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Heirlooms

Jun 2017

One day, parkouring through my uncles two story apartment,

I was drawn naturally to his desktop computer

upon which I found his OkCupid Dating profile.

I don't remember his username, Or anything about the site really,

But I remember the head-shot of a beautiful woman

framed above the desk

the sterile grey Rubbermaid totes behind me like caskets, 

How they made even the hardwood floors

look like they were holding in the dead.

For my Grandmothers birthday

my family gathered at Captain Newicks

her favorite seafood restaurant.

My uncle flirted with the waitress.

I don't think I've ever gone to a restaurant with my uncle where he

didn't flirt with the waitress.

Captain Newicks went out of business shortly after that dinner

followed shortly by my grandmothers life.

the relationship between my uncle and that waitress expired well

before both my Grandmother or Captain Newicks.

I remember asking my grandmother about my Uncle.

Tarots Fool would have predicted

my grandmothers eyelids

a silent prayer before her words.

He had two children by his first wife,

keeps a portrait of her above his desk.

She was a blessing on the family

Selfless amd loved by every one.

She took her own life

Spread her wings to break free from the cage He kept her locked in.

He buried his heart in her casket,

motorcycles, empty bottles

had a third child by a second wife

who buried her heart in drugs and strangers.

Amanda was 6 years old when her mother died.

my uncles wife. Her brother josh was 3

when she died my uncle wanted to put them both up for adoption

he didn't.

Their mother died on the 20th of September

a week after her 25th birthday.

their mother once bought a bunch of carnations

with a dead rose in the middle

and said "it looks like I'm dead".

she took a bottle of pills before going to a chinese restaurant

went out as a family

and collapsed at the table.

she was rushed to the hospital

she didn't make it.

their mother wasn't happy

her and my uncle were getting divorced at the time

lived in the same house that I grew up in.

when my uncle told the kids mommy wasn't coming home

my mother was 17 

and there to see all of it.

When my mother was 17 

she had to watch her baby cousins be told their mother had died.

When my grandmother passed.

grief bounced off of my uncles callouses

ricocheted to my cousins, robbed 

twice now of a selfless mother.

The tragedies in my family

have always enthralled me.

like shakespeare sonnets

I breath them into my faithless nights

tap an extra dream-catcher on my bedpost

in space of a prayer.

When The hearth-fire of our family dimmed 

a tealight in my grandmothers eyes.

grayed, Glossed.

she could no longer crochet 

one big dysfunctional quilt, 

together from our families yarn.

without her needle, 

I was determined to watch how our life spun forward.

The next time I saw my uncle,

He offered me a job.

Thick mosquito blinded us as we carried our sweat 

with Rubbermaid totes into a blue two story home 

deep in the evergreen thickets of Maine.

a tall white fan rotated slowly back and fourth 

Cooling the wet patches on our T-shirts while my Uncle 

flirted with the landlord

I still remember when my uncle tossed me the truck keys

the look of terror I gave him

How easy it was for him to trust

I guess when your heart is buried in a casket 

you stop worrying who has your keys.

It makes me remember

when my daughter asked for my keys 

I would sit her in the drivers seat

watch her pretend to drive.

I loved imagining her free

living how she wanted.

I still wouldn't give her my keys.

she would turn my car into a casket.

It makes me remember

when that little girls mother asked me to drive

My words spun portcullises

prison bars forged in anxiety

scaffolding out of latex secrets

Glued with siren smiles, pacifier kisses

denying cigarette smoke on her breath

fueling infernos in my head.

when my uncle handed me his keys without hesitation.

my religion was insulted by his tough skin.

I felt his simple kindness 

like a splash of holy water. 

saw in me, the devil 

caging a woman like property

holding her hostage 

out of fear.

And yes 

when She could drive she left me

And yes 

when she left me she took her daughter.

every morning 

cereal bowl of pills, I **** myself

keep a poster of my mothers face 

covered in bruises 

behind the tiny orange bottles 

to remind me why I do it.

wake up twice, 

first as Phoenix, dying

second as a watcher, writer and admirer.

callouses are not to protect us from the outside at all.

Callouses harden our bodies into caskets.

Hold in all our dead.
Ari Feb 2010
there are so many places to hide,

in my home at 17th and South screaming death threats at my roommates laughing diabolically playing  videogames and Jeopardy cooking quinoa stretching canvas the dog going mad frothing lunging  spastic to get the monkeys or the wookies or whatever random commandments we issue forth  drunken while Schlock rampages the backdrop,

at my uncle's row house on 22nd and Wallace with my shoes off freezing skipping class to watch March  Madness unwrapping waxpaper hoagies grimacing with each sip of Cherrywine or creamsicle  soda reading chapters at my leisure,

in the stacks among fiberglass and eternal florescent lima-tiled and echo-prone red-eyed and white-faced  caked with asbestos and headphones exhuming ossified pages from layers of cosmic dust  presiding benevolent,

in University City disguised in nothing but a name infiltrating Penn club soccer getting caught after  scoring yet still invited to the pure ***** joy of hell and heaven house parties of ice luge jungle  juice kegstand coke politic networking,

at Drexel's nightlit astroturf with the Jamaicans rolling blunts on the sidelines playing soccer floating in  slo-mo through billows of purple till the early morning or basketball at Penn against goggle- eyed professors in kneepads and copious sweat,

in the shadow tunnels behind Franklin Field always late night loner overlooking rust belt rails abandoned  to an absent tempo till tomorrow never looking behind me in the fear that someone is there,

at Phillies Stadium on glorious summer Tuesdays for dollar dog night laden with algebra geometry and  physics purposely forgetting to apply ballistics to the majestic arc of a home run or in the frozen  subway steam selling F.U. T.O. t-shirts to Eagles fans gnashing when the Cowboys come to town,

at 17th and Sansom in the morning bounding from Little Pete's scrambled eggs toast and black coffee  studying in the Spring thinking All is Full of Love in my ears leaving fog pollen footprints on the  smoking cement blooming,

at the Shambhala Center with dharma lotus dripping from heels soaking rosewater insides thrumming to the  groan of meditation,

at the Art Museum Greco-fleshed and ponderous counting tourists running the Rocky steps staring into shoji screen tatame teahouses,

at the Lebanese place plunked boldly in Reading Terminal Market buying hummus bumping past the Polish  and Irish on my way to the Amish with their wheelwagons packed with pretzels and honey and  chocolate and tea,

at the motheaten thrift store on North Broad buried under sad accumulations of ramshackle clothing  clowning ridiculous in the dim squinting at coathangers through magnifying glasses and mudflat  leather hoping to salvage something insane,

in the brown catacombed warrens of gutted Subterranea trying unsuccessfully to ignore bearded medicine

men adorned with shaman shell necklaces hawking incense bootlegs and broken Zippos halting conversation to listen pensive to the displacement of air after each train hurtles by,

at 30th Street Station cathedral sitting dwarfed by columns Herculean in their ascent and golden light  thunderclap whirligig wings on high circling the luminous waiting sprawled nascent on stringwood pews,

at the Masonic Temple next to City Hall, pretending to be a tourist all the while hoping scouring for clues in the cryptic grand architect apocrypha to expose global conspiracies,

