Our salvation taking
another high-life (Lip)
The middle-income lip
Our lips leaked
Being possessed the kiss
on empty

Humpty Dumpty sat
on her Lego lips
Singers the Talking Heads
Where are the feds to late
Those stolen lips
State of a wedding trips
Rainbow chalk the state was
on lip nightmare call
Being stalked (Lumber Jack)

The devil filler up poverty
The world being pulled
Push her lip up
                    > >

Arrowsmith bow and arrow
                    >>
  Losing elasticity lips go
UPSTATE gravity

"What an under(state)meant"
"The press (God Bless)
    the golden child
     lips filling in
       the gaps
What!! no comment"

 So sad we need the happy
Irish lad too many
    Sugar Dads
lip recession deadlines to meet
The curveball
Another sip we joined the
Navy but eyeshadow deep-over
the edge gray
The Seal had an unusual tail
Her lips fast food drive smashed
Her Meal

The peace lips blew far away
"Medieval Swords heart lips
            will pay"
Times come and go its excruciating
Lips went too far always mating
Imitating people takes a whole village
Of pain

But the spiritual blessing rain
In Woodstock concerts
What perks to gain
The acid trip music we can
sip each other's lips

    Now if this wasn't passion
What a state got smeared
Like a crime scene
of fashion
Her lips could rise
Like the Millenium

         Max
Playing the jazz sax
Still the income tax

But the state in a crisis
of sales tax
Star a stage minimum wage
All the states we travel her lips
The water stays refreshing where
On her body, he really sees it on
her lips nowhere else

How many states can you
count on your finger
Long lip Ranger

The Victoria Secrets
The Tra la the bra's on the
Five-star Hilton Hotel
hanger

Holding onto her guns
Going right or to the left
Powerful lips he went
off the cliff

Getting Burned and
the State tax
You earned
The Swearing
Her lip talk so caringly
Can we move her lips to
another state more cautiously
How her hips look like
they will inflate

I am not a painting by
your candlelight fate
I felt like a tax right off
Taxi yellow race her lips
on the meter money bluff
I ended up in the state of
*Michigan
Tricks are ****
Like a lip magician

Kentucky home was barrels
of Bourbon
I never said I wanted a drink
my name is Robin
Going to Deleware
what hardware did anyone care
So humble like the bumblebee
She was way too soft as her software

Have gun we travel but have lips we rumble

We need courage this world of states
can be savage
Gold bonds of "Dynasty European"
top dollar vultures mean
funds that's a grand entrance

Now I see how these states
start to unravel
California here I come right
back where
my lips started from

Her upper society lip could use
Champagne and caviar
The star was getting fat a nice trim
Grumpy beard make it a
short tax cut with him
Text and tweets no lip sweets
Rocky Colorado mountain men

French lips played art
Like Van Gogh perfect 10
Scenic route crazed
So many states should
be sued overly sexed suites

In Alaska, she was on a freeze

All the money in the world she got New York Token

All I asked the waitress
for State fair pie
My lips could have
used *Sweet Peach * so
pucker up
Don't be a sucker
Alabama state trooper
in Kansas City

What a spell click of heels

Georgia is always on my mind
Is New York only a state of
Frank Sinatra singing mind
What a big foot in her mouth
Nancy Sinatra dark lips Goth
State boots softly made
for loving that's just
what lips do one of these
Days my lips are going to
gloss all over you
Who's the Boss
So fasten your lip belts
The spiritual state always does the cross

Bumpy ride (Bette Davis) Eyes
Taking a trip to the end of the
boot of Sicily vineyards
Whats mine Jailbirds
She cut her lip when she was
in (Connecticut Movie cut)
On the Mystic Seaport lips were
getting hot ****** fit

Like a state disease fire pit
State of a lip disaster
But the state couldn't
resist her
Ending up in Arizona
Something is swizzling
it's not Kevin Bacon

Make no mistake when you plan
a state trip you better have your
weapon ready
Mafia bullets Bonnie and Clyde
they rob *Banks money Lips

A lady in blue.



In a purse

unzipped,

A coral pink lipstick

A rose blusher

A bronzed eyeshadow

A fuschia eyeshadow

A black eyeliner

A mascara

A compact powder

A lipgloss.



Strolling in a park,

The purse

clutched.



Poised.

Protected.

Your beauty may birth from shaved legs
red clown lips, gaudy eyeshadow
flimsy black crumbles beneath
your eyelid
You are ****-sun-kissed;
I am opaque.
Blotches of color
Lighten my smile

cheekbones never as sharp
as your words

It rains
and I think of bales
of wet hay
crushing the wind
out of children
riderless ponies
with frayed rope
tied to the pommels
I find it hard to explain
eyeshadow and dead weight
tied to the other end
and girls who would like to
go on in this world
***** by their mother's
stepsons and husbands
the men and women
of learning have left us
so much, I prefer
to look at the moon.

its not fair for the sky to be mean to the clouds for crying so much

its especially unfair because the sky cries every night too

silver sparkly tears washing off blue eyeshadow

but its ok when the sky does it because the sky pretty-cries

the clouds ugly cry

and thats not okay with the sky


its not fair that no one likes it when the clouds cry

because the clouds only cry because they are heavy

and want some of the weight to go away

the sky cries and everyone loves the sky

maybe because the sky is older

and can smile again when it is done

because the sky cries to get what it wants


but the clouds dont know why they cry

they cant help it

they are so heavy and it hurts so much to carry all the raindrops

and the sky does not care

the sky says, “but you look so light and fluffy

so i think you are not heavy at all

i think you just cry because you want people to talk about you

and you know unless you cry

no one talks about the clouds”


the clouds try to hold their raindrops in now

even though it hurts

and they are very heavy

because they live in the sky and they must

do what the sky says

when the sky is watching


but of course they cant hold it all

and the sky gets mad when they let out all the raindrops they were holding

so the clouds try to explain “I’m sorry

the rain was heavy and i had to let it go”

and the sky does not listen

the sky says “you are so dramatic

you do not have to cry so much

over something so small”

but the clouds do not understand

because the clouds have never had a reason to cry

not a big one or a small one

they just do


so the clouds start holding more and more and more raindrops

they dont let themselves have thunderstorms anymore

it hurts so bad

so

so

so

bad

and the sky still does not seem to understand that

the clouds just want to not be heavy


the clouds wonder if the sky will miss them when they are gone


they suppose that the sky will be glad to be rid of the rain


and then the clouds go away forever.

