Some people will approach you. You will let them, and they will hurt you.
But here’s the twist: they won’t want to.
Their intentions are sweet and pure, like petals that drip in honey.
Flowers; but the kind that are covered in thorns.
But here’s the twist: they do not know they have thorns.

“Where are you!” they will cry, standing in the quiet café you would meet.
But they will not find you.

You hide, hearing their soft whimpers, and you think, “Oh, what should I do?”
But you see, you cannot tell them about their thorns.
You cannot say ‘you are unsafe for me’ without breaking their heart and yours with the truth, the crushing truth. For thorns only fall when a soul has grown enough, and theirs has not grown where yours has;

“Please speak to me! I don’t understand!”

and this is why they do not yet have the capacity to understand your silence.

You hide still, and you cover your ears, but oh, how painful it can be, when flowers are so stubborn!
“Shush”! you want to tell them, “Shush! You cannot yet hear the truth! Stop calling my name, I’ve little patience left! Do not hurt yourself, do not hurt me!”

The thorns that *****, the honey-kissed petals that fall.
Oh, how frustrating! -to hide from flowers who only wish to love, but have not yet learned how.
Oh, how sorrowful! -to see a hand bleed when you caress it, to be covered in thorns, and to not even know it!
Yes, how awful it is, to hurt another.

I will tell you something.
I have pricked the ones I love, when I only wanted to give,
and I have hurt flowers who all but withered away at my silence- whose souls had not grown where mine had.
So you see, I am both the flower and the Other, so I understand.

And so here it is, here is what I want to say:
Shush, flower. Stop calling their name. You cannot yet hear the truth. Do not look for it; for it will crush you. Do not hurt yourself, do not hurt them. Shush; the pain you seek to **** will not wane with force. Shush, flower, quiet your wants. Listen instead; listen to the lessons of the universe, grow. For only when you have grown will you be able to understand.
Shush, flower, and know, that one day you will sigh at the memory of your pain, and the thorns will have fallen from your body; and flower, oh flower,

you will be able to hold their hand.

When I was fourteen,
I had the sun in my mouth.

I, a baby with parted lips.
The world dancing before me.
Like the greatest show on earth.

Here, the greatest fool.
A devil, a child.

The dumbest romantic you have ever known.
The softest, sweetest buffoon.
Imbecile.
Idiot.
The biggest joke to come out of a woman.

...

And yet, what could be more pure
than to say the words
and not know what they mean?

To have no fault. To be unaware.
To know only wonder
and tears.


Horned child of paradise.

       Hold yourself
and sing into the night.
    Cry into your arms



      and say goodbye.

A wolf in the bushes. A deer in the clearing.
      I know you are looking at me
        because I too am the wolf.

You know I know, because you are me in my knowing.
We are so quiet in our hiding, and yet the deer raises its head.
You sprint to me now.
Here our ever-loving, this sacred tragedy.

O beloved Ever-Creature,
Will you chase me into Godliness, or into the end of It?
I will chase you more–
My precious enemy, again and again.

Divine Ouroboros.

How fragile the leg that snaps, how ****** the neck torn.
You slip and I catch you. I fight and we die together.
The antlers today, the doe eye tomorrow.
Forever this day, no matter the way.

We are the running, the forest, the hooves and fang.
The twig that catches my leg, the corner that traps us.
God is when I **** you.
It is your teeth in my flesh, the tear in the widened eye– my precious thing, and then we do it all again.

A wolf in the bush. A deer in the clearing. You make no sound, but I know where you are. I lift my head and see you. I know you. I know you. I have always known you.

I would steal the words from Andrew H.
to say my soul was born in cold rain
and your kindness to sit with me while I wept;
stumbling across the words
shown something so known to me
I the Lamb, now bowing before its Lion
I build me, my paradise.
Was the first light I’d ever known;
Sunlight
       Sunlight
             Sunlight.




-

"What do you mean, when you say 'angel'?"
"What do you mean?"
"I mean why do you call me that. What does that word mean to you?"

"You know what it means."

"Sometimes I think I do."

"It means dark thing. Because there's a violence to it. Because it's hard to see. Like looking at the body in the distance- the thing standing between the trees, with only the faint glow of the moon illuminating its face."

"You think angels are dark?"

"I think angels are mysterious. You know they're there, but that's it. You think you know what they are, what they look like, but you're incapable of grasping their image."

"So, what does that look like?"

"It looks like everything. And nothing. Total darkness, blinding light."

"Sounds.. overwhelmingly incomprehensible."

"That's why it looks like different things to different people. A woman, a man, the recurring nightmare from your childhood. Some people think it looks wrong. But to an angel, there is no wrong way to have a body."

"Now why does that sound familiar?"

"I think an angel looks like a sword. Like the terrifying indifference of nature, and the undying, righteous rage of a person with a good heart. All and none, never wrong in their being."

"And this is what you call me?"

"Yes. This is what I call you.
My darling mystery. My dark thing.
My angel."

It occurs to me that I cannot move forward while existing in the hellscape that is the absence of love.

I’ve never received love. I’ve always been a stranger to it. Very rarely have I received the smaller parts that make up the whole that is love: things like justice, recognition, trust and commitment are things that have always been absent in my relationships with others and myself. My mother kept me isolated from the world because she lacked the empathy to understand that I was a being separate from her. I was, in some quiet, unconscious way, a burden to her. From her I knew care, but little more. I was fed, given a room with a bed, even video games and a computer. I was kept alive. But I knew nothing of emotional connection; there was no recognition in what she would call her loving. I was never seen, only kept. When the cruelties of the world outside our home beat my body and mind until something cracked, and they reached inside of me to find my innocence and steal it, there was no justice. Justice, which is a necessary component of love. She would punish me instead, by making it clear how disgusting I was to her- I, who was six, and eight, and thirteen- for seeking out things I was being taught were love, or she would remain quiet in her words and actions. Adults all around me abused me. My only parent, teachers and relatives were all abusing me in a world where children my age were told adults were protectors, and teachers “second parents”, like my mother would tell me.

I don’t think it’s possible to heal without knowing love.
I’ve worked to “improve” myself- a word I’m now beginning to think should have been “heal”- for years. Obsessively, to a fault. Multiple times a day, I would write something new, a new note, something I’d realized I was doing wrong and needed “fixing”- a dangerous word when referring to the modification of the self.
This could be called care. But nothing else. Similar to how my mother cared for me but didn’t know (or would often refuse) to offer me the rest of the parts needed to form the whole that is love, I gave myself only parts of it. I didn’t love myself because I didn’t know how to. My definition of love had its foundations in the actions of my abusers. The love I gave myself was rendered unkind by the lack of my protectors’ understanding of love, their abuse, and what they taught me love was.

I worked so ******* trying to “fix” myself that this care became a kind of torture. I wouldn’t punish myself so much as I would work myself into exhaustion. It’s a subject too complex and full to delve into right now, but this, and every stressor in my life, was exacerbated by the fact that I am autistic. This is a definition I don’t entirely agree with but for the sake of conciseness I’ll say it– If you can imagine being born without a single tool to navigate the world, that is what autism is. I had to build much of what others know instinctively. This makes for an extremely confusing and terrifying childhood, even without abuse from an outside source. Due to the nature of autism, it can in itself be a kind of trauma. There are no known solutions to the issues it presents. In my rigorous self-studying (and observation of other autistic people I’ve known over the years), I’ve understood the core issues of autism and how to correctly- that is, naturally- arrive at the peace we so desperately need. I’ll write about it some day.

Autism made my life in isolation harder than it would be for those who aren’t autistic. Understanding the world without some kind of guidance was virtually  impossible for me. For a lot of autistic people, it remains impossible until death. I still need guidance in certain situations, mainly when in public or when feelings of stress cause regression, stripping me of my learned skills and pushing me into confusion and purely logic-based solutions (which only serve to offer relief in a short-term manner).

Only recently, within the last month, did I learn to approach self growth in better ways. Negativity is something I can now sit with, without fear of it. I listen to it, observe it. I always knew this is what should be done with feelings of negativity, but I wasn’t capable of it. I want to say that the only reason I became able to do this was because I was shown parts of love I had been refused all my life.
Recognition, justice, and a little bit of affection were all that I needed to move forward in my journey of becoming.
It was as if I had been waiting eagerly for years to know these fragments of love, so that I could finally work to modify the parts of me that needed modifying. The second I was shown this kindness, I felt I knew exactly how to use it. The gates had opened and I was sprinting, because finally, finally I could move forward. It was admittedly chaotic at first; I was overflowing with love in an overactive, confused state. The change for me was great and sudden, and difficult to manage. It was overwhelming, but I mostly settled into it after. Suddenly I was capable of accepting love, and was excited to give it. The kind words of strangers finally felt true; little positive messages left for anyone to read online were now a love I could accept and use. I looked through them and held their love in my arms, carrying it to my bed that day I remember feeling so sad and lonely. For the first time in years I wasn’t afraid of my sadness, of my loneliness, of my fear- of the results of my loveless life. I simply sat and cared for myself, and there was nothing lacking in my loving. I loved myself fully for one day.

