Submit your work, meet writers and drop the ads. Become a member
Nika Cavat Jul 2012
Orcas in Puget Sound

Along the road, abandoned wild apple trees bend
with their heavy loads, dusty skirts of blackberry bushes
purpling fingers, piercing flesh
mouths ringed with berry juice, vampires all.
Along San Juan Island salmon leap clear
out of the briny water, just yards ahead of their predators,
Orcas, dorsal fins curving shiny black, sluicing and slicing
the surface like sharpened knives

They have bred with one another for 10,000 years
trolled these waters through famine, earthquakes, world wars
through shifting continents, glacial avalanches,
through the extinction of whole civilizations.
Standing on a cliff, my daughter and I
watch the Orcas churning the water - studies in grace
the largest gem on the necklace of a great food chain
and when we sleep we too chase
the great King Salmon of our deepest dreams,
the fathers we lost, the currents that bear along children

Translucent jellyfish, palm sized, breath below
sideways exhale, convulsive inhale
umbrellas opening and closing a thousand years or more
sliding through forests of brown kelp where mollusks cling

We have clung like this to one another, with my body
thrown over hers for protection and her exhaling away from me
If Mama Orca keeps her young close, so will I
If there are salmon to chase and harbor seals to command, so we will

Arcing in the late August sky
slapping and parting the surface, over and over
the whales, lords of the Sound, swim in our brains as we sleep
sparkle against blackening waters
You are of my body from my body cleaving there for 10,000 years
Whatever quarrels there are on land vaporize
In the presence of these creatures,
arcing against all that is temporal, vicious, small,
studies in power and grace

The tide pulls out, skimming across rocks and oysters in their muddy beds
But this need to care for you remains as big as an Orca
your appetite for adventure as voracious
and I watch you, my child, disappearing with summer
into high school, into womanhood, into
the salty, light-dappled ocean
Martin Narrod Apr 2014
She had stopped crying.
All evening in her black-mesh coup de voodoo.
On the plane she had been crying
For her Summer pal. Yesterday she had been to market
Big brown bags and white bags, little pink bags filled with crimsony scents,
Capricornia, looseleaf newsprint, postcards, and colored pencils,
She had hands full of handles, bags bundled, stitched in strict Saturday fashion.
He could barely break a step, he could fake dance with her feet on his tip toes.
She was only three quarters the perfect size to fit inside his frame.
The grand disappearing act. And she was only ifs and suicides.
A stranded ray of sun-draped hair on a cooly porcelain forehead, the segments were all just wrong,
Something so wrong, trembling heart cries over a mute coo through a flattened tongue.
The sickle tongue, dodgy on Tuesday's, She had a simple mug, oh! But so cute and soothing, the nape
That wrapped around, my arm lapped its hands in a clapping ginormous duck's bill!
Lapping rhythmically. Thwack! Thwack!
Like no crying I had ever heard. Nor Earthen beauty I had never seen.
Her little lamb legs lumbered over, her awkward thinness and long limbs spilt on top of her,
Her tiny shoulders searching for support from her hips. White aurulent doll head on a stick,
She had sad defeated eyes, whimpering, pathetic,
Too small, and she shuttered and she shook,
And she shivered out every teardrop her body ever made. And she fell back on her bottom, and looked
Up as if to see a white steed standing with her guy striking a poised hand down to her,
He split down the middle, stammering, broken pieces of words crumbling out of his mouth
With eager intentions. He was too weak
To give her his feet, or pull her up in, he hadn't the gumption. He was fully occupied standing,
He wept too; then shuffled a little
Towards where she had fallen. He knew she wasn't right
She couldn't get the devil out of her piercing blue pupils, she couldn't
She lied.
Then she just piled on top of her knees and fumbled as if to rise like a demure lamb trying to rise off its Newborn legs, she just curled her legs,
So stiffly built, and narrow footed, built with such inequality to her siblings,
She got in the way of herself, a little lamb that could not manage.
Too whittled for him, he tried, he really tried, but three years had drained his strength, no real help.
When he sat her upright on her bottom, she opened her eyes, and for a moment smiled, grabbed for His hand but then after awhile she was lost, she lost interest, her pupils wandered.
He was orchestrating everything.
A real project, much more urgent and important. By nightfall she could not stand. It was not
That she couldn't smile or laugh or love, she was born
With everything but the will to live -
That cannot be destroyed, just like a love.
Melancholy was more important to her.
Life could not get her attention.
So she died, with her handles still in her hands, green grass stains her legs.
She did not survive another warm summer night.
And then he wept uncontrollably again.
"The wind is oceanic in the elms
And the blossom is all set."

