Submit your work, meet writers and drop the ads. Become a member
‘When the doors of perception are cleansed
Things will appear as they are:
Infinite.’

∞ William Blake



‘There are things known
and there are things unknown,
and in between are the doors.’

∞ Jim Morrison



Moment of inner freedom
when the mind is opened & the
infinite universe revealed
& the soul is left to wander
dazed & confus’d searching
here & there for teachers & friends.



People need Connectors
Writers, heroes, stars, leaders
To give life form.
A child’s sand boat facing
the sun.
Plastic soldiers in the miniature
dirt war. Forts.
Garage Rocket Ships

Ceremonies, theatre, dances
To reassert
Tribal needs and memories
a call to worship, uniting
above all, a reversion,
a longing for family and the
safety magic of childhood



A man rakes leaves into
a heap in his yard, a pile,
and leans on his rake and
burns them utterly.

The fragrance fills the forest
children pause and heed the
smell, which will become
nostalgia in several years.



An angel runs
Thru the sudden light
Thru the room
A ghost precedes us
A shadow follows us
And each time we stop
We fall



The Endless quest a vigil
of watchtowers and fortresses
against the sea and time.
Have they won? Perhaps.
They still stand and in
their silent rooms still wander
the souls of the dead,
who keep their watch on the living.
Soon enough we shall join them.
Soon enough we shall walk
the walls of time. We shall
miss nothing
except each other.



No one thought up being;
he who thinks he has
Step forward



The Crossroads
a place where ghosts
reside to whisper into
the ears of travelers &
interest them in their fate

Hitchhiker drinks:
“I call again on the dark
hidden gods of blood”

-Why do you call us?
You know our price. It
never changes. Death of
you will give you life
& free you from a vile
fate. But it is getting late.

-If I could see you again
& talk w/ you, & walk a
short while in your company,
& drink the heady brew
of your conversations,
I thought

-to rescue a soul already
ruined. To achieve respite.
To plunder green gold
on a pirate raid & bring
to camp the glory of old.

-As the capesman faces
poisoned horns & drinks
red victory; the soldier,
too, w/ his trophy, a
pierced helmet; & the
ledge-walker shuddering
his way into inward grace

-(laughter) Well, then. Would
you mock yourself?

-No.

-Soon our voices must become
one, or one must leave.



There was preserved

in her

The fresh miracle

of

surprise.



open

The Night is young
& full of rest
I can’t describe
the way she’s dress’d
She’ll pander to some strange
requests
Anything that you suggest
Anything to please her guest
Meena Menon Sep 2021
Flicker Shimmer Glow

The brightest star can shine even with thick black velvet draped over it.  
Quartz, lime and salt crystals formed a glass ball.
The dark womb held me, warm and soft.  
My mom called my cries when I was born the most sorrowful sound she had ever heard.  
She said she’d never heard a baby make a sound like that.    
I’d open my eyes in low light until the world’s light healed rather than hurt.  
The summer before eighth grade, July 1992,
I watched a shooting star burn by at 100,000 miles per hour as I stood on the balcony  
while my family celebrated my birthday inside.  
It made it into the earth’s atmosphere
but it didn’t look like it was coming down;
I know it didn’t hit the ground but it burned something in the time it was here.  
The glass ball of my life cracked inside.  
Light reflected off the salt crystal cracks.  
I saw the beauty of the light within.  
Nacre from my shell kept those cracks from getting worse,
a wild pearl as defense mechanism.  
In 2001, I quit my job after they melted and poured tar all over my life.  
All summer literature class bathtubs filled with rose hip oil cleaned the tar.  
That fall logic and epistemology classes spewed black ink all over my philosophy
written over ten years then.  
Tar turned to asphalt when I met someone from my old job for a drink in November
and it paved a road for my life that went to the hospital I was in that December
where it sealed the roof on my life
when I was almost murdered there
and in February after meeting her for another drink.  
They lit a fire at the top of the glacier and pushed the burning pile of black coal off the edge,
burnt red, looking like flames falling into the valley.  
While that blazed the side of the cliff something lit an incandescent light.  
The electricity from the metal lightbulb ***** went through wires and heated the filament between until it glowed.  
I began putting more work into emotional balance from things I learned at AA meetings.  
In Spring 2003, the damage that the doctors at the hospital in 2001 had done
made it harder for light to reflect from the cracks in the glass ball.
I’d been eating healthy and trying to get regular exercises since 1994
but in Spring 2003 I began swimming for an hour every morning .  
The water washed the pollution from the burning coals off
And then I escaped in July.  
I moved to London to study English Language and Linguistics.  
I would’ve studied English Language and Literature.  
I did well until Spring 2004 when I thought I was being stalked.  
I thought I was manic.  
I thought I was being stalked.  
I went home and didn’t go back for my exams after spring holiday.  
Because I felt traumatized and couldn’t write poetry anymore,
I used black ink to write my notes for my book on trauma and the Russian Revolution.
I started teaching myself German.  
I stayed healthy.  
In 2005, my parents went to visit my mom’s family in Malaysia for two weeks.
I thought I was being stalked.  
I knew I wasn’t manic.  
I thought I was being stalked.  
I told my parents when they came home.  
They thought I was manic.  
I showed them the shoe prints in the snow of different sizes from the woods to the windows.  
They thought I was manic.  
I was outside of my comfort zone.  
I moved to California. I found light.  
I made light,
the light reflected off the salt crystals I used to heal the violence inflicted on me from then on.  
The light turned the traffic lights to not just green from red
but amber and blue.  
The light turned the car signals left and right.  
The light reflected off of salt crystals, light emitting diodes,
electrical energy turned directly to light,
electroluminescence.  
The electrical currents flowed through,
illuminating.  
Alone in the world, I moved to California in July 2005
but in August  I called the person I escaped in 2003,
the sulfur and nitrogen that I hated.  
He didn’t think I was manic but I never said anything.
I never told him why I asked him to move out to California.  
When his coal seemed like only pollution,
I asked him to leave.  
He threatened me.  
I called the authorities.  
They left me there.
He laughed.  
Then the violence came.  
****:  stabbed and punched, my ****** bruised, purple and swollen.  
The light barely reflected from the glass ball wIth cracks through all the acid rain, smoke and haze.
It would take me half an hour to get my body to do what my mind told it to after.  
My dad told me my mom had her cancer removed.
The next day, the coal said if I wanted him to leave he’d leave.  
I booked his ticket.
I drove him to the airport.  
Black clouds gushed the night before for the first time in months,
the sky clear after the rain.  
He was gone and I was free,
melted glass, heated up and poured—
looked like fire,
looked like the Snow Moon in February
with Mercury in the morning sky.  
I worked through ****.  
I worked to overcome trauma.  
Electricity between touch and love caused acid rain, smoke, haze, and mercury
to light the discharge lamps, streetlights and parking lot lights.
Then I changed the direction of the light waves.  
Like lead glass breaks up the light,
lead from the coal, cleaned and replaced by potassium,
glass cut clearly, refracting the light,
electrolytes,
electrical signals lit through my body,
thick black velvet drapes gone.  





















Lava

I think that someone wrote into some palm leaf a manuscript, a gift, a contract.  
After my parents wedding, while they were still in India,
they found out that my dad’s father and my mom’s grandfather worked for kings administering temples and collecting money for their king from the farmers that worked the rice paddies each king owned.  They both left their homes before they left for college.  
My dad, a son of a brahmin’s son,
grew up in his grandmother’s house.  
His mother was not a Brahmin.  
My mother grew up in Malaysia where she saw the children from the rubber plantation
when she walked to school.  
She doesn’t say what caste she is.  
He went to his father’s house, then college.  
He worked, then went to England, then Canada.  
She went to India then Canada.  
They moved to the United States around Christmas 1978
with my brother while she was pregnant with me.  
My father signed a contract with my mother.  
My parents took ashes and formed rock,
the residue left in brass pots in India,
the rocks, so hot, they turned back to lava miles away before turning back to ash again,
then back to rock,
the lava from a super volcano,
the ash purple and red.  


















Circles on a Moss Covered Volcano

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My mom was born on the grass
on a lawn
in a moss covered canyon at the top of a volcanic island.  
My grandfather lived in Malaysia before the Japanese occupied.  
When the volcano erupted,
the lava dried at the ocean into black sand.  
The British allied with the Communist Party of Malaysia—
after they organized.  
After the Americans defeated the Japanese at Pearl Harbor,
the British took over Malaysia again.  
They kept different groups apart claiming they were helping them.  
The black sand had smooth pebbles and sharp rocks.  
Ethnic Malay farmers lived in Kampongs, villages.  
Indians lived on plantations.  
The Chinese lived in towns and urban areas.  
Ethnic Malays wanted independence.
In 1946, after strikes, demonstrations, and boycotts
the British agreed to work with them.  
The predominantly Chinese Communist Party of Malaysia went underground,
guerrilla warfare against the British,
claiming their fight was for independence.  
For the British, that emergency required vast powers
of arrest, detention without trial and deportation to defeat terrorism.  
The Emergency became less unpopular as the terrorism became worse.  
The British were the iron that brought oxygen through my mom’s body.  
She loved riding on her father’s motorcycle with him
by the plantations,
through the Kampongs
and to the city, half an hour away.  
The British left Malaysia independent in 1957
with Malaysian nationalists holding most state and federal government offices.  
As the black sand stretches towards the ocean,
it becomes big stones of dried lava, flat and smooth.  

My mom thought her father and her uncle were subservient to the British.  
She thought all things, all people were equal.  
When her father died when she was 16, 1965,
they moved to India,
my mother,
a foreigner in India, though she’s Indian.  
She loved rock and roll and mini skirts
and didn’t speak the local language.  
On the dried black lava,
it can be hard to know the molten lava flickers underneath there.  
Before the Korean War,
though Britain and the United States wanted
an aggressive resolution
condemning North Korea,
they were happy
that India supported a draft resolution
condemning North Korea
for breach of the peace.  
During the Korean War,
India, supported by Third World and other Commonwealth nations,
opposed United States’ proposals.
They were able to change the U.S. resolution
to include the proposals they wanted
and helped end the war.  
China wanted the respect of Third World nations
and saw the United States as imperialist.  
China thought India was a threat to the Third World
by taking aid from the United States and the Soviets.  
Pakistan could help with that and a seat at the United Nations.  
China wanted Taiwan’s seat at the UN.
My mother went to live with her uncle,
a communist negotiator for a corporation,
in India.  
A poet,
he threw parties and invited other artists, musicians and writers.  
I have the same brown hyperpigmentation at my joints that he had.  
During the day, only the steam from the hot lava can be seen.  
In 1965, Pakistani forces went into Jammu and Kashmir with China’s support.  
China threatened India after India sent its troops in.  
Then they threatened again before sending their troops to the Indian border.  
The United States stopped aid to Pakistan and India.
Pakistan agreed to the UN ceasefire agreement.  
Pakistan helped China get a seat at the UN
and tried to keep the west from escalating in Vietnam.  
The smoldering sound of the lava sizzles underneath the dried lava.  
When West Pakistan refused to allow East Pakistan independence,
violence between Bengalis and Biharis developed into upheaval.  
Bengalis moved to India
and India went into East Pakistan.  
Pakistan surrendered in December 1971.  
East Pakistan became independent Bangladesh

The warm light of the melted lava radiates underneath but burns.  
In 1974, India tested the Smiling Buddha,
a nuclear bomb.  
After Indira Gandhi’s conviction for election fraud in 1973,
Marxist Professor Narayan called for total revolution
and students protested all over India.  
With food shortages, inflation and regional disputes
like Sikh separatists training in Pakistan for an independent Punjab,
peasants and laborers joined the protests.  
Railway strikes stopped the economy.  
In 1975, Indira Gandhi, the Iron Lady,
declared an Emergency,
imprisoning political opponents, restricting freedoms and restricting the press,
claiming threats to national security
because the war with Pakistan had just ended.  
The federal government took over Kerala’s communist dominated government and others.  

My mom could’ve been a dandelion, but she’s more like thistle.  
She has the center that dries and flutters in the wind,
beautiful and silky,
spiny and prickly,
but still fluffy, downy,
A daisy.
They say thistle saved Scotland from the Norse.  
Magma from the volcano explodes
and the streams of magma fly into the air.  
In the late 60s,
the civil rights movement rose
against the state in Northern Ireland
for depriving Catholics
of influence and opportunity.
The Northern Irish police,
Protestant and unionist, anti-catholic,
responded violently to the protests and it got worse.  
In 1969, the British placed Arthur Young,
who had worked at the Federation of Malaya
at the time of their Emergency
at the head of the British military in Northern Ireland.
The British military took control over the police,
a counter insurgency rather than a police force,
crowd control, house searches, interrogation, and street patrols,
use of force against suspects and uncooperative citizens.  
Political crimes were tolerated by Protestants but not Catholics.  
The lava burns the rock off the edge of the volcano.  

On January 30, 1972, ****** Sunday,  
British Army policing killed 13 unarmed protesters
fighting for their rights over their neighborhood,
protesting the internment of suspected nationalists.
That led to protests across Ireland.  
When banana leaves are warmed,
oil from the banana leaves flavors the food.  
My dad flew from Canada to India in February 1972.  
On February 4, my dad met my mom.  
On February 11, 1972,
my dad married my mom.  
They went to Canada,
a quartz singing bowl and a wooden mallet wrapped in suede.  
The rock goes down with the lava, breaking through the rocks as it goes down.  
In March 1972, the British government took over
because they considered the Royal Ulster Police and the Ulster Special Constabulary
to be causing most of the violence.  
The lava blocks and reroutes streams,
melts snow and ice,
flooding.  
Days later, there’s still smoke, red.  
My mom could wear the clothes she liked
without being judged
with my dad in Canada.  
She didn’t like asking my dad for money.
My dad, the copper helping my mother use that iron,
wanted her to go to college and finish her bachelors degree.
She got a job.  
In 1976, the police took over again in Northern Ireland
but they were a paramilitary force—
armored SUVs, bullet proof jackets, combat ready
with the largest computerized surveillance system in the UK,
high powered weapons,
trained in counter insurgency.  
Many people were murdered by the police
and few were held accountable.  
Most of the murdered people were not involved in violence or crime.  
People were arrested under special emergency powers
for interrogation and intelligence gathering.  
People tried were tried in non-jury courts.  
My mom learned Malayalam in India
but didn’t speak well until living with my dad.  
She also learned to cook after getting married.  
Her mother sent her recipes; my dad cooked for her—
turmeric, cumin, coriander, cayenne and green chiles.  
Having lived in different countries,
my mom’s food was exposed to many cultures,
Chinese and French.
Ground rock, minerals and glass
covered the ground
from the ash plume.  
She liked working.  

A volcano erupted for 192 years,
an ice age,
disordered ices, deformed under pressure
and ordered ice crystals, brittle in the ice core records.  
My mother liked working.  
Though Khomeini was in exile by the 1970s in Iran,
more people, working and poor,
turned to him and the ****-i-Ulama for help.
My mom didn’t want kids though my dad did.
She agreed and in 1978 my brother was born.
Iran modernized but agriculture and industry changed so quickly.  
In January 1978, students protested—
censorship, surveillance, harassment, illegal detention and torture.  
Young people and the unemployed joined.  
My parents moved to the United States in December 1978.  
The regime used a lot of violence against the protesters,
and in September 1978 declared martial law in Iran.  
Troops were shooting demonstrators.
In January 1979, the Shah and his family fled.  
On February 11, 1979, my parents’ anniversary,
the Iranian army declared neutrality.  
I was born in July 1979.
The chromium in emeralds and rubies colors them.
My brother was born in May and I was born in July.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.  





Warm Light Shatters

The eruption beatifies the magma.  
It becomes obsidian,
only breaks with a fracture,
smooth circles where it breaks.  

My dad was born on a large flat rock on the edge of the top
of a hill,
Molasses, sweet and dark, the potent flavor dominates,
His father, the son of a Brahmin,
His mother from a lower caste.
His father’s family wouldn’t touch him,
He grew up in his mother’s mother’s house on a farm.  
I have the same brown hyperpigmentation spot on my right hand that he has.

In 1901, D’Arcy bought a 60 year concession for oil exploration In Iran.
The Iranian government extended it for another 32 years in 1933.
At that time oil was Iran’s “main source of income.”
In 1917’s Balfour Declaration, the British government proclaimed that they favored a national home for the Jews in Palestine and their “best endeavors to facilitate the achievement” of that.

The British police were in charge of policing in the mandate of Palestine.  A lot of the policemen they hired were people who had served in the British army before, during the Irish War for Independence.  
The army tried to stop how violent the police were, police used torture and brutality, some that had been used during the Irish War for Independence, like having prisoners tied to armored cars and locomotives and razing the homes of people in prison or people they thought were related to people thought to be rebels.
The police hired Arab police and Jewish police for lower level policing,
Making local people part of the management.
“Let Arab police beat up Arabs and Jewish police beat up Jews.”

The lava blocks and reroutes streams, melts snow and ice, flooding.
In 1922, there were 83,000 Jews, 71,000 Christians, and 589,000 Muslims.
The League If Nations endorsed the British Mandate.
During an emergency, in the 1930s, British regulations allowed collective punishment, punishing villages for incidents.
Local officers in riots often deserted and also shared intelligence with their own people.
The police often stole, destroyed property, tortured and killed people.  
Arab revolts sapped the police power over Palestinians by 1939.

My father’s mother was from a matrilineal family.
My dad remembers tall men lining up on pay day to respectfully wait for her, 5 feet tall.  
She married again after her husband died.
A manager from a tile factory,
He spoke English so he supervised finances and correspondence.
My dad, a sunflower, loved her: she scared all the workers but exuded warmth to the people she loved.