~
Imagine a box
In shadow
Of utter regalia
Iris, dressed as a waterfall
She comes scattered

Imagine an eyelid illusionist
Praying for more palettes
Enters steelbook cathedrals
To a ministry of colour

For the street outside
Cannot offer as
Interesting a hue
As those fascinating within
The pigment of her imagination

It's compelling artistry
Like oil on canvas
A slight of hand
Smoke and mirrors

Her skilled fingers
Kohl mining
For soft medley
And the new liminality
Above the spectator's eye
~

volume i
A Portrait of My Sixth-Grade Self
___________________­

Eleven-year-old fingers
swollen with baby fat
dig into the gaudy shimmer
of turquoise eyeshadow
encased in its shattered compact.

I apply the pigment,
erratic smudges extending
from my lash line
to just below my untamed brows.

The blue powder accentuates the swirls
of my fingerprints in dizzy figure eights.

But you can't quit your own skin
like you can quit ice skating lessons.

I am in the sixth grade
when the Popular Girls
in my class tell me that,
if I want to get a boy to like me,
I have to change the way I look.

I abide by the rules of the
Unofficial Mean Girl Doctrine:

{no. 1}

I mustn't wear sweat pants,
these sloppy Old Navy rags
that I have owned for three years.

See,
denim is superior to cotton
even though it leaves
cavernous indentations
on my stomach.

Sweat pants forgive
the extra swell of your waist line.

Denim punishes you
for what you don't have,
more specifically
for what you have too much of.

I ask my mom for skinny jeans
because perhaps if I can
shrink all that I am
into this blue, unyielding fabric
I will feel thinner than I actually am.

We buy the skinny jeans from Old Navy.

{no. 2}

My signature high pony tail is
unacceptable.

I should wear my hair down,
they profess.

I am not sure if this is
because of the tufts of frizz
that loom over my scalp
like wasted dandelion seeds

(I wish... I wish... I wish...)

or if this is just a necessary ritual
in the abandonment of my girlhood.  

After I unsheathe my curls
from their rubber-band Bastille,
their trial commences.

My ringlets slither
in hostile circulations,
executing frequent detours away
from anyone who might scoff
at their animalistic bedlam.

If only I could will
my spectators to stone.

Cuz no one ever dared
**** with Medusa
and her curls.

Instead,
I settle for a flat iron.

{no. 3}

Do everything in your power to be
Beautiful
including, but not limited to,
the laws indicated above.

Yet,
despite my grandest efforts,
it is never enough.

I am never enough.

I am the Walmart Edition
of what the Popular Girls
want me to be.

With my gaudy eyeshadow and the
cheap Dollar Store bracelets
that I wear around my wrists,
plastic flowers blooming
upon threaded stems
that nip at the hair on my arms.

One day on the bus ride home,
a boy from my class tells me
I am too hairy.

"Huh?" I ask,
pretending I haven't heard him.

"Nothing," he mumbles back to me.

See,
little girls are supposed to play with
jump ropes and Barbie Dolls.

They are not supposed to
play with razors as they strip away
every misplaced hair on their body
or consult Teen Vogue
for the latest beauty hacks
like they are Gospel.

This year of 2011/2012
has been engraved  into
the historical road map
of my every insecurity.
The legend of this map,
depicted in smeared globules
of sugar cookie lipgloss,
deliver me to my destination:

self hatred.

Mascara stains the
topography of my flesh
in inky, dotted lines

I follow.

I plummet
like the eternal run
in my stockings.

One way plane ride
non-stop
never to return
from this perception of ugliness
and then--

flight


down.

People write down New Year resolutions in a variety of categories like health, happiness, family and so on. I think beauty deserves a spot on that list too.

It’s my job to be beauty obsessed and I love it, but there are always areas of improvement for me, and maybe for you too. I think there are a few things we all need to do more of this new year. Some of them are things that you have heard me say over and over again (and yes, i’m not going to stop), and some you’re hearing for the first time.

But a new year should bring ideas, practices and habits that will make you who you want to be. Here are my (and some of your) New Year beauty resolutions for 2016.

1. Wear Sunscreen Every Single Day

I’m pretty good with this because I never leave my house without sunscreen on my face.

I use it underneath my makeup and then use my primer on top. I’m great with applying SPF on my face and all over, especially if I plan to spend long hours under the sun. But one thing I know needs improvement is being more aware of my neck, chest, hands and other areas that one might forget.

If this resolution needs to be on your list, I would suggest you apply sunscreen all year round. It is also important to add an extra coat of sunscreen on your hands when getting a gel manicure because of the UV lights often used to dry the nails.

2. Washing My Makeup Brushes

Speaking of brushes, I’ll like to mention their somewhat high maintenance nature. If you don’t wash your brushes regularly, not only are you leaving them open to bacteria, which leads to possibly breakouts, it also means that your brushes won’t pick up pigment and work as well as it should. I know, washing your brushes seems like an huge task, but if you use a brush cleaner, it is much easier and faster.

Personally, I’m going to set aside a specific time – Sunday afternoon at 2PM to do this chore every week. This will give my brushes enough time to dry properly before the start of the week. To help you remember every week, you can set a reminder on your phone.