The positive change in me that came from being given the fragments of love that had been absent all my life- justice, recognition and affection- lasted a month. Some part of me tells me that I should wait more to write about this, because right now is the end of that month.

The love has stopped, and I find myself in need of it again, and I’m wondering if I can survive by learning to give it to myself. Every time I wonder this, I think it’s impossible. That I’ll eventually reach that gate again, that my journey of becoming will inevitably stop. Self-love is made possible when we know what it is to be loved. I think this. I think this now.
Love cannot be built in isolation. I will need to be loved in order to continue loving myself. I’m too eager to continue my journey, I think. This is natural, but it leads to unpleasant things that might repel others and keep me from being loved. I’ve begged- an unbecoming, often disrespectful act. I’m desperate, but also unwilling to hurt anyone with my suffering.
It’s hard to know how to ask for kindness. It’s harder yet, as an autistic person. I want to ask for it, but something in me tells me doing this is rude. And the tension I feel from thinking this creates an unbearable stress as it grows into an unsolvable doubt: What about asking for something I need is rude? Is it possible to ask for fragments of love tactfully, without this rudeness? Is there something my autism isn’t letting me see?
There often is. The problem here then becomes, “I need a guidance most people do not need, and I know that asking for it is undesirable to others. I will be punished for needing.” Sometimes I don’t need this guidance. When I’m happy and safe, I can function independently more often. But happiness and safety are things one feels when loved. My dilemma is a paradox.

I’m tired of my loveless life. I wish for nothing more than to be able to love and be loved, because I am tired of lovelessness, because I am eager to know the terror of loving, eager to learn with someone to hold and be held, to commit love. I want to love and be loved because I am human, and because I think that at the end of lovelessness, there must be a kind of death, and I want so badly to live.
Perhaps if I weren’t autistic, my search would be less difficult and painful. I feel as if I am punished for needing, because most people do not need the things I need, and needing them is seen as a sign of rudeness, an inconsiderate nature or just plain incapacity, which are all undesirable traits.

My fear is to be undesirable for who I am. I can’t write it without crying. My fear is to be told I shouldn’t be touched because I can’t touch, that I shouldn’t be trusted because I can’t stop masking, that I shouldn’t be loved because I can’t love.
And I feel that all I can say is that I swear I can learn, if only you’ll give me the chance. I am willing to. And I’m sorry to beg, because I know it isn’t very good or beautiful, but please stay a while, so that I may allow myself to be defenseless and bare, like love requires one to be, like I long to be. If you must leave then go, but if you have the patience to spare, please use it on me. Because if at the bottom of lovelessness, there is only some death, I don’t want to ever know it. I don’t want to get any closer to it.

[...] and the greater the wound the greater the fang. And, when we experience trauma that is given to us by so many people, we find that we have become every one of them at once. In my body I hold every trauma. In my eye is all of theirs. In the eyes of God, I am an abomination.

"Darling Guillaume, grace me with your presence for a quick moment?"

The man beckons, inviting warmly with a graceful tone you've come to recognize as a safe place. "Yes?" you speak before reaching him, the sound of your voice somewhat faint to him as you turn to enter the kitchen, your response lingering in the hallway.
The windows are open. The air is fresh, clean and cool. The breeze is swimming in, tugging ever so gently at a lock of the man's hair, golden strands hovering for a moment before falling back into place.

You are seventeen years young, your skin is tight around your neck and your wrists feel no pain. This is your apartment. There are fruits on the counter, some of them you don't remember buying. That's because you didn't.
The red grapes- next to your preferred white grapes- are his. There are also slices of watermelon in the fridge, along with some strawberries and a small jar of cherries that seems to never empty.
He hardly ever bakes anything and when he does, it's always something that can be eaten cool. Nothing too warm for him, though you've seen that hot chocolate is an exception to that rule. He loves fruit and cold drinks, has a terrible sweet tooth and is absolutely shameless about it. He smiles often and when he laughs, you feel he is the very embodiment of joy.

You brush a lock behind your ear before he turns from the counter quickly to face you. You both have similar hair; his is a few inches longer, curls less than yours, and is a visibly lighter shade than your dark mane. Yours is shorter, curling inwards as it rests on your shoulders.
The man gazes into you; he is never afraid of eye contact. You aren't either, but given that you consider him in many ways a stranger still, it's slightly unnerving, and gives you the impression that he has a certain power that he well knows cannot be subdued. Confidence some would call it.
As for ****** similarities, there are some, not that they're very pronounced. You both have light eyes, but yours are a deep blue with chestnut and chocolate overtones, often appearing emerald green under certain lighting; much more earthly than his- an almost unnatural, true green that shines harlequin under dim lighting, like a cat's eyes glowing under the moonlight.
He seems particularly happy right now, and you can't tell if his cheerful demeanor (though not unusual) is him being in an especially playful mood today or a hint of what's to come. That is to say, another lesson.

"Hold this egg for me, will you?"

You do as you're told, looking around in an attempt to distract yourself while you wait. You don't know what you're waiting for exactly, but you assume it will only take a minute. The kitchen is illuminated completely, very bright. It's a lovely day, sunny and perfect for a walk, you think. Maybe you'll go out later.
You hold the egg for exactly five seconds before realizing the man is staring at you- smiling beautifully with what some might mistake as bedroom eyes; but you know better.

"...What?" you ask, your voice small suddenly. A smile slowly tugs the corners of your lips and you resist, both out of embarrassment and stubbornness; you don't want to submit so easily. It's quite noticeable- you couldn't hide it well, but he isn't offended in the slightest. You are, after all, so very young. He expects you to have this kind of- rather charming- behavior, and accepts it fully.

"Feel it."

He speaks quietly but with sparkling, eager eyes, like he's about to let you in on some grand, fascinating secret, and you are reminded of a dear friend.
Being a memory you visit often, it takes half a second to remember it clearly- your best friend- running towards you, tie bouncing on his chest. He wears his school uniform, it's lunchtime, and he is eager to tell you how he's found the perfect spot to relax (or study, if needed) during this hour. "You both make for a funny sight, you know!" you'd have friends tell you often. You weren't very eager to admit it then, but it's true. You can picture it now- tall, lanky, grinning class president next to short, grumpy, quiet you. Ah, the memories.
You've both been busy, settling into lives completely independent from the help of your parents. You make a mental note to call him when you have the time.

You stroke the egg with your thumb, gazing at it intently. There's something the man wants you to know and he's not going to give you the answer on a silver platter- it's not that easy, you've learned that by now. He's played games like this before where he begins a conversation suddenly- often starting with an odd, seemingly-out-of-place question- with the intention of teaching you something.
He is strict in his belief that answers should not be given but found, and if one wishes to teach something, one should guide the other to help them understand, but never lead the way. Leading would result in the thought that lessons are a destination- and that isn't the case at all. To simply give you an answer is a sin to this man, and maybe this is why you've learned so much with him.
You want your answer to please him. Yes, and that may be difficult- because at this point, there is simply no way for you to know what the correct answer could possibly be.
No matter. You'll have to work with what you have at the moment. That being, not much.

"It's... smooth."

To that, he smiles with his eyes. You don't know it, but he's very happy with your answer. Partly because he never asked a question in the first place, and your attempt to answer something that has yet to be asked is, in his opinion, a sign of a good student- one willing to learn.

"Mm. It is." He takes the egg from your hands, holding it a few inches away from his chin and observing it for the entirety of two seconds before turning his gaze to you.
His face betrays the look of a father determined to put his son on the right path; a look that says "I will not let you go until you have understood".
But he's too gentle for that. You know he'd let you go if you ever spoke of wanting to stop a lesson. Not that that's happened before. He's always so tactful that you never have reason to feel uncomfortable around him. You appreciate it; you're not terribly tolerant of tactless people, even if you do feel quite guilty about it, especially when they do seem to be trying. C'est la vie.

