FIRST DAY

1.
Who wanted me
to go to Chicago
on January 6th?
I did!

The night before,
20 below zero
Fahrenheit
with the wind chill;
as the blizzard of 99
lay in mountains
of blackening snow.

I packed two coats,
two suits,
three sweaters,
multiple sets of long johns
and heavy white socks
for a two-day stay.

I left from Newark.
**** the denseness,
it confounds!

The 2nd City to whom?
2nd ain’t bad.
It’s pretty good.
If you consider
Peking and Prague,
Tokyo and Togo,
Manchester and Moscow,
Port Au Prince and Paris,
Athens and Amsterdam,
Buenos Aries and Johannesburg;
that’s pretty good.

What’s going on here today?
It’s friggin frozen.
To the bone!

But Chi Town is still cool.
Buddy Guy’s is open.
Bartenders mixing drinks,
cabbies jamming on their breaks,
honey dew waitresses serving sugar,
buildings swerving,
fire tongued preachers are preaching
and the farmers are measuring the moon.

The lake,
unlike Ontario
is in the midst of freezing.
Bones of ice
threaten to gel
into a solid mass
over the expanse
of the Michigan Lake.
If this keeps up,
you can walk
clear to Toronto
on a silver carpet.

Along the shore
the ice is permanent.
It’s the first big frost
of winter
after a long
Indian Summer.

Thank God
I caught a cab.
Outside I hear
The Hawk
nippin hard.
It’ll get your ear,
finger or toe.
Bite you on the nose too
if you ain’t careful.

Thank God,
I’m not walking
the Wabash tonight;
but if you do cover up,
wear layers.

Chicago,
could this be
Sandburg’s City?

I’m overwhelmed
and this is my tenth time here.

It’s almost better,
sometimes it is better,
a lot of times it is better
and denser then New York.

Ask any Bull’s fan.
I’m a Knickerbocker.
Yes Nueva York,
a city that has placed last
in the standings
for many years.
Except the last two.
Yanks are # 1!

But Chicago
is a dynasty,
as big as
Sammy Sosa’s heart,
rich and wide
as Michael Jordan’s grin.

Middle of a country,
center of a continent,
smack dab in the mean
of a hemisphere,
vortex to a world,
Chicago!

Kansas City,
Nashville,
St. Louis,
Detroit,
Cleveland,
Pittsburgh,
Denver,
New Orleans,
Dallas,
Cairo,
Singapore,
Auckland,
Baghdad,
Mexico City
and Montreal
salute her.



2.
Cities,
A collection of vanities?
Engineered complex utilitarianism?
The need for community a social necessity?
Ego one with the mass?
Civilization’s latest *******?
Chicago is more then that.

Jefferson’s yeoman farmer
is long gone
but this capitol
of the Great Plains
is still democratic.

The citizen’s of this city
would vote daily,
if they could.

Chicago,
Sandburg’s Chicago,
Could it be?

The namesake river
segments the city,
canals of commerce,
all perpendicular,
is rife throughout,
still guiding barges
to the Mississippi
and St. Laurence.

Now also
tourist attractions
for a cafe society.

Chicago is really jazzy,
swanky clubs,
big steaks,
juices and drinks.

You get the best
coffee from Seattle
and the finest teas
from China.

Great restaurants
serve liquid jazz
al la carte.

Jazz Jazz Jazz
All they serve is Jazz
Rock me steady
Keep the beat
Keep it flowin
Feel the heat!

Jazz Jazz Jazz
All they is, is Jazz
Fast cars will take ya
To the show
Round bout midnight
Where’d the time go?

Flows into the Mississippi,
the mother of America’s rivers,
an empires aorta.

Great Lakes wonder of water.
Niagara Falls
still her heart gushes forth.

Buffalo connected to this holy heart.
Finger Lakes and Adirondacks
are part of this watershed,
all the way down to the
Delaware and Chesapeake.

Sandburg’s Chicago?
Oh my my,
the wonder of him.
Who captured the imagination
of the wonders of rivers.

Down stream other holy cities
from the Mississippi delta
all mapped by him.

Its mouth our Dixie Trumpet
guarded by righteous Cajun brethren.

Midwest?
Midwest from where?
It’s north of Caracas and Los Angeles,
east of Fairbanks,
west of Dublin
and south of not much.

Him,
who spoke of honest men
and loving women.
Working men and mothers
bearing citizens to build a nation.
The New World’s
precocious adolescent
caught in a stream
of endless and exciting change,
much pain and sacrifice,
dedication and loss,
pride and tribulations.

From him we know
all the people’s faces.
All their stories are told.
Never defeating the
idea of Chicago.

Sandburg had the courage to say
what was in the heart of the people, who:

Defeated the Indians,
Mapped the terrain,
Aided slavers,
Fought a terrible civil war,
Hoisted the barges,
Grew the food,
Whacked the wheat,
Sang the songs,
Fought many wars of conquest,
Cleared the land,
Erected the bridges,
Trapped the game,
Netted the fish,
Mined the coal,
Forged the steel,
Laid the tracks,
Fired the tenders,
Cut the stone,
Mixed the mortar,
Plumbed the line,
And laid the bricks
Of this nation of cities!

Pardon the Marlboro Man shtick.
It’s a poor expostulation of
crass commercial symbolism.

Like I said, I’m a
Devil Fan from Jersey
and Madison Avenue
has done its work on me.

It’s a strange alchemy
that changes
a proud Nation of Blackhawks
into a merchandising bonanza
of hometown hockey shirts,
making the native seem alien,
and the interloper at home chillin out,
warming his feet atop a block of ice,
guzzling Old Style
with clicker in hand.

Give him his beer
and other diversions.
If he bowls with his buddy’s
on Tuesday night
I hope he bowls
a perfect game.

He’s earned it.
He works hard.
Hard work and faith
built this city.

And it’s not just the faith
that fills the cities
thousand churches,
temples and
mosques on the Sabbath.

3.
There is faith in everything in Chicago!

An alcoholic broker named Bill
lives the Twelve Steps
to banish fear and loathing
for one more day.
Bill believes in sobriety.

A tug captain named Moe
waits for the spring thaw
so he can get the barges up to Duluth.
Moe believes in the seasons.

A farmer named Tom
hopes he has reaped the last
of many bitter harvests.
Tom believes in a new start.

A homeless man named Earl
wills himself a cot and a hot
at the local shelter.
Earl believes in deliverance.

A Pullman porter
named George
works overtime
to get his first born
through medical school.
George believes in opportunity.

A folk singer named Woody
sings about his
countrymen inheritance
and implores them to take it.
Woody believes in people.

A Wobbly named Joe
organizes fellow steelworkers
to fight for a workers paradise
here on earth.
Joe believes in ideals.

A bookkeeper named Edith
is certain she’ll see the Cubs
win the World Series
in her lifetime.
Edith believes in miracles.

An electrician named ****
saves money
to bring his family over from Gdansk.
**** believes in America.

A banker named Leah
knows Ditka will return
and lead the Bears
to another Super Bowl.
Leah believes in nostalgia.

A cantor named Samuel
prays for another 20 years
so he can properly train
his Temple’s replacement.

Samuel believes in tradition.
A high school girl named Sally
refuses to get an abortion.
She knows she carries
something special within her.
Sally believes in life.

A city worker named Mazie
ceaselessly prays
for her incarcerated son
doing 10 years at Cook.
Mazie believes in redemption.

A jazzer named Bix
helps to invent a new art form
out of the mist.
Bix believes in creativity.

An architect named Frank
restores the Rookery.
Frank believes in space.

A soldier named Ike
fights wars for democracy.
Ike believes in peace.

A Rabbi named Jesse
sermonizes on Moses.
Jesse believes in liberation.

Somewhere in Chicago
a kid still believes in Shoeless Joe.
The kid believes in
the integrity of the game.

An Imam named Louis
is busy building a nation
within a nation.
Louis believes in
self-determination.

A teacher named Heidi
gives all she has to her students.
She has great expectations for them all.
Heidi believes in the future.

4.
Does Chicago have a future?

This city,
full of cowboys
and wildcatters
is predicated
on a future!

Bang, bang
Shoot em up
Stake the claim
It’s your terrain
Drill the hole
Strike it rich
Top it off
You’re the boss
Take a chance
Watch it wane
Try again
Heavenly gains

Chicago
city of futures
is a Holy Mecca
to all day traders.

Their skin is gray,
hair disheveled,
loud ties and
funny coats,
thumb through
slips of paper
held by nail
chewed hands.
Selling promises
with no derivative value
for out of the money calls
and in the money puts.
Strike is not a labor action
in this city of unionists,
but a speculators mark,
a capitalist wish,
a hedgers bet,
a public debt
and a farmers
fair return.

Indexes for everything.
Quantitative models
that could burst a kazoo.

You know the measure
of everything in Chicago.
But is it truly objective?
Have mathematics banished
subjective intentions,
routing it in fair practice
of market efficiencies,
a kind of scientific absolution?

I heard that there
is a dispute brewing
over the amount of snowfall
that fell on the 1st.

The mayor’s office,
using the official city ruler
measured 22”
of snow on the ground.

The National Weather Service
says it cannot detect more
then 17” of snow.

The mayor thinks
he’ll catch less heat
for the trains that don’t run
the buses that don’t arrive
and the schools that stand empty
with the addition of 5”.

The analysts say
it’s all about capturing liquidity.

Liquidity,
can you place a great lake
into an eyedropper?

Its 20 below
and all liquid things
are solid masses
or a gooey viscosity at best.

Water is frozen everywhere.
But Chi town is still liquid,
flowing faster
then the digital blips
flashing on the walls
of the CBOT.

Dreams
are never frozen in Chicago.
The exchanges trade
without missing a beat.

Trading wet dreams,
the crystallized vapor
of an IPO
pledging a billion points
of Internet access
or raiding the public treasuries
of a central bank’s
huge stores of gold
with currency swaps.

Using the tools
of butterfly spreads
and candlesticks
to achieve the goal.

Short the Russell
or buy the Dow,
go long the
CAC and DAX.
Are you trading in euro’s?
You better be
or soon will.
I know
you’re Chicago,
you’ll trade anything.
WEBS,
Spiders,
and Leaps
are traded here,
along with sweet crude,
North Sea Brent,
plywood and T-Bill futures;
and most importantly
the commodities,
the loam
that formed this city
of broad shoulders.

What about our wheat?
Still whacking and
breadbasket to the world.

Oil,
an important fossil fuel
denominated in
good ole greenbacks.

Porkbellies,
not just hogwash
on the Wabash,
but bacon, eggs
and flapjacks
are on the menu
of every diner in Jersey
as the “All American.”

Cotton,
our contribution
to the Golden Triangle,
once the global currency
used to enrich a
gentlemen class
of cultured
southern slavers,
now Tommy Hilfiger’s
preferred fabric.

I think he sends it
to Bangkok where
child slaves
spin it into
gold lame'.

Sorghum,
I think its hardy.

Soybeans,
the new age substitute
for hamburger
goes great with tofu lasagna.

Corn,
ADM creates ethanol,
they want us to drive cleaner cars.

Cattle,
once driven into this city’s
bloodhouses for slaughter,
now ground into
a billion Big Macs
every year.

When does a seed
become a commodity?
When does a commodity
become a future?
When does a future expire?

You can find the answers
to these questions in Chicago
and find a fortune in a hole in the floor.

Look down into the pits.
Hear the screams of anguish
and profitable delights.

Frenzied men
swarming like a mass
of epileptic ants
atop the worlds largest sugar cube
auger the worlds free markets.

The scene is
more chaotic then
100 Haymarket Square Riots
multiplied by 100
1968 Democratic Conventions.

Amidst inverted anthills,
they scurry forth and to
in distinguished
black and red coats.

Fighting each other
as counterparties
to a life and death transaction.

This is an efficient market
that crosses the globe.

