They come by dawn’s early light


Just past Five am, they do an extended aerial search,
though well familiar with the shoreline and our oppo
campsites, they fly over in formation noisily debating,
which hunting grounds seem most secure, least guarded.

the scouts, numbering six, descend to the far edge of an
adjoining neighbor’s property, as always, remaining close
to the water’s edge, while the main body of these ghastly,
geesely beasts, numbering today a massive force of 42, land and storm our beach, after traversing up the earthen berms that buffer the bulkhead, and that also provides them a out-of-sight, surreptitious, secretive approach to the fresh green grass, that has emerged from two days of much needed sky watering.

Our preparations are at the ready, the old faux velvet slippers by the door, next to it our weapon of choice, a white parasol, most suitable for a tour group of tourists to follow, but this day, it is an extension of a waving arm and low growling.  Once the bevy of heads are espied bobbing spotted coming over the rise that downward slopes to the beach, the battle commences!

The two forces well known to each other, we advance slowly,
with a deliberate mien on our faces and in our step, and the enmity, I mean enemy, sees us coming and the alert is squawked, and all heads raised. they the geese, are in full dress fight or flee modality.  

We get within but a few paces when they squeak retreat, and in good order march to the beach, hoping to observe us in an early retreat and plan a sneaky return.  But we  proceed closer and they beat their wings and head to safety, and seeing us close observing their action, wisely to the water go.

But we know them well. Uncannily uncanny, they pretend to hide evasively, with semi-wounded pride nursed, while under the cover afforded by the dock. Yet, seeing our presence in attentive attention,  go forth finally to a safe distance to the wide, broad Peconic Bay.  

But this day is not yet over, for these foul fowl, counting upon human laziness and the appeal of a quick victory, paddle over to our other neighbor’s unguarded land mass and start to clamber up onto dry land 100 yards further east.

We gamely observe and realize furthest action now required,
descend to the beach, each side warily observing, regrouping.
Our approach is well kenned, and the enemy decides this day their cause is lost, and to the water retreat once more, heading around the bend, onwards to Shell Beach and West Neck Harbor.

As we return to our encampment, the bunny rabbits who,live beneath the deck emerge to give us glorious applause, for love no lost tween these two mismatched species of the same Kingdom, who share the appetite for the grasses greenest nutrients, though the geese leave their dreaded cluster bombs most unpleasant, and fully ravage the grass as if it was theirs alone.

The rabbits bring us coffee in porcelain mugs, steaming hot, for they have witnessed before this dance, most progressive, this charade of derring do, and love the quietude of the early morning, happy to share it with the itinerant beach walkers of the early hours and our
Dawn Patrol.

We drink in  our victory in deep and hot, and note per doctors orders, that our heart rate never exceeded 125 beats per minute, as ordered.

Sunday Jul 25
Silver Beach Armed Forces (SBAF!)
Peconic Beach Division

Officer Natalino (his official code name]

<!>

Four Irises tall & gallant, looking though
slighted worn out, a tad bedraggled
they are springtime survivor stragglers
of the Great Spring Weather Battle.

living in an open trench, battle conditions,
wind-whipped by constant strong breezes,
raked by intermittent machine gun rain,
familiar weapons of the “handover” season

loyal guardians of their pinpoint position,
remaining on duty, standing at attention,
dignified amidst the serene, nearly summer, now,
accepting quietude & gratitude of surround soundings

arrow-straight, in dress uniforms of royally purple,
four lead a cohort of unbloomed green fellows,
protecting their charge, an ancient marker of time,
rusted-green bronze sundial, symbol of continuity

these four, boon companions to human and animal,
shall persist long after I cease to dabble in this art,
they greet their admirers in full regalia, every year,
long, long may they live, die and be yet reborn!

here, in place, when we arrived four decades ago, a tiny forever,
changelings heading a processional of the summer season,
greeting all with a simple story of constance of change, of beauty,
leading our Summertime Commencement Exercises

May 26 ~ 27, 2023

BUT each piece, limb parcel, of me,
claiming authorship credit,
the fingers that type,
the left foot upon
which we stand,
the heart, soul,
and the oxygenated blood,
diluted with a *****-like
mysterious soulful ether

all vociferous claim
full credit
regardless for the specific
IDENTIFYING
instigating moment,
specific contribution,
they each encapsulate

and the birthmark,
a Noah’s ark-escapee,
sign left behind, well,
upon my chest, exactly
when my guttural growled,
complete!  for the very first time

Do I care?

