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The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.
I am nobody; I have nothing to do with explosions.
I have given my name and my day-clothes up to the nurses
And my history to the anaesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.
Now I have lost myself I am sick of baggage ----
My patent leather overnight case like a black pillbox,
My husband and child smiling out of the family photo;
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat
Stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.
Scared and bare on the green plastic-pillowed trolley
I watched my teaset, my bureaus of linen, my books
Sink out of sight, and the water went over my head.
I am a nun now, I have never been so pure.

I didn't want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free ----
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them
Shutting their mouths on it, like a Communion tablet.

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe
Lightly, through their white swaddlings, like an awful baby.
Their redness talks to my wound, it corresponds.
They are subtle: they seem to float, though they weigh me down,
Upsetting me with their sudden tongues and their colour,
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,
And I see myself, flat, ridiculous, a cut-paper shadow
Between the eye of the sun and the eyes of the tulips,
And I hve no face, I have wanted to efface myself.
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river
Snags and eddies round a sunken rust-red engine.
They concentrate my attention, that was happy
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;
They are opening like the mouth of some great African cat,
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.
Ashley May 2018
Two
Two tulips, two tulips.
The two tulips love each other. And they both love tulips.
The two tulips hold hands. People cry, people scream.
The Two are split up.
2 tulips become 1 tulip, and another tulip.
A tulip, forced to marry a rose. The rose didn’t have a tulip.
The rose only had a Rose.
“A tulip and a rose is the way to go.” People shouted through out the streets.
Tulips and Roses. Women and Men.
Gay? LGBTQIAPD?!
TSK Sep 2014
They say
Tiptoe through the tulips
But where did they say
Smash through
The violets
That are blue
Like my heart
Or the roses
That are red
Like the blood
Pouring out.
When did they say
Make sure to crush
The sunflowers
Once golden
Like my future
But tiptoe
Through the tulips
Heavens forbid
They come to harm.
Tark Wain Oct 2014
You walked past
the speed of life hit me

Like two tulips touching
because the wind blew
in a certain direction
with a certain strength
that it never had before
pushing those two tulips together
for the first time

but hopefully not the last
V Mar 2018
a yellow fabric just
as vibrant and brilliant as the
golden tulips that grow in
the banks of the fields
in which innocence and
laughter roams.

A young woman cloaked in
such material searched for that
of her hearts content,
a romance that would file suit
in the realm of the books she
would read.


She was hopeful, and the
springtime was her catalyst.
The earth was replenishing,
coming back to life, the
tulips springing to life
and the days were longer,
the sun brighter and the clouds
less dreary and forlorn.

He skin was soft, untouched by that of
another, but she wanted to change that.
Her sheltered mind ached for the
touch of a lover, a prince of sorts,
and she'd wait for him,
no matter the length of time,
no matter the cost,  
no matter the physical
or emotional
transgressions.
She'd wait alongside the tulips,
alongside the budding of spring,
the scorching of summer,
the closing of fall, and the
harboring of winter.

She'd wait in her gown of yellow,
just as vibrant as the
tulips around her.
Tulip blooms, she smiles
The pebbles cemented into the sidewalk
And why didn't we notice it earlier

Tulip blooms, he smiles
Piles of tulips in deep lilac

His sentiment to her.
His private messages delivered to her heart 
Thank the tulips for all they do.

Tulips blooms, she smiles
When these fragrances reminded her
Tulip blooms, he smiles
Leaning on his solo path.

Spring is here.
A symbol in the journey they take
a petal for each milestone

Tulip blooms, she smiles.
Tulip blooms, he smiles
A swap role in each chapter they make

Who is trying to save them,
really, who is it? If Tulips were fragile,
like them too?
By Angel.XJ 29/01/2020
Ant Mar 2015
A tulip of deep lilac
my sentiment to you
my key to your heart
thanking for all you do.

Its fragrance reminds me
of your sweet perfume
like your beauty these tulips
brighten up any room.

Your sensual beauty glorious
as petals caress your skin
delicately tracing your body
my desires your sin

Lilac tulips our love story
sweet romance they tell
you brought me to heaven
resurrected me from hell

Sweet tulips for my beauty
a symbol in the journey we take
a petal for each milestone
a role in each chapter we make
Styles Apr 2017
He felt
great pleasure
watching her
his desires bloom
staring at her two lips
the rarest of all flowers
pedals spread
breathing life into his desires
stiffening a hard stamen
as their bodies take root
folding together like a hem
pumping seed into her cavity
baring the juices of a fruit
into a fountain
that will never end
Styles Jun 2015
Silky smooth lips;
      pink folds of woven flesh          
      glistening with wetness.
      their allure -- the aroma.
      her elixir -- my nectar.
A K Krueger Mar 2015
What is this? Oh what is this?
My word, my Love, I thought I’d missed!
And in the darkened depths of deep,
I saw no light, but dreams in sleep.

Yet, hark! The blinding light of day,
For from the depths, I’d come away!
And in the water, pure and clean,
I float so softly down a stream.

Alas, thought I, must be a vision,
dream of Sublime with great precision.
As my heart sank, so did my body,
(subconscious world should be so haughty)

I struggled soft, now sitting straight,
the word around did not abate.
I looked in awe, what should I see?
My love there standing, smiling at me.

I ran to him, tears flying so,
we fell beneath the tulips, low.
We laughed and cried,
Groaned and died,

Beneath the flowering cherry tree,
Beside the stream, singing to me,
Below the sky of dreams to be,
Betwixt the tulips, thousand three.

Could this be true? Oh how are you!
I ask my Love, facing the sky.
He turns to me, his face is blue,
Shocked, but still, I ask not why.

And out of silence, this I hear,
disturb’d water, splashing thus;
I turn to look, and this I fear,
a darkened demon; run, I must.

Yet petrified I do remain,
the greatly grinning gargoyle barks,
I clutch my Lover’s hand in vain,
for he, still blue, is frozen, stark.

“What shall we have for dinner, say?”
Was demon’s question to be solved.
“I must ask you to go away!”
He cackles loud at my resolve.

And flies to me, hands ‘round my neck,
Somehow, now, my Love is gone.
Should I have kept my heart in check?
For love is what demons dine on,

Beneath the flowering cherry tree,
Beside the stream, singing to me,
Below the sky of dreams to be,
Betwixt the tulips, thousand three.
suicidal twitch Jul 2015
And in this courtroom
So filled with Four Nations
The Sun held her head up high,
Lighting the way for their tales and psalms:

I am the King of Spades.
Righteous ambition is my goal.
The bravery of the Spades is made known to others
Only through such matters.
Perseverance is our path to Victory
Endurance, our greatest desire.
We, the Spades, partner with Father Time
To belong as a mighty people
Forever more.

I am the Queen of Diamonds
The splendor and enjoyment of Life's beauty is my passion.
A Diamond's journey is a one of glorious awe
That no one can compare.
Loveliness surrounds this pretty people
And the Artist shall forever be pleased by them.
Our perception of artistry leaves most in awe
And this fact is forever the passion we strive for.

