How the silence greeted her
1-2-3-4-5-alive-next five
We dug deeper get-up
sleepyhead Zzzz
Clock 5:O clock went boom*
Who met her expectation
Oh! Dear feeling deprived
Things exposed
On the Network 5
But not like a **** painting
Dear Boom all your relatives
came in five
Let's save your heart
It goes boom
Didn't come with gifts
to bloom

High expectations realizing
how low your smile five
degree angle
He's the high hands five
mighty spirit
didn't show to really live it
The revelation he had this
clock-wise reaction
Hush hush sweet Charlotte
curved her position
Heirloom she was seated
The pendulum going back and forth

Mr. Fort William Henry
Lake George new birth
  It was all she could say
she looked up at him
Hearing a boom her eyes were his
golden flames soothing piercing
but painful as we know the
war was heartbreaking

She wasn't sure what to
make of the time
He elapsed like the war
within her legs of her flow
Mommy Dearest Heirloom clocks
At her beach house those
charming ducks
She hopes so strongly
she didn’t jump
into his frying pan of words
like trying to read the top of the hour
Her newspaper eating lemon chicken
with capers

  His second-hand clock tick tock
But first, most importantly we
cannot turn the clock
back to undo the harm it caused
But we certainly need new steps
singing in the rain
And relieving our dear ones
  how there stuck
Getting unstuck  but the stick of
the worst Tacky glue
   Dealing with our negativity but keeping
your chin high positive energy
Here it is the song
Day in and Day out how we listened
to it over again

All you do is dig dig dig…
how we conserve energy per unit time
We put our energies into our brains
With the things that don't have
any use for us
Whoa what a dig of nervous love energy
fighting trying so hard to focus on sexuality
Our bird and the bees
Trying to balance our energy
E=MC -2  that mass movement
He booms my speed of light

the truth of things will set us free

Your the one going solo just go
That pounding and higher ground
How I feel like the piece of rare meat
Clank  clink there he goes boom
Another drink
  What's to think my dead nail beat
Strongheart needs attention
to smooth the beats
How he leveled all his baking cups
to show
her she was his equal

What happens to you
when your day begins
Do we have a second to think
Have a  French kiss Vermouth the warm drink
How can we undo something
How everything remains deep in our hearts?
Something touched your hands it spooked
your thoughts having a retouch
being a good sports nothing gets to me
I am not getting  touched by your words me
My dear boom wasn't enough
explosive words
We develop like a wasp of yellow jackets
How does this entire world deal
with such terrorism? Bloodstain pockets

But not having the time
to tell someone
you love them
because your days come to
close to the end
The drummer boy or the
a thousand drums
marching soldiers
like a bomb will succumb
still on his limb

We visualize more what love really is
All the basic pleasures or nightmares
day in and day out like the song continues on
your digging way down to find something
it's huge so major song flat minor to the surface

The game isn’t over were out
of love down to zero
Like time management oxymoron time
beyond like anger management
regardless of our lives
He retreated one arm against the
mantelpiece his eyes surprised
engagement turned clockwork
burnt orange
so irritated beyond a different time
She was expressing her love and pain
moment of time how she couldn’t
gasp for air

The sensation got stronger how
she was being watched making the
right or wrong moves
With an effort, she forced herself to
straighten her body to behave but her
the mind really needed to function
He sensed the last word rock paper
scissor boom of logs into the
stillness of the room
Emboldened she allowed herself
to see the contour of destined time
contours shaped his face

Like the French Emperor Napoleon
power request so many derogatory
stereotypes
The morning mist was lifted by the time
The Robin responsible for the
past and future
how different time became wanting
my time back
Like the Rehma time flow electric
mechanical clock numbers
How the Heirloom perhaps her time
might have been doomed those deep digs
Like the women movement
Ane her deep mind Goddess of  yoga
her terra cotta hacienda
Her name is Gina he was digging her nails
She had the grace of a ballerina
That dear core of our brain
That cozy warm inviting library
Orient train
Digging out our old grandfather clocks
some of the names
Ingram 1828 Ansonia 1850 and Gilbert
rocking pendulum newton equation
of physics how were fighting for time
and space getting into the light
How someone is born with the
proverbial silver spoon those compounding
assets of his time clock heirloom faces
To dig relive to hug a dear moment
just goes boom
But I will never change my old room

.
Honeybees, birds and blooms unfurl
an enchanting spell
when spring comes by here

Memories waft 'neath burled rustic trellis
where flowered tendrils grasp fleshly
like the newness a love once tenderly embraced

Songbirds in your garden sing
of swooning memories rapture.., of velvet eyes,  
the fragrant spicy nectar hidden within her walls                            

A song of honeyed bees'  sweetest stinger,
and the poignant ***** of intoxicating surrender
lingers, bemused spellbound by a thorny heirloom rose

Sharp beauty beloved like a blameless trap
caught blissfully, breathlessly inbetween
all you wish for and all your wanton needs

Desire 's wellspring an unspoken passion
coquet swollen buds adorn blossoming,
sensual, untamed carnal grace

A picture perfect natural beauty;
sunlit chassé … feathered brush, demure blush
dancing with basket of lace petal’d perfume

For to colour a heart's blank pages
rapt in the poesy a joyous ecstasy ..,
enrapture with rainbow's luscious taste

What seems lost is but a tender vestige unfound
a passing moments innocence lost
to steal away like rumors of gold

These silent reveries seep from a hole in my heart,  
as if ripe strawberries of yore, gently weeping sweetness
when pricked by a thorny rose  

The ides of spring do still bleed a timeless ache
onto the page ... sweet naivety stung
by a mesmerizing dart to the heart

Songbirds in your garden do sing
of sweetest things immersed in nature's nectar
blissful memories sleeping in the petals of a rose



Sung to the wind by a song sparrow — ♪ ♫...✩ ☼✩ ✩☺✩

When I grew up my mom would cut coupons and scrounge for change in the sofa to buy me a chicken nugget happy meal McDonalds. She would cut coupons and would only buy nectarines if they were on sale. I grew up eating bologna sandwiches with kraft cheese slices and potato chips.

I think your mom had different priorities.

The man at Starbucks, told me that opposites attract and I think that is why were together. He told me a Intuitive Innovative Feeler. Does that mean that you are oblivious and emotionless ***? I don't think so?

Lately I have been whining a lot. Whining about where we live, what we do, what we don't do, how you act, how you don't act, about how your mom wants us to water the brussels sprouts that no one likes and clean the toilets no one uses.

