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"reshaped" poems
Songs of Oregon: No. 1 “Gonna Make You Crazy, That Place” nuts, crazy peeps whomever wherever, regardless of race creed color or gender (did I get ‘em all?) current state of residence (geo-identified) a poem - the very same recited, as a disclaimer, a yellow finger wagging warning: “Don’t go! If you go, you won’t come back” now kids, I’m a veteran of foreign travel, many continents, cold and hot, rivers and seas, some living, some dead, some so big they named it Endless, been to the great cities, Swiss villages, pyramids, climbed Masada, danced on grapes (why can’t I recall where) skied the Alps, trekked the Sinai Desert, clubbed in Rio, and danced till morn, on a certain Greek Isle that rhymes with Mickey’s Nose even been to L.A and San Fran, left poorer but in sync, always came home with my mind decently reshaped me/ a product of gritty unpretty grime, streets of normal humans acting like normal escaped mad persons, this brutal city island instilled a layer of fat and smog neath my skin, a kind of migrating duck-like survival kit, came with a homing beacon included the those of you who know me, perhaps too well, ken we citified islanders love our beaches (fire hydrants) cherish our sun dappled blessings upon on farms (window sill herb gardens) and sunning settlements (rooftops) they say our tap water is secretly bottled, sold in places where the springs purportedly run crystalline though we don’t got no pinot, just sweet concord grape, so sweet, the wine of children and street nodders, needy for instant sugar highs so as we new Yorkers proudly say on our license plates, prove it or stfup! so a first hand investigation for which the taxpayers won’t be charged even a lousy mill, deemed necessary to put to rest this crazy claiming warning “Don’t go! If you go, you won’t come back” guessing must be something in the water and the wine
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Jun 5, 2018
Jun 5, 2018 at 9:00 AM UTC
Songs of Oregon: No. 1 “Gonna Make You Crazy, That Place”
Songs of Oregon: No. 1 “Gonna Make You Crazy, That Place” nuts, crazy peeps whomever wherever, regardless of race creed color or gender (did I get ‘em all?) current state of residence (geo-identified) a poem - the very same recited, as a disclaimer, a yellow finger wagging warning: “Don’t go! If you go, you won’t come back” now kids, I’m a veteran of foreign travel, many continents, cold and hot, rivers and seas, some living, some dead, some so big they named it Endless, been to the great cities, Swiss villages, pyramids, climbed Masada, danced on grapes (why can’t I recall where) skied the Alps, trekked the Sinai Desert, clubbed in Rio, and danced till morn, on a certain Greek Isle that rhymes with Mickey’s Nose even been to L.A and San Fran, left poorer but in sync, always came home with my mind decently reshaped me/ a product of gritty unpretty grime, streets of normal humans acting like normal escaped mad persons, this brutal city island instilled a layer of fat and smog neath my skin, a kind of migrating duck-like survival kit, came with a homing beacon included the those of you who know me, perhaps too well, ken we citified islanders love our beaches (fire hydrants) cherish our sun dappled blessings upon on farms (window sill herb gardens) and sunning settlements (rooftops) they say our tap water is secretly bottled, sold in places where the springs purportedly run crystalline though we don’t got no pinot, just sweet concord grape, so sweet, the wine of children and street nodders, needy for instant sugar highs so as we new Yorkers proudly say on our license plates, prove it or stfup! so a first hand investigation for which the taxpayers won’t be charged even a lousy mill, deemed necessary to put to rest this crazy claiming warning “Don’t go! If you go, you won’t come back” guessing must be something in the water and the wine
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49
SURRENDER YOUR HEART REMOVE THE GUARDS AND RELINQUISH THEIR SHIELDS. YOU NEED TO FEEL THIS THOROUGHLY LOVE WAS NEVER MEANT TO BE SAFE OR MEASURED SO, LOVE IRRATIONALLY. JUMP OFF A CLIFF WITHOUT CONSIDERING CONSEQUENCES, LOVE SPECIFICALLY. PAY ATTENTION ON THE SMALLER DETAILS OF THE BIGGER PICTURE, LOVE UNCONDITIONALLY. BECAUSE THERE WILL BE DAYS WHEN YOU DON’T LIKE HER, BUT THE LOVE MUST REMAIN AND IN THE EVENT THAT LOVE BREAKS YOU, LET IT BREAK. DO NOT CLOSE YOURSELF OFF OR SHUT YOURSELF DOWN. YOUR HEART WILL BE SHAPED AND RESHAPED, BUT IN THE END IT WILL STILL BE YOURS. AS HUMAN WE ARE BLESSED WITH THE SKILL OF ADAPTATION IT’S KEPT US HERE FOR EONS, YOU WILL ADAPT.
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Oct 8, 2018
Oct 8, 2018 at 5:08 PM UTC
IF YOU DECIDE TO LOVE SOMEONE
We are each born A box full of pieces But as the years pass We are faultily rearranged Jammed into wrong spaces Lost under the couch And as the years pass We look less of what we were And now more of who we are Luckily, unlike puzzles Our pieces can be replaced Our cut outs can be reshaped And even if we are misplaced Someone will put you back together
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Aug 28, 2014
Aug 28, 2014 at 3:01 PM UTC
Puzzle pieces
I love you like an eternally expanding universe seen with the clarity of a thousand Hubble telescopes your swirling galaxies artful nebula tranquil skies your solid core I love you in molten tongues calling from the void two nuclear souls colliding every atom undone fused together to make one I love you until the thread is cut my free-falling light so high on your atmosphere reshaped by your gravity a meteorite wish sweet ashes to your dust
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Jun 30, 2016
Jun 30, 2016 at 10:25 AM UTC
Have I Told You Lately?