at the Trocadero Electric Factory TLA Khyber Unitarian Church dungeon breaking my neck to basso  perfecto glitch kick drums with a giant's foot stampeding breakbeat holographic mind-boggled  hole-in-the-skull intonations,

at the Medusa Lounge Tritone Bob and Barbara's Silk City et cetera with a pitcher a pounder of Pabst and a  shot of Jim Beam glowing in the dark at the foosball table disco ball bopstepping to hip hop and  jazz and accordions and piano and vinyl,

in gray Fishtown at Gino's recording rap holding pizza debates on the ethics of sampling anything by  David Axelrod rattling tambourines and smiles at the Russian shopgirl downstairs still chained to  soul record crackles of antiquity spiraling from windows above,

at Sam Doom's on 12th and Spring Garden crafting friendship in greenhouse egg crate foam closets  breaking to scrutinize cinema and celebrate Thanksgiving blessed by holy chef Kronick,

in the company of Emily all over or in Kohn's Antiques salvaging for consanguinity and quirky heirlooms  discussing mortality and cancer and celestial funk chord blues as a cosmological constant and  communism and Cuba over mango brown rice plantains baking oatmeal chocolate chip cookies,

in a Coca Cola truck riding shotgun hot as hell hungover below the raging Kensington El at 6 AM nodding soft to the teamsters' curses the snagglesouled destitute crawling forth poisoned from sheet-metal shanty cardboard box projects this is not desolate,

at the impound lot yet again accusing tow trucks of false pretext paying up sheepish swearing I'll have my  revenge,

in the afterhour streets practicing trashcan kung fu and cinder block shotput shouting sauvage operatic at  tattooed bike messenger tribesmen pitstopped at the food trucks,

in the embrace of those I don't love the names sometimes rush at me drowned and I pray to myself for  asylum,

in the ciphers I host always at least 8 emcee lyric clerics summoning elemental until every pore ruptures  and their eyes erupt furious forever the profound voice of dreadlocked Will still haunting stray  bullet shuffles six years later,

in the caldera of Center City with everyone craning our skulls skyward past the stepped skyscrapers  beaming ear-to-ear welcoming acid sun rain melting maddeningly to reconstitute as concrete  rubber steel glass glowing nymphs,

in Philadelphia where every angle is accounted for and every megawatt careers into every throbbing wall where  Art is a mirror universe for every event ever volleyed through the neurons of History,

in Philadelphia of so many places to hide I am altogether as a funnel cloud frenetic roiling imbuing every corner sanctum sanctorum with jackhammer electromagnetism quivering current realizing stupefied I have failed so utterly wonderful human for in seeking to hide I have found

in Philadelphia
My best Ginsberg impression.
Odd Odyssey Poet Sep 2023
Heirlooms, heirlooms drawing me
back into memories
I stored my heart in them, tucked away
in that bedside drawer
And like the rest; I've fallen asleep on
their comforting dreams
Growing up, as they've grown up to have more
value through these hidden years- a beautiful investment

So, know that I'll never forget that first love we
once shared, trapped in my consciousness
I've come to learn, I've learned to share the lessons,
and the lessons have been taught out of love
Safely stored in the drawers of consciousness,
a well made beautiful investment, I'll always recall
for tomorrows heirlooms
Antino Art Aug 2019
I am the only Asian in this bar right now.
Be my friend!
I will check the box of your social diversity quota.
Granted, I only speak a mispronounced fraction of
my immigrant parents' native tongue.
Ala Jackie Chan, I do not understand the words coming out the mouths of anyone on that massive continent (Russia included) that I appear to be more or less from.
But, I do eat spaghetti with chopsticks.
I am mystical as
fox, or Kitsune, in Japanese folklore.
I can hit you with wisdom worthy of a fortune cookie as fast as Google can tell you that the Philippines is nearly 2000 miles away from China. I want to say I'm from an exotic island where they play basketball in sandals and drink soda from plastic bags- like, A-level material you could make a movie out of in Slumdog Millionaire fashion and get awarded for your romantic portrayal of poverty you think is three worlds away from home. But nah, I'm just a kid from South Florida. Paved driveways and cul de sacs. But I do pump both fists in the air watching Manny Pacquio PPV fights on a bootleg stream. Beyond that, I'm probably the worst Asian there is. Not the crazy rich kind with a PHd. I dropped out of engineering after one semester and cannot solve a rubix cube. I never learned kung fu. Though I'm learning to face the adversity of becoming a single parent after my daughter's home broke in two. I write marketing proposals to pay the rent and poetry to fight without fighting in the spirit of Sun Tzu. My eyes do not slant in the direction of your narrative. I once ran in a pick up game where I caught the nickname of Yao Ming. Yao, I am 5 foot 8. Though I fall short of expectation, I can still check your diversity box on the way down and do a cool pen spin after to punctuate my intellectual prowess. I also happen to own an assortment of Japanese swords made in China, which I intend to use as heirlooms. This is what cultural colonization looks like: me, in a bar, the last samurai standing confused in an age of melting pots, Korean tacos and Asian slaw made by corporate imposters with names like PF Chang. What in the slaw is Asian? I wish I knew!  I wish I knew the true value of my heritage to be worthy of carrying it forward. Like how my grandfather planted a Malonggay tree in our backyard whose leaves my mother would pick and boil to make tinolang manok -the Filipino version of chicken soup- as a weeknight staple on our dinner table. I can barely soft boil an egg for instant ramen. Or how my motherland's socioeconomic gap tooth smile is so wide that it drove over 10 million of its native sons and daughters off its shores to find work overseas as servants on cruise ships and hospitals to feed the families they barely get to see. To follow their trail blazing footsteps, let me be the second generation tipping point where some form of cyclical tradition breaks. That way, I can raise my daughter free of predetermined scripts. So as the worst Asian in this or any bar, cheers:
to being the first of a new kind.
Isaac Middleton Feb 2016
a wise old sage from Louisiana, smoking cigarettes,
—which i stole one from that same pack later that day
and smoked it and almost threw up
behind the kind old episcopal woman’s house,
who the sage and i were living with in Memphis in july,
because we both were working on a stage somewhere in town
and we needed a place to stay a while, to watch summer rise from spring,

and i needed a place for you to **** me,
     my phantom,
     you, who, countless times, the Louisianan sage warned me about,
and the old episcopal woman hopefully knew nothing about,

   who, chanting truths of freedom and songs of singularity,
      white-haired, rose-gardening,
solitary and
    alone and
       buried alive
    in the walls of her house,
surrounded by her memories,
like the coffee mugs i accidentally stole
    when I left in August,
which, as it turns out, they were heirlooms of her dead mother’s—
    i cracked them all, i believe—

the louisianan sage, who once tasted the sweat of New Orleans’ blues jazz soul,
      now sitting across from me in the episcopal lady’s back porch,
                sipping coffee from one of her mugs
that i eventually took and inevitably cracked,
      this sage told me wide-eyed through cigarette smoke,
              seeing visions in the june blue sky,
‘the truth hurts. but a lie hurts more.’

the smoke rose to the clouds above our heads
like a sacrifice to god, and i rose with it,
and told him about september eighteenth.

and what it felt like to die
and come here.
I believe it was the sawdust of summer when I found your voice in a shadow of a song it reminded me of my past hurt. You sang so beautifully of lilacs and photogenic water, you build harmonies powerful enough to save angels in a storm.

