Submit your work, meet writers and drop the ads. Become a member
Silverflame Aug 2018
my old futile dreams
make the windows all misty
ripping up the seams
blood mixed with ancient whiskey

a smile around the corner
lures the naive mind
******* up the world order
another death wish signed

overhead, brick by brick
the november wind stands still
heart oozing of homesick
empty thoughts keep my glass refilled

delusions cover my sight
faraway lights blink with eager
fixing the crooked night
dinner with the grim reaper
JR Rhine Jan 2017
I broke up with God
at our favorite eatery
in our favorite booth.

We settled into familiar creases
and asked for the usual.

My eyes lazily staring at fingers
stirring the straw around the ice cubes,
God cautiously spoke up:

“Is something wrong?”

“Nothing.” (Thinking about the dormant phone
concealing behind the lock screen
the open Facebook tab
lingering over the relationship status section.)

They silently mused over the laconic reply,
til the waitress showed up with the food.

“Thank you!” God blurted with agonizing alacrity.

I received the sustenance lifelessly
and aimlessly poked at the burgers and fries.

The waitress eyed me with vague inquisition,
popping a bubble in the gum between
big teeth, refilled my water
and pirouetted hastily.

We ate in ostensible harmony,
the silence gripping like a chokehold,
the visible anxiety and subdued resolve
settling like a stifling blanket
over the child waking
from a nightmare—

Til we couldn’t breathe,
and I ripped back the covers
and looked into the eyes
of my tormentor.

“It’s not you, it’s me.”

God, taken aback by the curt statement,
dropped their burger with shaking hands,
silently begging with wetting eyes
a greater explanation.

So I elaborated:

“It’s not you, it’s me.

For your immaculate conception
was created by human hands,

your adages rendered obsolete
by human words,

your purpose and plan for us
distorted by human nature—

I cannot hate myself any longer.

I cannot pretend to know you at all.

Who my mother and father say you are
is not who my friends think you are,
nor my teachers, my pastor,
the president, Stephen Hawking,
Muhammed, the KKK, Buddha,
the Westboro Baptist Church,
Walt Whitman, Derek Zanetti,
******,
and Billy Graham.

I am told you care who I bring into bed (and when),
and what movies I watch,
and what music I listen to—

I have not heard what you say about
child soldiers, the use of mosquitos,
or the increased destruction of the earth
which you proudly proclaimed your creation,
or the poverty and disease and famine
which has ridden so many of your children—”

God interjected,
“But you’re chosen!”

I snorted,

“You say I’m chosen
to spend eternity with you—
why me?

Why’d you pick me among
thousands, millions, billions?

I’ve been told I’m ‘chosen’
since birth
by others like me—

those with fair complexion,
blue eyes,
blonde hair,
a firm overt ****** attraction towards women,
and a great big house
with immaculate white fences
delineating their Jericho.

I’ve already fabricated eternity
here among the other ‘chosen’
and there is a world of suffering
right outside the fence
and I see them
through the window of my bedroom
every day.

Am I chosen,
if I don’t vote Republican

Am I chosen
if I am Pro-Choice

Am I chosen
if I cohabitate with my girlfriend

Am I chosen
if I never have kids

Am I chosen
if I say ‘Happy Holidays’

Am I chosen
if I don’t want public prayer in schools

Am I chosen
if I don’t want a Christian nation

Am I chosen
if I don’t repost you on my wall
or retweet your adages?

I’m tired
being the ubermensch,
for it has not brought me
happiness
and I blame you.

I will not ignore
the cries of the suffering
believing it is I
who is destined to live
in bliss.

I will not buy
Joel Osteen’s autobiography(ies).

I will not tithe
you my money
for a megachurch
when another homeless shelter
closes down.

I will not tell a woman
what to do with her body,
or a man
that he is a man
if they say they are not.

I am neither Jew nor Gentile,
and I will stand with
my brothers and sisters
of Faith and Faithlessness,

Gay and Straight,
Black and White,

and apart from these extremes
free from absolutes
the ambiguous, amorphous
nature of Humankind
which I praise.

There is much pain and suffering
in this world,
potentially preventable,
but hardly can I believe
it’s part of your plan
to save
me.

I will not be saved
if we are not
all saved—

not one will burn
for my divinity.

The gates will be open to all—
and perhaps you believe that too,
but I’ve gotten you all wrong
and that cannot change,
as long as there is
mortality, and
corruption, and
power, and
lust, and
greed.”

God whined, growing bellicose,

“It is through me that you will find eternity,
I am the one true god!
I am the God of your fallen ancestors,
it is because you have fallen short
that you need me!”

I replied, growing in confidence,

“We have all fallen short,
yes,
but we are also magnificent.

We have evolved,
we have created,
we have adapted,
we have survived.

We have built empires,
and we have destroyed them.

We have cured diseases,
and we have created them.

We have done much in your name.
We’ve done good,
and we’ve done evil—

And unfortunately it’s all about
who you ask.

Your name is a burden on the oppressed
and a weapon of the oppressor.

You are abusive, God.

You tell me you are jealous.

You tell me apart from you I will suffer for an eternity.

I’m scared to die, yet want to die,
because of you.

You have made life a waiting room
that is now my purgatory. It is

Hell On Earth.

So you see,
it’s not you,
it’s me—
a mere mortal
who has tried to put a face
to eternity
and it has left me
empty.

And also,
it’s me,
for I have learned to love me,
as I have expelled your self-loathing imbibition,
and the deleterious zeal
I have proclaimed
through ceaseless
trepidation
and self-flagellation—

I have learned to love me
by realizing I am not inherently evil,
that my body is not evil,
that my mind is not evil,
and, ultimately, that
there is no good
and there is no evil.

My body is beautiful,
my mind is beautiful,
this world is beautiful,
and we are destroying it
waiting for you to claim
us.

I leave you
in hopes to see you
again one day,

and perhaps you will look
different than I have
perceived or imagined,

and in fact
I certainly hope so.”

Just then the waitress strolled back up
with a servile smile:
“Dessert?”

“No, thank you,”
I smiled politely.

And with that,
I paid the check,
and took a to-go box—

walked out into the evening rain
to my car,
put on a secular song
that meant something real to me
and drove off
into the night—

feeling for the first time
free
and alive.
Nat Lipstadt Jun 2018
Songs of Oregon: No 5 no general impressions specifically

For the Poets of Oregon, each a unique travel guide

no salt n’ pepper shaker of general impressions for the offering,
for now, ubiquitous generalities means inclusionary which means
likely accidental to be exclusionary,
so specifically,
no ‘all in' clauses

just a few specific eye-sights, hoary words, new birth canals,
to be either eaten, resurrected, van-slaughtered, backyard buried,
all are filed nearby in the seed cabinet or the garage freezer,
or on the C drive of your brain

awaiting ideal planting conditions, and the rest,
a series perhaps,
Songs of Oregon?
Someday

someday, when all the big brief poems are fully formed,
earth ripened, mind fomented; oak barrel aged,
harvest-reading-ready,
green trees shoots busting thrusting through
misleading sandy looking soil,
needy for quenching from
aquifers that are gold geyser plentiful,
a hundred feet deep, needy only for a
“please sir, may I have some more,"
they’l be writ

but for now, these below are,
some easy to be specifics,
reveling and revealed, useful takeaways,
specifics pacifics
for those who might be traversing upon
Lewis and Clark’s Oregon Trail:

them multicolored redneck
full bearded boys
and those of the
vinnie, millennial hipsters and aging ex- hippies, also,
full bearded boys  
are indistinguishable!
many of both wear matching bib jeans,
so be careful who you be calling
a hillbilly in open carry country

the forever refilled coffee mug still exists though the price
is now $2 but the coffee is sustainable (I am evidence)
organic, from a rain forest from Timbuktu,
so it gets planted in your bloodstream and then replaced
in the soil & land,
the loam of the soul
by you

in Milwaukee,
they know how to spell Milwaukee but
not in Portland

don’t be shocked at the town naming,
these borrowers got no  i-magination,
that’s surly lacking in Oregon; mthey’ll steal your
Nor’easter or Indian
town or city’s name
with no shame
or comp-unction,
claiming it’s different cause
they made it organically and
then misspelled it,
correctly

think that pointy poem point well made,
god made only one coast (theirs) and
just forgot to put Shelter Island NY  upon it;
threw it up randomly skyward, landed on some
atlantic backwater body

getting there or anywhere in Oregon traffic
about the same as in NYC traffic, thus
the heavens balance the scales of justice with
dramatic automotive irony

in some counties, the school week is a
four day affair, for the children need to repay
their parents birthing labor, by laboring beside them
in the vineyards, on the tractors, learning from
the book and look of their parents
sun aged faces and hands,
life learning
that man must earn his sustenance
with the sweat of ones own brow
and that word;
week,
can be spelt in contradictory ways
but only one is acceptable
out here

do be careful though Oregonians are very willingly to lam it,
(Willamette) if you ask nicely,
pick up normal looking weird hitchhikers
and drive many a mile
in yours, not theirs, but sure,
“going-the-same-way direction”
if you ask polite with just a smile

and the river salmon have hired their own governmental advisors


like I said,
no general impressions
just a private’s brief recollections
from his first tour of duty
abroad
where he was purple heart medaled shot
through ‘n through with
Oregon kindness

some juicy real specifics to follow eventually
someday
songs of oregon No.5
Words are the chemicals
Packed in vials sublime
Untouched pure in time
Their base Property lyrical

