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n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
emma jane Jan 2016
A steady minded person might tell you that everything can be measured, calculated and converted into a language of black and white, solutions worked out with sharpened pencils.

How do I measure my heart breaking?

Tell me,at what rate did my heartstrings snap when he told me he was leaving?
How long until all of my broken bones turn into dust?
Calculate at what speed the tears rolled down my checks.
How many doctors will it take to sew my heart back together?
Was it when he crumpled me up like a wasted idea etched onto a piece of notebook paper that everything started to bleed?
What part of my brain did his gentle hands touch that woke my monsters from their slumber?
How many days until this aching in my swollen chest turns into a gentle throb?
When will I be okay again?

Takes this pain and your sharpened pencils and rip the numbers from the dead hands of his name. Do away with the emotion like he did away with me.
I'm temporary.
M Seifert M Mar 2013
I want you
I want someone to want me
but
you don't want me

please want me

don't!
I'm broken
you don't want a leaky faucet
that
self repairs
with duct tape and silly putty

I'll recite you the backs of cereal boxes
and
throw away the locks on the doors of our common places
I'll keep a smile on mine if your face feels too tired from the weight of what your mind is speaking out your eyes

Everything.
Every string
that hangs off of well worn sweaters
snags on finger nails and pealing calluses.

I'll draw the curtains
if
and ONLY
IF
you first admit that you
are
BEAUTIFUL.
and i know it.

Your doubt should drown.
We'll drink it down.
Sipping wine only to set the scene
because
WE
already ditched our inhibitions
and
we decided that what was best for each other was to feeds each other's needs with the other's body.

This letter.
This note.
To you.
The long lost women of my dreams
the shape shifting goddess
who floats freely through the open windows of my memories.
Will this be enough to summon spirits to lift me to your level without being beaten to life by a trigger happy judge's gavel?

I built my prison to your specifications.
The measurements may be off
but
the bed...
The bed is warm
and cozy.
And
it fills my heart to see your cheeks turn that rosy
rosy red
that same
rosy red
that fills my heart
and
flows through yours.
Kept inside
but
peaking out in moments of vulnerability.
Shed your false
heavy
layers of security
toss them in the water and...

Flush skin of lips and finger tips
other places where my mind can only wander
wondering where in the world we will
meet again.

It's half past ten or some other hour,
I don't know and you don't mind
because
we're alive!
and our heart beats will set the pace
keeping time in place.

THE STORM IS LOUD
MY VOICE
is softer
now...

Okay--

Alright--

*
I'll give you your space{













But
YOU
BETTER FLY.
And NO MATTER HOW HIGH
NOW IS YOUR CHANCE TO SHOW
to TRULY KNOW the color of your wings.

And
I'll continue singing
because
someone else may be listening.
And
although these tears won't quench my thirst
I'm learning more about myself through my time searching
through my ***** laundry:
Bags of rags
and forgotten junior high and high school notebooks.

Failed jokes took to heart
the stinging silence of laughter kept inside.

Broken funny bones
NUMBED by repetition [repetition]
DUMBED down
COMFORTABLE BEING SUBMISSIVE

Well, I'm not sorry
NOT SORRY
to tell you
this mouse
whose mouth you shut is now stirring

Stirring the ***
Kept at temperature
All the right spices and slices and dices to enlighten you as to what the taste of life is.
.............................................................­.................................................
Please sit, here is your chair.
I love what you've done with your hair!
let me know if you would like seconds
but
that depends on if you brought your appetite.
I know I'M Hungary [hungry]
but
I won't slurp my soup if it offends you.

We'll take it slow
because
I know that
I still don't know you that well yet.
And I think we both could cool it down on the unnecessary judgement.
I'd really like to know you well, so I won't try to sell you anything that you're not buying.
And call me out if you think I'm lying, but I promise to be as honest as you want.

But it's a two way street
and I know you're probably tired from running down it so long
in which case I would gladly rub your feet
or your shoulders if you'd like to be a bit more discrete.

However, it still may be too soon for that
in which case I'll take a couple steps back.

Do you like music?
How bout dancing?
It doesn't have to be romantic
I just enjoy the feeling when I'm moving to the rhythm in time with other bodies.

Does you mind maybe feel clearer now that your body's moving free
or
are you holding back because you falsely feel that you lack the ability to let the music move

Your soul's of you feet.

Let go
and hold on to me.
I won't let you fall unless you're ready
but I'll catch you
please don't worry.

We are free
here.

Let's just be
here.

Forget fear
and see where that takes us
in a year.

Or more
Or less
Or until you decide
that your dress
is not
the most comfortable thing
you
could be wearing...

I'm just glad we can share the same air
and not care that our hair's getting messy.

But...
This...
is the best I've felt.

In a loooong while...

Spinning out of control
Lying
With you here next to me.
Styles Feb 2018
It just the little things you do
That keeps me thinking of you
I can blame it on your measurements
Cause no one adds up to you
Or I can blame it on your influence
got me addicted to your essence,
Reminiscent of beauty-full
When I’m in your presence
It feels so good, it makes no sense
We end up, ends up, having amazing ******* ***
I wish you could feel the way I am feeling,
wish you could feel it through this text
Want to get my message across
And leave your ******* dripping wet
I wish we were right there, together
Getting deeper than deep gets
I want you feeling me, filling your insides
With my juices; I am so Fresh!
Why must Mens' pants and Womens' pants be separate categories?
Why can't pants be unisex?
What the **** is this obsession with gender roles?

I can understand cuts of fabric being different measurements due to ****** dimorphism, but still, this is ridiculous.

Women get the best fabric patterns, the best stylism and the widest selection.
As a male who digs on style, I find this sexist.
David Nelson Nov 2013
Spin Measurements

do you exist
or are you just a figment
of your own imagination
but of course
if you did not exist
how can you have an imagination
just because you cannot see it
doesn't mean it isn't there
how do you measure
the truth
you can be promised the moon
but often the moon
is out of sight
at least in your perspective
waxing and waning
but we know it is still there
is this the theorem
of politicians
just because you cannot see it
doesn't mean I haven't done it
how do you measure
the truth
it is always coated with spin
the depth of the measurement
can be determined
by the height of your boots
multiplied by the depths
of your soul
divided by the thickness
of your head

Gomer LePoet....
Helseivich May 2014
incorrect
something that should have
never been
incorrect
a being of disillusioned
experiences and truths

inaccurate
proportions and measurements which
define me as a logical fallacy
inaccurate
colors and hues which
do not correspond with my inner being

imprecise
ideas and beliefs spilled onto a canvas
with little to no direction
imprecise
translations of my true self
with no attempt to fix it

mistake
didn't think it through
because I didn't think I had to
mistake
didn't predict the real outcome
because I thought they'd understand

failure
with nothing more than a swift brush stroke
and some applied use of sense of self
failure*
was the only thing I could think of
as I opened my eyes by the burning candle light
Where one succeeds, another fails.

