Sadistic Hierarchy

I change my shape in hope to please
The ****** up mindset of society
Dropped 60 pounds and prayed they see
How much that they mean to me
But still they laugh and mock me
About so many trivial things
And while I see right through their schemes
I continue trying to please
The sadistic hierarchy
In trust that they will finally see
The ****** up person they made me
**** these insecurities…

I.

One night at the Troubadour I spotted this extraordinary girl.

So I asked who she was.

‘A professional,’

That was my introduction that on a scale of one to ten

there were women who were fifteens—beautiful, bright, witty, and

oh, by the way, they worked.

Once I became aware,

I saw these women everywhere.

And I came to learn that most of them were connected to Alex



II.

She had a printer engrave a calling card

that featured a bird of paradise

borrowed from a Tiffany silver pattern

and,
under it,

Alex’s Aviary,

Beautiful and Exotic birds.



A few were women you’d see lunching at Le Dôme:

pampered arm pieces with expensive tastes

and a hint of a delicious but remote sexuality.

Many more were fresh-faced, athletic, tanned, freckled

the quintessential California girl

That you’d take for sorority queens or future BMW owners.





III.

The mechanism of Alex’s sudden notoriety is byzantine,

as these things always are.

One of her girls took up with a rotter,

the couple had a fight,

he went to the police,

the police had an undercover detective visit

(who just happened to be an attractive woman)

and ask to work for her,

she all but embraced her

—and by April of 1988 the district attorney had enough evidence

to charge her with two counts of pandering

and one of pimping.

For Alex, who is fifty-six

and has a heart condition and diabetes,

the stakes may be high.

A conviction carries the guarantee of incarceration.

For the forces of law and order,

the stakes may be higher.

Alex has let it be known that she will subpoena

every cop she’s ever met to testify at her trial.

And the revelations this might produce

—perhaps that Alex compromised policemen

by making girls available to them,

—perhaps that Alex had a deal with the police to provide information

in exchange for their blind eye to her activities

—could be hugely embarrassing to the police and the district attorney.

For Alex’s socially correct clients and friends,

for the socially correct wives of her clients and friends

and for a handful of movie and television executives

who have no idea they are dating or

married to former Alex girls,

the stakes are highest of all.



IV.

Alex’s black book is said to be a catalogue of
Le Tout Los Angeles.

In her head are the ****** secrets

of many of the city’s most important men,

to say nothing of visiting businessmen and Arab princes.

If she decides to warble,

either at her trial or in a book,

her song will shatter more than glass.





V.

A decade ago, I went to lunch at Ma Maison,

There were supposed to have been ten people there,

but only four came.

One of them was a short woman

who called me a few days later and invited me to lunch.

When I arrived, the table was set for two.

I didn’t know who Alex was or what she did,

but she knew the important facts of my situation:

I was getting divorced from a very wealthy man

and doing the legal work myself

to avail lawyers who wanted to get a big settlement for me.


Occasionally, she said, I get a call for a tall, dark-haired,

slender, flat-chested woman

—and I don’t have any.

It wouldn’t be a frequent thing.

There’d be weekends away, sometimes in Palm Springs,

sometimes in Europe.

The men will be elegant,

you’ll have your own room

—there would be no outward signs of impropriety.

And you’d get $10,000 to $20,000 for a weekend.





VI.

The tall, slender, flat-chested brunette

didn’t think it was right for her.

Alex handed her a business card

and suggested that she think about it.

To her surprise, she did

—for an entire week.

This was 1978, and $20,000 then

was like $40,000 now,

I knew it was hooking,

but Alex had never mentioned ***.



Our whole conversation seemed to be about something else.



VII.

I was born in Manila

to a Spanish-Filipina mother and German father,

and when I was twelve

a Japanese soldier came into our house

with his bayonet pointed at us,

ready to do us in.

He locked us in and set the house on fire.

I haven’t been scared by much since that.



My mother always struck me as goofy,

so I jumped on a bus and ran away,

I got off in Oakland,

saw a help-wanted sign on a parish house,

and went in.

I got $200 a month for taking care of four priests.

I spent all the money on pastries for the parish house.

But I didn’t care.

It felt safe.

And the priests sparked my interest in the domestic arts

—in linen, in crystal.



A new priest arrived.

He was unpleasant,

so on a vacation in Los Angeles I took a pedestrian job,

still a teenager,

married a scientist.

We separated eight years later,

he took our two sons to another state

threatened to keep them if I didn’t agree to a divorce.

Keep them I said and hung up.

It’s not that I don’t have a maternal instinct

—though I don’t,

I just hate to be manipulated.



My second husband,

an alcoholic,

had Frank Sinatra blue eyes, and possibly

—I never knew for sure—

had a big career in the underworld

as a contract killer.

Years before we got serious,

he was going out with a famous L.A. ******,

She and her friends were so elegant

that I started spending time with them in beauty salons.

They were so fancy,

so smart

—and they knew incredible people,

like the millionaire who sat in his suite all day

just writing $5,000 checks to girls.



VIII.

I was a florist.

We got to talking.

She was a madam from England

who wanted to sell her book and go home.

I bought it for $5,000.

My husband thought it was cute.

Now you’re getting your feet wet.

Three months later,

he died.

After eleven years of marriage,

just like that.

And of the names in the book

it turned out

that half of the men were also dead.

When I began the men were old and the women were ugly.



IX.

It was like a lunch party you or I would give,

Great food Alex had cooked herself.

Major giggles with old pals.

And then,

instead of chocolate After Eight,

she served three women After Three



This man has seen a bit of life

beyond Los Angeles,

so I asked him how Alex’s stable

compared with that of Madam Claude,

the legendary Parisian procuress.

Oh, these aren’t at all like Claude’s girls,

A Claude girl was perfectly dressed and multilingual

—you could take her to the opera

and she’d understand it.





He told me that when she was 40

she looked at herself in the mirror

and said

Disgusting.

People over 40

should not have ***.

But She Was Clear That She Never Liked It

even when she was young.

Besides, she saw all the street business

go to the tall,

beautiful girls.

She thought that she never had a chance

competing against them.

Instead,

she would take their money by managing them.





X.

Going to a ****** was not looked down upon then.

It was before the pill;

Girls weren’t giving it away.

Claude specialized in

failed models and actresses,

ones who just missed the cut.

But just because they failed

in those impossible professions

didn’t mean they weren’t beautiful,

fabulous.



Like Avis

in those days,

those girls tried harder.

Her place was off the Champs,

just above a branch of the Rothschild bank, where I had an account.

Once I met her,

I was constantly making withdrawals and heading upstairs.





XI.

We took the lift

and Claude greeted us at the door.

My impression was that of the director

of an haute couture house,

very subdued,

beige and gray, very little makeup.

She took us into a lounge and made us drinks,

Whiskey,

Cognac.

There was no maid.

We made small talk for 15 minutes.

How was the weekend?

What’s the weather like in Deauville?

Then she made the segue. ‘I understand you’d like to see some jeunes filles?’

She always used ‘jeunes filles.’

This was Claude’s polite way of saying 18 to 25.

She left and soon returned

with two very tall

jeunes filles,

One was blonde.

This is Eva from Austria.

She’s here studying painting.

And a brunette,

very different,

but also very fine.

This is Claudia from Germany.

She’s a dancer.

She took the girls back into the apartment and returned by herself.

I gave my English guest first choice.

He picked the blonde.

And wasn’t disappointed.

Each bedroom had its own bidet.

There was some nice

polite conversation, and then



It was slightly formal,

but it was high-quality.

He paid Claude

200 francs,

not to the girls

In 1965, 200 francs was about $40.

Pretty girls on Rue Saint-Denis

could be had for 40 francs

so you can see the premium.

Still, it wasn’t out of reach for mere mortals.

You didn’t have to be J. Paul Getty.





XII.

A lot of them

were models at

Christian Dior

or other couture houses.

She liked Scandinavians.

That was the look then

—cold, tall, perfect.

It was cheap for the quality.

They all used her.

The best people wanted

the best women.

Elementary supply and demand.



XIII.

She had a camp number tattooed on her wrist. I saw it.

She showed it to me and Rubi.

She was proud she had survived.

We talked about the camp for hours.

It was even more fascinating than the girls.



She was Jewish

I’m certain of that.

She was horrified at the Jewish collaborators

at the camp who herded

their fellow Jews

into the gas chambers.

That was the greatest betrayal in her life.



XIV.

She was this sad,

lonely little woman.

Later, Patrick told me who she was.

I was bowled over.

It was like meeting Al Capone.

I met two of the girls

who worked for her.

One was what you would expect

Tall

Blonde

Model.

But the other looked like a Rat

Then one night

she came out

all dressed up,

I didn’t even recognize her.

She was even better than the first girl.

Claude liked to transform women like that.

That was her art.

It was very odd,

my cousin told me.

There was not much furniture

and an awful lot of telephones.

“Allô oui,”



XV.

I had so many lunches

with Claude at Ma Maison

She was vicious.

One day,

Margaux Hemingway,

at the height of her beauty, walked by.

Une bonne

—the French for maid

was how Claude cut her dead.

She reduced

the entire world

to rich men wanting *** and

poor women wanting money.

She’d love to page through Vogue and see someone

and say,

When I met her

she was called

Marlene

and she had a hideous nose

and now she’s a princess.

Or she’d see someone and say

Let’s see if she kisses me or not.

It was like

I made her,

and I can destroy her.

She was obsessed

with “fixing” people

—with Saint Laurent clothes,

with Cartier watches,

with Winston jewels,

with Vuitton luggage,

with plastic surgeons.



XVI.

Her prison number was

888

which was good luck in China

but not in California.

‘Ocho ocho ocho,’ she liked to repeat

Even in jail, she was always working,

always recruiting stunning women.

She had a beautiful Mexican cellmate

and gave her Robert Evans’s number

as the first person she should call

when she was released.



XVII.

Never have *** on the first date.



XVIII.

There will always be prostitution,

The prostitution of misery.

And the prostitution of bourgeois luxury.

They will both go on forever.



“Allô oui,”



It was so exciting to hear a millionaire

or a head of state ask,

in a little boy’s voice,

for the one thing

that only you could provide

It's not how beautiful you are, it's how you relate

--it's mostly dialogue.



She was tiny, blond, perfectly coiffed and Chanel-clad.

The French Woman: The Arab Prince, the Japanese Diplomat, the Greek Tycoon, the C.I.A. Bureau Chief — She Possessed Them All!



XIX.

She was like a slave driver in the American South

Once she took a *******,

the makeover put the girl in debt,

because Claude paid all the bills to

Dior,

Vuitton,

to the hairdressers,

to the doctors,

and the girls had to work to pay them off.

It was ****** indentured servitude.



My Swans.



It reached the point

where if you walked into a room

in London

or Rome

as much as Paris

because the girls were transportable,

and saw a girl who was

better-dressed,

better-looking,

and more distinguished than the others

you presumed

it was a girl from Claude.

It was, without doubt,

the finest *** operation ever run in the history of mankind.



**.

The girl had to be

exactly what was needed

so I had to teach her everything she didn’t know.

I played a little the role of Pygmalion.

There were basic things that absolutely had to be done.

It consisted

at the start

of the physical aspect

“surgical intervention”

to give this way of being

that was different from other girls.

Often they had to be transformed

into dream creatures

because at the start

they were not at all



Often I had to teach them how to dress.

Often they needed help

to repair

what nature had given them

which was not so beautiful.

At first they had to be tall,

with pretty gestures,

good manners.

I had lots of noses done,

chins,

teeth,

*******.

There was a lot to do.



Eight times out of ten

I had to teach them how to behave in society.

There were official dinners, suppers, weekends,

and they needed to have conversation.

I insisted they learn to speak English,

read

certain books.

I interrogated them on what they read.

It wasn’t easy.

Each time something wasn’t working,

I was obliged to say so.



You were very demanding?

I was ferocious.



It’s difficult

to teach a girl how to walk into Maxim’s

without looking

ill at ease

when they’ve never been there,

to go into an airport,

to go to the Ritz,

or the Crillon

or the Dorchester.

To find yourself

in front of a king,

three princes,

four ministers,

and five ambassadors at an official dinner.

There were the wives of those people!

Day after day

one had to explain,

explain again,

start again.

It took about two years.

There would always be a man

who would then say of her,

‘But she’s absolutely exceptional. What is that girl doing here?’ ”





XXI.

