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Ron Sanders Feb 2020
(Glade, World, Master, Boy, Hero)

                                                 GLADE

There is a glacier.
Its blue tongue’s tip just tastes a frozen gorge.
There is a gorge, its walls shattered by cold; a once-green thing that, in dying, birthed a thousand aching fissures. It works its jagged way downhill, round ragged rifts and drifts until it comes upon a little frosted wood.
There is a wood, an island locked in ice.
Within this wood the gorge descends. It wanders and it wends; it brakes and all but ends outside a clearing wet with sun. And there, forking, its bent and broken arms embrace a strange, enchanted glade.

There is a glade.
And in this glade the black bears sleep, though salmon leap fat between falls. Here the field mouse draws no shadow, the eagle seeks no prey; they spend their while caressed by rays, and halcyon days are they. Here rabbit and fawn may linger, no longer need they flee. For in this timeless, taintless space, the Wild has ceased to be. (Outside the glade are shadow and prey, are ice and naked death. There blood may run freely. There the eagle, that thief, is a righteous savage, a noble fiend. But once in the glade he is dove, and has no taste for blood, running freely or otherwise).
And in this glade there nests a pool:  a dazzling, blue-and-silver jewel; profoundly deep, pristinely clear. All who sip find solace here, for this is the Eye of Being. They lap in peace, assuming blear, not knowing it is seeing. And ever thus this pool shall peer:  a silent seer, reflecting on—all that Is, and all Beyond.
(Outside the glade there lies a world where rivers ever run, where ghastly calves in random file revile a bitter sun. East, the day is born in mist. West she dies:  her rest, the deep. And North…North the Earth lies mute. Wind gnaws her hide, wind wracks her dreams. Wind screams like a flute in her white, white sleep).
But in the glade are tall, stately grasses, sunning raptly, spinning lore. Roots render the rhythms, blades bend without breeze, as signals ascend from the glade’s tender floor. (In this wise the glade weaves its word, airs its views. All the glade’s flora are bearers of news). They do not wither with fall, for in the glade there is no fall. They do not bind or wilt or brown—they gesture, spreading the mood, the mind; conveying, indeed, the very soul of the glade. As ever they have, as they shall evermore.
Bees do not hum here; they sing. They fatten the dream. Mellow and round are the timbres they sound, sweet is the music they bring. Birds do not sing here—they play. They carry the theme. Dulcet and warm are the strains they perform. Gifted musicians are they. (All in the glade are virtuosi. They were born to create. Melody, harmony, meter…are innate). Now the performance is lively and bright, now full, now almost still. For, though all in the glade may lean to the light, they must bend to the maestro’s feel.
And yet…there was a day, long ago in a dream, when this ongoing opus was torn. And on that day (so the lullaby goes) the wind brought a scream, and Dissonance was born.
There was a noise.
Moose tensed, their coffee eyes narrowed, their patient brows creased. Bees mauled the tempo, birds lost their place. The grass stood *****, all blades pointing east. There was a crash, and a shriek, and a naked, bleeding beast burst stinking through the fern, fell stumbling on its face.
Moose scattered:  unheard of. Sheep brawled, geese burst out of rhyme. The symphony, forever endeavored to soar sublime, fluttered, plunged, and, for all of a measure, ceased.
The pool was appalled…what manner brute—what kind of monster was this? Furless flank to forelimb, hide obscured by blood. As for its face…it had no face; only a look:  of shock frozen in time, of horror in amber. A deep welling rift ran temple to chin, halving the mask, caving it in. Such a grievous wound…the pool watched it stagger, on two legs and four, thrashing about till it came to a rise. There it labored for air, wiped the blood from its eyes, lashed at illusion, looked wildly round. Beholding the pool, the beast tumbled down.
And there this wretch plunged his thirst, drank his fill, fell back on his haunches.
The pool became still.
The two traded stares.
The glass read his features:  that durable eye pondered the wreckage and probed the debris. Revolted, the pool sought the succor of sky. But that thing remained—that face…in all creation…surely there could be…no other creature so ugly as he.
And he gazed in the glass.
Beneath the surface were…images…swimming in currents of shadow and light. He saw half-shapes and fragments…hideous men, exotic beasts…saw blue worlds of water, saw white worlds of ice…it was all so vague and unreal—yet somehow strangely familiar. Deeper he peered, but, as his mangled face neared, the sun smote the pool and the shapes disappeared. The brute pawed the ground and, dreaming he’d drowned, shook his head sharply and slowly looked round:
There were starlings at arm’s-length, transfixed with suspense, their tail feathers trembling, their dark eyes intense. Fantails and timber wolves, stepping in sync, paused for a sniff, stooped for a drink. Bees, pirouetting, threw light in his eyes. Seizing the moment, the pool pressed its hold.
And the glade revolved.
The freak watched it spin—saw the ferns’ greedy fingers reach round and close in, saw the tall grass rise high in an emerald sheen, swaying to rhythms from somewhere obscene. This place was madness; he struggled to stand, but, weak as he was, keeled over cold.
And the glade heaved a sigh, and the tall grass reclined, in curious patterns once rendered in whim. Far off in thunder the hard world replied, as iced pines exploded and screamed on the breeze. Down bore the sun, a chill just behind. The pool, grown blood-red, fended frost from its rim. Details dissolved in the oncoming tide. The pool dimmed to black. Night seeped through the trees.
Now flora found slumber while, pulsing below, the pool was infused with a soft ruby glow.
Soon birds bearing beech leaves, and needles of pine, laid down a spread and returned to the limb. But breath from the North blew their blanket aside. The wind grew in earnest, the air seemed to freeze.
And the wolf and the she-bear, of contrary mind, abhorring their task approached, looking grim. They sniffed him for measure, then, loathing his hide, growled their displeasure and dropped to their knees.
All night these glum attendants flanked his naked quaking form. The rising moon drew dreams in gray.
In time the man grew warm.

Morning swept through the glade in one broad stroke of the master’s brush, dappling the foliage with amber and rose. The pool was roused by the sweet pass of light. He opened his eye and the glade came alive:  into the whirlpool of life a thousand colors swam, chasing the scattering eddies of night. The magic of morning began.
Bluebird and goldfinch descended in rings, primaries clashing with robin and jay. Dollops of sun, repelled by their wings, spattered anew on the palette of day. Banking as one, the hues struck away.
There was a crowd.
And in this crowd that oddity sat, its chin on its chest, its rear pointing west. Its forepaws lay leaning, upturned and at rest. ***** and blood messed its muzzle and breast. Passed overnight. Or perhaps only dozed…tendril by tendril, claw by claw, the crowd decompressed:  the ring slowly closed.
And the stranger cried out and shifted his seat. His eyes sought his feet—rounding the arches, and topping the toes, the tall grass was questing. The little brute froze.
And the fauna took pause, and the flora went slack. Leaves followed talons, stems followed claws. Hooves tromped on paws as the crowd drifted back.
Not a breath taken. Not a move made. Stillness, like fog, enveloped the glade.
Now the grass tugged his feet, now the sea of jade splayed—left hand and right, the slender shafts reared. Gaining momentum, blade followed blade. The green field was torn till a deep swath appeared. The swath hurtled west, reflecting the sun. A hundred yards distant it died. Once more the grass stood, its tips spreading wide. The swath, born again, repeated its run.
Plain was the message, and clearly conveyed. The newcomer gawked. Confusion ensued.
The tall blades were swayed by the pulse of the glade.
But the swath was not renewed.
Something tiny bounced by. He ventured a peek, barely rolling an eye.
A chocolate sparrow, with pinfeathers black, popped past an ankle and paused to look back. The bird cocked its head, rocked in place, hopped ahead. It fluttered. It freaked. It glared and stopped dead. Vexed to its limit, it burst into flight.
The sitting thing watched till it passed out of sight.
Now a breeze bent his back, picked him half off his stern. The wind, done its best, grew flustered at last. It trailed to the west, thrilling lilies it passed. It wound round the willows and didn’t return.
So the fauna repaired to the live oak’s shade.
A strange kind of stupor fell over the glade.
From deep in the wood came a shape through the trees—a pronghorn, perhaps, or an elk swift and sure. But up limped a moose, a flyport with fur, low in the belly and wide at the knees. Wizened he was, scarcely able to see. Neither vision, nor vigor, nor velvet had he. He hobbled abreast, then groveled or died, his nose facing west, his tail flung aside.
The brute merely glazed.
But the glade was unfazed.
Those long shafts reshuffled. A tense moment passed.
The ominous shadows of badgers were cast. Three left their holes, as if to attack. They pedaled like moles and the stranger jumped back. He stumbled, fell flailing, and, kicking his guide, threw out his arms and tumbled astride. First he stepped on his tail, then he stepped on his pride. The moose bellowed twice and shook side to side while the little pest clung to his high, homely hide.
And the old moose unbent to his knees by degrees. He reeled like a drunk down the path of the breeze. Together they lurched through a break in the trees. And all morning long, and on through the day, both beggar and bearer would buckle and sway. The moose lost his temper, but never his way.
And the wind blew the sun to its deep ruby rest; the scrub, in obeisance, inclined to the west. Their slow taffy shadow in slinking would seem to slip round the rocks like a snake in a dream.
And the sun became a beacon, and the underbrush a stream. The wide Earth took their weight in stride, and the wind named him Hero.

                                               WORLD

When the sun was low the old moose began to stumble, at last limping to a halt beside a swift river lined with stunted pines. He’d half-expected a somewhat graceful dismount, but Hero, dug in like a tick, wasn’t about to let go. The moose knelt until his joints objected, shimmied, bucked, and with a sudden whirl sent the little bother flying.
Hero scraped himself out of the dirt and looked up forlornly. The ancient moose, his good eye gone bad, glared a long minute before hobbling away, his bony **** rocking with dignity, his scraggly tail fighting off imaginary flies.
Hero managed a few steps and dropped, staring in disbelief as the moose disappeared between half-frozen pines. He remained on his knees for the longest time, his jaw hanging, waiting for the moose—waiting for anything to show. At last a ruckus to his left snapped him out of it. His head ratcheted around.
Fifteen feet off the bank, three screaming gulls were dancing on an immense stone outcropping, fighting over a rapids-tossed sockeye. Hero was instantly famished. He wobbled to his feet and stumbled twice wading out, only regaining his balance by leaning against the current while rapidly wheeling his arms. The shrieking gulls reluctantly backed off as he stepped in slow-motion through the rushing water. Hero lunged at the slapping fish, cracked an ankle on the rock, and hopped around howling with both hands holding his shin. One foot was as good as none in the surging water. He went right under. Before he knew it he was being swept downriver.
This was glacial meltwater, so cold he quickly lost all sensation. Hero swallowed a mouthful and surfaced fighting for life; too disoriented to combat the current, too numb to realize his waving arm was striking something solid. That solid something turned out to be a swirling clump of rotted birches tangled up in scrub. He embraced one of these trunks as the mass slammed against isolated rocks, kicked his feet wildly, and somehow hauled himself aboard. The raft ricocheted rock to rock until repeated impacts sent it spinning. Giddy from the whirling and soaking, he clung freezing to the trees, retching continuously while the river roared in his ears. Through spray and tears he made out only cartwheeling fragments of the world.
But then the river was widening, its fury dissipating. The raft was approaching the sea. Hero gasped as the seemingly boundless Pacific swallowed the broad red belly of the sun. And as he spun he was treated to a panoramic, breathtaking spectacle:  the great indigo ocean with its slow traffic of driftwood and ice—voiced-over by the dismal calls of foraging gulls, and broken rhythmically by intermittent glimpses of the river’s rocky banks growing farther and farther apart. Whirling as it went, the dying man’s soul was taken by the sea.

At the 59th Parallel in winter, the Pacific coast plays host to numberless floes and minor bergs orphaned from Alaskan coastal glaciers. Hero cruised into a watery gridlock on a boat of ice-glazed birches, one bit of flotsam among the rest.
The cold wouldn’t let him move, wouldn’t let him breathe, wouldn’t let him think. He lay supine, feet crossed and hands clasped, terrified that to budge was to roll. An ice patina grew over the tangled trees like a white fungus—this growth soon webbed his fingers and toes, speckled his chest and thighs, glazed his hair and face, danced and disintegrated with his breath’s tapering plumes.
Floes and frozen-over debris tended to group with passing collisions; Hero’s married birches bit by bit accrued a mostly-submerged tangle of trunks and branches, all becoming fast in a creeping ice cement. Night came on just as resolutely, until land was only a flat black memory. The raft moved silently over the deep, still accepting the occasional gentle impact. And the floes became thicker and wider in a freezing doldrums; soon the proximate sea was all a broken field of packed ice, bobbing infinitesimally with the planet’s pulse.
Long ghostly strands of fog came striding over the torn ice field. They leaned this way and that, their mourners’ skirts tearing and patching and leaning anew. The ghosts were there to seal it:  their locked fingers and gray diaphanous wings were quickly becoming a wholly opaque descending shroud, its boundaries lost in the soughing wind.
Collisions came less and less. Darkness and silence, breaching some previously impenetrable barrier, began to take up residence in Hero’s chilling marrow. From his very center broke a weak little cry of refusal, of denial, as mind mustered frame in one desperate bid for freedom. His skin, frozen to the raft, peeled right off, and at that his inner brave succumbed. Hero’s smashed head arched back. His face contorted frightfully while the little lamp fluttered and paled within.
A raucous chorus slowly worked its way through the mist. It emerged a few hundred yards off—a tiny, terrified barking, growing in clarity as it grew in volume and urgency. It was a sound beacon. Hero strained eagerly, and when for one excruciating minute the beacon was cut off by a large passing body, was certain death had claimed him. Then it was back, and his heartbeat was quickening. He caught a heaving sound…something was moving his way down a wide tributary between floes. Hero could hear a gasping and snorting, accompanied by a hard slapping and splashing. The sounds vanished. In a moment the raft was rocked from below.
A sputtering muzzle blew salt in his eyes. A cold slimy flipper flapped across his chest and slapped about his face. The fur seal barked directly in his ear. Whiskers raked his dead cheek. The seal barked again.
Back below the surface it slipped. Hero listened anxiously as the splashing sound retreated whence it came.
The seal swam off perhaps a hundred feet and began barking hysterically.
From much farther off came a profusion of answering barks.
The seal swam back to Hero’s raft, circling and calling, circling and calling, while the responders approached en masse.
Now a sallow beam could be seen cutting through the fog. Several more showed vaguely along a plane yawing with some huge, barely discernible object.
A herd of northern fur seals burst into sight, barking madly, beating through the ice. They converged on Hero’s raft, really bellowing now.
Those odd yellow beams came in pursuit, and soon were close enough to eerily illuminate a gigantic wooden vessel parting the ice. The seals barked ferociously. Whenever the vessel leaned away, those nearest Hero’s raft would absolutely howl.
The fog deepened, condensed, crystallized, and then the collective light of a dozen lanterns was playing over a low, listing nightmare. Hero could hear the shouts of many aggressive men, but the waterborne seals, rather than scatter, boarded the ice and redoubled their din, fighting their way onto his quickly mobbed raft.
The sealers hurled serrated spears even as they clambered down rope ladders. When these men reached the ice the seals snapped and gnashed madly, refusing to be dislodged. The sealers lost all composure with the thrill of the hunt:  wielding clubs, spears, and hatchets—sometimes using iron bludgeons or any old utensil handed down—they crushed skulls, dragged carcasses, hooked animals still spurting and bleating. Clinging though he was, Hero was flabbergasted by the way the slipping and scampering men went about their butchery, hacking and smashing more with passion than with precision. But not a single seal attempted to flee—throughout the carnage they barked all the louder, egging on their slayers, carcass by carcass drawing the impassioned sealers to Hero’s ice-locked raft.
It was all so hazy and macabre. Hero’s eyes rolled back, and the next thing he knew he was sitting hunched on the vessel’s sopping deck. Two men were rubbing his limbs while another poured warm water down his back. He looked around in shock. The very notion of a boat containing more than one or two individuals—a sort of floating tribe—was way beyond his ken; so to see it, to have it come looming out of nothingness, was an experience almost supernatural.
He remembered some of those fur-covered men force-feeding him mouthfuls of halibut and seal fat, and he recalled a small group standing around him, shouting words that made no sense at all. After that he had a very vivid memory of their angry little chief repeatedly punching him while hollering one angry little word over and over and over. Hero couldn’t make out his inquisitor’s face, for the large feather-lined hood quite engulfed the man’s head, yet he could see those quick eyes flash as they caught the oil lamps’ light. Finally this man stopped boxing Hero’s ear. He stared hard. In these remaining decades of the tenth century it was fully within his power to administer as he saw fit—he could have ordered Hero’s immediate execution and not a man of his crew would have objected. He hesitated only because there wasn’t a hint of resistance in his prisoner’s pinched and frightened eyes. He leaned forward, studying the wound that all but split Hero’s face in two before grunting, raising his right arm, and yanking down its seal hide sleeve. Attached to the stump of his forearm was a primitive prosthesis consisting of a thick oak cap strapped to the arm with lengths of gut, and, hammered squarely into the center of that cap, a broad, cruelly hooked blade chiseled from a narwhal’s tusk. He held this obscenity in front of Hero’s eyes, traced the face’s deep diagonal rift, and once more demanded his captive’s identity. Hero then vaguely remembered being dragged along a tilting deck and thrown into the ship’s tiny hold. He retained a strong mental image of landing in a place of musty odors and dank projections.
There came a soft scuffling in the darkness, and presently a blind and exceedingly old woman felt her way to his side, mumbling as she approached. Her speech was comprised not of words; it was rather a running gibberish of cooing vowels and clucking consonants. The old woman was as mad as her circumstances; sick with sea and solitude, bedeviled by age and confinement. She sat cross-legged, patting her withered palms up his arm until she came to his face. Her strange mumbling soliloquy rose and fell as her bony fingers daintily explored the newly opened wound. Hero let his head fall back in her lap. A pair of hands like emaciated tarantulas scurried through the filth and tiny bodies until they came upon an old otter’s pelt bag that held her secrets. The woman loosened the bag’s cord and extracted an assortment of herbs, sniffing each in succession. She then scooped a handful of blubber from a bowl made of a previous occupant’s skull, kneaded the selected herbs into the blubber, and commenced gently massaging the wound, clucking and cooing while the black rats watched and waited.
For nine interminable days Hero remained in that cold, stinking compartment, rocking back and forth between life and death. The old woman never gave up on him. She clung to him during his seizures, rubbed his limbs vigorously when his blood pressure fell. She gathered various accumulated skins and, using woven strands of her own long hair, sewed him a multilayered, body-length wraparound with arm sleeves and very deep pockets, working by touch with a needle formed of a cod’s rib. By this same method she was able to fashion a pair of heavily lined snug-fitting moccasins. The old woman made him eat; she masticated the cod and halibut their keepers pitched into the hold, then shoved the results down his throat with a long gnarly forefinger. She called into his screaming nightmares, talking him out of sleep and back into their foul little reality. Together they lowed in the dark, while the keel groaned along and the waves beat time.
At the end of those dark nine days his strength was restored, but not his mind. Once again he was taken on deck.
The vessel had reached a chain of remote wind-swept islands, rocky and treeless, naked except for patchy carpets of hardy grass. These islands stretched far to the west, shrouded in mist. The ship was making for the smallest; just a chip on the sea. When they reached depth for anchorage Hero was hustled into a rowboat and lowered over the side. He looked up, saw two men climbing down by rope. These men positioned themselves at the oars and slowly rowed toward the islet. Seated between them, Hero felt like a man being led to his execution. He snuck a peek. The rowers’ heads were lowered, their features completely obscured by the heavy feathered hoods; they had all the somberness of pallbearers. Not a word passed between them as they rigidly worked their oars:  the only sound was the dip-and-purl of wood in water. Hero looked away. Against his will, he found his eyes drawn to that rocky islet waiting in the fog.
Not a bird, not a sea lion, not a shrub. It was lonesome beyond imagination.
Upon landfall one of the men used a spear’s point to **** Hero ashore. While his companion steadied the boat, he removed a skin sack full of half-frozen halibut, followed by a few armloads of precious tinder. These articles he tossed at Hero’s feet. He resumed his place at the oars and, without looking back, used the blunt end of his spear to shove off.
Hero watched the boat moving away, watched the men climbing their ropes, watched the boat being hauled aboard. As the mysterious vessel receded he saw a number of those silent men standing at the stern, stolidly returning his stare. Their hooded forms grew smaller and smaller, finally becoming indistinct. The vessel was swallowed up in fog.
Hero looked around, at a desolate world of rock and drifting ice. In the sunless pools at his feet a few purplish, flaccid sea anemones were waving in a sickly phosphorescence; along the rocks ran a tattered quilt of wild grass and lichen. It was the end of the world. He began to pace in his anxiety, only to crumple bit by bit inside his furs. At last he just sat with his face in his arms and wept. When he could weep no more he raised his head and opened his red, swollen eyes.
There were gulls all around him, staring like statuary in a madman’s garden. Standing in their midst were auks and puffins and murres, absolutely spellbound, unable to lean away. The silence was broken only by a wild, fitfully pursing wind—a wind that seemed, eerily, on the verge of producing syllables. And on that wind a flock of terns was rising slowly, their beady eyes fixed on the lone sitting man. The terns watched as he trembled, and banked as he swooned.
Then, beating as one, they threw back their wings and blew into the sun.