3. Being More Adventurous with Makeup (and hairstyles)

It’s so easy to get into a makeup routine, but people like MakeupShyla do a great job of switching it up. Celebs on Instagram are a great inspiration for trying new things, gold eye shadow, bold red lips and more. Amrezy always mixes it up; glossy lips, matte, dark lips, Coloured eyeliner she isn’t afraid to try it out.

And why should she be? It’s makeup she can wash it off! We should all be more out there with out makeup looks and try out new looks. Bold red lips, more shimmer, cut crease eyeshadow – the beauty world is your oyster.

4. Book in for Regular Facials

Looking after your skin is a bit like looking after your teeth. While you may brush and floss regularly, you still need to see the dentist for a deep clean and check up.

I have a fantastic ****** routine and really good products I use on my skin, and even though this might seem enough, it just isn’t. I know that times are tough in this economy and it’s undeniably smart to cut back on extraneous purchases. However, here is my opinion on why a monthly ****** is a good investment.

Your skin is always on display and often has the power to dictate how good we feel about ourselves. Investing in proper skincare has a value that can be arguably more important than buying a new dress or going out to a fancy restaurant or even taking an expensive vacation (a ****** is a mini-vacation).

A ****** will cleanse the pores on a much deeper level, extractions/cleaning out the pores can help to maintain clear skin, stop acne formation, as well as help to change the pore’s size. Often times left unchecked, pores can start to stretch and widen with the accumulation of oil and dirt. So I have decided to get a ****** monthly, and I think it wouldn’t hurt if you did too.

5. Using Hair and Skin Masks

Hair and skin masks are fun to use and make a huge difference for soft, shiny hair and clear skin. I really love the dead sea mud mask from Pure Body Naturals at the moment. I love the way my skin feels after I use it – it’s simply amazing.

And I also love the Cantu hair masque – it leaves my hair moisturized and soft. I think I would use this once a month going forward, and also apply a facemask once a week at a time that’s perfect for me.

6. Take Care of My Natural Nails

As ridiculous as it sounds, a manicure is one of the first things people will notice about your appearance, especially if you work in an office.

For a while I have been using nail extensions and acrylics. While it looks beautiful, it also makes my nails underneath very soft. I would like to take a break from nail extensions and grow my own nails. Strong, long and healthy! This is also something you can adopt, your nails need the TLC.

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-brisbane

Come As You Are
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

Come as you are, forget appearances!
Is your hair untamable, your part uneven, your bodice unfastened? Never mind.
Come as you are, forget appearances!

Skip with quicksilver steps across the grass.
If your feet glisten with dew, if your anklets slip, if your beaded necklace slides off? Never mind.
Skip with quicksilver steps across the grass.

Do you see the clouds enveloping the sky?
Flocks of cranes erupt from the riverbank, fitful gusts ruffle the fields, anxious cattle tremble in their stalls.
Do you see the clouds enveloping the sky?

You loiter in vain over your toilet lamp; it flickers and dies in the wind.
Who will care that your eyelids have not been painted with lamp-black, when your pupils are darker than thunderstorms?
You loiter in vain over your toilet lamp; it flickers and dies in the wind.

Come as you are, forget appearances!
If the wreath lies unwoven, who cares? If the bracelet is unfastened, let it fall. The sky grows dark; it is late.
Come as you are, forget appearances!

Keywords/Tags: Tagore, translation, Bengali, come, forget appearances, hair, bodice, feet, anklet, bracelet, beads, necklace, sky, clouds, cranes, cattle, toilet, lamp, wind, mascara, eyeshadow, mrburdu



These are modern English translations of poems by the great Indian poet Rabindranath Tagore (1861-1941), who has been called the "Bard of Bengal" and "the Bengali Shelley." In 1913 Tagore became the first non-European to win the Nobel Prize in Literature. Tagore was also a notable artist, musician and polymath.



The Seashore Gathering
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

On the seashores of endless worlds, earth's children converge.
The infinite sky is motionless, the restless waters boisterous.
On the seashores of endless worlds earth's children gather to dance with joyous cries and pirouettes.
They build sand castles and play with hollow shells.
They weave boats out of withered leaves and laughingly float them out over the vast deep.
Earth's children play gaily on the seashores of endless worlds.
They do not know, yet, how to cast nets or swim.
Divers fish for pearls and merchants sail their ships, while earth's children skip, gather pebbles and scatter them again.
They are unaware of hidden treasures, nor do they know how to cast nets, yet.
The sea surges with laughter, smiling palely on the seashore.
Death-dealing waves sing the children meaningless songs, like a mother lullabying her baby's cradle.
The sea plays with the children, smiling palely on the seashore.
On the seashores of endless worlds earth's children meet.
Tempests roam pathless skies, ships lie wrecked in uncharted waters, death wanders abroad, and still the children play.
On the seashores of endless worlds there is a great gathering of earth's children.



Unfit Gifts
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

At sunrise, I cast my nets into the sea,
dredging up the strangest and most beautiful objects from the depths ...
some radiant like smiles, some glittering like tears, others flushed like brides’ cheeks.
When I returned, staggering under their weight, my love was relaxing in her garden, idly tearing leaves from flowers.
Hesitant, I placed all I had produced at her feet, silently awaiting her verdict.
She glanced down disdainfully, then pouted: "What are these bizarre things? I have no use for them!"
I bowed my head, humiliated, and thought:
"Truly, I did not contend for them; I did not purchase them in the marketplace; they are unfit gifts for her!"
That night I flung them, one by one, into the street, like refuse.
The next morning travelers came, picked them up and carted them off to exotic countries.



This Dog
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Each morning this dog,
who has become quite attached to me,
sits silently at my feet
until, gently caressing his head,
I acknowledge his company.