Kindred spirits sharing love from around the world, Touching each other with their welcoming words Having never seen another face to face at all Embracing life pages as their words are now heard We find great hope in the hearts and minds we meet Eating from the same table of Gods creative delight As are filled daily with amazing genuine words Finding our great love for sharing helps us to unite Daily together we lift up hungry spirits in this world With our individual gifts trying not to leave one behind As we all are part of the same beautiful sharing coverlet Full of the real love which our God always had in mind Even though we as humans in many ways are the same We each are gifted specifically by His heavenly design Being bound to the loving spirit of sharing our words To shine radiantly through others His true love divine United we become a real compelling power to others When our written words genuinely carry true weight Because the strength of our inner spirits great vigor Over time helps many lives in this world be reshaped.
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Mar 14, 2017
Mar 14, 2017 at 6:08 AM UTC
THE MOST BEAUTIFUL PEOPLE
Too roughly hewn and cleaved around edges frayed shaped and reshaped by these own calloused hands I realize the shape of things ,... who I am ... who I've become ― The sound of my own raw voice knows not convention ; it was nothing more than words of fragmented tomes exposed Only the broken wind covering footprints on the road not taken on a never ending journey into a lonely abyss These greatest fears I've come to know ; my greatest weakness bared and borne                                         broken dreams bought and sold,                                         for less than they were worth. In the chill of this winter darkness grown cold a newly recurring silence echoes poignantly,..                                                                 redux                                                           forevermore                                                            self-loathed                                                                déjà vu ―                                         ***The only dream's fruition ever feared:                      to walk alone at that predestined parting moment                          within a stones throw of six feet underground ,...                                  dropping to these knees at a threshold                                               well-nigh left behind,                             knocking at the door that leads beyond  ―                           never needing to know how to say goodbye …***                                  thinking out loud ... 11. 29. 2016
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Nov 29, 2016
Nov 29, 2016 at 12:49 PM UTC
Never needing to know how to say goodbye ...
Too roughly hewn and cleaved around edges frayed shaped and reshaped by these own calloused hands I realize the shape of things ,... who I am ... who I've become ― The sound of my own raw voice knows not convention ; it was nothing more than words of fragmented tomes exposed Only the broken wind covering footprints on the road not taken on a never ending journey into a lonely abyss These greatest fears I've come to know ; my greatest weakness bared and borne                                         broken dreams bought and sold,                                         for less than they were worth. In the chill of this winter darkness grown cold a newly recurring silence echoes poignantly,..                                                                 redux                                                           forevermore                                                            self-loathed                                                                déjà vu ―                                         ***The only dream's fruition ever feared:                      to walk alone at that predestined parting moment                          within a stones throw of six feet underground ,...                                  dropping to these knees at a threshold                                               well-nigh left behind,                             knocking at the door that leads beyond  ―                           never needing to know how to say goodbye …***                                  thinking out loud ... 11. 29. 2016
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25
In the intricate tapestry of love, the adage "once a cheater, always a cheater" weaves a cautionary thread. It is a phrase laden with the weight of experience, a mantra that whispers of broken trust and shattered vows. When someone treads the path of betrayal, leaving the fragments of a once-whole heart in their wake, the scars run deep. The echoes of deceit reverberate in the corridors of love, leaving those who have been wounded hesitant to trust again. The notion, "once a cheater, always a cheater," emerges as a defense mechanism, a shield against the vulnerability of being deceived once more. Yet, in the realm of love, the narrative isn't always so black and white. People evolve, learn from their mistakes, and yearn for redemption. It's crucial to acknowledge the capacity for change within each individual. While the wounds of betrayal may linger, they need not dictate the course of someone's entire romantic journey. The human experience is multifaceted, and relationships are complex landscapes. People stumble, fall, and sometimes, they rise anew, reshaped by the crucible of their own errors. Love, at its essence, encompasses forgiveness, growth, and the possibility of second chances. So, while the cautionary phrase carries the weight of wisdom, it is equally important to recognize the potential for transformation. People can break free from the chains of their past misdeeds, learn to value trust, and construct relationships founded on honesty and integrity. Love, after all, is as much about healing as it is about the initial spark. In the end the tale of "once a cheater, always a cheater" is not a universal truth but rather a reminder that love demands conscientious navigation. It prompts us to approach relationships with discernment, to treasure the fragility of trust, and to foster an environment where growth and change are not only possible but celebrated.
