Sundays on the ranch are somethin',
Just after morning chores are done,
I head up to the house on a dead run,
I've called the herd and put the buckets out,
Fed the chickens, called the horse, "Old Son,"
Heard the rooster yammering at the rising sun;
Old dog is baying loud to add some fun....

Meanwhile, at the house,
The wife has rattled up the kids and lined em out,
When I come in, they clear the bathroom out,
So I can get a shave and morning shower,
And off we'll head to church in half an hour.

Or so we think....
It's then the neighbor calls to say our milk cow's swinging by,
Bell clanking off-step time to her butter-churning udder,
"She's headed north toward town!" he chortles mirth,
"Maybe she wants to hear old Pastor Perth!" I mutter.

All jokes aside, I hang the phone and grab my cap,
We pile in the truck to try and get her back....
We have a chance if we can turn her 'round above the hill....
Why is it Sundays sweet Dolly becomes such a pill?
A simple rule of nature I wish I could avoid,
Is if a plan is put in place, as sure as Lloyd,
Our Guernsey chooses then to go out on a spree,
And Pastor Perth in town prays extra hard for me.

Matilda.
The light of my life.
The poem of my tongue.
The fire of my chest.
The wind of my *****.
The hate I loathe.
The beauty I view.
My lady.
My dream.
My hesitant rainbow.
My fearless tears.
My coverlet and starlet;
my blanket and dainty amulet.
My distant promise and cautiousness;
but in all my darling; looking ever so stately-
yet not like yon faraway, morning dew.

Matilda.
The hands I adore;
the fingers I want to kiss.
The solitude I live in;
the fate I was born in.
A pair of eyes ever to me too divine,
A charm that loyally strikes, and glows and shines.
A lock of hair that petulantly sways and sweats.
A midday tale of love; as how it is mine,
a beauty that this world ensures,
but cannot adore.

Matilda.
Even the brisk turquoise sea
is ever less glossy than thy eyes,
for their calmness is still less harmful,
unlike unbending, thus insolent tides, at noon.
Ah, Matilda, thou art yet too graceful,
but tricky and indolent, as the puzzling moon!
Thy purity is like unseen smoke,
tearing the skies' linings like a fast rocket,
making me ever thirsty, turning my heart wet,
but still this attentive heart thou canst not provoke;
thou art a region too far from mine;
but still luck is in heart whose fate's in thine.
And as thou singeth a tone I liketh to sing
I cannot help but more admiring thee;
And as thou singeth it genuinely more,
thou capture all my breath and give it all a thrill;
for I realise then, that thou canst be stiff, as sandless shores;
but thy beauty canst so finely startle,
and whose startledness
canst ****.

Matilda.
But deadness, and ever desolation
are vividly clamouring in thy eyes;
Thou art but distinct, distinct indeed-from serenity;
for thou warble thyself, but gladly-away, from thy sullen reality.
Ah, Matilda, how canst a soul so comely
be hateful to fame, and dishonest just from its frame?
Matilda, to those merciless hearts indeed thou beareth no name;
Thou art a shame to their pride, and a stain to their bitterly fevered, sanity.
Yet still, thou art to innocent to understand which,
and in love naively, as thou just art, now-
with that feeble shadow of a pampered young fellow,
Whose stories are also mine,
for his father's money is donned,
and coined every day-by my servant's frail hands;
The sweat of my palms obey me in doing so-
I am my master's son's poor sailor,
and he his sole heir-and soon is to inherit
an indecent boat; full of roaming paths, doors, and locks
And at nights, costly drapery and jewels shall be planted in their hair-
yes, those beastly riches' necks, and skin fair,
And thou be their eternal seamstress,
weaving all those bare threads with thy hands-
ah, thy robust ****** hands,
whilst thy heart so dutifully levitating
about his false painting, and bent even more heartily, onto him.
Ah, 'tis indeed unfair, unfair, unfair-and so unfair!
For such a liar he was, and still is-
Once he was betrothed to a bitter, and uncivil Magdalene;
Uncivil so is she, prattling and bickering and prattling and bickering-
To our low-creature ears, as she once remarked,
She who basked in her own vague hilarity, and sedate glory
And so went on harshly unmolested by her vanity, and fallibility;
But sadly indeed, occupied with a great-not intellect,
As not sensible a person as she was;
At least until the winds knocked her haughty voices out-
and so then hovering stormy gales beneath,
took her out and gaily flung her deep into the raging sea.

