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"metrics" poems
Ambitious bastions always tout progressive plans when they're about while within they hide and pout from novel things that may prove out. And while inventing goals to follow their ancients habits hold them hollow as in vain wary workers wallow force fed lies and hooks to swallow. They hunt for those who work past five, that trudge to work, endure the drive who will sacrifice their personal live until ambition can't survive. Yet if you strive, you're constant told do not do more, do not be bold just fill your seat, forever hold your tongue until you're dead and cold. To subsist we're forced to hide, only in others can we confide, all success pushed to the side as managers act bona fide. Since those of meager measure make hope of meeting metrics fake interloping leaders take their toll until hard workers break.
0
Oct 16, 2018
Oct 16, 2018 at 4:19 PM UTC
“Leaders”
My fantasies turned blonde in ‘seventy-six. Bjorn, Benny, flickas, sailed  from East to West. Santa Lucia never shone so blessed as she did in my private Euro-mix. Perfect pop longs for that feminine fix. Cassette wheels whirred –  branding, then impressing grooves upon the brain; my thrall confessing love for Nordic light (in Disco metrics). The names still strike flames, kindling bright renown: Frida, Agnetha  –  your longships linger Your Viking faces sacked my harbor town. portaging hope to this shipwrecked singer, enwreathing smiles to reach our further shore. I Do… (times five – and will forevermore).
0
Jan 30, 2016
Jan 30, 2016 at 5:53 PM UTC
A to the B to the B to the A
thinking only of work - eating my own business minding my food and manners people small talking too loudly with mouths full - best get back and busy - all this talk of ebola isis and clowns with machetes - slender man and little girls - kidnapped girls forgotten collateral damage - somewhere else someone else's - hard to concentrate on  important things like metrics and data calls - site density- history - work things and holidays - you know i should buy pumpkins on the way home today - halloween is coming soon. r ~ 10/15/14
0
Oct 15, 2014
Oct 15, 2014 at 9:30 PM UTC
small talk
As fridge-rator to beer in the head between the ears adorned with flashy widgets with which to trap the hoes he hopes that he can pull into his poles. His gravity whips wide so hands find and feel up erthing that gots the tail, he wants to rail so hands out he walks and tilts to one side and back holding his glass. Two fingers limp around the rim, dipping his fingertips into the juice like he wants to dip into you, pinkies as he holds your head forcing you to **** like you want his come as much as he wants to come. Then when done zips up, runs out, ***** sayonara", switch rerun mode without emotion. He floatin. He floatin. He gloatin. Head on the couch back making tired, one eye open scoping everyone's glow as they move, when up he comes sittin in my face, spittin what he thinks I want him to say, I'm like, **** guy control that tongue, you spray like that always I'm afraid I won't take that wild **** as tool is to you as to yo ***** Right ******* ****** spittin harder in the lean up perhaps the lead up to fist flung to react. "Man you too loose, I gotta tell you, I've got just what you do." "Your uh ****** Man watch ya flavor of language, I got just enough ****** left to get hard and stomp you, heel first in boots bought to stomp, pre-emptive to deal with the bullwhip effect where first you droolin to **** me, then retract like a bowstring because my ***** resembles a **** "What you want, ***** You wan **** this **** for real?" (For real?) He floatin. He floatin. He floatin the room, he ghosting. Lick my lips, cept it's not a tongue. For this purpose it's strobe lights, in light show, and like snow, black and white between sheets of plastic TV screen on get settled into my flow, rip back and forth like prongs on a fork on your ******* blindfolded and scolded right angle, bent like an L-shape repenting for **** by taking the ****** flash cards, held up on headboards, trying to teach you metrics and standards lacking in you to tune you into the lifestream, no empathy and no tact to show, remember this hell well while you sail through life preying, I'm praying and making marks in meat coats. But he floatin. He floatin. He gloatin.
