                                            ugly, isn't it?
well, if you wrote             saret
                rather than      s'arrêter               you wouldn't
be looking at the Louvre -                again, even without
diacritical marks you don't say     Louvré -
                                          but Loùvre -
               so the ê
                                     binds the r and t
   and makes                  the   -er obsolete -
which is why French is worse than English:
it utilises diacritical marks
                                       for odd syllable intakes
and other surgeon oddities -
    to learn the proper use of diacritics (using French
as a canvas) is to learn syllables again, and again...
all over again... one might say:
at least the English do not use diacritical markings
and subconsciously are so thoroughly
accommodating to alien cultures...
                       and that's justifiable, they are the fathers
of globalisation... they use phonetic encoding
without diacritical markings to enshrine
a Bangladeshi English, as much as a German English...
   they are the propagators of accents -
even the Scots are speaking proudly about the
matter of fact...
                            so indeed, diacritical marks
are not only concerns for aesthetic reasons,
but is pronunciation markings within words,
                          not between words:
intra                     v.                inter                  (wording);
they never teach you how to extend a sentence
with a semi-colon (;), because they only managed
to tell you that means wink: ;) -
                          in the same way that they didn't tell
you that a colon is (a) making a list, but also
       (b) an emphasis - the alternative to italics.
they didn't! i know they didn't because they didn't
teach me this!             i had to learn it myself!
              which is why i find diacritics so fascinating
that dialectics and its abandonment can rot in hell...
at least i don't have to deal with nuanced opinions
or the discussion or the non-discussion of
                 opinions...
                                       i can look at something
and see the blatant pronunciation dynamics at work...
            not between words, but inside words...
French is the best to investigate...
                        maybe that's why the Jihadists are
attacking France, from sheer frustration at not being
given access to the cordiality of speech when
settling into their envisioned Caliphate misnomer -
                    but diacritical marks are precisely that:
and when amateurs teach they never bother explaining
the atoms, they just say: turkey! gobble up that frying pan!
and you do! you are never given the most basic units,
you're never told what the time-span between a
full dot (.) and a semi-colon (;) is...
                                        ****: you can run a mile or
100 metres in under 10 seconds, but when it comes
to an aesthetic pause you're told to start
the hyperventilation sequence or blame it on asthma
rather than
                                 what's actually the archaeology of
rhetoric - these are rhetorical symbols...
                                   and that's the foremost question
that needs a debate: how to make rhetorical puncture
symbols into aesthetic symbols -
                   how to steal from rhetoric and do a Robin
Hood for aesthetic? primarily because there are
punctuation signs above letters, or below letters -
                   < (more than)
                                 > (less than)
      and the circumflex and caron -
                                         tilde
  or approx. 5                              i.e. ~5...
            and the millionth additive to make decimals
shake...
                                you never get told this...
if i was told the basics of diacritical markings enabling
a smoother syllable dissection i'd probably speak German
fluently...
                       when i should have been given crumb-like
understanding of a language, i was given a whole
loaf of bread, for ***** sake; that ain't cool -
          teach me language from the basics,
on the promise of teaching me a language like i might
be taught penguin talk: on the promise of
an onomatopoeia deciphering: it sounds like this...
                   : + u = oo             onomatopoeia e.g.:
                       pool                    /                  pull -
yes, the quiet literal representation -
  but English can be ***** by this appropriation -
not utilising diacritical marks makes certain words
sound alike but be spelled differently,
            via the same methodology extending into
certain letters being pronounced as entire words;
e.g.                   why                                  &             y.
reason? missing diacritical marks.
             oh, and the most blatant form of Judaism
  given              y               h                    w               h
                   without Abraham, without Moses,
without circumcision         without Jesus...
                                                               choice is yours.

You are loved. I know life feels difficult right now and it's like you're drowning in the middle of the ocean, struggling to breathe, but you are doing a **** good job at staying afloat. Despite your grief and sadness, you are giving life all you have and that's important to note. While this may not seem like the best you can do, I think it's the best you can do for right now. Give yourself credit for that. Yes, it's vital to give an effort to life and the people you're around but please don't forget to put forth an effort for yourself. Loving and caring for yourself has always been a tough task for you since your big heart's natural instinct is to pour love into others. You're so kind and loving, I know, but you absolutely deserve your kindness and love, more than anyone else.

You're so ******* yourself. It may seem like you're not going anywhere or only moving backwards but I swear you're making progress. Those small victories, no matter how tiny they seem, are something to be celebrated. I'm so proud of you--you've grown so much through all of this and even on the hardest days, you don't let your sadness define you or your worth. You are so much more than your sadness and I hope you'll take note of all the beautiful things there is about you. It may be hard to imagine right now but there will be a time when you don't feel so hopeless. There's always a light at the end of the tunnel, even in the tunnels with the most severe darkness and monster-like things waiting to terrify you.

Don't let your feelings swallow you whole. You are so strong. In a field of sunflowers, you are the tallest one that ever grew, with a sturdy stem and bright petals. i want you to remember this when you feel yourself falling down, unable to find the strength to stand tall. One day, you will be able to look back on all of this and feel satisfied because you didn't give up on yourself. There are days when you feel like existing is simply too much and you want to hide--that's okay. Sometimes life is overwhelming and you can't figure out how to deal. No one has all of the answers. I have faith you will find your way and take care of yourself.

This wouldn't have been thrown your way if you couldn't handle it. Constantly remind yourself of that. You will go through this and grow through it and bloom in ways you never even imagined. Sadness will seem like a foreign concept to you and you'll feel the warmest of rays of happiness. I'm telling you, you deserve it all. You deserve the world. You deserve the love you give to everyone else. You deserve to be happy. Even in your worst times and when you feel like you've ******* up real bad, you are deserving of good things. You have to remember you're a work in progress and not a finished master piece. Be gentle. Be warm. Be compassionate. It'll make your journey feel a little lighter and a little smoother. It's okay to be sad but don't let this be the only thing you ever feel. Seek out things that make you happy in each day, even on the days that feel a bit hellish. Happy things are all over, you just have to be willing to look for them. You can do this. You can get through this. I believe in you and so do many other people.

Etta James, oh the lady could sing.
Sarah Vaughn,when I hear Anita Baker in away it's Sarah.
If you never knew one of the two.
You would swear they was one.

Billy Eckstein, during his time.
Mister B, was smoother then Billy Dee Williams.
And he had away of mastering a song.

Which we saw when David Ruffin came along.
Who was a rival to Sam Cooke?
A master of the coolest romantic hooks.

He might have been a little different.
Except Chuck Berry can't be deny his dues.
Johnny B Goode, is nationally known.

The color country boy in his song could play.
Yes, he had to change the word to suit the segregation days.
But Johnny B was African American in everyway.

Who doesn't believe that when you see Morris Day?
That he owe his style to Cab Calloway.

The role of an African American diva could be trace to Lena Horne.
Or maybe actress Freddi Washington.
Or opera star Marion Anderson.
Who sometimes don't get recognition like they should.
Almost like Dorothy Dandridge doesn't.

Still they played on like Josephine Baker.
Who like George Washington Carver faces hostility and problems?

We still trying to educate people about Charles Drew.
Who fame is traced to the blood floating within you?

Against the greatest of odds.
They adapted and blazed a trail.
Through the roughest of times.
They was determine to be.

Who doesn't know Little Richard?
Who borrowed heavily off of gospel singer Billy Wright?
And soon was creating truth within his lyrics.
Until others came along and water them down.

We know truth still is avoided by them.
Except for the man that sung about a hound.
Which wasn't at all about a dog.
But about a cheating man.
Sung beautifully by Big Mama Thorton.

But then no man plays the guitar better.
Then Marva Collins or Rosetta Throphe.
Yes, these women could play.

Some people will never understand Malcolm X contribution.
Except, he left many that's seen today.
Just notice the way he never revisted the prison in any negative way.

We marched.
We protested.
And some of the best controversial stars comes from the musical side.

For no other side of music can touch the blues with truth.
Well, I guess country do.
But the blues takes many forms.

Could be about leaving.
Could be about loving.
Or that stuff you do in the dark with your love.

It could be the howlin'.
It might be the scoffin'.
It could be the chasin'.
But like many styles of music.
Some knows they was creating babies.

Which leads us to Marvin Gaye and Teddy Pendergrass.
Where the Love TKO and Let's Get It On still is the songs.

It's an African American tradition of the past.
That affects the future too.
For stars of yesterdays.
Are seen in stars of today.

A Legacy.
And we know legacies doesn't fade.

This ***** ******:

They say that beauty is in the eyes of the
Beholder, so does this ***** have eyes?
the power of evil and bad,

Today we see what it can do
Many a nation have gone to war,
Because of this ugly beauty,
many family units has been tread apart
Because of its evil doings,

The seven hundred wives of
King Solomon and his three
Hundred concubines was
a great example of what
the ugly beauty can do:

Infidelity is on the rise,
so many lies: so many shortcoming,
Lucy ****** is an embarrassing subject
why men lie and killed for it?

this remarkable commodity: with
****** is like a Van Gogh painting,
It gets lot of attention: the baseline dimensions
is still a mystery: A weapon so powerful

It can break a man down to his lowest
It has a language of its own.
silly words like sup, sup, sup.
the same sound effects of a cold beer going down
the gullets: the smoother, the  esophagus: pleasers

The ****** and a beer have so much in common
they both get their men all the time,
a smooth transportation, in addition, the lamentation,

****** you are surely blissful:
Men incredible dreams
who wouldn’t want to own the team?
No matter how destructive or fulfilling:

* Ô, the wine of a woman from heaven is sent,
more perfect than all that a man can invent.”
― Roman Payne* Quote

(PIANO DI SORRENTO.)