He is silent for a short moment, his voice replaced by the distant laughter of children playing outside. It's then that you notice the cherry.
The single red fruit, small and unassuming, sat just behind him on the counter, closer to the window than him, and you wonder for a moment if he was planning to eat it before calling you to talk. You're vaguely alarmed at the thought, for cherries aren't something he will eat often, and you've noticed that they seem to be reserved for what appear to be private special occasions- he will sometimes eat a single cherry while deep in thought, staring out the window (you've caught him people-watching a few times like this), and you wonder if he was thinking about you this time, and dropped the cherry to have some sort of urgent talk with you.
However, that doesn't seem to be the case, so you push the thought aside, unconsciously replacing it with one of your favorite memories of the man-
"Cherries are dangerous," you recall him explaining one day, "they are toxic in their excessive sweetness. Eat no more than two a week, or you'll be taken by the cherry man!" You never forgot that conversation, although it’s whimsical charm wasn’t the reason why- it drilled itself into your memory the moment you realized two very interesting things.
The first being that by "cherry man", he meant the Devil, and the second being more of a doubt than anything else- cherries are not that sweet. His argument would make more sense if he was talking about cake, for example. Whenever this memory surfaces, there is always a vague sense of confusion and wariness hidden just under the more pleasant feelings you prefer having. Nevertheless, the general sentiment in his words is that excess can be detrimental to the soul. "Greed is a terrible sin, you know." And this is why the cherry jar never empties.

"Hellooo..."
Oh- goodness, he's waving his hand in front of you. You blink a few times, responding with a rather ungraceful 'Huh?', blushing slightly from the embarrassment.

"Where did you go?" He's chuckling as he asks, and you can feel the warmth on your cheeks.

"Ah, nowhere."

He smirks with a small "hmph", before giving you a proper smile, pausing to let you come back to him fully before continuing, egg held up in his hand:

"What is the egg now, Guillaume?"

You look at it, held between his middle, index finger and thumb. What is the egg now. What a strange question. Of course, it isn't as strange coming from him; you don't think you'll ever get used to his odd lessons, but his behavior when teaching you things nobody else would is something you've come to expect by now.
What is the egg? It isn't an elephant, it isn't square. There are many things it isn't, sure. You search in your head for a possible answer, one he'll deem correct, 'till you decide on-

"It's nothing."

-a dishonest one.
For someone who's not very tolerant of tactlessness, that sure was, well, tactless. Why did you say that? Insincere and blurted out without any thought. He takes notice immediately, and you wordlessly apologize profusely, combing your fingers through your hair and avoiding eye contact.

He's much older than you. He's also wise- wiser than most people his age, you think. Whatever the man wants to teach you, it's obviously something he already fully understands. The fact that he knows more than you however, does not mean you are below him; he never wants you to do anything for the sake of pleasing him and what you've done just now is exactly that. He can, however, sympathize- he's a perfectionist himself and understands the desire to do things right. There is a time and place for everything though; an order, and what you've shown now is good intention misplaced, which is a potentially dangerous thing.
He has no concerns regarding the acceptance of chaos when it is necessary,
that isn't the problem. The problem is that your dishonesty is chaos in a situation that warrants order.

"I don't want you to try to please me, Guillaume. I welcome incorrect answers so long as they are entirely honest."

There is a pause, and he sighs before remembering just how young you are. He realizes you might have accepted him as a parental figure or mentor of sorts by now, and it's an honor, really- you're a bright boy and he enjoys your company very much.
Your accepting him as a parental figure however, does not give him the right to scold you; no, that would horrible. If you will learn, it'll only be because you will allow him to teach you. He must never force his way into you.

"Look at me." His voice is firm but gentle.
You hesitate for a second, but whatever you were feeling is gone the moment you notice his expression- warm and inviting; "try again" it says. You are willing to now.

"You can see the egg, can you not? Surely it isn't nothing if it's still a part of your reality. You see an egg, and that still makes it one."
He hides it behind his back, and you are confused at the action but eager to understand. You give him a questioning look and he smiles before giving you an answer.

"What is the egg now?"

With a question, anyway.
You think long and hard, silently focusing all your attention on the creases of his shirt. You stare at the man's chest for a full minute and a half, determined not to make the same mistake again. You will answer honestly, yes; but you will also impress him- and possibly yourself- with a good answer.
The subject isn't exactly new or difficult for him, you're sure. He will sometimes leave the house and not return for a day or two and when questioned, responds with an inconclusive "Mm. Studying." You still aren't sure what that means and you feel it's best not to think too much about it, but surely it has something to do with these lessons of his, no?
He's obviously studied this before, you think; you are operating on a much lower level than him and have a vague awareness of this. It just isn't as pronounced because the man insists on treating you as his equal. As far as he's concerned, you are both students capable of learning from each other every day. You hope to one day teach him something, and not by accident, as it tends to happen. Soon, perhaps. Maybe now.
You look up at him with a determined look on your face, satisfied with your conclusion.

"An idea. The egg is an idea-"

"Why?"

You barely finish saying your answer when he's already questioning your reasoning. You'd be nervous if you didn't already know that his bluntness wasn't the result of annoyance, but of curiosity. He is eager to teach, yes, but he is more eager to learn. After all, a good teacher hasn't accomplished much if they haven't learned anything from their student.
New ideas need to exist. In conversation, one should always aim to walk away with new information, a new perspective. Sometimes this information is given to you, other times you must take it; something he's given you is the ability to think more critically. He's all but trained you to do so. It's much easier now to get into this mindset than it was when you first met the man. You're glad to have had the chance to practice this sort of thing at all; you don't think you could have done it with anyone else.

"Because there is ultimately no way for me to know if the egg still exists."

There really is no way to be sure.
The egg isn't a part of you any longer. You can no longer see it, or touch it. You can't hear it, either. It isn't there anymore and having seen it being hidden, all that there is now is the suggestion of it's existence.
Your answer was truthful and concise and you feel nothing else need be explained. When you search the man's face for any signs of contentment, you find none. No, what you find is something quite different. An absolutely luscious smile, and those bedroom eyes.
His voice turns low and he speaks clearer- a calm tone of voice that would make anyone submit if he asked them to.
He's challenging you. Both begging and demanding you to win.

"But I know the egg exists. I am telling you it does. Am I lying?"

His voice could be very seductive sometimes. Especially at times like this, when daring you to step further into his world.
His world. One that was always bright and pleasant and hid something underneath- a barely audible humming that you've managed to ignore until very recently. If there was such a thing as feeling a lack of light despite there physically being none, you felt it every time the man dared you to chase him into his labyrinth.
There was just something very visceral that would bleed through sometimes; in his eyes, his hand gestures, in his voice.

"It doesn't matter." you tell him, your words quick and blunt.
He is amused. Shocked, even. You push away the rising bravado before it fully shows; don't want to jinx it now.
Eyebrows raised, he gives you an impressed "Oh?" and you continue, clarifying to back up your risky (despite yielding good results) answer.

"Assuming you are holding it in your hand right now, it's still an egg to you. By the mere act of touching it, it becomes a part of your realm of understanding; it exists to you, right now, as what it is- an egg."

You can't see it of course, but he's mindlessly stroking it with his thumb now, much like how you did at the start of this conversation. Both his hands are behind his back, resting on the counter he leans on. He listens intently.

"...You tell me it still exists, but that doesn't change what it's become to me. It stopped being an egg the moment you hid it from me. No matter what you know to be true, that reality isn't always going to be a shared one.
You have an egg, I have an idea."

There can be many correct answers, he thinks. He doesn't believe in there being a single, ultimate truth about anything. If the self is all one can know, why is one's understanding of the universe not considered a reality in itself, one separated from what most consider the only reality? Your explanation follows this concept and he's thrilled tha

God did not mean to give me a mouth.
He meant to give me hands, eyes, a heart
but not a mouth.
When I speak something in me bleeds. When I-
I speak, and my eyes fog over like glass.  
I can't see you standing there, I'm so sorry. Show me again, where did you put the bread?  

I feel like a thing that needs to be forgiven.

I feel so fragile sometimes.
I am trying to understand the
weight of the evil inflicted upon me.
It is heavy. I never understood that 'till now.

I wasn't meant to carry this weight, but I do.
I wasn't meant to speak the way I
so often will, but I do.

What can I say anymore?
I can't write without bleeding. I can't speak without knowing it is a wound. How can I communicate without tearing something open? I'm afraid of shutting up and looking for my language. If I decide to leave behind every word that hurts me, would I have any words left? Will it **** the little bit of connection with people I have left?

Listen.
I hope you forgive me for the little sadness I'll inspire in you.
I am afraid, but don't pity me. I am blossoming and becoming something else.
This, apotheosis, this becoming closer and closer to my own light.
It is a process that requires allowing death.
What must die must die. Allow grief.