0
Dec 27, 2014
Dec 27, 2014 at 11:32 PM UTC
ClamJam: "Party is to Pussy"(aka "Track 3")
As fridge-rator to beer in the head between the ears adorned with flashy widgets with which to trap the hoes he hopes that he can pull into his poles. His gravity whips wide so hands find and feel up erthing that gots the tail, he wants to rail so hands out he walks and tilts to one side and back holding his glass. Two fingers limp around the rim, dipping his fingertips into the juice like he wants to dip into you, pinkies as he holds your head forcing you to **** like you want his come as much as he wants to come. Then when done zips up, runs out, ***** sayonara", switch rerun mode without emotion. He floatin. He floatin. He gloatin. Head on the couch back making tired, one eye open scoping everyone's glow as they move, when up he comes sittin in my face, spittin what he thinks I want him to say, I'm like, **** guy control that tongue, you spray like that always I'm afraid I won't take that wild **** as tool is to you as to yo ***** Right ******* ****** spittin harder in the lean up perhaps the lead up to fist flung to react. "Man you too loose, I gotta tell you, I've got just what you do." "Your uh ****** Man watch ya flavor of language, I got just enough ****** left to get hard and stomp you, heel first in boots bought to stomp, pre-emptive to deal with the bullwhip effect where first you droolin to **** me, then retract like a bowstring because my ***** resembles a **** "What you want, ***** You wan **** this **** for real?" (For real?) He floatin. He floatin. He floatin the room, he ghosting. Lick my lips, cept it's not a tongue. For this purpose it's strobe lights, in light show, and like snow, black and white between sheets of plastic TV screen on get settled into my flow, rip back and forth like prongs on a fork on your ******* blindfolded and scolded right angle, bent like an L-shape repenting for **** by taking the ****** flash cards, held up on headboards, trying to teach you metrics and standards lacking in you to tune you into the lifestream, no empathy and no tact to show, remember this hell well while you sail through life preying, I'm praying and making marks in meat coats. But he floatin. He floatin. He gloatin.
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3
♪♥♫♥♫♥♪♥♫♥♫ My fantasies turned blonde in ‘seventy-six. Bjorn, and the flickas sailed  from East to West. Santa Lucia never shone so blessed as she did in my private Euro-mix. Perfect pop longs for that feminine fix. Cassette wheels whirred –  branding, then impressing grooves upon the brain; my thrall confessing love for Nordic light (in Disco metrics). The names still strike flames, kindling bright renown: Frida, Agnetha  –  your longships linger Your Viking faces sacked my harbor town. portaging hope to this shipwrecked singer, enwreathing smiles to reach our further shore. I Do… (times five – and will forevermore).
0
Sep 11, 2015
Sep 11, 2015 at 10:49 PM UTC
ABBA 76' - 77'
Heavy-handed-slit-lidded, I’m casting those bones - didn’t play my game as close-chested as I should have, though – And now I’m throwing with higher stakes than I’d known prior, starting to regret the forced nonchalance of trying to “keep cool.” Cast and weighted as I could, but don’t watch: I’m blind to the hustling pit and eyes-dimmed of hope-glimmer, I’m resigned against double-sevens and sacred fourteens, anticipating instead the triple-ones and maybe solo-fours of feigned failure - they’re the usual roll, anyway, but I’m standing, moving, gone – I can’t watch this. Black/whites give rise to new metrics of haste, the cubes bouncing and dancing on damnation, and as the headsman’s axe falls, the die settle:
0
Jul 4, 2010
Jul 4, 2010 at 12:23 PM UTC
Never Was a Gambling Man
Do you see yourself there, In this life that you've made? Arcs traced, just so, by the motion of eyes? The flicker as they search, the pause before they rest, The metrics of biology, could they possibly tell? Whose child was whose, and what they were thinking?
0
Jun 3, 2014
Jun 3, 2014 at 10:22 AM UTC
the Lights of Fires
"indeed," or, what she says when she doesn't want to say what she's thinking, denying me her angered feelings.   by all your judgmental metrics the title alone is a poem, done indeed.   the original "whatever" so many stanzas on this, ramp up my manly ragings - all begging to say "I have been released" but I daren't unleash the hormonal masculinity feelings so, borrow her word that says nothing while saying anything, e v e r y t h i n g you don't want to hear.   indeed.