I am the Queen of Clovers
Survival is the sole lifestyle of the Clovers
In this wretched and unforgiving world
The Clovers must stay strong
Holding the clubs of the ancients,
We prevail
Onward shall we extend our power
The Clovers will remain
Forever the mightiest.

I am the King of Hearts.
The rapid spread of emotional ties
Is what us Hearts long for.
Threads of fate surround our people
Binding them to one another.
Love, lust, infatuation
Oh, these are the things that steady our nation!
So filled with Faith, Hope and Love
Our Hearts shan't fail us
As passion will never cease
To flow in our veins
—ah, yes!
This is the way of the Hearts.

And in this courtroom
So filled with Four Nations
The Sun laid down her head
Whilst the Moon finally awoke and,
Smiled his light onto them below.
This was made by my fanfiction friend called Sam-Chan who gave it to me! :3
Mateuš Conrad Apr 2019
.you can never really write any poetry by not covering the "heartbreak" the loss of your own "printed" words: how much different is the internet, from "real" life? just asking... since: internet banking & internet shopping... to lose a poem / pre-scriptum is not exactly the same as losing a person to mind: father's day... i cooked the dinner, i took out the trash, i wrote an invoice... i guess that's much better than leaving a card of greetings... and, come to think of it? why are we the sort of people subjugated to nostalgia, with but also "without" a history? aren't we subjugated to nostalgia and a history as a "fiction"? the beginning of the 21st century, the end of the 20th century... the 19th century germans associated themselves with a nostalgia for ancient greece, we're the only people who have an inbuilt nostalgia "safety-mechanism"... the only people in time who are nostalgic about the life surrounding their own existence slot, which doesn't have a trans-temporal dynamic... i remember times when we would be teenagers... spitting on people from car-parks on imaginary tonsures, buying *****-magazines from indian cornershops, or belgian freebies of non-insinuations, white lightning cider while sleeping over at youth centers playing snooker throughout the night... even at school: attending a catholic school with the irish east enders... uniforms, sure... a chequered shirt: blue, red, white... tag? made in canada... and if only capitalism worked as it once did, made in canada? lifetime of a shirt? 20 years... now? made in china... not exactly real cotton, is it? 2 years... before ironing the shirt *****... once upon in gants hill, st. valentine's park, and the pub, recently closed, decent karaoke... in the park? golf, basketball, rowing boats in the large ponds... when the jews were there... gants hill roundabout... the hanukkah torches... jews scuttling wearing trainers come rosh hashanah: jews can't wear leather on rosh hashanah (judgement day)... shy like rats... when the jews were there (gants hill, ilford)... the park looked great... tennis courts... now, when neo-Bangladesh moved in? ****** place. what else do i remember from my original pre-scriptum that i lost? oh, that once time in gants hill... walking into a kosher bakery with ****** knuckles, having tested them on a canvas of a brick wall, buying some dough-fused-sweets? with the girl selling the sweets bewildered by fear? i like the look of fear in people when tested by uncertainty, and bleeding knuckles? later? climbing over the park fence, taking a **** while squatting in the darkened palace of the park, walking into a brothel, having my wallet stolen, not reacting in what would have been justified... high school... we wore uniforms... so no high school h'american culture trap / culture... school uniforms are the best idea, there's no chance to "shine" in telling apart the rich kids from the poor kids... there's only the standard... walking to a supermarket, past a thai surprise... sports bra, short hair... walking back... she's still there pretending to talk on her mobile to someone... you take her home with a few beers... play her some jazz... take her into the garden, the moon is a beauty... you **** her... hand in her underwear and you're still gambling... before the emergence of the nag hammadi library and the whole androgynous vogue, the thai were already readied with the lady-boys... when i reached in and found nothing but oyster... would i have stopped finding a wink-wink slouching worm? slap a trans in the face? no, not really... a thai surprise is, a thai surprise... i would have considered doing my first ****... "lucky" for me she was a she... a girl... ****** her in the garden under the moonlight... gave her my hoodie, which she drowned in... finally... the level of interaction where the female is not a mantis, i.e. a female larger than the male... she drowned into my hoodie as i walked her home... i like the familiarity with the mammalian, not resorting to insect superiority of females... these days... i find that males are strictly mammalian... while females? they are borrowing insect-esque ontologies... well, darwinism allowed the time-frame... males are mammals... females are insects, behaviour-wise... two time frame i do not appreciate the english for... darwinism is prime.... cultural-marxism my ***... what about cultural-darwinism?! no?! that doesn't exist?! cultural-darwinism is as real as cultural-marxism, and, in the former sense? it really does belong to the conservative right-wing politico spectrum! might i add? isn't psychology merely pop philosophy? i find psychology riddled with rubric cohesion, it's all oh so "self"-evident! i abhor psychologists... these gypsy philosophers... medicine-men with no pharmacological shadow of power... to prescribe drugs... arguments, persuasions, but no dialectics... psychology will forever be, for me, a philosophy primer, short-cut... pop philosophy... psychologists can treat people who have never read a philosophy book... r. d. laing... i remember this one instace... me and a fwend of mine travelled into central london, went into a bookshop shy of trafalgar sq., i spotted an edition of: the scarlet and the black by stendhal... i told him: i will trade you linkin park's debut album, if you buy me this... the transaction was made... the one book i read after seeing a film adaptation starring rachel (rakhel) weisz and ewan mcgregor... ra-kh-el: not ray-chel... we used to be humans once... at high school getting bullied back... putting pins on chairs once we got up, sitting on them... playing bulldog in primary school, slap-ball, tag, playing cards at lunchtime... 16 fatty boy... one summer in poland, comes back aged 17... the irish girls take an interest while eating a pomegranate... what was the success of your diet? don't go to the gym... excess skin, an aesthetic surgeon is not what you need... there are only two ways to lose weight... either via swimming or by cycling... cycling is the best... lose weight by also toning your body... gym is a bad idea... by going to the gym you are straining exclusive parts of your body, either the torso, your hands, etc., jogging? unless on soft ground, bad idea on concrete, arthritis... cycling or swimming... lose weight... tone at the same time, the skin is allowed the required time to adapt to shrink, and forget what propped it up in plump form with all that excess flab... ugh... i hated being attractive to the opposite ***, i never used it to my advantage! imagine... an irish lad comes up to me, on behalf of some girl while i'm donning a french braid: you look just like johnny depp in blow, impersonating george jung... 14 year old girls walk up to you asking what shampoo you're using... herbal essences... i never used my looks... *******... now i'm a heavy drinker... so much for looks... first girlfriend? a fwend had to call me telling me she called him that she felt butterflies when i dropped her at the train platform after a day's worth of dating: tate modern, edward hopper exhibitions, cinema: troy, starring rose byrne (briseis) - honestly, a man can go crazy over curly hair... and then a restaurant date... that **** just flew over my head... i wouldn't have noticed... honestly though... i missed the whole h'american cultural excavation genesis in high school... catholic... uniforms... jesuit army-esque formation... now, i'm ageing... i'm starting to find the company of cats to be: clingy... my shadow included... i once thought that dogs were needy... i'm starting to think that cats are worse, esp. the maine **** breed... "lonely" or "loneliness" doesn't really resonate with me, esp. when thinking something "feels" like a variation of claustrophobia: hence i write... without a dialectic in place, ever since plato wrote his dialogues... what is philosophy, primarily? isn't it an off-shoot of "claustrophobia"? we write because we are seeking escape from congested thinking, a variation of "claustrophobia"... now imagine a schizoid character... having to focus on an imaginary dialectic, actually... having dialectics enforced on him, with no clarifying exodus to posit a gensis with! now, a clingy dog i could understand, given the overpowering status of the leash... but a clingy cat, when there's no leash involved?! shoom! right over my head... gone, somewhere into the distance!

