Footballs always dazzled me,
composed boxes on the shelf,
like pigskin half moons and suns
needing tees from toppling down,
a kick or a toss to send them
hurling to human planets.

The long run, perfect spiral
is inherent in its form,
as is carnage, grace, error.
Its life is moving forward
in the give-take of the game
and the frenzied need to score.

In the flash of flight my dreams
ran thoughts of the gridiron:
the quick release, the jute fake,
the deer stride to the end zone,
the soft jump over the safety
for the champion touchdown—

existed in perfection
on the lined green schoolyard turf
until the surest pass ever thrown
slipped like butter through my hands,
the handoff fumbled down, down…
I was born… to be a fan.

Every year I knowingly cross the unknown
date that will complete my tombstone,
the day last fires will turn  ice and
my deafness will make the silence
my true and final friend- and I will cradle
the earth that cuddles my mother.

Maybe I will share that anniversary
with her or some dear friend but
undoubtedly with other millions passed.
The shadows know the date but are quiet
and are shameless in keeping it private.
Today there are poems to write and
quiet and noisy, loud and silent times to
live until the last song of my nightingale.

When the fence was finished
and properly white washed
he wrote TRUTH
all in large block white.
on his side
that faced the street.

The next day, his neighbor
of many years,
of which he knew
only through casual hellos,
painted (in bleeding red)
TREASON on his.  

“God Save America,” the first thought ,
“from this POS” as he drove  his  EV to work,
content knowing he had his neighbor all figured out.
The neighbor thought the same as he passed him
in his POS  Ford— the one he inherited from his father-
the one with the  fender cracks held  together
with $ store American. flag  bumper stickers.

You were unburied
10 years before I was born,
pulled from the Arie riverbed  
the day Nagasaki burned.
You died like a samurai
in your daughter’s arms,
bowels flowing,
head severed cleanly,
falling to the water
amidst the silence
of dead human trees
with their bark skin turned inside out,
among the screams of the living
realizing that not even water
can stop their burning away.

You were unburied
65 years before I was born,
killed by the big guns
with Conestoga wheels in the
ravine near Wounded Knee Creek.
You died running with your nursing infant
in your arms trying to touch the flag of truce,
your child still suckling long after
the Great Spirits call—  still suckling
as you were piled in the mounds
of mothers with no ghost shirts.
Others children’s children still
Ghost Dance and tell your lore.

You were buried
32 years before I was born,
shot in the back after
you had dug your own grave.
Shot in the back after
you had watched your house
burn in a kerosene blaze.
Shot in the back after
you knew the children
were safe in the swamp.
Shot in the back after
all of Rosewood burned
from the fury of white rage.
Shot in the back
until you were erased
from existence
except in the memory of tears.

What am I meant to do?
It’s summer and the
magnolias are blooming,
the cherry blossoms are ripe,
the black hills spruce
admits its forever mildew stink,
reminding harvesters not to
ever make it a Christmas tree.

I call out not knowing your names,
giving you invisible ones
that will reflect your death and life.

What am I meant to do?
Your unburied ash, spirit,
your buried charred bones
exists in wretched longing,
your names bleed into
the riverbed, the ravine, the clay.
I mourn as I freely travel the spaces
that others had trampled over you.

What am I meant to do?

After forty years the brownstones
still seemed the same except
for the newer cars and the people
in fashionable clothes walking
golden dogs in chic comfort vests,
all living in houses he couldn’t afford.

He couldn’t believe he grew up here
when the streets were lively
with black live matter
and Gerald every summer
out there  with his roller
painting fatsfix’s store front red.

Now there sits Wray’s fancy drink café,
his name in a stylish white font
outcropping from a charcoal awning,
a cocktail glass replacing the Y, a large
BLACKLIVESMATTER banner out front,
proudly put there by its white owner.

The old El Diamantet is now
Castro’s Authentic Mexican Cuisine  
sharing space with a Dunkin’ Donuts
with expensive bicycles racked
to the declining handicap ramp.
The Mobil on Fuller- a Citgo Market.

The Meats and Greens turned Bamboo’s
and the farmacia now just  a pharmacy,
and the biggest insult of them all,
New Murken’s Restaurant which
served the best corn-beef sandwhiches
is an “eat big, leave happy” Mega  Bites.

The homebuds  had split, vanished
to memories of stinging high fives,
basketball jams and feeling up
Zoe on a fine Friday night,  the smell
of her  lingering in forty years  of regret.
There’ll be no bros coming from  these doors.

His heart  felt the sting of going home to a home
that was no longer his and no longer wanted him.
That past was a meat offering to this new block-
as if his blood and flesh had been scrubbed away
in the white wash of neatly trimmed roses behind
spiked  fences-  as if that there of his never happened.

“What was here before we came?” he imagined
the children asking the parents behind the doors.
“Nothing of note,” they would reply using the
same line the real estate agent routinely recited
to anyone who inquired about what existed
before the abattoir came and moved  on.

I’m gentle with the spaces
I know and walk through.

Every door knobs has fingerprints.
The dust and air is full of ghosts,

I make them free not by removing them but
tidying them up into their own wandering space,

letting them tell their stories so I can joyously
tell mine in the right place, time and words.  

I free myself to the opportunity they provide me.
I am loyal to them and they to me.  

The other day I heard my mother speak to
me in a frame of film, a pixel flashing by.

”I love it.  Love, love, love it!”, she said
to everything she touched and adored.  

My wife was wondering why I was just
sitting there smiling and writing.  

“I don’t care. I love it! I love it, too!” I replied
to the life that created me and lives I will create.

