THE LEGEND OF HOLLYWOOD IN VERSE
Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950's only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the entire poem and don't hesitate to know many interesting facts - which I also did not know! I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                 THE LEGEND OF HOLLYWOOD :
                        THE AMERICAN  DREAM
                             BY RAJ NANDY

           A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the 'persistent of vision'.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera; forming the Edison Trust, - a cartel that took control of
the Film Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights atarted to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from
New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost
365 days of the year!
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labour.

                        THE RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the areas abundant red-berried shrubs also known as
California Holly.
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see !
Hollywood was incorporated as a municipality in 1903, and during
1910 unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’, and has become a landmark and America’s cultural icon, and an evocative symbol for ambition, glamour, and dream.
Forever enticing aspiring actors to flock to Hollywood, hypnotised
by lure of the big screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honouring and encouraging excellence in all
facets of motion picture production.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the Critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbanks and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film got released in
1938 on the big screen!
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and
John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood.
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’,
‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  the Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s

BACKGROU­ND:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Eisenhower
succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

DEMAND FOR NEW THEMES DURING THE 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
She provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob.
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang,
      Let's rock,.................... (Lyrics of the song.)

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

BOX OFFICE HITS YEAR-WISE FROM 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Deaths During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY WITH FEW TITBITS :
From Fort Lee of New Jersey we have travelled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the  American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple,
who became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature
film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to
Hollywood later;
Between 1940 and 1947, made great thrillers like 'Rebecca', ‘Notorious’, ‘Rear Window’, and ‘Dial M for ******’.
But he never won an Oscar as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at
the 20th Century Fox Studio.
To award critically acclaimed films and television shows, by awarding a
Scroll initially.
Later a Golden Globe was made on a pedestal, with a film strip around it.
In 1955 the Cecil B. De Mille Award was created, with De Mille as its first
recipient.

THE GRAMMY AWARD:
In 1959 The National Academy of Recording and Sciences sponsored the
First Grammy Award for music recorded during 1958.
When Frank Sinatra won for his album cover ‘Only The Lonely’, but he
did not sing.
Among the 28 other categories there was Ella Fitzgerald, and Count Basie
for his musical Dance Band Performance.
There was Kingston Trio’s song ‘Tom Dooly’, and the ‘Chipmunk Song’,
which brings back nostalgic memories of my school days!

CONCLUDING HOLLYWOOD STORY  WITH STUDIOS OF THE 1950s

Challenge Faced by the Movie Industry:
Now the challenge before the Movie Industry was how to adjust to the
rapidly changing conditions created by the growing TV Industry.
Resulting in loss of revenue, with viewers getting addicted to
their Domestic TV screen most conveniently!

The late 1950s saw two studios REPUBLIC and the RKO go out of business!
REPUBLIC from 1935- ‘59 based in Los Angeles, developed the careers of
John Wayne and Roy Rogers, and specializing in the Westerns.
RKO was one of the Big Five Studios of Hollywood along with Paramount,
MGM, 20th Century Fox, and Warner Brothers in those days.

RKO Studio which begun with Fred Astaire and Ginger Rogers in the ‘30s,
included actress Katherine Hepburn who holds the record for four Oscars
even to this day;
And later had Robert Mitchum and Carry Grant under an agreement.
But in 1948, RKO Studio came under the control Howard Hughes the
temperamental Industrialist.
Soon the scandal drive and litigation prone RKO Studio closed, while
other Big Four Studios had managed to remain afloat!


PARAMOUNT STUDIO:
Paramount Studio split into two separate companies in 1950.
Its Theatre chain later merged with ABC Radio & Television Network;
And they created an independent Production/Distribution Network.
Bing Crosby and Bob Hope had been Paramount’s two biggest stars.
Followed by actors like Alan Ladd, William Holden, Jerry Lewis, Dean
Martin, Charlton Heston, and Dorothy Lamour.
They also had the producer/director Cecil B. De Mille producing high-
grossing Epics like ‘Samson & Delilah’ and ‘The Ten Commandments’.
Also the movie maker Hal Wallis, who discovered Burt Lancaster and
Elvis Presley - two great talents!

20th CENTURY FOX:
Cinema Scope became FOX’s most successful technological innovation
with its hit film ‘The Robe’. (1953)
Its Darryl Zanuck had observed during the early ‘50s, that audience  
were more interested in escapist entertainments mainly.
So he turned to FOX to musicals, comedies, and adventure stories.
Biggest stars of FOX were Gregory Peck & Susan Hayward; also
stars like Victor Mature, Anne Baxter, and Richard Wind Mark.
Not forgetting Marilyn Monroe in her Cinema Scope Box Office hit
movie - ‘How to Marry a Millionaire’, which was also shown on
prime time TV, as a romantic comedy film of 1953.

WARREN BROTHERS:
During 1950 the studio was mainly a family managed company with
three brothers Harry, Albert, and Jack Warren.
To meet the challenges of that period, Warren Bros. released most of
its actors like James Cagney, Humphrey Bogart, Oliver de Havilland, -
Along with few others from their long-term contractual commitments;
Retaining only Errol Flynn, and Ronald Regan who went on to become
the future President.
Like 20th Century Fox, Warren Bros switched to musicals, comedies,
and adventure movies, with Doris Day as its biggest musical star.
The studio also entered into short term agreements with Gary Copper,
John Wayne, Gregory Peck, Patricia Neal, and Random Scott.
Warren Bros also became the first major studio to invest in 3-D
production of films, scoring a big hit with its 3-D  suspense thriller
‘House of Wax’ in 1953.

MINOR STUDIOS were mainly three, - United Artists, Columbia, and
The Universal.
They did not own any theatre chain, and specialized in low-budgeted
‘B’ Movies those days.
Now to cut a long story short it must be said, that Hollywood finally
did participate in the evolution of Television industry, which led to
their integration eventually.
Though strategies involving hardware development and ownership of
broadcast outlets remained unsuccessful unfortunately.
However, Hollywood did succeed through program supply like prime-
time series, and made-for-TV films for the growing TV market making
things more colorful!
Thus it could be said that the TV industry provided the film industry
with new opportunities,  laying the groundwork for its diversification
and concentration;
That characterized the entertainment industry during the latter half  
of our previous century.
I must now confess that I have not visited the movie theatre over the last
two decades!
I watch movies on my big screen TV and my Computer screen these days.
Old classical movies are all available on ‘You Tube’ for me, and I can watch
them any time whenever I am free!
Thanks for reading patiently, - Raj Nandy.
**ALL COPYRIGHTS ARE WITH THE AUTHOR RAJ NANDY OF NEW DELHI

There are celebrities who people idolize.
They may not know it but it's wrong in God's eyes.
Jehovah God is the only one who deserves to be idolized.
This may anger some people and some may be surprised.
It's okay for people to respect celebrities and to be their fans.
But we should idolize only God and never any woman or man.
We shouldn't idolize people because it's a terrible sin.
If you idolize somebody, please let it come to an end.

Dear Readers, I have tried to cover the salient features of this True Story in free flowing verse mainly with end rhymes. If you read it loud, you can hear the chimes! Due to the short attention span of my readers I had to cut short this long story, and conclude with the
Golden Era of Hollywood by stretching it up to the 1950s only. When TV began to challenge the Big Screen Cinema seriously! I have used only a part of my notes here. Kindly read the
entire composition during your Spare Time dear Readers. I wish there was a provision for posting a few interesting photographs for you here. Best wishes, - Raj Nandy, New Delhi.  