Words are the coefficients
Reactants , The Thoughts and Emotions
To balance the emotional equation
Poetic are the words omniscient

Combustible the thoughts, fragile the emotions
Handle with care , the equations
Cold storage processed, refilled
Magnanimous ,the words distilled

Thoughts never too dormant
Never static the emotions
The words a kinetic solution
Potential they have Charmant
Some thoughts  about words

Thank you all, for all your love for this particular piece, today, 28th May, this got selected as the daily!
Will soon respond to everyone, thanks and blessings!!
Ann M Johnson Aug 2015
It is often said that the cup can be viewed as half full or half empty
The fact is we should be able to agree on is
    We all have a cup that can be filled
        If we All tried to build another person up
          Fill there cup
            Instead of putting others down
      which can drain ones own cup along with the other persons cup
If you meet another person who appears mean or insensitive or rude
perhaps their cup has been drained so much
They don't know how to fill it up again and are badly in need of having their cup refilled
A small compliment a little kindness, a smile could help fill up the cup again
A cup of friendship can go a long way and help  another person have a better day
The world is full of hurting people needing to have their cup refilled
Seeing things from someone else's perspective is a good start
Is the glass half empty or half full, you can decide?
Have  you raised your glass and tried to share a Cup of friendship
and filled another's cup today?
If not the present is a good time to start
If we all filled up the cup instead of emptying it
We would have a better world
Fill up the cup today
Teetering on her baby legs
A newborn with a Solo cup
bombastic red with a few
undulating ribs
Held firmly in her hand
Is this her first or her third?
Somnambulant yet eager
And just a little out of place
In a foreign territory
On newly contested lands
She stumbles through a raucous crowd
Or was it just white noise?
She’s lost her companions
Somewhere
Although they could very well be close at hand

In the distance she can make out
Laughing faces
Bodies moving to and fro
Spilling forward, little messes
Throwing back cheap libation

She passes through a room and out the door
Into the out-of-doors
Someone following her unbeknownst
Watching her cautious, curious steps
And when she turns and sees the blur standing
She greets it
“Hail Fellow!”

Bouncing from variable to variable
Frequency to frequency
Confident and in command
Of a seemingly controlled chaos
He approaches smiling and holds out his hand
Anonymous

Having drawn her attention from the stars
That she could not find above
Leaning against the garage’s eastern wall
She takes it awkwardly
Tentative she smiles back reassured
Wobbling she returns standing alongside him
Or was she in front?
Purposeful and en route
Emboldened by his presence
And how the way was parted before her
Just by his being there.
By being so close.
She felt vaguely special
it showed in her half-smile
Cloaked in bangs
She held her head just a little bit higher

The co-conspiratorial glances
Met by boys eyes
And shes
Went unseen by the girl with the
Solo cup
One of tens upon tens upon tens
A coven would have known
It’s better not to

However.

She was shown a seat to rest
And her cup refilled
She takes a sip and smiles again
She takes another and then a gulp
That spills
He takes the cup away
And places it on the low table
Suggests she go to the restroom upstairs and get herself
Sorted

Embarrassed she is relieved for direction
Someone knows what’s going on
And his caring
Taking the time
His kind eyes
She’s usually alone
She waddles up the stairs to find
a toilet and a mirror
God she thinks
I look a mess
She tries to fix it
The hair
The eyes
The lips
The dress
The stomach
The *******
The thighs

She shrugs her shoulders at her reflection
Exhales and steps out again
To find him standing there
waiting for more.

She wants another cup.
She’s missing her cup.
I’ll get you the cup he says
In just a second.
Come.
You came in late, again
I said hello, pecked your cheek
and waited for the flow of excuses.
None came.
You went and poured a drink
I sat awaiting your words.
You came back in, sat heavily down
and looked at the floor.
I felt rage inside my breast,I had news to tell.
You never asked how I was, or how my day went.
I sat quietly waiting, listening to the ice ***** the glass,
I felt as vulnerable as that ice cube, once solid now melting,
waiting, fuming, controlling my anger.
You looked up, you looked at me, no through me, and said
"I'm late because I've been having an affair"
Did a freight train just hit me? I felt despair, but you said more,
"She's pregnant, and is keeping the child"
Clarity liberated me from my stupor, late nights,
meetings, high mileage on the car.
I asked a question,
"Are you leaving me?"
You dropped your head, and said the words most wives dread
"Yes, I have to be a father, do the right thing, I love you but....."
Your words trailed off.
I stood up, took your glass and refilled it for you.
My turn.
"Did you start coming home late because of her? Or because I've gained weight? Or both those reasons?"
Silence.
"Pack your bags, leave the keys, get a hotel bed"
Those words came out so clear, you'd swear I'd knifed you.
                                               ~
At the front door, you turned, about to say something, I cut you off
"Send me your new address, I need it for the solicitor,
I'm divorcing you. And by the way, before I forget, you're not the only
one that's been late, it would seem you know how to propagate"
I shut the door, rubbed my tummy, and waited to be called mummy.
© JLB
02/06/2014
I tromped across North America a few years back
Following the Mayan Elders
Listening to the powerful Lakota Brothers sing songs of mourning and joy
Building community

I was following a White Cherokee
We created clan
I was motivated by the teachings of the Anishinaabe
And represented Thunderbird Clan

We stopped in sacred spaces such as Serpent's Mound
And Cahokia Mounds
We peered briefly through the veil; Samhain
I followed the red path and eventually found I had always been on it

I met Hopi and Navajo elder's
And my friend Sea, a pipe carrier brewed a special tea
I was gifted tobacco that had been grown from seeds
Recovered from an iceman's medicine bag

She transmuted the ancient tobacco into a tea
By folding it into a sweetgrass and cedar brew
Sea gave it to me in a basic stainless steel carafe
Every time we drained the carafe
I refilled it and the essence was just as powerful as the previous brew

When I finally caught up with the Lakota brother's in Sedona
Their voices were raw
We all were
I shared the tea with them

So much magic on that journey
The joy on those brothers faces as the tea reached their throats
I gave them the carafe and told them
It was the gift that keeps on giving

Their thankfulness has been the gift that keeps on giving
Je tricote avec de la laine rouge (the ember from my daugther, Noelle)
onlylovepoetry Feb 2018
Parkland: Oh My divine, We Wrestle Over What is Yours



and what is mine

it took days for the after- shock and awe to arrive;

the bizarre tempo reversal, myself, out of order,
is my shame, after the mind’s pretense ennui of “yet another,”
had to slow seep away beneath the
firewall cutting off the pain of my the true self
and the I, of ordinary

how else, to keep the madness away?
it’s disguised in a well tended secured lockbox
chamber labeled, I, all about me,
deep hid in the rear, not too near the true self,
must keep the unseeing functioning, functioning

but bus-ted poet is triggered and the weep welling
in the eyes commencing that makes writing on a cell
on a moving vehicle an annoying frosting
on what is an inconsolable hell

everyone stares unawares that the shock,
is without awe, and the only awe is in awful awful awful awful

we sit at the Friday eve sabbath table to begin our negotiation;
but there is no negotiating though the excuses and the divine’s stumbling, flailing failings are pre-prepared,
we know this battle too well and the outcome as well,
it is mine true self’s to win, have me not
words and stanzas and music suffice
to convict the lord of the hosts, adonai

take all your seventy names in vain to crush the vanity of
omnipotence for your godliness degrades and your instant access to where the good in me resides is cutoff;
under My Contacts
you have been


blocked

we shall meet as always on the Day of Atonement
but this year no repentance to be granted, the pardons shared
with my kind only, none left for the lonely gone-gods,
no longer seek yours for me, there are 17 extra to be given out*

the left foot and the falsehoods join in the denunciation,
though some suggest reprieve and only reproach
for isn’t atonement possible for even gods?  No. not,
for a god who got human kindness installed in all his devices
but then never opened the app

my name was
onlylovepoetry;
but for now, till the culling of the agonies is done,
till the hollows are refilled and the curses fully final expended,
till the sudden eye tearing ceases to render me torn, messed,
you may call me nothing but this:

onlyreproachpoetry

should you come calling
there will be no beseeching,
just the stoic bearing witness of my silence,
my finger-pointing judgement,
and my angels presence

“May the angel Michael be at my right,
and the angel Gabriel be at my left;
and in front of me the angel Uriel,
and behind me the angel Raphael...”
and above me seventeen new protectors
whose names my true self will now memorize,

for now they are mine

~<•>~

2/16/18 4:34pm  ~ 2/17/18  3:34am
Elise Reid Apr 2014
The teapot is now full.
How long the time has been.
The aroma is so fragrant.
Thoughts and laughs are blending in.