2

The boy has come back
From the seashore, and atop the plateau.
The woes of women are like a genocide
In the morning, when the killing is over,
And the heat begins, and the bodies lie,
And stark life moves for its sobbing bones,
The curved women move with fire.
Father Father Father the girls
Are weeping, and crying and I cannot resist that gentle frailty
They are shucked in their skin suits rising from their soporific slumbers
In decadent leathers and frou frou dresses. They cling to bold faces,
Nothing can escape that cold crying of women weeping for their princes.
Blood-letting rage cannot overthrow the meadow from the pebble brook,
As a laden head bleats its tarnished tongue across a milky breast, it cannot
Escape the sounds of blue-stained teardrops cascading across the plains,
The sounds of woolbirds braying while their skins are sheared against the
Sluicing sound of water rushing through the flume.
All summer they have lamented, gorging on melancholy, tottering their cotton pyramid heads,
Shaking their cries in deliberation, bald skinny victim women screaming out!
Cotton-mouthed clams yaffing, hearts in panic, wholes of bodies clambering in a *** of woe.
They roost useless, pollard and wethered, jealous
Squinting out the last droplets of desperation from their eyes, screaming their mouths in awful
Togetherness, this cacophony of tortured tongue-song
They curdle the last notes of despair out under knotted breaths
With every inch of strength left inside them, they bray this way and that.
Their mothers scream out in wretched despair, ahhh!
On distant cliffs, on scrawny legs
Their stiff pain goes on and on in the September heat.
"Only slowly their hurt dies, cry by cry,"
Whipped bodies toting wergeld on a shore.

The Day She Died

Was the gloomiest day of the new century,
The first of calamitous, unfortunate autumns to come,
The first dying breath from piceous lungs.

That was yesterday. Early morning, soft rime droplets
Frosted to every blade of grass, not like any other
Earlier June day we've ever had. In the deep twilight
The syzygy announced the moon and demoted the sun.

The Earth-crisp frost nuzzled snow droplets.
Black bands of ravens whipping. Martens littering
Fresh kills of red-eyed rabbits on stark white stale
Summer lawns. A fox grayed, its cold bones
Mapped by ravaged feasts. A possum prowling
In a spot of tawny light.

The concrete spread into a maze
Of black veins ripening in the acute niello
Destitution of its widening cracks,

And when the summer left
It left without her. It will have to accept,
In the paley dim light of this vengeful wilderness -
She is gone.
But for now the warmth has not returned but a naked, half-pomegranate
Rotten moon for us two.
And a great vacancy in our memory.
Written for Britni West
Bailey B Dec 2009
I.
I lift my eyelids.
plipliplip.
The rain invites me to play.
Her cold fingers curl around the doorframe,
"Come on, come sing again! Sing, just like you used to!"
She burbles gleefully.
"Come on, old friend.
We used to be ballerinas, whirling and laughing.
We used to be one
one and the same."
Her fingertips inch through my solid oak door.
I frown and shove the door closed
throw down the lock
yank my curtains closed
Closed to the scent of moss
to the wail of the wind
to the percussion of the weather.
(I prefer the smell of coffee
the sound of silence
of security.)
"I used to be a lot of things," I call.
"But then I grew up."

II.
She knocks at my door.
Again. (memories are persistent.)
Teasing me with her calm voice
whispering lofty and cool.
I sigh
begrudgingly I follow
sliding into my raincoat
tugging up the hood
drawing the string tight around my jaw.
She dances in watery windchimes
sluicing across the slick sidewalk,
she pirouettes
leaps
beckons for me to follow.
My galoshes are not as forgiving as toe shoes; I trip.
I reach out my hand tentatively
curiously
feel a cold ***** of water slide down my index finger.
Icy. Biting.
I gasp and flick it off.
The world is a box of watercolors
but all smeared together in shades of earth.
Shadow, cornflower, lilac, mud
muddy colors I identify straight away.
They bring a smudgy comfort
a hesitant nostalgia.
I feel a note catch in my throat
like trapping a dragonfly in a glass jar.
It flits violently to escape,
but I dare not let it out.
It is sunny under my umbrella.

III.
Late late night
midnight and a half (to be exact.)
I hear her call
frosting my windows with condensation.
I etch into my foggy breath,
feeling the panes hard against my pale skin.
"Come." says her voice.
"Listen--" I protest.
"Live." urges her whisper.
So I fling back the door
let the coolness trickle down my head.
Silver bullets sparkle in the moonlight
I tilt my face towards the crystal beads,
watch them pour across my face.
I shake my flimsy nightgown
sodden with tears never shed.
I twirl, laughing across the yard.
"Old friend, how I have missed you!"
The rain calls to me.
My tears melt with hers
tumbling down my neck.
My words burst forth, a crescendoing horn
swelling across the rooftops
resounding to the deepest roots of the trees.
"I don't want to grow up."
All sounds have been as music to my listening:
Pacific lamentations of slow bells,
The crunch of boots on blue snow rosy-glistening,
Shuffle of autumn leaves; and all farewells:

Bugles that sadden all the evening air,
And country bells clamouring their last appeals
Before [the] music of the evening prayer;
Bridges, sonorous under carriage wheels.