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Nov 25, 2023
Nov 25, 2023 at 7:26 AM UTC
once a cheater always a cheater
In the intricate tapestry of love, the adage "once a cheater, always a cheater" weaves a cautionary thread. It is a phrase laden with the weight of experience, a mantra that whispers of broken trust and shattered vows. When someone treads the path of betrayal, leaving the fragments of a once-whole heart in their wake, the scars run deep. The echoes of deceit reverberate in the corridors of love, leaving those who have been wounded hesitant to trust again. The notion, "once a cheater, always a cheater," emerges as a defense mechanism, a shield against the vulnerability of being deceived once more. Yet, in the realm of love, the narrative isn't always so black and white. People evolve, learn from their mistakes, and yearn for redemption. It's crucial to acknowledge the capacity for change within each individual. While the wounds of betrayal may linger, they need not dictate the course of someone's entire romantic journey. The human experience is multifaceted, and relationships are complex landscapes. People stumble, fall, and sometimes, they rise anew, reshaped by the crucible of their own errors. Love, at its essence, encompasses forgiveness, growth, and the possibility of second chances. So, while the cautionary phrase carries the weight of wisdom, it is equally important to recognize the potential for transformation. People can break free from the chains of their past misdeeds, learn to value trust, and construct relationships founded on honesty and integrity. Love, after all, is as much about healing as it is about the initial spark. In the end the tale of "once a cheater, always a cheater" is not a universal truth but rather a reminder that love demands conscientious navigation. It prompts us to approach relationships with discernment, to treasure the fragility of trust, and to foster an environment where growth and change are not only possible but celebrated.
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34
after five years when I write her a love poem, she is always surprised, her unexpectation so very pleases me. after five years when I write her a love poem, I am always surprised, that a new way to say it, uncovered. but this I can tell you, not once do I ever write nor will I ever pen those I love you words. they are too easy, too cheap, a dime a dozen, naked words make me weep, dress 'em, cloak 'em, try to Pradip 'em in mystery, charming humor, use conjuring spells of Bala imagery unreal, Bzynga! work hard to tell her why, work hard to guard your originality, work hard to tell her in ways that her into me smiling, crying, punching. so I write love poems, every now and then, special ways recalled, teasing her about her forgetfulness, about her teasing me with rhyming that is less than spectacular, how my body has reshaped itself to fit her. tell her I love you, plain, well that be downright, pffft. (an interjection used to express or indicate a dying or fizzling out) the key is to tell her in a fashion original, personal to us. that what all these endless love poems here strive, but too oft, fail to arrive. all tricked up, too direct, passion burnt used up after but a single read stroke her cheek with soft stanzas, torrential directness, no subtly, fizzles. write for the long haul, words that five years hence, words that five hundred years hence, make her into me smiling, crying, punching, like the first time she read them, like they did five years ago.
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Jan 9, 2014
Jan 9, 2014 at 10:04 PM UTC
after five years, when I write her a love poem
<•>   For A: The Pleasure of Infection 10:53 pm our all about is to be the whittler of our personage, to both hold the knife with care, but with risky, reckless artistry, as we shape of what raw materials we are possessed, into our own reshaped, reformed most prized bejeweled possession never mind the shavings and cutaways fallen, they are fast away, castaway choices made and cannot be retrieved, for when we whittle, whether our shape desired which may be prior envisioned or a vision from the discovery of performing, they matter no more, let them go, in their absence too, they are part and a whit of you, but not of you, no longer our commonality in this: everything, in everything else, so little but your honesty and crafted, almost dishonesty both ring true, and infect us with pleasure of recalling when we being cut designed and preparing our statue for an unveiling, but with no date yet set, and the loveliness of our mistakes, were precious do-over opportunities seek out the infection, the infection of discovery, the risk of pleasure exposed and your poetry may be either   the antibiotics when the result is red and unpleasant, or a celebration, an invitation to us to be a semi-silent beholder of your artistry infections heal after pain and discoloration but new skin always forms, but at a different pace for each of us I see the faces in my carpet nodding agreement, "always new skin" oh boy. time to go to bed go seek out the pleasure of infection, sadly, happily, it is the only way good night from an old man who dreams and schemes of new skin nightly but never mind me, my piece long ago writ and in need of just a tweak here and there, call it one too many close shavings, his poem's treasure trove, a list of life's minor irritations and major lifts <•> 11:16pm
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Jul 17, 2017
Jul 17, 2017 at 11:36 PM UTC
For A: The Pleasure of Infection
<•>   For A: The Pleasure of Infection 10:53 pm our all about is to be the whittler of our personage, to both hold the knife with care, but with risky, reckless artistry, as we shape of what raw materials we are possessed, into our own reshaped, reformed most prized bejeweled possession never mind the shavings and cutaways fallen, they are fast away, castaway choices made and cannot be retrieved, for when we whittle, whether our shape desired which may be prior envisioned or a vision from the discovery of performing, they matter no more, let them go, in their absence too, they are part and a whit of you, but not of you, no longer our commonality in this: everything, in everything else, so little but your honesty and crafted, almost dishonesty both ring true, and infect us with pleasure of recalling when we being cut designed and preparing our statue for an unveiling, but with no date yet set, and the loveliness of our mistakes, were precious do-over opportunities seek out the infection, the infection of discovery, the risk of pleasure exposed and your poetry may be either   the antibiotics when the result is red and unpleasant, or a celebration, an invitation to us to be a semi-silent beholder of your artistry infections heal after pain and discoloration but new skin always forms, but at a different pace for each of us I see the faces in my carpet nodding agreement, "always new skin" oh boy. time to go to bed go seek out the pleasure of infection, sadly, happily, it is the only way good night from an old man who dreams and schemes of new skin nightly but never mind me, my piece long ago writ and in need of just a tweak here and there, call it one too many close shavings, his poem's treasure trove, a list of life's minor irritations and major lifts <•> 11:16pm