Fortu, Frotu, my beloved one,
Sit here by my side,
On my knees put up both little feet!
I was sure, if I tried,
I could make you laugh spite of Scirocco;
Now, open your eyes—
Let me keep you amused till he vanish
In black from the skies,
With telling my memories over
As you tell your beads;
All the memories plucked at Sorrento
—The flowers, or the weeds,
Time for rain! for your long hot dry Autumn
Had net-worked with brown
The white skin of each grape on the bunches,
Marked like a quail’s crown,
Those creatures you make such account of,
Whose heads,—specked with white
Over brown like a great spider’s back,
As I told you last night,—
Your mother bites off for her supper;
Red-ripe as could be.
Pomegranates were chapping and splitting
In halves on the tree:
And betwixt the loose walls of great flintstone,
Or in the thick dust
On the path, or straight out of the rock side,
Wherever could ******
Some burnt sprig of bold hardy rock-flower
Its yellow face up,
For the prize were great butterflies fighting,
Some five for one cup.
So, I guessed, ere I got up this morning,
What change was in store,
By the quick rustle-down of the quail-nets
Which woke me before
I could open my shutter, made fast
With a bough and a stone,
And look through the twisted dead vine-twigs,
Sole lattice that’s known!
Quick and sharp rang the rings down the net-poles,
While, busy beneath,
Your priest and his brother tugged at them,
The rain in their teeth:
And out upon all the flat house-roofs
Where split figs lay drying,
The girls took the frails under cover:
Nor use seemed in trying
To get out the boats and go fishing,
For, under the cliff,
Fierce the black water frothed o’er the blind-rock
No seeing our skiff
Arrive about noon from Amalfi,
—Our fisher arrive,
And pitch down his basket before us,
All trembling alive
With pink and grey jellies, your sea-fruit,
—You touch the strange lumps,
And mouths gape there, eyes open, all manner
Of horns and of humps.
Which only the fisher looks grave at,
While round him like imps
Cling screaming the children as naked
And brown as his shrimps;
Himself too as bare to the middle—
—You see round his neck
The string and its brass coin suspended,
That saves him from wreck.
But today not a boat reached Salerno,
So back to a man
Came our friends, with whose help in the vineyards
Grape-harvest began:
In the vat, half-way up in our house-side,
Like blood the juice spins,
While your brother all bare-legged is dancing
Till breathless he grins
Dead-beaten, in effort on effort
To keep the grapes under,
Since still when he seems all but master,
In pours the fresh plunder
From girls who keep coming and going
With basket on shoulder,
And eyes shut against the rain’s driving,
Your girls that are older,—
For under the hedges of aloe,
And where, on its bed
Of the orchard’s black mould, the love-apple
Lies pulpy and red,
All the young ones are kneeling and filling
Their laps with the snails
Tempted out by this first rainy weather,—
Your best of regales,
As tonight will be proved to my sorrow,
When, supping in state,
We shall feast our grape-gleaners (two dozen,
Three over one plate)
With lasagne so tempting to swallow
In slippery ropes,
And gourds fried in great purple slices,
That colour of popes.
Meantime, see the grape-bunch they’ve brought you,—
The rain-water slips
O’er the heavy blue bloom on each globe
Which the wasp to your lips
Still follows with fretful persistence—
Nay, taste, while awake,
This half of a curd-white smooth cheese-ball,
That peels, flake by flake,
Like an onion’s, each smoother and whiter;
Next, sip this weak wine
From the thin green glass flask, with its stopper,
A leaf of the vine,—
And end with the prickly-pear’s red flesh
That leaves through its juice
The stony black seeds on your pearl-teeth
…Scirocco is loose!
Hark! the quick, whistling pelt of the olives
Which, thick in one’s track,
Tempt the stranger to pick up and bite them,
Though not yet half black!
How the old twisted olive trunks shudder!
The medlars let fall
Their hard fruit, and the brittle great fig-trees
Snap off, figs and all,—
For here comes the whole of the tempest
No refuge, but creep
Back again to my side and my shoulder,
And listen or sleep.

O how will your country show next week
When all the vine-boughs
Have been stripped of their foliage to pasture
The mules and the cows?
Last eve, I rode over the mountains;
Your brother, my guide,
Soon left me, to feast on the myrtles
That offered, each side,
Their fruit-*****, black, glossy and luscious,—
Or strip from the sorbs
A treasure, so rosy and wondrous,
Of hairy gold orbs!
But my mule picked his sure, sober path out,
Just stopping to neigh
When he recognized down in the valley
His mates on their way
With the *******, and barrels of water;
And soon we emerged
From the plain, where the woods could scarce follow
And still as we urged
Our way, the woods wondered, and left us,
As up still we trudged
Though the wild path grew wilder each instant,
And place was e’en grudged
’Mid the rock-chasms, and piles of loose stones
(Like the loose broken teeth
Of some monster, which climbed there to die
From the ocean beneath)
Place was grudged to the silver-grey fume-****
That clung to the path,
And dark rosemary, ever a-dying,
That, ’spite the wind’s wrath,
So loves the salt rock’s face to seaward,—
And lentisks as staunch
To the stone where they root and bear berries,—
And… what shows a branch
Coral-coloured, transparent, with circlets
Of pale seagreen leaves—
Over all trod my mule with the caution
Of gleaners o’er sheaves,
Still, foot after foot like a lady—
So, round after round,
He climbed to the top of Calvano,
And God’s own profound
Was above me, and round me the mountains,
And under, the sea,
And within me, my heart to bear witness
What was and shall be!
Oh Heaven, and the terrible crystal!
No rampart excludes
Your eye from the life to be lived
In the blue solitudes!
Oh, those mountains, their infinite movement!
Still moving with you—
For, ever some new head and breast of them
Thrusts into view
To observe the intruder—you see it
If quickly you turn
And, before they escape you, surprise them—
They grudge you should learn
How the soft plains they look on, lean over,
And love (they pretend)
-Cower beneath them; the flat sea-pine crouches
The wild fruit-trees bend,
E’en the myrtle-leaves curl, shrink and shut—
All is silent and grave—
’Tis a sensual and timorous beauty—
How fair, but a slave!
So, I turned to the sea,—and there slumbered
As greenly as ever
Those isles of the siren, your Galli;
No ages can sever
The Three, nor enable their sister
To join them,—half-way
On the voyage, she looked at Ulysses—
No farther today;
Though the small one, just launched in the wave,
Watches breast-high and steady
From under the rock, her bold sister
Swum half-way already.
Fortu, shall we sail there together
And see from the sides
Quite new rocks show their faces—new haunts
Where the siren abides?
Shall we sail round and round them, close over
The rocks, though unseen,
That ruffle the grey glassy water
To glorious green?
Then scramble from splinter to splinter,
Reach land and explore,
On the largest, the strange square black turret
With never a door,
Just a loop to admit the quick lizards;
Then, stand there and hear
The birds’ quiet singing, that tells us
What life is, so clear!
The secret they sang to Ulysses,
When, ages ago,
He heard and he knew this life’s secret,
I hear and I know!

Ah, see! The sun breaks o’er Calvano—
He strikes the great gloom
And flutters it o’er the mount’s summit
In airy gold fume!
All is over! Look out, see the gipsy,
Our tinker and smith,
Has arrived, set up bellows and forge,
And down-squatted forthwith
To his hammering, under the wall there;
One eye keeps aloof
The urchins that itch to be putting
His jews’-harps to proof,
While the other, through locks of curled wire,
Is watching how sleek
Shines the hog, come to share in the windfalls
—An abbot’s own cheek!
All is over! Wake up and come out now,
And down let us go,
And see the fine things got in order
At Church for the show
Of the Sacrament, set forth this evening;
Tomorrow’s the Feast
Of the Rosary’s ******, by no means
Of Virgins the least—
As you’ll hear in the off-hand discourse
Which (all nature, no art)
The Dominican brother, these three weeks,
Was getting by heart.
Not a post nor a pillar but’s dizened
With red and blue papers;
All the roof waves with ribbons, each altar
A-blaze with long tapers;
But the great masterpiece is the scaffold
Rigged glorious to hold
All the fiddlers and fifers and drummers
And trumpeters bold,
Not afraid of Bellini nor Auber,
Who, when the priest’s hoarse,
Will strike us up something that’s brisk
For the feast’s second course.
And then will the flaxen-wigged Image
Be carried in pomp
Through the plain, while in gallant procession
The priests mean to stomp.
And all round the glad church lie old bottles
With gunpowder stopped,
Which will be, when the Image re-enters,
Religiously popped.
And at night from the crest of Calvano
Great bonfires will hang,
On the plain will the trumpets join chorus,
And more poppers bang!
At all events, come—to the garden,
As far as the wall,
See me tap with a *** on the plaster
Till out there shall fall
A scorpion with wide angry nippers!