A New York publisher who visited

the Palace Hotel

in Saint Moritz

in the early seventies told me,

I met a whole bunch of them there.

They were lovely.

The johns wanted everyone to know who they were.

I remember it being said

Giovanni’s Madame Claude girl is going to be there.

You asked them where they came from and they all said

Neuilly.

Claude liked girls from good families.

More to the point she had invented their backgrounds.



I have known,

because of what I did,

some exceptional and fascinating men.

I’ve known some exceptional women too,

but that was less interesting

because I made them myself.



Ah, this question of the handbag.

You would be amazed by how much dust accumulates.

Or how often women’s shoe heels are scuffed.





XXII.

She would examine their teeth and finally she would make them undress.



That was a difficult moment

When they arrived they were very shy,

a bit frightened.

At the beginning when I take a look,

it’s a question of seeing if the silhouette

and the gestures are pretty.

Then there was a disagreeable moment.

I said,

I’m sorry about this unpleasantness,

but I have to ask you to get undressed,

because I can’t talk about you unless I see you.

Believe me, I was embarrassed,

just as they were,

but it had to be done,

not out of voyeurism, not at all

—I don’t like les dames horizontales.



It was very funny

because there were always two reactions.

A young girl,

very sure of herself,

very beautiful,

très bien,

would say

Yes,

Get up, and get undressed.

There was nothing to hide, everything was perfect.



There were those who

would start timidly

to take off their dress

and I would say

I knew already.

The rest is not sadism, but nearly.

I knew what I was going to find.

I would say,

Maybe you should take off your bra,

and I knew it wasn’t going to be

beautiful.

Because otherwise she would have taken it off easily.

No problem.

There were damages that could be mended.

There were some ******* that could be redone,

some not

Sometimes it can be deceptive,

you know,

you see a pretty girl,

a pretty face,

all elegant and slim,

well dressed,

and when you see her naked

it is a catastrophe.



I could judge their physical qualities,

I could judge if she was pretty, intelligent, and cultivated,

but I didn’t know how she was in bed.

So I had some boys,

good friends,

who told me exactly.

I would ring them up and say,

There’s a new one.

And afterwards they’d ring back and say,

Not bad,

Could be better, or

Nulle.



Or,

on the contrary,

She’s perfect.

And I would sometimes have to tell the girls

what they didn’t know.

A pleasant assignment?

No.

They paid.



XXIII.

Often at the beginning

they had an ami de coeur

in other words,

oh,

a journalist, a photographer, a type like that,

someone in the cinema,

an actor, not very well known.

As time went by

It became difficult

because they didn’t have a lot of time for him.

The fact of physically changing,

becoming prettier,

changing mentally to live with millionaires,

produced a certain imbalance

between them

and the little boyfriend

who had not evolved

and had stayed in his milieu.

At the end of a certain time

she would say,

I’m so much better than him. Why am I with this boy?

And they would break up by themselves.



Remember,

this was instant elevation.

For most of them it was a dream existence,

provided they liked the ***,

and those that didn’t never lasted long.

A lot of the clients were young,

and didn’t treat them like tarts but like someone from their own class.

They would buy you presents,

take you on trips.



XXIV.

For me, *** was something very accessoire

I think after a certain age

there are certain spectacles one should not give to others

Now I have a penchant for solitude.

Love, it’s a complete destroyer,

It’s impossible,

a horror,

l’angoisse.

It’s the only time in my life I was jealous.

I’m not a jealous person, but I was épouvantable.

He was jealous too.

We broke plates over each other’s heads;

we became jealous about each other’s pasts.

I said one day

It’s finished.

Sometimes I look at myself in the mirror and say:

Break my legs,

give me scarlet fever,

an attack of TB, but never that.

Not that.



XXV.

I called her into my office

Let us not exaggerate,

I sent her away.

She came back looking for employment,

but was fired again, this time for drugs.

She made menacing phone calls.

Then she arrived at the Rue de Boulainvilliers with a gun.

She shot three bullets

I was dressed in the fashion of Courrèges at this moment

He did very padded things.

I had a padded dress with a little jacket on top.

The bullet

—merci, Monsieur Courrèges

—stuck in the padding.

I was thrown forward onto the telephone.

I had one thought which went through my head:

I will die like Kennedy.

I turned round and put my hand up in a reflex.

The second bullet went through my hand.

I have two dead fingers.

It’s most useful for removing bottle tops.

In the corridor I was saved from the third bullet

because she was very tall

and I am quite petite, so it passed over my head.



XXVI.

There were men

who could decapitate,

****, and bomb their rivals

who would be frightened of me.

I would ask them how was the girl,

and they’d say

Not bad

and then

But I’m not complaining.

I was a little sadistic to them sometimes.

Some women have known powerful men because they’re their lover.

But I’ve known them all.

I had them all

here.



She will take many state secrets with her.



XXVI.

I don’t like ugly people

probably because when I was young

I wasn’t beautiful at all.

I was ugly and I suffered for it,

although not to the point of obsession.

Now that I’m an old woman,

I’m not so bad.

And that’s why

I’ve always been surrounded by people

Who

were

beautiful.

And the best way to have beautiful people around me

was to make them.

I made them very pretty.





XXVII.

I wouldn’t call what Alex gives you

‘advice,’

She spares you Nothing.

She makes a list of what she wants done,

and she really gets into it

I mean, she wants you to get your arms waxed.

She gives you names of people who do good facials.

She tells you what to buy at Neiman Marcus.

She’s put off by anything flashy,

and if you don’t dress conservatively, she’s got no problem telling you,

in front of an audience,

You look like a cheap *****!

I used to wear what I wanted when I went out

then change in the car into a frumpy sweater

when I went to give her the money she’d always go,

Oh, you look beautiful!



Marry your boyfriend,

It’s better than going to prison.

When you go out with her,

she’ll buy you a present; she’s incredibly generous that way.

And she’ll always tell you to save money and get out.

It’s frustrating to her when girls call at the end of the month

and say they need rent money.

She wants to see you do well.





We had a schedule, with cards that indicated a client’s name,

what he liked,

the names of the girls he’d seen,

and how long he’d been with them.

And I only hired girls who had another career

—if my clients had a choice between drop-dead-gorgeous

and beautiful-and-interesting,

they’d tend to take beautiful-and-interesting.

These men wanted to talk.

If they spent two hours with a girl,

they usually spent only five or ten minutes in bed.



I get the feeling that in Los Angeles, men are more concerned with looks.



XXVIII.

That was my big idea

Not to expand the book by aggressive marketing

but to make sure that nobody

mistook my girls for run-of-the-mill hookers.

And I kept my roster fresh.

This was not a business where you peddle your ***,

get exploited,

and then are cast off.

I screen clients. I’ve never sent girls to weirdos.

I let the men know:

no violence,

no costumes,

no fudge-packing.

And I talked to my girls. I’d tell them:

Two and a half years and you’re burned out.

Save your money.

This is like a hangar

—you come in, refuel, and take off.

It’s not a vacation, it’s not a goof.

This buys the singing lessons,

the dancing lessons,

the glossies.

This is to help you pay for what your parents couldn’t provide.

It’s an honorable way station—a lot of stars did this.



XXIX.

To say someone was a Claude girl is an honour, not a slur.



Une femme terrible.

She despised men and women alike.

Men were wallets. Women were holes.



By the 80s,

if you were a brunette,

the sky was the limit.

The Saudis

They’d call for half a dozen of Alex’s finest,

ignore them all evening while they

chatted,

ate,

and played cards,

and then, around midnight,

take the women inside for a fast few minutes of ***.



They’d order women up like pizza.



Since my second husband died,

I only met one man who was right for me,

He was a sheikh.

I visited him in Europe

twenty-eight times

in the five years I knew him

and I never slept with him.

He’d say

I think you fly all the way here just to tease me,

but he introduced me

by phone

to all his powerful friends.

When I was in Los Angeles, he called me twice a day.

That’s why I never went out

he would have been disappointed.



***.

Listen to me

This is a woman’s business.

When a woman does it, it’s fun

there’s a giggle in it

when a man’s involved,

he’s ******,

he’s a ****.

He may know how to keep girls in line,

and he may make money,

but he doesn’t know what I do.

I tell guys: You’re getting a nice girl.

She’s young,

She’s pleasant,

She can do things

she can certainly make love.

She’s not a rocket scientist, but she’s everything else.



The world’s richest and most powerful men, the announcer teased.

An income “in the millions,” said the arresting officer.

Pina Colapinto

A petite call girl,

who once slid between the sheets of royalty,

a green-eyed blonde helped the police get the indictment.

They really dolled her up

She looks great.

Never!

What I told her was: ‘Wash that ******.’





XXXI.

Madam Alex died at 7 p.m.

Saturday at Cedars-Sinai Medical Center,

where she had been in intensive care after recent open heart surgery

We all held her hand when they took her off the life support

This was the passing of a legend.

Because she was the mother superior of prostitution.

She was one of the richest women on earth.

The world came to her.

She never had to leave the house.

She was like Hugh Hefner in that way.


It's like losing a friend

In all the years we played cat and mouse,

she never once tried to corrupt me.

We had a lot of fun.


To those who knew her

she was as constant

as she was colorful

always ready with a good tidbit of gossip

and a gourmet lunch for two.

She entertained, even after her conviction on pandering charges,

from the comfy depths of her blue four-poster bed at her home near Doheny Drive,

surrounded by knickknacks and meowing cats,

which she fed fresh shrimp from blue china plates.



XXXII.

She stole my business,

my books,

my girls,

my guys.

I had a good run.

My creatures.

Make Mommy happy

Oh! He is the most enchanting cat that I have ever known.



She was, how can I say it,

classy.

When she first hired me

she thought I was too young to take her case.

I was 43.

I'm going to give you some gray hairs by the time this is over.

She was right.





XXXIII.

I was fond of Heidi

But she has a streak that is so vindictive.



If there is pure evil, it is Madame Alex.





XXXIV.

I was born and raised in L.A.

My dad was a famous pediatrician.

When he died, they donated a bench to him at the Griffith Park Observatory.



I think that Heidi wanted to try her wings

pretty early,

and I think that she met some people

who sort of took all her potential

and gave it a sharp turn



She knew nothing.

She was like a little parrot who repeated what she was supposed to say.



Alex and I had a very intense relationship;

I was kind of like the daughter she loved and hated,

so she was abusive and loving at the same time.



Look, I know Madam Alex was great at what she did

but it's like this:

What took her years to build,

I built in one.

The high end is the high end,

and no one has a higher end than me.

In this business, no one steals clients.

There's just better service.



XXXV.

You were not allowed to have long hair

You were not allowed to be too pretty

You were not allowed to wear too much makeup or be too glamorous

Because someone would fall in love with you and take you away.

And then she loses the business



XXXVI.

I was pursued because

come on

in our lifetime,

we will never see another girl of my age

who lived the way I did,

who did what I did so quickly,

I made so many enemies.

Some people had been in this line of business

for their whole lives, 30 or 40 years,

and I came in and cornered the market.

Men don't like that.

Women don't like that.

No one liked it.



I had this spiritual awakening watching an Oprah Winfrey video.

I was doing this 500-hour drug class

and one day the teacher showed us this video,

called something like Make It Happen.

Usually in class I would bring a notebook

and write a letter to my brother or my journal,

but all of a sudden this grabbed my attention

and I understood everything she said.

It hit me and it changed me a lot.

It made me feel,

Accept yourself for who you are.

I saw a deeper meaning in it

but who knows, I might have just been getting my period that day!



XXXVII.

Hello, Gina!

You movie star!

Yes you are!

Gina G!

Hello my friend,

Hello my friend,

Hello my movie star,

Ruby! Ruby Boobie!

Braaawk!

Except so many women say,

Come on, Heidi

you gotta do the brothel for us; don't let us down.

It would be kind of fun opening up an exclusive resort,

and I'll make it really nice,

like the Beverly Hills Hotel

It'll feel private; you'll have your own bungalow.

The only problem out here is the climate—it's so brutal.

Charles Manson was captured a half hour from Pahrump.



I said, Joe! What are you doing?

You gotta get, like,

a garter belt and encase it in something

and write,

This belonged to Suzette Whatever,

who entertained the Flying Tigers during World War II.

Get, like, some weird tools and write,

These were the first abortion tools in the brothel,

you know what I mean?

Just make some **** up!

So I came out here to do some research

And then I realized,

What am I doing?

I'm Heidi Fleiss. I don't need anyone.