Obsidian shields people from negative energy.
David Cargill founded the Burmah Oil Co. in 1886.
If there were problems with oil exploration in Burma and Indian government licenses, Persian oil would protect the company.  
In July 1906, many European oil companies, BP, Royal Dutch Shell and others, allied to protect against the American oil company, Standard Oil.
D’Arcy needed money because “Persian oil took three times as long to come on stream as anticipated.”
Burmah Oil Co. began the Anglo-Persian Oil Co. as a subsidiary.
Ninety-seven percent of British Petroleum was owned by Burmah Oil Co.
By 1914, the British government owned 51% of the Anglo-Persian Oil Co.  
Anglo-Persian acquired independence from Burmah Oil and Royal Dutch Shell with two million pounds from the British government.

The lava burns the rock off the edge of the volcano.
In 1942, after the Japanese took Burma,
the British destroyed their refineries before leaving.
The United Nations had to find other sources of oil.
In 1943, Japan built the Burma-Thailand Railroad with forced labor from the Malay peninsula who were mostly from the rubber plantations.

The rock goes down with the lava, breaking through the rocks as it goes down.
In 1945. Japan destroyed their refineries before leaving Burma.
Cargill, Watson and Whigham were on the Burmah Oil Co. Board and then the Anglo Iranian Oil Co. Board.  

In 1936 Palestine, boycotts, work stoppages, and violence against British police officials and soldiers compelled the government to appoint an investigatory commission.  
Leaders of Egypt, Trans Jordan, Syria and Iraq helped end the work stoppages.
The British government had the Peel Commission read letters, memoranda, and petitions and speak with British officials, Jews and Arabs.  
The Commission didn’t believe that Arabs and Jews could live together in a single Jewish state.
Because of administrative and financial difficulties the Colonial Secretary stated that to split Palestine into Arab and Jewish states was impracticable.  
The Commission recommended transitioning 250,000 Arabs and 1500 Jews with British control over their oil pipeline, their naval base and Jerusalem.  
The League of Nations approved.
“It will not remove the grievance nor prevent the recurrence,” Lord Peel stated after.
The Arab uprising was much more militant after Peel.  Thousands of Arabs were wounded, ten thousand were detained.  
In Sykes-Picot and the Husain McMahon agreements, the British promised the Arabs an independent state but they did not keep that promise.  
Representatives from the Arab states rejected the Peel recommendations.
United Nations General Assembly Resolution181 partitioned Palestine into Arab and Jewish states with an international regime for the city of Jerusalem backed by the United States and the Soviet Union.  

The Israeli Yishuv had strong military and intelligence organization —-  
the British recognized that their interest was with the Arabs and abstained from the vote.  
In 1948, Israel declared the establishment of its state.  
Ground rock, minerals, and gas covered the ground from the ash plume.
The Palestinian police force was disbanded and the British gave officers the option of serving in Malaya.

Though Truman, Eisenhower and Kennedy supported snd tried to get Israel to offer the Arabs concessions, it wasn’t a major priority and didn’t always approve of Israel’s plans.
Arabs that had supported the British to end Turkish rule stopped supporting the West.  
Many Palestinians joined left wing groups and violent third world movements.  
Seventy-eight percent of the territory of former Palestine was under Israel’s control.  

My dad left for college in 1957 and lived in an apartment above the United States Information services office.
Because he graduated at the top of his class, he was given a job with the public works department of the government on the electricity board.  
“Once in, you’ll never leave.”
When he wanted a job where he could do real work, his father was upset.
He broke the chains with bells for vespers.
He got a job in Calcutta at Kusum Products and left the government, though it was prestigious to work there.
In the chemical engineering division, one of the projects he worked on was to design a *** distillery, bells controlled by hammers, hammers controlled by a keyboard.
His boss worked in the United Kingdom for. 20 years before the company he worked at, part of Power Gas Corporation, asked him to open a branch in Calcutta.
He opened the branch and convinced an Industrialist to open a company doing the same work with him.  The branch he opened closed after that.  
My dad applied for labor certification to work abroad and was selected.  
His boss wrote a reference letter for my him to the company he left in the UK.  My dad sent it telling the company when he was leaving for the UK.  
The day he left for London, he got the letter they sent in the mail telling him to take the train to Sheffield the next day and someone from the firm would meet him at the station.  
His dad didn’t know he left, he didn’t tell him.
He broke the chains with chimes for schisms.


Anglo-Persian Oil became Anglo-Iranian Oil in 1935.
The British government used oil and Anglo-Persian oil to fight communism, have a stronger relationship with the United States and make the United Kingdom more powerful.  
The National Secularists, the Tudeh, and the Communists wanted to nationalize Iran’s oil and mobilized the Iranian people.
The British feared nationalization in Iran would incite political parties like the Secular Nationalists all over the world.  
In 1947, the Iranian government passed the Single Article Law that “[increased] investment In welfare benefits, health, housing, education, and implementation of Iranianization through substitution of foreigners” at Anglo-Iranian Oil Co.
“Anglo-Iranian Oil Company made more profit in 1950 than it paid to the Iranian government in royalties over the previous half century.”
The Anglo-Iranian Oil Company tried to negotiate a new concession and claimed they’d hire more Iranian people into jobs held by British and people from other nationalities at the company.
Their hospitals had segregated wards.  
On May 1, 1951, the Iranian government passed a bill that nationalized Anglo- Iranian Oil Co.’s holdings.  
During the day, only the steam from the hot lava can be seen.
In August 1953, the Iranian people elected Mossadegh from the Secular Nationalist Party as prime minister.
The British government with the CIA overthrew Mossadegh using the Iranian military after inducing protests and violent demonstrations.  
Anglo-Iranian Oil changed its name to British Petroleum in 1954.
Iranians believe that America destroyed Iran’s “last chance for democracy” and blamed America for Iran’s autocracy, its human rights abuses, and secret police.

The smoldering sound of the lava sizzles underneath the dried lava.  
In 1946, Executive Yuan wanted control over 4 groups of Islands in the South China Sea to have a stronger presence there:  the Paracels, the Spratlys, Macclesfield Bank, and the Pratas.
The French forces in the South China Sea would have been stronger than the Chinese Navy then.
French Naval forces were in the Gulf of Tonkin, U.S. forces were in the Taiwan Strait, the British were in Hong Kong, and the Portuguese were in Macao.
In the 1950s, British snd U.S. oil companies thought there might be oil in the Spratlys.  
By 1957, French presence in the South China Sea was hardly there.  

When the volcano erupted, the lava dried at the ocean into black sand.
By 1954, the Tudeh Party’s communist movement and  intelligence organization had been destroyed.  
Because of the Shah and his government’s westernization policies and disrespectful treatment of the Ulama, Iranians began identifying with the Ulama and Khomeini rather than their government.  
Those people joined with secular movements to overthrow the Shah.  

In 1966, Ne Win seized power from U Nu in Burma.
“Soldiers ruled Burma as soldiers.”
Ne Win thought that western political
Institutions “encouraged divisions.”
Minority groups found foreign support for their separatist goals.
The Karens and the Mons supported U Nu in Bangkok.  


Rare copper, a heavy metal, no alloys,
a rock in groundwater,
conducts electricity and heat.
In 1965, my Dad’s cousin met him at Heathrow, gave him a coat and £10 and brought him to a bed and breakfast across from Charing Cross Station where he’d get the train to Sheffield the next morning.
He took the train and someone met him at the train station.  
At the interview they asked him to design a grandry girder, the main weight bearing steel girder as a test.
Iron in the inner and outer core of the earth,
He’d designed many of those.  
He was hired and lived at the YMCA for 2 1/2 years.  
He took his mother’s family name, Menon, instead of his father’s, Varma.
In 1967, he left for Canada and interviewed at Bechtel before getting hired at Seagrams.  
Iron enables blood to carry oxygen.
His boss recommended him for Dale Carnegie’s leadership training classes and my dad joined the National Instrument Society and became President.
He designed a still In Jamaica,
Ordered all the parts, nuts and bolts,
Had all the parts shipped to Jamaica and made sure they got there.
His boss supervised the construction, installation and commission in Jamaica.
Quartz, heat and fade resistant, though he was an engineer and did the work of an engineer, my dad only had the title, technician so my dad’s boss thought he wasn’t getting paid enough but couldn’t get his boss to offer more than an extra $100/week or the title of engineer; he told my dad he thought he should leave.
In 1969, he got a job at Celanese, which made rayon.
He quit Celanese to work at McGill University and they allowed him to take classes to earn his MBA while working.  

The United States and Israel’s alliance was strong by 1967.
United Nations Security Council Resolution 242 at the end of the Third Arab Israeli War didn’t mention the Palestinians but mentioned the refugee problem.
After 1967, the Palestinians weren’t often mentioned and when mentioned only as terrorists.  
Palestinians’ faith in the “American sponsored peace process” diminished, they felt the world community ignored and neglected them also.
Groups like MAN that stopped expecting anything from Arab regimes began hijacking airplanes.
By 1972, the Palestine Liberation Organization had enough international support to get by the United States’ veto in the United Nations Security Council and Arab League recognition as representative of the Palestinian people.
The Palestinians knew the United States stated its support, as the British had, but they weren’t able to accomplish anything.  
The force Israel exerted in Johnson’s United States policy delivered no equilibrium for the Palestinians.  

In 1969, all political parties submitted to the BSPP, Burma Socialist Programme Party.
Ne Win nationalized banks and oil and deprived minorities of opportunities.
Ne Win became U Nu Win, civilian leader of Burma in 1972 and stopped the active role that U Nu defined for Burma internationally
He put military people in power even when they didn’t have experience which triggered “maldistribution of goods and chronic shortages.”  
Resources were located in areas where separatist minorities had control.

The British presence in the South China Sea ended in 1968.  
The United States left Vietnam in 1974 and China went into the Western Paracels.
The U.S. didn’t intervene and Vietnam took the Spratlys.
China wanted to claim the continental shelf In the central part of the South China Sea and needed the Spratlys.
The United States mostly disregarded the Ulama In Iran and bewildered the Iranian people by not supporting their revolution.

Obsidian—
iron, copper and chromium—
isn’t a gas
but it isn’t a crystal;
it’s between the two,
the ordered crystal and the disordered gas.  
They made swords out of obsidian.


Edelweiss

I laid out in my backyard in my bikini.  
I love the feeling of my body in the sun.  
I’d be dark from the end of spring until winter.
The snow froze my bare feet through winter ,
my skin pale.
American towns in 1984,
Free, below glaciers the sunlight melted the snow,
a sea of green and the edelweiss on the edge of the  limestone,
frosted but still strong.    
When the spring warmed the grass,
the grass warmed my feet. 
The whole field looked cold and white from the glacier but in the meadow,
the bright yellow centers of those flowers float free in the center of the white petals.
The bright yellow center of those edelweiss scared the people my parents ran to America from India to get away from.  
On a sidewalk in Queens, New York in 1991, the men stared and yelled comments at me in short shorts and a fitted top in the summer.  
I grabbed my dad’s arm.

























The Bread and Coconut Butter of Aparigraha

Twelve year old flowerhead,
Marigold, yarrow and nettle,
I’d be all emotion
If not for all my work
From the time I was a teenager.
I got depressed a lot.
I related to people I read about
In my weather balloon,
Grasping, ignorant, and desperate,
But couldn’t relate to other twelve year olds.
After school I read Dali’s autobiography,
Young ****** Autosodomized by Her Own Chastity.
Fresh, green nettle with fresh and dried yarrow for purity.
Dead souls enticed to the altar by orange marigolds,
passion and creativity,
Coax sleep and rouse dreams.
Satellites measure indirectly with wave lengths of light.
My weather balloon measures the lower and middle levels of the atmosphere directly,
Fifty thousand feet high,
Metal rod thermometer,
Slide humidity sensor,
Canister for air pressure.

I enjoy rye bread and cold coconut butter in my weather balloon,
But I want Dali, and all the artists and writers.
Rye grows at high altitudes
But papyrus grows in soil and shallow water,
Strips of papyrus pith shucked from their stems.
When an anchor’s weighed, a ship sails,
But when grounded we sail.
Marigolds, yarrow and nettle,
Flowerhead,
I use the marigold for sleep,
The yarrow for endurance and intensity,
toiling for love and truth,
And the nettle for healing.
Strong rye bread needs equally strong flavors.
By the beginning of high school,
I read a lot of Beat literature
And found Buddhism.
I loved what I read
But I didn’t like some things.
I liked attachment.  
I got to the ground.
Mushrooms grow in dry soil.
Attachment to beauty is Buddha activity.
Not being attached to things I don’t find beautiful is Buddha activity.  
I fried mushrooms in a single layer in oil, fleshy.
I roasted mushrooms at high temperatures in the oven, crisp.
I simmered mushrooms in stock with kombu.
Rye bread with cold coconut butter and cremini mushrooms,
raw, soft and firm.  
Life continues, life changes,
Attachments, losses, mourning and suffering,
But change lures growth.
I find stream beds and wet soil.
I lay the strips of papyrus next to each other.
I cross papyrus strips over the first,
Then wet the crossed papyrus strips,
Press and cement them into a sheet.
I hammer it and dry it in the sun,
With no thought of achievement or self,
Flowerhead,
Hands filled with my past,
Head filled with the future,
Dali, artists poets,
Wishes and desires aligned with nature,
Abundance,
Cocoa, caraway, and molasses.

If I ever really like someone,
I’ll be wearing the dress he chooses,
Fresh green nettle and yarrow, the seeds take two years to grow strong,
Lasting love.
Marigolds steer dead souls from the altar to the afterlife,
Antiseptic, healing wounds,
Soothing sore throats and headaches.
Imperturbable, stable flowerhead,
I empty my mind.
When desires are aligned with nature, desire flows.
Papyrus makes paper and cloth.
Papyrus makes sails.
Charcoal from the ash of pulverized papyrus heals wounds.
Without attachment to the fruit of action
There is continuation of life,
Rye bread and melted coconut butter,
The coconut tree in the coconut butter,
The seed comes from the ground out of nothing,
Naturalness.
It has form.
As the seed grows the seed expresses the tree,
The seed expresses the coconut,
The seed expresses the coconut butter.
Rye bread, large open hollows, chambers,
Immersed in melted coconut butter,
Desire for expansion and creation,
No grasping, not desperate.
When the mind is compassion, the mind is boundless.
Every moment,
only that,
Every moment,
a scythe to the papyrus in the stream bed of the past.  

































Sound on Powdery Blue

Potter’s clay, nymph, plum unplumbed, 1993.
Dahlia, ice, powder, musk and rose,
my source of life emerged in darkness, blackness.
Seashell fragments in the sand,
The glass ball of my life cracked inside,
Light reflected off the salt crystal cracks,
Nacre kept those cracks from getting worse.
Young ****** Autosodomized By Her Own Chastity,
Nymph, I didn’t want to give my body,
Torn, *****, ballgown,
To people who wouldn’t understand me,
Piquant.

Outside on the salt flats,
Aphrodite, goddess of beauty, pleasure and fertility and
Asexual Artemis, goddess of animals, and the hunt,
Mistress of nymphs,
Punish with ruthless savagery.

In my bedroom, blue caribou moss covered rocks, pine, and yew trees,
The heartwood writhes as hurricane gales, twisters and whirlwinds
Contort their bark,
Roots strong in the soil.
Orris root dried in the sun, bulbs like wood.
Dahlia runs to baritone soundbath radio waves.
Light has frequencies,
Violet between blue and invisible ultraviolet,
Flame, slate and flint.
Every night is cold.

Torii gates, pain secured as sacred.
An assignation, frost hardy dahlia and a plangent resonant echo.
High frequency sound waves convert to electrical signals,
Breathe from someone I want,
Silt.
Beam, radiate, ensorcel.
I break the bark,
Sap flows and dries,
Resin seals over the tear.
I distill pine,
Resin and oil for turpentine, a solvent.
Quiver, bemired,
I lead sound into my darkness,
Orris butter resin, sweet and warm,
Hot jam drops on snow drops,
Orange ash on smoke,
Balm on lava,
The problem with cotton candy.

Electrical signals give off radiation or light waves,
The narrow frequency range where
The crest of a radio wave and the crest of a light wave overlap,
Infrared.
Glaciers flow, sunlight melts the upper layers of the snow when strong,
A wet snow avalanche,
A torrent, healing.
Brown sugar and whiskey,
Undulant, lavender.
Pine pitch, crystalline, sticky, rich and golden,
And dried pine rosin polishes glass smooth
Like the smell of powdery orris after years.
Softness, flush, worthy/not worthy,
Rich rays thunder,
Intensify my pulse,
Frenzied red,
Violet between blue and invisible ultraviolet.
Babylon—flutter, glow.
Unquenchable cathartic orris.  

















Pink Graphite

Camellias, winter shrubs,
Their shallow roots grow beneath the spongy caribou moss,
Robins egg blue.
After writing a play with my gifted students program in 1991,
I stopped spending all my free time writing short stories,
But the caribou moss was still soft.

In the cold Arctic of that town,
The evergreen protected the camellias from the afternoon sun and storms.
They branded hardy camellias with a brass molded embossing iron;
I had paper and graphite for my pencils.

After my ninth grade honors English teacher asked us to write poems in 1994,
It began raining.
We lived on an overhang.
A vertical rise to the top of the rock.
The rainstorm caused a metamorphic change in the snowpack,
A wet snow avalanche drifted slowly down the moss covered rock,
The snow already destabilized by exposure to the sunlight.

The avalanche formed lakes,
rock basins washed away with rainwater and melted snow,
Streams dammed by the rocks.  
My pencils washed away in the avalanche,
My clothes heavy and cold.
I wove one side of each warp fiber through the eye of the needle and one side through each slot,
Salves, ointments, serums and tinctures.
I was mining for graphite.
They were mining me,
The only winch, the sound through the water.

A steep staircase to the red Torii gates,
I broke the chains with bells for vespers
And chimes for schisms,
And wove the weft across at right angles to the warp.  

