Submit your work, meet writers and drop the ads. Become a member
Mary Gay Kearns Jul 2018
One each end of a shelf
Victorian figurines
A boy and girl
Like crystalline
With stiff edged lace.
Never fell in love
But still precious
Bought by a Godmother
Who did not have children.

Then the plaster dancers
Spied in a box of my father’s
Given by a poor grandmother
Loved these two
With their net “tutus”
Such graceful arms
Long pointed legs
Felt their life twirling.

The difference between
Two worlds
The rich and stiff
Poor but beautiful.
My bedroom shelf,
With a poster of
**** Jagger,
in the middle,
smiling.

Love Mary x
This was my bedroom shelf in Streatham London.
Mike Hauser Mar 2013
Hare Krishna's
In their Pickups
Depressed Comics
Down on their Luck
Teenage Girls
Screaming Meme's
****** *****'s
Leftward Leaning
Vincent Price
Flo and Eddie
Rodger Rabbit
Priscilla Presley
Nuns in Habits
Dwarf's in Ponchos
Deadbeat Dads
Munching Nachos
Right-Wing Nut Jobs
Trading Slogans
A few Hero's
Including Hogan

Are just a few of the sights you see
At the front gates of Graceland
Memphis, Tennessee

Buddhist Monks
With Electric Banjos
Holding Signs Up
Of Marlon Brando
Taxi Cabs
Blaring Show Tunes
Pregnant Women
Down-loading Soon
Derby Jockeys
Flying Monkeys
Kool-Aidholics
Skittle Junkies
Bozo The Clown
Bumper Stickers
Psychedelic
Crazed Toad Lickers
Rhinestone Cowboys
In their Skivvies
Gothic Girls
Heebie Jeebies

Are just a few of the sights you see
At the front gates of Graceland
Memphis, Tennessee

Blue Haired Granny's
In pink Moo Moos
Ballerina's In
Tattered Tutus
Mathematician's
Number Crunchers
Even have Some
Out to Lunchers
Model 50's
Do *** Daddies
One More Round Of
Flo and Eddie
People Sneaking
Across the Border
Lonely Fry Cooks
Taking Orders
A Few Wannabes
Not Saying Much
Will The Real Elvis
Please Stand Up

Are just a few of the sights that you see
At the front gates of Graceland
Memphis, Tennessee

Thank you...Thank you very Much

Ladies and Gentlemen
Elvis...Has Left The Building
Caroline Grace Sep 2011
She's a star-charged satellite
see how she orbits her restricted space.
Uncountable revolutions so precise
her ambition could burn a toe-sized hole in the boards.
She never misses the point,
if she did, her trajectory would send her way off course
toppling  supporting roles,
crashing into the wings to a ruffle of tutus,
unfurling her celebrated petals from a tangle of tulle.
But imagined misfortune will not befall her,
she's perfection to the point of exhaustion
and the likelihood of crashing is a million curtain-calls away.
Her performance is flawless
and the only impact will be on her enraptured audience.



copyright © Caroline Grace 2011
We paint over the things we dont think are normal and expect the bumps from the truth hidden beneath this temporary solution to quickly disappear as if every fault we hold inside of who we are can simply be ignored. I remember watching the paint dry but i was never able to identify if it dried from top to bottom or bottom to top, and that may never truly matter to anyone but me. That paint mau dry and harden and make us all ******* statues but for me it was always knowing that once i got home id have to hide and i can only hide for so long. When i was born they painted pink over the already blue walls trying to desguise who they were hoping id be, or at least what my father wanted. As i grew up the paint began to chip and the patches of blue were so beautiful compared to the bright pink. Pink. Pink bows pink tutus, learn to do ballet tory. Pink barbies, pink lipstick, pink earrings. The color pink just sends shivers down my spine, they said pink is how you identify if you are born female. Blue. Blue eyes, Blue shoes, blue chest binder. Blue the color of my freedom. I remember painting over my words as soon as i told you that i no longer belong under the category of being your daughter. Blue laughter, blue skies, pink cheeks, pink dresses. Painting over the walls of who we are and how we identify is our greatest weapon, too bad my paint ran out a long time ago.
Oh the joys of writers block
Mateuš Conrad Jul 2016
i only noticed it today - from the wide opening spaces,
the scarce forests and horses grazing -
where everyone around here looks very much feral -
and even behaves feral - it's sometimes eye-opening
seeing the big city - the rat channels - the avoidance
of staring each other in the eyes -
the number of mobile phones in almost constant use -
a grant antopia that London and other cities have
become - behemoths in their own right -
but what's most eye-opening is the perfect skin
of the populace - i can almost claim a Joseph Merrick
appearance - relativity has nothing to do with it -
the 21st century and the Victorian era are completely
two different swarms of fish - Londoners' perfect skin,
with mine like fields of Ypres during world war two -
or quiet simply: mine the moon-face - littered with
tiny bullet incisions - even if i wanted, on this
basis i wouldn't land an executive job - an office job -
these people look for pampered - so docile even -
busy docile, but so docile - and once in a while you
see a glimmer of what it's all about - a public show
of affection - a couple lost in a moment between one
underground train and the next on the tube platform -
it's mesmerising seeing such moments, such is
their rarity - for you know judging by the overall
consensus - that so too is rare an old couple - as also
a family outing - the consensus speaks a different urbanity -
not such Edenic delights in the firestorm of concrete
and sweat and fast-food outlets, overpriced beer and overpriced
coffee - priced according to the postcode and the view.