Still he wiggled not, and seems still-in a seance every night,
whenst he but cries childishly and calls out to her name in fright.
Her but all dead, dead name;
'Till his father tears him swiftly out of his solitude
And with altogether the same worried face
but drags his disconcerted son back into his flamboyant chamber.
Ah, and I caught thee again, Matilda,
Bowed over the picture of yon young sailor;
'Twixt those sweet-patterned handkerchiefs
On thy lil' wooden table, yesterday
And curved over yon picture, I was certain;
I caught some fatigued tears in thy eyes-
for from thy love thou wert desperate,
but still unsure even, of the frayed tyings of cruel fate.
Ah, Matilda, your hair is still as black as the night
The guilty night, though nothing it may knoweth, of thy love,
and perhaps just as unknowing it seemingly is;
as th' tangled moon, and its dubious arrows
of unseen lilies, above
Shall singeth in uncertainty; and cordless dignity
And which song shall forever be left unreasoned
Until the end of our days arrive, and bereft us all
of this charismatic world-and all its dearest surge of false,
and oftentimes unholy, fakeness.
Oh Matilda, but such truest clarity was in thy eyes,
And frightened was I-upon seeing t'is;
As though never shrouded in barren lies
Like a love that this heart defines;
but never clear, as never is to be gained.
Ah, Matilda, and such frank clarity dismays me;
It threatens and stiffens and chortles me,
for I am certain I shan't be with thee-
and shall ever be without thee,
for thou detest and loathe me,
and be of no willingness at all-
to befriend, to hold, or to hear-
much less reward me with thy love,
as how I shall reward thee with mine.

Matilda, this love is too strong-but so is, too poor
And neither is my heart plainly bruised;
For it is untouched still, but feeling like it has been flawed
Ah, why does this love have to be raw-and far indeed, too raw!
I, who is thy resilient friend, and fellow-sadly never am in thy flavour;
for in his soul only-thy love is rooted;
And this love is forever never winning-and it is sour,
Like a torn, mute flower; or like a better not, laughter.
And my heart is once more filled with dead leaves-
Ah, dead, dead leaves of undelight, and unjoy;
Whose cries kick and bend and strangle themselves-
all to no avail, and cause only all its devouring to fail,
For his doorless claws are to strong,
Stealing thy eyes from me for all day,
and duly all night long.
How discourteous! Virtual, but too far, still-
corrupting me; ah, unjust, unjust, and discourteous!
Tormentingly-ah, but tormentingly, torturously, insincere!
Ah, Matilda! But soon as thou prayeth,
every single grace and loveliness thou shall delicately saith;
Thy voice is as delightful as nailed, or perhaps, cunningly deluded vice-
Which I hath always feigned to be refuting tomorrow,
but is only to bring me cleverer and cleverer sorrow
'Till hath I no power to defy its testy soul,
that for no reason is too shiny and bold,
but so dull, and bland as a hard-hearted summer glacier,
and too unyielding as hurtful, talloned wines.
Oh, but no appetite I hath, for any war
against him-for he is fair, and I am not,
He is worthier of thee, than my every word;
He who to thee is like a graceful poem,
he who is the only one to smirk at
and hush away thy daylight doom.
Matilda! For evermore thy heart is mine;
and mine only-though I canst love thee
only secretly, and admire thee from afar,
Still cannot I stand bashful, and motionless-too far,
For I wish to hath been born, for thy every sake
Though it shall put my sinless tongue at stake
And even my love is even gentler then blue snowflakes;
and more cordial than yon rapturous green lake.
Ah! Look! Upon the moors the grass is swirling,
so please go back now; and be greedy in thy running.
Still when no music is playing,
all is but too painful for thee,
which I liketh to neither witness, nor see,
for upon thee the moon of love might not be singing,
as it is upon all others a song,
But somehow to nature it not be wrong,
for he cannot still be thy charm, nor darling.
O-but I hate thinking of which affectionately,
when thou crieth and which sight, to my heart, is paining.
Ah, Matilda! For even to God thy love is but too pure;
for it is faultless as morns, and poisonless-
like those ever unborn thorns;
Of yon belated autumn melody,
But is, somehow, fraught and dejected
With sorrow, for it is him, that yesterday and now
Thou loveth softly and securely,
Two hours later and perhaps, in every minute of tomorrow.

Matilda! But still tell me, how can thou securely love a danger?
For I am sure he is but a danger to thee, indeed;
Once I witnessed how his face
grotesquely thrusted into furtive anger
As he burst into a dearth of strong holds,
of his burning temper-under the blooming red birch tree;
And as every eye canst see,
He is only soft, and perhaps meek-as a butterfly,
Whenever the world he eats and sleeps and feeds on in-
Tellest him not the least bit of a lie;
Ah, Matilda, canst I imagine thee being his not,
ah, for I shall be drowned in deflating worry, indeed-I shall be, I shall be!
I dread saying t'is to thee-but he, the heir of a ruthless kingdom,
and kingdom of our God not-within their lands and reigns of scrutiny,
His words are but a tragedy, and a pain thou ought not to bear;
O, Matilda, thou art but too holy and far too fair!
Thy soul is, so that thou knoweth, my very own violin-
To which I am keenly addicted;
I am besotted with thy red cheeks-;
As whose tunes-my violin's, are thy notes
as haunting and sunnily beautiful,
And cloudless like thy naivety,
Which stuns my whole nature,
and even the one of our very own Lord Almighty.
Ah, Matilda, even the heavens might just turn out
far too menial for thee;
and their decorum and sweet tantrums idle and unworthy;
Thou art far, far above those ladies in dense gowns,
With such terseness they shall storm away and leave him down.
But why-why still, he refuses to look at thee!
Ah, unthinking and unfeeling,
foolish and coquettish,
unwitted and full of deceit-is himself,
for loving should I be-if thy smile were what I wished,
and thy blisses and kisses were what I dreamed;
I wouldst be but warmer than him,
I wouldst be but indeed so sweet,
I wouldst be loftier than he may seem;
and but madden thee every sole day, with my gracious-
though sometimes ferocious-ah, by thy love, ever tender wit.