…”Such trifles”—you say?
Fortu, in my England at home,
Men meet gravely today
And debate, if abolishing Corn-laws
Is righteous and wise
—If ’tis proper, Scirocco should vanish
In black from the skies!

Back in those days
when I was young and strong.
Pristine, Noble,
as pure as you'd long.
White as a dove,
handsome as a king.
I'm a token of love,
far greater than a ring.
My making contained
both good and bad.
My maker being
a hot headed lad.
Blood as blue
as the skies and seas,
I stood along the riverside
enjoying the occasional breeze.
My history is both
wonderful and morbid.
My beauty-spoken of,
I'm known by each kid.
Lovers cherish me,
write songs of my presence.
create tales of their own,
activate every sense.

And now when I speak,
when I look at my current state
I'm sad, deeply sorry
at my distressing fate.
Handcrafted marble
whiter than milk.
Quality as such,
smoother than silk.
Today has eroded,
decayed and died.
It matters not
how much I've cried.
For it all falls on deaf ears
while factory noises expose my fears.
My white is no more,
I'm a deepening gray.
I see pity in the eyes
where once admiration lay.
The pride of India,
its biggest glory.
The life of Agra,
this is my story.
Being the crown of the nation,
the jewel of its eye.
A wonder of the world,
I feel like a lie.
For what I am today
isn't me at all.
I've lived at great heights
survived a great fall.

It is my request
sincere and deep.
Give me no reason
to further weep.
Awaken. Arise.
the time is here.
Preserve your glory,
keep the pride near.
I am none other,
than your beloved Taj Mahal.
this is my story,
one I ought to tell.
Now my life
is in your hands.
the choice is yours
as are the lands.
Choose wisely,
The devils or me?
Perish with them
or rejoice with me?

pre-scriptum:
                no polyglot would experience this sort of "paradox", it's not even a paradox of a "paradox" off a 'paradox', bilingualism has its methodology, as Kant could explain, extracting his methodology off the page into a meticulous day-to-day activity... the sage / if not the clock of Königsberg... i can imagine this obsessive-compulsive mini-rituals that would always escape the throng on a Sunday... the Sunday eucharist wasn't enough for the man, there were so many rituals to take care of, having famously not married, while Kierkegaard having: infamlusly not married... i appreciate their strategy... reading them while also reading Nietzsche, these two gentlemen, by comparison, if not in work, certainly in life gravitate above the popularity of Nietzsche... why? Nietzsche appears as an incel... fan boy, are you? *******... but you need some sort of structure if you're not going to marry... Kant found his daily routine an eternal mass... so many routine daily tasks seemingly mundane to some, can enlarge themselves to become out of proportion pillars of preserving sanity in face of standing before god and a post-life scenario... hell is not so much a place of suffering... i can tell you of the most "mild" form of suffering... an extrovert becoming drunk... constant talking, lack of purpose as in: lack of direction culminating in: lack of concentration, pandemonium is the heaven of a flickering light for a moth... again... this always bewilders me... why did Sisyphus have to drag the stone up the hill? was there some overlooking demon with a whip looking over him? couldn't he just... sit, and concentrate on the stone, create pleasure, from thinking? is that really so odd... i suppose so... given the grand h'american export of the freedom of speech... few people will find pleasure in thinking... Kierkegaard, which Nietzsche didn't read... said: why do people concern themselves with the freedom to speak, when they already possess a freedom to think? is this, me speaking, because it's the internet and it's a public space... surely i don't have an eloquent speech, i speak too quickly, i sometimes mumble, this is an extension of thinking, it's not an invitation to speak... rhetoric is an art designated for people who joked about philosophy and took sophistry seriously... i don't like Nietzsche... i still think of the man as the esteemed bachelor... apparently being freed from women allowed him to write his Critique with the sort of clarity that comes, in a cascading form, at the end, in the methodology of transcendence... which reads, like a page-turner tabloid narrative... once the formalities / difficulties are established... i'm no polyglot though, but i do succumb to some eccentricities... as any entrenched bilingual might... notably linguistics... how there are no diacritical markers in english, but there are: in other latin script based languages of continent europe... how i've never heard of dyslexia outside of the realm of spoken english... how orthography does not exist in the english language, which creates all these silly english questions of: what is reality, what is perception... with no orthography: metaphysics runs rampant... and "another" thing... i really can't read a philosophy book in english, i always have to revert back to my mother tongue, to Polish... i can't read a philosophy book in english... i looked at Plato once in english... the aesthetic is lost on me... but the Irish know of the Slavic aesthetic when it comes to dialogue, i.e.:

(a) the english standard for dialogue weaved into a narrative -
"i want this," she said,
   "as i want that," he said...
(b) the slavic standard for dialogue weaved into
a narrative...
- so?
- what?
- will we try to speak without
   the reiteration of who said what?
- we could.
- no, we should.
smoother... James Joyce noted this,
casual - no point adding descrptions of
how the puppet-master lost power
over his puppets with " " ditto markers of
dialouge of a: he, he really did say...
no, not he, the narrator...

   i simply cannot read the genre of philosophy in english, too much easy access points of pop culture with that umbrella overreach... matrix, memes, darwinism, blah blah... too much focus on images and very little focus on words, esp. etymology, that other component of history that focuses on: a universal application of words, beside status king, or status pauper... both the word bread can succumb to the king's tongue, as to the pauper's... but with an origin story? anything beside **** similis, the monkey, will do me just fine... then again... there's no one strand of monkey to begin with... a bit like looking up your own *** for too long, you decide that there's a coherent, "bigger picture" and it begins with chimp- and ends with -rilla... doesn't anyone else just tire of looking up a monkey *** to peddlestool the importance of darwinism for so long? i mean... at least chemistry is a playground among the science... there's no worry for a beginning... there's only play... no... i can't read a philosophy book in english... i have to read it in Polish... which is also a... january, february, march, april, may, june, july, august, september, october, novermber, december... you'd think i'd be able to recite you the months in my mother tongue... styczeń, luty, marzec, kwiecień, maj, czerwiec, listopad, grudzień... english alphabet? a, b, c, d, e, f, g, h, i, j, m, n, l, o, p, q, r, s, t, u, v... **** gets scrambled... pointless rubrics... give me the practical! - i've just picked up a copy of Plato's republic... straight away i know that i'm finding my gensus in Plato rather than Aristotle...

    och ty, pijaku z psim pyskiem,
                  a za to z sercem jelenia...

    oh you, drunkard with a dog's snout,
                           nonetheless, with a stag's heart...

again, Nietzsche: Kant is an idiot, Plato is boring...
perhaps in German, for a German,
looking for Germany while roaming parts of Italy...
well... Plato, really seems appealing in
high slavic (western), the conversations breed
a sense of clarity, about fog, about darkness,
or any akin metaphor to boot...
                           between Nietzsche's maxims,
i'll take la Rochefoucauld succinct observations
before i succumb to pop-nietzsche modern
cult meme fucklords...
                          Roger Moore... prime example
of a bachelor, Kant, the same, Kierkegaard...
as for myself? if i married?
  would i still have the same sort of access to new
music, that i currently enjoy?
   for god's sake... i have to fall asleep while
listening to music, if i spend a day without
at least 5 hours of music on the headphones
   i start to lose the plot...
              my drinking is merely a side-note...
a p.s., given that now i'm a reformed drinker?
having cut my dosage in half...
     i'm still a music *****...
   women don't like music junkies...
                   and when my ex- started reading me
a qustionnaire from a russian cosmopolitan
magazine on the train to moscow from
st. petersburg... i thought i was going to shoot
myself in the head...
             perfect girlfriend this,
perfect girlfriend that...
             bob dylan saved me...
        but not for long...
                         women aren't feline...
at least with a cat you can ignore it...
                  he's pretending to be a solipsist and
you pretend to be: caring...
                 food on the table,
a clean litter tray... besides that?
                                                 fuckoffski!
     and i write this from a perspective of endearment,
nothing beats the zenith moments in a hetrosexual
relationship... the odd date...
                 talking impromptu... making food...
***, ***... ***... *** *** ***... ***... ***...
       but the petty arguments...
   the attention to detail...
                   god... anniversaries?
  i don't even celebrate my own birthday!
i fake celebrating christian holidays...
                    today is today, tomorrow:
that's tomorrow's concern...
           o.k. england winning the cricket world cup...
but that's a celebration with a calendar!
it's not regulated by hormones and
the impossibility for nostalgia...
                 i tried the relationship,
i tried the ***...
                       i had to visit a brothel for
the anaesthetic with regards to the past...
  i needed to visit the brothel to also visit
the butchers...
                               i needed to become meat,
to **** meat... and stop concerning myself over looks:
they only brought me trouble...
like i was walking with a "telepathic"
c.c.t.v. crow on my shoulder...
                             so i put on the weight i lost...
and... at that point? it was liberating...
mind you... if you want to lose weight?
  bicycle and swimming... no gym...
fruit for your last meal during the day...
eat anything you want...
  but losing weight? and all that bulimia,
classical roman bulimia:
training the oesophagus with first *******
into the mouth... then with no fingers
down the mouth?
                beauty... is not worth the trouble
when you really tempt yourself with the expansive
temporal canvas...
21 was my peak... after that...
                     voluntary celibacy...
                   a **** here and there...
            but no... it's not for me...
                    i guess i looked up to the right sort
of men... with regards to staying a bachelor...
to be highly invested in something,
   like Kant in a transcendent methodology...
like Kierkegaard invested in the arts...
like Nietzsche invested in waiting for
the fruition of his prophesies...
                      you have to be born to want to live
the simple happy life...
                  the "expected" life...
       the whole Hiob motto of: once taken,
can be regained blah blah...
                        it needs to have trans-generational
breeding involved...
                   a list of expectations...
                social-pressures and for that matter:
intrinsic socially-cohesive-stratification...
i'm a ****** in England...
             and... that puts as much social pressure
on me as... a chihuaha barking does
to an Alsatian's yawn... that's the stereotype...
the smalls dogs bark... the big dogs bite...
                 oh sure, when i visit my grandparents
back "home"... the older generation put
the pressure questions to the test:
even women from Warsaw...
   so where's your girlfriend?
to the old folk i reply: well i can't exactly force
a woman to be with me...
to the women of Warsaw?
   i'm practially a monk...
                        why?
          you don't really want to be aged 21...
forced with a scenario of:
happily dating, presumably reciprocrating trust
with regards to contraception,
being forced to reply to the scenario:
i think i'm pregnant... my my...
   and we were only 6 months apart after
the break-up, living in two different cities...
em...
                     on a lighter note...
what's the most fun you can have in Kenya?
   sitting on the balcony, in the shade...
feeding rascal macaques anything from nuts...
to bags of sugar... you, two macaque monkeys,
one balcony... the indian ocean frothing beyond...
it doesn't require a genius to figure out
what's worth cherishing without having
to feel obliged to the whole of humanity for...
offspring - many already figured this out before me:
you learn to give birth to your self (reflective,
and yes, not yourself - the reflexive)...
   which brings death to having to stand on its head...
... isn't Sisyphus the son of Atlas?
            couldn't Sisyphus just sit beside the stone
and... well yeah: think up the philosopher?