Oil from the Sultan of Brunei,
Yen from the land of Hitachi,
Long Bonds from the Fed,
nickel from Quebec,
platinum and palladium
from Siberia,
FTSE’s from London
and crewel cane from Havana
circle these pits.

Tijuana,
Shanghai
and Istanbul's
best traders
are only half as good
as the average trader in Chicago.

Chicago,
this hog butcher to the world,
specializes in packaging and distribution.

Men in blood soaked smocks,
still count the heads
entering the gates of the city.

Their handiwork
is sent out on barges
and rail lines as frozen packages
of futures
waiting for delivery
to an anonymous counterparty
half a world away.

This nation’s hub
has grown into the
premier purveyor
to the world;
along all the rivers,
highways,
railways
and estuaries
it’s tentacles reach.

5.
Sandburg’s Chicago,
is a city of the world’s people.

Many striver rows compose
its many neighborhoods.

Nordic stoicism,
Eastern European orthodoxy
and Afro-American
calypso vibrations
are three of many cords
strumming the strings
of Chicago.

Sandburg’s Chicago,
if you wrote forever
you would only scratch its surface.

People wait for trains
to enter the city from O’Hare.
Frozen tears
lock their eyes
onto distant skyscrapers,
solid chunks
of snot blocks their nose
and green icicles of slime
crust mustaches.
They fight to breathe.

Sandburg’s Chicago
is The Land of Lincoln,
Savior of the Union,
protector of the Republic.
Sent armies
of sons and daughters,
barges, boxcars,
gunboats, foodstuffs,
cannon and shot
to raze the south
and stamp out succession.

Old Abe’s biography
are still unknown volumes to me.
I must see and read the great words.
You can never learn enough;
but I’ve been to Washington
and seen the man’s memorial.
The Free World’s 8th wonder,
guarded by General Grant,
who still keeps an eye on Richmond
and a hand on his sword.

Through this American winter
Abe ponders.
The vista he surveys is dire and tragic.

Our sitting President
impeached
for lying about a *******.

Party partisans
in the senate are sworn and seated.
Our Chief Justice,
adorned with golden bars
will adjudicate the proceedings.
It is the perfect counterpoint
to an ageless Abe thinking
with malice toward none
and charity towards all,
will heal the wounds
of the nation.

Abe our granite angel,
Chicago goes on,
The Union is strong!


SECOND DAY

1.
Out my window
the sun has risen.

According to
the local forecast
its minus 9
going up to
6 today.

The lake,
a golden pillow of clouds
is frozen in time.

I marvel
at the ancients ones
resourcefulness
and how
they mastered
these extreme elements.

Past, present and future
has no meaning
in the Citadel
of the Prairie today.

I set my watch
to Central Standard Time.

Stepping into
the hotel lobby
the concierge
with oil smooth hair,
perfect tie
and English lilt
impeccably asks,
“Do you know where you are going Sir?
Can I give you a map?”

He hands me one of Chicago.
I see he recently had his nails done.
He paints a green line
along Whacker Drive and says,
“turn on Jackson, LaSalle, Wabash or Madison
and you’ll get to where you want to go.”
A walk of 14 or 15 blocks from Streeterville-
(I start at The Chicago White House.
They call it that because Hillary Rodham
stays here when she’s in town.
Its’ also alleged that Stedman
eats his breakfast here
but Opra
has never been seen
on the premises.
I wonder how I gained entry
into this place of elite’s?)
-down into the center of The Loop.

Stepping out of the hotel,
The Doorman
sporting the epaulets of a colonel
on his corporate winter coat
and furry Cossack hat
swaddling his round black face
accosts me.

The skin of his face
is flaking from
the subzero windburn.

He asks me
with a gapped toothy grin,
“Can I get you a cab?”
“No I think I’ll walk,” I answer.
“Good woolen hat,
thick gloves you should be alright.”
He winks and lets me pass.

I step outside.
The Windy City
flings stabbing cold spears
flying on wings of 30-mph gusts.
My outside hardens.
I can feel the freeze
deepen
into my internalness.
I can’t be sure
but inside
my heart still feels warm.
For how long
I cannot say.

I commence
my walk
among the spires
of this great city,
the vertical leaps
that anchor the great lake,
holding its place
against the historic
frigid assault.

The buildings’ sway,
modulating to the blows
of natures wicked blasts.

It’s a hard imposition
on a city and its people.

The gloves,
skullcap,
long underwear,
sweater,
jacket
and overcoat
not enough
to keep the cold
from penetrating
the person.

Like discerning
the layers of this city,
even many layers,
still not enough
to understand
the depth of meaning
of the heart
of this heartland city.

Sandburg knew the city well.
Set amidst groves of suburbs
that extend outward in every direction.
Concentric circles
surround the city.
After the burbs come farms,
Great Plains, and mountains.
Appalachians and Rockies
are but mere molehills
in the city’s back yard.
It’s terra firma
stops only at the sea.
Pt. Barrow to the Horn,
many capes extended.

On the periphery
its appendages,
its extremities,
its outward extremes.
All connected by the idea,
blown by the incessant wind
of this great nation.
The Windy City’s message
is sent to the world’s four corners.
It is a message of power.
English the worlds
common language
is spoken here,
along with Ebonics,
Espanol,
Mandarin,
Czech,
Russian,
Korean,
Arabic,
Hindi­,
German,
French,
electronics,
steel,
cars,
cartoons,
rap,
sports­,
movies,
capital,
wheat
and more.

Always more.
Much much more
in Chicago.

2.
Sandburg
spoke all the dialects.

He heard them all,
he understood
with great precision
to the finest tolerances
of a lathe workers micrometer.

Sandburg understood
what it meant to laugh
and be happy.

He understood
the working mans day,
the learned treatises
of university chairs,
the endless tomes
of the city’s
great libraries,
the lost languages
of the ancient ones,
the secret codes
of abstract art,
the impact of architecture,
the street dialects and idioms
of everymans expression of life.

All fighting for life,
trying to build a life,
a new life
in this modern world.

Walking across
the Michigan Avenue Bridge
I see the Wrigley Building
is neatly carved,
catty cornered on the plaza.

I wonder if Old Man Wrigley
watched his barges
loaded with spearmint
and double-mint
move out onto the lake
from one of those Gothic windows
perched high above the street.

Would he open a window
and shout to the men below
to quit slaking and work harder
or would he
between the snapping sound
he made with his mouth
full of his chewing gum
offer them tickets
to a ballgame at Wrigley Field
that afternoon?

Would the men below
be able to understand
the man communing
from such a great height?

I listen to a man
and woman conversing.
They are one step behind me
as we meander along Wacker Drive.

"You are in Chicago now.”
The man states with profundity.
“If I let you go
you will soon find your level
in this city.
Do you know what I mean?”

No I don’t.
I think to myself.
What level are you I wonder?
Are you perched atop
the transmission spire
of the Hancock Tower?

I wouldn’t think so
or your ears would melt
from the windburn.

I’m thinking.
Is she a kept woman?
She is majestically clothed
in fur hat and coat.
In animal pelts
not trapped like her,
but slaughtered
from farms
I’m sure.

What level
is he speaking of?

Many levels
are evident in this city;
many layers of cobbled stone,
Pennsylvania iron,
Hoosier Granite
and vertical drops.

I wonder
if I detect
condensation
in his voice?

What is
his intention?
Is it a warning
of a broken affair?
A pending pink slip?
Advise to an addict
refusing to adhere
to a recovery regimen?

What is his level anyway?
Is he so high and mighty,
Higher and mightier
then this great city
which we are all a part of,
which we all helped to build,
which we all need
in order to keep this nation
the thriving democratic
empire it is?

This seditious talk!

3.
The Loop’s El
still courses through
the main thoroughfares of the city.

People are transported
above the din of the street,
looking down
on the common pedestrians
like me.

Super CEO’s
populating the upper floors
of Romanesque,
Greek Revivalist,
New Bauhaus,
Art Deco
and Post Nouveau
Neo-Modern
Avant-Garde towers
are too far up
to see me
shivering on the street.

The cars, busses,
trains and trucks
are all covered
with the film
of rock salt.

Salt covers
my bootless feet
and smudges
my cloths as well.

The salt,
the primal element
of the earth
covers everything
in Chicago.

It is the true level
of this city.

The layer
beneath
all layers,
on which
everything
rests,
is built,
grows,
thrives
then dies.
To be
returned again
to the lower
layers
where it can
take root
again
and grow
out onto
the great plains.

Splashing
the nation,
anointing
its people
with its
blessing.

A blessing,
Chicago?

All rivers
come here.

All things
found its way here
through the canals
and back bays
of the world’s
greatest lakes.

All roads,
rails and
air routes
begin and
end here.

Mrs. O’Leary’s cow
got a *** rap.
It did not start the fire,
we did.

We lit the torch
that flamed
the city to cinders.
From a pile of ash
Chicago rose again.

Forever Chicago!
Forever the lamp
that burns bright
on a Great Lake’s
western shore!

Chicago
the beacon
sends the
message to the world
with its windy blasts,
on chugging barges,
clapping trains,
flying tandems,
T1 circuits
and roaring jets.

Sandburg knew
a Chicago
I will never know.

He knew
the rhythm of life
the people walked to.
The tools they used,
the dreams they dreamed
the songs they sang,
the things they built,
the things they loved,
the pains that hurt,
the motives that grew,
the actions that destroyed
the prayers they prayed,
the food they ate
their moments of death.

Sandburg knew
the layers of the city
to the depths
and windy heights
I cannot fathom.

The Blues
came to this city,
on the wing
of a chirping bird,
on the taps
of a rickety train,
on the blast
of an angry sax
rushing on the wind,
on the Westend blitz
of Pop's brash coronet,
on the tink of
a twinkling piano
on a paddle-wheel boat
and on the strings
of a lonely man’s guitar.

Walk into the clubs,
tenements,
row houses,
speakeasies
and you’ll hear the Blues
whispered like
a quiet prayer.

Tidewater Blues
from Virginia,
Delta Blues
from the lower
Mississippi,
Boogie Woogie
from Appalachia,
Texas Blues
from some Lone Star,
Big Band Blues
from Kansas City,
Blues from
Beal Street,
Jelly Roll’s Blues
from the Latin Quarter.

Hell even Chicago
got its own brand
of Blues.

Its all here.
It ended up here
and was sent away
on the winds of westerly blows
to the ear of an eager world
on strong jet streams
of simple melodies
and hard truths.

A broad
shouldered woman,
a single mother stands
on the street
with three crying babes.
Their cloths
are covered
in salt.
She pleads
for a break,
praying
for a new start.
Poor and
under-clothed
against the torrent
of frigid weather
she begs for help.
Her blond hair
and ****** features
suggests her
Scandinavian heritage.
I wonder if
she is related to Sandburg
as I walk past
her on the street.
Her feet
are bleeding
through her
canvass sneakers.
Her babes mouths
are zipped shut
with frozen drivel
and mucous.

The Blues live
on in Chicago.

The Blues
will forever live in her.
As I turn the corner
to walk the Miracle Mile
I see her engulfed
in a funnel cloud of salt,
snow and bits
of white paper,
swirling around her
and her children
in an angry
unforgiving
maelstrom.

The family
begins to
dissolve
like a snail
sprinkled with salt;
and a mother
and her children
just disappear
into the pavement
at the corner
of Dearborn,
in Chicago.

Music:

Robert Johnson
Sweet Home Chicago


jbm
Chicago
1/7/99

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“What once was only accessible to the rich and famous (and Anna Wintour) can now be yours,” says Gharbi, whose lifestyle concierge company, The VIP Sydney says it can make a front row bucket list wish come true.

“For those with a love of fashion, we have the ultimate experience at the Chanel prêt-à-porter (ready-to-wear) show during Paris fashion week,” Gharbi tells news.

“This access is generally reserved for Anna Wintour, the Beckhams and Beyoncé. Our package includes luxury accommodation, personal chauffeur, front row seating at the show, followed by a personal tour of the apartment of Coco Chanel.