but enough of that... the ballet! the first time i went
to a ballet it was to see *swan lake
-
i was put off - a sour taste on my tongue, i thought
i'd give all future ballets a pass -
then Bolshoi came along out of the blue -
i had someone else's ticket, so i went for free -
i could be all hot-air ponce puffing that it's Bolshoi -
and as if by miracle... i fell in love -
the main reason? when i went to see the swan lake
it was like watching an enlarged centipede
stomping on the stage - it was staged in the Royal
Albert Hall... they also play tennis in the Royal Albert...
the ground is too hard... when the swan lake
ballerinas pranced en pointe the centipede was out...
it even managed to overpower the orchestra -
the great en pointe centipede of royal albert hall -
the difference! the difference! when ballet becomes
silent - effortless - as it was today at the royal opera
house with a softer stage - given the play, i was
expecting the ballet dancers to imitate a bull's hoof
hitting the ground before charging - that came,
since we had matadors on stage - Don Quixote was
there too (obviously), but more in a comic role
as sheer presence - if the character danced, the whole
adaptation would have been a complete failure -
ballet and romance - who would Don Quixote dance
with, a ******* windmill? he's cameo compared
to the dancers - and all the more effective, since the
opening scene is wholly dedicated to him,
when he decides to go on his quest - Sancho runs into
his house with stolen meat, three women are after him,
so Sancho decides to hide under Don Quixoté's table  
(yes, they pronounced it with an acute e, otherwise
tongue-waggling business-as-usual); but to be honest
act i through to half of act ii doesn't feel like ballet at
all - not like swan lake felt like by comparison,
there are accents of ballet - accents as in that soloists
performing with what would otherwise be a bubonic
plague of other ballerinas missing - not to mention
that some of the soloist feats are done with the legs
being kept a secret / i.e. hidden - we get flamenco
dancers, not ballerinas - i came here to see Bolshoi
flamenco? well that's the good part - then all the
Spanish allure vanishes - phoom! puff! it's gone -
Don Quixote is taken ill and collapses in a forest -
loses consciousness and wakes into a dream -
boom! 30 odd ballerinas on stage dressed in tutus
of light azure - out of nowhere in the middle of act ii
and all the way through to the end of act iii we have
pure ballet - all the techniques, from
a (pirouette) à la second - a brisé - a fouetté -
a male grand jeté - everything you can imagine basically.
thank god Don Quixote doesn't dance but is the cameo
vehicle moving things along - fighting with windmills
or dancing ballet with windmills? i'm not too sure now,
it's more fun i suppose having actually read the book -
in the ballet the windmills' debacle comes much later
than in the book - it's like this two part story -
just before Don Quixote collapses in the forest and
the ballet begins - we have three giants swirling on stage.
on a less gratifying note though - so many Russians
in the house - i guess paying to see Bolshoi in Moscow
must be expensive, cheaper to fly to London and
see it here - but then again... why am i surprised or remotely
bothered? i could have been as level headed in my
analysis as Kierkegaard at the theatre - but i can't -
the music is too intoxicating, the body language too
architecturally sound and impenetrable -
all i can say with an honest heart:
DON'T GO TO SEE BALLET AT THE ROYAL ALBERT HALL
(you'll be watching a centipede dance),
SEE IT AT THE ROYAL OPERA HOUSE -
can't get a better summary than that.
k e i Jun 2017
red car, yellow car, blue car, white car

no lucky black car, no orange to wish on

they just sat there for awhile on the edge of the rooftop, feet dangling looking at the rush of cars passing by playing the game they invented and derived from the tongue twister red lorry yellow lorry
if a black car passes by, luck will come through
spot the first green car and you pick the way you die
look for an orange car and make a wish

it was a game they played to **** time or whenever they went up the rooftop of the ballet studio they've been performing at since they were children and they were currently taking a break from swan lake rehearsals. they played the game for a little more though heather could tell that megan-meg for short- had her mind somewhere else.

"penny for your thoughts?"

meg just shook her head, tilting it across the pink skies that matched the tutus they still had on. a dreamy smile was strewn across her face

heather just watched her friend and the world surrounding them, a light gentle bubble in her stomach. she loved the building's rooftop so much; she was actually the one who first went up here and ever since then, it had been their place her place. she went here on weekends sometimes, when they didn't have rehearsals. everytime she was up here, she felt more than she was, like she was a goddess and everything below her was under a microscope like she could change anything with the click of her fingers. but most of all, in here she could freely be. it was her safe haven.

"okay spill tell me this isn't about hendrix again?"

meg smirked, looking at heather's ice blue eyes "okay you caught me" she says, traces of the english accent she had come with still evident in her voice

"i knew it. boy he's got you in such a haze. you've got a school girl crush on him" she teased, making her friend giggle nervously. meg was dating hendrix peters, a senior in the high school they were attending. theyve been seeing each other for six months now and heather knew how much of a ride it was almost as much as meg (being the first person meg ranted to everytime things occurred) the two were a match made in heaven and it was testified by the amount of gossip about them that was circulated, mostly by the senior girls who were head over heels for him and would hiss whenever their paths crossed with meg's and try to flirt with him every chance they got though he politely shook them off. he supported meg in all the possible ways, from attending to her performances on stage to supporting and showing off her stunning makeup looks and she did the same with him, coming to all his football games and enthusiastically cheering for him. they were madly in love, you could say

"it's not like that" meg scoffed, clasping both of her hands together. "ive just been thinking about the both of us and our togetherness and how we haven't done it yet and yea it's been in my mind alot" she bit her lip, a habit of nervousness she had "it's not a big deal i know, i mean, people do it all the time, people who aren't even together and it's not this eureka moment or anything of the sorts but i want it to be special at least"

"has he been asking you to do it?"

"no he doesn't really no, forcing there" meg shakes her head "but we did talk about it some time, once, thrice yea"

"someday then or tomorrow just be safe my dear friend" heather replies in a playful tone, trying to bring back the lightness of the conversation

"ugh help me practice my skills give it all to me darling, let me do you" her friend wickedly retorts, launching atop her and pinning her to the concrete, playfully mock *******

"ew dude *******'re so gross get off me" she says trying to act annoyed but she was laughing too all the while trying not to get crushed by meg's weight who was strangely heavy despite her small wiry frame

"ow babe im coming ugh" meg continues, laughing fooling around-this was how their friendship worked

"*******. now your germs are all over me" heather grunts, finally pushing meg off her and both of them just lay there for minutes, laughing too much and choking in their breaths, as the sky was bathed in watercolor above them, the sounds of the city being their soundtrack


"what's it like?" heather blurts once theyve both calmed down

"hmmm?"

"what's it like, being with him?"



meg raises her hands like she was touching the clouds, taking the question in deeply "it's....wonderful....i mean...we aren't always happy and we have loads of fights but....we manage to make it work and the whole thing drives me crazy but it's a good kind of crazy"

her answer dissolves in heather's thoughts are completely lost in it


"you know that when we first got together i told him how much i hated clichés? flowers, chocolates stuffed animals, fancy dinner dates you name it and he nodded and the first gift he gave me was a boquet out of makeup products and i laughed because it was thoughtful and he's just full of surprises but you know he did give me flowers and letters on an occasion but i didn't mind it.
i guess that's how love is, made out of all the things you love thrown in with things you don't like but you don't mind at all"

heather nodded, still deep in thought "how did you know?"


the question seemed to have an incomplete thought but meg got the gist "i just did. well i didn't know itd last but i did know that he was for me but he's not my soulmate see, you don't find soulmates, you make them. anyone could be your soulmate, soulmates are just a ****** up idea at finding love. someday you'd know kid"

heather rolled her eyes. she hated being called kid because she was reminded of how much younger she was from meg when it came to these sorts of things "don't call me that"