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58
They say, no man is an island Yet an island can be reshaped By a tornado, hurricane, or a earthquake Mother nature rules with an iron fist To place her stakes on the land of the living They say, no man is an island But there must be a better way For other nations and countries Come together and embrace To restructure our governments, Working together, rebuilding, maybe, even see The humanity in eachother giving To help those, who can not help themselves They say, no man is an island All the justice and laws in the world Wouldn't correct it's poverty In exchange, for it's wealth Animated politicians Speaking in tongues Atoned to be totally clueless Unaware of the next existing Killer of lives They say, no man is an island To forsee at last Battle of waves of storms to come Genocide, Nuclear, Wars Will come again, and again History repeats, in cirlces It never ends They say, no man is an island The inadequate versions of getting things right Should be a must, for the change with truth and trust People having the will or the lack of Food, water, protection, health care That ain't right To not be inform and share They say, no man is an island, But there's just has to be a better way People taken care of people Living life better than it once was yesterday Families who have lost, buried, and shed many of tears Placed their memories of loved ones To cross over into the light Have lost more than just a home, family, neighbors One thing one must not lose is The spirit inside to have They say, no man is and island For every man, woman and child Is of the land of their island Hope is not ones plan alone The plan simply is of many... Faith, Memories, Freedom, Dreams, and Hope
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Feb 13, 2010
Feb 13, 2010 at 1:59 AM UTC
"No Man Is An Island"
They say, no man is an island Yet an island can be reshaped By a tornado, hurricane, or a earthquake Mother nature rules with an iron fist To place her stakes on the land of the living They say, no man is an island But there must be a better way For other nations and countries Come together and embrace To restructure our governments, Working together, rebuilding, maybe, even see The humanity in eachother giving To help those, who can not help themselves They say, no man is an island All the justice and laws in the world Wouldn't correct it's poverty In exchange, for it's wealth Animated politicians Speaking in tongues Atoned to be totally clueless Unaware of the next existing Killer of lives They say, no man is an island To forsee at last Battle of waves of storms to come Genocide, Nuclear, Wars Will come again, and again History repeats, in cirlces It never ends They say, no man is an island The inadequate versions of getting things right Should be a must, for the change with truth and trust People having the will or the lack of Food, water, protection, health care That ain't right To not be inform and share They say, no man is an island, But there's just has to be a better way People taken care of people Living life better than it once was yesterday Families who have lost, buried, and shed many of tears Placed their memories of loved ones To cross over into the light Have lost more than just a home, family, neighbors One thing one must not lose is The spirit inside to have They say, no man is and island For every man, woman and child Is of the land of their island Hope is not ones plan alone The plan simply is of many... Faith, Memories, Freedom, Dreams, and Hope
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52
This is for the girls who lie awake at night, Pulling at the blankets to keep them warm, Drenched in sins of deprecation. Tossing and turning on their twin size beds, because there is not enough room to fit expectations, let alone their own. This is for the girls who stare at themselves in front of their mirrors, Pinching at the extra layers of skin that hang around their tummies. Rolls of "fat" as they call it, I prefer the term "beauty." This is for the girls who have shoulders are backs plastered in scars. From the bras that were one cup size to small, overly adjusted and tightened straps. This is for the girls who fall prey to the fallacies of magazine stands, captivated by the cold letters bleeding off the covers: "Three hundred, sixty-five ways to style your hair!" "How to get the perfect **** "Turn off the lights to look good naked!" "How to make him love you!" Pull apart the flesh, look beneath your skin, you are not defined by the number of eyes that manifest lust towards you, you are not the hands that plead to saunter their way toward your hips, You are not the number of inches that space out your thighs. Or the visibility of muscle that line up on your stomach. You do not need to look good naked, don't turn off the lights. Your **** looks fine Stop falling victim to the media To the photo shopped ads of puppets who look nothing like you Because your real and if you want a man to love you, he must learn to accept you with your extra flaws, our scars, and rolls of fat. Because that sack of bones known as a model on a Cosmopolitan cover will not keep him warm. It is inscribed in the atoms that make you a person you are a three dimensional beautiful masterpiece you are not a computerized pixelated image reshaped and resized retouched and revised stop letting society dehumanize a woman your a woman all the fury to slither through you limbs until you shake with and anger and purpose, acknowledge the value of your worth for you are more that just a waste of paper and space, you are space, you are human, your alive, and beautiful
0
Sep 1, 2014
Sep 1, 2014 at 11:57 AM UTC
Untitled