“Sure, there are always tickets for buyers and media at all shows but there are just a very few that are put aside for the top concierge companies in the world, so this is how we have been able to do it.

“If you are a lover of fashion, you can die happy after this once in a lifetime experience for a total cost of 10,000 euro.”

In our money that is just under $14,000, which, for someone with those kind of bucks to chuck around, isn’t actually too bad for what the package promises to deliver.

Mr Gharbi says the package will ‘immerse clients into the world of Coco Chanel and the style of Paris fashion week’.

But if you’re planning on doing it soon, you’ll have to move quick as the Chanel show in Paris this season is happening next Tuesday morning.

After an expansion into the European market with the launch of The VIP Monaco last year, the boss of the Sydney based ‘lifestyle concierge’ company says European contacts and the new Monaco office have made the ‘front row’ experience possible.

The team from The VIP Sydney says it can assist clients from around the world to complete other ‘bucket list’ requirements and according to Gharbi, you could discuss Donald Trump during a private and intimate dinner with Bill Clinton or attend a one-on-one VIP meet and greet with Lady Gaga before her sound check.

“My philosophy is simple,’ 'adds Karim.

“I believe that everyone deserves to be a VIP, how often is up to them. That’s why we are one of the only concierge companies without a membership as we want anyone to contact us at anytime.”

VIP Sydney ‘curates’ packages and experiences for their clients with Ghabi telling news.it has access to events as diverse as the Academy Awards, Met Gala, New York fashion week, Grand Prix races around the world, the MTV Awards, the Victoria’s Secret fashion show and Coachella.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/****-formal-dresses

only wanted to enjoy the same unusual things
with like-minded people

the concierge of dystopia fnording *******
messing around with the octopus
cyberpunk nightmare with blue sky
expect a deluge and then wonder what happened to it

evaporated anxiety due for a downpour
catacombs rented by the hour
she typically cares about those
who don't care about her
abandoning me without consequence
don't ever come back
ungrateful swine of nowhere!

loyalty exists only in a parallel universe
where they locked themselves up
and destroyed the key
they feed the rich and ignore the poor

in the end the strugglers will prevail
and the ones who had it easy will suffer
game shows that punish the ignorant

rage that never ends
scoring infinite points in basketball
and still losing the game

only wanted to enjoy the same unusual things
with like-minded people

I must report the passing of a dear old friend today
I'm not sure when it happened, but I felt I had to say
That the Vegas that's in movies, books, and on TV
Is not the one that you will find, it's not the one you'll see
I know your expectations are of glitter and of lights
Of singers in the lounges that play into the night
The lounges now are empty of the singers and the bands
Instead they're full of djs, and bad magicians badly tanned,
The song that was Las Vegas is not one thats in your head
The one you know with Elvis, is now gone, you see it's dead
The old hotels are gone now, It's not like it was before
The new buzzword in Vegas is now just, MORE, MORE, MORE
It's now a culture aimed at being bigger than the rest
For now it seems that bigger, means you're now known as the best
There's hotels full of bedbugs and the service is the *****
But, the casino doesn't care if there are people in the pits
The strip is nearly two miles long, and almost half is blank
It's like the desert opened up and ten casinos sank
At one end is the Stratosphere, it's got a real cool view
But, because of it's location it's not easy to get to
The Sahara was next closest, but now the Lady's gone
And to walk from this tram stop at night, well I cannot say it's fun
It's dingy and it's ***** and it's not a place to be
I wouldn't recommend this part, it's not a place to see
Freemont Street, The Old Vegas is off the beaten path
It's an hour ride upon the bus, and a taxi...do the math
It's just a place to go to once, there's no reason to return
And if you ever visit here, I think that's what you'll learn
The middle part of the strip is glitzy and spread out
It's kind of close to what Las Vegas is about
It's not all geared to people who have childeren all in tow
These ultra cool casinos is where you might just want to go
The other end is busy, but it's full of gloom and doom
And on every single corner, you can get girls to your room
There's people handing out small cards with women with a price
Who'll come up to your room and well....let's say they don't play dice
On every bridge across the strip, there's beggars and there's hawkers
They're selling everything from cds to bottled dollar water
It's tourist town, a fast food mess, it's Disneyland on crack
There's lots of things to do down here, but you must always watch your back
Did The Mirage **** it?, when Steve Wynn said let's go really huge
Hotels like this were ten times larger than the Moulin Rouge
It wasn't when Hughes came to town and bought the Desert Inn
You know the land that's now the new home of the casino known as Wynn?
It didn't die when Elvis left, it sill was full of life
But at someime since the town has died, it has fallen on the knife
The strip itself is two miles long, but you know that that's not all
In the years since Elvis left, it's become a big strip mall
There's stores here selling plastic , and the people shop in streams
I'm not sure, but to me NIKE is not the Vegas in my dreams
Rolling in their graves, I bet the stars who made this town
Are sitting in heaven or hell, saying when did it go down
There's more shows now of tribute acts and hypnotists galore
And you can find a Circus from Quebec through nearly every hotel door
At some point rigor mortis set into this old girl
I wish they could revive her, at least give it a whirl
There's buffets selling fried foods, obesity....my lord
And if you don't go out to Denny's, the restaurants you can't afford
My mind has got an image of Vegas that is cool
It involves going out late and spending daytime at the pool
You dress to go to dinner, maybe dancing and a show
And the concierge at the hotel is someone you should know
But now, you go out shopping to the outlet in the day
The casinos are all empty, since there's no one left to play
Getting dressed to go to dinner, means you switch from shorts to jeans
And the ways some people act now, well it's borders on obscene.
So, today I'd like to ask you all, for you may know more than I
But, can anybody tell me, just when did Vegas die?

There are never any suicides in the quarter among people one knows
No successful suicides.
A Chinese boy kills himself and is dead.
(they continue to place his mail in the letter rack at the Dome)
A Norwegian boy kills himself and is dead.
(no one knows where the other Norwegian boy has gone)
They find a model dead
alone in bed and very dead.
(it made almost unbearable trouble for the concierge)
Sweet oil, the white of eggs, mustard and water, soap suds
and stomach pumps rescue the people one knows.
Every afternoon the people one knows can be found at the café.

I was sitting on the steps of the wrong building —
two blocks over from The Vermont
awash in gold and the noble lights of the Avenue.

I was drunk,
or, there-abouts.

Isobel was coming.

I was sitting on the steps of the wrong building,
pulling the collar of my Burberry coat against my jaw and ears;
it was November and the concierge came out to ask me
if I’d like to come inside and wait —

“No, I’m good, Sir.”
“Thank you, Sir.”

What was two blocks?

I pull out my cellphone —

“Where are you?”
“My mom’s drunk.”

Code for: “I’m playing therapist.”

I’m almost out —
out of brain cells (really?”
out of patience
out of love
out of “it”
out of time — but,

the curious thing is,
I’m never almost out of money.

I notice him when he stops on the step
I sit on.

He’s a sterling silver chain,
the thin, delicate kind that breaks with a soft tug.

He looks down at me, eyes
the colour of darkened ice,
not softened by the yellow lights
raining down from under the awning.

“Do you live here?”
“Where is “here”?”

He laughs. Smiles. “The Florence.”

He’s beautiful,
the way a poppy is beautiful,
transparent,
saying so much with his flushed cheeks
and dark eyes,
so full of life and resembling something or, someone, dead —

“Lest we forget,” whispered the corpse,
ouvert,
in the slush of Alsace-Lorraine.

He sits beside me, shoulder warm,
firm — he’s a guy, but he’s so ******* beautiful —

I want to touch him,
brush his cheek as if he’s a rose protruding
from the briar, the thorny path —
not pick him, because he’s too beautiful,
too tragic, and I don’t want to **** him; —

“Where do you live?”

He’s smoking like a flower.

I want to lie. I don’t.

“The Vermont.”

His expression doesn’t change,
remains soft, his eyes stay ice.

He looks away.

I’ll uproot him and plant him in richer soil,
I won’t be looking into ice,
no more mirror,
but, the sky after rain,
the soft fragrant grey,
so much light.

“What’s that? Two blocks?”
“Yeah.”

He rubs his face.
He has sensitive skin,
red upon contact with the cuff
of his wool coat.

“I’ll walk you.”
“Please.”

I stand up slowly and breathe in cold air
and vapour.

Out comes alcohol.

“You’re drunk?”
“I was.”
“Your laces are undone.”
“Are they?”

I look down at him,
he’s laughing,
lowering his head at my knees
and I feel something despite myself —

warmth in my chest,
accompanied by a warmth in my abdomen,
tensing.

“I’ll fix them.”

I watch him, shoulders moving under his coat,
and I imagine him higher,
on his knees and,
a little higher,
stop myself with:

“I’m not a child.”

He stops — I stop him.

He looks up;
his lashes are like glass.

“I want to kiss you.”

Séraphine, Vignette nº 7, Le Cercueil

I was on the phone talking to the museum. Ground-penetrating radar had found what looked like a coffin at the Lutetian layer, and they were in the process of digging down to it. I was telling Sylvain to use the new 4K video cameras to record every detail when the doorbell rang. I’d left the door ajar, knowing Madame Pinard, the concierge was bringing by an adjuster to inspect and cut a check for the repair of the leak in the ceiling that had washed away chunks of plaster, now laying on the hardwood floor in the bedroom, exposing the wooden rafters of the attic.

“May we come in Monsieur,” she shouted from down the hall in the foyer. “Yes, Madame, please come in,” I shouted back, with more exasperation in my voice than I wanted to express. “I am on the phone with the musee Madame, please show him to the bedroom.”

I saw Madame and the adjuster come in out of the corner of my eye and turned my head to see them as they walked the stairs to the bedrooms. The adjuster was not a man, but a woman, which was surprising in France. The first thing I noticed about her, was her wide round birthing hips, what the kids, called thick. She wore a long-sleeve white silk blouse, black pencil skirt, and the traditional, obligatory Parisian back seamed stockings. I didn’t make out her face but caught sight of her red hair tied in a tight bun on the back of her head, and the milky white skin of her neck.

“Damien, are you listening,” said Sylvain, the dig manager on the other end of the line. “Yes, I replied, “l was distracted by my landlady bringing an adjuster into the apartment. Yes, I’ll come down as soon as they leave.”

After a few minutes, Madame and the adjuster came back down. The adjuster walked into the foyer to wait. Madame came into the living room and said she’d have a crew out tomorrow to start repairs. As madame turned and walked down the hall, I got a better look at the adjuster. She was pure Celt, with red hair, white skin, dark brown doe eyes that looked black, high cheekbones, and the sharp straight nose of a Greek statute.

Besides her stunning beauty, I noticed her necklace, a traditional golden Celtic torc, which signified the wearer as a person of high rank. I’d never seen a person wearing one. I’d only seen one on a statue, The Dying Gaul in Le Louvres. How so very interesting I thought to myself.  

As she was talking to Madame and turning to leave, she made eye contact. She tilted in acknowledgment and goodbye. I nodded back and she was gone. I wished I could have gotten a chance to talk to her, maybe even ask her for an aperitif at the corner bistro. Oh well, c’est la vie.

-------

I went to the dig at the La Crypt at 12:30-ish talked to Sylvain for a bit and went down to the lower levels to see it for myself. The area was gridded out and several cameras on tripods were recording. The team was within centimeters front the top, and so put down their trowels and used a high-pressure water and suction hoses to remove the rest of the topsoil. The top came into view, the excess water was ****** away. Sponges were used to clear and clean away the mud.

The stone was obviously Lutetian limestone, finely sanded and polished. The lid was craved, which first glance, looked like Norse runes and one Celtic knot. “Take pics and send them to religious studies,” I said half to myself, half to Sylvain. How strange to have Norse and Celt iconography together I thought to myself.

It was late when I exited the metro station. The air was bitterly cold, my breath appearing and disappearing around me like a mystic cloud.