Quickly I caught on and held tight to your butterflies you called lyrics. You spoke of love like you had a doctrine in it. I thought for men love was a learning curve. You proved me wrong. You did not just create music and magic you birth colors out of sound and called them stories.

You blurred the lines between reality and fantasy. I bet your music is similar to the way God speaks. I bet you discovered a guitar inside of a black deity and the piano inside of a white devil's broken heart.  

Prince, I bet you can play anything even the fossils of flowers.
Your music is an endless drug, a purple high. Listening to you made me feel like all four seasons cuddled up with a kiss.
Tell me when did you get tired of playing love songs?

When did balancing the moon and a microphone become all too much for you? Who choked the life out of your vocal chords? ****, I would give almost anything to hear you live again! To wear your songs in my ears like Heirlooms.  Oh Wait, I think I get it. Is this how you go beyond means of self to teach us dead silence is music too?
veritas Jul 2018
i hail from heat, heat
in the heart and in the home, in the head and in the heel of the
sword that swings for both justice and action.
i inherit this love, this life and these virtues like heirlooms.
i inherit this boldness from you
i inherit the air of a highborn lady, while not without the humility of a low born daughter from you
i inherit gentle hands of craft into fists of rage and fire that melt away sorrows from you
i rise and fall, for from you
i breathe.
unspoken it was passed down, and yet it stirs and whispers to me in my bones of
ancient thought and force,
passed down from kin to kin, from one blood to another of
temperance and will
that flow like tradition—
a book written on age-old sandstone pressed eons below the earth,
text mapped in bloodlines over a body, not alone. never fading.
you bid me to rise from dust and ashes into the woman of your forging,
and so with a kiss between my brow for
farewell and fortune
i may live with your light tucked into my heart,
because my inheritance lives within me.
a belated mother's day gift, because i never really know what to give.
Sanded down,
handed down
heirlooms
for boardrooms.

Directors prospecting for
antique positions,
commission based,
cyanide laced contracts,
small print that annihilates,
dilating the pupils ,restrictive
and
pencils that scribble out names in
a ledger.

Forever indebted,
a debit individual.
All residual profit
reinvested,
future proofed
heirlooms.
AJ Robertson Feb 2013
laying on the table
burnt out,
contorted fossils
your lineages penises

dried up artifacts
lying in wait,
lined up neatly
                 10 in total
                 a collection regal
arranged for a visitor to see

my father
his father
& his before

crispy yams worth their weight in gold and in favour

'As you see Douglas was exceptional. . .
If you've ever read the first chapter at least of Virginia Woolf's 'Night & Day', this might make sense to you.  But maybe still not. .  .
Barton D Smock Apr 2013
a costume party in my father’s house.

     my mother
in her Sunday best.

little old
hermetic
me.

loudest brother
in the attic
with a stick.
in his mouth.

     my most housebroken
sister?

basement, on a stack of bibles.

other siblings, non locals, dogs, my father…

all in the mind
of your private

nudist.
Timothy Moore Apr 2015
With a warm load of folded laundry under my chin
I head toward Daniel’s sock drawer
Pulling on the carefully crafted handle I see
My grandfather cutting and planning the cherry tree
Dropped by Hurricane Carol in 1954
Wood shavings fall about his work boots as he
Shapes each panel, never using a ruler, all by eye
Boxing the frame, sizing the drawers, sanding surfaces
By hand, hence 60 years of grandkids and great grandkids socks
The drawer closes effortlessly with a sound
Of living heirlooms and heritage
Of legacy and family
A sound that everything is safe inside
That memorials are made to last
This was used to demonstrate flashback in poetry.
Samuel Lee Mar 2015
How long did it take you to craft that ring?

did it start with all the pressure with the promise of a gem
did you cut it with your tongue like all that you condemn,
did the band wrap round like the words you snare
or was it wholly circled and you just the heir,
It looks tarnished and beaten with sickly green hues
but it still sparkles in the light every time it moves,
it makes your hand look pretty wrapped around my neck
with all its worth its just an aesthetic wreck,
A shine so bright but you can see right through
a pathetic lineage, thats all they knew.
Sarah Margaret Aug 2012
I feel sick.
The taste of cigarettes
In ash-colored air -

The two are non-sequential.

Cigarettes taste like home.
The good part of home.

The part of home
That silences my mother’s mouth;
Preventing the vices of its tongue
And the stresses that cause them.

Over generation.
Over generation.

You are your mother.

A compilation of love
Forced by proved masculinity
In your open cavities.

And my father said...
Well -
He didn’t.

Words failed him,
As he failed us.

Silence and cigarettes.

Over generation.
Over generation.
Leila Valencia Feb 2015
A timber night in a dark way can't stay for long
plowed down, scorched down  - must be torn down
kings of city pipes, dusty concrete heirlooms, read a bible to sleep

Wake in the morning, sun rays shine through dust ridden books
Morals, condoned in heart shaped smoke clouds

Greed's arms will swell rejecting midnights' hiss' "Where will they live?"
'Sirrrrrrrr' 'Homeeee'...... Floating like gas particles, words lost.
A stand alone will die to unknown prosperity
ropes straggle helpless branches
Clenching their last breathes, the weeping skies sit silently

Hateful hateful hunger, feeding the bodies thirst

Our midnight Cowboy song goes: Manufactured green, leaving scorched earth barren, unwritten torch, unseen

For we saw what we wanted to.
Nat Lipstadt Dec 2013
the banner photograph that the poem references is off now, but...

The poem is about a photo I took, outside looking in, where the window and an interior mirror, both reflected me, outside, outwards, but caught the interior of the house within, and the interior of our lives, which was my intent, but the poem came later....

a self portrait,
a reflection
in a window, in a mirror.
a man stick figure
within and without.

me hidden, armed,
iPad spyglass
one upon the other,
unaware of observation,
introspection / extrospection.

man, external,
grilling striped bass,
woman, internal,
kitchen caught slicing heirlooms,
a dressing awaits,
peach salsa,
the seagulls inform me.

Outdoors, indoors.
bay,
in the background.
living room, kitchen,
in the foreground
couching, crouching, cooking,
a closeup and landscape,
of two lives.

so the photo treatment,
introspection / extrospection,
upon reflection,
a poem ouside-insight.


a moment to reflect upon a reflection of a moment.

this  how I see things,
and why not you too?

Double vision.
outside, looking in, inside, looking outward.
then,
at the point of intersection,
a memory recorded,
always recording,
paths, moments,
worthy of note.

such a note, here,
record of a photograph.
preserving my preservation.
tho photo blurry,
what you see,
is what I see.
lives of symmetry

summer symmetry is my life.
life is my summer symmetry.

exactly.



