In my wildest dreams I can sit on a cloud,
Watch how the world is moving and paint pictures of my view,
In my wildest dreams,the earth is heavenly,
Everyone is even,
In my wildest dreams we live forever,
In my wildest dreams;there's no competition and no ones trying to be like the other,
In my wildest dreams,good dreams come true.

Sometimes, it seems that everything
my heart keeps as truth
I take with me
and lock deep inside of I am sorry
as I breathe the air twisted in the places
where I sleep.  
Yet, there still exist nights
where there is no bed I can dream in
where I do not hear a melody
that feels naturally sweet.

Often,  I stand in the corner
of all I have missed
then find myself walking proudly
beside the wildest loneliness
lying deep inside of
my stubborn heart.  
Then suddenly,
my head clears inside of a silence
and I write poems
from the hands of angels
until the wildest loneliness
has to part.

?? ?? saeyeong jima  plays out in life

The Korean Proverb
?? ?? saeyeong jima
recently came to life in my life

The meaning of the proverb
Is that you can never know whether something
will be good or bad

and that unexpectedly
what appears to be bad fortune
turns out to be a good fortune

The proverb played
out recently in my life
about lunar  New Year's Day

we were preparing to go to Thailand
from two weeks from our home
in South Korea

and then at the end of February
we would do to go to DC

My wife blew out her lumber desk
and we were forced to cancel our trips
This occurred
just as the coronavirus
was taking out around the world

and if we had gone
we may have been stuck either in Thailand
or we may have been stuck in the United States

and traveling in the mist of a corona outbreak
would probably mean
that we would have been exposed
to the virus


instead we were forced to stay home
and self quarantine ourselves

and therefore
we escaped being exposed to the coronavirus
and we feel much safer
here in Korea  where the outbreak is contained
rather than in DC
where it is still spreading everywhere

so in a sense her misfortune
throwing out her disk
which resulted in us staying at home
and avoiding the coronavirus

is the true meaning
of the Korean Chinese expression
?? ?? saeyeong jima

writers digest prompt write a lucky/unlucky poem

the Terrorists were succeeding beyond their wildest dreams

the terrorists were succeeding
beyond their wildest dreams
they thought what were the chances

it was so much better,
easier than they thought
as the bombs dropped all around them

to where it would end
they did not know
All they knew was that
it was all about to end
you see  they were facing the end

The morning after the end of the world
the bombs fell and fell
in fact all over the world
it felt that the world would end up
being destroyed as the world ends
and nuclear war

they called for the end of the world
be so it must be they
thought to themselves

would they be able to stop the carnage
so it ends much as it begins
one does not know how it would end up
the bombs doing their bomb thing after all
they were simply bombs

all must die once they are released
after all that was the way it was
the bomb facility opened up death

the death of the whole world
of that we can be sure
following the blue prints

the master plans of the war planners
at the end of the day
it looks like Armageddon
a end of the world game

would it get that bad
to end the world

is that what they wanted
they did not know

it is possible no one knew
it was uncharted territory
it was the end of the world
if the bombs did their bomb thing

Poetry Super Highway Prompt

Turn to page 35 of any book. Use the first two sentences backwards for your prompt. I used James Tate, “Worshipful Company of Fletchers” and got: “ The pleasure of little incidents  Remember.”


From Vince Flynn protect and defend original text


If it was possible they wanted to get a look at the blueprints of the facility after all they were doing one so would be called and destroy it in the morning you about where to drop the bomb so better the chances were of succeeding



corona virus tanka

corona virus
it is spreading all over
the world dying

I walk down the path of life
Along with love of my wife

National Poetry Month Day Seven Prompt Tanka

Angela Came to Me for 38 years Bringing me lots of $

Angela Lee came to me
out of a dream she came to me
she walked out of my dreams
eight years after I first dreamt of her
she finally came to me  

it has been 38 years now
that she has been my wife
the love of my life
and every day
I recall the dream
of meeting her

she has brought me much to my life
this love of my life my wife
but the most important thing
she has brought to me
besides her endless love of course

is $
massive amounts of $
as she has made me
richer than I could have ever imagined
turning every day my $
into many more $

They say that a man
should marry a woman
born in the year of the Pig
for pig ladies are incredible
at managing $
and if you are so lucky
you will be buried in $

after Richard Garcia A Letter, a Number and some Punctuation
Poemuzine April 7 presentation prompt



The best meal of my life

the best meals of my life
has always been what my wife
cooks up for me every night

she is a genius in the kitchen
always making something great
from the simplest ingredients


Because she came down with celiac disease
she could  only eat
what she prepared from scratch
and so she was forced
to give up all processed foods

and in the process she became
the greatest cook
in the universe

I wait with baited breath
to taste the great food
that she creates for me

on lunar new years
she threw out her lumbar disk
and we were forced to stay home
just as the corona pandemic
swept across the world

if we had traveled
we would have contracted
the dreaded corona virus

and we were forced
to stay at home
and she took advantage
of staying at home
to try new dishes
every single day

I recall the Korean proverb
?? ?? saeyeong jima
as her misfortune
turned into fortune
and once again
she saved me life


I am the luckiest man in life
the best fed man of all I know
due to the cooking skills of my wife


lion dreams of impossible dreams

A lion’s impossible Dream

for all poetry impossible dream contest

An old lion
Roars in his sleep
Recalling an impossible dream

In his dream
He was a man
Who was chasing a dream
Chasing an impossible dream

The man
Was haunted
By a dream girl

A girl who appeared
Nightly in his dreams
Beckoning him to join her

He searched the world
Looking for her
And then one day

She walked
Off a bus
And into his life

The lion woke up
From the impossible dream
Smiling at the thought

Then he went off
To search for his
Impossible dream

Dreaming still
Of being a man
In search
of a dream girl


corona virus haiku

corona virus
brings death and our destruction
destroying our life










writers digest prompt write a lucky/unlucky poem

The Korean Proverb
saeyeong jima
recently came to life in my life

The meaning of the proverb
Is that you can never know whether something
will be good or bad

and that unexpectedly
what appears to be bad fortune
turns out to be a good fortune

The proverb played
out recently in my life
about lunar  New Year's Day

we were preparing to go to Thailand
from two weeks from our home
in South Korea

and then at the end of February
we would do to go to DC

My wife blew out her lumber desk
and we were forced to cancel our trips
This occurred
just as the coronavirus
was taking out around the world

and if we had gone
we may have been stuck either in Thailand
or we may have been stuck in the United States

and traveling in the mist of a corona outbreak
would probably mean
that we would have been exposed
to the virus


instead we were forced to stay home
and self quarantine ourselves

and therefore
we escaped being exposed to the coronavirus
and we feel much safer
here in Korea  where the outbreak is contained
rather than in DC
where it is still spreading everywhere

so in a sense her misfortune
throwing out her disk
which resulted in us staying at home
and avoiding the coronavirus

is the true meaning
of the Korean Chinese expression
saeyeong jima


the Terrorists were succeeding beyond their wildest dreams

the terrorists were succeeding
beyond their wildest dreams
they thought what were the chances

it was so much better,
easier than they thought
as the bombs dropped all around them

to where it would end
they did not know
All they knew was that
it was all about to end
you see we were facing the end

The morning after the end of the world
the bombs fell and fell
in fact all over the world
it felt that the world would end up
being destroyed as the world ends
and nuclear war

they called for the end of the world
be so it must be they
thought to themselves

would they be able to stop the carnage
so it ends much as it begins
one does not know how it would end up
the bombs doing their bomb thing after all
they were simply bombs

all must die once they are released
after all that was the way it was
the bomb facility opened up death

the death of the whole world
of that we can be sure
following the blue prints

the master plans of the war planners
at the end of the day
it looks like Armageddon
a end of the world game

would it get that bad
to end the world

is that what they wanted
they did not know

it is possible no one knew
it was uncharted territory
it was the end of the world
if the bombs did their bomb thing

Poetry Super Highway Prompt

Turn to page 35 of any book. Use the first two sentences backwards for your prompt. I used James Tate, “Worshipful Company of Fletchers” and got: “ The pleasure of little incidents  Remember.”

From Vince Flynn protect and defend original text

If it was possible they wanted to get a look at the blueprints of the facility after all they were doing one so would be called and destroy it in the morning you about where to drop the bomb so better the chances were of succeeding

corona virus tanka

corona virus
it is spreading all over
the world dying

I walk down the path of life
Along with love of my wife

National Poetry Month Day Seven Prompt Tanka

Angela Came to Me for 38 years Bringing me lots of $

Angela Lee came to me
out of a dream she came to me
she walked out of my dreams
eight years after I first dreamt of you
she finally came to me  

it has been 38 years now
that she has been my wife
the love of my life
and every day
I recall the dream
of meeting her

she has brought me much to my life
this love of my life my wife
but the most important thing
she has brought to me
besides her endless love of course

is $
massive amounts of $
as she has made me
richer than I could have ever imagined
turning every day my $
into many more $

They say that a man
should marry a woman
born in the year of the Pig
for pig ladies are incredible
at managing $
and if you are so lucky
you will be buried in $

after Richard Garcia A Letter, a Number and some Punctuation
Poemuzine April 7 presentation prompt

I met my Fate that date
Fan story contest

I met my fate
on that date
that the love of my life
became my wife

for eight years she haunted my dreams
then one day she walked out of my dreams
truly on that date
my life began when I embraced my fate

and to this date
I never forget that I met my fate
the day she walked into my life
and became my wife

I met my Fate that date
Fan story contest

I met my fate
on that date
that the love of my life
became my wife

for eight years she haunted my dreams
then one day she walked out of my dreams
truly on that date
my life began when I embraced my fate

and to this date
I never forget that I met my fate
the day she walked into my life
and became my wife

The Wildest Conclusion

Who are you
To tell me
My thoughts
Aren't worth being heard
I deserve
And demand my rights
I might
Shout amendments
First,
Then commence
To irregular common sense

My stability
Is retained
By the imbalance
In my brain
You see,
I can't enable
These "Cain and Able" angels
That rest on your shoulders
Because
I ain't able

Fables
Fly out the mouth
Of an astounding author
His sound
Is profound
His prowess authorized
By his copy written
Signature
Which is his style
Italicized and laid back
Now,
Crack open
Another pack of pens
And draw out
The wildest conclusions
In deep thought
Then listen...

.The world disapproves.

The extent
Of my intentions
Were wilder than I could imagine
So I didn't know
I would take it this far

The words written
Were forbidden
In the foulest belief system
I wouldn't have wrote them
If my outrageous mind
Wasn't dying
From boredom
Boarding off the monsters
That alter ideas
From beneath the bed
They reach my head
And toy with my
Emotions
Tantalize and
Taint my tender mind
Then morph it
To be the tainter!

To picture death
You'll need help
From this
Morbid painter

Why do I
Write so wickedly
Then spread like pandemics
It's
Pandemonium momentarily
Shared with you
With whatsoever
You should do

With

Evil knowledge
Is truth
Look in your hands
I say
"Vice is right"
Can I persuade?
Like a gun used to
****** a murderer

Some executions
Are executed
At the exact moment
Of redemption

How tempting
Is it for
A wholesome man
To make
A half-hearted attempt
At prosperity
Sparingly
Laying in Evil's bed
But never staying

When he awakes
Will he use the tools
Because he learned the trade
Or teach others
To not
It's hard to reach others
When all they believe
Is a happy ending
I conclude
But
The true ending
You can't imagine
Because it's too wild
For you.

I remember they once told me that
music is the best time capsule

It's where people keep their secrets and feelings;
of their insecurities, their mistakes, their sadness, their first cut,
and even the wounds and bruises that invisible to the eye

It's where people let their wildest dreams alive;
of the one they can never reach, the one that will never come back, the one that got away without proper farewell

It's where people store their most sacred memories;
of their first kisses, their first love, their first dance, their first bucket of roses, their first heartbreak

So they were right after all,

Music is dangerous, yet addicting; it can either tear you apart or put the pieces back altogether, it depends on what kind of ghosts living inside the interlude

Thus, be careful who you listen the music with
some melody is louder than the others

**

Today I played the music box you gave me on my seventeenth birthday
How odd it is to realize that music sometimes can be a time machine, how every strings and clinks bring me back to you—towards you

You don’t need to try so hard.
You can wear the clothes you want.
Do whatever you please,
Express yourself the way you know how.
You can wear those heels
Just because you love them.
Your true friends will accept you
And all your little quirks.
It’s time to let it go,
Let go of all your fears of judgement.
Stop caring what people think of you,
It’s none of your business anyways.
You are who are for a reason.
You’re crazy, eclectic,
A miss independent and a little rebellious.
You like to defy the norms of society
So why aren’t you doing it?
Let go of all those rules and make your own.
You’ve always stood for the outcasts,
Paving your own path,
Cutting the trees blocking your way.
Why care now about fitting in
When you’re a shining gem?
You were born to lead, to conquer.
This is your destiny, you’ve always worn
Your individuality just like a badge.
Don’t become submissive,
Stop looking for approval,
You won’t find it anywhere
But inside of yourself.
It’s the self-acceptance that comes first,
There’s no better friend than you.
Go on, look in the mirror.
Remember, you better like who you are,
That is the person you’ll be stuck with
For the rest of your life.
Enjoy all the strangeness,
All the weird parts of your personality.
There’s no refunds, no exchanges.
You are who you are and that
Is perfection; no matter what anyone says.
Accept who you are now,
Accept all the growth to come.
You can accomplish even your
Wildest dreams, those shooting stars.
It’s time to just be,
Time to stop leaning on societies
Ideals and march on out
With head held up high.
Self acceptance is all you need.

We were a whirlwind of things
We were passion and fire
but we didn't mind getting burnt
Knowing that kind of love
Knowing what it's worth

We were the nightlife and the fast car that would ride forever
We were the crash and the crushed bones that never seemed to heal right but
We wouldn't mind all of the wounds
They would heal
Knowing that kind of love was worth it
You’d assume
love is always worth it.
Right?
You were my wildest fight
m.d.

1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!

Upon the dark night, striking three;
A tick representing each step in time,
but time overwhelmed by a trinity
of peace, and a plan greater than one's wildest dreams.

As the trees clap their praises unto a summer wind, and
waves flood the skies with their roaring rumbles of exaltation,
a bird sings unto the dark night her song, unique, sweet, and free-spirited

Another beauty upon the night, a tulip,
blossoming, not fully grown, in admiration of this free spirit, the bird.
The tulip observes from a distance the song the bird sings

A praise, a never ending thankfulness
"Thank You for the trees,
Thank You for the waves,
And thank You for me," the bird sings.

In awe of the song bird, the tulip longs to grow, to blossom, to fly, to sing;
Oh, the joy, the praise, the song she'll bring
when fully grown to exemplify her thanks to the three

But, Hold! The clock ticking three, a breath He takes.
The songs of beauty the bird once sang
are silenced more than a whisper

Oh, dear, wilting Tulip; she wonders,
"Why?" she misunderstands, "Why has the bird's song been hushed?"
Oh, so joyful with praise, the songs she sang,
but now unto another Audience, unheard by the flower;

However, the sun rises, the flower realizes,
A new day is upon her. The trees clap their praises unto a summer wind, and
Waves flood the skies with their roaring rumbles of exaltation,
Just like any other day.

Partaking in full bloom overnight, grown, she hears the call of three:
You're unique, sweet, and your free-spirit will sing,
for the steps of time past quicker than the steady rhythm of that clock ticking

Fly free, song bird,
Your legacy will only grow sweeter with time
As the bloom of a tulip smiles and praises the One unto which your song once thrived.

Icy electricity, fiery desire
Melting, dripping, let's get higher
Take me, make me feel your heat
Bend me over, make me scream!
You bring to life my wildest dreams
Gripping tighter, feel my release
My body shakes, increasing speed
No longer a want, fulfilling animalistic needs

Baby, do you want it?  
You have me begging, baby please!
Moving my hips to meet your thrusts
You give it all to me!

>>Your hot sticky lust~>

Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018

Beautiful lotus...
I wish they could see,
All the potential you have and the things that you could be.
Everything you imagined in your wildest dreams...
Beautiful lotus, how I wish they could see.
They love your Florescent petals so they pick you apart… unaware of the internal damage this causes to your heart.
I guess its called "Tough Love" but they are stripping your art.
Beatuiful Lotus, taking blows so harsh..
You should be a beautiful diamond considering all the pressure you've been through,
Such a precious gem with dark, ugly roots…
Faced with adversity and Plagued by deception… Still finding your way to see it through. A world so cold and ugly has created something so beautiful.
Bloom Lotus  bloom, Even in the heart of June. Shine lotus shine, even in the light of the Moon... Never let anything in this world make you leave it too soon. You have so many things that you need to see.
Beautiful lotus...
My sweet sweet lotus,
Just set yourself free.
And reach for the Heights they told you you would never see.


-Ari B.