On a rocky ledge at the end of winter,
The pink moon, bitters and body butter,
They tried to get  me to want absinthe,
Wormwood for bitterness and regret.
Heat and pressure formed carbon for flakes of graphite.
Heat and pressure,
I made bitters,
Brandy, grapefruit, chocolate, mandarin rind, tamarind and sugar.
I grounded my feet in the pink moss,
paper dried in one hand,
and graphite for my pencils in the other.  



































Flakes

I don’t let people that put me down be part of my life.  
Gardens and trees,
My shadow sunk in the grass in my yard
As I ate bread, turmeric and lemon.
Carbon crystallizes into graphite flakes.
I write to see well,
Graphite on paper.  
A shadow on rock tiles with a shield, a diamond and a bell
Had me ***** to humiliate me.
Though I don’t let people that put me down near me,
A lot of people putting me down seemed like they were following me,
A platform to jump from
While she had her temple.  

There was a pink door to the platform.
I ate bread with caramelized crusts and
Drank turmeric lemonade
Before I opened that door,
Jumped and
Descended into blankets and feathers.
I found matches and rosin
For turpentine to clean,
Dried plums and licorice.  

In the temple,
In diamonds, leather, wool and silk,
She had her shield and bells,
Drugs and technology,
Thermovision 210 and Minox,
And an offering box where people believed
That if their coins went in
Their wishes would come true.

Hollyhock and smudging charcoal for work,  
Belled,
I ground grain in the mill for the bread I baked for breakfast.
The bells are now communal bells
With a watchtower and a prison,
Her shield, a blowtorch and flux,
Her ex rays, my makeshift records
Because Stalin didn’t like people dancing,
He liked them divebombing.
Impurities in the carbon prevent diamonds from forming,
Measured,
The most hard, the most expensive,
But graphite’s soft delocalized electrons move.  






































OCEAN BED

The loneliness of going to sleep by myself.  
I want a bed that’s high off the ground,
a mattress, an ocean.
I want a crush and that  person in my bed.  
Only that,
a crush in my bed,
an ocean in my bed.  
Just love.  
But I sleep with my thumbs sealed.  
I sleep with my hands, palms up.  
I sleep with my hands at my heart.  
They sear my compassion with their noise.  
They hold their iron over their fire and try to carve their noise into my love,
scored by the violence of voices, dark and lurid,  
but not burned.  
I want a man in my bed.  
When I wake up in an earthquake
I want to be held through the aftershocks.  
I like men,
the waves come in and go out
but the ocean was part of my every day.  
I don’t mind being fetishized in the ocean.  
I ran by the ocean every morning.  
I surfed in the ocean.  
I should’ve gone into the ocean that afternoon at Trestles,
holding my water jugs, kneeling at the edge.  














Morning

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  

Morning—the molten lava in the outer core of the earth embeds the iron from the inner core into the earth’s magnetic field.  
The magnetic field flips.  
The sun, so strong, where it gets through the trees it burns everything but the pine.  
The winds change direction.  
Storms cast lightening and rain.  
Iron conducts solar flares and the heavy wind.  
In that pine forest, I shudder every time I see a speck of light for fear of neon and fluorescents.  The eucalyptus cleanses congestion.  
And Kerouac’s stream ululates, crystal bowl sound baths.  
I follow the sound to the water.  
The stream ends at a bluff with a thin rocky beach below.  
The green water turns black not far from the shore.  
Before diving into the ocean, I eat globe mallow from the trees, stems and leaves, the viscous flesh, red, soft and nutty.  
I distill the pine from one of the tree’s bark and smudge the charcoal over my skin.  

Death, the palo santo’s lit, cleansing negative energy.  
It’s been so long since I’ve smelled a man, woodsmoke, citrus and tobacco.  
Jasmine, plum, lime and tuberose oil on the base of my neck comforts.  
Parabolic chambers heal, sound waves through water travel four times faster.  
The sound of the open sea recalibrates.  
I dissolve into the midnight blue of the ocean.  

I want to fall asleep in the warm arms of a fireman.  
I want to wake up to the smell of coffee in my kitchen.  
I want hot water with coconut oil when I get up.  
We’d lay out on the lawn, surrounded by high trees that block the wind.  
Embers flying through the air won’t land in my yard, on my grass, or near my trees.  





Blue Paper

Haze scatters blue light on a planet.  
Frought women, livid, made into peonies by Aphrodites that caught their men flirting and blamed the women, flushed red.
and blamed the women, flushed red.
Frought women, livid, chrysanthemums, dimmed until the end of the season, exchanged and retained like property.  
Blue women enter along the sides of her red Torii gates, belayed, branded and belled, a plangent sound.  
By candles, colored lights and dried flowers she’s sitting inside on a concrete floor, punctures and ruin burnished with paper, making burnt lime from lime mortar.  
Glass ***** on the ceiling, she moves the beads of a Palestinian glass bead bracelet she holds in her hands.  
She bends light to make shadows against  thin wooden slats curbed along the wall, and straight across the ceiling.
A metier, she makes tinctures, juniper berries and cotton *****.
Loamy soil in the center of the room,
A hawthorn tree stands alone,
A gateway for fairies.
large stones at the base protecting,
It’s branches a barrier.  
It’s leaves and shoots make bread and cheese.
It’s berries, red skin and yellow flesh, make jam.
Green bamboo stakes for the peonies when they whither from the weight of their petals.
And lime in the soil.  
She adds wood chips to the burnt lime in the kiln,
Unrolled paper, spools, and wire hanging.
Wood prayer beads connect her to the earth,
The tassels on the end of the beads connect her to spirit, to higher truth.
Minerals, marine mud and warm basins of seawater on a flower covered desk.  
She adds slaked lime to the burnt lime and wood chips.  
The lime converts to paper,
Trauma victims speak,
Light through butterfly wings.  
She’s plumeria with curved petals, thick, holding water
This is what I have written of my book.  I’ll be changing where the poems with the historical research go.  There are four more of those and nine of the other poems.
beth fwoah dream Jun 2015
[you were]

"where love is a song settling in the night"

you were the softness of feathers
and the harsh cadence of grief,
you were the sky’s frail mists
and its glittering pools.
in the warm indigos of summer
i welcomed you home,
the sea with its engine pistons
played loud harmonics,
it wasn't the noise but quiet
i wanted most, the way i wanted you,
star silent, drifting like a boat.

[tonight]

tonight i can't write poetry,
a star is just a star.

[shadows on my bones]

"when everything is washed out like faded jeans"

i thought i could stay alive
but there were shadows on my bones,
summer fell through my lips
and washed the colours from my shirt.
i became a lizard in the
dry heat.

the sky layered greys into
clouds, told me how
expressive it could be
and then turned white.
i wasn't going to argue
but i liked it better blue!

when your heart is
full of softness it gathers
the flowers of dusk.

the sea is so far from me
now, how can i remember
a wave or the bluster of
the wind?
i am as forgetful of
shape as foam, i am
as broken as driftwood,
i am the memory of
something that never was,
an impromptu impressionist
painting in ink.

[i've not written]

i've not written for a week.
i need to visualize, feed
on an image, grow out of
immense distance, slumber
on the rocks.
i need to paint a flower
in all its frailty, gather
the skies on the horizon.
until the bright lilies
have drowned me in their
white linens i will not feel whole.
gathering, gathering the world,
its moments stormy rooks.

[love poem]

"where love is a wave that splashes on the sand"

when a heart
loves
the stars surrender
to the heavens,
the moon catches her breath
and the avenues
of silence become
voice. i follow the
path to my love,
i die for him,
i live for him,
like a spartan
in the heat of battle,
like a flower in the
mist.

[summer tide]

the moon, shrunken, faint
as pencil, as if the wild nettles
of night carried her loads.
her glazes the raptures of
dancing stars.
her stencil mark a white crescent
leant on cloud.
the trees shudder in the
wind, break their promises,
forgive no one.  
the tide listens to her rhythms,
traps them in water, distils
her victories, unwraps the dark,
stretches it out.

[out of the night]

out of the night, the softening rain dripping
from leaves and memories hanging like stars
in a northern sky, everything sank to the sea,
sinking in night and song and silence.
everywhere was still, no climbing to the dawn,
no old ghost singing winter to the sky.
it was time to leave, time for the grey ghosts
to crumble, time for the rose beds to sleep.
the morning dew is the water's flowers,
the early frost is the marbling of the earth,
we're pushed to emptiness by the iron-hinged wind,
melt in caves where the shadows lie hid.
from your hair, the glistening drops of rain,
from the air, the flight of a bird,
terrible and black the dark clouds,
where the night utters vowels its voice full of stones,
and its breath an empty pail once filled
with water and the kiss of the moon.

[grey stone sky]

grey stone sky, ghost clouds crying to the wind,
remembering the distant wave.
the moon was the whitening mists of time,
was the quiver of a musical note,
her broad branches silver seas,
her caverns quiet visions of light.
i stride the shores of oblivion where
dark ages hide, where the ocean falls,
i capture infinite moons in my
mouth, capture something bright,
something of you that i bless,
something of you that grows out
of the dark, glimmering like a night frost,
midnight stars dipped in a clear lake
and as the surface gleams and reflects,
how the water ripples in little blue tides.

[i ask you]

i ask you how the water cries, how you hold
the tide, the light, the thin light glistening.
i ask you how you bury root and earth,
how you dress the wind, how you carry
clouds in your mouth, how you drift
out of morning's ghosts, sky full,
how you drift downstream taking
part of me with you. i ask and i ask.
why do you not answer me? tomorrow
stretches her wings, tomorrow with her
tremendous oceans of fire, her dark eyes
full of hope while part of me dies.
no furnace could burn like you burn,
every whisper the dark, the infinite dark,
and that little flame hovering like a bird
a paradise higher than stars.

[the ocean dreams]

the ocean dreams...
colours like burnt kisses,
the blue mist tangles the air.
the shore shook out its creases
like old linen, fell under
the tumbling wave.
i drank the silence,
walking where the moon,
carried along by the song
of a ripple, dipped
her feet in the foam,
dancing, dancing...
beneath her ivory tongue,
a glistening jewel,
her alabaster skin
night's whitest rose,
and where the stars
wrapped december in
ghosts and the
gleaming water was the
quietest echo of love,
i could no longer bear
to be alone, and my tears
were the wilderness
and how it grew inside me,
and everything i loved was there
the wave carrying the wind
and i felt alive, as joyful
as the silver shore, a dark-pooled
painting of you, a river-eyed song.

[sad, sad eyes]

winter fed us with blood-red berries and ice clouds,
our visible breath soon colder than our lips.
i did not want to see what you had seen,
could not grow out of those sad, sad eyes.
we fell into the calm wave of circumstance
and twilight hurried from us into the dark.
hurried away like the last drop of sunlight
purples the earth, dancing on the edge of the world.
do we wait, stone-heavy, for the last tendrils
of day to melt like ice?
the fearful cold breathes like a fog,
gathers its stars of voice and hill,
gathers memories and distant dreams,
lets us forget.
are you the ghost that lies on the hill
calling to me?
are you that ghost,
whose irons soften like cloud,
whose frozen leaf trembles on the branch
waiting to fall to the whispering land?
your eyes are from the past and yet
they follow like a cold wind blasts.
your eyes, everywhere your sad eyes,
biting like a frost.

[do you dream of me?]

my love, you wear silence like a coat
and i am left drifting like a far-out wave.
the wind tangles leaf and sky.
winter is barely noticed, the moon
is a ghost of forgotten flowers where
the night sings to the starry waters,
sings of our love. everything is sailing
like a ship in a bottle, a kaleidoscope  
of brightness, gothic hill and wildflower
ruin, flowing like a silvery stream.
do you dream of me? do you burn when
the night wraps you in her cloak and the moon
unwinds the waters of the seas?
do you dream of me?

[morning]

a bird slid into the wind's
bright paths, awoke
the sound of morning, the
only elegant sound. i sprinkled you
you with the roots of the rain and
with a song sweetened by
sunlight and although you were stunted
and your blue-blossom wings were broken,
and the very earth swam in dark
floods of tears, that little piece of
love was a kingdom as reachable
as your hand touching mine.

[song]

this was a song that lingers in caverns and
caves, scented by sea rose and anemone,
lost kingdoms where we dream of the sea.

this was a song like a whale shivering
through the water, diving into the
impossible dark, with its huge tail
waving, flag-like and star-hungry,
its skin the moon's lips, in a world
with no moonlight, no brightening pools,
and only echoes of a forgotten sun.

how deep do we dive, seals of ink
and overtures of unanswerable
dark? our eyes have been betrayed
many times and the water buries us
whole, takes us to the staccato rhythms
of a ghostly tide, takes us back to
a womb woman whose prayers lie
like whispers on the water, who tells
us to hush and we hear our mother's voice.

these are wild notes that press into the
waves, and i am frightened of this song,
it is dissonant and gathered from the
rivers of night, her tombs overgrown with
wild flowers and the bones of the sea,
and she cries for the lost,
for those that were taken from her,
and she will cry for all eternity
and her tears are like breath of ice.

[winter]

winter buries her flames,
buries whispers of river and leaf,

the sea wraps turquoise into bronze,
everything is full of white bones,

the sky is an illusion of clouds,
her petticoats blue rags,

the day is as heavy as a paperweight,
as brittle as a glass flower,

the light is as naked as the trees
gold could not be more cold,

the sunlight reflects in the snow,
her amber eyes gleam,

nothing flows, nothing flowers,
nothing flows, nothing flowers,

and your smile is the sun,
a ghost as faint as watercolour,

the brush dipped in daylight,
a little part of me.

[waiting]

i stood there waiting like a
nettle with the moon's forget-me-not
eyes, wild flowers overflowing
down the little paths, i was the flower that
no one wanted, a black companion
****.
my cherry mouth was built of
forgotten orchards and swallow's wings,
while my hair was blown by the indigo wind,
the moon tap, tap, tapping on the door.

the whiteness of the land, the colours of
winter and how her song arose out of
the dark, bearing my soul like the
earth rediscovered, glistening in the
light, drawn out of hollows, the shadows
driven back, with a dry root's crazy thirst
that left me longing for rain.
the poetry could not quite free itself
from my lips, dragged me down to
the earth where i staggered with
the lost and the weary. i tried to get back,
but all I could do was sink into the frozen waste.
no, the poetry would not free itself, and
still I waited but it didn't seem to matter
now because leaf and moon and the
frosting that covered my body had left
me like a pale ghost in the wilderness
and all I wanted to do was sink into
the cold cornered night, sink and forget.

[moonflower]

out of the water, the water of ghost pools,
you rose, naked figurehead, oh, flower of night.
an impressionist's brush shook the water
like light reflected on moonstone.
****** of prisms, flowering, flowering,
lost ocean of star voices, forgotten star.
you sang and the night ran towards the sea,
you blossomed and the night became a wanderer.
nectar of the gods, sky-visionary, you sink into
the night like the petal of a rose, the grass almond-
eyed and whispering to you her dreams, fluttering
like a butterfly; little moonflower, you gather
the shadows and the song of the dark, the
drift of the clouds is your bare feet running,
the drift of the clouds, the cold sea crashing
in the harbour, the drift of the clouds,
the incredible overflowing of sky, poet-
ink and straying hair, the drift of
the clouds, everything that scatters
like you on the wind.

[we seek...]

we seek the ocean in the palm of our hands,
breath is the frailties of a winter sky,

the stars are reflections in a mirror of bone.

we are carried by the wind into strange avenues
where we fall like leaves, dance into the indigos

of the washed out sky, haunt the dimming light like night
blossoms and dies, her rivers burning like fire.

we awaken in the eastern
sky washing slumber from our eyes, yawning

and day drops her heavy nets into the waters
of the sun and drowns out the voice of the dark.

flowers settle in the morning, capturing
the silence of the hills in petals of water and light,

and we drink passion and ink, we drink the colours
of our emotions and walk without hesitation towards the light.

[song of the wind]

the wind has something of your wild song,
whispers in a voice i knew long ago.

there is nothing here accept the empty wind,
nothing of you and me,

i could paint the silence with the moon,
kiss your mouth, touch your hair....

but we are forgotten like this song
of the wind, and in the emptiness

i can hear the faltering wave
fall against the belly of the sand

running like the white clouds
race through the sky,

where the stars fall like old ruins,
this ghost dance of stars, these crashing,

crashing waves. where is the freedom
of the falling water?

not in the breath of the earth,
not in the silvering of the sea.

[you are neither]

my love, you are neither the morning
with her bright unwinding hills

or the night, with her nets of silver stars,
you are not the sea whispering.

you are hidden from the world, an alpine
rose that nobody sees.

you flower like the sky makes its way
out of the dark, her archipelagos  

thrown to the wind, there to discover
like a frost that whitens the earth and

leaves its footprints in the leaves.

you are neither the moon, my love,
that waits at your feet

nor the sun that burns like the
summer with her mute fire. you

are none of these things and yet all  
these things carry me to you,

like a drifting cloud longing
for the waters of the night.

[those brief moments of heaven]

the land was a slumbering bird that had not yet opened
its eyes. the morning roared like a thunder

cloud and i gazed at the sky with her cornflower blues
and orchestral flutes, her dark bones whitening

in the yellow-threaded light. silence wrapped me like
a shawl, and love settled on my shoulders like

a bird. it was too early for the swallow to return
with its spring-tinted wings, the winter settled

in the nooks and crannies of the earth, sweet
as your mouth, crisp and cold as the ashen north.

and while you lay beside me, warm, nocturnal
and dreaming of the sea, i kissed your lips

and told you to hush, not because you had spoken but
because night had been so gentle to you that i

wanted to keep you wrapped in her star-scented arms.