0
Mar 24, 2017
Mar 24, 2017 at 11:06 PM UTC
"indeed," or, what she says when she doesn't want to say what she's thinking
We institute procedures as a tool to obtain substance. We design metrics as a tool to track and ensure that substance is obtained. But then, the tool becomes holier than its own purpose. When we value procedure over substance, we sacrifice substance for procedure.
0
Feb 23, 2015
Feb 23, 2015 at 11:48 AM UTC
Intentions and Tools
Leong's watching TikTok on her laptop (as always) and she asks Lisa (a NYC girl) “Are you familiar with the the “downtown girl” aesthetic?” Lisa’s dismissive, “Yeah, it just looks like Urban Outfitters grunge to me.” Leong explains, “It includes headphones and it’s supposed to be a Lower Manhattan style.” “Yeah,” Lisa snorts, “Because Greenwich Village and the Lower East Side are SO cohesive.” Lisa considers herself an Uptown girl (like the song) even though 59th Street, where she lives, is the border between Uptown and Midtown Manhattan. I’m learning that these distinctions are culturally key to New Yorkers. “And,” Lisa adds, “why would someone wear, and lug around, giant, clunky headphones when you can use AirPods??” “Amen sister.” I proclaim and even Leong nods in agreement. “Later, Sunny, Leong and I are on a study break, eating salads and talking about who we hope Yale invites to the next “Spring Fling” concert. We aren’t being realistic; we’re covering who we wish would come. I’d named Charlie Puth, “Kat-Tun!” Leong squealed (A Japanese boy band - apparently Chinese girls LOVE their boybands) and Sunny countered with Ed Sheeran. “I don’t like Ed Sheeran,” I mumbled, making a yuck-face. “Why no Ed?” Sunny gasps with shock (She’s a big Ed fangirl). “I don’t know,” I shrugged, “he’s a star by all measurable metrics,” I admit, “but,” I fade out. “You want my theory on Ed hate?” Sunny offered, “He’s beyond talented vocally - whoever your favorite artist is, Ed’s probably not that far behind. He’s a stellar song writer and he’s making hit after hit; do you want my theory?” “Too basic, too popular?” I guess. “No, he’s not appealing to the gaze,” Sunny states. “The gays?” Leong questions, stepping back into the conversation. “No,” Sunny corrects, “the gaze - G-A-Z-E, he doesn’t try to look pretty all the time.” “Ha!” I snort, “Gaze, I thought you meant gays too,” as Leong and I chuckle together. “No,” Sunny laughs, “nothing like THAT. Ed’s just not trying to be a heartthrob, he knows that’s not his core strong point - and that’s why he’s discounted.” “Like lesbians don’t comb their hair or wear makeup and wear pajamas to class” Leong observes, “they don’t want to attract the male gaze?” “No, we’re not imbued by the male gaze.” Sunny states, “Ed just wants to lowkey.”