"you'd know" meg pats her friend in the head, lovingly still teasing her

she sits up, tying the ribbons of her satin slippers. they climb down the fire exit and join the rest of the ballet dancers, rehearsing for the rest of the day



and heather went back to the rooftop the day after, a saturday in solitude sorting out the contents of her brain, replaying the conversation she and her bestfriend had in this very place the previous day, all the while feeling a sort of feeling in her heart very familiar to nostalgia. she realized it was the feeling of longing. longing for love like meg's description of it. longing for love like the glow of stardust. longing for love
sure she had a boyfriend before but not once did she feel like how meg described love out to be with him not once did she feel like their kisses and hugs mean something and their fights never felt worth fighting for. sure she had this guy in her grade whom she passed notes and looks with and texted for days but it was never serious and he didn't see her in that certain light that makes people glow that you fall for and even if they dated it would have been too complicated.

it was a winding day for her mind to wander and she played their game as the cars went on their journey on the highway down below.

an orange car swooshes out of nowhere and she closes her eyes and makes a wish when my person comes please i hope i'll know, holding on for a beat more. after that a black car passes and her luck was aligned with the stars
im going through stuffs rn
ugh my brain is so sloshy
Maple Mathers Feb 2016
When I was six, my grandmother enrolled me in ballet class.

     This choice was the first of many attempts to negate my tomboyish nature. Perhaps, she’d hoped that instead of collecting insects and cutting apart Barbie dolls, the pirouettes and glitzy attire might spin me. I was spun, eventually, but that had nothing to do with dance.

     Blame it on my peers; blame it on the tutus. Truth be told, my time was generally spent out of sight; but I got my kicks sneaking a reptiles home, playing with dinosaurs - never dolls, or - of course - taming earwigs. Alone.

     I don’t remember the classes, or the other little girls. In fact, the sole (no pun intended) impression left behind by those dance classes was why they'd end.
It was to be my first recital. The whole class had been coaxed into flashy leotards and uncomfortable tights. We’d been instructed to skip in a single file line onto the stage, which catalyzed my predicament, as I hadn’t a clue about the routine.

     As the girl preceding me danced into view, I floundered in terror – my turn had arrived. I fumbled along in her wake, passing the curtain and reaching the stage.

     The stage!

     An arena of ruthless lights, unveiling my anonymity. I faltered in terror, registering the audience registering me. How vast the auditorium looked against my tiny body! Betrayed by those blinding stage lights, I cowered at the mercy of the whole world.

     The instructor, a faceless female, was showing whose boss as girls began skipping around me.

    And yet, there I stood. Petrified that moving forward negated any hope of escape. My proximity to the curtain merited two options... the bright side of the curtains, which would soon claim everyone else in the vicinity, or the dark. I engaged in a mental game of Tug-a-war that lasted all of about half a second.

     The dark curtains won.

     So, dodging around the obnoxious ballerinas, I descended back into safety. It mattered not where I went, as long as I put distance between myself and the audience. Distance between myself, and detection.

     At some point, I discovered a backstage crevice, in which darkness sheathed me. For, even at five, I understood dark and safety to be synonyms.

     So, I crawled inside, and I hid.

     I don’t remember who went seeking. Nor, do I know who found me. Nobody is a possibility; it was an “Ollie, Ollie, Oxen Free” forfeit, perhaps. A rule that defeats the point of its own game. For at six, I was young enough to obey that “come out, come out, wherever you are” nonsense. But, such rules were dropkicked long ago.

     For, your existence – dear hide-and-seek – all but defines me. This game, that darkness, possesses my psyche.

     Some days, I ponder the uncertainty of memories. Vexed, for where memory dies, illusions are born. Illusions romanticizing reality – a reality in which I never came out, lost and unfound, a reality in which I’ll never come out, out, wherever I am. Hidden beneath the darkness.

     For, in truth, I have been hiding ever since.
(All poems original Copyright of Eva Denali Will © 2015, 2016)

Excerpt from my novel, Pretense.
Gabi Feb 2013
I jumped from couch to couch, avoiding the floor that was lava.
The balloon soared and floated in the air, and it could not touch the ground.
Circus animal cookies and chocolate milk were there everyday.
When I was small, the world was big and magical.

My role models were Barney and Babar, Kermit and Elmo.
I wore pink leotards and frilly tutus and stretchy slippers and shiny, black tap shoes.
I’d look up at the sky to see that fluffy white clouds were bunnies, hippos and butterflies.
When I was small, nothing was impossible.

Parks were kingdoms and the jungle-gym was the castle.
My glittery costume gown and my plastic tiara meant I was a real princess,
Peter Pan would come take me away, to live in Neverland.
When I was small, I was immortal.
Hayley Simpson Oct 2012
Girl, put down the pocket knife fist and pick up that pen of yours.

stop...

They aren't worth the status updates or the 140 character #hashtag
They are worth books. Trilogy novels of witty 'should have' banter and Good wins over Evil plot themes.
Rake in the millions.

Then put down the skinny jeans and wear the Tutu.

stop...

They aren't worth the clone bulimic fashion trends.
They are worth ballets. Extravagant classical shows where millions come to see. Each one hanging on you like fish hooks.
Because you got that audience hook, line, and sinker.

Then, go home.

stop...

They aren't worth the boastful air you inhale.
Exhale humility and stories about best sellers and the view from a ballet hall in Germany.

You are worth it.
You are worth the pens,
and tutus,
and a home.
Written (2012)

Author: Before I taught a workshop the director asked me to write a poem for teenagers with peer pressure problems. So this is what I came up with.
Clive Saffron Mar 2021
To the blushing bride to be,
This rite of passage you’ll not be spared.
Let your hair down, be wild and free,
Allow your tales and secrets to be bared.

Not designed for hearts too weak,
This night’s when us girls misbehave.
In our tutus, fairy wings and pink feather boas,
We’ll paint the town red and rave.

We’re like one dysfunctional family,
But we’ll bond and shout tonight.
Cocktails and Prosecco will flow freely,
As we dance the “Macarena” ‘til morning light.

We’ll have a blast and be merry,
For girls just want to have fun.
Adorned with “L” plates, you won’t stay sober
And your makeup will inevitably run.

On this, your last night of freedom,
It’s your final fling before the wedding ring.
Your head may be sore tomorrow,
But, oh, the stories these walls could sing!