August 2012
digging up seasonal inappropriate poems to warm me up.
Jared Botelho May 2021
I was walking down the street
Exchanging thoughts with the trees
Gargling in my stomach
Hungry for the pain
That came from my father
Gestated by my mother
A newborn with pre-determined traits

Stumbling down the path
There’s no need to be mad
A throbbing in my chest
Pulsating out regrets
It stems from my father
Exasperated by my mother
This will stay with me till the end

I have a disease that can’t be seen
Both environmental and in my genes
A weight on my shoulders
Making me feel colder
Please god, give me release
Already the month
     of August 2018,
     May never become
     a je June'm
     (Forget-me-not)
     time of year,
especially for nouveau
     homeless and,

     penniless residents,
     (now more like worrier),
     who reside in the
     (burnt to a crisp)
     Golden State where,
towering uncontrollable
     wild fire infernos veer
really did tax mental,

     physical, and spiritual
     oye vey iz mare (to
     the bajillion power
     of Google Plex) their
heirlooms, mementos,
     and trappings of
     das kapital lifestyle
     went up in smoke,

     which tragedy didst seer
the eyes (yes, iz traumatic,
     but also the air)
     looms with toxic
     particulate matter,
     though concerned former
     propertied owners
     (now ashen faced)

     as utter grief doth rear
a scorched (bumping) ugly head,
     yet the onset of Autumn,
     (and the main
purport of this poem)
     (oh my dog, that twill be
     in approximately three weeks,
when Eastern Orthodox Church

     denotes beginning of ecclesiastical
     annum mull house
     for straight or queer
(these times opening
     doors to LGBT, or GLBT
     (an initialism that
     stands for lesbian,
     gay, bisexual, and transgender),

     nonetheless history
     replete with app pear
chock full of factoids such as:
     September (Latin septem,
     "seven") with near
exhaustive steeped in
     pagan glory of antiquity.

Ancient Roman observances
for September include:
Ludi Romani, originally celebrated
September 12 - September 14,

later extended to
September 5 to September 19.
In 1st century BC, an extra day added
in honor of deified
Julius Caesar on 4 September.

Epulum Jovis held: September 13.
Ludi Triumphales held: September 18–22.
Septimontium celebrated September, and
December 11 on later calendars

September called "harvest month"
in Charlemagne's calendar.
September corresponds partly to
Fructidor and partly to Vendémiaire

of first French republic.
On Usenet, September 1993
(Eternal September) never ended.
September called Herbstmonat,
harvest month, in Switzerland.

The Anglo-Saxons called
month Gerstmonath,
barley month, that crop
then usually harvested.
Aaron LaLux Jul 2016
...Our bodies,
clothed,
our souls,
naked,
our Selves,
exposed,
under the glow,
so sacred,
the glow,
of the deep red moon,
in it’s eclipse,
in our eclipse,
more than epic,
everything all of it,
love crazy as a lunatic,
this is honestness,
in all honestness,
all of us,
involved not embroiled,
incense,
and oils,

timeless heirlooms of pheromones,
undertones of unknowns future plans postponed,
the core of our chromosomes covered in ecstatic moans,
the world our throne ET finally phoned home,
emotions amplified no microphone,
thrown into our sensory’s cyclone,
zoning in the zone she shook me to my bones,

bones,
ashes,
dust,
memories,

amnesia memories,
for as quickly as she’d appeared,
she vanished in an instant,
gone like a forgotten prophecy…

from The H Trilogy Vol. 1
available worldwide

Martin Narrod Apr 2014
Let me know the sweetness of the canopy. The gentle cygnet garden you express in rows. I drift upon the aching embers of the bark of midnight's supper, its kingdom of darkness that I lay upon. Suspended in the air, rocking steadily on a distant plateau, tilling the granules of the earth in my map-lined hands; I pinch the rocks and sand kernels naming places as I snap my fingers. I go to the top of the city I know, a small yellow house in a crowd of tall aspens- and the Catholic church sends me soda and small biscuits, and the Hebrews help me be a better man.

I go to a place which has very small rooms. My legs are like a giant world-sized forklifts that carry the heirlooms of my parents in and out of this universe into another. I make a stride to catch a glimpse of you in passing. I tilt my eyes. I hope that I can see how beautiful you are, once more, if only I lift my head  towards the way in which I know you, or the way in which I once had.
Chris Saitta Jun 2019
Fall to me, all you streets of Rome,
With your embrowned oils from torched walls and breccia of shadows,
The pizzicato of stairways and afternoon slowly closed
Like the thick, leathery-echo from this book of all roads.

Fallen, smoldering empire of storefronts and back-shop heirlooms,
Your lupine hills unbound with milk of cur in the wind and woods,
To your fallow fields rowed deep by a conquest of oars,
To the deepest silence and soot-muted oneness of Pompeii,
And a sky that is an ancient coin, without worth,
But still rubbed smooth at the edges by overfond lovers.
Yes, more Rome.

For a slide video of this and other poems, please check out my Instagram page at chrissaitta or my Tumblr page at Chris-Saitta.
sobie Mar 2015
My mother raised me under the belief that monotony was a worse state than death and she lived her life accordingly. She taught me to do the same. About five years ago, my mother died. Her death steered my course from any sort of seated, settled life and into a spiral of new experiences.
For months after she left, I skulked about each day feeling slumped and cynical and finding everything and everyone coated in the sickly metallic taste of loss. I noticed that without her I had allowed myself to settle into a routine of mourning. I pitied myself, knowing what she would have thought.  Life was already so different without her there and I couldn’t continue with life as if nothing had happened, so I jumped from my stagnancy in attempts to forget my mother’s name and to destroy the mundane just like she had taught me to. I had to learn how to live again, and I wanted to find something that would always be there if she wouldn’t. I had a purpose. I tried to start anew and drown myself in change by throwing all that I knew to the wind and leaving my life behind.

I was running away from the fact that she had died for a long time. When I first picked up and left, I befriended the ocean and for many months I soaked my sorrows in salt water and *****, hoping to forget. I repressed my thoughts. Mom’s Gone would paint the inside of my mind and I would cover it up with parties and Polynesian women.
I was the sand on the shores of Tahiti, living on the waves of my own freedom. A freedom I had borrowed from nature. A gift that had been given to me by my birth, by my mother. I tried to lose myself in those waves and they treated me with limited respect. More often than not, they kicked me up against their black walls of water. They were made of such immense freedom that many times made me scream and **** my pants in fear, but they shoved loads that fear into my arms and forced me to eventually overcome the burden.
As time slipped by unnoticed, I created routine around the unpredictability of the tides and the cycle of developing alcoholism. One night after a full day of making love to the Tahitian waters, my buddies and I celebrated the big waves by filling our aching bodies with a good bit of Bourbon. By morning time, a good bit of Bourbon had become a fog of drink after drink of not-so-good *****? Gin maybe? I awoke to the sight of the godly sunrise glinting off of the wet beach around me, pitying my trouser-less hungover self. With sand in every orifice, I took a swim to wash me of the night before. I floated on my back in silence while the birds taunted me. I felt the ocean fill every nook and cranny of my body, each pulse of my heartbeat sending ripples through it. My heart was the moon that pressed the waves of my freedom onward and it was sore for different waters. The ache for elsewhere was coming back, and the hole she left in my gut that was once filled with Tahiti was now almost gaping. It had been a beautiful ride in Tahiti but I had not found solace, only distraction. The currents were shifting towards something new.
She had always said that the mountains brought her a solace that she never felt in church. They were her place to pray and they were the gods that fulfilled her. She told me this under the sheets at bedtime as if it were her biggest secret. I had delusional hope that she might be somewhere, she might not be gone. I thought if I would find her anywhere it would be there, up in the clouds on the highest peaks.
The next day, I was on the plane back to the States where I would gather gear. The mountains had called and left a needy voicemail, so I told them I was on my way.

