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"untested" poems
I bought myself a kite to fly I tossed it up and ran around I tried to pull it through the sky But found it just dragged on the ground. It landed in the mud, it was mangled, it was done And thus concludes the tragic tale of the kite I numbered one. My second kite was different. It caught a mighty gale I flew it well, then let it go And in the end I failed. It joined released balloons and leaves, whatever else is there In the ***** lonely cloudland in the out-of-picture air. I still had hope and so I bought My final silken bird I told myself that I would soon Unleash it to the word. The kite's debut date got pushed back and further back until It found a final resting place untested in its skill. I bought myself three kites to fly The first two meet ill fates The third one has a dusty shelf Where it keeps very safe.
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Sep 13, 2018
Sep 13, 2018 at 10:34 PM UTC
Tales of Three Kites
Standing between me and you are many untested assumptions and assumptions that we are not consciously aware, were we to meditate lotus to lotus would that clear the air?
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Feb 18, 2011
Feb 18, 2011 at 8:51 AM UTC
Lotus to lotus
Many things in my life, unsorted many thoughts in my life, uncategorized many mysteries in my life,unsolved many potentials in my life, untested many emotion in my life,unlabeled many problems in my life,remains unresolved many days pass away, unnoticed                           and still, my life continues...
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Mar 5, 2017
Mar 5, 2017 at 10:06 PM UTC
Life continues
Welcome to the con! The con starts with the author, Dr. Seuss. He's no doctor.  And that's a fact (and no it's not the only truthful thing in this diatribe of mine).  He used the doctor moniker to sell more books!        That guy in the book pestering the other guy to try "Green Eggs and Ham"? Turns out to be the ham and egg salesman, Sam I Am.   It's a motivational selling "won't take no for an answer" how to sell book disguised as children's literature.     And Sam I Am is psychotically relentless in his pursuit of a sale.  He needs a restraining order slapped on his ***                    "Would you eat them in a box? Would                     you eat them with a fox. Would you eat                     them with a goat.  Would you eat them on a                      boat".  Would you eat green eggs and ham,                     would you eat them Sam I Am?                                                                         Dr. Seuss And on and on. Sam I Am goes stalking him from page to page.        I had a friend of mine, Mustard Joe, ex war veteran with more than twenty kills (you don't even want to know the things he's seen) take a look into this green eggs and ham food source that Sam I Am is pushing so hard.  Here are some of the ingredients he may or may not have found.                                 Ham   --        30 grams of sugar (questionable )                          --       15 grams of caffeine (untested)                                Green eggs   --          Trace amounts of nicotine ( not verified)                         --          Handfuls of ******* (rumored) As you can see, It's not an exact science. People. When eggs turn green, that's mother nature trying to warn you that your food has gone bad.    But in the end, Sam I Am gets the fool to finally try the green eggs and ham and he absolutely loves it.  Maybe the books lesson   is about to not be afraid about things you don't understand or never tried. But I still believe there is insidious deception and evil in the book. I have to think that way.  Because after all -- I'm Willoughby !!
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Nov 15, 2018
Nov 15, 2018 at 12:12 PM UTC
The Truth about the Book "Green Eggs and Ham".
Welcome to the con! The con starts with the author, Dr. Seuss. He's no doctor.  And that's a fact (and no it's not the only truthful thing in this diatribe of mine).  He used the doctor moniker to sell more books!        That guy in the book pestering the other guy to try "Green Eggs and Ham"? Turns out to be the ham and egg salesman, Sam I Am.   It's a motivational selling "won't take no for an answer" how to sell book disguised as children's literature.     And Sam I Am is psychotically relentless in his pursuit of a sale.  He needs a restraining order slapped on his ***                    "Would you eat them in a box? Would                     you eat them with a fox. Would you eat                     them with a goat.  Would you eat them on a                      boat".  Would you eat green eggs and ham,                     would you eat them Sam I Am?                                                                         Dr. Seuss And on and on. Sam I Am goes stalking him from page to page.        I had a friend of mine, Mustard Joe, ex war veteran with more than twenty kills (you don't even want to know the things he's seen) take a look into this green eggs and ham food source that Sam I Am is pushing so hard.  Here are some of the ingredients he may or may not have found.                                 Ham   --        30 grams of sugar (questionable )                          --       15 grams of caffeine (untested)                                Green eggs   --          Trace amounts of nicotine ( not verified)                         --          Handfuls of ******* (rumored) As you can see, It's not an exact science. People. When eggs turn green, that's mother nature trying to warn you that your food has gone bad.    But in the end, Sam I Am gets the fool to finally try the green eggs and ham and he absolutely loves it.  Maybe the books lesson   is about to not be afraid about things you don't understand or never tried. But I still believe there is insidious deception and evil in the book. I have to think that way.  Because after all -- I'm Willoughby !!