There was a blaze.
Behind that blaze a pair of black, bug-like eyes met his and immediately withdrew. A man wrapped in caribou hides stood abruptly, drawing angry swarms of sparks.
The Aleut peered queerly into the icy Pacific, his craggy profile merging seamlessly with a jumble of rocks showing just beyond his shoulder. The man was very tall, closer to seven feet than to six, and thin almost to emaciation.
He was also a mute. Soon enough he would display a talent for communication through gutturals, but now his body language spoke louder than words. It told the shivering stranger that he was not only disliked—he was feared.
The islander removed the hides he’d piled on the sleeping man. He produced a bone awl and strategically pierced a caribou hide, draped the hide over the old woman’s handiwork, and ran a cord of tightly woven tendons crosswise through his made holes, knotting it at the bottom to create a kind of cloak. He then killed the fire, heaped wood, fish, and remaining hides into Hero’s arms, and led him to a tiny cove where his long skin canoe lay in the grass. This was not the one-man kayak used by his people for centuries, but an actual canoe modeled on the graceful vessels he’d observed under the control of northern coastal tribesmen. After dragging it into the water he perched Hero in the fore, placed the cargo in the middle, and stepped into the rear like a gaunt furry spider. The Aleut dug out a paddle and began pulling with smooth strokes of surprising muscularity, his black eyes trained on his quiet companion’s back.
So began their long island-hopping journey. They stepped the chain one stone at a time, living off the sea. But much as the islander disliked Hero’s vapid company, it was not in his nature to proceed expeditiously; his people, remote as they were, had learned to count not in days but in generations. Given this, the Aleut took his time. He showed Hero how to build shelters of skin and gut; during bad weather the two would sit on an island in utter silence while rain hammered on their stretched seal-intestine window. And one very clear night he pointed out constellations while attempting to demonstrate, using broad gestures, just how the brighter heavenly bodies were in perfect alignment with the Aleutians. Hero followed his guide’s gestures as a pet follows its master’s movements and, like a pet, soon became bored. The Aleut did not grow flustered. He grew ever more wary:  behind that granite, weather-beaten exterior squirmed a very primitive imagination. Superstitious as he was, the Aleut was almost certain Hero could read his mind. So one time, and one time only, he threw a searing look at the back of Hero’s bowed and listing head. After a long minute of vigorous thought-projection he shifted his gaze aside. The brute appeared to feel this shift, and gently turned his head. And both saw the ocean break rhythm, and watched as otters and sea lions surfaced, noted their progress, and slipped without tremor beneath the waves.
In spring the fogs lifted. The grimness gave way to serenity, a generous sun buttered the dappled sea. On the islands grass grew lushly. Wildflowers leapt on the color-starved eye.
And one day the islander’s nape itched. He turned to see a flock of arctic terns casually tracking them under a gorgeous, white-plumed sky. As the day progressed the terns came drifting high overhead, slowly but surely taking the lead.
The Aleut squinted against the sun. He’d never known these birds to pursue a westerly migratory pattern—the terns were distributing themselves into a rough wedge shape, much like geese on the wing.
For a while he let the flock be his guide. Then, to test his stars, he cunningly steered his canoe north. At once the wedge disintegrated. Not until he’d lowered his eyes and pulled purposefully to the west did the disrupted pattern reassert itself. He peered up timidly. The wedge was now in the shape of a perfect arrowhead.
Just so were the fates of mariners and aviators inextricably entwined. At night, once the Aleut had landed his canoe on the nearest pearl, the terns would light in a quiet circle and remain until sunrise. As the Aleut and Hero took to sea, the flock would quickly form that same authoritative pattern.
In time the Aleut paddled his companion clear to the westernmost islands of the Aleutian chain. His people had dwelt, even here, a thousand years and more, but no contemporary islander knew for certain what lay beyond. Legend told of an enormous land mass forever gripped by cold, where a cruel people waylaid innocent seafarers for barbaric sacrificial rites.
So here the islander paused. But even as he vacillated he noticed the terns were veering south.
If the Aleut had been able to curse aloud he would have been vociferous. He was being compelled to follow an even less desirable course—that of the unknown open ocean. Now he looked upon his passenger’s hunched back not with fear but with loathing. He took a deep breath, rolled his shoulders, and defiantly continued west. The wedge broke up immediately. The terns dive-bombed the canoe, whirled around the windmilling Aleut, tore skyward and hovered determinedly. Something huge broke surface behind them, but the Aleut was way too frayed to turn. He dropped his head, a beaten man, and began paddling south. Little by little the birds returned to formation.
The tiny canoe had no business going up against the mighty Pacific. It would soon have been swallowed and smashed, had not the terns veered in close formation whenever the distant sea appeared too rough. Once he’d lost his bearings the Aleut religiously followed their serpentine course.
The days began to warm.
Now the sea’s bounty all but leapt in the canoe.
It seemed the Aleut was forever catching the finest currents, practically sliding down a corridor entirely free of peril. In this manner he was able to safely navigate waters no such craft had mastered before.
They were proceeding south by southwest, awed children of a plenteous, generous sea. The going became easier by the day, the ocean heavier with cod.
Nights the Aleut drifted comfortably, but a lifetime of wariness made him wake off and on. He’d slowly rise to find Hero sitting quietly under the stars, and soon he’d see, pallid in moonlight, a large body neatly pleating the ocean’s surface. The shape would precede them a while, only to vanish without a ripple.
All this strangeness kept the Aleut’s heart in a whirl, though he took pains to maintain his poise.
To allay his fear he kept a flat black stone planted squarely between them. It was his oldest treasure; an oddity he’d taken off the body of a mauled Tlingit woman when he was a child. Who she was, and how she’d come by the stone, were mysteries far beyond him, for no such piece had ever been known to Aleut or Inuk.
The stone was smooth and had been worked perfectly round. Bright yellow specks were scattered about its dull black face.
Long ago someone had etched a quaint and clumsy rune on that flat black surface—it was the crude, universal symbol for sun:  a broad circle surrounded by several rays. When the stone was rubbed against a pelt it possessed the curious property of growing quite warm and bright in the rune’s grooves, while the surface remained cool and dull.
This stone, both friend and overlord, had always “spoken to him”. It caused him to become restless when it was time to move on, and allowed him to relax when a destination had been reached. In this way he’d come to the familiar islet and discovered the unconscious little man. Just so:  the stone, he was sure, was responsible for making him “feel bad” as he watched the stranger shiver, and “feel better” once he’d built him a life-saving fire from the small pile of tinder he’d found nearby.
By now, however, the Aleut was wholly disenchanted with his stone, and deeply regretted having done its mysterious bidding. Never before had he been so long from sight of land, and never before had he felt so very, very small. The unimagined immensity of the Pacific was really starting to get to him when, after all their while at sea, a gray, seductive haze broke the horizon. They had reached another chain of islands, an Asian chain, the dark and smoky Kurils. Here a cold current kept the climate cool and foggy, and the chill, along with the prevalence of otter and seal, made him feel almost at home.
But this place gave him the creeps; he was a stranger, a trespasser somewhere sacred. There was a looming quality to the island mountains that made him extraordinarily aware of his transience, his pettiness, his puniness. He grew more and more cautious, sure their progress was being monitored—he could have sworn he saw wraiths in the trees, and wolves padding warily in the brush. The big islands looked on breathlessly. All along the rocky cliffs, thousands of auks and puffins followed the canoe in dead silence, their heads turning simultaneously, their countless tiny eyes peering redly through the fog. As the weeks passed, the Aleut’s anxiety was manifested in tics and sighs, and he’d cringe each time the crimson sun sank behind those black volcanic summits. In his imagination the mountains would rise right out of the sea, as though to pluck him. But the islands, in all their dignity, would always refuse to acknowledge so meek a stranger, and return their eyes to sea. The Aleut would hang his head, and timidly paddle by.
Then for days and days he pulled his weary canoe west—through a strait parting two mighty islands not part of the chain, and thence across a sea that was a warm, enticing bath. Spring had come to the East Asian coastal waters, and the Ainu, alone and in groups, were venturing deeper in search of increasing bounty. The Aleut, absorbed in his thoughts of sweet climate and bitter fate, was unaware they’d been spotted.
This first meeting between strangers of different worlds was a brief and awkward one. A lone Ainu fisherman, seeing the Aleut come paddling out of the unknown, dropped his net and turned to stone. The Aleut, for his part, instinctively froze with his body turned half-away to make the leanest target possible. Their stares locked. Never had the Aleut seen a face so heavily bearded, and never hair so fair. The Ainu began banging on his bronze catch pail. Other fishers soon appeared from the north and south, effectively cutting off the canoe. The Aleut caressed his stone and looked to the sky. The wedge had vanished. He put down his head and paddled for all he was worth.
With the word out, uncountable fishing craft appeared out of the blue and broke into hot pursuit, their pilots determined to force the canoe ashore.
Suddenly they were in sight of land, and the sea was absolutely riddled with watercraft. A train of small boats cast off from the mainland, even as a posse of two-man coracle-like tubs began to surround the battered skin canoe, their inhabitants calling back and forth in astonishment at the sight of these dark, savage newcomers. But the pursuing little coastal men, banging excitedly on the sides of their boats, were not Ainu. They had very straight black hair, prominent cheekbones, and strangely slanted eyes. And their speech, oddly marvelous as it was, was a rapid series of coos, chirps, and barks. Their boats formed a tight semi-circle around the canoe, forcing the Aleut to approach the mainland. The little men banged their boats maniacally, with more joining in as the canoe neared shore.
A bit farther south was a natural harbor swarming with fishing vessels of every description. As the canoe was forced into this harbor, people along the rocky coast began banging whatever they could get their hands on, until the air was filled with their lunatic percussion.
Tiny brown men came running along a soft yellow cliff overlooking the harbor, gesturing wildly. The canoe was squeezed between a chain of tubs and the shore, and, as it slowed, the tempo and ferocity of the banging decreased accordingly. When the canoe came to a halt the banging and shouting stopped. Hero creaked to his feet. The first North American to set foot on Asian soil stepped out shakily.
There followed the profoundest silence imaginable.
A second later it was as if a dam had burst.
Hundreds of hysterical, yammering voices erupted from hundreds of hysterical, clinging men and women. Hero was spun around, jostled about, handed along. He stared into their astounded, pinched little faces, and the sun, pulsing between their heads as he was turned, repeatedly stabbed his eyes. There came an excited outburst and frantic splashing which could only have been the Aleut’s violent demise, and then Hero was somehow limping alongside a primitive fishing village, blindly following a narrow dirt path that hugged the yellow cliff’s base. The warm spring sun caught the dust as he shambled. He rounded a bend and stopped.
Half a dozen children stood in his way, too fascinated to run. A chatter and scuffle rose behind him. He looked back to see that he was now in the midst of a small crowd of these children, and that more were running up with cries of amazement.
A stone struck his shoulder. As Hero turned another glanced off his chest.
A moment later he was being pelted from all sides, and the giggles and gasps had become something wildly unreal. He dropped to his knees in a hail of hurled rocks, covered his head with his arms, and slithered up the path on his belly.
A new voice broke in; an older, authoritative voice.
The children scampered off squealing.
Hero, shaken to his feet, found himself face to face with a diminutive, shouting, incomprehensible old man. The old man threw his arm around Hero’s waist and, jabbering all the while, led him to a secondary path cut into the cliff’s face. This path sloped gently upward over the waves. Together they picked their way to a place maybe halfway up, where the cliff’s face was honeycombed with natural alcoves and dug-out caves. Most of these spaces were used as one-man shelters; a few, cut deeper in the earth, as family hives. Strange gabbing people slid out of these holes like worms, reaching, but the little old man, who was evidently a little old man of some stature, embraced his find possessively and shouted them back inside.
The path narrowed as they climbed.
At its summit spread the upscale end of the neighborhood. Hero was led to a hovel nestled amid dozens of similar hovels, all scattered around a dainty stream wending between patches of stunted vegetation.
The old man’s place was basically a one-room hut fashioned of earth and salvaged boat hulls, with a slender side-yard surrounded by dry, dusty hedges. But inside it was clean and tidy, with rice paper partitioning and, built into the far earthen wall, a miniature stone fireplace. The old man sat his guest in the exact center of the room. There he fed him scraps from his bowl, using long sticks to pluck out bits of fish and clumps of tiny, starchy white pellets.
He studied the brute closely, watched him chew, walked round and round him. He poked here. He pinched there.
And that night he lit a fire on his crushed-shell hearth.
Hero curled up on a mat where the gossip of flames could reach him. Nearby, at his delicate wicker table, the old man sat in semi-darkness, illuminated only from the waist down.
But his eyes were alive. They spat and darted as they reflected the fire’s light, and, when at last they’d begun to sputter, his scratchy little voice came pattering out of the dark, muttering something vile and oddly modulated, sometimes in a whisper, sometimes in a gathering snarl.
Hero feigned slumber, unable to ignore those paired ominous flashes. Still, the room was cozy, and the fire warm, and the play of light and shadow kicked sleep in his eyes.

In the morning he woke in the old man’s side-yard, his head pounding, a rusty iron clamp securely fastened around his neck. This clamp was attached to the outermost link of a crude three-foot chain, and the link at the other end to a long stake driven into eight inches of solid rock. The chain and stake, like the clamp, were hammered of local iron. The clamp was too tight for comfortable swallowing, the chain too short to make standing possible. Hero could, however, spread out on his chest and stretch an arm to a low row of hedges. By parting the tangled undergrowth he had a limited view of the fishing village below, and of the harbor beyond. As the days passed he was able to tweak himself a view-space discernible only from his peculiar vantage. He accomplished this by gently breaking small branches strategically, then guiding their interrupted growth with the utmost tenderness. It was his secret garden.
He had no memory—none whatsoever—of being staked here. Obviously the old man hadn’t set this up overnight. Hero’s mind prodded timidly…how many others had been chained to this spot, and why?
But over the subsequent weeks and months he went beyond caring. Each day was the same:  just after dawn the old man would storm into the tiny side-yard swinging his reed whip wildly. The lashings were savage and unremitting. The old man, except for his eyes, would be mute. Only his whip need speak. And the snap of his reed had but one message:  when you see this whip you go down, and you go down immediately.
The naked savage, scarred head to foot, learned to go prostrate on the moment. Even so, the old man couldn’t resist the temptation to indulge in the occasional good old, all-out thrashing. And after each session he would toss the prisoner a vile mess of dead fish and rotting leftovers.
Hero lived like this for many months, lost in a confused world of pain and anticipation. Perversely, he came to look forward to the bite of that whip, for, whether he flogged him in passion or just for sport, the old man was always sure to make it personal. It seemed their relationship might go on forever.
But one day there was a great commotion in the sleepy little fishing village. Hero parted the leaves and beheld a small train of oblong coaches at rest near the harbor. Large oxen yoked in pairs lolled between the carriages, immune to the clamor around them. There were dark shaggy horses and colorfully dressed Bactrian camels. The horses and camels were tethered in the rear, but were occasionally paraded around the carriages by little men wielding long painted bamboo poles. The whole affair was exotic and mesmerizing, eccentric and profane. Hero watched all day in amazement, infected by the hubbub, though he was totally mystified by the crowd’s fascination on the carriages’ far side.
And late that afternoon he saw the old man come walking out of that crowd, talking heatedly with another man. The stranger was shorter and broader than the old man, with long stringy hair and long stringy mustaches. He saw them climbing the path, saw them crawl inside a hole lashing furiously. They were lost from view for a minute, then popped up big as life. Hero glowed and curled up eagerly as they approached.
The old man and stranger came into the narrow side-yard still arguing. The old man grabbed Hero by the hair and twisted until he was facing the newcomer.
The stranger had oily, porous skin, and a round but grave countenance. His highly slanted eyes were bright and restless. He studied Hero’s mutilated face with keen interest before borrowing the old man’s reed. When Hero scraped at his feet he grunted and returned the reed.
The stranger pulled out something shiny and hefted it in his hand. He then raised his other hand while considering Hero, as though weighing him too. The old man’s eyes glinted, and for an instant his expression became grotesquely servile. The stranger and old man, facing, nodded curtly in unison. The stranger dropped the shiny thing onto the old man’s itching palm. The old man whipped Hero frantically before taking a small ax to the chain. A few hard blows split a link, the broken link was bent back by the tool’s shaft, and the prisoner was at last released.
The old man handed the stranger a short hempen rope. The stranger bowed deeply. He then tied an end of the rope through one of the remaining links and began dragging Hero along. Hero’s hands sought the old man, who kicked and cursed him all the way to the path. The three stumbled single-file to the bottom. The old man waved his arms and shouted hysterically, trotting behind until he ran out of breath. But he got in a final kick and, before he came to a gasping halt, managed to lash Hero once for old time’s sake, and to spit on him twice for luck.

There were five carriages; a long one in the center hitched to four oxen, and two smaller coaches in the front and rear with a pair of oxen on each. The carriages were old and battered, built of splitting wood slats and rusted iron braces. Various hides, spare wheels, and a hundred odds and ends were tied to the sides and roofs. Hero’s new master, using him as a ram, shoved him through the crowd to the long carriage. He hauled him up the single wood step and watched the crowd’s reaction. Children hid behind mothers, mothers hissed and jeered, men spat in that smashed, disgusting face.
Satisfied, Hero’s master twisted the rope tighter and dragged him through the hide flap that served as the carriage’s rear wall.
A strange ruckus began at their entrance.
Inside the carriage were bulky shapes and quirky movements, yet the immediate and overwhelming impression was one of unbelievable stench. Hero, instantly covered with flies, was kicked and shoved down a foot-wide aisle. The carriage’s walls were riddled with black flecks of old dried blood, the floor coated with standing *****, a variety of small carcasses, and some clinging, indefinable slime. But the living contents of this hell were so horrifying, and so unexpected, that Hero at once dropped to his knees. Observing this, master grabbed a whip off the wall and lashed him along the floor.
A number of bamboo cages lined either side of the carriage, each four feet high, four feet wide, and three feet deep. In the first cage to their left, a quadruple amputee dangled in a leather harness in a cloud of flies, jealously gnawing a chicken carcass balanced on his belly. The second cage held a man who had been burned over ninety per cent of his body, and the third a middle-aged woman with no eyes or tongue, her head shaved. The next cage housed a fully grown black leopard, its bright eyes fixed on the horrified newcomer. Then an empty cage, and finally a cage containing a demented man whose long yellow nails were busily raking a face deeply scarred and bleeding.
The first cage against the opposite wall held two girls rolling in their own excrement. Siamese twins unable to part, they had developed a unique method of locomotion, and now executed a three-quarters cartwheel in Hero’s direction, their mangled, severely bitten hands attempting to reach him through the bars. In the cage next to theirs a naked dwarf glowered menacingly, his eyes following coldly as Hero’s master shoved him down the narrow aisle, occasionally pausing to lash a cage. The hissing and howling increased as each prisoner beheld the new neighbor.
The third cage held an intensely sick adult Bornean sun bear, so confined it was entirely unable to move. Its hide was a patchwork of scraggly fur and grayish skin, glistening with odd eruptions. It rolled its sunken eyes in Hero’s direction, its muzzle twitching feebly.
The next cage contained a man who was frightfully diseased. Broad fungal patches covered his face and limbs, terminating in waxy folds that dangled like a rooster’s wattles. Welling sores spotted his chest and back. His eyes were bugged and sallow; his lower lip drooped below his chin. He barked wetly at Hero’s passing legs.
The second-to-last cage housed a rare, completely hairless Chinese albino, and the last cage a very tall, skeletal woman. The albino snapped at Hero while repeatedly banging his head against the cage. The woman hissed and coiled like a snake, her spine arching amazingly.
Master hauled Hero to the empty cage on his left, swung its door open with his foot, and forced him to his knees by pushing down with all his weight. He kicked and punched until Hero had been squeezed inside, then shut and secured the wide bamboo door.
Master inched his way back down the carriage, hammering the **** of his whip on each cage as he passed. There was a glimpse of daylight as he lifted the flap.
Once he’d departed, the carriage grew eerily silent.
Hero cautiously turned his head. Less than a foot away, the black leopard was frozen in place, one paw waving hypnotically in his face. The beast’s fangs were bared, its ears straight back, its eyes glistening. Hero turned ever so slowly, until he was looking into the eyes of the demented man in the final cage. The man cocked his head quizzically. A second later he was screaming his lungs out in a bizarre downward spiral.
At once the carriage erupted. The freaks shrieked and scrabbled, the leopard spun in place. Directly across the aisle, the albino hurled himself against the bars of his cage. He batted his face with his fists, threw back his head, and just howled and howled and howled. The snake woman curled even tighter, her long scrawny legs entwined behind her head.
Hero sat with breath held, absolutely silent, absolutely motionless. He very, very slowly closed his eyes.

Later that night the flap was flung high. The menagerie came alive as master, weirdly illuminated by moonlight, slowly made his way down the aisle carrying a skin sack oozing blood. He stopped at each cage to toss in a dying chicken and a handful of smelt.
When he reached Hero’s cage he looked down thoughtfully.
He extracted a quivering chicken and held it above the cage so that blood dripped on the brute’s deeply pleated forehead. Hero lowered his eyes. Master’s face darkened. He smashed the bird against the cage, over and over, a vein throbbing in his temple. Finally he hissed and displayed the limp chicken high over the albino’s head. The albino yelped and kicked, thrusting his hand up between the bars and jerking it back to lick away the blood rolling down his forearm.
Master eyed Hero coldly before pointedly dropping the chicken into the albino’s searching hands.
Master hissed again. He slowly made his way out.
Soon there was a commotion outside. The carriage rocked a bit before settling. Hero, turning in his cage to peek through a rift in the wood, saw horses being urged forward. He could hear men shouting. The carriage rocked again. He looked up and saw the gibbous moon suspended in mist. For just a second something wedge-shaped cut across its soft white face.
But then the oxen were grunting, the wheels had been freed, and the horses drawn abreast. Master’s lash spat left and right, and the show proceeded…west.

                                              MA­STER

She was very round and very small, with very short, very shaggy black hair. Her arms bore the scars of numerous bites from beast and man, and around her neck ran long wheals from a particularly savage owner. Hero, having spent the better part of the morning watching master storm in and out of a strange screaming house, now watched him drag the little round woman through the dirt. For a while he listened to the song of his master’s lash, waiting for the woman to break. But there was never a whimper.
It had been a difficult transaction for master, and an altogether difficult morning. For hours he’d paced up and down the main carriage, alternately murmuring affectionately into, and lashing at, each cage he visited. The sun bear, long dead and stuffed, had been taken outside for barter. It had soon been returned.
Master had lingered over Hero’s cage for a good while, staring critically. He’d begun shouting, and three of his men had burst in through the flap, unlatched the demented man’s cage, and dragged him out by the feet for trade, master personally stomping on his torn and groping hands.
And now master was kicking and shoving the little woman down the aisle as his men restrained her by the hair and throat. Upon master’s command these men stripped her naked and commenced pinching and slapping while making threatening faces and mocking noises. The freaks sat right up in their cages.
The woman looked as though she’d fainted:  her arms were lax, her eyes rolled up. Her whole face seemed to purse, and her body, head to toe, began to run blue. Her fingers quivered, arched, and clawed—the woman was self-asphyxiating. Master fairly leaped with delight while the cages rocked around him. He had the men slap her awake. Once she was fully conscious they stuffed her into the demented man’s old cage next to Hero’s.
Master then looked in eagerly, one to the other, his hands balled into fists. The woman buried her odd round face in her forearms as she squeezed herself into her cage’s deepest corner. Hero gazed indifferently and went back to his peephole.
Master exploded. He smacked and kicked the cages over and over, swore up and down, ran the shaft of his whip back and forth against the heavy bamboo bars. Eventually he calmed somewhat. He stared coldly at Hero, made a ***** smile, and spat right in his eyes. A tense minute passed. Master slowly made his way outside.
Hero automatically relaxed. Across the aisle the albino ****** his face between his cage’s bars to sniff the newcomer. The leopard, bobbing rhythmically, emitted a high-pitched squeal that gradually descended to a steadily throbbing growl.
Hero looked the stranger over. Once she’d lowered her hands he saw that her eyes were crossed, her jaw slack, her face as round as the full moon. He looked closer. There were scars all over her throat and arms:  plainly, the small round woman had been treated very badly. Hero instinctively slid a foot between the bars; the woman cried out and scrunched even deeper. Across the aisle the albino quickly extended an arm. Without knowing why, Hero turned on him. The albino flinched, his eyes tearing into Hero’s. A second later he was stamping his feet and grinning wildly. Hero went back to his peephole.
Next morning master and two of his men dismantled the bamboo walls separating Hero’s and the woman’s cages. They bound the frames with broad leather bands, making a single cage of the two.
A common door was fashioned and secured. Master used his broad blade to shear away Hero’s rags. The men hunched around the long cage expectantly.
The naked couple backed away. Master was instantly exasperated—he shouted, lashed furiously, stamped and screamed, jabbed a broken shaft between the bars with malevolent intent, whirled and hurled the shaft at nothing. The carriage’s inmates went out of their minds. At master’s bellowed command a man scurried outside, returning with a long rope of woven leather strands. Master opened the cage and, applying all his weight, pinned Hero and his new mate in an awkward embrace while his men tied them together.
Again master and his men bent over the long cage to watch.
When Hero realized his predicament he made a desperate attempt to reach his peephole.
The men, misreading his struggles, babbled and cheered, but master threw up his hands. He then, through gesture, ordered his men to drape a number of hides over the long cage. Once these hides were in place he very quietly bent to one knee and placed an ear against the cage. After a while he cursed and rose to his feet. He shook the cage and stormed out, whipping and kicking the howling inmates.
In the semi-darkness the man and woman quit fighting their bonds.
A muffled patter began on the hide-covered roof.
Rain, as always, had a calming effect on the carriage’s occupants, causing the freaks and beasts to slip, one by one, into lethargy or slumber. Under such a spell, the attainment of master’s goal was inevitable.
It was a coupling both innocent and vile, without passion or celebration. Occasionally the freaks would surface, register their excitement by shrieking, shaking their cages, or otherwise clamoring…but very quickly the air would stifle them, weighing their heads and confusing their impulses. The atmosphere grew heavier by the minute. And, when night rolled over the carriages, the rain came down in sheets.

Leaning ******* the woman’s cage, master slipped his gnarly hand between the bars and slowly rubbed her belly in a counter-clockwise motion, his sinister features soft in the candle’s light. And he told, in nonsensical cooing whispers, of a lovingly secure and impossibly prosperous future.
How large and promising that belly had become! And how wise was he, the cunning and aggressive master, in his far-reaching business decisions. He turned his affection to the motionless gaping brute; stroked the battlefield of its face, tossed in another lizard. Master rubbed his palms together. From now on it was extra lizards daily, for both the woman and her mate. He remarked, with only passing interest, his star player’s continuing indifference. They didn’t know each other, didn’t need each other.
There’d been months of shows on the road now, broken only recently by this sensible rejoining of the mates at conception.
Hero’s horrible disfigurement was unquestionably top draw; he was a guaranteed crowd pleaser at every stop. So now master looked him straight in the eyes and smiled. He held the reeking candle high. The carriage was absolutely silent. Master smiled again, rose to his feet, tiptoed away.
Hero watched him retreat until the flap had fallen. He returned to his peephole, saw master round the rear of the carriage and slowly crunch by. For a time he could see nothing but the half-shapes of junipers bathed in starlight. There was a tentative movement to his right and a large shape came to obstruct his view.
The horse stood for a minute in profile. It slowly brought its head to rest against the carriage, applying its eye to the peephole. Hero froze. The two remained fixed, eyeball to eyeball, while a breeze played odd tunes on the outer wall’s hanging paraphernalia. The horse’s big dark eye rolled nervously. A long moment passed. Slowly the horse backed off. It stood uncertainly for a while, staring at the peephole. Then it quietly moved away.

Master kicked the cages one by one, left hand and right, as he slowly made his way down the aisle. Into each cage he delivered a personalized warning in passing—a growl, a hiss, a bark—but he was quickly losing control. Animal electricity hopscotched the carriage, cage to cage, ceiling to floor, front to rear and back again. Master froze. Much more of this excitement, he feared, could seriously agitate the woman—with grave consequences for master.
She was splayed on her back, in labor’s throes, her ankles and wrists bound to the long cage. Hero had been removed to give her room, and now sat hunched atop the snake woman’s cage, two men holding him by the throat and legs.
Master gnashed and snarled, listening to the woman scream, watching her stupid round head bounce up and down and back and forth. He knew it! He’d been suckered, hoodwinked, scammed—ripped off like a common rube. The woman was too ******* to handle even something as natural as childbirth. Still…it was too late to second-guess himself—all these months he’d been patient—he’d been supportive and vigilant and now he would not be denied. He flogged one of the men to alleviate his tension.
The blue lady was very slowly, very dramatically arching her spine. Master wiped the sweat from his eyes. When the bars were pleating her big round belly, her shoulders began drumming on the straw-strewn floor.
Master screamed one very colorful expletive.
A razor silence came over the carriage. Not a body moved or breathed.
At last two men tiptoed around their purpling master and leaned into the cage. One obediently ****** a foot between the bars. He pushed ******* her right knee while using a hand to grip the left knee, spreading her legs wide. The other man drew a broad leather strap between her teeth. After lifting the woman’s head he pulled the strap behind her neck, knotted it to make a gag, and yanked a skin sack over her face. He looked up anxiously. Master licked his lips and nodded. The man made a fist and frantically punched the woman’s face until her muffled screams ceased. She moaned gently throughout her contractions.
Master genuflected, brought a spitting candle in tight, and took a deep breath. As he raised his hand the candle’s light bounced off his knife’s chipped and scored eleven-inch blade. Master swore and reached down carefully. He flicked his wrist twice and the menagerie went mad.