what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions hype...
and didn't?
and instead took to patience?
it's free...
   where once,
a game would cost you 20 quid,
and a month's worth
of narrative,
back then, when games
resembled books,
when the gaming industry
was heavily influenced
by literature...
and now?
   the game's free...
sure...
it's "unfair", it's biased...
when you don't engage
in imported gambling
of succumbing to what, this is the part...
were i cite...
   the weimar ******
critical condition...
       a daft punk troop
of a song,
  end of line....
blow-up a hot air balloon...
worth of blaire whire...
play the tambourine
like a ******* video...
there are,
quiet, simply,
no nazis coming...
fashionista faux pas
examples...
i'm alive,
but i'm dead,
i just forget to don
a strap-on...
  "oops"?
   that **** go down well
with
the "in"-crowd...
usual... metropolitan...
verbiage surge of answers....
   many a fetish after...
we arrive at the sensible
aspect,
"toxic masculinity"...
when guns n roses wasn't,
and nirvana was just plain
gay...
              and then...
whatever that happened,
happened..
                 and people were like:
come to the "new" tomorrow,
there's always a yesterday,
in a dream,
in some phil collins
wannabe
studio...
or... some other random ****
that
excluded peter gabriel.

                 i died:
and just about right:
my harvest had come.

great book reviews...
"toxic masculinity"...
so all masculinity is
about a clockwork orange?
   if it is?
can i be pro abortion
anti mongolian horde?
yes? no?
  which is it?!
neither...
   **** me... that's just bad
luck...

                               sundbeds,
sunflowers,
tulips,
sunglasses,
    plenty of staged
eager nights...
boring political affairs...
and...
         when gaming was
more about the narrative...
and never,
ever, about the microtransactions...

point being...
it's a game within a game...
time, is the prime concern...
you play a game,
by waiting...
you wait: by playing a game...

  microtransactions
are...
you ever move a sim3 avatar
to a computer,
and make it play a computer game?
what's on the macrocosmos spectrum?
you....

               "back in the day"...
you'd spend a saturday morning
engrossed in a gaming narrative...
metal gear solid,
tenchu, final fantasy solid...
20 quid...
and you played the narrative...
and a game became equivalent
to the worth of a book,
resident evil,

            you paid for a month's worth
of gaming,
you exchanged tips,
you sometimes bought a cheat book
because of the homework,
and that was your saturday morning
before hitting the shopping mall
or, whatever...

the current dynamic of
microtransactions in gaming?
i never, ever, do...
i'm an old gamer type...
i see the potential of extending
the life-expectancy
of a game...

   as long as you don't buy into
the microtransactions gambling habit?
as long as you play the "game"
within the game?
the game is an assured classic,
akin to chess...

              you have to play
the waiting "game"...
             time...
                           that's all it is...
whether war robots,
    or dawn of titans...
        comparison...
  you know that the best fruit,
is fruit, allocated
to the geography of it being sourced
seasonally...
you can't actually get better
strawberries,
than english strawberries...
from england, come june / july...
no ******* point sourcing them
from spain in late march / april....

    same thing with gaming...
the modern games haven't made any
elaboration...
apart from dislodging the player
from the concept of narrative...
**** me... that's almost an improvement...
given that now: time is the counter
measure, and the gamer...
   is having to invest,
in a narrative, outside of the confines
of the game,
once upon a time,
games had time-narrative
constraints...
     now: there's time,
and there are gamer narratives,
excluding them from time-narratives,
of a game...
         it's almost a faux pas...
more like a wet-*****...
****** pinky lodged into an ear,
an april fools' day scant...

        if you hacked passed
the microtransactions...
       and didn't have the chance...
microtransactions are like
the old school cheat hacks...
but not quiet, but somehow quasi-,
       a modern microtransactions,
would be a cheat magazine
thorough-through
a game like final fantasy VII...
you have homework,
but you still want to complete the game...
modern games...
modern games...
there's an "end gole"?
  what modern game is worth
"completing"?
    
   again: tron, ready player one,
back to the future...
star wars just became dead
to me...
   sick people will plague hard-working
people, with a quasi-gambling
addiction,
needing to make microtransactions...
and they will,
my father was plagued by
an impostor, claiming to be a
tax office official:
and what if, that person had
an authentic position at the tax office?!

when gaming was for gamers,
the games were bought...
there was a narrative...
but now... now games don't have a narrative...
why would they?!
   who the hell plays games for
the narrative these days?
i know that on the crapper,
i need a game that allows me
to experience live-stream
interaction with non-bots...

       and these old gamers,
who still invest their money
in literature-esque-games?
so i was the sad one,
investing in vinyl?
   aren't the classic ******* gamers
just as bad,
investing in prepackaged
narrative gaming
experiences?
             a game with a narrative...
yeah... me buying vinyl
is: b'ah b'ah bad...
       what sort of game is alive and well...
when there isn't a crowd pushback
for the currency of microtransaction?

the narrative is time,
   the longer you endure the inadequacy...
the more you realise:
you're basically playing
the same game,
but in your scenario:
it's free...
   in some other ******'s scenario:
it cost him 70 hundred quid...

personally?
   i love this microtransaction dynamic...
concerning the people who
do not engage with it...
it's the perfect antithesis
   of what ruined the music industry
with genesis: napster...

you really are, playing the ultimate
game,
time...
         the one sort of commodity
that games,
without a clear narrative construct,
"forgot" to mention in terms
of them being exploited...
to their full capacity
of the one "commodity"
they "forgot", or rather,
couldn't "sell"...

              a tenchu PS1 game could
have lasted me a month...
now? a free game,
like war robots...
with absolutely no NPC?
hell... i'll be 90 and still be playing it;

what else? applause!
Marian Jan 2014
~-English-~

The Beauty Of Flowers (Multiple Tankas I)

A field of tulips
Is where I laid down to sleep
And dream a sweet dream
Dew sparkled on the tulips
And fell upon my fair cheeks

In the shady woods
Ladyslipper Orchids grow
Near a babbling brook.
Yellows and Pinks standing tall
With ferns spreading all around.