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36
salt stings wounds salt stings eyes, entering, leaving... healing, healing. The sea will take you away. I tire of hearing abot these migrants well they tire of the rick-shaw of an untested boat of their homes becoming rubble & dust clouds, of seeing blood in the dirt. As long as there is war, as long as there is famine as long as there exists somewhere called 'refuge' then there will be refugees. Oh child, rocked to sleep by the tide... you should never have to answer for adult violence, innocent & sleepy, sinless. You have been written in blood in the old books you have been decided for. Your dice have been rolled by strange hands; born amid angry eyes, and so shall die, washed ashore upon sand, carried quietly away to your final crib to your refuge.
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Sep 15, 2015
Sep 15, 2015 at 4:23 PM UTC
Syrian child washes ashore
something stirred and alive came forth out of my own heart it spoke *all creation is of equalities sister brother relations here is truth* not to let it pass untested i made an agreement with belief *blade of summer grass teach me dust speck gold starshine water droplet prisms fortuitous spider i hear your messages* spider moved in her sun-sparkled circle she threw me spider kisses but when i gave her kisses back some voice came booming *humanity is the golden crown of god's achievement* and the spirit of these words then took flight, transversed my landscape, crossed an ocean's width of time and dropped under the waves with the natural weight its distorted truth practices of superiority of ********** of killing exploitation rose from the collective-- flashed their white lightening but struck counter-- diluting dissolving disarming greediness and favoritism manipulation and lies expectation of privilege so called divine right a voice it came again so that greater love may have heard itself *all creation is conscious all is alive all are equal* *none is better or worse than another* remember this to practice
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Jan 25, 2016
Jan 25, 2016 at 3:48 PM UTC
this is humility
http://hellopoetry.com/search/poems/?q=Betterdays **as is my wanton wont, when stumbling upon a new voice, the passed baton is herein handed off** am old man. my poetic voice is just memories that are repetitive lies and lines. speak in simple sentences declarative. this is nature's way. darkness approaching is indeed my au courant poem, mon actuellement. I have seen better days. I have read betterdays. now I am upset, distraught. here come another young hot bright votive voice, and I am being asked to believe that there are still words that raise hopes of betterdays. her bed chip crumbs, delighting, leave crumbs of pleasure in my soul. l like her big word poems, that leave me, fill me by: *siphoning all in a parched gluttony leaving behind a viscous residue and few glassine portals into a reflective world* better yet I love her mothering little god poems, letting me remember little boys who once loved a father *little god love radiant is thy smile, smallboy love, exudes from you, like a flower god's nectar, bestowed, with negligent love, upon a mother's world. i will drink my fill, everyday, whilst i can, for far to soon will you grow up.* don't speak eastern Australian, tackers and doona's, no clue, blue cats are a foreign breed, but the cat of this starfish mother, shares my literary tastes: *him, nestled, on the second, to uppermost stay, of the third bookshelf, in the study. he has filed himself, between, ogden nash and proust and it is there, he plans to stay.* let me not go on and in deeper, lest I delay you from her pleasuring thy tasted untested senses. so here I am all grumpified (at my age, you can make up your own words) unsure if un or satisfied, knowing that a woman, word whips me into a soothing frenzy of creamy morning coffee verbosity, a captive taker of life's ungrandest moments, poems of them, make to glory come. somewhere in the world, a woman writes of plain goodness of simple strife and simple lives, makes methinks that there could be betterdays still ahead, better poets surely, than me, and the day starts well
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Mar 29, 2014
Mar 29, 2014 at 8:50 AM UTC
betterdays (read the new poets March 2014)
http://hellopoetry.com/search/poems/?q=Betterdays **as is my wanton wont, when stumbling upon a new voice, the passed baton is herein handed off** am old man. my poetic voice is just memories that are repetitive lies and lines. speak in simple sentences declarative. this is nature's way. darkness approaching is indeed my au courant poem, mon actuellement. I have seen better days. I have read betterdays. now I am upset, distraught. here come another young hot bright votive voice, and I am being asked to believe that there are still words that raise hopes of betterdays. her bed chip crumbs, delighting, leave crumbs of pleasure in my soul. l like her big word poems, that leave me, fill me by: *siphoning all in a parched gluttony leaving behind a viscous residue and few glassine portals into a reflective world* better yet I love her mothering little god poems, letting me remember little boys who once loved a father *little god love radiant is thy smile, smallboy love, exudes from you, like a flower god's nectar, bestowed, with negligent love, upon a mother's world. i will drink my fill, everyday, whilst i can, for far to soon will you grow up.