This simple recognition gives my companion such joy
he shudders with sheer delight.

Among all languageless creatures
he alone has seen through man entire—
has seen beyond what is good or bad in him
to such a depth he can lay down his life
for the sake of love alone.

Now it is he who shows me the way
through this unfathomable world throbbing with life.

When I see his deep devotion,
his offer of his whole being,
I fail to comprehend ...

How, through sheer instinct,
has he discovered whatever it is that he knows?

With his anxious piteous looks
he cannot communicate his understanding
and yet somehow has succeeded in conveying to me
out of the entire creation
the true loveworthiness of man.



Patience
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

If you refuse to speak, I will fill my heart with your silence and endure it.
I will remain still and wait like the night through its starry vigil
with its head bowed low in patience.

The morning will surely come, the darkness will vanish,
and your voice will pour down in golden streams breaking through the heavens.

Then your words will take wing in songs from each of my birds' nests,
and your melodies will break forth in flowers in all my forest groves.



Gitanjali 35
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Where the mind is without fear and the head is held high;
Where knowledge is free;
Where the world has not been divided by narrow domestic walls;
Where words emerge from the depths of truth;
Where tireless striving stretches its arms towards perfection;
Where the clear stream of reason has not been lost amid the dreary desert sands of dead habit;
Where the mind is led forward into ever-widening thought and action;
Into that heaven of freedom, my Father, let my country awake.



Gitanjali 11
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

Leave this vain chanting and singing and counting of beads:
what Entity do you seek in this lonely dark temple with all the doors shut?
Open your eyes and see: God is not here!
He is out there where the tiller tills the hard ground and the paver breaks stones.
He is with them in sun and shower; his garments are filthy with dust.
Shed your immaculate mantle and likewise embrace the dust!
Deliverance? Where is this "deliverance" to be found
when our Master himself has joyfully embraced the bonds of creation; he is bound with us all forever!
Cease your meditations, abandon your petals and incense!
What is the harm if your clothes become stained rags?
Meet him in the toil and the sweat of his brow!



Last Curtain
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

I know the day comes when my eyes close,
when my sight fails,
when life takes its leave in silence
and the last curtain veils my vision.
Yet the stars will still watch by night;
the sun will still rise like before;
the hours will still heave like sea waves
casting up pleasures and pains.
When I consider this end of my earth-life,
the barrier of the moments breaks
and I see by the illumination of death
this world with its careless treasures.
Rare is its lowliest seat,
rare its meanest of lives.
Things I longed for in vain and those I received, let them pass.
Let me but truly possess the things I rejected and overlooked.



Death
by Rabindranath Tagore
loose translation/interpretation/modernization by Michael R. Burch

You who are the final fulfillment of life,
Death, my Death, come and whisper to me!
Day after day I have kept watch for you;
for you I have borne the joys and the pangs of life.
All that I am, all that I have and hope, and all my love
have always flowed toward you in the depths of secrecy.
One final glance from your eyes and my life will be yours forever, your own.
The flowers have been woven and the garland prepared for the bridegroom.
After the wedding the bride must leave her home and meet her lord alone in the solitude of night.



I Cannot Remember My Mother
by Rabindranath Tagore
loose translation/interpretation by Michael R. Burch

I cannot remember my mother,
yet sometimes in the middle of my playing
a melody seemed to hover over my playthings:
some forgotten tune she loved to sing
while rocking my cradle.

I cannot remember my mother,
yet sometimes on an early autumn morning
the smell of the shiuli flowers fills my room
as the scent of the temple’s morning service
wafts over me like my mother’s perfume.

I cannot remember my mother,
yet sometimes still, from my bedroom window,
when I lift my eyes to the heavens’ vast blue canopy
and sense on my face her serene gaze,
I feel her grace has encompassed the sky.

Keywords/Tags: Tagore, Rabindranath Tagore, India, Indian, poet, Bengali, sea, seashore, children, mother, dog, love, lover, patience, curtain, death

dressed in all black
to show some class
keep my front
covered up
but still
show off
my **** ***

high heels on
and some
red lipstick
hoping to
catch your attention

blue eyeshadow
white nail polish
hoping i'd look good
with all of this on me

sweet perfume
with a heavy
price tag
hoping to
smell like
roses
and
vanilla

I have two facts for you that exist in my mind -
1. I am normal
2. I do not 'feel' normal
I have never considered myself to be normal.
I knew i wasn't normal when at the age of eight after my Dad left my school hired a counsellor just for me,
and i wasn't normal how after then i was the only pupil to be from a single parent family.
I wasn't normal when just after this abandonment my body entered early puberty,
and so feeling weird didn't stay a feeling, it became a reality.
Picked on for things out of my control, i felt like a freak.
Even at the age of eight, every aspect of my identity was up for scrutiny.
I knew i wasn't normal when in secondary school i would purposely get detentions
to spend time with teachers, because the the turmoil of the school yard was a teenage no man's land.
The company of those my own age is something i will never understand.
I knew i wasn't normal when i would hesistate in conversation when someone asked me who i fancied in my class.
The name of a random boy rolled from my tongue in an attempt to not blow my cover.
I knew i wasn't normal when my tweets coming out as bi were passed around like breaking news.
When i tried to defend myself in the interrogations, teachers would sternly say to me -
'That's not appropriate to be talking about in school' like my sexuality was a hushed secret, even though the straight girls were never silenced.
I knew i wasn't normal when i had to say i was bi, when in fact this was a lie. A lie to help me pass, pass and hold on to some straight privilege.
At the age of sixteen i questionned my worth and value as a person, trying to blame myself for the treatment i was subjected to.
I knew i wasn't normal when i decided to place my emotional pain onto a physical space, then patching up the damage as a form of ironic self-care.
I left school for a college, desperately seeking freedom from the constraints of a Catholic school.
I never felt comfortable in sixth form, being there my mind felt like a spinning waltzer i was strapped to for two years.
At seventeen i knew i wasn't normal when i was prescribed the maximum dose of sertraline, then mirtazapine, venlafaxine, fluoxetine.
By this point in my life i was on a tally of maybe six counsellors and two CBT therapists.
I knew i wasn't normal when i started to blame myself for the therapy not being successful. Maybe i was just meant to be depressed.
Changing my thinking styles, emotional regulation, journalling my feelings and triggers, i knew exactly what i had to do.
I knew i wasn't normal when i clung onto certin things as comfort, like my adoration for florence and the machine.
I started to experiment, toying between wanting to fit in and wanting to be myself, painting bright eyeshadow on my lids as a vibrant mask to carry me through.
I knew i wasn't normal when i reached out to the local crisis team experiencing auditory hallicinations, hearing sounds only meant for my ears.
My emotional states are a product of my trauma, which is difficult to navigate as the world's greatest performer.
Maybe i was meant to face this internal torment, or until now i hadn't considered i could be neurodivergent.