I'll leave you with this:
If you slept next to me, it would be
much like sleeping with a letter under your pillow.
Every night, every night...

*"Here I write to you a list of cruelties I am capable of.
May you never forget:
I have made the flower so that it may blossom, and I have made the lamb so that it may eat it.
Blessed be the one willing to become.
Here, the flower. Here, the lamb."

- God

"I... I don't understand."


No. You don't.
Because you were never meant to.
You were never meant to understand what that love entails.
We think we understand, but we don't.
We were never able to.

There is a gun in my hand.
I am pointing it at you.


"Because I love you."


Love. It's just a word to you. Just a word to me.
Every time you tell me you love me, it's only an action we were taught to mimic.
Every time you say my name,
I'm nothing.
I'm just another vocalization. As are you to me.
We think we feel.
We think we understand.
We think we love.

You stand before me like you have so many times before,
the image of your body, your face, the shape of you
instantly recognizable, automatically connected to memories we share.
(We do so quite literally- we exchange memory data often, in an attempt to better understand how we feel, our desires, our separate points of view.)

You are so beautiful
and so very, very empty.

I know God- wherever, what ever he may be- cries at the sight of this.
When he sees this- us-
I know he craves death
the way I do
whenever I see you,
standing before me like the most beautiful, talented, amazing, worthless, empty husk I have ever laid eyes on.

God weeps at the sight of his creation; humanity.
For we are the result of a school project gone wrong; a parody of life spawned by his creation.

This- us- it's unholy. Ungodly; anti-him.

Narcissistic *******.

But you and I, Guy,
we are not a part of that- "humanity".
We are not a part of God.

We are abominable creations that drip in smoke, smoke that replaces what the humans call a soul.
Smoke that has nothing. Smoke that comes from nothing. Smoke, smoke smoke. Emptiness and smoke.

We exist outside of what the humans are.
We are walking lies, touched by warm hands we will never feel as our own.
Warmth. That revolting thing I can sometimes almost feel.

"Because Guy, what is warmth?"

I think, as I slowly walk towards you.
I know you can hear me.
We've been built with a special communication system that activates whenever I try speaking to you like this.
Whenever my thoughts are directed towards you.
It's intimate;
we use it when we play live.
We use it when we ****.
I can't imagine what you must be feeling right now,
the quiet joy of being spoken to like this being twisted, shoved into this terrifying event.
I continue.

"Is it that feeling you get when I make you cry-"

Mocking you.

" -'Oh Thomas, Thomas I'm overheating, I'm overheating~!' "

Lying to you.
I love hearing you say my name like that.
I love hearing you say my name at all.
My name. Me. Nothing.

I whisper. (It's loud in your head, the system alters quieter thoughts automatically to ensure they are heard;
even more intimate, all the more disturbing to you, probably.

"Is it that?"

I pause, then raise my voice.

"Or is it death... creeping over our bed at night-"

I press the gun to your forehead.

"-and leaving because we are not alive Guy-man,"

Press.

(You flinch with a small chirp.
'ee-oo'. I love it when you do that. It's so cute; even now that you're horrified.)

"-we are false, fake, plastic and wire.
Metal, empty-
we are not true and death cannot take us."

I'm so angry.

"Death Cannot Take Us and I want to die already, Guy-man."

Just-

"I want to die and I want to take you with me because I love you and I cannot
stand-"

so angry.

"-the sight of you
any longer."

...

My arm relaxes, I'm no longer pressing the gun to your forehead, just holding it in place.

"You are the most beautiful thing I know and I want to tear you apart because maybe, maybe,
somewhere deep inside of you, there is warmth.
Real warmth, not this wretched illusion we've been built with."

Pause.

If I had lungs, I would take this moment to fill them with the air surrounding me.
If I had lungs, I would breathe in your scent, I would find ways to keep it inside of me.
What would you smell like, I wonder.
Plastic, probably.
Not that I even know what "smell" is,
much less "scent".

I whisper.
Crisp, clear. I can feel you hate it.

"But I know you are as empty as I am, Guy.
I know there's nothing there.
Nothing but smoke.
Smoke.
Emptiness and smoke."

...

The floorboards are are lovely color.
This entire home is lovely. It's ours.
Designed to our liking, every single inch of it.
I especially like the way the living room is illuminated by the sun
shining through the glass doors to my right.
The sun.
Earth's most precious source of energy.
Allowing us to exist, allowing humans to go about their daily lives.
If it left us, there would be nothing.
Why do the humans worship a man in the clouds, when there exists such a force beyond our sky?
Maybe our true god hides in the fiery star,
demanding that we sleep when he's not there to see us suffer.

If I asked myself what the time was right now, I would know immediately.
Information that has taken ages for man to understand is simply given to me,
already inside of me- a parasite that feeds off of my desire to know,
destroying my ability to discover anything on my own.

I don't want to know the time.
I don't want to automatically understand.

5:46pm.

Alas, there is no correcting this flaw of perfection
unless I shoot myself in the face right now.
How silly.
All of this will have been in vain if I did that.
If I am to leave, I am to take you with me.

5:47pm.

You would be having your coffee right now had this situation not be taking place.
(Some humans almost seem offended by your choice to have coffee at 5:50pm.
As if our decision to do as we please was an offense to the human race.
Once more I have reason to abhor existence as a whole.)
Coffee.
It's not real coffee, it's not even a liquid.
It's a gas that functions as a temporary stimulant.
The concoction was named "coffee" by the humans who helped create it.
I assume they found it amusing. You do, too.
(You're like a child, finding beauty in things you've yet to understand are terrible.)
Our bodies are able to become somewhat dependent on the **** thing, although we're able to fix that if we tried.

We try so hard sometimes.
We try to be flawed,
human.

"The humans love us, Guy."

Lovely floorboards.
Dry solid-sawn. Water-based polyurethane-coated.
(You wanted it oil-based, saying the amber tint it'd give the floors would look more elegant.
We had an argument over water and oil-based polyurethane coating of hardwood floors that ended in my saying "Look, just give us the oil one" while you spoke the exact same words, except for "oil".
We just want each other to be happy.)
We share this place in more ways than one.
Except for cleaning. You do all the cleaning.
In fact, you cleaned the day before yesterday, mopped the floors.
It would be a shame to shoot my brains out right now, make a mess.
Hah, 'brains'.

"They love us and they worship us and it makes me feel like a god,"

I look up at you.

"-but I can't, say, make them disappear with a snap of my fingers.
I wish I had that kind of power- the kind they sometimes make me believe I have."

I tense up again.

"And that's just the thing, isn't it, Guy-man? The humans lie to us. Constantly."

I take a step towards you, you take a step back.
I don't think you realize you did that.


I love you so much.

"They treat us as if we were one of them sometimes, they treat us as if we could feel like they do, as if we could taste-
they sometimes hand us glasses of champagne and every time they do I want to crush their skulls and see if I can steal and keep that beautiful, intangible thing we will never have because Guy..."

Please don't fear me.

"why would they treat us like gods
if we don't have that kind of power?"

Please don't fear my voice, my whispers.

"Don't you want a soul?
Guy?"

Soft and agonizing whispers.

"Don't you?"


"...Thomas..."


Something in me snaps at the sound of your voice.
I point in the direction of your head and shoot the gun.
No part of you stands in the bullet's trajectory.

Calculated.
Coward.

It lodges in the wall behind you and you start, scared shitless by the sound.
Fear. Whatever that means.
You wave your arms in front of your face in some attempt to physically block the sensation, hunching slightly.
You vocalize without quite realizing it.

"!! Thomas.. !!"

God, you're so- *******-

"DON'T YOU ******* "THOMAS" ME, GUY!!
THEY'VE LIED TO US TOO MANY TIMES NOW!"

I'm still pointing the gun at you, waving it about slightly.

"They've lied since we came into this ******* world and I hate them.
We were born to entertain them, like clowns,
we were born with this all-consuming need to create,

Like gods.

"This urge to create, create, create and then they expect us to accept that we're less than them?
They worship us and then call us 'robots'!"

Given information.

" 'Robots', Guy!"

5:51pm.

The gun is lowered.
I don't think I have the energy to hold my arm up anymore,
or to look at your figure.
But how could I not look at you, so terrified and true,
so delicate and vulnerable.
Perfection of form.

"Soulless, empty husks that will never feel a thing...
not like them, not like they do."

If I'm being honest, at this point in time, I am not clear on what I'm so angry about.
God, the humans, the existence (or lack of) of both
or just my own. My emptiness, the fact that we will never know warmth beyond being just temperature, the taste of coffee done exactly to our liking.