Sometimes I say things to hurt your feelings. Sometimes I mean it. I word them so that they are as hurtful as can be and you never react. Is it bad to want to make you cry? You test my sanity everyday, you break me every day, and here I am still trying to chip away at the facade, the make up you cover up with.

I think living in the mountains has taught me about all the things that I don't want to be. I don't want to be cut off, I don't want to be nice, I don't want to be liberal, I don't want to be conservative, I don't want to see the same people everyday, and I definitely don't want to spend eleven dollars on heirloom tomatoes.

You've held my heart in your hands
.. many times ..
and yet you've never known it
But you're like that you know
.. because ..
You treat a person's heart
better than an heirloom
Not 'handle with care'
but .. stroke gently with caring ...

your "friends" that we meet,
i forget their names,
my calloused palms are greased,
by their  squeezing hands

i remember one's a banker,
or he could have said a thief,
his ******* words were flanked,
by my misbelief

i was held hostage,
you were a smiling drone,
i remember when i lost
to Stockholm Syndrome

their Heirloom Suffix changes,
on tuxedos and trust funds,
my rental wears just fine,
i'm not the danger

shorting stocks on tuesday,
while playing ball in hand,
what a shame to lose me,
busted seams this man

I am not a banker,
I am not a saint,
I cannot to be trusted,
I won't place the blame.
I am not a proxy,
I am an astronaut,
But this distant world you live on,
Is far from my plot

You've heard this tale
A thousand times,
Take one more spin,
This version's mine.
And this telling tale
Is its first time.
My theme is fitting,
The message sublime,
For the Season of giving,
And gifting one's time.

For my first Christmas
I was three,
But the warmth on that night
Never cooled,
And indeed,
It was
A cold Christmas Eve.

We stuck branches of pine
In a bucket of sand,
That's the snapshot I've got
Of our Christrmas tree then.
Here's the memory that Eve
Of a lad of three,
Yet this story is true,
It's a family heirloom.

We weren't many then,
There was Mammy and Daddy
And six children, soon seven.
Daddy was an Operator
Of cranes and loaders
Dirt packers and graders.
He was working North,
Far North,
Manning a dozer,
Distant from family
Near the Quebec border.
That's where he was
Days before,
When his pant-leg caught fire,
When the diesel was spilled.

We were only three months
In our chosen homeland,
It was 1958,
And fresh from Ireland.

No way to get to him,
Nor him to get home,
No car,  no friends yet,
Little money, no phone.
Yet somebody knew
We were out on our own.

And the snow started falling,
It was Christmas Eve,
I stood at the window,
Saw the snow fill the trees.
I was still and staring,
At what I don't know,
But I remember quite vividly
All that I saw.

Like a scene from a movie
Starring Barry or Bing,
A fire-engine red no-top
Stopped and parked with high beams,
Highlighting the snow,
On that Christmas Eve.

A big man in a red suit
Slid off of the trunk,
Literally carrying a sack,
And calling, **! **!
The family joined me
At the window to see
The big man's helpers
Carry a big Christmas Tree.

When they entered the house
Kevin, Sean, Gerald and I,
Cowered and crouched
Behind the second-hand couch.
We must have resembled
Three monkeys plus me;
I hadn't a clue,
I was dumb-founded and three.

In through the front door
They clattered and sang,
Unloading their boxes
Of food, clothes and toys,
*****, bats and dolls
For two girls and four boys;
And I'm sure there was something
For the coming bundle of joy.

I don't remember their departure,
Or where he went,
But they called Merry Christmas
And left all else unsaid.

Mammy understood
Some good persons had called,
Who'd heard of our plight
And couldn't be calmed
Til they knew for certain
We'd some peace in our storm.

So, that's my first Christmas,
Since then this my creed:
The gift of giving
Isn't under the Tree.

This is me trying to be better.
This is me trying to move on.
I'm writing a goodbye letter
to the person I was, frowned upon.
From all the scars, cuts and bruises,
fresh scented flowers will bloom.
The heartaches are my muses,
and my recovery will be a heirloom.

-m.b

once upon a time I commited a sin
only it wasn't one you'd ever heard of
my sin was so great
they invented a name for it
and it became my heirloom
passed generation
to generation
a curse for all to recognize
it burned my soul away
and cleansed me of any good
left me to wander unconcerned
with whether I could be absolved
now I'm a jealous wraith
hellbent on serving justice

Mt great grandfather was
A Swedish violinist,
Back in Goteborg,
Like in Phantom of the Opera.
I like to think of him
Walking through cobblestone
Alleyways past pastel houses
And little markets selling lingonberries,
Playing his violin.
I heard he loved someone, once.
A woman before my great-grandmother.
I wonder if he played songs for her,
I wonder if she cried when he did.
But they're all dead, now.
His violin hangs on the wall
At my grandmother's house in Jersey,
Dry from all tears,
With splintered strings like torn
Vocal cords, no longer able to
Sing.

This is winter, this is night, small love --
A sort of black horsehair,
A rough, dumb country stuff
Steeled with the sheen
Of what green stars can make it to our gate.
I hold you on my arm.
It is very late.
The dull bells tongue the hour.
The mirror floats us at one candle power.

This is the fluid in which we meet each other,
This haloey radiance that seems to breathe
And lets our shadows wither
Only to blow
Them huge again, violent giants on the wall.
One match scratch makes you real.

At first the candle will not bloom at all --
It snuffs its bud
To almost nothing, to a dull blue dud.

I hold my breath until you creak to life,
Balled hedgehog,
Small and cross. The yellow knife
Grows tall. You clutch your bars.
My singing makes you roar.
I rock you like a boat
Across the Indian carpet, the cold floor,
While the brass man
Kneels, back bent, as best he can

Hefting his white pillar with the light
That keeps the sky at bay,
The sack of black! It is everywhere, tight, tight!
He is yours, the little brassy Atlas --
Poor heirloom, all you have,
At his heels a pile of five brass cannonballs,
No child, no wife.
Five *****! Five bright brass *****!
To juggle with, my love, when the sky falls.

Watching through the pane
Your hands as cuffs
As you unveil the earth
Tending what you sow
The Night Before last
Under the blood moon
It was that night
Where we spoke and
Planted seeds of old ideals
We would be as the land
Nurturing one another
As we both worked
To bring callused hands
Gripping the fruits
Of our labor
To our humble
Farm house table
These days would be long
Out in ribbons of gold
And slight scent of country roses
Would be our remuneration
These are our seeds
That we both planted
That we will water
That we will grow
Soon my love
As they are ready
We will pick each
Dream and live

By: Nabs

    When I was little, my mother often gave me flowers.