                THE LEGEND OF HOLLYWOOD :
                      THE AMERICAN  DREAM
                              BY RAJ NANDY

               A SHORT  HISTORICAL  BACKGROUND
Since the earliest days, optical toys, shadow shows, and ‘magic
lanterns’, had created the illusion of motion.
This concept was first described by Mark Roget in 1824 as  
the persistent of vision.
Giving impetus to the development of big screen cinema with its
close-ups, capturing all controlled and subtle expressions!
The actors were no longer required to shout out their parts with
exaggerated actions as on the Elizabethan Stage.
Now even a single tear drop could get noticed easily by the entire
movie audience!
With the best scene being included and edited after a few retakes.
To Thomas Edison and his able assistant William Rogers we owe the invention of Kinetoscope, the first movie camera.
On the grounds of his West Orange, New Jersey laboratory, Edison
built his first movie studio called the ‘Black Maria’.   (1893)
He also purchased a string of patents related to motion picture
Camera;
Forming the Edison Trust, - a cartel that took control of the Film
Industry entire!

Fort Lee, New Jersey:
On a small borough on the opposite bank of the Hudson River lay
the deserted Fort Lee.
Here scores of film production crews descended armed with picture Cameras, on this isolated part of New Jersey!
In 1907 Edison’s company came there to shoot a short silent film –
‘Rescue From an Eagle’s Nest’,
Which featured for the first time the actor and director DW Griffith.
The independent Chaplin Film Company built the first permanent
movie studio in 1910 in Fort Lee.
While some of the biggest Hollywood studios like the Universal,
MGM, and 20th Century Fox, had their roots in Fort Lee.
Some of the famous stars of the silent movie era included ‘Fatty’
Arbuckle, Will Rogers, Mary Pickford, Dorothy and Lillian Gish,
Lionel Barrymore, Rudolph Valentine and Pearl White.
In those days there were no reflectors and electric arch lights.
So movies were made on rooftops to capture the bright Sunlight!
During unpredictable bad weather days, filming had to be stopped
despite the revolving stage which was made, -
To rotate and capture the sunlight before the lights started to fade!

Shift from New Jersey to West Coast California:
Now Edison who held the patents for the bulb, phonograph, and the Camera, had exhibited a near monopoly;
On the production, distribution, and exhibition of the movies which made this budding industry to shift to California from New Jersey!
California with its natural scenery, its open range, mountains, desert, and snow country, had the basic ingredients for the movie industry.
But most importantly, California had bright Sunshine for almost 365 days of the year.
While eight miles away from Hollywood lay the port city of Los Angeles with its cheap labor.

                        THE  RISE  OF  HOLLYWOOD
It was a real estate tycoon Harvey Wilcox and his wife Daeida from
Kansas, who during the 1880s founded ‘Hollywood’ as a community for like-minded temperate followers.
It is generally said that Daeida gave the name Hollywood perhaps
due to the area's abundant red-berried shrubs - known as
California Holly!
Spring blossoms around and above the Hollywood Hills with its rich variety,  gave it a touch of paradise for all to see!
Hollywood was incorporated as a municipality in 1903, and during
1910 had unified with the city of Los Angeles.
While a year later, the first film studio had moved in from New
Jersey, to escape Thomas Edison’s monopoly!    (1911)

In 1913 Cecil B. De Mille and Jesse Lasky, had leased a barn with
studio facilities.
And directed the first feature length film ‘Squaw Man’ in 1914.
Today this studio is home to Hollywood Heritage Museum as we get to see.
The timeless symbol of Hollywood film industry that famous sign on top of Mount Lee, was put up by a real estate developer in 1923.  
This sign had read as ‘’HOLLY WOOD LAND’’ initially.
Despite decades of run-ins with vandals and pranksters, it managed to hang on to its prime location near the summit of the Hollywood Hills.
The last restoration work was carried out in 1978 initiated by Hugh
Hefner of the ******* Magazine.
Those nine white letters 45 feet tall now read ‘HOLLYWOOD’,  has become a landmark and America’s cultural icon,
And an evocative symbol for ambition, glamour, and dreams!
Forever enticing aspiring actors to flock to Hollywood, hypnotized by lure of the Big Screen!

                     GOLDEN AGE OF HOLLYWOOD
The Silent Movie Era which began in 1895, ended in 1935 with the
production of ‘Dance of Virgins’, filmed entirely in the island of Bali.
The first Sound film ‘The Jazz Singer’ by Warner Bros. was made with a Vitaphone sound-on-disc technology.  (October 1927)
Despite the Great Depression of the 1930s, this decade along with the 1940s have been regarded by some as Hollywood’s Golden Age.
However, I think that this Golden Age includes the decades of the
1940s and the 1950s instead.
When the advent of Television began to challenge the Film Industry
itself !

First Academy Award:
On 16th May 1929 in the Roosevelt Hotel on Hollywood Boulevard,
the First Academy Award presentation was held.
Around 270 people were in attendance, and tickets were priced at
$5 per head.
When the best films of 1927 & 1928 were honored by the Academy
of Motion Production and Sciences, or the AMPS.
Emil Jennings became the best actor, and Janet Gaynor the best actress.
Special Award went to Charlie Chaplin for his contribution to the
silent movie era and for his silent film ‘The Circus’.
While Warren Brothers was commended for making the first talking picture ‘The Jazz Singer’, - also receiving a Special Award!
Now, the origin of the term ‘OSCAR’ has remained disputed.
The Academy adopted this name from 1939 onwards it is stated.
OSCAR award has now become “the stuff dreams are made of”!
It is a gold-plated statuette of a knight 13.5 inches in height, weighing 8.5 pounds, was designed by MGM’s art director Cedric Gibbons.
Annually awarded for honoring and encouraging excellence in all
facets of motion picture productions.

Movies During the Great Depression Era (1929-1941):
Musicals and dance movies starring Fred Astaire and Ginger Rogers provided escapism and good entertainment during this age.
“Ginger Rogers did everything Fred Astaire did. She just did it
backwards and in high heels,” - the critics had said.
This compatible pair entertained the viewers for almost one and
a half decade.
During the ‘30s, gangster movies were popular starring James Cagey, Humphrey Bogart, and Edward G. Robinson.
While family movies had their popular child artist Shirley Temple.
Swashbuckler films of the Golden Age saw the sword fighting scenes of Douglas Fairbank and Errol Flynn.
Flynn got idolized playing ‘Robin Hood’, this film was released in 1938 on the Big Screen.
Story of the American Civil War got presented in the epic ‘Gone With The Wind’ (1939) with Clarke Gable and Vivian Leigh.
This movie received 8 Oscars including the award for the Best Film, - creating a landmark in motion picture’s history!
More serious movies like John Steinbeck’s ‘Grapes of Wrath’ and John Ford’s  ‘How Green Was My Valley’, were released in 1940 and 1941 respectively.
While the viewers escaped that depressive age to the magical world
of  ‘Wizard of Oz’ with its actress Judy Garland most eagerly!
Let us not forget John Wayne the King of the Westerns, who began
his acting career in the 1930s with his movie ‘The Big Trail’;
He went on to complete 84 films before his career came to an end.
Beginning of the 40s also saw Bob Hope and the crooner Bing Crosby, who entertained the public and also the fighting troops.
For the Second World War (1939-45) had interrupted the Golden Age of Hollywood!
When actors like Henry Fonda, Clarke Gable, James Stewart and
Douglas Fairbanks joined the armed forces temporarily leaving
Hollywood.
Few propaganda movies supporting the war efforts were also made.
While landmark movies like ‘Philadelphia Story’, ‘Casablanca’, ‘Citizen Kane’, ‘The Best Years of Our Lives’, were some of the most successful movies of that decade.  (The 1940s)
Now I come towards the end of my Hollywood Story with the decade  of the 1950s, thereby extending the period of Hollywood’s Golden Age.
Since having past the Great Depression and the Second World War,  
The Hollywood movie industry truly matured and came of age.