Remember this night always,
With all your girlfriends at your side,
For you’ll soon tie the knot and be married
And embark on a magical ride.
My name is Clive Saffron, a published poet with the desire to use my writing skills to bring the feel good factor to others. Creating rhyming poetry is my passion and favourite art form and born out of my joy of the English language. For me, it is a wonderful form of catharsis and self-expression. As somebody who likes to sing too, the rhythms and lyrics of so many songs inspire me to play with words and arrange them in metrical patterns to create rhymes. I have established Rhymes For Times to offer a fully personalised, bespoke and rhyming poetry and speech writing service for individuals and businesses worldwide and for any occasion. I always take exceptional care and pride in creating poetry and aim to touch the hearts of those who read it and have them connect with the deeper meaning of my words. It is a highly satisfying feeling to arouse people's emotions with my poetry and make them laugh and cry and put smiles on their faces.
Julianna Eisner Mar 2014
O broken and battered beatnik!
My tormented kindred spirit!
  I offer you a hundred lifetimes of my self-condemnation
  How can I deny finding portals to your spirit and soul with such ease any
longer?
  Only now how to reach you out on the physical plane...

Kick down my door painted black so I may crumble in your ****** arms like a poorly constructed sand fortress, sobbing salty tears of regret, wiping snot-nosed drivel onto your cotton-wool blended Ceredigion suit

I'm sorry!
I'm sorry!

Let me explain the truths of my hesitant trust, battered and bruised -- like affectionate kisses on the cheek with open and closed fists
and childhood neglect turned adult isolation -- like visitations in dank bars with hitchhiking mothers

Let me tell you how I closed my eyes as they saddled up to the roulette table,
Licking their wintery chapped lizard lips, and
  rubbing together their sticky hands
Placing their lucky chip
(free with the price of admission!)
On bets
Red.
    Black.
        Odd.
             Even.
I tried to rig the loaded ivory ball to fall on odds Green, Double Zero
house's edge
                                                              ..­.but...
Momentum lost,
Screams muffled as I saw them
  parade in celebration
Blowing trumpets and twirling batons,
  taming dancing bears in crinoline tutus

What have I done!?
What have I done!?

Punish me no more as I cower in my remorse!
Remove this needle from my tongue!
So I may provide the unheard voice in your narrative gap
When I found you alone, in an empty theatre, heaved there by a
  force so Divine
Never could I have conjured up a Love so true!
  Ohhhh! The tears!

Let us construct resolutions of brick and mortar placed
  hand-over-hand
Become co-conspirators and together
  build parallel neural pathways in our
       Meta-Mind
Our synaptic impulses firing in unison as
One
  neurotransmitter
We'll scribe the words spoken in real time
  pulling inspirations from our restful dreamlands
    coiled together in fetal spoons

I am here!
I am here!

Please grant unto me my only request,
allow me to hermit here awhile in this new warm home where I feel safe       and happy and fearlessly blissful
A quiet refuge
   most needed to rest my Self
Away from siren squawks that
   deafen feather-tufted ears
I may venture out for the news or for weekend browsing in local record         shops, but
      here
is where I reside and come home to you each night
Keep my literal words as a gift only to you
(But please paint dazzling murals with abracadabra brushstrokes, with every colour!)
Do not pass around my sacred scripts of our lore (we've been warned)
My trust is the most honourable endowment you could recieve, please cherish it as you so deserve
Give this unto me and I will give you
           an
        infinite
        well of
       musings
         and a
         legend
            for
            the
           ages!

I love you!
I love you!

O broken and battered beatnik!
Tortured kindred spirit!
  I offer you a hundred lifetimes of my devotion
  Your spirit and soul my course of navigation!
  Using compass and stars, meet me
  Wandering cautiously out on physical plains

I love you!
Martin Narrod May 2017
Tangley Wangling

Fruit Jews in Tutus at youth group, maybe just a few with their screws loose. One self-rolling righteous group, their brothers grinning
Within the depths of their white-heads at the brim of a wet blanket suckling the needles catering new drug use. Two by two, elefants and woozels, hippopotamü's confusals, spongey-butts outfitting the rye n' wines refusals.

The luxury of a coccyx felt from the fingers turn to sunrise, where the water's weigh the bricks of suicides, concrete block tourniquets from the migraines of English turnabouts. So there's some surplus of surprise in them, in an integers shock-appraisal face-lift on Catholicism's lobotomy to cuckhold housewives seeking collagen, or the thick dark-skinned forearm-******* insider's swinging in the houses of the denizens, or repurposing their malign from their unused vaginas, to **** the dust off such scab-covered stitches, which is like vacuuming between the loose inner-leg space of a succubus.

Bring out the gimp! Any fetishized leather-wearing hungry miner for the oral tongue-slapping mouth-dance might do, as long as the dom can subdue that sub tied to the stocks voted on for the public to use, there might be screaming, squirming, and scoffs, but there's nothing left for him that Marina Abramowicz hasn't already proven she's willing to lose. Plus, in this small town not far enough from Laramie, there's still too much fat to chew through, too much flab to tuck the **** into, where even the F.U.P.A. so deep that a *******-day or deity might need the leverage of a boot to get even Ron Jeremy's **** unglued.

Lucky loos by the brothel befit these new arrivals, though some tyrannosaurs despise 'em, smoke as much as you can if you've got 'em.

But don't let your antiques get you down, an ornithologist lends herself to your bookends, and even that nighthawk roosting makes your car alarm sound second rate, it's seconds late as the aves rave to the ravens, and they pontificate. Owls hoo-hoo and hooting, branch off with the others and start colluding. They just wanna get you home, to get back those prosthetics you've loaned.

Canoodling barbarians on their way back from the aquarium, demand  their fires come from oblivion, which sends sparks of arguments from the sharks and the bathylkopian oblivions, where we found that this water's warm these citizens, demand recompense for such grandiose living expense, three pence to use the phone, twelve rupees towards the sofa, and even a deutsch mark for every sit or every look at sit, it's just a chair, a doubly set of wooden legs, idling under a table plank. Pirated by the buttocks, such bullocks it is, and that's just it!

An archaeologist on assignment discovered that the future of the rhinoceros exists upon the olfactory exaggerated proboscis, the result of flushing unused anti-biotics, and is currently working for dimes out of college to deluge this quite deprived yet interesting biopic.  

The films of the *****, grab at the ***** thrown about by The Monkees, and the musicians wearing those stickers on their *******, are victim to XXS cotton denim vests, unzipped and barely covering themselves, added to by the accessories and rings, jewelry if anything, a pearl necklace and nubile sacrifis.

And the trollops frolic, diurnally dispose of logic, doing the hoopty-hoop, the alley-oops, with mom's high school flute in nothing but cowboy boots!

These are, the new discoveries of our species, carved into the marble and wet frescos, in the street reliefs, spray-painted and air-brushed motif, this creates such gatherings for throngs of people who've unachieved their needs, who've displaced their parents and display their racist grieving beliefs to trash indigenous language pleas for francophonian linguistic greed that have splayed their hellacious treaty in what's considered to be modern circumscribed and ill-painted cuneiform visually conceived, vocal graffiti.