* don't speak eastern Australian, tackers and doona's, no clue, blue cats are a foreign breed, but the cat of this starfish mother, shares my literary tastes: *him, nestled, on the second, to uppermost stay, of the third bookshelf, in the study. he has filed himself, between, ogden nash and proust and it is there, he plans to stay.* let me not go on and in deeper, lest I delay you from her pleasuring thy tasted untested senses. so here I am all grumpified (at my age, you can make up your own words) unsure if un or satisfied, knowing that a woman, word whips me into a soothing frenzy of creamy morning coffee verbosity, a captive taker of life's ungrandest moments, poems of them, make to glory come. somewhere in the world, a woman writes of plain goodness of simple strife and simple lives, makes methinks that there could be betterdays still ahead, better poets surely, than me, and the day starts well
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83
Please, I've forgotten how to hold a pen, she said. Those were the words that convinced me to write a letter from a stranger to a stranger. So this is a message to you from her. She's asking how you're doing. She wonders if the stars are brighter where you are. You know, there's a meteor shower coming in a few weeks' time, she's she's asking if you knew, and if you'd watch it with her at eleven in the evening the Saturday after the next so she'd feel like you were right there beside her pointing out which streak held the most brilliant color and if you're asking, she's doing fine. She's wondering if you know how silkworms spin silk, because a friend asked her the other day she didn't know how to reply except by telling herself that you would've known, so how do they spin silk? Let me know as soon as possible, she says my friend wants to know. But I think she's asking that as an excuse to hear your voice but also because she really wants to know how silkworms spin silk and if you think jade is the nicest kind of green or if you prefer hiking or swimming if you agree that innocence is just untested character and if you're asking, she's longing for answers. She's hoping you don't think of her, and she's hoping you do. She wants me to tell you that she wants you to remember but she wants you to forget the pain, so might as well forget everything because hurt is the price of loving someone. She confesses that she's tried to stop writing about you but every time she sits down to write her soul into words your memory slips in and dances off her pages and she tries to stop it and if you're asking, she's trying to find ways to make thinking about you easier. According to her, she's quieter now not just her mouth but her feet, her hair her eyes her spirit Look at what you've done, she says. I I've always been a terrible liar. Please, I've forgotten how to hold a pen.
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Dec 21, 2013
Dec 21, 2013 at 10:54 AM UTC
Pen
Please, I've forgotten how to hold a pen, she said. Those were the words that convinced me to write a letter from a stranger to a stranger. So this is a message to you from her. She's asking how you're doing. She wonders if the stars are brighter where you are. You know, there's a meteor shower coming in a few weeks' time, she's she's asking if you knew, and if you'd watch it with her at eleven in the evening the Saturday after the next so she'd feel like you were right there beside her pointing out which streak held the most brilliant color and if you're asking, she's doing fine. She's wondering if you know how silkworms spin silk, because a friend asked her the other day she didn't know how to reply except by telling herself that you would've known, so how do they spin silk? Let me know as soon as possible, she says my friend wants to know. But I think she's asking that as an excuse to hear your voice but also because she really wants to know how silkworms spin silk and if you think jade is the nicest kind of green or if you prefer hiking or swimming if you agree that innocence is just untested character and if you're asking, she's longing for answers. She's hoping you don't think of her, and she's hoping you do. She wants me to tell you that she wants you to remember but she wants you to forget the pain, so might as well forget everything because hurt is the price of loving someone. She confesses that she's tried to stop writing about you but every time she sits down to write her soul into words your memory slips in and dances off her pages and she tries to stop it and if you're asking, she's trying to find ways to make thinking about you easier. According to her, she's quieter now not just her mouth but her feet, her hair her eyes her spirit Look at what you've done, she says. I I've always been a terrible liar. Please, I've forgotten how to hold a pen.