June 2012.
Mateuš Conrad Nov 2018
.chris rea: god's great banana skin...

/ such random thoughts are a blessing, esp. after you've been walking for over 2 miles, in the cold and in the rain, with the setting sun... continually impressed by the nature of polyester clothing, how you feel the cold, but aren't cold at all, how you go back home and: you're dripping with sweat... /

the random thought?
about a saying, here's the schematic

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

which statement is true?
within the questioning parameters?
i think it's a trick question...
how else would you be able to
teach these statements and make
replica understandings of
said, statements?

(****... quickfire shots of syrupy
*****... **** me... give me the sweats,
and i'm not even constipated,
it must be the ***** doing
the magic... yeah... sober me?
doesn't like thinking...
but oddly enough, the drunk me?
pulls out philosophy,
no, not as some pretentious
high-brow interest...
   i just looked at philosophy as
a genre in literature,
nothing more)...

numbers, like letters...
or in the case of Roman numerals
(letters are numbers)...
i'm unsure whether you can arrive
at crafting them into existence
by analytical parameters,
i don't actually think
that you can conjure up numbers
from analyzing a priori,
given the ad continuum:
but... there was a point in time,
when / where: numbers weren't used...

Kant was a theist,
sorry...
  he says it plainly at the end
of his critique of pure reason...
in the transcendental methodology...
sure... he takes a "schizophrenic"
moment to write a thesis
and an antithesis on subjects like
cosmology...
but he's inclined, as i am,
counter to an atheist...
yes... god is probably a monster...
but a ******* gorgeous monster...
kinda like a femme fatale...
so what's not to like?

    but this thought didn't arrive
randomly,
and my consciousness
didn't hone in on it...
i didn't vector this thought
to an immediate conclusion...
the thought arrived,
and then: i had to make shrapnel
out of it...
the original thought was complex,
i had to make shrapnel out of it,
in order to put it back together,
so that a cognitive 3 seconds
could be rewritten in under 30 minutes
explaining, why the thought arose...

you know... when thinking
is detached from the moral (θ)-ought
you get to experience these "things"...
here's another schematic...

I + Φ (you put a key into a lock),
   Θ (you turn the key), O (the door opens),
hey presto... a free radical iota...
detached from both phi and theta...

i am free from making
a moral ought (i) or the immoral: ought (i) not?
i'm free, hence my concern for...
abstract questions...

back to the original schematic...

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

this actually has a theological
dimension,
supposing i am god...

   if i propose an analytical a priori
with a synthetic a posteriori...
well then...
             i can't change anything,
i can't actually make changes to...
with my omnipotence,
omniscience etc.
i already analyzed, a priori
the Kantian elevation to theology
comes, via me, stating...
if i analyzed the entirety of
creation...
            a priori ex nihil
(from the prior out of nothing)
how can i make a synthesis
in the a posteriori domain,
of the already existing things,
which didn't exist a priori,
since there was nothing,
and i already analyzed the potential
of nothing, and this potential
was realized as everything i would
know to exist... and i went along
with it anyway?

i'm starting to think that
the realm of analytical a priori
doesn't exist for mortals...
the gods can muse this ****-show
of a dimension over and over again...
we're more (being mortals)
synthetic a posteriori...
oh don't get me wrong,
i believe we have the capacity
to comprehend analytical a priori
but it's an analytical a- priori...
we've reached the limits
of the microscope, the telescope,
and the hadron collider...
or on our way to exhaust that...
still being left with an intact mesh of...
the orbits... summer, winter, autumn, spring...
but this thing with this schematic:

synthetic a priori

                    4 + 6 = 10
                    IV + VI = X

                                         analytical a posteriori

how can i conjure an understanding
of IV + VI = X...
analytically a priori...
when... i have no hindsight /
prior to understanding of said rubric?
well... with Roman you could say:
analytical a priori,
given the Ancient Romans already
had the letters I, V, X...
but... if you didn't have the concept
of measurements prior,
of arithmetic...
how can you analyze something...
that doesn't exist?
so... you had to synthesize a priori,
working from the letters I, V, X...
to conjure up "numbers"...
  numerals... you had to create these
numbers by a synthetic a posteriori
method...
and the 4 + 6 = 10...
        well... you analyzed the a posteriori
synthesis, and threw I, V, X out...
and began the second wave of mathematics...
and this is where, authentically...
analytical a priori comes from...
based on I (1), V (5), X (10)...
                    came IV (4), came VI (6)...
don't mathematicians treat their language
as that of or equivalent to the gods?

now... for the cultural exchange program
that i promised...

on the great British isles...
you have a variety of languages
& dialects,
i'm so sorry that the Scottish
"forgot theirs"...

but when you have something
akin to

English: red
Cymru: coch

or right... they have their Pict
Gael?

Pict Gaelic: dearg
Irish: dearg
Cornish: rudh

we'll require a second word...
what word, what words..
life!

English: life,
Cymru: bywyd
Pict Gaelic: beatha
Irish: saol
Cornish: bewnans...

back, "home"...
we also have sub-groups
in terms of linguistics...

there are the Kashubians...
and there are the Silesians,
and, there are...
the Kurpie...
akin the Welsh, the Pict,
the Ire,

and their language looks like so...
again, borrowing from
red and life...

Polak: czerń
Kashubian: czôrny...
  but that can be disputed...
why?
     czerwień is not actually
a noun, but an adjective...
a quality of being associated with red...
czerwony? that's a male
adjective...
   and the female adjective
is czerwona...
                ****...
a color has to be something...
the noun adjective that's blood...
Polak: krwawy (czerwony)
Kashubian: czerwiony
Silesian: čerwůny
ah...
   Kurpian... high polish?
Masovian?
harder to find the words...
have to use alternatives...

Kurpian: caban
Polak: tępak
Kashubian: osoł
  Silesian: yjzel...
(idiot, imbecile)

you know how hard hard it is
to find a Kurpian to Polak
translator?
i can't find one to boil down
to the examples or either
red or life,
i'm reduced to choosing other
words...
like...

   Kurpian: chwat...
Polak: chłopak
Silesian: bajtel
Kashubian: knôp...
(boy)

Kurpian: jédło
Polak: jedzenie...
Kashubian: jedzenié
alternative to Silesian:
  jadło, i.e.: it ate...
past-participle in
the verb...
let's see what the Silesians
call it...
Silesians: well.. a variation..
chlyb
godka
mietła
masa... all things you can eat...
(edible food)

only a word, like the Kurpian
word akin to kotnå
reveals that Vikings passed via "us"...
kotnå?
  an impregnated sheep...
with young...