She would make me a crown of Primroses that smells like the day my father left us.
I would smile and dance a little twirl that had her smiling fondly. Her little princess, Said she couldn't live with out me.
I believed her.

Right before my mother decided to stop breathing, she gave me a bouquet of Lily of the valley.

I never knew that apology was poisonous.

    The day I turned fifteen, my grandmother gave me a book on flowers, It was written with green ink and bound in human skin. Said that It was family heirloom. Said that the universe needed someone who understand Hana. Said that I was born to understand only them and to remember that flowers are ephemeral.

I cradled the book, feeling as if the world was spinning. Opening it feels like coming home after a long time of drowning.

By the time I realized, a bush of Basil and beds of Petunias were growing in my home like ****. The color should have been red instead of purple.

      I met you when you were giving a bundle of daisy to a boy.
The boy scoffed and slapped the daisies to the ground. It's petal were falling apart just as blue and black blooms like an eager bud on you. Your body were taut as a string but your face was smiling, the kind of smile I couldn't decipher the meaning.

I picked the daisies up and asked if i could keep it.  You said only if I gave you my name.

You were wreathed with White Hyacinth and Pine leaves. It suits you.

    You told me one day, after you gave me a Bleeding Heart, that I needed to learn more than the languages that flower speak. That I needed to learn human.
I asked to you why do you say that?
You looked at me, with a little smile and a soft look on your face. Told me that I was too oblivious, I was more flower than human. I frowned and said," That hurts".
You laughter was much more sweeter than any Honeysuckle.

Though I still didnt understand your laughter nor the bleeding heart.

    The sight of our hands lacing together, looks much more delicate than Queen Anne laces. It made me aware of the dips of your lips, how warm your callouses hands were and the way you sometimes darts to sneak a glance at me with warmth in your eyes when you thought I wasn't looking.
I would feel my heart thumping loudly and I would disentangle our hands, trying to hide the tremors in my hands. You would pursed your lips and cracked a joke.

The next day I received a bouquet of Lilacs and red Peonies. It was too beautiful and I was already withering.

    You often asked If I was ok. I said I was. You would go rigid at that and started to pull down all the blinds to your soul. But that day when I answered I was ok, you gave me an Orange mock.
Said that I can trust you. You left with out meeting my eyes.

That night, I left a single Aster on your window sill. Hoping I did the right thing.

    The thing was, I was scared. Not of you, no never of you. That I swear on White Lilies and Myrtles that we bound ourself to.
It's just, every time I'm with you I want to bare my self naked. To let you see how the parasites are growing inside me, withering me as it did my mother. My grandmother would say that it is our legacy we cannot escape. To grow and bloom then wither ourself after the peak.

My Grandmother was a Sakura tree, My Mother an Ajisai, and I was a Tsubaki.

My mother was supposed to lived longer than me. But Hydrangeas needed their rain or they'll wither away.

    You told me once, that I remind you of Wisterias. Always enduring even after the cruelest storm. I grimaced and whacked you on the back. Said that you were an idiot for thinking that. You laughed again and tickled me until I asked for mercy.

I feel less Tsubaki and more human with you.

    I never let you go to my home because I could not bear the thoughts of you seeing the lawn strewn Marigolds, the grief that latched itself to the soil.
How the yards was filled with weeds and plants that was tangling them self to choke each other. How the walls was bare and the furniture was only enough to survive. The only thing that was lending colors to my home were the branches of Plum Blossom and bouquet of Lilacs and Peonies that seems to not wither away.

This home would not hold further.

    I gave you Blue Carnations the night when vines were choking my lungs, making it hard for me to breathe.

You said they were beautiful, and smiled a serene smile. I wanted to kiss you so bad, but I was leaking clear salty sap, that was rolling down my cheeks. I told you all about Hana and all about my family. How bare my home is and how you are my Iris, my good news, my good tidings.

You hugged me, not minding the sap that's staining your shirt. I didn't see the Red Camellia you were tucking in my hair.

  The day when I almost gave you Red Daisies and Lungwort was the day I found out that you had severe allergy to flowers.
That breathing their pollen would shorten your life as the breath you took became a privilege that you were slowly losing.
I asked, "why would you endanger yourself like that?".
"I love flowers, that's all", you said with an uncaring shrug.
The thoughts of you withering away, made me nauseous.

I went home throwing away the Daisies and Lungwort, Burning down the marigolds and Petunias.

The only thing was left were Hana and the bouquet of Lilacs and Red Peonies.

  I never get to told you that my roots was withering.

  When you found me lying on my home, covered with Primroses, Camellias, and Blood Red Poppies, I know that you knew. In your hand were Peach Blossoms and they were so very beautiful.
You cradled me close to your chest. Whispering that I will be okay, that It's unfair for me to do this to him.
"I know", I rasped. My voice was barely working and Black-Red sap was steadily tricking from the corner of my lips.

  When I saw my mother walking down to me, carrying a basket full of Sweet Peas, Volkamenia, and Yarrows, I understand what your smile meant the first we met.

It was Red Camellias, Love and acceptence

I
Through vines indeterminate
Red cherry eyes peeped,
And spied two forms,
Fleshy pink and brown
Trees, tangled at the roots,
kissing in the canopy.

II
The garden was our
Discotheque, the sullen
Moonlight reflected
On the Black Beauties,
Twisted black mirrors,
in the garden of joy.

III
O, to again be mov'd
By your heirloom lips,
I'd give it all, the earth,
the sun, and the water.
A sacrifice: my Homesteads,
for a home.

IV
Soil runs dry.
The sun scorches.
Plagues run rampant.
We burn, we are sacked
and pillaged, and destroyed.
Roma, Roma, Roma.

V.
Maybe the rain,
Or sweet shade,
Or gentle sun,
Or simply the need
To be so defiantly
alive, will bring us again,
And I will drink you up again,  
Brandywine.

Corpses proliferate in soaring violence; heirloom of franchise and eminence— perish in erosion.

Timid denizens of derision, cynicism in roaring silence — optimism’s paling vapor—commodity of Indecision, our halcyon days forgotten.

Chosen token of audacity; the onyx maladroit feigns, prevaricating beneath the Sacred canopy.

Etudes of apathy; attrition unlamented; streams of guile— quixotic squall conversely merge — veiled conceit, eloquent arrow of equivocation.

The policy of attenuation.

Treason’s vine obscured beneath the blind surf of consent.

© 2014 & 2016 W. S. Warner

Mum had been gone a couple of months, six I think… (An ordinary day. Feeling hollow but doing OK) …when I realized I could get rid of the sofa.