In Bozeman, the home I had run from when I left, every street and friend was a reminder of my childhood and of her. I was only there to trade out my dive mask for my goggles. I had sold most of my stuff and had no house, apartment, or any place of residence to return to except for a small public storage unit where I’d stashed the rest of my goods. Almost everything I owned was kept in a roomy 25 square foot space, the rest was in my duffel. I’d left my pick-up in the hands of my good man, Max, and he returned her to me *****, gleaming, and with the tank full. I took her down to the storage yard and opened my unit to see that everything remained untouched. Beautifully, gracefully, precariously piled just as it was when I left. I transitioned what I carried in my duffel from surf to snow. I made my trades: flip flops for boots, bare chest for base layers, board shorts for snow pants, and of course, board for skis. Ah, my skis… sweet and tender pieces of soulful engineering, how I missed them. They still suffered core-shots and scratches from last season. I embraced them like the old friends they were.
I loaded up the pick-up with all the necessities and hit the road before anyone could give me condolences for a loss I didn’t want to believe. I could not stray from my path to forget her or find her or figure out how to live again. I did not know exactly what I wanted but I could not let myself hear my mother’s name. She was not a constant; that was now true.  

My truck made it half way there and across the Canadian border before I had to set her free. She had been my stallion for some time, but her miles got the best of her. It was only another loss, another betrayal of constancy. I walked with everything on my back until I eventually thumbed my way to the edge of the wild forest beneath the mountains that I had dreamt of. They were looming ahead but I swore I caught a whiff of hope in their cool breeze.
With skis and skins strapped to my feet, I took off into the wilderness. My eyes were peeled looking for something more than myself, and I found some things. There were icy streams and a few fattened birds and hidden rocks and tracks from wolves and barks of their pups off in the distance. But what I found within all of these things was just the constant reminder of my own loneliness.
I spent the days pushing on towards some unknown relief from the pain. On good days there fresh snow to carry me and on most days storms came and pounded me further into my seclusion. The trees bowed heavy to me as I inched forward on my skis, my only loyal companions; I only hoped they would not betray me on this journey. I could not afford to lose any more, I was alone enough. My mother was no where to be found. The snow seemed to miss her too and sometimes I think it sympathized with me.
I spent the nights warmed with a whimpy fire lying on my back in wait hoping that from out of the darkness she would speak to me, give me some guidance or explanation on how I could live happily and wildly without her. Where was this solace she had spoken of? Where was she? She was not with me, yet everything told me about her. The sun sparkled with her laughter, the air was as crisp as her wit, the cold carried her scent. I could feel her embrace around me in her hand-me-downs that I wore. They were family heirlooms that had been passed to her through generations, and then to me. The lives that had been lived in these jackets and sweaters were lived on through me. Though the stories hidden in the seams of these Greats had long been forgotten, died off with their original masters, I could feel the warmth of their memories cradle me whenever I wore them. I cringed to think about what was lost from their lives that did not live on. I was the only one left of my family to tell the world of the things they had done. I was all that was left of my mother. She had left her mark on the world, that was clear. It was a mark that stained my existence.
These forested mountain hills held a tragic beauty that I wish I could have appreciated more, but I felt heavy with heartache. Nature was not always sweet to me. For days storms surged without end and I coughed up crystals, feeling the snowflake’s dendrites tickle at my throat. I had gotten a cold. Snot oozed from my nostrils, my eyes itched, my schnoz glowed pink, my voice was hoarse, and I wanted nothing but to go home to a home that no longer existed. But I chose to go it alone on this quest and I knew the dangers in the freedom of going solo. The winds were strong and the snow was sharp. New ice glazed once powdery fields and the storms of yesterday came again and there was nothing I could do except cower at the magnificence of Nature’s sword: a thing so grand and powerful that it has slayed armies of men with merely a windy slash. I was nature’s *****. I felt no promise in pressing on, but I did so only to keep the snow from burying me alive in my tent.
And I am so glad that I did, because when the great storm finally passed I looked up to see the sky so hopeful and blue bordering the mountains I knew to be the ones I was searching for. I recognized them from the bedtime stories. She had said that when she saw them for the first time that she felt a sudden understanding that all the many hundred miles she’d ever walked were supposed to take her here. She said that the mere sight of them gave her purpose. These were those mountains. I knew because the purpose I had lost sight of came bubbling back out of my aching heart, just as it had for her.

These peaks as barren as plucked pelicans and peacocks, but as beautiful as the feathers taken from them, were beacons in the night for those in search of a world of dreams in which to create a new reality. From them I heard laughter jiggle and echo, hefty and deep in the stomachs of the only people truly living it seemed. When I was scouring the vastness of this wilderness for a sign or a purpose, I followed the scent of their delicious living and I guess my nose led me well.
A glide and a hop further on my skis, there the trees parted and powder deepened and sun shone just a bit brighter. Behind the blinding glare of the snow, faces gleamed from tents and huts and igloos and hammocks. Shrieks of children swinging from branches tickled my ears, which had grown accustomed to the silence of winter. As I approached this camp, I saw they were not kids but grown men and women. It seemed I had stumbled down a rabbit hole while following the tracks of a white jackalope. I had found my world of dreams. I had found them. I had found a home.
I was escaping my lonely, wintery existence into a shared haven perfectly placed beneath the peaks that had plagued my dreams. A place where the only directions that existed were up and down the slopes and forwards to the future. Never Eat Soggy Waffles did not matter anymore. By the end of my time there, I had even forgotten my lefts and rights. The camp had been assembled with the leftovers of the modern world and looked like a puzzle with mismatched pieces from fifty different pictures. At first glance, it could have been a snow covered trash heap, but there was a sentimental glow on each broken appliance that told me otherwise. Everything had a use, though it was not usually what was intended. The homes of these families and friends were made of tarp or blankets or animal hides and had smelly socks or utensils or boots or bones hanging from their openings. There were homemade hot springs made of bathtubs placed above fires with water bubbling. Unplugged ovens buried in snow and ice kept the beer cooled. Trees doubled as diving boards for jumping into the deep pits of powder around them. The masterminds behind this camp were geniuses of invention and creation. Their most impressive creation was their lifestyle; it was one that had been deemed impossible by society. This place promised the solace I had been searching for.
A hefty mass of man and dogs galumphed its way through the snow. Rosy cheeks and big hands came to greet me. This was Angus. His face grew a beard that scratched the skies; it was a doppelganger to the mossy branches above us. But his smile shone through the hairs like the moon. There are people in this world whose presence alone is magic, an anomaly among existence. Angus was one of them. Not an ounce of his being made sense. The gut that hung from his broad-shouldered bodice was its own entity and it swung with rhythms unknown to any man; it was known only to the laughter that shook it. Gently perched atop this, was his shaggy white head that flew backwards and into the clouds each time he laughed, which was often. Angus fathered and fed the folks who’d found their way to this wintery oasis, none of which were of the ordinary. There was a lady with snakes tattooed to her temples, parents who’d birthed their babies here beneath the full moon, couples who went bankrupt and eloped to Canada, men and women who felt the itch just as me and my mother had. The itch for something beyond the mundane that left us unsatisfied with life out in the real world. All of them came out of their lives’ hardships with hilarious belligerence and wit, each with their own story to tell. The common thread sewn between all these dangerous minds was an undeniable lust for life.
The man who represented this lust more than any other was Wiley and wily he was. He’d seen near-death countless times and every time he saw the light at the end of the tunnel, he would run like a fool in the other direction. He lived on borrowed time. You could see that restlessness driving him in each step he took. Each step was a leap from the edges of what you thought possible. Wiley was a man of serious grit, skill, and intelligence and never did he let his mortality shake him from living like the animal he was. He’d surely forgotten where and whence he came from and, until finding his way here, had made homes out of any place that offered him beer and some good eatin’. Within moments of shaking hands, he and I created instant brotherhood.
The next few days turned into months and I eventually lost track of time all together. I could have stayed there forever and no day would have been the same. I played with these people in the mountains and pretended it was childhood again. We lived with the wind and the wildness the way my mother had once shown me how to live. I had forgotten how to live this way without her and I was learning it all over again. We awoke when we pleased and trekked about when weather permitted, and sometimes when it didn’t. Each day the sun rose ripe with opportunities for new lines to ski and new peaks to explore. The backcountry was ours and only ours to explore. We were its residents just like the moose and the wolves. My body grew stinky and hairy with joy and pushed limits. Hair that stank of musk and days of labor was washed only with painful whitewashes courtesy of Wiley. Generally after a nice run, we’d exchange them, shoving each other’s faces deep into the icy layers of snow, which would be followed with some hardy wrestling. By the end of each day, if we didn’t have blood coming out of at least two holes in our faces then it wasn’t a good day.
I never could wait to get my life’s adventures in and here I was having them, recalling the unsatisfied ache I had before I left. Life was lost to me before. I had forgotten how to live it after she had died. Modern monotony had taken control until my life became starved of genuine purity and all that was left then was mimicry. But the hair grown long on these men and smiles grown large on these woman showed no remembrance of such an earth I had come from. They had long ago cast themselves away from such a society to relish in all they knew to be right, all their guts told them to pursue: the truth that nature supplies. Still I worried I would not remember these people and these moments, knowing how they would be ****** into the abyss of loss and time like all the others. But we lived too loud and the sounds of my worries were often drowned in fun.
     We spent the nights beside the fire and listened to Wiley softly plucking strings, that was when I always liked to look at Yona. Her curls endlessly waterfalled down her chest and the fire made her hair shimmer gold in its glow. She was the spark among us, and if we weren’t careful she could light up the whole forest.  She was a drum, beating fast and strong. Never did she lose track of herself in the clashing rhythms of the world. She had ripped herself from the hands of the education system at a young age and had learned from the ways of the changing seasons f
JJ Hutton Feb 2011
The light quit working in the jukebox,
the melodies' surrender,
a commonplace extinction,
against the salt and the breeze
of your false Mediterranean.