I have done the work of gathering, curating, loving.
I am close, closer to finally  getting it right!

I try on my death suit regularly,
and even after my cancer surgery,
it’s still too long in the arms and legs..

This year I did manage to find a
comfy pair of shoes in a size 9 1/2
that don’t make my toes numb.

in a few years I will come into a
nice inheritance and will be able to
afford a tailor that will get it right.

She remembers
when the light
was filled
with silent ghosts.  
They would flicker in and out
in the cigarette smoke  
of the theater,  
each frame
an ashy wisp,
a burnt offering.
The story spooling out
in the air
was a familiar one.
The  sentiment
caught in her heart
and  made her cry.  
  
Years later,  
she went back,
after the smoke
was banned
and only the light
was permitted to filter.
The ghosts  
talked to her, now-
but it was no longer
a sacred thing.
There were profane words
and the noise hurt her ears.
In this night  light  
there were no  
familiar family faces.
Everything was clear,  
startling new and strange
and all the colors
too bright  for her eyes
to bear.
And it was then
she knew
she would die
in this nightmare dream.

I can’t remember when death
turned moments to memorial,
gifts unfolded to blessings.

The tan slippers of Christmas past
snuggled my mother’s lost toe
so the others never mourned.

Those mules never left her feet,
even on her final nap.
“Bless me Papa,” her last words.

I don’t know if they were lost
or she was buried with them.
I thought they were forever gone.

And then twenty three years on
I gifted my friend some pair
my new wife found on last sale.

She wore them, a sacrament
to  follow from home to ward
bequeathed from last breath

thru the fragile bruise of time,
the visions of Christ near her,  
repeating deliriums

of cold, cold, cold: hot, hot, hot
and I love you, I love yous
until lost in all the moves

from ICU to hospice,
unable to find others,
a new fleshy blanket I

draped around her cold/hot feet,
until it snuggled just so right,  
perfect as a thank you.

Five days after Thanksgiving
she passed away and I took
the cloth home to wash and wear

to find my wife had found it
and regifted what I could
not own to her sleeping soul.

She dances alone,
the black child
in the yellow dress.

Alone amongst
the black and white oxfords,
the ivory Buster Browns,
the brown penny loafers
with smiling Abe Lincoln’s
looking up to her
from the confines
of their penny keepers.

Her white socks touch
the polished mahogany
hopping silently to
the beats of Chuck Berry
and Johnny B. Goode

She imagines hearing
her name in the lyrics:
Go go go
Go Joanie go go go
Go Joanie go go go
Go Joanie go go go
Go Joanie go go go
Joanie B. Goode.

She is loose but precise,
careful not to leave a mark,
correcting every footfall
with the more perfect
ballerina form
she saw once in
a Moira Shearer feature,
the one where the dancer
dies in the final act.

In the background she hears
the white throng under the
blue and white stripe panels
of the Republic Theater
dance to their own rules
a mess of governance that
obeys its own inane logic.

But then not one of them
had to sneak in through
the backstage door
when her brother, Marcus
chickened out at the first
“******” spited his way,
denying Joanie
even the indignity
of a colored only entrance.  

At the still point
between the lyrics Joan
finds the real dance,
the one intent on hiding
a choreography of grief,
a sadness, a defiance
she shares only
with her shadow.

She imagines herself
a joyous, living, wondrous
thing at play,
a girl reborn into a woman,
a dancer over America.

Time’s diminishments adds its own beauty
in gratitude for moments that are not ours:

the child tiptoes into the mother’s bedroom
and silently witnesses her comb her hair,

later listens to her snore, transferring to
them the transient lyrics of the song of life-

the lines that survive  the well of nights,
the rose thorns to bloom in their mouths

until it’s stamped in their bodies—
this trapped time to live all over again.

1.   Greensboro boys at a counter
watch dead astronauts rain on Texas,
2. hear the scream of eight states  
being ripped from Hidalgo’s belly,
3. imagine themselves the first black hand
to cast a ballot in front of snarling mastiffs-
4.  Cochise chanting a war chant
in front of white captors-
5. A free Mexican crossing the Rio Grande-
6. the black Babe Ruth circling the bases-
7. a dark Sinclair Lewis accepting the Noble-
8. an Eagle Scout-
9. their fathers fighting in Guadalcanal,
10. receiving the Medal of Honor from FDR,
succeeding him as President,
11.  even Nelson Mandela blinking in the bright light,
12.  grateful no Lincolns need ever be born.

13. They paint American Gothics,
14. write Valentines to their sweets,
15. take the A-train,
16. score 30k dunks like Wilt the Stilt,
17. toil for minimum wage,
18. are jailed and freed a la the Chicago Seven,
19. speeding free in a T-bird singing Smokey Robinson,
20. imagining they’re Batman and Robin,
21. knowing their bodies will wash ashore on Zawiya,
22. no WEB Dubois,
23. just American casualties of Desert Storm,
24. wishing upon a star,
25. the nightmare that has Liston beat Clay,
26. nobodies never seeing the Grand Canyon,
27. never playing Ebony and Ivory on a Baby Grand,
28. everyone saying “Goodbye, farewell and amen”,
as the last episode of MAS*H fades off

29. as they die on the bonus day in February
no one wishes to be born on.
The day Gone With the Wind wins it all.


This is not only a February poem but also a black history month one as well.  Note the numbers 1-29 denote events that happened on that particular day in. February history.

We tell our children not to wander in the woods,
never to stop or enter the cottage with
the peppermint scent and gingerbread façade
for a naked witch is sleeping inside.