I can do this.

When I was doing my research, in three months

I saw land go from 30 thousand an acre

to 50 thousand an acre,

and then it was going for 70K!

It's urban sprawl

—we're only one hour from Las Vegas.

Out here the casinos are only going to get bigger,

prostitution is legal, it's only getting better.





XXXVIII.

The truth is

deep down inside,

I just can't do business with him

He's the type of guy who buys Cup o' Noodles soup for three cents

and makes his hookers buy it back from him for $5.

It's not my style at all.

Who wants to be 75 and facing federal charges?

It was different at my age when I

at least...come on, I lived really well.

I was 22,

25 at the time?

It was fun then, but now I wouldn't want

to deal with all that *******

—the girls and blah blah blah.

But the money was really good.



I would've told someone they were out of their ******* mind

if they'd said in five years I'd be living with all these animals like this.

It's hard-core; how I live;

It's totally a nonfunctional atmosphere for me

It's hard to get anything done because

It’s so time-consuming.

I feel like they're good luck though....

I do feel that if I ever get rid of them,

I will be jinxed and cursed the rest of my life

and nothing I do will ever work again.



Guys kind of are a hindrance to me

Certainly I have no problem getting laid or anything.

But a man is not a priority in my life.

I mean, it's crazy, but I really have fun with my parrots.



XXXIX.

I started a babysitting circle when I wasn't much older than 9

And soon all the parents in the neighborhood

wanted me to watch over their children.

Even then I had an innate business sense.

I started farming out my friends

to meet the demand.

My mother showered me with love and my father,

a pediatrician,

would ask me at the dinner table,

What did you learn today?

I ran my neighborhood.

I just pick up a hustle really easily,

I was a waitress and I met an older guy who looked like Santa Claus.



Alex was a 5' 3" bald-headed Filipina

in a transparent muu muu.

We hit it off.

I didn't know at the time that I was there to pay off the guy's gambling debt.

It's in and out,

over and out.

Do you think some big-time producer

or actor is going to go to the clubs and hustle?



Columbia Pictures executive says:

I haven’t done anything that should cause any concern.

Jeez, it's like the Nixon enemies list.

I hope I'm on it.

If I'm not, it means I must not be big enough

for people to gossip about me.



That's right ladies and gentlemen.

I am an alleged madam and that is a $25 *****!

If you live out here,

you've got to hate people.

You've got to be pretty antisocial

How you gonna come out here with only 86 people?

That's Fred.

He's digging to China.

You look good.

Yeah, you too.

It's coming along here.

Yeah, it is.

I wanted to buy that lot there, but I guess it's gone?

That's mine, man! That's all me.

Really?

I thought there was a lot between us.

No. We're neighbors.



He's a cute guy

He's entertaining.

See, I kind of did do something shady to him.

I thought my property went all the way back

and butted up against his.

But there was one lot between us right there.

He said he was buying it,

but I saw the 'For Sale' sign still up there,

So I went and called the broker and said,

I'm an all-cash buyer.

So I really bought it out from under him.

But he's got plenty of room, and I need the space for my parrots.

Pahrump will always be Pahrump, but Crystal is going to be nice

All you need are four or five fancy houses and it'll flush everyone out

and it'll be a nice area.

They're all kind of weird here, but these people will go.

Like this guy here,

someone needs to **** him.

I was just saying to my dad that these parrots are born to a really ******-up world

He goes, Heidi, no, no; the world is a beautiful garden.

It's just, people are destroying it.

I’m looking into green building options

I don't want anything polluting,

I want a huge auditorium,

but it'll be like a jungle where my birds can really fly!

Where they can really do what they're supposed to do.

There were over 300 birds in there!

That lady,

She ran the exotic-birds department for the Tropicana Hotel,

which is a huge job.

She called me once at 3:30 in the morning

Come over here and help me feed this baby!

Some baby parrot.

And I ran over there in my pajamas

—I knew there was something else wrong

and she was like

Get me my oxygen!

Get me this, get me that.

I called my dad; he was like,

I don't know, honey, you better call the paramedics.

They ended up getting a helicopter.

And they were taking her away

in the wind with her IV and blood and everything

and she goes, Heidi, you take care of my birds.

And she dies the next day.

She was just a super-duper person.



XL.

I relate to the lifestyle she had before,

Now, I'm just a citizen.

I'm clean,

I'm sober,

I'm married,

I work at Wal-Mart.

I'm proud to say I know her. I look into her eyes

and we relate.





I got out in 2000,

so I've been sending her money for seven years

She was…whatever.

Girlfriend?

Yeah, maybe.

But ***, I tried like two times,

and I'm just not gay.

She gets out in about eight or nine months

and I told her I would get her a house.

But nowhere near me.

I didn't touch her,

but I'd be, like...

a funny story:

I told her,

Don't you ever ******* think

about contacting me in the real world.

I'm not a lesbian.

Then about two years ago, I got an e-mail from her,

or she called me and said, 'Google my name.'

So I Googled her name,

and she has this huge company.

Huge!

She won, like, Woman of the Year awards.

So I called her and I go,

Not bad.

She goes, 'Well, I did all that because you called me a loser.'

I go, '****, I should've called you more names

you probably would've found the cure for cancer by now.



XLI.

No person shall be employed by the licensee

who has ever been convicted of

a felony involving moral turpitude

But I qualify,

I mean, big deal, so I'm a convicted felon.

Being in the *** industry, you can't be so squeaky-clean.

You've got to be hustling.

Nighttime is really enchanting here

It's like a whole 'nother world out here, it really is

I’m so far removed from my social life and old surroundings.

Who was it, Oscar Wilde, I think, who said

people can adjust to anything.

I was perfectly adjusted in the penitentiary,

and I was perfectly adjusted to living in a château in France.



We had done those drug addiction shows together

Dr. Drew.

Afterward we were friendly

and he'd call me every now and then.

He'd act like he had his stuff together.

But it was all a lie.

Everything is a lie.

I brought him to a Humane Society event at Paramount Studios last year.

He was just such a mess.

So out of it.

He stole money from my purse.

He's such a drug addict because he's so afraid of being fat.

He liked horse ****, though. He did like horse ****.

This one woman that would have *** with a horse on the internet,

He told me that’s his favorite actress.

Better than Meryl Streep.



XLII.

The cops could see

why these women were taking over trade.

Girls with these looks charged upwards of $500 an hour.

The Russians had undercut them with a bargain rate of $150 an hour.

One thing they are not is lazy.

In the USSR

they grew up with no religion, no morality.

Prostitution is not considered a bad thing.

In fact, it’s considered a great way to make money.

That’s why it’s exploding here.

What we saw was just a tip of the iceberg.

These girls didn’t come over here expecting to be nannies.

They knew exactly what they wanted and what they were getting into.

The madam who organized this raid

was making $4 million a year,

laundered through Russian-owned banks in New York City

These are brutal people.

They are all backstabbers.

They’re entrepreneurs.

They’re looking at $10,000 a month for turning tricks.

For them, that’s the American dream.



XLIII.

If you’re not into something,

don’t be into it

But,

if you want to take some whipped cream,

put it between your toes,

have your dog licking it up and,

at the same time,

have your girlfriend poke you in the eye,

then that’s fine.

That’s a little weird but we shouldn’t judge.



She was my best friend then

and I consider her one of my best friends now,

because when I was going through Riker’s

and everyone abandoned me,

including my boyfriend,

I was hysterical,

crying,

and she was the one that was there.

And, when somebody needed to step up to the plate,

that’s who did, and I have an immense amount of

loyalty, respect, and love for her.

And if she’s going to prison for eight years

—that’s what she’s sentenced for

—I’ll go there,

and I’ll go there every week,

for eight years.

That’s the type of person I am.

Snarling Cup of Coffee    




I like to start my day with a hot cup of coffee
I pound down the coffee
First thing I do every day
as the dawning sun
Lights up my lonesome room

Yeah, but not just a simple cup of java Joe, but a ******* snarling sarcastic smarmy cup of coffee

I mean, - we are talking about an alcoholic, all speed ahead, always hot, always fresh, always there when I need it, angry, attitude talk to the hand Ztude, bad, bad assed, beats breaking, beatnik, bluesy, bitter, ******, bombs away, capitalistic, caffeinated up the ***, cinematic, communistic, Colombian grown, Costa Rican inspired, Cowabunga to the max, crazy assed, devilishly angelic, divine, divinely inspired, dyslexic, epic, extreme vetting, evil eye, expensive, ****** vision inducing, Ethiopian coffee house brewed, euphoric, freaky, freazoid, foxy, Frenched kissed, French brewed, funkified, foxy lady, graphic, GOD in my coffee, with Allah, Ganesh, Jesus, Kali, Buddha, Christians, Durga, Hindus, Mohamed, Jesus and Mo and their friend, the cosmic bar maid, Sai Babai, Shiva, Taoists,

Zoroastrians, drinking my god ****** coffee in Hell;

growling, gnarly, happy, hard as ice, Hawaian blessed, high as a kite, hippie, hip, hipster, hip hoppy, hot as hell yet strangely sweet as heaven, jazzy, jealous, Kerouac approved, kick ***, kick my ******* *** to Tuesday, kick down the doors and take no prisoners, grown in the Vietnam highlands by exVietcong, Guatemalan grown, kiss ***, illegal in every state, imported from all over the ******* world,

insane, lovely, loony, lonely, lonesome, malodorous mean old rotten, *******, nasty, narcotic, never whatever, never meh, never cold, not approved by the CIA, not approved by DHS, not approved for human consumption by the FDA, not your daddy’s sissified corporate cup of coffee, NOT DECAFE coffee, not your Denny’s truck driver weak as brown water cup of fake coffee, not your establishment friendly cup of coffee, Not your FBI coffee, Not FAKE Herbal coffee substitute, but a real cup of coffee, not your farmer brothers dinner crap, not made in America for Americans, not safe for work, not your Starbucks average expensive overpriced ****** corporate chain cup of coffee, Not pretentious, Not White House approved, not State Department safe, nuclear, Not Patriotic, operatic, Peets’s coffee approved,

paranoid, pornographic, psychotic, pontific, politically aware, rapping, rhyming, right here, right now in River city, rock and roll up the Yazoo, sad, sadistic, sarcastic, sassy, satanic, schizoid, *******, silly, ****, smarmy, smelly, smooth, snarky, snarling, stupid, stinking, sweet as honey, sweat inducing, symphonic, Trump can’t handle this coffee, vengeful, Wagnerian, wicked, with nutmeg and cinnamon swirls, with a hint of stevia, with a hint of vanilla, with a hint of ***, with a hint of whisky, with a hint of cherry, with a hint of fruit overtones, with a hint of drugs spicing up the coffee, spendific, speeding, splendid, superior accept no substitutes, survived the Vietnam war, the Iraq war, the Afghan war, the first and Second Korean war, World War 11, the war on poverty, the war on drugs, the war on black people, the ****** revolution,

Soulful as a summer’s night in MOTOWN- James Brown approved, TOP approved, Berkeley approved, the coffee that Jimmy Hendrix drank before he died, the coffee that Elvis drank on his last breakfast, the coffee that Barry White crooned as he drank his cup of coffee – and the coffee that made the white boy play stand up and play that funky music, the coffee that made Jonny B Goode play his guitar, and made Jonny bet the devil his soul after he drank his morning cup of righteous coffee and the coffee that make the Rolling Stones Rock and Roll, the coffee your mother warned you against drinking, the coffee that Napoleon drank when he became the Emperor of all Europe, the Coffee that Beethoven drank when he wrote the Ninth symphony, the coffee that Mozart drank as he wrote his last symphony, the coffee that Lincoln drank before he was killed, the Hemingway drank before he killed himself, the coffee that started the 60’s, and ended the 20th century,

the coffee that Lenin drank as he plotted revolution, the coffee that ****** and Stalin drank with FDR as they divided up the world after World War 11, the cup that JFK drank before he was blown away, the coffee Jerry drinks while driving in cars with random celebrities and political figures, the coffee that Jon Stewart drinks before he goes on an epic take down of some foolish politico, the cup of Arabic coffee that Sadaam drank the day he was executed, the coffee that GW and Cheney drank when they bombed Baghdad, the Indian cup of coffee that Bid Laden drank before 9-11 and just before the seals blew his *** to hell, the cup of coffee that Tiger Woods drank with his mistresses while playing a 3, 000 dollar round of golf at Sandy Lane golf course in Barbados, the last legal drug that does what drugs should do, the cup of coffee that Obama drank when he became President, Vietnamese, Vienna brew, wacky, whimsical,