If there were a formula
for the way her lips seek out
for mine while I am still attached
to those of a boy,
I would plug it through with
the determination
of a scientist, feeding it
back and forth through the
machines until someone
could give me an answer.

She visits me
in my sleep, bleeds
through the walls of
our separate dimensions
until she finds a way
into my heart. From there,
she rides my bloodstream up
into my brain, she puts
her hands on my controls
and guides my dreams

through to her childhood
home, where she knows
I'll fall in love with the gap
between her teeth and the way
she practices the word
"kindergarten"
when she thinks no one
can hear her.

I could never find her
through the keys
of my Macbook,
she calls to me
through typewriters in
store windows, when I think
I've lost her, I go into bookstores
and flip through the pages
in the poetry section until

teasing

she gives me a word,
just enough
of a puzzle to hold me
until next time. I think
when it's completed
it will look like her freckles,
the eyeshadow she spreads
over her heartache, the lipstick
she wears to feel like a woman
on the days when she needs to act
like a man, if I were a man.

I'd no longer be captivated
by the mysticism
of their skin. No longer see
the revolutionary twisting
through their spines. But
if I were a man, I wouldn't have
the same parts as my lover.

Maybe then
we'd be
just different enough
for me to tell her
how I feel.

Valentino has its red, Versace its Medusa logo, Chanel the tweed that lines dresses and jackets and handbags each season. In the fashion world, these nuances of texture and color, in conjunction with shape, are what help define a brand's identity, what ultimately makes them feel familiar to consumers; they are fashion's version of DNA. Designers carving out their place within the industry will often land on their own set of signatures that are built upon with each new collection—but Patric DiCaprio, the 26-year-old designer of Vaquera, isn't interested in "buy-ability" or recognizable traits. "We are obsessed with keeping people guessing" he says. "We want that to be our thing."

In the three seasons since launching the New York-based brand, DiCaprio has infused Fashion Week with the sort of Dionysian energy once felt at early John Galliano shows. For his Summer/Spring 2016 show, staged at the Church of the Ascension in Greenwich Village, models walked the aisle to the Smashing Pumpkins in baptismal baby-doll dresses and ruffled bloomers, with DiCaprio's boyfriend closing the show in a wedding gown. In February, with new partners David Moses and Bryn Taubensee on board, a debaucherous cast of models dressed in Victorian-meets-club looks danced, lifted their skirts and put their cigarettes out in audience member's drinks at the China Chalet venue in the Financial District.

"Vaquera is about constant reinvention," DiCaprio says of his no-guts-no-glory ethos. "It's about the future; the future of style and clothes, but not in the cliche of futuristic spandex and metallics."

Much like his collections, the designer's path in fashion has been far from linear. Born and raised in Alabama, DiCaprio attended a private Christian school before studying photography at a public university in the South. An internship with DIS Magazine offered him a crash course in art direction and styling, and the opportunity to draw creative fuel from New York—a city that has very much proven to be his creative elixir.

"I felt like I had been underwhelmed for my whole life," says DiCaprio, who moved to the city five years ago and taught himself to sew through YouTube tutorials. "When I first came to New York it felt like I had finally gotten my head above the water and had oxygen for the first time. This place was overwhelming in the best way." DiCaprio spoke with PAPER about his creative approach, his unconventional path to fashion and his idolization of David Bowie.

What sparked your interest in fashion?

I think it's always been about clothes for me. When I was in middle school and high school I was always in bands. I was obsessed with Screamo and David Bowie—the groups that had such strong visual aspects to their work. But I think part of me always felt like I was doing that so I could assume the look. Screamo bands would let me wear the size zero, ultra-stretch white jean. With David Bowie, I wanted to wear the gold eyeshadow; it was always about the look.

How did studying photography lead you to fashion design?

My school was very focused on the craft—the dark room and perfect exposure—but I think I was on the opposite end, I was interested in what was happening in the photo. I left college to do an internship with DIS Magazine and because they're involved in so many creative avenues like photography and styling and art and video, I was able to get a realistic vision of things. The experience [with DIS] made me realize I was less interested in photography and more interested in creating these characters.

When school ended, I moved to New York and and worked with DIS again and then with VFiles in [the archives department]. I'd go through old issues of ID and Paper and Dazed and it taught me a lot about fashion history. I had been removed from all of that when I was growing up, there was no Chanel store in Alabama, there was no Dazed And Confused at the Barnes and Noble in Alabama. Coming to New York I was able to get my hands on the clothes and study these old magazines.

How did you get that initial internship though?