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60
Cold candy Pop rocks bursting in the morning hail My mouth a mess and mind untested Tired and still The morning reaches out to me But nothing gets better at this time of day I wish my words could carry me Like I carry a them, away
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Nov 16, 2017
Nov 16, 2017 at 10:23 AM UTC
Cold Mornings
empty hallways, forgotten voices pictures hang, dusty and off balanced cobwebs spread from door to mirror a young rat scurries past the broken floor his picture still hangs over the fireplace a spider runs down his well-shaped nose each brush stroke is thick and sculptured the dust collects as sand dunes the whole room seems mysterious books of occult line the paint-chipped walls the windows cracked the night air blows dead trees peer down on slamming shutters the old house creeks and cracks howling doge are echos of past crickets sing songs of last dreams this house, this ledgend infinte captures one's mind as lonley and hideous remembers it's myths fools false illusions under the now dim light of the moon spooks creep silent footsteps his spirit surrounds the acre truth and lies untested question of how he lived alone from living
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Dec 7, 2012
Dec 7, 2012 at 11:17 PM UTC
memories
This Heart of Life will always be Content Avoid Dependents; And it would Respond And who would a Poet's Charge to Comment When all it could do is a sever a Bond? This Lousy but Coveted Chain; Worn out by Claws Whose Beast left unknown save only a scratch My Heart's own Mystery untested by Flaws Yet none but your Face can equally match. Am I yet a Wing? That I need the Other to fly For Icarus did in his Ignorance fail So if Feathers can fall, how much more a Lie When the Sun's Tongue hung my Deeds with a Nail? How can I fill my Flight if this I Live Unsettled by Claws, unwilling to Forgive?
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Mar 10, 2013
Mar 10, 2013 at 11:28 PM UTC
SONNET TRIBUTE SUNDRY - TWENTY - TOM DALEY
Dragon Boy is on stage again, Roaring and crooning. His Claws clutch, scratch and scrape A hoard of glistening emotions. His slick-sharp canines gleam Between tight stretched lips; Choppy, halting motions sway His guitar-pent hips with the rhythm. Leather wings beating and straining Against the heavy wood stage - He's gonna fly away at this rate. He wrenches open iron jaws and Suppressed fire screams from his Throat, scorching his tongue, Licking and charring the mic. He'll take his usual tribute: untried, Untested ears ringing in needy delight. Then ache to his ancient diamond bones, Slither fatly from an unruly stage, And scuffle, sated, home.