Not really.

Can we live without any ***** specific?
Briefly, perhaps, a substitute oft rejected,

the jigsaw of my body, it’s animated spirits,

just a bunch of noisy, plagiarizing auteurs,
egos so big, it’s amazing
we can frame them all in
into a single slop bucket

the words don’t come easy (Poet’s Nook)

~for the postman who always rings twice~

<>

nah, they come
too easy,
from me, for you, doesn’t mean
they’re cheap, quite the opposite!

hard earned, been through the
washing machine so often,
they claim recyclable status

ok, so they are worn, edges raggedy,
they don’t care, nor do I, cause you
can’t find me any that never been fired

in the kiln of experience that came before
the crucible of my eyes, that says to them
welcome back! old friends, easy and familiar

stay for a few minutes, before you must get
snatched by some younger person’s heart,
send them along with my thanks and my

fare-thee-well, bon voyage, stop by one more
time, if you pass this way, I’ll be in that place,
Poet’s Nook, in our atmosphere of inspiration

where we have cohabitated, cogitated, and
wept together, co-created, and dreamed of
new combinations of our old souls’ cross currents

8:11am Sep 10 ‘20


In the Nook,
S.I.

~for me~

no food in this house, badly bruised fruit,
leftover congealing overdue-past pasta with ketchup and cheese,
moldy bread testing the outer boundary of edibility,
jeez, even gotta drink water direct from the tap!

the worn out endemic pandemic comatose wakes up next to me,
“even this fickle friend is thinking its time for them to go, who knows,
cause we no longer count the time, where time goes, it just goes”(1),
don’t want it to go, because the ideation of life totally alone terrifies

looking out at the water, waves relinquish their sooth-me-ability,
now, they looking like masses of commuters and tourists weaving,
pushing, on Fifth Avenue, everybody trys gain a step in this old get-
ahead life we used to liv, believing that the way to, the right place

a poet here has cancer, doesn’t answer me when I’m checking on him,
another has memory sickness, cannot ever let go of her life’s losses,
as well she shouldn’t, some losses are wars by definition un-winnable,
and me, drifting in and out of this poem in the early morning thinking

if I could get back to sleep, that’ll be a couple more hours used up,
don’t want to mislead, no answers any to the perennial flowering
question of where shelter can be found, this wretch like me, can’t see,
grace has fled (2), see it, rowing away, can’t blame it, I would too

so many come to me with pain, wasted opportunities, looking for
guidance, or worse, absolutions, the dishes in the sink, last weeks,
saying they deserve a second chance at a useful life and the coffee
machine flashes “Empty Grounds or Leaving Town,” a decent rhyme

don’t give a **** if you’re thinking this writ, gotta quit, too long,
take your tiring eyes and scram, skedaddle, mine until I get a decent
answer to questions that never let go, they’ll keep coming back and
somehow that prospect, is crazy way is comforting, for all parties

can’t let go, only thing that gets me outta bed, the need  reheat, reheat
old, cold coffee that someone stuck in fridge just in case, the electric
gets hurricaned, stormed, another tree comes down this time that doesn’t just miss the house, like last week, that a stupid way to die

answer to where shelter ain’t, gonna start a collection of awnings, keep one handy, no matter time and luck take me, a stopgap answer to the quest-ion at hand, I’m liking that word,  it’s emotive, aaawww-ing, comes ready, handy guttural name, & to the beat, flapping wind

thought I’d get answer by writing this all down, none come along, meaning I’ll write some more some day soon, when the eyes open, should they open once more-row, the questioning, the pandemonium blues, wake up beside me asking where I’ve been, they’ve been

waiting all night for some bad company.




notes
__

(1) “Who knows where the time goes” Fairport Convention
(2) “Amazing Grace” Judy Collins

within, or rather in between, whomsoever was present.
like a good party crasher, he becomes the life of the party,
joking, dancing, womanizing (the sun so very much a man!)
singing his anthems, commencing with “Here Comes the Sun,” followed by every other  sun~song known to the celestials, concluding near around 4:00AM  with his rendition of Garth Brook’s classic:

”Ain't going down 'til the sun comes up
Ain't givin' in 'til they get enough
Going 'round the world in a pickup truck
Ain't goin' down 'til the sun comes up”

the ladies, especially Venus, all quite smitten, purring like kittens,
took that as a personal invite-ta-tion, and I swear that night many
comets were created.