0
Dec 14, 2022
Dec 14, 2022 at 10:51 AM UTC
gazes
Leong's watching TikTok on her laptop (as always) and she asks Lisa (a NYC girl) “Are you familiar with the the “downtown girl” aesthetic?” Lisa’s dismissive, “Yeah, it just looks like Urban Outfitters grunge to me.” Leong explains, “It includes headphones and it’s supposed to be a Lower Manhattan style.” “Yeah,” Lisa snorts, “Because Greenwich Village and the Lower East Side are SO cohesive.” Lisa considers herself an Uptown girl (like the song) even though 59th Street, where she lives, is the border between Uptown and Midtown Manhattan. I’m learning that these distinctions are culturally key to New Yorkers. “And,” Lisa adds, “why would someone wear, and lug around, giant, clunky headphones when you can use AirPods??” “Amen sister.” I proclaim and even Leong nods in agreement. “Later, Sunny, Leong and I are on a study break, eating salads and talking about who we hope Yale invites to the next “Spring Fling” concert. We aren’t being realistic; we’re covering who we wish would come. I’d named Charlie Puth, “Kat-Tun!” Leong squealed (A Japanese boy band - apparently Chinese girls LOVE their boybands) and Sunny countered with Ed Sheeran. “I don’t like Ed Sheeran,” I mumbled, making a yuck-face. “Why no Ed?” Sunny gasps with shock (She’s a big Ed fangirl). “I don’t know,” I shrugged, “he’s a star by all measurable metrics,” I admit, “but,” I fade out. “You want my theory on Ed hate?” Sunny offered, “He’s beyond talented vocally - whoever your favorite artist is, Ed’s probably not that far behind. He’s a stellar song writer and he’s making hit after hit; do you want my theory?” “Too basic, too popular?” I guess. “No, he’s not appealing to the gaze,” Sunny states. “The gays?” Leong questions, stepping back into the conversation. “No,” Sunny corrects, “the gaze - G-A-Z-E, he doesn’t try to look pretty all the time.” “Ha!” I snort, “Gaze, I thought you meant gays too,” as Leong and I chuckle together. “No,” Sunny laughs, “nothing like THAT. Ed’s just not trying to be a heartthrob, he knows that’s not his core strong point - and that’s why he’s discounted.” “Like lesbians don’t comb their hair or wear makeup and wear pajamas to class” Leong observes, “they don’t want to attract the male gaze?” “No, we’re not imbued by the male gaze.” Sunny states, “Ed just wants to lowkey.”
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20
Welcome to corporate America Take your seat First of all, We want to let you know We appreciate you You will be an asset To our growing team of industry Pay no mind to the construction We are building ca.. Cubicles For you are now a part of a team.. Our team So settle into your seat We want you to feel empowered To grow beyond these walls But stay in your seat Remain focused Please don’t put up any pictures on your cubicles We don’t want you to be distracted We don’t want you to remember freedom Stop watching the clock For your time is our time We expect you to be an ambassador for our products On and off the clock The best advertising is free advertising And we expect you to give up everything So we can plaster our company logo across your chest Have you thought about your brand? How do you plan to sell yourself.. Back to us To prove you are worth something You see we own you now Stay in your seat We are building these cages for your own good Your own good Is to keep on task Don’t ask questions Just accept these walls We read somewhere the latest work environment is a tomb We empower you to do exactly what we say Us corporations are individuals And we want to let you know We appreciate you Enough to strip away your identity Pluck away the vowels of your name And make you a number What is your brand? You need to keep us interested in you Don’t rattle your cages Stay seated, keep focused Let us break your back Break you down To keystrokes and metrics Us corporations are individuals And you are company assets now We want to empower you By taking away your choices Your job will be what we say it is So just do it I know we told you the job would be one thing But our needs and desires are always evolving And we want to consume you Devour every bit of your talent What is your brand? Have you thought about just tattooing our company motto Across your chest? Stay in your seat and stop rattling your cages And whatever you do Don’t climb up and over the walls For you are a company asset now
0
Jan 6, 2021
Jan 6, 2021 at 2:14 AM UTC
Cubicles