The child was a tremendous disappointment.
Master had eagerly anticipated an infant ******* and deformed; something embracing the best qualities of its parents. He had even designed a special cage that could be expanded by degrees as the spawn developed. There also remained the tantalizing option of a family display, though such an undertaking would require the eventual construction of a structure even larger than the cage its parents now shared. Master anguished over the logistics, knowing it would break his heart to have to cut one of his jewels’ throats just to make room for a growing child. Nights he would slowly pace the carriage with all the possessiveness of a jealous suitor, one hand maneuvering a sputtering candle, the other tenderly rapping his whip’s **** against each visited cage.
But the boy was a flawless specimen; a beautiful, undemanding baby. From the moment master angrily tossed the placenta he felt cheated, even betrayed. He grimaced as it peaceably took to its mother’s breast, despite the surrounding horrors. Master hated it, immediately and entirely. The ****** thing was so docile it was almost charming. He drew his knife and was just reaching down, when an overwhelming sense of dread shook him like a rat in the jaws of a mastiff. Sweat poured down his squat, pig-tailed nape. He knew he would live to regret it, but decided to not cut the child’s throat right away. It was the oddest feeling. His knife hand had trembled for the first time in his life, and he had found himself momentarily contemplating right and wrong at the outset of a perfectly simple and commonplace procedure. That was it, then. His business instincts were letting him know there was a good, albeit unknowable, reason to let the sweet baby live. Master left the carriage anxiously, muttering in his ambivalence.
The boy grew to embody his worst expectations. Not only was it a poorly oriented child, clinging to its father rather than its master almost from the moment of weaning, but it soon proved a lousy draw with the patrons. Those who paid to view the child dangling in its special cage inevitably departed unsatisfied, some vocalizing, strangely, an acute sense of shame. So once again master entered the carriage with his knife hand steady, and once again he exited trembling, his heart in his throat and his soul in a whirl. He whipped the dwarf savagely before leaving. What place conscience in the mind of a businessman?
Soon as the boy could walk, master put him to work fetching and feeding. But the brat was slothful in his chores, preferring to hang around his family’s cage while staring wistfully at his father. For their part, the parents were wholly disinterested. Master would fume while Hero gazed for hours out his peephole—even as the mother lolled, perpetually ill. Sometimes that accursed woman’s condition riled poor master to no end. She could teeter at death’s door for months at a time, her body changing hues to the fascination of customers, only to bounce back with a hardiness that was of interest to no one. But at the peak of her performances the blue lady could really hold a crowd. Master produced an entire outdoors extravaganza around her:  within concentric rings of raging torches his men would slowly strip her naked before wild audiences, then allow the dwarf and albino to take her while the leopard strained against a gaily festooned chain. Master circulated his crew through the crowds to encourage his patrons’ cult-like behavior of breath-holding and fainting. No getting around it:  the customers were crazy about her—village to village, master’s Bactrian vanguard’s colorful robes shouted her approaching fame. And Hero’s popularity continued to soar. Many were the nights when master, pacing the perimeter, wondered just what devilry could have produced the lovely boy.
Overall, Hero remained his master’s favorite conceit and hottest property. Part of the little brute’s appeal was, of course, his exoticness. And certainly the ugliness arising from his deformity was compelling…but there was a detachedness about him that fascinated every soul with a fistful of copper cash coins. Whether they ****** him, cudgeled him, or spat in his face, he remained unflappable, staring only at the aching sky. Though many would leave uneasy, master noted with deep satisfaction that they almost invariably returned.
The boy soon evinced an amazing affinity for animals. No matter how agitated an ox or horse became, the child could pacify it with one hand on a lowered brow. This was a source of endless fascination for the crew. Wagers were made. The boy was pitted against oxen whipped to a frenzy. But they would not harm him; they would rather go prostrate and take the lash. Master tried to work this knack into a viable act, but his patrons just weren’t buying. They wanted freaks.
When the lad was a mere five years old, master had him trained in the peripheral art of the pickpocket. The boy worked well alone, and had all the makings of a fine little flimflam artist. Master sighed, his chronic nightmares a thing of the past. As ever, his business instincts were guiding him well.
Then late one afternoon he found the boy squatting outside his parents’ cage. The boy had done the unthinkable:  he had deposited his day’s pickings at the feet of his father instead of bringing the ***** to master. Master flew into a rage and raised his whip to give the little traitor the lashing he deserved. But before he could deliver a single stroke his other hand shot to his chest and he staggered back against the albino’s cage. He blinked down at the boy, who regarded him steadily while scooping the plunder into a little pile.
From that day on the boy placed whatever he could get his hands on at his father’s feet. As time passed he became ever more adroit at thievery, growing into a youngster both admired and despised by master and his crew; admired because theft was a cinch for him, despised because they were all that much lighter in their possessions.
Now, for eleven long years the strange little train had bounced along, sometimes camping outside villages for months, occasionally pausing on connecting roads. The show traversed the heart of Manchuria, skirted the Gobi in the north, and so eventually crossed almost the entire width of Mongolia before proceeding north to the confluence of the rivers Yenisey and Ob’. Much silver and copper had come to master’s coffer, much fame to his name, but he now sat looking over a vast, unmapped Siberian wilderness. The mostly nomadic characters they’d been encountering spoke in tongues unfamiliar even to his personal valet-translator-accountant, and the tone of these nomads had been unmistakably hostile.
Master huddled surlily under a canopy of sopping hides. Night was falling hard during a merciless rain, the wind was picking up, and his supplies coach was bogged in a growing sea of mud. At that moment he accepted the whole end-of-the-line concept, and knew he wasn’t going anywhere but back. And when he got back he was going to shine! He jumped from the coach.
The earth took his weight for a heartbeat—and he was up to his chin in muck, splashing about on his hands and knees, sliding forward on his palms and toes. He did a belly flop into a rain-filled depression and churned to his feet with the devil in his eyes. Wallowing in mud and bile, master stomped to the supplies coach and kicked wildly at the stuck rear wheels.
Somewhere between kicks he lost it completely.
Master broke for his whip. One minute he was blindly lashing his men, the next he’d succumbed to a mindless ferocity. He thrashed about like a berserker; whipping the beasts, the coach, the very night. His men were scarcely able to move in all that mud, but their dread of his savagery kept them hopping. They gathered as one and shoved the coach recklessly; slipping, splashing, shouting. A minute later, three lay splayed underfoot, but the mired wheel had been freed.
Throughout all this the oxen had swayed nervously, while the horses softly tramped their hooves in place. Master had his men turn the oxen about until the rickety train was pointing dead east. He checked the hitches and personally applied the lash. The oxen didn’t budge. Master swore and wiped the rain from his eyes. He had the horses hitched ahead of the oxen, but they were even less obliging. Master flew into a spectacular rage. His men, fearing for their lives, ran liberally with the lash.
The swaying of oxen picked up until the entire train of carriages was rocking. Yet the oxen could not, would not be compelled, under any amount of prodding, to take an eastward step. Master looked around in exasperation.
The night had gone insane.
Horses were fighting hitches, oxen walking on fire.
Master cursed the rain and mud and lashed all the harder. His men, seeking to please, whipped maniacally until the horses and both lead oxen broke their hitches and bolted west. The men immediately embraced the rear oxen, but the hitches shattered and the beasts stormed off. The remaining horses blew it, kicking at everything and nothing.
Inside the long carriage all was chaos. The albino was neighing and screaming, the aged leopard spinning in its cage. Hero stared out his peephole, amazed at the blur of figures stumbling by in the rain.
A pair of clopping blows rattled the opposite wall. Three slats cracked. A tremendous impact, and a huge section collapsed. A thrashing, hysterical mare burst through the breach in a veil of rain.
The horse went mad, killing the albino and snake woman in a flurry of hooves. She fell ******* the near wall, crushing the cages. The leopard shot into the air like a rocket, slashed at the mare’s throat and vanished in the rain. The horse reared above the family cage. She was just coming down in a wheeling storm of hooves when something made her freeze. Her stare locked with Hero’s, and a second later her eyes were rolling in their sockets. The mare kicked crazily and came down ******* her left flank, smashing the long cage’s side. She whirled upright and leaped outside.
For a tense minute the family sat in the rubble, rain bombarding their eyes. Nothing in their years of captivity had prepared them for such a situation. But by the end of that minute the son had taken full command. He rolled onto his back, braced himself, and kicked his parents across the aisle, through the remnants of the opposing cage, and out of the carriage. They all fell about in the mud and rain. To the west, the mare stared back strangely as she splashed into the night. The boy wedged himself between his parents, threw his arms around them, and pushed with all his might. Their bodies found a common center of gravity. Fumbling drunkenly, the family staggered through the rain in the wake of the mare.

The boy was the natural leader.
Master’s innocent-looking little ex-student could quickly assess and exploit almost any situation. He did the foraging and the figuring, slept with one eye open and one fist ready. He got what he wanted by charm or by stealth, slipping off at nightfall, returning at daybreak with small slaughtered animals and chunks of dark peasant bread. He also pilfered any bauble or oddity he could get his paws on, to be placed reverently at his father’s mangled feet. Breadwinner and watchdog, he faithfully held the family together; a nuclear son. He sewed hardy feather-lined cloaks of reindeer hide, and turned a cache of marmot pelts into a kind of side-slung backpack. He was doting nurse during his mother’s episodes, and unbending apportioner of calories in lean times. Dauntless when it meant crossing mighty rivers, relentless when it came to finding mountain passes. But the endless marching, the unreliable diet, and the countless predators made the three wanderers lean, haggard moving targets. There were times when the little lamp of family was all but extinguished, and long stands in places that seemed absolutely impassable. Still, the boy would work things out. He would stoop to any level to feed Hero, and for a stranger to threaten his father was to summon a psychotic, unyielding monster. He was both spear and shield.
The toughest job of all was maintaining a tight unit, meaning he was forced to become a hard-nosed ******* whenever his father was ready to wander off, which always seemed to be whenever the mother was hurting most. She’d become a tremendous impediment to Hero’s compulsion, and therefore her son’s chief nemesis. It wasn’t a big-picture concern anyway; the writing was on the wall. The blue lady’s attacks were increasing spectacularly on the steppe; her world had always been an enclosure of some kind, and the great horizon was proving just too much. Perhaps these intense affairs served as links to Hero’s suppressed memories, for at the onset of each attack he’d turn and hike, and then only exhaustion could curb him. The boy would press his mother on, dragging, shoving, and smacking—he could be mean when necessary, and though circumstances had made him the nucleus, their worlds unquestionably revolved around Hero. Where he sat, they sat. When he rose, they did the same. In this manner they marched for years across the vast steppes, single-file—father, mother, and son, respectively—unmolested, lacking possessions, always following the sun. Long before they could be measured they had drifted into obscurity.
The woman’s end came quickly and dramatically, in a rocky little depression on a half-frozen field. One moment she was responsive to her son’s prompts, the next she was flat on her back, her eyelids fluttering. That night she leapt from fever to chill, from alertness to stupor. The boy, squatting beside their campfire, watched her face and hands run cadaver-blue to fish belly-pale and back again. While he was staring her eyes popped open and her hands came scrabbling. He sweated through the clawing embrace until he could bear it no longer. He oozed out and ran down to fetch his father.
When they got back Hero watched incuriously for a while. His mate’s face was scrunched up and her skin the color of sapphires. She wasn’t breathing.
His gaze became glassy, his eyes returned to the night. As he rose the boy immediately grabbed an arm. Neither moved for minutes. When the boy at last relinquished, his father casually stumbled off.
Strange things were going on in Hero’s world. Some days he would notice how animals regarded him oddly, in a manner that seemed almost personal. He found, for instance, that particular creatures were recognizable even over great distances. A number of times he would sit with one in a stare-down, waiting patiently, until the animal’s natural disposition caused it to bolt. Though the meaning of these encounters was way over his head, he would watch, and he would listen.
In time he noticed an increasing skittishness in some of these familiar creatures. Something had them spooked. He then observed a number of lean gray wolves moving in and out of the picture with an air of complete indifference:  these wolves weren’t hunting; they were loitering—lounging in the grass, lackadaisically padding to the rear, filing by slowly in the distance. Once in a while a lounger would raise its head, yawn cavernously, and drop back out of sight. So unobtrusive was their behavior that even Hero’s ever-vigilant son began to take them for granted. They paused where the family paused, and halted whenever the woman broke down. Perfectly camouflaged by the gray boulders and dire sky, they were completely forgotten in the drama of her passing.
There were other, far subtler events existing for Hero’s senses alone. He could perceive patterns in everything around him; in the manner vegetation gave way wherever his heart was leading, in the way so many animals appeared to be not merely mirroring, but making his course. And wind, rain, running water:  these phenomena had voices. Yet not for everybody. No one—not his mate, not his son, not another soul on the planet could hear this call, for they were all of a sort. They were static, they were temporal. Hero couldn’t have cared less about the lives of his family, or about the mundane goings-on in the encampments and small tribes they skirted. Such beings lived in a world that was defined by the moment. They shouted, they banged, they clamored.
But west—west was music.
For his boy, once again watching Hero shamble off, the moment of truth had arrived. He looked back down, at his mother’s death mask being remade by the dying light of their campfire. As the flames dwindled he could have sworn he saw shadows creep into the wells of her eyes, while others, crawling up around her jawline, drew her bluing lips like purse strings. He hopped to his feet and ran for another handful of tinder. When their little fire provided enough light he dropped to his knees and looked again.
She was sinking right before his eyes, every aspect of her expression in collapse. The boy watched clinically, fascinated. As the flames began to sputter he thought he could see large purple bruises spreading across her cheeks like the seeping limbs of overflowing pools. He bent closer.
From deep in the night came the longest, the leanest, the saddest wail he’d ever heard. He turned to see the starlit ghost of his father, facing away, staring at a low barren hill. Uncountable stars embroidered the spot. The boy made out a low shape moving along the hilltop, cutting off patches of stars as it passed.
The wolf howled again; a mournful, spiraling cry to nowhere and nothing. Hero’s head notched upward. He began to hike.
Halfway to his feet the boy stopped dead.
It took a minute to sense why he’d frozen in place, and a good while longer for his heart to quit pounding. He was aware of a nervous padding, and, once his vision had adjusted, of a lazy stream of eyes gleaming in the dying campfire’s light. The eyes bobbed around him, glared momentarily, returned to the ground.
A massive gasp, and his mother was tearing at his wrist. He watched her hyperventilating, saw her bulbous yellow eyes sinking in a wide violet pool. With a sizzle and pop the last tongue of flame was taken by the night.
Then her clammy hands were all over him, pulling and demanding, caressing and beseeching. He had to pry them off like leeches, had to place them clasped on her shuddering arched belly.
A silky snarl rose almost in his ear.
With a little squeal he sprang to his feet, even as something nearby jumped back in response.
The boy stood absolutely still while the panting thing padded nearer. They stood very close, smelling each other. He instinctively extended a hand, palm forward. But it was no good; his arm was shaking out of control. The snarl rose again, not so tentatively this time. His mother’s nails tore at his ankle.
The boy gently stepped away, only to find himself surrounded by the shifting silhouettes of half a dozen gray wolves. They approached in a calculated manner:  two from the left, one from the right, another from behind. He was being goaded away from his mother; he could hear her fists beating the ground, and a few seconds later the sounds of a nauseating assault and ravaging.
He shakily raised his other hand. Now both arms were extended, and their message was clearly one of defense rather than control. Two snapping wolves stepped aside, leaving him a gateway into the night. A cold wet nose bumped his wrist.
Screaming like a woman, he took off after his father just as fast as his feet would carry him.

                                                  BOY

Alon­g the great Kazakh Steppe a man could wander a lifetime and never meet another of his kind—especially if his kind happened to be Alaskan Inuk, and if he happened to be the teenaged patriarch of a two-man family going nowhere.
Here history is mostly mute.
Upon this continent-spanning steppe, unnamed communities were scattered and rebuilt, lives blown about by the wind. The only centers of humanity a traveler might encounter, far removed from the Silk Road at the very crack of the new millennium, were temporary encampments of civilization at its rudest—shifting holes of cutthroat commerce existing solely for the barter of silk and spices and hapless souls. Life here was revered far less than merchandise, and the longest-lived men were those who kept their distance.
Hero and his boy hiked over permafrost and tundra for years; their meandering course a drunken mapmaker’s scrawl. Chronological entries along this imaginary line would reveal that they’d stopped, sometimes for months at a time, when the father had grown too weak and disoriented to continue. Hero’s internal compass was long-sprung, and his weight had fallen considerably. He’d sit on his lonesome, scarecrow-scrawny, wistfully scrolling a 360-horizon while his boy scouted and scavenged. Then, for no apparent reason, he’d just up-and hike—sometimes northwest, sometimes along a tangential plane that always threatened to spiral. It was brutal:  winters were frigid, summers, by odd contrast, running steamy to baking. Season by season these marches lost their tenaciousness, and eventually their heart. Hero’s obsession was becoming his demise.
Now, to a hypothetical observer, the ratty pair of woolly camels materializing out of the rising August heat might have been mirages.
These beasts were novelties here, and pioneers, for they were way beyond their normal stomping grounds. They’d tramped for months with a mind-numbing monotonousness, a thousand miles and more; round the Urals to the south, and through the hard territory braced by the Volga and Voronezh, avoiding anything that even smelled of men. They’d been wild camels; ugly, ill-tempered, and unpredictable, until the boy tamed them by touch…but this new pattern was a literal change of pace…for weeks the frail little man and his dark teenaged son rose and fell with the animals’ rhythm, lulled by it, sick of it, dreaming of lands far removed from hoarfrost and peat moss. In this manner they were borne clear to present-day Belarus, whereupon the camels’ stupefying march began to quicken. Mile by mile they put on steam, until one day they reached a broad area distinguishable from its bracing terrain only by its many deep surface cracks. Here the camels’ behavior became erratic; they crouched at an angle while tramping, their long necks oscillating, their noses bobbing along the ground. Eventually they came upon a dingy pool nestled in a pebbly depression. The local brush surrounding this pool was situated like iron filings about a lodestone. The boy hauled back his camel’s neck and laid a hand on its brow. The brute slowed to a halt. The other camel imitated its partner, move for move. Simultaneously the animals dropped to their knees.
The boy jumped off, catching Hero as he fell. The camels stood watching stupidly as son maneuvered father, but after a while grew nervous and began tramping their hooves in time. They slowly stepped to the pool’s rim and knelt woozily, their noses poised just above the surface. Their whiskers danced on the pool’s face, their lids became heavy, their hindquarters quivered as they drank. Their nostrils, having fluttered in unison, remained agape. They appeared to be asleep.
The boy began filling skins.
The water was quite warm; he slurped a palmful and almost immediately felt intoxicated.
He flicked it off his fingers; the water was bad.
Three heads were now mirrored in the pool; the camels’ at ten o’clock and two o’clock, the boy’s at six. He watched their reflections continue to ripple, long after the pool had become still. His face, melting and firming, rapidly fluctuated between extremes of age, and between his own recognizable features and those of some…monstrosity. The effect was hypnotic. He felt his joints stiffen; his eyes became weak, his thoughts muddled…his face was irresistibly drawn to the pool’s surface, and for a moment he was in real peril of drowning. He ****** his head aside and creaked to his feet.
Where the camels had knelt were only the prints of their bellies and knees. In the distance they could be seen galloping all-out for the horizon, right back the way they’d come. The boy watched until they were swallowed by their dust, and when he turned around his father was long gone.
Now he knew it was all just a matter of time.
And sure enough, after eleven more days of feebly staggering along, Hero completely ran out of gas. The boy bundled him up in a shawl, like an old woman.
Sitting there, cradling an unresponsive man weighing less than eighty pounds, he couldn’t help but let his morbid fantasies run wild. He was now old enough to realize his father had at some time suffered severe head trauma, and honest enough to accept that the man was rapidly approaching a vegetative state. This understanding accompanied him like a shadow, and that night he questioned, for the very first time, his own convoluted rationale.
He was just beginning to sense that his will was not his own.
He built a semi-permanent camp west of the Desna and foraged in a tight spiral, always returning in a straight line. Some days he came back feeling uneasy, sensing another presence. Then it was every other day. It bugged him to no end. At last, when it became every day, he hauled his father to his feet and began a resolute march to the west.
Again he became anxious, and after only a dozen yards.
He turned slowly while hunching, certain something bulky had just dropped out of sight. Nothing looked suspicious, everything looked suspicious. He walked Hero some more, occasionally peering back over his shoulder. There was…something.
He whirled:  only masses of rock and high brush. Yet, when he really strained his eyes, he was sure, pretty sure, that he could make out a large crouching body continuous with the rocks. Heart in his throat, he began a slow steady creep, only to pause, positive the bulge, whatever it was, had shifted in response. The boy very gradually raised his arm until it was level with his eyes, faced the palm outward, and extended the arm parallel with the ground. He could almost feel some kind of current passing between his itching palm and…nothing. He walked over to Hero, stopped again. There’d been the subtlest sense of traction. The boy propped up his father in a cloud of flies and waited.
In a minute the bulge drew *****.
Out of the brush strolled a furry gray wild ***, her back inclined from countless weary miles; stretching her neck, pausing to nibble, taking her sweet time. Grungy as she was, she fit right in.
At the boy’s first casual step she immediately hit the dirt and remained flat on her belly, one big dark eye staring between her hooves. Another step, and her **** bunched up. The closer he got, the higher her rear end rose. When he was almost at arm’s length she sprang back and danced away, seeming to bound with delight. But not to the east, as she’d come.
To the northwest.
She backpedaled while the boy came on whistling and cooing, matching him step for step. But the moment he threw up his arms in resignation she spun round as though cued, dropped on her belly, and peered over her shoulder.
The boy was first to blink. This time he approached fractionally, keeping movements to a minimum. She rose just as carefully, sauntering northwest in reverse, and at the first sign of hesitation turned, dropped, and cautiously gazed back. The boy glared at that huge mocking **** and broke into a sprint. She easily danced out of reach, plopped down, and continued to stare.
He began hurling stones, with venom and with accuracy, until she’d scurried into the brush.
But on the way back to his father he could feel her tagging along.
Twenty feet behind she halted, looking bemused.
The boy nodded ironically. He walked Hero over, murmuring baby talk all the way, and firmly placed a palm on the animal’s muzzle once her breath grazed his fingers. She stroked his hand up and down with her whiskers, gave a kind of curtsy, and waited on her knees while he helped his father mount.
At Hero’s touch a shudder ran down her body. She stood up straight. Her eyes became set, her back absolutely stiff. She put down her head and began the long trek northwest, never once breaking stride.
It was an amazing march, an impossible feat. For a little over three days and almost four hundred miles she progressed like an automaton, driving herself without rest, without food or water.
After trotting alongside for an hour the boy climbed on and force-fed his father berries and smoked meat, his dark eyes constantly searching the countryside. Occasionally he’d see a run of red foxes to their left, watching intently, padding cautiously. Sooner or later they’d vanish, only to be replaced by a train of feline or equine pursuers. Packs approached and receded while, high overhead, flocks formed triangular patterns that continually broke up and reformed. There was a peculiar rhythmic quality to this ebb and flow that lulled his senses further. The boy shook his head to clear it, but his exhaustion was deeper than he’d supposed—even the brush appeared to be leaning northwest.
That first day he grew numb with the pace, and that night the relentless pounding of her hooves drew him into a miserable slumber. He wrapped his arms around his sleeping father and lay half atop. When he couldn’t keep his eyes open any longer he tore strips from his skins, then looped his tied wrists round her neck, his ankles round her belly.
On the second day she was breathing hard, but her back was still high and she showed no signs of faltering. Her eyes remained focused on the ground dead ahead. She always sensed the best routes; finding mountain passes, fording wetlands.
But by the third day they could feel her ribs quaking against their legs. Her breath exploded as she marched, blood frothed and caked about her nostrils. Still she pushed herself on, her pace so steady it was almost metronomic.
On the fourth day her legs were gone. She veered and stumbled, shuddering every few paces. The boy hopped off for the umpteenth time and tried to bring her to graze, but she wouldn’t be turned. He ran behind her as she staggered along, unwilling, or unable, to rest.
At last a foreleg gave and she went down hard. Sobbing and snorting, she plowed her muzzle back and forth in the soil, the useless leg repeatedly pounding the ground. After a minute she raised her head and brayed at the sky, her neck muscles taut, her head slowly swinging side to side. Her cry went on and on.
With a tremendous effort she pushed herself upright and butted the boy aside. Every part of her body was shaking. From her depths a low moan grew to a steady bray, and finally to a wild, pulsing howl. She came to a rise, but was too weak to climb without sliding. Stamping in frustration, she managed a few feet, reared feebly, slid some more. The boy got behind her and applied his back; it took all he had to assist her almost to the top. With a desperate lunge she crashed on her belly.
Amazingly, she dragged herself on, her howl now a scream, her head whipping left and right. When she could pull herself no farther she ****** forth her neck to its very limit and, with a shudder that ran from the tip of her nose to the tuft on her tail, shoved her muzzle straight into the dirt and died.
The boy hauled off his father and fell back. The animal’s eyes were fixed upwards, seeming, even in death, to be straining for a glimpse of what lay just beyond the rise. The boy half-dragged Hero the last few yards. They collapsed at the top, and together looked over the cold Baltic Sea.