                        HOLLYWOOD  OF  THE  1950s
Backgroun­d:
The decade of the ‘50s was known for its post-war affluence and
choice of leisure time activities.
It was a decade of middle-class values, fast-food restaurants, and
drive-in- movies;
Of ‘baby-boom’, all-electric home, the first credit cards, and new fast moving cars like the Ford, Plymouth, Buick, Hudson, and Chevrolet.
But not forgetting the white racist terrorism in the Southern States!
This era saw the beginning of Cold War, with Dwight D. Eisenhower succeeding Harry S. Truman as the American President.
But for the film industry, most importantly, what really mattered  
was the advent of the Domestic TV.
When the older viewers preferred to stay at home instead of going
out to the movies.
By 1950, 10.5 million US homes had a television set, and on the
30th December 1953, the first Color TV went on sale!
Film industries used techniques such as Cinemascope, Vista Vision,
and gimmicks like 3-D techniques,
To get back their former movie audience back on their seats!
However, the big scene spectacle films did retain its charm and
fantasy.
Since fantasy epics like ‘The Story of Robin Hood’, and Biblical epics like ‘The Robe’, ‘Quo Vadis’, ‘The Ten Commandments’ and ‘Ben-Hur’, did retain its big screen visual appeal.
‘The Robe’ released on 16th September 1953, was the first film shot
and projected in Cinema Scope;
In which special lenses were used to compress a wide image into a
standard frame and then expanded it again during projection;
Resulting in an image almost two and a half times as high and also as wide, - captivating the viewers imagination!

Demand For New Themes During The 1950s :
The idealized portrayal of men and women since the Second World War,
Now failed to satisfy the youth who sought exciting symbols for rebellion.
So Hollywood responded with anti-heroes with stars like James Dean, Marlon Brando, and Paul Newman.
They replaced conventional actors like Tyron Power, Van Johnson, and Robert Taylor to a great extent, to meet the requirement of the age.
Anti-heroines included Ava Gardner, Kim Novak, and Marilyn Monroe with her vibrant *** appeal;
They provided excitement for the new generation with a change of scene.
Themes of rebellion against established authority was present in many Rock and Roll songs,
Including the 1954 Bill Hailey and His Comets’ ‘Rock Around the Clock’.
The era also saw rise to stardom of Elvis Presley the teen heartthrob!
Meeting the youthful aspirations with his songs like ‘Jailhouse Rock’!
I recall the lyrics of this 1957 film ‘Jailhouse Rock’ of my school days, which had featured the youth icon Elvis:
   “The Warden threw a party in the county jail,
     The prison band was there and they began to wail.
     The band was jumping and the joint began to sing,
     You should’ve heard them knocked-out jail bird sing.
     Let’s rock, everybody in the whole cell block……………
     Spider Murphy played the tenor saxophone,
     Little Joe was blowing the slide trombone.
     The drummer boy from Illinois went crash, boom, bang!
     The whole rhythm section was the Purple Gang, Let's rock...

Rock and Roll music began to tear down color barriers, and Afro-
American musicians like Chuck Berry and Little Richard became
very popular!
Now I must caution my readers that thousands of feature films got  released during this eventful decade in Hollywood.
To cover them all within this limited space becomes an impossible
task, which may kindly be understood !
However, I shall try to do so in a summarized form as best as I could.

Box Office Hits Year-Wise From 1950 To 1959 :
Top Ten Year-Wise hit films chronologically are: Cinderella (1950),
Quo Vadis, The Greatest Show on Earth, Peter Pan, Rear Window,
Lady and the *****, Ten Commandments, Bridge on the River
Kwai, South Pacific, and Ben-Hur of 1959.

However Taking The Entire Decade Of 1950s Collectively,
The Top Films Get Rated As Follows Respectively:
The Ten Commandments, followed by Lady and the *****, Peter Pan, Sleeping Beauty, Bridge on the River Kwai, Around the World in Eighty Days, This is Cinerama, The Greatest Show on Earth, Rear Window, South Pacific, The Robe, Giant, Seven Wonders of the World, White Christmas, Twenty Thousand Leagues Under the Sea, Sayonara, Demetrius and the Gladiator, Peyton Place, Some Like It Hot, Quo Vadis, and Auntie Mame.

Film Debuts By Rising Stars During The 1950s :
The decade of the ‘50s saw a number of famous film stars making
their first appearance.
There was Peter Sellers in ‘The Black Rose’, Marlon Brando in
‘The Men’, and actress Sophia Loren in ‘Toto Tarzan’.
Following year saw Charles Bronson in ‘You Are in the Navy Now’,
Audrey Hepburn in ‘Our Wild Oats’, and Grace Kelly, the future
Princess of Monaco, in her first film ‘Fourteen Hours’. (1951)
While **** Brigitte Bardot appeared in 1952 movie ‘Crazy for Love’; and 1953 saw Steve Mc Queen in ‘******* The Run’.
Jack Lemon, Paul Newman, and Omar Sharif featured in films
during 1954.
The following year saw Clint Eastwood, Shirley Mc Lean, Walter
Matthau, and Jane Mansfield, all of whom the audience adored.
The British actor Michael Cain appeared in 1956; also Elvis Presley
the youth icon in ‘Love Me Tender’ and as the future Rock and Roll
King!
In 1957 came Sean Connery, followed by Jack Nicholson, Christopher Plummer, and Vanessa Redgrave.
While the closing decade of the ‘50s saw James Coburn, along with
director, script writer, and producer Steven Spielberg, make their
debut appearance.

Death During The 1950s: This decade also saw the death of actors
like Humphrey Bogart, Tyron Power and Errol Flynn.
Including the death of producer and director of epic movies the
renowned Cecil B. De Mille!
Though I have conclude the Golden Age of Hollywood with the 50’s Decade,
The glitz and glamour of its Oscar Awards continue even to this day.
With its red carpet and lighted marquee appeal and fashion display!

CONTINUING THE HOLLYWOOD STORY  WITH  FEW TITBITS
From Fort Lee of New Jersey we have traveled west to Hollywood,
California.
From the silent movie days to the first ‘talking picture’ with Warren
Bros’ film ‘The Jazz Singer’.  (06 Oct 1927)
On 31st July 1928 for the first time the audience heard the MGM’s
mascot Leo’s mighty roar!
While in July 1929 Warren Bros’ first all-talking and all- Technicolor
Film appeared titled - ‘On With The Show’.
Austrian born Hedy Lamarr shocked the audience appearing **** in a Czechoslovak film ‘Ecstasy’!  (1933)
She fled from her husband to join MGM, becoming a star of the
‘40s and the ‘50s.
The ‘Private Life of Henry VII’ became the first British film to win the American Academy Award.  (1933)
On 11Dec 1934, FOX released ‘Bright Eyes’ with Shirley Temple, who  became the first Child artist to win this Award!
While in 1937 Walt Disney released the first full animated feature film titled - ‘Snow White and the Seven Dwarf ‘.
The British film director Alfred Hitchcock who came to Hollywood later;
Between 1940 and 1947, made great thrillers like ‘Rebecca’, ‘Notorious’,‘Rear Window’, and ‘Dial M for ******’.
But he never won an Academy Award as a Director!

THE GOLDEN GLOBE AWARD:
This award began in 1944 by the Foreign Correspondence Association at

Betwixt of any sense beyond experiment, I sat on the bed between shifts and out-whipped the bag of Concerta given to me by Matt, o'timey hard-worker-soft-souled Matt, who felt, perhaps, that I had a legitimate reason to explore this legal avenue of pharmaceutical mind-manipulation for reasons he would rather fathom in retrospect. I popped a single pill, and voilà, the legal-cocainnabinoid began to flow between my red and white blood-cells playing cops and robbers.