I thought it was ugly. She thought it was a bargain. A sofa’s not a keepsake and it was certainly no heirloom. I’d not inflict it on my kids. I got rid.

If I could’ve had her back then? I would’ve done. Even if it meant keeping the sofa.

Redecorated. Bought a new telly. Spent frivolous amounts of cash on scatter cushions. She disliked scatter cushions. I thought they were cosy.

My little boy drew on one of the cushions. On purpose. I was about to smack the back of his legs… (Mum would have. She smacked me when I was little) … but I stopped.

I never wanted to. I had known all along, somehow forgotten.

If I could’ve had her back then? I would’ve done. But she would not smack my children.

Mum had been gone a year… (Planting bulbs. Feeling conspicuous carrying a shovel ‘round the churchyard) …and I missed her .

It was as hot as the day she died. There was no breeze up on that hill. No cloud. Beautiful views stretched right out to the sea.

My little boy had grown. He helped carry water and dig holes. My baby was learning to walk. She wobbled on uneven turf between the headstones. I wanted Mum to see.

If I could’ve had her back then? I would’ve done. No question.


Mum had been gone three years… (Bulbs were doing OK. There was nothing left to plant that rabbits wouldn't nibble) …and I realized it was time to move on.

I kept the ghosts quiet while agents showed people round. The house sold. We moved away. A warm, terraced place in a small town by the sea. Dad died.

Mum has been gone eight years and I miss her.

Looking out from the Downs across cliff-top and sea, the churchyard seems nothing more than a soft-grey fleck on the green edge of town.

If I could bring her back now? Everything’s changed.

Ghosts exist. They sit in empty chairs and speak kettle-whistle. Wishing us well.

The Seven - The Mashup


In memory of my mother who passed away recently, I wrote, or intended to write seven (only six were actually done) new poems themed about her, her passing and some perspective on life and death.  All were read and I am deeply appreciative.  I have consolidated them all here, in order, though not necessarily the order in which they were written. But the order does matter, as it reflects the change in my mood with each passing day.   Perhaps I will write the seventh someday, but not now, not soon.

Thank you all so much for incredibly kind words of sympathy. I am not a dweller, so I set myself a goal to complete this vow, this task, in a week to correspond to the seven days of mourning the immediate family observes after the burial (the shiva, shiva meaning 7).  For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night

#1 Shiva

I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown,
His father, cancer won.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

#2 Hover^

My Children:

Ancestral homes oft possess,
a unique scent, product of an atomizer, a memorizer

Musty time, the odor of
faded and shadow,
hollow, yet hallowed.

Somewhere along the road,
a residence transforms from home to
shrine-storage unit-hospital room-tomb-records depository.

Dust, expired perfumes,
the sweet odor of crumbling, yellowing books, disinfectant,
stale medicine chests, years of furniture polish, sabbath candles.

It is my smell -
the parfumerie of my history, a customized blend,
a commissioned work in 1964, entitled, more accurately, emitted,
"Her-Story."

Photographs, memories, and paper scraps
my very own Preservation Hall Jazz Band.
Yet the most potent firing pin for historical retrieval,
the molecules of scent.

Soon all will be dismantled, discarded,
just plain dis'ed.

Confused and disenchanted,
my departure orderly but, in a disordered fashion.
unable to seed one last kiss upon your forehead,
nonetheless, surreptitiously enter your neurons
though my entity, away, across the miles-wide Hudson River.

For three days, I will hover invisible,
implanting myself once more,
slapping your mucous membranes,
transversing this pathway, an additive to your cells, nuclei,
where my markers always reside.

Adding one more ingredient to your inner vision,
strengthening the formless structure, my altered state.
This odor, keep close, fresh, no becoming musty too, my scent,
the last of your senses knowing me, a true keepsake.

Hold me close and hold me fast.
This one last magic spell I cast.
This one last magic smell I set fast.
You cannot hold it, but it will cradle you.
You cannot see or touch it, but when contact comes,
You will see me, hold me, as in the days of your youth,
When you loved me best,
And I, you.

^According to the Talmud, the soul hovers over the body for three days after death.  The human soul is somewhat lost and confused between death and before burial, and it stays in the general vicinity of the body, until the body is interred.

#3 Orphan

The funeral will commence at 11:30 am.
Gives me one last review time before the
Final Exam.

Panicked, I discover a whole new chapter
for which I am wholly unprepared,
though its inevitable presence was
assuredly knowable long in advance.

Orphan

It doesn't fit, occur, imagery is of a young child to
soon abandoned, not a late-in-life curmudgeonly poet-boy,
who has been multi-times reincarnated.

I add this title to my list
of proper ways to address me,
titles earned by dint of hard work,
or just unlucky luck.

This new status, orphanhood,
bequeaths no special privileges,
other than, a semi-official
societal permission slip
to feel bereft, lost, and compose poetry.

Know a real orphan, from early, early on,
has never recovered and
never will for it is just impossible.
Just impossible.

So whom am I to make light of
my undesired, unrequested new degree?

I accept it and to my surprise,
It hurts.

# 4 Judgement Day

After you put in some time on this planet,
You kinda know what the world thinks
About you, your rep, what they don't say to your face,

Sure, thingies, time and incidence and circumstance
Can sometimes cause makeovers external,
But each of us know the quality of ourselves,
Self-certification, you can out your internal self,
Better than anybody else.

So I inquire of myself, about myself,
what will you be remembered for, if at all?

Why do I ask, today, now?
Do we not ask ourselves this
On the low down, subconsciously everyday?

Is this a poem?
Most assuredly...
And a trial.
You, the judge the jury and the prosecutor,
The defender, if u can, if u will.

For seven days my mother was adjudged,
Family, friends, hers, her children's,
Almost an 80 years of live, in color, HD, looking back video,
Tales told, memories dug up, old photos explicated,
Who what when where of the details of one women's voyages,
Creations.

I cannot, I will not, do the details here.
Suffice, acts of kindness, faith in people,
Feminist in a strange land, a chance taker,
Gifts of memories, streaming of adoration,
Many strangers are witnesses to me,
This trial a runaway train.

I am outed.  There will be no such verdict for me.
I am outed.  There will be no trial needed, just a
Summary judgement delivered.

Out yourself.
What will you be remembered for, if at all?

#5 Summer Girls In Their Summer Clothes

Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)

*#6 & 7 Live like you're dying

Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...
Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:
Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.