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Sep 5, 2010
Sep 5, 2010 at 3:35 PM UTC
Dragon Diva
A trilogy of love: bared, shared, pared Lust's shallow wave: crests, cascades, crashes Deeper, emotive swells: rise, rumble, release Conflicting currents form rip tide: tugging, tossing, tearing Amor's undulating rhythms pulsate Low tide, latent fantasies surface ego to ingratiate  High tide, a endless churning of desires our longing cannot satiate Libidinous breakers scour lecherous bottom; a brackish foam doth emanate In the deeper recesses of our minds, a rational connection percolates From the depths, a heart-felt ****** rises; a growing bond initiates Two, constant minds mutually sharing space; each hope, dream resonates Surface tension increases; two hearts mount each obstacle, common course navigates Nearing balmy shore, strong winds of indifference blow Into eroding channels untested lovers unwittingly row Selfish goals drag the unstable pair into the undertow Corrosive fears, unmitigated doubts sever trust placing love in escrow
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Sep 16, 2011
Sep 16, 2011 at 4:58 AM UTC
Undulating Wave of Love
I tell my secret? No indeed, not I: Perhaps some day, who knows? But not to-day; it froze, and blows, and snows, And you're too curious: fie! You want to hear it? well: Only, my secret's mine, and I won't tell. Or, after all, perhaps there's none: Suppose there is no secret after all, But only just my fun. To-day's a nipping day, a biting day; In which one wants a shawl, A veil, a cloak, and other wraps: I cannot ope to every one who taps, And let the draughts come whistling through my hall; Come bounding and surrounding me, Come buffeting, astounding me, Nipping and clipping through my wraps and all. I wear my mask for warmth: who ever shows His nose to Russian snows To be pecked at by every wind that blows? You would not peck? I thank you for good-will, Believe, but leave that truth untested still. Spring's an expansive time: yet I don't trust March with its peck of dust, Nor April with its rainbow-crowned brief showers, Nor even May, whose flowers One frost may wither through the sunless hours. Perhaps some languid summer day, When drowsy birds sing less and less, And golden fruit is ripening to excess, If there's not too much sun nor too much cloud, And the warm wind is neither still nor loud, Perhaps my secret I may say, Or you may guess.
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2k
Winter: My Secret
like a seesaw, there is a nonexistant stable foundation, only yes and no answers you are a rhetorical question and an untested hypothesis, but this is all wrong this army wasn't meant to stir in it's wake, and this was a natural homecoming that could only end in some complex disaster, and my roots were torn from home, swiftly kidnapped, finding eagerness in the idea of you and the solace you bring i am acutely aware that you could bend me into whatever you wished, a bow on your tree something proud that you can show everyone, but i'm scared of being treated less than deserved like a crumpled up idea on paper that was never meant to be shown with the answer, solution, counterclaim written in permanent black marker, forevermore never changed in my eyes, i merely forgotten about the acid reflex i'd get after i was given a finalized ultimatum, forgotten how to see in color because my brain can only remember you in monochrome, but you're so vivid in my head, there's no way someone like you could be just smoke and mirrors, i've read and folded every page of your autobiography to save for later whenever i needed some peace of mind. - kra
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Dec 15, 2013
Dec 15, 2013 at 9:38 PM UTC
asymmetrical
optimists and pessimists need each other to diffuse their respective perspectives. pessimists get too helpless. they feel everything is on them. it starts to feel like they think they're Atlas, or Sisyphus. pushing their boulder up the mountain, forever and ever alone. some inferiority complexes border on narcissism. optimists get too helpful. they burn so hot they forget that sometimes they can be as useless as the pessimists feel. most people that want to be positive, surround themselves with positive people. and negativity vice versa. this creates delusion. it makes happy people seeing all that's happy and unhappy people seeing all that's unhappy. no one group feels for the other and neither ends up feeling anything completely. you put yourself in a position where all your input contains a consistent confirmation of your stale, untested outlook. if nothing is tested, nothing is validated. that's just science. surround yourself with people that diffuse you. you need that tension. if nothing else, you won't get bored.
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Nov 3, 2013
Nov 3, 2013 at 6:39 AM UTC
diffusion
Why are you so crazy You want so much from me You want me to be knightly Yet you're no sort of Lady I'm a citizen-soldier There are none much bolder I won't fall on a knife Just to ease your life I'm the one in the mud All covered in Blood Yet the way you're acting You think I'm a king You want me in a shiny Chestplate You think it's the perfect mate I'll tell you one thing I'll not deliver you a ring Shiny Armour It's purely glamour It contains no honour Untested metal Sure to crumble I'm a citizen-soldier Suited for God's honour I'm not a Knight in Shining Armour
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Apr 18, 2014
Apr 18, 2014 at 4:35 PM UTC
Tested True
She diligent and indigenous here palladium sought rally call nigh defiant shore and untested water with her only real rationale foreseen with motive and her intransigent caper that her heart beholden belligerent with peace.