So that the neu-faux derogatory delegates stress to sudatorium, it has regressed to moratoriums, we've now cancelled this sport consortium of awful and flagrant art performances.
Sia Jane Jan 2014
Hold my hand dear Benjamin
don't let Professor Edwards
catch me in a dreamscape
challenging me off guard
as we sit in math class
hands clasped together
for when you knowingly
squeeze my hand tighter
scribbling with your right hand
the answer which is required
to be erased so as not caught out
but today as I look out
onto drifting clouded skies
I see the changes and I lose
myself in shapes and smoke
forging out homes, characters
stories into my past, present
and what could be in the future
nothing is taken from me, distracted
in an instant I'm Vivian Ward
racing around Hollywood
with my best friend Kit De Luca
who eats cold pizza for breakfast
and crawls the streets with me
hop scotching across the
Hollywood Walk of Fame,
five star terrazzo and brass stars, names of Hollywood greats
blonde, brunette elegance
Manolo's, mink coats,
jewelled necklines of emerald stones
we'd both dreamt as kids
Los Angeles; the City of Angels
we are the winged, we are the free
inhabiting the land of opportunity
the ladies of the night, grappling onto souls of kids, shared flat
with bunk beds and a closet filled
with 80's short tight spandex
leg warmers, faux gold earrings
bright coloured lingerie, leather bomber jackets, tutus...
oh and those perms and scrunchies
fake eye lashes, an 80's kid high as hell
being courted by an older wealthier man
living fast, dying young, a fugitive
of the land

broken

The silence I succumbed to
bruised by a cacophony of bells ringing

"never change Lou lou!"

he winked and smiled
packing his rucksack
leaving for the day.

© Sia Jane

“She was the amoureuse of all the novels, the heroine of all the plays, the vague “she” of all the poetry books.”
Gustave Flaubert, “Madame Bovary”
Natasha Teller Aug 2015
I.

pink satin masks
blood and broken toes.
i keep effortless poise
while knees and lungs shake.

i dance in tattered tutus,
in old toe shoes,
for a pocketful of coins;

i dance until i am blind with joy,
until my lungs are full of trumpet shouts,
until i am exhausted and weightless,

until my audience is standing,
breath gone, knowing what it is to be--

II.

in the storm of applause
one gnarled hand launches a torch.

"you danced with me," i cry--
her lips seal shut.
wild, cold eyes watch
flames singe my feathers,
fuse flesh to bone,
floorboards collapse.

she stays until she hears
my heart stop.

at dusk,
the stage is ash.

III.

at dawn,
a chorus of mouths emerge from the ground,
my audience, full-throated, white-knuckled,
tchaikovsky hollowing cheeks,
nasoprotivnyia daruia;
knuckles white--

flat-footed, slack-jawed,
the arsonist stands--

and i ascend from the dirt
on pillars of diamond forged from ash,
while my bare feet spill blood and i say
look at the source of my strength--
while new wings spread,
blood-red and gilded and brilliant in the sun--
while fire sprouts like flowers from my palms,
while spiders wrap my toes in silk
and i dance on thick-tongued harmonies
that tremble the earth with new roots
and i bourrée across the green trunks

and i become the sun
"nasoprotivnyia daruia" -- "from all evil deliver them." It's a line from the choral version of Tchaikovsky's 1812 Overture, which is a song that means the world to me <3
Elouise Roux Nov 2011
So young was I,
Back then.

Tight buns with tutus,
An undefined fuchsia on that stage.
Curtseying along for the applause,
Branded by spotlights.

Typically oblivious,
Like others prancing in the herd.
What shackeld influence had,
Diluted our impressionable
Selves.

A petals detail grown
On such feeble foundations.
Stemed from those early teachings,
Of the parents own unachieved
Dreams.

So young I was
  Back then.
Martin Narrod May 2017
Tangley Wangling

Fruit Jews in Tutus at youth group, maybe just a few with their screws loose. One self-rolling righteous group, their brothers grinning
Within the depths of their white-heads at the brim of a wet blanket suckling the needles catering new drug use. Two by two, elefants and woozels, hippopotamü's confusals, spongey-butts outfitting the rye n' wines refusals.

The luxury of a coccyx felt from the fingers turn to sunrise, where the water's weight some surprise them, in an integers shock-appraisal. Lucky loos by the brothel befit these new arrivals, though some tyrannosaurs despise 'em, smoke as much as you can if you've got 'em.

But don't let your antiques get you down, an ornithologist lends herself to your bookends, and even that nighthawk roosting makes your car alarm sound second rate, it's seconds late as the aves rave to the ravens, and they pontificate. Owls hoo-hoo and hooting, branch off with the others and start colluding. They just wanna get you home, to get back those prosthetics you've loaned.

Canoodling barbarians on their way back from the aquarium, demand  their fires come from oblivion, which sends sparks of arguments from the sharks and the bathylkopian oblivions, where we found that this water's warm these citizens, demand recompense for such grandiose living expense, three pence to use the phone, twelve rupees towards the sofa, and even a deutsch mark for every sit or every look at sit, it's just a chair, a doubly set of wooden legs, idling under a table plank. Pirated by the buttocks, such bullocks it is, and that's just it!

An archaeologist on assignment discovered that the future of the rhinoceros exists upon the olfactory exaggerated proboscis, the result of flushing unused anti-biotics, and is currently working for dimes out of college to deluge this quite deprived yet interesting biopic.  

The films of the *****, grab at the ***** thrown about by The Monkees, and the musicians wearing those stickers on their *******, are victim to XXS cotton denim vests, unzipped and barely covering themselves, added to by the accessories and rings, jewelry if anything, a pearl necklace and nubile sacrifis.

And the trollops frolic, diurnally dispose of logic, doing the hoopty-hoop, the alley-oops, with mom's high school flute in nothing but cowboy boots!

These are, the new discoveries of our species, carved into the marble and wet frescos, in the street reliefs, spray-painted and air-brushed motif, this creates such gatherings for throngs of people who've unachieved their needs, who've displaced their parents and display their racist grieving beliefs to trash indigenous language pleas for francophonian linguistic greed that have splayed their hellacious treaty in what's considered to be modern circumscribed and ill-painted cuneiform visually conceived, vocal graffiti.