Beware the milk weeping from an axe handle outside,
the tingling inside that stretches from heart to toes
that neither sinks nor swims if tied with heavy stones,
the ointment on your back that makes you feel flight.

If you are sickened by the scent of roasting meat
kissing your nostrils, we tell them, do not enter there.
If she gazes at you and you see her reflection in the frosted panes,
hear her voice sweetly echo in the glittering fireflies of night, turn away.

Better to crush her bones to paste and use them to mason your new house
less you close your eyes and she be on top in your dream bed,
her pointed ******* caressing down, her black familiar nearby,
we tell them, never noticing the rancid butter on the neighbor’s sill.

If she smiles and you dream the image of a child inside her,
especially after barren decades of hope, many more watching her
tying knots at the end of your bed, muttering an unknown language,
do not ever let her in, we repeatedly tell them.

If she smiles and you see a frown, cast her out, we tell them.
If she marries you in heart and soul and never gets engaged,
If she weeps at the sight of every child in ambulation,
If she takes on the face of Norma Desmond, she is an evil thing.

If she lives in air, fire, ice and water, sees planets in the day;
Insists on walking when old and frail and fragile with age;
looks intently at every small thing, do not let her hair
touch your cross lest she curse you with an unhappy life.

Check your children’s hair lest there be witch powder there.
Beware their nightmares lest they be witch’s dreams.
They may be be-spelled if they struggle with things
greater than themselves, especially those you believe.

if they have contrary opinions, want to tour strange cities,
plea for mercy for the poor soul exiled on death row,
give a drink to a thirsty man, cry for the forever war,
they are surely bewitched and need to feel the switch.

Watch your children lest they slip the things they want
but can not afford into their gloves and pockets
for they are part of her infernal coven and it is time
to collect them together, find the matches and burn the wood.

My grief is stillborn, not consoled by the hope
of replacement of another good little boy or girl
with brown paws and a gentle lick,
another Anne or Tom with eyes that cry of heaven
and a bright mind that can write lines of cerulean clarity or calculate pi to the twentieth decimal,
a wife named All  or a husband named Trust,
a mother named Everything who can  feel,
understand the 10, 000 aches of my  soul,
or a father named Generosity who is there
for every birth, graduation and funeral.  
Everything and All that is  trusting
and generous can never be replaced.

My grief is a suicide that can’t be understood
by the generous and trusting,
everything that has come before
and everything that will happen since.
My grief is not yours and yours is not mine.
I can’t share it with you, only bear it.
All we have in common is tears
that fill a cup of pain and enough salt
to line a Margarita glass, the next
bunch of circular steps till the watch stops
and someone opts us for ash or six feet under.
You cant understand anything of my grief
until you have lost your Everything and All.

My grief is space, a dark, long, lonely void,
like a lost astronaut spiraling away from earth.
There is no consolation in the idea
that at least he won’t be suffering for long,
that God won’t give him more than he can bare
and then some. He doesn’t care that he has all space
to feel the slow asphyxiation that comes
with the release of gravity.  His parents will
still be earthbound, feeling the heavy loss,
forever looking up and wondering
why the sky took their joy away.
The world will let them cry just
as I cry for his floating away.

Tell me a story when I grieve and cry.
For I am a poet and need the comfort of words.
For I need the art that lives and can be passed around.
For I need to know what you don’t know.
For I need to show Everything and All.
For I need to imagine everything you can’t.
For I need the action of your kindness and time.
Grant me your generosity and trust.
Grant me the power of your pardon,
the grace of an honest look,
the sincere utterance of I’m sorry,
for when you lack the words
I know all the generous, trusting, healing ones.

When your mother dies
you grieve,
vow to change,
say a prayer,
plant a memory tree.

When your father dies
you swallow hard,
set yourself square,
curse all his mistakes,
and seed an oak.

When your brother/sister dies
you cry
for the good times,
regret their bad ones,
carve their dreams in evergreens.


When your wife, husband, lover dies
you sunder and wail,
fumble for reunion,
finally settle enough
to sow a weeping willow.

When you die
the world will bury you
or spread your ashes
in the peace forest
you have mournfully grown.

Wake dear, and rise,
sleep not this day.
Let our two dreams
play to and fro with each.

Let’s dance in the sun
shouting— one beam,
the light’s high joy.
You nor I will not cry today

as you gambol and swirl,
as I dream, hope,
now words, then love and vows
united.

‘Tis by the first touch
of moonrise’s delightful sway
will we share our future
with the stars.

Losing
a child never known
a mother known

love found
love lost

memories remembered
memories not remembered

old man’s tears
grief in womanly rags


heartbreak

These are the things he scribbles
in the little white paper of his brain:
catch the movement
of passing shadows in a window;
search the clouds
for the feathers of a robin’s wing;
listen in the spaces of music
for the laughter of angels in hiding.

These are the things she knows today,
yesterday and maybe tomorrow:
that car mirrors, puddles, all silvery things
reflect unmated and backwards smiles;
that fluffy clouds contain the best animals
but layered ones hold all her best dreams;
that Leonard Cohen’s Hallelujah
leaves her aching, reaching, unformed.

These are the things their future holds:
she will be his forever song,
the smile that remains in the shards,
they will be the only mirror they know,
that cotton days will pillow their dreams
and nimbus nights will rain their pain,
their life will be Hallelujah and prayer
and tiny angels will be their best dreams.