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Sep 16, 2016
Sep 16, 2016 at 12:12 PM UTC
Diligence
I bought myself a kite to fly I ran through sunny fields And tried to urge it to the sky But it skipped at my heels I leaped and danced for childish years It never left the ground I noticed through my childish tears What's left of it was brown It was torn in the mud, so it was mangled, it was done And thus concludes the tragedy of the kite I numbered one. My second kite was stronger, though. It caught a mighty gale my heart flew with it in the yellow Rainbow sky it sailed I smiled.  My kite, it seemed to me, Would always stay as mine But the sting slipped and I lost my grip I lost it to the sky It joined with bubbles and balloons, whatever else is there In the ***** lonely cloudland in the out-of-picture air. I still had hope and so I bought My final silken bird I told myself that I would soon Unleash it to the word. I planned that on a weekend soon   I’d make it to the field. The colors all would show again Just once my schedule cleared The kite's debut date got pushed back and further back until It found a final resting place untested in its skill. I bought myself three kites to fly The first two meet ill fates The third one has a dusty shelf Where it keeps very safe.
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Nov 8, 2018
Nov 8, 2018 at 4:36 PM UTC
My Three Kites- Revised and Expanded Edition
My whole life I've been lost, and my whole life they've said, "go home". I've read enough books and I've seen more than enough films to know home isn't always the same place we retire ourselves to night after night. So I lay awake - Is this all there is? In my dreams, the most beautiful places in the entire world come alive: The Pyramids of Egypt, Grand Canyon, Even Venice, Italy. I can taste the adventure, but I wake into a world with four walls and no stories to tell. Is this all there is? "So travel," they tell me. "See it all, the big cities and bright lights, dip your feet in untested waters, go on." And I've mustered enough courage to get myself out of bed, to the car and to brush past all my old friends. I've got luggage, and a train ticket. And I've got baggage, and a question: Is this all there is? "Board, or go home", the man behind me whines. "Maybe I'll do both," I mutter, but I find myself slunk against a wall waiting for a departed train. All my life, I've been lost. Four walls and five words - and they haunt me every day. I could travel, I could go home, but I'd still be lost anyway. Every inch of the world could be mine, to touch and to wander. But what if I had boarded only to find home was always in these four walls echoing the same 5 hollow words - Is this all there is?
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May 4, 2014
May 4, 2014 at 9:38 PM UTC
Questions Better Left Unanswered
Here within these walls We are taught the tools for life To live it, survive it, To thrive in a world full of guise. But See People think that here the learning's based on grades That books and pencils dominate our lives. But in a world small as a spinning globe, We learn more important things. Lessons go untested, uncharted, unacknowledged. Here and now We learn what stays burned into our brains Etched into our thoughts Lesson's we'll never ever forget So drilled and memorized are they. And that is why we want to leave. To run. To forget. Here we learn the unendurable lessons that our lives revolve around. We learn to love, we learn to lose, We learn to be used and to act to perfection. We learn to suffer, we learn to hate, we learn to feel jealousy And shame And fear. We learn that in a world as small as this One person can turn the sky black, or blue. One person can bruise the soul. We learn to take our hurting seriously No matter what small thing has dredged it up. We learn to endure, to go on, to give up, to play dead, to play alive, And oh, god, do we learn to wait. For the day we might be at least an inch removed from our teachers. For our truest teachers in high school have no degrees, No qualifications. The most important teachers we will ever meet Have nothing whatsoever to do with grades. They teach you that You can't leave You can't hide You can't run You can't try They teach humiliation and obsession and seduction and depression. In twenty years, when somebody asks me what I learned in high school, I cannot be sure that the first thing I say will be Mathscienceenglishgeographyfrench I cannot be sure that the words won't fall from my lips Before I can reel them back in- Even years hence- "In high school, I learned how to bleed."