If you feeling a surprising heating
in your bed tonight,
don’t be afraid,
it’s just me feeling sunny...


7/17/20

majestic adjectives
of contrary harmonies,
adverbs in adversity
that modify our satisfactions,
gut punch our eyes,
scramble the taste buds,
now inoperable,
incapacitated to distinguish
what is disturbed -
what is sweet -
what is impossible.
my days ending is
nearer to my god than thee,
the crumblings of
what I’ve got left

stale panko crumbs,
here come they in
1000 radium-tipped
projectiles of
serious humorous
self-destruction,
gifted to you!
my few
itinerant followers
peddlers brave enough
to offer shelter,
to follow me
into the deeps of
radioactive incomprehension,
of no particular disorders
a thousand times

bless you
richly, eachly,
name announced, pronounced,
we are all proper nouns.

lest the best go to waste

~for the Grande Dame of Port Hardy~


this breathing fire, a coronating sense of mortality, internally
stronger than ever before, though unaffected, no visible signage,
his invisible labored breathing, the torn fabric of easy gone mentality,
yet so corrupted, his interiors polluted, his crying-out-loud goes

unheard, the sheltering alone in his head, which now is stretched,
way past the point of no return ever, this new strand of side-virus,
of dreary sameness, familiar but reimagined as an atmospheric cancer,
the urgency by which his olive oil words, from pitcher poured, astounds

no subterfuge, he’s made his Great-Escape, to the sheltering island,
his refuge, part redoubt, jagged coastlines a hardening shell, no access
until you declare fealty to the Ferry Captains, who let you board for a princely $2 bucks, if you meet their unstandards, upstanding, healthy?

to the old cottage where we have summered forty year more, The requested Crew assemblage by early dawn (no ****),  for animals unencumbered by time-stealing watches, animal mutual truce declared, mottled multiplying rabbits, squirrels who know not any fear, orange breasted robins, **** deer, mollusks, rainbow trout, osprey, cat-sized cawing crows, and the watchers, the sea-it-all gulls

even the Canadian geese send a scout, in the poet’s nook we are formed, nervous not for their safety, but worried for mine, a Memorial Day meeting very traditional, atmospheric condition cool-cloudy-overcast, party sunny a bold-faced forecasters lie-trick, for an island *******-bonding gloom, a glomming gray weight tamps the air down

Friends! My Audience for New Poets! (their honorific, now over-a-decade old): The Gods have tweeted, this year may not have a next, no Jerusalem for your human acquaintances, the luxurious slowdown of island life, infected by a new urgency, explaining the known and the unknowns facing the human interlopers

Where’s Shelter?**

a refrain, a greeting,  we have sung together, so many times, self-satisfied, fore we knew well, knew anew, we had the answer, here, here, though to life’s cycle we are not immunized, but now your human admirers face agents of death, by invisibility masked, giving us no pause, so we, all, write now, must forward on to:

live/write our best, lest, our partnership be for naught, always between us truce of mutual consent, a natural love of all living things

my nose now runs seasonallyfrom sigh droplets

every new season celebrated by the constant continuation
of its running from, running to ?, or as I joke,  
from  September to September inclusive

but something new, my eyes now watery, a permanente daily irregularity, the imaginary laundry lady whines consistently, as she cannot always locate, prior to machine insertion, for all my secret hiding places of the always everywhere ***** tissues!