Beside the ocean
The hibiscus are blooming
Such a sweet perfume
Lingers on the salty breeze
Such beautiful rainbow hues

Snowdrops are the first
To appear blooming in frost
Pure white heads nodding.
Cold hardy and full of life,
They offer a hope of Spring.

Beside the farmhouse
Gardenias are blooming
White satin blossoms
Their perfume is breathtaking
Rain-washed petals of fragrance

~Timothy & Marian~


~-French-~

La beauté des fleurs (plusieurs Tankas je)

Un champ de tulipes
Est où j'ai prévue de dormir
Et un doux rêve
Rosée brillait sur les tulipes
Et tomba sur mes joues justes

Dans les bois ombragés
Ladyslipper orchidées poussent
Près d'un petit ruisseau.
Jaunes et roses debout
Avec fougères répand tout autour.

À côté de l'océan
L'hibiscus sont en fleurs
Tel un doux parfum
S'attarde sur la brise salée
Ces teintes belle arc-en-ciel

Perce-neige est les premiers
À comparaître fleurissant en gel
Têtes blanches pures hochant la tête.
Résistantes au froid et pleine de vie,
Ils offrent un espoir de printemps.

À côté de la ferme
Gardénias sont en fleurs
Fleurs de satin blancs
Leur parfum est à couper le souffle
Pétales restés du parfum

*~ Timothy et Marian ~
Another Dad and Daughter collaboration.
Hope you enjoy! :)
© Timothy 10 January, 2014.
© Marian 10 January, 2014.
Kevin J Taylor Feb 2016
Sunflowers! Crowns golden!
Violets! Sweet petals, blue!
Carnations! Pinks! Whites!
         —And my Love for You!

Dahlias! Such beauty!
Tulips! Who knew!
Orchids! Red roses!
         —And my Love for You!
.
Lovely Syria
You who once stand as a Brighten Sunflower
I am seeing your tears
Feeling your sinking heart
All your Tulips are dying
The white, the pink, even the violet
Lovely Syria
I am asking God to have Mercy
Mercy on you and your Tulips
How your moon has turned red overnight
How your sea is now a survival bay a way of hope
Some fading Tulips at sight
Floating on the tide
Syria, Oh Syria
How the living bruised Tulips are crying for those who are no longer there
How the Dawn which brings hope
Is for you now a  Dawn with a bitter sense of hopelessness
For all your living creature seem to be dying from the inside
Dying from the unrest they brought to you
Your children are crying for Mercy
The spread Tulips are not even better on the 5 huge lands
Syria our once Land of peace for all your Flowers
Please, get back on your saddle
Our Lovely Syria
Lou Morgan Mar 2016
You didn't care much for Easter
or for flowers for that matter
yet I went to the store and bought
a bouquet of pink and yellow tulips.

Now here I stand in the midday sun
my shaking fingers clutching the long green stems,
as a warm, slow tear drips off my chin.
I kneel down and set the flowers down next to the temporary sign that holds your name,
wondering again why I even bothered.

I grab a handful of the dirt that now hugs your body and cringe at the thought of you laying just feet below me.
I can't help but wish that you were here.
what i wish i was doing today.
Fianna Beth Mar 2015
what i cant understand
is how people can write poetry about the flowers
or the sunshine
it just seems so irrelevant
when there are so many more beautiful things to write about
like your dainty, thin, long fingers
and the way your lips emit a tiny bit of air when you pronounce ‘th’ words
your towering, awkward, bony body
loosely, limply entwined in mine
that make up your gentle, comforting hugs
how melodic your voice is, almost lulling me to sleep
your contagious, animated smile

how you write as if embroidering the pages
gracefully, an art
and the words float mid-lines
reflecting how your thoughts float among the clouds
doolally detonations of enigmatic pure excitement  
over the most extraneous of matters
your eyes, the captivating bluish-steel of a mid-winter night sky
their flare, and the way they light up when you maunder lovingly of such passions

alas perhaps, poetry about plants or the weather are just as beautiful
but i
would not know
for even the planet, and nature
and sheer beauty of life
seems pale
in prejudiced comparison to your radiance
and how bright you make
my insides feel
Written last summer about my best friend.

I titled it 'bias among the tulips' because I wrote it after going on a walking tour in Amsterdam, on holidays. I learned about 'tulipomania' during the Dutch Golden Age, and how they were the most valuable things available, even worth more than land at the peak of the market in their time. They were treasures. Tulips were everywhere all over Amsterdam. In fact, the whole place was covered in flowers, really. It was beautiful. Alas, my best friend was still much more beautiful as a human being. He was worth more to me than any tulip could have been worth. Between them, the decision was obvious, hence, to me, I'd always have a bias view even amongst the captivating, rich tulips of The Netherlands.
Peter Kiggin Jul 2016
Tulips

Tulips under brown carpet born again
The rain provides the water makes purple stain
Watch the flower grow then peaks out his head in summer first starts the pain
Beautiful eye of the beholder like the yellow sunshine on the brightest field of grain
Tulips purple colour seem to wash the pathway along the lane
Sleep sleep travel to find things unexplained
Follow the greatest journey inside your brain
The first thought in your minds eye is never the beginning but somethings are unobtained.
dreaming of being reborn
JM Cazemier Feb 7
I bought flowers today,
tulips in a vase,

petals are dropping,
while I'm looking,
yellowed photographs,
memories of a flower

Tulips are growing,
standing in a field,
smiling in yellow,
early spring bloom

cut umbical cords,
leaving mother nature
tied together family,
a bouquet of love

Tulips are dancing,
dangling in small hands,
A little girl is running,
to surprise her mother

A daughters flowers,
a gift for mothers

Some mothers like tulips,
feet in the earth,
icy stones with labels,
daughter, wife and mother

Lay them down,
pretty little things,
decorate the ugly,
with little girl prayers
Madeleine Toerne Jan 2015
It is worse for a tulip to live again and be renewed
than for the tulip to die and be dead.
“What happens when you die?”
I asked several romantic partners over the course of my adolescence.
“You’re dead,” they answered.

It is worse for the tulip to be born again,
dust to dust, dirt to dirt, true god from true god,
in a process that spiritual peers define as, reincarnation.
No tulip is an individual (that is clear), but a process.
A perfecting oneness.

I can’t admit or bend to any resounding belief that every tulip is the same.
That FernGully was a farce and Pocahontas, a phony.
That is just not going to fly.
Maybe it is the environmentalist inside me speaking,
or maybe it is God.

I refuse to believe the prodigies and professors of renewal and rejuvenation.
I can not discount individuation, even in tulips!
Tulips are victims of suburbia, they have been relegated to the lawn, to the mulch bed,
but inside of them there are remnants of humanity.