Through the flavor of the leaves,
Hidden contents are revealed.
Though inside the painted glass,
Taste betrays against its will.
Potful after potful,
While the hours sneak away.
Struggles and life’s many woes,
With each sip no longer stay.

Though at first the tea is tasty.
Though it’s easily refilled.
It just can’t last forever.
The pouring soon is stilled.

The last cup is too bitter!
The last word is the same!
The teapot is now empty,
Till teatime comes again.
Nat Lipstadt Nov 2013
Unreality: Thanksgiving Miami Style

It is 70 degrees, afternoon,
sunny Miami winter style.
Nike shorts, flip flops,
polo shirt white,
music, pandora, and
no place he
needs to be.

the collected works and
worries, left behind,
the boy, and he is taking
it to the limit,
wanting a day of no cares,
one more time.

yet, recollecting, writing
impertent, dissatisfied,
no reason, none that I can
irrationally explain.

previous night,
my eyes have
seen the
second-coming.

everybody smiles
happy, looking fit,
tight black dresses
the law of the land.
food flows like wine,
wine flows like water.

lose track of the numbers,
glasses of Cortese di Gavi,
cold and white refilled
in the Miami heat,
exactly, how old am I,
and where
my eyes should
not be staring,
bodies intended
to maim,
after they
**** you.

it is a long-short tale,
how it came to be,
that I am living thanksgiving
in the unreality of Miami style.

was supposed be at the
head of the table carving,
giving secret tastes to
numerous grandchildren,
multiple dogs,
defrosting after the
Macy's Day Parade.
my children, their
kith and kin.
that was supposed to be
my New York reality,
at the head of the table.

divorce, monkey wrench,
I am in a different state,
a different table, a
welcome bystander,
but her love,
my love,
has brought me,
to unseasonal places,
higher and higher,
where I am welcomed
as her man.

not a bad unreality,
but still someone has torn
off a piece of me,
a tasty combo of
sad and guilt,
that I ******* up,
which is why this
writing is my re-righting
the ship of perspective.

maybe I am dreaming
of what was never,
could have been,
should of been,
kidding myself, with an idyll,
the unreality of an idol,
though I vague recollect,
there were meals like that.

think this is my fourth trip here,
sort of, almost a tradition.
BobbyDylan, he reminds
what that woman,
done for me,
been doing to me.

"I was in another lifetime
one of toil and blood,
when blackness was a virtue
and the road was full of mud
I came in from the wilderness
a creature void of form.

"Come in" she said
"I'll give you shelter
from the storm".


so she did,
a new reality born.
so semi-sad poem, but
happy thanks to give,
for this day,
new family
embracing, and I am
recollecting,
read somewhere,
you cannot be thankful
for having,
only for giving.

Thanksgiving

Not
Thanks-having
Thanks-receiving

New Reality: Thanksgiving Miami Style.
Nat Lipstadt Jun 2023
(and I cannot live
from with-out)

<>
a poem in appreciation to Rossella Di Paolo

<>

I, too:
          - am an embryonic work in progress,
well into my seventh decade, with no ending in sight


                                I too,    
live in the house of poetry, the address likely differs,
but suspect the innards of the houses differs little,
the decor,  quite similar

         - my house shrewdly requests a rethinking,
                                    noting, it lives my artifice,

with in & with out

Then, we are a We:
                                  
          - my cavities house her, She, Poetry is of Ruth (1) born,

          - Poetry, She, reminds me, ”whither thou goest, I will go”


This duality:
          - where the haunting of words providential,
             emanate, both inhabiting & inhibits my breathing
              She, a fearsome creature, a fearful-something,
for it tears me and shreds tears its demands be wrung
from with in to with out

She, Poetry:
          - leaves me gaping, hollow, fills me with
            depressurizing boreholes exposed to the elements  of
            externalities of an admixed atmospheres, that nature demands             be refilled, fresh in, stale out,
for which the artifice trick is knowing which is which

when Poetry’s  birthing:
          - chest pounds, heart-rate beats heavy metal,
            abdomen contracts, there then, no languid in my language,
            no help untangling the alpha-bet jumbling,
            product of the screams of pushing,
squeezing it forth

you’re hoping to quick-catch newly formed combinations,
for if you fail, a poem
noisily crashes to and through the floorboard cracks,
where poetry’s chaotic glinting etes
maliciously glimmer~winks at me
with a sarcastic thank you

“ah, too bad, another creation stillborn,
gone to rest, biting the nether dust,
without hope of resuscitation…”*

just another unfinished work in progress

periodically
a survivor clean caught, transcribed, edited to be finished,
amniotic fluids cleared,
poem resurrected
blessed with eternal life,
readied to be shared and delivered,
affirmed

and you say to no one and to everyone:

this poem will be our poem,
wither it goes, ascending, descending,
all live in the house of poets,
one house,
many apartments,
each poem a god,
and
my God will be our God,
your God, my God,
in the House of Poetry
https://hellopoetry.com/poem/4717212/leave-if-you-can-ii-by-rossella-di-paolo/

(1) And Ruth said: “Entreat me not to leave thee, or to return from following after thee; for whither thou goest, I will go, and where thou lodgest, I will lodge. Thy people shall be my people, and thy God my God.

——
Leave if You Can II


I live in the house of poetry.
I ascend her stairs slowly
and leap back down.
I sit in the chair of poetry,
sleep in her bed, eat from her plate.
Poetry has windows
through which mornings and afternoons
fall, and how well she suspends a teardrop
how well she blows until I tumble / With this
I mean to say that
one basket brings
both wounds and bandages.  
I love poetry so much that sometimes I think
I don’t love her / She looks at me,
inclines her head and keeps knitting
poetry.
As always, I’ll be the bigger person.
But how to say it / How to tell her
I want to leave / honestly I want to
fry my asparagus…
I see her coming near
with her bottle of oil
and crazed skillet.
I see her,
her little bundle of asparagus
slipping out her sleeve.
Ah her freshness / her chaotic glint
and the way she approaches with relentless meter.  
I surrender / I surrender always because I live
in the house of poetry / because I ascend
the stairs of poetry
and also because
I come back down.

    — Translated by Lisa Allen Ortiz & Sara Daniele Rivera
Today,
John took off his sunglasses
But left on his hat,
As he smiled at the lady behind the
Counter at the motel.
She had a beehive hair-do, he noticed,
Two feet tall and yellow,
But he didn’t say anything.
She smiled back, slid a key to him,
Told him, “Room 303”.

Yesterday,
John put on his sunglasses,
And stopped at the screen door,
Reaching up for his hat.
It was sunny yet windy,
And he planned to be rebellious.
Windows down, top speed,
No destination,
He drove.

In 1987,
John met a lady named Clara,
And fell in love with the way
She served him coffee and pecan pie
In that old greasy spoon,
Built inside an old railroad car,
Which sat beside the river’s shore
Out on Interstate 24.
She had a yellow beehive
That was twenty years out of time,
And she could have been out of her mind,
But she knew how to smile,
To drive a lonely man wild-
But how she refilled his coffee for free,
Without a doubt, was his favorite part-
She seemed to just dive right through
The hotness and steam, straight into his heart.

In 1991,
John and Clara got married.
She had one of those tiny, white,
Lace-covered cowboy hats that matched her dress.
It clung to her climbing hair, and
Tiny leaves and babies’ breath were everywhere.
Why those hats were ever in style, he never knew,
But he said nothing, because
Her sister wore one too.
They smiled for the pictures,
She held up her heavy dress.
They held hands and waved,
Before climbing into
John’s beat-up Cabriolet-
In love, driving away.

Now it’s
Eighteen years,
Eighteen excuses
To try to hang onto the past.
John liked to close his eyes sometimes, and
Picture her: pink apron,
Arms loaded with plates of food.
Meatloaf, mashed potatoes,
Every kind of bean:
Red, black, pinto, kidney and green;
Number one was the free coffee,
Or was that reason eighteen?

Yesterday,
John put on his sunglasses,
And stopped at the screen door,
Reaching up for his hat.
It was sunny yet windy,
And he planned to be rebellious.
Windows down, top speed,
No destination,
He drove.
He drove until he passed
The sister’s house in which
His Clara now lived,
The cowboy hats, like their love,
Forgotten and gone.
In a different town in a different world,
He drove into a tiny motel parking lot,
Not paying attention to
Whether he was okay with
Moving on or not.