So that the neu-faux derogatory delegates stress to sudatorium, it has regressed to moratoriums, we've now cancelled this sport consortium of awful and flagrant art performances.
Ella Levi Oct 2012
i wish not to write of sadness, instead
of teacups and tutus
of blankets and brie
and of greetings in the airport

early mornings while the sun rises
the night fades into day
with a warm mug and appreciation
for life and light

but sadness persists.
pigtails, tutus, ballet flats
diet at age of six
running, skipping, jumping jacks
did she know what beauty meant?

long brown hair, pretty eyes
gym class, age of ten
stretching, push-ups, two more laps
would she learn what beauty meant?

a boy, a kiss, a little more
life at young 15
sweet talk, smiles, and lots of force
of course she knew what beauty meant

silence, hate, weakness, lies
only sweet 16
binging, purging, swears and cuts
she'd never get what beauty meant.
Brent Kincaid Mar 2016
Soccer moms and sander scars
Suburban life is strange.
Play dates and in-line skates
Schedules to re-arrange.
Yoga teachers and lay preachers
And those are not a metaphor.
Costco trips and air-kiss lips
Nobody trusts a bachelor.

Coupon savers in SUVs
Never use turn signals.
Driving while chatting hands-free
Wearing golden **** whistles.
Appointments to make daily
With exercise gurus.
Cocktail luncheons for charity
Toddlers wearing tutus.

Traffic jams of cars and vans
Honking at each other.
Double parking on narrow streets
Calling each other mothers.
Starting out fifteen minutes late
As is the usual way.
Somehow never figuring out how
To have an on-time day.

Screeching home a night in time
To throw together a meal.
Watch television with family
And pretend that is all real.
Put the kids to bed right on time
Try to have quality time.
While the other half is half-asleep
From that second glass of wine.
Autumn Oct 2014
Tricks, treats, taffy, tutus, timber, and trees.
Night time arrives, and the children come out.
Ghosts, ghouls, witches, and even bumblebees.
Readily running round, rugged, rough route.
Mandy and Randy get lots of candy.
Meanwhile, mom and dad are at a party.
Playing charades and sipping on brandy.
By the way, whatever happened to Marty?
Mandy says she lost her in the graveyard.
Scared, spooked, shivering, she slowly saunters.
Marty makes her way to the boulevard.
With red bite marks on her neck, she falters.
If Marty’s parents had not been toking,
They could see it was Jared just joking.
Robyn Nov 2014
Dear Sammy,
I pray one day you'll read this and realize how far away you are from me.
I'm staring at the comic strip you drew for me on my birthday three years ago. You wrapped a jumbo Hershey's Bar in it and left it next to my backpack at school. I remember when my birthday used to mean something to you. I remember playing with you when we were three and four years old and dressing you up in my tutus and lipstick. I remember when you were my little brother.
I don't know who you are anymore.
You've been falling apart for so long and I tried my best to fix you. I should've done more, I should've told somebody. When you told me you wanted to **** yourself, I should've called your mother. But I tried to help you myself and I gave you attention and now that's all you want.
You still tell people you want to **** yourself. I know now that you just want attention. One day I fear you'll stop getting it and you'll actually **** yourself and I will fall to my knees and tear my hair out and wail and scream because you are so young and in so much pain and you tried so hard to leave me behind and now you've finally succeeded.
Now all you do is find girls and cheat on them and smoke and drink and swear and fight and you left Jesus and your big sister and your best friend in the chaos behind you and we cannot keep up. We've stopped trying. You don't want to listen. We don't want to talk. We just want you.
I haven't had a conversation with you in 3 years. I see you every ******* day and I talk to you and you hug me but you don't even see me anymore. And I don't know who I see anymore.
You have so much promise. So much talent. You are so smart. Sam, I love you so much. We all do. And despite what you think, your father does too.
I miss you. I've lost you and maybe it's my fault, maybe I should've done something more. But now you're too far gone, you've denied every shadow of your pain and therefore I cannot help you heal it.
I pray for you now. I pray for the little boy who I ate Mac and cheese with and built forts with. I pray for the star musician, for the painter, for the writer.
I pray for the boy who is killing his body and suffocating his heart and abandoning his family.

Sammy, please come home.
Sam Jul 2015
So i have this little room behind my ribcage
swamped deep
in fathers hugs
and mothers smiles
and an uncle teaching me to fish
a brother teaching me loyalty
and a sister screaming fashion tips from the top of her lungs
'but SAAAM black tutus ARE the craze right now'

Its a mess - as its meant to be
I can't file or discard
grandma sneaking me a hot chocolate after I've been put to bed
or grandpa eating my vegetables while mum and dad were distracted
(peas were the worst)

So you must understand that this room isn't just for you

I love you

but I love my mum, dad, uncle, sis, brother, uncle and grandparents
I love Angus for carrying me home and putting me to bed with bourbon smelling ***** staining my shoes and shirt at 4am in the morning
I love Ms. Wells from third grade
Heck, I love my dealer - they have their place in the mess

If you can handle that,
the door is unlocked,
come in and throw a memory on the pile
betterdays Apr 2014
i am a somewhat simple soul.
i find happiness in most everything,
a glimmer of hope,
a glint of a smile.

i aknowledge the great sadness anger and despair, that is the happy coins opposite bling.
have tossed and lost,
many times.

but now with joy,
i declare these things,
below, today,
are my happy fare:

a lover's kiss brushed across my sleeping brow, a grimy face,
two muddy little hands
and a satisfied grin.
the smell of muffins
baking in a tin.
the rhythmic click, clacking of knitting,
from the nanexxe exuding.
the smile of a gerberer,
the purr of cat,
the flight of ladybird,
the look of my bloke,
in a pork pie hat.

giggling, tickling, wriggling, boys watching cartoons. little girls, in pink tutus
with a lack of poise.
fine art,
a good turn of phrase.
me singing off key,
out of tune,
bass booming,
to my favourite song.
skip-trip dancing, along.

chocolate, coffee,
tea with dear friends.

o me, o my,
my list never ends,
so many things,
on my list,
so many things,
i have missed
but i must begone
to live my list
and wander on.

i find that in my pursuit of happiness i am often tackled by it.....
....that is the joy in this game of life i love
Mar Nov 2014
I am from