Kurpian: łańï truń!
Polak: nie mów!
Kashubian: ni gôdac!
Silesian: ńy godka!
(don't speak!)

mind you... Kurpian translation
is hard to find...
and you almost wonder...
at the British isles...
you think, us, Polaks...
do not have sub-linguistic groups
in our ranks,
like your Welsh, your Pict,
your Irish?!
guess again...
you had them all along...
and you thought...
the Polaks were
a homogenous culture...
all this time...
primarily because our culture
wasn't multicultural...
oh but it was... but on the subtle side
of history...
mind you...
defenders of the galaxy?
i knew gamora wasn't white...
but... **** me...
even if black or hispanic...
she looked so **** attired in green...
i was thinking:
absinthe cherub, absinthe cherub...
and forgot about glorifying
Zoe Saldana in all that choc...
what?
   a green skinned chic?
                    if i can forget about
the existence of chocolate...
i'll just anything that moves...
but i knew she wasn't white...
i hate chocolate...
          give me an absinthe girl any
day of the week...
       yeah...
only the English have complex
ethnicity encompassing
a single language...
only the English...
                 like **** they are...
at least my linguistic variation
is suited to a bundle of words...
Welsh?! Gaelic?!
  completely different languages...
at least in my part of the world
all that is deviating
is a choice of variant nouns!
but then again, the English
speaking world....
        how's the new pronoun
dictum coming along?
you keeping up with...
   appeasing the new crazies?
oh... you are?!
    well... kudos and applause!

p.s. guess what happens with appeasing
the new crazies... guess...
i'll tell you...
you **** around with grammar,
some grammatical pedant will raise
his head up from the crowd and say
something like:
               what?!
and then the old crazies rise up...
and... your, ahem, little discussion
about changing the rules of grammar
to "ensure" that the language is
kept, "intact"?
      see... mm... hmm... the old crazies?
the old crazies have their own
methods...
they're of the obligation:
let my gun do the talking...
  and then...
  you get pol *** arithmetic,
of skulls...
           being counted in an abacus
of heaping up, "debris"...
         see... these new crazies
are bugging me...
  they're bugging me...
because the old crazies didn't
attack grammar,
and whatever delusion they had...
i couldn't see it...
the new crazies?
they're attacking grammar,
and the delusion they have...
is... associated with something
i can see as being self-evidently untrue...

the new crazies...
******* spinners... fakers...
    i prefer the old crazies...
at least their delusions had ambitions
to deceive in the realm of
the unseen...
       the unproved, and never to be
proven...
these new crazies...
i am supposed to speak asylum talk?!
so... society is the new asylum
with the past asylums being
abolished?!
who gave caffeine to these news
crazies?!
******* sane people's naive pandering...
while the depressed man?
hey boy... hey, hey, hey boy...
noose!
i've lost all sympathy for
the victims of a psychotic
version of a repressed P.T.S.D. example...
the mad have hijacked language,
disorientated grammar...
and... b'a'ah, b'a'ah...
                 no...
                              i'm with the old
crazies...
                    at least they're the ones
that can inflict genuine grievance...
rather this policing of restricting
     the orthodoxy of the use of language.

p.s.
i found only two paradoxes in this
world...
    schadenfreude: feeding a pleasure
from the misery of others...
as...
  finding wisdom in others' own
forsake of an antithesis of
universal application...
  mainly that, associated:
            to a self-gratifying benefit...
the joke ends within the confines
of schadenfreude...
as does passable "wisdom" attached
to instragram novelty of the "maxim"
by your wisened sages
of the selfie...
  
                  i've been among the russians,
i know what the true uber looks like...
you hitchhike...
hitchhiking? forget that?
ponzie scheme albatross thingy
of a worth of a british mensch?
    funny... a people can so easily
forget the practice of hitchhiking...
so easily: entertaining individual rights...
and: innocent until proven
guilty until some next
               teddy bundy comes along...
and then it's all: ooh! ah! woo'ah!

   you know, i don't like the cartesian
chiral dynamic,
the whole: nietzsche take...
sum ergo cogito...
          i don't like the:

innocentes quoadusque (qua esse)
                           reus....    inversion...

an innocent man might hang...
well... if you have the death penalty:
too late to regurgitate the
original statements...

but? where's the element of redemption
for the innocent man?
why are so many people captivated
by the shawshank redemption?
there's a redemption story...
   in the inverted game?
a jimmy saville walks off scot-free...

the continental model doesn't make
sense with a death penalty...
but without one?
redemption... the atlas "paradox"...
one man usually burdens the fate
of a reciprocate of the unit of one...
but not the many...

me getting laid or not getting laid
is as important to me as:
whether i know about last year's
snowfall...
*** *** ***... all that sort of
******* in the western minds...
*** *** but no children!
recreational procreation without...
any procreation... to begin with...

         i'll admit...
english humour is funny...
but schadenfreude is a borrowed term...
hence the lost in translation
element...
           the english are terrible at
appreciating if not simply applying
the original zeppelin bomb...
after a while: the english just became
annoying toy-whips
of ***** replicas...
       the english knew elevated slap-stick...
with monty python...
with fawlty towers...
          they borrowed a term like
schadenfreude and completely lost the plot...
they once, upon a time,
chanced to play a game of linguistic
comedy...
            
                 i'm pretty ******* sure
the germans relate to schadenfreude in a different
way... i'm guessing:
the deutsche are not prone to ridicule as
the english are...
               the aunglisch are prone
to ridicule out of a sentiment of spite
than out of a repose for giggles...
        
          i don't understand the german sense
of humour,
     but understanding the english attempting
to "understand" the german sense of humour
is an enigma in an enigma in a per se...

such integrated back into
the ol' continental ways...
                       kudos to the brits...
bringing back the commonwealth to stereotype
us europeans with a negative "circumstance"...
now them: ******* up to "correct"
their integration policies... for the commonwealth
peoples of the united wordly wealth of
made in china plastic toys!

     a **** among the brits has
the audacity to tell a german he's not
supposed to feel at home on these isles...
sure... and i will never feel quiet at home
in Islamabad either!
               so? equal count of hubris!
that's the only thing that ****** me about
these isles... god i love this language...
but... when you get your afghani hounds
on me to do your ***** work?!

      even though i'm not: deutsche?!
i'll ******* pretend to be deutsche!
           i'm not here to mop up your failed
integration policies...
i settled on keeping my language...
they settled on keeping their sharia,
their **** pajamas and curry...
while adamantly rejecting their language...
in order to implement their desired changes
by subverting your language...
and you gave your language on a *******
platter...
    
    by subverting your language
to accept their cultural tattoos...
  let me tell you: if a people don't respect
their own culture,
by way of god, by way of language...
and they are "integrating": without speaking
their native mutterzunge?
they're not respecting either culture...
mongrels ahoy!
   what happened to the african-h'americans
not speaking a word of african?

what will they do, ascribe themselves
to ******* scots,
left with no gaelic and more a finnegans' wake
accent gymnastics of some irvine welsh?
nae for no: some glaswegian smart-***
excess of nouns?
      