As when his son, a pensive animal lover,
on his first hunt,
had to face the doe in his scope,
his first **** lined up for the taking,
breath held firmly before trigger plunge,
the forest circling, fear trembling his lips,
doe moving from view, gaze,
his father behind, a looming granite mountain
crushing him
like an avalanche of scold that he could not,
despite his determination,
could really climb from,
his finger unwilling to pull the trigger,
even with his father
tugging his arm in death’s directions
as the miss hit sap and freed doe
from their sight.

so facing his death
the father gripped the old bedsheets,
trigger fingers cocked
and son did not dare
slap his hands
away.

We carry our fathers on our backs,
honey boys to their joys and violence,
absorbing their frustrations in memory
or dispersing their cries into indifferent winds.

Our hearts listen for the end of the cycle
powerless to the mind beating the rhythm anew
and the soul’s prayers for forgiveness
bounded in an eternal history of all tears.

Even Jesus felt betrayed by the father
and knew that peace only comes
with the last soft shuffle of dirt
and the new born son’s first scream.

It’s hard to find an even house:

foundations settle at creation,
doors will sag from slamming,

tiles will chip from drop pots,
careless feet scuffing along,  
days when they sweat and cry,

bricks will crack, driveways too—
settling into a haunting beauty,

everything tilts differently,
microscopically altered
from your last place.

Yet, you wonder
if the windows
will stick in winter,
stay open in summer .

You wonder where will
the dust angels hide,
what room can you
see the stars clearly.

The screened in porch,
you notice, let’s
in too much sun.
  
You feel its heat
on your arm
during the tour.

Will it hold your gravity,
if it can’t hold its own?

The air conditioning
shrieks like a ghost.

You hear squirrels
dancing in the attic,
the ones that will
keep your dog
barking all night.

You look for the line
where the water stopped.

The angst settles in you
like night fog, like a lifetime
of settling that ***** you in,

The heavy rain comes
in amounts that
can’t be bailed fast enough.

The house is a lake.
The lake is inside you,
and in the collapse
of the roof, you see the sky.

The house starts floating away
and you disappear inside it.

We birth a thousand
destined broken things:

chair legs detach from their seats under  
the weighted repetition of sitting cloth

itself threadbare from
the rubbing of muscle.

We glue together the
blue China fallen in grief.

The silver nails of the crib are
reserved for our rusty coffins.

We mend the holes
of our tattered souls.

We reattach old soap specks to new
and shape them into a bath ark.

The fallen pecans and apples are
hoarded for the sweetest pies to be.

The broken necks of pollards
make our most savory stock.

The new rug turned ***** is beaten
until dust flies like stars.

We shut the curtains in the
afternoon to cool the room.

Mothers iron, singing in their reverie,
folding neatly, stacking all on the chair.

They listen for the passing mail car
so they can mark the new catalogs

with the dreams of their families
cruising to a distant, distant  land.

Everything under our houses is just
the dust of every housecleaning before,

the joy of  parents knowing their children
will move out and be blessed

to reach their Jesus year and know
the sanctity of resurrected dust.

Keep the things
you don’t understand
always near you-
in your pocket
or wallet-
so in idle moments
at the bus stop
or in line at the post office
at the bookstore
or coffeehouse
you’re thinking
until the inkling
of realization comes,
even if it’s
just a mark or two-
even if you have to
look it up in the dictionary
or on Wikipedia
or ask a smarter friend
or maybe even God
until you are certain
that you have
properly applied yourself.

For my reversal and recovery,
For my wife’s lost womb,
For a future free of cancers,
For the old brick house
toppled in the wolf tornado,
For the new cradle being
raised on an ancient cry of earth,
For the mothers who died
never seeing their children wed,
For rescued memories stuck on cardboard,
For dawning days of gray hair
and salt crusted smiles,
For all the altars yet to be built and crossed,
For all the twisted trees floating on rippled tides,
For all the roads, maps, stains and travails
that forged our life, created this prayer,
this hymn I sing.

I wanted to tell the street,
the tar, the grass, the blue,
the morning you died.

The crows, the wasps,
the bees and butterflies
already knew.

The roots of the earth
did not embrace your ashes
nor did the sky,

just the wings that
soared in between the
sweetness, beauty, and grief.

I was wrong to believe this
world to be your only one
or that I would bloom in you.

Your life was a darker fruit
with rains that fell cold
with your sadness and tears.

I could neither make you happy
nor save you— just love where you
rooted and carry you when you fell.

I can neither eat the honey pollinated
in the knot of your stunted tree,
just endure the stings of coming grief,

nor dip my hand into the freezing creek
that floods your lonely roots
without losing my heart.

I just can weep, grieve, try to sleep
on the other side of the bank among
the broken reeds and mud.

A daughter dies, and she is found,
in the cerulean movements of birds.
Not a hawk. Mother Sky
says those are for boy’s souls.

The father sees mockingbirds
building a nest of pine twigs
in the corner frieze of the portico
and imagines a flash of her smile
in there frequent swoops to his shoulders
as he dares to fetch the mail.

This is not a defensive attack, he thinks,
not really harpies.
Maybe a hello?  
Maybe her just checking in?
It made sense.  
She was always hiding in high places.

She once was found sleeping in a crag
of Old Wauhatchie Pike on one joint climb.
She often danced on the roof,
sketch pad in hand, until she found
the perfect angle to stencil
either the setting or rising sun.

The mockingbirds screeches
waking him in the morning
were an act of love, maybe,
turning a casual belief
into a hopeful faith.

It was silly for him to think
that the mockingbirds were
his daughter’s soul.