The burden of your rational soul
in a world of extremes
has torn your spirit to tatters-
tatters littered across
your Toronto abode.
Divided amongst the heirlooms
and emptied bottles.
This desolation you
sought to translate
for the harmonious pulse
of the dial tone.

Hazy,
is this ancient mind,
a smoking fallout of
yesterday's parties
to be discussed over
lukewarm coffee
and cigarette butts,
while the shivering streams
and green plains become
commodified for a higher power.

Dan, my dearest friend,
I loved you
ferocious and freely,
fanged and supremely,
and as your mind coagulated
on a couch,
microphone in-hand,
I felt nostalgic for
your clumsy alcoholism,
and clumsier guitar strumming.

The white fog descends,
the city is hungry--
no longer can it expand.
Toronto eats itself
with you inside,
shall I write you a postcard?
Shall I kick down your door?
Shall I let you join the bones
you so beautifully alluded to?

Whisper, my friend,
amidst the soft croon of
the saxophone,
whisper, my friend,
of a Europe gone defective,
whisper, my friend,
for an apocalypse of sun
to release us all from
the white fog slowly burying
our Toronto.
© 2011 by J.J. Hutton
vircapio gale Mar 2013
i would compromise
--i compromise. i appear to i mean,
with peace-demeanor customized for show
paraded there and there, obeisant nonsense
in a confidence of meek to render compliments
crowding infancies of all

for the sake of art
i bend my frame about cliche
to have a human dragon claim
"the real persists unknown"
and gather at a sacred dolmen
fascinating morals sung beneath the stars and sun--
you said there was a butterfly
tasting at my skull, shaking with uncommon music too..
its skinny, immigrant feet abuzz
within the world they called a One, wings on pause, my eyebrows in flight.

a blanket iris cries warmth
in clusters hung ripe, filming over all
a native ceremonial, falsepolitik
i pluck at them atop a fence
obscure for comforts masking truth
discarded, found, fashioned
into furniture for candled houses
built with children's sons
where families try to see
a clearing in the warping
mirrors saddled with a dripping time no illustration comprehends
. wooden beams help it rise and dim,
the sunny lie, genuinely fake,
authentic trick of aeons hidden in the true
-- growing young, stemming back
to foil brighter undiscoveries for otherwisely
patient basements full of heirlooms,
sheik dining areas all
nodding over cheap wine we still manage to squint up at nothing at
in apple layers
symbolizing tidy crimes invented ceaselessly,
serving existential voids--
grace, fall, stumble catch
acquired tones of oak or berry--
other fruits would do, or none,
as i still feel
praised by your rejections --
when indifference gains a sweetness
like a novel vengeance won
i am indulging villainy
workshopping staling norms,
garden dark as cultivated loam.
where i am words
mooding intellect to torment,
faun complexity awry
Sam Knaus Oct 2014
Sit back and over-analyse
the lies that you were serving my mind.
Providing a way to relate
and trying not to overcompensate
for my lack of you,
I should have known you’d
***** and moan enough that
in time,
I could make your whines rhyme.
(Maybe that’s why your speaker points
were always the lowest.)
In this debate,
rate my way and rate of diction,
because truth is stranger than fiction
I sigh
cause I’m lying through my teeth
when I say “I’m okay”.
Sit back and wait for
what you think you have to say
We wager away our
bad experiences,
nearing another night of searing
dreaming
playing make-believe
with a ballpoint pen.
Remember the way all this started
with an oration and the weight
of what came to be a bad break up
make up
break up
wake up
to a world where you two don’t fit together.
Force your cracks into each others’
like broken heirlooms
Shake off the dust,
Can’t shake the thought that you’d be happier
without me.
I can’t see through this cloud of doubt without
an explanation,
an answer to the chance
that I can’t distinguish
the morning dew from her rose petals
that she tried to drown you in
from your tears.
“If this ain’t love
then how do we get out?”
Get out of this mess,
regress back into an obsession
with death,
and destruction,
let me provide some instruction
on obstructing these thoughts
that threaten to consume
what I assume is your last shred
of sanity.
beth winters Oct 2010
summers bleeding and wilted sunflowers pour from wounds
we cant see the cake for the trees
but darling well make it if the angels rip hair from our heads
can you feel mist whipping through your sinal cavities
and wrapping your fingers in layers of burnt cotton
i could press contractions against your cheek
and stare your heartbeats into submission
but i wont darling can you see the ocean now
were awfully close so shut the door
i dont want to see family heirlooms in the bark
of trees too old to die

i wrote you paragraphs and notebooks
you could never read them because i
i cant burn christmas trees without shuddering
the metro is starting to grate on me get
out of here this is no place for you
we dont have a plot because we are
not characters and there is no conflict except in here
this is an exercise from somewhere; to write without punctuation.
Third Eye Candy Oct 2012
keep this.
it's yours. you might enjoy the rambling brook with both toes.
we can't sleep now. this is how jailbreak is ****; Salomon's Mines, all yours.
say what you will. i got you. relax and configure
the dark nook of my profile...
come at me at an angle, and i'll arrive untethered; coping with real ****
stitching heirlooms to re-breathers... pinning neon
to your gold tooth.