“too many pockets, too many tissues,” she underbreath mumbles,
but secretly I observe her similarly daubing~dabbing of the eyes,
in this time of constant sorrow, no one immunized, the sigh droplets
pass through any mask and gown, and then become full time residents

wry thinking, “let he or she who is without stone, cast the first tissue”
but we are all ****** all the time, heavy heaving, eyes tearing and
noses running

it don’t take much, the continuous reportage batters me and turning
away from my electronics impossible, they now hard wired inside the maniac-brainiac, wifi’d, from every side, even a actual glance outside at the desert of our dehumanized streetscapes always amazes

we no longer worry that every sniffle or tear
is a warning sign of  a more serious ailment;
no, we understand too well this is a sad spirit inside,
it’s symptoms unleashed but un-lethal, the antibody
to a weariness that has no name, only tissues that

cannot cure nor disinfect

lay this body down, where shelter is..

<>

maybe you’ve been here, HP, awhile,
faintly remember the nook of poetry,
the four old soldier chairs, worn to a gray shade indescribable,
facing the merge of the river and the bay, lookin out southwest,
today, in nearly summer over Sunday best,
wearing a new old navy lime t-shirt,
ancient Champion grey cotton flannel shorts,
summer uniform of the generation that went boom and bust

as the sun escapes through apertures of now and then,
interrupting the partly cloudy forecast,
lazy me risking an end of summer skin reddening chastisement,
but life without danger, no life at all, especially poetry danger

the windy breezes jabbering quite excitedly,
deep in conversation with the waves
that loudly enough are washing the shore,
beneath my feet sitting in the poets nook

the gulls are squeaking their point of view,
at will, saying to me,
who asked you poet?

discussing they, the day, when the humans will be leaving,
they tell day and season by the degree of temperature reductions,
knowing full well it harbors hints that our departure sooner,
till next we poetry nook

the Adirondack chairs, with no cushions, are now described
as “scratchy,” by the Wendy of my life,
two and something granddaughter, who returns next weekend,
with new insights and open to opportunities to “use her words”
to teach me anew how to see the loveliness that is my blessing

sometimes a human takes an inventory of life’s stuff,
the ex and in-terior terrain, wades through the moraine
that his glacier has dragged behind, the coarse detritus of his course,
de icing/deciding what to keep, what stone skip throw into the bay

I could sail from our dock to the Atlantic,
meet you over a pint or a pinot, or head down to the Panama Canal,
north to Portland or Seattle, cruise the Willamette,
go as far as Vancouver,
before the spring winter runoff,
show you my shock, the shock of well past gray,
now the white feather of my head, signifying...old warrior, as it
falls over my forehead, a new signature of my ever changing body,
the city doormen see, shocked, now call me honorifically “abuelo”

read a story from a harvard doctor who believes living past 75,
makes little sense, cause we use up more resources
than we could ever add back

no, not saying go die, but give up the meds,
the artifices to extend life
once you pass past the inflection where you’re nothing but a taker,
which maybe explains why wrote a dozen poems this weekend,
trying to expel what resources I can add to the world before I

lay this body down

the cloud bank covering the southern fork of long island,
thickly viscous like fresh honeybee secretions, after which,
some will

lay their body down

next weekend is labor day, and maybe I’ll labor more,
disgorging poems too long and too varied, perchance you will
enjoy one or two, as we both be closer to the day when labor ceases,
and we can unhurriedly

lay this body down, sheltered at last

from wind waves and gulls jabbering,
the alternating current of cloud and sun



8/25/19

3:40pm
SI

your thoughts and prayers ****
highly ineffective,
bluntly,
they are defective
ain’t rendering no mo’ to god
and his good old timey thing,
righteous slaughtering of the innocents,
such fun for what does He care

what we got to do is do
something about on it earth,
time has come up,
the hurricane has begun,
and world is shaking from the movements in our bones,
for now is the hour
when we sail to the shore,
and until we are done,
the sun will not respect our faces

accept this introspective invective,
politely keep them guttural BS noises to yourself,
you know who’s the guilty ones,
that would be me and you

write to the congressmen,
who have been shot,
asking what ya got, forever protection,
the crazies know where you live,
state senators from places they don’t you represent,
all that we adjudged them lazy guilty, guilty of laziness,
and don’t forget to add a p.s.

we adjudge ourselves guilty as well,
too many knew in advance, the dangerous ones, who were
lurking, them waiting, us in desperation hoping,
it wouldn’t be happening then delaying one more time
all over again

”Oh the foes will rise
With the sleep in their eyes
And they'll **** from their beds and think they're dreamin'
But they'll pinch themselves and squeal
And know that it's for real
The hour that the ship comes in.