But then the father
thought of Icarus
every time the mockingbirds
would rise and soar high in the drafts
until there glint vanished into the sun.
He rebelled at the thought that Mother Sky
would reserve waxen wings for a foolish boy.

His daughter had made herself silken wings.
He knew that, had harnessed them  to her back,
leaving this butterfly in the babysitter’s care
while they went to attend the opera.

After the tuck in she scrambled onto the roof
determined to sketch the rise of the moon,
and knowing that anything was possible,
she closed her eyes and leapt.

He remembered the babysitter’s
frantic call to come home, NOW!
Then, there  was just the echo
of his daughter’s laughter. Maybe?

He could see her flying high in the day sky
even though the night, the real night,
had queened her kingdom to the existence
of her swaying silently between pine and earth,
her feet never touching the ground.

He wanted to tell her to come down.
TO COME DOWN NOW.  
But he could not.
She was too high up,
lost in the promise of flight.
And he was too small.

He let her go.
Let her fly away from him
on silken wings
that never melted.  
Proud to see her fly
so high, even in his dark.

Icarus’ sister exists only in living stone,
the watchful daughter of the craftsman
in the middle of his own labyrinth,
once his prized creation, placed in
the prime line of his drafts, design, eye
of his genius, now a relic existing
in a dusty nowhere cobweb corner
stained with Minotaur blood,
watching her fleshy father
falteringly stitch wax, feathers, twigs
to a frame that could not
take the water and sun of every day birds,
not even the weight of a son’s pride
who complacently raveled and unraveled
his father’s clew, half hearing  cautions,  
his mind flapping beyond the planets.

She cried over how Daedalus could
dote over such mortal error
while she exists in perfect neglect,
cried a tear turned prayer that
mixed with the dust, the murderous
blood crusting the rusty teeth of Perdix’s saw,
knowing hence  that men **** their best dreams,
fear the successful  flight of  their ideas, and  
that her faith, trust now forever lived with the gods.

Hephaestus heard her and bellowed her mind,
taught her to seek inspiration in the rejected
metal slivers that littered the workshop
like the sand of Naxos where Theseus
left Ariadne in her abandoned dreams.

In the cry of that other lost daughter
she heard the sound of ascent,
saw father and son in erratic flight
and followed to the top of the labyrinth
to watch two glints align in descent
and one splash into the sea.

Graced with the knowledge
that forbearers would
name the waters below for this fool,
she deposited Icarus in their father’s arms,
and flew away on brass wings of her own design,
wingtips skipping waves, seeking the sun.

My mother wanted me to go away.
I hardly sent her anything.
From behind, we all look alike.

I’m getting giddy
as the summer fades
into  yellow fall,
and the sky father
grants me the comfort
of storing his favor
on my tongue-
enough to close my eyes
and know that it will last  
for the coming snow,
the clean pure white that
will eventually evaporate as one
in the hibernating warmth
always underneath.

Wise are the parents who give
their children difficult names.

Names that are a chant to God,
a sacrament with every utterance.

Or names that light a fiery rebellion
in the mulling brain.

Names that speak of the glory
that was before the slave ships.  

Names that display the wonder of sky,
the Eagle, Buffalo, Wolf, Deer.

Names that should hurt and choke
when mispronounced.

Braves names spoken
by brave and unafraid people.

Names shouted loud by those
who fearlessly, openly love.

Those who dropped their names
in the easy English soil, reclaim them!

Speak it in the accent of the old country,
the tribes of the African plain and rivers,

the screech, rumble of the clouds, creatures
that gave you your forever sound.

Gather your jewels from the ashes.
Mine them until they get their attention.

Collect the pieces of your lost continents
from their miscomprehension.

Your difficult names predate centuries
of their arrogance, ignorance, prejudice.

You are history
not their rewrite.  

Don’t explain your name’s meaning
to those who have forgotten your story.

You are the original and
they are the stereotype.

Bend your syllables, vowels
into a new understanding country.

Keep your difficult names
proudly unassimilated.

Keep it
your home.

I journey towards the night
watching the light recede.
Awaiting me, an unsteady
dreamscape of losing
things and beings
and never finding them.

But, there is also the ocean,
of waves cradling me to sleep
with the lullaby of my name’s
repetition- marooning me  
from the sound of others,
the fears, anxieties to come.

Yet, my unconscious tugs me
towards the new tomorrow, forcing
my drowsy mind to count backwards
from sixty to one, until the gravity and  
heaviness retreats into the
light and life to come—

the awakening that  turns
the dark blue inside to light blue sky,
the rising eastern glow that is
the morning star affirming
to my eyelids that this dark life
was just a dream of my fretful mind.

Awaiting me, the to-do list of my morning:
the ritual of the toilet, scale, finger ******,
Psyllium powder stirred in water, catering
to my dog’s and wife’s love language of
gourmet kibble and Nescafe— an  A.M.  life
measured out in watery tablespoons of love.

The cadence of my feet lives itself out in
thirty steps and half minute treks, a sacred
pitter-patter in rhythm with my breath that
allows the traumas of the past- the dead, the
cancers, the broken houses destroyed and rebuilt-
to exist in hidden memories and bad dreams.

In the cancer museum
I imagine where mine
would rest in peace and ease.

My eyes scan rows of organs:
Disney’s lungs on top of
Newman’s own **** pair;

Ingrid Bergman’s left breast
bump Bette Davis’ right—
indiscreet voyagers;

Audrey Hepburn’s colon
nesting Farrah Fawcett’s
like Tiffany Angels.

I saw my spot next to…
but the doctor called me
back to look at the scans.