I hath so long crept on a broken wing,
And thro' endless cells of madness, haunts, and fear,
Just like thou hath-and as relentlessly, and lyrically, as we both hath.
But not until the shining daffodils die, and the silvery
rivers turn into gold-shall I twist my love,
and mold it into roughness-
undying, but enslaved roughness;
that thou dread, and neither I adore;
For for thee I shall remain,
and again and again stay to find
what meaningful love is-
Whilst I fight against the tremor
and menace this living love canst bring about-
To threaten my mask, and crush my deep ardor.
Ah, my mask that hath loved thee too long,
With a love so weak but at times so strong;
and witnessed thee I hath, hurt and pained
and faded and thawed by his nobility
But one of worldliness; and not godliness
For heavens yonder shall be ours, and forever
Shall bestow us our triumphs, though only far-in the hereafter;
Still I honour thee, for holding on with sincerity-
and loyalty, to such contempt too strong
For thou art as starry as forgiveness itself,
and thus is far from yon contempt-and its overbearing soul;
And perhaps friendly, too unkind not-
like its trepid blare of constant rejection, and mockery
And as I do, shall I always want thee to be with me;
For thou art the mere residue, and cordial waning age of the life that I hath left;
For thou art the only light I hath, and the innate mercy I shall ever desire to seek;
and perhaps have sought shall, within the blessed soul of my 'ture wife.
Oh, Matilda, thou art the dream t'at I, still, ought not to dream,
thou art the sweetness I ought' only charm, and keep;
As thou art the song, that I may not be right'd to sing;
but the lullaby; which in whose absence, I canst shall never sleep.

After taking a gulp of water, M. opens a new Word document, inhaling deeply. He begins to write a sort of Introduction or Author’s Note:

‘This is to be my first real poem. No *******, cheesy rhyming or painfully forced verbiage. I am now only a seeker of truth…’

M., having just crushed two Focalin pressed pills, rolls a five-dollar bill and proceeds to insufflate, pausing momentarily when the line is halfway finished; he exhales before immediately finishing it off. His sinus burns fiercely. There is something masochistic about his preferred method of ingestion w/r/t pills. And but with a sudden albeit expected (in fact, M. was utterly beholden to it) rush of vitality, M. spends the next ten minutes finishing his half-page poetic manifesto [sic] (which term he actually wrote as a heading. “Poetic Manifesto”, that is), before beginning what he considers to be the first stanza. He likes that the location of the beginning of his poem is ambiguous. And so he begins thusly, consciously avoiding conventional rhyme scheme, instead opting for what he considers to be abstract.

‘My first poem, ostensibly an attempt at catharsis, was in fact a failed expression of my latent desire to be accepted. For today it’s a poem and last week a novel; tomorrow I’ll ferociously ******* some fashionably obscure, formidably pretentious prose [sic]. Consuming all but absorbing nothing…’

If he is to discover vicious truths [sic] in his writing, he cannot hold anything back. He thinks of a double-entendre using the word ‘blunt’, but decides not to employ it. Perhaps yesterday. Suddenly, M. begins to ruminate on his poem from the day before, which had earned him the opposite of acclaim from his peers. He must simply do the opposite of what he had done before! When he resumes writing, M. eventually begins to subconsciously fall back into the 12-syllable AABB rhyme scheme of his yesterday’s poem.

‘…Perhaps the following phase will stick for more than a wretched week.
Why have I wasted words on wan, vapid, wheezing lines
Of sickeningly phony, sophomoric, pseudo-sentimental ****?
Surely you see the salient theme,
That from which I hide,
Refusing to acknowledge life’s flaccid, tan **** as it floats in front of me,
Beckoning me forth,
A one-eyed, furiously fetid viper...’

M. chortles at his alliterative stanza’s ending. ‘This is how I write,’ he mutters to himself, maintaining a straight face. He writes without pause for nearly an hour. He is pleased.

‘…A generalist—that’s what I tell myself I am,
Because simply knowing a few facts,
Even for forty or fifty fields,
Is surely worthy of that
Respect which is given to those men and women
Who earn it by grinding away
At that which determine the sycophant vermin
Is worthy of lifting a lash…’

Hours pass. The poem approaches two thousand words in length. After taking a truncated cigarette break (the break, not the cigarette, was truncated), M. continues where he left off.*

‘…Believe you not for a second the frost-bitten-phallus,
That Freudian façade [sic],
The false faces I display to fake friends
Whose frequent fornication
Fills my mind with fossilized fleas,
******-spiritual formication [sic]
For which there’s no vaccine…

…Once I’ve come down from the mountainous apogee atop which I sit,
Calmly surveying the ever-receding landscape through the lens of fleeting euphoria
Which, fading faster always, gives way to—no, I will not say it—I refuse to legitimate her lies.
As I descend with increasing speed,
specters of judgment torment me into insanity…
    
B  r  e
a   t  h
     e  ;

...this feeling I simply cannot bear—
their sirens threaten to burst my eardrums.
Although it’s undoubtedly pathetic,
I can no longer lie to myself;
I desire the approval
of those specters
who haunt
m-
e
...’