Today,
John took off his sunglasses
But left on his hat,
As he smiled at the lady behind the
Counter at the motel.
She had a beehive hair-do, he noticed,
Two feet tall and yellow,
But he didn’t say anything.
She smiled back, slid a key to him,
Told him, “Room 303”.
But before he went,
Ready for rest, dying to sleep,
Perchance to dream
Of anything but what happened to
Half his life in Chattanooga, Tennessee…
He took in her friendly eyes,
Mysterious style,
Warm smile.
And John couldn’t help it,
He felt delighted when she said:
“The coffee in the morning
Costs a dollar-forty-three.
But I like your sunglasses,
And you seem alright by me…
So I may just pour you a cup for free.”
Korey Miller Oct 2012
i was reborn, like a phoenix
but without all the glory.
i didn't set the hospital on fire; i struggled  
to pull myself from the ashes
of a former prodigy,
one entwined with madness
in all the right ways
laced with misery like a noir heroine,
so sexily depressing-
whereas now i am just empty

i did not emerge unscathed, no,
not like the fledgling, i
am covered in scars and faultlines from where
the sorrow tried rip itself
from my sorry body
and the crimson glue holding me together
replenishes itself more diluted each time

before i died
i swung through technicolor
episodes of scarlet, rose,
ecstatic white, and the
sapphire blue to haunt my dreams
waking and at night
but the color leached away,
the antiseptic began to pervade, refilled my veins
and purged me of everything but grey.

before my death,
i reigned over the darkness, banished it
when it did not suit me,
manipulated reason, lived in a waking dreamland,
in complete control of my life-
but now, when i am fragile as eggshell,
it's the only place i can hide,
a haven where i can act like the lack of light
masks an imagined vivacity and not a skeleton in flat black and white,
disguises and emboldens me,
allows me to be whole again,
to forget the borders, my limitations
indiscernable in dusk

i used to cast my own light-
now i am my own shadow
and in the dark i fumble for
what i used to be,
reconnect myself with the world
throw myself from the cliff
and hope to find my wings again
Nat Lipstadt Aug 2013
"Nothing is so healing as the human touch."


Started:    June 21, 2011
Finished:  August 14, 2011

"Nothing is so healing as the human touch."

Purportedly, the final words of Bobby Fischer, the reclusive, oft bizarre-acting Chess Grandmaster, whose life deserves your examination.  

I wasted decades of my life in a loveless, sexless, miserable marriage. I read his dying words, and the poem~notion was born, but the words had their own timetable and it made me crazy.

All the facts you need to read this old poem are now in your possession.
~-----------------------------------------------~
Mos­t poems used to just tumble out,
Sudoku words combos,
Gunslinger I was,
poetically licensed to shoot
from the hip (the lip?).

Then you go mute, until that second,
When once again,
machine gun stanzas fall like
Cheerios
spilling all over the kitchen floor,
as they always do at Two Am
when quietude is in high season,
And the whole house is sleeping.

Once in awhile,
the title~idea recorded,
but the poem unwrit,
just won't come.
*** but no ******.

The words smack you,
write me, I deserve it,
a challenged duel glove
goes kissy kissy on your face,
but the words,
the choice of weapons
eludes for weeks, months.  

So Bobby,
your challenge
long ago accepted,
but my reply imperfect,
has lain bound and gagged,
a poem-in-progress
hid in the trunk of my heart,
unable to escape, even when
escape attempted, unsuccessful.

From June till August moon,
your dying words have been
a cancer growing, within,  
hiding from my bullets
invented to radiate,
your final words, explicate,
Explode and expose.

Your life,
an essay on life in solitary,
anti-social would immodestly describe your life best.

How came you then to exclaim,
re the glories of human touch?


Ah a dying man's last regret,
a simple cri du couer,
nothing extraordinaire,
a basic 101 shoulda/woulda
of "I coulda done it better,"
what's the big deal?

Until this exact second,
Sunday rain jolted body from bed
do I instant understand my obsession,
the import to me,
the need to capture
the haunt of the healing
of your dying words.  

Life is small, miniaturized
when numbered in decades -
five, six, seven,
maybe,
eight nine or even ten.  

How came I to pass so many,
discarded whole decades,
of the few we garner
without the sustenance of
Human Touch?

How came I to allow this
disaster to pass?


How did I advance to the next grade/decade
when a failing grade was scarlet tattooed
In ****** scars upon my chest?

Would be easy to dismiss
as just another
whiney rant
that is no longer relevant
to you,
lies I told myself,
no longer resonate,
over, now.

Never.  

Everything matters.  

Summation.  Accumulation.

Day Counter Totals
reveal gaps of years
that cannot be refilled
so your accounting
must include a retelling of the
wasted days and acknowledge
with your dying breath,

Nothing is so healing
as the human touch.


Thank you my love.
Thank you, Mr. Fischer.
Two years old, in two days....
Nigdaw Jan 2022
second sight alternate mind
sliding down the slippery *****
chasing a rabbit into fantasyland
the world is the same but changed
this drink is full of laughter
this drink makes everything strange
and why am I here you may ask
as I refill my already refilled glass
to find myself of course
I've looked everywhere else
and this is the only place I exist
at the bottom of a bottle
recycling  the abyss
I am alive tingling inside
and I know he is waiting
on the hangover side, but
I'll let him deal with it **** it up
while I just crawl away to Hyde
until he is again enticed
to walk away from his Jekyllite life
we're all inmates so what's your poison
prisoners here in alcoholism
repressi0n Jan 2015
They asked me why I keep saying that I'm heartless. I told them it's a long story. But I saw the eagerness in their eyes. So I said that it all started the last time I fell in love. When I'm in love, I give my whole life. When I give my whole life, I mean literally everything. There are no walls, no boundaries, no space in between will keep me and my love apart.

I fought the most terrible wars and survived all emotional storms and droughts. I sailed all seas and climbed all mountains for the sake of love. I held on so tight to the rope connecting me and the one I cherish the most. I rode all traveling trains and skipped all stops. It was nothing but magical. Every morning was a glory and every night was a sweet dream.

I was so in love that I cared too much. I cared too much that I left my physical body on the ground while my spirit flew to the sky. I jumped from clouds to clouds following you like the moon to the sun. I couldn't keep my eyes off of you.

But I was a prisoner of love. I loved you so much I became selfless. One day, I asked myself If I really did fully figured you out. Sometimes when I look at you, you give a smile that wasn't genuine at all. You were like a strange mountain no one has ever discovered yet. Were you not comfortable to show your bare self to me that you kept putting bricks to form a wall?

I was dumb enough to think I could dig you up with my rusted shovel. I always hoped that the everyday love I offered you will give you sunrises not sunsets. But as you took them, all I could see was your hungry soul eating all positive energies. You were blue like a cloudless sky.

I felt like the wine bottle you drank from each day. I slowly became empty. I was never refilled.  And they say that saints and heroes are the only martyrs and for the first time in my life I felt like one. Strange how my only motivation was a flag with an inscription of the word love.

Do you remember that very night when you asked me to let you go? It hurt me even more. I've been spending all my time just thinking about you. I loved you too much. But was that it? Was it because I loved you too much? Was it that you couldn't handle it? You never told me the reason. I watched as you readied yourself for the coming war that would end all city fires. You shattered all glasses in my shelves once you turned your back at me. I waited for you to utter your last words but you never did. You walked away like a member of a funeral band. I was left standing with now a hopeless dream. It was too late when I noticed that you were holding a cloth in your hands. I didn't know what was inside until I watched my hands unconsciously hold onto my chest. At that moment, I fell on the cold ground and swam on my own blood. You took my heart with you. You stole it from me.

Before I closed my eyes that day, I swore to never love again. But why would I love? I am now heartless. My chest is now empty. I can never love anyone again.

People like you come and go. I never knew that your true form was a thief with a black coat. You steal hearts and leave.
Alex Hoffman Mar 2016
8:00 AM, Monday, Nov. 14th, 2016: Alarm goes off.

He rag-dolls himself across the flat. Past the paintings that huddle on the floor against the walls, past the unpacked boxes concaving from dust and into the shower where he keeps the alarm clock and pliers to turn on the broken shower handle. The bed is a place where thoughts unravel like yarn that one can never quite ravel back to its former integrity, so he doesn’t like to stay there long. Instead he concentrates on the two-day **** smell that trademarks his bathroom. Always two-day ****? He thinks. Never one-day?


“WHAAAP WHAAAP Click” he hits the alarm with the edge of his fist and starts the water, which hits the floor of the tub in a carbonated rattle that emulates the patter of the office water cooler being rinsed and refilled, rinsed and refilled for the last twelve years (his personal duration with the company). Avoiding the water cooler is thirsty work but allows him to dodge creepy office gossip. It is enough in the morning to have to shout “good morning!” in a practiced timbre and twist one’s face into a look of serenity to flaunt at coworkers. These, at least, he’s mastered. He thinks practicing these last two items out loud.