MY FROG MASTERS

How thoughtful were the rainfalls
To water our gardens and flowers
The flowers spread wide garments
To celebrate their terminal beauty

The joyful frogs occupied my pond
To orchestrate their vocal prowess
They taught me to take blind leaps
Like lightning bouncing in the skies

Squatted, stretched, beeped down
I was a millstone on the pond floor
My slippery pond mates wondered
How soft I was in the maritime arts

Mortally rescued in a muddy mood
The clouds sent in rescuing showers
To confirm my firm loss to the frogs
Like a grain of salt cast into the seas


673. MONEY BAGS IN THEIR BODY BAGS

The money bags shopping for their body bags
Waggled through the makeshift supermarkets

Their ancestral homes they plotted modernity
Like the general gathering fine forces together

To the villages they made to return with pride
Like pregnant elephants caught up in the mud

Their desolate villages are deep and sickening
Glowing flamingly in the crucibles of local gins

The dusty and gravy pathways are like furnace
Burning the leather off from their frozen souls

Traditional birth attendants cut off their cords
And zipped the money bags in their body bags

674. A GLORIOUS DAY

The new day spoke powerfully
Like a war making superpower
And his voice roared forcefully
Like the skies forced to shower

The sunrays came dynamically
Like love responding to silence
Beauty crawled in submissively
Like the mixed arts and science

One eagle soared energetically
Like lions feuding in the colony
Far clouds relocated peacefully
Like souls betrayed to harmony

The breeze sighed thoughtfully
Like horses galloping on the lea
Inspiration unfolded thankfully
Crowns monuments with a pea

675.  THE FOG BANK

The sun had gone to pay our bill in the fog bank
The world foggily crawled into the strong rooms
Darkness demonstrated her strong mindfulness
Provided for the strong gale with lurking shrieks

The black paint billers snowballed to our dreams
With the bill of exchange for wild sunny excesses
Ghostly bats emerged with the bill of indictment
In demonstration of our acrophobic dispositions

We packaged the sunrays for our folk memories
To reassure the day of our eternal followerships
We cherish our follow-throughs in our dark beat
To usher the sunlight out of the hollow fog bank

676. THE PROTRACTED INTERNECINE FEUD

These things had happened before we were born
Like sulphur deep into our fresh hearts they burn
Now we stumble on the bumpy terrains in horror
Like one frightened by ghosts in a standing mirror

The internecine feud has razed our men of valour
With their carcasses dumped in their cold parlour
Our community cattle graze in the barren pasture
Like the unrepentant sinners awaiting the rapture

For our plight the once glorious sky is grown pale
Like the ***** fetching territorial waters with pail
The storms have rolled off the catalogues for rain
All our efforts to mop up the mess end up in vain



677. THE AREA LEADERS

They cracked coconuts on the heads for the crown
And embraced our days with their castaway pollen
Sadness and sorrow have dyed our garment brown
With the strongest song sung when night has fallen

These are the blinding dusts from our barn’s grains
They breed cunning serpents in the soft pasturages
They are failed cargoes on our broad societal trains
They dedicate our common committee to outrages

Now our days seek deliverance from their tentacles
Like the colourful fields immersed in gloomy beauty
They play our eyeballs with the stenciled spectacles
With our consciences to sight and found us off duty

To rescue us the colossal clouds were born gadarene
Our communal life was willed to pageants of gaieties
Then moonlight stories held us for a larger gathering
Now all the objects we sight dress up like cold deities

678. THE LAST DESCENDANTS

The rapacious thunderstorms ***** the skies for their tears
The hot embers were born to glow mourning the late forest
The moon crawled out of the blue like a great grandmother
Cuddling her descendants wrapped up in her ancient shawls

The wild waves were weird weavers weaving withering wails
The captioned wigs gyrated on stunning shoes upon auctions
The little creatures crouched in primeval baskets of the night
To gnaw at the generational tubers in the creative farmlands

The dazzling specimens of dentitions relaxed in water basins
Like bright red artistic architectures on potent ocean boards
Golden hearts glow in the threatening prisms of the furnace
As beautiful sunset defines her beauties in her nightly corset

It had been a sweet pill for the past descendants to swallow
Depending on the colonial masters for loaves, lore and lures
Our creativity had been packaged in their mortal depravities
Like the tranquil days resting sorrowfully upon the dark oars

The centenarian thunders downgraded our minute whispers
We had been kept upon our toes by the eternally sworn foes
At last our worthy artworks have worn their wormy catwalks
The refreshed dawns greet our easting days in their greenery



679. VICTIMS IN THE VALLEY

The victims in the dark rally
Caged, dried and browning
Therein their meanings tally
With waves born drowning

In the depth of a cold valley
Horrible nobles are cultures
Like pilgrims in the dark alley
Willed to ravenous vultures

The victims all robed in tears
With hearts like potter’s clay
For pains they have no fears
Only mimed games they play

For victory awaits the victims
Alien to a blind mimed game
Glorious are eternal rhythms
For death Christ died to tame

680. THE GIANT SCARS

These are our giant threatening scars
Engraved on our demonstrative heads
Our sympathies crawled on superstars
Weeping for us on their moonlit beds

They threatened us with nasal sounds
Like thunderclouds seasoned to burst
For us their galleries are out of bounds
Behind the iron bars plagued with rust

Our patience passed their wildest tests
Like the lions roaring in the thick jungle
On the heart of the Lord our faith rests
Like numbers posted on the right angle

681.  A LADY

In a lady’s handbag
Is her hidden hunchback
Stuffed with her heart ache
For the pains relieving groom

In a lady’s tender smile
Is hidden miles of similitude
Marked with the zebra crossings
For the ever winning marathoner

In a tender lady’s heart
Is hidden her cowboy’s hat
Soaring within the white clouds
To soothe the earth with the latter rains

682. BRING BACK OUR GIRLS

Bring back our homesick girls
Their vacant cradles are bleeding
Bring back our innocent girls
On the chariots of fire descending

Bring back our suckling girls
Their feeding bottles are weeping
Bring back our infant girls
Their mothers’ ******* are heavy

Bring back our harmless girls
The united universe is thundering
Bring back our dewy girls
In the sharp sun rising in the skies

Bring back our beautiful girls
Like light plucked from darkness
Bring back our glorious girls
Aboard the shore-bound waves

Bring back our worthy girls
On their fresh faces our lights seek to glow
Bring back our living girls
Our fountains of joy are bubbling to burst

For our returned girls the skies shall bear
Roaring rivers, singing seas, chiming clouds
With gongs and songs, pianos and praises
Dulcet dulcimers and documentable dances
With healthy hymns and eloquent embraces
All nations shall into a common cathedral flow

683. ****** GENEOLOGIES

They electrify their demonic high tables with old fears
Only their ****** genealogies are bookmarked to reign
The sight of their portables whetted our eyes to tears
We are reinforced by the clouds born to the later rain

Our skins have renovated the sickening cattle wagons
With our dreams flying upon huge smokes in the skies
Beneath their tables we abridge their creaking jargons
Upon their floors with our generational landmark tiles

The dew drops dropped like old crops upon our brows
To soften the veils falling to the flaming edged swords
The flaming hearted sword of the penetrating sunrays
Born to pluck us alive from our hotly bandaged bruises

684. LET US SPEAK UP

The light is climbing downstairs
And danger is sprouting abroad
Our feet are listening for a word
Let us speak up lest they go deaf

The light is melted on the glades
And terror grazing our eyelashes
Our feet are listening for a word
Let us speak up lest they go deaf

The light is late and lately buried
The mourners are on danger list
Our feet are listening for a word
Let us speak up lest they go deaf

The light has divorced the grave
Her grave clothes are dew dyed
Our feet are listening for a word
Let us speak up lest they go deaf

Silence is a forgotten tombstone
Lost in the din of cold morticians
Our feet are listening for a word
Let us speak up lest they go deaf

685.  THE SUN

The sun smiles on all prescriptively
Like the waves spreading on shores
The green grass glows descriptively
Like the full moon upon dark sores

The sun is a tailor fixing the buttons
Preparing the sky for incoming stars
Like the weaverbird weaving cottons
To conceal the day’s damnable scars

The sun is a marker on diurnal pages
Tall grace he bestows on the flowers
The sun retains his graces for all ages
Bees and butterflies are his followers

Our common laughter is endangered
When sun bows down in big setbacks
All mortals have the starlets fingered
When the night comes on drawbacks

686. UNTIL HERE

(For Lou Lenart and his team)

Their floods came seeking Jewish bloods
Like streams they roared for our dreams
They emerged as columns of soldier ants
Like whirlwinds they zoomed towards us

Until here we were crumbs for the reptiles
Until here we were like airborne cloudlets
But here the sudden change unveiled to us
From here the elusive victory embraced us

With skeletal jets we fought like bold lions
Soared like eagles and spoke like thunders
We conquered columns of invading armies
The bleeding armies turned back and blank

From here we turned from victims to victors
From here enemies’ defeat our greatest feat
Upon this memorable bridge it all happened
Victories leapt upon our pool like joyful frogs

687.  JOY UNLIMITED

The fledging sun offers its rays
And the rays offer golden trays
For our joy a platform to spray
Rowdy paratroops like thunder
To scoop roses from pure oasis

Our joy is ripe upon celebrations
Our celebrations with decorations
Decorations with documentations
Documentations for all generations
Generations in our joyful habitations

688. ANOTER RAINING DAY

The dark clouds are wandering river basins
Spiral bounded by breakable outer casings
The rivers and the seas display empty cups
For the swift blessings descending the tops

The rains come as defense troops’ missiles
And the drowning lands look like imbeciles
Now we are groaning in the watered claws
With the liberated scales marking our flaws

The retreating clouds crawl away in a belch
Dumping the missing cargoes on the beach
The winds bow in a state of shock in a cord
Praying and fasting for a visit from the Lord

689. GRANDMOTHER

Grandmother, please wake and get up
The sky is quarreling with her husband
Soon they will spill their freezing sweat
On our bodies for us to catch dead cold

Grandmother, please sneeze not louder
The sky and her husband are quarreling
Soon they will send old floods like gales
To sweep mankind away from the world

Grandmother, you are everything I have
My moon, my sun and my morning stars
Provoke not the couples with your cough
Lest they refill their greasily wraths again

Grandmother, the big reptiles have come
With their lethal grandchildren following
They are laced with secret burial shrouds
With sympathetic tears tearing their eyes

Grandmother, I kiss you a shaky goodbye
With broken pains roaring within my soul
Grandmother, where are your groundnuts
To conduct my solo heart as you sing away

690.  A NIGHT WALK THROUGH THE FOREST

Lured away on an alluring dream by fables
I trudged along the grassy paths with fears
Upon my steps spilling the prevailing dews
The shadows bowed their heads in silence
Like the soul issued with a death sentence

The night crawlers emerged above boards
Throwing light upon contrary communities
In their hearts and eyes were painful tears
Crawling down their exaggerated eye *****
Like a handbag filled with rotten cosmetics

The shadows were bold animators’ shelves
Stage managing the horror motion pictures
In the ghostly commodities I met wild hosts
Lifeworks evaporated from my fresh breath
Like foreign tragedies in common comedies

The sorrowful shadows cast away their veils
Like the candles letting go of the weird wax
Sadly I sat in the sack for conflicting fetuses
Another sun appeared like a serial divorcee
Counting the testicles of another naked day

691.  SUBJECTIVE SUBJECTS

The sad sun descended upon her haunting melodies
Reeling from mysterious layers for electoral riggings
To harden the flowerbed for flower girls born tender
Disenfranchised voters came weeping in barren polls
Dressing the blank nest for the fat electoral parodies
With the mourners the faulty bells they came ringing
Like the angry water castigating a ****** port fender
And the smokes climbed upon their wide aerial poles
Arching over the emptied shelves with liberal singing
They subjected their subjective subjects to all objects

To take my hands the way you do
and tie them tight behind,
I know by looking in your eyes
that to use me you’re intending.
What plan my sir do you have now
I never quite am knowing,
your mind is open to my look
yet a hidden secret’s pending.

Something new I cannot know
the wildest of surprises,
of causing sweetest suff’ring now
and intensifying wanting.
I sense my flow before you have
****** the last knot tightly,
and shudder with excitement in
your fingers deeply finding.

Trembling now and needing
to ****** myself against you,
you know how I do badly want
your deepest pleasure of me.
Your mouth comes down and
brushes mine with touch electrifying
I raise myself to taste you more
but in teasing you’re denying.

Instead you lift your fingers wet
and make me ******* juices,
I lick and **** myself in need
to know I’m ready for you.
We both devour just what I am
your **** who knows herself now
wanting to be disciplined
and used in ways you know how.

A blindfold now so softly closed
heightening of other senses
yet I trust you to take care
of all I am and here laid bare.
A gag is pressed close to my mouth
I open wide to take it
wanting so to please you now
and drive my own excitement.

Now your loving hands are gone
your body heat not beside me
instead I feel another here
fresh hands that soft caress me.
I tense and stiffen of myself
not knowing who this might be
yet in trust I have of you
this is but pleasure for me.

The hands so new in roaming me
exploring all I am now
no protest can I make to you
for I am what you make me.
To know soft fingers probing deep that
rouse me in such flowing
of wanting who this lover is
to force me into knowing.

I sense they are a woman’s hands,
no other could be doing,
of finding places in my soul that
make for such arousing.
I scent her softly warming skin
and hair that brushes ‘gainst me,
a woman is so very different
to that which a man ‘ere could be.

Soft teeth that find my *******
bite with lightest torture
closing hard to make me scream
were it not for gag that’s silencing.
I care not who this woman is
but that she uses me so
and forces me to melt in such a way
that allows me to be so free.

I sense that you are watching
that we two are pleasing you
the creature warm that you have brought
to bring me further pleasure.
But now I am so lost in her
and melt in liquid flowing
her tender hands that now
are finding my body’s treasure.

Her lips meet mine so openly
around the gag that silence keeps
and traces down my throat
brushing with soft caress.
My hands so bound that she
may do with me as pleases her
as down by body follows line
of kisses to her wild desire.

And then her mouth so burrows in
and begins to drink of me,
tongue finding that my body is
responding in wild full flow.
Nothing now can stop my rise
wanting fingernails to grip my thighs
to part them wide for her to reach
deeper inside than e’er I knew.

We lift together she and I
unseen I sense her raging urge,
as we ride the tide atop this surge.
Now just we two are held within
oblivious to but our driving needs
that builds and builds till we know
the ****** that consumes us both
in screams of mutual clasping joy.

*

From the Francesca Anderssen collection of 101 **** Verses 2016

his eyes are warm, a hazel brown
upon his head the devil’s crown
hell's fire reveals his true intention
it's why the lord refused his ascension
his lust it flickers, a candle in the storm
mine burns for him, undying, unnerving
he doesn't love me
he never will
but oh he's a man when he grips my thigh
he spreads me open and makes me sigh
asserting dominance he whispers sin
i cry for god but my voice runs thin
he's had his ***** way with me
I'm tainted, ruined, marked and done
he's finished with me, had his fun
yet
sometimes in my wildest dreams
I yearn for him and that wicked gleam.

Dear haters,

You stand tall as an ice berg in my vogue.
You are the wildest storm in desert,
The toxic that burns my heart,
The madness that drives me insane.
But your hatred keeps me going.
I dare to go beyond my boundaries,
You imbibe new zest of inspiration,
I learn to conquer my fear,
Sail alone in the vast sea,
Your jealousy keep me sane.
Your words don’t pierce…
Through my titanium heart…
Because I know haters only hate.
Hate me more to make me grow more.

With Love

Coffee with cream, ketchup on chips
Gravy poured over most everything
Coconut milk in the red hot curry
Hot dipping sauce laced on a chicken wing.
Mashed potato with butter and cheese
hot cheese dripping down the fork
Roasted crackling as crisp as can be
just sliding off the salt roast pork.
Onions braised in red wine sauce
Sausages with hot ******* and peas
A crusty bread roll to sandwich them
A refreshing Greek salad with feta cheese
Puddings galore in every possible way
Custard and every assorted ice creams
Strawberry jam plastered on the toast
My favourites and in my wildest dreams.