[silence]

silence moored like a boat in the harbour,
and you flew against the horizon like a bird  

until my mouth was the night with its hungry stars
and you were the sea wind.

you were the night flowering, a ripple on
the surface of the water, the dreams of the ocean...

your eyes told me that history is made of a
a thousand bleeding wounds, your lips that

kisses are petals falling from a rose
and that we wait like old moons for night

to melt on the shore and set us free, we wait,
unquestionably free, for her gathering of

iris and blue bird, for her beautiful
and melancholy song.

[february]

the light, the faint curtain that draws across day,
far from night's shadows, creature of fire,

revolves, drops white nets into the sea-earth,
where ice and the aching frost cry out

and the soil hardens with its harsh, freezing edge.

we are deaf and blind, numb of limb
like the thin trees and the specter-sky,

blue and forlorn, dreaming our winter dreams...

and through the cold walls i can hardly draw
a smile, sad as a silver leaf the autumn forgot.

it is you who lifts me from the ground, somehow,
like an april shoot seeking the sun, somehow,

my bones as frail as a bird and yet
when the air stirs my blood and i stare into

the amber notes of the wind, the unforgiving land
buckles and breaks and i return to the

kernel of your heart and even the icy
lakes and the weighty forest you loved

under your skin that the light waits to
warm, forget their cold death, breathe

like summer returning to a distant shore.

[empty of light]

there is nothing of you in this late hour,
i have no voice to wrap you in tenderness,
and i wait for your arrival like a starless sky,
empty of light, the ocean's forgetful voyage,
the sinking wave coaxed to grow out of the dark.
the trees are motionless, branches fall silent in the night,
like ghosts against the sky. i am empty of light,
drawn out of memories and blue air,
a crystal that breaks, bound to the wide earth
and the white dust of immeasurable hills. i think i am
still, small as a bird, and i know that i long for you,
that the hunger never leaves me for long, colouring
dry paper with the gleam of a harbour-like moon.

[you grew]

you grew out of the tangling black,
those carefree tides that lead to the moon.

the stars i thought were silver knots
would not unwind, danced on the horizon,

softened like the white mist that gathered
the sky and the dark rose of your eyes.

you filled with the quiet of the hills
and i watched as your ghost

started to tell me goodbye, that
ghost whose seas were frozen in the night,

the ghost i loved, and everything that
was fire in me carved the words into

the night's magnolia net and the words
were; " i don't want you to go".


[loving you...where love is a pretty handwritten page]

loving you is like waiting for the spring,
the love that winds around my fingers

a stream that will fill with the most beautiful light.
when you open your eyes to my kisses,

i fill with the summer and the bright stars,
so chill with loneliness, leave.

i forget that the moon hangs like a
silver leaf in a sky of swallow's song,

while the rose that winter stole,
that died in my lovelorn arms,

left like the impressionist the water loved,
until all i could see was the dreams

of the water, and all i could feel was
the sleeping of the dark.

[winter faded]

winter faded like old parchment, drawn in charcoal
the trees waited for the inevitable colours of spring.

your voice coloured silence and left me standing
away from the crowd with my head inclined to yours,

listening to you, the shadows swept away and your
voice like the moonlight, the blue inks of the sea.

i watched you unwind night skies and the night stars
that burnt in the rivery realms of lost ruins and whispering

dreams, fell like dead men before your passion and there
was no reasoning with what you believed and you had

no compassion for the world. hatred fired up before
my forgiveness and you could not forgive. how many

oceans scattered their flowers and light, how many
armies fell before the burning amber of your eyes?

[i thought i understood the water]

i thought i understood the water,
the silver whispers of stream,
dying the way sadness sighs  
like a star.

the water didn't bring me to
you or you to me.

you were not the shimmer of a
fish.

you were the light reflecting,
bold splashes of colour
on a bold canvas. you

were night when i could
hardly bear the night and you
fell through me

like twilight bringing black
marble moons and watery ghosts.

i thought i understood the water.
i thought the stars painted your
reflection on my lips,

but the silver whispers were not
sad they were happy and
i wondered how i ever
found them sad.

[where]

where every poem starts
and every ends,
where we are stunned,
where we are thirsty and the thirst is
never quenched,
where there is something that breaks
and i can't bring back although it
burns me to dust, love was not our
miracle but the dying was, the flames
never quenched like the blues of the stars
little rivers,
don't bring me fire to bury me in flame,
bring me oceans of black ink to colour
the night, bring me your love.

[sometimes]

distant, moon curves, star light,
dark as the turning where innumerable
waves follow on the tide, the light
in ribbons, the light gold leaf and
flickering amber, the light tenuous
and gentleness, slumbering with her whims
and her sleep of blue earth, and air,
breath of joy, breath of dust.
Night, holds us and her whispers are
a forgotten song, and night is like
the streams of water that awaken with
winter and her cool rivers of air. Night with
her paradise far from the gathering
of limb and ledge, far from the leaves
of the dusk where the shadows tremble and the
water turns itself into tears, and we hear the
ghosts cry to the dark sky,
sometimes we hear the ghosts cry.

[there is nothing]

"where love is the turning tide..."

it was if i was hanging upside
down, and my eyes softened
against shadows of sky and earth.
there is a paradise that waits in
the spring blossom and the bright
lights of the trees, in the freedom
of water and the soon to open eyes of a
winter girl who wakes with the morning.
there is nothing of you in the frail
notes of a song bird or in the deep
reaches of sea and the sky-asking's of the sun.
there is nothing of you and yet i  
want there to be, i want the emotions and
i want sorrowful skies and rivers of blue ink,
seas of summer, careless nights,
freedom that sweeps away the old
cobwebs and weeps to the stars
and you, i want you wrapped through
the night like a blue lily.

[sleep]

sleep was the only sanctuary, was a
flower on the water, was the moonlit
ripples as night gathered her stars and her
promises, her indigos and golds.
i wasn't sure where the images would
take me, i could not surrender to them,
or they to me, my soul wrapped memories
into clouds, drifted with them and the
sadness that was the poetry today was
a song with so many myriads of water.
the water that filled with longing,
the water that poured into love.

Oh, the dark

oh, the dark falls down empty
her cloth burning gold like a harvest moon.
you conquer and you fall because
the poetry dreamt for you because
the last tear drop is not a river it
is a tide, and you were drunk with love
and love for poetry. oh, watch how the
darkness falls, how it swallows star
and shadow how it melts and colours the
night with topaz.    
i could not die for you or for love, but
i knew what it is to burn,
the dry heat, the unbelievable
fire that burns for words and for you,
the unbelievable fire.
i would burn
a blue star like an ocean breeze
scatters the night as we lay spellbound,
tiny drops of water falling, falling.
you were passionate and i loved
all the longing in your voice, the poetry  
broken like the winter, full
of strange beauty. if we were to drown
your lips would be my ghost and i
would long for you until summer was eternity
and the dust of her irons sprinkled on the water.
if i was to live, it could only be with you,
forgotten i would bury my head like autumn
leaves dust the forest, but remembered i
would burn, all gold and blanched gaunt
like a lily, a river winding through the past
like the thames folds around london,
yes, i would burn as you burn for me.
death wants more death, and its webs are full:
I remember my father's garage, how child-like
I would brush the corpses of flies
from the windows they thought were escape-
their sticky, ugly, vibrant bodies
shouting like dumb crazy dogs against the glass
only to spin and flit
in that second larger than hell or heaven
onto the edge of the ledge,
and then the spider from his dank hole
nervous and exposed
the puff of body swelling
hanging there
not really quite knowing,
and then knowing-
something sending it down its string,
the wet web,
toward the weak shield of buzzing,
the pulsing;
a last desperate moving hair-leg
there against the glass
there alive in the sun,
spun in white;
and almost like love:
the closing over,
the first hushed spider-*******:
filling its sack
upon this thing that lived;
crouching there upon its back
drawing its certain blood
as the world goes by outside
and my temples scream
and I hurl the broom against them:
the spider dull with spider-anger
still thinking of its prey
and waving an amazed broken leg;
the fly very still,
a ***** speck stranded to straw;
I shake the killer loose
and he walks lame and peeved
towards some dark corner
but I intercept his dawdling
his crawling like some broken hero,
and the straws smash his legs
now waving
above his head
and looking
looking for the enemy
and somewhat valiant,
dying without apparent pain
simply crawling backward
piece by piece
leaving nothing there
until at last the red gut sack
splashes
its secrets,
and I run child-like
with God's anger a step behind,
back to simple sunlight,
wondering
as the world goes by
with curled smile
if anyone else
saw or sensed my crime
Nigel Morgan Nov 2012
for Jennie in gratitude*

For days afterwards he was preoccupied by what he’d collected into himself from the gallery viewing. He could say it was just painting, but there was a variety of media present in the many surrounding images and artefacts. Certainly there were all kinds of objects: found and gathered, captured and brought into a frame, some filling transparent boxes on a window ledge or simply hung frameless on the wall; sand, fixed foam, paper sea-water stained, a beaten sheet of aluminium; a significant stone standing on a mantelpiece, strange warped pieces of metal with no clue to what they were or had been, a sketchbook with brooding pencilled drawings made fast and thick, filling the page, colour like an echo, and yes, paintings.
 
Three paintings had surprised him; they did not seem to fit until (and this was sometime later) their form and content, their working, had very gradually begun to make a sort of sense.  Possible interpretations – though tenuous – surreptitiously intervened. There were words scrawled across each canvas summoning the viewer into emotional space, a space where suggestions of marks and colour floated on a white surface. These scrawled words were like writing in seaside sand with a finger: the following bird and hiraeth. He couldn’t remember the third exactly. He had a feeling about it – a date or description. But he had forgotten. And this following bird? One of Coleridge’s birds of the Ancient Mariner perhaps? Hiraeth he knew was a difficult Welsh word similar to saudade. It meant variously longing, sometimes passionate (was longing ever not passionate?), a home-sickness, the physical pain of nostalgia. It was said that a well-loved location in conjunction with a point in time could cause such feelings. This small exhibition seemed full of longing, full of something beyond the place and the time and the variousness of colour and texture, of elements captured, collected and represented. And as the distance in time and memory from his experience of the show in a small provincial gallery increased, so did his own thoughts of and about the nature of longing become more acute.
 
He knew he was fortunate to have had the special experience of being alone with ‘the work’ just prior to the gallery opening. His partner was also showing and he had accompanied her as a friendly presence, someone to talk to when the throng of viewers might deplete. But he knew he was surplus to requirements as she’d also brought along a girlfriend making a short film on this emerging, soon to be successful artist. So he’d wandered into the adjoining spaces and without expectation had come upon this very different show: just the title Four Tides to guide him in and around the small white space in which the art work had been distributed. Even the striking miniature catalogue, solely photographs, no text, did little to betray the hand and eye that had brought together what was being shown. Beyond the artist’s name there were only faint traces – a phone number and an email address, no voluminous self-congratulatory CV, no list of previous exhibitions, awards or academic provenance. A light blue bicycle figured in some of her catalogue photographs and on her contact card. One photo in particular had caught the artist very distant, cycling along the curve of a beach. It was this photo that helped him to identify the location – because for twenty years he had passed across this meeting of land and water on a railway journey. This place she had chosen for the coming and going of four tides he had viewed from a train window. The aspect down the estuary guarded by mountains had been a highpoint of a six-hour journey he had once taken several times a year, occasionally and gratefully with his children for whom crossing the long, low wooden bridge across the estuary remained into their teens an adventure, always something telling.
 
He found himself wishing this work into a studio setting, the artist’s studio. It seemed too stark placed on white walls, above the stripped pine floor and the punctuation of reflective glass of two windows facing onto a wet street. Yes, a studio would be good because the pictures, the paintings, the assemblages might relate to what daily surrounded the artist and thus describe her. He had thought at first he was looking at the work of a young woman, perhaps mid-thirties at most. The self-curation was not wholly assured: it held a temporary nature. It was as if she hadn’t finished with the subject and or done with its experience. It was either on-going and promised more, or represented a stage she would put aside (but with love and affection) on her journey as an artist. She wouldn’t milk it for more than it was. And it was full of longing.
 
There was a heaviness, a weight, an inconclusiveness, an echo of reverence about what had been brought together ‘to show’. Had he thought about these aspects more closely, he would not have been so surprised to discovered the artist was closer to his own age, in her fifties. She in turn had been surprised by his attention, by his carefully written comment in her guest book. She seemed pleased to talk intimately and openly, to tell her story of the work. She didn’t need to do this because it was there in the room to be read. It was apparent; it was not oblique or difficult, but caught the viewer in a questioning loop. Was this estuary location somehow at the core of her longing-centred self?  She had admitted that, working in her home or studio, she would find herself facing westward and into the distance both in place and time?
 
On the following day he made time to write, to look through this artist’s window on a creative engagement with a place he was familiar. The experience of viewing her work had affected him. He was not sure yet whether it was the representation of the place or the artist’s engagement with it. In writing about it he might find out. It seemed so deeply personal. It was perhaps better not to know but to imagine. So he imagined her making the journey, possibly by train, finding a place to stay the night – a cheerful B & B - and cycling early in the morning across the long bridge to her previously chosen spot on the estuary: to catch the first of the tides. He already understood from his own experience how an artist can enter trance-like into an environment, absorb its particularness, respond to the uncertainty of its weather, feel surrounded by its elements and textures, and most of all be governed by the continuous and ever-complex play of light.
 
He knew all about longing for a place. For nearly twenty years a similar longing had grown and all but consumed him: his cottage on a mountain overlooking the sea. It had become a place where he had regularly faced up to his created and invented thoughts, his soon-to-be-music and more recently possible poetry and prose. He had done so in silence and solitude.
 
But now he was experiencing a different longing, a longing born from an intensity of love for a young woman, an intensity that circled him about. Her physical self had become a rich landscape to explore and celebrate in gaze, and stroke and caress. It seemed extraordinary that a single person could hold to herself such a habitat of wonder, a rich geography of desire to know and understand. For so many years his longing was bound to the memory of walking cliff paths and empty beaches, the hypnotic viewing of seascaped horizons and the persistent chaos of the sea and wild weather. But gradually this longing for a coming together of land, sea and sky had migrated to settle on a woman who graced his daily, hourly thoughts; who was able to touch and caress him as rain and wind and sun can act upon the body in ever-changing ways. So when he was apart from her it was with such a longing that he found himself weighed down, filled brimfull.
 
In writing, in attempting to consider longing as a something the creative spirit might address, he felt profoundly grateful to the artist on the light blue bicycle whose her observations and invention had kept open a door he felt was closing on him. She had faced her own longing by bringing it into form, and through form into colour and texture, and then into a very particular play: an arrangement of objects and images for the mind to engage with – or not. He dared to feel an affinity with this artist because, like his own work, it did not seem wholly confident. It contained flaws of a most subtle kind, flaws that lent it a conviction and strength that he warmed to. It had not been massaged into correctness. The images and the textures, the directness of it, flowed through him back and forward just like the tides she had come far to observe on just a single day. He remembered then, when looking closely at the unprotected pieces on the walls, how his hand had moved to just touch its surfaces in exactly the way he would bring his fingers close to the body of the woman he loved so much, adored beyond any poetry, and longed for with all his heart and mind.
Kimberly Dec 2013
Dear reader,

This is not a poem. This is not a letter. This is not really much of anything, for that matter. I hope you'll continue reading because it kind of helps knowing that someone somewhere out there is reading what I'm going to say next. I just hope you, my dear reader can benefit from my story.

It's merely 3.41AM and I am feeling empty. It's not the kind of emptiness that overwhelms you in tsunamis of water, neither is it splashes of water. It just didn't seem to have a place, it wasn't really anywhere, it was kinda just there. Haunting me.

I had just finished my O level examinations, and where I come from, it's one of the most major exams in my life. It determined my future. So like any other schooling teenager in this country, I studied for it. Not just the kind of studying where you listen in class or read the textbook and do your homework. The kind of study where I could go on without sleep for days or taking shot after shot of expresso just to keep myself going or regurgitating word for word an entire essay. All because I knew how important this was to me and my family and my future. Every day of the week was dedicated towards memorizing, every minute of the day was devoted towards practicing, and every second of the minute was committed towards reading. Basically, every millisecond was crucial. And this was something I abided by religiously. But despite my efforts, I was still struggling. I simply couldn't do well. And when you put your heart and soul into something and it just doesn't go how it's supposed to, you get really broken, destroyed. You never know what went wrong and you question many things about yourself and you start running in circles, thinking and digging. The failure I was faced with consumed me with defeatism and self hate. I broke down more often than I should as the days to my exam drew closer, and I grew more anxious and scared. So ******* scared of the future.

Bear with me, please.

Anyway, the week of my exams came quickly. Despite my efforts to slow down time, time had done just the opposite. It was the most painful and suffocating weeks of my life. And although I am one to say that lightly, this easily took the crown. I have never, ever in my life felt this close off the ledge. And there were many times were I have came very close off the ledge. My exams lasted for around 3 weeks, and each morning I had to have at least a triple shot expresso and each night I before I went to sleep, there would be these images and thoughts telling me that I didn't deserved to sleep and I shouldn't even think about it. But when I did catch some sleep, the constant fears in my day had took over my nights. I would always dream about failing the exam, or being late for the exam, or forgetting to bring something to the exam, or killing myself before the exam. It was impossibly horrible and I could actually feel my soul getting depleted by the minute. Like the 'me' in my body was slipping away and there would soon be nothing harboring my body. I often find myself crying to sleep, and waking up in tears. I couldn't stand being so weak and vulnerable, but I felt absolutely defenseless against everything around me. Even the ones that loved me couldn't make me feel human, I felt like I was already dead and my body was still alive. I felt like I was constantly suffocating and nobody could see it. Each day felt so purposeless, ironically. (It being my exams week) Waking up each and every day was draining and having to face my eminent fate was painful. A physical kind of pain where you felt lightheaded and spinning but yet caged and choked. It's hard to describe.