Feeling reasonably damp he shuts off the water, towels down, climbs into the clothing he set out the night prior, grabs his computer bag (also pre-stocked/sorted) and marches through the front door, hair still damp, climbing through the frozen city air coloured by police sirens and the familiar song of commuter impatience and into his Honda, saturated in tree-air-freshener fumes.

The radio: “BOW CHIKA! BOW CHIKA! Bow Bow HEY!….Clap along if you feel like a room without a….” bludgeons him through the stereo so he cranks it louder still and try to keep up for about a block, voice horse and deprived, so he settles for a low hum but ultimately feels like a ******* and opts for silence. When the thoughts start to unravel, he turns the stereo back on, half mast.

The bassy throbs of his heart assaults his rib cage, so he’s almost at work.
“Hello! HeelloO!” He practices again bringing the car to a stop, his left foot hitting the pavement as the Honda leans forward, backwards, then goes still. “HE—llo!” Back through the frozen morning, fiddling the keys in the lock and into the building.

The front door of the office presents its sickly yellow face and last minute sighs are exhaled.
“H…cough HeelloO!” He invites.
“Morning! Debbie returns. “Hey!” answers Rick. “Yo, yo,” says the intern whose name he feel terrible about forgetting. “How you doin’ today, Mr. C?” He asks.
Why the **** would he ask me that, it’s 9am, he thinks, but musters a “Me? Great!” in a tone that plainly sounds like Droopy Dog after receiving news from a physician that begins with “I’m sorry, Droopy” so he adds “just another day in paradise!” Something he picked up from young ****-types in university. 
“You?” he directs the question not only to the intern but the entire room to demonstrate gusto.
“Living the dream!” Says intern; “Couldn’t be better!” Says Debbie;  “Another beautiful day! Another beautiful day…” Says Rick.
They stare back at him with their mouth-corners quivering, eyes twitching, neck-veins prominent. They’re literally bursting from the seams with zeal! He thinks.
“Couldn’t be better,” he thinks. “Living the dream.” He settles into his headphones, a small fire welling in his gut. Don’t these people ever get tired of being “great?” He thinks, queuing “Three Little Birds” on his iPod, watching the waves move in, then out, in, then out on his new animated “beach theme” desktop background. 



He settles into his headphones but can’t distract his way out of the thought: why can’t I live the dream? Why everybody else, and more importantly, why not me?
r May 2014
Today the sun stared down around me. The light I saw through wasn't of the yellowish warm kind, or the blue tinted light that speaks of summer coming, nor was it gray like those days that make me long for something else.

Today the light that I looked through was clear like mountain water. I saw the tree for what it is. A tree with hands that reach out to be touched. With leaves the air needs for breathing. A tree for perching.

Today I saw a snow-white butterfly upon a yellow daylili. The butterfly had no markings. The lili stood in the shade of my porch. I remembered that in the fall when butterflies chase each other, it will be time for the fishermen to gather their nets repaired during hot summer months and return to the sea. The white butterfly reminded me.

Today I saw a hummingbird with a ruby necklace darting around my empty feeder. The one hanging out front. I took it down and refilled it with cold sugar-water from my fridge that I keep in an old milk bottle. I refilled the one out back, too.

Today I watched a blue grosbeak splashing in a clear pyrex baking dish that I keep water for the birds in next to my feeders. The grosbeak bathed while a male cardinal watched, spitting sunflower seed hulls onto my wooden deck. A housefinch waited patiently for water and a turn at the mixed-seed feeder.

Today I saw ants crawling on the dried dead body of a wasp. This made me like the ants. They like their wasps dead. So do I. Eat up, guys, I thought.

Today I saw that the breeze had scattered petals from my rose bush across my porch. My dog dozed on the petals. That made me smile.  Reddish pink petals clinging to a black dog when she walked onto the grass. The breeze smelled of roses.

Today I saw clearly what the sun was staring down upon. Things that need watching. Remembering. Today, I saw through a light clearly.

5/25/14
\•/\
   |.    A gentle breeze day on my porch
  / \
I spent Thanksgiving
this year
not in the blue-collar comfort
of my aunt’s house,
nestled somewhere
within a well-buried suburb
of a quaint, but un-noteworthy neighborhood
with walls decorated with Budweiser signs
juxtaposed against portraits of the ****** Mary,
where a football announcer’s voice plays like
conservative talk radio
in the background.

Instead, to save the labor
of my weary immigrant grandmother,
we dressed in Sunday best
and drove ourselves in
three well-packed mini vans
to some elegant hotel restaurant,
ideal for people-watching
from the gaudy, art-deco staircase
while pretending to be in the Great Gatsby.

It didn’t feel natural, though,
that beside a modest turkey breast
with cranberry dressing, sat a beautiful
cut of prime rib, carefully ladled
with truffle au juis–
nor beside a humble dollop
of mashed potatoes and gravy,
should there be salmon to die for,
and berries slathered with brie.

The food I nibbled
with bites of nervous guilt,
as the impeccably dressed waiter
exhaustedly refilled our water glasses,
nodding his head reflexively
to my mouse squeaks of “thank you’s”

What monsters are we,
letting these people work on Thanksgiving Day?
Grandma said, calmly, that some people
are just happy to be paid,
recounting
her impoverished childhood
in war-torn Germany—
that to simply muffle
the aggressive rumbling
of a days-empty stomach,
she and her brother
would ****** a handful of
potatoes from a government farm,
not many, but just enough
as she grimaced
at the ever-so-slight mealiness
of her rosemary-infused pork chop—
the woman who couldn’t afford ham
until she became a citizen.

We nodded quietly and
swallowed our privileged guilt,
washed down with
politely cut bites
of perfectly cooked salmon.
onlylovepoetry Jun 2023
I often cry when writing my love poems


this secret, yet-not-so-secret, for the words become
blurry birthed by the amniotic fluid of encasing tears,
and when I write, wearing my emotions on my sleeves,
for wiping my cheeks, nose leaking, because I write of
sorrow supreme, that has no solution, pain repetition-dulled,
yet, provoking each time for the words bubble up, of-course,
it is love, in its thousands of reincarnations, coming to haunt,
the lost, the unfound, thinking of
my parents,
my children,
my lovers,
come, gone and
those who stay…


I bemuse myself thinking, each tear a lost poem, removed
by sleeve or tissue, wiped away, lost, irretrievable forever…
but these yellowed memories forever and ever refreshed
by sea spray and wind, my face absorbs their unique nutrients,
and love and pain rebirthed as if it was the happenstance of
today, and the poem water tank just goes on and on being refilled…
Nat Lipstadt Oct 2023
The “little” Art I Possess

~writ for, inspired by, and warmly dedicated to
Kelly Rose Saccone~

“So an artist does…They say that often when you fill your walls with art you often forget it’s there and you don't absorb its beauty, but I enjoy what little art I have everyday. Sometimes it is just the color or the passion that hits me anew when I look at them.”
KRS

<~>

long ago the new~knowledge,
“newlodge” came brewing~infusing me;
art was not capable of being possessed

my reversal~eyes opened
the senses over~fulfilling,
body sensations brimming,

for I was the container,
only in temporary possession!

the art, in whatever the day’s chameleon guise,
is the professor-possessor, I am the missionary~emissary
remaindered by-product,
just
the vassal~vessel

when to gaze upon a poem~creation of years ago,
my expected mistakes appeared, a wee pride,
largesse of satisfaction, but these are frailties,
weaknesses, human misperceptions,
human ill-delusions!

never

ever was a poem among my possessions,
it was “in-sighted” within me
what was placed in my cupboard,
stored by my sensual conduits,
mine only to covey, not to covet,

art that tempest resides in as part,
a parcel in of the entirety of your body+soul composition,
but “out for delivery,”
seeded, stored & carry~birthed, given forth,
in a completed quantity
that’s so grand,
it takes five senses to truly comprehend!

it is pieces, a child of you,
recombinant,
you the birth sac,
how could ever be assessed as merely

little?

you are better understood to be a translator,
a temp~progenitor,
taking what all of nature and human experience
has installed on your inner walls, and then dispatched,
by you, gestated and unhesitatingly dispatched,

and when gift unwrapped from the plain brown paper of
our now orphaned belly skin,
it is to be hallelujah greeted,
for you, artist, translator, poem~mother,
have done you job, hallowed and sacrosanct,
and now the renewed giant emptiness,
will soon,
needy to be refilled, and
retransmitted once more:

this is no little, limited, mean feat,
your gifting is
beyond any words that limit,
no size constrains,
no words,
neither sufficient and insufficient,
you, are in loco parentis,
you’ve take what you/we are given,
beyond sizing,
and it seizes and is seized,
until you give it away
completed

and that is the grandest art .
inseminated within you,
true artistry!