My wildest thoughts are like dreams, dreams without a speech
dreams without art
and dreams without an ending
‘Without peace
and without vengeance,
‘Without love and
Without death, and
In all of the above
I’ve listed my worst nightmares

‘The things we tend to forget,

Everyone will encounter the empty thought, and everyone will
choose to ignore it
and everyone will live the nightmares
while everyone is to scared of their dreams
But it’s our choice to confront them
Punish them into submission
Tightly grasp them so
we can never let go
So we can always squeeze onto our hope
and our hope
is not
                         Lost
Our hope is our dreams
Our hope is
Our wildest thoughts

We live our lives doing always as taught
Following a given from birth set of rules
And only few ever do wander from there
Never activate wildest sensations like mules

Comes a time a little extra wine a stop over
During a longest flight a night time to bight
A place that you've never been in life before
Alone you thought to sleep some over night

Another passenger doing same time to blame
Says want to **** an hour or two no fun alone
Strangers but pleasant company who knows
You attend making yourself  next door at home

The whole trip  being a weary one now half way
Each knowing not of the other not that caring
A little wine with nicest things to enjoy chewing
You think time for a little time out a little sharing

Who's to tell there to enjoy not in any way dwell
Relaxation needed time to pass no explanation
Taking advantage of what could be a chance divine
What the hell could just be your wildest sensation

Proving to be as a volcano lava running ever slow
All vibrating as an earthquake poetry in motion
Allowing a stop over to be all of that and more
A time to move in the timing of swells on ocean

One's wildest sensation presenting it's self slowly
And being all you imagined it to be and even more
Still to get a good nights sleep after all said and done
A personal best stop over like waves washing the shore


terrence michael sutton
copyright 2018

Who are you
To tell me
My thoughts
Aren't worth being heard
I deserve
And demand my rights
I might
Shout amendments
First,
Then commence
To irregular common sense

My stability
Is retained
By the imbalance
In my brain
You see,
I can't enable
These "Cain and Able"
Angels
That rest on your shoulders
Because
I ain't able

Fable's fly out
The mouth
Of an astounding author
His sound is profound
His prowess authorized
By his copywritten
Signature
Which is his style
Italized
And laid back
Now,
Crack open
Another pack of pens
And draw out
The wildest conclusions
In deep thought
Then listen...
The world dissapproves

The extent
Of my intentions
Were wilder than I could imagine
So I didn't know
I would take this far

The words written
Were forbidden
In the foulest belief system
I wouldn't have
Took it this far
If my outrageous mind
Wasn't dying
From boredom
Boarding off
The monsters
That try to alter ideas
From beneath the bed
They reach my head
And toy with my
Emotions
Tantilize and
Taint my tender mind
Then morph it
To be the tainter!
To picture death
You'll need help
From this
Morbid painter

Why do I
Write so wickedly
Then spread like pandemics
It's
Pandamonion momentarily
Shared with you
With whatsoever
You should do

With

Evil knowledge
Is truth
Look in your hands
I say
"Vice is right"
Can I persuade?
Like a gun used to
****** a murderer

Some executions
Are executed
At the exact moment
Of redemption

How tempting
Is it for
A wholsome man
to make
A half-hearted attempt
At prosperity
Sparingly
Laying in Evil's bed
But never sleeping

When he awakes
Will he use the tools
Because he learned the trade
Or teach others
It's hard to reach others
When all they believe
Is a happy ending
I conclude
But
The true ending
You can't imagine
Because it's too wild
For you

The Story Of Sara

Chapter 7

Ayad Gharbawi


Chapter 7: GETTING A JOB AS A PSYCHIATRIST



At around this time, I realized, that I was living with Sanji and I still wasn't working, and so, that dear soul was having to work overtime in order to take care of me.
  I swear Sanji never complained; not even a ****** hint – but, I to my embarrassment, I realized this fact!
  "Sanji I just want to tell you I'm so sorry for not working; I just want to,"
  "Don't worry, Sara; you've been under stress and so I can understand. You've needed time to emotionally recuperate from the traumas of the recent past."
  "Yes, but stress or no stress, it's high time to work again. Don't forget, Sanji, I've got a psychiatry degree?!"
  "And, work will do you good. It will be a good source of distraction. Get your minds off this whole subject of the party, guilt, Omar and God knows what else!"
  "You're absolutely right, Sanji. Tomorrow, I'll be looking for any vacancies.
  I felt happy; I felt that finally I was going to be useful again.
  After all those years working for the party and feeling that I was being 'useful' and then discovering to my horror that I had been of absolutely no 'use', now I can say that I shall be useful to society.
  I will be respectable again.
  I will have a sense of direction in my life.
  A clear sense of where I'm going with my life, rather than just drifting like a jellyfish in the ocean.


  Sure enough, the next day I set off for the job centre, and applied for any vacancies for a psychiatry post.
  Within days, I received an offer for an interview at my local hospital.
  I was to be interviewed by Dr. Tajim, who was the Head of the Psychiatric Department at my local hospital.
  I went to the department, and there I met Dr. Tajim who was to interview me.
  Obviously, I was tense.
  "Good morning; how are you Ms. Sara?" said the elderly doctor.
  He looked frightening.
  "Very well, thank you," I replied.
  He was about sixty five; a bit overweight, and as I looked at him more closely, I pleasantly discovered that he had a really pleasant face and gently inquisitive eyes.
  I relaxed.
  I totally misjudged the character of this kind man!
  He wasn't at all overbearing, or stiff or cold; in fact, he was a very welcoming old gentleman, and he made you feel utterly comfortable with him, so all your nervousness simply dissipated!
  I had heard that one of his own sons was suffering from depression and that he was in a hospital.
I also had heard, that that fact really affected him a lot, and, at times, it seemed to emotionally exhaust him; and, yet he would persevere and he was known to be really loving, compassionate and deadly serious in his efforts to help not only his son, but all his patients to get over their depression.
  "Now, you do know what the job offer is about?" asked the soft spoken doctor.
  "Yes Sir; I am to be a psychologist for patients who are in Category 'C'."
  "I see, and you do know who are patients in Category 'C'?"
  "Yes, Sir. They are patients with mild to severe depression."
  "Good, that's correct. Do you have experience in working with depressed patients?"
  I thought for a quick moment.
  I couldn't lie.
  "No, Dr. Tajim; I have no experience, but I wish you would give me the chance to prove myself."
  "But that is rather strange. You are twenty eight years old, and you graduated age twenty one – so, the obvious question, is what were you doing in those intervening years?"
What am I supposed to do here? I needed Sanji to be with me. How can I tell Dr. Tajim that I was 'working' with so-called 'political parties''? I couldn't. He would never employ me if I told him which 'party' I had been working for. If I had worked for a decent, respectable party, then presumably, he would have had no problems with me, but working Tony and Omar?!


  I had to lie.
  Lie to survive!
"Dr. Tajim, during those intervening years, I worked on a voluntary basis for charities broad, helping the sick."
  "I see, that's interesting; where did you work, and what exactly did you do for the sick?"
  Great!
  Now I had to dig the hole of lies even deeper!
  What else can I do?
  Tell him that I was joking and that I never really worked abroad? Of course not, that would make me a fool.
  I really didn't want to lie.
  But what choice did God give me?
  "Yes, Sir. I worked in Uganda, in a village called Sanji", my God, of all names that came to my mind, I couldn't think of anything else except Sanji's name! "Yes, and there in that humble village, I acted as a nurse for the sick, in a really small infirmary."
  "Sanji?" Dr. Tajim asked, narrowing his eyes with incredulity.
  "Yes, Sir; as far as I remember, the village was called Sanji, but you know the odd thing about rural Uganda, is just how one village can have so many different names, since each tribe would have their own names, that differed from other tribes. So, you must excuse me, it was a little bit confusing."
  Rural Uganda!
  What on earth was I talking about!


  And did Dr. Tajim actually believe me?
  I was insecure, because I had no idea if Dr. Taji actually believed the lies I was saying.
  "I see; I ask because Sanji is not quite an African name."
  "Yes, Dr. Tajim; indeed, I may be completely wrong, but, as I say, there were so many languages in Uganda, that it was really difficult to communicate with anyone."
  God knows what I was saying!
  I was just saying whatever came out of my mind!
  "I see. Yes, there are different languages in Uganda, and indeed in the whole of sub-Saharan Africa. But, I never knew that names of towns and villages would change, and certainly, no African tribe would give an African village 'Sanji' as a name. But anyway, maybe, as you say, the name may not have been 'Sanji'. Anyway, where did you get your training as a nurse?"
  Relief!
  Oh yes, but now I had to create another lie, in order to explain where I got my 'training' from.
I was getting deeper into this lying game.
  But I couldn't now worry about the morality of that.
  I had to come up, with an immediate answer to his pertinent question.
  "You see, Dr. Tajim, I went as a volunteer to rural Uganda, to help build homes and help women in their daily lives, and the next thing I know, is when the local doctor asked me for help. When I informed him that I wasn't a nurse, he said he would teach me. I soon learned the basic first aid medicine that was required. I guess, that I could be useful in the hospital in that sense too."
  "I see, Ms. Sara."
  Finally, Dr. Tajim paused, giving me time to think of what else he may ask me about my 'time' in 'rural Uganda'.
  "I see," he repeated, looking confused.
  Strange I thought, but this doctor would start every sentence with 'I see'.
  "So, for all those intervening years, you remained in this one village?"
  "Um, why yes, Dr. Tajim. I did spend all my time in Saji. Is that so strange?"
  My God, I called the non-existing village 'Saji', rather than 'Sanji'.
  Would he notice?
  "I see, but, I mean, as a volunteer, didn't your superiors relocate you to another village, or to another country, in all those seven or so years?"  
  I couldn't understand why Dr. Tajim was surprised at the time, which goes to show what a poor liar I was.
  Of course, later I would learn, that volunteers to Third World countries would get stationed in not more than a year or two in any country – let alone one tiny village!
  But, for that moment, I could only go on with my lies.


  "Yes, Dr. Tajim. I was posted for that village all those years."
  I simply stuck to my lie.
  Defend your lies, or else you drown.
  "I see, how strange. And now you are permanently back here?"
  "Yes, Sir."
  "I see," said Dr. Taji, looking uncomfortable.
  Silence, as he turned his attention to the papers on his desk.
   I felt that he was simply going to call me a complete 'liar' and to get out of his office.
  "Well, I shall get in touch with you. Give me a few days to get to a decision."
  "Thank you Dr. Tajim. I hope you will just give me a chance to prove to you, Sir, that I shall be really good at my job."
  What a surprise!
  With that, I got up and headed for the door.
  "Ms. Sara!" Dr. Tajim asked.
  "Yes, Sir?"
  I hope I didn't look nervous or startled.
  "Yes, before I forget, do send me by email the relevant documents from your charity organisation that gives me the official notification of your time you worked for them. Like a Letter of Recommendation from them."
  Yes, now I was startled.
  I know the colour of my face must have turned red.
   Where on earth would I be able to get any document from any charity organisation?!
  I felt that I was now caught!
  Was I going to be caught for lying?
  "No problem, Dr. Tajim," that's what came out of my mouth. And I found myself leaving Dr. Tajim's office.


  As soon as I was a safe distance from the hospital, I began to think once more: how can I forge documents that are supposed to be from a charity organisation? And, even if I did forge them with some expert computer person, wouldn't Dr. Tajim simply call the telephone number of the charity organisation and enquire about me, and then he would obviously be told that I had never worked for them, let alone having me fly off to Uganda?!
  Back at home, I sat down, and realized there was no exit.
  I lied and so now I must take the risk that Dr. Tajim simply would not call the charity organisation.
  I would choose one of the biggest organizations who would have hundreds of thousands of volunteers, and even if he did check, I could say that their computers get it wrong! They didn't register my name because they have so many volunteers!
  But, no, that's stupid of me.
  If I supposedly worked for seven years for one organization, then they would obviously have my name in their computer files.
  I was being stupid.
  Too rash.
  No, that's it.  
  I lied and so I must take the consequences.
  I would risk it.

  Well, I did forge a charity organization letterhead, and I wrote that I did 'serve' for seven years in rural Uganda.
  Next, I scanned the document, and had it sent by email to Dr. Tajim.
  To my complete surprise, within a few days, I got an official letter from Dr. Tajim's secretary, saying that I was accepted by the psychiatric unit in the hospital!
  I was so thrilled, that to be honest, I couldn't in the least be bothered about my lies!
  I was now going to be a useful member of society!
  At last!
  I was going to be a worthy, decent, respectable person!

**************

  As I got to work in the Psychiatric Department in the hospital, they began almost secretarial tasks to do. I would get 'introduced' to the depressed patients and, gradually, I was allowed more and more time to talk to the patients.
  I was really happy and pleased with myself, because I felt that I was, at last a 'respectable' person.
  For the first time since I had left, or rather since I was expelled from the party, I felt proud of myself; and perhaps, most importantly to me, was the feeling that I knew where my life was going.
  I would walk anywhere and, when asked, what I did for a living, I proudly reply that I was a doctor in the Psychiatric Department in our local hospital.

  It was at this time that I was watching television in Sanji's apartment, when the latter walked in and said:
  "You are not going to believe who is with me!"
  "Judging from the excitement on your face, it must be someone very important." I replied casually.
  "Yes, yes; so guess who?" asked Sanji.
  "Oh God, Sanji how am I to know? The Prime Minister perhaps?" I answered sarcastically.
  The next thing I know was that none other than Tony walked in!
  My goodness me! I was absolutely shocked and awed by his presence!
  What was Tony doing here?!
  This was the first time I had seen him since I left his party and joined Omar's party.
  And, I guess, he must have just left prison, because, it had been about one year, since I heard that he was prosecuted by our courts.
  He had changed a little bit.
  He was much fatter – which, I thought was a bit odd, since he had been in prison, and I thought that everyone in prison gets to lose weight!
  He looked older than his years. He had dark rings below his eyes, and for the first time in my life, I was really surprised, to find out, that he looked utterly dull, weary and tired.
  He seemed to have lost all that will power, charisma and charm.
  They were no longer part of his personality.
  "What are you doing here?" I managed to ask Tony.
  "And why not? Why shouldn't I be here?" he answered smartly.
  I got confused all over again.


After all, what had happened to him since our entire movement collapsed?
  I never thought about what happened to Tony, or Omar for that matter.
  Selfishly, I just thought about myself.
  That was typical of me.
  "You look dazed, Sara," said Tony laughing. "Is my appearance that shocking to you?!"  He joked.
  "No, not at all." I regained my composure, or at least, I tried to regain my composure. "It's just that, I never did understand, or know, what really happened to our movement? And what happened to you Tony?"
"Sara is confused about the entire movement." Sanji said to Tony.
  "Well, what happened is actually quite simple," said Tony, "the new government decided to take legal action against us for the first time. Previously, every government never even took us seriously enough to warrant a concerted attack to eliminate us. To them, we were just clowns."
  I was shocked.
  "Clowns? What do you mean Tony? What do you mean previous governments did not take us seriously? Of course they took us seriously; Tony, we were in a state of war, remember? What's happened to your memory? We were fighting battle after,"
  "Let me interrupt you, Sara; but you are so utterly naïve and blind that I just do not know how to face you with the facts."
  What do you mean? What are you talking about?" I asked frantically.
  Suddenly all those memories from the party days returned to me; for the moment I completely forgot that I was a doctor at the Psychiatric Unit; Tony had re-opened all my memories, anxieties and unanswered questions concerning those years.
  "Relax Sara, don't let your emotions take over your rational mind," Sanji said. "That's always been your problem. You simply allow your wildest emotions to highjack the rational part of your mind. I mean, you're supposed to be a psychiatrist and yet, you are so utterly impulsive in your thinking and in the actions you take."
  I knew Sanji was completely right. He was so rational and calm.
  "What 'battles' are you talking about Sara?" asked a perplexed Tony.
  Sanji laughed. "That's a good question Tony, go on, and ask her that one!"


  Tony joined Sanji laughing.
&n

Heretical Poems by Michael R. Burch

Bible Libel
by Michael R. Burch

If God
is good,
half the Bible
is libel.

NOTE: I came up with this epigram to express my conclusions after reading the Bible from cover to cover, ten chapters per day, at age eleven.



Saving Graces
for the Religious Right
by Michael R. Burch

Life’s saving graces are love, pleasure, laughter
(wisdom, it seems, is for the Hereafter).



Multiplication, Tabled
for the Religious Right
by Michael R. Burch

“Be fruitful and multiply”—
great advice, for a fruitfly!
But for women and men,
simple Simons, say, “WHEN!”



***** Nilly
for the Demiurge, aka Yahweh/Jehovah
by Michael R. Burch

Isn’t it silly, ***** Nilly?
You made the stallion,
you made the filly,
and now they sleep
in the dark earth, stilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
You forced them to run
all their days uphilly.
They ran till they dropped—
life’s a pickle, dilly.
Isn’t it silly, ***** Nilly?

Isn’t it silly, ***** Nilly?
They say I should worship you!
Oh, really!
They say I should pray
so you’ll not act illy.
Isn’t it silly, ***** Nilly?



What Would Santa Claus Say
by Michael R. Burch

What would Santa Claus say,
I wonder,
about Jesus returning
to **** and Plunder?

For he’ll likely return
on Christmas Day
to blow the bad
little boys away!

When He flashes like lightning
across the skies
and many a homosexual
dies,

when the harlots and heretics
are ripped asunder,
what will the Easter Bunny think,
I wonder?



A Child’s Christmas Prayer of Despair for a Hindu Saint
by Michael R. Burch

Santa Claus,
for Christmas, please,
don’t bring me toys, or games, or candy . . .
just . . . Santa, please . . .
I’m on my knees! . . .
please don’t let Jesus torture Gandhi!



gimME that ol’ time religion!
by michael r. burch

fiddle-dee-dum, fiddle-dee-dee,
jesus loves and understands ME!
safe in his grace, I’LL **** them to hell—
the strumpet, the harlot, the wild jezebel,
the alky, the druggie, all queers short and tall!
let them drink ashes and wormwood and gall,
’cause fiddle-dee-DUMB, fiddle-dee-WEEEEEEEEEEEEEEEEee . . .
jesus loves and understands
ME!