So, it isn't hard to tell that I wasn't in the right state of mind to take my exams. I just dragged myself through those past couple of weeks, doing what I could. Each breath felt labored and each thought in my head wore me down greatly. I broke down frequently before my papers, and there would always be this couple of schoolmates who say things like "You'll do fine, stop worrying." Or "Just do your best. Whatever will be, will be." My parents would even try to tell me to take it easy and "We'll be proud as long as you've tried your best." I know that they mean well. But no, you don't understand. I have worked too ******* long and too ******* hard to watch it all slip away from me just like that. It isn't just some national exam I have to study for, it was my godforsaken passport for the future. All that I have done for this exam, all that I have forsaken, all that I have gone through was for myself. It was the dedication of every ounce of strength that I had so that I could let myself believe that hope existed. And I had just watched it being snatched away from me, right before my own sunken in, swollen eyes. And it hurt like hell knowing that I've tried my best for it, and it is a reflection of what I've worked for. Nobody's going to look at C's and D's and see the reflection of an "overnight mugger", they'll see what comes to mind first: a lazy, complacent teen. And as the saying goes, "The lie, if repeated a hundred times, becomes the truth." All my hard work will be forgotten. And it will be like it never existed before.

Maybe some might think that all this is stupid. All this I go through for one exam, I know many of my schoolmates think that way. But the complex feelings that I experience for this exam isn't just because of my future. My life depends more than it should on this exam because it will prove to me that I am not a failure and I am not as stupid as I think I am. I want to know where my best truly is and where I stand. Because I have never worked for anything in my life but this exam has been the great exception. It was the key driving force of my life, it was what wore me down and spurred me on at the same time. I don't want people to tell me that I am capable and that I am smart, because I will never believe you. I need this exam to show me that I am capable and I am smart. I want to believe it too.

So I lie in bed at 4.17AM now feeling so afraid of the future. And I used to be the kid that depended on the prospect of a better day. I have yet to meet my impending doom, and if you are wondering, I collect my results next year in January. So now, I am lost and alone. And empty.

Thank you if you've read this far, I just hope that you, my dear reader, if you've ever felt useless, or not good enough or you're just hurting, know that you are not alone and there is someone that knows how you feel. I would tell you to be strong, but only you can do that for yourself. Just hang in there.

k.m.
On Raglan Road on an autumn day I met her first and knew
That her dark hair would weave a snare that I might one day rue;
I saw the danger, yet I walked along the enchanted way,
And I said, let grief be a fallen leaf at the dawning of the day.

On Grafton Street in November we tripped lightly along the ledge
Of the deep ravine where can be seen the worth of passion's pledge,
The Queen of Hearts still making tarts and I not making hay -
O I loved too much and by such and such is happiness thrown away.

I gave her gifts of the mind I gave her the secret sign that's known
To the artists who have known the true gods of sound and stone
And word and tint. I did not stint for I gave her poems to say.
With her own name there and her own dark hair like clouds over fields of May

On a quiet street where old ghosts meet I see her walking now
Away from me so hurriedly my reason must allow
That I had wooed not as I should a creature made of clay -
When the angel woos the clay he'd lose his wings at the dawn of day.
Larry Potter Jul 2013
A cumulonimbus caused the gloom that day. It went shedding drops of rain that looked like bead of pearls glittering in the grey autumn sky, vanishing as they plunge on leafless laurel trees and solitary cypresses. He watched them dance to pitter-patter on every umbrella that opened towards the heavens, their colors of rich black calling out to such empathy. Finally, the drops kiss the graze of withered grasses and thirsty dandelions, reviving their foliage and greenness. Slowly, the rainfall collect to become one with soil and mud crawled down to the six feet depression where a coffin was laid. It was white like ivory and carved with elaborate insignias as a token of love and undying memories. Soon, it was all covered with crimson roses that carry the last parting words of the bereaved. The priest waved out his hands above with mournful eyes, lisping his beseeching of earnest favors while spades of loam filled up the burrow. He saw faces of despair around the pit, gasping for reprieve and sympathy. If only the rain could also bring back her life, he implored.

This, in his senses, was belongingness. This, in his heart, was death.

It had been two long weeks since Roxanne’s death and Vincent couldn’t get his feet back on the ground. He still couldn’t believe he had lost her and that their seemingly endless love has flown away from him for all eternity. He’d make believe that this was all just a dream and at some point of this nightmare he would finally be unchained and awakened. Days became niches of shackled memories that kept haunting his love-fletched soul and nights were nothing more than a requiem of lovelorn longings that still linger in his mind. He remembers it all, the feel of her name on his lips, the smell of her hair, and the sound of her laugh. Everything is still as fresh as the dewdrops of June and as vivid as the most cinematic imagery a mortal could immortalize. The ultimate fight of this melodramatic transition was to remain whole when all the strength Vincent has built up begins to crumble by a mere reminiscence of the tragedy that gets freeze-framed from beginning to end over and over again.

It was a rainy Friday evening on the 22nd of May and everyone’s feeling the smell of the weekend rush. Vincent was already at a friend's house party and called Roxanne that he’ll be waiting. Roxanne was driving the Lexus behind a small truck that seemed to plod toward the upcoming red light. She was a few minutes late on her way and watching these two people ahead of her jabber away in that truck was getting her out of her ecstatic  mood. The light turned green, but the truck too slowly moved forward. Roxanne became frustrated as the driver fixated to the right. He visibly gasped at what was just about to come into her view. A brand new grey-blue Chevy Silverado blazed through the opposing stop light to broadside his little truck. Roxanne tried to stop, but her car slid into the Chevy's rear side and went tossing down the highway to an explosion.

All these is what Vincent needs to drown himself to agony. It’s as if Atlas gave up the bearing of the world for him to endure. Wretched and perplexed was he, blaming the world for such a prejudiced conspiracy. How could an angel like Roxanne be bound to such an end? How could an invincible love become vulnerable on the visage of death? But then again, his heart starts to concoct a spell of phantasm, bringing back the most prized memories of him and her together, infiltrating his whole system and gaining power over the bitterness and pain. In this test of sensations, he himself wasn’t sure if this two-edged delusion is a boon or bane. But one thing was becoming clear to him-he cannot be like this for the rest of his life. If this nightmare must be proven real, he must find a way out. Whatever may lie ahead, he must keep going, recreate his own world and be able to break free from the fetters of this mishap that surely promises him nothing but living scars, frustrations and sorrow.

Two years have passed and the town of New Hope has undergone a lot of changes. New coffee shops and cafes run down a block away from the University premise as well as convenient stores and parlors. New establishments stood welcoming and billboards mushroomed the skyway. The streets are crowded with more and more busy people, indicative of a metropolitan evolution of lifestyle. Summer has ended and without a trace, the arid autumn and the frigid winter fluttered to oblivion.

The same is true for New Hope University which, in its current enrollment period, has its student population increased by two thousand. The institute’s remarkable performance rating in board examinations and national competitions attracted other towns to invest their education to the latter. It was nearly the start of class and everyone is busy catching up the enrollment pace. But not Vincent, who, in the first day of inception has already completed the enrollment process. He was ecstatic, more of curious how his life as a senior student could turn into this academic year. He met faces of different kinds-some familiar and some entirely strangers. Those he doesn’t recognize would just pause and pay a smile while others he knew jsut pass by and make him feel invisible. On a ledge in front of his course department’s office he sat. He in himself was New Hope town in human transfiguration- braver, brighter and better. He looked from afar, with eyes playing on the nimble of heads and shoulders of people passing through the corridor. He drenched himself to an illusion of how each head turns toward him with a infectious smile, that once in a while, happiness is sought even in the gallows of solitude. Solitude-it wasn’t a strange name to him anymore. It never was. He was entangled with it on that day the sickles of death took his love away. Somehow, through the passage of time, the wound that was scourged deep in his heart has mended and the thought of being alone became amusing that he has managed to laugh about it over the seasons. He is more human now, away from the devious portal of his mundane imagining.

The daydream was shattered when out of the blue a silhouette of a familiar figure took the stage. She was elegantly tall, with hair of pure ebony lolling on her shoulders. Each step enraptures, and each gentle sway of a hand is a compelling rhythm. She draws closer to where he was and he's left slack jawed. She entered the office and he was back to his senses. Maybe not. What he beheld was something farfetched, something that he cannot comprehend. Vincent saw it all coming back to him. A remnant of his long buried love has come to life. It was Roxanne and it is more certain than breathing. He couldn’t explain what he felt. It was a maelstrom of joy and surprise, of hope and fear. It was the face he yearned to see, so long that the yearning turned to hate and despair. But now that it came to pass, his humanity fell apart. Although he is a mere victim of his own circumstances, the serendipity took a shot straight to his heart and there is nothing he could do about it.

Perhaps there is, and he is now pretty preoccupied. He wanted to know her. He must unknot this puzzle that has challenged his whole conviction. He must find every answer and throw all of its questions behind. Whatever there is that the road has in store for him is not essential anymore. He couldn’t care less to fathom this enigma and once more, find something worth living. But now that he is hanging in midair, he planned to fall back. He jumped out of the ledge and headed out the campus, afraid that she might be at sight and all the strength in him shall subside. He was up all night, thinking of how he could get a chance to meet and talk to her. He had thoughts of crafting schemes, devising methods and inventing tricks.

And nothing of it worked.

The first day of class commenced. New Hope University is buzzing with ecstatic students. Vincent giggled with utmost excitement, carelessly bumping shoulders and brushing elbows with other students in the corridors.  He molested his tattered COR and skimmed for his first class. It is in room 101 scheduled 9:00. He reviewed through the digital clock and he hurried as it ticked to 8:58. Luckily, he is safe from prime tardiness, though he seemed to be the last comer. He seated at the back, knowing that after thirty minutes, he’d helplessly succumb to napping since it is his favorite subject-English 8, Technical Writing.

And so she happened.

It was her, Roxanne’s doppelganger who broke the charts. She was 15 minutes late and unforgivably beautiful with her sequined tee and skinny jeans. She realized what she has gotten into and apologized with the kindest gesture. The professor gave her a hand and led her to the seat beside Vincent. She felt awkward. He was worse. They both sat like lifeless puppets with the puppeteer gone until she broke the silence.

“I’m Katherine,” she muttered. “Katherine Evans, glad to be your block mate”. She took it off with a smile that sent Vincent to hyperventilation. He couldn’t shake her hands. They’re already shaking with butterflies. The poor guy mounted his strength. He could not afford to lose the chance. “Vincent, Vincent Smith”. That was all and a nod. It was rare for Vincent to survive the thirty-minute nap attack but he did this time, although the victory seemed unnoticed. They enjoyed the remaining hour sharing thoughts and ideas with Vincent succeeding in all his attempts to stint his best jokes. He has come to know who she is at the basics-a transferee from Dakota University, a cheerleader and an adventurist. He also looks forward to know more about her in the days to come- hoping that she likes cheese, watching live wrestling fights and attending Sunday mass.

Perhaps she doesn't.

Two weeks was enough a time for the two of them to get closer to each other. They were both open to let the affinity they share to grow and blossom. It was very apparent that the two knew where their relationship is going and they both seemed ready for it.

Months have passed and the two were no more than couples. But Vincent was too overwhelmed of what he had let enter his life. Katherine is no Roxanne. She doesn’t like cheese, wrestling or Sunday masses. She was more self-driven, conceited and unwelcoming. Sooner he realized that he isn’t in love with Katherine, nor will he ever be. He just created his Utopia by painting Roxanne’s memories on Katherine’s facade. He believed to have loved again and he believed in vain.

It was a candlelight dinner at Katherine's and it was all set. She suggested it herself. She would always do this, steering their affair on a one man tag and turning the tides whichever she likes it to be. She seemed obsessed about Vincent, about their friendship, about their bond. This was her biggest mistake: to let Vincent get drowned in her self-consumed devotion.

Vincent is on his way. To break her heart.

When he came, Katherine pranced in glee. She presented the menu. And the drinks too. She was on the midst of telling Vincent her summer getaway plans when he told her to stop and listen. He undid it to her gently by taking all the blames, that it was his butter fingered actions which led them both bruised and bleeding. It was a self-defeating battle preordained by the gods. A tear fell down from Katherine’s eyes, and she didn’t want to show him more. She fled her way out the dining room with a tormented soul, like Aphrodite torn by Adonis, and hurried to her room with the banging of the door. Vincent was left with only the deafening silence, keeping his severed heart together.

As he sat out there slowly losing substance, he began to notice a set of picture frames that showed two happy faces, one of them Vincent was able to recognize in just a matter of seconds. But what puzzled him most is the picture's relevance to Katherine. He thought of a reason to make his way out the riddle. He looked closer to the girl beside Roxanne and found a spot of mole that was identical to Katherine's.

Vincent stumbled to a discovery he wished he had never known.

On the night Roxanne met death, she was not alone. She was with company. The girl that happened to live is Vicky Duran, Roxanne’s best friend. She was secretly in love with Vincent. And she was prepared to change her entire life for a streak of a chance that she’ll have what she was living for.

And she almost succeeded.

Vincent, still staggered on how things turned out insane, went to Roxanne’s grave. He shattered from an implosion of mixed emotions and he cried out like a child who lost his treasured toy. He curled on the ground with so much pain and bearing contained inside him. He called out Roxanne’s name with pure longing, bringing back his old self and his memories of that grey autumn, of that unwanted Friday that took her life away.

Footsteps cracked from the ground and Vincent ceased his outburst of melancholy.

“Let me end your misery,” a trembling voice came from behind him. It was Vicky, whose face is neither Roxanne’s nor Katherine’s. It was a face of a hopeless woman, wretched and determined for something. She was wearing rugged clothes and she held a gun on her hand. To Vicky, living is no different from death. She has now understood why the very person she loves has turned away from her when she gave all that she never was. But the realization priced too much of her reality that she cannot anymore take back. She decided to **** him and then take her own life.

She pointed the gun towards Vincent. He jumped at her to take the gun away. They grappled on the ground, the weapon still on Vicky’s hands. Vincent managed to overpower her but she kicked him, tumbling back to the gravestone. A shot was heard from afar with a man’s cry.

It rained that day. Brown withered leaves of tall laurels hovered with the wind while branches of solitary Cypresses dance to every whirl. The breeze whispered to the clouds of grey, a mark of autumn’s return. Vincent crawled to Roxanne's grave. It was a weeping of a true love that echoed away. Raindrops keep descending from the heavens, washing away the blood that kept flowing to the ground of mud.  Perhaps, on the last moments of his life he found happiness, even from a love that was never his to keep.

 

- by Larry Potter
Adam Childs Dec 2014
Feathers glimmer and shine
As though covered in fish oil
I lubricate the brain
As I slip through the sky
With a frictionless flicker
My lightening wings
Brain waves rapidly fluctuate
Perfect balance held
Between left and right
Each wing a hemisphere
As they beat and beat
Accelerating into hyper speed
80 to a hundred or more
Beats per second

As though injected
With a sonic speed
Synapses bursting and exploding
Exponentially connecting
Blistering wing speed
I become electric
My circuits exploring
Rippling and flickering through paper
My brain comes alive
Flashing multicolored lights
Like the cities nights

But still spaces collect around me
As I am buffered from the world
Perfectly still though standing
On an invisible ledge
I hold my mind in place
While I hum in space
Head down I drop my beak
Into a funnel of concentration
As I tunnel into trumpets
Penetrating deep I flower  
In new knowledge

Polar aspects of mind
Released through coherent communication
Set free with coordination
I seek to marry chalk and cheese
As I hold the balance
Between two worlds
Flashing synapses firing
And combusting
Against pointed concentration
My mind juggles two *****
Expanding into their fullness
Expressing vibrant color

My slippery slender beak
Slips and slides in
As I flutter through pages
I discover new unexpected surprises
Problems solved, Startling adventures
And puzzles completed
I find the sugary syrup
The delicate delicious sweet spot
With the thrill of falling domino's
Spilling and cascading
Many ripples fanning out
Through my mind  
I find freedom

Each ripple massaging my mind
I am catapulted into outer space
I dance from fact to golden fact  
As I am propelled forward on stardust
My momentum shoots me forward
I bounce and bounce
My mind becoming unbounded  
I enjoy this great Hummingbird delight
Overthinking is toxic
A torturous endeavor
To find all the pieces
That will solve the puzzle.

"What's wrong with you?"
I try to control my thoughts
Talk myself off the ledge
Convince myself it's unreasonable.

It's not rationale
Not based in facts
Because the facts are missing
Gaps in a story not communicated.

What cures overthinking?
Communication
Transparency
Honesty
Trust.