Whisky Tango Foxtrot, wild, weird, wonderful, WOW, Yabba dabba doo! Yada Yada yada Zappa’s favorite cup of cosmic coffee, and Zorro’s last cup of coffee, Good to the last drop rolled into one simple cup of hot coffee   
As I pound down that first cup of coffee
And fire up my synaptic nerve endings with endless supplies
Of caffeine induced neuron enhancing chemicals

I face the dawning day with trepidation and mind-numbing fear
I turn on the TV and watch the smarmy newscasters in their perfect hair

Lying through their perfect blazing white teeth
about the great success the government is having
Following the great leader's latest pronouncements

I want to scream
and shoot the TV
and run out side

Shouting
Stop the world!
I want to get
off this ******* crazy planet"

The earth does not care a whit
about my attitude problem

It merely shrugs
and moves around the Sun
In its appointed daily run

the universe whispers
in my ear
time to drink more coffee
for an attitude adjustment

And I sit down
The madness dissipating a bit
And enjoy my second cup
Of heaven and hell
In my morning cup of Joe

Coffee Revolutions



coffee cup
Coffee led to the American Revolution<span
As patriots drank coffee
To rebel against
the aristocratic English tea

Coffee started the London Stock Market
And started the gossip mills running
Every great invention
Was fed by coffee's sweet brew
sweet allure

All the great thinkers
All the great leaders
All were enslaved
to coffee's magic

I sing my praises
Of the great
glorious coffee lady

Long may she continue
To be my sweet companion

Long may coffee continue
To rule my heart
And set my heart
on fire

Ode to Coffee



Mistress of sacred love
Sacred lady of desire

You start my day
Setting my heart on fire
With your dark delicious brew 

And throughout the day
Whenever the mean old blues come by
You chase them away

With your bittersweet ambrosial brew
Every time I inhale your witch's brew

I am filled with power, light and love
And everything is al right Jack
If only for a few fleeting minutes

I love you oh coffee goddess
In all your magical forms

In the dark coffee of the dawning day
In the sizzling coffee in the mid morning break
In the afternoon siesta break
And in the post dinner desert drink

I love you my coffee mistress
You are my refuge
From this horrid world

And you are my secret lover
Never disappoint me, ever
I've never had a bad cup
Of that I can be sure

Even the dismal coffee
Served at Denny's at 3 am
Is still sweet loving coffee

Even the farmer brother's diner coffee
Excites me and gets me going
Asking for another cup of divine delight

Coffee always is there
It is always on and piping hot
With hidden dark secrets
Swirling in its liquid essence

Coffee is my last vice
My only legal vice left

Coffee does not cheat on me
It is always faithful, always true
It does not turn on its friends

And all it asks in return
Is that you come back
Cup after cup after cup

A good cup of coffee
Is a little bit of heaven
In a cup of dark liquid hell

Coffee is like a drug
But a good drug that does what is should
And never complains

It does not get grouchy
It does not hurt you

It does not make you crazy
But allows the muse to come out
And play with it

Coffee led to the American Revolution
As patriots drank coffee
To rebel against the aristocratic English tea

Coffee started the London Stock market
And started the gossips mills running

Every great invention
Was fed by coffee's sweet brew
sweet allure

All the great thinkers
All the great leaders
All were enslaved to coffee's magic

Yeah
I sing my praises
Of the great glorious coffee lady

Long may she continue
To be my sweat companion

Long may coffee continue
To rule my heart
And set my heart on fire

I love thee
Mistress coffee
And sometimes I think
You love me too

No More Coffee Blues








I love coffee
Always have

And coffee has loved me back
But lately I have soured on her
Soured on the whole coffee scene

On the harshness
of the morning brew
And the promises it makes

As I sip of its nectar
Drawn into its lair

Drinking drop by drop
As the caffeine takes over

Rewriting my every nerve
Turning me into a slave
For its perverted pleasure

Yes I love coffee
But I am afraid

Coffee is a harsh mistress
Demanding so much of me

Promising the sun
And delivering the moon

As I drink her swill
Deepening under her influence

I have the coffee blues
Can’t live without her
Can’t live with her

I try
But tea does not cut it
Not really

***** does not do it
At least not in the morning

Yoga is not enough of a buzz
Nor is the runner’s high

And I am afraid deadly afraid of *******
And speed and drugs and energy drinks

And so I remain a slave to coffee
My only legal drug

As I sip another
and fall under
her seductive spread

Once more failing my resolve
To skip coffee for that day
That morning that moment

I shall never be free of her spell
Ever and she knows it
As she beckons me
Every morning with her intoxicating smell

And I come to her
and drink her brew

And become her slave
again and again

Coffee Ya Du





must drink coffee
have every day
the morning dawns
drinking my coffee as I yawn

Morning cup of coffee 



every morning
I drink my coffee
as I contemplate 
the dawning day

watching the news anchors
blather on and on
drinking my coffee
thinking of life

and my coffee
consumes me
overwhelms me
and at time controls me

after all coffee is a drug
and I am her slave
from time to time

Drinking Coffee in the Morning



in the morning
dangerous mood
felling deranged
watching the news

trigger warning
you are ******* dude
end of the world
the end times come

I drink coffee
in the morning



Coffee *** Killed





His wife has banned my use
by my owner
says he makes too much
of a mess when he uses me

it is not his fault
I want to say
but being a coffee ***
can not speak

and so I am abandoned
thrown out into the trash

and feel very sad
for my owner

who was my friend
he liked me

he keep me going
and I did my job

providing him
with fresh coffee

doing my coffee *** duty
and now it is over

Drinking My Coffee


drinking coffee

drinking my coffee
early in the cool morning
thinking life is fine

everything will be okay
after I drink my coffee

morning coffee



morning coffee

dawning sun 











coffee MGur Poem


coffee

I pray to the coffee gods
every cup of coffee
is like a sacrament to me

I pray as I drink my coffee
that it will fill me
with wisdom

and find peace
with my coffee

as I drink
my devotion

Hot coffee


cup of coffee


take coffee with you
Hot hot coffee, makes my day -

Must drink My daily coffee, as the morning dawns - 

With out my morning coffee

in me,  I feel nothing at all -

Electrified Hot Coffee



coffee is the drug of choice
nothing else will do it
as I drink coffee
Electrified
Hot Coffee

Hot Coffee and Cake


coffee
coffee is the drug of choice
electrified circuits
as I drink coffee
coffee and cake



Coffee Patina



coffee
hot coffee
hot Hellish Heaven
Essence of coffee

Stop staring
I’m defaced
When I find me
You’ll be replaced

Winter Vitamin D
Here’s happiness
I’ll never see

Ripped into a metropolis
Warmed in clothed greed
You shine their suits
You melt frozen streets

I’ll always find you
Always sadistic
Always shining through

Kashmir Delirium

Oh People Of Earth! Thankful are we,
For each act of benevolence shown to us.
Your gilded sweet words describing,
The beauty of Kasmir, land and people.

Mention in books and talks of it's riches,
Naming it the Sweet Paradise Of Earth.
The Lord has been bountiful to Kashmir,
Treasure of resources in every sphere.

To elevate each aspect, our wish for life,
As every acre of this land is worth millions.
Full of treasures and recreational value,
Forestry with grandeur and silvery rivers.

The outside world's view is so limited,
Simple folks living in the lap of rich bounty.
Mentioned in world forums and organizations,
But what of the goal of giving us freedom?

What has The UN established in our name?
To measure the pain and anguish we bear,
At the hands, of our supposed benefactors.
The saviours who has us fractured.

But in reality they train their enforcers,
In the art of creating oceans of tears.
The red blood now hidden in camouflage,
The spent shells now gathered and hidden.

The leaders we are told to elect in electoral shams,
Run publicity kiosks and swell friend lists.
Joint conferences to address personal interests
Dialogues that never address the root issues.

Just the formalities and no sympathy,
For the ones burnt in cruel sadistic reprisals.
The hypocrisy continues deliriously unabated,
More augmentation of the security forces.

For a first hand view of deep hypocrisy,
Walk this land, you know as beautiful.
Religious leaders will teach you  political artistry,
Sermons full of ambiguity and guile.

Waywardness and narrow mindedness on display,
Political apologists give great lessons.
Religion and religious ethnicity are tools,
That keep minds and bodies in total check.

Gamesmanship by leaders is the rule of thumb,
As promises are forgotten once office is obtained.
When writing of this succulent beautiful land,
Write of the air, pregnant with sadistic practices.

This land is being stripped of worldly treasures,
And the greatest treasure is mistreated daily.
The best of nation is the inhabitants,
Ignored are the real gems of this beautiful paradise.

i

give me my lifes´
the day crowded bright
and the night sumptuous..

give me my pretty wife
where love at first sight
bind us..

give us two souls blithe
fused as light within light
sweet bounteous..

let us soar and dive
like content swallows might
time in lost happiness..

( and let trouble and strife
bind-us the more tight
like our first kiss..)

give then to two one life
white to white
whole as stars

as love unto death
might break apart
and ride the cosmos..


ii

the jonah by james herbert
a heist goes wrong and a colleage
is shot..

just another debacle for our hero
in a long list
that has him transferred to the

drug squad and east anglia..
to live in a caravan..
keep his eye on the locals

and drink strong beer..
ellie his partner
makes him eat

and they fall in love
though various tentions rise
due to his troubles..

some flash backs
a left baby in a toilet
sadistic stuff at the orphanage..

bullies and dodgy collars
his step father is strict
he is an ornothologist..

there are drug related incident
a dead vole
a us pilot bites the farm..

some little boy thinks he
can fly..
the water supply
some pilfering

some heavy knocks
some bad lies
some kitchen

small potatoes
but all part
of mr herbert´ s charm..

a huge storm
the spooky old mill
a wild trip..

and regression
bad men
bad men..

lot´ s of struggle
the raw products
towed in by trawler

assembled by the knights
torn
and a lost twin..

a monster in the flood
where others die
a maitre d..

a ***** salesman and
his girl in a caravan
the fishermen..

helicopters and
victory for
the forces of good..

and the jonah
gone and all
is light..

the end..

sometimes when my mind goes to the darkest place
I wish we had drown
the night we fell asleep
together in the bath tub

so in love
we had no idea what pain was
we had no idea
of the storm that was coming

I am lost in my own germination.
I miss the innocence of adolescence,
I miss the days of being a seed.

Nostalgia stemming from maltreatment,
roots of disdain running deeper and deeper
as they absorb the negativity of my surroundings.

The sadistic nature of being
has instilled terror in my heart, a terror of the future—
for I’m not ready for my contempt of existence to flower.

I preferred being a seed.

As I blossom, I grow consumed by feelings of self-doubt,
tears falling, like petals in the springtime,
Will I survive the winter?

I preferred being a seed.

The strong winds of life rip me up by the roots.
I am slowly wilting and withering away as days pass,
unaware of when I will be trampled underfoot.


I remember the days of being a seed.
For remaining a seed would have been easier
than blossoming in a world slowly and aggressively plucking my petals.

I am nearly barren.

it’s confusing to me
and maybe this is where
the grooming,
psychological abusing
comes from.
i’m used and discarded,
tossed into the recycling bin
until i’m reused again.
and again.
every time making me
a little weaker
than the time before.
a little less able to refuse.
a little easier to bend,
to break.
the lack of permanency
in the place i long for,
the place in which
i never got to stay for long,
only to be hauled away and
returned upon further notice.

Sadistic Lovers

I'm not so sure that I can see your point
when your dagger is buried deep in the spine
that's wrapped around your finger;
A silver will bent across your golden trigger.

It won't be long 'til you find another guy,
that's willing to waste your time.
When it's all said and done
and your mouth's around the gun
you'll see that Sadistic love is blind.

Knocking on my door: Charlie Calgary is here!
His clothes in tatters, upper lip bleeding.
With tenderness my mother welcomes him. He looks
at me knowingly, pretending to tear.
Trickery! Always bluffing till they bring
Something free. He's among the youngest crooks.
She gives him dinner and one of my toys.
"Count your blessings", she counsels me. I frown,
flip Charlie the bird, get sent to my room.
This is the same game he often employs.
Later on, mother's in her evening gown,
Charlie's gone. I sweep the porch with a broom.
The day finishes. It's dark. Quite quickly
the starlight shows --- walking off carelessly, save
knowledge of wounding and cruel, fleeting thought ---
that sadistic boy Charlie Calgary,
whom my misled, well-meaning mother gave
stuffed-chicken dinners, new toys that she'd bought.