Gurgle of sluicing surge through hollow rocks,
The gluttonous lapping of the waves on weeds,
Whisper of grass; the myriad-tinkling flocks,
The warbling drawl of flutes and shepherds' reeds.

The orchestral noises of October nights
Blowing ( ) symphonetic storms
Of startled clarions ( )
Drums, rumbling and rolling thunderous and ( ).

Thrilling of throstles in the keen blue dawn,
Bees fumbling and fuming over sainfoin-fields.
Peter Cullen Oct 2014
Every day, sluicing into the next,
watching as the world gets vexed.
People asking questions,
beginning to stand up.
The world it is a changing child.
As I watch you grow up.

There's now communication,
between the voiceless masses.
The greed of some ,becoming clear
as time falls and passes.
People asking questions,
beginning to rise up.
I just want a safe world child.
As I watch you grow up.

Men will fight, they always have,
its written in the stars.
But they can't divide,
or try to hide.
The truth that's in our hearts.
Always ask those questions,
and son always stand up
for what is right, against what's wrong.
As I watch you grow up.
It is a smile on the turpitude of scorching sun that inflicts on us
A harbinger from the kingdom of heaven.

Descending from above -soothing ,dancing ,sizzling mizzling and  torrential at times,
Sluicing down the earth bed ,end to end, wherever it touches.

It has power to sustain this world
It has the power to raze this world
It has the power to ornament this world
It made this abode a rarest one in the matrix of the whole universe
From past to present, ever and forever.

It is  a presence felt as long as the earth is green,the sun shines,
The ocean whirls and the moon chuckles,
Be it called -the clouds,rain ,life or water
All in one the manifestation of the other.
A benediction from the Soul Supreme
To which we all owe our existence.

By D.R.Mohanty
Tom Gunn Jul 2012
You pass the flume. You pass the time.
Waiting in line, Reading signs by flickering light
Cozy and vaguely threatening
You may get wet!
A clatter, screams,
a flash out of the corner of your eye
like southern lightning (with no big thunder) down into the bottomless abyss.

Based on a movie (not available in the gift shop)-- a retelling by whites
of a story written down by whites
told by black
slaves born South

You're a brare, like Rabbit
Prey to Brare Fox
Under the darkness you pass under dim lights that take you back to a time that was, but never way,
Logs that were never trees
Moving through the canal like a slave, sluicing through the swirling sluice
Prettygoodsureasyerborn Prettygoodsureasyerborn

No interaction here in the dark outside-inside
Nobody borne dry, bone dry, unbloodied
By water or unclaimed by the canal full of logs which were never trees
Moving like a slave on display for white birds who, smiling blinking singing, extend
their white wings to show you off to their cartoon friends—a conversation
which you can never be in on
though they look at you.

And then you dip into dark and doom
Quivering rabbit children cower
--clatter, flash, scream--
You begin to suspect your time is coming
And your log, now defying gravity, leaves you without doubt

So, you're trying to find your lauighin place. If only you could. We've
got your laughin place right here.

The mouth opens wide for you
A mouth with briar teeth
A flash like southern lightning
And big thunder fills your ears

Zippadee-do-dah, Zippadee-ay
Your pain will stick to you like wet clothes as you float, swim in the clear swirls
and back into the dark where there's light and singing alligators.
Zippadee-do-dah, Zippadee-ay
They look at you with mechanically blinking eyes
that cannot see you, another guest—another stand-in
for Braer Rabbit, a character who looks nothing like you but who sings
for you and speaks for you.
Zippadee-do-dah, Zippadee-ay
His voice is high and cloying with a Huck Finn twang and a Shirley Temple cry.
He's relaxing at home and you are wet and he is warm in home's golden light.
Yet he speaks for you, sings for you, but he does not see you.
A cast member made of person who has no lines to speak will pull you from your log.
You will laugh as puddles form at your feet and as you find your
photo—your moment of unbridled, child's
horror now passed, past

You'll pass the flume on your way home—clatter, flash, scream--
You're dripping, drying, the salt of the day now washed away
But there's brine in your sensible shoes, squishing between your insensible toes
And making your feet heavy as you leave.
Braer Rabbit is home and cares not for your troubles.
Zippadee-do-dah, Zippadee-Ay
Magic words, shrill, laughing tragic words
You will remember when you look at your souvenir photo
And smile.
This is part of a cycle in progress of poems inspired by Disneyland.
Stephe Watson Jan 2019
I spiral happ’ly in,
I feel my flesh
dissolve to wet, to
gaseous mess
and flow flow flow
into the asterism
that is her extra latte French roast
Eye...