I was tired, exhausted from digging, and was seeing things in the corner of my eye that I chalked up to aberrations of a fatigued mind. That is until I walked past the Boise de Boulogne. In a dark recess, along the tree line, I saw what looked like a faintly glowing woman in a white dress. My first reaction was horror, remembering all the monster movies I’d seen as a child. Then quickly, my adult mind kicked in and rationalized it away as an artsy late night photography session, which is common around Paris. The sting of the cold refocused my attention and I hurriedly resumed my walk home.

I was tired, muddy, and had to take a shower before throwing myself into bed. I showered, dried off, and pulled back the new, thick duvet I’d bought for winter. The moon was full, beaming softly, barely illuminating the dark bedroom, as I cracked opened a window to let a small amount of fresh cold air into the humid stale room.

I slid under the duvet. I liked the cold, it reminded me of camping in the mountains with my old man and being snug in our down sleeping bags as we talked half the night away. I quickly fell asleep.

I half awoke, sensing a presence. I opened my eyes and saw a woman, ****, standing at the end of my bed, enveloped in a faint blue luminescence. She looked at me with big doe eyes. I watched her watching me, trying to figure out if I was dreaming or not.

She crawled on to the bed. I couldn’t feel her as she made her up the bed. She straddled me. I saw glint around her neck and saw she was wearing a torc, and realized who she was.

Her face was centimeters from mine. Her eyes burned with ferocity, intensity, and anger. I looked back up at her, fear welling up inside of me. She looked down at me. Her penetrating eyes, looking into my soul. I could feel her in my head, my mind.

She felt my fear, and without a word, just the look in her eyes, reassured me, calmed me, and my body and mind relaxed as if a nurse had given me a shot of morphine.

She touched her lips to mine, and felt the heat of her beath, smelled her dewy scent. I didn’t move. I knew I was prey. I knew what she wanted, and let her take it.

She slid her tongue into my mouth, and I gently ****** on it. She ****** up my lower lip, biting it playfully. She tasted sweet, fresh, like spring water. I couldn’t get enough of her. I wanted more. I kissed her harder, deeper, and felt myself slide to the edge of sleep, no longer sure what was a dream, or what was real.

She pulled back the duvet, grabbed my ****, and stroked it till it was painfully hard. She kissed it, put it in her mouth, and ****** it. Her head bobbing up and down. She’d stop, bite the head, and use her teeth to scrape up and down the shaft till I winched and yelled out in pain.

I started to moan, my body tightening, and arched, thrusting deeper into her mouth, coming as she raked her nails hard down the side of my chest. To my surprise, she didn’t spit out but swallowed my ***, licking excess from around her lips.

--------

I opened my eyes and was blinded by sunlight streaming in through the open windows and curtains. What the ****, I thought to myself, I never sleep this late. It was always dark when I wake. And the birds, chirping in the trees outside my window, were loud, and grating on my nerves.  

I slowly got out of bed. My body ached, my lower lip hurt, and my **** was sore. I grabbed my **** and immediately released it in pain. It was raw as if I’d had ***. I was definitely confused. My eyes darted from side to side as I tried to make sense and remember last night. I left the dig, came home, showered, and went to bed.

I trudged to the kitchen and made coffee, all the while, racking my brain for some clue as to why I felt like ****. I poured a cup, leaned back on the counter, and sip the coffee. I shook my head, placing my hand on my hip, and felt a sharp burning. I looked down and saw blood on my hand and side. I went to the bathroom mirror and saw fingernail marks down both sides of my chest. I just stared.

I had no idea, no clues as to how these happened. I jumped into the shower and washed off, bandaged up the bleeding scratches with paper towels and tape, dressed, and went to the cafe at the corner.

Despite the cold, I sat on the terrace, ordered coffee, bread, butter, and jam. I looked at my phone. It was 8:08. I looked at my text messages and emails for some clue as to what happened last night.

Breakfast came, and I sipped the coffee, staring out into the street. The waiter walked past me. “Oui madame, what would you like this morning,” he said. “Cafe et croissant,” she said. The waiter turned and walked back inside. I turned my head to the side for a quick look and blinked twice. It was the redheaded adjuster from yesterday.

“Bonjour M. Delacroix,” she said. “Bonjour Madame,” I instinctively replied. There was an awkward pause.  “I am Brigitte, Brigitte Dieudonné,” she said softly.

We small talked over breakfast and when I tab came, paid, and said, “I headed to the office.” “It is the weekend monsieur. “Yes,” I replied, “I work at an archeological dig on Ile de la Cite. The crypte.” “I am headed that way myself, do you mind if I walk with you,” she asked.

We walked to the metro station, down the stairs, through the turnstile, and onto the quay. The train came, the doors hissed open, and we strode in. The train was full of Chinese tourists and it was standing room only. I grab a pole and Brigitte did the same as she squeezed up beside me.

The train jolted forward and Brigitte bumped into me. As the train smoothed out, she kept leaning into me. Her derriere in my crouch. I could feel her body through her coat. I was getting turned on. As the trained curved around a curve, it rocked back and forth. Her *** bumping and grinding against my now hard ****. Could she feel my hard-on through the coats? She half-turned her head a gave me a coquettish smile. She knew I thought to myself.

We exited La Cité metro station, on to Place Louis Lépine. Before I could say anything, she said she’d like to see the dig. “Sure,” I said, and we walked to the La Crypt. We walked down the stairs to glass doors and pass the touristy exhibits and displays, to the back, behind the green painted plywood wall. Sylvain and several grad students were standing over and around the coffin. Two of them were in the pit setting up a portable x-ray machine, one with a still camera, another with a video camcorder, and the rest looking down at their tablets.

Brigitte and I walked to the edge. The coffin’s lid had been clean. The runes and Celtic knot were clearly visible. “Danger, death, mother,” Brigitte said. Sylvain turned his head, and said, “she is right, danger, death, mother according to the religious studies guys.” “How do you know that,” I asked. “It’s in all the teenage vampire movies,” she replied grinning.

“The top one is an inverse Thurisaz, which is means danger. The second one is an inverse Algiz, which means death. The knot is Celtic for mother, and the dot in the heart means she had one daughter,” Brigitte said trailing off.

“It looks you’ve got it under control Sylvain. I have an appointment. Brigitte can I walk you back to la place,” I said.

We walked to la place and stopped at the metro entrance. “Can I have your number,” I asked? “Yes, you may, if you promise to call monsieur Delacroix,” she said smiling girlishly. She took my phone from my hand and typed in her number and dialed. Her phone rang. “I have your monsieur, Delacroix. A bientot,” she said. We did la bise and she was off.

Everyone was lazing around, it being the holidays. The intercom buzzed and Lisa got there first to press answer. “Package, on the way up,” the concierge announced. This time of year, a package could be a late arriving gift, there was interest.

It takes a hot minute for elevator three to get to the 50th floor and in those moments, we waited. The foyer of Lisa’s suite looks like a half circle with three doors. To the left is the library (Michael’s office), to the right is a hall leading to bedrooms and straight ahead is the living room.

Lisa was already at the front door. Karen (Lisa’s mom) came into the foyer from the hall and Michael was heads-up at his desk, when the front door finally buzzed. An iPad sized monitor showed a messenger with a bouquet of flowers. “OOO!” Lisa said, opening the door and signing for it.

“Whad we get?” Leeza asked, flying into the foyer, like a vulture, from the living room and saying, “OOO!” When she saw the flowers, following up with “Who’re they for?!”
“Anais,” Karen said with a grin, reading the envelope as Lisa turned the vase for a 360 view.

I was in the living room playing “Disney Dreamlight Valley” on my Nintendo switch when Lisa, followed closely by Leeza, came in with the flowers. “Oh, WOW,” I said, sitting up when I saw them.
“They’re for YOU,” Lisa said, trying to make it sound all casual, but her grin gave the truth away. Leeza gave a hoot of suppressed excitement when I grinned.

Leeza had her phone in hand and took a picture as I accepted the vase from Lisa, setting it on the coffee table as I opened the card. A moment later Leeza pronounced, “It’s a “Warm Embrace Arrangement.” Gen-alphas can research anything, in moments, from their phones. “It cost,” She started to say, and Lisa elbowed her, “OWW!” She exclaimed, then “175 dollars,” as she completed her thought, rubbing her ribs, and took a seat next to me.

“They’re from Peter,” I revealed, (who really can’t afford to spend $175 on flowers).

A week ago (Tuesday), I woke up in a rage, on a vendetta. My eyes opened, and the world seemed dark, like a newly opened box of slights and irritations. Shadows seemed to reach out and the very air seemed gritty and annoying. I wanted to yell at people and maybe ****** someone.
“Remember last week,” I asked the room, “when I was in a funk?”
“I was a witness,” Leeza said chuckling, “I can confirm.” Lisa just nodded.
“Yeah, I needed to rant and you were there,” I patted Leeza’s knee, “Thanks, sorry.”
“All you listened to for days was Rihanna,” Leeza reported, shaking her head.
“It lasted for two days,” I said, wincing at the memory,” that’s when I sent Peter that message.”
“Ahhh,” Lisa nodded, “I get it.”
“Yep,” I nodded back at Lisa, “got my period the next day, it doesn’t usually hit like that.” I said defensively.”
“That explains a lot.” Leeza grinned.
“But look!” Lisa said, putting her arms out like Vanna White, “You got flowers!”
“Poor Peter,” I said, sighing, “I better call him.”

Leeza (the 13 year old sister of my roommate Lisa) and I are in the building 220 lobby, heads-down on our phones, waiting for Lisa and Peter (my BF). The lobby is huge and deserted except for a lady concierge at the front desk, a security guard and the doorman - all far away from us. This is by way of explaining that our masks are off - mine hanging, useless, on my left ear.

When this unmasked guy, I was grazingly introduced to at last year’s 220-building Christmas party walks up to us and says, “Anais, Hi. You’re back!”

I flinched. I know a lot of people are over the whole mask thing and the covid thing - and have the temerity to risk it all, but I don’t - did I mention flu season or covid variations? Someone unmasked getting unexpectedly up in my personal space is jarring, rude, and on several levels dangerous and scary.

“Oh, hi,” I said. I vaguely recognized him, but I couldn’t remember his name. He’s one of those guys who’s cutely strange looking. He’s short (5’4”) (nothing wrong with that, short kings, you’re valid), his hair’s dark at the roots but blonde tipped (beach-hair?) and when he smiles, and he smiles a lot, his smile looks too big for his face. I remember he’d seemed socially awkward when we met, and Lisa had said his father is someone important.

“Yeah,” I said, with a shrug, “Holidays again.” I briefly bob up on my toes, to glance over Leeza’s head and to my relief, I see Lisa and Peter coming out of the elevator. I decide to mask up and seeing me do it, Leeza does as well.

“I’m sorry,” I said apologetically, “I remember you, but I can’t remember your NAME. I’m an idiot.” I give him my best, ditzy shrug.

He reintroduced himself, “Merritt,” he said, offering his hand and smiling again, still unmasked. As I shook his hand he twisted in Leeza’s direction and said, “Hi Leeza!” She gave him the smallest possible 13-year-old’s courtesy nod.

Peter and Lisa arrived, having masked up. “Merritt, hey!” Lisa said, greeting him warmly. “Have you got senioritis yet?” she asked, cheerfully. “Merritt’s graduating from Brown this year,” she announced, turning to include us all in the good news. “Public policy, ya?” She followed up.
“That’s it,” he confirmed, beaming.
“Congratulations!” I said, nodding.
“Way to go!” Peter added with a “yes” nod.
“Merritt, this is Peter,” Lisa said, taking charge. “He belongs to Anais.” she reported, as they shook hands and exchanged nods. “Merrit,” Lisa said, in a disappointed tone, “I hate to rush off, but we’re in a scramble for a dress fitting,” she lied. Lisa can lie like a politician.

And just like that, in something like 45 seconds she shook-off Merritt - who seems like a very sticky guy indeed - without resorting to mace or anything - Lisa’s got charm.