At water’s edge a haggard fisherman sat on his boat’s ravaged deck, blindly staring out to sea. His was a queer vessel; a family structure built more like an aft-cabined barge than like seacraft typical of that period. The fisherman’s boat, like his mind, had been abused beyond repair.
He’d lost much in his life. Time had taken his dreams, pox his face, hardship his back and shoulders. And, more recently, a brawling band of drunken Baltic pirates had ***** his wife and daughter before butchering them along with his two fine sons, while he sat helplessly bound to the mast. Finally, to further their delight, they’d set the boat aflame and sent it crackling against the sun; knowing he could hear their hoots and howls, knowing he would drift undead, accompanied only by this last unspeakable memory.
But a squall, without prelude, had doused the flames and blown his home ashore.
There he’d remained for a full long day, staring at nothing, his shattered life caught on the rocks. On the second day he’d worked himself free and commenced staggering about in his memories, gathering shards. It was a pathetic claim. He made a pile of all the old bedding and linen and usable cords, and set about sewing a sort of mementos sail. All that third day he had sewn, and on the fourth he had hoisted this sail and been moved to see it billowing in a northwest-blowing breeze. Again he just sat and gaped. And later that day he’d become aware of a commotion taking place on the long grade leading down to the water, where a writhing mass of seagulls was proceeding like a tremendous slow-motion snowball. He’d never seen anything like it. It wasn’t uncommon to find gulls in a group of many dozens or more, but there must have been two, maybe three thousand of the birds now swarming toward his boat. They were making an incredible racket. In the midst of this cloud could be seen a couple of slowly walking figures; as they neared he made out a small man accompanying a boy in his late teens, both dressed in odd skins. When they reached the rocks his eyes were drawn to the small man’s face. It was a foreign face, brutish and dark, with a deep cleft running from above the right temple to the jaw’s left side. Whatever instrument had felled this man had been devastating—everything in its path was smashed, and with permanence. The forehead was caved in. There was no bridge to the nose, the left cheek was completely collapsed, one side of the mouth was a mangled mess. The jaw itself had set improperly, so that it jutted to the side. The general impression, especially from a distance, was of some unforgettable circus freak’s countenance puckering at an angle. It was a face right out of a nightmare. But there was nothing frightening about the eyes. They were the eyes of a child.
Maybe half the gulls hopped screaming on the rocks. The rest circled overhead.
The boy considered the fisherman curiously before placing a foot on the charred deck. His gaze went around the boat, lingered on the makeshift sail, returned to the slumped figure. He passed a hand before the eyes. No response. He then leaned in close and placed his fingers on the man’s forehead. Immediately that bleak expression became fluid, brimming over with horror and heartbreak. Tears rolled down the fisherman’s cheeks as he gasped, shuddered, and backed up the scorched mast to his feet. Thus propped, he squinted at his visitors and was overcome by a wave of homesickness so strong he had to turn away. The feeling bewildered him, for this vessel, and this sea, were all the home he’d ever known. He clung to the mast while the boy helped his father board. Once he’d collected himself, the fisherman tore a heavy crossbeam from the toasted cabin. He and the boy used this as a lever, and together they shoved the boat off the rocks. The wind picked up nicely, and the little craft was swept across the water.
Exploding off the rocks, the gulls shot after the boat as if it were brimming with fish, the loudest and orneriest vying for favored positions directly overhead. The melee attracted additional gulls—they came shrieking in their hundreds from all sides, banking and calling in the oddest manner, until the mass grew so thick as to cast a permanent shadow on the boat. All day long the clamor continued, and all that night. The fisherman rolled with the rudder, listlessly, allowing the sea to control him. Eventually he let go, that the wind might bear them where it would. His sail ballooned but held firm, and the boat fairly zipped across a sea somehow smooth as glass, broken only by the vacillating ripples of bottleneck dolphins and migrating humpback whales. The three tiny sailors sat hunched together, motionless, all throughout the next day, until the black coast of Sweden loomed in the twilight.
As the boat neared land the cloud of gulls broke up, shot to shore, and landed in groups of a thousand and more; a dizzying, wildly uproarious reception committee.
The dung-covered boat slammed into the rocks, shattering the fisherman’s trance. He intuitively walked his **** up the mast and, swaying there, watched the boy draw his father over the side and lead him to a clearing at wood’s edge. There in the dusk he made out what appeared to be a hefty spotted runaway heifer hitched to a rickety wood wagon. He saw the cow gallop up to meet them, saw the boy look around warily, saw him help the little man into the wagon and climb in beside him. The animal immediately began picking through the woods, the large brass bell round her neck clanging forlornly.
The clarity of that bell made him realize just how quiet it had become. He craned his neck:  there wasn’t a gull in sight. He fell back against the shot mast and slid onto his tailbone with a clacking of teeth. His eyes were misting up. In the gathering dark a few sail fragments flew past and were ****** into the woods. The boat rocked and relaxed. After that there was only the sound of the receding bell’s sad, monotonous song being batted about by the wind.

The little cow strode through moonlit woods until she came to a path formed by the rutting of wheels over many years. She followed this broken, serpentine track throughout the night, and by morning was passing farms and, occasionally, crossing broader paths that might realistically be defined as roads. All day long she bore down that ragged track, until she came in late afternoon to a clearing near a village. Here many such tracks converged. And here the boy slipped away while she grazed.
Sometime after dark he returned with a load of straw, a couple of pilfered blankets, and a fat iron kettle. Crammed in this kettle were salt, tubers, cheese, a few loaves of rye, legumes, and a plump foot of lamb sausage. Most of this ***** he’d brought in tied to the bowed back of a huge, puffing, highly amenable black pig which, thus laden, now followed the boy’s every step like a fresh convert tracing the heels of the messiah. The boy built a fire under the stars, filled the kettle with creek water, and commenced simmering their dinner. While waiting, he couldn’t help but note an odd feature of the local flora:  plants, especially trees, all seemed inclined to a northwesterly disposition, though no amount of wind could account for it. He shooed the pig. But rather than run along, it backpedaled in a nervous circle, round and round in reverse, until it lost its balance and fell on its ****. There it remained, a yard behind the wagon. The boy fed his father and lined the wagon with straw. They settled in for the night. The boy must have nodded, might have dreamt, but while he was drifting he became aware of a stirring in the woods. He sat up, saw the pig’s eyes gleaming inches from his nose. And there were a number of animals, some wild, some strayed from farmsteads, arranged in a broad circle around the wagon, their eyes glinting with moonlight. Not a rustle, not a peep, was lifted from the woods.
In the morning he woke to find the pig still staring. The fidgeting heifer, impatient to roll, began her long day’s march while Hero and his boy were yet stretching and scratching, and the ******* pig, galloping heavily, fell in close behind. Each new day this routine was repeated. They banged past farms and small communities until the ruts intersected a broad rocky road wending halfway across the kingdom. The cow addressed this road with vigor. They picked up followers—a goat here, a couple of sheep there—which hurried after the wagon as best they could. The cow stomped on with resolve, mile after mile, day after day, her bell keeping steady time. That bell’s peal attracted foals, lambs, and kids into the wagon’s narrowing wake. Hares hopped between hooves and wheels, boars and blue foxes fell in and withdrew. White falcons, normally solo fliers, whirled into wedge shapes high overhead.
At night the entire train would camp on the road while the boy raided proximate farmsteads, always returning fully laden. And as soon as the fire died the colony grew, creature by creature, and the moment the sun broke the horizon the heifer came to life and moved on, but each day a bit more resolutely, as though straining to meet a deadline. The march took on a sense of real urgency. The cow pressed on with attitude, the clang of her bell more strident with each passing mile. Soon her followers numbered in the hundreds, as animals deserted their farms or crept out of the woods to tag along. Tillers and traders stood dumbfounded, amazed by the bizarre flow.
Once they’d crossed into Norway the frothing cow veered hard to the west. The pace really picked up; no longer were Hero and his boy afforded the luxury of a night’s sleep in one spot. Days blurred into a single variegated flow as the bashed and lopsided wagon continued building its entourage; the riders were surrounded dawn to dusk by a confused and confusing scurry. Word of the flow’s weirdness preceded it clear to the Norwegian coast, so that now plowmen and merchants, wearily gathering their goggling families, found themselves lined in anticipation along the king’s highway. Horsemen went pounding to and fro with news of the procession’s progress and particulars, children ran through the streets banging pots in imitation of the cow’s approaching bell. Livestock wheeled and stamped, fowl leaped and crashed.
The slobbering cow broke into a run.
Bystanders trotted behind, calling back and forth excitedly, while the wagon’s permanent following squealed and squawked between their heels. The cow made a hard turn onto a widening swath in the brush. This swath, seeming to strain against the soil, ran straight down to the crest of a low hill overlooking the Atlantic. On either side a crowd had been studying the phenomenon for some time, but now all eyes swung to the dark and disfigured man and his son, clinging to the disintegrating wagon behind the careening spotted cow.
The trailing people traded views as they ran. Most—at the very outset of the new millennium, with Christianity burgeoning throughout Europe—leaned to the miraculous. Others, just as superstitious but prone to a darker point of view, threw looks of horror at the deformed little man. Yet they ran no less eagerly.
The galloping crowd made for the seaside, where only one local event of any moment was brewing:  on the coast a Greenlander Viking was preparing his longship for the rough voyage home. Impetuous son of the great island’s first permanent European settler, he’d just been baptized in Olaf’s court, and was now eager to sail—but not as a warrior—as a missionary. While his spirit remained in a tug-o’-war between his father Erik’s will and that of gods old and new, his duty was clearly to his king. And Olaf had charged him with the Christianization of pagan Greenland.
Something on the wind now made this destined man turn his head. From behind the gentle hill to his rear came a kind of thunder. Heads popped up, followed by a confused explosion of voices, and seconds later a frantic bug-eyed heifer burst into view, dragging the wheel-less skeleton of a shattered wooden wagon. On the wagon’s splayed frame a man and teenaged boy clung for their lives as the spewing animal made a beeline for his ship.
The new missionary, still egocentric enough to assume his Maker might actually toss him a personal, surreptitiously rolled up his eyes. The sky yawned at his arrogance. At his side a smallish cowled man rose irritably, but the missionary sat him right back down. He then snorted, squared his shoulders, and signaled his men to halt their preparations.
Knowing it was expected, he gathered his hard Nordic pride and coolly made his way into the crowd.

The priest clung to port, gagging above the waves.
After a completely uneventful minute he leaned back and stared through tearing eyes at the distant backdrop of gathering mists. Weeks now…a man of his constitution had no business at sea.
Along, too, were a quirky little man and his fiercely devoted son.
Through his pantomime, the boy had been so persistent in begging their passage that refusal, under the circumstances, would have been unbecoming not only a man of God but a man of the world.
So there it was:  a priest who couldn’t hold his lunch, a witless eyesore who couldn’t sit still, and a surly teenaged protector who snarled at the first hard look. This crossing just had to be some kind of divine test—of mortal patience as well as moral values. Norsemen weren’t made for babysitting.
The mists condensed.
And the shifting shape became a hard familiar coast.
And the longship was mooring, and the crew were jostling and clambering, and the big missionary had booted off the haunted little freak and his hypersensitive son, and was condescendingly half-escorting, half-carrying, the green priest ashore.
And they were home.

Priest in tow, Leif quickly took up the Christianization of Greenland’s Western Settlement, as per Olaf’s command. The mangled little man and his son followed him around like dogs, slept outside his door and annoyed his visitors, ultimately proving far easier to adopt than to shake. Barely tolerable shadows…still, the lad was simply amazing with livestock…and though the youth’s useless father seemed time and again to be just begging for a whooping, his son’s presence bore some ineffable quality that always curbed the missionary’s hand. Several times he’d witnessed the father approached by settlers bent on abuse. Each time the boy had stepped in, and each time the troublemakers were mysteriously repelled. The missionary of course didn’t attribute any kind of celestial intervention to these episodes, and certainly the popular notion of devilry was a natural reaction to the pair’s outrageous exoticness, but…in the son’s company, and even under the sharp eyes of his fellow Norsemen, Leif more than once found himself oddly moved to protect the father. And so the deformed man and his boy day by day blent in—as village idiot and mystic guide. And when in time a ****** brought tales of an unvisited land to the west, it was only natural for the restless Greenlander to buy that ******’s boat and, before stalwart comrades, weary family, and whimsical God Almighty, reluctantly accept the eccentric father and son as sort of seagoing mascots.
Hero was from then on irrepressible. During preparations he would pipe and stammer in his half-mute way, brimming with a confounding anxiety that kept him underfoot and at odds with all. On frigid nights he perched on the westernmost rocks, moaning to the horizon in the strangest fashion while his son stood guard. He positively spooked the locals; they’d gossip, nervously and with bile, of an answering wind that came wailing off the sea like a banshee in labor. The whole island wanted rid of him. And when his champing beneficiary, still clinging to the notion of Christian charity, bundled him aboard with his son and a crew of thirty-five, not a single settler was sorry to see him go.
Almost from the moment they cast off everything went wrong, as all attempts to control the longship were met with some kind of unknowable countermanding force. Vikings were not renowned for passive resistance—they fought, squaresail and steering oar, leaning oarsman to oarsman, until the ship rocked on the waves like a bucking bronco. An erratic weather system pursued them, worsening dramatically at each minute variation in heading. The Norsemen doubled down, and when the clouds finally burst wide, the cowling sea went mad. Dervishes whirled about the hull, crisscrossing winds bedeviled the sail. Patches of kelp belonging to much warmer waters came heaving alongside, fouling the work of the oars, while far to the west a humongous fog bank formed, eradicating the navigable field. The lightning-streaked horizon was a throbbing gray slit.
The longship became locked in a slow westerly current.
Fatigued crewmen complained of headaches and hallucinations, and of a nasty, slightly metallic tang to the air. There were numerous walrus sightings; bobbing flippers and snouts amid drifting ice chunks that came prowling the North Sea like a circling pack of famished white wolves.
Worst of all was the boy’s father—instantly agitated by everything and nothing, prey to some primitive impulse that caused him to periodically incline his head, shudder to his feet, and loop his arms as though embracing the sky. Leif would watch him scrabbling at the prow like a cat at a tree, furs snapping in the wind. He’d watch the boy re-seat him for the hundredth time, and for the hundredth time be filled with an immense contempt. By now he’d acknowledged that it takes a special kind of strength to shoulder charity and tolerance. That brown little freak struck him as an enormous malformed barnacle, slowly working its way back up the prow. Trying so hard to go unnoticed, looking and listening so intently, though there was nothing to see other than the growing shelves of fog, and nothing to hear save the rising, almost hysterical voice of the wind.
Leif sniffed the air, his ******’s instincts nagging him. This was a foul current, and a fool's errand; he took a deep breath and tentatively ordered the longship brought about.
The ship kicked twice, as though an enormous submarine hand had seized and released the hull.
A whirl formed in the water, causing the keeling ship to sweep around like a clock’s second hand. All about them, those drift-ice ghosts cruised dangerously near.
But they’d been liberated from that accursed current. Leif fiercely urged on his rowers, and at last the ship broke free. They made a bead due north.
Night came and the temperature plummeted.
Small sheets of ice converged, drifting between the hunks. The Norsemen, instinctively huddling amidships, passed out one by one in a massive pile of fur and flesh. In the freezing silence the floes bumped and recoiled, bumped and gathered, bumped and bonded. The tiny ship, swallowed whole, was dragged along in a labyrinth of black sea and interlocking slabs of ice.

The Norsemen came to in a surly, foul-smelling heap, lost at sea. While they were still groggy a voice cried out that a darker patch was developing in the fog. The men all fell to port. Under the confusion of their voices could be heard a distant rumble.
At this Hero hauled himself up the high curved prow. A half-light began to penetrate the fog, barely illuminating the irregular faces of drifting ice. The missionary stormed forward and indicated by gestures that if the boy didn’t restrain his father he would have the man tied down.
The longship stopped dead in the water.
The men found themselves regarding a perpetually frozen coastline swathed in bluish veils of mist. Directly before them loomed an immense ice cliff hundreds of feet high. Rising beyond this cliff were endless snow fields, where lean violet shadows seemed to drag about of their own volition. And upon those bleak fields a thin howling wind prowled, kicking up brief white dervishes, leaving a strange zigzagging signature.
Even as they stared, a darker shadow high on the ice cliff’s glistening face began to widen, accompanied by a cracking sound that could be felt before it was heard. With the illusion of slow-motion, a stupendous chunk broke out of the cliff and came screaming toward the sea. It hit the water like a bomb. The thunder of its separation and the explosion of its impact took a moment to reach them. Then, out of a spewing crater of crests and spume, the new calf came lunging, tromping the sea so hard the longship, fully a mile to sea, was swept out and ****** back in like a cork. The floundering mountain of ice bobbed and lilted, generating huge waves which continued to rock the ship long after the monster had settled. In a while the roaring in their ears subsided and there remained only the swirling, nerve-wracking howl of the wind.
The missionary’s eyes swept left and right. Whatever this place was, it sure wasn’t the fair shoreline he’d been promised. Hero again scrambled up the prow, and Leif again yanked him down. This time he made good his threat; he had the little nuisance bound, though he was half-tempted to let him take his chances overboard.
From somewhere deep in the haze grew a soulful, otherworldly call. It went on and on, electrifying the air, bottoming out once the ship had merged with that previously fought westerly flow.
By now Leif’s nerves were shot. He ordered the oars raised.
The longship began to drift. Ship and ice were pulled due west.
The clouds fell far behind as the ship embarked upon an amazingly calm sea—so calm its entire visible surface was featureless except for the faint wakes provided by the ship and its hulking ice companions. To the east a huge fog bank appeared on the horizon, and a while later a smaller bank to the north. Then a very dense one to the south. In time these banks converged, imperceptibly becoming a single mass that closed about the ship, bit by bit creating a slowly heaving dome. Tiny beads of water appeared on beards and eyebrows; in a minute everything was soaked. The only sound was that of the dragging steering oar. The men were now sopping ghosts, speaking only with their eyes.
Directly ahead the fog began to dimple. The dimple became a hollow, the hollow a cave, and then ship and ice were being towed through a low, ever-extending tunnel in fog. The current increased its pull. Ship and drifting ice accelerated through the tunnel.
After a while the missionary quietly stepped forward. He stood with one hand on the prow’s neck, listening to the mist, so motionless he might have been a carved extension of the longship’s aggressive design. Not a man breathed. The tunnel’s dilating and contracting bore was producing an all but seamless series of oscillating, near-phonetic sounds. Leif almost tiptoed back. No god, pagan or Christian, could account for the strangeness of this situation.
They were borne on a course that grew more southerly, and the following day beheld an inhospitable shoreline glazed by dazzling white beaches. Their course held. Two days later they came upon a far pleasanter, thickly wooded coast. Here the current released its hold, and here the missionary untied Hero and personally placed him and his son in a tiny oak faering. He was just as sick of them as he was excited by this promising new land. Once the rowboat had been heaved over the side, he and another man stepped aboard and took up the oars. They began rowing with easy, powerful strokes.
When the boat kissed sand the missionary stood unsteadily.
The first European to set foot on North American soil now placed one hand on his crucifix, the other on his sword’s hilt, and awkwardly plunged his leg into the thigh-deep, ice-cold surf. Before he could take another step the boat lurched as Hero leapt headfirst into the water, followed an instant later by his son. The Greenlanders watched sourly as the two splashed their way into a mad dash for the waiting pines. Leif wished them both good riddance and turned to grin wryly at his fellow Norseman. He must have blacked out for a second, must have been blinded by a shaft of sun, for he found he was staring stupidly at a point midway between his companion and the longship. It felt like he’d been kicked between the eyes.
Everything was dissolving.
He studied the beach and pines closely, but saw nothing of the man or his boy. He turned back, disoriented. With what seemed a superhuman effort he took up his oars. He rowed out sluggishly, in a dream, and the fog rolled in to meet him.

The boy broke into the trees and embraced a trunk, fighting for breath. What happened next happened so fast and so unexpectedly he didn’t have a chance to react.
Three savages stepped from behind the pines and beat him to his knees. They twisted his arms behind his back and hauled him to his feet. He’d barely processed the impression of a wild painted face when something sharp struck him ******* the temple and tore down his cheek to the jaw. Two of the assailants manhandled him into an upright position and held him in place while the third brought his weapon down again and again and again.
All but dead, he watched a nightmare countenance shouting through a shot veil of blood, and behind that image a reeling crimson sun. He lay there gushing while the savages went through his rags. They propped him against a pine and shrieked with triumph, tore the hair and gory scalp from his skull, threw back their heads and screamed at the screaming sky. Tooth and nail, they ripped apart his face and throat and, certain he would die, split what bits of fur were left and let his carcass lie.

                                                HERO

The weeks stretched into months while he fought his way back into the light.
He progressed in stages; only half-conscious, stumbling along in a blood-red stupor punctuated by a slow strobe of frequent blackouts. Days loomed and decayed, nights pounced and were gone; the backlit, swirling gray cosmos collapsed and expanded on every missed beat of his pulse. A thousand times he broke down to die, and a thousand times he clawed to his feet, driven to pursue a tiny, ghost-like figure fluttering in his memory.
Everything conspired to check him.
A bay like an immense landlocked sea was skirted over months or years—it was all the same. Cold locked him in, Hunger drove him afield, that rude ***** Wind lashed him blind, wore him like a shoe, screamed for his skin while he worked his way west.
Somehow he ate, somehow he avoided being eaten; the instincts that had served him halfway around the planet were still vital beneath the abused exterior. His simple burrows became sturdy temporary shelters. He relearned the art of fire, and began to cook what he killed. He manufactured crude snares and weapons and, when his recuperation was complete, paid closer attention to the on-again, off-again trail he’d been following…forever.
Sometimes this trail would call to him like a lover. Other times he stood peering uncertainly, trying to recapture meanings and aims. Then the ground would turn spongy and the sky revolve, and once again he’d be lying all but dead in the woods, while from the face of the sun emerged a vile winged horror, its ugly pale head lashing side to side, its cruelly hooked beak dangling something that glistened in the wild pulsing light…then the fat moon, rising like gas against the icy black night…the feel of the wind:  the slashing of her nails, the chafing of her hem…the sound of things crunching and pausing and sniffing…then the sun, blazing anew. And again that thing, descending, its wide black wings beating slowly, metronomically—but none of that mattered any more. For his mind had quit him, had flown howling into ice and pine to roost with things surreal. In the day his madness might muddle and run, or spend the light stalking, cat-like, watching and waiting. But at night it came creeping from all sides. Sometimes it came in waves. It could gnaw like the devil, or wrap around him like a warm second skin. But none of that mattered either.
The only thing that mattered was the trail—whether it was lost for good, or for only a while. He’d been following it through his episodes, always north, wondering just who and where in the world he was, and trying to shake a ridiculous notion of being led on a wild goose chase.
The cold was unbelievable.
The deeper north he delved, the more confused he became. He grew starved for colors and scents, finding nonexistent patterns in the stark contrast of shadow and snow. He thought he could detect a kind of otherworldly design in the overwhelming number of dead ends he encountered, and, too, in the diabolically frustrating locations of natural obstacles. He seemed to be forever fighting the wind—a hulking, despondent snowman, he hiked face down and focused, while another aspect of his attention floated just behind, disembodied, watching his silent pursuers…leaving no tracks, blending perfectly with the environment in their clever winter coats…not predators, but creatures that normally should have been hightailing it away from him. By the time he could turn, they’d become nothing more menacing than snowdrifts. But they pursued him nevertheless.
And so his paranoia increased…had there ever really been a trail…and when did this miserably cold, miserably anemic crusade begin…his long-term memory was falling apart a chunk at a time. It just got colder and colder and colder until at last, one snippet of a day during one blur of a year, he found himself utterly lost, and clueless as to his history or objective. His mind was a blank, as colorless and featureless as the endless world of ice around him. He’d come this far solely to learn that the only trail he’d been following was his own—and now even that trail was succumbing to ice. On all sides there was nothing to see but an infinite field of glaring whiteness, and nothing to hear but the ululating wail of the tubular polar wind. It was the loneliest, the unholiest, the creepiest sound imaginable. But it wasn’t insanity that made him wheel. It was his self-preservation instinct.
And then he was somehow on his knees in the woods, facing a furious setting sun.
Whole seasons had passed from his memory like chalk from a board. His only recollections were those of a broken, haunted animal:  of being perilously sick, of fearing the unseen, of blindly struggling across a solid-white wilderness. That he’d survived such an ordeal meant nothing to him. And that he had in some indecipherable manner stumbled across the cold-as-stone trail did not fill him with amazement or with thankfulness—there simply wasn’t anything visual or emotional left to draw on. A significant part of his life had been whited out.
But now he could focus entirely on the trail. And before he knew it, the fuzzy area between fantasy and reality found a seam. He began to analyze and plan. He paid attention to hygiene, and kept a kind of running mental journal. Things were sorting out. Yet there were nights when the old sickness would resurface, reestablish its hold, and leave him sweating and uncertain under the stars. Then, paradoxically, his perception would become razor-keen. And so he would see, on a distant hilltop, a pair of scrawny silhouettes, one on four legs and one on two, slowly crossing the faintly pocked face of the setting moon. He would become strangely excited, and thereafter retain crystal-clear images of himself, as if seen from above, hurrying with adroitness through the silent, graveyard-like setting of black and blue night and white-frosted trees. Then the fuzzy area would broaden, and it would be the next morning, and he would be staring at the prints of man and elk in snow. And he would see how the elk’s prints doubled back, and how the man’s prints terminated where he had obviously mounted his guide. An unfathomable glow would bring tears to his eyes. But, even as he gathered himself, a fresh snowfall would wipe out the prints. And once again the world would plummet into white. And the wind would howl as the snow hammered his eyes. And he would ***** on.