.em... looking back at the british empire, and the loud-mouth former colonial people... by god, i've never seen such leeches, i've never seen a people, so proud of being colonialißed! what's there to be proud of?! looks like in a post-colonial world, these former colonial busy-bodies had to, had to: step up and move their markers for Aladdin being performed in the West End... *******...  never in the history of the world, were post-colonial people endowed with so much pride, the whole m'ah bwee'dish *******... to counter herr zeppelinmann with the pakistani in the p.s. framework of the british empire... rotherham... ring a pakistani blue?! have a guitar on y'ah?! see... i don't like these former colonial states, with their people migrating to england, having their overlord say it now, say it clear bollocking... i don't mind a top hat, tux donning ******* giving me directions... but when a ****- does it?! sorry... i'm so sorry... will you please excuse me?! i just don't like *******, i don't like the sort of people who celebrate being colonial subjects, esp. after the whole post-colonial celebration of "libertion"... i don't like ****** / pakis who have to find their "past" by playing the cricket ball of, "the former" colony! i hate copper skinned ******* of ****- origins! former colonial raj-vizier... how can you breed these sort of people, who find pride in being under colonial power?! the **** didn't understand freedom, only understood it when being subject to its lack?! well... so much for english women... i guess they were only going to go for pakistani grooming gangs... drowning in the ganges... i have as much of jesus christ on the cross in me, as i have plenty and enough of pontius pilate's worth of soap to mind the next few years; never in my life would i have to witness the former colonißed to bribe their way, into an acceptance "speech" methodology... the ****- to fable the englishman for his, "tea"... no conquered people, no colonißed people should ever glorify their conquerers or colonißers... i guess the british achieved a double subversion... why do the ****- (stanis) still play cricket... i don't want to know... i'm new here... but... but... when a ****- attempts to displace a european from europe? that's my breaking point... i don't like being displaced from europe... the next ****- that will? well... the obvious target, a northern english teenager girl readied for grooming. i said! next ****- that tries to displace an european from europe... well... i guess.. given the power of the current politicians... nothing! ha ha!

well, with the e.u. article x, y and z...
herr zensor just flew over
London and dropped a bomb
from his zeppelin,
             because?
         two year ago,
       a teenager, girl, aged 13,
downloaded some materials
regarding self-harm...
              now the english government
is implicating regulations,
it will regulate social media usage,
mind you: ***** 'arry was pushing
the agenda all along...
   never mind the competent users...
just tackle the problem
with the addicts...
    oh look: no ******, no alcohol...
ms. amber: i'm sorry, we've failed,
we punched "the agenda"
of a blank canvas too far,
    we're going to have to double down,
for a while, so we can just
survive and have this sort
of a punching-bag of a blank
canvas readied for us...
               so the government will come
in and regulate,
       come on, 13 years old,
but the rising queer epidemic of
premature depression in the youth?
    while the parents do not
implement internet safety
   for their children,
        no block filters...
                like blocking pornographic
sites,
      so the infiltration came
            from within the supposed
safety-net sites?
           ****... i was exposed to
rotten.com by word of mouth at
school...
                           just when the internet
launched with that whole
dial-up modem,
    chris rock in lethal weapon
moment talking about old telephones...
and people bemoaned e.u.
articles...
         there have to be consequences...
people should / companies
should be taken into account...
     what about the *******
  who sold me chemically enhanced
marijuana?
            well of course:
   better a guilty man walk free,
than an innocent man become imprisoned...
that logic is still kinda flimsy
for me...
                 i don't know why...
   but it just is...
    surely there are parental filters
for what a child can and cannot see
on the internet...
                 when i was first exposed
to horse on woman *******?
       em...
         is there anything honest to think
about, at this point?
          maybe that's why i decided
to "ghost" around 200 fwends on fb.,
i figured...
        **** this pseudo-voyeurism
of what people want me to see...
    i've invested a decent amount of years
and settled for the 13K poem / doodle count...
and some pictures...
   none of them saved on a personal
drive...
         why would i stash the content,
hide it, when i want people to peruse...
'it's always dark before the dawn',
sorry, i don't know how much
of a ****-******* optimist i have to be...
before a stoic cynicism grinds me
to a halt of:
                   "branching out"...
              i came here for the punching bag
of a blank canvas...
              i never came for the fake
sycophancy or some count of numbers...
i came here, for an outlet...
      it was either this,
                     or a punching bag...
and you almost sense that this whole
farce of "national sovereignty"
is about to be dropped into the *******
and flushed...
       because... it will all become
                             "too inconvenient"...
oh they'll stall... until the european elections
take place...
                   and there's a u.k.
                        (probably the only time
where an N does't come between
vowels)...
                they're wriggling themselves
out... public: 1 vote...
                parliament: i've lost count...
it's not even akin to rats jumping ****,
more like a maggot **** in a pit...
                        that's what a cynic is:
a realist...
                         if i'm wrong, i'm wrong...
but...
              on several occassions
i haven't been wrong...
           and you just have to watch for
that glee in the eyes of channel 4 journalist
anchors...
     i know that glee in the eyes...
it's a glee of hope...
              a sly variation of hope...
               it's also a certainty imbued
               with a certainity-expectation;
thank god i didn't use the video medium...
no passive watchers,
      at least with writing...
certain sacrifices have to be made. / / / / / / / / / /
/ / / / / / / / / / / / / / /