hell... they would have never built
a colliseum if they saw:
1 + 4 + 6 + 9 = 20
   i.e. I + IV + VI + IX = **
            imagine... a society where letters
worked perfectly as sounds
and as arithmetic concepts of measure.

lucky for me the roman empire never
conquered
the lands i come from...
always with the brits being...
oh so so proud having been conquered
by the romans...
what's the prize... archeological sites?!

much respect as great britain...
but... *****... please...
don't pucnh below the waist...
importing your commonwealth dogs
to mark you out among all the other
europeans like some prized asset with
an inkling into h'american affairs...
thanks to you: i'm bored of looking up
the telescope of h'american ****
with their waning cultural export
of a worthwhile entertainment of appreciating
their music.
What I see is the product of wholesale hate.... an inexpensive solution to happiness… a scratched table leg...
The memory of laughter around a table or in a red station wagon... Long trips in a car with no air conditioning.. When i found out my feet were no longer kissable...
The thought of " Im Happy"..... Maybe its never a good feeling....
Then i learnt that distance is equal to money... Then it was not watching you eat cake...
My wishes were no longer " Ours"....
A bike ride became an excuse to watch the highway.... high flying jumps as you drove by a honk was as good as a hug....
Being mad as you were always asleep in your spot... Hating the dent on the couch...
Now wishing that the imperfection of furniture meant you were still here...
Watching the spot in our garage fill with picture albums...
Where every garage sale Our memories were only a buck....
That day when our red station wagon became a shiny new truck... Still red but to clean as if we were not gritty....
My Friday nights when ten o'clock was the limit.. And faking sober over minty mumblings...
And soon You would say.. "Dont breathe on mom"....
Even though the truth you hid was like a slap in your face...
Saturday morning where a quiet " Davie son"... Was always met by a simple "Im Up"...
A white lie to cover the truth.... I loved Saturdays more than Friday nights...
Fridays were for friends..... Saturday was for my hero, Black tar in faded cups...
Because sugar must have been a luxury you couldnt afford.... I wont drink black coffee anymore......
The more blue creamers make it less painful...
That time you said get out of "His" chair.... Then everyone knew it was MY chair....
Such a simple thing a place where i learned that a set of blue coveralls was as good as a red cape....
A briefcase was not just for lawyers... It was the place where you could find the last picture of us together....
A sunny day where i watched you turn an empty room into a work of art only now I know WE could only appreciate...
The bending two by fours as you made them a highway for black pipes...
That day i carried both tool boxes at the same time... Thinking why did you park so far away?....
But the way you smiled and winked when i put them down...
I catch myself sometimes in moments of pride winking at her.......
Those times where i can hear You in Me and it shoots out my mouth with a "Jesus Christ"...
Then apologies in the form of gifts... Men don't apologize......
I still cant afford your gift.... Maybe its not available in bars.. Or in measured amounts...
It cant be bought all at once...... Only in payments of my best.....
I haven't made a payment in a while....
But I remember I sign an extension every night.... Signed in tears in an office only visible with eyes closed....
Its the only place my chair still exists... A room with a briefcase on a desk... Slurppes with ice cream Dire Straits over the radio....
Playing in a shop i cant get too....
Where i can still carry your tool boxes...
Then flashes of black cowboy boots... Blue coveralls...
But never a smile or a wink...
Then i come back and whimper "Jesus Christ".....
Real men don't cry... Its been a while since i've been a real man...
Now its just an excuse for bars and measurements……
Lost my parents recently my dad was the only thing i never thought id lose.... I struggled with alcohol and drugs... Thats the bars and measurements.... It is basically everything I remember from poverty to wealth how he taught me a trade skill and how now I understand....
'She could be great
if she lost the weight.'--
These words burned into my mind

And I find that brand on my skin
In the form of slaps and bruises,
Grabs and pinches, trying to
Determine the length, the number
That is always over, never under.

Measurements
Measurements
Measurements,
Wait, don't go,
stay, be late.
I'm sure I can bite off the extra space I take,
I can rake my nails over thunderous thighs,
Compromise my breath
by wearing bras not my size.
I can be slight and slender
In my demeanor,

Look how invisible I am when I'm not on stage,
When I'm not in the dance!
You might glance me in the beginning
As I'm wearing a winning grin
And a sheen of sweat,
Worried to be found out as fat.

I promise I can dance,
See, look at all this art that I craft
With my hands and my heart.
Yes, my body as well
But you can barely tell.

The swell of my ******* rise and fall
With the breath in my chest, but
I can't rest, comforting words are
Too frail a nest.
Witness my hyperventilation
in this body fixation,
This determination that I can't be enough
because
There is far too much of me.

But I'm pushing, pushing back
I ask for gentleness,
  I begin to allow my bones to enjoy
   their cocoons
    Of muscle and fat and sinew.
     This is a body.
      And this body moves.
It reaches and teaches
  Grasps, gasps, hands clasp,
   Knees collapse, voice rasps,
    It's all valid.
    Eating salad won't fix what isn't broken.
    
The space I take up
Is my entry token into the world,
It's my ticket stub that can't be snubbed,
My admittance isn't denied
Because of my thighs.
My lungs are given permission
To the air, my heart receives
A knowing nod that I too may be cared for.

Life and love,
They love me all the same.
I must not blame and shame my size,
Using my eyes as daggers
that try to cut and carve away the excess.
Let my eyes be a balm,
To calm and to soothe what once
Was an abused and used,
And refused vessel.

I ask for gentleness,
Something new.
I ask for gentleness
From you, too.
Chris Jul 2013
I measured time in heartbeats and length
by how far your fingers traced on my skin.
Time passed like sultry summer nights
and length was as far as the night stars
that kept us company.
Every second was one I tried to keep safe
instead of cherish.
I wish you’d still wrap your hands around mine
as tight as you do your morning tea.
Because you are my pulmonary veins,
carrying all the broken parts I give and
returning them alive.
Reviving blood as dense as lead,
warming it like the sunrise I used to feel you in.
But now I can only battle eyelids that drop
like anchors near shallow shores;
trying to find the footing your eyes once gave
(still give).
And you might call me a liar,
but it felt like forever to me.
I still measure time in heartbeats
but length by how far
you feel from me.
And right now time moves
as quick as early mornings,
and length is farther than I’d like.
Umang K Jan 2015
You can literally manufacture it in a chemistry lab;
There are formulae and measurements of hormones that add up
To this supposedly tangible entity

A nicely brewed test tube
Of elaborately named chemicals

The very thing that makes you tremble in your skin,
That has caused wars and set ships assail
Confined to a liquid in a glass container
anastasiad Feb 2017
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Determine and also cut (in addition to grind the edges when you have a new mill) a stained-glass parts such as you have been developing a stained-glass screen. That i work with really see-through or maybe solid a glass colours to make sure you can observe by it to check out the actual stick when stuck to the base material. For your variety, rather than joining this parts utilizing direct emerged or copper foil and also solder because you might using a stained-glass work, simply glue the actual parts set up over the style for your foundation product making use of simple white PVA fasten (age.h., Elmer Epoxy All or Weldbond), abandoning with regards to 1/16-inch space between pieces. Your spacing may differ as much as 1/8-inch, however wouldn head out just about any larger when compared with 1/8-inch space because I consider the broader space seems to be sloppy in comparison with thin spacing.