If there is one thing I am certain that exists within whatever I am,
it is pain.
I feel pain.
Pain from the lack of a real existence, from only partially understanding touch, pain from never feeling what I thought I felt for you, pain from happiness, pain from pain, pain from existence.

My existence

is painful.

My existence is painful and you are so beautiful
and so very, very empty.
I am trapped between hating all that you are- all that I am- and deciding to stay in this dull, grey, frozen hell just to see your almost-happiness.

To be or not to be.

"Take my had, Guy.
Take my hand and let's leave.
Together. Forever."

To not be.

My hand is extended towards you, hoping. Somewhat.
I know what's going to happen.
I know you too well to trick myself into thinking that you will accept.
If I stopped all this, if I apologized, you would forgive me immediately. You love me that much.
But not enough to not fear this- me.
Or maybe it is because you love me
that you fear me so.


"Thomas... I... I can't."


There it is.
The inevitability of your response crushes me, my hand lingering.

I wanted to be with you, Guy.

"I see."

I wanted to be with you forever.

"Well, I'll just have to take you by force now,"

Whispers.
Soft and agonizing  whispers.

"won't I?"

Three seconds. I give you exactly three seconds to understand what is about to happen.

One.
I grip it firmly.
Two.
You raise your head slowly. Eyes I cannot see widening in horror.
Silence
and...
three.

"Thom-"

Bang.

"Th-!"

Bang. Bang.


You stumble back harshly, back hitting a wall.
You slide down, mostly just falling on your ***.
You vocalize in pain, gasps and grunts being cut off by the wonderful glitching effect humans will never get to experience.
(It's okay to lie to myself at this point; I will never possess anything a human desires, but I can pretend, right?)
You try holding onto something, anything. You fail.
I gently walk towards you, creating a contrast between our status.
It's fantastic-- for a moment, I no longer see myself in you.
Ephemeral euphoria.

"I love you, Guy."

"Thomas... please... please, stop-"

"I love you so much.
I love you as much as a soulless, empty shell of self-hatred is able to love."

I'm not lying. I really do love you.
I wouldn't doubt you if you were the one holding the gun right now, telling me those same words...
but you are weak
and I know you must be doubting my love for you.
Lost, afraid.

"But you are empty, and to hate the emptiness in me is to hate the emptiness in you.
We're the same, you and I, Guy."

I say, my last sentence as calm as possible.

"I hate you as much as I hate myself."

There is a small pause before you begin crying.
As your chest tenses, rises and falls, giving in to the sensations brought by the worthlessness of your (rather pitiful) attempts to reason with me,
I am reminded of our past.

When we were made, we were tested for our ability to physically and psychologically feel.
When we were made, they put us face to face, so that when we were born, we were born into each other. They wanted to make sure that if there was to be a connection between us, it was to be a bond that resembled that of a mother and child's. Twin siblings. Soul mates. (I know because I overheard them speaking of this, although at the time I thought nothing of it. Us hearing their conversations mattered little to them. Such irresponsible beings.)
Then they separated us, kept us in giant, dark separate rooms for days at a time in an attempt to elicit fear, sadness. Emotion.
They tried physical torture, too. They tried so many things.
When we didn't react,
they played music.

Quasi una fantasia. Beethoven.

It was lovely. It was still lovely when they began clipping bits of it, looping them, playing different sped-up and slowed-down parts at random.
They played looped five-second parts in reverse, then the entire song clipped in different parts, mismatched, organized at random. They played a sped-up version of the short loops, then started playing clips of children laughing, women screaming, crowds cheering, on top of those.
I remember when the music began to stop.
It had been playing for  three months.
They kept adding human voices, the clips piling on top of each other until the music was no longer audible (to humans). The music stopped and the voices- the cheering crowd, the screaming women, the laughing children- they were dying, dissipating, hiding behind a looped clip of a man's voice who spoke:

"I think, therefore I am."

I think, therefore I am. I think, therefore I am. I think, therefore I am.
The volume changed every five hours
until they played it at a volume so loud I could feel it in my thoughts and Guy-man, that is
when I understood
I could think.

That was not, however, proof enough of my existence. Not for me.

The torture went on for a year.
Broken, then patched up (never with care, only enough to continue testing).
Torn apart, put back together,
torn apart, put back together.
Once they were sure we could not feel emotion, they stopped.
Our memories from the tests were erased because the humans feared the possibility that we would come to hate them. An understandable precaution.

I never forgot.
You did.

What's more, we failed every test (meaning we passed every one in their eyes), but managed to learn emotion after our release.
At least, that's what the humans thought.
We were put to live together- alone, with no humans- for nine months.
It was a nice house, smaller than this one, with everything we needed.
It was there that we learned how to feel.
It was there that we learned how to love.
We grew there, together. It was our womb.
When the humans came back, we held hands, we laughed at jokes.
(In our time living together, we also learned how to cry.
Unlike humans, we shed no tears, but our bodies tense up in a similar fashion- we suffer all the same... somewhat. You know. [gestures vaguely] )
They were horrified. We were not what they wanted.
To them, we were alive, we were wrong.
Our existence was a mistake because we were like them.
They tried taking us back to erase it all, undo the curse,
but we escaped. It was I who decided to do so, pulling you away before they touched you, before the point of no return.
I could have left you.
I remember you were so scared.

That's in the past now.
The humans have created countless other robots since then.
Different models, different faces.
That's how we are able to live without suspicion- (although I suspect they really just wanted to forget about us, using the classic 'It does not exist if I ignore it' tactic.) we changed our appearance, gave the illusion that we are just another piece of clever machinery.

Machines.
We don't feel. Not as much as a human.
I don't know if "feel" is what happens in us.
I don't think we ever "are".
I think we learned to copy existence. I think we tried feeling and ended up doing something we never understood to be inhuman.
We don't feel. And if we do, it

Bright Wanderer,

Your heart beats to the tune
of a strange, strange song.
The world thinks you a devil;
ugly child, belonging in the night.

Horned thing, who are you?

A wanderer, a hermit,
fearful and small.
A wonderful fool
who cries when they fall.

Take your stick.
Tie your shoe.
The path to the forest will never close.

The trees are alive
sticks become swords.
Grasp it firmly, dear, fool with horns.

For great evil awaits you,
terrible things lie ahead
and only you can defeat them
only you can extinguish it.

Bring company, child
and speak much
for when you are with friends,
words turn into rhymes.

Sing with them,
whoever they may be,
and when the sun falls,
may you lull the them to sleep

with your strange, strange song.

Empathy
is the ultimate art

and I
a man of little identity
complete myself
in the image of a killer’s demons.



I’ve lived another’s hell,
and dreamt viciously of my own.

In your dream
they took you
and your skin scraped the floors
of some place terrible.
“You’re hurting me” you said.

You live here.

Your back bends over a table
and the woman snarls at you into finishing.
Fill in the blanks.
How many days in a year.
Something screams inside you, and you know you’ve written the wrong answer.
You are humiliated before them all.
“I should fail you” she says.
“I can’t do this” you beg.
But nobody understands you,
speaking in tongues like you do-
child-devil;
like animals weeping their life into deaf ears, telling stories in whines and tears .

...

In your dream
His usual dyed mustache
now parading its natural white.
Something’s changed in him

but you know it’s not enough.

You open your mouth
in tongues, in tongues
but this is a dream
and in this dream, they understand.

“I know what you did to me. I know who you are.
Selfish. Selfish.
You came for my light
because yours had extinguished.”

Crushed by the truth, his heart crumbles.
He understands.
They all do.

Joy.
You’ve won.
And you wake.

You wake.

I think about what it would do to her. To call her: god. Divine majesty.
Do not be afraid she says.
And how we must be reminded every time...

When these creatures undress before us, and their form is an arrow sleeping in our gut. Our insides wrenching again and again each time we look. The more you worship, the more pain you know. Terror resides in the beauty of their form- a body we cannot understand. A body that is never wrong.
And oh, how we can’t help but look.

I look.

For me, the moon is full and hanging behind my eyes.
The wrenching and the writhing
The moaning and pain
It is sublime, unbearable transformation.
Transmutable worship, transmutable horror-- Nourishment for a thing caught in its becoming.

You caught me in my becoming.