a "p.s.": well of course i'm not happy
with the news coming from today,
mind you: ever spot a woodland pigeon?
god, aren't they plump?
               bloated *******,
they always seem well fed by the forest...
a pair nested in a tree in my garden,
only yesterday, i picked up two
almost translucent offspring of theirs,
thrown out of the nest,
   the bride and groom
               decided they were sick,
weak...
                  they did look weak...
     death stared back at me,
          what once was animate,
lying there, among the stones, inanimate...
what a strange sight...
            do i believe in god?
            well... tell me...
   what is the driving force that coordinates
hearbeats, the functions of the stomach,
intestines, liver, kidney and lungs?
the categorical imperative split of the brain:
thinking, memory, imagination?
the bank of pathologies?
              tell me, what is the universal
1: nth term functions of the brain / 1 (divided
by 1),
                 the heartbeat / 1,
              the liver's function(s) / 1...
              the stomach's function / 1...
the pancreatic function / 1...
           i sometimes wonder:
  i own bones only in light of the thin
skinned extentsions associated with
fingers and tooes...
   sometimes this sort of thinking helps...
to "fake ignorance",
in order to rediscover awe...
         as if a genesis story...
to be the first...
        you never actually know what you will find...
sometimes there's no point being caged
in all the advancements of knowledge,
of certainity we are presented with
on the secular altar,
            ****! i can't even begin to comprehend
how i managed to clamour out from
beneath the eisenvorhang...
    a brief interlude... and straight back under
the siliziumvorhang...
            i guess i need to sleep the better dues
to pass this day...
           it was expected though,
i was, after all... sending out an S.O.S.,
     wattpad... what is it?
              teens wet silly with poetry
associated with no messy love,
mostly girls...
              YA novelties and novellas...
side projects...
               again: vampires, warewolves,
zombies, blah blah: yawn a year later...
         teen girls: sensitive as
daffodils, but as soon as a presence
comes along: little scheming modliszkas
   (mantises) - since daddy would not
approve...
              i discovered marquis de sade
in my teens: thank **** that i did...
i wished for an exoskeleton,
i moved past it, into lizard skin,
until my skin started resembling
an oyster shell hardness...
                     you snooze, you loße...
i only saw the trilogy once,
in the waterstones of Greenwich Village
in London, when i was doing some roofing
for a housing project...
i only saw the trilogy once...
i only bought Joris-Karl Huysmans's
Là-Bas once... i should have bought
the two other books...
  since i never saw them again...
  unlucky me... having succumbed to the sterotype
of the magpie stealing silver spoons...
the cover...
   artwork by aubrey beardsley:
                        'of neophyte and how the black art
was revealed to him by the fiend Asomuel'
   (the pall mall magazine, june 1893)...
on amazon.com you either get a chance
to purchase this book, or:
Against Nature (a rabours)...
    but there's a trilogy behind Là-Bas...
zee fwench: sorry, and not sorry,
the english can be grand poets,
but when it comes to prose?
                they're not even sniffing
the toes of the french...
                what happened to woodland pigeon
coos today?  wattpad.com,
2015...             the same for me...
an outright ban... because some girl
decided to be offended by me cutting off
a conversation with her: wish her a good life...
and i really out so much effort into that page...
zip it shrimpy: cut off, little richard
on the guillotine... cut!
                well... i was clued into
the world of 'olapoesía.com,
           hallopoesia.com
                       sveikidzeja.com (lithuanian...
dzieje? happenings, events, in ******)...
          and just my luck...
      leave a harmless comment in an in-group,
in a hive?
              how the nazis were not exactly
mongols, or the first christians who
burned down the library of alexandria,
when notre dame burned...
      when the blitz of london...
and how st. paul's "miraculously" survived...
and i said: i'm pretty sure the people
in command said to the luftwaffe squadron
about to bomb london:
you drop a single bomb on st. paul's:
firing squad...
           they were nazis: but sure as ****
they weren't the people of the siberian steppe!
so hellopoetry.com,
  2019, suspension from may until december 2019...
but unlike wattpad...
  i still have my account!
   and guess who's digging trenches, right now?
poetfreak.com and minds.com are
step-overs...
why did i delete my 200+ fwends off of
facebook.com and reduced it to
3 random strangers?
          eh?
                   as much as i abhor darwinism
poking its head through to give
every single existential explanation...
i have to side with darwinism on this point:
a defensive modus operandi...
lie low...
          pretend to be dead...
                   i knew the censorship storm
was coming back in 2015...
and this current banning of woodland pigeon
coos banning?
     i'm sort of happy...
but not for the sort of reasons stemming
from the ban...
     i can finally spread the "love"!
           i finally know what it feels like,
for someone who liked my work...
         being cut off from my content...
frankly... it feels great!
                   i can finally entertain my perspective
with a pinch of empathy...
sympathy is already here:
since it happened to me back in 2015,
and in early 2019...
         now for the 3rd time lucky
on the platforms i already mentioned...
but like this hindu woman said to me...
1st time is an honest mistake,
2nd time is a lesson in learning...
3rd time? there's nothing for you to learn...
and that's of course in reverse:
of me being banned.
                         after all...
if marquis de sade is still with us?!
                 marquis de sade...
                              i knew herr zensor was
coming...           but i didn't exactly
expect to climb from under the iron curtain,
to be draped over with the silicon curtain...
and these people know they're taking away
our former playground,
our youth center,
                       well...
                           but at least i didn't make
passive content akin to a video...
         if they really want to ban me a third
time...
       i'm glad someone took the effort
to read my work...
   saves them the time ageing toward granny
age, resorting to binging on harlequin
romance novels.

p.s.

you've actually caught me in my berserker
drinking mode... i'll just spew...
and spew as i must, i never expected
the "useful idiots" to comply to what my thinking
didn't prescribe them to do...
even hegel once pointed out:
something about 3D chess,
a thinking man, with pawns of willing
actors... i never liked hegel...

                  hegel has become too much
of a crucifix, a bookmark,
of what and where, "things" went wrong...
i hate bookmarked people...
kant isn't bookmarked...
         all the slander that nietzsche offered him,
as some repetitive jargon booster,
with the sort of a bachelor lifestyle
he greatly admired: rooted in Königsberg...
****** worked like clockwork...
his predictability was the great deception...
forget shuffling ideas and whatever
like a northern semite...
weren't the vikings the semites
of the north? restless creatures,
constantly displaced? weren't they?

mind you... eh...
     you know how many necromancers
actually exist?
   you ever read a book by jean-paul sartre?
james joyce? stendhal? dumas?
sienkiewicz?
      you sure you're not
a necromancer?
                it's not an exactly
illustrious title to hold...
             when reading the books
of the departed, aren't you invoking
their living presence, into the current storm
of affairs?
  sure as **** it's not a spectacular "title"
to hold, is it?
           to think: one is more likely
to cite the dead, having "risen" from
their grave, that one is to make
   "compensations" with the living...
   when journalism ****** politics...
and the sort of admired journalism,
akin to all the president's men...
died...
                a slower death than the traversing
speed of a snail...
   like that other quote beside
hegel:         the terrible...
                   has already happened.
the holocaust, chernobyl...
   that has already happened...
               awaiting what could ever be
worse: is but akin to the sword of Democles...
it's hanging in the air,
   blood-thirty,
  like the talking heads of
the french aristocracy, once the guillotine
chop happens... gagging for "free speech"
in a basket...
what is mary antoinette just said:
let them have croissants?!
    fat fake cake binges would...
with a snap of the fingers... be over...
still... the english crumpet...
      tyson fury vs. manny pacquiao
    (the obvious choice of crumpet,
and the croissant getting battered...
akin to a french toast,
               soaked in beaten eggs)...

you read any book by a dead person,
you're a necromancer...
             i'm a necromancer...
                 you're a necromancer...
the dead arrive at your head,
have a ******* with your thinking,
then leave,
you continue,
   in your own right,
and in their right: of mutating their
original thought...
          that lost ambition of narrative,
transcending any and all
moral 'oughts...
                    try me after an hour
spent with a ******* doing nothing
but kissing her:
just, because, "on a whim",
i forgot to trim my ***** hair...
                stealing kisses from prostitutes
isn't exactly easy...
all that pretty woman dogma...
     **** above a kiss...
          well... "yeah"... in reality?
                   i'm thinking about three things
right now... growing a heard long enough
to reach my heart...
   bonsai: in both the tree botanical form
and a feline form of a shrunken tiger
akin to a maine **** cat...
   and a pagoda...
                      don't ask me why...
i'm good at su doku puzzles... mahjong...
really **** on the crossword puzzle scale...
hence? random words just enter my mind
and i need an ars poetica impromptu
to lodge them into.

p.p.s.
i already know what the inquiring man would
or could ever do with a child,
to inquire about his own development as
a child, to find the: dot dot dot the missing
answers, to see for himself as he developed
into an adult, or, worse, to project his own failings
onto the child, child genius tiger mums team
alpha-bravo... child prodigy gehennah...
it's almost a psychological fetish for some,
to bind oneself to the canvas of a child,
better off with a cat, or a dog if that's your
"thing"... at least you won't be hurting anyone...
worse still: the marquis de sade ******
scenario... i still have memories from when
i was 4 years old... Ganesha must be looking
over me: the stereotype? elephants' memory,
which is as long as its trunk...
      "conundrum": if an adult male can fathom
his child: himself at the age of 4...
if he can fathom a metaphorical foetus,
why would he have to procreate,
to produce a d.n.a. mongrel to satiate his
curiosity further?
      besides that... if society was once overtly
religious, moralistic...
today's society is overly-psychologised...
i hate psychological stereotypes,
everyone is this part-time hobby-psychologist...
             i don't exactly require a biological
part-replica of myself to preserve at least
one thought with origin and end within
the confines of my self...
       i'm not exactly prone to utter patriachal
proverbs that encompass whole ethnic groups...
maxims or categorical imperatives
cater for individuals...
                   not the masses...
i'd have to be a patriarch to utter proverbs as
a way to gather the brood of my own
sow and subsequent harvest...
to be so obscure,
    to be so... concerned with lineage...
                   you have to be born with the facets
of necessarily ensuring that future generations
are to make the same mistakes...
           that's why i would never trust western
neo-atheism... d.n.a. as the only future blah blah...
         sure... if you can lodge a thought
into d.n.a. and receive the token of finding both
self and consciousness within such claustrophic automaton confines,
"somewhere down the line"...
      much older generations would have told you...
that's in the fables, the mythos, the temporal crux
and crossroads... time doesn't give a donkey's *******
about your "rational", scientific materialism's worth
of continuum...
                         etc.