I'm obsessed with Tumblr. I got on it more than eight years ago, and it was a huge part of helping me reach out to people. People that I'm still friends with now—Hari Nef and Juliana Huxtable—I met through Tumblr; they moved to New York before me and motivated me to do the same. So I emailed the team at DIS, and asked if I could show them my photography portfolio—which sounds so funny to say now—and they offered to show me the ropes. They hooked me up with Avena Gallagher, who is an inspiration and has taught me everything I know about styling.

About two years ago I started working for her and became obsessed with styling. I styled Charli XCX for a year—and it was exciting, definitely closer to what I wanted to do but it wasn't exactly it. I wanted to pull specific things—1980's Issey Miyake, but there was no way a no-name stylist like me would be able to get my hands on it. So I bought a sewing machine and started sewing the things I wanted for photo shoots. Vaquera started as an art project that wasn't about wearing the clothes or making something for Opening Ceremony—it was about making clothes that I could then shoot. The final product was the look book.

What made you decide on the name Vaquera?

A few different reasons. I was reading a book by Tom Robbins called Even Cowgirls Get The Blues and it was really informative for me at the time. I was also working in a kitchen as an expediter with a bunch of Mexican line cooks and they had a lot of pet names for me, like "el pato" which is gay slang for f—got, and "little baby doll." They knew I was from the South so they'd call me "La Vaquera" because that's Spanish for cowgirl—even though cowgirls aren't Alabama, it's more of a Texas thing. So I just called the project Vaquera. It seems so arbitrary now, I'm stuck with it for better or worse.

What's been one of the challenges of keeping things future-focused?

I've had criticism from people that it's such a bad business model to reinvent yourself each season, that no one's going to know what to expect from you. Buyers are going to be confused, you're never going to make any money. And I've just been like, "Well, I think we don't have any interest in that." We are obsessed with keeping people guessing—we want that to be our thing. I try my best to keep it a secret until the day of the show and then just let loose.

So we're going to assume you won't be giving any clues about next season's show.

Oh my god, i don't want to give it away! I think people want to see billowy-sleeves but that's out the door. We're doing something completely different. Romantic but a whole different definition of romance.

How has working with David and Bryne changed things for you and the brand?

Last season it was like a whole new brand. We came together through Avena and it feels like we're progressing, which is exciting. I got sick of doing everything alone. For the Spring show I sewed everything, produced it myself, got the location, cast it myself.

And did you collapse after the show ended?

It was a serious problem, it became impossible. I realized I was either going to have to plateau so I could get my life together or I was going to have to find a way to expand the vision. I trust Bryne and David with my life and they understand my vision but have their own ideas. It was a necessary change.

So many designers have expressed concern about the relentless pace of the industry recently.

All these different seasons—pre-fall, couture, designers showing things that are going to be available for purchase the day after the show. That's so scary for people like us who are on our hands and knees in the living room cutting the clothes and can barely get them made in time for the show.

Do you want to stay independent? What are the benefits and detriments, in your opinion?

I think we want to stay independent. I want to make money but I don't want to feel pressure to do certain things. I'm already so sick of that show we just did—already on to the next one. It's like with Demna Gvasalia getting the Balenciaga job: I was so disappointed to see him doing the same thing he did at Vetements at Balenciaga, but then I realized, with all the money that's involved and when you're working with these huge offers, there's contracts. Money complicates things in a way that I think can hurt people's creativity. Maybe you'll make a lot of money for a few years, but you might forget how to make exciting things because you're stuck with the designs that worked well one time. I want to make money, but we want to find different ways of doing it.Read more at:http://www.marieaustralia.com/formal-dresses-melbourne | www.marieaustralia.com/formal-dresses-adelaide

”How To Not Be A People Pleaser”
below are listed 10 bullet points
on how to toughen up,
on how to avoid the blow of others
wiping their ***** feet across
your ‘welcome mat’ heart.

Surely I have the look down, right?
Skinny jeans fit for skinny girls (who I am not),
tucked into loosened combat boots that have never seen a good shoe shine. Black eyeshadow smeared in the form of war paint,
"Today is a good day to die"

But the fact that this is all a charade,
that ‘looking tough’ does not mean you automatically
become some brazened ******* who does not let anyone inside
of your crazy head or heart,
loosens the grip you try so desperately to hold on to.

If you look the part, surely you feel it in your bones.
You feel the anger and the need to not be so polite all of the time.
Yet you still hold doors open, say please and thank you, smile at strangers on the street,
your mouth cannot form the simple word ‘no’ in fear of hurting another person.

So how can you not be a people pleaser?
You can’t. No matter how grungy you look,
no matter how loud you listen to rock ‘n roll
no matter how dark and damaged you let your soul appear
maybe you can allow yourself to become something you are not,
but you can not bury something you are.

For her art was all the colors,
Present in the makeup pallete,
Erasing her pain like cleansers,            
And making her life go all set,  
So ready to be brushed up with some makeup,
To meet with her all time pain healer,
By letting her face go through a little scrub,
She covered all the dark secrets like a concealer,  
She had a past darker than her smokey eyes,  
With eyeshadow blended so perfectly,
She looked so pretty and wise,
Killing people with her charm and spectacularity,
By using her lipstick dipped in blood red,
And like a sharp weapon she carried her contoured face,                                                   With her lashes so widespread,
She turned into a strong woman who got over all her depressing days.
            