Thoughts about charm..
My grade, in physics 3 (an A-) was 2-one-hundredths from an A+. I almost certainly (like 85%) could have charmed the professor for that tiny bit. We’ve all seen it done - you put on a self-effacing smile and say, “I’m so close, is there something I can do for extra credit?” But I can’t DO it, physically, I can’t say the words and beg for grades. It’s like I can picture my mom watching me having to beg for something she earned, and I’d be mortified to even try. It’s my small disadvantage, a self-imposed handicap.

Besides, if I did betray my code, there’s the awful chance the professor might say no - and that would **** me.

Lisa, on the other hand, wouldn’t actually have to charm. She’d ask about her grade, periodt. The teacher, seeing there’s something he or she could do for this goddess - would just do it. With no asking involved.

Imagine you’re an airline agent and Beyonce´ stepped up to your station. She has a little problem you could effortlessly fix with a click of your mouse. Would you, do it? Hells-yes you would and before she even asked. “It’s already done,” you’d say - just to have Queen Bey smile at you.

The rest of us have to work at it (sigh) - and take our chances..

Sojourn at the hinterlands of a fog casket
awoken to be suffocated
put to sleep        to dream
within a dream                         the nightmare of a mother's fear

depression is so easy to slink in
so wary of all those palpable sins
like being yourself -

awoken to be suffocated
put to sleep      to dream
with a dream                           the nightmare of a mother's fear
where pink haired ladies
talk about my dissonance

within a dream about the nightmare of my mothers
self punishment -

for birthing me
questioning                if it was the right decision

if I          was born to suffer
this fate

so i wake                  in the land of dead people
who's limbs fall apart
as they're names are called out by the concierge

to my voice as whisper
to my courage bubbling underneath
a mother fearful of coming close
forgiveness is a blessing
and the tears flow

                       out of the eyes of a child onto the cheeks of a woman
who's life was molested by other peoples sanctions
a woman who stood tall for the voice of others    children and elders
who encouraged chance meetings to be themselves via magazine clippings
and a mother afraid to come close
and a child still living the actions of a ghost                 looming at her with wide eyed slanders of " you ****** up , you *******
you **** up at everything"

it's difficult to look               it's like watching someone be strung up
naked
tied to posts
and the spaces between their fingers sliced
their yoni sliced
their ******* sliced
their heart beating wide eyed screaming
silenced.

My mother
who birthed me
whom i respect
for all of her showings
no matter how ****** up

strung up
and the vision is blinding.
and we're both crying
but i don't tell her
because it's lunch time
and she's ****** up again.

The three of us had been travelling
For weeks, and were getting tired,
We’d taken pictures of everything
And our visas had expired,
We got a room in a gloomy house
And we settled down to wait,
For Julie wanted to sleep a lot
While Francis stood at the gate.

For he was the moody, restless one,
And wanted to travel back,
I was just glad to settle down
And dump my heavy pack,
I took a seat at the window ledge
And I read a magazine,
While Julie said that the light was bad,
‘You’ll ruin your vision, Dean!’

It certainly was a gloomy room
And the walls were painted brown,
We’d had to look for the cheapest in
An ancient part of town,
The concierge was a Capuchin
With a tonsure and a cross,
I felt like I had to bow to him
As he passed the keys across.

The room had merely a single bulb
That would only work at night,
And then, it had such a feeble beam
You could hardly call it bright,
But when it lit we could see at last
On the further, darkest wall,
There hung a dusty old painting that
We hadn’t seen before.

It blended in with the wall behind
For the tones were shades of brown,
The face of an old Franciscan who
Was looking sadly down,
But in his eyes was a faint surprise
As of one with mystic deeps,
And Francis said that it turned his head,
‘Those eyes give me the creeps!’

We ate a couple of sandwiches
And we turned in for the night,
We didn’t think it was worth it but
We still turned out the light,
Then I awoke in the early hours
To the sound of cries and shrieks,
The volume gradually rising
As my skin began to creep.

A sudden flare lit the room in there
From the painting on the wall,
The crackling sound of flames devouring
The monk, I was appalled,
And through the flames I could see those eyes
As they bored into the room,
And then, the crackling disappeared
And the room was plunged in gloom.

There wasn’t a sign of damage to
The painting, or the wall,
But a whisp of sulphur and brimstone
Hung in the air, and overall,
While Francis huddled in terror with
His face as pale as sleet,
And Julie couldn’t stop sobbing then
From underneath her sheet.

We snatched our stuff in the morning
And I handed back the keys,
I said, ‘Just who is that picture of?’
The concierge looked pleased.
‘That’s just one of the Franciscans
Who rebelled against the Pope,
He went to the Inquisition then
And they gave him little hope.’

‘Four of the monks were burned out there
As a lesson to the rest,
St. Francis would have approved, they were
Schismatic, at the best,
This is the town the Inquisition
Righted many a wrong,
They burned the recusant catholics
In the square at Avignon.’

Francis had left before us, he
Refused to wait in there,
He wandered out with his backpack and
Stood waiting in the square,
Just as the petrol tanker rolled,
From a worn and faulty tyre,
And the last I saw, he was standing there
Engulfed in a lake of fire!

David Lewis Paget

it's this mentality of the old guard: rekindling the Renaissance of the 1950s and 1960s... they're the originators of English, but the last to receive it... their frustrations against Europe are frustrations against being antiques in the anglophile world dynamics... they're Victorian antiques in a silicon valley of usurped hopes... the easiest route is to blame the Romanian than the Californian... the Empire is long gone and there's nothing to bring it all back... hence the culinary fascination and the need to obstruct morality with plastic surgery... they actually hate American accents (after being saturated with American culture) more than French or Germany variations... i know they do because i came to hating them as much as they do... "they" isn't paranoid: the English! we're getting so much American culture it's only natural that we shun the everyday American accenting of what used to be posh bargaining of Oxford in Harvard... globalisation is another word for a monochromatic adjunct.*

2 Texans looking for
de Wallen in Soho...
              London ain't no
Amsterdam:
  Russian oligarch said:
head to Dubai for answers...
    and so they built
the Zeno towers...
              how they never
reveal little mid-western
America to Europe,
the Harvard ponces are ashamed
of dialects -
     American dialect as in
non-celebratory Scoot -
                  aye            -ish
                         but never the redneck
in 'ollywood
                                   how how how -
never the true believers...
we welcome Disney every day,
we get culturally *****, every day,
you think we like Americans?
   we don't...
we're like the Vietnamese...
                    we threw the Jews out,
but the Muslims came...
              we didn't like that...
the Americans became the equivalent of
Jews...
               the English became the
two-faced concierge -
          we loved the cultural ****...
but when we heard American accents
we thought: thanks for the atom bomb
neurosis! the oh-oops message spreading
to North Korea... hey! you dropped
one first! why tell other people
to not do it?! at least the French
tested in aqua-insulators with Godzilla...
you tested the ******* thing in deserts...
oh sure... we love American cultural
exports...
                 we see a Texan in Soho
after a few drinks we're thinking:
                                                 lynch the
*******.
                          it's this disparity of
being fed a culture that represents
            the lowest ebb of pronunciation...
even the northerners in England
hate American accents more than Cockney;
are these plebs feeding us
the zeitgeist? seriously?
        they can't be serious...
                    they have enough enough
actors to be acclaimed as foreign affairs
policy makers by censoring the diversity
of the rainbow of American accents...
   even a Croat accent in English
         (famously part of a football team)
doesn't seem so annoying as a
    niche American accent spoken to
an Englishman...
            Texan for one...
                     hybrid Californian another...
Mid-Western and even though
i'm not English i'm titillated by
donning a red coat.

She sits on the chair
her wavy hair
still neatly in place
putting on her stockings

as he stands
with his back
to the window
gazing at her

she pauses
her fingers holding
the stocking tops
and looks at him

and says
in her sluttish French
do you want me
back tomorrow?

there is a draught
from the window
touching his naked back
sending a shiver

along his spine
sure
he says
but make it a little later

the wife’s got
a show to see
and she doesn’t leave
till just after 8

ok
she says
pulling up
the stocking

and fixing it
to the clip
shall I bring anything
with me?

no just yourself
he says
and maybe wear
that tight skirt

and creamy blouse
and those black stockings
she stands
and pulls down

her slip
to cover
her underwear
and looks around

for her dress
look
he says beware
of the concierge

she’s a nosey old biddy?
she asks
biddy what is that?
just be careful of her

he says
don’t let her
see you leave
or she’ll tell

the wife
oh I see
sure I will be careful
of the biddy

she says
picking up her dress
from the chair
by the bed

and as she turns away
he studies
her neat ***
the way she climbs

into the dress
her hands so quick
in movement
the finger so precise

like those of a pickpocket
and he sees her leg rise
the stockinged leg
the fineness of the thigh

then she turns toward him
and she smiles
and she starts
on the other leg

and he wonders
what his wife would say
if she came in now
how’d she’d look

then it’s over
the dame’s dressed
puts on her coat
and picks up her bag

and takes the money
he’d put on the desk
and shoves it
into the bag

and sighs
and leaves
and as she goes out
the door

waggling her ***
he knows
he wants her back
some more.

There's something nostalgic about
The smell of
Cigarettes in the rain.

I am reminded of
Nights bleeding over into
The morning
Inhaling whiskey
                        and
Exhaling nicotine

Bonfires on the beach
Only...
I've wandered away from
The fire
My feet sinking deeper
Into dark, cold sand
The cool water only slightly
Tickling my toes

I think of
Waking up
In unknown houses
Unknown apartments
Unknown beds
                        With
Unknown people
Trying to recount
What just transpired.

I recollect
Faces that have
Come and gone
Dancing
                        and
Laughing
About what?

I couldn't tell you.

In the midst of it all
I feel
An emptiness
A hole
Pain and
Also nothing.

I feel nothing.

Yet still
Years later
A 3 AM hotel concierge
Reeking of cigarettes in the rain
Can bring it all back

Whiskey
                        Bonfires
Cold feet
                        Blurred friends(?)
Laughing                        and
                        Hopelessness.

Course smoke in a downpour
Nicotine in the mist
How could I ever miss a feeling like this?

Il y a des natures purement contemplatives et tout à fait impropres à l'action, qui cependant, sous une impulsion mystérieuse et inconnue, agissent quelquefois avec une rapidité dont elles se seraient crues elles-mêmes incapables.

Tel qui, craignant de trouver chez son concierge une nouvelle chagrinante, rôde lâchement une heure devant sa porte sans oser rentrer, tel qui garde quinze jours une lettre sans la décacheter, ou ne se résigne qu'au bout de six mois à opérer une démarche nécessaire depuis un an, se sentent quelquefois brusquement précipités vers l'action par une force irrésistible, comme la flèche d'un arc. Le moraliste et le médecin, qui prétendent tout savoir, ne peuvent pas expliquer d'où vient si subitement une si folle énergie à ces âmes paresseuses et voluptueuses, et comment, incapables d'accomplir les choses les plus simples et les plus nécessaires, elles trouvent à une certaine minute un courage de luxe pour exécuter les actes les plus absurdes et souvent même les plus dangereux.

Un de mes amis, le plus inoffensif rêveur qui ait existé, a mis une fois le feu à une forêt pour voir, disait-il, si le feu prenait avec autant de facilité qu'on l'affirme généralement. Dix fois de suite, l'expérience manqua ; mais, à la onzième, elle réussit beaucoup trop bien.

Un autre allumera un cigare à côté d'un tonneau de poudre, pour voir, pour savoir, pour tenter la destinée, pour se contraindre lui-même à faire preuve d'énergie, pour faire le joueur, pour connaître les plaisirs de l'anxiété, pour rien, par caprice, par désœuvrement.

C'est une espèce d'énergie qui jaillit de l'ennui et de la rêverie ; et ceux en qui elle se manifeste si opinément sont, en général, comme je l'ai dit, les plus indolents et les plus rêveurs des êtres.