7:42am
Fri Oct 27
2023
Joel A Doetsch Jan 2012
I could not write.  There was a drought in my mind
I could not concoct a single ****** line.  I told my wife
My dear, I think it's high time
I went and refilled my inspiration

I walked to the store, the one at the end of my block
I surveyed my mind, yet still it was locked.  I shook my head
I can't believe I waited this long to restock
my nearly empty inspiration

Once inside, I browsed the multitude of  sparkling aisles
Searching for a brand to match my writing style.  With little luck
It was difficult to find one worthwhile
to serve as my inspiration

I started reading the descriptions on the boxes
_________________
E­xtreme Naivete
Do you like Rainbows, puppies, unicorns and sparkling vampires?
EXTREME NAIVETE might be just the inspiration you need to
explain to the world why Justin Bieber's hair is just the perfect shade
of blonde.  Remind everyone that there is sunshine and happiness
in everyone's heart if you just help them find it.  Perfect for the 10
year old in all of us that hasn't yet faced the harshness of reality.

Side effects include:  blatant ignorance of the fact that most people
are complete self absorbed *******, increased use of smiley faces,
and tendency to dot your i's with hearts.
_________________

­_________________
Dark and Brooding
Doesn't life ****?  Do you hate how everyone sits around and acts like
nothing is wrong with the world?  Do you feel like you're the only one
who has ever felt this way, like, ever?  Don't get mad, get...eh...whatever.
Tell your depressing story to anyone who will listen with our brand new
DARK AND BROODING inspiration.  Tell the world how you feel like
cutting your wrists and how every day is cold and meaningless.  Write
words that are as black as the clothes you picked up from Hot Topic.  A
perfect gift for a suburban teenager of successful parents trying to rebel.

Side effects include:  Using generic metaphors that include the words
'cold', 'dark', 'lifeless', and 'pointless' to describe your life; the sudden
urge to dye your wardrobe black and gray; and wearing an excessive
amount of eyeliner.
_________________­

_________________
Hopel­ess Romantic
Is there one person for everyone?  Do you want to be able to describe
the way your heart feels in excruciating detail down to the way your
"ventricles ventriculate doubly so" when your special someone is near?
Perhaps you should try HOPELESS ROMANTIC, the newest
in our ever growing line of inspirations.  Your misguided love will
reach new heights with all of the new words you will be able to use
to describe it.  you will be so mushy, that we'd recommend not
standing on open sewer grates after using this product.

Not recommended for stalkers or near ex girlfriends.  Side effects
include the inability to wipe that stupid grin off your face, random
urges to serenade women, and the sudden desire to quit your job to
search for your one true love.  We do not recommend mixing this
inspiration with EXTREME NAIVETE
_________________

­_________________
Bitter Lover
Heartbroken? Lovelorn?  Sexless?  Have you been feeling alone
recently, but can't quite find the words to explain it?  Well worry
no more!  About that...at least.  With BITTER LOVER, you can
focus all your hatred for the concept of "love" into acidic lyrics
of disapproval.  You will be able to spew forth a torrent of
spite and poisonous barbs towards anyone who even looks
like they're happy with their significant other.  Why should
they enjoy themselves?

Side effects include anywhere from snide apathy to seething anger
whenever you hear the songs "Kiss Me" or "Linger",  the inability
to see that your friends want you to stop depressing them and get
on with your life, and the urge to get drunk and tell people how
much marriage *****.
_________________


­After I finished reading, I shrugged my shoulders and sighed
This clearly wasn't the best solution to try.  I went home
I picked up my pencil with pride
at my growing inspiration
Manda Clement Jun 2014
My forgiveness *** is a jar
That lives inside my heart
Filled with all the forgiveness I have
It looks like fairy dust, glittery and golden
When someone needs some of my forgiveness I take a little from the jar and give it to them
Sometimes a little, sometimes a lot,
Sometimes more than I feel they deserve

The jar is refilled by the forgiveness others give to me
For I too need forgiveness sometimes

Right now my jar is running low
I have given away far more than I should have done
And to people who I think should receive none at all
The cutting insults he made
The selfishness she showed
Were two this week alone which emptied over half my jar
But that's what we do, isn't it...Forgive?

I am now wondering what other peoples jars look like
What shape, what size, how empty, how full
And what colour is their forgiveness? Red, silver? Gold like mine?
Do some peoples jars never open?
Sealed forever, never giving, unable or unwilling to receive?
Do some people really not care about the importance of forgiveness?

I care
I take care of my jar
I hope that when it is almost empty it will fill back up with
The forgiveness others do not want
I like to think forgiveness isn't wasted
Finds a home, a jar somewhere.
I think about things like this all the time. Am I alone? haha. Enjoy! x
Steve Page Jul 2016
There're swords,
lots of them,
and long-bows,
with fresh, eager arrows
jostle with notched expert axes;

legendary hair frame braided beards
flowing into refilled tankards
drowning curses through broken teeth
gnawing at poor personal hygiene
across the stench of the public tavern
as granite-stares challenge
bone-shattering laughter.
-
All as anticipated -
there's Orcs about
and the prescribed heroes assemble.
-
-
Slow rolling leaden mist cloaks howling creatures at dawn
from deep within the forest,
then disabling rain falls at dusk
and steel clashes with steel in the storm…
-
All these exploits ferment short of full strength
and stretch onto a wide Winter screen
before facing the final critical battle
for a 12A Christmas.
Inspired by Peter Jackson
Quinn Berube Oct 2017
When I looked into the sky,
The wave of blue that is the same shade of
Your eyes crashed over me.

My heart ached when saw that color.
It was like having to kiss you
All over again.

There was not a cloud in the sky, 75 degrees.
Our first date was at night.
I have not felt this warm in months.

I reached my arms out in front of me,
Palms toward the sky,
Basking in the heat that refilled me.
I was consuming the sun.
Kate Browning Mar 2012
Creased felines crossing lines,
Pressing claws into dust.
Western hemisphere,
Reviving the pilgrimage.

Bubbles and logs
Satiate their under garments.
Enhancing hair follicles
Resembling shards and spurs.

At a woodsy bar,
A tabby liberated the fangs
He rented last holiday.
The bartender shook with perplexity.

Reacting simultaneously-
A minor character, Little Leon.
The dusty town called him
Leon, for he was alone.

Little Leon got taller
In a basement full
Of water. The dusty town
Was an adjustment.

The tabby and Little Leon
Faced off for recognition.
Leon wretchedly charged
The floor boards with sopping ends.

Crayon versus colored pencil;
They chose their weapons
Anxiously.  It was
Bring your son to work day.

The bent bartender
Spared his child’s eyes.
“I’m not your little boy,”
The child shrilled at him.

“I don’t want trains,
Or fake guns meant for play.
I miss my mom,
And dresses on Sunday.”

Cats on a pilgrimage,
Rarely stop from
Slurping a drink. Pity refilled
Cups, as tails twitched in trial.

The tabby and Leon
Came to a halt, seeing as
Punishment was engraved atop
The bartender’s grungy mitts.

The clowder gathered,
As the Tabby scolded the man
Behind the bar. “Remember where
you leave your beverage.”

And that was that.

Leon’s internal complexity,
Being left with only himself,
Dissipated. There are others
Who feel more alone.

Tabby picked up his crayon.
His spurs clanked
And spun, as his guided
His feline friends out the front.

Tumbleweed skidded
Outside the bar.
The bartender finally saw
That his son was not a son.
Lili Apr 2013
Wipe that powder off your nose
And keep killing those boys
With your poisonous emerald eyes
And those venomous blood red lips

Don’t let your nose bleed again
It might give you away
Rich girls don’t cry, remember?
Here doll take some of my Xanax

Drape yourself in luxury
Go buy yourself some diamonds dear,
Go get mama’s ****** refilled will ya?
Stop that frowning, you’ll get wrinkles!