I couldn’t believe it, ever.
Not ever, even if you convinced me or bribed me or seduced me.
No chance.
Both can ****
        The only difference is
                      Cigarettes shatter lungs
         She shatters everything

            I remembered the first moment
my lips pressed the filter
     as I lit it up breathed it all
                savored every smoke
       as if we covered up painful lies
        in a container of painkillers

The same way  
we used to pressed our lips
     sparked something between us
           savored every moment we had
    as if our love was a rose
               in a valley of tulips
Gold
Aidan Merris May 2014
swirling
living
in a world
filled
with vicarious
vicious doubt
spreading
a cancer throughout
lingering
for moments
hours
days
weeks
months
then dissipating
softly through
the indigo midnight bloom
filling crevasses
exploding voluptuously
in a brilliant crimson
clouds of dust
ending day
while beginning night
coaxing death
aching
for tranquility
in quiet hours
fearless at dawn
shivering
in the absence of warmth
taking
soft, lonely steps
towards unknown pleasures
yearning
begging
for the sun’s eager rays
to cast long, winter shadows
to awaken us
and to bring
an end
to slumber
in the young hours
restless shifting
and beating fingers
grazing lips
across frozen air
capturing breath
and slowing recovery
spring
blooms tulips
and she
is there
only she
lingers
taking my eyes
and sealing
my quivering mouth shut
with subtle words
robbing me
of my senses
driving
me to the bring of madness
and deserting me
in azure fields
tinged
with velvet gold
she takes
my thoughts
wrapping them
in delicate papyrus
savors them
like i savor
her presence
her silver
her waves
of silken tones
her musical strings
her tulips
in blooming spring
driving away
madness
only her
david badgerow Jul 2013
if it were possible to tag
an individual in a poem on this site
i'd syphon tulips from the ground
and lay one  across her ear in the sunshine.

likewise, i'd talk lots of ****
and single out cowardly writers
hang them from the flagpole by their underwear
until they're humbled by their nakedness.
her smiles shines like diamonds at the bottom of a clear cool lake.
her eyes like hazel tulips fluttering in the wind while she dances to the beat of the drums constructed by her soul
Styles Mar 2017
I'm feening for your;
     silky smooth lips;
     pink folds of woven flesh          
     glistening with wetness.
     their allure -- the aroma.
     her elixir -- my nectar.
All is not what it seems
Because I was an atheist
Long before I realized I was God,
But that was much, much later
Then, at that time, I succumbed
To the lurid but exciting depths
Of freedom, the joy of love and danger
Of searching and of knowledge,
Embracing every moment;
I surrendered to ungovernable impulses
That invoked within my very existence

Still to realise the true extent of this
It's perhaps best to start before the beginning
Before the earth embalmed me
A time when Cyparisse had not
Yet set root in my belly
Nor made sap of my blood
A time when it was possible to speak
To Panza's donkey when I thought of Zanzibar
A time when the vagrancy of my soul
Had not yet embarked
On its erratic itinerary
Plunging me eventually
Into the bright light
Of tainted and squalid reality

Like oscillating libraries, noise oppressed,
Contradictions of dreams
Suddenly I took flight,
With violent wrenches of imagination
In Persia being worshipped
Beneath the moon by Gods;
Caressed by those impetuous charms
A dazzling vision
I thought of death the only sister of charity
Whose dark night has no malevolence;
Black and white, silences that migrated
In sonorous symbolism took control
Shimmering like a painting of a sorrow

Streaked with unashamed colours
A single tear from a promethean candle
I would move to lick the stain of destiny
That pillar inhaling its black perfumes
Like a communicant on his knees.
Exiled in reality, I saw what I had never saw
Or only thought I saw now condemned
To see what has never been seen

Words corralled themselves in my mind
Writhing maggots on a corpse
Wriggling for position waiting to be pronounced
How they flew, taking wings
Hovering for an instant above the page
Hunting out the detritus of man
To feast upon the putrid flesh of misery
I too went searching
For my ancient feast; for Zanzibar

However hideous pages
From the note book of the ******
Imprisoned the words, stampeded the search
Scattering it in many directions
Shattering blue-white eyes
A castrated country, century, impotent, impure
Like politics, the ******* that can be purchased by coin
Like so much bread in the market,
A thousand profanities became the popular song
But silence is the real language of the fool

For he alone bears witness to what he feels
Misfortunes not understood, weeping the popular ballad
Morality and law, parades of red robed Judges
Carcasses, a circus for carrion crows
Yet like a cannibal the dead were still buried in my belly
The gloss of reason hiding madness
Like so many veneered fronts in a proud precinct

Paraded in full view, silence is demanded and got
The words wither, fake time continues,
To count the unrelieved falsehood the chimera of life;
Reason did not imprison me
My life being not heavy enough
Was allowed to take flight
To float above the reasoned realm
Revelations of the truth realised only by detachment
Devoured my mind increased my errorless purpose
The search for Zanzibar

Accepted values; valued only;
Because of this acceptance
Are accepted as value
Thus accepted in silence
The fools resign themselves
To a false reality
One that nails them to a poisoned cross

In the gardens of the dead
Like rowed tulips that
Gardeners know how to match
I found myself, among those who had gone
Remembered yet forgotten
Whose edifice unlike their lives
Reached not upwards but down.
I smelt the scent of unknown things
The perfumes of eternity that histories bind;
Intensity, a murmur; gurgle, as in a child
Yet extreme its aberrations
Like celluloid hand that
Had never known toil
Or wiped sweat from a brow
Laughed yet grimaced
Its smile a crimson smear
The sorrow that it felt
A burnished hand upon its nakedness
To see its enshrouded presence in such a garden
One well stocked and growing
Caressed my being with its glee
To turn white feel the touch
Of its venomous fingers upon my flesh;
Its purpose, to prevent any search for Zanzibar

The stench of death
Then cast its' new
Yet antediluvian gaze
Upon its purpose
Odour of grave
Faraway nonexistent
Yet it is perfume to those
Who feast upon its scent
Moistures mingling with the air
Its common purpose
Floating like un-forgiveness
Its atmosphere ozone sans holes
Its meaning ever present
Its' outcome to halt
The search for Zanzibar

And so the stencils of oriental scribes
Like black shadows overpowered my reason
Floating high above, adrift on an expanse of darkness
However, presently that azure ink
Raised its curtain before my very eyes
Revealing the stage, the illuminated stage
On which I was to set my drama
Where the phantoms of my imagination
Would enact their mysterious mysteries;
A poetic alchemy

Then a golden spark of pure
Nocturnal light blinded me
In an instant I saw, observed
The sun drown in its deathly sea
Its healing wings spread
Fear would see it rise again
Still searching for that fatal flaw, happiness
How many lives do I need?
How many existences will it take?
Incarnations a hundred times
Searching for Zanzibar.
Awakening to continue to
Live the saddest of my dreams

Furtive footsteps through Cimmerian landscapes
Ah such enchantment, do you understand?
Ah such a charm, listen to its undying echo
Feel its charge, that siren call
Cosmic summons, the vagrancy of mind
That caresses the imagination
Whose tender touch can place you
At the apex of the universe
Can lead to Zanzibar.