This is a party for the old and wise
a rave up with rich tea and biscuits
all talk of many years past lessons
I sit intently wanting to all learn

In their austere faces
I see the child within each
such wise ladies that mother me
give me freedom and never smoother me

I keep to my cup of Earl Grey
taking in everything they say
maternal goddesses
wise as Delphi's Oracle

It's a vertebral feast
to listen to history
knowledge can make a man
guided by women right

By Christos Andreas Kourtis aka NeonSolaris

June 29th, 2017
It’s been 1 year, 4 months and 19 days.
For 1 year, 4 months and 19 days.
Count the acidic tree rings
Nearly 504;
Bright
A.m. eyes
On East Ferry,
in contrast of noir
I say, man;
June 29th, 2017.

It’s time to get a new calendar,
Cause I count 5,000 dollars later
and not a sense of a cent
was fined for my remorse.

I’ve been fine and fined.
Holes in my pockets
dropping seeds of change
planting fines

Into puddles
and potholes
showing deep interest
into the alignment of my car
stalling my engine with debts.

19,000 dollars and growing later;
I learned what trigger warnings cost
and ironically
I wrote a paper on it.

Don’t get me, wrong I am grateful
But, I had to rip holes
into all my jean pockets.
I mean, **** it,
I never had much going in
And I should quit smoking
My lighter is dead
Only blue and red
Sparks lived well in my mirrors
On, June 29th, 2017.


From the wall I was chained to,
I enrolled into college
My mom drove me home from my first class.
My lawyer wasn’t much of a lecturer,
He spoke math for 1,400 dollars

250 and 9 weeks.
106 a month for 52.

That’s enough math for this semester.

I drank with my night instructor on Mondays after 9,
He wanted to hear my music
We drank whiskey salted potholes on Allen
I counted his tree rings to 4/4 measure in regret;
20 years steady.

I graduated on a Tuesday morning,
I didn’t call him back to thank him for the irony.

I acknowledged our acidic rings
With glass cheered laughter
Swallowing thanks for each other’s company.
9 weeks and I don’t recall ever leaving the room.
43 went after,

And today life is that,
Paid for in lessons,
No need for pockets

I am those potholes
bumping coffee all over me
20 mins late to my first class.
I can repave them
but they won’t stay filled
It’s OK to want smoother roads to school.
I’m late but I’m here

I’m a mess.
******* would see art.
People have his eyes on me.
I want to be framed and splattered
on the walls of your home
A household mess .
It’s OK to have a passion.

Look into my tree rings
How old am I?
Its restorative to count
27 rings of rebirth
Look at me still growing
I believe I can grow in Paradise-lost fire
Or in Buffalo salt

I am my flaws
I counted them

My alcohol abuse,
One beat of 2,653 in 2017
I don’t know how to put an apology
On a music sheet.


The Jazz fills my potholes in the morning
before these hallways

My grey area is stained glass in Villas library,
Each step is eclectic
From shoe up and over is stand still art

Lighters flash cigarettes burning
But prints pictures of thankful new memories

With all of you in it.
Thank you for helping me with today’s date.

You and I could be lichen.
You'd be algae
and I fungus.
E plural unis.
I would envelop you,
not to smoother,
but to romance, house, protect.
You would photosynthisize the sun
filling our pantry shelves.
Oh, what fun we could have
if we were a lichen.

I NEVER HAS SEEN SNOW

I lived my life as if
I had been written
into a Barbara Pym novel

so prim and proper lady I
my soul smoother'd in camphor
yet my life...wot the mot hath got

and here I be
curled upon the Persian rug
in the foetal position

being born
into my dying
as it were

me an elaborate motif
beside an exquisite phoenix
oh the warp and woof of me

so this is death
rather nice
as these things go

not too much( ouch )pain
more easeful and slow and
when ya gotta go...ya...gotta go

rather like that Manx man
was it Brown...or...something
"...if thou couldst empty..." oh what is it?

"...all thy self of self
to be a shell dishabited..."
bit like ha ha that...innit( agghh )

wonder what an anthropologist
from...say...Borneo
would make of me

I'd guess I'd be
so quaintly ever so English
so cue-cumber sandwich

settling down with a Pimms and a Pym
being one of those Excellent Women
**** this dying....haven't even read the book

only got as far as
p.15...how mean
the great unread

the words sticking in my brain
something being "...a welcoming
sort of place...

with a bright entrance..."
as if Mr. Death were saying
"Why...that's what I am!"

"Yeah, yeah...sure sure'"
I answer all Film Noir
another of life's little pleasures

the stuffed bird
stares at me sternly
deigns to speak

"Now that you are going to be
as dead as me...may I
have a word?"

it coughs unaccustomed
as it is
to public speech

"It's not so bad
being dead
it's being stuffed that hurts!"

the cat joins in
with its customary "I'm starving...
ya couldn't open this tin?"

now the cat howls
oh to have opposable thumbs
or a can opener at least

the stuffed bird and the cat and I
singing along to Beverly Kenny
smiling from the record sleeve

"Oh this used to be
my favourite as a girl
'I Never Has Seen Snow."

"Oh the girl I used to be
she ain't me no more!"
I could always carry a tune

the stuffed bird can't
sing for nuts but
the cat's got a good tenor voice

me...I'm letting go
the world is walking out on me
the world don't want to know me no more

I've even forget
can you Adam and Eve it
how to spell... fo'c's'le

my garden looks in
the window at me
well here's a howdy do

I never was '...a lovesome thing..."
even when young
"God wot!"

hee hee hee T.E. Brown
appears to invade the mind
when one is dying

and what would that Borneo
anthropologist make of that
or my love of Jazz

grabbing the music
by the tail as it shape-shifts
improvises world upon world and beyond

oh to be dying
in a smokey jazz club
thoughts climbing a spiral staircase of smoke

"All that is...is not!"
now I wonder where
I got ha ha that

would the man from Borneo know
that is Phil Woods on
the Quincey Jones arrangement

"Oh I love sax me!
never could say the same
for ***

well - enough of that
better get on with
my death

and what better way to go
than with Beverly singing low
always thought I looked a bit like her

she smiles that record sleeve smile
the one I tried to sculpt
upon my own features

"I saw a new horizon
and a road to take me
where I wanted to be...needed to be.... took"

"God! I'm only starving!" yowls the cat
"Ya couldn't feed me before ya go...no
**** those...**** those cans!"

"Oh ****...oh ****!" she purrs
the record's...the record's...the record's
stuck

You never really know what people are thinking... Most people keep their thoughts so hidden away that some times even they dismiss them as false.
"You think anyone tells the truth? I mean the whole truth. I think most people try to tell the whole truth but they come up short. Holding on to this small secret. The secret could be small like, 'I woke up at 10 this morning.' When deep down you know you really woke up at 11. Other times it could be huge like saying an I love you when you don't mean it." From time to time I ramble; digress. Of course I'm sitting in my bedroom.  Alone. Not a soul is listening but myself. I'm still my favourite person to talk to.
Personally I don't think it's that bad. In fact, I'm almost certain that most people would be better off if they talked to themselves more.
I'm almost certain whiskey makes people better writers but then again I could be wrongfully mistaken. I just know that it works for me. I feel confident. Some could say wiser. Others could easily say that it dulls the sense but what do I know.
I light up another cigarette while five thoughts race through my head too quick to capture.
"Do you ever wonder? And when I say this I speak very vaguely. In general do you wonder? All the things that a person can wonder. I'm rambling again; but you're listening aren't you?"
I really can't stop talking to myself. I'm such a great listener. Or it could be my ego. The bright star in the night. My temple.
"God I need another pull. Maybe even a oneie. Anything to keep this going. This slowed down thought process. Just so I can capture things at a pace my fingers can keep up with."
I'm still alone. I prefer it that way. In a sense I've always been this hermit who locks themselves away. I'm not looking for pity either. God, that's the last thing I crave.
Who am I kidding? I'd take any amount of attention. Pity. Gratitude. Love. I'd take it in any form. Just give it to me.
The whiskey is going down smoother and smoother with each drink. And I've finally lit that oneie. I slip into a deeper state of consciousness. This is when things get real.


Work in progress.

I spent years of my life in a fantasy world.

Well. Lots of fantasy worlds.

My clothes were cooler
Voice smoother

Choices simpler.

You finish quests, unlock gods, Slay dragons
.
When my DnD group broke up I thought:

If I'm not the gnome bard or the elven ranger or the dwarven barbarian

Who am I?

The answer:

I'm the kid,

Who was doodling demons in the corners of classrooms.

Who didn't quite make it through the pacer test in one peice.

Who spoke up a little too loud about religion and not loud enough about being bullied.

Who didn't have party's to go to because he was to busy with his party of heroes.

Who will I be now?

I can write my charecter sheet however I want too.

Natural Twenty on my charisma

Critical hit my failures

Damage reduction on Haters.

In real life, I paint my face on blank canvas

I have one simple goal.

I want to levitate slightly off of the ground

While summoning an undead army and shooting fireballs from the sky.

I might not get there.

I'll be ****** though, if I don't roll for it.