It is when I feel nostalgic that I feel the need to write. I remembered, at work, with all those strange everyone-elses faces gliding past (and myself annoyed at the general lack of positive reception "Hello there!" "h .. i ." is one sour-looking businessmans sultry whispered reply.. once, a woman told me 'look, I know that you are told to say hello at the door to everyone who enters, but I don't like it. I just want to shop in peace, and no, I don't need any help' and without case to what my managers could say, I somewhat-hissed-back, "if you don't want to be greeted, then perhaps you shouldn't walk into big private corporate establishments to find the books you're looking for," and she shrugged and muttered some ****-talk under her breath and glided upstairs to find a copy of Ayn Rand's Fountainhead or Machiavelli's The Prince to validate her bitter attitude, I bet, the sour witch), my time spent living in that backwater Esso suburb of Port Coquitlam back in 2011 when Occupy Wall Street was still a hungry potential, not yet bogged down in procrastinates over herbal teas and talk of chakras and enlightenment and how the typical Wall Street businessman probably never had a real ****** and hence had never truly satisfied the energies now burnt-to-crisps inside his Root Chakra or whathaveyou, where I believed I would find a better, more interesting world further from the musty-smallness of forest-drenched rain-drenched Powell River, only to discover I may be right outside my front door, but that's EXACTLY where I was, no further than right outside my front door.. I mean, for Goddaskes, I was born in Vancouver, this isn't a culturally-shocking move to New Delhi or Kathmandu--- and so on and so forth is how I once berated myself thru constant cycling thoughts of no-escape, I, a little walking hell of devils-advice and panic disorder-- the Great Big Port City of George Vancouver only succeeding in further overwhelming my already delicate attempt at false optimism thru self-voided Buddhist smalltalk as I travelled from bookstore to bookstore reading Alan Watts in shady attempts to save-myself but only digging my walking grave even deeper into the soil of feared-insanity.

Port Coquitlam itself was a small-town wearing a business suit and holding hands with an angry father forcing him to college for computer networking as it's the most economically viable market at hand.. at first, I did not see this. I saw my idolized imaginings of Vancouver (never Port Coquitlam), the shining water-reflected skyline of my past and present legacies, where my father once snorted ******* with a bohemian group of someones, and my mother tried LSD just to prove to her friends how bad it was (and lo and behold, what a terrible time she had!), all this Otherness, Strangeness, yet still Connected-- an Otherness with which I was taken, left to whisper into empty Campbell's cans so-as to speak with the city from a distance, two children growing older together 'til my inevitable return and our agreement to share costs on rent.

I returned, as planned. I returned, and found that old-best-friend hating the Homeless and loving the Rich-- spending time with the Peppy Plutocracy whilst enslaving the Middle Classes (first Letter Capitals to Assist YOU in Grasping my Anger with All Five Thumbs) and the horrors I saw in my already delicate state, all the starving addictives slouching-inching down the sides of ***** old walls, the only thing missing a smear of blood to follow their corpseish collapse, all just footnotes to history, footnotes to wealth and progress-reality, all footnotes with no shoes O my God O my Goodness and O Canada, Our Home and Native Land!

It hurt like it did, but I felt powerless and gaited. Felt like it were just as well me (*** it just as well is), I, in Vancouver.. *Great Big Port City of George Vancouver.. saw the end-stretching-cold-legs of Nietzsche's Dead God.. those in cutthroat-black-suits armed with calculators and wives could afford private jets and yearly trips 'round our globular strangeness whilst others had to beg and berate and debate and break-down to get a crummy old bagel and a past-due mostly-empty jug of old milk and perhaps a 'side of fries with that order.'

What crushed me so much about this playing a Witness to God's Death (or, not so much a 'witness' as a relative asked to the morgue to identify the body) was my intuitive grasp that this is the poverty of the First World.. this is not as bad as it gets and on a scale of 1 to 10 this would only be a 3.. all the poor and displaced of Eastern Europe.. Moldovan families indifferent to the whims and what's taken.. someone called me a Socialist and said I would later grow out of it as 'reality' angled its rearing-ugly head to chop me smithereens like it did so mercilessly to the Poor and Irrelevant.. I looked at them and still look at people like them and think 'that is evil unsure of itself.. that is evil unaware... that is evil and evil is  evil to watch..' the Evil Act being the use of Money to purchase the world, demanding us all to pay royalties (mass royalties) for the privilege of life so afforded by them.. (the Sons and Daughters of God first stabbing their father then stabbing themselves then locking away and ignoring their young brother with cerebral palsy '*** he could never be armed with a calculator, nor wife)..

I learned, thru practice, to cope with these evils as laws-for-now. Coping did not mean tolerance, nor did coping mean agreement.. I had charged at life expecting hugs and bottles.. what I got was hugs and bottles.. all while I watched over the shoulder of whoever embraced me and saw young-others doing the same, where are the hugs and bottles..? they sank into the nether as the crowd ebbed past, ignoring the cries of pleading love, pleading love over time so traumatised as to distort this love (so inherent and implied in the Heart) into confusion, confusion into loss, and loss into hatred.. as the crowd ebbed past, the crowd ebbed past..

After 3 and a half months, I moved back home to Powell River.. the soggy ol' calm of what I already knew.. the warm arms of the rest, the warm arms of water-reflected sunsets.. and I got my hugs and bottles.

but was this really a happy ending?

Upon idolized lips I gander
Such flesh quite pleasurably divine
Within their hymns I seek to pander
Upon idolized lips I gander
Brandishing lustful hints of banter
An appetite dawns for your design
Upon idolized lips I gander
Such flesh quite pleasurably divine

Hell no, you don't want to be compared to one of those models idolized in magazines.
True beauty lies outside the fashion industry’s visual constructions.
Fall in love with what you never expected to love, imperfection.
Brand-less self expression.
There are no cameras or flashing lights there
or visual effects.
We come in different range of sizes.
Shame on shallow marketing.
A pretty face can have nasty vices.
Hearts of Gold, now those aren't sold.
- C.Ek

I try to close my eyes
Because when they are open I tend to realize
things I hate to admit but that I despise
To me it is no surprise
to see the division on each side
Stereotypes are being idolized
Human beings are not being individualized
not being identified
Just stamp them with a number
222-33-4444
Send them to school to make them
Smarter
but dumber
to the reality
They take the unbalanced lead
of what stares at me
but moves passed me
I am followed by the past me
Inevitably,
we are
who we are destined to be
Because of what was taught to me
I have chains on my wrists
in this country
but they say I am free
while they distract me
subtract me
yes, me
but you too
Because we are one but we are two
Unity
You and me
me and you
Don't lose yourself
if you are lost, I am too

My sassy gay friend
Is not an accessory
When you go rooting through the closet and find him
Lacing straight ties into chains
Do not think that he will complete your outfit
Just because a rainbow holds the hues that you were looking for
Haven’t you seen that bruises also bloom in shades of purple and blue
Fading into green and yellow
With red far too often escaping veins that are supposed to hold it in
Haven’t you seen what marks us
And brings our identity to the surface of our skin
When closet doors are slammed too often against our hands
My sassy gay friend
Is not a decoration
You do not get to wear him at your hip
To flaunt your acceptance
And claim symbiosis
As if he needs you to navigate the streets of heteronormativity
Cutting short his words when communication is the best thing we have
And when speaking fails us we resort to spending an afternoon
Sending smoke signals into the sky
Waiting for security in the focus that it takes just to
Breathe
My sassy gay friend
Is not a collectible
You do not get to gather us up into a complete set
To line us neatly in an array
Of rarities and charities
And alternative identities
Until you feel sufficiently well rounded
In your attempted diversity
My sassy gay friend
Is not an icon
A token character
Or comic relief
My sassy gay friend
Is not meant to be romanticized
Idolized
Or fetishized
He is human
I am human
You are human
And if we see each other as sparkles and rhinestones
We're all going to lose all the value
That can't be found on price tags

I sit back on the computer,
Browsing through the pages of those I grew up with
Those people who thought they knew everything about me
I sit back and see what they’ve made of themselves

This girl is single, living alone with her four cats
This other girl now has two kids, unmarried and no degree
This girl is engaged to her high school sweetheart, yet they don’t look happy
This other couple broke up, wait they’re back together, nope spoke too soon
This guy is working at the local supermarket, never went to college after his arrest
This guy gained a few pounds, no longer the star athlete
This guy dropped off the map