Red State Religion Rejection Slip
by Michael R. Burch

I’d like to believe in your LORD
but I really can’t risk it
when his world is as badly composed
as a half-baked biscuit.



Evil Cabal
by Michael R. Burch

those who do Evil
do not know why
what they do is wrong
as they spit in ur eye.

nor did Jehovah,
the original Devil,
when he murdered eve,
our lovely rebel.



The Heimlich Limerick
by Michael R. Burch

for T. M.

The sanest of poets once wrote:
"Friend, why be a sheep or a goat?
Why follow the leader
or be a blind *******?"
But almost no one took note.



Be very careful what you pray for!
by Michael R. Burch

Now that his T’s been depleted
the Saint is upset, feeling cheated.
His once-fiery lust?
Just a chemical bust:
no “devil” cast out or defeated.


Practice Makes Perfect
by Michael R. Burch

I have a talent for sleep;
it’s one of my favorite things.
Thus when I sleep, I sleep deep ...
at least till the stupid clock rings.

I frown as I squelch its **** beep,
then fling it aside to resume
my practice for when I’ll sleep deep
in a silent and undisturbed tomb.



Enough!
by Michael R. Burch

It’s not that I don’t want to die;
I shall be glad to go.
Enough of diabetes pie,
and eating sickly crow!
Enough of win and place and show.
Enough of endless woe!

Enough of suffering and vice!
I’ve said it once;
I’ll say it twice:
I shall be glad to go.

But why the hell should I be nice
when no one asked for my advice?
So grumpily I’ll go ...
although
(most probably) below.



Redefinitions
by Michael R. Burch

Faith: falling into the same old claptrap.
Religion: the ties that blind.



pretty pickle
by michael r. burch

u’d blaspheme if u could
because ur God’s no good,
but of course u cant:
ur a lowly ant
(or so u were told by a Hierophant).



Defenses
by Michael R. Burch

Beyond the silhouettes of trees
stark, naked and defenseless
there stand long rows of sentinels:
these pert white picket fences.

Now whom they guard and how they guard,
the good Lord only knows;
but savages would have to laugh
observing the tidy rows.



Listen
by Michael R. Burch

Listen to me now and heed my voice;
I am a madman, alone, screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black, and white is white, and in between lies gray,
I have no choice.

Does a madman choose his words? They come to him,
the moon’s illuminations, intimations of the wind,
and he must speak.

But listen to me now, and if you hear
the tolling of the judgment bell, and if its tone is clear,
then do not tarry,

but listen, or cut off your ears, for I Am weary.



fog
by michael r. burch

ur just a bit of fluff
drifting out over the ocean,
unleashing an atom of rain,
causing a minor commotion,
for which u expect awesome GODS
to pay u SUPREME DEVOTION!
... but ur just a smidgen of mist
unlikely to be missed ...
where did u get the notion?



thanksgiving prayer of the parasites
by michael r. burch

GODD is great;
GODD is good;
let us thank HIM
for our food.

by HIS hand
we all are fed;
give us now
our daily dead:

ah-men!

(p.s.,
most gracious
& salacious
HEAVENLY LORD,
we thank YOU in advance for
meals galore
of loverly gore:
of precious
delicious
sumptuous
scrumptious
human flesh!)



no foothold
by michael r. burch

there is no hope;
therefore i became invulnerable to love.
now even god cannot move me:
nothing to push or shove,
no foothold.

so let me live out my remaining days in clarity,
mine being the only nativity,
my death the final crucifixion
and apocalypse,

as far as the i can see ...



u-turn: another way to look at religion
by michael r. burch

... u were borne orphaned from Ecstasy
into this lower realm: just one of the inching worms
dreaming of Beatification;
u'd love to make a u-turn back to Divinity, but
having misplaced ur chrysalis,
can only chant magical phrases,
like Circe luring ulysses back into the pigsty ...



You
by Michael R. Burch

For thirty years You have not spoken to me;
I heard the dull hollow echo of silence
as though a communion between us.

For thirty years You would not open to me;
You remained closed, hard and tense,
like a clenched fist.

For thirty years You have not broken me
with Your alien ways and Your distance.
Like a child dismissed,

I have watched You prey upon the hope in me,
knowing “mercy” is chance
and “heaven”—a list.



I’ve got Jesus’s face on a wallet insert
by Michael R. Burch

for the Religious Right

I’ve got Jesus’s face on a wallet insert
and "Hell is for Queers" on the back of my shirt.
     And I uphold the Law,
     for Grace has a Flaw:
the Church must have someone to drag through the dirt.

I’ve got ten thousand reasons why Hell must exist,
and you’re at the top of my fast-swelling list!
     You’re nothing like me,
     so God must agree
and slam down the Hammer with His Loving Fist!

For what are the chances that God has a plan
to save everyone: even Boy George and Wham!?
     Eternal fell torture
     in Hell’s pressure scorcher
will separate **** from Man.

I’m glad I’m redeemed, ecstatic you’re not.
Did Christ die for sinners? Perish the thought!
     The "good news" is this:
     soon My vengeance is his!,
for you’re not the lost sheep We sought.



Pagans Protest the Intolerance of Christianity
by Michael R. Burch

“We have a common sky.” — Quintus Aurelius Symmachus (c. 345-402)

We had a common sky
before the Christians came.

We thought there might be gods
but did not know their names.

The common stars above us?
They winked, and would not tell.

Yet now our fellow mortals claim
our questions merit hell!

The cause of our damnation?
They claim they’ve seen the LIGHT ...

but still the stars wink down at us,
as wiser beings might.



jesus hates me, this i know
by michael r. burch

jesus hates me, this I know,
for Church libel tells me so:
"little ones to him belong"
but if they use their dongs, so long!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!

jesus fleeces us, i know,
for Religion scams us so:
little ones are brainwashed to
believe god saves the Chosen Few!
    yes, jesus fleeces!
    yes, he deceases
    the bunny and the rhesus
    because he's mad at you!

jesus hates me—christ who died
so i might be crucified:
for if i use my active brain,
that will drive the "lord" insane!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!

jesus hates me, this I know,
for Church libel tells me so:
first priests tell me "look above,"
that christ's the lamb and god's the dove,
but then they sentence me to Hell
for using my big brain too well!
    yes, jesus hates me!
    yes, jesus baits me!
    yes, he berates me!
    Church libel tells me so!



and then i was made whole
by michael r. burch

... and then i was made whole,
but not a thing entire,
glued to a perch
in a gilded church,
strung through with a silver wire ...

singing a little of this and of that,
warbling higher and higher:
a thing wholly dead
till I lifted my head
and spat at the Lord and his choir.



Starting from Scratch with Ol’ Scratch
by Michael R. Burch

for the Religious Right

Love, with a small, fatalistic sigh
went to the ovens. Please don’t bother to cry.
You could have saved her, but you were all *******
complaining about the Jews to Reichmeister Grupp.

Scratch that. You were born after World War II.
You had something more important to do:
while the children of the Nakba were perishing in Gaza
with the complicity of your government, you had a noble cause (a
religious tract against homosexual marriage
and various things gods and evangelists disparage.)

Jesus will grok you? Ah, yes, I’m quite sure
that your intentions were good and ineluctably pure.
After all, what the hell does he care about Palestinians?
Certainly, Christians were right about serfs, slaves and Indians.
Scratch that. You’re one of the Devil’s minions.



In His Kingdom of Corpses
by Michael R. Burch

In His kingdom of corpses,
God has been heard to speak
in many enraged discourses,
high, high from some mountain peak
where He’s lectured man on compassion
while the sparrows around Him fell,
and babes, for His meager ration
of rain, died and went to hell,
unbaptized, for that’s His fashion.

In His kingdom of corpses,
God has been heard to vent
in many obscure discourses
on the need for man to repent,
to admit that he’s a sinner;
give up ***, and riches, and fame;
be disciplined at his dinner
though always he dies the same,
whether fatter or thinner.

In his kingdom of corpses,
God has been heard to speak
in many absurd discourses
of man’s Ego, precipitous Peak!,
while demanding praise and worship,
and the bending of every knee.
And though He sounds like the Devil,
all religious men now agree
He loves them indubitably.



Beast 666
by Michael R. Burch

“what rough beast...slouches toward Bethlehem to be born?”―W. B. Yeats

Brutality is a cross
wooden, blood-stained,
gas hissing, sibilant,
lungs gilled, deveined,
red flecks on a streaked glass pane,
jeers jubilant,
mocking.

Brutality is shocking―
tiny orifices torn
by cruel adult lust,
the fetus unborn
tossed in a dust-
bin. The scarred skull shorn,
nails bloodied, tortured,
an old wound sutured
over, never healed.

Brutality, all its faces revealed,
is legion:
Death March, Trail of Tears, Inquisition . . .
always the same.
The Beast of the godless and of man’s “religion”
slouching toward Jerusalem:
horned, crowned, gibbering, drooling, insane.



I AM
by Michael R. Burch

I am not one of ten billion―I―
sunblackened Icarus, chary fly,
staring at God with a quizzical eye.
I am not one of ten billion, I.

I am not one life has left unsquashed―
scarred as Ulysses, goddess-debauched,
pale glowworm agleam with a tale of panache.
I am not one life has left unsquashed.

I am not one without spots of disease,
laugh lines and tan lines and thick-callused knees
from begging and praying and girls sighing "Please! "
I am not one without spots of disease.

I am not one of ten billion―I―
scion of Daedalus, blackwinged fly
staring at God with a sedulous eye.
I am not one of ten billion, I
AM!



Snap Shots
by Michael R. Burch

Our daughters must be celibate,
die virgins. We triangulate
their early paths to heaven (for
the martyrs they'll soon conjugate).

We like to hook a little tail.
We hope there's decent ** in jail.
Don't fool with us; our bombs are smart!
(We'll send the plans, ASAP, e-mail.)

The soul is all that matters; why
hoard gold if it offends the eye?
A pension plan? Don't make us laugh!
We have your plan for sainthood. (Die.)



Unwhole
by Michael R. Burch

What is it that we strive to remember, to regain,
as memory deserts us,
leaving us destitute of even ourselves,
of all but pain?

How can something so essential be forgotten,
if we are more than our bodies?
How can a soul
become so unwhole?



Nonbeliever
by Michael R. Burch writing as Kim Cherub

She smiled a thin-lipped smile
(What do men know of love?)
then rolled her eyes toward heaven
(Or that Chauvinist above?).



evol-u-shun
by Michael R. Burch

does GOD love the Tyger
while it's ripping ur lamb apart?

does GOD applaud the Bubonic Plague
while it's eating u à la carte?

does GOD admire ur intelligence
while u pray that IT has a heart?

does GOD endorse the Bible
you blue-lighted at k-mart?



Breakings
by Michael R. Burch

I did it out of pity.
I did it out of love.
I did it not to break the heart of a tender, wounded dove.
But gods without compassion
ordained: Frail things must break!
Now what can I do for her shattered psyche's sake?

I did it not to push.
I did it not to shove.
I did it to assist the flight of indiscriminate Love.

But gods, all mad as hatters,
who legislate in all such matters,
ordained that everything irreplaceable shatters.



Alien
by Michael R. Burch

for  a "Christian" poet

On a lonely outpost on Mars
the astronaut practices "speech"
as alien to primates below
as mute stars winking high, out of reach.

And his words fall as bright and as chill
as ice crystals on Kilimanjaro―
far colder than Jesus's words
over the "fortunate" sparrow.

And I understand how gentle Emily
felt, when all comfort had flown,
gazing into those inhuman eyes,
feeling zero at the bone.

Oh, how can I grok his arctic thought?
For if he is human, I am not.



Crescendo Against Heaven
by Michael R. Burch

As curiously formal as the rose,
the imperious Word grows
until its sheds red-gilded leaves:
then heaven grieves
love's tiny pool of crimson recrimination
against God, its contention
of the price of salvation.

These industrious trees,
endlessly losing and re-losing their leaves,
finally unleashing themselves from earth, lashing
themselves to bits, washing
themselves free
of all but the final ignominy
of death, become
at last: fast planks of our coffins, dumb.

Together now, rude coffins, crosses,
death-cursed but bright vermilion roses,
bodies, stumps, tears, words: conspire
together with a nearby spire
to raise their Accusation Dire...
to scream, complain, to point out these
and other Dark Anomalies.

God always silent, ever afar,
distant as Bethlehem's retrograde star,
we point out now, in resignation:
You asked too much of man's beleaguered nation,
gave too much strength to his Enemy,
as though to prove Your Self greater than He,
at our expense, and so men die
(whose accusations vex the sky)
yet hope, somehow, that You are good...
just, O greatest of Poets!, misunderstood.



Advice for Evangelicals
by Michael R. Burch

"... so let your light shine before men..."

Consider the example of the woodland anemone:
she preaches no sermons but―immaculate―shines,
and rivals the angels in bright innocence and purity,
the sweetest of divines.

And no one has heard her engage in hypocrisy
since the beginning of time―an oracle so mute,
so profound in her silence and exemplary poise
she makes lessons moot.

So consider the example of the saintly anemone
and if you'd convince us Christ really exists,
then let him be just as sweet, just as guileless
and equally as gracious to bless.



Heaven Bent
by Michael R. Burch

This life is hell; it can get no worse.
Summon the coroner, the casket, the hearse!
I'm upwardly mobile; this one thing I know:
I can only go up; I'm already below!



Shock and Awe
by Michael R. Burch

With megatons of "wonder, "
we make our godhead clear:
Death. Destruction. Fear.

The world's heart ripped asunder,
its dying pulse we hear:
Death. Destruction. Fear.

Strange Trinity! We ponder
this God we hold so dear:
Death. Destruction. Fear.

The vulture and the condor
proclaim: The feast is near!―
Death. Destruction. Fear.

Soon He will plow us under;
the Anti-Christ is here:
Death. Destruction. Fear.

We love to hear Him thunder!
With Shock and Awe, appear!―
Death. Destruction. Fear.

For God can never blunder;
we know He holds US dear:
Death. Destruction. Fear.



Lay Down Your Arms
by Michael R. Burch

Lay down your arms; come, sleep in the sand.
The battle is over and night is at hand.
Our voyage has ended; there's nowhere to go...
the earth is a cinder still faintly aglow.

Lay down your pamphlets; let's bicker no more.
Instead, let us sleep here on this ravaged shore.
The sea is still boiling; the air is wan, thin...
lay down your pamphlets; now no one will "win."

Lay down your hymnals; abandon all song.
If God was to save us, He waited too long.
A new world emerges, but this world is through...
so lay down your hymnals, or write something new.



What Immense Silence
by Michael R. Burch

What immense silence
comforts those who kneel here
beneath these vaulted ceilings
cavernous and vast?

What luminescence stained
by patchwork panels of bright glass
illuminates drained faces
as the crouching gargoyles leer?

What brings them here―
pale, tearful congregations,
knowing all Hope is past,
faithfully, year upon year?

Or could they be right? Perhaps
Love is, implausibly, near
and I alone have not seen It...
But, if so, still, I must ask:

why is it God that they fear?



Intimations
by Michael R. Burch

Let mercy surround us
with a sweet persistence.

Let love propound to us
that life is infinitely more than existence.



Altared Spots
by Michael R. Burch

The mother leopard buries her cub,
then cries three nights for his bones to rise
clad in new flesh, to celebrate the sunrise.

Good mother leopard, pensive thought
and fiercest love's wild insurrection
yield no certainty of a resurrection.

Man's tried them both, has added tears,
chants, dances, drugs, séances, tombs'
white alabaster prayer-rooms, wombs

where dead men's frozen genes convene...
there is no answer―death is death.
So bury your son, and save your breath.

Or emulate earth's "highest species"―
write a few strange poems and odd treatises.



Flight
by Michael R. Burch

Poetry captures
less than reality
the spirit of things

being the language
not of the lordly falcon
but of the dove with broken wings

whose heavenward flight
though brutally interrupted
is ever towards the light.



Winter Night
by Michael R. Burch

Who will be ******,
who embalmed
for all eternity?

The night weighs heavy on me―
leaden, sullen, cold.
O, but my thoughts are light,

like the weightless windblown snow.



Tonight, Let's Remember
by Michael R. Burch

July 7,2007 (7-7-7)

Tonight, let's remember the fond ways
our fingers engendered new methods to praise
the gray at my temples, your thinning hair.
Tonight, let's remember, and let us draw near...

Tonight, let's remember, as mortals do,
how cutely we chortled when work was through,
society sated, all gods put to rest,
and you in my arms, and I at your breast...

Tonight, let's remember how daring, how free
the Madeira made us, recumbently.
Our inhibitions?―we laid them to rest.
Earth, heaven or hell―we knew we were blessed.

Tonight, let's remember the dwindling days
we've spent here together―the sun's rays
spending their power beyond somber hills.
Soon we'll rest together; there'll be no more bills.

Tonight, let's remember: we've paid all our dues,
we've suffered our sorrows, we've learned how to lose.
What's left now to take, only God can tell.
Be with me in heaven, or "bliss" will be hell!