Then they'll raise their hands
Sayin' we'll meet all your demands
But we'll shout from the bow your days are numbered
And like Pharaoh's tribe
They'll be drownded in the tide
And like Goliath, they'll be conquered.” (Bob Dylan)

8/4/19 12:10
there is no shelter anywhere from madness for the madness
is ours, inside, and we have learnt to live with it’s reoccurring.
Why?

beyond just exist, what is the motif of your life?


pity
the lucky few who know not the ordinary,
lives without the stolidity of repetition
who know their motif, write it live it,

pity? yes...
they are the few
their motives are their motif.

water falls, evaporates and returns to the clouds,
and over and over again, the process infinite from first day

i can no longer tell the difference between future dreams
and events past, the blurred process infinite will be resolved finite

i see the difference but cannot tell the difference,
finite events
repeated independently they are linked inexorably
in marches to the past that pass forward that re-define

not a loop, but a path one unified, a reversible coat
where the inside warms and the outside protects

memories of the future indistinguishable from the future yet to be

she was skilled.
a super heroine.

WWW long before there was the internet competitor,
defender of the Weaker ***,
from when that was still an
acceptable insult,
that she crushed, when found the pronouncers,
and the foundering it was of causal, her rescued army,
oblivious to the injury she risked and
completely aware,
injury she was hoping to cause.

woman. wonder, women.
and my mother,
my shelter unquestionably,
between her legs, me standing,
little boy bravery infusing,
she was his blood, his tea, his exemplar,
his teacher

drank so deep that when he was at last man-dated,
her honoring was in the reciprocal,
when he was anointed
Wonder Man.

~for Allison~

she loves your poetry,
ok you think,
cause you just love her his-stories of her/here life,
the children, the musician, nominate her as daughter,
her poetry and her yay’s spontane-us,
we are fan fanatical
of each other

and she describes us perfectly -

“So I am an idiot standing in a sad storm of letters that are unrelenting”

ok you think,
not bad, for surely
only the most precious things in life are
unrelenting

2/20/19

People who are experiencing depression use different words than people who are not



By Elizabeth Bernstein
June 11, 2018 9:33 a.m. ET

Feeling down? Pay attention to your language.

Language changes significantly in both content and word choice in people who are depressed, according to a growing body of research using computer programs to analyze speech and writing. People who are depressed tend to use the pronoun “I” more, indicating a greater focus on self. They also use “absolute” words like “must,” “completely,” “should” or “always,” reflecting an overly black-or-white outlook.

Scientists have long known that people change how they speak when they are depressed—their speech becomes lower, more monotone and more labored, with more stops, starts and pauses. But newer studies, including several published this year, have found differences in the actual words depressed people use.

People who are depressed “don’t see subtleties, and we can see this in the words they use,” says James W. Pennebaker, professor of psychology at the University of Texas at Austin, who studies how language relates to a person’s psychological state.

The study of computer-assisted language analysis for depression is still a nascent field, but apps and other technology that track language could eventually help doctors and patients identify a depressive episode more quickly. Since there are no biological markers for depression as there are for cancer and other diseases, therapists currently have to rely on a patient’s self-reported symptoms and on their own analysis to diagnose the disorder. Both can be highly subjective. The apparent suicides of designer Kate ***** and chef Anthony Bourdain last week underscore just how challenging it can be to identify and treat depression.

How to Talk With Your Dying Loved One

Conversations about death are among the most important, and difficult, we may ever have. Too often, we avoid them, Elizabeth Bernstein writes.



In research published online in March in the Journal of Personality and Social Psychology, researchers at the Universities of Arizona, Zurich and Texas, as well as Michigan State and Georgia Southern, gave questionnaires designed to measure depression to more than 4,700 people at six labs in the U.S. and Germany. Participants were asked to write about their lives, a recent relationship breakup, their level of satisfaction with life, or just their general thoughts and feelings. Then software analyzed their language. The results: In addition to using more negative, or sad, words, people who were depressed used more first-person pronouns or “I-talk” than people who were not depressed.