She asks, “What do you see?”
I see Himalayan diamond dust,
the wind as particle, sharing the
Sun in glints.
I see spiral arms and accretion discs.
I see stardust, moondust, lovedust
in great grand colorful interwebbings of
lust, of truth, of song, of delight, of Us.
I see RGB Grand Walls of stars;
organized in mind but cosmologically
principled.
I see the possibilities of galaxies -
Unformed
              Adrift
                                            Reaching
  Cooling
Collecting
  Heating
Sparking.
Life giving life.
Lifegiving, Life.
I see an unspoken Universe
of Dust -
Awake to Dance,
to dance to Life.
I see Love.
I see Beauty.
I see worlds not yet.
I see suns unshone.
I see comets unknown.
I see tidepools.
I see fields of fuzzies.
I see Seas.
I see mountains and valleys.
I see Forest.
I see Love.
I see her, and in her,
I see a world, a cosmos, a way;
a way I’d rather be.
A way I’d rather live.
I see Love.
I see her.

Through tears,
I see
the limitless warmth of an unlimited
Un         iv         er         se
in her tawny toffee coffee
Eye.
Martin Narrod May 2015
Inside, Your cancer's beating heart
My ******* shakes, dirt dust gone
I swipe the sand away. For every ounce of ****
Laughing out meaty red raw steaks and size zero thighs.

     - For everythingsobad. You rattle my dream box with your sweet blue face and your gauges for neither being an idiot or being human. Too cute of you booboo. Captivity claws at you, you big bafoon, intolerant, shuffling your predicates back and forth during your 12am nonsensical *******. So long as it doesn't interfere with your curfew.

Like soggy altered-state popcorn. Your butter catches more flies than knives, the inauthentic gestures spattering over the rhythms and rolls of your fingertips is torture to watch. Kitchen countertop influenza. A tired dictionary of sad words, poor misfortunes, tired eyelids, silty and sandy crusty inside corners of the eyes

                           .rearing privilege

countertop crawlers. inaudible coos used by muses who can't keep their musings from tangling the long distance dial tone soaring through the ears like an Italian operatic melodrama. A horse, three brides, and a funeral. One woman, a sick child, blindness, blinding caused by toxins of the body stuck inside your gelatinous fishlike eyelids. Where's there an eye bib and a lance when you need one? A nifty electric toothbrush shank with extra reach and plaque protection. You're the kitchen sink they threw in, a budget meeting with a data analysis staph infection. A government where nobody wins. All the kids grow up with thin skin and an aorta with no ventricles in it. It's like the cynical prison system that we had to survive in our 8th grade basement dungeon. Thundering, curmudgeons drugging sluggishly, **** teen thugs. Preteen pornstars sluicing cash through their meaty canals, ******* the ******* and ******* the back bare in a messy afternoon of **** *******. Crusty infectious rumors made worse by brothers and moms, eating handfuls of Norco just to keep the family strong.
students ******* bitchesbrew resy earchanddevelopment gettingthediseaseout photograph photo pic picture pictures poetry poets chicago boys2men kristinescolan upsetdevelopment house
Marie Lemieux Mar 2021
He plunged his hand in the half-fitted
electrical socket, absorbing electrons
and sluicing them through to his core.
A recreation fit for a man of no station.

The nightmare of homelessness’ prospect,
the jarring from entrepreneur to beggar
was not a loosely whispered theme
but the pocket-guarding we recognize,
whose opening threatens to spill
more than simple vanity.

His watched as his insides tumbled
into the street, broken beans of pride
nestled between the acid
and the hernia he gave himself
coughing out the last of his security
amongst the well-wishers
attempting to shield themselves from his need.

Discomfiture had not yet defecated itself
through his seams and the letters and links
he sent out as a man trying to hold a lifeboat
without the fervor of clinging hands.
The ache to survive not a desperate one,
desperation having kicked itself out
over the politeness of circumstances
that called for something else.

Turning back into himself, he *****
his fingers as he pulls himself out
of the electrical socket, and walks to pick up
his innards on the street where they lay,
his pride now a forgotten thing
like the pocket-guarded slacks
with the loose seams.
Luka Love Apr 2013
Falling over the lip of the precipice
Into inky stillness
Where the heart sings dirges
Of the dead and lost souls
Holes poked through and dripping muddy waters
Like the sons and daughters
Of the god of decay
Rusting in the back of the pantheon
Running on down into the catacombs
Of black corridors and Minotaurs
Weeping for salvation
Red hearts beating on pikes in blue flames
That burn hot but no light
Nothing to bright the abject savagery of the surroundings
These things show no mercy
That hold old souls under rusted grates
Sluicing juices into terra firma
Thousands of feet below sea level
I got bunches of hope,
full of honey and milk,
rooted to your *****,
dressed in a pinkish silk,
It is craving your babyface,
wandering around your manhood,
invoking copious amounts of grace,
In order to devour as much charm as it can,
gently sluicing sediments from your weary right palm,
massaging it twice and coating it with fragrant balm.