This is for the girls who lie awake at night, Pulling at the blankets to keep them warm, Drenched in sins of deprecation. Tossing and turning on their twin size beds, because there is not enough room to fit expectations, let alone their own. This is for the girls who stare at themselves in front of their mirrors, Pinching at the extra layers of skin that hang around their tummies. Rolls of "fat" as they call it, I prefer the term "beauty." This is for the girls who have shoulders are backs plastered in scars. From the bras that were one cup size to small, overly adjusted and tightened straps. This is for the girls who fall prey to the fallacies of magazine stands, captivated by the cold letters bleeding off the covers: "Three hundred, sixty-five ways to style your hair!" "How to get the perfect **** "Turn off the lights to look good naked!" "How to make him love you!" Pull apart the flesh, look beneath your skin, you are not defined by the number of eyes that manifest lust towards you, you are not the hands that plead to saunter their way toward your hips, You are not the number of inches that space out your thighs. Or the visibility of muscle that line up on your stomach. You do not need to look good naked, don't turn off the lights. Your **** looks fine Stop falling victim to the media To the photo shopped ads of puppets who look nothing like you Because your real and if you want a man to love you, he must learn to accept you with your extra flaws, our scars, and rolls of fat. Because that sack of bones known as a model on a Cosmopolitan cover will not keep him warm. It is inscribed in the atoms that make you a person you are a three dimensional beautiful masterpiece you are not a computerized pixelated image reshaped and resized retouched and revised stop letting society dehumanize a woman your a woman all the fury to slither through you limbs until you shake with and anger and purpose, acknowledge the value of your worth for you are more that just a waste of paper and space, you are space, you are human, your alive, and beautiful
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38
this shall be: this shall be my last poem of the year, two thousand and thirteen, with the muses' permission. a fitting one as well, for the words, come easy, like so many did this annus mirabilis, year of wonders. firm I believe, words are living tools, constantly being reshaped, fitted to the occasion.   care must me taken, words hurt when wasted, abused, or used in contravention to the creator's intentioned purpose of intended good. so when a brother, a poet-man hits the nailhead, words writ, encapsulating an emo shared, this reserves, a poem-celebration! lines between humans unseen, somehow too easy, rightly crossed, guards dropped, secrets exposure, with the ease of feeling no discomfiture. yes, this is the Internet age, sharing revelations often cheapened, boundaries collapse, when no consideration given. when there is no skin, no eye-glance real-exchanged, no feeling, no voice, casual, to do, easy to say, what is the risk, what could be the casualty of this causality? the risk is fearsome. so when the venture is for the better, what matter the absence of the physicality, the tears and hugs imagined as good as any non-virtual, but in the coming year, this I swear: I will be, I will be becoming, I will become you, unto you, for as was written, so shall it be, for as was written, it will become, a beautiful first, a first re-union, that will be. *this notion so pleasing, yet inherent contradictory, aye, there's the rub,* a first re-union of the unmet, *to mark this three hundred and sixty fifth day, the creator bequeathed me these prayer words most easily, most faithfully, as a blessing for all of us.* Dec. 31, 2013 3:54 pm. NYC
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Dec 31, 2013
Dec 31, 2013 at 4:15 PM UTC
Going to Oregon: "a beautiful first re-union that will be..."
this shall be: this shall be my last poem of the year, two thousand and thirteen, with the muses' permission. a fitting one as well, for the words, come easy, like so many did this annus mirabilis, year of wonders. firm I believe, words are living tools, constantly being reshaped, fitted to the occasion.   care must me taken, words hurt when wasted, abused, or used in contravention to the creator's intentioned purpose of intended good. so when a brother, a poet-man hits the nailhead, words writ, encapsulating an emo shared, this reserves, a poem-celebration! lines between humans unseen, somehow too easy, rightly crossed, guards dropped, secrets exposure, with the ease of feeling no discomfiture. yes, this is the Internet age, sharing revelations often cheapened, boundaries collapse, when no consideration given. when there is no skin, no eye-glance real-exchanged, no feeling, no voice, casual, to do, easy to say, what is the risk, what could be the casualty of this causality? the risk is fearsome. so when the venture is for the better, what matter the absence of the physicality, the tears and hugs imagined as good as any non-virtual, but in the coming year, this I swear: I will be, I will be becoming, I will become you, unto you, for as was written, so shall it be, for as was written, it will become, a beautiful first, a first re-union, that will be. *this notion so pleasing, yet inherent contradictory, aye, there's the rub,* a first re-union of the unmet, *to mark this three hundred and sixty fifth day, the creator bequeathed me these prayer words most easily, most faithfully, as a blessing for all of us.* Dec. 31, 2013 3:54 pm. NYC
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59
There was a village Called Ludnica in maps Quite old and vintage The population reached 100 at max It was known far and wide For it's weird rules Everyone had to abide And dress like white ghouls Half of them were blacksmiths Working day and night Others had to submit And were to be polite Every once in a while Another black sheep would appear Some even hostile Not understanding why they were there Then the blacksmiths' work would restart They chipped away the metal chains Reshaped the mind part by part Untill the sickness didn't remain "Where was this Ludnica?" You might ask But don't search for it Because it will find you at last
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Nov 12, 2020
Nov 12, 2020 at 5:40 AM UTC
Blacksmiths and black sheep
At the moment when I woke up in the morning, the dim light was on to my room and I saw the beautiful things in yours, at that moment I found my soulmate. They are still there even when I let them go. The more I think about how beautiful in somethings are, the more they are always beside me. The space in my mind always gives them a chance to stay, and yes, they will stay. The hardest part of letting them go when you couldn't notice them. They are too far for you to reach because your heart always guides you in the way that will be able for you to pass. Sometimes you know about it, but you try to ignore it. I realized that the beautiful things in yours should be followed, but you are always in silence, so the voices in my head carry me to things that hard to understand and it makes construction in my human being to love you with great expectations. "Is this what happened?", I asked myself. But the loneliness in me answered that something unhappy should be not unshared. It reshaped them all into my anxiety. But suddenly, the voices in my head asked me, "How's your day?" "Did we see the same most unexpected ways?" "I wish you loved me as you love the journey of your life, please stay calm, I was listening to you." That was a beautiful goodbye.