Sadistic, sinister:

              The evil twin sister

I fight, I resist,

              But sometimes I still miss her...

From birth was a friction –

              Affliction – a blister

Now alive, I must die

              Every day and dismiss her

.

stars and stardust fall to freedom
from the press corpse,
from the incessant demand of chemical crises.
crowds ache for love or a substitute
and false amore is what they have.
love is folie a deux-
[the shared madness of two.]
attachment is an affliction,
infatuation is disease leaping from remission,
with deadly symptoms.
red roses lead to black coffin doors,
roses dropped on floors
from vases shattered,
and life is the water spilling from the stems.

golden hair won't keep me docile-
blue eyes and a smile
are weapons of mass destruction-
cities sunk and flags risen
from the depths of inhumanity.
it's all for you, Helen, and humankind will never
perceive its aftereffects,
its hangover headache
sprawled over the world on a bad day.
little city partylights and shiny beer bottles
broken upon the concrete
covering the grass.
reflections of insanity upon the glass.

devilish, the temptress,
the succubus, a mistress
sent by Him, to spin doubt into
the spiderwebbed life of family trees
split in two by axes, divorces
to fifty percent, no-
no wedding band-aid will stop this flood.
abandonment.
neglect gets to a child's head-
can't help but wonder if
they were the cause of this.
little anchors,
keeping the heart in one place-
an anchored rubber band that demoness
stretched and snapped.
the relapse gave her whiplash, and
the stepdad whipped the boy's back, and
the boy grew up and
found a girl to take his pain to.
she gave him five stunted children,
with eyes hollow and glazed,
a mechanical response to a command.

lack of emotion only seems cruel
to those on the other side.
lack of flourish means nothing
to those who grew up to grey skies.

chains and handcuffs keep stardust grounded,
remains from a nebula which
birthed a black hole.
straight razors and pinky nails
teach fledglings to reach for the sky
and never fall back down.
glass ceilings never seemed so
breakable- tiptoe upsidedown
and reach the other side
before you fall back down to the real world.

angels have no eyes.
angels have no souls.
angels judge and leave the helpless for below.
cliffsides crumble and clouds dissipate,
and the devil lends a hand-
he is helping sinners make it up to him.
in his face sit eyes gleaming brightly;
there are teeth grinning, off-white-
he is human, though sadistic
and he understands your plight.
the devil is forgiving,
and you understand nothing, because you
are nothing.
you are nothing.

stars and stardust fall to freedom, and the devil takes in all.

Dogs barking in the backyard
Grass up to their knees
Sound of thunder roars
And there's lighting in the trees

Waiting for it to rain
Contemplating life
Hearing only crickets chirp
and the cars that drive by

Sadistic in nature the clouds turn black
They become heavy and begin their attack
The trees hide their fear and stand their ground
As gunshots come they're heard all around

Then the sun came out.

slave is someone who does not have authority over their own lives slave is someone subservient controlled dominated by somebody something slave works very hard for little or no pay slave is property of somebody something slave is someone forced to obey

sycophant is someone servile who overly flatters more powerful individual for personal gain sycophant is bootlicker brown-noser fawner flunkey doormat lackey lap-dog yes-men parasite toad-eater (pause reposition) somebody possessed of excessive vanity may cultivate sycophant swarms

side by side they stand clothed in black not quite similar the one slightly taller possibly because the other suffers poor posture perhaps they are related because in odd way they appear alike or of same ilk yet upon closer scrutiny it becomes apparent they have very little or nothing in common the taller one with troubled sad eyes the other smiling obsequiously the taller one more muscular ***** from working menial labor the other with curved spine slumped shoulders because of undue bowing and crouching while blowing smoke up other people’s *****

sadist is someone who attains ****** gratification by inflicting physical pain shame to other people sadist is someone who delights in excessive cruelty degradation to others

******* is someone who achieves ****** pleasure from being hurt humiliated abused dominated punished often self-inflicted ******* is someone who enjoys being harmed misused mistreated ignored by others

sadomasochist is someone who gets ****** gratification by alternately or simultaneously enduring hurt causing pain to somebody else sadomasochist is combination of sadistic masochistic tendencies in someone who obtains ****** pleasure from inflicting submitting to pain cruelty

sycophant slave snakes up leg of movie actress dictator who gains pain through pleasure 2000 miles from equator IED cell phone detonator sycophant dilettante ***** up to sadistic art critic or publishing editor on escalator while below on main floor of shopping mall ice rink figure skater pirouettes bows to nominator surreptitiously bribed by infiltrator mutilator

The torture on the golden ship of evil horrors
after arriving at the big golden pirate ship of torture we are made to walk along the black plank to board the grisly ship.  The horses look around the deck while the evil pirates watch with nasty and wicked eyes of hate towards our bodies.

All of a sudden hundreds of ghostly pirates appear from their  city of spikes and watch  us on the devils deck of terror.  The patch eyed monster with one leg then shouts towards a dark room on the ships deck while the other creatures jump and scream with a mist pint of froth in  their red hands.

The golden  goddess screams in terror when a dark figure wearing a purple hat walks out on the red deck of horrors.  We all look in horror when the rest of the pirates  chain our army towards  the ships  rails of torture.

i comfort luitent megs with my outreached arm while the dark pirate figure without a nose  and mouth pulls out it jagged  red swords  of horror at our trembling bodies.  The golden goddess stares inside its deep purple eyes while it pulls two  warriors out  from the carnage.

The horses plead for mercy while the  creature drags then towards a small dark corner of the ship.  One of the warriors is then tied down on a long plank of wood while the other pirates begin to move forward towards her shaken bodies.

An angry golden goddess try's to break free from the chains of torture while the other brave warrior try's to save the poor old woman warriors body.  We weep with anger when the pirates begin to rip her golden uniform off revealing her  lacy white old underwear of modesty.

The pirate monsters then quickly surround the shaken mature  woman  and ripping  her underwear off with ease. We listen the the pirate creatures howl with pleasure  whilst exploring her naked body.

Two of the pirates hold her head down while  the ******* pirate  pulls out its small flashing blade and cuts off  her nose  while she scream in terror.  The other pirates then keep her head very still while the creature begins to cut her mouth and lips off while blood fires up across the ships cold dark deck.

A sick golden goddess then begins to throw up when the black pirate holds the woman's golden lips  in the air for all the other pirates to see  and enjoy. We all sink into a dark huddle when the  other warrior is pinned down and sliced open by the black  pirates  sword of horror.

The horses tremble and shake when the other  warrior is pinned by down by fifteen pirate creatures for the black demon pirate pleasure. We all look with open eyes when the demon black pirate carefully removes hes golden genitals and ***** for the screaming warrior.

We are all then taken below deck towards a long  black freezing jail while the pirates party  and drink on spike city of evil horrors.  The horses sit and wonder how to escape  the evil city while the rest of us lay down in the dark  cells of torture.

written by wayne mockler
ownership and copyright wayne mockler


The torture on the golden ship of evil horrors part 2

After a long few hours in the cold dark cells of horror the  evil pirates bring us up on deck while all the other creatures watch  from pirate land of evil. The golden goddess and her army are led out first onto the golden ships deck with  me and luiteant  megs, white tiger and horses behind us.

We shiver and shake when we notice the plank of torture  hanging over the cold red water of evil.  One of the dark pirates comes towards our cold tired bodies and looks at us with  its green eyes of evil while its flowing  hair of snakes shines at our clouded minds of terror.

The golden goddess speaks out towards a smiling one eyed captain before being ******* with rope on a ships pole.  We be the captain for mercy but he's monster pull out two golden warriors and makes them stand near the long plank of wood.

One of the golden warriors is forced to walk the long dark plank while others look on in terror and suspense. The horses try and break free from their handcuffs but get beat down by  the evil pirate creatures of horror

A scared and  terrified warrior stands in the middle of the plank until a giant black figure emerges from the deep red river. The figure a shark with five heads and axe tail jumps at the golden warrior leaving a big deep cut on his forehead with golden blood flowing out everywhere.

I hold a terrified luitent megs tight while his head ***** open in the cold dark night of spike city.  The horses hold onto a shaking white tiger while the creature dives back in the deep red water.

The shark  monster  then jumps again but this time cutting the warriors head off while making the golden blood pour over the dark plank of wood.  The golden goddess begs for mercy until the pirates surround the fighting body of torture with eyes transfixed on her large ******* with glee.

We tell the pirates to keep of her  until  a black pirate with one arm begins to unbutton  her golden  blouse with ease.  The other creatures get closer towards her blushing red cheeks while the dark pirate begins to release the red buttons and exposing her large  ******* to cheers from the ***** pirates  creatures.

After getting  touched and explored by all the evil pirates a crying golden goddess is carried towards spike city drinking saloon along with the other golden warriors. We are  made  to follow behind a guard of pirates while the horses and white tiger  are chained up in the cages of hell.

Once in the drinking den of horror we are made to sit on big long stool while the pirates  strip a red faced golden goddess naked  while the captain watches with a barrel of ***.  we are then taken back towards the dark cage in spike city and locked up with the horses and white tiger.

We look over at the  other big cage from hell and see the army of golden warriors laid down  from the fight on hell.  The horses tend to to a distraught golden goddess with their warm fur of hope and look for a way to escape this hell hole.

written by wayne mockler
ownership and copyright wayne mockler

The torture on the golden ship of evil horrors part 3

After a long night of drinking and laughing the dark pirates settle down under a mist of red sky of horrors.  We sit alone in our  cold dark cage until the  purple light of sunlight shines though the next morning.

The pirate creature wake and walk around the dark spike city of horror until another ship sails in under a tunnel of torture towards the dark city's lights.  A scared golden goddess looks out and sees another pirate ship with orange sails come into spike  harbour.

We cringe with horror when the dark pirates cheer the ship while an orange pirate with six arms stands on its deck.  The  big green and blue ship then settles in harbour while the six armed orange creatures jump out and walk around the scared golden warriors cage.

A sadistic dark pirate captain  then unlocks the cage and drags out tow more golden warriors screaming and kicking for survival. The disgusting black captain then throws one of our heroes to the  orange horrors of lust.

The horses bang and shout at the dark pirate captain  until the orange creatures carry  the golden warrior woman towards a cold dark table of hate.  we listen to her screams while the pirates begin to cut open her golden uniform from to to bottom.

An angry golden goddess screams with anger when the creatures mange to prize open her golden bra  and ripping it off with loud screams of joy  from the other drunken pirates.  She blushes  red with horror when the  creatures  slip down her golden thong causing the  pirates to go wild with excitement.

We sit and watch with anger when the pirates begin  to touch her naked body all over while he screams in anger and hatred. The  creatures then carry her naked body towards the  creatures drinking saloon  of evil.

I hold and comfort luitent megs while the cheer's get higher and higher  followed by a dull silence. All of a sudden two evil  orange pirates  bring out her golden head before sticking in on a long pole near the river.

The golden goddess screams and kicks with anger at the glowing guards while  the other golden warrior is dragged inside the saloon of horror.  We then suddenly hear high pitched screams coming from the warrior inside until a pirate shouts yes in a loud clear voice.

Another  four pirates of evil walk out holding various  parts of the mans body in their glowing  hands of golden blood. The horses bury their heads in the  cage corner whilst the  creatures throw s his head and legs inside a big dark plastic bag of evil.