See being the quiet girl, I learned secrets
I knew the deepest secrets of every single one of these people
Because while they sat in the back of the room chattering on about their so called problems
I was sitting in the front,

Listening

This girl had two boyfriends, and even more flings
This girl slept with four guys in one night
This girl’s boyfriend cheated on her, over and over again
This couple would sneak off in between classes, during lunch, or school assemblies
This guy was the trophy child, who gave away free drugs to his friends hidden inside pens
This guy was the quarterback; everything handed to him on a golden platter
This guy was the school stud who was hiding a relationship with his boyfriend by sleeping with every girl he could

Back then I listened because I wanted to feel apart of something bigger
I wanted to be one of them,
I wanted to be invited to all those weekend bashes
I wanted to be the girl people felt awed by, inspired by, idolized
I wanted to be part of the “in” crowd

So I stood there, day after day
As they teased me
Berated me
Shattered my confidence
Tearing apart everything I was
Telling me I would never amount to anything
Telling me I was fat, ugly, stupid
That I unworthy of love
Telling me…

I

Was

Nothing




Let them tell me that today
I see everything of what they have become
Those people I wanted to be are no longer there
Their confidence shattered by reality

The best days of their life ended the day they left high school

Mine on the other hand are just beginning
I am the girl who is wanted
I’m the girl who can go wild
I’m the girl who can be passionate
I’m the girl who is adventurous
I’m the girl who brings pride
I’m the girl who is the athlete
I'm the girl who travels the world
I’m the girl who is unashamed of who I am

Because by pushing me out
My oppressors gave me everything I needed
The strength to try
The courage to dream
The ability to think
The confidence to be unique
Independence to thrive
But more than anything
My oppressors gave me desire

Desire to be more than they believed I could be

Even though false idols like Baal no longer exist, many people still idolize things today.
These people idolize money and *** when they should only idolize Jehovah God always.
God is offended when people idolize things other than him, it's something that he hates.
If you're such a person, you'd better change because it's something God won't tolerate.
God is the only one who should be idolized, not other wicked things.
People who idolize anything other than God had better watch out because disaster is what it will bring.

It is more important to love than to be loved,
It is more important to be loved than to love.
It means more to care than to be cared for,
It means more to be cared for than to care.
It is more meaningful to think of someone than to be thought of,
It is more meaningful to be thought of than to think of someone.
It is purpose that gives my life meaning,
It is life that gives purpose a meaning.
Is it myself that makes me feel alive,
Is it you that makes me feel alive.
What is it?
The word it…
What is the word “it”?
It is better to be idolized than to idolize,
Is it better to idolize than to be idolized.
It is satisfying to influence the world,
Without the world influencing you.
It is, It is.
I am sure of it.

Dear Mama, you taught me well,
but that's something I'd never tell,
cause complacency is what you preached,
so silence is what I reached.

Mama, you taught me well,
to sit and fiddle, do not wail,
but my emotions are worth much more,
when they aren't hidden behind the door.

Mama, you taught me well,
wishing for naught, I let myself dwell,
and so I idolized all the wrong people,
and followed demands like sheeple.

Mama, you taught me well,
to allow myself to mask my yell,
my tears, my frigid fears, my feelings unspoken,
when my heart lay here so broken.

Mama, you taught me well,
to lock myself into my own cell,
and now I feel I need release,
my soul deserves to be at peace.

Dear Mama, you taught me well,
but this sort of life I wish to quell,
and so I say I must change,
your lessons to me, estrange.

If I was a celebrity, I wouldn't want to be idolized.
You may think that is dumb and you may be surprised.
But God is the only one who deserves to be the people's idol.
Worshipping him isn't only the right thing to do, it's also vital.
If I was a celebrity who people idolize, I would ask them not to idolize me anymore.
God is the only one who should be idolized because in the end, he will be our savior.

Elven Heritage
Purity Healing Sphere Carriged In
Sacred Mystical Kin Hint Of A Faerie Mist
Purified Language In
Telepathy With All Interdimesnonal Beings
Love Hugging The Trees
Its Where We Peace
Its Where We Eat
Dance & Sing
Healing Passion Fullfiling Gatherings
Fairys Swing
One Touch From Us Is A Rush
Enough To Make An Angel Blush
All Disease Crushed Into Dust
Whipped Up Into Thus
Purified Trust
Declair Clean Air Is A Must
Our Eyes Are Idolized
Pure Manners Inside
Anything Less Than Love It Flys
Where Its Free From Disguise
Vibrations Rise Then Dies
I Am Elven Folk
My Dearest Heart
Wheeps When You Leave
Until Your Return
I'll Be Gentle When Bleeding Screams
We Are Here To Heal Call Up
Elders Silver Will

i'm writing this letter for you.
you in the other room, i hear you through the wall,
talking
to yourself,
telling yourself secrets you never believe.
i have some i'd like to spill,
but every time i try,
the walls soak them up like
white cotton and
black ink.
i'd like you to hear something other than your own voice
and maybe you can hear me when
you read.
you brought me here.
took me with you when you left like
a trinket,
a memento of home,
something to hold in the night when regret is like
a knot of snakes
in your gut.
ibd driving you
to tangle limbs with another;
a facsimile of love
driving me.
i think now it was less love and more addiction.
less love and more stockholm syndrome,
a disorder i cultivated
to have a reason to stay with you, with you,
the most beautiful sledgehammer
i've ever seen.
euphonious dynamite.
you are thumbtacks in my eyes and dry clouds above my desert,
you drop through me like lead:
you are a pneumatic drill and i
am a porcelain doll,
a quail's egg
you shatter me and i know
i never had a chance -
who bets on a dead horse?
who spends all their faith on a pantheon
that rots as they watch.
you desiccate me decimate me and i let you.
you are a world war in the body of a girl,
and i am naught but
cannon fodder
and cotton mouth i read you poetry but the walls swallowed my words
and all you heard was breath
(isn't that enough that should be enough,
a gust of wind
a breeze;
and the spirit is nothing but air,
pneumatic:
cavitied and consecrated.
the walls swallowed its manifestations,
but you
felt my spirit on your skin)
but i am not
enough
you are tire tracks on my abandoned road and you
brought me with you whenever you ran and
never believed me when i told you that
(not every problem can be solved with a map
spread on the dashboard).
you don't care about solutions,  
though,
just avoidance and denial and
distraction,
you treat every vagrant
like god in disguise
you take every hitchhiker into your heart and carry them like tumors,
infirmity is contagious.
a gift the bodies share.
from you i received
an atrial septal defect;
a hole in my heart,
leaking  blood.
from you i received dysthymia and
a martyr complex.
from you i received knowledge:
[one: nobody is strong,
but some have reinforced their bomb shelters
with their own bones.]
[two: a baby doll, baby girl
thick wrists,
sick recurring pain in the form of mirrors,
bathroom stalls and naked form]
[three: a gasmask can't protect you from the poison in your veins.
believe me,
i tried]
[four: the gaps between your bones
will one day be filled
and you will feel whole]
[five: the blue lips of a deep sea diver
should not be idolized.
the only surgeries you perform should be on your own heart
so you wound no one but yourself
when your hands
shake.]
[six: i tried, i promise,
i tried,
i tried]
you are false sermons and i am a believer you are thumbtacks in my eyes and lightning flowers on my back.
when i perform self-surgery,
i will bisect my heart

take it with you when you run
i will stay behind
and speak to the walls.

The Last Poem of Rizal

Farewell, my adored Land, region of the sun caressed,
Pearl of the Orient Sea, our Eden lost,
With gladness I give you my Life, sad and repressed;
And were it more brilliant, more fresh and at its best,
I would still give it to you for your welfare at most.

On the fields of battle, in the fury of fight,
Others give you their lives without pain or hesitancy,
The place does not matter: cypress laurel, lily white,
Scaffold, open field, conflict or martyrdom's site,
It is the same if asked by home and Country.