A haggard animal sat shivering in a small grove of frozen pines, watching his campfire die. His eyes were fixed. Like the fire, he was running out of warmth, running out of fuel. There wasn’t a whole lot of tinder round his bones, and not much feeling left in his limbs. The slowly heaping downfall was burying him alive, but he was too numb to care.
It had taken him six long years to cross an entire continent, and during that time he’d known only cold and excruciating pain. The pain was leaving him now. The cold was making it right. His eyes glazed over.
Along a narrow plain to the west a herd of caribou filed dreamily through the snow, cutting across a panoramic backdrop of dazzling white mountains. The slow-motion parade was hypnotic. After a while it occurred to the drifting man, in a roundabout way, that he was dying, that he was nonchalantly freezing to death. Concurrent with this notion there rose in his chest a wonderful liquid warmth. His eyes slowly closed and, once shut, began to set fast.
He was jolted from within. It was as if he’d been kicked in the heart.
He ****** to his feet, pounded his fists on his thighs, felt nothing. The breath spurted from his mouth in small white clouds as he stumbled downhill after the slow caribou train. He swam through the snow, hallucinating, imagining that certain individuals in the herd were mocking him by slowing and accelerating, while others glanced back with expressions of contempt.
As he burst into their midst the animals stepped aside indifferently. A few galloped ahead to keep up the herd, but most simply sidestepped while he danced there, stamping his feet and smacking his hands. The herd grew thinner, until only the old and infirm were filing by. The man desperately embraced a hobbling female for warmth, but she cried out and kicked, triggering a panic reaction in the herd. Clinging for his life, the man was dragged along beside her as the herd stormed into a maze of flying ice and snow. His weight caused her to stagger sideways until they slammed against the flank of a sick male. The man instinctively threw an arm over the male and, thus draped between them, was borne across the drifted plain for upwards of a mile, his freezing feet alternately dangling above and dragging through the snow. The herd broke into a hard run, forcing him to assume a broken trot. Soon his legs were stinging. Sensation rushed through his body.
Now the herd, still picking up speed, began to contract, jamming him between his bearers. There was a quick jolt to his right and he was lifted clean off his feet, nearly straddling the bucking female. It had become an all-out stampede. Through hard-flung snow he saw the cause:  just ahead, the caribou had run head-on into a solid wall of galloping wood bison, and both frantic herds had blindly veered to the east; were in fact running side by side down a deep, ragged canyon—were pouring over the canyon’s lip like a cataract. He was approaching, at breakneck pace, that very place where the converged herds so abruptly swerved. The hanging man snarled as he was borne inevitably to the point of deflection.
There came a concussion at his left shoulder, followed by a blast of snow. In an instant the ailing male was tumbling head over heels to the east, ****** into the stampede’s plummeting mass by the fury of its descent. The man and female, rebounding from this impact, were shot to the west in a crazy jumble of flailing legs. The caribou lost her footing, flew nose-first into a snowbank, and came up running. Kicking off, the man used the last of his strength to heave himself astride. At first she fought to shake him, but the spell of the run was too strong. She and half a dozen others went pounding in the opposite direction of the stampede, quickly joined by a number of bison that had likewise splintered from their herd. The riding man could make out their huge hulking shapes thundering by in a blizzard of flying ice, could hear their heavy gasps and explosive grunts. One passed so close he felt its massive flank brush his leg. He peered to his right and saw a black, pig-like eye regarding him excitedly, moving up and down like a piston as the beast ran alongside.
The eye shifted, focusing on the gasping, completely obsessed female. The bull dropped its head and slammed into the caribou’s side, sending her and the man careening down a ***** to the west. The caribou brayed hysterically and her backside went down, but she managed, despite the weight of her rider, to return to all fours and frantically continue along the *****. Again the bull charged, crashing into her shoulder. The man and caribou were launched sideways into the white searing air.
He sat up carefully. The huffing bison was straddling him like a bully laying down the ground rules. Its big wiry beard came right up to brush his chin. The stench of its breath was stupefying.
The bull stamped and snorted, thrusting its stubby horns left and right as the man used his elbows and heels to back away. The bull followed, move for move. When the man collapsed under his own impetus the bull shoved him along with its snout, bellowing furiously. Clear down the ***** they lunged, shoving and lurching, until the man lay sprawled on his back; up to his chin in snow, completely helpless. The ton of a bull butted and kicked, but only glancingly:  those hooves could **** with a blow. At last the man, in one clean sequence, spun on his rear, dropped to his side, and went rolling down the ***** using his elbows for ******.
At the bottom ran a narrow fence of frosted saplings marking an ice cliff’s precipice. He lay face down in the snow, too done in to do anything but **** at an air pocket.
And there came a high-pitched crackling, a sound like the protracted gasp of embers in a dead fire. He turned just as those saplings began leaning to the west, their frozen skins cracking with the strain.
The bison bellowed menacingly.
The sprawled man looked back and saw it still standing with legs spread wide, silhouetted against the sky. In a moment it began huffing downhill, lurching side to side, surfing the snow between lunges.
It chased him through the genuflecting saplings straight into a frozen gully where, protected by a few feet of insurmountable verticality, he was able to slide on the ice between its stomping hooves, downhill out of reach, then downhill out of control—spinning just in time to glimpse a breathtaking vista:
Partly framed by the gully-straddling saplings was a vast crescent of jagged white mountains seemingly huddled round a small stretch of snow-draped pines. The little wood these mountains surrounded was isolated in a broad lake of solid ice. Hundreds of fissures radiated crazily throughout this packed ice field, appearing to issue from somewhere near the frozen wood’s center, which was completely obscured by a ring of rising mist. Above this thumbnail panorama the sun showered gold.
Then the gully dipped radically, and he was skidding headfirst, slamming back and forth against its slick white walls. This uncontrollable plunge had the positive effect of getting his blood flowing. Yet it tore him up. Had the gully concluded in a cul-de-sac, or had further progress required a single calorie of uphill effort, his struggle would certainly have ended here. He would have been too weak to move, and death would have been swift.
But there was a glacier—a great river of ice pouring slowly out of the clouds. The gully, terminating in a little scoop formation near the glacier’s base, spat him flailing onto its gnarly glass hide. He went head over heels, bits of skin and fur flying like chips from a band saw. Somehow he gained his footing, and then he was running against his will, tumbling and recovering and tumbling again.
He didn’t catch much of that crazy run. He half-glimpsed whirling walls of ice, felt a fickle surface underfoot, and broke through an assaultive mist that clung to his ankles and arms. He remembered having the ragged hides torn right off his body, and then being skinned alive. And he remembered reaching the glacier’s base and crawling like an animal; round its sweeping drifts, past its peaked moraines, all the way to a twisting frozen gorge.
And he followed this gorge down; ricocheting wall to wall, delirious, small plumes of thrashed snow marking his descent.
Through a freezing wood he fumbled. In a veil of mist he tumbled down a steep and verdant grade. As cold consumed his closing breath, he fell upon, near-blind, near death, a strange, enchanted glade.

There is a pool.
And in this pool a man lay purged, his broken body half-submerged.
The stumbling man stopped. He knelt to weep, but lost his thread. One hand took a bicep, the other, the head. With a twist and pull the corpse emerged.
That visage…that face—misshapen mask, contorted, bleached; of life’s deposits fully leached. Essence dispatched—a void, sodden wretch.
He let it fall and the glass was breached. All a freak, all a stretch:  upon this act his grip detached.
And the bridge collapsed…one vagabond grasp…what were these feelings; recaptured and trashed…a span elapsed…who was this puckered mass…he hauled it by the waist and thighs…slid it in, watched the pool react:  purse and recover, expand, contract. The glass reformed, now silver-backed…a sudden mirror…the man leaned nearer…saw his reflection, just smashed, remade intact.
The pool grew still.
Within its depth a shadow stirred—visions gathered, some distinct, some obscure. What they meant, and who they were, was much too much to fathom. The glass became blurred.
He closed his eyes, let his heavy head fall, fell back on his haunches, felt the sweat seep and crawl. The air was a pall—as he struggled to rise, a nib crossed his wrist.
He opened his eyes.
Between his fingers the blades poked and crept. Round his knuckles they ventured, up his forearm they stepped:  they seemed to be triggered by prompts from the ground. He shook his head slowly and dully looked round.
There were jays grouped about him, their black eyes aglow. Red hens came running, their fat chicks in tow. Gophers engaged in a weird hide-and-seek. Bluebells and buttercups craned for a peek. Sparrows hopped past and, paying no heed, burst into flight. He watched them recede.
Westward they flew.
Bewildered, he slumped.
Bumped from behind, he jumped to his feet, flabbergasted to find an ancient gray moose near-eclipsing the sky, with grit in his snarl and fire in his eye.
The old moose took aim.
The man turned to flee and stumbled, then tumbled and fell on a palm and a knee.

But there lies a world (so the lullaby goes) where rivers ever run.
Poked from behind, pushed out of his mind, he staggered into sun.







Copyright 2020 by Ron Sanders.

Contact:  ronsandersartofprose(at)yahoo(dot)com
Sorry about the ghastly copy. This system makes graceful formatting impossible.
Mateuš Conrad Nov 2016
.i. if Kant could have his von Kleist... well... who else to juggle juggernauts if not me? as a task of redeeming that poor soul who succumbed to the terminator of all poetic ambitions, with his systematisation off-the-page, as eccentric and punctual as a sunset on a sundial at 16:11... and in case either the spring of sunrise, or the autumn of sunset... but so many hours after exacting a sunset... that gluttony of the eyes to stare at it... 16:11 is the zenith of a sunset in november the 15th... much prolonged when warmer... supersized sun when setting in summer, and all that whiskey-copper wiring for the eyes to stare at it: oh for goodness sake, who really cares for Ikea likened assembling of words... we're not putting together a coffee table, we're looking for Darwinistic entrapment, we're scared of the aeons and yawns... we're trying to create a Darwinistic entrapment saying what segregates us from apes! that's how anti-Darwinism works - if they can easily call you a poet and a technophobe... then that hardly makes you a merchant with a Quran... to encapsulate the language of our modernity we're doing everything against writing the onomatopoeia of our beginning... monkey ooo! monkey ooo ah ah! or a gorilla grunting and then snorkeling... we're encapsulating our language more and more... because beginning with ape and then looking at history, and then looking at the consensus of the contemporary: Darwinism's greatest enemy is not theology... it's history... Darwinism and history are not compatible... oddly enough Darwinism and theology are compatible, simply because they are dynamically equal for the case of furthering both arguments in debate... but Darwinism is an odd starting point to argue, given that physicists argue from the perspective of prior to dinosaurs, prior to all things formed.

how can i begin this? it will leave me having to
write it for two days,
the anti-narrative sketch first, then filling in
the gaps sober... just to get second opinions...
i might have to cook a quasi-Hungarian borscht
and fry up a few potato flattenings to a crispy
yum... first the narrator comes in to describe what's
in store, a bit like a translator comes in and says
of Joyce: that's Irish... well, yeah.
               hence the italic preface...
as some would say, the person who wrote these
sketches worked quicker that an algorithm in asking
and also quicker to copy & paste the required
atomic encoding... e.g. ч and ch
                   э and euro and epsilon...
      once upon a time there was nothing prior
to Copernicus, then the somersaults came,
    h ч y        what coordinates where?
    well of course perfecting the encoding of something,
if things weren't stated awry there would be
no optometrists either...
                  it's not hard to read, it's hard to
remember how to read, given that being literate reached
the omnipresent velocity, the new powers had to
include some new power struggle...
mingling Latin and Runes, Greek and Cyrillic...
     and the proto-Latin of additional diacritical marks...
they exposed the entirety of humanity to literacy
within the framework of post-industrial society,
after hitchhiking a ride on the 19th century donkeys
they suddenly had to reveal their power-secret of
being literate, and by the account of women:
corset bound and bored in salons...
      but something else appeared that didn't really fascinate
them: that over-complication of Latin with
punctuation marks above letters: or diacritical
distinction, crowns over letters, subatomic particularisation
of once favoured: universal applicability...
as a narrator? i have to make a complicated
introduction, the sketch lends itself to do so,
it suggests that not all writing can be as simple as
a nursery rhyme, not all writing can actually
    **** memory, not all writing desires being remembered,
not all writing can be remembered,
                in the mediation of the two chiral opposites
there's fiction, which is suspended in an armchair of
pleasurability... but on the opposite side of a nursery rhyme
or a well versed poem? writing akin to arithmetic...
  something truly painful for those competent with
lettering, but not really competent with ten digits...
      as a narrator who has already read the sketch,
i'm trying to not write a "filling in the gaps" to the sketch
like an art-critic might do to a painting deviating from:
brushstrokes were employed. well... d'uh!
variation of italics as in transcending the pause that
implies a condescending variation of taking a pause,
also excluded are: dot, comma, hyphen, semicolon
and colon.                         dot-dot-dot is not joining up
the dots: it implies a variation of how to anticipate
a punchline: drummed: tu-dum wet snare!
     i am actually a narrator who is trying to find
that other part of me that might digest this sketch properly,
     and return fully competent to pick up another
sketch... if ever there was a narrator in this sketch,
it has to be me, after the sketch has been scripted,
and i am left to suggest a need for a dot-dot-dot connectivity
of the strokes of the pen...
i warned myself: do not overdo the introduction in italics,
you know how picky people are...
whether pickled pineapple of cucumber...
i swear Turks invented pickling chillies...
         oh look! an inflatable gazebo filled with helium!
no one's laughing: only because i didn't mention vegina.
narrative puritanism? you get distracted a lot...
but this sketch is really a thesis for narration,
all i have to do is find the antithesis of narration in it:
an actual narrative!          it stretches for ~30 pages...
   well that's me turned archaeologist with a Grecian urn
with a snap of the finger... because that's how this
sketch looks like: ancient -
                         but understandably modern.
              so .  ,  - and ;
        were racing... out came the world record
             9.58(0)         the full-stop is the bracket-bound
0... i.e. it actually happened: hence the pinpoint...
or in Formula 1 a timed nonsense of ave. m/ph
     noted to three decimal points: 130.703...
                                    or chicane cha chicane cha cha!
as said, this is an actual representation of a narrator
encountering this sketch: so before you lose your head...
i've lost mine!
  look at the correlation though!
we've gone way past atoms with the atomic bomb
and encountered subatomic particles...
    we're not going to get beyond subatomic particles
because we're going to encounter the already apparent
reality of obatomic particle: namely our bodies,
   the perceived ******* (ob- is the antonym
                                                  prefixation of sub-):
             that's were the microscope adventure ends,
    and this is parallel to cutting up a second with
three decimal points, as the safetynet suggests:
                                                              π / 3.14;
yep, the obstructive - hence we can't spontaneously
combust... but then again Goethe's Werther did:
  out of love... down the spiral: you sweet little *******.

~ii. i'm actually too lazy to write the sketch and fill
in the blanks... so i'm going to fill in the blanks as i go along,
  or that's what's called the rebellious stance of narrator: mmm,
work in progress, could you see that coming?


ii. a beer in between glugs of whiskey - runes
combined in the ******* / sigma, variant of agliz or
the rune-zeta extended toward a dark shadow of the rebirth
of Ishrael: zoological enclosure; sigma *******
sigma ******* sigma *******, sigma *******...
rune-zeta... we cannot say there are ******
mathematicians and poets akin,
not then one optic encoding states
     a b c d e
         another states f u þ a r
yet another а б (ρ) в г
  α β γ δ:
for worth of gamma into a trill only because of
   a wave, that's ~ approx. on the side of the letter
   e.g. г & r.
   or rho upside down? what the ****?
did Voltaire write this? reading Candide,
i hope he ****** did!
you the problem is pixelated paper? if you know
how you enter a deciphering mode...
                    but you require a personal library to boot,
all that dos formatting,
                       well there's formatting in the humanity
outstretch of this white medium too...
after it isn't all ******* white when all the psychiatric
pills are white too... i have really found something better
than the Bermuda Δ...
       Greek, Latin, Cyrillic and Runes...
i could say neo or proto otherwise,
but i still haven't unearthed the sketch, that
is probably puzzling the Danes, with Cnut on the forefront...
                    but the arrangement of numbers is universal,
but it's not universal, given the particularity of
how language is encoded and why some people are
richer than others...
            but it's still a beer between glugs of whiskey that
makes more sense...
i said, retype the sketch and go to bed...
and i figured: that's probably the wisest of all possible
events stemming from this...
    that's ~27 pages of notes to retype... and i'm already
in a disclosure mode as to expect what's to be jargoned...


p. 1        cкεтч       /      σкεтχ
   necessity of                        (acute
a-       -the           (ism)
is that of language structure,
          only from the use of one's language does
a deity present itself: from within the noumenon
ground work, not the reverse, as in from
(pp. 2, 3)
                 a phenomenological exercise in
the use of language: Islam, Christianity, Buddhism, (etc.)...
       e.g. Islam is a phenomenon,
  it's not a noumenon: or a thing-in-itself...
  for the Islamic god to emerge from Islam's-in-itself
Islam will have to prevent itself from being-outside-itself...
or overpowering other in-itself contentions
but still: to no apparent success narrative of true intention
as satisfactory appropriation and hence lending itself
to a widespread nod of approval.
  challenging space: word compounding, or the space
between conjunctional deficiencies: nod-of-approval (e.g.).

p. 2    concussion (great film, Alec and Will, 2015, NFL)
concussion... Blitzkrieg Alzheimer's....
brain is fat.... dementia = attacking proteins...
  steroids... the noumenological use of language:
e.g. that ****** is an enigma,
therefore his views will not go viral,
and he'll not become fashion trendy...
it's not individualistic idealism, it's reality.
as will die sonne satan - orbis reach more than 5K
views... so... clap clap... clap, clap.
           what i meant about the a-     and -the
and the ism is following a sentence that sort of
does away with conjunctional fluidity,
apart from the big words, i treat all minor words as
categorically conunctional... and, the, a, is, to, too...
given the sentence: brain fatty *****,
brian organic giraffe wall... ******* hieroglyphic...
           stood above the rest, rest assured.
  dementia: invading protein cells
   (bulging prune of the opportune: purely
digestion?) no thought to eat or eat itself like,
cannibalistically. the brain is fatty...
not fat in muscle for mmm, schmile and flex
for the selfie. how about a protein inhibitor?
(by now, rewriting the sketch, i've lost the page count,
it's actually p. 5 of note paged toward 27).
how about the explanation that we're living in
times of post-industrialisation and thanksgiving
feminism? to me post-industrialisation has created
a class of meaningless white-collar workers
and no blues... it's what the Chinese blues call
the Amazonian nomads: ******* happy...
no amount of crosswords or sudoku will exert
your body to do things for others...
   no amount of mind games will actually tell your
brain to be equipped with: a bunch of hyenas... run!
dementia is a result of creating too many
white-collar jobs (thanks to feminism)
and exporting the blues to China (thanks to feminism
and: oh i broke a nail, can i get a Ching plumber to
fix my heating while i get a ****** to **** me up my
****?!) - maybe i'm just dreaming...
it's great to censor dreaming, i mean: you stop dreaming,
you get to see reality, and you don't even need to
read Proust on a ricochet.
  - so we have brain as fat, and invader cells as protein...
protein digests fat... and creates cucumbers out
of people... where do the carbohydrates come into play?
it can't be at the point of a.d.h.d., can it?
     i'm blaming post-industrialisation, the complete
disappearance of the blues (formerly known as the reds,
in the east) for the whites...
or that old chestnut of: my god you're goon'ah luv it!
   to till for worth from the sweat of yer brow -
funny funny funny... to earn your loaf of bread
you will toil...
                   and toil until you are physically assured
that not ghostly / mental life can enter your world /
books... that went well... didn't it?
   i should be tilling a potato plateau rather than
be bound to be writing this epic (by modern standards)
poem...
             but that's the curse of exporting all the blue
collar jobs to China, then importing mindless
white collar jobs to the west, what the hell do you think
would happen, not the pandemic of dementia?
if you do not exert the body, and then you do not
exert / exhaust the mind... do you think
you can secure a narrative with a post-industrial
westerner on the premise of that person simply being
able to solve a crossword? well... i believe in santa
claus too... but i don't believe in him giving out
presents... because to me, in my oh-so-called maturity
that's called an anagram of satan's clause: which is a legal
term for: i can turn civilisation into shrapnel
of what's said and what's to be said: and what's not to be
said. people can't expect to turn honest labour
for the recreational run on the treadmill in a gym...
and they can't expect photocopying in an office space
to replace Newton's curiosity, and then compensate
all this distraction with mind-games...
          can they? well... they did!

poets are gagged by writers of prose,
no wonder they write so sparingly,
      they are gagged in the sense that they write
as if asphyxiated: they need breathing room.


well sure, if he can revive the Polish steel industry
and i can go back to steel plates and pillars,
then the rust belt will get a polishing also.

or what's called: shrapnel before the waterfall of
narration: darting eyes, and poncy **** all the way through...

     muse... muse...

        well, how about we take the fluidity out of language?
declassify certain words into one grammatical broth,
say words like i and they
                              a  and the    are all conjunctions?
how about that? let's strip it bare, after all: what categories
of words exist for us to primarily speak (let alone think)?
     nouns, verbs, adjectives... adverbs?
       but all those words in between are so jungly classified
into a tangle that i'm about to sprout a handshake
          of a Japanese vine grip: and never let go...

an actual extract from the sketch:

      https that doesn't recognise UCS
                   and insists on IPA cannot be deemed
       encyclopaedic


              i need runes for this! i need runes for this idea!
i don't need transliteration right now...
                but hey! that's an idea, etymological transliteration...
bugly term, sure, but the previous night i was thinking
  of transcendental etymology, as you do, likened to
carbohydrates... so it was transliteration after all...
but a dead end when it comes to geometry and Pythagoras...
      
    three words... and they are computerised (i guess you
have to buy a decent book to decode this), a bit like
buying paint in a d.i.y. shop...
       16DE (dagaz / d) 16DC (ingwaz / ŋ / grapheme of n & j)
                  16DF (ōþala / Valhalla / o / ō = oo),
in total d'njoo / d'nyoo - even i concede the fact that this
is a ******* mind-******... it's a ****** congregation of
four optic encodings of phonos... i moved away from
the ancient greek fetish for the logos... i'm looking at
the phonos... not the logos with Heraclitus et al.
               φº θ þ фª f

ªgreek
  ºcyrillic                ever see a prettier pentagram?
                      i haven't.

(false original title:
škic / cкэтч / φº θ þ фª f: thespian pandemic - pending)

looking at the phonos is painful, actually painful,
it's like reading a book with a myopic pair of glasses:
a ******* aquarium blurry right there, befor...

- - - - - - - - - - - - - - - - - - - -

'e'? were you: was i, looking for an 'e'?

i can say this much...
what do you get when you mix a shot
of whiskey with a shot of bourbon:
i'm moving between bottles...
it's nearing christmas eve and i'm a ripe
taoist... i.e. i better this world:
by not having the world mind me...
on the odd occasion: oh... you're still here?!

yeah... i'm still here... i have glued-to-fascination
with my shadow... i'm just waiting
for the atom bomb to relieve me of a body
but ensuring my shadow is kept intact...
as if it were a Monet signature on a wall...

but i lament... the momentum has vanished...
i don't even know why i'm so idiotic as
to presume that: from the hour 22:00GMT
to the hours 00:00 circa 00:30GMT...
something will land into my lap,
my lisp... my cranium the oyster shell
my tongue the oyster...

it will not... i can't simply **** anything into
an existence that doesn't want to exist...
perhaps lurking in a canvas of:
"lost luggage" in an airport...
perhaps "there"...
i could be excused my... lethargy...

when was this written? back in 2018?
so i was thinking about teasing cyrillic even then?
wasn't i?
sketch cкэтч or?

what do you get when you mix a shot of whiskey
with some bourbon?
a Burguandian whisker...
i am not going to sound witty...
Ron's key...

that's still a cyrillic "or"... isn't it?
шкиц: škic...

i'm... deflated... nothing "new" has come my way...
i would have thought that...
reading some Knausgård would have /
could have... invigorated me:
reading him was supposed to be my:
dialysis my transfusion!
my zombie-go-to-literature...
it has proven an exhaustive enterprise
to begin writing again:
i became too comfortable
in reading - i almost forgot
the agony of writing...

alas... a contemporary of mine...
and someone well adjusted to prose...

notably: who would have thought
that death in june - the calling (MK II)
was something to be recorded in 1985...
for one: i wouldn't...

but i did begin: back in november 2016...
begin what? to tickle the cyrillic alphabet...
which is way before i discovered my reply
to the runes... to the ancient greek...
and this... "ancient", ahem... still in use...
latin script...

that script that went into the molloch couldron
of being invested in to code...
pristine as the hebrews cited:
how many holes in it?
to write onto a canvas of 0?
q Q R O o p P A a D d g b B...
which leaves...
W E T Y U I S F H J K L
Z X C V N and M "out of the equation"...

škic / cкэтч / φº θ þ фª f: thespian pandemic (pending):
i better rename it as... circa 2016...
that's way before i even acknowledged
the cyrillic text applying diacritical markers...
i thought them too crude at the time...

beside borrowing outright from greek...
the already at hand oddities of glagolitic,
notably: Ⱎ...Ⱋ...

it's only a single word i'm using...
i have abandoned all notions of metaphysics
in favor for orthography...
i'm not going to burden myself
with: what's after the physics...
i'm after: what's now...
in the respective tongues...
2 tongue deviations from
the original latin and greek...

what came with the runes and what
came with the glagolitic scripts...
what was ****** and had to succumb
to inter-breeding...

come 2020... i will have one clarification
to base my existence on...
pronouncing the growth of my ****** hair...
i will hope to aim at a length of beard
that will forever hide the neck...
i will aim at... somewhere to the level
of my heart... when i will then manage
to turn my beard into an orchestra's
nieche of violins when i procrastinate with it...

since 2016...
i have identified russian in ******...
i've seen it... finally!
зъaрт... i.e. żart
and the "hard sign" becoming a "soft sign"
in źrenica: зьрeницa...

i still think the russian orthography
is... as... primitive as the western slavic...

after all... зъ = ż...
зь = ź...
the balkan slavs have a caron...
which is neither a hard or a soft sign / acute...

their caron is... ч (č) or cz...
CHeaper in english...
and their caron is ш (š) or sz...
SHeep...
or the two together...
and always шч (šč): szczekam...
i'm barking...

pu-shch-air... a rare example in english
of the puщair...
but then lookie lookie 'ere:

CZACHA... skull...
ЧAХA...

perhaps this is my "revenge ****" on russia?
hey! boris the kremlin mascoot...
come and 'ave a look...
with how i disect your orthography
on the / with the language that asks
too many metaphysical questions and no
orthographic curiosities!

i'll meet you in Warsaw... given that you're
probably moving from Novosibirsk...
and i'm either in Stockholm...
Edinburgh or the outskirts of London:
Warsaw will be halfway for both of us...
you don't have to like Warsaw...
i only like it when the Ukrainian smugglers
and the Mongols appear
in the West Warsaw coach station...

smart as who? i am discovering this for
the first time myself...
i was only teasing it back in 2016...
way before i found the right sort of accents
in mother russian...

i do know that that crescent oddity:
above the ja: йa... is what it is...
if you only cut off the head in english... ȷ...
again: it's я given that most russians
are pulled toward an anglophile world-view...
they all see the window to europe...
the baltic and st. petersburg is somehow...
London... and the atlantic...
like hell it is...

i guess i feel it was a waste of time to
have re(a)d Kant, simply because:
i'm not here for the schematics...
i want to know how my thought my labyrinth
building architecture is coming along...
but with no one to talk to about it?

i found the categorical imperative most
dissatisfying... i didn't want to abide by universal laws...
poetry is already shoved out of waiting room
of the republic...
if my "poetry" is not a categorical imperative...
and it's not quiet a a hypothetical imperative...
it needs to be sharpened on a thesaurus
and some grammar...

categorical (adjective)... imperative (adjective)...
well two adjectives never imply much
if there's no noun involved...
and i'm pretty sure that... if i sharpen
the next word i'll compound with categorical-
in that hyphen construct that's only
allowed in oxford dictionary english:
since it's not: propergermannonhyphenfaustian:
i.e. carboxylic (carbo-xylic) acidity...

poetry doesn't belong in either
the categorical imperative focus...
nor the hypothetical imperative focus...

i.e. i must write a poem... to feel better...
i must write a poem... to organise my thoughts...
no! a poem is not a maxim is not a categorical
imperative! a language of poetry is not
a language of morality: it's a language
of experience - or a lack / a lackey's "sentiment"...

i need a... categorical: impetus!
it's not enough to have read kant's critique of pure
reason... it must also involved
having re(a)d the: groundwork of
the metaphysics of morals...
but i'm a democratic reader...
i need to hear the other voices...
i can't be a kantian scholar...
a snippet 'ere, a snippet v'ere (funny how
THETA disappears when making the posit:
THERE - ver!)

who needs metaphysical absolutes...
when orthography (or a lack of it)
in english... spreads open its legs...
and the tongue remembers its tongue-brain-phallus
stage of co-existence in the oyster?!

i'm pretty sure that a categorical imperative
is by no means a categorical impetus...
this had to be written,
but it had to be written in order to disregard
anything a priori... prior to it...
a poem is a shady concern for action or inaction...
it's a deviation from the cartesian crux:
res cogitans (thinking thing)...
into the cartesian levy (res extensa)...
it's an action of inactivity...
as much as it's an inactive activity...
"the rest"...

impetus is not an imperative...
an impetus sources its meaning in a per se
investement... of itself - in itself - for itself...
an imperative?
in pronouns... impetus: i want... i will...
imperative? you want... you will...

an impetus is self-dictative...
an imperative is: indicative...
someone would rightly claim...
those that mourn indicatively...
will don the right garments for the process
of mourning...
which is indicative and devoid of
the per se manifestation of mourning...
it is an imperative when compared to
the impetus to mourn -
which is self-dictative...
which does now shallow itself in
grief by making a socially agreed to fiasco
of a very specific choice of wardrobe...

basically: however you like it...
an IMPERATIVE ≠ IMPETUS...
the year is almost over and i want to break-off
the dust from the thoughts that fudge-packed themselves
as worthy of occupying the minor instance
of having to count a depth of:
not dead within the year of being written.
By
Alexander K Opicho

(Eldoret, Kenya; aopicho@yahoo.com)


Spiritual scholars of Christian Science have a concept that there is
power in the name. They at most identify the name Jesus and the name
of God, Jehovah to be the most powerful names in the spiritual realm.
But in the world of literature and intellectual movement, art,
science, politics and creativity, the name Alexander is mysteriously
powerful. Averagely, bearers of the name Alexander achieve some unique
level of literary or intellectual glory, discover something novel or
make some breakaway political victories.