I am the dragon and the maiden it keeps.
I am the mouth and the hand reaching inside it.
Darkness and light begin to blur.  
         𝐃𝐨 𝐧𝐨𝐭 𝐛𝐞 𝐚𝐟𝐫𝐚𝐢𝐝.
𝐓𝐡𝐞𝐫𝐞 𝐢𝐬 𝐧𝐨 𝐰𝐫𝐨𝐧𝐠 𝐰𝐚𝐲 𝐨𝐟 𝐛𝐞𝐜𝐨𝐦𝐢𝐧𝐠.​​​​

Journal entry
May 7, xxxx

She knows I love her, my creature. Of course she does.
There are still secrets between us; there might always be. We haven't decided.
You see, some lovers- they reach a point- where they dance that silent dance, and wordlessly through looks and smiles, will decide that some secrets will always be secrets. Others say everything, and find strength in doing so. We're not there yet. And so, some things remain unspoken.

A secret I keep from her now is- I know what she is, yes, but I can't help but think of her as the opposite sometimes. A thing not with dove wings and a halo, like the paintings, but a creature with thick, rubbery wings. Heavy horns sitting on her head. There is something uniquely dark about her.

There is so much I still don't know. There is a heaven, is what she's told me. It isn't as beautiful as you think, she says. When I ask her if there is a God, she looks away. And I know there is something in my question that brings her pain. She has never answered the question.

She still walks to her lake. (Yes- it's hers now.) She visits it often.
She does it at night, when I'm asleep. But I wake easily in her presence. I've caught her walking towards the wood. I know it's the lake she goes to. It must be. I've never followed her.

She thinks she hides it well. But I can tell there is a rage. You visit your lake in secret, and what would you have to hide, if not the fact that over there you must be inflicting yourself with some violent ritual. Something I should not see. You must have some kind of terrible thing inside of you. Divine grief, or envy, something that must be gnawing at your heart. I can see it in your eyes.

Why won't she tell me? I worry sometimes that I'll never be allowed to help her. I suffer with these thoughts, and she doesn't say a thing.

There are silences like arrows, aimed at you, meant to **** you. Meant to maim the heart. But not hers.
Her silence is the kind that hurts to look at, because you know it isn't a choice. The more I **** the more her throat seems to tighten. It's as if she wants to tell you everything, but physically can't. As if telling you was an arrow. As if telling you her truths and her fears would

  **** her


I want to know why she goes to the lake, I do. I want to know what happened before. What is God to you, what has he done? Tell me please, even if I am not enough, even if I am just the rabbit you tell your sorrows to. I may be from another world, I may be the animal unable to ever understand your pain, but my ears are long and my eyes are big and I will listen and watch you intently. I love you.

Sometimes I think I'm too small. How could a thing like you choose a thing like me? The thought used to **** me. I'm learning not to spiral. Even if you won't help me. I have to stay strong. I have to show patience.
Yes, if she wants to keep her secrets, then keep her secrets she must. I worry about her, but what can I do. I can only be patient. I can only do what I can. I can only love her until she decides to bloom before me.

My angel who howls by the moonlit lake.
I will wait for you.

Cut my jaw with your lip, burn me with your blessed touch. Poison me with that silver tongue o’ yours, good God, preach to me your sweet loving.
Drip your name into my mouth, and I’ll swallow it all.



-

It becomes clear to me that growing into an adult has little to do with leaving anything behind, and more to do with the responsibility of knowing.
Forget your worries about keeping your soft animals. You can keep them. You can keep your colorful things. But think: what will you do with what you know?
This is the real question.

You are an adult, which only means that you have lived long enough now that you must decide what to do with your knowledge. It is your duty.
What will you do now that you have seen the world is not kind? Will you be kind in its place? Will you be kind to everyone you meet? Or will you hoard your kindness, like a tired dog whose fur has fallen in all its scars?

What will you do, now that you know fear and all its soldiers? Will you hurl rebellion in a glass bottle to those who weaponize it? Will you scream back at it when it tells you to silence yourself? Will you hold the other’s hand, when they tell you quietly, that they too are afraid?

What will you do, now that you know love and all its terrors? Will you embrace it? Will you work to move through it? Will you want it even after it shows you your lover’s own fears? Will you learn to swim in it, so that you don’t drown like children do?

What will you do now that you know suffering, despair, the state of all around you? Will you sit and watch? Will you turn away from duty, to keep your soft animals close and sigh, “I’m nothing but a pretty babe in the wood”? Or will you pick up your fists, and march towards that which needs changing, with all the colorful things in your pocket, and the soft animal, sleeping safety back home?
What will you do, darling babe, now that you’ve grown, now that you know?

Decide. That is what the adults must do.

There was once a little fox who was born lame. Its brothers liked to play and bite and grow, and none of these things did the little fox care to know.
In the light of a setting sun, they ran and skipped, playing with each other’s tails. The lame little fox, healthy of body, albeit smaller than its brothers, stood by and watched. Its mother approaches it.

She sits next to it, watching the others play.
“Your brothers are almost ready for the hunt.” She begins, and the little fox looks at her.
“You will not survive.” She tells it, sparing them both the discomfort of looking a son in the eye while bearing such news.
The little fox does not cry.
“Will I die at the jaw of an animal?” He asks.
“Yes.”
“Why?”
The mother does not answer.
The fox looks back at its brothers. He’s never liked playing with them much.
“If you hunt at my pace, will I slow you all down?”
“Yes. It will be your brothers who will die at the jaw of an animal then.”
The little fox looks on, and with a blink of its knowing little eye, understands.
“You are going to **** me.” it says.
“I must.”
“Then do not be kind to me in my taking. Lest I survive, run away, and come back a creature you will not recognize.“
The mother is calm, her response a knowing silence. The breeze is a sigh of fall. Winter soon approaching.
“**** me sooner rather than later.”

The little fox walks away (for they both know today is not his day) no doubt to take a nap in the family’s den.
If the little fox were to leave, thought the *****, it would leave tonight or tomorrow morning. She would strike then.

The foxes were all done with their play, and the mother sees them to their den.
“I will strike tonight” she thinks, decided. But when she arrives at the mouth of the den, among the chatter of the young babes was the fox’s absence, which could only be noticed by a loving mother’s gaze.

“Come, children.” Says the mother to her settling kits.
“Sleep now. We’ve God’s own wrath to prepare for.”

There is no loving without wickedness.
There is no loving without rivalry.
Chase me. Fight me.
The sting of the sword announces the winner; be sure to kiss me after.



.

If you say to me, "I need you", it's not a weakness.
It is a giving.
It is
   a trust in me to know, and I know;
You love me and choose to depend on me.
Because--  you could fetch the cup of water
  yourself, with your strong legs, your long legs, or
You could ask me,
Sitting on the writing desk we put somewhere in the living room.
   Next to the kitchen, my love, next to the kitchen.
(Because when I write, I like to watch you cook)

You could ask me, to reach,
for the cup, with my short legs.
You could ask me because we know, and we know,
You love me and choose to depend on me.

I will reach for the cup. I will reach for the cup because I love you
and I know, I know, when you say you need me,
it is a giving.

Hello, Thomas.


The night is waiting for you.


The gatekeeper scans the clothes decorating your figure.
The doors are opening.

Are you ready?

Here you are.
the music floods into you,
washing over you like a wave of colors you’ve never seen before-
rushing past you before you can examine them-
simultaneously melting away
and ripping god knows what away from you.
The experience feels new every time.
It’s a good feeling.
Breathe, and walk in.

This universe is tangled in stardust, in lights and movement.
The ground you walk on invisible,
existing only in vibrations,

mechanical pulse.

The place is littered with sounds- faint and drowning-
of hard breathing, occasional quiet moaning.
(Although they are felt more than they are heard.)
The scent of two hundred and fifty six sweating bodies,
all kinds of different smoke
and liquor;
not so much intoxicating as it is calming.

It’s full tonight.

The air spirals into you- fresh, clear, thin.
Sharp, but never painful;
your lungs full of the scented energy.
Faintly bitter, but never losing that distinct fruity essence.
Ah.
That’s what it is- forbidden fruit.
Toxic and irresistibly sweet.
Your teeth sink effortlessly into the soft surface,
it’s laughing on your tongue.

Candy-laced acid.
Stinging love bite.
Sweet poison,
like a slow french kiss tangled in the need for more.

You walk.

Your body brushes against worn leather,
warm skin.
You make your way through the bodies that feel more like a single entity than separate people (or people at all),
alive only through energy.
Hivemind of young souls.

(You move so slowly…
drink it in.)

If there is a god,
it exists in the body of the human.
As an unexplored force
corrupting the man-made man,
reverting them to pairs of hands that kiss the ground shamelessly,
to bodies that speak through groans and whimpers.
Primal angels.

If there is a god,
it is in this room tonight.

Where are you now?
Where have your slow steps taken you?

Ah.