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May 8, 2013
May 8, 2013 at 9:45 PM UTC
Teachers
Here within these walls We are taught the tools for life To live it, survive it, To thrive in a world full of guise. But See People think that here the learning's based on grades That books and pencils dominate our lives. But in a world small as a spinning globe, We learn more important things. Lessons go untested, uncharted, unacknowledged. Here and now We learn what stays burned into our brains Etched into our thoughts Lesson's we'll never ever forget So drilled and memorized are they. And that is why we want to leave. To run. To forget. Here we learn the unendurable lessons that our lives revolve around. We learn to love, we learn to lose, We learn to be used and to act to perfection. We learn to suffer, we learn to hate, we learn to feel jealousy And shame And fear. We learn that in a world as small as this One person can turn the sky black, or blue. One person can bruise the soul. We learn to take our hurting seriously No matter what small thing has dredged it up. We learn to endure, to go on, to give up, to play dead, to play alive, And oh, god, do we learn to wait. For the day we might be at least an inch removed from our teachers. For our truest teachers in high school have no degrees, No qualifications. The most important teachers we will ever meet Have nothing whatsoever to do with grades. They teach you that You can't leave You can't hide You can't run You can't try They teach humiliation and obsession and seduction and depression. In twenty years, when somebody asks me what I learned in high school, I cannot be sure that the first thing I say will be Mathscienceenglishgeographyfrench I cannot be sure that the words won't fall from my lips Before I can reel them back in- Even years hence- "In high school, I learned how to bleed."
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50
Pull down the kiss-me mistletoe, box up the decorations, Raise not a glass of merry cheer to toast the congregation; Look through the pane to fairy lights that flicker blue and red To cast their light upon the white snow-laden garden bed *voices creep from wall to wall down spiral stairs, down darkened hall, down basement steps they coo and call for innocence now shed* Pick up the bricks and colored pens, wash up pineapple plate, Dust off the tapped untested phone as looming thoughts collate; Gaze not toward the basement door, dispel it from your head, Rest weary limbs to soothing hymns to right the world instead *shadows lengthen, shadows fall to mirror blackened velvet pall that drapes around you like a shawl and covers you in dread* Put down the morning newspapers, switch off the TV set, Unwanted stark reminders of a day you can't forget; Avoid all conversations of a thing best left unsaid, Withdraw inside where you can hide as evil rumors spread *whispers linger, whispers maul at senses locked in sharp recall to try to make sense of it all when innocence is dead*
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Jun 18, 2015
Jun 18, 2015 at 10:16 AM UTC
J. P. R.
#(For the one who asked if we would continue) She does not aim to destroy him. She does not even try to teach him.    She simply Becomes. And her becoming—raw, radiant, terrifying in its beauty— is what breaks him open. The man who watches her rightly does not crave her. He remembers himself in her Unfolding. Not the ego-self. The soul-self—the one buried beneath performance. She does not say: "Come fix me." She says: "Can you stand what I’m becoming? And that is the call. For it is not the broken feminine that births great men. It is the rising feminine—becoming whole before his eyes— that forces him to face what in him remains unclaimed, untested, afraid. But she does not rise by accident. Her light is not a crown—it is a choice. She has known the temptation to ****** instead of shine.. To brand her ache, to perform her pain, to curate identity instead of embody truth. But she turns—again and again—toward the deeper  yes. The one that costs her audience, but saves her soul. She repents. She reclaims. She speaks, then listens. She writes, then revises. She does not demand to be understood—    she hungers to be made whole. Her rising is her responsibility. Not a show, not a vengeance, not a staged deliverance. It is the quiet courage to be seen—by God,    even if man never looks again. And so, she becomes the muse. Not by force, not by flirtation, but by standing in her own unfolding, in her own ache made sacred. She does not ****** him with need. She muses him with light. But her light is costly. It exposes the unintegrated parts of him— the unredeemed rooms he’s kept boarded up for years. She does not kick down the door. She simply opens the curtains. And in that sudden flood of glory, he must choose: to run, or to remain. If he remains— not as savior, not as shadow, but as witness— he becomes new. This is not ********** It is mutual divination. She rises,  and he roots. He roots,  and she trusts. And they become—together—     the very echo of Eden. Not by escaping the fire, but by walking through it as invitation. Not as gods. But as those who remember who made them. And when she falters—when the ache flares again— it is not applause she turns to. It is him. The one who stood. The one who still stands. The one whose strength was not his own, but who dared to offer it anyway. His is the strength she draws from, all along— strength born not of dominance, ***but of what she called forth in him when she chose to rise.*** And so, they become what neither could be alone: the light that burns     but does not consume,    the root and the flame,    the holy loop of return. #