We all sit alone in the dark  cage of evil  while the orange and black  creatures toast and dance in the  cold evil  saloon of hatred.  The golden goddess and horses look around the dark cage wondering how to escape from the torture of the creatures hands.

written by wayne mockler
ownership and copyright wayne mockler

i.

for the past few weeks i've been doing an experiment,
thankfully philosophy allows such things,
of course, they're deviations from what i'm used to
in chemistry, they're less, what's the word?
spectacular - but they are nonetheless experiments,
and that's the beauty of being grounded in some sort
of science (trinity of biology, chemistry and physics
and that's the limit, beyond this there are only
pseudo-sciences)... medicine? that's the tsarina of
learning: like any tsarina: gets down and *****,
and yes: mathematics is the genteel queen.
philosophy on the other hand seems like a vagabond
in learning, never really pieced together,
never really sentenced to a single direction:
and for that matter, thought can become less narration
that stretches into the sort of philosophy that Sartre
embodied with his novel, and more into thought becoming
experimental...
you might be wondering what the experiment consisted
of... well, over the weeks i've been sadistic unto myself,
it's to do with trying to figure out the modern curse
that's the 3D's: debt, depression, dementia.
                i can't fall asleep without a bottle of whiskey
cigarettes, sleeping pills and music playing in the background:
which would make me a terrible partner, anyway.
   beyond that though, for weeks i repeated a pattern,
i fell asleep to the *hellraiser ii: hellbound soundtrack
by christopher young...
       day-in-day out: as if to pressurise the idea that
the faculty of dreaming could be censored in the same way
that thinking is censored in liberal speech
eroding people's vocabulary, **** included.
     what i mean by that: every day i woke up with 15 minutes
of despair, then the zenith came after i lay in bed
for 4 hours and felt too many leeches ******* at me...
   those 15 minutes of despair were always there,
but then i usually got up and went about my daily business...
i admit that whiskey could be to blame,
anyone could argue the alcohol-is-bad argument,
but arguing as R. D. Laing might have that it's
also a sedative if you don't include social adhesion to loosen
the tension of going out and dancing:
then i don't see the point of saying it's all bad.
         sleeping pills (i found) are not 100% active without
what the prescription states that you should do:
i exceed limits, but then i write during the night -
            create a balance and i'm sure any insomnia
might be made minimal... anyway:
so i've been doing this roundabout experiment,
listening to the above album while falling asleep,
but then yesterday i decided to fall asleep listening to
godspeed you! black emperor's album F♯ A♯ ∞,
and guess what the experiment proved:
  i felt little or no anguish for 15 minutes,
obviously the usual groggy of a pseudo-hangover,
  but that doesn't mean staying in bed for 4 hours
because you feel **** about life 'n' all...
                   as already stated there's what we call
a cartesian dichotomy, that somehow altered mental
states cannot be translated into a physicality -
depression in this sort of language becomes lethargy -
people never seemed to connect the dots that
state the monism of everything having a pairing either
side of Humpty-Dumpty sitting on the ergo fence
asking about a flying omelette... ergo is a variation
of what precipitates... depression = lethargy...
the purest kind of what i know (i have enough psychiatric
literature to redeem myself from what would
be deemed quack-medicine with their quack doctors) -
some say that taking the vitamin B12 supplement
could help you: or that weak digestion is to blame, too.
i would be quack doctor if i was in a position of power,
and since i am not really earning anything from my
"poems", what sort of power can i abuse? trust -
but then again these are thought experiments,
           i first experiment on myself, then note down
the observations i have accounted for.
               so what will my unconscious eat today while
i switch off my consciousness? i was thinking of
the cure's disintegration album,
         perhaps that's why i did weeks of falling asleep
to a horror movie soundtrack, to later move into
neo-prog "rock" and then into 80s goth melancholia...
    i'd say that pop ****** melancholics off...
and such a nicer word for depression...
                   it's not even close to compression and has
nothing to do with aviation or the Netherlands...
     melan, melan: ah! melanism - a certain darkness,
    choly -         condition of darkness...
       and that star of Bethlehem appeared at night...
man of sorrows, well that's just blatant;
           but for all the romanticisation about darkness
and the mysterious moon and all the insomnia,
i still prefer the anti-cartesian explanation of actually
creating the proper answer to what has become
a dichotomy between the physical sciences and
the pseudo sciences, given that ergo is a precipitation
then for the two opposite to become inseparable
depression must be equal to lethargy: which is a variation
of the grander genus (family): metabolism.
               is this the point where i re-quote that famous:
doctor! heal yourself!
                                      well, if there's anything to go by
i have in my mind, given my life a prolonging in a way,
what was it... amitriptyline?
                                         the new ******* for
the respectably prone to citizenship's serenity of leaving
other people to their own demises -
  i mean, look at all the teetotalers: hyperactive bunnies
with too much energy that translated into things like
the infamous pyramids and the doubly infamous chimneys.

ii. the danish girl

i would have never thought that the transgender movement
had such a puritanism about it,
such platonism - nearing martyrdom;
who could have thought?! i only managed to see the film
today... i'm a sentimental ******* and i was choking
on not crying at the end of the film
here was a true representation of an artist,
         there's he (einar wegenar): a successful local
artist, within the confines of Copenhagen,
modestly famous: primarily because of having
perfected a technique and sourced it in a childhood
memory that keeps haunting him,
    thus he keeps repeating it, although with slight
alternation to refresh it, but no photograph to work
from, hence my previous statement:
  memory is the best cinema or arts' gallery (this
is not a universal statement, memory doesn't always
heal, or fascinate or have the ability to revitalises itself
or become the most potent "hallucinogenic" experience);
and then she's there (gerda wegener), also
painting, but more in line with paying the rent
rather than appeal, rich people needing portraits to
hang on the walls of the future of their lineage
        in years to come so someone might boast:
that was my ancestor, who founded the first bank
of Copenhagen sort of stories -
and all she wants to do is be an artist like Einar;
and she keeps coming back from galleries with her
works and they never give the critics any appeal
at being original - they have a suggestive generic
quality to them: precisely because they've been painted
for money. art is cruel in that way,
  when critics reduce producing art like they might reduce
being a cashier in a supermarket on the basis of:
job done... then comes the offense from the artist.
the beauty of this film is the platonism that soon explodes,
the near innocence... i really don't know how
the transgender movement borrowed from this:
all those Baphomet ******* with too many parts,
silicon chests and ***** and what not?
       this is one of the finest forms of defamation -
these days the transgender movement is so sexually
potent it doesn't really deserve what can only appear
as a self-imposed crucifixion...
              this story predates the unearthing of the nag
hammadi scripts, it's intuitively bound to what was
unearthed in 1945...
      einar sees the desperation of gerda, he knows
that he'll simply remain a local artist,
    bound to a square mile of earth, local, provincial
even... what he decides on is best expressed
by Marilyn Manson's lyrics: now i'm not an artist
i'm a ******* work of art.
        how can not this resonate further into the film
if not by this motto:
it is a consecration of a memory, to invert it and
un-seize the moment long ago experienced and now
fuelling art, or the repetition of a safe technique established.
one man's frustration and a woman in a cage:
the potential seen - then a sudden bursting of madness,
the evident anti-cross -
                                  to say he had reached his limits
and she was kept frustrated and under-appreciated is
blatant enough, this self-sacrifice for a woman to
find her subject, was all too evident when she utters
the words that: the student overcomes the teacher,
and that's the whole story,
                       he has to walk into the canvas,
     in whatever way imaginable, and what a better way
than on a whim to escape the dreariness of parties
   by dressing up as a woman, after gerda's model
is late so she can continue a painting and einar
has to step in and wear a few female garments...
       to later realise the Dionysian consequence:
                                  only to the utmost excess, from here.
this could hardly be a propaganda movie for
the transgender movement... the "propaganda"
aspect ends when you hear children imitating this
artistic "prank" in today's society...
      it wasn't a prank in the slightest: but a profound
expression of love between two artists...
          outside of art the whole transgender movement
is still only ***** and silicon **** of Thailand's lady-boys:
that's not reality?        
although i actually did choke with nearing to cry
in the closing scene...
    unlike the Christ story... there was no resurrection.
so hans and gerda travel to the place where
einar depicted the landscape in his revisions,
       and both of them are standing there
        and it's ****** pulverising with so much depth
upon being so little when reduced to a canvas
but because you see the painting first, do you later
see the landscape with more emotion...
     and i thought to myself: gerda will recreate
the landscape in her own eyes, she'll what he saw
and what he gave up for her to paint him in his
transformative (transfigurative) state of becoming
lili elbe...
                     that's why i was about to cry -
     that she could put lili aside, and return to /
resurrect the memory of einar the locally famous
artist... that she would apply the same technique in
painting lili / einar but turn her attention to
landscapes... as if to imply that both of them became
reunited before all the madness of life came chasing them
into extremes.
          to my dissatisfaction? after the film ended
and before the credits started rolling... postscriptum facts
after these true events... she continued to paint
lili / einar as she did, which prompted her to fame
on the Parisian estrade; after seeing that, written down?
tears? what tears... i'm actually thankful that i choked
on them and didn't do an outburst necessarily...
thank **** i wasn't watching the film alone!
     i know that i might have invoked a sense of:
rough around the edges with this description, but i'm hoping
it's abstract enough to make the film more potent:
filling the blanks with images;
still, this was used for a transgender movement?
                                                did he make it plainly obvious
that this was a transcendental transgender iconoclasm?
         it's the platonic element in it that steers this whole
story, away from what 21st century movements regard
as prototype for their ******.

Lets walk alongside the path of
Shattered, Crushed and Grotesque dreams,
Where we'll dance to the
Screams and whimpers in the close distance.
Their shrills excites us
As we go on a killing rampage,
Using those humans as our personal piñatas.
Feeling no remorse as we wash our bodies
In their pathetic blood and
We begin to laugh...
This, my dear, is our
heaven.

by simply watching 'don't call me crazy'
with regards to mental health... a bbc3 documentary.