"What's wrong with me?"
Nothing.
I am simply searching
for the puzzle pieces
that you have decided to hide.
Asphyxiophilia Jul 2013
It's 3 am and you're restless again. Your thoughts wander briskly through the fields of memories of him and you find yourself picking each one and holding it delicately in your palm. The lights from the streetlamps outside your window peek through the blinds and illuminate synthetic stars onto your ceiling which you count like each kiss he ever placed on your cheek. Your legs are wrapped up in your sheets like the way they used to tangle around his ankles every evening. You roll onto your side and attempt to close your eyes once more, calling out to a peaceful slumber that has been evading you for weeks when suddenly, you hear a whistle in the distance. You open your eyes again to see the stars growing into spotlights that threaten to swallow you like black holes, but without the mystery. You immediately grab your wrists out of fear that you unconsciously took a blade to them but you are greeted by scars that have been forming for approximately three years (and eleven months). Your heart threatens to pound its fist through your chest as you slowly turn to see what the source of the light is. Just as your shoulders align with your mattress, a man steps from what appears to be a train engine and greets you with a nod of his head.
"Good evening, sleeping beauty," he begins sweetly, "I have come to extend an invitation to the night train."
You bring your hands to your eyes and attempt to wipe the hallucination away from your vision but when you open them again, you see the man gazing intently.
"It is my understanding that this is your first meeting with the night train," he states as he waits for you to supply an answer.
You nod your head.
"Well, my dear, the night train is here to offer a sweet elixir to cure this sleepless evening. You see, the night train's purpose is to supply the recipient ("that's you," he says behind his hand) exactly twenty minutes of time spent anywhere of their choosing. And then, once the time is up, the recipient must board the train once more, and will be met with approximately eight hours of uninterrupted slumber." He pauses as an assurance that you are following along, so you nod your head slightly. "However, the catch, you see, is that if the recipient does not board the train at the end of the twenty minutes, they will find themselves trapped in a restless oblivion with the promise of never again finding the comfort of sleep." A slight smile tugs at his lips as he tilts his head out of sympathy. "This may not seem to be much of a threat considering you are currently wrapped up tightly in your bed, but I assure you it will be tempting to remain within the place of your choosing, despite the whistle of the night train."
Unsure of what else to do, you nod your head once more.
"Alas, now we must be on our way, because the countdown begins in exactly three minutes! So I urge you to think quickly of where you would like to be taken!"
As though the train has suddenly run into your chest, the meaning of the opportunity that has been placed in front of you knocks the wind out of you. Before the conductor even finished his sentence, you knew exactly where you wanted to go, so you swing your legs to the side of the bed and push yourself upright.
"I would like to be taken to July 13th at precisely 2:32 in the morning," you say quickly as you flatten your restless hair to your head and straighten the t-shirt you are wearing.
"Very well, very well. Now board the train, my dear. And we'll be off to the morning of July 13th, but I urge you not to forget your time limit of twenty minutes!" He places his hand on your back and ushers you into the train, guiding you to a red velvet seat lined with golden stitching. Once you are comfortable, he disappears into the cabin and blows the whistle before pulling out of the station that is your bedroom.
With no warning at all, you feel a tightening in the pit of your stomach and before you even have time to clench, you are sitting on a rooftop overlooking a vibrant city.
"I just don't know anymore. It's like- It's like everything I once knew has been flipped upside-down and I'm just expected to be okay with it. But I'm not."
You blink a few times in an effort to adjust to the sudden deja-vu that causes your head to swim in the memory of an evening you have constantly waded in.
He is sitting with one leg tucked beneath him and the other dangling over the edge, as though even his limbs can't decide whether they want to take the fatal plunge or not. His hair was always absent of color, the kind of black that made you question the material of the universe because even the night sky couldn't compare to the degree of darkness; but it seemed to be doing just that as it laid haphazardly across his pale forehead. His bony fingers are clutching a nearly empty bottle of gin which he brings to his lips between sentences. He continues speaking as though you didn't just appear out of thin air beside him.
"My mum doesn't even pretend to understand anymore. I've heard her mention boarding school at least three times this week, despite my constant refusal to even speak of it. She knows the walls in the apartment are paper thin, so I know she brings it up because she knows I can hear it. But I don't want to hear it."
You notice the vacant look in his eyes as he stares into the horizon, like a hotel room that has been emptied of every belonging, including the light bulbs. He uses his free hand to adjust the collar of his leather jacket before taking another swig of the gin.
"I just can't stay there anymore, and she knows that. Deep down, she knows I can't stay there now that he's gone. I just can't."
His voice is as hollow as his chest as he uses his tongue to wet his lips before turning his head slightly to look at you.
"I wish you could come with me, I really do. It would be quite the adventure, the kind that we used to dream of having. But I can only afford one ticket out of town."
He places the bottle on the ledge, dangerously close to the edge, before resting his sweaty palm on your exposed thigh. His eyes travel from your legs to your forehead, and he leans forward to place a kiss on it, but he misses and falls into your lips. Just like before, your hands land on either side of his face, catching him before he falls completely, and you suddenly find yourself exploring the warm cavern of his vulnerability. His tongue swirls around your own and you taste the bite of the alcohol on his breath but this is the moment you have always craved so you soak up every bit of it. He pulls away just as your heart starts to tremble, and he wipes his mouth with his sleeve before picking the bottle up again and stealing a drink.
"I wish you could come with me," he says again, his eyes now focused on the street below. "But I fear I can only afford one ticket out of town."
Just then, you hear a whistle, but the timing isn't right. This is the moment you would have died to change, and now you've been given a second opportunity, but you can feel it slipping away.
You lean towards him, softly placing your hand on his arm.
"Come with me. We can go anywhere in the world that you please, and I promise it'll be better than here or there if we're together. Because I can't go where you're going, because I can't pay that price, but I want to go away with you, I do."
You search his empty expression, hoping to grab some string of familiarity that you can use to pull him back to reality, but his eyes are locked on the parallel lines beneath.
The whistle grows louder, this time stinging your eardrums, and you know that your time is running short, but you can't let him go.
"You don't have to go back to your apartment, you don't have to go back to your mum. We can runaway tonight, together. You and me, just the way it was always meant to be."
Your voice is shaking and desperate, getting louder with each word that you speak as the whistle blows from behind you, threatening to leave.
Just then, a hand falls upon your shoulder, and for a second you allow yourself to glance over, and it is in that second that the body before you tips over the rooftop's edge. Your heart falls like a weight in your stomach, just like on the evening this event first occurred, anchoring you to the cement and preventing you from going after him. The conductor who now stands behind you grabs your torso and pulls you backwards as you scream his name into the night sky. You kick against his hold as he drags you back onto the train and into the velvet seat again.
This time, you were unable to hear his body land on the pavement.
This time, you weren't able to look down and see his hands lying ten feet away from the rest of his body.
This time, you didn't get to perch on the edge and contemplate for hours joining him.
This time, you couldn't blame yourself for being speechless, for letting him be the star of his shining moment, because you attempted to be his Juliet.
You didn't realize you were still screaming until the conductor grabbed your shoulders with his hands and shook you quickly.
"Quiet my dear, I fear it is time to go. And I was unwilling to allow you to remain any longer, but I fear you will only be receiving six hours of peaceful slumber."
You look at him sternly, unsure how he can continue to speak of this ****** night train and its guidelines after you just watched the love of your life commit suicide for the second time.
You take a deep breath before speaking, "I don't understand the point of this, why bring me here if I couldn't change anything? Why allow me to relive this if it didn't make a difference?"
He smiles sympathetically before beginning, "oh but it did. You see, for three and a half years you have been tossing and turning, wondering what you would have done differently and if you would have been able to change it. But you see, the past isn't something that can be changed. It can only be relived again and again within the minds of those who continue to contain it, and the pain of the past and the memories that come along with it will feel just as real as the day they happened if you continue to dwell on them. Eventually you will see that tonight made a significant difference, because you were finally able to recreate the scenario that you always dreamed."
Your mind is running at a faster speed than the train as it makes its way back to your bedroom, and you can't seem to comprehend what the conductor is saying.
"So you're telling me that the whole reason behind this was to show me that he was going to die whether or not I tried to convince him otherwise?"
He places a gentle hand on your shaking shoulder and replies, "the reason behind this was to allow you to finally put the past behind you and grant yourself the pleasure of peaceful slumber. Because you see, my dear, there is no such thing as the night train. It is merely a figment of your imagination. Deep inside you, you realize that nothing you said could have changed that night, but you needed to dream another possibility in order to believe it. Now believe it."
"But I-" you begin to speak but in the blink of an eye, you're suddenly sitting on the side of your bed, your shoulders no longer shaking. You blink again, trying to make sense of everything. You bring your hands to your face and feel your cheeks, reassuring yourself that you still exist. You look around once more, noticing the stars upon your ceiling twinkling as though they are winking at you like the conductor of a mysterious night train. But you realize that you are in your bedroom, in your t-shirt, as though you never moved beyond that point. And you find that you're unsure whether it was all a dream, or whether you really did go for a ride on a night train, but you decide to lie back down and attempt to sleep anyways.
And six hours later, you find yourself awaking from a very peaceful slumber.
It was a dark and stormy night the wind tasted of emptyness of the midnight hour.
The man was broken as he viewed the ledge and as he stepped out apon it he seemed more lost than
Elton John in a ***** house.

******* stupid *****!
He threw the picture into the night as it made it's way to the dark waters below.
Then taking a  deep chug from the bottle he began to fling the bottle as the picture befor.

****** man hold on!
the man shocked almost fell he thought he was alone.
Who the **** are you!

The stange looking man who sat apon the ledge and smelled of
week long ****** and a stripper or two.
Look man dont try to stop me im jumping and that's it.

Hey amigo I dont give a **** if ya jump but if your gonna jump and  toss a bottle at least make sure it's empty ******* duh theres wino's all over the world and one right next to ya that
right now are dying for a drink.

The man like most people in the pressense of Gonzo looked at me with strange mix of
aww and **** my life that they all seem to share.
Im gonna jump and all you care about is the ******* bottle!
My good man im hurt besides ya gotta wallet to duh not like your gonna need it
besides someone has to notify the cops besides I might get a reward I always wanted to get on a show besides cops.

What?
The man said puzzled im guessing being he didnt follow  so easily he must be Canadian.
Okay okay you got me I was also on Locked Up  okay and Americas Most Wanted and maybe To Catch A Perdator that Chris Hanson what a ***** tease.

Look ****** get the **** away from me here's the ******* bottle as for my wallet here ya go but my ***** cheating ***** of a wife beat ya to the money.
So your wifes a ***** and you still have to pay sir I belive your suffering from dellusion
here have a drink with me.

The man was far worse than I thought not only a Canadian he seemed to be suffering from some mental issues Jesus was it fate that a rational man as I would be hanging out okay passed out on this very same bridge.
******* batman  cause Gonz was on the job and I wasnt gonna blow this one like
last time not that I go around blowing things.
Besides remember kids a ***** charges me I give it away now if they offer to pay
thats a diffrent story.

But enough with the foreplay hampsters.

I sat drank and listend to the mans story.
How he fell in love with this strange women who took his money and was a total ****.
Hmm wonder what she'll be up to after this annoying ***** jumps?

And when I caught her with my best friend that was the final straw.
Its all over **** life !.
So did you get this all on camera?
What !!!
Why would I do that?
Idk hell man  just thought it'd be fun to watch I mean who doeant like drinking and watching ****?
I know the Hello staff  seems to keep things running great on it.

You are are ******* mental you know that?
Maybe but im not the one wasting ***** with a kickass ****** living at home
sure ya gotta pay but dude your getting free shows its like living in Germany
sure kinda ***** but hey beats writting perverted things that no one reads on a website that
died years ago and no one wants you on much like there ******* daughter.

You sick ***** you want my life so much you can have it!!
The man shouted in his outside voice once is okay when outside but if we were inside
id really be ******.

Just have my life you demmented *******.
Really sir you just made me happier than that talentless **** Russel Brand after escaping
the clutches of the preaching hottie drag queen Katy Perry.
Im kidding she's great to watch with the sound off.

The man looked puzzled again I swear im begining to think he might have lied .
Cause he seemed  more from a third world country like  Indiana.
Hey where the hell do you think your going!?

Hey wheres my.
The man fumbled through his pockets .
Looking for these I asked holding up a pair of keys.
Hey bring thoose back right now !

Amigo sure I could  hang around here listen to ya **** and moan.
But hey you said i could have your life.
And being you wanna play man on a ledge I figure why the **** not.

You see what's one guys ***** rotten cheating ***** of a wife is another guys
kick **** party to go so later.
Wait stop please Im not gonna jump  she's a ***** but I love her .
And the thought of your demmented *** living in my house  ***** it life's not that bad please
I want my life back.

My friend ya see thats all I wanted to hear.
I tossed the keys in one of thoose corney *** movie moments that guys go to just to make the laidies happy and in the hope they'll get laid.

The keys flew through air  the man put his hand in the air tears in eye's
so happy he totally forgot he was still standing on the ledge.
And he screamed like a school girl as he fell to his death it was a twisted scene oh well.

I had no time to reflect cause i was off like a madman with a date with a ***** little hampster
Hey someone had to console this woman and who better than the person who spent those last
hours with him.
And was kinda responssible for his deatn but hey whats in the details.

Untill next time hampsters you stay crazy.
And remember when all hope is lost learn to hotwire a car and get the **** outta there.
Thanks for the important life skills grandpa.

Adios.

Gonzo has left the site.
BAM Oct 2011
I know I’ve said erasing it
                Is not facing it
And that to face something takes bravery
Well, I’m done crying
And I’m sick of waiting
For something that will never happen

I’m sorry I missed you
And that I fell for
                “unconditional” love provided
Through thick and thin
Until the final spin
When you split

Slowly but surely
                You erased the happiness
The love we had
For one another
Slide it under the cover
To be buried with me

Now, it’s my turn
Never thought it'd come to this
                So much for learning to trust
Instead ill learn to erase
And delete every last place
I secretly hold you in

I faced it
                And I took the beating hard
While he ran
And left me standing
On a ledge looking up, praying
For answers

I’m done hurting
Done with thinking you won’t leave
                That you couldn’t have left
So I’m going to block you
From my memories for a new
Day that I will get through
OPPOSITE my chamber window,
On the sunny roof, at play,
High above the city's tumult,
Flocks of doves sit day by day.
Shining necks and snowy bosoms,
Little rosy, tripping feet,
Twinkling eyes and fluttering wings,
Cooing voices, low and sweet,-

Graceful games and friendly meetings,
Do I daily watch and see.
For these happy little neighbors
Always seem at peace to be.
On my window-ledge, to lure them,
Crumbs of bread I often strew,
And, behind the curtain hiding,
Watch them flutter to and fro.

Soon they cease to fear the giver,
Quick are they to feel my love,
And my alms are freely taken
By the shyest little dove.
In soft flight, they circle downward,
Peep in through the window-pane;
Stretch their gleaming necks to greet me,
Peck and coo, and come again.

Faithful little friends and neighbors,
For no wintry wind or rain,
Household cares or airy pastimes,
Can my loving birds restrain.
Other friends forget, or linger,
But each day I surely know
That my doves will come and leave here
Little footprints in the snow.

So, they teach me the sweet lesson,
That the humblest may give
Help and hope, and in so doing,
Learn the truth by which we live;
For the heart that freely scatters
Simple charities and loves,
Lures home content, and joy, and peace,
Like a soft-winged flock of doves.
2 condemned males serving life sentences in top-security prison inmates separated by wall and steel cell bars

INMATE 1 (burps loud coarse voice) i have this fantasy of being a hunted outlaw taking my 3 guns and ******* Ford truck driving north south east west robbing convenience stores bars banks people sharp-shooting car thieving running until my time is up like the old west firing pistols wearing a Stetson hat drunk smart-*** talking hanging with ***** bar girls forget about eating just burning a trail (holds metal reflective scrap in hand attempting to catch glimpses of inmate 2)

INMATE 2 (sits cross-legged on floor with palms up resting on knees) too many people are hurting and getting killed right now i imagine if there is a god i’ll bet he or she or it feels weary disappointed disgusted by human kind’s destructive nature

INMATE 1 so what

INMATE 2 i don’t know about you but i miss women their point of view play friendship tenderness nurturing intimacy physical beauty i long for love belonging a woman’s touch her attendance passion the hinge of her thighs licking ******* ****** crave its warm wetness taste smell texture even tongue dipping into **** in a way i’m a total gynephiliac or philogynist

INMATE 1 filojinist huh what are you a professor you ***** son-of-a ***** where did you learn to talk like that tell me professor ever **** on a perfect *****

INMATE 2 most women have some desirability i’ve known many but yeah there was one in particular i remember she was a beaut bulging pelvic bone cute floppy lips eager **** tangy gamey sweet salty flavor just the right amount of furriness lust response flow she’d reach for my ******* and i’d just keep working her getting her hotter taste her ***** taste her *** i was addicted to that woman’s ****** even though she treated me like trash perhaps it was simply an oral fixation or some subliminal need i don’t know our relationship lasted way longer then it should have guess i was kind of drunk on her downstairs

INMATE 1 i never was much of a cooch muncher (flexes arm muscles opens tightens fist) women are cows they give off too many odors plus they always want mommy control no matter how much or what you give them they always want more

INMATE 2 you don’t get it do you the connection between the moon oceans great mother earth fragrance of dirt aroma of rain female beauty you’re a misogynist gynophobe possibly misanthrope

INMATE 1 you use too many big words ******* i hear some women is like how you described yourself some women gets drunk on johnson and nuts

INMATE 2 what are you talking about

INMATE 1 i want to get hooked up with a ***** like that a ***** who’ll lick and **** my johnson and nuts all day long (hand goes to crotch squeezes)

INMATE 2 yes me too maybe we ought to ask ourselves why escapism into ****** fantasy and release is so profoundly vital to our existences

INMATE 1 what

INMATE 2 life sentence means no motive for rehabilitation no hope for redemption how much money does it cost to maintain each prisoner who pays the bills why keep us alive does society honestly believe we pace our confines haunted in regret yearning for inner salvation

INMATE 1 you think they should **** us

INMATE 2 i question the entire punitive system did you ever read Michel Foucault’s Punishment and Discipline the beginning will make you squirm or Franz  Kafka’s In The Penal Colony that horrific carving apparatus

INMATE 1 uuhhh what the **** are you talking about

INMATE 2 i don’t know i don’t understand why i’m locked up in here

INMATE 1 (runs fingers through hair) what crimes did they convict you of

INMATE 2 i tried killing myself so many times they put me on death row i should be free to roam or at worst case scenario sedated in an insane asylum instead they accused me of being a danger to myself and society they said i could injure other people while attempting to destroy myself i drove off a 6-story garage ledge onto a public street below

INMATE 1 is that why you’re in here you silly *** ***** driving off a 6-story garage ledge onto a public street below ain’t no crime hell just reckless driving

INMATE 2 the courts are ******* up judges think they’re celebrities silver-tongued thieving lawyers twist the truth the whole system is corrupted by bribes cover-ups secret deals concealed schemes personal gain collusion fear