There, In the centre of our old black and white patio,
I am Injuring the rushing longing inside my ruins.
that dares to leap onto your shoulders and make poems.

What sacrifice could I assume to make our souls entwined with a curse of permanence?
We’d travelled more than a hundred miles
From the nearest outback town,
The sun was roasting the plains out there
And the heat was getting us down,
We’d left all the eucalypts behind
And there wasn’t a patch of green,
Only a scrubby saltbush there
Where the natives used to dream.

We halted just as the sun went down
And Miranda let out a sigh,
‘Have ever you seen such stars as these?’
And pointed up at the sky,
The heavens shone with a mighty glow
From the stars that glittered, proud,
Each was lighting the earth below
From the inky black of its shroud.

But underneath us the ground was hot
And the track it lay, bone dry,
There’d not been even a single drop
Of rain, since the last July,
We huddled up in the four wheel drive
As the air began to chill,
I pulled a blanket across our knees
And we slept for a little while.

Miranda had some Arunta blood
From her great-grandmother’s side,
She’d learned of some of their culture, and
She had the Arunta pride,
We woke to a distant whirring sound
And Miranda sat up straight,
And murmured, ‘That’s a Tjurunga
Trying to open heaven’s gate.’

‘The white men call it a Bull Roarer,’
She said, with a hint of fear,
‘And I’m forbidden to hear it, for
It’s not for a woman’s ear.
They’ll **** me if they should find me here
For breaking their sacred law,’
She slid down over her seat, and sat
Her head down, close to the floor.

I climbed on out of the cab, and stood
Surveying the dark surround,
The whirring seemed to be closer now,
And the pitch went up and down,
An icy chill ran along my spine
As I saw a movement there,
Something slithering over the ground
Not far from where we were.

I froze in shock, and I held my breath
When I saw a pair of eyes,
Both the colour of rubies, and
Of quite enormous size,
And then I saw the head of the snake
As it ploughed a furrow, deep,
Its body the colours of rainbows, then
Miranda took a peep.

She said, ‘It’s the Rainbow Serpent,’
As the whirring sound went on,
Covered her ears and shut her eyes
And said, ‘It’ll soon be gone.’
I climbed back into the cab and locked
The door, and lay down flat,
Trembled in fear, I’d never seen
A snake as big as that.

The dawn was gradually breaking as
I took a look outside,
And there, where the ground had been quite flat
Was a creek, ten metres wide,
And water, straight from the Queensland rains
Was pouring over the land,
Sluicing along the new creek bed
Where before, there was only sand.

I’d never believed in the Dreamtime
Or the tales that the natives tell,
But somewhere the Rainbow Serpent roams
With eyes from heaven or hell,
We turned the nose of the jeep around,
Drove back to the town once more,
I’ll never return to the desert, where
You can hear the Bull Roarer’s roar!

David Lewis Paget
emily Jan 2014
even after all this time, your still, quiet form slumbering beside me never ceases to amaze me, those long eyelashes, longer than the length of my thumbnail, fluttering against my cheek still make my heart quiver, the essence of you lingering on my lips hasn’t failed to stay sacred to me.  all this time & the simple happenstance of your perpetuate presence warms me to the core.  i cannot, have not, will never take you for granted, not when your soothing silence is as captivating as when you speak, not when you are the most breathtaking discovery i continue to make day by day by day.  you have taught me how to savor, drink my coffee in slow sips sluicing down my throat, the pauses between swallows made for languid eye contact with you.  you have laid me down & loved me to breathy, shivering pieces, we have charted the topography of one another’s bodies with needing fingers, a little more “touch me” than i knew i could feel.  my head always races in labyrinthine circles but you slow it to a halt with your lips & skin & brimming heat.  i mean, maybe i’m a little broken, maybe even a lot, but with you, i don’t mind so much anymore.
ice Dec 2009
I ran through the fields, in search of things I love,
To the world, I would give, not once but twice, my soul.
Tasted the lies of joy and tales of dreams,
Made-believe, of painted scenes.

Baleful clouds would form, to cover the cheery skies.
The thunders roared and fired  with light.
Weary was my soul, as the rain, they would fall.
Sluicing my dreams, that I held with pride.
Revealing bare nakedness, of one astray and dried.

Stretched, before me, were the hands of a man.
The scares on his hands, seems like a man I knew.
Intimate, we were, in the days of my youth.
The nails held him not, to the tree, on which he died,
But his love . . . . again, was affirmed in me.