Pronouns show where a person is focusing attention, says Dr. Pennebaker, who is an author on the study. Someone who is really interested in another person will use the third person “he” or “she.” Someone closely focused on a relationship will use “we.” “But if you are thinking about yourself—if you are more self-conscious or self-aware, as depressed people are—you will use the first-person singular ‘I’ or ‘me,’” Dr. Pennebaker says.

Depressed people also tend to view the world in a concrete, black-or-white way, using words such as “must,” “completely,” “should” or “always” that express absolutist thinking, as shown in a series of three studies published together in Clinical Psychological Science in January.

The researchers, from the University of Reading in the U.K., used software to calculate the percentage of absolutist words used in messages by approximately 6,400 members of internet forums for depression, anxiety, suicidal ideation and a host of control forums. They found that approximately 1.5% of words used by people in the depression and anxiety forums were absolutist—which was 50% more than those used by people in the control forums. The percentage was even higher for people in the suicidal ideation forums: about 1.8%.

Why are absolutist words so bad? People often don’t realize they are using them, and they can amp up negative thoughts. (Think about having your barbecue rained out. Saying “this always happens” is a much harsher thought than “sometimes the weather is unpredictable in June.”) Absolutist words also require that the world correspond to your view. (“I must get that promotion.” “My children must behave.”) “If the world doesn’t adhere to what you demand of it, that is when depression and anxiety set in,” says Mohammed Al-Mosaiwi, a Ph.D. candidate in psychology at the University of Reading and lead author on the studies. The more flexible you are, the better, he says.

Psychologists say people can use language as a tool to help them reframe their thoughts. “Very often, what you say is what you internalize,” says Mr. Al-Mosaiwi. Here are some tips:

Remember that the actual words you say matter, not just the thoughts they convey. Even if you are unable to replace negative words with positive ones, try replacing them with more accurate neutral ones. Instead of: “This party is horrible,” try “This event is not for me.”

Banish absolutes, especially in relation to your goals or relationships, where falling short of your expectations can be particularly depressing. These words and phrases include: always, never, nothing, must, every, totally, completely, constantly, entirely, all, definitely, full and one-hundred percent. Replace them with nuance. Instead of: “I can never catch a break,” try “Sometimes things don’t work out.”

Write. Keep a journal. Try a stream-of-consciousness writing exercise. Compose an email to a friend. Then analyze what words you are using. Are they too negative or absolutist? All about you? Tweak those sentences—and stay vigilant for those words in your speech.

Ask a loved one to help you identify absolutist or negative words or sentences and suggest reframing. It is easier to notice someone else’s language than our own.

Create a mantra you can use to override absolutist language. So instead of saying “This always happens to me,” say “This time. This happened this time.”

Put your mantra on sticky notes and place them where you can see them. Make it your screen saver. Have a needlepoint pillow made.

Pay attention to your use of the word “I.” If most of your sentences have “I” or “me” in them, you are probably too self-focused, says Dr. Pennebaker.

trigger warning:
Hate long poems?  move on.
Love words?  pleasure your self

<=>

drought and famine of the spirit,
over-staying summer
house guests in an overly sun blanched,
voided, white outed, mental abode.

faculties parched,
overly starched,
compositions lost in transition,
why can't they make it ashore?

It's after 2 AM, and though
ferries have stopped running,
mainland hangover hangerons are
working overtime to prevent
"author"izations, so all I get
when I press send is a whole lot of
"permission to cross," denied!

causes of vexation undisguised,
dual natured and manifold,
luxuriating and drowning in home grown,
city organic insipid,
makes one quick to blame
nobody in particular,
but yourself, repeatedly.

reasons many, the distractions of
rustling contradictions populate,
another life road fork looming,
a track record for choosing badly,
colors the blacktop even blacker and
ramps up desires for a janitorial,
but first do no harm, status quo.

Need a beer.
Need a distraction.
Need a homework assignment,
which I buy at the IGA market:

obey the eleventh commandment
which every writer knows;
you think you're Mr. Bigshot,
so pudding prove it,
write it,
one true sentence,
let it be a constitution for all,
with the lengthy consistency,
of a Hemingwayesque,
one true sentence.

dearth to riches occurs
as fast as a basketball
three second violation,
inspiration dripping like
windshield condensation,
got so many true sentences,
how ya gonna choose,

O sinner man?

sadly you don't hear or feel
my background music,
stringed surf sounds playing
Perlman's Mozart low to
the thunderous, sweltering,
swells of applause of
90+ degree heat
w/o a Crescent Beach breeze
to console the disowned

these superheated thoughts
now focused,
emerges a bill of sight,
lading my heart's many heresies,
staccato thoughts now,
rapid fire rebel,
a pre-discourse insurrection,
voices of words lash out -

pick me - immortalize me,
I wanna be,
a constitution for one,
one true sentence.