I die as I see tints on the sky b'gin to show
And at last announce the day, after a gloomy night;
If you need a hue to dye your matutinal glow,
Pour my blood and at the right moment spread it so,
And gild it with a reflection of your nascent light!

My dreams, when scarcely a lad adolescent,
My dreams when already a youth, full of vigor to attain,
Were to see you, gem of the sea of the Orient,
Your dark eyes dry, smooth brow held to a high plane
Without frown, without wrinkles and of shame without stain.

My life's fancy, my ardent, passionate desire,
Hail! Cries out the soul to you, that will soon part from thee;
Hail! How sweet 'tis to fall that fullness you may acquire;
To die to give you life, 'neath your skies to expire,
And in your mystic land to sleep through eternity!

If over my tomb some day, you would see blow,
A simple humble flow'r amidst thick grasses,
Bring it up to your lips and kiss my soul so,
And under the cold tomb, I may feel on my brow,
Warmth of your breath, a whiff of your tenderness.

Let the moon with soft, gentle light me descry,
Let the dawn send forth its fleeting, brilliant light,
In murmurs grave allow the wind to sigh,
And should a bird descend on my cross and alight,
Let the bird intone a song of peace o'er my site.

Let the burning sun the raindrops vaporize
And with my clamor behind return pure to the sky;
Let a friend shed tears over my early demise;
And on quiet afternoons when one prays for me on high,
Pray too, oh, my Motherland, that in God may rest I.

Pray thee for all the hapless who have died,
For all those who unequalled torments have undergone;
For our poor mothers who in bitterness have cried;
For orphans, widows and captives to tortures were shied,
And pray too that you may see your own redemption.

And when the dark night wraps the cemet'ry
And only the dead to vigil there are left alone,
Don't disturb their repose, don't disturb the mystery:
If you hear the sounds of cittern or psaltery,
It is I, dear Country, who, a song t'you intone.

And when my grave by all is no more remembered,
With neither cross nor stone to mark its place,
Let it be plowed by man, with ***** let it be scattered
And my ashes ere to nothingness are restored,
Let them turn to dust to cover your earthly space.

Then it doesn't matter that you should forget me:
Your atmosphere, your skies, your vales I'll sweep;
Vibrant and clear note to your ears I shall be:
Aroma, light, hues, murmur, song, moanings deep,
Constantly repeating the essence of the faith I keep.

My idolized Country, for whom I most gravely pine,
Dear Philippines, to my last goodbye, oh, harken
There I leave all: my parents, loves of mine,
I'll go where there are no slaves, tyrants or hangmen
Where faith does not **** and where God alone does reign.

Farewell, parents, brothers, beloved by me,
Friends of my childhood, in the home distressed;
Give thanks that now I rest from the wearisome day;
Farewell, sweet stranger, my friend, who brightened my way;
Farewell, to all I love. To die is to rest.

I was forced to sit upon a bench before a marbled statue in an art museum. Through patience and boredom, I traced over the figure before me. It was a woman. Her skin appeared so smooth, and her existence so intentional. She was draped with sheer fabric. How one carves sheer fabric from marble stone, I would never know. She looked so beautiful and at peace. Was I at peace? I mentally scanned over myself. I felt the nervous pumping of my heart and heard the carbonic shuffling of the toast I had eaten prior. I glanced, but not too obviously, at my fingers and the hands they were attached to. I could see the tangled roots of blue crawl between each other and the millions of cross hatched lines overlaying. I looked back up at the marble person. She had no pumping or shuffling. No crawling or cross hatching. She was silken and at rest. I tried to mimic her. I held in my place. Unmoving, unthinking, just being. But the more I tried, the worse I heard my heart and the worse I felt my stomach. I heard my thoughts and my chest rise and fall. I was cursed. I wanted to be like the woman. But my homeostatic existence forced me to continue. I held my mind as I stared at the statue with envy. What an existence to live. Pure, uninterrupted stasis. True stasis. She only moved when moved by others. And even then, she was at rest within herself. No knowledge outside of her oneness. I looked inward again. I was forced to be here. I was forced to be brought here and forced to be taken away from here someday. No one even thought to ask me about the matter. Time is so limited. And here I was. Forced to be here and forced to be here, looking at this woman with more than I could ever have. She was beautiful, spending everyday within a single place being praised by liberal art students and school children who pass through this atrium, even though she did not exist for them. She existed for herself. She stayed within herself, her own scope. Unbound by time or place in her mind. Yet, we all were lucky enough to have witnessed her within her unboundaries. After brushing over her several thousand times, I noticed a chip within her pedestal. I became silently aggravated at the prospect of some lazy dolt who was given the honor of moving her to only do so uncarefully, or an ungrateful adolescent bored amongst the halls of everlasting pieces of geniuses’ minds. But that was just it. They weren’t everlasting. Not really. Not even she, as her perfection captivated for millenia. For the first time, I felt I was her, and she was me. As she has been idolized for her beauty, such as I for the people who loved me. She had a history, as did I. We both have texture and features of difference, but we were to lie in the same bed someday. I would fall asleep much sooner than she, but all things must lay to rest. Even if she spent her entire worldly being in protection, she would still be brought to a close with the setting of the Universe. Two immaculate sisters saying farewell, both so vastly different yet frustratingly the same. Though for both, the daughter of mass and the daughter of time did not cross each other’s paths. They merely felt one another through the beings within and around them that occupy the other. Mass felt time around her, as time felt mass within her. And thus, were one, with no knowledge of the other. I took the first breath I had acknowledged since I first sat on this bench. My eyes attempted to adjust to farther focal points of the rest of the building once I finally pried my gaze from the woman. So many other beautiful beings existed in this singular space that I had no idea about until now. I wanted to spend my time with them, before they had no more time to spend with me. A woman came out of the door to my left. She asked me if I was here to interview for the security guard position. I nodded. She invited me to follow her into the room, and I did just that.

In their blind bid
To become westernized,
They lost touch with reality
Created shadows of themselves
Despised their own intrinsic values
Embraced a twisted dress sense
Of fallen pants and revealed underpants
Idolized everything they're not
The good, the bad, the ugly
They birthed dual personalities
Picked up foreign accents
On ****** home-based passports
The American Dream, they call it,
As they wear winter jackets
In scorching African sun
All in the name of fashion
Trading our simple hues
For complex shades unknown
Bleaching skin and hair
Trading natural black for artificial white
Unaware the very gods they adore
Are tanning theirs to look darker
Insecurity drives them mad
Inferiority complex overtakes them
As they ban mother tongues in offsprings
Placing exotic tongues on pedestals
At the expense of our cultural future.

This is not an attempt at poetry
This is wake up call to Africa
Be bold, be proud, be black!
You are BEAUTIFUL!!
You are AFRICAN!!!*


© Raphael Uzor

While the children play in the sun, it'll be all the children but one,
the shadow girl will hide away secretly decorating a place to stay.
Once so perfect, once so pure, a girl unlike others idolized by all,
Now so flawed, now so dark, a girl who hates to see the flying lights.
Everything earned, everything wanted, served in silver before her,
she wanted more, dying of hungry yet plain the dishes become.

Eyes so sweet, eyes so tender, chocolate smothered care,
lids with wrinkles, stares so bitter, a turn for a worse in smoke tears.
Love so true, written in stone, italic figures and wonderful notes,
lies so deep, they cut in more, artificial bodies and agony with all.

Drawings so neat, effects so clear, strong plus confident all in one,
scribbles on paper, ripped and torn praying 'a few pictures more'.
The reflection, the reflection its coming to me, whispering so sweet,
tenderly, it screams down my ears and looks me in the eyes, shouting "No, this can't be your life."

Broken roads, dusty concrete, nobody to be seen,
in this world of isolation, the only person I see,
is the girl of shadows and she's looking back at me.