INMATE 1 as for me i tortured ***** killed lots of people men women children you want to hear some tantalizing details like the time i ***** killed a mother and her 2 young daughters cut out their warm hearts and ate

INMATE 2 (interrupts) stop you sick animal please stop

INMATE 1 yeah you got a problem with that

INMATE 2 i couldn’t live with myself doing what you did i get skittish at the sight of blood

INMATE 1 you pathetic lightweight i want to stick my johnson up your tight hairy *** so bad (sniffs finger) i want to hear you squeal like a little girl

INMATE 2 sorry to disappoint you but i’ve got hemorrhoids

INMATE 1 French ticklers hell they just make ******* a more interesting sensation

INMATE 2 this is the rudest most repulsive conversation

INMATE 1 what you think you’re better than me just because you’re educated (finger picks nose flicks ****** at wall speckled with many ****** flicks)

INMATE 2 i didn’t say that perhaps morally more reserved why did you torture **** **** people

INMATE 1 it was fun made me feel powerful having control over another person’s existence hey i didn’t ask to be born blame it on my mom people are so ******* up life is a joke i was just trying to help rid the world of all its vermin

INMATE 2 there was a time when i would have considered you psychopathic but in this chaotic shifting flipped out world where reality mirrors fiction and when civilization is insanely vicious fraught with violence guns firing fires exploding extremism prevails criminals scoundrels lunatics govern gang lords rule the streets your murderous vices may serve as grounds for exoneration provided you conduct yourself intelligently you may qualify yourself as an ordinary survivor or possibly even reputable citizen

INMATE 1 what? you’re reasoning i’m normal maybe innocent you’re my main man tell me why you want to destroy yourself so bad

INMATE 2 i think human kind is a curse we annihilate everything and don’t seem to learn change instead we get worse our busy selfishness is a betrayal against earth all the creatures a betrayal against god as a kid the betrayal i felt i knew i could not reveal because it would be a deeper betrayal the neglect and punishment i endured i knew i could not make known because it would only add to the betrayal the rage i felt listening to lies i knew i could not challenge a million lies i did not know how to confront the frustration i now suffer pains me as long as i can remember in my mind i’ve always felt like a prisoner alone in a room no one is coming this twisted despair inside the body of person with suicidal tendencies found guilty sentenced to life incarceration in maximum-security prison doesn’t that sound like a double conviction

INMATE 1 wow interesting ok professor you’re putting me to sleep chat with you later

INMATE 2 you really ought to learn yoga

INMATE 1 voga? what’s that for

INMATE 2 an inner journey a light when other lights go out a way to stay grounded when gravity fails

INMATE 1 sounds like just another jail cell
Jordan Rowan Nov 2015
The time temple drags along a mirrors edge
It breaks itself on the window ledge
I came undone as you came to my door
The movement bleeds out to the street
Like a dancing child on tiny feet
My young belief says to follow you once more

**** me, brother, **** me now
**** me, brother, strike me down
I can't go on without her anyhow

The distance starts where the love began
A simple touch of her simple hand
Tear down these walls please, for me
It's been too long and I'm strung out now
Either come to me or throw me out
Just let me know so I can finally breathe
Where Shelter Aug 2018
my second fight today with god

the first involves gods correctable errors of judgement

the second,
am asked to deliver a eulogy for someone
I never met and no is not in the range of acceptable answers

alone and misperceived as forsaken, despite calls and poems
glorious and galore, I was slow to realize, now fast,
was I meant to be
her here,
where shelter,
the first, will always now be
too late

you break off pieces for the needy, forlorn,
the ones you might of loved, it’s costly for
both the giver and the forgiven, but I am the unforgiven in giver,
a redeemer failure, the question mark and the short dotted flat line,
uniquely marked human,
the Cain marker forehead now forever a
carved minus sign, meaning I am lessened, lesser and
insufficient was

read out loud, an old soft tender, inspired by hers,
a missive sweetness tinged with affection, writ by a human savior who did not
do a good enough job, nonetheless,
everyone slaps my back later saying beautiful bespoke,
and when you going home, stay a few days, she’d appreciate

a thank you smile but can’t, though the dead will follow you,
that goes unsaid, but you will know
grander grief yet, as guilt continue-us,
and the tune playing non-stop stop isn’t yours,
but you spoke it  to her once as a justification explanation,

it was true but a nile river-red-colored plague
that added to her dissatisfaction, come disastrous for one  
who didn’t ever get to leave egypt

guess i’m admitting its my fault
not gods;
so I let the  ******* off the hook on this one,
but I’ll get even I swear, it/he, nah,
SOB
just laughs,
but this will be one of life’s allusions
I will recall and wonder when will that tune cease,
but get no answer from nobody


that tune?

<>

Go 'way from my window
Leave at your own chosen speed
I'm not the one you want, babe
I'm not the one you need
You say you're lookin' for someone
Who's never weak but always strong
To protect you an' defend you
Whether you are right or wrong
Someone to open each and every door
But it ain't me, babe
No, no, no, it ain't me babe
It ain't me you're lookin' for, babe

Go lightly from the ledge, babe
Go lightly on the ground
I'm not the one you want, babe
I will only let you down
You say you're lookin' for someone
Who will promise never to part
Someone to close his eyes for you
Someone to close his heart
Someone who will die for you an' more
But it ain't me, babe
No, no, no, it ain't me babe
It ain't me you're lookin' for, babe

Go melt back in the night
Everything inside is made of stone
There's nothing in here moving
An' anyway I'm not alone
You say you're looking for someone
Who'll pick you up each time you fall
To gather flowers constantly
An' to come each time you call
A lover for your life an' nothing more
But it ain't me, babe
No, no, no, it ain't me, babe
It ain't me you're lookin' for, babe


by Bob Dylan
farewell babe

12:48 pm a blustery Saturday
His car engine hummed as he sit,
Headlights shining through the dark onto the stone step.
Music softly bumps the night as she descends the doorway.
Curly full brown hair.
Bright green eyes.
Pink sweatpants and a flirty bathing suit top.
He had never tamed one of these before.
Usually he finds cute neon haired creatures
With drug habits and back stories.
This girl goes to bars.
She's had two kids.
She knows what she wants,
Tonight it's him.

They Park before the covered bridge.
Sit on rock by the water.
Full moon beams down and brightens the night
She speak of how the full moon
Makes the old folks at the nursing home go Zombie horde.
Wrinkled outstretched bone sacks moaning and crying.
He speak of how their jobs complete opposite.
She helps old ladies, and he cons them into
Buying vitamins they don't need.
He notes how before they even met
She was already fixing his mistakes.

Splashes and giggles are heard across the way.
They follow the sounds of adventure barefoot.
Stumble upon two lovebirds and a rope swing.

The lovebirds call at them.
"Join us!"

Various hunks of withered rope are tied off
Macgyver'd in ways that look dangerous.
There no platform or solid ground to stand on.
The girl confused as to how exactly one could use this thing.
She tries
She goes swinging right for the tree.

The boy stands on the sandy ledge and cringes.
Taking in all his surroundings.
Rope swinging, he notes,
Is not something he'd be good at.

Splash

The lovebirds heckle and cheer as he stand there
Realizing it appears like he's going to jump.
The girl, rises from the lake clumsily
She drenched beautiful disaster.
"That was terrifying"

The boy steps back from the ledge.
"I don't think I'm physically capable of doing that."
He embarrassed.
The lovebirds laugh at him as they leave.
"I feel bad for the guy" they say.

"They were kind of bullies" The girl says about the lovebirds.
"You think so? I like them." Says the boy.

They pack the sandy clothes into the car.
Head back to stone step.
Girl invites boy inside.
They lay on mattress
Watch "Orange is the new black."
A dog sleeps between them.

They pet the dog together
Occasionally brushing fingers.
Awkward fumbling shyness
She'd never had a geek before.
He's the first one to sit here like this
Usually she's already being objectified.
He cared enough to talk.
She never realized how impatient she was.

She changes into pajamas.
He doesn't get the hint.
She gets up and lights candles.
He still doesn't get the hint.
She turns her back to him
The boy sets an alarm for 5:00am on his phone.
He has work at 7:45
He puts an arm around her.
She is comfortable.
She is waiting.
He's too respectful
The boy is happy to finally have found a girl he can wake up next too.
He's so happy that he never falls asleep

The alarm goes off and the boy says goodbye.
He finally kisses her.
He thought it was a goodbye kiss.
She had other plans.
Soft hands slip down and undo the boys belt.
Finally, the boy understands.
He moves on top of her.
"Do you have... uhh.." the girls hands make an awkward balloon gesture.
"N-not with me... I have some in the car, should I grab one? or just leave?"
The girl looks desperately at the boy.
"Go grab one."
"Right!"
He steps into the unfamiliar kitchen and starts walking down the staircase to his car.
"This is uncomfortably awkward" he says
Grabbing the Trusty Square Artifact.
Return upstairs
They kiss again.
She starts to remove clothes.
He unwrap the good decision.
Suddenly they hear screaming on the T.V.
"NO! STOP! Stop it! NO!"
He looks at the television and sees doggett's absent eyes look back at him.
The boy looks back to the beautiful woman below him.
He sits back, defeated.
"I'm sorry but it is apparently not in the cards tonight."
"I understand. Wow." she reply
He awkwardly place the opened ****** on her dresser
The boy kisses her goodbye.
The girl lay there thinking about the night.
How terribly the night ended.
How she needs to call that boy again.
Sometimes the poem
doesn't want to come;
it hides from the poet
like a playful cat
who has run
under the house
& lurks among slugs,
roots, spiders' eyes,
ledge so long out of the sun
that it is dank
with the breath of the Troll King.

Sometimes the poem
darts away
like a coy lover
who is afraid of being possessed,
of feeling too much,
of losing his essential
loneliness-which he calls
freedom.

Sometimes the poem
can't requite
the poet's passion.

The poem is a dance
between poet & poem,
but sometimes the poem
just won't dance
and lurks on the sidelines
tapping its feet-
iambs, trochees-
out of step with the music
of your mariachi band.

If the poem won't come,
I say: sneak up on it.
Pretend you don't care.
Sit in your chair
reading Shakespeare, Neruda,
immortal Emily
and let yourself flow
into their music.

Go to the kitchen
and start peeling onions
for homemade sugo.

Before you know it,
the poem will be crying
as your ripe tomatoes
bubble away
with inspiration.

When the whole house is filled
with the tender tomato aroma,
start kneading the pasta.

As you rock
over the damp sensuous dough,
making it bend to your will,
as you make love to this manna
of flour and water,
the poem will get hungry
and come
just like a cat
coming home
when you least
expect her.
Bobcat Feb 2018
Boy just take it easy
Boy just take it slow
Please don't give up now
You have so much further to go

Put that gun down boy
Step away from the ledge
All the demons your fighting
Don't have to stay in your head

Let me help you boy
Let me be your light
You and I together boy
We'll give 'em a hell of a fight

This is it boy
It's time for war
With me by your side
It'll be easier than before

We got this boy
We won't back down
We'll take 'em all on
We'll knock 'em to the ground

Boy let's take it easy
Boy let's take it slow
All the demons you fight
Will no longer call you home
kategoldman Nov 2013
I've built these four walls
Palms bloodied in a titanium sentiment
Teeth broken under bottle necked business
The scars draw pictures of the stars
Plastered tears on the wall and called it paint
Leave your scewed values at the door
We can wipe our feet on the hipocrisy and call it a welcome mat
Welcome home darling

These four walls can hold more than your last sip
Structure built from our bridges off of last years ledge
No chance for broken peices to carve our faces on in the night
Welcome home darling
Kerrigan Reyes Apr 2014
Your cold hand against mine
we are frozen in time
with your breastbone against my body
and the darkness all around me
All I want is to call you my own
all day that's what I moan
but you've passed away today
there's no other way
to hear you say "I Love You"
or for us to gently woo
the other one to marriage
where the ledge stood
that you jumped off of
to the ground below and above
the birds sang as the sound
of crunching bones against the ground
shatter the silence with a scream
maybe I'm just in a dream....
But then I awake with an empty bed
beside my body and my head
I reach across and look for you to grab
my hand where my ugly, horrendous scab
from when I tried to **** myself
lives within the hidden shelves
of my lost mind.
Oh, lover, where have you gone?
I sing a sorrowful song after song
hoping that will  bring you back
but instead your body is cracked
and will never house another soul
your body is just a black hole
within my memories of us
you're now a once was
after your suicide
I've never been the same. a part of me died.
Terry O'Leary Nov 2013
Ah Consuela! Invoking vast vistas for visions of green Spanish eyes,
I discern them again where she left me back then,
                 as we kissed when she parted, my friend.
Through those ruins I tread towards the footlights, now dead,
                 where I’ll muse as her shadows ascend.

                  .
                          .
Ah Consuela! I’m watching, she teases the mirror with green Spanish eyes;
her serape entangles her brooches and bangles
                 like lace on the sorcerer’s looms,
and her cape of the night, she drapes tight to excite,
                 and her fan is embellished with plumes.

Ah Consuela! I’m watching as spectators savour her green Spanish eyes;
taming wild concertinas, the dark ballerina
                 performs on the music hall stage,
but she shies from the sound of ovation unbound
                 like a timorous bird in a cage.

Ah Consuela! I’m watching, she quickens the pit with her green Spanish eyes;
as the cymbals shake, clashing, the floodlights wake, flashing,
                 igniting the wild fireflies,
and the piccolo piper’s inviting the vipers
                 to coil neath the cold caldron skies.

Ah Consuela! I’m watching the shimmering shadows in green Spanish eyes
as I rise from my chair and proceed to the stair
                 with a hesitant sip of my wine.
Though she doesn’t deny me, she wanders right by me
                 with neither a look nor a sign.

Ah Consuela! I’m watching, she looks to the stage with her green Spanish eyes,
(for her senses scoff, scorning the biblical warning
                 of kisses of Judas that sting,
with her pierced ears defeating the echoes repeating)
                 and smiles at the magpie that sings.

Ah Consuela! I’m watching faint embers a’ stir in her green Spanish eyes,
for a soft spoken stranger enveloping danger
                 has captured the rhyme in the room
as he slips into sight through a crack in the night
                 midst the breath of her heavy perfume.

Ah Consuela! I’m watching, she gauges his guise through her green Spanish eyes
– from his gypsy-like mane, to his diamond stud cane,
                 to the raven engraved on his vest –
for a faraway form, a tempestuous storm,
                 lurks and heaves neath the cleav’e of her *******.

Ah Consuela! I’m watching the caravels cruising her green Spanish eyes;
with the castanets clacking like ancient masts cracking
                 he whips ’round his cloak with a ****
and without sacrificing, at mien so enticing,
                 she floats with her face facing his.

Ah Consuela! I’m watching the vertigo veiling her green Spanish eyes,
while the drumbeat pounds, droning, the rhythm sounds, moaning,
                 of jungles Jamaican entwined
in the valleys concealing the vineyards revealing
                 the vaults in the caves of her mind.

Ah Consuela! I’m watching life’s carnivals call to her green Spanish eyes,
and with paused palpitations the tom-tom temptations
                 come taunting her tremulous feet
with her toe tips a’ tingle while jute boxes jingle
                 for jesters that jive on the street.

Ah Consuela! I’m watching, she rides ocean tides in her green Spanish eyes,
and her silhouette’s travelling on ripples unravelling
                 and shaking the shipwracking shores,
as she strides from the light to the black cauldron night
                 through the candlelit cabaret doors.

Ah Consuela! I’m watching, she dances till dawn flashing green Spanish eyes,
with her movements adorning a trickle of morning
                 as sipped by the mouth of the moon,
while her tresses twirl, shaming the filaments flaming
                 that flow from the sun’s oval spoon.

Ah Consuela! I’m watching, she masks for a moment her green Spanish eyes.
Then the magpie that sings ceases preening her wings
                 and descends as a lean bird of prey –
as she flutters her ’lashes and laughs in broad splashes,
                 his narrowing eyes start to stray.

Ah Consuela! I’m watching fey carousels spin in her green Spanish eyes,
and the porcelain ponies and leprechaun cronies
                 race, reaching for gold and such things,
even being reminded that only the blinded
                 are fooled by the brass in the rings.

Ah Consuela! I’m watching, she shepherds the shadows with green Spanish eyes,
but as evening sinks, ebbing, the skyline climbs, webbing,
                 and weaves through the temples of stone,
while the nightingales sing of a kiss on the wing
                 in the depths of the dunes all alone.

Ah Consuela! I’m watching the music and magic in green Spanish eyes,
as she dances enchanted, while firmly implanted
                 in tugs of his turbulent arms,
till he cuts through the strings, tames the magpie that sings,
                 and seduces once more with his charms.

Ah Consuela! I’m watching, the citadel steams in her green Spanish eyes,
but behind the dark curtain the savants seem certain
                 that nothing and no one exists,
and though vapours look vacant, the vagabond vagrants
                 remain within mythical mists.

Ah Consuela! I’m watching as lightning at midnight in green Spanish eyes
kindles cracks within crystals like flashes from pistols
                 residing inside of the gloom
as it hovers above us betraying a dove as
                 she flees from the fountain of doom.

Ah Consuela! I’m watching, distilling despair in her green Spanish eyes,
and the bitterness stings like the snap of the strings
                 when a mystical  mandolin sighs
as the vampire shades **** the life from charades
                 neath the resinous residue skies.

Ah Consuela! I’m watching, she looks to the ledge with her green Spanish eyes,
for the terrace hangs high and she’s thinking to fly
                 and abandon fate’s merry-go-round.
At the edge I perceive her and rush to retrieve her –
                 she stumbles, falls far to the ground.

Ah Consuela! I’m watching the sparkles a’ spilling from green Spanish eyes.
As I peer from the railing, with evening exhaling,
                 I cry out a lover’s lament –
there she lies midst the crowd with her spirit unbowed,
                 but her body’s all broken and bent.