i find a few pointers, apart from the fact that i've learned
English to a standard that i could
be misjudged as a native, what with african psychiatrists
   and the history of England as  a postcolonial nation...
     the problems of premature depression
and other divergences from the "norm"
  (or is that a tu-dum tss... "the norm"?
i never know how to tell the joke a proper
way, so many jokes are mothered
by punctuation, i don't know
how many there are that aren't) -
so aside from that... the fact that i'm
faking being British... if you have any grievances
against me: you'd better me Ukranian
or Lithuanian... otherwise? *******.
yes, i know the Poles did terrible things,
Vlad wasn't the only person ready to
do sadistic **** on people by impaling them
on sharpened-wooden poles...
   and you thought the crucifix was bad...
but oh look... the artists inserted a peddle-stool
so he could stand while on the cross...
rather than actually: hang from it.
talk about a woman faking an ******.
then again: he was all kissy-kissy with
a centurion having cured the ravaging libido
of his "demon possessed" daughter who
had a hot bagel flirt under her skirt for him...
or as i say: **** a prostitutes
           **** for an extra ten quid: the sigma
of how many ***** that thing has seen
turns your tongue into a dagger...
that's where i have seen my salvation:
   not in the eucharist or degrading symbols
of a godly stature.
       no, the point is:
this misapprehension of where the origin of
thinking resides...
  the true materialists posit the origin of thought
in the brain... but, honey-bee, the brain
is preoccupied with its materialistic responsibilities...
to shoot adrenaline when bungee jumping...
why think it isn't already preoccupied with anything
but thought? the brain doesn't think
no more than the heart might... or your *******
wetted or your phallus becoming *****...
there's no point in ascribing thought to the brain,
even if you abstract the source of thinking
toward the brain as a *mind,
     the suggestion parallels what the brain does,
and what the brain isn't...
   as with the notion of god...
          ridiculous for most people:
or also ridiculous when man is taught to stress
his "individuality"...
                               both seem on equal footing
to be considered phantoms, but the individual is
more of a phantom than god...
                             and as Diogenes of Sinope found out:
you'll find god and the Archimedean eureka
quicker than finding an honest man -
who takes a candle at noon into a market square?
     ah: that famous lunacy...
but in the beginning the word was with god,
       yes, because when we started we only said ooh ooh!
and made those frightening monkey faces to
war off evil spirits and the Arabic third eye, evil.
   Darwinism created historical fiction...
           a bit like science fiction, but instead of looking
forward, historical fiction is looking back,
toward a time when people struggled against
the elements, and had no sense of having to think
given their actual pentagram equilibrium was tuned
into what was around them...
                   the senses could never deviate from
the world of shouting down a cave and hearing echo,
it's only when thought emerged and conceived words
   that the dubiousness of simple musing:
chicken or egg first? created auxiliary sense perceptions...
   we have left the sensual world...
           for we have "enriched" our lives with
thinking, the byproduct of which is what scared me
about this bbc3 documentary... that all mental
illness stems from allow thought to automate itself...
      in other words having no moral compass...
in other words: not having read a single book
   and learned a process of equating thinking with
narrating... as a sensible option to what others tend
to do (the innovators), and allow narration to be a void...
into which they pour all their thinking to
fill that void... with, say, Thomas Edison and the lightbulb...
Isaac Newton and gravity...
it's just scary that people can allow automated thinking,
     made even more evident that counters
the punitive transgender pronoun scenario
   that only focuses on the pronouns: he, it, she.
these youngsters in the documentary are dealing with
submitting to a pronoun focus of: i, it, you.
                      in some vague sense of a religiosity,
that they cannot allow cogito ergo sum into their minds,
a possessiveness of body, that later translates
into an identification with the mind: which is -
well, if you're going to posit the origin of thinking
in your brain, which isn't even there - you mind
as well posit the mind, seeing how the soul
is argued against primarily through our mortal condition.
   is the eye the window to the soul?
  and the brain merely a paraphrasing of that statement?
perhaps...
              but i wouldn't be too worried
             as Walter Benjamin was about art in the age
of mechanical reproduction... i'd be worried
that art is bound to the morgue of psychiatric institutions...
that art is not a term that suggest the origins of
   such ailments:
due the original lack of it in such places:
  but that that it was never there... and that finding
art can be therapeutic is why art can be scolded
               and establishment art is nothing more
than the pinnacle of us, having abused words,
waging fewer and fewer words, can't produce
    a work of beauty... merely a work that occupies
a space.
                art = space...
          that's the statement these days...
being oversaturated with scientific assurances has created
this insurgence of over-competence or making
art not art in a sense timelessness, as in Dante's
comedy isn't equal to space,
            but that it's equal to timelessness...
    or a statue by Donatello...
                          these days art = space...
because it's not going to be timeless... it was once
the iconoclasm in metaphor of: the lion of Judea...
          Lucifer as the morning star...
                         it will not be timeless because it
has been reduced to the establishment's aesthetic
of tracey emins' unmade bed... or
       damien hirst's the physical impossibility
of death in the mind of someone living -
i never said these things aren't art... some people
said cubism would never be art compared to
surrealism... but shove a triangle into Pythagoras'
head and you get some sort of mathematics...
              it's based on that principle...
what wouldn't work in the case of hirst would be
to put a cancerous tumour into a plastic cage...
people would associate it as some sort of atomist
representation of a nanometre worth's of some
larger thing... i do appreciate the fact that big
art works... it needs so much face to embody
the fact that you are to think about it...
                         and not to have a **** over it:
it's art that's anti-arousal and more and more
and more about how to juxtapose it in your mind,
always to abstract the brain as the mind
   and to never appreciate the idea of having
to source thinking as solely endemic to the brain...
the brain is busy, the heart is busy...
            we have perpetuated an outer-body
experience throughout our time since the time when
we first acquired the phonos of thought...
                 and it is a peculiar "sound", thought...
a dance memorable to actually having a hope in
possessing a soul... even after all sturdy things
shrink into the obsolete, and even vegetable.
but the piece i'm referring to?
     kinda paradoxical... given that a shark would
probably eat you... but then again counter-paradoxical
given the fact that most shark-attacks
     make the shark refrain from eating you,
but merely nibbling on you and leaving you alive
albeit nibbled on... maned... with scars...
so i get the part where the shark is in fact:
an impossible death to conceive... only for the lucky few.
  apart from the fact that the shark is caged
like a prehistoric mosquito lodged in amber...
              woodland gold, amber...
  that's the literal interpretation...
                                 but it's still a moving piece,
modern art isn't crap at all... it's just something you
don't get an ******* over...
            take any still life and apply a cognitively
based chemical reaction: stimulate a narrative...
in that famous phrasing, connect the: dot dot dot(s).
    become, in that almost ridiculous sense:
     a Sherlock Holmes... but all that died was about
a minute's worth of your attention...
this is what's fuelling revising a need for television,
big static things... my personal favourite?
that Tate Modern installation by richard holt -
hand on heart: about 3 times...
              i felt like a mosquito drawn into that:
ah the bright shiny light... 180º and a glass ceiling...
that's all it was...
                   art in the age of mechanical reproduction
has to almost ridicule man, or at least ridicule
the idea that he can become an individual,
    as was the ridicule of man that he could become
a god...
               sooner or later any attempt at individualism
becomes trendy, vogue, and magnetises and
monetises a need to mimic, replicate... one punk today:
20,000 punks tomorrow...
       /
           but that sort of mincing is mostly associated
by the bewilderment of our own success...
                           it's almost like a we're engaging with
a sabotage process: deliberately trying to undermine
ourselves by staging a variety of "anti-social" endeavours
we promised ourselves upon a belief in the "individual"...
      modern pieces of art debunk that myth,
it's that modern art pieces require so much space that
gave them the most adaptation prowess over, say,
a puritan's concept of art, as in a Turner painting...
           classical art can be put into a Florentine market
square and be passed by quiet casually,
because it provides an assurance - it forbids engaging
in an iconoclastic vigil, it's an assurance of the past
and how golden it was... but a modern sculpture
in a busy place where many people congregate
without first allowing it the asylum of an art gallery
and people will treat it as a chance to hone on it,
vandalise it, or steal it and sell it from scrap metal...
       modern art requires an asylum to be accepted,
an art gallery is an asylum where people with
good intentions enter and leave appreciating something
that, to the pleb, would get a rotten egg thrown at it.
    and as with regards to how i phrased something
earlier? how philosophy talks of the logos
     that doesn't see the phonos: or the dichotomy
between actual sound, and sound ascribed a
optically-phonetic disparity encryption:
deepened by a self-styled aesthetic of the "ruling elites"...
          and in the beginning the word was with god...
we're merely licking the toes of such a possibility...
         and just you try to bypass the orthodoxy of
encoding sounds with queer spelling...
                     you, in a sense, learn two-languages
with every single one you learn...
   how to say it and how to write it...
                              and then there the how you hear it
and how sometimes you hear different lyrics to
the ones sang...
                         a bit like the Chinese,
who, upon reading the English translation were
bothersome to get rich quickly after seeing
too many matchsticks in ideogram translated as merely
Li Po; i'd too go bananas and become frustrated
and retaliated by getting to Einsteinian grips with
the mathematical alphabet that bore Li Po... i.e. 1, 0
through to 9.
      ah yes... philosophy that doesn't appreciate
grammatical words, or in that sense credible for a biologist
not necessitating a genus to ease any argument,
to actually further it... or to play ping-pong...
   grammatical words are equivalent to the subconscious
given we tend to write some a sense of fluidity...
the unconscious? schematics akin to triangles...
  "images" or rather shapes...
                             beginning with Δ: isosceles...
later varied to the Γ triangle of Pythagoras...
          and as far as we got, a respectability to
not conjure up a square as worthy of encoding a sound...
nearest being the H... and that turned out to
be much ha ha ha.
                   still... i can't come to grips with these teenagers
in the bbc3 documentary talking about
automated thinking! i'm not denying it, i'm not
doubting it... it's just a question:
          how could such a pronoun muddle come about
that you discourage ownership of all your mental
activity? and instead leave a rampant kindred of an
abandoned snail's shell body to wreck havoc?
   it's almost like a a want to refuse to use words...
or encode words... rarely are people told
that the eyes are used as encoding organs...
                   but that the tongue knows no filters...
what the eye ingests... the tongue sometimes can't
digest... and vice-versus... that what the eyes digest
the tongue can't ingest: hence the rebellion
against contrary political ambitions -
   the ears? well: the ears are allocated the heart as
a partner... the tongue and eyes are entwined...
but the ears are allocated the heart...
                     you tend to feel words more than
hear them... because by the time the tongue
represses combining itself with the eyes to
that elevation of thought... your body becomes
autocratically synchronised to a sort of music
of heightened of unanimous response...
             well, it's not exactly a fetish watching such
documentaries.. iconoclasm in metaphor...
  i swear i wrote this before... how philosophy avoids
grammatical genuses... and how all too
ambivalent poetically equivalent nouns and verbs
are to hide our imperfections that precipitate from
art... iconoclasm / anamorphosis in metaphors...
                         camaïeu in allegory...
                   divisionism in pun...
                                       chiaroscuro in imagery...
gestural abstraction in onomatopoeia...
                     just some examples, and none necessarily
     convincing - as ever... this is my excuse
for i am always bound to say language is Alcatraz
   and my escape from Alcatraz is bound to metaphors,
fo

You walked,

out the door,

whistling blissful tunes.

Back into your,

“normal life,”

your award winning façade.

You play the part,

oh so well.

You got your,

fix,

didnt you?

With each delicate,

careful movement,

you sliced my flesh,

deeper.

Those walls,

forever hold,

the memories,

of my screams.

If only they knew,

the ones in your,

precious fake world,

that with you,

you took,

those last vital,

drops of blood.

That seeped from my veins,

into the once chalk white carpet,

now a deep crimson.

You left me,

lifeless.

1.

From our
safe windows,
we crane our necks,
rubbernecking
past the slow
motion wreckage
unfolding in Homs.

We remain
perfectly
perched
to marvel at
the elegant arc of
a mortar shell
framing tomorrows
deep horizon,
whistling through
the twilight to
find its fruitful
mark.

In the now
we keep
complicit time,
to the arrest
of beating hearts,
snapping fingers
to the pop
of rifle cracks,
swooning to
the delicious
intoxication of
curling smoke
lofting ever
upward;
yet
thankfully
remain
distant
enough to
recuse any
possibility
of an
intimate
nexus
with the
besieged.

2.

From our
safe windows,
we behold the
urgent arrivals of
The Friends of Syria
demanding
clean sheets
and 4 Star
room service at a
Tunisian Palace
recently cleaned
and under new
management
promising a
much needed
refurbishment.

The gathered,
a clique of
this epochs
movers and shakers,
a veritable
rouges gallery of
ambassadorial
prelates, Emirs and
state department
bureaucrats
summoned
with portfolio
from the
darkest corners
of the globe.

They are
eager to
sanctify
the misery
of Homs,
deflect and
lay blame
with realpolitik
rationalizations,
commencing
official commissions
of inquiry,
deliberating
grave considerations,
issuing indictments
of formal charges for
Crimes Against
Humanity
while
remaining
urgently
engrossed
in the fascination
of interviewing
potential
process servers
to deliver the bad news
to Bashar al-Assad
and his soulless
Baathist
confederates,
if papers
are to be
served.

Yes, the diplomats
are busy meeting
in closed rooms.

In hushed circles
they whisper
into aroused ears,
railing against
Russia’s
gun running
intransigence
and China’s
geopolitical
chess moves.

Statesmen
boast of the
intrepid justice
of tipping points
and the moving poetry
of self serving tales,
weighing the impact
of stern sanctions
amidst the historical
confusion of the
asymmetrical
symmetries
of civil war.

Caravans
of Arab League
envoys roll up
in silver Bentleys,
crossing deserts
of contradictory
obfuscations,
navigating the
endless dunes
with hand held
sextants of
hidden agendas.

The heroic
Bedouins are
eager to offload
their baggage
and share
on the ground
intelligence from
their recent soirées
across Syria.

They beg
a quick fix,
the triage of a
critical catharsis
to bleed their
brains dry
of heinous
recollections,
pleading
release from a
troubled conscience
victimized by
the unnerving paradox
of reconciling
discoveries of
perverse voyeurism
with the sanctioned
explanations
of their respective
ruling elites.

The bellies
of these
scopophiliacs
are distended;
grown queasy
from a steady diet
of malfeasance
an ulcerated
world parades
in continuous loop;
spewing the raw feeds
of real time misery;
forcibly fed
the grim
visions of
frantic
fathers
rushing
the mangled
carcases
of mortally
wounded
children
to crumpled
piles of smashed
concrete that were
once hospitals.

We despondently
ask how
much longer
must we
look into
the eyes
of starving
children
emaciated from
the wanton
indifference
of the world?


3.

From our
safe windows
we wonder
how much
longer can
the urgent
burning
ambivalence
continue
before it
consumes
our common
humanity in
a final
conflagration?

My hair already
singed by the
endless firestorms
sweeping the prairies
of the world.

How can we survive
the trampling hoards,
the marauding
plagues of acrimony
fed by a voracious
blood lust aspiring to
victimize the people
of Homs and a
thousand cities
like it?


4.

From my safe
window I stand in witness
to the state execution of
refugees fleeing the
living nightmare
of Baba Amr.

The ****** of innocents,
today's newly minted martyrs,
women and children
cornered, trapped
on treacherous roads,
mercilessly
slaughtered and
defiled in death
to mark the lesson
of a ruthless master
enthralled with the
power of his
sadistic fascist
lordship.

I cannot avert my eyes
marking sights
of pleading women
begging for the
lives of their children
in exchange for
the gratification
of a sadists
lust.