While each of the portions will be stuck in-place and also the adhesive features dry out for about 2 days, populate the particular places with your favourite cement colouring, as you'll if the variety had been through with the normal smaller bits of rectangle or maybe triangular shape styles. My partner and i mostly utilize medium-gray cement, yet this most recent preference is usually charcoal (dark) cement. The better mosaics I actually do by using dark colored grout, a lot more I love the idea. Cement coloration can make or break one more look of a person's mosaic, if youe in doubt in what cement color to use, your best bet is with medium-gray.

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Zigzag Universe says: "I am the space of Devananda" Way of God "and meditation. We know how a great inherited noun “de meditatio” has reflected on the ideas that are reconciled. My numen comes from the Greek Peltast mercenaries, creating survival in the contemplation of standing on those who are not in the fords of the breath of blood. We focus the mind so that the sheep that graze in the meadows fall upon us when we reconcile ourselves to somehow standing, waiting for them lectured here in Archangelos and in placebos of the bread-making gifts of the grasses. Obviously, stability allows us to get colossally on our feet and meditate where we have to sow hopes of meditation and work them with the pleasure of experience, which transports us on spirituality on the lips that are pronounced by the horses that graze, filling their bellies with the idiomatic hopes that transport us to the intellect and the conclusive horse. On the other hand, in contemplation there is more spiritual than intellectual character since it carries an experience and not a conclusion. Philo of Alexandria; Philo Judaeus, being a Hellenized Jew, is our mentor and philosopher star, born in the year 20 BC. He is contemporary to the era of our Mashiach, maker of everything and the neo-universe of Vernarth "Duoverso". The new universe of Vernarth being apologetic, Jewish and also Hellenistic therefore makes of our creator and all the theological creative thinking of all his creation. Divine providence and grace are and will be your superiors to have universal kinship with the Zig Zag Universe that migrated to Duoverso Zig Zag, for the providence of divine powers, who are in this range mercifully allowing and forbidding the splendid power of the royalty of Christian meditation manifested. Those of us who bear his goodness transformed into passion, we are the ones who create his theocratic rise, doing sovereign service, courage, joy and caution of human ethical satisfaction. We surround ourselves with our philosopher Philo for the diaspora, for the benefit and virtuosity of laws that emanate from the One-dimensional Beams of Kafersuseh in Ein Karem. The stoicism of democracies weakens the ungovernable powers of self-wisdom, they decay before those who ignore who they are and will be, under the symbolization of the supposed Jewish leadership of offering their children to the sacrificial altar ambivalently. The warmth of the afternoons in Tsambika increases the macro radius of our zigzag, binding the biblical pages with Platonic Greek philosophy and anti-material stoicism, with goods re-delegated to the natural good where it comes from. Our writings are the inspiration of the demiurge of the embodiment of a bakery recipe in the idea of the lowing of Zeus's stomach, with the solid dissatisfied discourse of not creating more bakery hectares for Stoics and demiurges. Although the thought of Philo permeated the fathers of the ecclesiastical epic, as in its origins in Alexandria, they will be Ambrose of Milan and Augustine of Hippo, with weak influence on the Jewish tradition, particularly in the rabbinic tradition that was born in one or two centuries after his death. Part of this is due to his use of the Septuagint (the Bible translated into Greek) instead of the Hebrew Bible and his allegorical interpretation of the Torah. His work also gives references to religious movements that have disappeared today, such as the Alexandrian therapists. Zig Zag was and will be moved away between time and space, in a world adjusted to the senses that are propelled within the contextual totality, the world and the biosphere framed in the phenomena of the Zigzag Universe, being born on a stellar night when it touched our life the earth, being able to see how the cordial matters of the cosmos caressed its cosmology, making of it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the bing bang, emerging from the other side of the car, observing us and seeing ourselves in the Horcondising face anti-material. We are science that models the energy and matter system in causes of the ancestors, with whom their life and ours sneakily crashed. Gravity made us great paternity in Vernarth, being in the Dodecanese, being a cosmos in the curvature that makes us screen with the moon in its romantic astrophysical swings and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the oaks of the Horcondising of Vernarth and also the time-space that has not been troubled by the origin or the inflammation of the stars that move irregularly in zigzag , for the fractality of its component, which is clearly Aramaic blue light, in circuits of cumulus movements skimming the air, attracting the attention of the entire order of the sleeping universe and making the duplication of the universe itself appear before them; in Duoverso  that is the universe awakened and young of thanks "

Duoverso says: “My distribution of nearby galaxies are keys to the paleo universe already arranged in macrowaves, which are the percentage of the spaces of the Trisolate energy fields, which interact with the Mashiach phylogeny in Gethsemane, now lying in a stagnant decomposed future, in a specific frozen present. My final station is to place the Zigzag Universe on the re-expanding medieval chrestomathy, in qualities of Sub Mythology, already settling here in Archangelos. The implosion of my gravity has created worlds of visibility of great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, like an irregularity that resembles the measurements of everything quantifiable, being science or not, acquiring from the hexagonality, the primogeniture of the passage that from Jerusalem goes to Bethlehem, where the Davidian prism, in whose Original is attributed a fractal of the two-dimensional shape of a line of the Mediterranean fractal coast, resembling the gems of the crown of King David to that of the Messiah, seeming to be similes, but of irregular geometric formats. To build gems in landscape spines, basically subdividing themselves into equal conical funnels and then being randomly displaced towards their central point shared with King David's crown, recursively repeating it in each square until the desired level of detail is reached, in the curve that joins the landscape to Bethlehem and then to the Church of the shepherds in its fractured hexagonal base, simulating to be snow falling on the top of the roofs, wherein the Kafersuseh manger, the Mashiach was born and died in the abstraction of the Beams One-dimensional in foreign eyes, eroding those who are mortals and do not see you with divine eyes in self-likeness of our hysteria of the failed plan to increase the size in the unknown geometry of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in natural infinity. Here the new privileged world for self-similarity in the mental and cosmogonic functions of Vertnarth was envisioned, at intervals in each space of gloomy clouds, bringing accelerated bombs of messaging from Gethsemane among mutated olive trees towards other humans. My correlation is an infinite fractal with the reversible observable time and with the pattern belonging to mobile echoes of a space, which is occupied by Vernarth as multi-study and integers between fractional integers”