~

verse 1
in the town of Chateau Thierry,
along the banks of the Marne,
just up the road from Paris,
a’ fore it meets the Seine;
’twas here our soldiers fought
in nineteen-seventeen;
'twas here they took the Kaiser,
in the trenches, rain and mud.
the Great War, then they called it,
here the river ran with blood;
with bayonet and shovel,
here an Allied victory made;
to halt the enemy’s advancement,
here too many made their grave.

instrument of bow and strings,
in composition history sings.
if, one-day strings could talk like men,
if, we could sing like violin!
stories told will ne’er grow old,
tales of courage that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows despite the dark,
soldiers of a genteel king,
wield your power to strike the heart.

verse 2
near the town of Chateau Thierry
in a convent, St Joseph by name
a violin by Francois Barzoni,
a resident luthier by trade.
prized possession of the Sisters,
they tuned well it's strings.
their convent walls withstood the bombs,
though leaving here their mark;
defaced but not destroyed,
and so with grateful hearts,
the Sisters of St Joseph,
for brick and mortar trade,
gathered up their treasures
their convent to remake.

instrument of bow and strings,
with composure history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of hope that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows to light the dark,
soldiers of a genteel king,
wield your power; rebuild the heart.

verse 3
from the town of Chateau Thierry,
they advertised their local gem,
“wanted: no strings attached;
no saint expected, no requiem.
just two hands to cherish,
and a patron of our instrument.”
this their prayer, “oh Lord, one wish,
may our search meet no resistance.
may we find a young apprentice,
please reward our long persistence.”
and so they found their debutant;
prayer answered in Saint Louis.
a boy who understood its voice,
with their strings again make music.

instrument of bow and strings,
of your journey history sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
tales of old they build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and find your mark,
soldiers of a genteel king,
wield your power to soothe the heart.

verse 4
near the town of Chateau Thierry,
along the banks of the Marne;
ply this channel of the masters,
play us a river, Lowell Meyer;
once a boy, become grand-father,
then a treasure to receive;
heirloom placed within your trust,
your prize possession to bequeath
to yet another debutant,
its strings to pluck and bow to draw.
he a master of persistence,
who with practice met resistance;
yesterday’s grandson, beloved progeny;
tomorrow’s hope, an admired prodigy.

instrument of bow and strings,
with clarity your voice still sings.
if, only strings could talk like men,
if, we could sing like violin;
stories told will ne’er grow old,
for these are tales that build the soul,
of standing tall and shouldering on,
to play an orchestrated song.
all you archers raise your strings,
draw your bows and make your mark,
soldiers of a genteel king,
wield your power to touch the heart.

~

post script.

A violin…  an instrument of hollowed wooded frame, strung with five strings made of gut, played by the drawing of a bow of hair crosswise over strings tuned in perfect fifths; an instrument of song with uniquely, beautiful voice.  Whether played as a violin with symphonic overture in a seventy-piece orchestra in Carnegie Hall, or as a fiddle in a four-piece southern country band at a barn dance down in a Kentucky hollow, in the hands of a violinist… a master… a virtuoso… a fiddler, it becomes an hallowed instrument… of diplomacy… of peace.

When I heard the faint whisperings of story about a nephew’s instrument I pledged to learn the details of its journey.  Charlie obliged, allowing me to interview him one evening early this month.

The instrument came complete with an old typed letter from Lowell Meyer, Charlie’s maternal grandfather, whose family purchased the instrument on his behalf, from the Sisters of St. Joseph when he was yet in middle school in 1923.  An instrument in its own rite, the letter also acts as a legal document, sharing not only the violin’s European heritage and how it came to arrive in these United States, but also dictating its future journey, naming only three possibilities of conveyance.  First, while in the possession of his family, the violin is to be owned by all of Mr. Meyer’s children and their heirs rather than by any one single heir.  Second, it allows a method for its sale should an urgent financial need arise.  And third, it dictates the intent of Mr. Meyers for the violin’s return to its original owner into perpetuity, the Sisters of St. Joseph near Chateau Thierry.  Charlie scanned the letter and emailed it to me, giving me a greater sense of its history and helping to establish its authenticity.   Its making by well known French luthier Francois Barzoni, who unlike the Stradivari family made his hand-crafted instruments for the masses, its survival within the convent walls during the bombardment of the Battle of the Marne and its subsequent journey from Chateau Thierry, to Saint Louis, each detail carrying great significance. As an example of one detail among many, it did not escape the attention of this story lover, the significance of a journey from its setting on one river to a similar setting on another, from along  the banks of the Marne before it spills into the Seine, winding through the fertile rolling hills north of Paris, to the fertile banks of the Missouri at its confluence with the Mississippi in St Louis, two famous rivers, a half a world apart, each with their own folklore of simple people living a simple life, of battles fought by simple people with uncommon valor.

*This simple story of “the violin” is a story worth telling; just one facet of Charlie’s interesting heritage; one which has its own voice, and is a tale that begged to be written.

(1)

The day she visited the dissecting room
They had four men laid out, black as burnt turkey,
Already half unstrung. A vinegary fume
Of the death vats clung to them;
The white-smocked boys started working.
The head of his cadaver had caved in,
And she could scarcely make out anything
In that rubble of skull plates and old leather.
A sallow piece of string held it together.

In their jars the snail-nosed babies moon and glow.
He hands her the cut-out heart like a cracked heirloom.

                (2)

In Brueghel's panorama of smoke and slaughter
Two people only are blind to the carrion army:
He, afloat in the sea of her blue satin
Skirts, sings in the direction
Of her bare shoulder, while she bends,
Finger a leaflet of music, over him,
Both of them deaf to the fiddle in the hands
Of the death's-head shadowing their song.
These Flemish lovers flourish;not for long.

Yet desolation, stalled in paint, spares the little country
Foolish, delicate, in the lower right hand corner.

The greatest legacy
You'll get from parents

Are their genes.

10W
Soul Survivor

My computer rests on a desk,
This old desk is the best,
My mum bought it in 1965,
My dad painted it while he was alive,
Still wears the original paint,
Couldn't replace it, that would taint,
A family heirloom,
In my bedroom,
Yes, my old desk.
Is definitely the best!

The mahogany table-top you smashed
Had been the broad plank top
Of my mother's heirloom sideboard-
Mapped with the scars of my whole life.

That came under the hammer.
That high stool you swung that day
Demented by my being
Twenty minutes late for baby-minding.

'Marvellous!' I shouted, 'Go on,
Smash it into kindling.
That's the stuff you're keeping out of your poems!'
And later, considered and calmer,

'Get that shoulder under your stanzas
And we'll be away.' Deep in the cave of your ear
The goblin snapped his fingers.
So what had I given him?