Among the ancient and present-day Russians, most bearers of the name
Alexander were imbued with some uniqueness of intellect, leadership or
literary mighty. Beginning with the recent times of Russia, the first
mysterious Alexander is the 1700 political reformist and effective
leader, Tsar Alexander and his beautiful wife, tsarina Alexandrina.
The couple transformed Russian society from pathetic peasantry to a
middle class society. It is Tsar Alexander’s leadership that lain a
foundation for Russian socialist revolution. Different scholars of
Russian history remember the reign of Tsar Alexander with a strong

bliss. This is what made the Lenin family to name their son Alexander
an elder brother to Vladimir Ilyanovsk Ilyich Lenin. This was done as
parental projection through careful   choice of a mentor for their
young son. Alexander Lenin was named after this formidable ruler; Tsar
Alexander. Alexander Lenin was a might scholar. An Intellectual and
political reformist. He was a source of inspiration to his young
brother Vladimir Ilyich Lenin, who became the Russian president after
his brother Alexander, had died through political assassination.
However, researches into distinctive prowess of these two brothers
reveal that Alexander Lenin was more gifted intellectually than
Vladimir Lenin.

Alexander Pushkin, another Russian personality with intellectual,
cultural, theatrical and   literary consenguences. He was a
contemporary of Alexander pope. He is the main intellectual influence
behind Nikolai Vasileyvich Gogol and very many other Russian writers.
He is to Russians what Shakespeare is to English speakers or victor
Hugo is to French speakers, Friedriech schiller and Frantz Kafka is to
Germany readers or Miguel de Cervantes to the Spaniards. Among English
readers, Shakespeare’s drama of king Lear is a beacon of English
political theatre, while Hugo’s Les miscerables is an apex of French
social and political literature, but Pushkin’s Boris Godunov, a
theatrical political satire, technically towers above the peers. For
your point of information my dear reader; there has been a
commonaplace false convention among English literature scholars that,
William Shakespeare in conjunction with Robert Greene wrote and
published highest number of books, more than anyone else. The factual
truth is otherwise. No, they only published 90 works, but Pushkin
published 700 works.
Equally glorious is Alexander Vasileyvich sholenstsyn,the, the, the
author of I will be on phone by five, Cancer Ward, Gulag Archipelago’
and the First Cycle. He is a contemporary of Leo Tolstoy, Fyodor
Dostoyevsky, Alfred Nobel and Maxim Gorky. Literary and artistic
excellence of Alexander Sholenstsyn,the, the anti-communist Russian
novelist was and is still displayed through his mirroring of a corrupt
Russian communist politics, made him a debate case among the then
committee members for Nobel prize and American literature prize, but
when the Kremlin learned of this they, detained Alexander sholenenstyn
at Siberia for 18 years this is where he wrote his Gulag Archipelago.
Which he wrote as sequel five years later to the previous novel the
Cancer Ward whose main theme is despair among cancer patients in the
Russian hospitals. This was simply a satirical way of expressing agony
of despair among the then political prisoners at Siberia concentration
camps .In its reaction to this communist front to capitalist
literature through the glasnost machinery, the Washington government
ordered chalice Chaplin an American pro-communist writer to be out of
America within 45 minutes.
Alexander’s; Payne, Pato, Petrovsky, and Pires are intellectual
torchbearers of the world and Russian literary civilization. Not to
forget, Alexander Popov, a poet and Russian master brewer, whose
liquor brand ‘Popov’ is the worldwide king of bar shelves?
In 1945 the Russians had very brutish two types of guns, designed to
shoot at long range with very little chances of missing the target.
These guns are; AK 47 and the Molotov gun. They were designed to
defeat the German **** and later on to be used in international
guerrilla movement. The first gun AK 47 was designed by Alexander
klashilinikov and the second by Alexander Molotov. These are the two
Alexander’s that made milestones in history of world military
technology.
The name Alexander was one of the titles or the epithet used to be
given to the Greek goddess Hera and as such is taken to mean the one
who comes to save warriors. In Homer’s epical work; the Iliad, the
most dominant character Paris who often saved the other warriors was
also known also as Alexander. This name’s linkage to popularity was
spread throughout the Greek world by the military maneuvers and
conquests of King Alexander III. Alexander III is commonly known as
Alexander the Great .  Evidently; the biblical book of Daniel had a
prophecy. It was about fall of empires down to advent of Jesus as a
final ruler. The prophecy venerated Roman Empire above all else. As
well the, prophecy magnified military brilliance, intellect and
leadership skills of the Greek, Alexander the great, the conqueror of
Roman Empire. Alexander the great was highly inspired by the secret
talks he often held with his mother. All bible readers and historians
have reasons to believe that Alexander of Greece was powerful,
intellectually might, strong in judgment and a political mystery and
enigma that remain classic to date.
In his book Glimpses of History, jewarlal Nehru discusses the Guru
Nanak as an Indian religious sect, Business Empire, clan, caste, and
an intellectual movement of admirable standard that shares a parrell
only with the Aga Khans. Their   founder is known, as Skander Nanak
.The name skander is an Indian version for Alexander. Thus, Alexander
Nanak is the founder of Guru Nanak business empire and sub Indian
spiritual community. Alexander Nanak was an intellectual, recited
Ramayana and Mahabharata off head; he was both a secular and religious
scholar as well as a corporate strategist.
The American market and industrial civilsations has very many
wonderful Alexander’s in its history. The earliest known Alexander in
American is Hamilton, the poet, writer, politician and political
reformist. Hamilton strongly worked for establishment of American
constitution. Contemporaries of Hamilton are; Alexander graham bell
and Alexander flemming.bell is the American scientist who discovered a
modern electrical bell, while Fleming, A Nobel Prize Laureate
discovered that fungus on stale bread can make penicillin to be used
in curing malaria. Other American Alexander’s are; wan, Ludwig,
Macqueen, Calder and ovechikin.
Italian front to mysterious greatness in the name Alexander
spectacularly emanates from science of electricity which has a
measuring unit for electrical volume known as voltage. The name of
this unit is a word coined from the Italian name Volta. He was an
Italian scientist by the name Alesandro Volta. Alesandro is an Italian
version for Alexander. Therefore it is Alexander Volta an Italian
scientist who discovered volume of electrical energy as it moves along
the cable. Thus in Italian culture the name Alexander is also a
mystery.
Readers of European genre and classics agree that it is still
enjoyfull to read the Three Musketeers and the Poor Christ of
Montecristo for three or even more times. They are inspiring, with a
depth of intellectual character, and classic in lessons to all
generations. These two classics were written by Alexander Dumas, a
French literary genious.he lived the same time as Hugo and
Dostoyevsk.when Hugo was writing the Hunch-back of Notredame Dumas was
writing the Three Musketeers. These two books were the source of
inspiration for Dostoyevsky to write Brothers Karamazov. Another
notable European- *** -American Alexander is  Alexander pope, whose
adage ‘short knowledge is dangerous,’ has remained a classic and ever
quoted across a time span of two centuries. Alexander pope penned this
line in the mid of 1800 in his poem better drink from the pyrene
spring.

In the last century colleges, Universities and high schools in Kenya
and throughout Africa, taught Alexander la Guma and Alexander Haley as
set- book writers for political science, literature and drama courses.
Alexander la Guma is a South African, ant–apartheid crusader and a
writer of strange literary ability. His commonly read books are A walk
in the Night, Time of the Butcher Bird and In the Fog of the Season’s
End. While Alexander Haley is an African in the American Diaspora. An
intellectual heavy- weight, a politician, civil a rights activist and
a writer of no precedent, whose book The Roots is a literary
blockbuster to white American artists. Both la Guma and Haley are
African Alexander’s only that white bigotry in their respective
countries of America and South Africa made them to be called Alex’s.
The Kenyan only firm for actuaries is Alexander Forbes consultants.
Alexander Forbes was an English-American mathematician. The lesson
about Forbes is that mystery within the name Alexander makes it to be
the brand of corporate actuarial practice in Africa and the entire
world.
Something hypothetical and funny about this name Alexander is that its
dictionary definition is; homemade brandy in Russia, just the way the
east African names; Wamalwa, Wanjoi and Kimaiyo are used among the
Bukusu, Agikuyu and Kalenjin communities of Kenya respectively. More
hypothetical is the lesson that the short form of Alexander is Alex;
it is not as spiritually consequential in any manner as its full
version Alexander. The name Alex is just plain without any powers and
spiritual connotation on the personality and character of the bearer.
The name Alexander works intellectual miracles when used in full even
in its variants and diminutives as pronounced in other languages that
are neither English nor Greece. Presumably the - ander section of the
name (Alex)ander is the one with life consequences on the history of
the bearer. Also, it is not clear whether they are persons called
Alexander who are born bright and gifted or it is the name Alexander
that conjures power of intellect and creativity on them.
In comparative historical scenarios this name Alexander has been the
name of many rulers, including kings of Macedon, kings of Scotland,
emperors of Russia and popes, the list is infinite. Indeed, it is bare
that when you poke into facts from antiques of politics, religion and
human diversity, there is rich evidence that there is substantial
positive spirituality between human success and social nomenclature in
the name of Alexander. Some cases in archaic point are available in a
listological exposition of early rulers on Wikipedia. Some names on
Wikipedia in relation to the phenomenon of Alexanderity are: General
Alexander; more often known as Paris of Troy as recounted by Homer in
his Iliad. Then ensues a plethora; Alexander of Corinth who was the
10th king of Corinth , Alexander I of Macedon, Alexander II of
Macedon, Alexander III of Macedonia alias  Alexander the Great. There
is still in the list in relation to Macedonia, Alexander IV  and
Alexander V. More facts of the antiques have   Alexander of Pherae who
was the despotic ruler of Pherae between 369 and 358 before the Common
Era. The land of Epirus had Alexander I the king of Epirus about 342
before the Common Era and Alexander II  the king of Epirus 272 before
the Common Era. A series of other Alexander’s in the antiques is
composed of ; Alexander the  viceroy of Antigonus Gonatas and also the
ruler of a **** state based on Corinth in 250 before the common era,
then Alexander Balas, ruler of the Seleucid kingdom of Syria between
150 and 146 before the common era . Next in the list is  Alexander
Zabinas the ruler of part of the Seleucid kingdom of Syria based in
Antioch between 128 and 123  before the common era ,  then Alexander
Jannaeus king of Judea, 103 to 76  before the common era  and last but
not least  Alexander of Judaea  son of Aristobulus  II the  king of
Judaea .  The list of Alexander’s in relation to the antiquated  Roman
empire are; Alexander Severus, Julius Alexander who lived during the
second  century as the Emesene nobleman, Then next is Domitius
Alexander the Roman usurper who declared himself emperor in 308. Next
comes Alexander the emperor of Byzantine. Political antiques of
Scotland have Alexander I , Alexander II and Alexander III of Scotland
. The list cannot be exhausted but it is only a testimony that there
are a lot of Alexander’s in the antiques of the world.
Religious leadership also enjoys vastness of Alexander’s. This is so
among the Christians and non Christians, Catholics and Protestants and
even among the charismatic and non-charismatic. These historical
experiences start with Alexander kipsang Muge the Kenyan Anglican
Bishop who died in a mysterious accident during the Kenyan political
dark days of Moi. But when it comes to  The antiques  catholic
pontifical history, there is still a plethora of them as evinced on
Wikipedia ; Pope Alexander I , Alexander of Apamea also the  bishop of
Apamea, Pope Alexander II ,Pope Alexander III, Pope Alexander IV, Pope
Alexander V, Pope Alexander VI, Pope Alexander VII, Pope Alexander
VIII, Alexander of Constantinople the bishop of Constantinople , St.
Alexander of Alexandria also the  Coptic Pope and Patriarch of
Alexandria between  then Pope Alexander II of Alexandria the  Coptic
Pope  and lastly Alexander of Lincoln the bishop of Lincoln and
finally  Alexander of Jerusalem.
However, the fact of logic is inherent in the premise that there is
power in the name .An interesting experience I have had is that; when
Eugene Nelson Mandela ochieng was kidnapped in Nairobi sometimes ago,
a friend told me that there is power in the name. The name Mandela on
a Nairobi born Luo boy attracts strong fortune and history making
eventualities towards the boy, though fate of the world interferes,
the boy Eugene Mandela ochieng is bound to be great, not because he
was kidnapped but because he has an assuring name Nelson Mandela. With
extension both in Africa and without ,May God the almighty add all
young Alexander’s to the traditional list of other great and
formidable  Alexander’s that came before. Amen.

References;
Jewarlal Nehru; Glimpses of History


Alexander K Opicho is a social researcher with Sanctuary Researchers
ltd in Eldoret, Kenya he is also a lecturer in Research Methods in
governance and Leadership.
Douglas Goins Feb 2018
Maybe a month ago.
I would have thought about you.
& hoped all was well.
Well enough for me.
To be able to check in.
To a small motel.
That you hold close to your heart.
Which resides on the outskirts of your sleeve.
I mean after all.
We both know I can be classified as one.
An outsider that is.
Because its been much longer than a month.
Since I've been a nearby presence.
Or even a neighboring smile.
But more of a far-off memory.
That has been followed by absence.
& if it's anything like they say.
Absence somehow has a way.
Of making the heart grow fonder.
But that was a month ago.
..& my maybe was hypothetical.

Maybe yesterday.
I would have thought about you.
& found myself.
On the verge of saying hello.
Asking if everything was everything.
From school being school.
But it's something you love.
From your family being your family.
& they are everything you live for.
From work being work.
With it being something to just get you by.
Leaving love to be love.
Where you aren't looking.
But if it were to happen.
You wouldn't mind.
& I wouldn't mind that for you.
Because after everything.
That you've dealt with because of me.
& vice versa.
We both deserve that one day.
Just not from each other.
But that was yesterday.
..& my maybe was hypothetical.

Maybe tomorrow.
I will think about you.
& pray you think enough about me.
To send me a quick text.
Or a small email.
Where you tell me.
All the things.
I've thought of telling you.
Where you ask.
All the questions.
I find myself being to hesitate.
To ask you.
But there is nothing hesitate about you.
Your words are simple.
Your tone seems to be complex.
& I find that you are asking me a favor.
That I know I will have to commit.
No response.
No reaching out.
Just giving you time.
To think for yourself.
& find all the pieces that have become ajar.
But that is tomorrow.
..& my maybe is hypothetical.

Maybe a few years from now.
I will think about you.
& time will have healed.
Just like.
All the voices I hear around me.
Said it would.
& from there.
I can meet you for coffee.
Or maybe even tea.
Where we can show each other pictures.
Of the babies we went half on.
Without you or I.
Being the other half we thought we'd be.
You named your boy Hayden.
While I named my girl Riley.
Knowing those were the names.
We picked for ours.
But we aren't bothered.
Because we are happy.
We are loved.
We are where we are meant to be.
But that is a few years from now.
..& my maybe is hypothetical.

Maybe a month ago, I would’ve hoped.
Maybe yesterday, I would’ve said hello.
Maybe tomorrow, I will pray.
Maybe a few years from now, I will heal.
But today is today.
& you are under the same roof as me.
About thirty feet away.
Where you know I'm here as well.
So you wait until I'm watching.
To smile & laugh.
Make jokes & take phone calls.
& pretend you are just amazing.
Now that I'm not there.
Which makes me show no emotion.
Tell everyone I don't care.
Because if I say it long enough.
I'm bound to eventually believe it.
But what I do believe.
Is that today is a vicious cycle.
With no maybes.
..& nothing about it is hypothetical.
Erica Danielle Feb 2017
Allow me to show myself to you
Before you paint a picture of me without a reference
Let me show you what beauty looks like
Below the surface of the skin

I’ll show you the flowers in my mind
They’re so vibrant you’ll think it’s magic
If you tried to recreate them, you’d never be able to find a shade that matches just right
Some of these flowers might be wilted, but they’re still growing
I try to be like them

I’ll walk with you
Down the spiraling staircase, from the garden of my mind
We’ll walk among bookcases filled with my thoughts
In a giant library of ideas

My mind is a castle
With thick walls
And moats deeper than your imagination
The drawbridge is almost always closed
If you see it open, you know that’s one of the good days

My castle is built of similes and metaphors so strong
They could shatter a window better than any rock ever could
I use diction as bricks
I built this castle myself out of literary devices and pure magic

My hypothetical brain castle is full of more secrets than you might think
There are trap doors down every hallway
Hidden rooms full of memories i like to keep to myself

My castle has a dungeon
I like to lock away the things I don’t want to think about
There are doors that don’t open, in my castle
Keys i lost a long time ago
When i lose another key, it’s called “forgetting”
Usually I don’t even notice

There are vines creeping up the side of my castle
Things that shouldn’t be there, but they won’t go away
Later, you’ll realize they made it more beautiful

Sometimes, I mistake the castle for a prison
I forget that these walls are meant to protect me, not keep me sealed away
My castle looks more like a cell, than a home

I feel lost among in my library of ideas
The books full of my thoughts seem to be written in a language i do not recognize
I fall down trap doors i forget are there, and i mistake the flowers as weeds
My castle looks more like a cell, than a home
And all I want is to escape my own mind
Erica Danielle Feb 2017
Allow me to show myself to you
Before you paint a picture of me without a reference
Let me show you what beauty looks like
Below the surface of the skin

I’ll show you the flowers in my mind
They’re so vibrant you’ll think it’s magic
If you tried to recreate them, you’d never be able to find a shade that matches just right
Some of these flowers might be wilted, but they’re still growing
I try to be like them

I’ll walk with you
Down the spiraling staircase, from the garden of my mind
We’ll walk among bookcases filled with my thoughts
In a giant library of ideas

My mind is a castle
With thick walls
And moats deeper than your imagination
The drawbridge is almost always closed
If you see it open, you know that’s one of the good days

My castle is built of similes and metaphors so strong
They could shatter a window better than any rock ever could
I use diction as bricks
I built this castle myself out of literary devices and pure magic

My hypothetical brain castle is full of more secrets than you might think
There are trap doors down every hallway
Hidden rooms full of memories i like to keep to myself

My castle has a dungeon
I like to lock away the things I don’t want to think about
There are doors that don’t open, in my castle
Keys i lost a long time ago
When i lose another key, it’s called “forgetting”
Usually I don’t even notice

There are vines creeping up the side of my castle
Things that shouldn’t be there, but they won’t go away
Later, you’ll realize they made it more beautiful

Sometimes, I mistake the castle for a prison
I forget that these walls are meant to protect me, not keep me sealed away
My castle looks more like a cell, than a home

I feel lost among in my library of ideas
The books full of my thoughts seem to be written in a language i do not recognize
I fall down trap doors i forget are there, and i mistake the flowers as weeds
My castle looks more like a cell, than a home
And all I want is to escape my own mind
Universe has no taste.
With haste,
All runners run the same race,
Winners reaching their last breath finish line.

Could be chance or accident,
Either way I'm happy with it.
So much worrying and anticipation,
Just lifts to dissipate,
On such a long awaited day.

Should it be taken seriously?
I hear fickle people go both ways
jonchius Sep 2015
checking potent aftershock
observing seismic anniversary
checking another tremor
resuming constrained writing

annexing hidebound constituents
hugging incoming eschatologies
fighting pervasive insomnia
battling invasive fatigue

damning incompetent fools
awaiting furtive escape
abandoning corporate wasteland
summoning celestial syzygy

detesting spaghetti code
protruding riparian dolphin
establishing unilinear escritoire
glowing cybernetic cynosure

avoiding eternal invisibility
supporting valued customer
performing lexical gymnastics
scrooping notification sounds

restoring usual happiness
glorifying darkwave fanfares
collapsing old relationships
raising ambient awareness

defining wolf people
propagating yesteryear's spectre
achieving hemispheric virality
testing weekend legerity
installing iron curtain

propagating today's spectre

developing niche audiences
transmitting abstract propaganda
disappearing thought experiments
overusing various condiments

double-checking hyper-real emotions
rubbernecking celestial explosions
observing splendid holiday
exploding volcano day

erupting bucolic mountain
disrupting hectic shouting
perfecting suggestive triptychs
checking festive pyrotechnics

drifting across multiverse
regifting glossy paperwork
writing six-lined hexagrams
liking two-toned instagrams

recalling pygmalion sculptures
brawling tatterdemalion cultures
"rambling corporate shill
rattling rapid prosody"
"battling hamburger hill
ambling hundredth library"
"sensing ideological schism
pending guttural neologism"

glowing verdant background
foreshadowing palmyra takedown
developing geopolitical mess
geminating quasi-couplet stress

"hugging cultural diversity
shrugging irrational adversity"

distancing spooky raindrops
avoiding potential burnout
implementing lexical databank
approaching crash-scene sudser

becoming increasingly selective
escaping tyrannical bureaucracy
perpetuating cut-throat capitalism
purchasing contrived happiness
incorporating chance elements
relaxing rigid structures
reheating your retweet

holding theoretical design
smiling beach life
scrutinizing eternal simulation
rushing artificial apothegm
annexing facetious document
freaking creepy centipedes

writing neural structure
congratulating yestreen's warriors
encouraging seatbelt usage
boosting abstract setting
sensing frivolous ochlocracy

keeping hypothetical metropolis
blurring metaphorical æsthetic
scrutinizing computational festival
memorializing towel day

raising six-fingered paw
eternizing fragment schedule
liking subtextual repository
quoting quintessential quidnunc

finding ideological style
disregarding their slovenliness
planning spatial factoid
spinning glacial ellipsoids

enjoying eternal spreadsheet
deleting repetitive tweet
awaiting festival lineup
gainsaying unethical startups

observing turgid experiment
contemplating conniving contrivances
enjoying dynamic project
dropping two-toned simulation
finding harmonic space
finalizing warring cavaliers

detecting enigmatic apathy
retrieving potential exchange
meddling middling muddling
baking hypnagogic pizza

spinning galactic dinosaur
building trans-pacific partnership
finishing theoretical mission
giggling agog googlers

crashing atypical tessellation
cherishing precious hexagons
proliferating western lottery
cretaceousing funkaholic skeletor

blurring turgid gallery
cancelling tsunami warnings
extemporizing incoherent neologisms
transmitting harmonic rave

gliding black hawks
hiding quacked ducks
archiving animated light
googling moonbow imagery

ignoring relatable messages
observing unfinished world
generating optional content
continuing exponential growth
May 2015
Jimmy King Dec 2014
.              Part One               .