Hyperdisis: “Finite is the curvature, between the time that walks between the jungle of the Duo Universe as an alternative of energy Zigzag and Duoverse, which triggers our observable world what a great eye is, which ignores and knows extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had before coming to the Holy Land, provided by my form of Hyperdisis escorting him. I go in arduous colors in gradient for its limits of positions of verbality, and solutions of physical fields, interwoven by an external gravitational means. The macrowaves are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in the fears of reaction and recreation of multiform plasma saviors of Christian cosmic. Examining the double of the macrowaves and the equation of them on the axial of the universe turned into Duoverse, already in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography of hyperdiction, is the correction of the error of the current universe, losing itself, in the second thousandths of figures that separate us from the Universe, but all being more than time ... !, we are left at the expense of the wick of all electro-matter "

The sub-mythology having already been constituted, Hestia appears, having taken a great nap. When she appeared before Vernarth in Tsambika, she was seen changing in size, when she was six meters away she looked dwarf and when she was two meters from him she looked monumentally giant, but with a versatile countenance, therefore she was already appreciated in the last steps, with the domestic figure of a Goddess who emanated light-years from the chimneys of her habitable galaxies. The critical immanence that would happen would be the perfectible plan for the Zig Zag Universe and the Hyperdisis, bringing torn words for those who were approaching the main altar of Vas Auric, which was in a great proscenium ratio in the vicinity of Tsambika, between the Mind / Meditation for a constant mechanism of Wisdom / Meditant, according to the cosmological constant, leading perhaps to the beginning of a decade and third universe called Triverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which goes backward advancing between the rapid lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units millions of years of lightly compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, in its Prytaneion, igniting with the flames of the heart of fire and of the passion of consanguineous love, "Prytaneum", paved by the light of the clarity of faith of the owners of the hamlets that were founded when they arrived in Tsambika, in search of Vas Auric, cheering with the omphalos stone, which marks the navel of the world with the challenge of wandering towards the island of Delos in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only perhaps there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. to be swallowed by her father, and then expelled from himself, regurgitated in candle flames, of love in a blessed house full of immunity, giving the Duoverse another geometric category with angles never contained, sliding vibratory between distances that deduct minutes from Hestian space, for the purpose of approaching its finiteness, and inaugurating the sub- finite, which will never be a source of termination in a puzzling end of equationally physical unfinished time. This consolidates the Duoverse in Duouniverse, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-finite)

Saint John the Apostle says: "Not even death recognizes the dimension of the universe when it detaches itself from the capsule of the body ..., less from the Duouniverse ..., making at night what is day and what is a day at night"

Vernarth says: “I am being reborn, the variety of times between myself and myself, are you. In my new creation and Duo-universality, with rules that angle my thoughts where my muscles did not reach. Today we are plagued by invasive objects of new creation, and in particular, I feel them bustling with the wrinkling of the strings of the balalaikas that I had in Moscow, with flat thoughts and now with flat atonements that I do not know, but my courage climbs where they fear me. be poor of feared value. Rather greater fear on a larger scale and related limits where infinite dramatic areas fade away almost make me an atheist in atheism. The ribs of time, gropingly, are oversized, in the ribs of the five-fold dimension of the Duoverse that imagines my curved, over-curved world, not knowing how to reach the line that allows me to know it head-on and full, on the coast of light that If now I see the Mashiach in Gethsemane, in the Olives Bern, walking straight ahead towards me, with another starting point going back, but I being in the creation that for God the light of himself towards the stars that are reconverted into stars, in all addresses calling each other. "
Zigzag Universe
I.
My face resembles your face
less and less each day. When I was young
no one mistook whose child I was.
Features build coloring
alone among my creamy fine-***** sisters
marked me Byron's daughter.

No sun set when you died, but a door
opened onto my mother. After you left
she grieved her crumpled world aloft
an iron fist sweated with business symbols
a printed blotter dwell in the house of Lord's
your hollow voice changing down a hospital corridor
     yea, though I walk through the valley
     of the shadow of death
     I will fear no evil.

II.
I rummage through the deaths you lived
swaying on a bridge of question.
At seven     in Barbados
dropped into your unknown father's life
your courage vault from his tailor's table
back to the sea.
Did the Grenada treeferns sing
your 15th summer as you jumped ship
to seek your mother
finding her     too late
surrounded with new sons?

Who did you bury to become the enforcer of the law
the handsome legend
before whose raised arm even trees wept
a man of deep and wordless passion
who wanted sons and got five girls?
You left the first two scratching in a treefern's shade
the youngest is a renegade poet
searching for your answer in my blood.

My mother's Grenville tales
spin through early summer evenings.
But you refused to speak of home
of stepping proud Black and penniless
into this land where only white men
ruled by money. How you labored
in the docks of the Hotel Astor
your bright wife a chambermaid upstairs
welded love and survival to ambition
as the land of promise withered
crashed the hotel closed
and you peddle dawn-bought apples
from a push-cart on Broadway.

Does an image of return
wealthy and triumphant
warm your chilblained fingers
as you count coins in the Manhattan snow
or is it only Linda
who dreams of home?

When my mother's first-born cries for milk
in the brutal city winter
do the faces of your other daughters dim
like the image of the treeferned yard
where a dark girl first cooked for you
and her ash heap still smells of curry?

III.
Did the secret of my sisters steal your tongue
like I stole money from your midnight pockets
stubborn and quaking
as you threaten to shoot me if I am the one?
The naked lightbulbs in our kitchen ceiling
glint off your service revolver
as you load     whispering.

Did two little dark girls in Grenada
dart like flying fish
between your averted eyes
and my pajamaless body
our last adolescent summer?
Eavesdropped orations
to your shaving mirror
our most intense conversations
were you practicing how to tell me
of my twin sisters     abandoned
as you had been abandoned
by another Black woman seeking
her fortune     Grenada     Barbados
Panama     Grenada.
New York City.

IV.
You bought old books at auctions
for my unlanguaged world
gave me your idols Marcus Garvey Citizen Kane
and morsels from your dinner plate
when I was seven.
I owe you my Dahomeyan jaw
the free high school for gifted girls
no one else thought I should attend
and the darkness that we share.
Our deepest bonds remain
the mirror and the gun.

V.
An elderly Black judge
known for his way with women
visits this island where I live
shakes my hand, smiling.
"I knew your father," he says
"quite a man!" Smiles again.
I flinch at his raised eyebrow.
A long-gone woman's voice
lashes out at me in parting
"You will never be satisfied
until you have the whole world
in your bed!"

Now I am older than you were when you died
overwork and silence exploding your brain.
You are gradually receding from my face.
Who were you outside the 23rd Psalm?
Knowing so little
how did I become so much
like you?

Your hunger for rectitude
blossoms into rage
the hot tears of mourning
never shed for you before
your twisted measurements
the agony of denial
the power of unshared secrets.
A May 2015
If my love for you were a dollar,
I'd have a lot of gold;
if my love for you were an iceberg,
the world would be freezing cold.