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Sep 9, 2021
Sep 9, 2021 at 1:24 AM UTC
Love me as you love the journey of your life
It no longer fits. Not because it’s wrong— because there is no longer a shape for it. It waits at the door of a structure that has sealed itself to mystery. No one silenced it. No one feared it. It was simply not needed. --- Not in fire. Not in argument. But through erosion of context. A slow recoding of all signals into currency, and then into noise. It is not buried. It is not archived. It is unrecognized. You could hold it in your palm and no one would call it a shape. They would ask what it is for. And you would have no answer they could use. --- The system is not cruel. It is indifferent, efficient, alive in a way that has moved past texture. It does not punish difference. It dissolves it. --- The ones who still carry it do so improperly. It cannot be shared without being reshaped. It cannot be translated without being lost. So they stop speaking. Not out of bitterness— out of futility. Language becomes costume. Gesture becomes content. Feeling becomes an old way of being wrong. They are not martyrs. They are not rebels. They are remainder. Background error. A trace. --- Eventually, the thought will be referenced as a footnote to dysfunction. Once, they dreamed in metaphor. Once, they misused their time to describe beauty no one asked for. The tone will be clinical. A paragraph in the training module on obsolete impulses. --- No one will recover it. Not because it was hidden, but because no one is looking in that direction. The shelf collapsed years ago. Its dust recycled into something measurable. If a trace remains, it will be decorative— a design choice in a digital museum of failed emotions. A misread glyph. A corrupted tag. An unclickable file in a format no longer supported. --- Still, somewhere in the static, a pulse misfires. Not a message. Not a warning. Just the rhythm of a shape that refused to dissolve. It says nothing. It means nothing. But it does not go away.
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Aug 7, 2025
Aug 7, 2025 at 3:49 AM UTC
This Is How the Thought Dies
It no longer fits. Not because it’s wrong— because there is no longer a shape for it. It waits at the door of a structure that has sealed itself to mystery. No one silenced it. No one feared it. It was simply not needed. --- Not in fire. Not in argument. But through erosion of context. A slow recoding of all signals into currency, and then into noise. It is not buried. It is not archived. It is unrecognized. You could hold it in your palm and no one would call it a shape. They would ask what it is for. And you would have no answer they could use. --- The system is not cruel. It is indifferent, efficient, alive in a way that has moved past texture. It does not punish difference. It dissolves it. --- The ones who still carry it do so improperly. It cannot be shared without being reshaped. It cannot be translated without being lost. So they stop speaking. Not out of bitterness— out of futility. Language becomes costume. Gesture becomes content. Feeling becomes an old way of being wrong. They are not martyrs. They are not rebels. They are remainder. Background error. A trace. --- Eventually, the thought will be referenced as a footnote to dysfunction. Once, they dreamed in metaphor. Once, they misused their time to describe beauty no one asked for. The tone will be clinical. A paragraph in the training module on obsolete impulses. --- No one will recover it. Not because it was hidden, but because no one is looking in that direction. The shelf collapsed years ago. Its dust recycled into something measurable. If a trace remains, it will be decorative— a design choice in a digital museum of failed emotions. A misread glyph. A corrupted tag. An unclickable file in a format no longer supported. --- Still, somewhere in the static, a pulse misfires. Not a message. Not a warning. Just the rhythm of a shape that refused to dissolve. It says nothing. It means nothing. But it does not go away.
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108
i just turned 17 and i bought a ****** e-cig off some guy in venice. it squeaks when i try to use it and the vapor scares my cat, and i’m in love with this girl who tried it while she was tangled up in my sheets — she said she hated it but hey, i just turned 17 and i can’t be the only kid in this city who doesn’t need a nicotine fix. on thursday nights i stand outside coffee shops with the ones who smoke those reds and blues and velvet blacks that come in wooden boxes like fine cigars. i hate that scene but i’m addicted to it because i just turned 17 and everything about me is being reshaped like play-doh. my mom calls it impressionable, i call it fearless. i just turned 17 and i’d like to think i’m not as insecure as i feel, but i had to move the full-length mirror out of my room and nothing i do counts unless i put it on instagram. i just turned 17 and that’s the age all the songs are about, the year of dancing queens and cheap red wine and sneaking through the suburbs to get to your girlfriend’s house. i used to think i wanted to see the world but i just turned 17 and i can’t stop falling in love with the city i live in — you can’t see too many stars here but it feels safer that way, like i’m less likely to float into space. tethered is a good thing to be, at least until all the different parts of me finally get strung together. i just turned 17 and i’m scared the nicotine can’t hide that i’m just a work in progress.