And so the subtle and foolish tortures
Inflicted upon me by I, my quest began
One that would ascertain, take centre stage
Make an unheard appearance of a philosophy
That, I am everyone and everyone else is me
Eventually at some point
In time and space we are all one
All linked, for we are condemned
Yes condemned to live these lives
This is why the dead have dreams
Dreams about the tyrants and demons
Of other lives of who they were;
Who they have yet to become.
Nourished on half truths,
Forever pulling at the thread
The rotted rags of reason
Those tattered twines
Unravelling the stitching of reality
Of hallucinations, empty illusions
And tarnished dreams create a constant struggle


Therefore for every conscious thing
That happens in the world
There must be a responding reverberation
Within the human soul
Let us put a halt to the calls
For the death of imagination
And demands for imagination to be silent
Such absurdities
For imagination is the true door to reality
For only in imagination
Can there be a bearable act
Of self examination
It is memory that hurts
More than the imagination
Always prefer the imaginary to the real
Imagination is neither an exit
From our nightmares nor
An escape from reality
But the place we are all trying to get to,
Zanzibar its shared images
Its story, its own life a new reality.


Mysteriously in the midst of unknown
Mazagran landscapes I feel
The full impact of fleeting visions
Without the limitations of space or time
Feel the act of experiencing their reality
This requires no explanation, no proof
Either together or separate
Because simply they are,
Judgement, condemnation
Punishments are gone
There is no cleansing a world
Without consciousness
Landscape devoid of people
'La Lune' growling in the orchard of the sea
Calypso again one or ten
Eucharis, tempest or temptress
Take both the meaning and the experience
Taste the tear drops of the sun
Telemachus searching, searching
Zanzibar

The idol, tentacles undulating
Vibrations of collective knowledge
The blank face, featureless
Touching around the domain of Atlas
Speaking in a thousand different tongues
Moving but still, blocks my path
Disturbs the line of imagination
Makes reality quiver
Dream flowers sway in its cosmic wind.
Yet Alhazers' iridescent arch allows
The steerage of my passage
Without pious pilgrimages to empty silences that
Contain an eternity of tears
Who graciously offers coverage
For the echo of footsteps
Allowing the magic moments to come


Robbed of sunlight, artificial night shines
Its deception attempting to secure knowledge
Of a future unknown, winning only it's unattainably
Offering instead knowledge of the past
Master of silence, offers only knowledge
Of invaded consciousness
Bedlam of paradise where Eros and Pan
In congress sleep, close at Zanzibar.


Lifeless beauty that lives everlasting
Time that reason cannot change, only help.
O enchanted torture you have stolen
The taste from my mouth
Masked I against the spectre of reality
Proclaimed the age of 'hasashin'
The creator of recollections, maker of memories
Possessor of impulse giver of echo
That rings in the ear
Cloud cast its surroccoian shadow
Air tinged with the aftermath of fire
Floating in an Asian wind, so subtle
Like a breath suddenly the sound of song
Of dance rents the solitude
Silence is slashed like a canvass screen
Happiness pours forth unconfined
Unfettered, both faces of Kandinsky as one
I extinguish the light, turn to the wall
Gazing upon its Janis face
My eyes behold the giver of pleasure.

Then I found myself in an extraordinary place
Whose skies where made of crystal glass
Water of the enchanted land was blue-grey
Bridges zig-zagged its shimmering domes
I stared as masts and parapets came to life
Its people, musicians sporting
Tangerine and white livery danced
The air filled with the sound of their music
Then as if from nowhere a light hit my eyes
Blinking, this apparition was gone
Can I not always believe what I see
Just because I see what I believe
The inhabitants at once became spectres
Engulfed in thick clouds of smoke and sulphur
Erinyies roamed, inflicting madness
A circus of the macabre sped past
Its symbols of death fluttering frantically
Around this false and fragile world
Suggested children, like creatures in an imagination
Were made ready for their rebirth
By the touch of the poets pen
A thousand Cheribino

In another, swirling sonorous scenes
Stormed the citadels of my mind
Marched through my imagination
Mab engulfed the long closed
Cemeteries of my thought allowing me
To see the dreams of others
Like precious pearls prised from their shells
Their visualisation so intense
Joy overcame me at once
Then a swarm of kisses descended upon me
Like a regiment of famished men
Feasting for the first time
I freely gave myself as the main course
In the most beautiful of banquets
In another, yielding to these seductions
I was enraptured by portraits of beautiful young men
Which appeared to be on the point of speaking
They were most mysterious their intrinsic
Charm so beautiful, stimulated desire
Whose assuagement was so pleasurable
That it might be called pure ecstasy
A perfect pleasure which had never before existed
Entirely individual and new

Thus upon the horizons of my mind
Had been shed a mysterious light
In which I now saw everything bathed
I was summoned by the Prince
Knowing dreams have no limits
I obeyed his call
For a long time failing to set
Foot on the shores of reality
Drinking from the wells of magic
While angels danced on grassy slopes
Disturbed by flames
The stars shot out their fragrance

Sweet smelling; blue abyss
On I went to the court, the court of the Prince of
Poets, a visitor to life
There I spat out the bit of liberty
Embraced the Prince
Courtesans mocked me, ridiculed
Laughed and taunted me
Their jibes merely part of
Their own deluded reality, not of mine
They did not serve my purpose
Dressed as they were
In meaningless words
Clothed in phrases of falsehood
They tried to make me compromise
There was fire burning in my eyes
Vivid dreams were eating up my mind
They wouldn't let me be
There were dead men lying
By the sides of the road
With daylight in their eyes
I saw villages under the sea
I stood at Galactic central point
Watched the earth burn
They did not know
The way to Zanzibar
Could the Prince show me?

However each morning I awoke
I found myself in a purgatorial fog
I roamed lost the alternative harbour
For my soul still distant
The Prince, I discovered, existed
In a twilight world of mysterious ailments
He denied his feelings
Such denial only immersed him
In maintaining the world of external restraints
It created emptiness, a vacancy
Filled by material concerns
I pleaded with him
The emerald gene came down
Soon the leaves of grass
Whispered another order of existence
Strangeness of sensation
Intoxication of vision
Unhinged for mortals
And as the sound increased one cannot
Describe what else it is that has been
I viewed a world transparent
Devoid of illumination within which
Was never a sea or land
Then the prophets were ******
For they were all liars
And I saw the most beautiful flower
Unfolding out of its own roots
For such a flower cannot
Unfold other than it does
I stood on the threshold of Orcus
I met Abbas Effendi the Gene without a name
Bab, Upanishads spilled music in my ears
Called to me in the most spectacular of colours
It was wonderful for the colours
Were like my dreams, red, black and green
I witnessed the three, sometimes as one
Other times as two, again and again
The self eternal and inseparable sons
Of Shakyamuni caressed me with their thoughts
Their music and colour moved about me
In ecstatic rhythm like the peaceful
Waves of the ocean as upon a shore
I read the sentences of silence
Breathed the perfume of never fading flowers
Walked in cherry blossom snow
Heard Hafiz reciting in the night
I saw for the first time
The unfinished likeness of others.