The Moment of Ownership.

Hillel did it,
standing on one leg,
a Sanskrit mantra,
not by me,
not for me,
not through me,
even more succinct.

full clarity unobtainable,
begin when fighting thru
the static of each nerve,
knowing that
each thought,
each emotion,
is a constitution
of sorts,
recognizing life is a series of
moments of ownership,
but that are truly ours
only when relinquished.

each one, a true sentence
when writ, spoke,
but only when disabused
of notions of possession
only true, when gifted away.

Lucian Freud painted those whom
he knew best, their portraits,
fully clothed but wholly naked,
a painter of revelation
thru the skin tones of the flesh.

exposeur of skins interior
displayer of old and ungainly,
left us eyesight more true
than an honest mirror,
with poetic brushstrokes overlay,
gained entry to what his
grandfather named id and ego,
artist's superego, his reflections,
a continuous judgment
on a pool of stretched canvas
that makes me despair that:

I will ere succeed
to cross the borderline
that modernity insists upon,
self preservation, neurotic fears,
impositions on my psyche and
that my moments of ownership
will be n'ere be stamped "transferred."

I take back my life,
by giving it away
this alphabetized self portrait,
a wrinkled sketch of me,
my ownings, undertakings
needs taking by you
so I can disown it.

these words are my own,
their conjunction is a
junction to you,
and a constitution for me.

once this expiation
is in your purview by the voted
election of Send,
bonded by a mutual
Moment of Ownership?

so net net,
bottom line,
these are my
one true sentences,
summarized, constitutionalized:
I am yours, for the taking,        
so come by, for and through me,
in many moments of ownership.

p.s. let us shelter together in place, an island growing

Trigger  Warning:

I am about to advocate moderation and restraint,
counsel that has been known to spark
uncontrollable fury  in those for whom
anger has become a way of life.

an average human creature should such a mythical exist
in a lifetime will celebrate about 2,200,000,000 heartbeats,
billions of heartbeats per minute (I prefer moment)
but like everything so essence human there are
those very few heartbeat moments,
the ten or twenty maybe forty total in a lifetime
that you total truly remember,
recalling the cream and sauce,
swell and the hell,
of the pounding so slow so hard,
each one a volcano of
a moment until that day
you don't remember-anything

when she said yes and you're shaking and beating in a
*****-tonk rhythm cause you were heart undressed unsure
and truly afraid of a rejection that makes a heart stoppage
disallowing visions, to be exponentially happy future imagined

you're feeling your heartbeat
in your knees going weak,
when the doctor says:

congratulations healthy swell
and/or
some years later,
I'm so so truly sorry, hell

when they hand you a long handle shovel no instructions needed and that scoop of earth weighs two tons and the sound of slow reverb in your head hurts like hell and you lack the strength to move and they move you aside quiet gentle like
but inside the temple of the two headed hydra-heart,
it's the rock and roll of slo mo, the violin crying, the drumming of
heavy metal chords plucked so slowly, it's you froze screaming

a billionaire of heartbeats you are,
but only ten or twenty maybe forty total in a lifetime
you total truly remember with the perfect clarity and
forever renders into your own unique orchestral symphony,
your true net worth, the stripes you wear
upon your shoulders skin,  
the tune when you hear it and melts you into rigidity

you fall to your knees wherever you are,
that is where you will find me,
just listen for the cars horns blaring
cursing the man lying in the street, re-listening to
ten or twenty maybe forty heartbeats total in a lifetime

you alone total truly that concert set recall and
the win-loss record inherent, inhiment,
in both of them, tears and the rents, all there in the tunes,
of forty beatings you took,
somehow it feels like here is, there was,
the answers to
where is shelter for the heart,
the answers that have gone and come and gone and someone says,