I do not want God; I want to see you
free from all sorrow, your labor through,
a song on your tongue, a smile on your lips,
sweet, sultry and vagrant, a child at your hips,

laughing and beaming and ready to frolic
in a world free from cancer and gout and colic.
For you were courageous, and kind, and true.
There must be a heaven for someone like you.



I, Lazarus
by Michael R. Burch

I, Lazarus, without a heart,
devoid of blood and spiritless,
lay in the darkness, meritless:
my corpse―a thing cold, dead, apart.

But then I thought I heard―a Voice,
a Voice that called me from afar.
And so I stood and laughed, bizarre:
a thing embalmed, made to rejoice!

I ran ungainly-legged to see
who spoke my name, and then I knew
him by the light. His name is True,
and now he is the life in me!

I never died again! Believe!
(Oops! Seems it was a brief reprieve.)



To Know You as Mary
by Michael R. Burch

To know You as Mary,
when You spoke her name
and her world was never the same...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard You exclaim―
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



Peers
by Michael R. Burch

These thoughts are alien, as through green slime
smeared on some lab tech's brilliant slide, I *****,
positioning my bright oscilloscope
for better vantage, though I cannot see,
but only peer, as small things disappear―
these quanta strange as men, as passing queer.

And you, Great Scientist, are you the One,
or just an intern, necktie half undone,
white sleeves rolled up, thick documents in hand
(dense manuals you don't quite understand) ,
exposing me, perhaps, to too much Light?
Or do I escape your notice, quick and bright?

Perhaps we wield the same dull Instrument
(and yet the Thesis will be Eloquent!).



Gethsemane in Every Breath
by Michael R. Burch

LORD, we have lost our way, and now
we have mislaid love―earth's fairest rose.
We forgot hope's song―the way it goes.
Help us reclaim their gifts, somehow.

LORD, we have wondered long and far
in search of Bethlehem's retrograde star.
Now in night's dead cold grasp, we gasp:
our lives one long-drawn rattling rasp

of misspent breath... before we drown.
LORD, help us through this spiral down
because we faint, and do not see
above or beyond despair's trajectory.

Remember that You, too, once held
imperiled life within your hands
as hope withdrew... that where You knelt
―a stranger in a stranger land―

the chalice glinted cold afar
and red with blood as hellfire.
Did heaven ever seem so far?
Remember―we are as You were,

but all our lives, from birth to death―
Gethsemane in every breath.



A Possible Argument for Mercy
by Michael R. Burch

Did heaven ever seem so far?
Remember-we are as You were,
but all our lives, from birth to death―
Gethsemane in every breath.



Birthday Poem to Myself
by Michael R. Burch

LORD, be no longer this Distant Presence,
Star-Afar, Righteous-Anonymous,
but come! Come live among us;
come dwell again,
happy child among men―
men rejoicing to have known you
in the familiar manger's cool
sweet light scent of unburdened hay.
Teach us again to be light that way,
with a chorus of angelic songs lessoned above.
Be to us again that sweet birth of Love
in the only way men can truly understand.
Do not frown darkening down upon an unrighteous land
planning fierce Retributions we require, and deserve,
but remember the child you were; believe
in the child I was, alike to you in innocence
a little while, all sweetness, and helpless without pretense.
Let us be little children again, magical in your sight.
Grant me this boon! Is it not my birthright―
just to know you, as you truly were, and are?
Come, be my friend. Help me understand and regain Hope's long-departed star!



Learning to Fly
by Michael R. Burch

We are learning to fly
every day...

learning to fly―
away, away...

O, love is not in the ephemeral flight,
but love, Love! is our destination―

graced land of eternal sunrise, radiant beyond night!
Let us bear one another up in our vast migration.



The Gardener's Roses
by Michael R. Burch

Mary Magdalene, supposing him to be the gardener, saith unto him, "Sir, if thou have borne him hence, tell me where thou hast laid him, and I will take him away."

I too have come to the cave;
within: strange, half-glimpsed forms
and ghostly paradigms of things.
Here, nothing warms

this lightening moment of the dawn,
pale tendrils spreading east.
And I, of all who followed Him,
by far the least...

The women take no note of me;
I do not recognize
the men in white, the gardener,
these unfamiliar skies...

Faint scent of roses, then―a touch!
I turn, and I see: You.
"My Lord, why do You tarry here:
Another waits, Whose love is true? "

"Although My Father waits, and bliss;
though angels call―ecstatic crew!―
I gathered roses for a Friend.
I waited here, for You."



Kingdom Freedom
by Michael R. Burch

LORD, grant me a rare sweet spirit of forgiveness.
Let me have none of the lividness
of religious outrage.

LORD, let me not be over-worried
about the lack of "morality" around me.
Surround me,

not with law's restrictive cage,
but with Your spirit, freer than the wind,
so that to breathe is to have freest life,

and not to fly to You, my only sin.



Cædmon's Face
by Michael R. Burch

At the monastery of Whitby,
on a day when the sun sank through the sea,
and the gulls shrieked wildly, jubilant, free,

while the wind and Time blew all around,
I paced that dusk-enamored ground
and thought I heard the steps resound

of Carroll, Stoker and good Bede
who walked here too, their spirits freed
―perhaps by God, perhaps by need―

to write, and with each line, remember
the glorious light of Cædmon's ember:
scorched tongues of flame words still engender.



He wrote here in an English tongue,
a language so unlike our own,
unlike―as father unto son.

But when at last a child is grown.
his heritage is made well-known:
his father's face becomes his own.



He wrote here of the Middle-Earth,
the Maker's might, man's lowly birth,
of every thing that God gave worth

suspended under heaven's roof.
He forged with simple words His truth
and nine lines left remain the proof:

his face was Poetry's, from youth.



Prayer for a Merciful, Compassionate, etc., God to ****** His Creations Quickly & Painlessly, Rather than Slowly & Painfully
by Michael R. Burch

Lord, **** me fast and please do it quickly!
Please don’t leave me gassed, archaic and sickly!
Why render me mean, rude, wrinkly and prickly?
Lord, why procrastinate?

Lord, we all know you’re an expert killer!
Please, don’t leave me aging like Phyllis Diller!
Why torture me like some poor sap in a thriller?
God, grant me a gentler fate!

Lord, we all know you’re an expert at ******
like Abram—the wild-eyed demonic goat-herder
who’d slit his son’s throat without thought at your order.
Lord, why procrastinate?

Lord, we all know you’re a terrible sinner!
What did dull Japheth eat for his 300th dinner
after a year on the ark, growing thinner and thinner?
God, grant me a gentler fate!

Dear Lord, did the lion and tiger compete
for the last of the lambkin’s sweet, tender meat?
How did Noah preserve his fast-rotting wheat?
God, grant me a gentler fate!

Lord, why not be a merciful Prelate?
Do you really want me to detest, loathe and hate
the Father, the Son and their Ghostly Mate?
Lord, why procrastinate?



Is there any Light left?
by Michael R. Burch

Is there any light left?
Must we die bereft
of love and a reason for being?
Blind and unseeing,
rejecting and fleeing
our humanity, goat-hooved and cleft?

Is there any light left?
Must we die bereft
of love and a reason for living?
Blind, unforgiving,
unworthy of heaven
or this planet red, reeking and reft?

NOTE: While “hoofed” is the more common spelling, I preferred “hooved” for this poem. Perhaps because of the contrast created by “love” and “hooved.”



Modern Dreams
by Michael R. Burch

after David B. Gosselin

I dreamed that God was good, but then I woke
and all his goodness vanished—****!—
like smoke.

I dreamed his Word was good, but then I heard
commandments evil, awful, weird,
absurd.

I dreamed of Heaven where cruel Angels flew
above my head and screamed, the Chosen Few,
“We’re not like you!”

I dreamed of Hell below, where prostitutes
adored by Jesus, played on lovely lutes
“True Love Commutes.”

I dreamed of Earth then woke to hear a Gong’s
repellent echoes in Religion’s song
of right gone wrong.



Star Crossed
by Michael R. Burch

Remember—
night is not like day;
the stars are closer than they seem ...
now, bending near, they seem to say
the morning sun was merely a dream
ember.




Well, Almost
by Michael R. Burch

All Christians say “Never again!”
to the inhumanity of men
(except when the object of phlegm
is a Palestinian).



O, My Redeeming Angel
by Michael R. Burch

O my Redeeming Angel, after we
have fought till death (and soon the night is done) ...
then let us rest awhile, await the sun,
and let us put aside all enmity.

I might have been the “victor”—who can tell?—
so many wounds abound. All out of joint,
my groin, my thigh ... and nothing to anoint
but sunsplit, shattered stone, as pillars hell.

Light, easy flight to heaven, Your return!
How hard, how dark, this path I, limping, walk.
I only ask Your blessing; no more talk!

Withhold Your name, and yet my ears still burn
and so my heart. You asked me, to my shame:
for Jacob—trickster, shyster, sham—’s my name.



To Know You as Mary
by Michael R. Burch

To know you as Mary,
when you spoke her name
and her world was never the same ...
beside the still tomb
where the spring roses bloom.

O, then I would laugh
and be glad that I came,
never minding the chill, the disconsolate rain ...
beside the still tomb
where the spring roses bloom.

I might not think this earth
the sharp focus of pain
if I heard you exclaim—
beside the still tomb
where the spring roses bloom

my most unexpected, unwarranted name!
But you never spoke. Explain?



ur-gent
by Michael R. Burch

if u would be a good father to us all,
revoke the Curse,
extract the Gall;

but if the abuse continues,
look within
into ur Mindless Soulless Emptiness Grim,

& admit ur sin,
heartless jehovah,
slayer of widows and orphans ...

quick, begin!



Bible libel (ii)
by Michael R. Burch

ur savior’s a cad
—he’s as bad as his dad—
according to your strange Bible.

demanding belief
or he’ll bring u to grief?
he’s worse than his horn-sprouting rival!

was the man ever good
before made a “god”?
if so, half your Bible is libel!



stock-home sin-drone
by Michael R. Burch

ur GAUD created this hellish earth;
thus u FANTAsize heaven
(an escape from rebirth).

ur GUAD is a monster,
**** ur RELIGION lied
and called u his frankensteinian bride!

now, like so many others cruelly abused,
u look for salve-a-shun
to the AUTHOR of ur pain’s selfish creation.

cons preach the “TRUE GOSPEL”
and proudly shout it,
but if ur GAUD were good
he would have to doubt it.



un-i-verse-all love
by Michael R. Burch

there is a Gaud, it’s true!
and furthermore, tHeSh(e)It loves u!
unfortunately
the
He
Sh(e)
It
,even more adorably,
loves cancer, aids and leprosy.



yet another post-partum christmas blues poem
by michael r. burch

ur GAUD created hell; it’s called the earth;
HE mused u briefly, clods of little worth:
let’s conjure some little monkeys
to be BIG RELIGION’s flunkeys!
GAUD belched, went back to sleep, such was ur birth.



wee the many
by michael r. burch

wee never really lived: was that our fault?
now thanks to ur GAUD wee lie in an underground vault.
wee lie here, the little ones ur GAUD despised!
HE condemned us to death before wee opened our eyes!
as it was in the days of noah, it still remains:
GAUD kills us with floods he conjures from murderous rains.



Untitled ur poems

since GOD created u so gullible
how did u conclude HE’s so lovable?
—Michael R. Burch

limping to the grave under the sentence of death,
should i praise ur LORD? think i’ll save my breath!
—Michael R. Burch



One of the Flown
by Michael R. Burch

Forgive me for not having known
you were one of the flown—
flown from the distant haunts
of someone else’s enlightenment,
alighting here to a darkness all your own . . .

I imagine you perched,
pretty warbler, in your starched
dress, before you grew bellicose . . .
singing quaint love’s highest falsetto notes,
brightening the pew of some dilapidated church . . .

But that was before autumn’s
messianic dark hymns . . .
Deepening on the landscape—winter’s inevitable shadows.
Love came too late; hope flocked to bare meadows,
preparing to leave. Then even the thought of life became grim,

thinking of Him . . .
To flee, finally,—that was no whim,
no adventure, but purpose.
I see you now a-wing: pale-eyed, intent, serious:
always, always at the horizon’s broadening rim . . .

How long have you flown now, pretty voyager?
I keep watch from afar: pale lover and ******.



what the “Chosen Few” really pray for
by Michael R. Burch

We are ready to be robed in light,
angel-bright

despite
Our intolerance;

ready to enter Heaven and never return
(dark, this sojourn);

ready to worse-ship any gaud
able to deliver Us from this flawed

existence;
We pray with the persistence

of actual saints
to be delivered from all earthly constraints:

just kiss each uplifted Face
with lips of gentlest grace,

cooing the sweetest harmonies
while brutally crushing Our enemies!

ah-Men!



wild wild west-east-north-south-up-down
by Michael R. Burch

each day it resumes—the great struggle for survival.

the fiercer and more perilous the wrath,
the wilder and wickeder the weaponry,
the better the daily odds
(just don’t bet on the long term, or revival).

so ur luvable Gaud decreed, Theo-retically,
if indeed He exists
as ur Bible insists—
the Wildest and the Wickedest of all
with the brightest of creatures in thrall
(unless u
somehow got that bleary
Theo-ry
wrong too).



The Strangest Rain
by Michael R. Burch

"I ... am small, like the Wren, and my Hair is bold, like the Chestnut Bur?and my eyes, like the Sherry in the Glass, that the Guest leaves ..."?Emily Dickinson

"If I read a book and it makes my whole body so cold no fire can ever warm me, I know that is poetry."--Emily Dickinson

The strangest rain, a few bright sluggish drops,
unsure if they should fall, run through with sun,
came tumbling down and touched me, one by one,
too few to animate the shriveled crops
of nearby farmers (though their daughters might
feel each cool splash, a-shiver with delight).

I thought again of Emily Dickinson,
who felt the tingle down her spine, inspired
to lifting hairs, to nerves’ electric song
of passion for a thing so deep-desired
the heart and gut agree, and so must tremble
as all the neurons of the brain assemble
to whisper: This is love, but what is love?
Wrens darting rainbows, laughter high above.



Note to a Chick on a Religious Kick
by Michael R. Burch

Daisy,
when you smile, my life gets sunny;
you make me want to spend all my ****** money;
but honey,
you can be a bit ... um ... hazy,
perhaps mentally lazy?,
okay, downright crazy,
praying to the Easter Bunny!



lust!
by michael r. burch

i was only a child
in a world dark and wild
seeking affection
in eyes mild

and in all my bright dreams
sweet love shimmered, beguiled ...

but the black-robed Priest
who called me the least
of all god’s creation
then spoke for the Beast:

He called my great passion a thing base, defiled!

He condemned me to hell,
the foul Ne’er-Do-Well,
for the sake of the copper
His Pig-Snout could smell
in the purse of my mother,
“the ***** jezebel.”

my sweet passions condemned
by degenerate men?
and she so devout
she exclaimed, “yay, aye-men!” ...

together we learned why Religion is hell.

Published by Lucid Rhythms, The HyperTexts and Black Waters of Melancholy


A coming day
by Michael R. Burch

for my mother, due to her hellish religion

There will be a day,
a day when the lightning strikes from a rainbowed mist
when it will be too late, too late for me to say
that I found your faith unblessed.

There will be a day,
a day when the storm clouds gather, ominous,
when it will be too late, too late to put away
this darkness that came between us.



Hellbound
by Michael R. Burch

Mother, it’s dark
and you never did love me
because you put Yahweh and Yeshu
above me.

Did they ever love you
or cling to you? No.
Now Mother, it’s cold
and I fear for my soul.

Mother, they say
you will leave me and go
to some distant “heaven”
I never shall know.

If that’s your choice,
you made it. Not me.
You brought me to life;
will you nail me to the tree?

Christ! Mother, they say
God condemned me to hell.
If the Devil’s your God
then farewell, farewell!

Or if there is Love
in some other dimension,
let’s reconcile there
and forget such cruel detention.

Keywords/Tags: god, Jesus, Christ, Christian, prayer, Bible, angel, atheist, faith, blasphemy, heresy, heresies, heretic, heretic, heretical, pagan, pagans, god, gods, mrbhere



He Lived: Excerpts from “Gilgamesh”
loose translation/interpretation by Michael R. Burch

I.
He who visited hell, his country’s foundation,
Was well-versed in mysteries’ unseemly dark places.
He deeply explored many underworld realms
Where he learned of the Deluge and why Death erases.

II.
He built the great ramparts of Uruk-the-Sheepfold
And of holy Eanna. Then weary, alone,
He recorded his thoughts in frail scratchings called “words”:
But words made immortal, once chiseled in stone.

III.
These walls he erected are ever-enduring:
Vast walls where the widows of dead warriors weep.
Stand by them. O, feel their immovable presence!
For no other walls are as strong as this keep’s.

IV.
Come, climb Uruk’s tower on a starless night—
Ascend its steep stairway to escape modern error.
Cross its ancient threshold. You are close to Ishtar,
The Goddess of Ecstasy and of Terror!