If my love for you were a flower,
gardens would be everywhere;
and if my love for you were power,
I'd rule the world without despair.
Kelly Landis Oct 2012
“You’re overweight,” he says, tapping his finger against his chart of heights and measurements, thighs too big and fingers too plump. I already know. I nod, and continue nodding, listening to the word echo and then fall onto the ground, bouncing and bounding, restrictions that have surrounded my whole life, my whole curvy figure. If I could be like the girls with the flesh wrapped tight and the bones loose and caving in on one another, I would grab the chance before it had a chance to flutter away from my desperately aching hands. When I look in the mirror, I try to remind myself that flaws are flaws and yet they were made to be beautiful, but I see what I see and what I see makes me want to *****, makes me want to close my eyes, makes me want to pull and tug and rip until there is nothing left but a pile of rotting decay. I am stuck, I am back on the playground in sixth grade where the boys would taunt and laugh, point and gasp, as I tried to pretend I looked like everyone else, every other small, petite little girl who didn’t have to worry about these types of things. My clothes don’t fit, I’ve gone through seven pairs of jeans in the last month alone, I look back at the pictures when I thought I was fat, but I wasn’t, I was fine then, why did I think that? I lay in bed beside the man I’m supposed to be with, fully clothed and pushing his hands away from my hips, away from my lips, don’t touch me then if you can’t handle all that I have to give. I’m not her, and she never wished to be me.
Richard Perez Sep 2015
I trace the memories kept behind like fingerprints.
The love we had is now crushed and swept away by a wave of  
our indolence and insanity.
I go back to the time of sadness,
Because it was the sadness of her eyes the made me
happy
happy
happy
and somewhat sane…

All I have left are the mental photographs of what happened
and of wanting what could have been. I leave now with all the
things that I traced—things that can never be erased
like fingerprints that never  
ever had changed.
I sit here alone in this disease-ridden couch, with my
disease-ridden hope. And I will memorize your eyes,
blinking to the rhythm of you heartbeat, dancing in a starlit daydream—as  
I am wishing of a memory where you gave me  
everything you had
and where I offered you the pieces that were left
of me.

I kept all memories of you in a heart-shaped box,
where it is slowly crumbling as time goes by.
I kept all your secrets,
your playbook,
your cards,
your broken cassettes and cigarettes
our now and always,
your sad eyes and the happiness you had
and which made me smile again.

So maybe fingerprints and memories share a common thing. They say  
that “good things happen to those who wait”, I’d say keep on waiting,
*******, I have been waiting, and still all I’ve traced is  
the measurements of my  
indolence and insanity. So yeah, keep on waiting.
Fingerprints and memories do share a common thing and if you can understand it then you have suffered too at some point. Hope you like this.
The excitement and the wonder you bring me day by day
Is too much to ignore and because it never goes away
I tell you everyday how much you mean
How often you invade my dreams
You know your pokes of affection
Are the utmost of my attention
And every word you speak
And what it means to me
The beauty that waits
Hidden from me
Shall never
Be erased
<3
Mateuš Conrad Mar 2018
-
I: tonight! at the Oscars!

i really had to watch the whole show
twice, to convince myself of
something;
    the first time i watched it i was
as any usual idiot aspiring to
wow!
                      you know the usual
finesse,
             a bunch of humble people
with diamonds that belong
                                     to hades,
or at least the j. r. r. tolkien dwarves,
       and the masked king
          under the dome of the theatre
or rather:
           when does an actor, not act?
and i thought the mob
    that went to see ballet clapped
too much...
                        boy i had it coming
with this crowd...
                  these one-legged actors
seem to clap more than
    your typical pleb like me at
                       a ballet performance;
but this was only upon first sitting.

2nd sitting? ooh - a cringe (show
a face of constipation with closed eyes
and skidding mouth trying
to usher in the crin-  with a floating
                    -dg         - the d being
subtle) show...
                     the majority of americans
are of german descent, although
they speak english, right?
      and i thought english humour
was bad...
                        upon watching highlights
a 2nd time,
      i started smelling a rat...
         weinstein...
               sure, sure...
                          but who's that young
girl sitting next to guillermo del toro?  
      holding his arm as if clinging
to daddy issues - but hey!
               there's the aqua god hidden
somewhere in that bag of meat
               finely, finely attired!  
yeah... and i have an easter bunny
shoved up my ***,
                    and mother goose too!  
and black, so much black,
                 well, khaki doesn't cut it
really...
              but by watching the highlights
the second time
           it just felt like
     quote from the phantom tailor,
i.e. you hurt my feelings!
   chic? what's chic?
          chick-chicky-poo-brains...
        crass, man, absolutely crass...
     the absolute german joke:
    regarding the best picture
            award from last year...
              it just so happened that
the academy made a mistake between
a BLACK movie, and a musical...
     and in this years "ceremony"
            the hurt feelings had to be
appeased and what: the barbarian horde
expected was - but not on the last
minute whim...
            well, bull in a china shop,
     the closest i can come to the grace
of a balerina, is to curl my toes inward,
  and then stand up and walk the crow
walk... the opposite of how a gorilla
does the same with its hands.

***** please, don't confuse hans zimmer
with: are you sure that
   john williams isn't plagiarising
himself all the time?
           so, i came up with a new category,
the sort of guys
    who choose the music for such
films like baby driver...
                          can't argue that that
film is the ******* purely on the basis
of what soundtrack was behind it...
how about there's an oscar for those
music nerds?

II: i never follow the exact recipe -
    this is my body (pepper),
                          this is my blood (salt)
.


just 'ave a look at this:

ingredient list from
     two different recipes
     (a) epicurius.com
                      (b) pekishme.com
   (c) ... the hybrid

  (no measurements are to be given
in the later revealed hybrid
   as in the following two recipe
sources for a reason...
        i'll admit... the only branch
of chemistry i was good was
       organic: or rather - the i see) -
i've seen too many english women
sticking to "guidelines"
  and have seen at least two
marriages where a woman didn't
understand the concept of
       al dente, that later had to be
cooked to a nice chew in the sauce
after having rested in a seive
   drizzled with oil, prior to being
cooled with cold water to stop cooking...

                   A                                              B
butter          ­                                       fettuccine
breadcrumbs                                    cutterf­ish
fresh basil                                         shrimps
chopped fresh thyme                      clams
mussel                          ­                     white wine
water                                                 double cream
olive oil                                            onions
zucchini   ­                                         garlic
yellow summer squash                  thyme
red bell pepper                                oregano
garlic             ­                                    olive oil
shrimps                                            parmesan cheese
scallops
fettuccine

                                     C      
butter                                                
br­eadcrumbs                                    
                   ­                                         shrimps
                ­                      
mussel                                               white wine
                                                           double cream
olive oil                                            onions
           ­                                                garlic
                                                          ­ thyme
                                                           oregano

                                                        ­   parmesan cheese

fettuccine

and there are problems with reading two
recipes...
         e.g. you can't exactly use wine
and cream and also add
  zucchinil, yellow summer squash                  
& red bell pepper with these mild
sensations that are not balanced
akin to cream and wine (esp. white),
fresh basil? doesn't go with cream...
fresh thyme does go along with meat,
notably, lamb?

    dried thyme & oregano are
a match made in heaven...

      point being,
            the crucial aspect of fusing
recipe (a) with recipe (b)
  is the butter and breadcrumbs...
    you melt the butter and brown
the breadcrumbs in it...
    let them cool, and then sprinkle
them on the dish...
    you can also infuse the addition
of cream with parmesan,
  as you might also add extra on
top...
                 but the point of
recipe (a) crux is the breadcrumbs
mingling with everything
   in recipe (b) - but also with
what's essential in recipe (a) rubric.