He pointed out my growths
grouped in a triangle,
told me of their plan/cure-

called them clouds but they seemed
caterpillars vegging
out on my intestines.

I imagined them cocooning,
metamorphosing to
surgical butterflies

or staying just rounders,
yellow earrings just for
Audrey’s and Farrah’s lobes.

Then the doctor turned it
and the picture became
more terrible things:

rats, sharks, wasps all vying
for valuable shelf space
in the small gallery.

Tourists and soldiers from
the plane crash/war museum
wander in wondering

why there are no jet planes
reassembling in slow
motion horror, dog tags

melted into the seats,
flesh in the torn engines,
no screams of real terror,

just the crowd bumping and
marching into me in silence,
sometimes taking pictures

while **** yellow chemo
solution runs down my
leg in pupae slime lines.  

The last one opens me,
looking for spikes of grief
or fury.  Finding none,

not even a cold tomb,
just a rip, tear, dim sounds
as the crowd echoes down

and surges out the door
for all the Holocaust
store souvenirs next door.

I hear my heart rustle
in the computer bytes,
the breath of trees

and swallows in my files,
a dusty cross inside
releasing butterflies

to the sky as I step
back and watch all
****** into the blue.

“Do you think I got it
all in?” the doctor says,
snapping my last picture

The birds sing of hunger
through the pillars of lights  
that render the sky into being

the great crease of  You stumbling
through onto my bedclothes
kindling the room once more

with the face of peace found-out
satiating my starvation with
the lamb’s diminutive thorn

a whole world
waiting for Your
                     Yes

The oceans recede,
its pylons exposed.
The great elephants rust
in the junkyard they fell
when Chukwa shifted.
Even his severed legs
can’t hold up the earth-sky.
The sea grass stiffens
to a verdant wave,
curl exposing the horizon.
The ivory house
built on the beach
(the one with the
bench in back
where children played
and the family picnicked,
the one with the
red flame corvette idling
on the cracked street)
disassembles in the winds.

The "world-elephants" are mythical animals which appear in Hindu cosmology. The Amarakosha (5th century) lists the names of eight male elephants bearing the world (along with eight unnamed female elephants).  They sit atop Chukwa, the Cosmic Tutrtle

Every Angel Second Class jumps into the river of
George Bailey’s despair, and after being rescued
shows everything that never should have existed, everything that was, everything that could be
contained in the Odbody of his inner existence,
the baptism, the worth and joy of all his toil.

No man gets into heaven by slaying demons,
and when Gabriel falls he follows Lucifer’s path,
never knowing that God tempered his Constantine’s
with hell on earth and the fires of suffering
that forge just a half repentant soul.

Angels are born to hover above,
have no weight but eternity,
bound to heaven yet yearning
to feel the delight of a lithe dancer,
see color, eat, drink, feel, suffer
in their own crown of thorns.

When the Angel of Death becomes Joe Black
and falls in love with George Bailey’s daughter,
asks him to be his guide to this wonderful life,
even Death will heed Jesus, make the sacrifice
and not take her to heaven’s embrace,
content forever to watch her
from first step to last.

it’s easy to know where the leaves were before they fell,
what her lips tasted after the caress of the loving hand,
what was in the crib  rusting in the forest of the night.

Only the twins know why they nod to each in the fog,
the thing  the hound bays for in the lake of stars,
what the alligators devoured in their circling frenzy—

the fattened beast
that exists bleeding
from the barn’s rafters.

I Should Have Followed You  

"Can I still call you Dorothea?"—even though the black and white lines in the paper reduce you to the habit you wore, arrange you into silence, a name and surname surrendered to the cloistering of lilies. Somewhere beyond this obituary, the grown children you once taught trace grief into their office desks, their minds recalling your half-remembered lessons. The others—those who once marched beside you—remember the compadre who chose devotion over struggle, who vanished into the ghost dust of old revolutionary dreams.  

Once, you were a believer who marched along Che and Fidel, a woman with a true north compass. You were never reckless, never a ghost in Havana’s dusk. You spent your nights writing, sealing letters to revolutionaries. You drank in hope like sugarcane.  

Then, the cause hardened. The slogans lost their breath. When Fidel called the people gusanos (worms) in a moment of drunkenness, you knew you must leave the revolution and Cuba behind. It was a certainty.  

You rooted yourself among the Miami exiles. We met on campus, arguing over a political opinion piece you wrote for the college newspaper. I argued that the Bay of Pigs operation was necessary. You wrote that it was a stupid exercise in democratic colonialism and was doomed to failure. And it was.  

Our love was a bickering affair. My adolescent jokes, mocking what I thought were your misplaced beliefs, chipped our foundation. I believed I was never lost. But I was orbiting a center I refused to name. After the revolution betrayed your faith, you retreated into a steady, quieter certainty—Jesus. He told you to press your palms into the smallest child’s hands. "Teach them lessons in your authentic voice," the command.  

I should have followed you. I could have stepped over the doubt that swelled between us, made a church of our mornings, sheltered in your certainty—if only you laughed more. If only I’d prayed less in jest.  

Now, my fig grows stubborn at my window, its roots strong, its love silent, and I, too, am nearing the end. I would light a candle, Dorothea—but what god still takes offerings from men like me? I will leave a hundred dollars in the box instead, fold your name into my palm, and call this devotion.

Orphaned from the girl who bought and loved them
the dolls were packed tightly into a suitcase
and floated gently down the canals of Xochimico
to the Isla de Munecas and into the waiting embrace of
Don Julian Santana Barrera.

In the unpacking, a girl doll, a life-size two-year-old,
with a dress, hand-work all over, silk socks and slippers
caught Don Julian’s stare.