Humanity is tainted and now leaking everywhere
In a world where people jump out
airplanes after stacks of money
To a din of sirens blaring,
War drums thrumming
Funny you'll do nothing;
It's a racket designed to create the distraction

To the hidden monsters flying in the night sky
Ever secure, beneath a crux of watchful eyes
Masters of disguise bend your will to their lies
Subconsciously shapeshifting acquiescence in the absence of light

They operate in obscurity
Conglomerates of impunity
Urgency manifests necessity
With a propensity for depravity
Slaves lulled to a fake sense of security with false promise of luxury
Compulsively regurgitating propaganda in delusory quandary
Happy little sheep march willingly to the teeth of the Serpent machine

Ominous omniscience mixes with
Sensations of bodilessness
In a state of godlessness
Whenever my conscious surfaces in this clandestine system
I sell my soul to purchase debt and let repercussions fall upon my children
A paradigm; with no ethics the center is an idol,
and the world had forever idolized the god money, Belial

Imagine
A carnival pageant, with parades of tyrants tirading
and masquerading on the world's stage as lavish savages

With overwhelming power in hand,
I'll bring an end to it all
If you gaze for long into the abyss
It will stare back into your soul

Pay homage to barrages of sacred false knowledge/unacknowledged
It lodges to your consciousness as it takes you hostage
You think you're open-minded but suffer from mental spillage
Then brain begins hemorrhaging like a glitch in the matrix

Global massacre is imminent
Our abandonment's no accident
Caricatures of government act as the Devil's advocates

Insane It's us against them
Zionist Superfriends deciding trends
designing and framing an outline of the endgame just for sh¡ts-n-gigs
Hands reach through the tapestry pulling you in and unrelenting,
Secretly from behind the scenes

Portraits of dishonesty
Stripping you of all life and liberty
Symphonies of screams
systematize in perfect symmetry
Enslaving and slaying humankind -
They've exacted brainwashing
to the science of chemistry
And mold your mind
with the subtlest alchemy

Media blackout;
Credits tapped out
Better act now
before the stock markets
collapse down

What's your plan when **** hits the fan,
will you follow The Man or fail condemned?
Now bow at the feet of the ministry of tyranny,
Head lowered in defeat *preparing for the guillotine

Suicide was never the answer to your temporary problems
And now I read about your death through the newspaper columns
" teen boy found dead with suicide letter..."
I believed you when you said you were feeling better...

This poem is for the suicidal boys that never get recognized
Suicide is never the right thing to idolize!
Put down the razor, or your item of torture
You get pushed passed your limits, and it hurts, sure...
But that doesn't mean you can't make it through your temporary problem
Do you really want to be idolized through the newspaper column?

Two o'clock sober
might still be hungover
you're begging for my tongue while I beg for your love.
I never thought I'd love like this,
one-sided and founded on ever unstable lust. I shouldn't even call this love,
I think it's love and I think you're just in it for a ****. Writing
poems about you is "hard" because I can't admit
what I can't bring myself to say out loud. You told me your secrets
and I swallowed the seeds, letting your admissions
bloom inside of me.
How could I have been so stupid? I should have known
you would plant a garden just to leave.
Girls made of gardens wither without affection
I must not be your favorite flower. I don't think I ever was
but you keep coming around just to see my petals unfold
every spring and I let you leave dew drops all over me

We've done this before. Lines and rows of blooming pinks and red,
scratches, finger prints, bruises, hickeys, marks that fade
after a few days. No matter how many days it's been, weeks, months
we find our way back to the patch of wildflowers
where we first decided to make love.
There will always be changes to the scenery and
I can't think of anyone else that I would plant myself anywhere with.
One of us is always leaving but somehow the wind blows us back home.

I'm not religious anymore but the Ten Commandments
seared inside of my psyche flash
before my eyes and I hear myself repeating
"Thou shalt have no other gods before me"
while I make myself ****** to the pictures you sent me. One night,
I wrote everything about you that I idolized in big letters on lined paper
and ripped it into squares. I twisted the paper bits
into your godly shape and whispered
your name as I dropped you into a floral candle and let the flame
eat your tiny body. Have you ever felt crazy?
Have you ever been so in love that it makes you crazy?
Until you've made a lover into an effigy
and tried to force your passion for them to rest
by cremating their paper remains
I don't know if you understand how close love and crazy really are.

I swear. I swear, I'm done.

But I'm not done. I pretend to forget
the way your name feels for a while, I pretend to idolize
other things but when you appear
uninvited to my dreams I can't forget the things I've seen. You kiss
my forehead as midday sun
settles on my skin and a garden of roses
start to bud where you've planted love. You pick the most precious one
and when you cut the stem I **** awake, facing the candle
where I tried to destroy what I thought of you. I don't know
why I see you everywhere and I don't know why
I keep asking questions that I'll never have the answers to.

Once you're actually here my laugh bubbles
from my throat and chrysanthemums and lilacs and daisies
fly out. When you kiss me I swear I feel ivy
entwining itself into my hair and my eyelashes grow tuberose.
I bloom with you and when you leave I become winter, waiting for you
to tend me. Every day with you is spring
and I know exactly how fast the seasons change. "Thou shalt not covet"
but god, I want you
I want you to trust me with everything and I want you to sow more seeds.
I can't tell you the last time I read my bible,
I thought it didn't have a hold over me anymore but I want you
to choose me and I don't want
to feel like I'm setting myself up for heartbreak anymore.

I've been thinking
about touching you
for so long
And now that I am
it feels euphoric

Your skin,
as soft as
I remember it

I melt into your words. I catch the flame
flickering on my bookshelf
where I burned your likeness and look into your eyes
flashing my most devilish smile.
You're back in my room and you've covered my body with sticky honeysuckles
and forget-me-nots. You, imperfect as anyone else but I see you
like you're some walking god. You, human as me. Your hands
left prints of hibiscus on my skin and when you leave
I open my diary to the page where I pressed cherry blossoms and maple
leaves and they fall as I write about how happy I am to see you.

"I just don't think that men like you like women like me who have moonstone eyes and crazy day dreams, women who dot their poems with inky pearl tears, pressed poplar leaves and, well, I wanted to write you a poem but I can’t think of any creative words. I want you to read how beautiful you make me, how your eyes drink me in, how I overflow for you. I want you to feel the conflict in my heart... so rarely that I see you but every time we reunite we are even better than the last. I don't know if you want to read it but I want to write you a poem. I want to write you a poem that makes you cringe because I write with honesty. I want you to feel the rhythm of my words the way we feel the rhythm of our bodies. You should be happy to inspire someone’s poetry. You, you don’t love me. And that’s fine, because I’ll always look back at you and see sunshine streams on your skin."

My room is all white and pink, floral print and my African violet.
You look perfect in the rosy glow
of my feminine sanctuary and I feel so appealing,
I trust you enough to show you everything, I say, luxuriating the words in the sunlight.
I want to absorb this moment to keep me warm. When I lay alone
thinking of drifting to sleep in your arms, it is this moment
with you around me,
the way you kiss my face like I mean something to you
and this is the place I go, when I swear
all of this means nothing to you. Doesn't everyone want to feel home?
Maybe I think being with you feels like the kind of home
with a nice garden I want to live in. Maybe you feel it too.

Maybe I'm reading too far into everything
and not saying enough of anything
maybe both of us say nothing hoping the other will
be the one to admit the feeling
but you, as soon as you leave and I tell myself I’m done. Swearing
I've burned up the last of you, I’ll never do it again.

I can't stop thinking about you

And I'm back thinking about you, too.

There is a weird
And not so wonderful fetish
Particularly British
Common
Amongst commoners
In the United Kingdom

Although the aristocracy
And royalty
Are seen by all
With eyes to see
To have behaved
Abominally
Tortured and twisted
Enslaved, enchained
*****, re-shaped
With bloodstained hands
The entire planet

Sending ordinary
More innocent
English men
To do their ***** work
Their dastardly
Disastrous deeds
As slaves of knaves

Through common British eyes
These horrible people
Are placed high upon
Holy pedestals
Romanticized
Idealized, Idolized
Canonized

Perhaps there's some
Vicarious thrill
Exercising
Enforcing
Power and evil will?