My heart
is impaled
on the sharp
spear of
outrage
beholding
careening
children mowed
down with the
serrated blades
protruding
from marauding
jeeps of laughing
soldiers.

I drop
to my knees
in lakes of
tears
reflecting
a grotesque
horror stricken
image of myself.

My eyes have
murdered my soul.

The ghastly images
of Homs have chased
away my Holy Ghost
to the safety of a child's
sandbox hidden away
in a long forgotten
revered memory.


5.

From my safe window
I seethe with anger
demanding vengeance,
debating how to rise
to meet the obscenity of
the Butcher of Damascus.

The sword of Damocles
dangles so tantalizingly close
to this tyrants throat.  

The covered women
of Homs scream prayers
“may Allah bring Bashar to ruin”

Dare I pray
that Allah trip the
horsehair trigger
that holds the
sword at bay?

Do I pick up
the sword
a wield it
as an
avenging
angel?

Am I the
John Brown
of our time?

Do I organize
a Lincoln Brigade
and join the growing
leagues of jihadists
amassing at the
Gates of Damascus?

Will my righteous
indignation fit well
in a confederacy
with Hamas and
al-Qaeda as my
comrades in arms?

Do I succumb to
the passion of hate
and become just
another murderous
partisan, or do I
commend the power
of love and marshal
truth to speak with
the force of
satyagraha?

I lift a fervent prayer
to claim the justice
of Allah’s ear,
“may the knowing one
lift the veil of foolishness
that covers my heart in
cloaks of resent, cure
my blindness that ignores
my raging disease of
plausible deniability
ravaging the body politic
of humanity.”

6.

Indeed,
physician heal thyself.

I run to embrace my
illness.

I pine to understand it.

I undertake the
difficult regimen
of a cure to eradicate
the terrible affliction.

This
pernicious
plague,
subverting
the notion
of a shared
humanness
is a cunning
sedition that
undermines
the unity of
the holy spirit.  

The bell from
the toppled steeples
still tolls, echoing
across the space of
continents and eons
of temporal time.

The faithful chimes
gently chides us
to remove the wedge
of perception that
separates, divides
and undermines.

Time has come
to liberally
apply the balm
that salves the
open wounds
so common to
our common
human condition.

The power of prayer
is the joining of hands
with others racked
with the common
affliction of humanness.

Allah,  
My eyes are wide open,
my sacred heart revealed,
my sleeves are rolled up,
my memory is stocked,
my soul filled with resolve,
my hand is lifted
extended to all
brothers and sisters.
Lift us,
gather us
into one
loving embrace.

Selah


7.

From the safe
windows of
our palaces
we live within
earshot of
the trilling
zaghroutas
of exasperation
flowing from
the besieged
city smouldering
under Bashar’s
symphony of terror.

Our nostrils
fill with the
acrid plumes
of unrequited
lamentations
lifting from the
the burning
destruction
of shelled
buildings.

Our eyes spark
from the night
tracers
of sleeking
snipers
flitting along
the city’s
rooftops.

The deadly jinn
indiscriminately
inject the
paralysis of
random fear
into the veins
of the city
with each
skillful
head shot.

These
ghoulish
assassins
lavish in their
macabre work;
like vultures
they eagerly
feast on the
corpses of their ****,
the stench of bloated
bodies drying in the
sun is the perfume
that fills their nostrils.


8.

From our
safe window
we discern the
silhouettes of militants
still boldly standing
amidst the
mounting rubble of an
unbowed Homs
shouting;

Allah Akbar!!!
Allah Akbar!!!
Allah Akbar!!!

raising pumped fists,
singing songs
of resistance,
dancing to
the revelation of
freedom,
refusing to
be coward by
the slashing
whips of a
butchers
terrible
sword.


9.

From my
safe window
my tongue laps
the pap
of infants
suckling from
the depleted
teats of mothers
who cannot cry
for their dying
children;
tears fail
to well from
the exhaustion
of dehydrated
pools.

10.

From my
safe window
my heart stirs
to the muezzin
calling the
desperate faithful
from the toppled
rubble of dashed
minarets.

We can
no longer
shut our ears
to the adhan
of screams
the silent
voices that echo
the blatant injustice
of a people under siege.


11.

From my
safe window,
I pay
Homage to Homs
and call brothers
and sisters to rise
with vigilant
insistence
that hostilities
cease and
humanity be
upheld,
respected and
protected.


12.

From my safe
window
I perceive
the zagroutas
of sorrow
manifest as a
whiling hum,
a sweeping
blue mist,
levitating
the coffins
from the rubble
of ravaged streets.

The swirling
chorus of
mourning
joins my
desperate
prayers;
rising in
concert
with the
black billows
of smoke
dancing
away
from the
flaming
embers
of scorched
neighborhoods.


13.

From my
safe window
I heed
the fluttering
wings
of avenging
angels
furiously
batting
as they
climb
the black
plumes,
lifting from
the scattered bricks
of the desecrated
city.

It is the
Jacob’s
Ladder
for our
time;
marking
a new
consecrated
place
where
a New Adam
is destined
to be formed
from the
pulverized
stones of
desolation.

14.

From our
safe windows
we peer into
resplendent
mirrors
beholding
the perfect image of
ourselves
eying
falling tears
dripping blood,
coloring death
onto the
blanched sheets
of disheveled beds.


15.

From our
safe windows
our voices are silenced,
our words mock urgency
our thoughts betray comprehension
our senses fail to illicit empathy
our action is the only worthy prayer


16.

From my
safe window
I hear the
mortar shells
walking toward
my little palace,
the crack
of a ******
shot
precedes
the wiz of a
passing bullet
whispering
its presence
into my
waxen
ear.


17.

From my
safe window,
my palms scoop
the rich soil
of the flower boxes
perched on my sill.
I anoint the tender
green shoots of  the
Arab Spring
with an incessant flow
of bittersweet tears.

Music selection:
John Coltrane
A Love Supreme
Acknowledgment

Oakland
2/28/12
jbm

One day I will be ready to burn every trace of you out of my life. On that day flames will be burning wilder and hotter than any wildfire. You'll feel the heat in your soul. Burning at the edges at first, then slowly engulfing your whole being. And I will smile knowing that you've always been afraid of burning alive.

Ah, the season of gifting.
Antagonist of year-long thrifting.
Tradition sadistic,
Materialistic,
Four quarters in pockets worth sifting.

This year I hereby proclaim
I shan’t be consumed by the game.
Cycle of curse
Purpose perverse
The namesake, an oversight became.

Christ’s birth did in fact begin,
Holiday distracted by sin.
Misguided it be
To forget idly
The sacrifice He made for all men.

We naively regard generosity
As holiday’s behavioral piosity.
But if dollars and cents
Are the tools of offense
Over shadow favor luminosity.

Water in Africa is *****.
American child in poverty.
Politics aside,
Convenient homicide,
To enable the ills of society.

In the global economy we flaunt
Wealth by comparison, bitter taunt.
First world problems abound
Pass the turkey around
Central heating and air, what a jaunt!

What if this season we decide
To extend two palms open wide?
Sacrificing ourselves
Rather than stocking our shelves
Dying whispers echo true: “we tried.”

Don’t spend your money on me this year.
Not iPhones, not tickets, not Blu-ray or beer.
Instead know you can
Distribute more than
A snort, a lie, and a tear.

(optional conclusion to assist interpretation of last line)

Snort of derision,
Lies of provision,
Tears, even true,
Hardly subdue
Anguish deprived of tradition’s revision.

I'll beckon the flames to rise again,
Brush off the dust that infests.
Temperature growing with my breathing,
I want every spec of darkness within.
Show me the being you hide inside,
Sadistic and thirsty for pleasure pleading.

Destroy the rage inside my soul,
Dissect what's left for you to soil.
I'll bow my head in understanding,
Lick my lips as you **** me.

This labyrinth of love inspires me,
Hide and seek in fields of flowers...
They say the itch will go away,
I'm raw from anticipation.
Come quickly into my embrace,
It's really the safest place.

Destroy the rage inside my soul,
Burn all that was ever soiled.
I'll bow my head in understanding,
Scream out loud as you **** me.

I. When I was 5, I thought recess was probably the best thing ever invented. Until the first autumn rainfall, when the sky opened up and unleashed it's sorrow unto the earth. The children were kept inside that day. As the storm thundered on around us, we ran to play on the other side of the classroom. The boys charged to the shelf with legos and blocks, while the girls lined up at the miniature kitchen. I followed them to the tiny toy oven, even though, secretly, I thought those lincoln logs looked really fun.

II. When I was 6, I thought my first grade teacher was the sweetest woman to ever have lived. Then, one day she lined us to to go outside, calling out, "Boys on one side, girls on the other" reminding of us of a divide between genders that we did not understand. Marking off differences on a checklist that none of us had read yet.

III. When I was 7, like most little girls I daydreamed of the perfect wedding. The part I played over and over in my head was my brother walking me down the aisle, "giving me away". Because even in the second grade, some part of me knew that I belonged to the men in my life.

IV. When I was 8, I learned that the praise I'd receive from the boys I called my brothers would always be conditional. No matter what award I received, how fast I ran, how tough I fought, how smart I was, I'd always be "pretty good for a girl". And that is never a compliment.

V. When I was 9, the YMCA told me I had to stop playing the sport I'd loved for 5 years because I was a girl. I took my first feminist stand by quitting, because I don't care what they say, softball and baseball are not the same thing.

VI. When I was 10, my brother informed me that the day I brought home a boyfriend was the day he bought a gun. Because that's how you protect your property.

VII. When I was 11, a boy ran up to me on the playground and told me I was cute. For a moment, I felt confident, a feeling that was foreign to me. Until the boy and his friend started laughing uncontrollably, as if they couldn't believe that I'd ever think that was true. I cried a lot that day because I hadn't yet realized that my self worth wasn't directly proportional to how many boys found me attractive.

VIII. When I was 12, my aunt gave me my first make up kit for my birthday. When my grandmother tried to force me to wear it, I refused, yelling, "It's my face!" She proceeded to tell me that I'd never get a boyfriend with that attitude. After all, who was I to want to be in control of my own body?

IX. When I was 13, I thought gym was a subject invented by sadistic hell fiends created just to torture teenage girls. It was the hottest day of the year, and I'd just ran a mile, so I opted not to change out of my tank top before continuing on to my next class. A teacher cornered me at my locker, advising me to put on a jacket before I became a distraction to the boys.

X. When I was 14, I confessed to my mother the wanderlust inside of me. Exclaiming about travelling to new places, having new experiences. That's when she looked me dead in the eye and told me to always take someone with me. Preferably, a man. I couldn't bring myself to be angry. We both knew what happened to women alone on the streets, and I felt bad for the way I made her eyes shine with worry each time I left the house without her.

XI. I am 15, and I walk with my fists clenched and my head down. I am always conscious of what clothes I wear and whether or not they could attract "the wrong kind of attention". I attempt to shield myself from the world, but I can feel my barriers cracking with each terrifying statistic, each late night news story, each girl that was never given justice. The world is a war zone, and every woman must put her armor on before walking outside. My life has been one battle after the next. I am a 15 year old war veteran, and have the scars to prove it. I've learned from my experiences and am left with just one question:

At what age does the war end?

I've never been able to get good sleep.
My eyes darker than black holes, I spiral down.
I try to clamber up, but I'm in way too deep.

Daydreaming at night.
The loss of myself, but very aware of my state of mind.
Release is only found within the sunrise.
Every night I stumble on the moon.
I jump star to meteor, hoping gravity pulls me into the space between. Maybe then I can get some real good sleep.

History book worthy battles, I wonder who will be the victor.
Love or loath; a sword drawn to my heart.
Arms apart, head thrown back.
I'm not even entirely sure what part of me I'm killing, I'm just praying for relief, I just want some sleep.

I was sick of the suffering, autopilot is my new definition of personality.
Memories have turned into sadistic nightmares.
Let me free myself from this close eyed, open mind torture.
I cant even stand to walk around my own mind, silence is full of beasts I have yet to slay.    
I'd rather hide in the wounded parts of me, call myself a survivor.
A survivor of nothing out of the ordinary.

I was afraid to pick up the pen.

Afraid that my technicolours
would become a bruise in their eyes.

I thought what what intrinsic to me
would seem sadistic to them.

I was afraid
they would be oblivious to the glitches I showed them in society

I was afraid they wouldn't care..

I was wrong.