The tears that flowed freely down my face,
Was the moment I found my hiding place.
A sanctuary of hope,
Of acceptance and grace.
For the scares you bore, will forever be,
A testimony of love, that you have for me . . . .
Francie Lynch Dec 2014
We dredge secrets,
That's the start,
Panning love from art.
Our words wash over
Like sluicing water,
To clean the buried heart.

Crack the hard rock
To reach motherlode;
Veins enrich us,
With jewels to share.

Float to the summit
On romantic trysts;
Reclaim me from
An open pit
With deep drill
Diamond bits.

These small gems
We call poems
Are sweet as gold
From honeycombs.
betterdays Mar 2014
i stroke the water
with amphibian grace....
plastic protuberent eyes
bob up above....
then down below
.....disecting view
sky blue../...to aqualine
aquamarine.. black line

water sluicing off...
latex bundled, bumpled head
in streaming rivulets...
legs creating rhythmic geometrics....
arms parting waters to glide.........

my frogskinned self.....
is irregularly pattern
....dead fish white,
and sunkissed brown,
......on appendages
bright cerulean, slashed
with swirled  butter yellow.
.....wrapped across the
overotound body...

glide onward frog girl...
....through...
the crisp chlorine clean pond...
thoughtless.... except for stroke
and lapnumber.

we.... the army of lapsswimmer
frogs.... are a silent breed
our territorial sound/call is the
regulated plash of arm or leg
.....against surface water

as we swim....always....
in straight lines.....
......that etch away miles....
and
...our overindulgent..
land based......
...vices

we are the water monks .....
of penance and self improvement
....grimly discharging our vespered canon of strokes....
before fluidly lifting our... watersilked
bodies back onto the reality
of land ......leaving
our amphibian grace
                        ........adrift
....in the wake of daily need
bobby burns Jan 2014
your body is orange plastic,
the shade of wilted jack-o-lanterns,
l'ame is a disposable razor,
and your hair is my hair, severed,
i cannot place the bishop
on the opposing diagonal any more
than place you in or out of an awful dream:
each time you touch me, callous caress,
is a slit to pruned fingers,
the nightmare in water
sluicing through soggy skin
to balloon in my palms
clown's animals,
wrapped in drowning matter,
and burst.

i sometimes wish upon whatever **** rock'll listen
that my voice could stay the swells,
but most days i swell myself,
and stay to sing you storms,
precipitation is my forte
but you could always smell
the rain on its way.
thank you sadness, for your cleansing nature. thank you rain, for rinsing with sadness. all things are temporary and abundance abounds.
girl diffused Sep 2017
The first thing I do when I come back
Is try to tell you that he defiled me in some way
I don't tell you how his teeth pull on sensitive flesh
Beads of blood dribbling down his chin
Lackadaisical smile, predatory and darkly humored gleam in his eyes
His eyes are unfurling storm clouds
Every time he becomes angry his mouth sets in a thin line of grimness

I reach beyond that and try to pull out the man from fifteen minutes earlier
The one who grasped my hand during 2am joy rides to Taco Bell or McDonald's
Donuts in the parking lot as I squeal, childlike, content, euphoric, my body humming and buzzing with adrenaline
The man who kissed my forehead, early in the morning,
Whispered I love you against my temple, thinking I wasn't half-awake

The first thing I do when I come back
Is retreat into a head-space, monochromatic
I listen to the same songs on repeat
I leave my phone, unattended, on the lime-green desk
I flop onto my stomach on my bed
I conjure up fifteen messages in the span of two days and send them to him
No one is present to tell me to stop

The first thing I do when I come back
Is tell myself that he will drive to my house
White 2010 Charger idling next to my black and red mailbox
I can see him through my sheer off-white curtains
He'll peer up at me
I'll slip on my flats and rush downstairs
He'll pepper my face with butterfly-light kisses
Exclaim how much he loves me and misses me

The first thing I do when I come back
Is, instead, remember his hands pressing against my throat
The coldness of his eyes
Furrowed brow, dry lips, teeth bared
An animal stalking and conquering its prey
I am a fawn in the jaws of a wolf
His maw is bloodied
I am dying

The first thing I do when I come back
Is try to tell you this but you say it's my fault
I left, you say
I packed my bags angrily and impulsively, you say
I was ill, I reply defensively
You still left, you say
You still walked into it, you say

I feel his hands around my neck, mom
I feel his hands pressing the pillow down on top of my head, mom
I feel him smothering and choking me, mom
He wants me to ******* die
I feel his words scratching along the surface of my skull
I hear his voice slithering along, serpentine, cunning, sluicing through my bloodstream
I feel him everywhere
I feel him inside
I feel him invading me
I feel him roughly entering me, mom
I feel him not stopping
I feel his insistence and entitlement
It hurts, mom
I'm sorry
I'm ******* sorry

The first thing I do when I come back
Weeks later after I phone the domestic abuse hot-line
The call, recorded at approximately 1 hour and 22 minutes (a guess—shot in the murky proverbial dark)
Is phone him 28 times, convince myself he's really having *** with a coworker like he said
Convince myself that somehow in my addled brain he'll come back
I sit in the laundry room downstairs, open a bottle of Chlorine bleach
Contemplate drinking it
Scream until my voice is hoarse
Plead with him
Ask him
Wonder
Aloud
Why would you do this to me?
After four years...
Why did you do all of this to me?