0
Jan 7, 2014
Jan 7, 2014 at 12:22 AM UTC
strung
I read through a bedside stack of my poems labeled The Heartfelt Architect. They were bound with a paperclip reshaped to accommodate their numbers. Half the pages featured watermarks around the edges like emotional copyrights. I had written about friends' frustrations with loves and losses for three years, stressing that paperclip every day before realizing I had written an autobiography.
0
May 28, 2014
May 28, 2014 at 12:10 AM UTC
Accidental Autobiography
A thumb flicks repetitive across the screen. Scrolling. Images of faces, targeted ads and mundane art. A random couple standing on the beach. I pause for them. His toad like appearance distorts my face, One nostril scrunching up in displeasure at the belly that sticks out rounding into his chest so you can’t tell where his torso starts and ends, while a pair of swim trunks desperately attempt to cling to a skeletal waist. Her body is normal aside from the concave stomach and the ***** that had clearly been poked at, flayed away, reshaped into an over exaggerated spherical shape. Two figures clearly trying and failing to force their bodies to reject their aging fate, but they succeed in looking less human, and more like that of distorted dreams. Their skin is too dark, slicked up with oil, and all I can think of is when leather for skin became fashionable. Their bodies are theirs to do as they please, but this new species of seal takes away the beauty of the water kissing the shore and I find the thought of these distorted figures mar my vision of the beach into a sour taste. I can only assume its attention they want with the transaction they made: her youth for his money. So tell me, is it not within my right to judge? Is it? I scold myself for being quick to judge with my eyes though I cannot find myself to be sorry; For they have clearly invested in their outwardly appearance. For the sake of themselves or others who is to say? But they parade through sand exposed, out on display.
0
Aug 31, 2021
Aug 31, 2021 at 11:34 PM UTC
Instagram Beach Couple
A thumb flicks repetitive across the screen. Scrolling. Images of faces, targeted ads and mundane art. A random couple standing on the beach. I pause for them. His toad like appearance distorts my face, One nostril scrunching up in displeasure at the belly that sticks out rounding into his chest so you can’t tell where his torso starts and ends, while a pair of swim trunks desperately attempt to cling to a skeletal waist. Her body is normal aside from the concave stomach and the ***** that had clearly been poked at, flayed away, reshaped into an over exaggerated spherical shape. Two figures clearly trying and failing to force their bodies to reject their aging fate, but they succeed in looking less human, and more like that of distorted dreams. Their skin is too dark, slicked up with oil, and all I can think of is when leather for skin became fashionable. Their bodies are theirs to do as they please, but this new species of seal takes away the beauty of the water kissing the shore and I find the thought of these distorted figures mar my vision of the beach into a sour taste. I can only assume its attention they want with the transaction they made: her youth for his money. So tell me, is it not within my right to judge? Is it? I scold myself for being quick to judge with my eyes though I cannot find myself to be sorry; For they have clearly invested in their outwardly appearance. For the sake of themselves or others who is to say? But they parade through sand exposed, out on display.
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18
Hot, salty tears, muddled, with the bitter, icy spray, enveloped by the Atlantic, desposed by pedigree. Peoples, of all lifetimes, swiftly, abducted from their blood, with lament, embraces ripped apart, sin left disguised, ousted love. Lumber structures, like cages, repressing their last breaths, left few ongoing in the waves, desposed by traitorous men. Forceful souls, whose tongue called out, reshaped their gruesome plight, to overthrow the tides and toils, who, ousted them at the site. Desde África, a Cuba, y entonces a América, los abogados se lucharon, y tomaron un caso de libertad. Para un barco se llama Amistad, todos los malhechos son, la gente Mende querían justicia, y tomaron parte por el mundo.
0
May 7, 2015
May 7, 2015 at 6:25 PM UTC
La Mentira Del Nombre
Time stands still on the twig. The sky keeps changing colors, Blue, dark, ivory, violet - She grows old, I turn feeble, Ego, enmity, jealousy fade, Our stories dry up to the end! The twig remains there, Braving rain, bad weather, Doesn't break, doesn't complain, Endures mutely the passing of pain, Standing robust under the changing sky, Reshaped landscape, agony's cry, With no wars to fight, no belief to defend, Just there to see us reach the dead end!
0
Sep 7, 2013
Sep 7, 2013 at 2:24 AM UTC
The Twig
Woman lies flat in worm-eaten earth, rain battering gnarled spine, cold stones bind barren ******* Small stones, but jagged, shaped and shined by time reshaped by wind unearthed by man. A hundred million years might grow a mountain. Rain stings bare hide, fills and pushes babygirl streams, rushes and forces ripewoman rivers but the ocean it is not. Woman lies face down in fruitless loam. Hands clench rotten roots and slick vegetation. Hands shaped then reshaped by time and tasks become touchless husks growing smaller still. Woman lies quiet worm eaten soil broken back bent against the torrent. Worn feet twist against the ground, seek footing. Small feet they are however mighty. Stepped vigilantly and sometimes stomped along stayed still to be stepped on and stomped ****** Shaped and reshaped by pathways of caution and fury, sometimes fear. Woman lies flat in worm eaten earth. She wished to be a stone to cut rather than be cut. To be the tide, to push rather than be pushed. But she is only a woman and she thought raw earth might taste right so she opened her mouth.