Ah Consuela! I’m watching, she beckons me hither with green Spanish eyes,
and I’m slightly amazed being snared in her gaze
                 and a’ swirl in a hurricane way,
but the seconds are slipping, my courage is dripping,
                 the moment is bleeding away.

Ah Consuela! I touch her - she weeps tender tears from her green Spanish eyes;
as the breezes cease blowing, her essence leaves, flowing,
                 in streams neath the ambient light,
and the droplets drip swarming, so silent, yet warming,
                 like rain in a midsummer night.

Ah Consuela! I hold her, am hushed by the hints in her green Spanish eyes,
while her whispers are breathing the breaths of the seething
                 electrical skeletal winds,
and the words paint the poems that rivers a’ slowin’
                 reveal where the waterfall ends.

Ah Consuela! I’m fading in fires a’ flicker in green Spanish eyes,
as she plays back the past, she abandons and casts
                 away matters that no longer mend.
           .
                  .
And she reached out instead, as she lifted her head,
                 and we kissed as she parted, my friend.
           .
                  .
                          .
Ah Consuela! I’m tangled, entombed, trapped in tales of your green Spanish eyes,
in forsaken cantinas beyond the arenas
                 where night-time illusions once flowed,
for the ash neath my shoulder still throbs as it smoulders
                 some place near the end of the road.
Sharon Talbot Apr 2022
Admiration is the cousin of envy,
as I learned long ago in Austria.
I knew a girl from a village in the Tirol.
I don’t remember her face,
Except for the placid smile
on her berry red lips.
She was not beautiful, but pretty
in a Mägdlein sort of way,
"smelling of crushed daisies and sweat".
But her long, butter-yellow hair,
seemed to have fallen from the sun.
She wore a black, Dirndl vest
that hugged her torso, a white blouse,
and a long. striped, pink skirt.
Even her legs were beautiful,
With tiny, blonde hairs that glistened.
I wished I could be like her:
Simple-seeming, unaware, unquestioning.
I watched her stand on a rocky ledge,
On a little mound like a pedestal
That overlooked an green-blue alpine valley.
She was a poem or an imagined girl
From a fairy tale or an ad for Priumula.
She was  a goddess escaped
from the the netherworld
of dairy barns and milking cows.
I thought that she might never return
there from her lofty peak at the world..
But another girl stood beside her.
A spartan sort with round glasses
And a face like a Pug dog.
She seemed to stand guard,
In a sexless, violent way,
Threatening those who might approach.
I fantasized about pushing her off the cliff,
Just to rid us of her presence.
The altitude was spinning my thoughts,
Wondering what would happen
To this Hummel Fräulein someday.
Would she follow the other youth to Vienna,
Smoke and drink espresso in a café,
Or come back to her alpine home
And milk goats while her children played?
The next day, as if still drugged,
I strolled across the bridge to Germany
And the river path to Freilassing.
There I bought a new, blue blouse
With a heart shaped neck
And brown, corduroy slacks.
It was the best I could do then
And Dirndls were not cheap.
So I spent the summer
As an ersatz Austrian,
No longer an American with jeans.
My freedom was almost euphoric,
Including dodging classes
About Bertolt Brecht, Kurt Weill,
Die Dreigroschenoper,
Those overrated poseurs!
(Except for Mack the Knife.)
I even attended Mass at various cathedrals,
just to hear Mozart or Schubert dance
up in the arches with cherubs,
or in front of ancient, colored glass
in the gloom of medieval stone.
I accepted that The Tyrolean Girl
And her antique, sunlit style
Were as inaccessible as
Gentian and columbine, mist-shrouded
on high peaks wrapped in clouds.
I once ran to see some up close
And nearly passed out.
But knowing that, I felt their charm
Had descended from the heights
To entice us in the valleys,
With pink striped cloth, gold hair
And amethyst flowers.
They flee past us like time,
Swift as the rivers in Spring.
Martin Narrod Apr 2014
I am in levels. Past levels. This deep, intrinsic wonderful lost, the lawlessness of its fascinating expenditure of excite. Pushing through the wild and feral snow-dusted plains and timber ridges. Like red-spotted dots breathing through the cylinders called the spine. This descends into a narrow channel of scantly clad greenish scenery in a time-soaked visionary wilderness of snow,
Our crab legs dancing down wiry purple highways, our heads could not even look backwards if we had wanted.

Furious, love-latitudes, stalking breaths thwacking fork-ended tongues into a pinkish knot buried into the first layer of organic membrane on this railway of miniature canals, showing. And their pride snuck into the elbows, shooting down each vertebrae as it stepped with great precision every ledge that the currency emphasized. The raw accumulation of stolen heart-beats rattling between the interstices of new fuel careering these red engines. Crashing with exquisite pleasure into one another.
Bardo Dec 2022
Working in an office with a lot of girls mainly
Suddenly it was that time of year again... Christmas
And the Office party it was looming
As I went toward the pub where we were having our gathering I was feeling nicely laid back and relaxed
Primarily because I'd just been to another pub beforehand and had a few quick scoops/ drinks
Now I was bolstered, all pumped up, I was like a Boxer ready to step into the Ring.

Our pub it was festooned with decorations, lovely colours and glittery things
They were hanging out of the ceiling and stuck on every wall
Above our table a big jovial Santa Claus
Looked down, beaming at us all
As I sat down one of the girls asked rather suspiciously "Where were you?"
Holding up my alibi, a little shopping bag with some items in it
I told her, lying beautifully of course,  that I had to go down the shop to get some things.
As I sat there I noticed the atmosphere was a bit subdued, people weren't talking much
I said to myself, this... this won't do
So I took it on myself to take the lead, I'd be the one to spread some Christmas cheer
So suddenly I blurted out "Wh..Wh..What does Santa say... after drinking a bottle of *** ?
"I don't know" they all said, "what does he say".
I paused a moment for dramatic effect...then I hit them with the punchline...he says "Yo ** **!"
They all looked at me blankly
You don't get it, Yo ** ** and a bottle of *** is the famous pirate song from Treasure Island
Santa's catchphrase is **!**!**!
He drinks the *** and suddenly it's Yo! **!**! (Jeez I thought, I got to explain my own jokes)
Still there not impressed, one shakes her head, another raises her eyes to the heavens, another comments "A silly joke"
But really I don't care, I say to them
I suppose you don't want to hear my Snowman joke then
"O Go on", they say, "get it over with"
It's a bit risque I warned them
What do you call a Snowman... standing outside the window of a Brothel ?
"A hot Frosty", someone said
No! ... The Abominable Snowman.

I say to myself, well at least I tried, I made an effort
I done my bit, now I can sit here quietly for the rest of the evening
Some of the girls have now started to talk amongst themselves
One girl sitting right next to me who I hadn't spoken to in awhile
She suddenly inquires after my wellbeing, she asks"How are you?"
I tell her O! You know me, I'm just... just hanging on in there, yea! just hanging on to the Ledge of Life by my fingertips trying not to look down at all the crocodiles circling below
"Things aren't that bad, are they?" she says a little concerned
I smile and say Well I might be exaggerating there... a little bit
She smiles and offers "You're a real Drama Queen".

Suddenly one of the girls announces that she's done an evening course during the Autumn, she's done Bellydancing of all things
I thought we'll have to get her to give us a demonstration later on (but not before dinner LoL)
This girl then starts asking everyone did they do any courses and what their hobbies were
Finally she comes to me and I say Well I've been making some music on this little keyboard I have, yea! I've been playing...I've been playing around with my *****
(this gets some laughs)
I go on, Actually I've been writing a song
"Writing a Song!" says one of the girls really impressed, "we know you write stories, now you're writing songs, my! you are talented.  What's it about, your song ?"
I tell her it's about a girlfriend whose... well she's a bit of a Goldigger,
Then I smile, I have a great title for it, I call it (I pause for a moment then I say proudly), I call it...Octopus of Love.
"Octopus of Love!!" says one of them dismissively, "what kind of name is that for a song.  There should be a Society for Prevention of Cruelty to songs"
I ignore her and then suddenly launch into a verse of the song

     She said she was a dove
     But she's my Octopus of Love
     A hundred hands in search of one thing
          only
     Yea! My wallet, my Pride and glory.

     When she whispers in my ear
     Her fingertips they tiptoe across my rear
           and into my back pocket  
      O! She's my Octopus of Love
      She"s not at all what I dreamed of.

     When I hold her in my arms
     She sets off all my alarms
     She tells these great big whopping lies
     Man! She's got a finger in all my pies.

    She said she loves me dearly
    Visiting the most expensive shops
    Buying the most expensive gear
    I say, could you not make it more cheaply instead,

  O! She's got me in her grasp
   Her tentacles they hold me fast
   Then she asks what's all the fuss
   And she's so innocent looking
   Man! She's a lovely Octopus.

"I wouldn't be giving up the day job just yet" says one of the girls,
"That's funny" says another
Then someone ups and says "Tell us another one of your little stories",
"A good one, this time!" adds another
"Yea! A good one! We need a good laugh" says another,
I feel a bit slighted by this for some reason, the way they say it, their attitude
It's like their making light of my Art, my labours, my great works
Like their just bits of fluff for their titillation
So suddenly my mood it darkens and my voice it takes on this ominous ring and then I say a little threateningly
"So you want to hear a good one, do you!"
With this I smile and then say menacingly"I'll give you a good one"
Then I look at them slowly one by one
And it's almost like I've gone into this trance state, switched into ghostly mode
A distant remote look comes into my eyes
It's like I'm looking through them into the far distance somewhere...  
And then suddenly I intone real solemn like and with great gravitas
"The Great American Novel!"

"What's that?", asks one of the girls
Now most of the girls are married Moms with kids
They wouldn't have gone to college, they would have gone straight into work after school
So they probably wouldn't have known about English literature and  the Classics and all that high brow kind of stuff
Their only exposure to literature would probably be the so called Chicklit books down their local supermarket,
So I say to them 'You never heard of the Great American Novel'
"No!" says one of the girls, "what is it?"
Well, I start to explain, it's like the Holy Grail for all writers, novel writers anyway
How can I explain...how can I put it... The Great American Novel...
It's like this amazing fantastic legendary mythical beast of such great beauty and magnificence
That roams free and unfettered on the literary plains of a writer's imagination,
Many an author on his death bed admits, "I seen it once, I had it in my sights...had it in my grasp but I let it get away". They then turn their heads away and cry bitter tears of regret...
Or...or it's like... it's like this Great Mountain
that's no one's ever been able to climb
It stands there defiantly, supreme in its isolation, it's peak glistening in the sunlight or shimmering in the moonlight
Unreachable, unattainable... unconquerable
(I'm really on a roll now, I'm waxing lyrical and there's no stopping me)
The Great American Novel...it's like... y'know it's like that old fairytale, what was it called
Was it Snow White. No! Snow White had the dwarves in it
What was the other one?
One of the girls whose always been a bit negative, she suddenly says rather unhelpfully
"It wasn't Pinocchio was it?"
Of course I get her reference, when Pinocchio would tell tall tales his nose would grow longer
Then I point to her and say rather surprisingly "That's it!! Sleeping Beauty!" Remember Sleeping Beauty
The King and Queen have a beautiful baby daughter
At the christening all the good fairies come and bestow Blessings on the child
She'll be the most beautiful
She'll be warm and kind and generous
She'll have a lovely heart
She'll be so wise and so artistic...
Then suddenly who should arrive but the Wicked Fairy
She wasn't even invited to the ceremony and she's really angry
She storms into the Palace right up to the child
Then she says "When this Beauty, this Child grows up she will have an accident"
It's like The Great American Novel is the Beauty, the Child
And it's like she's saying "This Beauty no one shall have, no one shall ever write The Great American Novel"
And of course, when the child grows up she's so wonderful and so amazing
But then she has this accident and falls into this strange deep deep sleep
And everyone in the castle too, they also fall asleep,
And suddenly this big thicket of dense thorns springs up around the castle so no one can enter it
Many a brave young man having heard of the Great Beauty behind the Wall of Thorns
They valiantly try to get to her but are invariably driven back by the thorns
Alas! They fail and gradually the story of the Great Beauty passes into legend.....
That is till one day, a Knight appears, a Knight so noble and pure of heart
The moment the blade of his sword touches the Wall of Thorns
A path opens up right through the thorns leading to the castle
He finds everybody there fast asleep
He climbs the Tower and finds in her chamber this incredible Beauty sleeping
He is so taken with her that he must kiss her on her lips
In that moment her eyes they open and she smiles a radiant smile. And the whole world awakens again, comes alive.

I look around at all the girls, their all a bit spellbound by my story (at least I like to think)
I go on 'It's like I was walking in my mind one evening, seeking some inspiration
And then I just turn a corner and there he is, in all his glorious splendour
Remember your Greek myths, the fabulous white winged horse... Pegasus... this beautiful mythical beast
Just there drinking at a pool right in front of me,
So quietly I sneak up on him and then suddenly I jump up onto his back
He rears up and then spreads his mighty wings
And starts to rise way above the earth
My eyes they are suddenly opened, and I see what I had not seen before....
I look at the girls but then just as before, a strange dark look comes over my face and I say
" I'm really afraid but I think, I think I've done it
I think I've nailed it
Yea! ... I think I've written The Great American Novel.

I go on 'Yknow  whenever a new book comes out the Critics, they all wonder
Will this be the One, will this at last be The Great American Novel
Of course, their always disappointed, the candidates they all fall short
It was a good try but...but not quite
A valiant effort, maybe next time
In the Critics Room one of them will be given my book to read
Slowly as he reads, his eyes will grow wider
And his jaw will start to drop in awe
When he finishes he'll sit there in his chair stunned, almost like he's been shellshocked
Then he'll rise unsteadily  with his finger pointing at the book
He'll be stuttering and stammering
"What's wrong!", people will inquire of him
He'll look at them in a mad crazy way
"My eyes... my eyes they've seen it" he'll say
"Seen what?" they'll ask
"It...it... it's The Great American Novel.
They'll all stand up and gather around the Book
Suddenly someone will grab a pair of binoculars and look up at The Great, the Holy Mountain
And there on the top, on the summit
There'll be a lone figure standing with his little Irish flag
"Truly he is the One", they'll say, "and a feckin' Irishman, wouldn't you know".

"So what's it about then", asks one of the girls interrupting my flow
What!', I say
"The Novel! What's it about"
I look at her and then I smile and say rather mysteriously 'Well, that's another story isn't it'.
"Wait a minute", says the girl whose usually very negative, "so the valiant Knight with the noble heart, that's supposed to be you is it ?
I raise my hands innocently as if to say what can I do
"O! I think I'm going to be sick", she says. Then she continues "Where did you get the time to write a Novel anyway. All the time we thought you were working you were probably just there daydreaming over in the corner".
"It's not very long", I say to her "my story".
"How long is it ?", she asks curiously
"Actually it's only about ten or eleven pages".
"What! Ten or eleven pages!!!", she says jumping on this with exaggerated disgust, "that's not a Novel, it might be a short story but it's certainly not a Novel. For it to be a Novel it has to be several hundred pages long ".
I tell her But 'I didn't need a few hundred pages just ten or eleven was enough, it's all there, the whole thing'.
"But it's not a Novel", she maintains
I answer, it's the spirit of the thing that matters, the Spirit!
She then gathers herself and I can feel an offensive coming
"I don't want to rain on your Parade", she begins, "but One you're not American, Two it's not even a Novel, and Third if it's anything like your song I for one won't be holding my breath".
I look at her a bit crestfallen and then I say
"You really like to burst my balloon don't you" , then I say, "I'm reminded of the classic lines of W.B.Yeats the great Irish poet
And then I declaim theatrically
"And Great Art... beaten down".

Anyway now the spotlight moves away from me, the girls start talking among themselves
"Let's leave him to his delusions", one says and now our meals are starting to arrive, I'm forgotten about for awhile.
For some reason the word "Parade' has stuck in my mind
And the pub has suddenly grown more boisterous, some people are singing and blowing whistles (those paper things that roll out and then roll back in again) their throwing streamers and confetti about
Suddenly I'm reminded of those old ticker tape parades they used to have over in New York when they'd be celebrating something or someone
All the faces looking out the windows of the skyscrapers and all the streamers cascading down, and the cheering crowds
And up on a big Podium there standing, the President himself.
I look up at the wall at Santa Claus smiling back at me
And I say to myself "Hello Mister President"
I can see him welcoming me up onto the podium, then with his hands he quietens the  crowds... and then...then he speaks
"Fellow Americans, we've waited a long time for this day
Many thought I'm sure that it would never come but some...some still dared to believe Yea! That one day a man would appear and that a Book would be born"
(holding up the Book) I give you the Book
It may be a slim volume
But don't let that fool you
Sometimes good things come in small packages...
Yes! I give you the Book,
The Great American Novel!!!
And I give you... the Man (motioning to me)
"He told it like no one else could, he said it like no one else could say it
Let the bells ring out across the land, in every city and town...in celebration"
So sitting there I raised my glass to Santa Claus smiling on the wall
And said quietly and secretly to myself
"Here's to you Mr. President, Merry Christmas!
On another website I once wrote a funny story and then I wrote a small play or playlet about the story which was actually funnier than the story, and people wanted me to write another one. And this was to be the sequel. I thought I'd stick it up here, it's quite Christmas-zy, has jokes and verse and metaphors, a bit of everything, a bit of fun.
Nikita Jul 2018
My name is Nikita
I am 19

I was 6
when he ***** me
my sister was 3

I was 7
when I realized I'm human

I was 10
when he killed my dog in front of me

I was 12
when he played strip poker with me

I was 13
when he attempted suicide

3pm, in the next room

I was 14
when I leaned out the ledge of a bridge

Fast forward to 19

I'm alive
I'm safe
I'm strong
The list goes on. A list of healing scars. I'm proud of me and you should be proud of you too.
Next page