M. begins to hyperventilate, panicking at his embarrassment at publishing such a bad poem the day before. He grasps his heart, which is beating out of his chest. The fear of cardiac arrest simply increases his anxiety. Laying down on the ****-carpeted floor, M. attempts to meditate, imagining this to be how it might feel to do TM on *******. Minutes then an hour pass.
Suddenly, a much-welcomed epiphany presents itself to M.; as if it fluttered through his window and hovered, eerily still in the way that only hummingbirds can be, just in front of his face. So obvious does it seem (the epiphany) that he begins to laugh maniacally in the pitch of a female voice either pre-pubescent or near-dead; a kind of

YEE!    

YEE!      

YEE!    

HEEEE!

HE!

HEE!                      

HEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE!

sound.
After minutes of uncontrollable mirth, M. holds his abdomen and makes the lugubrious [sic], delirious noises of tired suffering. After a few more YEE’s and HEEEE’s escape, he begins to regain control, trying not to focus on what he’d realized w/r/t futility as it relates to shame, but certainly ensuring that he won’t forget. M. sits in his chair with a old-man grunt, the sort of noise over which wives divorce their husbands.
He sips water.
M. opens a new document and begins to type:

For what do we write, we talentless wretches?
To publish some
gooey garbage
in hopes
that some fleet of demonic tween-age sociopaths
adopts our work as part of the canon of cuntiness?  

Not we, the veritable “un-poets”,
Our haphazardly-conceived writing stinks,
No, it reeks of fetid, smegmatic phalluses;
Of a ****** of maniacal madmen,
Blue-balled after an abysmal night/morning
Tossing crumpled ***** of money
At Patti’s plump-lipped, positively putrid-looking

&&&&               *****               &&&&

In an I-95 truck stop;
“Taste **** and *****
At Trucker Tom’s ***** Taphouse
                                        Where friends meet
                                            and literally throw money
                                              into syphilitic snatches.”

We write for the duty of identity,
We who might be found with a serious face on,
Writing rhyming, rhythmic,
quasi-**** lines of lead-heavy, snobbish lifeforce-larcen.
The sort of **** that keeps you from getting up in the morning.

But of course we are writers, as sure as the sea
Is blue, the day is long, who daresay that I am wrong?
And he who
doth [sic] dare,
I point to that long
******* I posted
ere the day began.
There lies his evidence though it belongs in the can.

10 Haiku of Raven

        1
black God

Huge cumulus clouds,
Exploding into the blue,
  .  .  .  Shadowed by raven.


        2
valley morn

Dark hands working fields,
Raven tracing mountain crests,
  .  .  .  Carnal tillers wake.


        3
Raven spell

Dark sound raven makes,
Chortles top fir tree, haunting—
  .  .  .  Druids incantation.


        4
unfaithful

Snow covers valley—
Solitary raven staining world,
  .  .  .  Love has turned black.


        5
outcast

Many years alone,
Suddenly— old thoughts of her,
  .  .  .  Lone raven in sky.


        6
mischief

Lone raven cackles  .  .  .
Clouds splinter across the sky,
  .  .  .  Mist cuts down the woods.


        7
marked

Full moon crowns tall pine,
Raven landing in cross hairs,
  .  .  .  Dark angels halo.


        8
Loki

Raven knows a charm,
A child's costume jewelry,
  .  .  .  Colours a black eye.


        9
tall tale

Zenith of winter—
Lone raven in naked tree,
  .  .  .  Spring only legend.


       10
dark angel

In his feathered dress  .  .  .
Raven shrouds beneath the clouds,
  .  .  .  Even eyes are black.

breaking ice in my mineral water
lime spritzing the air and
dripping down my fingertips
as i twist it and sip its tang
hot sunlight radiating on my
body until the sweat glistens
at even the slightest movement
the rustle of well-worn pages
his sharp Adam's apple
rolls ever so slightly with a swallow
of the sparkling glass
the bubbles, like tiny diamonds
the hiss of the sprinkler next door
and the squealing chortles
of the neighbor kids running in it
chocolate melting on my tongue
chair squeaking when I recline

Happy is as happy does, but
I'm thankful happy's mine.