The ****** end of the skein
That unravelled your marriage,
Left your children echoing
Like tunnels in a labyrinth.

Left your mother a dead-end,
Brought you to the horned, bellowing
Grave of your risen father
And your own corpse in it.

Your father was raised in Panama. I can imagine him vividly... The floral silk shirt with velvety red cravat, tan leather loafers, waxed-to-perfection moustache, and a big cigar. It was the late sixties and he was beautiful. I've never seen a photo but I can tell by the way you talked about him. His joi de vivre oozed into your stories and I recognized it: the distilled essence of his elegance was passed to you, and you shared it with me.

We met by our mutual attraction for showing off... I wanted to be treated like a delicate porcelain treasure - you wanted a plastic toy with the price tag of an heirloom. Twenty five years my senior and you still hadn't learned your lesson about girls like me... I may have broken your heart, but you should've known a tryst between the free-spirited edge of seventeen and a businessman with dreams of Panama would burn out in the end, just like your father's cigar.

I want a Sunday kind of love—one that is as
comforting and warm as my favorite soft robe tied
tight around my ******* on a foggy morning.
The kind of morning that licks at my consciousness and
makes me still feel as if I’m dreaming—that hazy blur
where reality and my burning desire collides.
A love that wakes up with the sun, lips against my
shoulder smelling of last night’s whiskey kisses, strong
hands pulling me close, nestled into the soft
voluptuousness of my ******* and grabbing hold of your
dreams, the fit of an arm around my waist.
Our Saturday clothes full of adventure and sunlight will
be left carelessly crumpled on the floor of my room, little
bits of leaves and dirt scattered about—now nothing more
than just artifacts of our late night walk in the rain, but
still smelling like rusty promises and a desire so hot it
will singe your fingertips as they slowly undress me.
I want a Sunday kind of love.
Although you've been ******* me for a while now—
first my skepticism and sarcasm fell from my shoulders
like heavy stones to the bottom of a cold rushing river; I
stepped out of my insecurities and fears while you held
my hand and that now seem to have been misplaced
somewhere along the way.
My masks of who and what I should be that I wore for far
too long now collect dust and seem like nothing but sad
old memories that I have no need to cling to any longer.
Just when I will believe I couldn’t bare any more of
myself to you, you’ll take your hands and draw the soft
blue cotton of my dress up around my hips, my waist,
exposing my *******, over my head tossing it recklessly
aside ––and suddenly, there will be nothing left to hide
behind.
And so we will fall into the light of a thousand stars, the
dreams from the nightmares that woke us for far too long,
the sleepless nights and the breath choking in the back of
our throats, the words that burn to be said—all of it will
disappear into that one moment that will be caught in
between our lips as they meet.
And the night will last until the sun wakes us with her
light through heavy tender kisses, scratches along
ripened exposed skin deep with a passion and a fervent
rocking desire that will leave us both breathless.
It will be a night of sweet strawberry whiskey, the haze of
smoke circling around our heads and opening up our
eyes. It will be fiery grilled peaches sweetened with rose
honey and melted vanilla ice cream, it will be a million
moments that all will come down to one.
The moment where a Saturday Night turns into a Sunday
Morning.
I want a Sunday kind of love.
Last night’s laughter will still echo in the back of our
throats, but we will have lost our voices to the softness of
a Sunday morning. Barely speaking above a whisper I
will trace all of my secrets onto your skin with my lips,
waking you from your sleep as I press my bottom against
you, not needing words, because you will already know
what I want.
My mouth will seek out your neck, my fingertips tracing
the steps of a thousand journeys that have finally brought
you to me, and I’ll take you in my mouth, saying good
morning to you in the only way that I know how.
My bedroom hair will be messy and tangled, nothing but a
fallen halo of ***** nonsense falling over and around you
as I move, daring you to ever leave this bed.
Soft heirloom quilts holding the dreams of tomorrows in
shades of blues and greens like my eyes, but not nearly
as deep––or as passionate—especially when you’re the
one I’m looking at.
Mottled light through the shades creating warm shadows
across our skin, leaving the softness of bed wearing
nothing as I toss a smile over my shoulder and I leave
you lying in bed wondering how you ever got here, and
yet at the same time, how could you possibly ever leave.
I’ll bring you a heavy mug of steaming coffee smelling
like the exotic hills of Peru and tasting almost as sweet
as me, and though we will have every intention of
drinking it, the mugs will sit growing cold, as at first we
will laugh until I begin moving against you once again,
and you unable and unwilling to resist will come to play
with me once more.
I want a Sunday kind of love.
Eventually we will rise, and I’ll put on your worn t-shirt I
picked up from the floor—just because I can—and,
barefoot with music playing, I’ll make us pancakes.
Swaying my hips as I mix and fry them over a hot griddle,
the oil spitting and biting at my bare skin, just like I’ve
done a thousand mornings before—except this time I’ll be
making them for you.
We’ll sit in the dappled sunlight and have breakfast, the
air smelling like bacon and fresh coffee, and I’ll watch
your eyes as you see the maple syrup trickle down my
chin and land on the rise of my ******* begging to be
licked off by your hungry mouth.
I’ll ask you to leave the dishes where they are as I say I’ll
be in the shower if you want to join me—although there
was never a question as to if you would.
Because this is a Sunday kind of love; one that begs to
stay undressed and tasted slowly, one that lingers on our
lips long after it's passed.
I want a Sunday kind of love.

I have spent so much time
staring at blank walls,
whispering secrets to the cracks
while
watching the time creep by in shallow pockets.
I have wallowed in the sorrows
made up inside my aching head,
formed by fears
that bubbled inside,
volcanic eruptions of
expectations,
tribulations.
until one day,
fingertips tapped on my shoulder blades
enveloping my soul with musical notes
that danced across my ear lobes,
shaking me out of this
life of longing,
opening my eyelids
to a rainbow
that shook my core,
is shaking my core
releasing streams of romantic passion
that hid underneath
a veil of sadness
aching to dance in summer rain.
and here we are,
awake!
stealing glances at the future
once so foggy and full of mistrust
now blooming from the dew.
to be awake
and taste the stars
is pure
and it is peace
dripping through my veins
tickling all senses and desires.
the world is soley
poetry
and we must utlize every angle,
become the sun and the moon,
let our mind drip between empty lines
paint the images alive in our brains
onto the canvases of tomorrow.
anything is possible,
and
rather than waiting
for the clocks to change
i need to eat it
swallow it whole
stop dreaming about possibilities
and instead
kiss them on the head
put them to action
and
be,
be,
be
alive.