Frozen in a bald passion, an absent gaze
just like his own, eyes white with fever,
so tired, almost asleep, Don Julian imagined
her dreaming of awakening in her new country.  

She smelled of antiseptic and the other dolls
had matted hair, small melts in their plastic body,
as if they had been boiled in a huge ***.

Except for her, all were bent into incredible postures,
a tortured series of poses no human could maintain.
The last two removed were eyeless, armless stone dolls
too heavy for a child’s play, the kind placed in a
Royal Princess’ Egyptian Tomb as a curse hedge.

The island air smelled stiffly of
***** linen, mold, and soiled dreams.

All around where the tangled limbs of
Banyan trees reaching out to everything,
forming a grove of madness. They blocked
the afternoon sun and hovered over
Don Julian, a curious little girl
above a new sister.
 
Hanging down from them on vines,
strips of linen, gentle silk threads,
old and brittle fishing lines,
the coils out of broken watches,
the flotsam of whatever washed ashore,
where the decapitated play things that
composed Isla de Munecas population.

Wedged in the exposed roots of the Banyans
plastic heads stared out to Don Julian.
From the gypsy ground more stiff child faces
half-buried in the subsoil looked up at him.

Limbs that had fallen off were replaced
with Banyan twigs poking through.
The few plush ones were decaying,
changing back to string and dust
that danced dream-puffs as they
floated down to Don Julian’s boots.
The older, still intact figures, have long
been colonized by the Island’s
ever present wasp swarms.

At night, their phosphorescent mold
turned everything into a green candle

Don Julian kissed the cheeks
and gently caressed the back
of the perfect little porcelain skin
child in his fatherly embrace.
He wondered why such a
sweet wonderful unbroken thing
had been placed in his trust
and marooned to this broken place.

A delicate wind breathed among the Banyans
and the munecas swayed into each other 
face to face, ear to ear,
almost kissing, almost whispering,
one to the other, producing the dull thudding
wind chime noise, the  island’s only music,
that Don Julian now customarily ignored.  

He maneuvered with the doll
in his outstretched arms
through the small foot trail
to his thatched hut
the grove reluctantly
permitted through the years.

The hut was plebeian—
only a straw mattress ,
well worn wooden table,
a small clay oven,
and its sole extravagance,
an authentic king’s chair
carved in the conquistador style.

Don Julian posed her in the chair
upright, regal, straight,
the way he remembered
seeing Queen Isabella in the pages
of La Historia de Espana.

Outside, the wind became defiant, angry.
In its abuse the dolls got louder
with each penetrating gust
until their memory name,
branded, stenciled, tattooed
on their back and now scarred over
was exposed in shameful revelation:

María del ojo ensangrentado,
Juana del brazo y las piernas rotas, 
Alma del alma perdida,
Frida la escaldada,
Lupe la hambrienta,
Anna de las calles sin hogar,
Pilar la asesinada…
until every death was revealed.

The wind pulled open the door
and Don Julian felt his arms stiffen,
the rest of his body harden
his five senses abandon him,
his lungs no longer exhale,
his heart no longer beat,
until he was just porcelain and plastic.

The doll felt flesh being formed,
the inhalation-exhalation of new lungs,
the beating of a ****** heart,
a world proclaiming her queen.


Translation of the Spanish names:
(Maria of the  ****** eye)
(Juana of the broken arm and legs)
(Alma of the lost soul)
(Frida the scald)
(Lupe the starved)
(Anna of the homeless streets)
(Pilar the murdered)

She always knew that Oz was a one-time voyage
lasting until the red shoes dancing on and on
cracks the golden road, wears it to dirt dreams,
her tired legs collapsing into poppies fields,
pills, her voice singing on and on in the fall
until hoarse, silent and invisible.
 
She sings because she’s a mom.
She sings because she loves her children.
She sings because she adores the gay affection
of the Tin Pan Alley clubs that pays her
with fifteen tens in a white envelope.
 
Oz, now means living faded dreams in a small car,
fostering your children with your big house ex,
crashing with your ascending star older daughter,
the one with your voice, the great movie star legs
and that spells her name with a bold, wonderful Z—
living enough in her party to feel the gold dust
as you rub elbows with the famous that confuse you/her.
 
You live on your repartee, your “difficultness”,
the hunger in your soul that craves to be fed.
So, across the pond you fly to be fed by those
who know you only as a flicker of revival,
who can accommodate you in studio style,
until the pills, drink, the failures resurface
and they shun you in gentle niceties and quips.
 
Judy you were meant to travel better roads.
The Walk of Fame is not the total of your successes
but the shame of repeating your failures
until you are undone, for every star nova’s as it fades.

Southern justice is the snake
that slithers up the tree
before the buzz
of  the lumberjack’s saw,
the duck of the head
to  fit it into the squad car,
the dark voice  
singing in a  dark cell
put on death row
before his trial,
convicted for the
color of his skin
before he was even born,
living everyday,
never hoping
for just mercy.

It’s simple- how to live, that is:
live and die each day.

Strive to live each morning
as if it was the first:

pull the colors around you
to something that lives
beyond the eyes.  

Treat the world not as Adam:
something to be touched,
named, collected, defined—

but as Eve:
the sun as an ingenue
something young, innocent
not to be defiled but protected.

Live each night as
if it were your last:

set the table for the next
person who eats after you

clear the roar of your mind,
shroud the alarm clock,
deaden the tablet of light,
glance out the window and
see the light beyond the dark.

and before you take that long sleep
praise every surface,  
baptize every living thing.