Welcome to corporate America Take your seat First of all, We want to let you know We appreciate you You will be an asset To our growing team of industry Pay no mind to the construction We are building ca.. Cubicles For you are now a part of a team.. Our team So settle into your seat We want you to feel empowered To grow beyond these walls But stay in your seat Remain focused Please don’t put up any pictures on your cubicles We don’t want you to be distracted We don’t want you to remember freedom Stop watching the clock For your time is our time We expect you to be an ambassador for our products On and off the clock The best advertising is free advertising And we expect you to give up everything So we can plaster our company logo across your chest Have you thought about your brand? How do you plan to sell yourself.. Back to us To prove you are worth something You see we own you now Stay in your seat We are building these cages for your own good Your own good Is to keep on task Don’t ask questions Just accept these walls We read somewhere the latest work environment is a tomb We empower you to do exactly what we say Us corporations are individuals And we want to let you know We appreciate you Enough to strip away your identity Pluck away the vowels of your name And make you a number What is your brand? You need to keep us interested in you Don’t rattle your cages Stay seated, keep focused Let us break your back Break you down To keystrokes and metrics Us corporations are individuals And you are company assets now We want to empower you By taking away your choices Your job will be what we say it is So just do it I know we told you the job would be one thing But our needs and desires are always evolving And we want to consume you Devour every bit of your talent What is your brand? Have you thought about just tattooing our company motto Across your chest? Stay in your seat and stop rattling your cages And whatever you do Don’t climb up and over the walls For you are a company asset now
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67
Investors need to stop treating stocks as a ‘beauty contest’ and follow the difficult investment style of Keynes, global pension expert Keith Ambachtsheer said. Data produced in a working paper from the Harvard Business Schoolshowed that portfolios built on firms with a good material sustainability rating outperformed those that had a poor rating, an aspect not considered enough by investors who were caught up with quarterly returns, Ambachtsheer said at a Chartered Financial Analyst seminar in Sydney on Monday. “What I see happening out there is largely speculation – what Keynes called ‘beauty contest investing’, where everybody tries to figure out what the most popular stocks are going to be in six months, buys them and when they become really popular sells them,” Ambachtsheer said. He added the implications of this investment style as an aggregate was a zero sum game, whereas investing should be taking savings and turning them into wealth producing capital. “The key thing is you need to look beyond the next quarter; you look at the long-term sustainability of the business model of the corporation, as well as the people behind it in terms of how it is being managed.” The Harvard Business School (HBS) working paper superimposed the Sustainability Accounting Standards Board materiality map (which identifies likely material sustainability issues on an industry-by-industry basis) onto 400 common US stocks identified through sustainability metrics from Kinder, Lydenberg, Domini Research & Analytics. They examined what effect materiality would have over the long-term (starting from the 1980s) and found the top 10 per cent of firms that scored strongly on material sustainability outperformed the bottom 10 per cent, by nine per cent over a rolling twenty-year period. “The practical question is, can you actually manage money this way in the real world? And the answer is yes, but it’s very hard, because you are doing unconventional things,” Ambachtsheer said. Real-world Keynesianism investors – such as Warren Buffett and the Ontario Teachers’ Pension Plan – are in a minority despite outperforming over the long-term. In chapter 12 of his seminal workThe General Theory of Employment, Interest and Money, Keynes explained the reason for this was the essence of long-term investors meant their behaviour would be eccentric, unconventional and rash in the eyes of average opinion. “Most organisations can’t function like this,” Ambachtsheer said, as they were too focused on the present.Read more at:www.marieaustralia.com/vintage-formal-dresses | www.marieaustralia.com/backless-formal-dresses
0
Nov 15, 2016
Nov 15, 2016 at 2:31 AM UTC
Stop ‘beauty contest’ and act like Keynes
Investors need to stop treating stocks as a ‘beauty contest’ and follow the difficult investment style of Keynes, global pension expert Keith Ambachtsheer said. Data produced in a working paper from the Harvard Business Schoolshowed that portfolios built on firms with a good material sustainability rating outperformed those that had a poor rating, an aspect not considered enough by investors who were caught up with quarterly returns, Ambachtsheer said at a Chartered Financial Analyst seminar in Sydney on Monday. “What I see happening out there is largely speculation – what Keynes called ‘beauty contest investing’, where everybody tries to figure out what the most popular stocks are going to be in six months, buys them and when they become really popular sells them,” Ambachtsheer said. He added the implications of this investment style as an aggregate was a zero sum game, whereas investing should be taking savings and turning them into wealth producing capital. “The key thing is you need to look beyond the next quarter; you