                -Faeza Kazim

If you’re gonna
Die in the apocalypse
Drop out of school
Dump yourself into that little
Ditch you made that was stemmed from
Decades of anxiety and
Depression
You might as well look good doing it.
If your mascara runs in the eternal
Race to your dripping baby chin
It might as well be mixed with the glitziest
Eyeshadow you can afford
(Mine is hand-me-down from my mom,
Who has been called a drag queen too many times
For her to count but somehow
That makes me, her little genderless clown,
Feel connected in some cosmic way
To her ****** again).
Save your pennies so you can
Splurge at the thrift store on
Sweaters that go down to your knees to hide
Vaginas and ****, bits
That maybe you wanna be coy about today,
So all the people spitting in your eye can at least
Trip on your pronouns and your triumphant
*******
Can scrape the heavens.
You’re allowed to buy that tie, I mean
Easing the pain in your wrists and your heart and your stomach
Is done best in floral print,
In pop culture t-shirts,
In femme/butch/femme/hard/soft
**** culture, *** tantrums,
If you’re gonna get called by the wrong ******* name all day
At least look your best when you resist the urge
To send fists sailing into their face.
And it’s not just us but anyone,
If you’re ******* angry that someone keeps commenting on the size of your
Thighs the lush of your
Lips and some ******* keeps
Trailing you on his bike
Shake your studded gloved fist at him and tell him
THIS IS NOT FOR YOU, LORD OF THE *****,
LORD OF THE NORM, I PICKED THESE
FIVE DOLLAR SHOES FROM THE RACK OF GOOD WILL,
SHONE THEM UP LIKE I SHINE MYSELF
FOR MYSELF
WITH MYSELF
I AM MYSELF.

SUN GIRLS: sun-kissed goddesses, some a little darker than others because the sun loves them just a little bit more, writes poetry sitting outside a local coffee shop, always happy all the time, loves the color yellow, wears mom jeans and tucked in t-shirts all the time, is soft and loves love, long hair, mostly in braids or ponytails.

MOON GIRLS: dark circles under their eyes, parties a lot, drinks to forget their heartbreak, red lipstick and black eyeshadow, sleepless nights accompanied by anxiety, owns over 20 different leather jackets, loves adrenaline, risk-taker, a smoker, strong smell of cigarettes and mint gum, smirks a lot, flirty, secretly likes sun girls

you need to live for the little moments.
for dancing in your kitchen all by yourself.
for spinning around in the rain.
for the random bursts of inspiration.
for little adventures in the city, for exploring
and getting lost but
enjoying every minute of it.
for body-positive days, when you decide
that you feel like rocking that almost-too-short dress
and those glittery heels and eyeshadow and that dark red lipstick.
for baking at 2 in the morning.
for having movie marathons, complete
with popcorn and lots of chocolate.
//
for that feeling you get when you discover a new book
that you fall instantly in love with.
for that feeling you get when you stumble across
something you accepted was lost.
for the feeling you get when you can finally play that song
that you've been practicing for hours and hours and
it sounds amazing.
//
for all the times that you'll laugh so hard
you can hardly breathe.
and all the days that you'll spend in that one coffeeshop,
surrounded by people that make you feel okay.
for being able to see the bands that you listen to constantly
live in concert, and your voice getting lost in the crowd
as you all sing along to the song that has kept you
from falling apart time and time again.

you have so much to live for.
but most importantly, you have to live
for yourself.

Having stormed the 2015 catwalks, the 1970s trend is now tilting its felt beret towards our make-up bags. Good news for the party season, when a red lip and a metallic wash on the lids are ideal for anyone who struggles beyond the realms of a slick of foundation, bronzer and mascara.

Because while the era's make-up is rich in glamour, colour and confidence, it's also easy to emulate. So channel Jerry Hall and Diana Ross, and let Alex Babsky, UK make-up ambassador for Lancôme, show you how to get the look with a contemporary update.

Take one (above)

"Choose one element of the glam look - a shimmery or emerald eyeshadow, for example - and temper it with a subtle approach to the rest of your make-up. Think a nod to the 1970s, not Studio 54 pastiche," advises Babsky.

Here, he layered powder over cream shadow, in just one colour, "for more oomph" - using Stargazer Eye Dust in 17 (£4) and Anthony Vaccarello for Lancôme Hypnôse Eyeshadow Palette in Green Fever (£38). The strong eyes are balanced by "soft, liquid bronzer fusing into light, illuminating foundation, with a non-clumpy mascara [Lancôme Hypnôse Volume-à-Porter, £22.50] and natural brow".

Glow show

"The basis for all these looks is a perfected, but barely powdered, slightly sheeny skin finish," says Babsky. Look for an illuminating foundation, such as Lancôme Miracle Cushion (£29.50), which Babsky used here, or apply liquid illuminator underneath your foundation; tryLaura Mercier Foundation Primer - Radiance (£29) or Lancôme La Base Pro Hydra Glow (£28.50). "Leaving your skin with a reflective, 'real' finish allows you to incorporate bold make-up accents without it becoming overdone," says Babsky.

Shining Star

The sticky gloss of the 1970s has been superseded by a new generation of high-shine lip lacquers. "They almost roll on for a super-glistening finish. You don't need to blot, and they are a lot more comfortable on the lips," explains Babsky, who here used Lancôme Rouge In Love lipstick in 185N (£22).

Lighten up

"These are all quite 'made up' party looks, with a shine reminiscent of the glossy 1970s, but with a new lightness," says Babsky. Where 1970s make-up textures were often thick and gloopy, the 2015 version is all about taking advantage of today's finer, more languid textures. "A real must is a cream or liquid bronzer to give winter skin a much-needed moisturising glow," he says.

Here, Babsky used Giorgio Armani Maestro Liquid Summer Bronzer(£39.50) with a fine layer of Lancôme Belle de Teint (£35) over the top.

read more:www.marieaustralia.com/formal-dresses-sydney

www.marieaustralia.com/formal-dresses-melbourne

They didn't listen when I said I was tired
I said that being different was hard
Because my jeans  don't fit right
My actual genes weren't right

And so I came out in comparison to everything
Already didn't have a father to teach me
The skies will cry if he ever tries to reach me
Not knowing who to trust was something girls my age don't worry about

They're far too happy living oblivious
And I question myself off of this-
How do they possibly not know
That they are all the same person?