Let the black dogs run wild,
sharpen the knives for
some real back stabbing,
roundup the usual suspects,
the mystery is about to begin.

The cardigan teen with
his nose buried in his iPhone-
he’s a suspect- murderous thoughts
sprouting his blood-brain barrier.

The neglected son tethered
to a high ranking, paying
position in the family business
with nothing burdens-
he’s a suspect too.

Eight others are robbing
Peter to pay Paul
to pay Mary to pay Martha
to pay the extorting genomes,
on the verge of being exposed,
all dangling near disinheritance.

The old codger with the money
whose always leaving clean knives out,
knowing they will forever thirst
for meat and blood, the ******
that will do the work for him,
the job his lawyers failed to do

until the whole ***** gang
finds him splayed on the calico rug,
a Chuka Bocho clever in his stomach,
a Wusthof stuck in a vertebrae-
well, he was a prime suspect,
but now, obviously he is not.

Patricide is not always a family crime.
Point the finger at the mother,
daughter, sister, son, brother
but also the heart, soul, brain
of all others inflicted with hate
that makes everyone suspects too.

If you wish to know who
really owns the land
look at the faces the wind
has carved into the mountains.

he knows the earth beyond all
seeds

the earth
that is untroubled

in the scorch of afternoon
light

the petals
of the angry sun

Lallo assembles the town in his head
all in shades of green, white and gray—
grass, walks and streets  scarring  stories
on the old sacred hills
of high steel huts
with Bianco Carrara walls and long halls
filled with plains of  baize tables, silver machines
and nightmares of blue cavalry.



Lallo is a Native American Kiowa name meaning “little boy.”

Bianco Carrara is considered, both in Italy and abroad, the Italian marble par excellence. This whiteish-gray stone is extracted from the Apuan Alps in Carrara where there are the most known millenary tradition quarries in the world.

Baize— a coarse, typically green woolen material resembling felt, used for covering billiard and card and gaming tables.

Blue Calvary refers to the color of the uniforms of the  U.S. army soldiers from 1830-1890. Many Indian massacres and force relocations to reservations were carried out by these blue U.S. Army regiments

I dialed the landline to my childhood home,  
let it ring into the past—  
again and again and again

I knew my parents wouldn’t answer.
They're both dead.
Still, the ringing soothed—  
each unanswered tone
a promise that someone,
anyone, might answer.

After ten rings, a recorded message came on.
The voice was full of girly twang
and the snap and pop of bubble gum.

The voice I heard was nothing like my mother.  
It was the mother I once imagined—  
carefree, untouched by the cigarette rasp,  
free of the heavy, deliberate tone  
that braced against disappointment.  
Not the chant of a woman  
who saw no promise in herself, only in her children.

Beyond my window, a sparrow circles,  
returning to the nest it has built—  
a place that still remembers its shape.  

The message ended.  
I let the silence stretch,  
listened to the emptiness  
on the other end,  
then hung up.

I noticed the heat bending
through the window's refraction
wondering if revisiting the past  
quenches nostalgia for the dead,  
gives my parents a proper ending.

I watched other people mowing my small lawn
under a bright sky,
listened to Spanish pop blaring from tiny speakers,
the music drowning out the din
of nail guns attaching shingles
to all the houses being built beyond.  

I move with the moment,
opening the window
to take in the scent of just-clipped grass,
dancing awkwardly to this music with lyrics
I can barely hear in a language
I'm learning to understand—  
laughing until my belly hurts

On her last ride on the Arkansas river, 
she watched the world turn crooked, 
all the hickory shading yellow, 
their leaf tears forming 
sunny arrows in the flow, 
nuts falling in the glide, 
bringing smoker memories 
of hams cooked under their roast, 
red maples tapped for their syrup, 
the unharvested loblolly pines
dropping their branches 
almost in caress, one last kiss.

Inside she could feel the cross 
go slanted in her golden bedroom,
envision her daughter taping 
together the amber pages of their Bible
turned to Luke 8:24, felt the Arkansas’ lull,
her in breath becalming the storm inside,
while shedding a tear for her gray mutt
with a rill of white running up his snout
and down his belly, staring at the spot
where the burned ashes of her bedding 
would be buried.

The child looks out her toy window
and imagines her adult self sailing  
on the blue ocean of the old hat box
that holds her communion veil.
Her childhood dances alone
along the berm’s dawn light as
the sloop plies onto the sand.
They hug and gallop horses
******* in the vanishing mist
while Tess, the sea turtle fairy,
prepares a picnic spread on
play plates filled with strawberry
swirls, blue napkins tucked into
triangles, and origami sandwiches
with the crust cut off, of course.

The adult stares out her picture
window and before noticing
the green lushness of all things
just outside her purview,
catches the reflection of
her wrinkle hands atop
her wrinkled knees—
and the stale crumb
from her breakfast toast
falling to the floor
for her cat to sniff.

When I was a child light shone
angels through my fingers
crowning my parents’ faces,
blessing the simple tasks of theirs:
table setting, pouring water—
how it lit the world in my upturned smile
and flowed through as I grew
and how it followed me home
and stayed, even in the dark.

Light was the water, earth,
reflecting off every animal,
every street, everything I touched—
the light always ahead,
the darkness, just softly behind
—doubts, questions, thoughts—
light, enlightening the dark words
of my mind and mouth.

And when the darkness caught up,  
and I watched my parents fall behind,
my body/smile down-turn to groan
and my thoughts and words
turn to memories— I realized how
the past was always near and how
grief turned everything to light.