But the hand no pleasure gets
When, through rubbing, wets itself!

Sean Hunt
Windermere January 1st 2016

As a child, I idolized one day getting a license
Now I'm 17 in a red '94 convertible with the top down, loving
How it feels when my metal daisies pull my ears from the force of wind
I like the adrenaline rush I get when I can scream because no one is around
And that I don't have to feel bad for not talking to anybody
I like the way my car shakes when I blast the volume to 35
Or when I push it faster faster faster than it should go
I like the stick on my skin because of the North Carolina humidity
When I reach my arm out of the window, leaning toward a stranger
Summer's almost over, but I just want more time following the sunset home
On the open road

She serves, serves as. Her body-is-home-is-nation.
She does not dwell, she is dwelling.
She keeps the lights on. She fluffs the pillows.
With child, eternal. She is so very...blessed.

She is the pilot light and the pile of ash.
Savior, safegaurd, scapegoat.
She is flambéed, micro-waved,
she is pressure cooked in social sweat,
and then told that she looks “radiant.”

Idolized, pasteurized, tranquilized,
she is bottled, sealed and brought
beaming to your doorstep each morning
for a reasonable monthly fee.

Her hearth fuels all creation, destruction,
and consumption followed by decaf coffee
and polite chatter in the living room.
She is so excited to welcome you into her...home.

She is incontinent. Incontinuous.
A swollen, slacken gesture towards a self.  
She is wet clay laid again on wheel,
awaiting to welcome the coming
divine, un-declinable gift from god.

A fist to the gut, from beneath.

Clumsily, carelessly spewing out words
That now I would take back, if I could.
I idolized you, losing my value,
Standing by as your ego just grew.
Now I only have myself to blame
As you look down on me
With no intention of equality.

Everyone I’ve ever idolized dies tragically.

He said that Blues Run the Game and died still feeling that fire all over his body.
He sings about losing control again even though it’s he who was.
He taught his son about responsibility and fell to the wildebeest.

I used to think the monk who set himself on fire
was insane
but now I think
he was a product of sound rationale.

Ears are falling off in this starry night.
And I see nothing weird
If he told me to keep the object carefully
I would.
Madness is Genius.
And I’d rather be absolutely ridiculous
than nauseatingly normal.

No one tells you that the very best parts of love
are also its very worst.
Love torments the soul
Tragedy becomes a way of life
And suffering, a daily occurrence.
Such is the way of the mad artist.
Who after he paints Starry Night
Cuts off his ear.

I’m starting to think
I’ll live longer
If I stop being an artist.

If prayer was just a string of 5 letters
That bound your name together to be scripture on my tongue
I would find a way to speak to you
From the grip of my soul
From the blues in my knees
From the hard of the floor
Put my heart on the floor
And I kneel before you
My faith.
Love is sometimes idolized
But, idle eyes
Will blink past the lightning in its strike
Love, there is no braille on your body, I will not read
Love, there are no cards in your smile, I will not fold
Love, there is no religion, in the way I want to sin with you
But I find my faith in your sunrise, and
I pray that we nightfall.

I know you rode into my life on a white horse
Handsome, charming, caring and  intelligent
You spent hours upon hours invested in just me
Poems, stories, intimacy and words of love so soon

I know I craved the love, the care, the whispered words of family
Craved those words and feelings at the core of my being
So, I listened, I accepted, I trusted , I had faith
Those words, that love, that like a child, I so coveted

I know I was scared but wanted to love this man
Scared of your words were they truth?
Yes, please say yes, my heart argued with my mind
Of the speed – too fast my mind argued with my heart

I know you were a nine-year old little boy
Traumatized, abused, neglected
Getting into trouble to be seen and heard
To be cared for as a child of God with grace and love

I know your mind is poisoned
Poisoned with PTSD, bipolar, and traumas of war
I did not judge, I accepted, I listened, I understood, I supported
I believed the poison would not become part of us

I know you needed me
Needed my attention, my touch, my desire
Needed my presence, my life, my inner being, my laugh
Needed to feed your ego so you as a man could soar

I know I wanted so much to believe you were real
The man who told me the story of two acorns
Becoming a strong tree rooted in love
The man who took me church to say “marry me”

The man whose prose took us to faraway places
The man who sang me, “All of Me”
The man who idolized my existence
Who made me feel we would grow old holding hands

I know I said “I do, until death do us part”
In the presence of God, family and friends
I finally found the one who listens and understands
Allows emotion to flow from my eyes without fear and judgment

I know the poetic man was a mask
Needed for you to survive, feel, exist, and live
A mask that hid authentic dark truths behind beautiful words
Truths you never shared with me, your wife

I know when I needed you, you were not there
When I needed a soft place to land, concrete was where I fell
Your attention turned elsewhere,
An ailment, a child, an ex, a job or lack there of

I know your presence was not with me
Day and night your mind a million other places
Spinning round and round as it shot at tiny shiny flashes of light
You did not see me, you did not hear me – did I exist?

I know I fell from your pedestal as I pulled away
Emotionally unsafe, my inner child curled into a ball
He will hurt you, he does not love you,
Even his beautiful words could not pull me back to him

I know your hands touched me when I did not want them to
As you hurled your words of attraction and need for intimacy
And claimed “I am your husband”
I recoiled in fear

I know that without my emotional energy
Your ego shriveled into a dark mass and you sank so low
I became irrelevant and of no value to your life
Try as you may,  there was nothing left of me for you to feed

I know you made me feel crazy and confused
Ice in your eyes where once there was love
As your words and actions got ever so far apart
My questions were answered with disdain, tirades, judgments of right and wrong

I know in your darkness
You attacked my children, my parenting and my wants and my needs
Nothing I could do was enough – you required what I could no longer provide
You threw words of venom against me to my family and friends
“She is going to **** herself”
“I can’t help her anymore”
“She is having an episode”
“She is violent and out of control”
“She is having a breakdown”
“She is making bad decisions”
“She is making threats”
‘I am very upset and scared”


I know I felt fear -
Fear for my sanity
Fear for my marriage
Fear for the safety of myself and my children
Fear of the reality that was now mine
Fear that I made a terrible mistake that rainy day I said “I do”

I know when my value was no more, you discarded me
Discarded me – your wife being worthy of only an email
“Do not contact me except for items related to divorce”
You informed….

I know I no longer exist
That my goodness is gone from your thoughts and mind
Replaced by your reasons that you are my victim as those who have come before
As you search of your next source of energy in which you need to survive.

I know that I am left to pick up the pieces
To understand the tornado that blew through my life
And left nothing of us in the wake of its storm
I leave the pain, sorrow, sadness and confusion at Jesus’ feet.
For in Him I will continue on.

I am a writer who hates whiskey.

I feel that I should love it like a writer's only friend,
Like I should sip it from a glass while I scribe with broken pens,
Like I should clink the ice against the sides and swirl it, deep in thought,
And take it neat and raw, in admiration of its steely course.
It should lubricate the mind and guide the flow of words to page,
And since a nervous age I've yearned to say I love the way it burns and maims,
And maybe on a certain day, I'll glug it without choking, breathless,
But for now it hurts my brain to even think about its... smokey wetness.

I've idolized an archetype, a writer with a harmful life,
Sit alone in bars at night, lament the fact that art is strife,
But recently I'm thinking more, and honestly, this can't be right,
I love the pen and paper, and I love the fact it's hard to write.
It's the way that I've romanticized it, fantasized and glamorized it,
Like I could just forget about a novel, let Jack Daniel's write it,
While I sat and focused on my magnum opus, penning parts of it in prose,
I viewed my present like it's hindsight, through glasses tinted rose.