A yellow house and a little red bike

Bruises and Band-Aids on my knees

From learning every time I fall



I am from

The Band, The Beatles, Buddy Holly, and Bruce Springsteen

Our small kitchen table and Christmas cookies

From a family that almost fits on my Grandparent’s front porch



I am from

Summer memories and freckles and the Field of Dreams

The swimming hole, egg salad sandwiches, popsicles and pecan sandies

From Gramma and Fred and the Mill Road



I am from generations of tiny waists and dainty wrists

Of Marlise and Melissa and M’s

Brown eyes and pine needles and Big Rock

From denial and acceptance



I am from

Tea with my mom and driving with my dad

My beautiful Hazel

From the Harvest Party and my beloved barn



I am from soft white clouds of comforters

A room painted the shade of pink lemonade

Arizonas and cosmic brownies and Matt’s Honeydew melon Sorbet

From Quickway and the Gazebo and Cherry Valley


I am from a collection of keys with no locks

Chewed cuticles and paper cuts

A mouthful of words and a bad habit of tripping

From the love of glue and sharp scissors



I am from years of *****, bare feet

And freedom to be me

Getting the mail everyday except Sunday

From picnic tables and corn on the cob


I am from a love of language and words and poetry

A love of planes and tractors and the Superbowl

A big family as strong as the Brooklyn Bridge

And just as supportive too


I am from my dream catcher

Catching my fantasies of fast cars and shooting stars

A bottle full of memories and polaroids taped to my wall

From hip hop and coca cola and heart shaped sunglasses


I am from the baby freckles on my shoulders

A love of sun and freshly mowed green grass

Brave New World and Brandy Melville

From tweeting and handwritten letters


I am from the studio floor and my ballet slippers

My favorite black leotard and Fuentes

12 years of pointed feet and tutus

From the dressing room and the barre


I am from the Star of David and 8 burning candles

Suburban Philadelphia and Black Friday

Diners and Chinese Food and Fortunes

From my dad


I am from the cornfields and red barns

Chickens and cows, fresh eggs and warm milk

Valedictorians and Ivy leagues

From my mom



But most of all, I am from the puzzle pieces of myself

The dark, dusty, unexplored corners of my brain

The fear of death and rats and failure and loneliness

From the love of life and belief and hope
F Alexis Sep 2015
She learned to dance.

Frivolous tutus and
Twinkling tights
Soft pink slippers
On hardwood floors,
Young, dear, unadulterated.
The centerpiece
Of a music box.  

A poor melody,
Indeed,
Does reality play.  

Pirouettes don’t show potential.
Relevés don’t yield results.
Interest doesn’t pay interest.
Submission for survival.

Piercings…poles…provocative.
Glittering ensembles,
Sensuality in smoke,
The scandal of skin.

Little ballerina,
Her audience awaits.
No time to be shy.
They want her,
And that
Is what she always wanted.

She learned to dance.
LeFox Feb 2016
Love is not pink.
It is is not the squeals of a little girl,
of a little baby whining in the cradle.
Not pearls round your neck
or a flower blooming in your soft, soft hair,

Love is not white.
Not the song of an angel,
of the innocent beauty of ethereal light.
Not the heavenly singing from above,
or a dance in tutus around a swan's passing,


Love is not black.
Not the harsh, gritty sadness,
of an age old fire's remnants.
Not the evil darkness lurking,
or a lie that breaks down the walls of the living,

Love is not purple.
Not the mystery of a simple mind,
of death's lullaby to sing you to sleep.
Not the murky depths of an old sea,
or a wicked distortion of concrete old rock.


Love is red.
Love is passion, fire,
it is a great, great inferno,
it crumbles your life to ash,
Love is the taste of cherry red lips,
of a dress which shimmies down your shape,
of everything just coming together like strings on a piece of fabric,


Love is red.
Erika Soerensen Jun 2016
The cemetery trees are dancing in the wind.
Shimmying unapologetically
like a chorus line of boozed up
Burlesque dancers.

Some are tall and regal with pointed crowns,  
Isosceles dresses, neat and tidy,
Complete with Pine colored tutus.
Whoosh!
Like entering a room sliding
On your knees.
Whoosh!
Like someone breathing fresh life
Into you.
Mysterious but holy,
Divine yet impermanent.
Whoosh!
Strong yet fragile,
Gliding with the wind
In this game called life.
(and death)

Some have solid legs
And big shiny afros,
Showing everyone how
It's REALLY done.
Bump. Grind.
Confident yet elegant,
Bump Grind.
Full of themselves in the
Best way possible,
Bump! Grind!
Living.  Being.  Rejoicing.

Others have tassels
dangling from their limbs.
Shimmy!  Shake!
Shimmy! Shake!
Teasing me with their
Devastating beauty,
Shimmy! Shimmy! Shake!
Revealing my longing,
My passions,
For what?
I don't really know.
Shimmy! Shake!
Feeding me an elixir
Of fresh sweet hope
To drown freely, once again,
In immortal youth.

They all weave themselves
In the wind.
Acknowledging my existence
Through movement.
Using interpretive dance
As a symbolic conversation.

Happy to see me,
Welcoming me to their land.
Welcoming me home.
Welcoming me to
NOW.

.
Vernon Waring Oct 2015
Cloud Nine is average
A three out of ten
Kind of gray and *****
Not at all into Zen

Cloud Ten is all fluffy
And full of fun
If you want a good time
Ten's the One
It's so much nicer
Lots of pinks and blues
With angels like ballerinas
Twirling in tutus

But forget about Nine
It's Dullsville in space
Check out Cloud Ten
It's a happening place
Fatima Ammar Mar 2014
In a flourish of tutus,
Proud elegance in a swan's long neck,
Beauty in the enchanting movements,
Music paving a path to the depths of thought and dance,
A curse of bitter-sweet heart-ache,
Made from luscious mellow melodies,
Covering the sovereign in a flurry of glittering feathers,
From gliding wings, forever soaring as high as hope and unconscious passion,
Dancing upon a high cloud, leaping over majestic stars,
Twirling robotically with such smoothness and precision,
Fragile human machinery; well calculated,
Her longing arms stretched out wide in a drastic need of embrace; of the warmth of love,
The spectacle draws tears for the spectators to shed,
As no warmth is received, no modest love released from the drowned heart of a boy,
The poor swan is left agonized, spinning alone, numbness taking over,
Left to the intense cold of an empty world of loneliness,
As the thief runs away, stealing her bleeding heart,
Leaving her to wander ever on in the bitter cold and slowly fading music...
(Inspiration from Tchaikovsky and Camille Saint-Saens)
Francie Lynch Jan 2019
Growing to manhood is a slippery *****
Of razor blades and bones that grow.
****** screen shots of angel wings,
Red carpet slits, eye popping lips,
Miss Pageants and tutus on skates.
Britney shaking, Jennifer quaking,
No Old Spice to take young spice's place.
The X comes before the Y,
Yet Toxicity is the hue and cry.
I'm a man in a mixed-up world,
But girls still like boys,
And boys adore girls
I don't dismiss sexism, but the daily ****** and jab at males being a "toxic ***" will impact us in ways we don't see yet.
zebra Jun 2017
in the house of poems
there are no words
only sheaths of rapture
color and puzzle cutouts
on an empty table
mute
composed of shadow thin
aching smoke ghosts
desires
aphotic and tender
twisting souls in labyrinths lurid
*** shake sweet inky *******
that turn earth
to pleasure domes
and shadows
like cimmerian children
in harsh judgment
******* on
purple night shade candies
burning incense and black candles
uncrossing energies foreboding
while subterranean crystals
refract burnished glows
pulsing blood diamonds
in sacred heart manias
throb with warm breathy kisses
on plates of ash
engulfing
a terrace of pink flickering tongues
drooling and biting
that turn mere pleasure
into inflammations of ecstasy
oozing creme de menthe saliva
where souls levitate and flutter
on bilious stained beds
copulating
being impregnated with verse
smelling of warm **** cauldron

fetuses curl
in their little crib's
and bubble tapioca lyric wrangles
afterbirths purged
poems emerge
like sand bars and palm tree islands
from
sopping woven tunnels
and

caress upturned poetic posteriors
dancing in glitter frilly word tutus
while torrid confessions
dreaded breakdowns
and resurrections
dress themselves in garments
of language re-pleat
quickened by eloquence
in the house of poems
Divi Sharma Jan 2017
Pale pink tights wrapped in an elastic hug
around a little girl’s strawberry plump thighs.
With wavering fingers, she gave a mighty tug
at her silky ribbon wraps, and began to fantasize...