I'm sorry
If I woke you up last night
My pen told me secrets in whispers
And I carved scars and tales
Of silly incantations and
old fallen trees
Of silver days in summer breeze
and tattered amber sundresses
Of apple bites and ripe grapes
near the broken glass on the carpet; they decayed
Ashes danced on my lips; sculpting poems on my skin
and flicking cigarette on my wounds
Smudged mascara and dulcet memories
Leather fabricated journals of vintage times
hiding crisp carcasses of yellow daises
Euphonious chortles and
early morning smiles
Forgotten tea leaves in the teapot
and ginger bread turning cold
Sun rays, like gold dust, sparkling in the air
Through the tall trees of a forest
hanging on the clouds in despair
First day of Spring, magical it is
like a caterpillar's fate
Silky cocoon, shiny chrysalis,
emerging out as a butterfly
Leaving as old and embracing the new
Igniting the sky over my purple roof

Fathercraft
has been passed down
from father to father
losing and gaining
at each slow bequeathing -
less heavy-handed there
more soft-hearted here
as each generation rejects
the disciplines of the past.
So much so that I wonder
what's left of the original art
and what we've lost.

This is my food for thought
as I feed my daughter -
crumbled digestive
with mashed banana -
perhaps a favourite of mine
and my father's,
while she grins and chortles
blowing biscuit dust
and spittle bubbles
with absolute child-delight.

Food for thought
as I drink in her smile,
wipe my cheek
and laugh along,
prolonging the rare perfection
of this father moment.

standing in front of the pacific
sea salt hair, frothy finger scooping
water back into the sea
gulls hungry desperate endangered
if not for stranger's crisps
clawed baby *****
pincers at the ready
crushed by babies human
shell fractured by skin
hands held together by other hands
threaded together like a lifeline
families laugh, dolphin-like chortles
over nothing
at all
and sons and daughters
forgo their differences, chuck them
into waves with grey shore rocks, protect
their towels and castles and bodies
with sand moats, a starfish
plunked dead center
far away from home
iridescent sea shells collected
as jewels, worn around pretty
bruised necks of housewives
content in their one-day
ocean excursion turned revolution
solitude as i watch
and sit and think and think and
feel and watch some more
eyes like those saccharine
candy floss treats, cloying to
tongues and fingertips, alone
in another universe i am
with a family
tossing our children into ocean waves
dunking ourselves into the deep
collecting glinting shells for
our jewelry, breaking them
as they are shoved into plastic bags
but today
in this universe
i am the crab
crushed by skin
and flesh
and bone
a soulless thing
careful to observe, cautious, fleeting
miniscule
to be fed upon, ******
dry by trauma,
licked off the fingers of
would-have-been acquaintances
a carcass of longing
for moremoremore

yet never quite certain
how to crawl towards it
lest i be
stomped upon
again

so i sit on the beach
inhale saltwater and laughter and affection
through my skin
and make friends with sea creatures
as lonely as i am
as insignificant
as me

Brown oak leaves underfoot, last year's sodden
reminders that newness always ends. But
not today

while the creek, silent in summer, chortles
about last night's rain, full of spring vigor
far below

the limestone bluff edge where
I stand, chert nodules and fractals
peeking through

springy new undergrowth, broke down
limbs, leaf litter and dark soil.  I came
for morels


but it's too early, too chill yet. Tomorrow's
predicted sun may bring them out. Early
mayapple

sprouts fool me, draw me to admire other
understory plants: trillium, maidenhair fern,
spring beauty,

johnny jump-up and more whose names
I knew once but forgot. I came alone and
I don't need

names. Names mean nothing without
voices and other ears. I love the silence
I bring here.

It's a tale as old as time,
Like a fine wine that's aged.
Getting more bitter, rather than sweeter.

I look in the mirror. My reflections stares back at me.
The edges blur and fizzle, waiting to reveal, to see.
The face in the mirror resembles my face, only less clear.
Instead she looks at me, eyes wide with fear.
She snarls her nose, growls and hisses.
I look back, in time, she reminisces.
About the days we would share the same face.
About a time, we lived in the same place.

Now she shouts, WHAT DO YOU WANT?
I scream, she continues to haunt.
Why don't you like me? What's so wrong?
YOU ARE WEAK, I SHOULD BE STRONG.

I look away, count to three.
Ground my feet, think of me.
I am not weak.
I look at her again. I am NOT weak,
I say with a look so bleak.
YOU ARE she judges,
JUST LOOK AT YOU, she begrudges.

I bite my nail, look away again.
I try to hide the pain.
The girl in the reflection laughs and chortles
YOOU ARE FEEBLE, just like all mortals.

I AM NOT! I scream. I AM ME AND WHO ARE YOU TO SAY?
THAT I AM JUST SOMEBODIES PRAY?
But look at you, getting defensive against your own reflection
You could say it's merely a deflection,
Of your self worth
You might as well be a still birth.
You bring no value to this world.
She spits the words, lips curled.
I HATE YOU.
I HATE YOU TOO.
OH BOOHOO POOR ME POOR YOU.

I collapse on the floor,
I can't take much more.
What will the next face bring?
I rise from the abyss,
I can barely withstand this.

The next face is kinder.
Another meek body behind her.
Who are you?
I ask askew.
I am you, and you are me.
Let me show you what I can see.
I see a person whose been through a lot.
Every-time they get back up, down they are shot.

I nod cautiously, is this a trick?
Quickly she'll be coming back, I'll be quick.
There's many faces that you can see,
Be it you, us or me.
I understand the torture you hold inside,
Let it go, be free, we want to take your side.
But how? I cry, tears falling of my cheek.
Keep going slowly, week, by week.
I nod slowly, I cry a lot more.
My arms are shaking my throat is sore.
I can't keep fighting, the monster in my mirror.
Every day she keeps coming nearer.