all dribble. no bib.
just an avalanche of weightlessness, jamming signals. a sumptuous void,
undulating in indefinitely... keeping me sane and losing my things.
in ivory towers of strange radio
this is eclipse....

gone nova.
Mark Kelley Apr 2019
“All that’s left is Dust”

Down around the bend
Closer to the end
All the letters neatly penned
No more gardens left to tend

It’s just the way it goes
Dreams come to a close
New homes for old clothes
One last picture show

And the
Treasures are just stuff
Keepsakes are just junk
Heirlooms turn to rust
And
All that’s left is dust

We
Ask for one more day
Something more to say
One more friendly fray
And then
Take it as it lays

But the
Treasures are now junk
Keepsakes are now stuff
Heirlooms turn to dust
And
All that’s left is rust

Yes It’s a
Long and winding road
With
One more turn to go
A never ending show
That never ends you know

Then
One more happy high
Another tearful try
No more wondering why
And
So long, adieu, goodbye

Yes,
My  
Treasures are now stuff
My
Keepsakes are now junk
My
Heirlooms turned to rust
And
All that’s left is dust


Down around the bend
We can’t escape the end
Agatha Prideaux Apr 2020
Crisp summer breeze tickle wreaths of May blooms
Yellow flats traipse blocks where blue ocean looms
Serene waves greet shore's walls in fervent kiss
Moon's afterglow brush the scene in pure bliss

Fine sand witness time like dateless heirlooms
Brine's musk basks nightfall in coastal perfumes
Woven foams' calm poise in fond reminisce
With each cycle's ending, they go amiss

Red heels graze concrete in sultry whispers
As the salt-rimmed glass plays in my fingers
Gotcha!—my hapless victim for tonight

Caught my breath, it only faintly lingers
In front I stand, a door with four ciphers
"Aphrodite, save me" begins the plight
Day 6 of #NaPoWriMo 2020. Wrote a sonnet again for the first time in years. Pleased with how it turned out.
Blown glass heartbeat,

With an extension cord, the vibrations are distancing themselves,

Between macabre and *** luck and **** luck- And affection-

Are heirlooms cry of antique tears.

San Francisco Chronicle:

“Boeing kidnaps…”

And my soul bottled up in an hour layover heist.

Boeing adult-naps.

Texas.

Texas.

Texas.

Amarillo beehive hair across the aisle, smoke and honey.

It stings my tongue, kisses my lungs, legs-crossed on the highest rung.

The Miller High Life-esque, reclining on a quarter moon.

Here we are, patience and mercy.

Here we are patience.

Here we are.

Here.
Brian Oarr Feb 2012
I have hidden incognito a decade in this desert,  
enscounced in the Bad Lands of a wasted life,  
evading both politics and the Bureau of Statistics,  
immersed in maths for senseless games of chance.

I forget promises and birthdays with equal disregard,  
attempt mental reconstructions of past events,  
seeking the forgiveness I have no power to grant,  
all my atoms expanding heirlooms of critical mass.

The gravitational attraction of lifelong friendships,  
dithers perception at the horizon of a span of years,  
warping the wormhole space between our arms, our minds.  
I need only for you to ask that I should stay.
Seranaea Jones Dec 2021
-


when the dinosaur roamed the earth
they made little dinosaurs that would
later wander upon its surface,

following in the footsteps of
their ancestors.

something fell from the sky
and made them all stop–

passing down to creatures of
the future a few precious bones,
fossilized feathers and footprints..



when mankind roams the earth
they make little men that will
wander upon its surface,

following bigger men.

something they have fashioned will
escape control and make them all stop–

leaving only to what few creatures
that may survive their presence—

an abundancy of ****...



s jones
2021


.
witchy woman Dec 2013
Oh, how I pity my poor pessimist
Do you not mind what I scribe?
Does curiosity never approach you
When I know you can't sleep at night

If you do, I hope you discover
That I write simply- you & I.
With my being beyond the horizon
In these words you must rely

A carpenters daughter,
(It's true) I was never taught, how to fix the lonely
But I assure you dear
You won't be in the slightest disappointed

My entire life is an intricate patchwork
Of multiple afflictions
Through hotel rooms & glamour
Abuse & drug addiction

"Through bathrooms & ballrooms
On dumpsters & heirlooms"
Baby, we'll be fine
I know in my minds eye
We'll be fine


As for the sea
I feel the vibrato,
A ripple when you're lonely
But the tides will greet you, excited at the pier
To bring you back home to me  
For darling,
I long only to bury my tear-stained face
In the man too far to say he's home
I do not choose the life I live but it's the only one I can call my own.

*One day
I promise
You will wake in bliss
Between ruffled sheets
And my petite, contented figure
The pessimist will embody nothing
But the purest form of happiness
Leah Rae Feb 2012
“My Hero, Shes The Last Real Dreamer I Know”

She Taught Me How To Live, With Outstretched Palms Reaching Toward The Sky Like Branches On Trees. She Sought Sunlight Like A Love Drug, And Fought Disaster With A Unknown Word In My Vocabulary.
It Was Something Called Hope.

She Smiled, Only When She Meant It, And Told Me That Happiness Is Beautiful. Taught Me That Its Easy To Find, Exchanged On Street Corners And Sold In Candy Stores. She Taught Me To Give It Away Too, To Hand It Out Like Heirlooms To Memory.
She Told Me To Give It To People Who Needed It, Like Cancer Patients And Babies With Broken Families.

Devastation Followed Her Like A Storm, And I Always Stayed Ten Paces Behind. I Could Feel The Rain Before She Ever Could.
But She Told Me To Tape My Eyes Open, And Wait For The Oncoming Storm. It Was Like Lightening Inside The Contours Of My Skull, And My Hand Would Reach For Her's, Beauty Fighting With Perfection.

And Our Hands Would Meet, Fingers Threading Together Like A Zipper Of Prayer.

She Had Wounds. Ones We'd Learn To Heal Together, And The Renaissance Of Reality Was An Eternity Spent Being Left To Our Own Devices, Turned Deity Upon Ourselves.

She Also Taught Me To Not Be Afraid, When She Had Betrayal Written On Her Skin, And Words Like “Back Stabbed” Rung In That Air, She Knew It Had Happened So Many Times, A Transformation Had Begun. No Longer Human, But Something Else Entirely.

Her Children Taking Root In Soil, She Knew  The Empty And Aching Wounds Were Like Holes In A Watering Can. She Was Meant To Be Who She Was, From Where She Had Been, And Going Only Where She Chose To Go. She Is Beautiful But Vices Hold Grips On The Insides Of Her Ribs, As If She Is Too Afraid To Inhale.

But She Is Beautiful.

Fear Takes Solstice In The Weak And The Wounded, And She Has No Stock In Fear. Love
Is Like Blossoms On Roses, But Thorns Draw Blood Just As Quick As Needles Do, And We Learned That A Long Time Ago.    