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Apr 24, 2025
Apr 24, 2025 at 6:44 PM UTC
The Feminine Spirit// The Light That Summons the Man to Rise
#(For the one who asked if we would continue) She does not aim to destroy him. She does not even try to teach him.    She simply Becomes. And her becoming—raw, radiant, terrifying in its beauty— is what breaks him open. The man who watches her rightly does not crave her. He remembers himself in her Unfolding. Not the ego-self. The soul-self—the one buried beneath performance. She does not say: "Come fix me." She says: "Can you stand what I’m becoming? And that is the call. For it is not the broken feminine that births great men. It is the rising feminine—becoming whole before his eyes— that forces him to face what in him remains unclaimed, untested, afraid. But she does not rise by accident. Her light is not a crown—it is a choice. She has known the temptation to ****** instead of shine.. To brand her ache, to perform her pain, to curate identity instead of embody truth. But she turns—again and again—toward the deeper  yes. The one that costs her audience, but saves her soul. She repents. She reclaims. She speaks, then listens. She writes, then revises. She does not demand to be understood—    she hungers to be made whole. Her rising is her responsibility. Not a show, not a vengeance, not a staged deliverance. It is the quiet courage to be seen—by God,    even if man never looks again. And so, she becomes the muse. Not by force, not by flirtation, but by standing in her own unfolding, in her own ache made sacred. She does not ****** him with need. She muses him with light. But her light is costly. It exposes the unintegrated parts of him— the unredeemed rooms he’s kept boarded up for years. She does not kick down the door. She simply opens the curtains. And in that sudden flood of glory, he must choose: to run, or to remain. If he remains— not as savior, not as shadow, but as witness— he becomes new. This is not ********** It is mutual divination. She rises,  and he roots. He roots,  and she trusts. And they become—together—     the very echo of Eden. Not by escaping the fire, but by walking through it as invitation. Not as gods. But as those who remember who made them. And when she falters—when the ache flares again— it is not applause she turns to. It is him. The one who stood. The one who still stands. The one whose strength was not his own, but who dared to offer it anyway. His is the strength she draws from, all along— strength born not of dominance, ***but of what she called forth in him when she chose to rise.*** And so, they become what neither could be alone: the light that burns     but does not consume,    the root and the flame,    the holy loop of return. #
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ex libris, from the library of my vocabulary, draw a slender text, old, yet untitled, needy for a birthright, transforming unlined, unwritten, into a flesh and bloodied word concoction there are many similar such, empty volumes, on my mental bookshelves, literary clocks that have yet to commence ticking from floor to ceiling, from soles to mind sight, their patience untested this book, these words, are ex-me! for they are a welcoming, a thank you note, a hello, all of which can only be extant if in the mind of a receiver *as I compose, I own, as I post, I disown* they are more than shared, more than gifted, they are ex libris: briefly my own, but now wholly yours...
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Aug 17, 2014
Aug 17, 2014 at 11:48 AM UTC
first poem dispatched, never to return
Waiting for Oblivion A force starting to become drown in oceans of silence around him A "time clown" Laughter, inside of his insanity grows from the halls of uncertainty Cold waters of future's question pour from his soul Back into the already unpredictable waters of existence No boat to carry him Tight inside..his life situated like a goldfish inside a goldfish bowl Across and all over a bitter salt-drenched Soul It remains..Raining.. Waters flowing..A dark force growing Lack of relief as help through these tortuous hours His darkness cannot run from it What light that is left inside of him....the force aims to discard such Knowing...Feeling faded from never being heard from his loud cries Those about who fail to understand why he calls them out He remains as strong as he can remain doggy Paddling Until his head is drug down and his muscles start to fail to paddle him afloat He shall keep in this cycle of pain Which is like a beautiful castle kept unvisited by a deadly and dark moat The test is "now" in such quiet and lengthy times As he copes until the answer to his shouted question arrives Through these long and untested rimes.
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Sep 29, 2018
Sep 29, 2018 at 1:32 AM UTC
Waiting for Oblivion