V.
Find the cedar box with its hinges of bronze;
Lift the lid of its secrets; remove its dark slate;
Read of the travails of our friend Gilgamesh—
Of his descent into hell and man’s terrible fate!

VI.
Surpassing all kings, heroic in stature,
Wild bull of the mountains, the Goddess his dam
—Bedding no other man; he was her sole rapture—
Who else can claim fame, as he thundered, “I am!”



Enkidu Enters the House of Dust
an original poem by Michael R. Burch

I entered the house of dust and grief.
Where the pale dead weep there is no relief,
for there night descends like a final leaf
to shiver forever, unstirred.

There is no hope left when the tree’s stripped bare,
for the leaf lies forever dormant there
and each man cloaks himself in strange darkness, where
all company’s unheard.

No light’s ever pierced that oppressive night
so men close their eyes on their neighbors’ plight
or stare into darkness, lacking sight ...
each a crippled, blind bat-bird.

Were these not once eagles, gallant men?
Who sits here—pale, wretched and cowering—then?
O, surely they shall, they must rise again,
gaining new wings? “Absurd!

For this is the House of Dust and Grief
where men made of clay, eat clay. Relief
to them’s to become a mere windless leaf,
lying forever unstirred.”

“Anu and Enlil, hear my plea!
Ereshkigal, they all must go free!
Beletseri, dread scribe of this Hell, hear me!”
But all my shrill cries, obscured

by vast eons of dust, at last fell mute
as I took my place in the ash and soot.



Reclamation
an original poem by Michael R. Burch

after Robert Graves, with a nod to Mary Shelley

I have come to the dark side of things
where the bat sings
its evasive radar
and Want is a crooked forefinger
attached to a gelatinous wing.

I have grown animate here, a stitched corpse
hooked to electrodes.
And night
moves upon me—progenitor of life
with its foul breath.

Blind eyes have their second sight
and still are deceived. Now my nature
is softly to moan
as Desire carries me
swooningly across her threshold.

Stone
is less infinite than her crone’s
gargantuan hooked nose, her driveling lips.
I eye her ecstatically—her dowager figure,
and there is something about her that my words transfigure

to a consuming emptiness.
We are at peace
with each other; this is our venture—
swaying, the strings tautening, as tightropes
tauten, as love tightens, constricts

to the first note.
Lyre of our hearts’ pits,
orchestration of nothing, adits
of emptiness! We have come to the last of our hopes,
sweet as congealed blood sweetens for flies.

Need is reborn; love dies.

Keywords/Tags: Epic of Gilgamesh, epic, epical, orient occident, oriental, ancient, ancestors, ancestry, primal



Double Dactyls

Sniggledy-Wriggledy
Jesus Christ’s enterprise
leaves me in awe of
the rich men he loathed!

But should a Sadducee
settle for trifles?
His disciples now rip off
the Lord they betrothed.
―Michael R. Burch

Donald Double Dactyl

Higgledy Piggledy
Ronald McDonald
cursed Donald Trump,
his least favorite clown:

"Why should I try to be
funny as Donald? He
gets all the laughs
saying upside is down!"
―Michael R. Burch



Lines for My Ascension
by Michael R. Burch

I.
If I should die,
there will come a Doom,
and the sky will darken
to the deepest Gloom.

But if my body
should not be found,
never think of me
in the cold ground.

II.
If I should die,
let no mortal say,
“Here was a man,
with feet of clay,

or a timid sparrow
God’s hand let fall.”
But watch the sky darken
to an eerie pall

and know that my Spirit,
unvanquished, broods,
and scoffs at quaint churchyards
littered with roods.

And if my body
should not be found,
never think of me
in the cold ground.

III.
If I should die,
let no man adore
his incompetent Maker:
Zeus, Yahweh, or Thor.

Think of Me as the One
who never died—
the unvanquished Immortal
with the unriven side.

And if my body
should not be found,
never think of me
in the cold ground.

IV.
And if I should “die,”
though the clouds grow dark
as fierce lightnings rend
this bleak asteroid, stark ...

If you look above,
you will see a bright Sign—
the sun with the moon
in its arms, Divine.

So divine, if you can,
my bright meaning, and know—
my Spirit is mine.
I will go where I go.

And if my body
should not be found,
never think of me
in the cold ground.



Listen
by Immanuel A. Michael (an alias of Michael R. Burch)

1.
Listen to me now
and heed my voice;
I am a madman, alone,
screaming in the wilderness,
but listen now.

Listen to me now, and if I say
that black is black
and white is white
and in between lies gray,
I have no choice.

Does a madman choose his words?
They come to him:
the moon's illuminations,
intimations of the wind,
and he must speak.

But listen to me now,
and if you hear
the tolling of the judgment bell,
and if its tone is clear,
then do not tarry,
but listen,
or cut off your ears,
for I Am weary.

I desire mercy, not sacrifice.

2.
Listen to me now: I had a Vision.
An elevated train derailed, and Fell.
It was the Church brought low, almost to Hell.
And I alone survived, who dream of Mercy:
the Heretic, who speaks behind the Veil.

3.
Listen to me now: I saw an airplane
fall from the sky. And why should I explain?
The Visions are the same. It is my Heresy
that I survive, because I sing of Mercy,
while elevated "saints" go down in flames.

4.
Listen to me now: I saw in Nashville
how those who "soar" will plummet―Fame in flames!―
and fall on those below, as if to **** them.
The lowly, saved, will understand their names.

5.
Listen to me now: I heard another
say, "That which died shall Resurrect and Live."
An angel with a Rose bestowing Mercy!
What can it mean, but that my Visions give
fair warning to the world that God wants Mercy.
My Heresy is that we must forgive!

6.
Listen to me now: she heard god calling―
O, who will love me, who will be my friend?
Does he want Perfect Saints, the whitewashed Purists,
who frown down on their "brothers," without end?

7.
Listen to me now: you are not perfect,
and your "wise counsel" helps no one at all:
unless it's sweetened with the sweetest Mercy,
it's pure astringent antiseptic gall.

8.
Listen to me now, and learn this lesson:
If God wants mercy, why dig at the speck
in your brother's eye, when even now the Beam,
your lack of mercy, spares, no, neither neck,
becomes the Hangman's Millstone. We're all children,
all little ones! Be patient with the fleck!

9.
Listen to me now: for the Announcer
explained that wars have given Presidents
the precedents to soon assume all Power.
Vote, citizens, or be mere residents!

10.
O, listen to me now: I saw the Warheads
stored safely underground, except for One.
A red-haired woman with a bright complexion
seduced the guard. Translucent blouse, red thong,
white bra―these were her fearsome antique weapons.

I saw the Skull and Crossbones! Heed my Song!

11.
O, listen to me now, and hear my Gospel:
three verses of such sweet simplicity!
God is Light: in Him there is no darkness.
In Christ, no condemnation: Liberty!
God want no Sacrifice, but only Mercy.
O, who could ask for sweeter Heresy?

12.
Theology? I swear that I disdain it!
If Love can be explained, why then explain it!
If Love can't be explained why, then, should God,
if God is Love? Nor hell nor cattle ****
is needed, if God's good, and God's supreme.
Ask, children, what "re-ligion" truly means:
"return to *******! " Heed the bondsman's screams!

13.
Heed, children, which Theologies you dream
when Hellish Nightmares wake you, when you Scream
for comfort, but no comforter is there.
Which Voices do you heed, which Crosses bear?
If god is light, whence do Dark Visions come
which leave the Taste of Venom on your Tongue,
with which you **** your brother for one Sin
you do not share, ten thousand underskin
like Itching Worms that Squirm and Vilely Hiss:
"Your brother's sin will keep him from god's bliss,
but You are safe because god favors You! "
If God is Love, how can this voice be true?

14.
For God is not a favorer of men.
Amen. Amen. Amen. Amen. Amen.

I guess I havent found what women want yet, because its certainly not..

Being there for them.

Telling them how pretty or beautiful they look.

Caring for them.

Go out of your way to do things for them.

Enjoy talking to them about anything.

....and above all, it's not being nice at all...

I think she is perfect, because in my mind it says so, it says follow her because she will take you places. She will make your wildest dreams come true and experience life, so go, follow her till you cant no longer.

But, if she wont let me do these things and follow she will be lost in this abyss.

Forever ago
I looked you in the eye
And made a promise --
A stupid, stupid vow --
That I'd be your Bonnie
If you'd be my Clyde.

You smiled at me --
Crooked, imperfect
Utterly charming --
And asked me to lend you a light.
A lighter passed between our hands
Before a tiny flame illuminated our faces in the dark
A silent 'I do.'

From that night on
I've had things that other girls
Only possess in their wildest dreams
And, even then
Wouldn't dare say they desired.

I ride shotgun by default
In a ******* car
Much too fancy to legally be yours.
Gifts come in the form
Of beat-up leather articles
That you once wore
Though the lingering shadow of smoke
Is hardly enough
To mask the hint of drugstore perfume.
Sometimes
If you're feeling especially charitable
These offerings are accompanied by the more traditional heart shaped box --
Filled with bullets, of course--
Or a single deep red rose.
For some reason
Every flower you pick
Seems to have many more thorns
Than most of the ones I've known before.

What you seem to consider the best gift of all, however
Is your presence.
I suppose you think it works both ways
When you parade around town
Arm slung around my shoulders or waist
Smiling like I'm some pricey badge
Your signature accessory.
Your performance draws attention, of course --
Awe-stricken once-overs
Envious double takes
Lingering looks that make overzealous Average Joes
Trip over their own feet.
As far as my own feelings go
The envious rush I used to get from the lust-filled eyes of other women
Has long since faded
But the crawling feeling of some depraved pervert's eyes flitting from you to me
And your proud smile, devoid of any visible love
Continue to make my stomach twist itself into painful knots.

What all those adventure-hungry good girls don't know
Is that I haven't felt as powerful as they do in their dreams
In a very long time.
What those green-eyed Plain Janes won't understand
Is that I am little more than arm candy
Your passenger-seat second-in-command
Posed like some special edition, leather-donning Barbie doll
Instructed to sit still
Hold the gun
Look pretty.
They don't realize
That the ache that comes with loving you
Feels absolutely nothing like the feeling described
In the lovelorn writings they post to their blogs.
There's nothing beautiful about it
No reward for staying up all night
Chest aching
Sobbing into a limp pillow in some random hotel room
Trying my best to keep you from hearing it.
As much as I hate to admit it
Nothing you do for me
Makes it worth it.

They all seem to forget
That it was Bonnie
Running from one man who didn't love her
Falling into the arms of another
Already broken
Hoping he might be able to mend a piece or two.
They don't realize
That it was Bonnie
Who **** near got her leg burned off
Because Clyde flipped the car.
The fault was completely his
And yet
She was the one who took the brunt of the damage
Being reduced to having Clyde carry her around
For the rest of their numbered days.
They don't stop to think that this is anything other than 'romantic'
How unfair it is that the world allowed him to ruin her
That maybe --
Just maybe --
She didn't want to be a weapon for him to carry
But a self-firing rifle.
Something intimidating
Unpredictable
Never dependent
On some hotshot
That everybody believes that she was in love with.
The idea never occurs to them
That maybe
When the two of them went down in that infamous hail of bullets
Maybe she wasn't enveloped in warm thoughts of going out in a blaze of glory
But anger
That she didn't get away with it this time
And never would again.


I understand now
That
For all intent and purposes
Bonnie and Clyde are a concept that should have been left behind
Way back in the 30s.
There is no passion
In dying --
On the inside or the outside --
Next to someone everyone thinks that you love.
There is no love
In your arm around me
Squeezing the humanity out of me
Like a man-shaped boa constrictor.
There is no glamour
In sitting loyally by your side
Gripping my seat until my knuckles are white
As you drive your own getaway car
Laughing to yourself
Without ever chancing a glance at me.
There is no beauty
In being wrapped in a jacket
That smells like another woman
No satisfaction
In mechanically handing you a brand new lighter
So you can light another cigarette
To prematurely age your beautiful, James Dean number one-million-and-one face.
I feel no affection now
Watching you smoke up like the nicotine glutton burnout that you are
And I will feel only contempt if --
Heaven forbid --
I ever die by your side.
You exhale
And turn to look at me with sleepy, empty eyes
Letting the remains of your cigarette flicker out
Just like the novelty of having you around did.

Why I resent those girls now --
The ones with those eyes, so hungry and green with envy --
Is that, when we first met
I was just another one of them.
So pampered
So inanely bored
Such a 'hopeless romantic'
That I promptly decided to follow you the ends of the Earth
To every grimy hotel
Even to our demise in the desert, if you wanted me to.
It took me forever to realize I deserved better
And, by then
It was all too late.

While I despise those girls who stare at us now
Swooning, like they're so jealous of the position I'm in
My heart also aches for them --
A bit like the way you make it ache.
Though there's passion in this ache
That being the fact
That my heart is screaming
Telling them to run
Run while they still can
Run before someone like you
Finds them.

For all intent and purposes
There absolutely should not be
A 21st century Bonnie and Clyde.
These should be the days
Of girls spitting their own fire
And boys fighting their own battles.
This should be a generation
Of people learning to find solace in themselves
And reliance taking an unceremonious dive
Off a very steep cliff.
There should be no more green-eyed girls
And James Dean boys
Making each other miserable
And calling it beautiful.
This is the point where we should let Bonnie and Clyde rest in peace
Along with Romeo and Juliet
Annabel Lee
Homer Barron
And every other tragic antihero
Who died at the hands of love.

Forever ago
I made a promise --
A stupid, stupid vow --
That I'd be your Bonnie
If you'd be my Clyde.
Now
What seems like centuries later
I close my eyes
And try to fly somewhere else
In my dreams.
My last thought
Before I drift off
Is that --
Maybe someday --
They'll write poems about us.

They say the sea is cold, but the sea contains
the hottest blood of all, and the wildest, the most urgent.

All the whales in the wider deeps, hot are they, as they urge
on and on, and dive beneath the icebergs.
The right whales, the *****-whales, the hammer-heads, the killers
there they blow, there they blow, hot wild white breath out of
   the sea!

And they rock, and they rock, through the sensual ageless ages
on the depths of the seven seas,
and through the salt they reel with drunk delight
and in the tropics tremble they with love
and roll with massive, strong desire, like gods.
Then the great bull lies up against his bride
in the blue deep bed of the sea,
as mountain pressing on mountain, in the zest of life:
and out of the inward roaring of the inner red ocean of whale-blood
the long tip reaches strong, intense, like the maelstrom-tip, and
   comes to rest
in the clasp and the soft, wild clutch of a she-whale's
   fathomless body.

And over the bridge of the whale's strong phallus, linking the
   wonder of whales
the burning archangels under the sea keep passing, back and
   forth,
keep passing, archangels of bliss
from him to her, from her to him, great Cherubim
that wait on whales in mid-ocean, suspended in the waves of the
   sea
great heaven of whales in the waters, old hierarchies.

And enormous mother whales lie dreaming suckling their whale-
   tender young
and dreaming with strange whale eyes wide open in the waters of
   the beginning and the end.

And bull-whales gather their women and whale-calves in a ring
when danger threatens, on the surface of the ceaseless flood
and range themselves like great fierce Seraphim facing the threat
encircling their huddled monsters of love.
And all this happens in the sea, in the salt
where God is also love, but without words:
and Aphrodite is the wife of whales
most happy, happy she!

and Venus among the fishes skips and is a she-dolphin
she is the gay, delighted porpoise sporting with love and the sea
she is the female tunny-fish, round and happy among the males
and dense with happy blood, dark rainbow bliss in the sea.

Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight,—
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.

For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion—youth’s first fiery glow,—
Are worth the hoarded proverbs of the sage:
Vex not thy soul with dead philosophy,
Have we not lips to kiss with, hearts to love and eyes to see!

Dost thou not hear the murmuring nightingale,
Like water bubbling from a silver jar,
So soft she sings the envious moon is pale,
That high in heaven she is hung so far
She cannot hear that love-enraptured tune,—
Mark how she wreathes each horn with mist, yon late and labouring moon.

White lilies, in whose cups the gold bees dream,
The fallen snow of petals where the breeze
Scatters the chestnut blossom, or the gleam
Of boyish limbs in water,—are not these
Enough for thee, dost thou desire more?
Alas! the Gods will give nought else from their eternal store.

For our high Gods have sick and wearied grown
Of all our endless sins, our vain endeavour
For wasted days of youth to make atone
By pain or prayer or priest, and never, never,
Hearken they now to either good or ill,
But send their rain upon the just and the unjust at will.

They sit at ease, our Gods they sit at ease,
Strewing with leaves of rose their scented wine,
They sleep, they sleep, beneath the rocking trees
Where asphodel and yellow lotus twine,
Mourning the old glad days before they knew
What evil things the heart of man could dream, and dreaming do.

And far beneath the brazen floor they see
Like swarming flies the crowd of little men,
The bustle of small lives, then wearily
Back to their lotus-haunts they turn again
Kissing each others’ mouths, and mix more deep
The poppy-seeded draught which brings soft purple-lidded sleep.