Basking in the heat of a glimmering light,
a dancer shuffled her way across a wooden stage;
she was weightless, her body contorting away from the night,
as she flaunted her lyrical ritual under a spotlight cage.

She extended her leg and twirled her arms,
perpendicular against the forces of gravity.
She wanted to reach the sun, to touch the stars,
but the crescendo ripped through her balance, and she was considered free.

Spinning, spinning, like a dreidel;
Every muscle poised and ready to be a bulletproof vest.
Spinning, spinning, until she was unable;
A thunderous applause erupted from the crowd of unwelcomed guests...

“REBECCA!” a voice snapped outside her dreamscape.
Drooling little girls with tight buns and runny noses
staring at their tutus, mouths agape.
A shoe in one hand, she ran to do her first lunges.
Mateuš Conrad Jan 2016
what i learned today:

a. when people treat you cruelly,
    turn all your compassion
    that's left in you
    on beings that are more likely
    to understand it,
    those beings we degraded
    our language on by citing
    their tongues of onomatopoeia;
    animals.
    it will make you better off,
    not having a care for giving
    compassion unto fellow man,
    apathy, the sweet porcelain
    dome where children shelter under
    and provide the only basis
    for a like-for-like exercise of compassion.

b. re-felting the roof of the shed with my father,
    today, in the crisp saturday day,
    making cinnamon coffee,
    watching the imaginary leash on my cat
    the ginger punk maine **** quarus
    keeping an eye on us on the shed roof
    will ignite more in me
    than these charcoal mathematically rigid
    imprints on the colour of surrender.
    oh i've surrendered, all the spare time imaginable
    on an activity that wants people
    to bleed, but who can only offer
    ideals and easily falsifiable wants,
   who would march in a battlefield backwards.

c. in the english-speaking world, only two strands
   of books exist to a respectable popularity,
   fiction and autobiography, technically fiction & fiction,
   since all autobiographies do is write a fiction
   for us caught in the present: what life was like,
   what life isn't like back then now, what life
   will never be for us to rekindle it to a suitable
   reminiscence in the future - never a non-fictional
   account of what life is like now, always
   a non-fictional account of what life was like
   back then.

d. back when poetry was sung in the queen's parlour,
     or when she bathed in milk,
     but not when it was missing she took
     to the harrowing beast, the queen bathory
     and bargained against bathing in milk instead in
     ****** blood, when poetry was used as a welcome
     distraction for those with much ado about nothing
     of the leisurely time of crowned spare time,
     when poetry was not supposed to entertain a crowd
     but high eminence it mattered,
     for indeed the philosophical critique is adequate,
     sooner a playwright entertain a crowd
     with weird constrictions on only male-actors
     in tutus and corsets and wigs that a single
     voice, with no actors but shadowy personae in one
     body will entertain a crowd...
     but odd that because poetry lost favour in places
     of high eminence of crowned leisurely time
     deserving poetic narrative spoken than sung
     with the lyre to accompany, when this happened
     the crowd eminence joined the mob, reduced itself
     to full attire and prune gesticulations of tightened
     cheek for show of noble pride, among the rabble,
     it chose the public slaughter of art for the eyes
     to be gauged in the notably sized crowd
     rather than the luxury of a personal space,
     naked, bathed, as the art of poetry is, naked,
     even in terms of paragraphed punctuation,
     nakedness of the technique... to have replaced it
     by fully in corset and jewelled among the rabble,
     watching the weird and wonderful restrictions
     that gave us transvestites... indeed... what eminence,
     amongst the mob
.
Christina Cox Jan 2016
I wonder what you think
when you see a spinning
woman.

A woman wearing
dark colors and bright tights
and tutus.

A woman who hides
herself in what she
doesn't wear.

A woman who shows
who she is in what
she spins in.

I wonder what you think
when you see a woman spinning
and that woman is me.
SilverSpoon Oct 2015
I walk down the sidewalk,
Past dull brick buildings scribbled with graffiti.
Even when we were together,
You acted like you couldn’t see me when I walked into a room,
And you didn’t take out your ear buds when I was talking to you.
I imagine a blade slicing through my neck,
Sliding cleanly through my solid, peachy skin
And then slipping through my trachea and arteries and cartilage.
I imagine this all happening very quick.
I pass by Macatelli’s and those pink tutus in the window that you made me wear for a laugh with your friends.
I went along with it just to make you smile.
I pick my way across the train tracks to get to the north side of town.
My green Nikes crunch over the cracked and gravely sidewalks.
Your mouth always folded down in a smirk whenever I read my poetry,
Saying they were all about ***
When you knew I just meant love.
I imagine the blade as it gets stopped short, caught on my spinal cord.
It carves through most of it,
Leaving my head to just kind of hang there by that one little shard of bone,
Dangling about my body like a grape on a vine.
I turn to go down Fifth Street,
Where you grabbed my *** last week and giggled as you kept walking.
I stood there frozen, terrified, as you twirled around to ******* the most poisonous kiss that ever floated through this air.
Even though we broke up months ago.
My head droops down onto my shoulder,
Unable to fully decapitate.
Through the few veins that are still attached,
The blood continues to pump.

Haven’t you done enough?
Oh, Charlotte Denver, won’t you just let me die.
Of all the things you've looked at and said
"Wow, that's so beautiful."
How many are still there?
Ten?
Maybe just the ocean?

Picture a playground
Swing set jungle gym
Whatevers on a childrens playground
It's behind your house.
You go there twice a week

There's tutus and there's overalls
And there's little horses with springs on the bottom
That are slightly rusted
But they rock back and fourth and don't fall over anyway
Because they're so far
Dug down into that playground tar
It's just, permenant
It takes three men wearing orange vests to pull it out of the ground.
There are memories there.
Some of them are even caught on video
And you
You can't go there again

— The End —