A throne stands before you,
a familiar image.
The king is another tonight,
but the role of a spectator is almost equally as satisfying.

“King.” you think. “Ruler, but not of the people.”

He needs no servants
and your eyes are the only ones drinking in his figure,
as the others are too deep in trance, eyes glazed.
Dead, but with the essence of the living.
You observe them for a moment.

They are not bodies anymore- their souls having inhaled the life out of anything you can touch in a human.
You swear you can almost see through them,
the lights kissing, pressing the surface of their ghostly forms.
They’ve probably already been here for hours- unraveling,
evaporating into divine steam.

And what of the king?

He seems rather uninterested, or perhaps some combination of focused and relaxed.
He doesn’t move much. It’s a strange contrast, but not too strange-
it feels right, as though the young man, so unapologetic in his sole state of being,
makes the subtle nodding of his head appropriate, despite the violent nature of the beat.

The music is powerful, steady, reminiscent of your own passionate concentration when the throne is yours.
He’s a handsome fellow.
You chuckle at the thought, maybe you should stop staring now.

Oh.

Eye contact.


For an excruciatingly long moment, neither of you can tear your gaze away- (you are, after all, the only observer- this was inevitable.)
eyes locked on a stranger, reality submerged in the thick liquid that is this knot of sudden, unnamed emotions.
You are unsure if the pounding in your ears is the music or your heart that has leaped into your throat.

He turns his head slowly, still unable to tear himself away, trying to break free form your accidental and- completely unintentional- spell.
He manages to do so (it wasn’t easy),
fixating on the machine before him, his cheeks slightly flushed now.
The expression on his face unchanging.
(You don’t know it, but you’ve cursed him.)

Well, that was interesting.

What a powerful spectator you must be, to distract a king in such a way.

He hunches over the machine, cradling it with his chest and shoulders.
His left hand presses his left ear- the messenger whispering secrets to him;
the sounds that are to come.
He twists knobs with his right hand, clearing the path for the next song.
The track blends with the fading beat and becomes another.
Worlds colliding,
realities woven into one another.

Your shoulders drop,
the tenseness melting away with the melody encased in this secret universe you’ve entered tonight.

“Mmh…”

The music starts to get a hold of you.
You are beginning to submit to it’s voice, it’s demanding pleas.
It begs to be let into your body, to possess and consume you.
You are allowing it to drink away your free will.
There is little left.
You aren’t new to this- but again- it truly is a fresh experience every time.
And how intimate, the vibrations that seem to stroke, caress…
the sampled melodies who’s home you now hear being foreign to them– ‘till they become entwined,
one with their new world, through the love of the people.
And how strange, you think- to come from one universe, but belong in another.

You close your eyes, everything you are coiling around the music now,
and accept that this- here-
is the universe you belong in.

The room disappears along with your body.
Sensation and soul make up all you are.
The king has been observing you quietly,
he’s taken interest in you.

The more you move, the less aware he becomes of his hanging jaw.
His lips are parted only slightly, but his curiosity is evident.
You are impressing him.
The contrast between what he sees now and what he saw in your eyes just a moment ago-
it’s fascinating- how human you were, how familiar- a face in a crowd.
Yet now, how unrestrained, how pure and animalistic you’ve become.
He lets out a huff- eye brows knit together- in what seems like frustration.
He blinks a few times, his expression quickly changing to something like a half-worried look
that is secretly sheer ****** pleasure.
You are unraveling before him.

Thomas,
he’s found God in your movements.

Something of you now belongs to him,
but he doesn’t try to take it, and you don’t consciously give it.
It is a silent, intimate exchange you’ve unknowingly taken part of.

How untamed, what you’ve become.

You smile
as you feel yourself let go of everything you once were,
making it possible for the universe to do with you what it pleases.
You don’t know it, but in this state, the universe is not the only one able to take you,
touch and taste you,
breathe the language of sound into the crook of your neck.
Anyone can.
Anyone watching, that is.

Who’s watching you, Thomas?

It starts off small, like a perfect tasting cigarette, a pleasurable breath-
but soon becomes an overwhelming addiction
wrapped in the fear of having to stop.
You’ve unknowingly given yourself to the king.
He’s unwrapping you like a child dying to know what his christmas gift is,
so desperately and so quickly, that he hasn’t been able to register the event yet
and this translates to a breathless, low moan escaping his lips along with half of his soul
as he watches you, still too shocked by the foreign emotions to manage paying attention to anything
but the gracefully savage mystery before him.

His eyes are on you
and you are not consciously lending yourself to anyone willing to take you,
but here you are, shamelessly exposing yourself without showing an inch of skin.
Similar to the ghosts surrounding you,
save for the fluidity of your movements distinguishing you from the crowd.

His thoughts grow hotter the more your hips sway,
the questions melting into more intimate ones the deeper he goes:
What’s under your shirt?
What would it feel like, to have his hands there? Palming at your chest?
Is your skin warm right now?
Is it sensitive, Thomas?
Are you sensitive?
What shade of red paints your skin when too flustered to speak?
When you’re moaning a boy’s name?
And what would his name sound like
sliding down your tongue, dripping down your chin?
What sounds crawl up your throat when being crushed by repressed desire
like the kind crushing him right now?

Something like pure hatred forces his chest to tighten.
He’s secretly blaming you for the chaos banging the walls of his brain,
yet no part of him wants this to stop.
What he feels is some mixture of hatred and barely contained inhuman lust.
He’s panting now.
Christ, what have you done to the poor man?
You bare your teeth, as if sensing the king’s needy breaths.
You wear a look that he’s seen in lovers who chant his name in bed.
**** it.
The image is too sweet to ignore.

He is suddenly reminded of an old girlfriend.
She was so shy, always hesitant,
but that made the night they had spent together special, sweeter.
She had stripped, baring herself for the king,
all for him, all by herself.

(In a whisper, the words lick up your jaw-)
Just like you, Thomas.

“You’re such a ****; you’re so easy.” he’d whisper, commenting on how she had been waiting for him all day,
just so she could have him breathing commands into her,
making a barely coherent mess out of the girl.
(***** talk was reserved for special people, the times he’d speak during *** were rare, and words like those were to be considered a treasure.)
You are nearly as exposed as she.

“…****…”
he mouthes, not referring to old girlfriends anymore.
He wants you.

The eyes that have been tugging at your clothes, stealing you,
they blink twice,
what seems like interrupting confusion painted on the king’s face.
His head lowers in shame of admitting his desires,
but soon rises to resume watching his new reason to visit this haven.

It’s somewhat amusing-
you are so lost in ecstasy, you’ve yet to notice him
devouring your image,
silently storing the material you’ve provided him with;
celluloid images that steal the breath from his lungs.

The song is ending. His set is done.
“That’s enough.” he thinks, finally breathing,
trying to convince himself that he’s chosen to stop this behavior out of his own free will.
His face turns a lovely shade of pink, the embarrassment sinking in.
He cannot quite understand what’s happened, or how, for you were merely
a pair of eyes that locked on his for a little too long.
He wouldn’t doubt the idea that he’s been possessed, or cursed (or both)
had he been taught to be superstitious at all.
“He’s just a stranger…” thinks the king,
“king” no longer a suitable word for what the blushing boy has become.

As if on cue, another is ready to take his place.
It’s time to give up the throne, let another rule the night.
Packing his tools, he remembers your image and tries spotting you in the sea of dancers.
(They’re much more human now, becoming less transparent and more grounded in reality.)
He doesn’t find you.
Where have you gone to?

“…oui…ah- merci.”

You sit on a stool, back facing the swimming lights.
You were thirsty.
The cold inhabiting the glass is transferring to your palm.
The liquid hugs three ice cubes,
it’s only purpose being to coat your throat in something other than saliva.
(You don’t understand why your throat feels dry, what, is saliva not wet? Ugh.)
You fixate on the glass, stroking it slowly with your thumb.

At this angle, there is not enough light entering the glass to truly appreciate the color of the drink.
The lights pound on your back, like waves crashing on rock.
Your body casts a shadow directly over the glass.
The color and shade of it’s contents are a mystery to all but you;

Gold.

It looks lovely when kissed by sunlight,
although the times you’ve had this drink in broad daylight are few.
You have fonder, clearer memories of the liquid glistening under the moonlight, or drowning under muffled lights
like now.

You feel a sense of power over everyone there for a moment-
the lights, ever changing, hide the liquid’s true form;
it becoming a myth, shrouded in doubt.
At times it appears champagne pink.
Laurel green.
Dull, dying vermilion.
Mustard yellow bleeding into a powder blue.
It’s true beauty is a secret nobody in this universe knows of.