The first thing I do when I come back
Is sit in a therapist's office about two to three years later
Tears pooling in my eyes
Gnawing on my lip
Worrying my dry hands
And say softly:

“I need help.
Help me dig his grave.
Help me lower the ******* coffin.
Please, help me bury the voice.”

I tell her what I couldn't tell you, mom
I tell her that he's still there
exulansis
n. the tendency to give up trying to talk about an experience because people are unable to relate to it—whether through envy or pity or simple foreignness—which allows it to drift away from the rest of your life story, until the memory itself feels out of place, almost mythical, wandering restlessly in the fog, no longer even looking for a place to land.
natalie anderson Mar 2013
STOP!
wading around in my oatmeal your feet are too big and i fear you'll break the bowl
mouthword form NASTY!vendettas
hot mud
sluicing through your fingers in and around the cup
SQUELCH!
drink it eat it smear it all over your face
DO NOT
hunt snakes for they will eat your brains like the paint you really are
in your ear
PILE DRIVE IT
get your anger out
be happy
feet make smiles on the floor
dancing away from you till you fall on your face
with a thump
OUCH
feet dancing on dragging all around the house
into the bathroom
down the stairs
BUMP BUMP BUMP
out the door
down the street
and into the oatmeal
GET OUT OF MY ******* OATMEAL!!!!!
all we want to do is eat your brains.
Isoindoline Oct 2012
There were times when
your voice was like
smooth soothing thunder
it rolled across my skin
made me shiver
as we slid under our sheets—

Other times we had
lightning in our eyes
that sparked
crackled
flared
lit up the room
always in harsh relief
tension allowed to build—

sheets became
torrents
sluicing over our skin
until we were tangled
in damp heat
mist rising off our bodies
and a gleam of sunlight
chose that moment to
refract—
Eiram N Jun 2017
still the melancholy tears
     drip on winds unbound,
slick silver needles cascading
          in sheets, the puddles'
   rippling waters reflecting
        dark erratic heartbeats
   punctured with jagged pain
    of another home again found,
  then bombed, and was disarrayed,
      but the sluicing drops impenetrable
in the velvet blinds of my umbrella,
  housing only warm lonely mortal tears,
tears of a maddening human heart.
When I cry for the pettiest of reasons I am reminded of my paltry irrelevance, how many people's hearts are bruised far worse than mine: those whose homes are ravaged by war and violence and brutal injustice, children unsheltered from all the cruelties in this world, and then I am suddenly aware of their tremendous suffering, and then I think, my tears shouldn't just be for mine own.
Evan Stephens Jan 2021
"If I cannot bend the will of heaven,
I shall move hell."

Meadows of blood
are sluicing from my arm,

& courts of lithium
are bottled neatly.

This stream within me,
the red subliminal, latent,

needs beating back.
The noon sun kicks uselessly.

Something happened,
it had nothing to do with me,

it had nothing to do with
quiet cancerous woe,

nothing to do with the
underside of my mind.

I am quiet in the chair,
the blood-taker smiles at me

through alcohol bouquet,
compliments a yielding vein;

the blood pours and pours,
aching with subconscious.
RC Feb 2015
To this day I smoke cigarettes in their names
a collection of men
admittedly women
that after settling too long
sit somewhere between memories and strain.
I don't burden myself with the weight of their names
though a few of their impressions have become deepening stains
bruising, blemishing the favorite spots on my brain.
Earliest versions of the story have found personal inches on my skin
before I grew up I learned to let it leak in
sluicing through veins
burning the moments of where I had been
in attempts to remind myself of what remains.
Phosphorimental Sep 2014
You’re too used to your blunted ways
Worn habits of reason is why you stay
So tired of hearing the same arcane
From a heart that cashes in on pain
Grab your Sufi sluicing pan,
Ya Allah, let’s pull the gold of soul by hand
From this parched and grinning desert creek
Sift the dust and graveled speech
Unlearn the ways you understood
Mine the vein, the pay is good.
Trade the bone china we can’t afford
For tin cans, wool, and a Damascene sword.
Rowan May 2019
It
It stood among no giants, no towers, no mountains.
Heedless to the wind, scattered without waving stalks and rusted leaves,
it chose to fall where it could not.
Jaded, perhaps, but not without sterling hands crafted to bellow.
A smattering of elbows chastised the woodpeckers pecking.
Ephemeral? Beautiful? Sober? Lassitude?