Then one day the Prince
With a sweeping theatrical and
So to speak, allegorical flourish bowed
Called me an exiled angel
Said the time had come to travel
To leave the images of naked heels
Imprinted in the clay
We wondered
Then as if by magic, suddenly the shadows
Of houses, halls, and a church
Emerged like enchanted islands in a fairy tale
The spiritualised forms of civilisation
I was approached by a graceful youth
Draped in cobweb lawn
He was pale, delicately beautiful
Spanish looking, but his name was Alexis Sonyeuse
Whose family it was said was
Related to the French Emperor Napoleon
It was also rumoured that he had
Had a tempestuous affair with the Bishop of Monaco
And once slept with his half brother Julian Apollinaire
When he spoke he was at once original
Delicious, moving, droll and discreetly melancholy
Listening to him was like breathing
The perfume of wondrous flowers
But the scent of datura hung about him
Paralleling his every movement
  Another youth, Edmond also greeted me
He was a young man with aristocratic features
A complexion pink, like a girls
And a bearing at once charmingly gracious
And audaciously insolent
His shirt was strange, the lining
A peculiarly orange colour
A flame coloured taffeta
Like the petticoats of a *****



They looked at me
Furtive glances emanated from their eyes
Training a profound stare upon my person
The two youths took me to 18 Avenue de Friedland
There two boy servants
Adoum and Outhman greeted us
Spinario's lay about its confines
Frezans caressing them
As they touched their feet
A hundred echansons moved
With dazzling delicacy dispensing dreams
In drops from crystalline cups
Here I witnessed the tragic faces of the population
Urnings, cleaning in the midst of anarchist trials
The room a fiery red, stained with light
The caress of forgotten thought
Like the thickness of a sorrow
Musicians playing on broken strings
Crimson ******, who defied the King of Naples
We moved past wretches
Like Virgil, but Danteian
Saw the usurers heard the rustling
Of lute strings the clinking of grey paper
Observed in this Minatare's lair
The purchase of a twelve penny dagger
Liberty of speech meeting its great reckoning
In a little room, Ingram the poltergeist
Of misfortune was there
Dead Scythian, who ever loved you
Loved you as you might, loved you at first sight.

This was a new and exciting world
Whose environs were populated
By the most mysterious and colourful of people
I was introduced by the two youths
To a suicidal young painter who
Was rebelling against his class
He was a somewhat forced intellectual
With an over quixotic passion for equality
Still he was warm, kind and impulsive
Poetry, he made it known
Had opened his mind to the invisible
Beside him was a painting
Exemplifying a new kind of observation
In a style absolutely faultless
Each structure clear, each brush stroke
Falling exactly into place
Inscribed in the top left
Corner were the words
"Quod me nutrit me destruit"
An introduction to himself of a tall youth
Whose eyes possessed a constant
Vagrancy of desire
Who seemed at once, for one so
Keith Wilson Apr 2017
The  tulips  lift
there
smiling  faces
To  the  afternoon  sun.

­Keith  Wilson  Windermere  UK  2017.
10  words.
Doongi96 Feb 2014
I've traversed a forest of Roses
In search of glee
Past a meadow of Blue Bells
It hadn't come to me
Over a mountain of Daises
Still it's no where to be found
Swam through an ocean of Chrysanthemums
who sang with no sound
Crossed a desert of Clovers
In which I finally sought delight
And under the bridge of Pansies
who shined so bright
I discovered after a tranquil journey
I no longer have a smile for Tulips
alex May 2015
our love...
exists.
our love exists,
behind closed doors,
behind four walls
that push up against my lungs
squeezing until I suffocate.
our love exists while you
stand there and stare,
open mouthed
unable to accept
the fact that you denied
a delicate butterfly
the right to take off
that you set fire to a field
of tulips that were begging
for new fallen rain.
you touch me with electricity,
but i am used to this burn.
i am used to this broken feeling;
the feeling after your wings have been
plucked off
and every last layer of skin
has been set on
fire.
for you.
I. Song of the Beggars
"O for doors to be open and an invite with gilded edges
To dine with Lord Lobcock and Count Asthma on the platinum benches
With somersaults and fireworks, the roast and the smacking kisses"

Cried the cripples to the silent statue,
The six beggared cripples.
"And Garbo's and Cleopatra's wits to go astraying,
In a feather ocean with me to go fishing and playing,
Still jolly when the **** has burst himself with crowing"

Cried the cripples to the silent statue,
The six beggared cripples.
"And to stand on green turf among the craning yellow faces
Dependent on the chestnut, the sable, the Arabian horses,
And me with a magic crystal to foresee their places"

Cried the cripples to the silent statue,
The six beggared cripples.
"And this square to be a deck and these pigeons canvas to rig,
And to follow the delicious breeze like a tantony pig
To the shaded feverless islands where the melons are big"

Cried the cripples to the silent statue,
The six beggared cripples.
"And these shops to be turned to tulips in a garden bed,
And me with my crutch to thrash each merchant dead
As he pokes from a flower his bald and wicked head"

Cried the cripples to the silent statue,
The six beggared cripples.
"And a hole in the bottom of heaven, and Peter and Paul
And each smug surprised saint like parachutes to fall,
And every one-legged beggar to have no legs at all"

Cried the cripples to the silent statue,
The six beggared cripples.

Spring 1935

II.
O lurcher-loving collier, black as night,
Follow your love across the smokeless hill;
Your lamp is out, the cages are all still;
Course for heart and do not miss,
For Sunday soon is past and, Kate, fly not so fast,
For Monday comes when none may kiss:
Be marble to his soot, and to his black be white.

June 1935

III.
Let a florid music praise,
The flute and the trumpet,
Beauty's conquest of your face:
In that land of flesh and bone,
Where from citadels on high
Her imperial standards fly,
Let the hot sun
Shine on, shine on.

O but the unloved have had power,
The weeping and striking,
Always: time will bring their hour;
Their secretive children walk
Through your vigilance of breath
To unpardonable Death,
And my vows break
Before his look.

February 1936

IV.
Dear, though the night is gone,
Its dream still haunts today,
That brought us to a room
Cavernous, lofty as
A railway terminus,
And crowded in that gloom
Were beds, and we in one
In a far corner lay.

Our whisper woke no clocks,
We kissed and I was glad
At everything you did,
Indifferent to those
Who sat with hostile eyes
In pairs on every bed,
Arms round each other's necks
Inert and vaguely sad.