Un autre, timide à ce point qu'il baisse les yeux même devant les regards des hommes, à ce point qu'il lui faut rassembler toute sa pauvre volonté pour entrer dans un café ou passer devant le bureau d'un théâtre, où les contrôleurs lui paraissent investis de la majesté de Minos, d'Éaque et de Rhadamanthe, sautera brusquement au cou d'un vieillard qui passe à côté de lui et l'embrassera avec enthousiasme devant la foule étonnée.

- Pourquoi ? Parce que... parce que cette physionomie lui était irrésistiblement sympathique ? Peut-être ; mais il est plus légitime de supposer que lui-même il ne sait pas pourquoi.

J'ai été plus d'une fois victime de ces crises et de ces élans, qui nous autorisent à croire que des Démons malicieux se glissent en nous et nous font accomplir, à notre insu, leurs plus absurdes volontés.

Un matin je m'étais levé maussade, triste, fatigué d'oisiveté, et poussé, me semblait-il, à faire quelque chose de grand, une action d'éclat ; et j'ouvris la fenêtre, hélas !

(Observez, je vous prie, que l'esprit de mystification qui, chez quelques personnes, n'est pas le résultat d'un travail ou d'une combinaison, mais d'une inspiration fortuite, participe beaucoup, ne fût-ce que par l'ardeur du désir, de cette humeur, hystérique selon les médecins, satanique selon ceux qui pensent un peu mieux que les médecins, qui nous pousse sans résistance vers une foule d'actions dangereuses ou inconvenantes.)

La première personne que j'aperçus dans la rue, ce fut un vitrier dont le cri perçant, discordant, monta jusqu'à moi à travers la lourde et sale atmosphère parisienne. Il me serait d'ailleurs impossible de dire pourquoi je fus pris à l'égard de ce pauvre homme d'une haine aussi soudaine que despotique.

« - Hé ! hé ! » et je lui criai de monter. Cependant je réfléchissais, non sans quelque gaieté, que, la chambre étant au sixième étage et l'escalier fort étroit, l'homme devait éprouver quelque peine à opérer son ascension et accrocher en maint endroit les angles de sa fragile marchandise.

Enfin il parut : j'examinai curieusement toutes ses vitres, et je lui dis : « - Comment ? vous n'avez pas de verres de couleur ? des verres roses, rouges, bleus, des vitres magiques, des vitres de paradis ? Impudent que vous êtes ! vous osez vous promener dans des quartiers pauvres, et vous n'avez pas même de vitres qui fassent voir la vie en beau ! » Et je le poussai vivement vers l'escalier, où il trébucha en grognant.

Je m'approchai du balcon et je me saisis d'un petit *** de fleurs, et quand l'homme reparut au débouché de la porte, je laissai tomber perpendiculairement mon engin de guerre sur le rebord postérieur de ses crochets ; et le choc le renversant, il acheva de briser sous son dos toute sa pauvre fortune ambulatoire qui rendit le bruit éclatant d'un palais de cristal crevé par la foudre.

Et, ivre de ma folie, je lui criai furieusement : « La vie en beau ! la vie en beau ! »

Ces plaisanteries nerveuses ne sont pas sans péril, et on peut souvent les payer cher. Mais qu'importe l'éternité de la damnation à qui a trouvé dans une seconde l'infini de la jouissance ?

In the most quiet voice possible while still being heard
Whisper to yourself a secret out loud, and with a smile.
Please, let it be your own, and not one you've kept for another.
Don't break a promise on my account.

Now, breathe. As if you weren't before-- good, like that.
Do you hear that now? Has the loudness returned to sound?
What was the secret? Not specifics, give me broad themes.
Did it involve a regret, something to have been done and not said?

Your secrets are mine, too. We share them now.
For what paupers we are we are rich in schemes.
Pathological lovers, and our smiles wider than opened meadows.
They might flood this town one day, turn it into a lake.

Did you forget to say, 'I love you'
You shake your head, your mouth quirks.
Eccentric lips kissed to heed a platitude.
Are you breaking up with me?

Why does hope feel restless and final,
does that feeling make sense the way I described?
Is it the contemporary nervousness known as anxiety?
Do you know a healthy person? Are they nice people?

Are you still with me? Willing to listen and reply,
Follow through on my few dictations with glee.
Now that I have your attention it's the last thing I want.
Everything I desire is meant to be unprompted.

If that's true then why did I leave my own surprise birthday?
Oh. Because it's an annual occurrence. There's nothing spontaneous in an anniversary.
Is spontaneity the key to my happiness, or is impulse? How related are the two words?
It's legal to marry your first cousin where I'm from, but we don't talk about that.

Sorry, I'm back. To the whispered secrets again, yes.
But, alright, hold on, I think I have something here for myself.
Is spontaneity the key to my happiness, or is impulse?
Do we lose choice if we're influenced, or ill? Only if you're cited a 5150.

Lost the thread, and mine, too. I'm sorry, this was meant to be for you.

Forgot what I was saying, can you repeat the last thing back to me?
No, before this and that, before I went quiet.
Right. Yeah. I remember now. I'm tired, get the **** out.
But don't leave me, please.

---------------

Morning, darling. Did you sleep well? Were your dreams strange?
Sorry to cut you off, I'd like nothing more than to listen, but I also have images,
the likes from which I cannot wake. Didn't Joyce make a similar remark,
No, his was about history. Am I a plagiarist for having ever read?

Neanderthalic poets were the best, I don't care for their new verses as much.

Brush the slept hair from your face because I saw it in a movie once.
Am I cliche for repetition? Pretentious for lowering myself in the lake
to see the creatures nipping at my toes? I didn't see anything down there.
It's too dark.

"Got a light?"
Scoffing a denial like I'm a better man. It's 2017, who even smokes anymore?
My thoughts are the myriad of flaws in my personality. Each one a used **** ******.
Adrenalinic joy pulsed into a tight fit devoid of any semblance of human contact.
That's my way of saying I hate myself, and the thoughts I think.
"Be happy. Smile more. Travel the world."
So I can be depressed in Egypt with more wrinkles in the old age I didn't want to reach?
This actress has phenomenal range. Who is she again? No, the brunette.

Who gives a **** about a blonde anymore?
I'd like to see her deliver some of my written lines, if you catch my drift.
No, I actually want her to play this character I've been writing.
Is my libido tarnished, or am I still recovering from an assault that only exists in my mind?

Stop talking, you're drowning out my favorite part.
Sorry, nevermind, we lost the station. Look, the state line.
White noise and static. I don't know the radio outside of town.
Why aren't we listening from our phones? I needed the nostalgia to feel bad about my choices.

Yes, it worked. It always does. Kissing cousins get found out,
and I wear my impulses as a tattoo sleeve. That is as scarred wounds on my forearms.
And thighs.
And once my neck, but it healed clean as an only slightly lighter shade of skin.
It took two weeks to heal. The grief from having to continually hide it kept me feeling fine.
Maybe I need to lie, more.
This isn't a picnic for me either. Implying picnics are worthwhile events and not cornerstones of an America that was painted into existence by Norman Rockwell.
The irony of hobos using the same red and white sheets to bundle their lives
as the ones used to create a slice of Americana cheaper than the cardboard cutout
apple pies at your local grocer. Is that even ironic?

**** the bourgeoise. Said a white teen.
Where dead end roads are called cul-de-sacs.
No, I won't judge this family further for your smug confirmation bias.
They are good people and you don't deserve them.
Who cares if dad is an accountant, or that mom is a criminal defense lawyer?
That daughter is addicted to the dopamine of comments and likes.
That son is a *** addict in training, and his next week's girlfriend will regret her nights spent.
Which one is worse? Let's dissect their lives.

They didn't choose their station. Or when it'd all turn to static and scratches.
"Change the station. Turn the dial."
To what? It's all white noise and radio signals, and it's being cut down through the air.
The density of space is frightening.
Did you know neutrinos don't interact with matter in the ways that a photon does?

Oh yeah, tell me about your dreams. I think I've calmed myself enough to nod my head,
with a crooked smile that barely shows my teeth. This is my listening expression.
It worked on our first date when I pretended to be interested in your major and we ****** after
bad garlic bread and cheaper wine. You weren't easy, neither was I.
But we had a fever together and needed to sweat out our impurities.

You told me to take the ****** off. Didn't even know I put one on.
What a minx you were, -- oh, right, your dream. So, what happened when you opened the door?
Oh. You woke up? But, wait, what was behind the door? Where did it lead? Was it locked?
Who directed you to the door, the concierge from that hotel we stayed at during our trip to--
Where was that again? Didn't that guy have a mustache, though? You said the one in your dream--
Yeah, right, of course, I'm sorry.

She brushes her hair before bed. Puts on this mask that smells of avocado.
Tastes nothing like it. Yes, I tried it. Twice. I've huffed kerosene with better flavour.
Oh, it's very bold, has legs. It'll swirl in your nasal cavity for days after you breathe it in,
if you breathe in deep enough. What's the point of getting a shallow high?
Now I think I'm getting somewhere, I desire depth.

Sorry, what were you saying?
Oh. You are leaving me? But the cheap Italian dinners we had.
I think you're overreacting, that doesn't sound right.
Okay, yeah, but. No, I mean-- well, no, there's-- No, but.
Fine.
I'm fine. I'm sorry.

Where did it go wrong? I should have known when she wanted me raw.
Nobody sane wants that from me. Maybe it was when I told her I hated her mother.
She hates that ***** too, the **** am I thinking? Clearly it was when I forgot
the tea she bought from the yearly festival in the hay maze.
We sought to get lost.

Maybe it wasn't a one thing, but the overall of these events.
Occurrences accumulate, and memories carry over into the next day.
Like when she woke first after our supposed one night stand,
and instead of quietly creeping from my bed, which I woke to expect
the lukewarmness of knowing there were two, instead she laid there and watched me sleep.
That bothered me to no end, because in my dreams I have no say in how I look.
What if my brows were comically arched, or expressed an emotion I wasn't feeling.
What if she saw the twitch I took a year during middle school to correct after I was teased.
I failed, a decade of quiet self-ridicule for a muscle that took it upon itself to act without thought--
"Did you know your cheek sometimes droops down as if you've suffered a stroke?"
No, I didn't know that, I've only lived with my face as long as I've known you so I appreciate your observations.
Still, I smiled, and pulled her closer without the thought of gravity.
Now she was letting me go.

We need to unify and get to the root of the problem.
There are four main forces in nature;
electromagnetic, strong nuclear, weak nuclear, and gravitational.
The crux is the unity of conventional with quantum. We don't understand gravity
as it works in a world that relies on thought experiments and metaphor to be
perceived by the general public.
**** the Copenhagen interpretation.

So, she woke up and watched me sleep. She stayed with me in bed and we did nothing but
cure ourselves of sicknesses we had yet to ever diagnose. She asked me where I got my scars.
With the gleam of a subtle sadist she traced them with her fingertips, then her lips.
What a peculiar woman. Why did she ever agree to marry me?
Wait-- no, why is she leaving me is what I should be asking.
Is it the baldness? Doubtful, she's who told me to shave it off in college when it went premature.
She found other places to dig her fingers into me. She was resourceful.
Why is this in the past tense, she's left me, not died.

Why am I feeling surprise when I've anticipated her dislike for me since we shared a Cabernet
I mispronounced when ordering. Why do I only reflect on the one dinner when we had hundreds?
We still have that old bottle. I bought the whole **** thing at the time not knowing you could
purchase by the glass. Looking back I wonder if she took that as a sign, that I wanted her drunk
to ****. Or did she sense my mistake and instead embolden me with the scaffolding needed to
keep up the facade of my crumbling masculinity?

As we got older together we poured more expensive wines into that bottle. It was a whole ordeal.
Every single time, from one bottle to another poured down a slide, which at first we made from stock paper, but then she saw a funnel in the store. We called it our little slide of heaven,
and down came manna.
Even during dinners where we had friends over, their pretensions worse than mine,
we'd simulate an uncorking of a better wine with an app on our phones.
You can download a lot of different sounds.
Our old Cabernet was a twist off.
And we'd see the eyerolls, and pour them a finger less than the rest. Romance deserves alcohol.
And the romantic need it most.