That's okay, you will see.
One of these days you will be me.
And the little girl hiding behind you?
It's another face of you know who.
I shakily nod, and enquire,
Why she's hiding, as if about to transpire.
She's hiding from the face in the mirror.
Just like you, it's becoming clearer.
We don't like what we can see.
I don't like it anymore please believe me.
I know, I know, my reflection says.
But please let it be just a haze.
The girl in the mirror stood before you.
You can choose what she does do.
It's a hard rope to walk, and I walk it well.
I know it's hard, for you to tell,
But you have a choice, a voice, a speech and sound.
It's hard when she's screaming, I feel drowned.
Shush now, it will be alright.
I can't keep fighting this ****** fight.
I feel so tired, exhausted and spent.
I know, I'm sorry but it's time we both went.

I stare at my reflection. She stares back at me.
Eyes brown, hair soft, no expression to see.
She doesn't blink. I don't too.
We are now the only two.
Blankly looking out at me.
Wishing that we both were free.
Who are you? I mouth at her,
She copies me with silence despair.
I don't know and **** my head.
She does too, heavy as lead.
I'm so drained, she echoes my words.
Is she mocking me, like mocking birds.
She scrunches her nose, as do I.
We nod to each other and say good bye.

I avoid the mirror the next day or two.
Hiding from the reflection, keeping out of view.

The elves congregated
In the back room of the shop,
Muttering amongst themselves
And chattering on nonstop.

One elf stood on a table
And scanned the angry crowd.
He raised his hand to shush
The others from getting too loud.

"Fellow elves, be quiet.
We have work to do;
This isn't just a trivial
Elven ballyhoo.

"Santa's expectations
Have risen exceedingly.
He takes no action when
I ask him pleadingly

"For a raise in pay
And better working conditions.
He only chortles and laughs
And speaks of old traditions."

An elf spoke up from the group:
"The reindeer have it made.
We work our butts off;
But see how little we're paid.

"Why they earn so much
Isn't really clear
When they only work
ONE night of the year!

"Platitudes and promises
Do nothing to assuage
Angry workers. Santa
Must increase our wage!"

"Yes," chimed in another.
"Not keeping up with inflation,
Our pay keeps us living
In serious deprivation.

"Our benefits also haven't
Kept up with the times.
They are slashed while
The cost of insurance climbs.

"I know we've a lot to do,
And I think we're pretty meticulous,
But the hours we're forced to work…
I mean…this is ridiculous!

"And what about part-time elves
Who have little enjoyment
Working for no benefits?
You call that employment?"

Disgruntled, all the workers
Considered taking action
And wondered what to do
To get some satisfaction.

Another elf said, "Santa's
Heavy demands are an onus.
And we elves don't even
Get a Christmas bonus!

"Frankly, it takes every
Ounce of faith I can muster
To think that dear ol' Santa's
Not a union buster!

"Furthermore, there's something
That I've got to say:
We all have to strive
For equality of pay."

"Yay!" the elves shouted
And in unison chanted:
"Equal pay: Yes!
Take nothing for granted!"

The work discussion lingered
Well into the night.
They knew that gaining ground
Would require a fight.

(In thinking about life,
Struggles, work, and fairness,
It doesn't hurt anyone
To have some elf-awareness.)

Eavesdropping here,
You've seen for yourself
That life's not always peachy--
Even for an elf.

Let's just hope that Santa
Doesn't be a ****
And save a few bucks next year
By outsourcing the work.

- by Bob B

The lady's large legs
shuddered, spreading
-becoming broader-
as tears treaded
descending down
corpulent cheeks and chins
(like a rill running from
narrow eyes undulating upward)

She laughed... Oh joy!
this wonderful woman
seated shaking on her small stool
hardly holding in
chortles of cheer
palms on her plump potbelly
erupting with euphoria
as her heavy heart hurt heaving
boiling blood battling
plaque packed into
every artery to
locate luscious lips that laughed loving life.

Her bitter coffee is
everything she’s got
Stale toasts and a
sickening migraine bout.
Every time she chortles,
She is hiding an inept
hiccup filled with despair

Nursery
Blurred shapes, lines of
hazy memories.
Babbling and wailing and curiosity,
Why, why and whys, and kissing boys
And not caring how others
thought of you.
Bright-eyed smiles, hopeful

Kindergarten
Fun-filled days of
Tricycles and grass under my feet
And swinging and falling and
Getting up.
Of giggling and friends forever and
Most of all,
Innocence that know no bounds.

Primary
No more tolerating of
Un-done homework.
Punishments and ugly laughter
And friends who ditch you
No more chortles, guffaws,
Only eye bags and rumours
brought by knowledge.

Secondary
New chapter, new
Friends, new school,
new, new, new...
Balancing precariously on an
Angry horse,
Threatening to buck and
--send you careening--
over the edge...
What's new?

Dark sound raven makes,
Chortles top fir tree, haunting—
Druids incantation.