I had to go into the big city
well big for me anyway
a beautiful drive still dreaming I think
looks right down on the water that city
at Lake Champlain.

So what did you get?

Oh. You're seriously asking, alright.
Well, it's for a lovely couple this weekend getting married.

Oh I see, do tell Chef ?

I picked some beautiful ingredients
for pumpkin cheesecake
some candies...
I especially love the sunflower seed drops in magenta, violet, lime green, burnt orange, tangerine and dark  chocolate,
they look like little fall tears.

I also found some vinted
honeymoon wine
A voigner
with a lovely fragrant crisp taste

Hmmmm...interesting, go on?

It signifies the full moon in June after the flowers turn into young grapes some honeysuckle Aromas followed by luscious mango and nectar
Paired with roasting chicken
& beautifully seasonal fingerling potatoes
and this amazing rustic sweet potato bread
gorgeous heirloom vegetables in a few various choices
delicately cooking squash
all seasoned to perfection bringing
nutty joy to all
in an aromatic feathery plume of goodness
finally...
green goddess dressing and roasted nuts, berries among other toppings for a brilliant salad.

Oh...well any invitations still open?

I'm not sure, but you can be my guest in the kitchen come along

take your hat off what's the hurry?

Cherie Nolan© 2016

Days pass, my love, and I'm afraid of t'ese feelings,
Which at first startled and surprised me,
Solidified but threatened me,
Hastened my heartbeat-and lingered stubbornly, at my wit.

I was treading down in my stilettos;
And all, today, had been silent hitherto-
Whenst I but caught about thee;
More charming than the breezy day itself, and more free.

Ah, thee! How I longest to silence thee forever,
Thee to whom delights my shelter;
Thee to whom every lie shalt be truth,
and to whom all dreary ages shalt be youth.

How I longest to ****** thee;
to strangle and behead thee,
so that thou shalt no more haunt me-
just like these feelings that twitch, and dazzle me-
forever and ever; like a bewitching, yet sadistic misery.

Shalt I hate them, my love?
Shalt I depict but mock all them?
Ah, tease me-o, tease me, my love!
Catch me about those rippling grass,
Which like a bucket of green water,
Bloom and flirt with the startled bush in mass,
before autumn greets, and their brightness shalt alter.

Alter to falseness, and die in paleness;
Before they scramble up again in vain,
And retreat to my dreams like a dizzy villain;
In a wail of discord, and its lake of cold madness.

Ah! They hate me! And whenst thou seest not,
They seethe at me, they floweth in my brain;
they corrupt me vilely, and ruineth my restraint;
And my loving heart shalt they never defend,
for instead of hate, they grant it love;
and tempt it to kiss-t'is tiny heirloom of mine-
of thy picture, all repeatedly; over and over again.

Ah, thee, to whom my heart shalt only be a burden;
to whom the bleakest of winds only bounces, and goes;
to whom that this earth seems to have no throes-
Just like all those ****** birds who chirp about in yon garden.

Oh, thee, who looketh pristine in whichever garment,
and looketh still a darling atop whatever mute soil,
but safely comeliest amongst t'is Thursday night's infallible moonlight;
and altogether stirring to every glance-whilst inviting to each lurking sight.

Ah, thee, whose heart still, that lucky lady possesses,
and whose smiles she salutes and gladly welcomes;
I wonder whether thou shalt ever know how my heart is obsessed-
and that how thy love for her is my karma, my devil,
and the most undesirable-yet resentful, total sham!
Oh, for the gracious is ungracious indeed, in her eyes,
and peace is but to her a mere tempest of fights;
for to her, immortal are her shallow rights,
And eternal are her breaths, and thus, her tidiest lies.
I hope she shalt be soon swallowed into this earth,
and bludgeoned to death, within its eternal, whining hearth.
She shalt be sent to Hell, for all her discordant sins,
poor creature, as poor she was, whenst alive-to her kin.
But still poorer, poorer me who adoreth thee like this,
Who forever longs to taste thy sweet breaths-and kisses,
I am like an infant who seeks to walk and drink of the stars;
Without knowing the sky is indeed boundless, and strenuously far.
I am who never grows, but stupidly screams, and urges for the most
I, myself, who shall always be strangely desolate, and lost.
Ah, t'is poor self of mine! For canst I only dreamest, and seekest, and whine
Whilst her hair is in thy arms, smelling like sweet-and dreamless sleep,
Buried deep in thy charms, with her heart engaged in thine,
And unawakened by the night, as to one delight so deep.
I am envious, envious, envious-and for thy know, t'is envy is perilous,
and should I die, my spirit wouldst remain awake, and forever curious.
I shalt be wand'ring voicelessly like a fishy ghost,
Be unseen foliage in autumn, and be winter's plodded frost,
I shalt be confined in my own confinement,
and flustered away, in my own unblessed, refinement.

Yet still, nothing is more stately than my feelings;
and this picture of thee-ah, as always, solemn and so honoured in my arms.
Ah, thee, let me invite thee here-and show thee how tears are in fact, the truest charms;
and how pains are undeniably our breath-though faked, and dried away-
by unceremonious adoration and hate-
but still alive like we are, among th' very livings.

Ah, and so my feelings are dangerous-
for they have no soul; are bound not by wings.
As thou smileth to me-they smile not, but groweth serious-
and their seriousness, in return, bringst not one single uttering.
My thee, my thee, but if thou art not my fate,
how couldst I call thee always, my salvation?
In my heart thou art not merely my mate;
thou art worth all my warmth, regrets, and thus holiest temptation.
How am I to procure advancements, my sweet lad-
Should we hath been 'lone, had we never met?

With thee I hath been in love,
and for whom my feelings are tough.
Still I believe loyalty is in thee,
and honour in me-is whenst I loveth thee only.
My thee!
O-my thee, by whom these long-living trepidations
shalt no more be meaningful,
as how all other's admirations
shalt become unfelt, and sorrowful.

Feelings, feelings, o my incarcerated feelings
My tears are thy soul; that shape and form thy whole
To live and love whilst these flames are strong,
to whose lips only, I am insane-but clearly belong.

How the silence greeted her never be?
Never see the clock to fool you
Always react quickly the change
will get you
About  her time never to be wasted
And never the right time to be free
Please she is the lady never
defeated like General Lee
The revelation to be loved
he had this clock-wise
reaction

Charlotte curved her position
like a pendulum going back and forth.