I don't feel a pulse

raise ourselves, rouse ourselves, rising to race up versus the sun,
to ferry dock, to catch the first, the 5:10am to the mainland,
which is just an island-too-but-longer,
on the first boat of the workweek, the first leg
of an island to island to island journey-poem, but that
for another morning, unless already writ, but forgot?

the north fork, an herb garden of vegetables and fruits,
family farms & rural suburbs, towns of English & Indian names,
all cheek to jowl, corn rows, tractor museums,
high school football victory banners of a prior year,  
and alas, always fresh, aged-woe reminders,
too many streets, ferries, bridges named for young boys who didn't return from foreign wars and whom we all knew by right sight

me, a summer sojourner, a summer visa, an off-islander,
a Hebrew, living among the native island born hareleggers,^
the Methodists, Quakers, and the rest of a varietal potpourri of "Egyptians," come here by choice, all, living in a paradisal
farmers market, all faiths enjoying seven times seven
years of plenty

Country Road (CR) 48, plainly named, snakes it way to the city,  
a  hundred miles, a hundred miles, as the song says,
to a distant, invisible emerald mecca,
which magically emanates
waves of gravitational pull powerful,
where I heard that human city folk go to do derring do,
battling with numbers, creativity and keenest human instincts,
game playing for a throne that may not even exist

as we go west, the sun sneaks up behind us
spotted in the steve sideview mirror, watching our
winking red tails,
moving away, asking us why, are we somehow dissatisfied,
with the rich purple soil of this little refuge it protects?

this soil, blessed, brings forth the babies of summer,
truly a fruited plain cornucopia, the famed potatoes,
fresh eggs, for sale by unseen and oft unattended hands,
plant it and it will come, the peonies flowers, the sod, tomatoes,
the Christmas trees, local duck and fresh caught striped bass,,
over flowing fruit stands endless,
where they debate no politics but only
which fruit will become tomorrow's pies?

and always, first and foremost, the vineyards, the vineyards

not yet six am, sun still too weak, to do the ***** work burn,
fields full of snow white mist lying over man tall vines,
the mist, ground swelling up to the chest level, then north
to the nostrils and head, intoxicating the lungs, the brain,
inculcating the chest with a salve of moisture,
a blend of sea and farm fresh air,
containing the designer's secret arts of earth creation

the fine mist so thick, no different than a snowy white out,
leaves me marveling and a-wonder, why do I leave,
dictated to by boxes on a hardware store calendar?

why not bide and hide in the morn mist,
never will-would we-be found, the vineyards and corn rows,
my protectors, the bay and sound, my natural moats,
is the music of wind + leaves, symphonic insufficient,
isn't the theater of the birds, wild turkeys, families of deer, osprey,
tern, visiting Canadian geese, and the hard to spot, Broadway stars,
those little foxes, wondrous enough?

this guising vineyard mist offers solutions to questions
I should not be asking, especially, primarily,
where is shelter,
for that is asked and answered

I The Hard Part
~ be a good friend

II The Easy Part
~ write what you feel

are you seventeen yet?

have the berries and the shells
stained impossibly
your youthful heart permanent,
have you matured and learned
to end sentences
in question marks?

surely certainty and
alack, its absence,
haunts
all your waking poems,
wonder does your mother know
what you’ve purloined,
stored in you
from her withins?

so young, so much love
oil spilling,
do you wonder about
the depth of the field
you are drilling, extracting -
is the soft supple supply,
so, close to the surface,
endless?

life so far is but a draft.

take copious notes
for the best is yet
and I await patiently
the novella of your
adventures!

bare it straight...

the knight-fool referenced here,
me, scrabbled, scrambled writer,
moat-surround builder,
petard hole-blower in walls of captivity.
letting those inside out,
letting those outside in...

all the beloveds from
ailments hurtful,
in and ex ternality
fearful of eternality

guise of knight errant,
salve and solve,
two pocket protectors,
needy, downtrodden, love-hurting,
slip inside and hide till ready
to come out on acceptable terms

entrapped, locked down and in,
show me the walls for to break,
make the solitary unobligatory
hands holding you will lead us,
all writ on clean new chance foolscap
open sourced coded for sharing

knock knock knock
come calling,
my calling...
to come...