look at the long-term sustainability of the business model of the corporation, as well as the people behind it in terms of how it is being managed.” The Harvard Business School (HBS) working paper superimposed the Sustainability Accounting Standards Board materiality map (which identifies likely material sustainability issues on an industry-by-industry basis) onto 400 common US stocks identified through sustainability metrics from Kinder, Lydenberg, Domini Research & Analytics. They examined what effect materiality would have over the long-term (starting from the 1980s) and found the top 10 per cent of firms that scored strongly on material sustainability outperformed the bottom 10 per cent, by nine per cent over a rolling twenty-year period. “The practical question is, can you actually manage money this way in the real world? And the answer is yes, but it’s very hard, because you are doing unconventional things,” Ambachtsheer said. Real-world Keynesianism investors – such as Warren Buffett and the Ontario Teachers’ Pension Plan – are in a minority despite outperforming over the long-term. In chapter 12 of his seminal workThe General Theory of Employment, Interest and Money, Keynes explained the reason for this was the essence of long-term investors meant their behaviour would be eccentric, unconventional and rash in the eyes of average opinion. “Most organisations can’t function like this,” Ambachtsheer said, as they were too focused on the present.Read more at:www.marieaustralia.com/vintage-formal-dresses | www.marieaustralia.com/backless-formal-dresses
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10
I would say I love you to the moon and back But that would be a lie For my love cannot be measured by miles or metrics of any kind My love for you crosses oceans My affection spans galaxy's My adoration does not end at a point decided by a ruler My love for you is endless
0
Aug 11, 2016
Aug 11, 2016 at 12:15 AM UTC
I would say I love you
Disarray. Disarray. This faulted circuitry is frayed. Systems can't confirm how much more this one will take. Analytic processes high priority. Still all sense's strayed. Logical partitions unravel beneath the stress to break. Crystalline optics upon this strange world of subconscious noise gaze. Program failure. Segment reboot. Comprehension metrics left in daze. Disorder. Disorder. Memory overflow. Execute purge. Vent incinerated cores. Remainder to mobilize and merge. Overwhelming, cacophonous static. A turbulent distraction. Individual consciousness upon earth names it "compassion." Empathy communicators struggle to gain adequate traction. Perception requires of processors exhaustive refashion. Limited sentient life in fragile flesh and bone shells, Possessing organic electronics, upon unfathomable concepts it dwells. Chaos. Chaos. Language insufficient to allow abstract assimilation. Judgment of "human" notions is not within this one's station. Now attempting to recalculate trajectory of exploration...
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Mar 9, 2015
Mar 9, 2015 at 6:20 PM UTC
Disarray. Disarray.
Summer rain, melting Arctics and the lipids lining the nerves in your brain. These are the metrics of our times. Mere resolve is not enough to take care along the highway—you need wheels and prayer. When you realize there’s no there there that’s a scary day. End there. August, the extinction is terrifying. Quiet, too quiet. 100% humidity, not a single insect flying. Summer morning, summer evening, sighing the sighs of purgatory—grief without pain, death without dying. I’ve chosen the safety of these mountains and the beauty of their mists—such perfection which anyone can have for the asking. All you need to know is the names of things. Conflict, coercion, war, strife. Flying high in April, shot down over Germany. Have a good day. That’s life. Fix yr brakes. When I hit a pothole my fillings sing. Anything’s possible, it’s impossible to know what will happen until it’s happened. You can’t know what you’re doing until it’s done and even then you stare in wonder unmoved yet moved by the stillness a pure goodness, bone stillness, potential energy. You can practice it in the city or the desert. The wilderness or the mirror over your dresser.
0
Dec 2, 2019
Dec 2, 2019 at 12:25 PM UTC
My Giant
┈┏━╮╭━┈╭━-━-━--━╮  ┈┃┏┗┛┓┃╭ⓞⓘⓝⓚ┃ ┈╰┓▋▋┏╯╯╰━-━--━━╯ ╭━┻╮╲┗━━━━╮╭╮┈ Fata Morgana ! Crunch the numbers and look at the data. I’m like: Measurable outcomes for pleasurable incomes— incorporate outsourced inhuman resources in-house. I’m like: indicators for vindicators. It’s all about the data, mama— so man up, sit down, and move forward like hard apps on software, like ram on a gigabyte. I’m all: sit up, move down, man forward; benchmarks as milestones, stone benches as mile-markers measuring the change-talk: obstetric metrics played out for pregnant pauses. It’s about throwing out the carry-on It’s about unpacking the lost luggage It’s about documenting best practices of undressed actresses until the data-driver fails the breathalyzer. The data tells a story: memes of mastery cast in plastery. DUCK the FATA (morgana) !