Dream I
We are underneath a treehouse.
He pulls the cord
to raise the platform on which we stand
and I splinter my hands
gripping cedar as we swing against gravity
stomach lurching in the heights.
He chortles
as I beg to be let down again.

Dream II
We are in bed,
yet I feel lonelier than if he were
a million miles away, or under another's sheets
and I grimace
as he tells me not to speak -
that my voice annoys him
even when my whispers, my caresses
are merely my love incarnate.

Dream III
We are in a bar without walls.
He smiles, dances on the bar top
backlit by a blue mirror and bottles
with a dark-haired wisp of a girl in white
and she isn't me.
No, I was unexpected.
I say hello and his smile disappears.
This observation spears my guts, as
he pretends not to hear.
I order a drink and pretend I never tried.

Dream IV
He leaps and gestures and goads,
poking fun and inspiring deepest belly laughs
and I should be blissful
but he flits from table to table
always passing mine.
Saving his jokes and witticisms
though I can think of a billion replies
better than everyone else's.
I turn to our mutual friend
who shrugs and lets it slide
saying this happens all the time.
Apparently, I am an audience
now considered too cheap
to buy.

I Wake...*

The television flickers.
His heads lolls onto my shoulder
and his longshank of a leg twitches.
I want to weep or *****, so
I move and
his arm tightens around me.
I want to shake him, when
his lips that are even softer, pinker than mine
uplift at the edge, and
part to whisper,
"Stay."

Each night I fear I have lost him forever
        and each day I wake to find he loves me still.

What will it take to convince me in the dark
        of what I, in the daylight, know by heart?

They start as a single
before moving to unity
a chorus of chortles
to those who listen for that

It’s hard not to
when they rehearse in your right ear
and perform in the left

You said that they could
lent them the key
thought about drowning out
with a little symphony

What a ******* mistake that was

Dark sound raven makes,
Chortles top fir tree, haunting—
Druids incantation.

Incessant nose-picking in a dry-air climate,
Nurses that seem fussy,
Artsy-Craftsy people who are animated,
Delusional types (that's me for sure)
and how good that they think are as a result of
the feelings they have that seem to cause it.
Coy smiles on unassuming females,
the new country singers and how they seem
to wait, mixing together
all sorts of roots - how complete they sound.
Jonathan Winters as anything.
Mad Magazine classic humor,
how the least likely people
like the doorman and the coffee dolly
fancy themselves domineering ******'s with
followers, drips that they prey on and all
sorts of powerful new concepts
as a revision of Adolf.
That's it for the latest that amuses me.

Desdemona's engine stalled
she chortles contra possibilities,
neither of which are pellucid.
The night sky
reels in
mornings flight.

I have no qualm with Christ,
insists the common man or woman,
My thorn lies with "Christians."*

Interesting. It makes me think.
Perhaps there is a difference, then
between "Christian" and "follower."

One can deride a "member"
as one chortles at an arrogant child
for presiding over a tree house.

His father planted the tree
and his father nailed the boards to it
yet the child excludes as he sees fit.

One cannot demean a "follower"
for the follower acts the part of his father
and invites the other children in.

He learns their names and smiles
and shares his sandwich and cookies
with the *****, hungry faces.

So many among us will
step forward and throw the first stone
at the stain glass of a church

Yet who among you would
pluck that same stone and hurl it
at the face of Christ himself?

TEETHING TROUBLE

Armed to the teeth
with

teeth
(all newly acquired)

you delight
in biting me

leaving little
indented marks

like moons
that glow on my arms.

“Don’t let her bite you like that! ”

Her mother scolds
both her & me.

I laugh.

“Let her practice! ”

My flesh willing to be
bitten

to ease her
teething troubles.

she looks up
at me

(all chortles and drool)

takes another
nip of me

“Naw...naw...naw! ”
gnawing at my flesh

smiling up at me
with all her little teeth.

I kiss her
on the top of her

adorable
head

adorned with
a classic kiss curl.

“Da...da...da! ”
she thanks me.

Tonight I saw a Falling Star
So I made a wish to dream on
I wish you time to try and to fail and try again
I wish you an uncluttered mind and curious soul
I wish for you a steady friend to hold in your heart till time dost end
I wish for you a stunning sunrise at beginning of every day
I wish for you a place of comfort and solace when your in need
I wish also for trials and tests for in completing these you will
gain both strength and wisdom
I wish you laughter ... great big chortles... giggles and shy sweet smiles
I wish you empathy and its sturdy twin tolerance.
and at days end may you sleep deep, dream sweet and safe under Our Lady's silver light
All these things I have wished for you
none can you hold in your hand...
or cash at the bank or even exchange it for something more grand
Because this wish is my wish
wished on a falling star


I make this wish with all my heart

I make this wish with all my spirit

I make this wish for you

All the ones that touch my spirit
met and yet to be

I will never force nor bind anyone with this wish

it is a gift and as with any gift

..you must accept it or deny it

In my Lady's name ...
MAY IT HARM NONE
These are my WORDS
This is my WAY

Solita Shadoewalker -2007

Dark sound raven makes,
Chortles top fir tree, haunting—
Druids incantation.