She Taught Me That Devastation Is Beautiful, That Hope Can Not Be Fished Out Of Wishing Wells, And That When Hour Glasses Get Glued To Table Tops, Time Is Not Measured By The Breaths We Take, But By The Moments That Take Our Breath Away.

She Tells Me Shes Proud Of Me, But I Want To Her To Know I'm Proud Of Her, And Distance Stretches Between Us, A Distance The Size Of Bravery.

So To The Woman Who Told Me That Dragons Do Not Exist, And Then Led Me To Their Lairs, I Love You.
I Always Have. And Always Will.
Kabelo Maverick Feb 2015
Spirit fooled, my roots are blue now…
a birth insemination façade, it’s all really just a departure station
Blood is overrated like heirlooms now,
my earth interpretation of the Son is really just a miniature statue
From good to bad, popped the lid off by shoplifting,
Coz’ I’m from the hood and glad I can prop what I pulled off by uplifting.
This conniving side, Kundalini said it’s critical…
I remember the pain of discomfort in jail...
Sleeping inside that biting minky next to a Criminal clustered my praying effort to make bail. Spitting fire across with rage, the only love I can feel is from my Mother, so beware of blind fury...My Siblings’ wires are crossed with age, they only love what they can feel from Matter and Affairs , as if bewitched by Muti. I don’t have friends, rather Associates, there’s nothing like a relationship controlled by a timely device. The Real Ones are under the Sand, I call them Appropriates…She was ahead of her Creation ship but opposed by a tide of an untimely demise. Now I’m in solitude on this table surrounded by demons, but Jesu still breaks bread…A Soldier should learn to stay stable even though his bound to say “Yes” to deal with fake Men.
So fasten your seatbelt and countdown the launch sequence
Ready to blast off this sieged land compound, notch the frequence…
My name is Maverick©
anne collins Jan 2013
Keep you cigarettes and your bike rides and your middle shelf whiskey
But keep it all to under covers
Hide it up in your designer pillow case
Before you hurt someone else

Oh keep your nightmares and melodies that resonate all through the dark
Keep your silence and your wonder
Wrap it up silk and ribbon laced
Before you break someone’s heart

Keep your stars and fresh laundry, keep your ***** bathroom sink
Keep your bright eyes and your mystery
Encase it inside your hard drive
Because you’re kiss is tattoo ink

Keep your smirks and your ashes, keep your whispers, and your linens and skin
Keep your hallowed muddied hallways, and your misty charcoal eyes
But lock your coveted front door
Let no one within or inside

Keep your photographs and heirlooms, keep your laughter to yourself
Keep your banter and your video games
In safe or in a dungeon
Just make sure they ruin no one’s health

Keep your Prozac and your cauldron, keep your fingertips at bay
Keep your snores and your embrace
Somewhere that’s simple and alone
Or you’ll ****** another Juliet this way

Keep your promises of grandeur, and your sidewalks full of lust
Keep your fire escapes and lonely places
Out of reach
Or all who touch will turn to dust

Keep your valor keep your pseudo-wisdom, put it with your white t-shirts
Keep your childhood and weaponry
Underground safe and sound
Before someone else gets hurt

Keep your lips and teeth and syllables; keep your bookcase safe and strong
Keep your nothingness, keep your beauty
Hide it all behind a mask
Or another lover will have to sing this song
judy smith May 2016
Arriving, I find her briefing three press assistants on her upcoming catwalk show while simultaneously rifling through her closet — a dressing-up box filled with animal print and lacy confections — to choose her outfit for our shoot, while Desert Island Discs plays in the background.

Tucked at the end of a row of terraced houses close to London’s Portobello Road, Temperley discovered the six-bedroom property was on the market two years ago through her close friend, the designer Jasmine Guinness. The unique two-storey villa has a studio-style extension on the back of the property designed by the Victorian architect, Richard Norman Shaw.

She moved in 18 months ago with her son, Fox, 7, and her boyfriend, Greg Williams, 43, a portrait photographer, along with his two children from a previous relationship. ‘I’ve always been a Notting Hill girl at heart. I love that it’s so green, I love the market and my offices are around the corner.’

Temperley cites the interior designer Rose Uniacke (the creative genius behind the Beckham’s Holland Park home) as inspiration for fashioning her own interiors: ‘Rose has beautiful taste, sleek, clean but still really soft.’

The house’s all-white interior provides the perfect backdrop for Temperley to hang her beloved antique cut-crystal chandeliers and floor-to-ceiling mirrors sourced from Golborne Road’s Les Couilles du Chien — famous for its historic bric-a-brac — and the Clignancourt flea market in Paris. The most striking of these is an intricately etched diptych of French brasserie mirrors that sits proudly over her living room sofa.

For colourful accents, she looked to her archive of textiles, which ranges from heirlooms from her great-grandmother’s travels around the Orient to remnants of past fashion collections: ‘I have big haberdashery drawers, which are used for storing my collection in a warehouse in Greenford,’ she says. Having such a vast collection gives her the chance to indulge in some serious upcycling; a Mexican rainbow throw livens up a plain cream sofa while a wedding cloak from Turkmenistan makes a quirky wall-hanging.

Despite the global influences, the Union Jack is a recurrent motif: ‘When I worked in New York [in the mid-Noughties] I was called ‘Little Miss English’. I loved using materials such as lace and lots of references to Victoriana — all very British.’ Look closely, and you’ll find red, white and blue accents everywhere — on teacups, Roberts radios and on silk cushions.

‘To me, being British represents being able to be individual, eccentric and not taking yourself too seriously.’

Temperley was born and grew up in Somerset on her family’s cider farm in Martock, before moving to London aged 18 to study fine art at the Royal College of Art. The countryside has an ineluctable pull for Temperley and she carves her time between her office — ‘probably 80 per cent of the time, 10 per cent of the time here, 5 per cent in Somerset at the moment, and 5 per cent everywhere else’.

But if her west London home is all breathy shades of Farrow and Ball, Temperley’s country pile — a sublime 5.6-acre regency property called Cricket Court that was once the media magnate Lord Beaverbrook’s home — is the opposite: ‘In Somerset my sitting room is dark burgundy, we’ve got black bedrooms and an ochre-coloured library.’

To bring a little of the country back to the capital, Temperley peppers her house with beautiful bunches of wild flowers, sourced from florist Juliet Glaves, who grows her own blooms in Shropshire: ‘I always loved The Secret Garden and as a child I spent hours collecting flowers and drying rose petals on every surface. I am a hopeless romantic at heart and I love British country gardens and their flowers.’

Another great passion of Temperley’s is reading and no corner, staircase or table in the house is complete without stacks of books and fashion magazines: ‘Sally Tuffin [the British fashion designer-turned-ceramicist] has got an incredible fashion library at her home in Somerset and my dream one day is to have a room lined in books.’

As for the rest of the London house? It’s very much a work in progress, ‘especially being a working mum. It’s more collecting things and putting them together in a very relaxed way. Like in fashion design, when it comes to interiors things either work together or they don’t. I have a good eye and don’t like to be constricted to just doing clothes — I’d like to go into interiors. That’s the next chapter’.Read more at:www.marieaustralia.com/red-formal-dresses | www.marieaustralia.com/black-formal-dresses

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