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Feb 17, 2017
Feb 17, 2017 at 12:26 PM UTC
Data Talks... (Celery Stalks)
It all ends up realizing that Every downside, failures and ruins has a root cause of somewhat related to a basic foundation of human society. At the end of the day, It sums as the most important, ultimate essential. It has no metrics, though an over-said Antic, sparks most of the conflicts, pragmatic. Mind what you're  saying, Check what you're doing. Go back to basics. Consider ethics.
0
Sep 30, 2010
Sep 30, 2010 at 8:32 AM UTC
Refresher
Clocking in, Trudging on, Grinding the nose down to the bone, Clock out, Et cetera, Ad Nauseam, Goes the routine of the last of the Blue-Collar poets. Can't think of words, Too dog-tired to think of rhyming schemes, Too sore for clever entendres, Too broke to focus on fixing verses, stanzas, and metrics. Thinking of the too-long day, And the too-long day to come, Fighting for a long shot of a good-night's sleep, For a glimmer of a decent day off, Clawing for a decent day's pay. Sweeping up the metal shavings, Spattered with hot, hot grease, Bones broken by falling boxes, Maimed by unsafe machines. Keep the Blue-Collar poet in mind, As you operate your computers, Sitting in your White-Collar dream, For their fledging numbers dwindle, That will never get the chance at your dream
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May 19, 2023
May 19, 2023 at 11:01 PM UTC
Last of the Blue-Collar Poets
Pirate maps might bear this caution; "Here be Monsters" on an ocean. Here I scribe an admonition to persons sailing poetry: "Here be sunken thoughts and feelings, broken hearts with razor edges. Here be aching naked lovers' lives exposed for all to see. Here be doldrums. Here be tempests. Here be shattered dreamers' metrics. Here be shoals of hidden sorrows. Here be Sirens crying, "Help me!" Here be tidal waves of sadness. Here be rotting shipwrecked hope. Sail these pages at thy peril. Steer towards creativity.
0
Jun 13, 2015
Jun 13, 2015 at 12:10 PM UTC
Caveat Lector (let the reader beware)
pulverized by desolate winds; brutalized by ungodly kings; capsized by the violent waves; neutralized by the scorpion’s sting. terrorized by the thoughts of morrow; legitimized by a trademark of sorrow; authorized to live in vain; generalized - like the streets, and the boroughs. synthesized by the alchemy of remorses; romanticized… like the dark horses; mesmerized by the notion of vengeance - hypnotized by even darker curses. digitized by the ways of future; mystified by metrics, and conjectures; specialized in the pursuit of reality - 'civilized' by the grand architecture.
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Dec 23, 2024
Dec 23, 2024 at 1:16 AM UTC
the grand architecture
#* The distilled quiet Quite a sign of disquietude The sun shines bright Overcast skies eclipses the light In the shell the baby bird thrives Invisible shells hard to break Glass, transparent as can be seen Breaks into shards, toughened or not Distance, not in metrics It’s the words, absence or otherwise Parallel lines, forever run along A journey, towards the end, begins*#
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Feb 4, 2022
Feb 4, 2022 at 9:50 AM UTC
Poetic Silence
Humans find a metric to measure everything - scaling down uncertainty and beauty into a concept so small or mundane that it makes it easy to understand. The depths of my soul is something that has no metric. It is the home of untainted imagination; It is the example of unwavering dedication; It is an engine room feeding an insatiable furnace. No metrics, because there is no uncertainty: My soul… …cannot be scaled down and cannot be understood. …understands no threshold of sacrifice, compromise or impossibility that it cannot satisfy. …is the one thing that goes beyond everything that makes me mortal. …renders no occasion so safe or so out of reach it will not rise to. It loves fiercely, fights violently, protects always. The beauty: My soul… …holds that very breath God breathed into me when I was first born… forever fanning my insatiable furnace to flame. Thank you God, for my unconquerable soul
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Jun 23, 2025
Jun 23, 2025 at 3:58 PM UTC
The unknown of my own soul