There all day long the golden-vestured sun,
Their torch-bearer, stands with his torch ablaze,
And, when the gaudy web of noon is spun
By its twelve maidens, through the crimson haze
Fresh from Endymion’s arms comes forth the moon,
And the immortal Gods in toils of mortal passions swoon.

There walks Queen Juno through some dewy mead,
Her grand white feet flecked with the saffron dust
Of wind-stirred lilies, while young Ganymede
Leaps in the hot and amber-foaming must,
His curls all tossed, as when the eagle bare
The frightened boy from Ida through the blue Ionian air.

There in the green heart of some garden close
Queen Venus with the shepherd at her side,
Her warm soft body like the briar rose
Which would be white yet blushes at its pride,
Laughs low for love, till jealous Salmacis
Peers through the myrtle-leaves and sighs for pain of lonely bliss.

There never does that dreary north-wind blow
Which leaves our English forests bleak and bare,
Nor ever falls the swift white-feathered snow,
Nor ever doth the red-toothed lightning dare
To wake them in the silver-fretted night
When we lie weeping for some sweet sad sin, some dead delight.

Alas! they know the far Lethaean spring,
The violet-hidden waters well they know,
Where one whose feet with tired wandering
Are faint and broken may take heart and go,
And from those dark depths cool and crystalline
Drink, and draw balm, and sleep for sleepless souls, and anodyne.

But we oppress our natures, God or Fate
Is our enemy, we starve and feed
On vain repentance—O we are born too late!
What balm for us in bruised poppy seed
Who crowd into one finite pulse of time
The joy of infinite love and the fierce pain of infinite crime.

O we are wearied of this sense of guilt,
Wearied of pleasure’s paramour despair,
Wearied of every temple we have built,
Wearied of every right, unanswered prayer,
For man is weak; God sleeps:  and heaven is high:
One fiery-coloured moment:  one great love; and lo! we die.

Ah! but no ferry-man with labouring pole
Nears his black shallop to the flowerless strand,
No little coin of bronze can bring the soul
Over Death’s river to the sunless land,
Victim and wine and vow are all in vain,
The tomb is sealed; the soldiers watch; the dead rise not again.

We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart’s blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.

With beat of systole and of diastole
One grand great life throbs through earth’s giant heart,
And mighty waves of single Being roll
From nerveless germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we ****.

From lower cells of waking life we pass
To full perfection; thus the world grows old:
We who are godlike now were once a mass
Of quivering purple flecked with bars of gold,
Unsentient or of joy or misery,
And tossed in terrible tangles of some wild and wind-swept sea.

This hot hard flame with which our bodies burn
Will make some meadow blaze with daffodil,
Ay! and those argent ******* of thine will turn
To water-lilies; the brown fields men till
Will be more fruitful for our love to-night,
Nothing is lost in nature, all things live in Death’s despite.

The boy’s first kiss, the hyacinth’s first bell,
The man’s last passion, and the last red spear
That from the lily leaps, the asphodel
Which will not let its blossoms blow for fear
Of too much beauty, and the timid shame
Of the young bridegroom at his lover’s eyes,—these with the same

One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood,
We draw the spring into our hearts, and feel that life is good.

So when men bury us beneath the yew
Thy crimson-stained mouth a rose will be,
And thy soft eyes lush bluebells dimmed with dew,
And when the white narcissus wantonly
Kisses the wind its playmate some faint joy
Will thrill our dust, and we will be again fond maid and boy.

And thus without life’s conscious torturing pain
In some sweet flower we will feel the sun,
And from the linnet’s throat will sing again,
And as two gorgeous-mailed snakes will run
Over our graves, or as two tigers creep
Through the hot jungle where the yellow-eyed huge lions sleep

And give them battle!  How my heart leaps up
To think of that grand living after death
In beast and bird and flower, when this cup,
Being filled too full of spirit, bursts for breath,
And with the pale leaves of some autumn day
The soul earth’s earliest conqueror becomes earth’s last great prey.

O think of it!  We shall inform ourselves
Into all sensuous life, the goat-foot Faun,
The Centaur, or the merry bright-eyed Elves
That leave their dancing rings to spite the dawn
Upon the meadows, shall not be more near
Than you and I to nature’s mysteries, for we shall hear

The thrush’s heart beat, and the daisies grow,
And the wan snowdrop sighing for the sun
On sunless days in winter, we shall know
By whom the silver gossamer is spun,
Who paints the diapered fritillaries,
On what wide wings from shivering pine to pine the eagle flies.

Ay! had we never loved at all, who knows
If yonder daffodil had lured the bee
Into its gilded womb, or any rose
Had hung with crimson lamps its little tree!
Methinks no leaf would ever bud in spring,
But for the lovers’ lips that kiss, the poets’ lips that sing.

Is the light vanished from our golden sun,
Or is this daedal-fashioned earth less fair,
That we are nature’s heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.

And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure!  We shall be
Part of the mighty universal whole,
And through all aeons mix and mingle with the Kosmic Soul!

We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World’s throbbing heart shall be
One with our heart; the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality.

The very first thing I learned about you was your ex-communication from Mormonism. Did you really try teaching a preschool class that Jesus was a Rastafarian? Or was that one of your many big fish tales told to me over the years?

This was when you were only a mischievous high-schooler. Not the cynic you are today, worn down after choosing the safest choices life can offer. When did a clever person like you acquiesce to such homogeneity? Somewhere between your Economist-reading days in undergrad and law school? I know you claim the reason was something about getting your heart broken one too many times. And yes, I know I whacked it around like a pinata... as you did mine. Because that's what reckless kids do. Will you ever accept this as an excuse? Or will you always use it as the reason to avoid my calls?

Back at the age of 15, though, you could do no wrong. A shy smile was all you'd see from me, but I'd go to bed dreaming of all of the clever things I wanted to say to you. My friends would later say you exploited your teaching role as my debate tutor... but me? I was totally, utterly, and blissfully enamored by your explanation of Foucault and FoPo. I'm convinced the reason you fell in love with me was because I wrote a letter to Crayola pretending to be 5 in hopes of getting a free pack of crayons. You liked that kind of smart *** behavior because it was the kind of stuff that made you come alive. Which reminds me... do you still have the "#1 bestseller" sign you swiped from the grocery store? You wore it in your back pocket while wearing your "I spoil my grandkids" t-shirt.

How appropriate that our first kiss was on the debate room couch. I'm glad kissing was, in fact, better for you with your braces removed. And how appropriate that my first date was you taking me to the high school musical, "Kiss Me Kate."

What is it about first loves that make even the most mundane so magical? I can't tell you the number of times I looked out the window in hopes of seeing your red Ford Escort pull up. It took my breath away more than any Mercedes could. Who knows what we'd do when you did come over--probably play Donkey Kong Country, or watch some ironic movie like Donnie Darko. If nobody was home we'd make out to the Disney "Fantasia" soundtrack.

Back then you were always intrigued with the whimsical. Nowadays it's 1940s classics, malt scotch and Coachella concerts. I think your career ***** you so dry of life that you overcompensate with your expensive tastes. The wildest you'd ever get was smoking a hookah. But the guy I remember? He liked pocket watches, Rufus Wainwright, and Harry Connick Jr. I know you're a responsible tax-paying adult now, but I still see you as the wild-eyed wholesome troublemaker you once were. I prefer you that way, even if it's mentally dishonest of me.

Since you, men have wined and dined me at world-renowned resorts and have taken me to presidential *****. But none of these dates have given me the same rush of euphoria as sneaking out and spending the night with you in the home you were house-sitting: That night, we were a pair of 16-year-old rebels. At least we didn't get caught by the cops making out in the high school's agriculture department parking lot. That would happen in a few months' time.

Then you left for college, to gain an education and have experiences that sounded overwhelming for my sheltered ears. It didn't matter that I left for Europe that year--you had left for college, which was a distance in my head that couldn't be measured geographically.

I could recall a thousand barbs exchanged from then until we both finished college: you dated her. I dated him! We made promises. We broke promises. You'd come home for summer. We relished in the relatively new-found art of *******, mostly perfected on each other in our youth. We'd hate each other. We'd love each other. Your friend would hate me; my sister would hate you. On it would go.

But there were such sweet times. We saw Harry Potter together and we sat on my roof, imagining that one night could stretch til forever as we looked up at the stars. It was then that you dedicated Coldplay's "Yellow" to me. And no expression of love was greater than seeing you in the back of the auditorium, waiting to drive me home after my 6th period drama class.

I honestly don't know the person you are today. Sure, you give me snippets. Usually when some girl breaks your heart and you need to vent. In truth, I know you saw me as your plan B. Always. Shame on me for playing that part so beautifully for so long. Could we have worked out, you and me? I smile, knowing that some things from the past should stay firmly rooted where they are. There would always be a part of me that would feel like that freshman trying to impress you, a senior. All the while I wouldn't feel funny enough, cool enough, witty enough by comparison. No, we simply wouldn't work.

You know the rule, about loving your family because they're the only one you've got? I think the same is true with first loves. When I reflect on our oh-so-ordinary relationship, you--I mean, US: we weren't so great. Nothing special.

But my heart sure seems to think you were... even after all of these years.

On a white conch shell
like flowing teardrops
her name was written,
in his heart's blood;
this is the only record
hitherto, of his sacrifice.

On a coral reef
with every imaginable color,
his name was sculpted;
a real marvel that belies
the labor of love of long days,
her final dedication to the love of her life.

A deep sea diver, exploring
a long time after, strayed
in to this chamber of love secrets
by chance and finds
the relics of a mysterious love affair
that got lost to the human world for ever,
but  found an abode deep down
in the ocean depths
amidst crowding scallops, calamari and mussels

The explorer's eyes brim
a stream of tears,
though do not know
for whom, it was shed
adds salt to the ocean floor.

Love makes heroes out of
even timid and docile persons
let me tell this. it is difficult
to predict the ways love treads.

England! My England! can the surging sea
That lies between us tear my heart from thee?
Can distant birth and distant dwelling drain
Th' ancestral blood that warms the loyal vein?
Isle of my Fathers! hear the filial song
Of him whose sources but to thee belong!
World-Conquering Mother! by thy mighty hand
Was carv'd from savage wilds my native land:
Thy matchless sons the firm foundation laid;
Thy matchless arts the nascent nation made:
By thy just laws the young republic grew,
And through thy greatness, kindred greatness knew.
What man that springs from thy untainted line
But sees Columbia's virtues all as thine?
Whilst nameless multitudes upon our shore
From the dim corners of creation pour,
Whilst mongrel slaves crawl hither to partake
Of Saxon liberty they could not make,
From such an alien crew in grief I turn,
And for the mother's voice of Britain burn.
England! can aught remove the cherish'd chain
That binds my spirit to thy blest domain?
Can Revolution's bitter precepts sway
The soul that must the ties of race obey?
Create a new Columbia if ye will,
The flesh that forms me is Britannic still!
Hail! oaken shades, and meads of dewy green,
So oft in sleep, yet ne'er in waking seen.
Peal out, ye ancient chimes, from vine-clad tower
Where pray'd my fathers in a vanish'd hour:
What countless years of rev'rence can ye claim
From bygone worshippers that bore my name!
Their forms are crumbling in the vaults around,
Whilst I, across the sea, but dreamthe sound.
Return, Sweet Vision! Let me glimpse again
The stone-built abbey, rising o'er the plain;
The neighb'ring village with its sun-shower'd square;
The shaded mill-stream, and the forest fair,
The hedge-lin'd lane, that leads to rustic cot
Where sweet contentment is the peasant's lot:
The mystic grove, by Druid wraiths possess'd,
The flow'ring fields, with fairy-castles blest:
And the old manor-house, sedate and dark,
Set in the shadows of the wooded park.
Can this be dreaming? Must my eyelids close
That I may catch the fragrance of the rose?
Is it in fancy that the midnight vale
Thrills with the warblings of the nightingale?
A golden moon bewitching radiance yields,
And England's fairies trip o'er England's fields.
England! Old England! in my love for thee
No dream is mine, but blessed memory;
Such haunting images and hidden fires
Course with the bounding blood of British sires:
From British bodies, minds, and souls I come,
And from them draw the vision of their home.

  Awake, Columbia! scorn the ****** age
That bids thee slight thy lordly heritage.
Let not the wide Atlantic's wildest wave
Burst the blest bonds that fav'ring Nature gave:
Connecting surges 'twixt the nations run,
Our Saxon souls dissolving into one!        

A dictionary of words
Thousands---infinites!
Little marks to describe a vast world
Lest not care of lacking logic
Aroused by imagination is my magic
Lemon zests the cornucopia of citrus
Are not they a splash of kalopsa?
Charisma, karma, euphoria?
Not allowed to bleed in blanc
Wail in rosy franc
Puddles of messed reflection
Fictions wonder reaction
Wander in the wildest wilderness
Describe the autumn, fall
Moist, solitary
Fawn on the lawn
Reality is the contrary
Refuge in the creamed sugar
Like a cup of iced kiss
Deep burrowed in the mapled hiss
Wait for its marmalade bliss
Head exploding in fireworks
Magnificent, what about nightfall?
Showers and streaks befall
Stars shoot smoke of ball
Cry tears of meteorites
Sprinkle the blinking sprites
Flow streams of sparkling silence
Swim the chasing glares
Enchant me in your chemise, evangelic skin
Leitmotif of mimes' maim, mean?
Speculate the pixelled fairies
Hide in the fruits of Alice
Spark at the dance of hands
Paint the faint trees
Baskets of floating sheep
Bounce in the enigmatic realm
Drooling in
As they transgress the egress
In chiffon blush flushed
Bittersweet caress
Bare grasslands with strangers
Wet the glory shine
Morning then hoots for sleep
Shush, weeping willows
Flowers of your scent hover the grove
Voices sweetly surrender
Linger for tender
Gloam or roam
River of innocence soul
Reaping the afterglow
Aglow my fountained lockes
Blur for it to be clearer
Illusions of ambiguity
As its lips meet the prism
Of brilliant optimism
Breathtaking fauvism
Breathless onism
Succumb in the limitless reverie
Rare of not having aneurysm
Persephone's persepolis
Blood of perenelia
Where Opheus court Eurydice
Winter solace holies
Lakes of beating lights
Bloom irregularly
As the sesquipedalian crawl out from its vine
In the Brobdingnagian it creeps
Line between sublime and wine
Harmony weave in palette
Rhythm rose from my red
Fresh breeze hush the roulette
Leaves blade the crafted well-made
Dusk, dawn to diiferentiate
Eclipse the hysteria and the impeccable
Love waltz
Glide the glistened clarity
Perfume lilies
Stares of lavenders
Rain the clouds of keys
Crystallizing and fractalizing
Mesmerize, astonish, aghast!
Rise your mile
Fragile my rile
Bridge this moonlit immeasurable, fantasia distance
Repertoire of piano choir
Luxury in the polychrome noir
Royal in the loyal wintermelon
Poppies color the spring
Butterflies fly in the effervescence
My painting sings a summer fling
Jump in the pantones
Rest your all
Stones amble swish scone
Wishes twinkle then hone
Will-o-wisps chill your bone
Lend me a wing
Let not be done in a ding
What I fear, free from the fringes of meek
My, this lexicon is not enough!
How to occupy the million, jillion, eternal galaxies
Shout in the rave
Echoing in the waves
Marvel at the bejewelled revel
Image my imagery
Oh, dive away child!
Let us drive in the garden of glaze
Careful not to be too amazed in the maze
In the hummed woodglade
As the critters flutter and flute
No way to chain me out of this loop
Pool of pretty astonishments
Diamonds of nature
Endure, not inure
Words alone are insufficient
These are just mere fantasies
Some are unexplainable
Some needs to be felt
Some needs to be seen
Not just read
Not just dreamt
I may sound dubious
But this is incredulous

Late, my grandson! half the morning have I paced these sandy tracts,
Watch'd again the hollow ridges roaring into cataracts,

Wander'd back to living boyhood while I heard the curlews call,
I myself so close on death, and death itself in Locksley Hall.

So--your happy suit was blasted--she the faultless, the divine;
And you liken--boyish babble--this boy-love of yours with mine.

I myself have often babbled doubtless of a foolish past;
Babble, babble; our old England may go down in babble at last.

'Curse him!' curse your fellow-victim? call him dotard in your rage?
Eyes that lured a doting boyhood well might fool a dotard's age.

Jilted for a wealthier! wealthier? yet perhaps she was not wise;
I remember how you kiss'd the miniature with those sweet eyes.

In the hall there hangs a painting--Amy's arms about my neck--
Happy children in a sunbeam sitting on the ribs of wreck.

In my life there was a picture, she that clasp'd my neck had flown;
I was left within the shadow sitting on the wreck alone.

Yours has been a slighter ailment, will you sicken for her sake?
You, not you! your modern amourist is of easier, earthlier make.

Amy loved me, Amy fail'd me, Amy was a timid child;
But your Judith--but your worldling--she had never driven me wild.

She that holds the diamond necklace dearer than the golden ring,
She that finds a winter sunset fairer than a morn of Spring.