You better marry that man
He's perfect for you, just look at that ring!
Aw my girl's growing up, her first botox appointment!
Don't worry honey, pretty girls are happy girls.
jSweptson Feb 2011
TOGETHER THEY SAT ON THE RED VELVET COUCH
THE ROOM SOFTLY AGLOW
BATHED IN WARM CANDLE LIGHT
HER INTOXICATING PERFUME
SWEETENED THE NIGHT
AS TOGETHER
THEY SAT ON THE RED VELVET COUCH
TWO ALMOST EMPTY WINE GLASSES
SAT ON THE TABLE BEFORE THEM
BOTH GLASSES TOUCHING
AS IF IN AN EMBRACE
BOTH WAITING PATIENTLY
TO BE REFILLED WITH THE DARK RED WINE
THE TASTE OF WINE STILL LINGERED
AS HER TONGUE
SLIPPED PAST THE CORNERS
OF HER FULL LIPS
FULL LIPS
THAT CRIED OUT
TO BE KISSED
KISSED
FULL MOUTH
KISSED
WITH ALL THEIR WETNESS
KISSED
WITHIN ALL HER WANTING
THEIR HANDS
TOUCHED AND ENTWINED
HE PULLED HER INTO HIM
THEIR WANTING LIPS MET
HER LIPS
SO WET
SO FULL
SO HOT
SO PASSIONATE
THEY BOTH TREMBLED
AS THEIR YET CLOTHED BODIES
TOUCHED
ELECTRICITY FLOWED
BETWEEN THEM
SETTING OFF SPARKS
THAT FILLED THE ROOM
THEIR TONGUES
DANCED WITH PASSION
HER'
FILLING HIS WANTING MOUTH
HIS
MOUTH DRINKING IN
EACH
DELIGHTFUL
MOMENT
GENTLY
HE ******
HER
FULL BOTTOM LIP
INTO HIS MOUTH
HE COULD FEEL HER WARM BODY
AS SHE SANK
DEEPER
INTO HIS ARMS
THE PASSION GREW
THE
FIRE
RAGED
THE
ROOM
SPUN
AS TOGETHER THEY SAT
ON THE RED VELVET COUCH


jSWEPTSON
Once I loved a pretty girl
But she don’t live round here no more
Ventured out into the world
To keep her pride and settle scores

I remember brighter days
Full of song and open seas
Then mid-September’s chill gave way
We can’t refuse our destiny

Seasons changed – feelings, too
Suddenly she’s out of touch
Portraits of our dream won’t do
Now as I paint, I lick the brush

After hours at the bar
Chewing fat and catching eyes
Often wonder where you are
Or if that’s you dressed in disguise

Once I loved another girl
But not the same one as before
Like a clam without a pearl
She was a shell without a core

I tried to help; I gave her love
Favors, ***, and cash to burn
Everything I could think of!
And asked for nothing in return

Then I fell into a hole –
Funny how these things turn out –
In need of but a gentle soul
To lift me up above the clouds

But when I asked for her to care
To show the warmth of open arms
She offered nothing but a stare
And only time could break her guard

Once I healed a broken heart
Brought about by foolish charm
Gave it my all right from the start
Unraveled like a ball of yarn

Days went by and turned to months
Drawing close to my twine’s end
So I sought out familiar fronts
To seek the love of kin & friends

My heart grew warm and full of joy
I leaped with faith and did good deeds
My shaded past would not destroy
The man that only I could be

The months grew closer to next year
As one by one I placed the stones
That built the path to facing fear
And taking on the world alone

Once I triumphed over evil
Choked the devil til he died
Oh, he’ll be back, there’s no doubt he will
But never more shall steal my pride

Once I learned that Love is Evil
Now she’s back to claim her prize
But I won’t let my heart be refilled
Without the whole piece of the pie
Once
JJ Hutton Jun 2014
The young novelist wrote in his rented room, a claustrophobic nook under the stairwell, where the ceiling sobbed dust each time the owner hurried down to work or hurried up for a forgotten prescription. Shelves crammed with the owner's yearbooks and photo albums lined the walls. He typed at a long oak desk. On which, he had one plant, a gardenia, white flowers in full bloom, and a quote by Buddha on an index card in a four-by-six-inch frame. "You yourself, as much as anybody in the entire universe, deserve your love and affection."

The sun had quit for the day. He got up and poured out his cold coffee in the bathroom sink across the hall. He dried the mug with a paper towel. Then to the kitchen, where he pressed the button on the box of Merlot, filling the recycled mug. The denouement was coming together. But he hadn't hit his stride, tapped into that secret space where words flow with natural rhythm and proper grace. His hungry or starving or emaciated mother character--he struggled with the diction, the balance between subtlety and a Coca-Cola slinger's criminal word abuse--would decide to eat her baby. Not the ******, the denouement. Critics would **** as only critics could.

He drank one cup of wine while standing in the kitchen then refilled and stepped back into his room. The plant and the Buddha quote were suggestions by his mom. She didn't like him spending so much time alone. Time alone killed her uncle. The young novelist argued it was an indiscriminate heart attack. No, his mother said, it's from all that cheese he would eat. Cheese, his mother contended, was the unitary measure of loneliness, killing you one comforting slice at a time.

Google the symbolism, his mother said of the gardenia.

Secret love.

Oh good.

That's just the first result.

I always loved them.

That was only the first. I bet they're part of the funerary tradition.

Your father used to get them once a year for Pastor Mike. Do you remember that? Around Christmas time. It was your father's way of saying we appreciate your work.

Secret love.

The quote made just about as much sense. A devout--dare he think staunch--Methodist since she was old enough to disagree and berate, his mother's selection of a Buddha aphorism begged suspicion. The young novelist assumed this was an appeal to his academic worldview, a panoramic ideology that protected him from having to value or defend anything, really. Buddhism is **** electronic dance music; Methodism is vaudeville, tired and exploitative. And if his mother was trying to be cool, that disgusted him. But if his mother was trying to meet him halfway, that excited him.

That's it, he thought, the mug now half-empty. The mother is not hungry, not starving, nor emaciated. It's a loving mother. A mother that knows the lows of living. She eats her young in an act of compromise, to protect, to prevent confusion and isolation, hell even Kraft Singles.

He sat and scooted up his chair. He wrote in a fever, a frenetic fictive dream, page by page, scene by scene through the night.
i could write in my own blood
and you wouldn't see the hurt in my words
I still cannot believe that i can tame my tongue.
But i turn it from a dagger, and hide the dagger in the churned earth
among the spring seeds,
maybe when the flowers bloom,
they will bare a sharper sort of beauty.
Maybe when the pain returns pain
maybe then it will rain, and in the rain
I will see past  lies that looked so like truths
and they will be more plain
Perhaps naked petals will unfurl,
and wildflowers will change their minds to be replanted
Memories of that sincere girl will sprout,
and i will be refilled with trust to uproot my doubt,
Perchance i will trace the stems up to the flowers
and pick each golden oval, off of its shadowed bower
hidden there among the aged leaves and cowering
under the trustworthy arms of an ancient oak tree
look deep and remember that it has a place etched deep in my craggy heart
but that place is empty and not the same, as was the carving,
from the start
a la chemicles
Nick Strong Nov 2014
Scrambling upon slimy rocks

Pocketful of glistening pebbles

Wellies damp from taking just one too many steps

Tiny soft mottled green shelled crab

Held delicately between forefinger and thumb

Smell of salt air on your jumper

Knees scuffed red raw from exploring

Daring adventures of a boy

Down upon St. Mary's Isle

Teasing little sisters with monsters from

Recently refilled rock pools,

Sea anemones, all shiny slippery jelly

A dead lobster with only one claw

Amazing treasure from a world, he knew well

Early morning, cold breeze cutting through

A green jumper, mother shouting at the gate

Something about being warm, he didn't really hear

Skipping over seaweed covered rocks,

Net and rod grasped firmly in hand

Off to catch a monster, fish from beyond

The edge of an island, where magical things occur

Like weathered, washed up wood, from

An imagined wreck, or
Bright blue netting, and seaweed cage

A sharks purse contained within

The salty, sweet taste of the sea air,

And the splash of frothing white spray

As the seventh wave hits the rock

A boy or a man in paradise

A simple boy in paradise, skipping over rocks

Discovering seaside treasure, by the rocky shore
An unfinished ramble about a seaside memory from
Where Shelter May 2017
~
took and tucked her in my pocket



a rare Monday holiday, and whomever, undoubtedly
an impractical man-someone, (always our fault),
decided to dampen the lawn and the entire countryside with a steady, not drizzle and not rain, something in between, and a dolloping, artisanal, organic, grey creme fraiche fog that
permits hinted glimpses of sea and land, home from away

a perfect day to finish that overdue library book,
and the deletion of unanswered email notices of your ever increasing criminal status,
both a delicioso rainy day, deep dish pizza pleasuring

or
go for a "walk and talk" in the rain with oneself,
properly attired, naturally, in a yellow slicker and silly hat,
(a perfect car target)
observing how the bay gets refilled, and the elm and the oak
drink themselves tipsy on an all-day-grey goose ******,
all the while looking for side-of-road weedy, wordy poems
that will look nice in a vase day or on a colorful plate from
Saint Paul de Vence


more a "walk and compose" insists the brain,
denying the legs and feet the full advanced three credits,
for providing nothing more than cerebral transportation,
poor brain, inferiority complexion, thinking the female does all the truly heavy duty thinking stuff and of her,
nobody ever thinks or kisses!

so I took and tucked her in my pocket,
(your brain's gender contrarian to one's lower physical gifts),
and poem-picking, away we went, to wet sand beaches
looking for shells, bones, forgot plastic buckets and shovels,
i.e. articles of inspiration incorporation composting composition

just me and she for the other 'her' chose to curl,
herself upon her spot under the always shedding blanket,
watching Richard or Henry or one of the Mary's plotting,
on what we agree must be a perfectly British style
spy's rainy day, or an Agatha ****** mystery
or a visit to the Towers

a little pause between showers, the seeding clouds,
catching a breath, allows the birds to exchange trees
in what appears to man as suicide by diving musical chairs,
while the seagulls oink, "perhaps a cucumber fish sandwich with a nice hot cuppa?"