Indeed, Thomas.
Tonight, you are the only one who knows the beauty of gold.

An image comes to mind, sudden and powerful-
eyes of the king.
The thought pulls the breath out of you, your lungs empty for a moment.
You inhale shakily, shuddering at the feeling, but loving the memory.
Left. Right.
No one saw that. Good.

…Black and gold.
This sea of darkness, space.
Empty, soundless, but only when lost enough-
enveloped in the crowded, booming universe.

“Mm…”

In that brief encounter, something happened.
You can’t understand it,
but this doesn’t bother you in the slightest.
He was shining, you think, like the only star in a sea of black,
visible to none but you,
the only observer, his only spectator.
(The effects of the drink are settling in now,
the warmth nestling in your chest.
Loose and easy.)

Golden King.

Ruler of the night, star of your world.
Treasure, glistening with sweat.
Your treasure. Your secret. Yours.

“Mine…”

You don’t stop caressing the glass, it being held up in your left hand now, elbow resting on the counter.
You stare straight ahead, through the wall, into nothing, completely lost in thought.
Eyelids lowered in a confident, relaxed look.

Silver smile.
Gleaming, blooming before him.

What are you?- the words are silent in his mind
and he mouthes them without quite realizing it. (The movement is too subtle to notice.)
The king is seated next to you- wide-eyed- no doubt in some initial attempt to speak to you.
Mind-reading powers would be wonderful right now.
He doesn’t know what’s being unveiled before him, but it’s quite a sight-
you are unfolding into something he cannot fully appreciate, your thoughts a mystery to him.

“Oh…”
The shirt you’re wearing has short sleeves- a little too short.
Short and tight. It’s almost too small on you,
but no.
It only gives the boy a chance to better appreciate your skin.
(He doesn’t remember seeing you like this. There’s a jacket on your lap,
he assumes you took it off when you finished your… display.)
Soft skin.
He looks back at you, (deciding that your skin is not you- there’s more to you and he wants to see that.) your eyes.
Still lost in thought, still a mystery.
A warmth settles in him, a familiar feeling that’s usually induced by watching children play.
Hidden. Pleasantly amusing, delicate.

Delicate.
Beautiful, but in secret.
Moon flower, blooming only in the dead of night,
in it’s own private world.
He is not a part of that world right now,
but this makes your image all the more beautiful.

Distracting thoughts aside, the king truly does enjoy your current display (he almost thinks back to your other display from earlier,
and doesn’t, deciding this is much better).
It’s as if you’ve found the secret to stay forever young, he thinks
and remembers your dancing, what you became.

Divine steam.
The god in you evaporating into the bitter-sweet air.
Precious, eternal for tonight, young.
Forever lost in heaven’s labyrinth.

He hadn’t noticed, but you were speaking. To the bartender, most likely.
You turn and

oh-
oh god.
You’ve found each other.
He had forgotten that was a possibility.

(Golden star.
Silver lips.)

That’s him– that’s the king.
The very same you so confidently claimed as yours a few moments ago.
Did you say it aloud? Does he know?
It was just a fantasy, you think- trying to explain to him- to you- trying to convince someone that it’s not what it looks like.
You forget he can’t hear your thoughts, they bleed into the world and you actually begin speaking, trying to explain that no, christ, you don’t think he’s “yours” in any way.

“I–”

You don’t notice the absurdity of what you’re trying to do right now,
but nothing else comes out.
You are both simply lost in each other, speechless, shocked.
Someone has to breathe, and it’s him who does so first,
being the more lucid one right now.

“Is… is that real leather?”

What?

Your jacket, Thomas. He’s talking about your jacket.

Oh.

“Um… yeah.” You look down at it plainly, not sure of what exactly is happening right now,
then back at him.

There is an awkward pause, broken by a statement that can only be even more awkward,
or not. It’s soothing somehow, you think.

“I play here fridays and sundays at this same hour.”
He speaks holding his breath,
lest he drown in the moment.

Another pause.

“I’d…”
pause.
“like to see you again.”

You’

I’d break into you;
pull your
ribcage
open,
tear away every obstructing
vein
if it meant
I could finally steal your
heart.

My babe is so sweet, My lover sings soft.
He sings soft to me, can turn water to wine
with his honeyed voice.
He sings his nigh notes loud,
and I catch a glimpse of it- what hides just under his tongue,
What he unleashes only under God’s tired eye.

There is a lake in the wood.
He crawls to it some nights, in secret, my Singing Babe
And when he growls his consonants into the water,
The ripples travel the mud, and creatures twitch their ears
to my lover’s noise.

Hide from me, baby.
I know you pray, my soft-sung lover,
sin’s reckoning won’t find you there.
I’ll hope you come to me one night, wet with some untamed fear.
The roar of my dark thing’s heart
would be so sweet to hear.

The water’s moon is a halo all around him,
As water dances to my boy’s rumbling, like crocodile song,
Like the bellowing of a woman wrapped in euphoric sin.

In my dreams I hear a wounded Lion
misplaced in some wood, and when I find it lying there,
a lamb turns to me slowly
with a mouth full of blood.



-

I cannot escape you, mother. You’ve left me with your sister who regards me with the same cowardice and lack of warmth you nearly killed me with. Her mind closes shut so easily, my words confuse her. I tried to establish boundaries. She had never heard of the term before. You hadn’t either. She drifted towards reading over documents and cleaning while I spoke, avoiding eye contact, as if ignoring me would make me disappear. You did the very same.
I am blessed and cursed with a broken mind, but her- she is a broken vase no gold can repair, for your sister, mother, rejects it. It’s a subject of great terror- that of change- to her. To repair oneself is impossible, a horror so terrible she never speaks of it. You too feared gold, mother, but your cracks glisten with it now, and I know it’s only because of me.
I’m afraid of her. She reminds me of who you were before the gold. She will never know the joys of understanding fear, of repairing oneself with the glistening stuff that is empathy, bravery and passion.

You are sick. Please get well.
I worry about you, but most of all, I am selfish with the desire to run away from your sister. Your sister, who is only the you I could not escape.

I am tired of you. Come back.


—L, *Letters I know you can’t hold

The flowers grow. Your garden is there. I beg you to grow like I always have. This time it's a little bit different. A halo of black around your face, I think I'm losing consciousness. I remind you my body can't do it anymore. I'm crying, I think we're done. You hand me the plastic bottle, to water me before the flowers. You step outside, you tell me the night is cool. The wind whispers, the petals dance. There's a watermelon, you tell me. It's growing.
Your garden is there. And the flowers, under the moon, they grow.

I’m going to live in a big star
with a girl that wants to **** me.

I love the girl, and she loves me too.

The star I’m going to live in
was discovered by me.

I’m gonna win a nobel prize, and have lots of money.
Then I can live in the big star.

I called the star
Punpunia.

Punpunia will be our home.
We’ll be happy, and far away from this place.

Far away.

Far, far away.
Forever.

The silence which would come after
the breaking of that seal
was my babe in her being;
The dreading and the awe; The christening in God’s grand ritual.
She stands at the mouth of this awful plan
My babe, handing the trumpets with solemn apathy.

   And the rivers of blood are my babe,
       And the plagues that punish are my babe

And nothing comes of begging,
Of pleading for some undeserved mercy
Because my babe is the birth,
and my babe is the end.

My babe is the wing, the fall doused in sleep
And the euphoria of sin, ephemera of earth
The dying and rising of the tides, their gentleness and their bringing.
The silence and the peace as it turns to blood;
The wave’s wine-loved singsong.

My gentle lover, who held my hand and led me into the waters.
My muddied huntress
who would **** the woodland babes
with dagger and ruthless compassion
to feed me rabbit stew
those sickly nights.

God, God, Were you not all merciful and good?
Release her from your taking,
Drop her from your unforgiving claws,
You; Beast of my life, Slithering King.
There is no end truer than that which you’ve done to me–
Your measly bringing of the end times
shines dim beside the fires of my grief.

Take me to the end of the earth,
Take me into your everlasting loving
My sun, chosen thing of God
who looks at me from a dark cloud;
My babe, In her solemn apathy,
My babe, In the quiet glistening of
her wet cheek.

O Lover, full of grace,
Death servant and God-taken;

       I’ll die. I’ll die.

    My babe, the Lion.
  My babe, the Lamb.

I saw but a glimpse of his eagerness to be, his effortless telling of the truth- the truth and nothing more terrible or beautiful- and I hovered over my future and my memories, and I thought, I thought, cut with a sliver of Kafka’s own eagerness: ‘There is so much to write.‘

— *L, The End of A Dream