It was all she could say
she looked up at him
dancing with the golden flames
piercing her eyes. nineteen roaring
just about twenty dames
The clocks how she envisioned the
quarterback the hands like wands
had different names of foreign lands
Please, not my clock hand my hand
I am running out of time
The love doesn't last even the
first time or your
Last race against time
I assure you the competition never the
right words
But I am feeling all the wrong
signals so indecisive
Clocks somehow can be relative

Her heels not so concrete when
we are talking
and especially walking running late
its always like  her and his debate
So conclusive men campfire no clocks
But the hot fire bacon
Her clock is near the mason jar
Hollywood star is way out of line
Throw her overboard
The babe is so pompous
ladies taking trips beyond the clock
Graveyard shift please assure me
I can use a facelift
Feeling the dead of night waitress shifts
looking at the clock nothing to rave about

The quiet ones so sensitive giving
them a lift be positive to be saved
and please clock them into the tick.
There shining with there own click
computer ((Apple)) bite with Gents
of martini ladies turn the clock
like Houdini.

We need to be more responsive
to the thing that ticks back at us
So like we are living together so costly
Being passive at the time but expensive every-time
that elapsed like the war of the flow of clocks world.

She hopes so strongly she didn’t jump into his frying pan of words like trying to read the top of the hour newspaper trying to tell the time it’s like a second-hand clock.

But first, most importantly we cannot turn the clock
back to undo the harm it caused.
But we certainly have the power to go with the flow to make things better instant pudding have a way of coming unstuck.

To ensure ourselves what happened in our past never again will we let it flow into our future. Let our minds flow with more positive energy.

Day in and Day out:
Please assure me the right day you come on in
The day that you want to leave but please
don't stay out more time that's what life is about

All you do is dig dig dig… how we conserve energy per unit time. How we put all our energies into works.
Or also our nervous energy fighting trying so hard to focus to find the time to balance our energy our mass movement.

Like the sacred going deep well dig your way to a spiritual time and knowing the truth of things will set us free.

Your the one going solo feel a pounding in your heart needing so much to tell someone how you care about them what happens to you when your day begins.
Do we have a second to think about can we undo something or will it remain deep in our hearts?
Something touched you like explosive words at war with one another how they develop.

How does this entire world deal with such terrorism?
But not having the time
What! I see the clocks and the
Watchtower every soap opera hour to tell someone you love them how you need them because your days come to close to the end.

You feel like a thousand drums
hit you like a bomb going off ticking clocks.

We visualize more what love really is and the day in and day out like the song continues on your digging way down to finding something its huge so major to bring it way up to the surface.

Telling one another the game isn’t over until the clock says zero.
We are going to below trying to dig deeper.
Like time management oxymoron time beyond like anger management, we cannot control it will keep ticking regardless of our lives any flow or form.

He changed to be pleased or she retreated one arm against the mantelpiece his eyes surprised
The engagement turned like a clockwork orange so irritated beyond a different time.
To refresh the orange pulp going to the Gulf of Mexico
She felt stopped for a moment in time how she couldn’t gasp for air.
The sensation got stronger how she was being watched making the right or wrong moves her steps going back and forth.

With an effort,
Please assure me
I know it not easy to please me or how you know me
Like a six sense our eyes went the same direction
Like the romance endless kisses of France
She forced herself to straighten her body
to behave but her mind really needed to function.
He sensed the last word
The next word I assure you it's like a love bomb
For quite some time  I felt in a coffin
like tic rock boom of logs
Emboldened she allowed herself
to see the contour of destined time.
Please assure me all contours shaped his face.
Please assure me I still have a brain but a
different environment place
My clock stopped just when I felt my writer's block
Somewhere over Finnegan's rainbow, his colors
changed my clock.

Like the 'French Emperor Napoleon"
Too many derogatory stereotypes.
The morning mist
The ending  list was lifted by the time
like our world became
so responsible for the past
and future how different the time became.
Like the Rehma time

The flow of electric mechanical
The clock number remarkable, please dig into the deeper movement, beautiful Girl flow’s inside.
Like Yoga life of the party, Gala adulterated minds drift oceans wave brains of Psychology.
Love and hope but our souls the core of our brain.
That cozy warm inviting library with the creative cafe of old grandfather clocks Ingram 1828 Ansonia 1850
His name Gilbert rocking pendulum newton equation
Please assure me we will meet again there is so much space

How someone is born with the proverbial silver spoon those compounding assets please assure me I will look up your face in my clock became all in one heirloom faces.

Seven New Poems For Seven Days #1: Shiva

Shiva means seven. For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night.*
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~~~


I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

Manila is beautiful at night,
Seen from overhead, high above rainclouds in the night sky
with a tantalizing view of car exhaust and the debris of broken dreams
Manila is beautiful at night.

It comes and goes like a shadow in flickering light.
At first, it hides behind wispy rain clouds, playful as a child hiding in his mother's skirt.
If you look closely, it's lights glisten-- golden and teasing
It's incessant winking, an almost promise of what's to come

From your aerial vantage point, you wonder:
"This is what it must be like to be an Angel when they fly"
Below the city, with all it's secrets, sprawls like a handful:
A rich lady's heirloom diamonds, thrown carelessly on a ***** floor.

It will somehow remind you of a creature: perhaps human, or Leviathan in it's wake
Cities, after all, are their own specie of living things

At first it is looks like a Brain, with neurons and synapses electric and active
Certain spots of the city: mall compelexes and large parking lots, like the nuclei of a brain cell
the roads that lead to and fro, the cars zipping up and down in red and yellow lines
remind you of dendrites and axons, stretching far
They communicate with each other in their own language; a code
Your imagination runs wild with untamed fantasy

On next glance, it looks like a heart.
The whole city pulses magnificently in unison it seems.
Thud, thud. Thud, thud. You feel it?
Your heart follows it's tantalizing rhythmic pattern, it's muscle beats
Though and through the city pumps it's lifeblood into each nook and cranny
Oh how it entices your passion so.

At last you seem to hear it breathing.
Listen closely and hear Manila inhale and exhale in steady tunes
Inhale, and exhale-- a silence comes over you,
And it's strangely reminiscent of amazement, excitement and bitter fear
Your ears dull and you listen to the rush of air in your lungs,
the deep drum bass of the pounding of your heart
the dizzying feeling that exists in your brain

Manila really is beautiful at night.
In the shroud of darkness, it rises from slumber;
Vivacious and lovely, it's seductive and free
Manila is lovely. Manila is a woman, as it should be.

i used to trust my lovers
but that was long ago
now i see no others
the past my mind must go

i used to trust my lovers
but now i doubt my heart
heirloom of my mother's
and it's tearing me apart