alas, alas, only flowers that must perforce remain unpicked,
here and there a solitary dorming daisy uprising,
from cracked concrete protruding, but nary a poem of somber consequence found

so to home and hearth and some telly,
me and she, where upon arrival
took and untucked her from my pocket,
my empty poem pocketed persona somewhat mocked
by she who regales splendiferously on her couch throne

our composure discomposed and discombobulated and wet,
instead wrote this trip report and submitted it to the teach
as a homework assignment

5/29/17 8:00am precisely,
upon the where shelter isle
for the overdue book keeper, daughter of the recliner, story teller, sister,
mother to cat, babes (including one that shaves), patron
of empty student minds,
one homework assignment submitted
Aditi Jun 2017
I find the glass to be half empty,
He finds the glass half filled,
It's the same thing,
Except it is not literally,

Each one of us forgets, conveniently
That the glass can be refilled
Just as easily as it can be drained empty

And it's up to us
But we are too busy clanking the empty glasses together
Till they shatter,
Or, try to drown ourselves,
When they overflow.


I take a step in,
He repeats,
We both try to co exist in a way,
That neither of us are actually leaning,
Both trying to be friends,
With strangers' acceptance of how one is
I like to chatter, he wears a cloak of silence,
Except there's not much difference between either.

And it's up to us,
But we are too busy screaming to override the unwelcome words,
Or try to dance our imagination on the tune of silence,
Away from the cruel intentions, camouflaged with soft words
Except there's not much difference between either,
We both are shaped by our hurt, and undone by happiness.

I find the life to be a continuation of misery,
Add in some whining and self deprecating poems
Different faces, worn by the same ghosts
Different paths, same dead ends
Pursuit of ever evasive happiness,
Life is never changing.
You think every thing changes,
It's just me who is always going to look the same
To you at least

And it's up to us,
Whether we remain the same or not,
To grow up and grow apart,
Or to Shrink in and fade away
Except I look around,
And I know for you, it's always me
And you look back
And know I'm the one who has always been there

I find the glass half empty,
You find it half filled,
It's the same thing
Except it's not literally.
Nat Lipstadt Aug 2014
"Nothing is so healing as the human touch."


Started:    June 21, 2011
Finished:  August 14, 2011

"Nothing is so healing as the human touch."

Purportedly, the final words of Bobby Fischer, the reclusive, oft bizarre-acting Chess Grandmaster, whose life deserves your examination.  

I wasted decades of my life in a loveless, sexless, miserable marriage. I read his dying words, and the poem~notion was born, but the words had their own timetable and it made me crazy.

All the facts you need to read this old poem are now in your possession.
~-----------------------------------------------~
Mos­­t poems used to just tumble out,
Sudoku words combos,
Gunslinger I was,
poetically licensed to shoot
from the hip (the lip?).

Then you go mute, until that second,
When once again,
Machine gun stanzas fall like
Cheerios
Spilling all over the kitchen floor,
As they always do at Two Am
When quietude is in high season,
And the whole house is sleeping.

Once in awhile,
The title~idea recorded,
But the poem unwrit,
just won't come.
*** but no ******.

The words smack you,
Write me, I deserve it,
A challenged duel glove
Goes kissy kissy on your face,
But the words,
The choice of weapons
Eludes for weeks, months.  

So Bobby,
Your challenge
Long ago accepted,
But my reply imperfect,
Has lain bound and gagged,
A poem-in-progress
Hid in the trunk of my heart,
Unable to escape, even when
Escape attempted, unsuccessful.

From June till August moon,
Your dying words have been
A cancer growing, within,  
Hiding from my bullets
Invented to radiate,
Your final words, explicate,
Explode and expose.

Your life,
An essay on life in solitary,
Anti-social would immodestly describe your life best.

How came you then to exclaim,
Re the glories of human touch?

Ah a dying man's last regret,
A simple cri du couer,
Nothing extraordinaire,
A basic 101 shoulda/woulda
Of "I coulda done it better,"
What's the big deal?

Until this exact second,
Sunday rain jolted body from bed
Do I instant understand my obsession,
The import to me,
The need to capture
The haunt of the healing
Of your dying words.  

Life is small, miniaturized
When numbered in decades -
Five, six, seven,
Maybe,
Eight nine or even ten.  

How came I to pass so many,
Discarded whole decades,
Of the few we garner
Without the sustenance of
Human Touch?

How came I to allow this disaster to pass?

How did I advance to the next grade/decade,
When a failing grade was scarlet tattooed
In ****** scars upon my chest?

Would be easy to dismiss as just another whiney rant
That is no longer relevant to you,
Lies I told myself, no longer resonate, over, now.

Never.  

Everything matters.  

Summation.  Accumulation.

Day Counter Totals  reveal gaps of years
That cannot be refilled so your accounting
Must include a retelling of the
Wasted days and acknowledge with your dying breath,

Nothing is so healing as the human touch.
~~~~~~~
Happy 3rd Birthday poem.
Thank you my love
Hadiza Song Oct 2013
A pen in my hand
Nothing in my head
Pains in my heart
Tears in my eyes

Trembling hands
Red eyes
Stained face
Swollen eyes

A sharp knife thru my chest
A puncture in my heart
A wound I doubt
Will ever heal.

Sleepless nights
Days of the same
A scar
That’ll never fade

Broken into pieces
Damaged beyond imagination
Massacred to the extreme
Manipulated to condemnation

Words are worthless
To what is felt

A hole that cant be refilled
A tattoo that cant be erased
A mark that’ll last for eternity
A complete infatuation

Land I never thought I’ll be
Broken-land
A broken person

One thing for sure
The thing called heart
Will be attached to you
With epoxy

Words are worthless
To what is felt
The thing you do to a discharged cell,
Or to the socks that have too much of a smell,
What is it? Doesn’t it ring a bell?
Because You adhere to that policy so very well…

The thing you do to a flower that’s dead,
So also to a pencil that’s out of lead,
The same unfortunate fate of a broken wooden bed,
A habit of yours that lies imbibed in your head…

The death call for a tire with no air,
The plight of a writer who has lost his flare,
The epitaph of a man about whom nobody cares,
The cold obsoleteness of all your stares…

The gills of a fish outside of water,
The remains of a pig after its meaty slaughter,
The detriment of someone devoid of fun and laughter,
You certainly know about all this better…

A Kingless queen in a match of chess,
A game of chance without a single guess,
A heart beating oh so loveless,
Their method of disposal is at your prowess…

Use and Throw, Use and Throw,
That’s the way you always go,
Use and Throw, Use and Throw,
That’s all the love and affection to me you did show…

For all the compassion, all the regret,
I’m an expendable? Do I know you? Have we ever really MET?
It’s just made me even more sad and upset…

After trying to make your everyday new,
I’m wound up being Use and Throw to you,
I’m use and Throw, insipid, inarticulate,
A used tissue can’t undo its sealed fate….

But if I were any of these above things,
Of which my lonely aching heart sings,

A battery could be recharged duly,
The smell of socks would get the heavy laundry,
A flower would find soil to unwither and bloom,
A pencil refilled with lead to avoid its impending doom…

All of these things I know I can do,
But I also know I can never ever have you,
Because all YOU did, was use, then you Threw…
After my usefulness I meant absolutely nothing to You…

Use and Throw, Use and Throw,
As tears and blood into my discarded tissue does flow…
I was nothing to you, I have nowhere to go…
After all to you I was just.. USE AND THROW….!
Someone tell me where we are

not all that close, not all that far

Marching feet and distant drums

but I can't see where they come from..

Baby Soldier with angry eyes

filling empty space with hate

for fat old men made fat on lies

it's not your fault..........it's just your fate

Baby soldier

Slaughter in the market place

You heard their cries, you saw their face

How then can you sleep at night?

How dare you say, "everything alright"

Baby soldiers with empty eyes

empty minds refilled with hate

for fat old men made fat on lies

while baby soldier licks the plate

Baby soldier

Dancing in a rain of fire

Just one more death for your empire

but baby soldier dies alone

his soul is gone his heart is stone

Baby soldier with empty eyes

filling empty space with hate

for fat old men made fat on lies

It's not your fault It's just your fate

Baby soldier

Baby soldier lay it down

the crops won't grow in blood soaked ground

but baby soldier cannot hear

above the sound of hate and fear

baby soldier with angry eyes

feeding on their hate and fear

while fat old men get fat on lies


everyone dies that's why you're here

Baby soldier

Someone tell me where we are

not all that close not all that far.

— The End —