White ***** shimmering.
Making holes along the way.
Flickering the beach sand; out of the way.
Digging homes; dream hide away.
Tides rise, they drift away.
Side-to-side; their paws prints sway.
Hard-shell, then soft shell- the caste away.
It’s all such a beautiful display.
Move in all directions .
Smooth get away.
Cool beach sands.
Try knot to get carried away.
Simmering; the Chef Santee.
Save that for another day!
Back against the sands,
Busy day, clear waters; ahead,
smoother get away.

We all have a story to tell.
We can stand alone or become part of a bigger picture together.
We come in different shapes and sizes.
We are all part of a kaleidoscope of various colors like individual gems.
We are each unique but we can band together and become part of a masterpiece.
Some of us maybe smoother than others.
Some of us maybe a little bit jaded.
Some of us may have more lines than others.
While some of us are shapelier than others.
We can choose to shine alone or shine together like precious gems to become a masterpiece of stained glass, if we join together and let the light shine through us.
Let your light shine.

Be as a kaleidoscope
and fractalize the mind.
Embrace the dichroic glass,
and break what limits bind.

Smoother than a marble egg,
yet tempered more than brass,
bemuse yourself entirely
with Millefiori glass.

For in its mystic ampule
birefringent voices dance,
and visions come together
should time befit the chance.

No turn, nor shake, nor twist
can break its hallowed grace.
Acknowledge its diversity
and revel in azoth space.

Its symmetry is blithe at times,
yet stunning through and through,
and dashing through its mirrored hall,
the light shall come to you.

There is beauty in a beam of light.
Caress its warmth and hope.
How wondrous still that beauty grows
with a simple kaleidoscope.

I. introitus

you join the procession of the
weeping daughters of jerusalem
but you
arent sure what theyre
weeping about.

perhaps they weep because they saw you
shipwrecked on the shores of
my body—
the fishermen howl, their painstakingly
hewn vessel
lost to the south wind.

or perhaps because you
charted my topography climbed up
my ******* and never came back

perhaps someone has died,
possibly you.

at your own funeral, you shed no tears.

II. kyrie eleison

at 8:56 am on judgment day

the cicadas start to
scrape against my skull

roaring like the lionesses that
rip open your chest in the tall grass they
lick your blood from their fur, pick
your bones from between their teeth and
recede, sated, into the
shade

the hyenas arrive at sun-
set and leave only
the weeds to glut
themselves
on your carcass.


III. sequentia

its all just flashes of course: the whys and wherewereyous and the
wildness in your eyes that said if someone snapped your neck i mean wrung it like a spring hen
you would still
be staring into some vision only you could
see.

sometimes it is not enough to eat humble pie.
we have to chew our cud and spit it back out and i am a
fool, a ruminant lying in the pastures waiting
to be taken one thousand seventy-four miles
home:

when you kissed me flowers bloomed from my
navel as if to say—
Yes yes yes yes yes.
blood rising behind my
lips pumping in all its holy majesty
burning metallic against my skin and i thought let me be branded by
you.

you, gift-wrapped in linen and old
spice, sunlight peeking
out through your smile lines
the surprise the perfect
O of your lips as we
made love amid the skyscrapers of cardboard
boxes as we
leapt across your mattress like buzz
aldrin like
children;

i take your hand and you lead me out the
window for a cigarette and a
better view of the moon

both are made of
paper

IV. offertorium

a.
a thousand
miles of orchard—
fruit laced with one point
oh seven four kg of powdered
kisses i havent yet given you

if you crave their nectarblood dont
blame me if you must
drink up the sea to quench
your thirst

b.   
I will sink into you like
a warm bath I will
lie back and eat mangoes and
let the juice drip
down my chin from my
fingers into you

V. sanctus

a.
i come in the name of
the woman inside whose body you were
sewn;
inside my body your seams
will be ripped.

b.
i come in the name of
the woman inside whose body you were
sown;
inside my body your harvest
will be reaped.


VI. agnus dei

the bridegroom lies
in tatters at the
altar,
reaching out to the
bloodied lamb beside him.

we cover him in
wool and
pull it over his eyes,
kissing his hand as we lower
him into the ground,
hoping to be blessed by his
blood. some of us get
drunk instead.

VII. communio

i dont know but Ive been told
that good bread and wine is
the best meal but
no bread breaks better than
your flesh no liquor goes down smoother than
your blood no
light shines brighter than your eyes
(blue moons in a scleral
sky) and when they spark like flint
and ignite my soul will you
remember to scatter my ashes into
whatever poison you drink

Black eyes,
Deep and endless.
Shines a light,
Bright and timeless.

A kind smile,
On a gnarled face.
Handsome in his
own way.

Honesty.
A lost virtue,
In this wasteland
We call home.

Smoke drifts
from a parted mouth.
Escapes into the
nothingness of the
green-tinged sky.

"Moments like these,
I know all that karma
stuff is all bull."

Those are your words.
Not mine.

"Because no one like me,
should be this lucky."

There is no one like you.

A man out of time,
in stolen red duds.
tricorn hat tipped
to the side.

That smirk,
that damnable,
smirk, plastered,
forever to your smug mug.

Your ruddy hand
reaches back.
Open palmed
full of scars.
To grasp my mine.
Much smoother skin.

"Come on love,"
you say,
with your voice
full of gravel.

*"Lets get this freak show
on the road."

A razor is my nemesis, because the blades do not behave
Gouging cuts into my skin, that is the path they pave
But it is unavoidable, I have become a bathroom slave
To rid myself of excess hair, from a shave that I don't crave

Ever since the birth of man, it goes back many years
A growth around your lip and chin, extending to your ears
It may go down particularly well, among the bents and queers !
I'd rather have a smoother face, to avoid Ducky's and Dears

Why do men want ****** hair, why do they want a beard
Bits of stubble sticking out, a design that's rough and weird
A Goatee isn't very good, it's cattle that's not reared
You wouldn't get tickled or scratched, if beards had not appeared

Okay some guys might look alright, when they are neat and trim
Scruffy ones they just look bad, and some are rather grim
I don't want hairs growing on my legs, or any other limb
Nice smooth skin is my preference, and it's not a passing whim

There is just one problem, something I would love to ditch
Hair removal is a pain, and it's an evolution glitch
When the morning comes along, I have that same old itch
Having to shave is immanent, and a *******

How many ****** shaves, does a man have to endure
Eventually your skin goes dry, from this old daily chore
You get cut far too often, I don't want it anymore
Razor blades no longer work, and that's a shaving flaw

Girls complain about their periods, it must be so frustrating
With all that blood just seeping out, when you are menstruating
You wouldn't like it daily, there is a period of waiting
It only happens once a month, so it's not as irritating

I'd rather shave twelve times a year, without anymore hair traces
No cuts and grazes for a month, in many different places
Unscrupulous razor companies, would have no more hairs and graces
Hairy smiles would be wiped off, from their stupid corporate faces

A close shave does not exist, I think it's a fare bet
That manufactures cut your throat, with electric dry and wet
All the claims of the best, that a man can get
Sharp shavers are a fabrication, and that includes Gillette

The cheaper brands are just as bad, shops own brand or BIC
You may as well tape a knife, to a piece of stick
Are potato peelers any sharper, would they be a valid pick
Would chipped skin be as bad, or just get on your wick

One shave is not sufficient, you have to do it twice
There's always bits left behind, which isn't very nice
I would've tried the No No, an expensive hair device
Razor blades and shavers, have such a high tagged price

It makes me cross and angry, because there is no reward
When buying beauty products, which they say you can afford
Why cant you have a body switch, or a desired level cord
So you can turn of your hair, and sod Wilkinson Sword

Excess hair I do not want, except for on my head
Is stress the cause of going thin, when it begins to shed
Would it not be better, coming of your face instead
Shaving would then be reduced, and not something to dread

Many men go through the curse, of losing it on top
The older that you become, your head hairs for the chop
A full crown is all I want, why take away my mop
I didn't want a bad harvest, by losing half my crop

The only place I wanted it, I've lost my style and flair
Why does a bald patch appear, why does your bonce go bare
Is it my comeuppance, with the creation of a glare
All I want from follicles, is my head full of hair

If you want to have a beard, then that is fare enough
Don't be mistaken for a *****, by looking like a scruff
I don't want a hairy face, or stubble that is rough
Or a weird beard with scraggy parts, or any yuk *** fluff

Some men just let beards grow, and maybe that's just crazy
It's not as though they look sweet, or as pretty as a daisy
Personal hygiene may not count, if they are always lazy
To me it isn't fashionable, it makes you look old and hazy

Who wants to be a yeti, but perhaps it is too late
And wild men roaming in the woods, is evolutions own cruel fate
No matter how much I shave, it's the scratchy bits I hate
Wasted shaves when hair returns, why does it lay in wait

How much has man evolved, how much as man progressed
Personally I think the state of hair, has radically regressed
It's based on my own experience, so perhaps I am obsessed ?
Who wants a hairy monkey, when your naked and undressed ?