We wrote our own vows. For our marriage, that is, and we renewed them every two years.
We agreed to do that years before the idea of marriage was anything more than a thing
we told ourselves to comfort each other in the idea that the future is anything worth pursuing.
*******, how did we ever make it out of ours 20s with the thoughts we shared?
You crooned to me, once, it was this night where we had walked down to the playground a short half mile from your apartment. I mean, sure, we went there a lot, but this night was different.
Even you agreed the wind blew in a direction that felt strange. We couldn't figure out why
our scarves were billowing in our faces-- do you remember how you tore yours from your neck?
And with all the punctuation of an engagement ring being thrown at the accused you threw
the scarf I bought for you after a three week deliberation on whether the fabric blend would make you itch or if the colour I chose would clash instead of match whatever it was you wore, and it got caught in the wind without the embrace of your beautiful neck and we watched in the dim quiet
of a streetlight glow as the scarf disappeared into the rest of whatever was that way during night.

It took entire moments after we watched it go for either of us to speak. You crooned, like a kettle on a hob, or the hungry moans of a wolf scavenging the last remnants of life in the world, your regret for what you did. You apologized to me, and almost fell to your knees from passion
for your plea. Asking to be forgiven by me.
As if I cared about the money, or the colour. I only worried about your neck and decolletage.
It was cold, and a half mile is a long way to walk without a scarf when you expected to have one.

Instead of giving you mine we shared the one I wore.
Praise Solomon for the nuclear family, because to him divorce meant separation.
So we engineered a response to either of us being a have-not and we became socialists.
You didn't even have a toothbrush at my place, and the only thing we shared was an enjoyment
for ******* with people. Yet, wrapped as mummies in a romantic comedy we stumbled as nervous kids in a three-legged race back home.
Home. Where it was to us then. Your second floor, four bedroom apartment. Or my town house, whose rent was cheaper from a grad student's suicide the semester before.
I lived alone, because I'd tell gullible people stories of ghosts.
You helped me with the idea when I was afraid of having a roommate move in.
They left in tears. We laughed, and proceeded to **** on the floor where he died.
At least, I think it was a he. Is that sexist of me?

"Anybody can **** in a graveyard." I said for pillowtalk,
and that subtle sadism came back to your eyes, and it parted your lips.
But you never said a word.

How about the time.
Remember when?
Of course you do, you were the second billing in the same film as me.
But of course you've made a decision. Who am I to disagree?
Is this the part of the script where I fall to my knees?
Will it count if it's not done as earnestly as I actually feel?
Roleplay always excited me, but did you take my fetish too far by pretending to love me all this time?
I didn't want you to change.
But we grew older together. You barely aged, and I swear you got taller.
Idyllic and ideal, the small town feel of a front porch. And back yard.
Is your Eden elsewhere, Eve? Tell me and we'll leave. I swear to you we'll be okay.
That was something I told you anytime you were upset at something more serious than not.
Anytime you were actually in need, and not only wanting more attention.
It's weird how we come to sense the others in our lives. The conformity of time spent together.
Boarding schools make kids gay. I never knew you, did I?
Of course I did. If not, you're a remarkable actress. You should come to a casting session I'm holding.
In this fantasy I'm a ****** Hollywood producer with enough money to front confidence, and enough debt to break two knees. Meanwhile, in the time before I end up presumed missing and buried shallow in a desert somewhere, I go around and **** the fresh from Kansas teenage girls that get off the Greyhound around the corner from my house.
My ******* God. You're so ******* tight. Jesus ******* Christ.
Sometimes I'd use your actual name in the moment, too heated to remember my own direction.
Take two.
Three.
That's a wrap, we're finished for the day. Until dusk then, my love.

"Oh my god, hon. I was kidding." And she kissed my cheek.
"You're stuck with me, I'm afraid. Plus, the divorce laws in this state are ****.
I wouldn't get anything from you."
You smiled wide and stared at me in expectation.
"Yeah, of course, I knew that."
Why did I feel as if I had been drowned?
Why did that feeling keep me buoyant?
I'm sorry.

.

White Cliffs of Dover now sponsored in daydreams
Reading each billboard that rusts on the sky
Checking a map though it’s for the wrong city
She sends a smile to the wink of his eye

Overhead cords hang to signal a stopping
Pulled like a kite that is fighting a breeze
Setting his watch as if time is most urgent
Tiny the gesture to put her at ease

Anxious she strums atop metal and leather
Songs in her head dance at half past the price
Suddenly yanks as the trees are enormous
Grabbing her bag she does not ask him twice

****, screams the brakes and some passengers flying
Coffee and biscuits collide in the aisle
Fixing her hair like a debutante princess
Waits on the door and then exits in style

A tip of his hat to the fatherly captain
Treading deliberate, the stairs leading down
Adjusting his jacket lapels till they’re even
Spun, is her skirt as a fine evening gown

Coughing a hairball, the old engine rumbles
Sigh, moan the bi-folds directed to close
Noticing now that her left hand is empty
Lifting a stone from the shoulder, she throws

Causing a crack in the bug spattered windshield
The bus driver digs for his insurance card
Grumbles a curse word, his bible forsaken
Just a small pebble and not tossed so hard

She stands at the portal awaiting admission
Watches each eye as she fumbles about
Cheers to herself when her fingers meet plaster
Knows all too well it is no time to shout

Apologies gifted like Christmas in August
Promising beer with a head made of foam
When she appears on the exit step lower
In her left hand she now clutches her gnome

Into the lobby of lemon cake ceilings
Chandeliers glisten like ***** champagne
A tap on the bell wakes the concierge sleeping
“That was my dream!” comes his groggy complain

Currency shoveled the counter of granite
Not yet a bride nor a non-shaven groom
Still it is felt like a pink feathered boa
Lovebirds want cages, these two need a room

Holding his hand as they shuffle the staircase
Ornate the copper reflecting her grace
Wearing a smile that is sheepish and woolen
What waits the night paints the look on her face

He calls the bed, fears his ankles are swollen
She shuts the door to their quarters superb
Then slightly opened for placard replacement
Written in English reads, Do Not Disturb

The iron bedstead creaked and the buckets underneath the leaks up in the ceiling gave us a feeling, of being on a movie set,
the flicker of light from the candle,waxed magnificent across the film of grime,a window to another time,a line up in the make up shed,the freshly made up bed,everybody said,
'down in the Hacienda where the cockroaches defend ya, against the desert rats,where nocturnal bats then eat the desert rats,you'll feel at home,

No coffee bar,no public phone,no concierge,you're all alone and feeling tender and that is life down in the Hacienda.

We took a walk through tumbleweeds and in this town that leads us to despair,we found we did not care,we two, were already there,at the end,where cockroaches could not defend against the things that lived within,the sin that kept us pinned against the ropes,the hope we had against all hopes that somehow we'd escape,be free,could settle in obscurity.

This Hacienda is the place where you must meet your demons face to face,unearth the things you'd rather not,
down in the Hacienda is where we learnt a lot,stopped the rot,oiled the bed,noted what was said,
but it's hardly worth it going to, the Hacienda just to view,you have to go and do,to see and be the changes that are made,
and as the Hacienda fades into another scene and plays into another screen,I lean across to her to share a kiss.

The tinge of secondhand cigarettes fill the air,
Meshing with the scent of a stale motel.
The waft of solitary *** lingers on the unmade beds.
The dilapidated roofing, cracked and chipped,
Threatens to fall on its ghostly residents,
Who care little for the subpar shielding,
Which lets in the acid rain and crumbs of insulation.
The outside, which was once filled with children
Blowing bubbles, filling the moving air with floating life,
Now rests as a statue grey, unnerving in stasis.
Behind the front desk stands the concierge-
As timeless as the cobwebs in the corners and
Dust on the grandfather clock, long since unmoving.
"He was once a great man, as tall as Yggdrasil itself"
Residents were once told.
Now he stands grey and hunched,
As his residents lay sedated and soft.

Spent time with a new friend today
I asked her if I could help
This is what she had to say
"Why yes Dear, take me over to the concierge desk
I just arrived here to stay"
I pushed her wheelchair over to the nurses station
Where her finger pointed me to go, as we headed that direction
She told me she heard this was a four star Hotel*
She needed to get her suite number to know
Her spirit was exuberant
Full of delight
It made my mind wander
Perhaps God invented Alzheimer's
To protect our minds from fright
I remember my Papa
How towards the end He would forget that he was in pain
It was quite a blessing
*To be "insane"

Outside, cars drive by
Revving their engines
Tyres heaving and sighing
Cicadas chirping a rhythmic tick in the park
Crickets nearby, abuzz, filling the sound
The Botanical Gardens lures the suntanned and glistened
It is humid! So I’m told
I sit at my desk. The helm of this wonderful building
Residents drift in and out past me
Offering sweet smiles and gestures
Ibis visit, picking out the bugs of the terracotta façade
Two Indian Myna Birds build a nest in the canopy
I am mesmerised
A rainbow light streams in across a beautiful artwork
Did Mr Piano know that that this light beam would cut across the lobby for me to see?
The keys are in order and checks done. Mr Reed got his paper.
The building sits solid as the seasons pass.
Breathing calmly as it’s heart beats for a very long time.

The Bronte Manor is for the timid possum of this world.
Not the classic women its name invokes,
A hotel for those who play dead.
Men cast out from homes or never reeled into them, in the first place.
At night, the marquee flashes  r nt  Ma o  

Empty beer bottles collect outside the front door,
A crystal chandelier lays heavy on the carpet of the foyer.
The concierge long ago replaced by a night-keeper,  
Who makes his living crossing out the days of men and
Keeping his blinders on to miss the man slumped over

On a couch of cotton candy purple, once the color of royalty.
With its back turned towards the plate glass window,
Cracked,
Split,
Covered in spit.

A lanky old man slinks sidelong through the crooked doorframe,
eyes heavy, unfocused.
He misses the wraith of his nameless neighbor, shadow by.
A body that has nested in the room next to his
for three thread-bare years.

They rent by the week,
but monthly at a discount, when they have it.
The silence lingers
broken only by the rattling of solitary doorknobs
and dead-bolts.

The Heraclee sky was a lurid, neon blue but the morning was surprisingly cool (at 54°). The antemeridian sun managed to cast sharp, surreal, black-hole shadows, giving the world a baroque art look, as if we were strolling through a Rembrandt painting, where everything is defined by shadows.

The lavish breeze, coming up off the Mediterranean Sea, seemed compressed and frantic, as if trying to flee the choppy, sapphire water. Tall marsh grasses waved back and forth, as if to unheard music, reminding me of 60-thousand swaying arms at the Taylor Swift concert.

Higher up, the wind played with feather-like clouds, making them seem to rise, fall and spill over each other in their race for the horizon. On the beach, there were ten or more colorful, elaborate kites - the French love their multi-wired stunt kites.

There was a dragon, a multi-color WWI biplane, there were bird kites, an octopus and a swooping butterfly. We watched them for a while, from a hill. “I’m going to get one of those,” Peter said, dreamily (for use on the Malibu beach his parents' modest home overlooks).

A little later, Peter and I decided to bike down to the beach from the hotel. The idea was valid but the bikes, seeming leftovers from World War 2, shook and rattled like percussion instruments as we made the death-defying plunge down the steep, uneven stone-laid path. We were laughing, screaming and half convinced we’d die by the time we reached the bottom.

Once there, a snooty concierge said, “That is NOT the bike path.” Which seemed hilarious. When Peter replied, dead faced, “We’re American,” as if that were an internationally understood pass for being stupid. It made us laugh so hard we couldn’t look at each other for a couple of minutes. I don’t know which hurt more, my bottom or my side.

As our guffaws were dying down, Charles arrived on the bike path.
“Why’d you do THAT?” (take the wrong path) he asked, with a tone of irritated censure.
“There was a sign,” I argued, gasping for air from my still doubled up laughing position, “that said ‘Bike Path?’" my voice rising like a sarcastic question.
“You didn’t notice the ten-inch tall, blue arrow under the words pointing to the bike path?”