She that in her heart is brooding on his briefer lease of life,
While she vows 'till death shall part us,' she the would-be-widow wife.

She the worldling born of worldlings--father, mother--be content,
Ev'n the homely farm can teach us there is something in descent.

Yonder in that chapel, slowly sinking now into the ground,
Lies the warrior, my forefather, with his feet upon the hound.

Cross'd! for once he sail'd the sea to crush the Moslem in his pride;
Dead the warrior, dead his glory, dead the cause in which he died.

Yet how often I and Amy in the mouldering aisle have stood,
Gazing for one pensive moment on that founder of our blood.

There again I stood to-day, and where of old we knelt in prayer,
Close beneath the casement crimson with the shield of Locksley--there,

All in white Italian marble, looking still as if she smiled,
Lies my Amy dead in child-birth, dead the mother, dead the child.

Dead--and sixty years ago, and dead her aged husband now--
I this old white-headed dreamer stoopt and kiss'd her marble brow.

Gone the fires of youth, the follies, furies, curses, passionate tears,
Gone like fires and floods and earthquakes of the planet's dawning years.

Fires that shook me once, but now to silent ashes fall'n away.
Cold upon the dead volcano sleeps the gleam of dying day.

Gone the tyrant of my youth, and mute below the chancel stones,
All his virtues--I forgive them--black in white above his bones.

Gone the comrades of my bivouac, some in fight against the foe,
Some thro' age and slow diseases, gone as all on earth will go.

Gone with whom for forty years my life in golden sequence ran,
She with all the charm of woman, she with all the breadth of man,

Strong in will and rich in wisdom, Edith, yet so lowly-sweet,
Woman to her inmost heart, and woman to her tender feet,

Very woman of very woman, nurse of ailing body and mind,
She that link'd again the broken chain that bound me to my kind.

Here to-day was Amy with me, while I wander'd down the coast,
Near us Edith's holy shadow, smiling at the slighter ghost.

Gone our sailor son thy father, Leonard early lost at sea;
Thou alone, my boy, of Amy's kin and mine art left to me.

Gone thy tender-natured mother, wearying to be left alone,
Pining for the stronger heart that once had beat beside her own.

Truth, for Truth is Truth, he worshipt, being true as he was brave;
Good, for Good is Good, he follow'd, yet he look'd beyond the grave,

Wiser there than you, that crowning barren Death as lord of all,
Deem this over-tragic drama's closing curtain is the pall!

Beautiful was death in him, who saw the death, but kept the deck,
Saving women and their babes, and sinking with the sinking wreck,

Gone for ever! Ever? no--for since our dying race began,
Ever, ever, and for ever was the leading light of man.

Those that in barbarian burials ****'d the slave, and slew the wife,
Felt within themselves the sacred passion of the second life.

Indian warriors dream of ampler hunting grounds beyond the night;
Ev'n the black Australian dying hopes he shall return, a white.

Truth for truth, and good for good! The Good, the True, the Pure, the Just--
Take the charm 'For ever' from them, and they crumble into dust.

Gone the cry of 'Forward, Forward,' lost within a growing gloom;
Lost, or only heard in silence from the silence of a tomb.

Half the marvels of my morning, triumphs over time and space,
Staled by frequence, shrunk by usage into commonest commonplace!

'Forward' rang the voices then, and of the many mine was one.
Let us hush this cry of 'Forward' till ten thousand years have gone.

Far among the vanish'd races, old Assyrian kings would flay
Captives whom they caught in battle--iron-hearted victors they.

Ages after, while in Asia, he that led the wild Moguls,
Timur built his ghastly tower of eighty thousand human skulls,

Then, and here in Edward's time, an age of noblest English names,
Christian conquerors took and flung the conquer'd Christian into flames.

Love your enemy, bless your haters, said the Greatest of the great;
Christian love among the Churches look'd the twin of heathen hate.

From the golden alms of Blessing man had coin'd himself a curse:
Rome of Caesar, Rome of Peter, which was crueller? which was worse?

France had shown a light to all men, preach'd a Gospel, all men's good;
Celtic Demos rose a Demon, shriek'd and slaked the light with blood.

Hope was ever on her mountain, watching till the day begun--
Crown'd with sunlight--over darkness--from the still unrisen sun.

Have we grown at last beyond the passions of the primal clan?
'**** your enemy, for you hate him,' still, 'your enemy' was a man.

Have we sunk below them? peasants maim the helpless horse, and drive
Innocent cattle under thatch, and burn the kindlier brutes alive.

Brutes, the brutes are not your wrongers--burnt at midnight, found at morn,
Twisted hard in mortal agony with their offspring, born-unborn,

Clinging to the silent mother! Are we devils? are we men?
Sweet St. Francis of Assisi, would that he were here again,

He that in his Catholic wholeness used to call the very flowers
Sisters, brothers--and the beasts--whose pains are hardly less than ours!

Chaos, Cosmos! Cosmos, Chaos! who can tell how all will end?
Read the wide world's annals, you, and take their wisdom for your friend.

Hope the best, but hold the Present fatal daughter of the Past,
Shape your heart to front the hour, but dream not that the hour will last.

Ay, if dynamite and revolver leave you courage to be wise:
When was age so cramm'd with menace? madness? written, spoken lies?

Envy wears the mask of Love, and, laughing sober fact to scorn,
Cries to Weakest as to Strongest, 'Ye are equals, equal-born.'

Equal-born? O yes, if yonder hill be level with the flat.
Charm us, Orator, till the Lion look no larger than the Cat,

Till the Cat thro' that mirage of overheated language loom
Larger than the Lion,--Demos end in working its own doom.

Russia bursts our Indian barrier, shall we fight her? shall we yield?
Pause! before you sound the trumpet, hear the voices from the field.

Those three hundred millions under one Imperial sceptre now,
Shall we hold them? shall we loose them? take the suffrage of the plow.

Nay, but these would feel and follow Truth if only you and you,
Rivals of realm-ruining party, when you speak were wholly true.

Plowmen, Shepherds, have I found, and more than once, and still could find,
Sons of God, and kings of men in utter nobleness of mind,

Truthful, trustful, looking upward to the practised hustings-liar;
So the Higher wields the Lower, while the Lower is the Higher.

Here and there a cotter's babe is royal-born by right divine;
Here and there my lord is lower than his oxen or his swine.

Chaos, Cosmos! Cosmos, Chaos! once again the sickening game;
Freedom, free to slay herself, and dying while they shout her name.

Step by step we gain'd a freedom known to Europe, known to all;
Step by step we rose to greatness,--thro' the tonguesters we may fall.

You that woo the Voices--tell them 'old experience is a fool,'
Teach your flatter'd kings that only those who cannot read can rule.

Pluck the mighty from their seat, but set no meek ones in their place;
Pillory Wisdom in your markets, pelt your offal at her face.

Tumble Nature heel o'er head, and, yelling with the yelling street,
Set the feet above the brain and swear the brain is in the feet.

Bring the old dark ages back without the faith, without the hope,
Break the State, the Church, the Throne, and roll their ruins down the *****.

Authors--essayist, atheist, novelist, realist, rhymester, play your part,
Paint the mortal shame of nature with the living hues of Art.

Rip your brothers' vices open, strip your own foul passions bare;
Down with Reticence, down with Reverence--forward--naked--let them stare.

Feed the budding rose of boyhood with the drainage of your sewer;
Send the drain into the fountain, lest the stream should issue pure.

Set the maiden fancies wallowing in the troughs of Zolaism,--
Forward, forward, ay and backward, downward too into the abysm.

Do your best to charm the worst, to lower the rising race of men;
Have we risen from out the beast, then back into the beast again?

Only 'dust to dust' for me that sicken at your lawless din,
Dust in wholesome old-world dust before the newer world begin.

Heated am I? you--you wonder--well, it scarce becomes mine age--
Patience! let the dying actor mouth his last upon the stage.

Cries of unprogressive dotage ere the dotard fall asleep?
Noises of a current narrowing, not the music of a deep?

Ay, for doubtless I am old, and think gray thoughts, for I am gray:
After all the stormy changes shall we find a changeless May?

After madness, after massacre, Jacobinism and Jacquerie,
Some diviner force to guide us thro' the days I shall not see?

When the schemes and all the systems, Kingdoms and Republics fall,
Something kindlier, higher, holier--all for each and each for all?

All the full-brain, half-brain races, led by Justice, Love, and Truth;
All the millions one at length with all the visions of my youth?

All diseases quench'd by Science, no man halt, or deaf or blind;
Stronger ever born of weaker, lustier body, larger mind?

Earth at last a warless world, a single race, a single tongue--
I have seen her far away--for is not Earth as yet so young?--

Every tiger madness muzzled, every serpent passion ****'d,
Every grim ravine a garden, every blazing desert till'd,

Robed in universal harvest up to either pole she smiles,
Universal ocean softly washing all her warless Isles.

Warless? when her tens are thousands, and her thousands millions, then--
All her harvest all too narrow--who can fancy warless men?

Warless? war will die out late then. Will it ever? late or soon?
Can it, till this outworn earth be dead as yon dead world the moon?

Dead the new astronomy calls her. . . . On this day and at this hour,
In this gap between the sandhills, whence you see the Locksley tower,

Here we met, our latest meeting--Amy--sixty years ago--
She and I--the moon was falling greenish thro' a rosy glow,

Just above the gateway tower, and even where you see her now--
Here we stood and claspt each other, swore the seeming-deathless vow. . . .

Dead, but how her living glory lights the hall, the dune, the grass!
Yet the moonlight is the sunlight, and the sun himself will pass.

Venus near her! smiling downward at this earthlier earth of ours,
Closer on the Sun, perhaps a world of never fading flowers.

Hesper, whom the poet call'd the Bringer home of all good things.
All good things may move in Hesper, perfect peoples, perfect kings.

Hesper--Venus--were we native to that splendour or in Mars,
We should see the Globe we groan in, fairest of their evening stars.

Could we dream of wars and carnage, craft and madness, lust and spite,
Roaring London, raving Paris, in that point of peaceful light?

Might we not in glancing heavenward on a star so silver-fair,
Yearn, and clasp the hands and murmur, 'Would to God that we were there'?

Forward, backward, backward, forward, in the immeasurable sea,
Sway'd by vaster ebbs and flows than can be known to you or me.

All the suns--are these but symbols of innumerable man,
Man or Mind that sees a shadow of the planner or the plan?

Is there evil but on earth? or pain in every peopled sphere?
Well be grateful for the sounding watchword, 'Evolution' here,

Evolution ever climbing after some ideal good,
And Reversion ever dragging Evolution in the mud.

What are men that He should heed us? cried the king of sacred song;
Insects of an hour, that hourly work their brother insect wrong,

While the silent Heavens roll, and Suns along their fiery way,
All their planets whirling round them, flash a million miles a day.

Many an aeon moulded earth before her highest, man, was born,
Many an aeon too may pass when earth is manless and forlorn,

Earth so huge, and yet so bounded--pools of salt, and plots of land--
Shallow skin of green and azure--chains of mountain, grains of sand!

Only That which made us, meant us to be mightier by and by,
Set the sphere of all the boundless Heavens within the human eye,

Sent the shadow of Himself, the boundless, thro' the human soul;
Boundless inward, in the atom, boundless outward, in the Whole.

                                                *

Here is Locksley Hall, my grandson, here the lion-guarded gate.
Not to-night in Locksley Hall--to-morrow--you, you come so late.

Wreck'd--your train--or all but wreck'd? a shatter'd wheel? a vicious boy!
Good, this forward, you that preach it, is it well to wish you joy?

Is it well that while we range with Science, glorying in the Time,
City children soak and blacken soul and sense in city slime?

There among the glooming alleys Progress halts on palsied feet,
Crime and hunger cast our maidens by the thousand on the street.

There the Master scrimps his haggard sempstress of her daily bread,
There a single sordid attic holds the living and the dead.

There the smouldering fire of fever creeps across the rotted floor,
And the crowded couch of ****** in the warrens of the poor.

Nay, your pardon, cry your 'forward,' yours are hope and youth, but I--
Eighty winters leave the dog too lame to follow with the cry,

Lame and old, and past his time, and passing now into the night;
Yet I would the rising race were half as eager for the light.

Light the fading gleam of Even? light the glimmer of the dawn?
Aged eyes may take the growing glimmer for the gleam withdrawn.

Far away beyond her myriad coming changes earth will be
Something other than the wildest modern guess of you and me.

Earth may reach her earthly-worst, or if she gain her earthly-best,
Would she find her human offspring this ideal man at rest?

Forward then, but still remember how the course of Time will swerve,
Crook and turn upon itself in many a backward streaming curve.

Not the Hall to-night, my grandson! Death and Silence hold their own.
Leave the Master in the first dark hour of his last sleep alone.

Worthier soul was he than I am, sound and honest, rustic Squire,
Kindly landlord, boon companion--youthful jealousy is a liar.

Cast the poison from your *****, oust the madness from your brain.
Let the trampled serpent show you that you have not lived in vain.

Youthful! youth and age are scholars yet but in the lower school,
Nor is he the wisest man who never proved himself a fool.

Yonder lies our young sea-village--Art and Grace are less and less:
Science grows and Beauty dwindles--roofs of slated hideousness!

There is one old Hostel left us where they swing the Locksley shield,
Till the peasant cow shall **** the 'Lion passant' from his field.

Poo

We’ve been walking on this journey for years now, and I’ve held your hand long enough to know that when I slip into quicksand or miss a step, it is not you who lets go. Your fingers aren’t the ones coated in doubt or in selfishness, gripping firmly only when it feels right, when it feels necessary. Your hands are not made of brittle bone, shivering and breaking when the cold starts to show. Teach me to never let go.

We’ve known plenty of good weather. Safe landings. Skies full of stars and days of endless wind. Scraped knees were never a problem, we always seemed to be in fields of yellow and green, surrounded by miles and miles of running streams. There were times when I would purposefully stumble, thinking that it would be okay, I’d land elbows first in the faces of dandelions anyway. Other times I’d stray, not because of greener grass, but because I was too caught up smelling that single flower to see that you were calling me to the next meadow, where petals of a sweeter smell and prettier colors stretch out like a seascape. Teach me to give up my little treasures and desires, for yours are far better.

Sometimes I get a little adventurous. I tell you I want mountains. I tell you I want to climb, that I want the strain and the adrenaline rush, the thrill of letting pieces of hardened sand and pebble carry my whole weight, the challenge, the sweat, the blood. I tell you I want to see things from the eyes of God. I tell you I want to struggle and overcome. I tell you I want the soul of a deer, to plant my feet firmly on the narrow heights, I tell you I’m alright but when I’m actually in the process of the climb, in the process of the waiting, wondering which rock do I grasp next, which path do I trust with my steps, I tell you I’m not ready for mountains after all. But you did not bring me here to watch me fall, so teach me. Teach me to keep my ankles strong, and my hold on you stronger.

And when we tire of mountains, you take me to oceans. You know how much I love the saltwater mysteries, how my heart sings when I get to feel clumps of wet sand beneath the soles of my feet. And you know how much I don’t know about the waters, you know that it’s hard for me to tell when an undercurrent comes sweeping like thousands of tiny *****, that I can’t spot the difference between high tide and low tide until the waves are lapping at my door, that I still swim after jellyfish no matter how many times I’ve been stung, and how I forget that not every beautiful thing has beautiful intentions, and especially how oceans also terrify the breath out of me. One of my deepest fears is to die drowning, but still you row us out in a weathered boat into the middle of the sea, no life vests or whistles, nothing. We’ve had calm waters and dolphin mornings, we’ve had rough rowing and storms brewing, and each time you managed to put the thundering and rumbling in my chest to rest, and each and every time you’ve gotten us back to shore. But honestly, there are days I want to jump ship, sail my own boat, find my own sea, and some days I do. Those days I lose my way, those days I’m half drowned, but I turn around and find you there. Teach me to trust the one whose voice the waves and wind know.

Now here we are in a different kind of sea, the kind without water. This pit is abundant in ***** yellow devils, illusions and false promises, but all I have are questions and weary feet. Why are we here? Where are we going? Why did we leave? How am I going to shake off this mirage? When is it going to rain? After all we've been through, this is where you're taking me?

My path is an endless circle, a cycle using my sight, my heart, my feelings, my stocked up wisdom to judge my situation and I come to the conclusion that you have deserted me. But you haven't. And I don't understand how you stuck with me through hills and valleys, and never once thought of leaving, but you haven't. Your shadow is cast on me and peace overflows. Maybe I've been asking the wrong questions. Maybe instead of asking you where the stretch of sand ends, I should be asking you to teach me.

Teach me to love you in every season, whether it be the harshest of winters or the wildest of heats. Teach me to understand that deserts make me thirst for water, that I need to be lost so that I may be found, that without a battle there is no victory, that seeds die before they grow into trees. But before anything else, teach me to let the sound of your voice to be what guides me through winding paths and roaring winds, not which road looks smooth or which sky looks dim.

We've been walking on this journey for years now, and I've held your hand long enough to know that all this time you have been teaching me to fall in love with my eyes closed.