January
I wake up in a hungover haze that seems
Irrevocably unending. All the places I threw up,
That stiffness in my neck, the emptiness in my love;
There is too much to feel
So I feel numbness
And I feel remnants
Of ***** in my throat, only manifested fully
When my friends and I make fortune cookies,
Singing along to songs that we’re hearing for the first time
Amidst the chaos of exploding poinsettia plants and nascent tattoos,
All of which litter your mom’s otherwise bare counter.
I don’t make much mention, in my fortune cookies,
Of that girl who still leaves me hungover;
I fill them instead with cruel jokes
That send me cackling
Until my dehydrated headaches pass into

February
When I’m moonlit tipsy stumbling
Through a campus-wide coniferous forest in Washington State
With two strangers that I soberly think
Might be my future.
We arrive at the clear polluted waters
Of the Puget Sound, our boots all
Sinking into deep-mud as we walk past broken bits of shells
To low tide.
Even as the full moon sinks and I realize
That those two strangers can never be my future
(That Athens, Ohio is my future)
I still walk forward
Into the Puget Sound
Knowing that the water will stay with me
In my lungs, on my skin,
In my mind, and although I don’t tell a single person, I fear,
So rightly,
That the water from the Puget Sound,
Set to perpetually accumulate in my lungs,
Will one day come to drown me.
Even as I cry to my mom in our kitchen,
Relieved from that seemingly endless indecision
I’m not surprised. I’m not surprised
By the choice I’ve made, I’m not surprised
By the fears I still have, all that surprises me
About any of this
Is the immediacy with which
My conclusion’s future culmination begins, as I begin
And continue
While always feeling like I’m concluding,
An infinite

March
In spirals, spirals, spirals, leaving trails
In subconscious sands, someone paints
Blue spirals on my body, and when
I drive back to Lake Erie later,
To retrieve abandoned items and moments,
The road looks much different.
Less swirly, less threatening at first, and when we get there
We eat pineapple/onion pizza on my ****** cottage’s front porch,
Just barely shielded from the snow, and just barely
Shielded from one another. And even those
Slim shields between us begin to fall
When we stand on our melting Lake Erie.
Because the whole world
Calls to us.
The sky screams, the wind explodes,
The thin layer of water above ice rushes
Blissfully, almost hallucinogenically, towards you and towards I
And I am howling
Into the face of it all,
Fearing nothing—not even
The absence of that girl’s palm in mine
Or the water from the Puget Sound
Or the cold of the air
That is tearing at my scalp; that is tearing
At my whole being and

April
Is best described by a rampage
Home from a campsite
That I only ever saw
Drunkenly, in the dark, and under the pressure
Of Allan Ginsberg’s poetry and an ultimately failed ****.
On that rampage we steal tombstones,
We steal memories for ourselves,
And we steal crass glances
With crass jokes that sound sort of
Like the crass fortune cookies which somehow
Never went bad.
Someone notes during that drive
That the air is getting warmer
With regularity now,
And while I somehow can’t bring myself to cry when my cousin is shot to death,
I have to struggle to hold back tears
In our high school’s only classroom when you tell me
That you’re quitting that play we signed up for together.
I guess it’s cuz I’m concerned—
Cuz I’m deeply
Deeply
Deeply concerned—
That it’s a lack of dedication
To me, to what we do together, to everything
That will prevent my rampage from concluding quietly
Amidst the smells of Indian food and the soft light
In your future dorm room
Where I will hug you
And where I

May
Finally
Let all the tears
Flow freely.
I guess it’s the unnecessary intensity
Of this collective celebratory anticipation
That preemptively reveals to me
That the moment of walking across a stage
To receive my high-school diploma
Won’t be quite as transformative as I’d hoped it might be,
And when I make out with that girl who still has me hungover
In the bed at my dad’s house where I lost my virginity
Almost exactly one year prior, I realize that in fact,
I’m still marching the same march, and
Both magic moments of idealized transformation in that bed
Were just as illusory.
Somehow though
Your no longer nascent tattoos have not yet faded
And I can’t help but worry,
(As sweat pours from my forehead and drenches these bedsheets;
As my finger nestles itself tiredly between the folds of her ******)
That I have, and in

June
When all my anticipation is realized,
People clap in the audience despite the fact
That it’s the same stream of sweat
That’s trickling down along my spine
To reach my ***.
I stare into the spotlight
For just a moment, amidst those stale applause
And in my squint, I think briefly
That none of it ******* mattered. I mean,
Despite this perspiration, I’m
Dehydrated. Hungover. I guess
Drinking more alcohol
Isn’t the best way to get over it, but I can think of nothing else,
So even when I acknowledge
That all my attempts have not even been half-assed,
But, like, one-quarter-assed
The only resolve I find is in distraction, in
******* my other ex-girlfriend instead
And not until that distant

July
When I’m ascending through Never Sink,
Does my head finally
Feel clear, yes,
In that glowing blue pit
Of bioluminescence,
I feel the whole world slow to a stop,
Embrace my body with its taproots
And whisper
Playfully and
In a child’s voice,
“You are the whole world” and I know that I
Am the whole world.
I breathe heavily, the only sound for miles around,
And for a moment I feel that the Puget Sound,
Along with everything else that is so ******,
Has fallen away.
For it is not my body
That is climbing on-rope through the stars and galaxies of this great sinkhole
But my mind,
But my soul,
Because Never Sink
Is not a landscape
But a mind-scape,
A soul-scape,
And it is one which is never dark
Thanks to the blue lights of soulful- (not bio-) luminescence—
A glow that is strong enough to see
Finally
A singularity
In the form of an unlocked lock,
Appearing with grace upon my driveway
After I return home
From ******* my other ex-girlfriend
For the last time.
It is only when I stop the car,
Open the door,
And hold that unlocked lock in my hand that I realize the extent to which
I am being
Un-defined.
The ethereal being in Never Sink’s soul-scape,
Alone in the blue grace of the night,
With nothing in my breath.
The thought is terrifying.
So in

August
On the night of my eighteenth birthday,
The girl I’m hung over and I
Send magical, sparkling lanterns into the sky
With a wish so brilliantly bright and simultaneous
That even I am able dismiss the slurring drunk words spoken next to us—
“Here’s hopin’ that you two get married some day”
As superfluous.

.                Part Two               .

The winds above Lake Erie carry me,
Along with that lantern, into the foreignness
Which Never Sink foreshadowed.
But with the lantern as my very being
And the Puget Sound in my every breath,
Athens, Ohio does not become my soul-scape;
Even its gorgeous autumnal rolling hills
Are just land-scape, and I don’t know
Whether things would have been different
Had I not walked into that stranger’s party
For that terrible beer
On one of my first nights there, but regardless in

September
I walk up endless hills and stairs daily
To get around this hellhole where the only genuine people I’ve yet found
Were prepared to leave from day one, like I
Wasn’t. I wasn’t preparing for that at all, but the Puget Sound,
Lingers like phlegm in my lungs and distorts my regular refrain
Of “I can be happy here, I can be happy here,” keeping it
From ever loosing its hypothetical but eventually forcing it
To loose its conclusion:
I can be…
I can be…
I can be anything that I want to be and I am still here,
Sitting on the top terrace of this weird-assed biker bar with some girl
I just met, with some guy
Who seems cool, but in both cases
I drink one too many Blue Moon’s because I know
That neither of these people
Will ever loose their hypotheticals and will only ever
Loose their conclusions.
Gazing upwards towards the stars in the fading summer,
I try to ignore the physicality of all that’s around me,
But the alcohol churns in my stomach like violent waves, like in

October
How I rock like tides between the shores
Of two continents, of two
Acid trips.
One, on the floor of my dorm room, staring at my ceiling
In an attempt to make patterns
Out of patternless white paint, all the while holding hands
With that guy who seems cool, who has been dancing
In and out of hypothetical.
And the other acid trip with you,
Who somehow in the face of everything
Became one of my only certainties.
You, with whom I stood on Lake Erie
Howling into the wind in an unrealized epiphany.
An epiphany
That is now realized
Because the beers on that top terrace didn’t matter.
The white speckles on my dorm room ceiling during that first acid trip
Didn’t matter.
Hell, that girl I am in love with
Didn’t (doesn’t, can’t, won’t) matter.
What matters to me,
As I’m dressed in drag on Halloween,
Lying in your dorm room that smells of Indian food
With 120 dollars of drug money in my pocket,
Is what’s ultimately present. Right there.
Right here. But then, lying there, the time
Clicks over into

November
And at two in the morning it becomes
One in the morning.
I don’t know which of those hours wasn’t real
But when I hug you and cry in the soft light
It is a moment too brief.
It is a moment from which I am pulled straight
Into a hotel bed halfway to New York City,
Where I lie with that girl who I guess I’m in love with
And I’m kissing her, and I realize
That blue spirals still linger on my body, but when she groans,
So softly
That “we shouldn’t be doing this”
I pause before saying “I know,”
And in that pause, my pixelated, televised, and falsified image of reality
Briefly turns to fuzzy grey static, its finite infinity like the trance
Of meat on a rotisserie; I’m waiting
For this turkey to cook
In my friend’s mom’s home—funny
Because I’m still a vegetarian
Who sometimes likes to think of himself, in quest for definition,
As a vegan, but man
I’m beyond definition, I’m beyond anything,
I’m beyond even my darkest imaginings of myself, so when I get wasted
At a 2am that doesn’t click back on Thanksgiving morning,
I have a slice of that ******* turkey,
Cuz the vegan chili my friend and I made at school was good and all,
But I had to bike through freezing rain to get the peppers
And even though I’m starting to feel
Like I’ve found a few people who I can take in with permanence
Nothing feels more like permanence
Than this home-cooked meal
Of turkey and cranberries and sweet potatoes at a granite counter
Where, on January 1st when the ball dropped,
We all took shots, leaving me drunk, stumbling
And eventually
Hungover.
And of course in

December
I’m still
Hung over it all.
Part one, part two,
The futility of that division is so obvious now.
It’s the same poem, same sentence,
And when two not-so-new-anymore friends and I sit on a rooftop in Athens
With a bunch of still so-new I-guess-friends
Right before exam week,
Right before this emotionally excruciating semester comes to a close,
Right before I prepare to head home,
I realize that even though this place
Hasn’t quite become home yet,
My ‘home’ isn’t really at home now either.
I am without a bed in which I feel comfortable,
Without a body next to which my whole life makes sense,
And I am driving to go swing dancing—
An activity I can’t believe I’m still trying to like—
When I finally tell her that I’m in love with her:
Words that don’t matter despite
How much they do. Ultimately,
To me, to her, it’s just
A quick red-light phrase
And this poem is, without too many layers of resonance,
Not even addressed to her,
But to that girl with whom I stood on Lake Erie,
Howling into the wind,
Imagining part two but preparing
For part three, so
With that lantern still floating skyward, “here’s hopin’ that”
                                         (No. No. No. Start over.)
Here’s hoping that
At midnight
On this New Year’s Eve,
When the ball drops and when we all take shots,
Perhaps around that same granite counter-top,
These clocks
Won’t click back again.
These spirals
Will fade.
Lou Apr 2018
Simplest of names,
So plain, But how I love to say it
A promise for warmth in igloo block prison eyes
And tone of Daria,
just whelmed enough to respond
A chance of sarcasm is air
Venom in plain daylight.

Plain tone.
Plain mood.
Plain old abuse.
And most would take it from her.
As she would and certainly has taken it from us.

Petit feminine fighter with no haymakers or KO records.
****** face, that rested war and peace between chin and brow.
Baroness of motherhood or is it the queen of hearts and depression?

Stars and music always forever
Anchor tattoos with a key to a heart, now a predator.
Forever enchanted by the la-de-dah and bleeding heart affairs
A savior in no motion or fashion but I dare not call you hypothetical

But a standard broad, beauty and-
So shameless I celebrate seeing you, awkward and so ****
Cleopatra, to be a bit dramatic-
Yes Cleo-mantra, I collectively disintegrate all charm and physical form
And you,  unfazed or unimpressed with either detail of romance

My friend, compromised by style and NO amusement.
There is much more to you than ****** faces and belittling arguments.
There is more to you then practicing soapbox rants in your kitchen.
There is more to you than a shallow mothers intoxications and material.
There is more to you than the new hair dye or the wigs you collect.

The things you store in the boxes cluttering your room with everything not in those boxes
The clothes on your floor, decorations from your teenaged 3rd or 4th personality.
The smell of perfume and coffee and more perfume all over,
stuck to papers, next to wine bottles, borrowed and never returned books, unfinished snacks,
used paper towels, lipstick stained mugs and glasses, your sons toy I stepped on 4 times,
pictures of gone lovers and notes, your license; now found again after the second time ordering a new one.
And…it's expired,
Then finally under the aftermath of years, doubt, clutter, your cell phone vibrating in the fray of sheets.

"found it."

Least we forget that, as we forgot we are both in this room together.
You are so much more than this mess I picked up for you countless times
And though I complain I will pick it up for you and not ask your permission
I won't scold you, I can only exhale failure and help.

Staring blankly into your screen discussing all genres of worldly horror and ways to divert.
Such plans and opinions but no federal funding!
We would pay homage to girl power and the early 90's and call her G.I. Jayne-
(Or not cause she doesn’t have that kind of sense of humor.)
But imagine a solider, a true solider of the meek.
That is theoretically, G.I. Jayne.
Has all of our best interest at hearts, our hero.
Songs of children are said to give her strength-
(She really doesn't like this kind of humor, I must move on.)

My friend truly distressed by the world she can't control from her tiny screen.
I place all comfort I can to her and understandably rejected like a stranger making rounds.
No trust comes from her nowadays, None for me at least. I can't speak for all.
I try to climb over the steep absurdity, alluding to her self-mutilation and task this is
but not going as far as just telling her this is ******* killing me.

I have no lesser or sophisticated words.
I'm dying every time we reach these altitudes.
Fingers and my tone raising at every disagreement .
How you can break me down to my atomic core and decimate miles of friendship.
My closest star in the sky, use to bring me morning tea, flowers and maternity
We now stand in quasar as our space and stardust find mass in thousands of millions of years in development
For me to be sent to the loony bin and you to prison like our heroes from Clinton to Lazaretto.
For my friend.
Cassie Sep 2018
I could have wasted the majority of my life
Wasting mine
Risking mine
To make sure you were fine
Until I popped out our kid
(I am so sorry to be so ******, they would have been made from love, but maybe just a little too much desperation on our parts to not be alone)

I love you
But I think being apart may be for the best for all of us

Here and hypothetical
Is there a natural virility to the fertilities of the inductions of space time’s continuums?  Is this a microcosmic phenomenon or more dependent on the depths of pervasion of its macrocosmic relativities.  Perhaps there is a unifying field theory we are not yet aware of which explains how it paradoxically is a little bit of both.  Regardless, given the fact that there probably was no beginning to the universe then quite literally an eternity has already passed.  So why then, given our understanding of the physics of physical interaction, is not all in a state of complete entropy?  
     This afore mentioned fecundity must exist.  Further in it’s quite likely the cause of physical existence as we know it.  I have a theory: This creationism occurs at such an imperceptible rate that positive eons of quadrillions of ages must pass in order for the cosmos to replenish its stockpile of physical matter (possibly matter without atomic structure as we know it) so that a new cycle of infinite big bangs in infinite space can occur.  Ushering in a new 500 billion to trillion year cycle of physical existence as we know it.  Further again, perhaps the implosion’s contraction’s revisions are the cause of the atomic structure of matter we experience during this new physical cycle.
      The thought of such quantum leaps to me for the intensities of physical matters existence and catalytic capabilities.  
     Granted your not going to find these speculations touted as fact in a Wikipedia excerpt.  The answers are in fact unknown.  I’m merely being hypothetically thoughtful with what I’ve learned of possibilities prospectus.   Given these truths allow me to hypothesize further.  
     It seems to me that the evolution of the organic morphologies of biological ontogeny were created by a conceptually reflective derivative (or perhaps antiderivative on the interpolations of integration) of functional physical mechanics.  That perhaps the creative force behind their inception (similar to the afore mentioned natural inductions of space time’s continuums) was the physical realism of and or the residual harmonic vibrations of kinetic supremacy.  
     Consider, the planet we’re on is revolving at approximately 60,000 miles per hour relative to the sun, the solar system we inhabit is revolving at approximately 500,000 miles per hour around the center of our galaxy.  Our galaxy is traveling at approximately 1,332,000 miles per hour through space with our local group of galaxies and revolving at approximately 216,000 miles per hour around the center of mass of this group of galaxies.  All this to give you some conception of the kinetic actualities of our planet’s trajectory’s extant as a projectile.  We have an almost incredible amount of potential or kinetic energy that is generated by our physical velocity through space.  Although we don’t seem to be aware of the impending preponderances of this realism as tellurian denizens it is nonetheless fact to our intellectual relativities.  
     Once again perhaps the actuality of and or the residual harmonic vibrations of the actuality of this phenomenon are the impetus behind the evolution of the organic morphologies of biological ontogeny.  We don’t know for certain how the first amino acids were formed.  Much less how these acids in the primordial soup made the quantum leap to living existence as biological organisms.  Once again I hypothesize it was a conceptually reflective derivative (or antiderivative) of the creationism behind functional physical mechanics.  e.g. the natural inductions of space time continuum and the quantum leaps created by the implosion’s contraction’s revisions of our big bang.
     By now you may be wondering why I have extrapolated these hypothetical scenarios about the physical creationism of our universe and the perceived similarly analogous state of organic and biological origins, so I’ll tell you.  I hoped it might make the dissertation I’m about to make on the fecundities of the corporeally preternatural and perhaps metaphysical inclinations of our sentient race easier to comprehend.
     With the advent of biological organisms the diversity of physical existence has apparently exceeded its physical complexity.  Understanding has evolved.  Relatively extraneous interpolations of adhesively practical extremity succeed in a hierarchy of functionally integral forms.  Being a firm believer in evolution this phenomenon makes me wonder: Is the impetus behind the genetic anomalies that influence the seemingly positive nature of natural selection’s progression a pervasion from the social contiguities of a species? Perhaps a random occurrence with no discernable precedent?  Or, more likely even, the equivocal nature of the superior essence of the ontological state of the beings involved?
     Though many believe that it is truly a random occurrence I have a tendency to want to believe otherwise.  That just as there is a natural fecundity to the induction of space time’s continuum there is a positively oriented inclination integral to evolutional progression.  A sort of élan vital on the orthogenesis overtures.  Granted it is somewhat dependant on the phenological nature of environment but improvements occur which have little to do with the ability to cope with the weather.    
      So is there such a thing as élan vital as it relates to ethology’s entelechy?  Is there any benefit for humanoid demagoguery in pursuing zoomorphic zoolotry as a social contiguity?  Can we actually make accession to transcendentally existential ascension?
     The obvious answer would appear to be yes, at least in partiality.  Maybe we’re incapable (at present) of assimilating incorporeity ideology’s non-corporeal states and existing as godlike disembodied spirits (who perhaps have not lost their proclivity for corporeally preternatural being) but social relativities are an evolving state.  Truly the better we treat each other the better off all will be.  Now I’m not talking about being a bunch of fawning sycophants or schmaltzy schlep-it-ness schmucks, more like the swanky saunter obsequious diligence could indentured servant sail lend to all.  Not given because it’s mandated but because it’s the essence of social contiguity’s evolution.  Granted the individual must remain sacrosanct.  Our metaphysical prowess is at best hypothetical.  Actual magic is not a tool in our kit-bag though I aspire to such everyday as I attempt to be teleportation real with my telepathy to the demons I appear to be confronted with.  I site clairaudience clairvoyance on the vicinity victuals of vigilante villain, the propinquity habitations of harbinger’s harangued, the proximity parameters of perimeter’s peripherals, why I’ll even throw in the objectified manifest’s diminutive minutia iotas of self inductive interstitial extrapolation, and if that doesn't get it I'll talk about the embark embargo extraditions and the extraversion embezzling euthanasia extortions.  The thought of such spatiotemporal telemetry tactician.  Protractive analyses of dimensional delineation on the terrestrial equestrian.  Tellurian terrene!!
     The obvious realisms of all of this are that we are indeed capable of making these quantum leaps armed practical magic.  I say lets fecundity get down to it.  Exserted protuberances of erotica erectile errantry, the vibrant volition of verve.  I’ve had enough of vapid flatulence and insidiously sinister archaic.  Mankind’s inability to supersede his developing anachronism may well be the cause of his demise!!!  We’ll become theosophy’s theophany incarnate, the ecstatic euphorias of corporeally preternatural’s enigma entity on the identity crisis!!!!
K Balachandran Feb 2014
Inebriated blue cloud,
I know you well enough
libertine ways you have
make you a lover of
deep thunder and meek rainbow
and also a chit of a lark
that loses itself in a song
be it is in grief or mirth.

Strange is the ways of my heart,
how much I long to fall in love with you
and proclaim this to the world scheming
to disrupt the pleasures one seeks
without any reason at all
"Look! love has no limits, no reason even
the lovely cloud, softness personified
caresses my foliage with sensuous abandon
kisses me with her wispy lips of moisture"

I know you understand, though unmindful of
my unbridled passion
making breaches in the limits,
I have no illusion about our improbable union.
True, how can we live
happily ever after?
I envy your gift of wings
though you have none visible,
you borrow it from the wayward wind,
too willing to carry your sweet load around.

I stood on the hill top,
wistfully thinking
that you will come and
take me within your soft folds
though I am a tree with deep running roots
that has become a restraining thing.

Freedom without any limit
gets you inebriated every minute,
your love for love,  makes you desirable
you live in the present, suspend thoughts on time to come
as it is hypothetical, you say.
You are in a hurry to roam
wherever lovers lead you one after the other
do you have an urge to dissolve and pour-
as water, without any remorse?

Do you know my  penitence for your love
on this hilltop is a true sacrifice?
My love for you doesn't bring anything
except my wilting hour after hour.
Let me be on your blue breast for moments
when my boiling love will seek
your shining center that melts, melts
we'd freeze as one, how long my darling?
Time would simply stand still
to a distance, i'd be transported,
where tree or cloud means nothing
we are an incessant rain lasting for ever.
Sarah Sep 2014
Hypothetical lust
Generated electrical impulses,
The very same that stirred your heart.

Pulse – stifled, still,
Cochlear arousal (still)
The same that heard "I love you"

Physically imprisoned,
We tremble from the pain
Yours in your mind, mine in my brain
vircapio gale Jun 2012
love-energy swinging toward bitter blows:
a father’s pride becomes a son’s,
he becoming bitter becoming hatred
in the midst of love abused,
a civil fight for freedom failing in the eyes of youth:
these minds of ours turn wildly—
change to the beat of unknown drums
and death knocks us up
pregnant with a new generation of hate,
of goals to love: the obliteration of hate’s mother,
but question on, worship your mind,
build a shrine of doubt and find
darkness emerging as a deeper shade of black
knowledge? knowledge?
myths laid upon us through the perspectival dimming of language
no one’s fault? societal pressures
no cause for blame? survival instincts
no source of evil? history has a gun to their head. . . .
no use for these words? meaningless.
dialogue, yes, for the birds,
the carrion of hope
once the breeding stops
and lets the precious journey start:
down the cesspool of quasi-oblivion,
where we’re all a minority of one,
grasping for meaning in an abyssm of phantasmal foundations.
words, words, the excuse of words;
when father’s left no ground to walk on,
the son sits there digging
ditches for the death of systems
holes in the fabric mother wore,
tears in the existence we thought we knew.

what is this about? question marks
swerving away from sour truth
bleeds the nonsense through the flesh of what we love
and dying, dying, hate becomes a source of love,
guilt projects a softened heart
kneeling down now
outside, but wanting in.
affirmed, dejected.

[OR
are they swerving away from faith
simply a defense against the actions to take
ontic procratstinator! hear me now!
safety is the goal behind every measure
seek danger and you run the dangers of comfort,
seek comfort, and delusion becomes your handmaid.]

for knowledge of past dogma is dogma too
and the heart pumps it anyway;
for existence is. O heart, your sutra
flows nimbly on into eternity,
but you take this life and live it now,
the rhythm born of a mystery,
sacred to the foolish,
sarkin to the wise—
and the dancing wise man
birthing a new enigma
travels on into the depths of the ordinary
with a smile and a bow,
a hop-skip like Nietzschean
melodrama.

I can write it once for fun,
twice for accuracy,
thrice for fame and ten more for shame.
Do you want to know what it’s about
or do you want to figure it out?
the game of pride makes fresh
the fish of mental seas;
but truth is less cozy;
dagger in your existential eye.

no conclusions to be embraced without the whim of faith?
no art show game gripe to win but for the game of taste?

this bout goes on, this Bout goes on! oh how I wish my mind was lacking!
but no! the sacrifice, but the sacrifice,
pigs of Aristotle knew no quarrell,
no such quarrell.

when does such a poem become a forced effort?  when will I stop questioning myself?
where is this urge to destroy originate?
what ******* language am I speaking in when I think?
what and why,
who the but questions, questions
falling spiking holes in teh floor of contentment
or is it laziness: should I tak emy e pick now or wa itf ort he rig htto **** newith mystic alllllllllllll certainty from be yo ndt he fen ceof lan gua ge.

why go back? why try?
the difference between communication and self-indulgent writing is the effort to conform to the extent necessary for the sharingof truth... and so nobility demands conformity, however long it takes and however wonderful it may be in the mean time to simply spill my fingers across the trypesu ritre lia shjkk e a A b B i IG load o f ***... as if the hiddenness of deconstucted language masked my immaturity as a poet, as a person, as a thinker, as a wallower in shame.  as a Man. as a *** machine. as a weak creature. as a creature of potentially great accomplishments but small ***** at the present, as a person hiding from the said for fear of having to live up to it, as one who doesn’t believe his words half the time, even noe, ever noer rht all suiooos  dhjhjh tuof rhty w arbif trya dfyoudng huddkkfkd fmdmf dfdlililhkjga wyeruipok smmm tuhtuth dgfhg dagdh f dhajkdf  fuduudjjd fh d hdhhd bit b not n tno totot t ototot  read read read read read read read read read reda dnrenadkf leadsd fhdus duig hgjhdf dh sdmf sialdihf duf dreioan ign udfin the dh diguicse of hjtkjh heioa never heros heilike hte  e9a 1 1 ih kj n h ogma doifj hedOLvever otitoto the  ososososririrroow ww dance waiting at the librasyer renckjh c concon con iejr a  goodo excucse to t constraint no nt rot th even dfhight hwith th d dear on the all ndklfn eh fh searching thioart worthless buthen I find htheihadf htis hivoih Valid dfkdljhf jhkajh yea it s i kjh Lavlls ishn Vadildld meaning ngon woven into nonesense nd fnidoijifj bJar in Tennessiossdnohf  a freww few deletes and the important words become clear however taxing on an hypothetical reader from the future in which I do hope to become g”reat” half-heartily,  though for show.  .  .and the experience of writing is revealed through the laziness, or tiredness, of a recent graduate trying to write something meaningful after a summer of passion and *** and drugs and resentment toward the family and the sad economic advice given him.
Surg girl May 2014
You're Selfish.

Sometimes I can't stand you.
I want to rip my hair out the minute you speak.
I want to throw a can of green beans at you
in hopes of breaking your toe.
Is that mean?

Although I know you have trouble with things from the past
What about my issues with the things I can't quite grasp?