Sometimes Charles can be extra over - as in overprotective and over-reactive.

As Cherles and I wrangled away, Peter stood patiently by, waiting. He doesn’t argue with Charles, he says he finds the 6-foot-3-inch, retired NYC policeman a little intimidating.

“Don’t be ridiculous,” I said, dismissively, “he’s a big ‘ol teddy bear.”

A Baby comes into the world  
In a warm blood of thick mortality
The concierge of Devil's property
Satan with no chill out of snowy hell cries
Pay your rent to have a peaceful Earth
the very day baby takes in air
I know you want to live in a womb forever
You need to know the hope you bring
To the one who carry you in a 9malt of labour
So be strong to end an unending race little one

Fortonuate palms skim the dogeared surface
Of the snakes and ladders without clear direction--

Hot tea and foggy glasses. Familiar lips
That look as young as ever when they smile.

Sun melting in the clouds like mollases
While the breeze lifts and plays with

Our clothes.

Hollow words served as concierge
For this used up body-- orbs and a silhouette,

That's all you get as it's all I was perceived as

And all I've left to give.

But here I don't have any will to offer.

I've gave you everything and how peaceful

It is to be contempt replaying another day.

השואה גוססת...the Sho'ah is dying

©  STEPHAN PICKERING / חפץ ח"ם בן אברהם
30 Sivan 5778 / 13 June 2018
revised:
1 Tammuz 5758 / 14 June 2018
2 Tammuz 5778 / 15 June 2018
3 Tammuz 5778 / 16 June 2018

I.

and cantillated poetry -- memory being
automatic editing -- may not be enough.

what was not a reality
may never be a reality,
may never be a memory. soon,
survivors will be silent, and
the concierge of film and tape
and books will whisper
in library corridors.

the villanellesque windows of
constantly chanting 'disaster' and
'master' are shattering,
an amphigouri of shadows and
mirrors...

II.

I stand on the balconies of quantum
strings: Auschwitz made my
forebears more Yehu'dit than Moshe.

No one
bears witness for the
witness.
-- Paul Celan, 1971. Speech-grille
& selected poems [trans. Joachim
Neugrosche] (E.P. Dutton), 1-255 (241)

the horizon is grey, in
Poland 2018, the ash still creating
a haze, specks on the leaves,
the shoulders, the watch face on
my wrist having no hands...

III.

how is the memory of a paternal
relative kept 'alive'? she remains like
a flickering match growing fainter
in what will be a night of
receding possibilities,
shadows be-ing alongside
my own. I have one colour 1941
photograph of her.  like salt held
on the tongue
she is carried in my mind.

she would not, a decade later in
Rosemead, speak of the
Kingdom of Night.

one of the fading blue
numbers stamped (not tattoed)
on her left forearm in 1942 was
a four.

she would stare intently into
my eyes, turn her arm over,
the four becoming a chair...
it was Garcia Lorca in 1928 who said
'verde que te quiera verde'...

she loved green, even the green stained
gargoyles she was painting in Paris...
on a sidewalk caught up in a christianist
SS roundup 16 July 1942, the Rafle du
Velodrome d'Hiver, her painting
fingers crushed. soon she was on a
rattling box car in August 1942, sent
to the East...

she was gone in 2006...but her dreams
are still in me...

IV.

teaches Reb Ya'akov Glatshteyn...

Like a tiny candle over each grave,
a cry will burn,
each one for itself.
'I am I' --
thousands of slaughtered I's
will cry in the night:
'I am dead, unrecognized'.
-- Ya'akov Glatshteyn / Yankev Glatshteyn
/ Jacob Glatstein, 1987. 'I have never
been here before', p. 111 in: Ya'akov
Glatshteyn, 1987. Selected poems
of Yankev Glatshteyn [ed./trans. R.J. Fein]
(Jewish Publication Society), 1-215
[Yiddish & English]

V.

let us compell trolls among us
to remember that, at its peak,
their grandparents' vaticanist
Auschwitz was burning 12,000
of us every 24 hours...

when it was happening
sound still reaches us in 2018.

and yet.

when it was happening,
few were listening, but now it is
bashert / inevitable my soul
hears nothing else.

the 'orderly' minds of the
trolls among us are well-tended
cemeteries without
gravestones.

the fire escapes are covered
with psilocybin spores.

long after midnight, when the
darkened carnival is awake,
there are survivors at the
seder table awaiting the
Missing One return with Her
Sefer haZohar, pick up the
empty cup.

the underside of every leaf
is fear, shadows gathering
at the foot of our beds,
transforming gristle into haze,
made real by Hebrew letters
and syllables.

TO BE CONTINUED

'When I am in the darkness,
why do you intrude?'
-- Shabtai Zisel / 'Bob Dylan', 1978

*****



STEPHAN PICKERING / חפץ ח"ם בן אברהם
Torah אלילה Yehu'di Apikores / Philologia Kabbalistica Speculativa Researcher
לחיות זמן רב ולשגשג...לעולם לא עוד
THE KABBALAH FRACTALS PROJECT

IN PROGRESS: Shabtai Zisel benAvraham v'Rachel Riva:
davening in the musematic dark

IV.

Victoire ! il était temps, prince, que tu parusses !
Les filles d'opéra manquaient de princes russes ;
Les révolutions apportent de l'ennui
Aux Jeannetons d'hier, Pamélas d'aujourd'hui ;
Dans don Juan qui s'effraie un Harpagon éclate,
Un maigre filet d'or sort de sa bourse plate ;
L'argent devenait rare aux tripots ; les journaux
Faisaient le vide autour des confessionnaux ;
Le sacré-coeur, mourant de sa mort naturelle,
Maigrissait ; les protêts, tourbillonnant en grêle,
Drus et noirs, aveuglaient le portier de Magnan ;
On riait aux sermons de l'abbé Ravignan ;
Plus de pur-sang piaffant aux portes des donzelles ;
L'hydre de l'anarchie apparaissait aux belles
Sous la forme effroyable et triste d'un cheval
De fiacre les traînant pour trente sous au bal.
La désolation était sur Babylone.
Mais tu surgis, bras fort ; tu te dresses, colonne
Tout renaît, tout revit, tout est sauvé. Pour lors
Les figurantes vont récolter des milords,
Tous sont contents, soudards, francs viveurs, gent dévote,
Tous chantent, monseigneur l'archevêque, et Javotte.

Allons ! congratulons, triomphons, partageons !
Les vieux partis, coiffés en ailes de pigeons,
Vont s'inscrire, adorant Mandrin, chez son concierge.
Falstaff allume un punch, Tartuffe brûle un cierge.
Vers l'Elysée en joie, où sonne le tambour,
Tous se hâtent, Parieu, Montalembert, Sibour,
Rouher, cette catin, Troplong, cette servante,
Grecs, juifs, quiconque a mis sa conscience en vente,
Quiconque vole et ment *** privilegio,
L'homme du bénitier, l'homme de l'agio,
Quiconque est méprisable et désire être infâme,
Quiconque, se jugeant dans le fond de son âme,
Se sent assez forçat pour être sénateur.
Myrmidon de César admire la hauteur.
Lui, fait la roue et trône au centre de la fête.
- Eh bien, messieurs, la chose est-elle un peu bien faite ?
Qu'en pense Papavoine et qu'en dit Loyola ?
Maintenant nous ferons voter ces drôles-là.
Partout en lettres d'or nous écrirons le chiffre. -
*** ! tapez sur la caisse et soufflez dans le fifre ;
Braillez vos salvum fac, messeigneurs ; en avant
Des églises, abri profond du Dieu vivant,
On dressera des mâts avec des oriflammes.
Victoire ! venez voir les cadavres, mesdames.

Du 16 au 22 novembre 1852, à Jersey

Students everywhere feel a close relationship with summer. It develops early and you never lose it. It’s durable.

Let's  poeticize..
It was a youthful summer of unblemished mirth.
In play, our youthful hours were freely spent.
We bore such idleness - we were indulgent.
Until Lisa confessed she was less so content
and longed desperately for a ‘wholesome reunion’
with her love (Dave) and to resume that courtship in the same
fevered spirit as when they last parted, in Paris.

“Life’s complicated,” Lisa offered, at the end of our talk.
“So complicated,” I agreed.
It’s amazing how quickly a plan can coalesce.

ANNND, we’re back in Manhattan, at Lisa’s (parents) 50th floor residence.
I asked Karen (Lisa’s Mom) once, “If you own this (a floor of a building) is it called an apartment, a condominium..,” my voice faded on the question.
“A residence,” she answered after a moment’s thought. She’s a lawyer.

Georgia got too hot. Not to dwell on the grotesque side of girlhood - but enough sweat already.
Shakespeare (Henry IV) wrote, “sweat extraordinarily, if it be a hot day.” Yep, done that - for really.

In lieu of all our pains, we now want AC, high-end amenities, constant concierge services and stunning views.
We’ll be back in New Haven in nine short days - and back in class in eighteen.
Call 911, someone’s stolen our summer!
.
.
Songs for this:
New York City Serenade by Bruce Springsteen
New York State of Mind by Billy Joel

Aah! look at your Majestic Mind,
The source of your Pride,
The concierge of your Dreams,
Your Mistress since Childhood;

Lo! see its Beauty in Naked,
In all the Material,
In all the Moral,
Yes!!! that's your Marker as a Human;

Bravo!!! of the pure genius in you,
You finally made out your identity,
creating a marker of self;
from the Oozy ****** miracle;

Alas, little did you comprehend,
the Irony underlying all of this,
For the judgement comes from the Ugly ooze,
with the verdict Never to underestimate Humanity's stupidity;

C'était en octobre, un dimanche,
Je revenais de déjeuner ;
Vous jouiez au lit, toute blanche,
Vos cartes dans votre main... franche,
Qui commence à les retourner.

Vous faisiez une réussite ;
Est-ce pour voir si je t'aimais ?
Est-ce la grande, ou la petite ?...
Vous avez dit haut, pas très vite :
« Les cartes ne mentent jamais ».

Au fait, pourquoi mentiraient-elles ?
Elles n'ont aucune raison,
Vous me faisiez des peurs mortelles,
Et... fixant sur moi vos prunelles :
« Une femme dans la maison. »

C'était vrai de vrai, tout de même !
Je ne dis rien et me tins coi.
Mais je dus paraître... un peu blême.
C'était une femme que j'aime,
Je ne veux pas dire pourquoi.

Puis vous parlâtes de concierge,
Car vous voyiez mon embarras.
Ah ! je vous dois un fameux cierge !
Bien que l'autre soit encor vierge
De l'enlacement de mes bras.

J'aime tout autant vous le dire
Et jeter ma faute au panier,
Belle sorcière... de Shakespeare :
La vérité, c'est ton empire,
Je n'essayerai pas de nier.

Il me faudrait faire un mensonge,
Ce qui te déplaît tellement
Que j'en frémis lorsque j'y songe...
Le temps a passé son éponge
Délicate sur ce moment.

Ah ! si ce n'était qu'une femme !
Si ce n'était qu'une maison !
Mais j'aime avec la même flamme
Et la demoiselle et la dame
Sur tous les points de l'horizon.

Toujours à la piste, aux écoutes,
Au guet, partout, sans respirer,
Je les suis, sur toutes les routes.
Si je ne les désirais toutes,
Je ne saurais vous adorer !

Oui, quand ainsi j'ai vu la femme
Pour toutes sortes de raisons...
Et je ris bien au fond de l'âme,
Nous avons à Paris, Madame,
Tant de femmes dans les maisons !

Where is that daunting monster
Boogie man in life’s shadow
Master mentor and concierge
Whose touch I’ve come to know

To you I’ll waste no breath
Beauty is not long and septic
My daunting docent of death
Midwife to misery, work quick

What small dignities remain
Strung of vomiting seconds
Cultures a pearl of great pain
To ferry a man of no direction