Same gloss on smooth Pink lips
Smiling a shark smile that they do like kindness
And they name the rainbow by shades of eyeshadow- as if there wasn't enough color

   Girls like that are happy with the same person for a week
And yet I cannot be happy with myself for a day
Then they switch partners because "Don't  worry he's sooo cute!"
  
  I wonder if they are happier naive
And how hard it will be for them when they realize how the skies are actually smokey black
And they've been looking up through perfect eyelashes- but beauty doesn't last

   It must be nice always being average
With a cover girl to cover you sitting next to you
And manicured nails to scratch your way through life

beauty does not come
in lipstick tubes,
in concealer,
in eyeshadow
and liquid eyeliner.

beauty isn't
perfection,
beauty isn't
fashion,
beauty isn't
grabbing everyone's attention.

beauty hides in
the soul of she who faced her fears
beauty hides in
the heart of he who is brave
beauty hides in
a joyful heart
beauty hides in
brokenness made new.

seeing my mother cry

2. people that can't let go

3. anxiety

4. lies

5. thinking about the people I've lost

6. unblended eyeshadow

7. careless people

Alright page…okay, fine, I admit it;
I've been avoiding you.

Your face, beautifully smooth and innocent, reminds
me I have yet to find the time to paint it…so:

I apologise,
to the eyes I should have coated in the eyeshadow of
romance (scorned, loved, lost, lived)
to the cheeks I should have blushed with eroticism
to the ears I should have punctured with anger and
passion and vanity
to the skin I should have smeared foundation over: covering
bad rhymes like concealer over spots (still there, just less obvious)
to the lips which I should have animated with laughter and
sarcasm.

I apologise,
to the body of the poem which never:
Felt the stanza of a corset
Felt the **** lace of an internal rhyme
Felt the bra of a title
Or the shimmering dress of a metaphor

Or the thrill of removing every last bit.

I've missed a million date nights, and I
want to try to fix it.

Please? Despite our marriage of minds, we have drifted, I'd like permission to take our hands on a date once more
Letting the wine of ideas pour between
Sighs of Sibilance
complete contentment

**Tasting the catharsis of your lips

//

if a woman
drops her clothing
and shows what is
too precious to
be shown even on
film,

she has her miranda rights,
her indecent exposure trials
and ever dollar used to bail her
out of a cold cell were they offered
her a hospital gown

but she also has the
eyes that follow her up
the street, asking, begging
to touch
and if that woman says no,
or says nothing
than the woman still has

control of what is done
to her body,
control of every hand that tries to
pry away her god-given
right to be safe in her own skin

//

if a girl decides to
wear a short shirt,
or fishnet tights,
or bright lipstick

that costs anywhere from ninety-nine cents
to ninety dollars,
and she applies it with a heavy hand,
like her mascara and eyeshadow,
then she is still

human, she is still
a valid human being
who does not deserve
your time and voice
to call her a ****
or say something along
the lines of

don't go out looking like that
or you'll get *****
but **** is never,
ever, ever
the fault of the victim

//

if a woman
or girl
decides to cover her hair,
to abide by her
religion, the religion that
held the hands of every woman
in her family,
from sister to great-great-great-great-great

grandmother
she is not a threat
to our country
she is a member of our society,
a valuable and beautiful one, at that
who's culture can guide us
to be even kinder
in the name of god

and if a woman
or girl
decides to long sleeves
and a high-necked top
with a long skirt
alongside her hijab,

she is not matronly,
she is modest,
and modest is as beautiful
as a gucci crop-top
or a pair of sky-high louboutins

//

NOTE FROM THE AUTHOR

*there were men
who were there for us,
who fought for us,
and then now,
there is a man who will fight
us as we march,
so we need to be strong
and support each other,
remember the golden rule,
and know each of our gods
would want this for
our world

I'm not an obvious kind of pretty
I don't have natural blonde hair
Or bright blue eyes
No perky little *****
No gap between my thighs
I don't look like anyone else
I bleach my own hair
Use drug store eyeshadow
Wear dresses from the clearance rack
That show the red bumps after shaving my legs

I have lumps and bumps
Cellulite and pudge
Blackheads and bacne
A recipe for nothing special at all
Just someone average
Who has a bright twinkle
In her **** brown eyes
And curvy hips
That sway in the sun

You have to look close
To see all my beauty
I'm not a model
Or a ******* bunny
Just someone on the sidelines
Watching the models and bunnies
While they get the attention
And I get brushed by
It's not obvious that I'm beautiful
Until you look into my eyes
Until you see my semi-white smile
Then you notice the little moles
The silver scars
The way my body curves
In a voluptuous way
And you see
Just how perfect I am

Put them around mine.

Full of fake happiness.
Tea.
Forced poems.
& eyeshadow.
All as the cars go by.
Of the style.
And demise.
Written weary for the try.
Pretty bi.
Because of course.

Garrett Johnson.

Sometimes,
when the face in the mirror isn't who I want it to be

and those thoughts,
those ******* disgusting worms crawling out of my brain,
to simply drive me insane

I think it's subconscious,
I never quite think it,
before the thought is reaching my hand

A little mascara
brush through my hair

(I want to feel pretty
again)

A dusting of powder
touch up my chapstick

(this face
THIS FACE ISN'T RIGHT
THIS ISN'T THE PERSON I WANT  TO BE-)

-
It's ok to be.
-

Switch up the perspective:


I Will fix my issues,
one brush at a time

A swipe of lipstick
layer eyeshadow

Please don't clump, mascara
Add some concealer

(I NEED TO FIX
THE VOICES IN MY HEAD)

Some brow gel
Some eyeliner.

Top it off
With a



[[I hear voices say,
voices far away
"say cheese!" click]]


I-
I'll be O.K.