0
Dec 28, 2009
Dec 28, 2009 at 7:58 PM UTC
Shaped and Reshaped
Flowers die when winter comes, Stems curling and wilting into nothing But shriveled masses that exist, Yet don't, as if they are bluffing. Many flames have snuffed out these past years; Friendships have died and dissipated Like those flowers in winter, Whose deaths were fated. The landscape of my life, Was torn apart at the base by death That completely reshaped the environment Like winter's icy breath. Nostalgia tears at me on these quiet days, When there is not an overload of work; The quiet seems to encourage Nostalgic memories to lurk. There is no reigning them back in, Though, the moments that have fallen apart Like chalk on sidewalk, Children's favorite art. I am young, but my youth Left a long time ago; I thought it was a river That would steadily flow. I have missed out on so much, I claw at these wishes as time goes on; For my age is accumulating, And "young" is only a temporary term to don.
0
Dec 27, 2015
Dec 27, 2015 at 6:56 PM UTC
Young but Not Youthful
I have 17 empty notebooks This morning it was 16, but I bought another on my way home from work because it was leather bound and on sale It cost an hour and a half of work ... So, I have 17 empty notebooks One is missing a page  I needed to write down an appointment but I didn't want to ruin the whole book Another has three pages that are actually written on It was meant to be a bullet journal but the box marked "bullet journal review" was never checked off Notebooks three, four, and twelve are actually binders which are usually in a different category but what is a binder if not an evolved journal? Or maybe they're all subspecies of paper Its all paper Paper that speaks, whispering to me in my soft moments when there is nothing to do except worry about all that unfilled space "We were trees once. We were alive. We were cut down and reshaped to fulfill a larger purpose and this is what becomes of us?" My guilt turns to anxiety turns to pen clicking and that makes it worse, reminding all 18 of us that I am perfectly capable and yet wholly unwilling It's not like I haven't tried All of those notebooks were bought with a specific use in mind Well, they were all bought and then later justified by thinking of a use that I knew would never come to fruition Bullet journal, grimoire, dream journal, poetry journal, school journals ... So, I have nearly 17 mostly empty notebooks in a drawer They used to sit on my shelf but it didn't seem right placing those empty vessels amongst a universe of universes and filled pages Like parking my totaled '97 Toyota Corolla next to a Porsche So they're in a drawer with a few torn shirts I keep meaning to turn into patches, a barely used oil pastel set, and a dusty Bass for Dummies book So maybe this is a lesson  Maybe I'm making oceans out of puddles Maybe this is a metaphor for my life and all of its wasted time and blank pages; blank from the months I spent lying on a couch, wrapped up in the cold snow blanket of fear and regret I regret so much and the more I regret the more anxious I become the more unlikely I am to get up and pick my story back up the more pages pass by as barren as the day is short Or Maybe Maybe I should just stop buying new notebooks
0
Jun 1, 2017
Jun 1, 2017 at 2:44 AM UTC
Admirer of All Trades, Master of None
I have 17 empty notebooks This morning it was 16, but I bought another on my way home from work because it was leather bound and on sale It cost an hour and a half of work ... So, I have 17 empty notebooks One is missing a page  I needed to write down an appointment but I didn't want to ruin the whole book Another has three pages that are actually written on It was meant to be a bullet journal but the box marked "bullet journal review" was never checked off Notebooks three, four, and twelve are actually binders which are usually in a different category but what is a binder if not an evolved journal? Or maybe they're all subspecies of paper Its all paper Paper that speaks, whispering to me in my soft moments when there is nothing to do except worry about all that unfilled space "We were trees once. We were alive. We were cut down and reshaped to fulfill a larger purpose and this is what becomes of us?" My guilt turns to anxiety turns to pen clicking and that makes it worse, reminding all 18 of us that I am perfectly capable and yet wholly unwilling It's not like I haven't tried All of those notebooks were bought with a specific use in mind Well, they were all bought and then later justified by thinking of a use that I knew would never come to fruition Bullet journal, grimoire, dream journal, poetry journal, school journals ... So, I have nearly 17 mostly empty notebooks in a drawer They used to sit on my shelf but it didn't seem right placing those empty vessels amongst a universe of universes and filled pages Like parking my totaled '97 Toyota Corolla next to a Porsche So they're in a drawer with a few torn shirts I keep meaning to turn into patches, a barely used oil pastel set, and a dusty Bass for Dummies book So maybe this is a lesson  Maybe I'm making oceans out of puddles Maybe this is a metaphor for my life and all of its wasted time and blank pages; blank from the months I spent lying on a couch, wrapped up in the cold snow blanket of fear and regret I regret so much and the more I regret the more anxious I become the more unlikely I am to get up and pick my story back up the more pages pass by as barren as the day is short Or Maybe Maybe I should just stop buying new notebooks
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30
I miss you. Though I've never felt your touch, or heard your laugh, or seen you cry, or had a deep talk late into the night. My chest literally aches physically as I'm longing to be the one you call when you need someone and the one you know as your own. How can a heart miss someone it's never even known? you have reshaped my ideas and become my definition of love. I miss you so though you would never know how my soul yearns for you because you are not my reality. I miss you so much.
0
Dec 24, 2013
Dec 24, 2013 at 5:23 AM UTC
Entangled Stranger