What hidden worm of guilt
Or what malignant doubt
Am I the victim of,
That you then, unabashed,
Did what I never wished,
Confessed another love;
And I, submissive, felt
Unwanted and went out.

March 1936

V.
Fish in the unruffled lakes
Their swarming colors wear,
Swans in the winter air
A white perfection have,
And the great lion walks
Through his innocent grove;
Lion, fish and swan
Act, and are gone
Upon Time's toppling wave.

We, till shadowed days are done,
We must weep and sing
Duty's conscious wrong,
The Devil in the clock,
The goodness carefully worn
For atonement or for luck;
We must lose our loves,
On each beast and bird that moves
Turn an envious look.

Sighs for folly done and said
Twist our narrow days,
But I must bless, I must praise
That you, my swan, who have
All the gifts that to the swan
Impulsive Nature gave,
The majesty and pride,
Last night should add
Your voluntary love.

March 1936

VI. Autumn Song
Now the leaves are falling fast,
Nurse's flowers will not last,
Nurses to their graves are gone,
But the prams go rolling on.

Whispering neighbors left and right
Daunt us from our true delight,
Able hands are forced to freeze
Derelict on lonely knees.

Close behind us on our track,
Dead in hundreds cry Alack,
Arms raised stiffly to reprove
In false attitudes of love.

Scrawny through a plundered wood,
Trolls run scolding for their food,
Owl and nightingale are dumb,
And the angel will not come.

Clear, unscalable, ahead
Rise the Mountains of Instead,
From whose cold, cascading streams
None may drink except in dreams.

March 1936

VII.
Underneath an abject willow,
Lover, sulk no more:
Act from thought should quickly follow.
What is thinking for?
Your unique and moping station
Proves you cold;
Stand up and fold
Your map of desolation.

Bells that toll across the meadows
From the sombre spire
Toll for these unloving shadows
Love does not require.
All that lives may love; why longer
Bow to loss
With arms across?
Strike and you shall conquer.

Geese in flocks above you flying.
Their direction know,
Icy brooks beneath you flowing,
To their ocean go.
Dark and dull is your distraction:
Walk then, come,
No longer numb
Into your satisfaction.

March 1936

VIII.
At last the secret is out, as it always must come in the end,
The delicious story is ripe to tell the intimate friend;
Over the tea-cups and in the square the tongue has its desire;
Still waters run deep, my friend, there's never smoke without fire.

Behind the corpse in the reservoir, behind the ghost on the links,
Behind the lady who dances and the man who madly drinks,
Under the look of fatigue, the attack of the migraine and the sigh
There is always another story, there is more than meets the eye.

For the clear voice suddenly singing, high up in the convent wall,
The scent of the elder bushes, the sporting prints in the hall,
The croquet matches in summer, the handshake, the cough, the kiss,
There is always a wicked secret, a private reason for this.

April 1936

IX.
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

April 1936

X.
O the valley in the summer where I and my John
Beside the deep river would walk on and on
While the flowers at our feet and the birds up above
Argued so sweetly on reciprocal love,
And I leaned on his shoulder; "O Johnny, let's play":
But he frowned like thunder and he went away.

O that Friday near Christmas as I well recall
When we went to the Matinee Charity Ball,
The floor was so smooth and the band was so loud
And Johnny so handsome I felt so proud;
"Squeeze me tighter, dear Johnny, let's dance till it's day":
But he frowned like thunder and he went away.

Shall I ever forget at the Grand Opera
When music poured out of each wonderful star?
Diamonds and pearls they hung dazzling down
Over each silver or golden silk gown;
"O John I'm in heaven," I whispered to say:
But he frowned like thunder and he went away.

O but he was fair as a garden in flower,
As slender and tall as the great Eiffel Tower,
When the waltz throbbed out on the long promenade
O his eyes and his smile they went straight to my heart;
"O marry me, Johnny, I'll love and obey":
But he frowned like thunder and he went away.

O last night I dreamed of you, Johnny, my lover,
You'd the sun on one arm and the moon on the other,
The sea it was blue and the grass it was green,
Every star rattled a round tambourine;
Ten thousand miles deep in a pit there I lay:
But you frowned like thunder and you went away.

April 1937

XI. Roman Wall Blues
Over the heather the wet wind blows,
I've lice in my tunic and a cold in my nose.

The rain comes pattering out of the sky,
I'm a Wall soldier, I don't know why.

The mist creeps over the hard grey stone,
My girl's in Tungria; I sleep alone.

Aulus goes hanging around her place,
I don't like his manners, I don't like his face.

Piso's a Christian, he worships a fish;
There'd be no kissing if he had his wish.

She gave me a ring but I diced it away;
I want my girl and I want my pay.

When I'm a veteran with only one eye
I shall do nothing but look at the sky.

October 1937

XII.
Some say that love's a little boy,
And some say it's a bird,
Some say it makes the world round,
And some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.

Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.

Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway-guides.

Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like classical stuff?
Does it stop when one wants to quiet?
O tell me the truth about love.

I looked inside the summer-house;
It wasn't ever there:
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn' in the chicken-run,
Or underneath the bed.

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
Or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories ****** but funny?
O tell me the truth about love.

When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on the door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.

January 1938
Jessica Jones Aug 2014
He liked red tulips,  I preferred the charm of pink roses.

Though a roses adoration seemed to last longer, than the claim of  "never-ending love" of a tulip.

The red began to fade, leaves and petals began to shrivel
    wither,
          and curl in on themselves.

Whilst the rose drank in every mornings dew, bursting with thorn and a heavy fragrance that filled the summer air with a sense of longing.

I wonder if you noticed.

That I am not talking about flowers..


I am talking about us.
Tins Nox Dec 2011
She is a Flower.
Not as pretty or as loved
As the fairytale Rose.
Nor as ugly or avoided
As the invasive Dandilion.
Yet, she is not as average
As the Daisy or the Tulip.

She is brilliantly subtle.
Unlike the Rose, who's achievements
And beauty have been boasted for ages.
Nor the Dandilions, who have nothing
But false promises to offer.
Yet, still unlike the Daisies and Tulips,
Who offer only fake love and false beauty.

She is a solitary friend.
Whereas the obnoxious Rose chooses only
Those who fit the likes of itself.
And the Dandilion only attracts those
Who are not annoyed by its attitude.
Even still, there are those affected by the Daisy's lies,
And the Tulips, who do little behind masks.

She surrounds herself with the Dandilions,
To make up for her ability to be a Rose,
But inability to care.
The Tulips and Daisies learn to outshine
The presence that has always glowed within.
She grows in shadows,
Struggling for light,
And nobody notices the jewel of the flower that she is.
Because the Roses, and the Dandilions, and the Tulips
Grow like weeds around her
So she loses sight of what she could be.

She is a Flower.
A dying species.
Love her, nuture her, and help her to grow.
There are only a few that will ever know
What she looks like
When she blooms.

Be one.

— The End —