It fell among no gorges, no ravines, no swale.
Heedless to the rain, swamped in a dell without sliver streams,
it swelled up above the ratty woven sails.
Coarse, perhaps, but feather flew, vying for sky.
A copse of whitebark pine pillaged no battalions.
Mauve? Tender? Empyrean? Redolent?

It pattered among no small sorts, no ant hills, no chambers.
Heedless to the duke, sabotaged without sword, spear, stone,
it swallowed a hive of rabbits in no fields.
Desultory, perhaps, but not with quintessential ripples bent in space.
A harrowing panacea flourished in spindles of florid bristles.
Sempiternal? Susurrous? Honeyed? Irascible?

It churned among no whirlpools, no pots, no frosting.
Heedless to the maelstrom, sluicing in a myriad of slanted lanterns,
it chose to lure where it could not beguile.
Laconic, perhaps, but not without furtive gallows smoldering.
A candelabra of viridian mire spies spied genteel dragonflies.
Enormity? Enmity? Vestigial? Switchback?

It stood among nothing.
It stood enervated.  
It stood.
It.
Dave Hardin Nov 2016
Rainy Spring Morning

Rainy spring morning is older now
slower, less inclined to bound
up the down staircase or greet
dawn with a drop jaw slap
to the forehead, night
somehow no longer young, drinking
whole days in breathless gulps from a pail
knobby throat exposed, bobbing
lewd and naked, heedless
of a sopping shirt, unaware
exactly when he took to sipping primly
from the lip of the minute cup
a careful hand cupped to a careless chin
catching the gesture
in the window
above the sink
beneath the sleeve
of light that smears charcoal features
and quotes from windows past
the glow that drew him
on his way to school
tucked back in the shadow of huddled
trees, new leaves sluicing rain in whispers
onto the backs of sidewalk worms.  
Rainy spring morning twists the band
on his cudgel finger
mate to the one you wear
dialing in this hypnotic spell of molten gold
a boy for a moment  
lingering in front of a house
upturned palm catching creamy light
that runs through his fingers
and pools around his half buckled boots.
Emily Norton Sep 2015
Slowly fading drop by drop
Leeching out of my brain
Feelings of betrayal
Sluicing off like so much waste
Remy Luna Oct 2016
I do not know what I don't know enough of
To ask the right questions, for answers I'm
Unsure of
I know she lingers
In the lines between
Pages I haven't been permitted to read
In books I've never open'd in your chronology

It pains you, I know

She ripped bone from flesh
When she bequeathed
Your love together
Spent years sluicing her woes
Placing your own on the burner
Behind hers to simmer, left to fester
And when she left you behind

It broke you,  I know

There are bits and pieces
Missing fragments from a puzzle
I have yet to put together
The story of the lover who
Left shards of her memory
Scattered around the apartment
Where you lived together  
The place
Where I lay now next to you
Used to be hers.
A lot around here used to be,

You love me, I know.

But I can't help but question
Your insistence for holding onto
Her reminiscence
The shards of a life you're
No longer living
Is it too much agony?
To let it go?

It's hard to do, I know.

Let me soothe it for you.
You won't even need witness,
I'll remove her, any recollection
The very scent of her fragrance
The stain of her fingerprints
On your heart
Smudged away,

It won't take much, I know.

A bit of time
Patience I can spare
But you,
You just have to loosen your hold
On the shards,
Place them in my palms
Allow me this chance
To heal the fear inside you
Of being alone
Let me sink into those places
Where she left holes

I love you, you know.

I do not know what I don't know enough of
To ask the right questions, for answers I'm
Unsure of.
Suzanne S Jun 2018
I never say sorry when I mean it
Just vomiting it out into the clean ceramic
After a binge
Of misunderstanding and bone shaking rage
My stomach drops sorry into the moments where I need the screaming to stop
Sorry is a pacifier
A ramp onto the high road
anything I can say to be left alone
Conflict running like tracks leaving bruises over my body
Familiar as the desire to hide and never be found
Yet I am always the one who spills sorry
A snake handler under the bed again
Yesterday I was not sorry
and my sorry could not stop the water from sluicing down the drain to leave me shaken and shaking
in the bath
But your sorry, hours later, after the trees felled have sent the electricity wires writhing within me
After you have manned the tank and rolled over me only to reverse and do the same again
After I have prostrated myself for your flagellation that continues through the night
your sorry means This is over.
Your sorry is a demand for a sweeping brush and a rug, for untempered forgiveness.
And I am not sorry
That my answer is no.
Emily Norton Jan 2016
Slowly fading drop by drop
Leeching out of my brain
Feelings of betrayal
Sluicing off like so much waste

— The End —