It's a pleasant scene really;
calm breeze whistling,
bonfire glowing,
uninhibited chortles rippling through the air.
But I'm not feeling like myself today.
I'm just forcing a smile
through split, bloodstained lips
and the sizzling of alcohol
on open wounds is
amusing.
There are too many conversations.
Entertained by slurred statements
and detached from subject,
I am void and vacant space
occupying this camper chair.
But when a muffled interaction begins, things finally get
interesting.

"You've got a little bit of crazy in your eyes."

The observation haunts me.

Just Words....
Just Words... They Say
They say... Just Words

These Jackals and their cackles
These Hyenas and their chortles

These words which slay with every key stroke
These words which vilify, contorting all perception
These words which stalk with dangerous fear

These words which give voice to genocide
These words which command believers
These words which personify society

These words never have been just words
Just excuses
Just reasons
Just barriers

Justifying falsehoods that words are just words, with no consequences.

Just words which are just words to you,
Just words which are a death sentence for me.

A lie
A lie is what I am
A lie is what I am living
A lie is what I am living everyday

But no one knows
Not a soul knows
That a lie is what I am living

'It's nice to meet you' they say
'It's nice to meet the real you' they unknowingly lie

And the lie within me laughs
The lie within me chortles endlessly
The lie within me snickers and prances and chortles and laughs.
For only it knows
That a lie is what I am living,
That a lie is what I am.

deep in primal perceptions
soft mews interrupt
but the dragon barely moves
only raising an eyelid slightly
the creature is too insignificant
to make a decent meal
he continues
considering the power of flame
and all the cautionary uses thereof
then again,mew
mew mewl
a fuzzy face looks up
to the scaly toothy maw
that yawns long
and lets out a deep breath
the kitten makes a face
and sneezes
the bemused beast chortles
stretching claws
to pick it up high
the kitten has no fear
responding with an indignant
      MEW!
the aged dragon considers
and places it by his sinewy tail
wrapping around the soft fur
then finishing considerations
he falls asleep to a subtle purr

Dark sound raven makes,
Chortles top fir tree, haunting—
Druids incantation.

TEETHING TROUBLE

Armed to the teeth
with

teeth
(all newly acquired)

you delight
in biting me

leaving little
indented marks

like moons
that glow on my arms.

“Don’t let her bite you like that! ”

Her mother scolds
both her & me.

I laugh.

“Let her practice! ”

My flesh willing to be
bitten

to ease her
teething troubles.

she looks up
at me

(all chortles and drool)

takes another
nip of me

“Naw...naw...naw! ”
gnawing at my flesh

smiling up at me
with all her little teeth.

I kiss her
on the top of her

adorable
head

adorned with
a classic kiss curl.

“Da...da...da! ”
she thanks me.

HOW NOT TO SWEAR WHEN ONE IS SWEARING

After I hit it
with a hammer

my old thumb takes on
a now cartoonish character

pulses and throbs
grows biggerandbiggerANDBIGGER.

My three year old
gasps in astonishment

that an adult would/could
do such a silly silly thing.

"Bold Daddy!" she scolds "Bold Daddy!"

My mind screams in silence but
my tongue longs

to utter in the demotic
a good old fashioned Anglo-Saxon

ffffffffffFFFFFFF...word!

I somehow( don't
ask me how )

gaze into my little one's
baby blues

delete the expletive
carefully in slow motion

substitute the first
thing that pops into the mind

the first( as it happens )
of Mr. Joyce's thunderwords.

None of Eliot's
"  Shantih     shantih     shantih "

I had the presence of mind to
"Finnegans Wake" it!

"BABABADALGHARAGHTAKAMMINARRONNKONNBRONN
TONNERRONNTUONNTHUN­NTROVARRHOUNAWNSKAN
TOOHOOHOORDENENTHURNUK!"



"Funny Daddy!" she chortles "Funny Daddy!"

Now whenever things
go wrong and

they will go wrong
( as sure as words is words )

she begs me
to "...do the thunder!"

Waits for her little
bit part so she can

chime in with her
". . .TOOHOOHOO..."

and I gather her up
in my arms and we

both declaim
as one

". . .THURNUK!"

How is this wash
of those already
over me
a catapult
or how
could it be
a wave that
throws me
somewhere
every time
laughs

He has eyes that tell stories
Irises brandished in
Starlit wonder and constant adventure
It is inviting as it ever is
And sometimes the stolen glances I dare
Leaves my heart hammering
Right under his nose

He is ever kind and gentlemanly
For he catches my aloof with his little smirk
And though my feelings are bursting bright
He closes an eye and holds me dear
With him around my head’s a spinning
As I mirror cliche with things unthinkable
Even so
He chortles my heart away

He has spirit that radiates
Against my light heart -edness
When his flurry of thoughts spark
I see the moment in his palms
He pours his soul
With things only I thought I fathomed
And in those moments
Filled with electricity that buzzes
I want to delve into his delicate stature

To explore the fragments of his complexity
That thrives in the corners of his
Half smiles and reddened cheeks