My ****** is broken!

I'm sorry I can't care as much about your past as i used to.
Our hypothetical children are all I can think of.

If we can't procreate how do I go on?
That hole in my chest..
You know, the one they call a heart..
It needs that bond.
The one formed between a mother and child.

But still... sometimes I can't stand you!!
How do we make children if we can't even get along?

This would be easier if I didn't love you so much.
Connor Apr 2016
A) Sometime
     Somewhere
     Someone
                       ....                                (written by me on the guest log in Spartacus Books' public bathroom)

B) I am perceiving people perceiving people
and all at once, a bird flies overhead!

C) HYPER PIANO BOUNCES FROM THE SPRINGTIME PAVEMENT!! condominium instruments reach out like satellites to the soul for any who'll listen to it's song of a time before

D) Where I witnessed my own dejection, wandering in nightly streets cement-eyed and forlorn, I sought to escape this Western cavalcade with a solitary year in Vietnam which didn't become anything more than an idea, but this was pushed under the rug for India (which is still on my mind!) which was then replaced by the thought of living in Bathurst, NSW, AUS (I'll get to why in a poem or other format of writing in times to come) I have named the place I once saw thru a vivid dream or a crystal ball which to some may mean the same thing

E) "DUCK! AND COVER!" we've all seen that cold war propaganda film with the turtle, seems so ridiculous now, wouldn't have worked anyways

F) Kripaya ek glass paani dijye (this means "please, give me a glass of water" in Hindi, which could be a valuable sentence to know considering India can get very hot, but when you remember how unhealthy their ((at least unfiltered)) water is, I may never use this)

G) I don't know which is crazier, those who feigned insanity to avoid war, or war itself

H) George Foreman named all his kids George Foreman (what a ******* egomaniac) I would grill him on that if I ever met him because seriously what a weird decision, how their mother was okay with that  is beyond my understanding.

I) Here comes July, with it's sweating mobs and many humid funerals

J) Poetic visual aestheticism (in terms of the actual layout line to line)

As one line
drops into
another line and
keeps dropping.

(determined by what Ginsberg called Mind Breaths, given to phrase being written, drop line to add emphasis to words of higher importance or topic phrases, as to almost introduce them in a way not blended with the previous line)

I) O! birds, who are up at the early hours of the morning, I am beyond glad/grateful that I can hear your hymns before everyone else has woken up

J) I think Vonnegut had something unique going on in Breakfast of Champions, especially that bit with the illustrated ******* that looked more like an asterisk

K) The trees outside are green again..
     The Windex bottle above the toilet is green,
     My sheets are green,
     This color I associate with the word "APRIL" is green

     There's a faint glimpse of green in my eyes,
     And a hint of green in the garden nearby,
     A lot of green in this poem (?) which may not be considered a poem but ******* if you happened to think that!
      
      Lastly, for now, I'm no longer feeling blue, and I guess that's a little green, too.

L) is for LOSER

M) ..did Joe Brainard just write a Colgate advertisement in the middle of his work? What is this I didn't pay for commercials..I don't WANT advertising present in my books! I see them everywhere else!
ah...

O) is for open mouth

P) Spontaneous prose acting as an honest/direct look into the meditated (or pure) form state of thought of that who wrote the prose. The book itself being a literal time capsule for a moment of consciousness who's creator may now be deceased.
Also
those who have their thoughts, images, ideas in their head > transferred to U who is now sharing those images but in a subjective way, seeing the settings or characters differently > person then writes their OWN ideas inspired from the previous writers = collaborative consciousness (also a form of time travel)

Q) is for questioning the rigidity of the political structures around you and the flaws it presents for the working class

R) is for RSVPing yes at the wedding between your hypothetical best friend now with the person you've been in love with for years. Slowly it kills you inside, this point of no return, something out of a grand and tragic love story (which isn't a love story because the love was not between you and that person but rather your hypothetical best friend) ****! you slam your fist to the table or the wall and it's all hopeless. But then comes the acceptance of the situation, moving on from it the best you can even if it presents itself as a shadow from this point on. If you've ever been thru something like this I deeply apologize as the cruelty of the world is indecisive, I for one haven't, but I am only turning 20 this year, which would also explain why I made this whole scenario mentioned above hypothetical

S) is for SHHH!

T) is for the constant presence of televisions in today's homes

U) is for UNIVERSE

V) is for...

W) is for upside-down M

X) is for xeroxing you slowly rolling up your ******* and mailing the series of pages to your ex (if you're an *******, which people also xerox maybe)

Y) is for why and also where when what who and how

Z) is for ZZZZZZZzzzz
zzzzz
zzzz
zzz
z
Paleblueyes May 2014
Sometimes it's almost how it used to be
And I forget about the question I'm too afraid to ask
We can go for days like that
Until something lifts and I'm right back here
Angry at being alone
Frustrated with myself for saying all the things I want to say to you inside my own head
Over and over
Conversations with hypothetical you
mikecccc Oct 2015
Hypothetical questions
are they worth anything
hypothetically what
would you do
really you don't know
you weren't there
perhaps if you answer
a hypothetical question
with an honest answer
we can know your inclination
but that's about it.
Is there a natural virility to the fertilities of the inductions of space time’s continuums?  Is this a microcosmic phenomenon or more dependent on the depths of pervasion of its macrocosmic relativities.  Perhaps there is a unifying field theory we are not yet aware of which explains how it paradoxically is a little bit of both.  Regardless, given the fact that there probably was no beginning to the universe then quite literally an eternity has already passed.  So why then, given our understanding of the physics of physical interaction, is not all in a state of complete entropy?  
     This afore mentioned fecundity must exist.  Further in it’s quite likely the cause of physical existence as we know it.  I have a theory: This creationism occurs at such an imperceptible rate that positive eons of quadrillions of ages must pass in order for the cosmos to replenish its stockpile of physical matter (possibly matter without atomic structure as we know it) so that a new cycle of infinite big bangs in infinite space can occur.  Ushering in a new 500 billion to trillion year cycle of physical existence as we know it.  Further again, perhaps the implosion’s contraction’s revisions are the cause of the atomic structure of matter we experience during this new physical cycle.
      The thought of such quantum leaps to me for the intensities of physical matters existence and catalytic capabilities.  
     Granted your not going to find these speculations touted as fact in a Wikipedia excerpt.  The answers are in fact unknown.  I’m merely being hypothetically thoughtful with what I’ve learned of possibilities prospectus.   Given these truths allow me to hypothesize further.  
     It seems to me that the evolution of the organic morphologies of biological ontogeny were created by a conceptually reflective derivative (or perhaps antiderivative on the interpolations of integration) of functional physical mechanics.  That perhaps the creative force behind their inception (similar to the afore mentioned natural inductions of space time’s continuums) was the physical realism of and or the residual harmonic vibrations of kinetic supremacy.  
     Consider, the planet we’re on is revolving at approximately 60,000 miles per hour relative to the sun, the solar system we inhabit is revolving at approximately 500,000 miles per hour around the center of our galaxy.  Our galaxy is traveling at approximately 1,332,000 miles per hour through space with our local group of galaxies and revolving at approximately 216,000 miles per hour around the center of mass of this group of galaxies.  All this to give you some conception of the kinetic actualities of our planet’s trajectory’s extant as a projectile.  We have an almost incredible amount of potential or kinetic energy that is generated by our physical velocity through space.  Although we don’t seem to be aware of the impending preponderances of this realism as tellurian denizens it is nonetheless fact to our intellectual relativities.  
     Once again perhaps the actuality of and or the residual harmonic vibrations of the actuality of this phenomenon are the impetus behind the evolution of the organic morphologies of biological ontogeny.  We don’t know for certain how the first amino acids were formed.  Much less how these acids in the primordial soup made the quantum leap to living existence as biological organisms.  Once again I hypothesize it was a conceptually reflective derivative (or antiderivative) of the creationism behind functional physical mechanics.  e.g. the natural inductions of space time's continuum and the quantum leaps created by the implosion’s contraction’s revisions of our big bang.
     By now you may be wondering why I have extrapolated these hypothetical scenarios about the physical creationism of our universe and the perceived similarly analogous state of organic and biological origins, so I’ll tell you.  I hoped it might make the dissertation I’m about to make on the fecundities of the corporeally preternatural and perhaps metaphysical inclinations of our sentient race easier to comprehend.
     With the advent of biological organisms the diversity of physical existence has apparently exceeded its physical complexity.  Understanding has evolved.  Relatively extraneous interpolations of adhesively practical extremity succeed in a hierarchy of functionally integral forms.  Being a firm believer in evolution this phenomenon makes me wonder: Is the impetus behind the genetic anomalies that influence the seemingly positive nature of natural selection’s progression a pervasion from the social contiguities of a species? Perhaps a random occurrence with no discernable precedent?  Or, more likely even, the equivocal nature of the superior essence of the ontological state of the beings involved?
     Though many believe that it is truly a random occurrence I have a tendency to want to believe otherwise.  That just as there is a natural fecundity to the induction of space time’s continuum there is a positively oriented inclination integral to evolutional progression.  A sort of élan vital on the orthogenesis overtures.  Granted it is somewhat dependant on the phenological nature of environment but improvements occur which have little to do with the ability to cope with the weather.    
      So is there such a thing as élan vital as it relates to ethology’s entelechy?  Is there any benefit for humanoid demagoguery in pursuing zoomorphic zoolatry as a social contiguity?  Can we actually make accession to transcendentally existential ascension?
     The obvious answer would appear to be yes, at least in partiality.  Maybe we’re incapable (at present) of assimilating incorporeity ideology’s non-corporeal states and existing as godlike disembodied spirits (who perhaps have not lost their proclivity for corporeally preternatural being) but social relativities are an evolving state.  Truly the better we treat each other the better off all will be.  Now I’m not talking about being a bunch of fawning sycophants or schmaltzy schlep-it-ness schmucks, more like the swanky saunter obsequious diligence could indentured servant sail lend to all.  Not given because it’s mandated but because it’s the essence of social contiguity’s evolution.  Granted the individual must remain sacrosanct.  Our metaphysical prowess is at best hypothetical.  Actual magic is not a tool in our kit-bag though I aspire to such everyday as I attempt to be teleportation real with my telepathy to the demons I appear to be confronted with.  I site clairaudience clairvoyance on the vicinity victuals of vigilante villain, the propinquity habitations of harbinger’s harangued, the proximity parameters of perimeter’s peripherals, why I’ll even throw in the objectified manifest’s diminutive minutia iotas of self inductive interstitial extrapolation, and if that doesn't get it I'll talk about the embark embargo extraditions and the extraversion embezzling euthanasia extortions.  The thought of such spatiotemporal telemetry tactician.  Protractive analyses of dimensional delineation on the terrestrial equestrian.  Tellurian terrene!!
     The obvious realisms of all of this are that we are indeed capable of making these quantum leaps armed practical magic.  I say lets fecundity get down to it.  Exserted protuberances of erotica erectile errantry, the vibrant volition of verve.  I’ve had enough of vapid flatulence and insidiously sinister archaic.  Mankind’s inability to supersede his developing anachronism may well be the cause of his demise!!!  We’ll become ethology's entelechy, zoomorphic zoolatry's  incarnate, the ecstatic euphorias of corporeally preternatural’s enigma's entity on the identity crisis!!!!
Bailiff's rake-ness rails
Skylar Keith Jan 2018
20:00 - Dinner
Alone but entertained
I like it that way

21:00 - Skype calls
Not having talked for four days
I've missed her yet the occasional silence is nice

22:00 - Fillers
Scrolling through pictures and sharing thoughts
A pleasant and calm feeling

23:00 - Rethinking
The first hypothetical theories about the day
Laughing at the slip-ups to push them away

00:00 - Reflecting
Doubting choices throughout the week
Faking a small smile

01:00 - Endurance
A familiar feeling spreads
Downcast eyes and a facade of peace

02:00 - Creative
New ideas and thoughts fill up the space
Pick and choosing which ones would hurt the most now

03:00 - Idealistic
Reading stories about happiness, pain and change
Wondering what will become of me

04:00 - Closure
Horrible thoughts tearing down the last walls
Curling up and crying again

05:00 - End
Following a familiar routine before sleep comes
Cradling the broken mind
A familiar Routine
Shiv Pratap Pal Jan 2019
Questions Please
Put up a question please
Throw me a question please
Question, any question

Burning or sensational
big or small or silly
easy or tough or absurd
hypothetical or factual

All questions are invited.
Only and only questions
No Answers at all
As I already have answers

I have answers to all the questions
that ever existed, but ceased to exist today.
I have the answers to prevailing questions
that are making us crazy day by day

I even have the answers to the questions
which are still in the future's belly
waiting to be born one day
in this beautiful and ugly world

Questions please
All sorts of questions
May be from geography or philosophy
Or from religion to defence studies

It may be from medical science or history
Or from space research too
Animal husbandry is no taboo
Questions on skydiving are also welcome

Politics is my all-time favourite
although I can answer sports or adventure
Questions on corruption are also solicited
You can ask on oceanography or calligraphy too

I know everything, literally everything
but neither I am 'Google' nor 'Bing'
I am not even 'Duck Duck Go'
nor I claim to be 'Baidu'

I guessed your question.
You are wondering – "Who am I?"
It's very-very simple Man!
I am a nasty spokesperson from the ruling party

I may be found mostly in television debates
as a panelist, as a debator, as a joker
as a disturbing element, as a liar
as a person making hue and cries

You may or may not like my answers,
but, please like me, please love me
Raise slogans for me, Praise me
Make me famous, make me a celebrity

But even if you dislike me
I don't care, I have my media
I have my own followers
I also own a troll army

I train them perfectly
I pay them heavily
I spend too much on
News media and Social media

I have my own trustworthy mob
who is always ready for violence
anytime and anywhere
at any cost whatsoever

Beware, I am from the ruling party
I inherit a complete readymade system
of Investigating agencies, Ready to book anyone
on false and frivolous grounds.

And it will take years to prove innocence
Innocence may be proved, may be disproved
This also depends on Money, Power and Links
Or the nasty arithmetic of alliance with us in future

So if you still chose to dislike me
It's your choice, but wait
I can still become a minister
Or even a prime minister

I have the quality to lure voters
I have the answers to all the questions
That ever existed or are existing
Or that are stilling waiting to be born.
I have all the answers  so please throw a question to me.
I can't feel my lungs or my heart or my brain
But they exist
So love must too
Civet Wright Mar 2017
If one day individual stop fighting for believing
Sign and stamp for the touchstone
Sing with fountain and spring the mountain
Flew all time by electronic fire
No boundary cause nobody ever cage a thought
Will you come with me in front of all those mirrors
That made from all kind look elements
The one I love we are now a shy **** dye
What a tinge on our purple diamond
A hypothetical planet named Clark
I wrote "A Hypothetical Planet Named Clark" in 2011, recently recorded & uploaded a video on YouTube with my Flying V. https://youtu.be/nlOvlYjP2Nc
skyyy Mar 2014
A gun only holds so many bullets.
How long until you run out?
How long can you let
bullets spiral out towards
yourself?
Will the last bullet go through
your head?
Will it be by your hands?
Or his?
Ray T Mar 2018
If I told anyone I was *****, they wouldn’t believe me
I live in a world that preaches against hypothetical violence but when that **** comes into your life, everyone pushes it away.
I remember, no I don’t remember, I can barely remember his name.
I think it started with a “C”.
I think he was from Minnesota.
I think we were on a sixteen hour flight.
I think he smiled at me.
I think I smiled back, because why the **** wouldn’t I.
I think he took that as a green light.
I think I shut my eyes to try and sleep.
I think he took that as a green light.
I am fifteen.
I think too little of his advances and trust society enough for me to rest.
I know that was a mistake.
I know I woke up to a blanket around me that wasn’t there before.
I know I woke up to his palm pressed in my pants.
I know I woke up screaming.
I know I couldn’t open my mouth.
I know I was screaming.
I know my mother was on that same plane three rows back.
I was fifteen.

I told my friends and they never believed me.
I haven’t told a soul since.
Why did he walk away from that unscratched while I have been carrying it around like a dead animal for three years?
Why do men think they can own what they can see?
Let me tell you what I can see:
Five people who asked me why I didn’t fight back.
Four people that were sitting around me and claimed to see him putting the cover on me, yet did nothing.
Three of his friends I saw later on the trip who praised him for what he accomplished upon seeing what I looked like.
Two eyes in the mirror that cry almost everyday.
And one crack in that same mirror that will never go away.
Thank you all for your responses. This feels so amazing to let it all out in my words. This is about my first experience.
Pedro Tejada Apr 2010
The falling stars in this ironic night
make majesties
out of those cubicle-ridden New Yorkers'
routine Tuesday night daydreams,
where they make macabre escape routes
out of every perfectly-placed window
piercing the concrete sentences
that escalate from Ground Zero.

Your law offices,
corporate ******* headquarters,
are all bursting at the seams
with these drones,
the falling stars of the human race,
all composed of 14 different shades
of grayscale;

could've been
should've been
could've been shootin' stars
that year they were promised
lives of upper middle class incomes
and Lexus dealerships
bought to dent their status
on the neighborhood,
but that sparkle's been emaciated
by the truth,
the underwhelming spectacle of realization
accentuated by the clicking
and the clacking of company keyboards,
each little click
gnawing more at their patience
than the next;
the faceless brush strokes
gawk through that window,
their plans less hypothetical
over the calendar years.

"I can hear it calling me
from miles away,"
says Copy #90045280,
"see, they
SPEAK
to me, man,
tell me to transcend
the hurdle of the windowsill
and make my rendezvous
with an asphalt avenue,
to join the other casualties
of this rut-infested nation
in a life with the real stars,
falling and shooting
and jettisoning alike,
throbbing lights through dark sky silk
and into the hearts of even the most
robotic of this catalog culture,
and I frightfully,
excitedly,
must listen."
Isobel G Nov 2014
Will you catch me
when I fall for you
©Nicola-Isobel H.      24.11.2014
Lyda M Sourne Feb 2018
Hypothetically speaking

What if I never existed?
Mistakes would not be made.

Hypothetically speaking

What if memories of me would disappear?
Sweeter memories would be made

Hypothetically speaking

What if I never walked this road?
There'd be no need for a disappointment such as I

Hypothetically speaking

What if I was never born?
There'd be no need to live a lie

Hypothetically speaking

When I don't exist
let the stars and moon be the only ones
who remember

I was hypothetically here
Kay Boshay Feb 2013
Only Your existence
could make 'nothing'
a verb.
What would you rather?
That's a question we must ask ourselves.
Say for example,
Would I rather be lonely?
Or would I rather be forgotten by someone I'd never forget?

I guess life was never meant to be easy.

Unfortunately...
JDK Sep 2016
If this train went off the rails just as I was saying, "I love you,"
and the clanging noise caused you to hear, "I'm so far above you," instead, would you then go on to die regretting every previously treasured moment of our lives that we'd collectively spent on the off-chance that I'd been a pretentious ***** the whole time?

If I went broke before you could cash the check that I wrote in order to fix your broken childhood home - the one that your parents still live in and stand to lose if this check doesn't clear - because of some completely unpredictable market fluctuation/bank identity theft error,
would you hold me accountable for it?

If you counted every syllable in every sentence that I spoke on your half-birthday and it didn't add up to your age divided by one-third of the time it takes for your ruling planet to circumnavigate the solar system, would you then find our relationship to be some kind of gross horror?

If I walked away right now, while you were in the middle of asking me some ridiculous out-of-context question with no consequence, would you think it's because of some kind of insecurity or cowardice?
Don't answer that.
JC Oct 2014
I don’t believe in a god
But I have faith that she can
make the sun shine brighter
when it’s tangled in her hair

She is inexplicable
I don’t know if she exists because
evolution isn’t perfect
and God doesn’t happen

She shouldn’t be happening
But those are her fingers
and her palms
I could memorize every line

And rewrite every vein in her body
because our hearts don’t beat together
and I try not to look at her that way

But it still happens
andI have to catch myself
from falling for her
sam h Aug 2015
i'm in an abyss
a hopeless sea
my tiny vines have escaped me
they reach to strangle
they reach to be
their reaches fail colossally
weeping grapes surpass their will
and release a stream that overfills
it kills the natives
it kills their foes
their drowning bearings decompose
the matter fills the deepened gorge
the water slowly is absorbed
i struggle to refrain my sick remains
from losing what i must sustain
Paige Wolf Dec 2019
I’m suicidal.

Guys, I don’t get to say this too often without it being a hypothetical, BUT... I’m suicidal.

Did you hear me in the back? Did they hear me outside? Do you want me to say it louder?

I’M SUICIDAL!

Again? Do you want me to say it again?

I’m just messing with you guys! I know you don’t want me to say it.

I’m not an idiot. I can see you cringe and squirm in your seat. Don’t worry. I got you guys. I won’t say it too much.

I’ll prove it to you.

Let’s calm down for a second here. Take a deep breath. Get comfortable. This is not a public service announcement. This isn’t some after school special. I’m not a preacher nor do I ever plan to preach to you.

But I’m suicidal.

No one likes to hear it… So just give me a chance to prove it.

I’m already proving it in a way. Because as a suicidal person, I learned that I’m not allowed to talk about it. As a suicidal person, it’s like saying a ***** word.

Not a ***** word like **** or *****. ****. ******.

But it makes people feel *****.

When suicide is mentioned, I can see people rub their arms. They scratch the back of their neck. They fidget in their seat like I have covered them in ****.

So I’m sorry. But for a moment. I want you all to feel *****.

To see my truth, I not only need to splash my dirt onto you. I have to pull you deep down into the dirt with me. I need you to feel this way for the rest of the day.
Even when you go home and you hug your children, you hold your loved ones, and you’ve washed yourself in the lies that this could never happen to someone you care about

It’s going to stick behind your ears. You’ll feel it between your fingers. This smell will linger on your clothes. For a long time.

Just for a moment, you’re going to taste ****.

I’m sorry about that.

Do you guys want to hear a joke?

What’s the difference between being hungry and being *****?... it’s where you put the cucumber!

Have you heard that one?

Fine. But how about...

What’s the difference between a ****** and a drug dealer?... A ****** can wash and resell her crack.

I love telling that one. It kills almost every time.

No? Still not laughing?

How about…

Mickey Mouse walks into a divorce lawyers office. The lawyer says “You want to divorce your wife because she’s crazy?” and Mickey says “No! She’s ******* goofy.”

Ha! I knew I’d get some smiles. That one always works.

Does anyone feel better yet? Even just a little cleaner?

Because I don’t.

I carry jokes like a first aid kit and I bandage my wounds in satire.

When you see me drown, let me throw a punch line like a safety net. At least we both don’t have to die

Go home. Learn my jokes. Spray them like air freshener.

Pretend to be ok.

Do you think suicide is serious?

We all know it’s “serious” but no one ever explains why it’s serious.

Do you ever think about that?

Like, really think about it?

I was thirteen years old when I first told someone I was suicide and they treated it like I had brought a gun to school.

Like I had killed my dog with my bare hands.

Like I pulled my shirt up and sliced down my stomach just to show them my insides.

In a way I did. I did show them my insides. That was the first time I showed them all of me. But instead of stitching me up, they put a bandaid on it.

That’s what it is! It’s like I keep bleeding out and they keep putting bandaids on me. And when they run out, they’re like “****… You should feel better by now.”

They’re telling me “Why do I keep opening old wounds?” even though this pain hasn’t even had time to scab yet.

The last time I told my mother I was suicidal, I couldn’t say it in those words. We went on a walk, on new year's day.

It was the first walk we had taken together since I was a child. She was mad at me about something but I figured “It’s New Year. It’s ******* New Years, you know? It’s time to say it. It’s time to deal with it. I’m an adult. I can do it.”

But I didn’t put it in those words. I couldn’t just say “I’m Suicidal.” So I said “I don’t think I’m going to survive for much longer.”

And she rolled her eyes.

As a writer, it’s my job to find words. To make them so eloquent and so beautiful that they stick with you for the rest of your life. My words are supposed to stick.

But I can’t find words for such a pain…

You see, looking back on that, it was my fault.

As a suicidal person, I made the mistake of thinking just because she’s my mother, it mean she can’t smell the ***** word of suicide.

I live in a world of referrals.

If my parents can’t handle it, they will send me to my siblings.

If my siblings can’t handle it, they will send me to my friends,

From friends, I go to doctors, and then other doctors. And then specialists.

From specialists, I go to hospitals.

And then, ironically, I’ll go to special hospitals.

Mental facilities have become as arbitrary as wishing wells.

And I’ve emptied my pockets! I’ve emptied my wallets. But if I empty my heart I think they’re going to find me at the bottom of it.

When I’m sick and tired of all the referrals, they have the audacity to tell me that I have given up.

I gave up.

I stopped fighting.

But I am here to tell you that I am suicidal.

It is a *****, ***** word.

I’m also a lot of other things. I’m so many things.

I’m a daughter. And they take my beauty and they call it their reflections.

I’m a sister. But they took my loyalty, and they called it respect.

I’m a friend. They took my humor and they called it ecentric.

I’m a writer. So I took my pain and I made it into poetry.

But I am suicidal.

I am suicidal.

Don’t take my strength and call me a survivor.

Please.

Don’t let yourselves forget what **** smells like.
Julie Grace Oct 2012
Let's pretend that I don't love you,
(Because honestly I don't)
And that you're  not special.
(I would tell you if you were)
Compared to everyone I know.
(As a fact, they're all crazy)

How would I go about not loving you
(We both agree that I don't)
And still see you every day
(That is really way too much)
As if it's just the the same?
(I'm not afraid of change)

Let's pretend that I confessed,
(It's a stretch of the imagination)
Would you hear it with an open mind
(Like that joke I told yesterday)
And not push me away?
(You couldn't if you tried)

Now would you want me to love you
(If we are assuming that I did)
And cherish you with all my heart,
(As if I'd do something that sappy)
If I promised it all in every way?
(You know how I keep my word)

Now naturally I don't love you
(I'm making this perfectly clear)
At least in that way,
(Don't make assumptions)
So everything will stay the same.
(Because I love you.)
19.Oct.12

— The End —