There is a smooth advantage, when you are misbehaving
A kiss feels much more sensual, without the crazy paving
This is all that drives me, although it is enslaving
Even with the nice things, I'm not craving for a shaving

That person who gets you, lifts you
As the stone that fits your hand does
Who loves you as the stone from your hand
Skims out across the sea, loves you so
Many times more
Than you can count
That
Person

Whose love seems older than the stone
Smoother than its perfect roundness
Whose eyes seem deeper than the sea
During the endless time your eyes
Meet. And the feeling

In your heart
Of that stone
That oldest
Perfect
Love

Skimming light, skimming fast
Skimming away
Away

As it fades
As it

Fades

The Maple with its tassell flowers of green
That turns to red, a stag horn shapèd seed
Just spreading out its scallopped leaves is seen,
Of yellowish hue yet beautifully green.
Bark ribb’d like corderoy in seamy screed
That farther up the stem is smoother seen,
Where the white hemlock with white umbel flowers
Up each spread stoven to the branches towers
And mossy round the stoven spread dark green
And blotched leaved orchis and the blue-bell flowers—
Thickly they grow and neath the leaves are seen.
I love to see them gemm’d with morning hours.
I love the lone green places where they be
And the sweet clothing of the Maple tree.

anxiety creeping on
anxiety taking over
i'm the youngest in a room
filled with folks i don't know
three old blondes
one middle aged man
i don't belong
just like out there
so how am i supposed to learn
when my stomach is in this churn
like butter i want to be spreadable
anywhere, and in everything
butter is so much smoother than me
for once i'd like to be credible
maybe, one day, incredible.

you know that there's a weird
but omnipresent eye
wired in the igloo...
yeah... it encodes a message in
Morse... it asks for darting to & fro,
rather than blinking.

i'm waiting to leave the rhythm section
of pop music,
rhythm that was once a standard
soloist impressions in classical
music, and in classical music
solos that were just asking
for broken finger of piano,
while leaving the brass and woodwinds
worrying about schnittlippe smiles,
Chelsea a mile away:
how about... a todgrinsen...
your lips cut off and forever grinning
like an enclosure for a hyena laugh:
teeth to rattle to cages to bars...
make a big O... a big rat tat tat ha ha...
i pray i'm not you once you
entertained me for a while in silence
and in thinking to equate to my inactivity...
they remembered me as a party animal,
ready for the next friday...
sure, i used to be like that,
but i settled down: ready bodied
with weak thought against
a thought strengthened because the body
weaker, once readied for the look,
the applause... the perfected grammar of
changeable fashion appealing...
that's gone, and so the self that once was,
now standing outside the collective...
peering in, because they never attributed
depression to cancer victims...
apparently cancer just affect the body
and not the thinking,
now they realised cancer affects both body and thought...
you can't think of a friday three weeks away
in soberness dubbed sanity when you have
a physical ailment... so why create physical
ailments from simply having the odd thought:
the ancients dug a fetish for immortal creatures
and lived and slaughtered...
the modern congregation of supposed immortal
beings is a ridiculous thought... but so the antidote...
immortal beings disappeared,
but mortal beings turned to a quickened heed
for immortality with a thought rather than activity...
no heroism in the aisles of hospital beds...
no heroism there...
immunity for ideas also lost, immunised
by gaming and shooting blanks into duke nuke 'em
geography of the labyrinths...
by disengaging from immortal beings
where all suffering took place: let's face it,
mortality understands immortal psychology the best
it's simply unendurable -
we invoked a loss of immortal beings
by becoming twice mortal,
by dwelling among animals for a synchronised
systematisation of understanding we lost
many individuations of the unit, the self,
with too much darwinistic interpretations
we claimed some strange mirror,
a multi-diadem mirror of man: a minute a swan,
a minute a monkey, a minute an ant,
a minute a larvae of flies when naked...
no one said the theory is wrong,
but someone said: but that's how i feel about it...
overly objectifying does not look cool,
it limits emotions ready for individuation...
apathy breeds no pathology,
love embraces apathy: the apathy of
someone selling a newspaper while you
commute, the baker, the butcher, the medic...
hatred doesn't appreciate such an apathy,
it embraces pathology, and because of this,
becomes caged.
i just want one stab at it...
to feel a finite resolve of estimation,
to have camouflaged as a mammal among
other mammals, but thinking more complex
more different...
rather than resort to the simplest of simplicities
for a resolve on the matter of ontology...
a pre-dating reasoning...
but you see... it's not darwinism that governs
humanity... it's a plagiarism...
humanity adapts via plagiarism...
all the poor dream of making it big...
the only thing that keeps us moving
is a stress on plagiarism... you see a homeless
guy you get the defence mechanism usher message
telling you: DO NOT PLAGIARISE...
you see a guy with a harem in a black limo
you get a striving mechanism usher message:
PLAGIARISE! it's idiotic to think of /
utilise darwinism in terms of defining origin...
me? monkey over man any day...
simpler diet... plus endless swings and branches...
parasites no much of a problem...
plus moral killers like tigers not too eager
into sadism and mutilation, because just hungry...
not fetishes with carnivores... quick kosher kills.
the only adaptability we have is plagiarism,
because we have a self to worry about
as a. in a collective assertion of it whether
existent or non-existent... and b. in a singular
event asserted by abstracting it, notably
via existential notation, of a "self";
as someone once said:
animals do not commit to genocide...
yes, that's true,
they don't commit to passive genocide
of enforced laws of differentiation
to look cooler or smoother or just plain
caught up in a cultural grooves and edges;
and from the tree of knowledge
of good and evil you will not eat,
because you'll enforce plagiarism,
a consciousness of plagiarism
a consciousness stressing that no self be attached,
with only attachment being via a "self",
the continuum of misunderstanding,
reaching a potential of understanding
once the continuum reaches a twilight peak
at *ad infinitum, where a randomised
narrator steps in, and deviates from the
orthodoxy of constants and subsequent remnants
of how man de-glorifies god, and glorifies nature,
but doesn't dare to engage nature as nature
engages with itself, apprehensive of nature per se
man defiles a god to abstract nature,
by calling to question the role of nocturnal beings,
insects and parasites... choosing to believe
in god in order to exact due noun to his fellow
creature... for man defiles god and glorifies nature,
but by glorifying nature he ought to despise,
he creates insects parasites and murderers
he eventually lacks the power to despise...
personally? it's hard to write a coherent opinion
in english, too much prepositional / conjunction
shrapnel... poetry is overly elitist, my lamentation...
in an age where overt use of images
numbs a sense of entertainment using words...
and dialectics just lost a disputing partner...
in an age when each to his own, a free-reigning-free-fall...
where non-engagement with one strand of opinions,
leads to another, even more extreme than the one prior.

We are unlike the rest.
Yes, I know that's what the rest say.
But unlike the rest, we are not glued together.
Instead, we are stitched together.
Stitched so that every string
Is smoother than the furrow
Of bitter eyebrows.
Stitched so that if one of us wanders off,
It would only take the tug of a string
To bring us back together.

Unlike the rest, we are a medley of forgiveness.
Because with us,
Mistakes come in a handful,
Each painted a different color of disappointment.
But it only takes
Jumps into pools fully clothed,
Random trips to the museum,
Hangout on rooftops
To make it all better again

Unlike the rest, we are craziness
Well-mixed with a spoonful of loyalty.
An odd mix, enough to taste the sweet
Amidst the sour
So that insults come easy
But if one of us trips on nothing,
The rest of us will follow to help you back up.
After laughing, of course

Unlike the rest, we aren't actually friends.
There should be a word
For people who care out of understanding,
Who laugh outside things that are funny,
Who will be there even when they physically aren't

We are not like the rest because the rest call us friends.

And they say friends are forever
But we are the people who beg for much longer.

I'm getting tired of writing
things on a piece of paper
and having them thrown away
to places i know very little about
THIS IS NOT THE POEM I ORIGINALLY WROTE
THIS ONE IS WORSE..
GOOD WORSE Xd


Love and lust
you and me
different sides
of the same coins
if she loves you like a poet
and f's you like a h
never let her go
and just so you know
i can be both

oh boy, your ***** could act like gasoline
soak me in it
and let your kiss start a fire
And ignite my skin
wherever you touch

Get some movement down there
won't ya?
in and out
slow and fast
smoother and rougher
just satiate the thirst you yourself
have created
'cause you're the only one who can

So, won't you be my artist?
and paint on my surfaces slowly
Or
Wuld you liker it better
if i took control
and doodled on your body
wuth my tongue as a paintbrush
With your raw material
and my lovely strokes
you could be a mster-piece you already are
I'll always carry you with me
haVE a copy-right
or why not brand you
with my name upon your chest
My touch,
your nakedness
My palm
Your hard drive
My lips
your lips
My smile
your ouch
My hand
Your skinwarm and wet
My legs
your thighs
Me driving
Your vehicle
We can take turns
you could
mold me
squeeze me
caress me
feed on me
devour me
completely
savor me
every inch of me
Electrify me
Tear through
all my layers
kiss my lips
both of them

My love, your eyes are nothing like the sun,
your long lasting gaze is dull and dazed,
as for intelligence; you possess none
and you leave me annoyed and unamazed.

The way you make me feel is disgusting,
sandpaper is smoother than your skin,
and I just can't stand to hear you laughing,
when all good humour you've forsaken.

You are oblivious and selfish too,
and you know I use this odious tone
my dear because I truely detest you!
so go now please and leave me alone,

Take your coiffed hair, and your crooked nose
go **** yourself and your asinine hoes!