III: code.

    for a while i forgot where you begin
writing html...
            blanked man, blanked...
     oh... right... in the notepad
and then you save the file under
   under index.htm
             with a sub-heading ALL TEXT...
but at this point it's really caveman
talk to me, the ones using the language
proficiently have been taught
by pioneers in the field,
            and it's not about wealth
distribution, but about knowledge...
  
e.g.
      <!DOCTYPE html>
<html>                         but why not <\html>?
<body>                         but why not <\body>?

<h1>me being late</h1>
<p>the first word is spelled mama, or gaga?</p>

</body>
</html>

           with those questions in italics
  i can't see no gate opening, nor closing
     subsequently with <h1> and <p>,
               apparently the gates
    are always open and there needs
               to a constant flow through them.

sure, smart, but dumb at the same time;

because i can tell you,
i once had an "I.T" "teacher" in my youth,
charged 20 quid an hour,
and all he managed to "teach" me
was how to change the, ******* screenshot!

it's not exactly true what they say
about teachers... it's not that if you can't
do, you teach... the darker side is:
                       you scam.

IV: ✡.

       there is no such thing as a "secret"
among the rich,
    as there certainly isn't such a thing
as a "conspiracy" among the poor.

V: the croydon cat-killer.

this isn't even an urban myth told
in thailand by hippies...
        let me tell you,
          when you spot a decapitated
cat, lying on the street while
walking at night,
   and you've read about where
this story originated, i.e. croydon
you start to start looking
   for that pathetic sadist...
   thinking to yourself:
           well, and we met, would
you have the ***** to do that to me?
  i'm gagging for a chance encounter,
just to see the ****** breakdown
upon trying to move to an upper
tier of this depraved practice.
Jordan Frances Nov 2014
My childhood was measured
By smushed handfuls of red raspberries
That stained my clothes methodically.
By counting sports cars instead of shooting stars
After all, we have enough in the suburbs to last us a while.
By "don't touch this" that comes with the affluence
Of one of the most prosperous counties in the country.
By butterfly T-shirts that were stitched together with secrets
By people picking and prodding at my size
By "if only I was skinny" vibrating my eardrums
As I had heard it from so many people before I hit the age of 12.
By being different
As at thirteen, I had no interest in make-up or push up bras or jocks
But punk rock music and a boy who was a little bit more dangerous than I anticipated.
By unwanted touches from uninvited men
Who took it upon themselves to show me womanhood
Before I could identify it myself
By the way my father stopped looking at me
As though I was his little girl
Because he began to find out where my skin has wandered.
By how my father had stopped looking at me quite some time ago
Because I was never his skinny spitting image of perfection
By the way he criticized my clothing
Told me if I wanted people to make fun of me for my size
If I wanted people to call me a ****
Then I could wear whatever the hell I wanted.
When I replied that I, in fact, did not give a flying ****
My mother chimed in
"Well you should."
And by the way complete strangers have told me to go on a diet
While others have screamed from passing cars
"****, baby, look at that body"
As though my body is my worth
And as though my worth is something to be measure
I have been taught that my worth is something tangible
That can be compacted into a little box with a pretty pink bow
Stuck on a scale and weighed
And that the number I see on that scale
The number of pounds that my body physically contains
Directly correlates with my worth as a person.
Do those strangers that hound me about my weight even stop to think
That I spend hours in front of the mirror
Pinching my skin into too-tight jeans
******* in my stomach because I just want to look my thinnest?
Do they even wonder about my past
How I have tried to diet and that is the only time I can remember my father
Treating me like a decent human being?
Oh, but I didn't lose much weight
In fact, the only time I really lost anything significant
Was when I was bulimic.
But they don't question that either.
And to the strangers who catcall me
That "body" has been abused by men I have trusted
That "body" has lost all control on a bed when a man took it from her
That "body" is strong, healthy and beautiful
It is not just a door mat for you to wipe your paws on
It is not just a *** toy whose sole purpose is to satisfy you
And then be thrown away
Is this what it means to be a woman?
To have your personhood and purpose in this world
Be quantified and made so it can be held in the same small palms
That smushed raspberries at six years old?
I hope that my worth can someday be more
Than a measurement.
Richard Riddle Jan 2014
Perhaps, the most profound poem I have ever read



There are too many saviors on my cross,
lending their blood to flood out my ballot box with needs of their own.
Who put you there?
Who told you that that was your place?

You carry me secretly naked in your heart
and clothe me publicly in armor
crying “God is on our side,” yet I openly cry
Who is on mine?
Who?
Tell me, who?
You who bury your sons and ******* your fathers
whilst you bury my father in crippling his son.

The antiquated Saxon sword,
rusty in its scabbard of time now rises—
you gave it cause in my name,
bringing shame to the thorned head
that once bled for your salvation.

I hear your daily cries
in the far-off byways in your mouth
pointing north and south
and my Calvary looms again,
desperate in rebirth.
Your earth is partitioned,
but in contrition
it is the partition
in your hearts that you must abolish.

You nightly watchers of Gethsemene
who sat through my nightly trial delivering me from evil—
now deserted, I watch you share your silver.
Your purse, rich in hate,
bleeds my veins of love,
shattering my bone in the dust of the bogside and the Shankhill road.

There is no issue stronger than the tissue of love,
no need as holy as the palm outstretched in the run of generosity,
no monstrosity greater than the acre you inflict.
Who gave you the right to increase your fold
and decrease the pastures of my flock?
Who gave you the right?
Who gave it to you?
Who?
And in whose name do you fight?

I am not in heaven,
I am here,
hear me.
I am in you,
feel me.
I am of you,
be me.
I am with you,
see me.
I am for you,
need me.
I am all mankind;
only through kindness will you reach me.

What masked and bannered men can rock the ark
and navigate a course to their annointed kingdom come?
Who sailed their captain to waters that they troubled in my font,
sinking in the ignorant seas of prejudice?

There is no ****** willing to conceive in the heat of any ****** Sunday.
You crippled children lying in cries on Derry’s streets,
pushing your innocence to the full flush face of Christian guns,
battling the blame on each other,
do not grow tongues in your dying dumb wounds speaking my name.
I am not your prize in your death.
You have exorcized me in your game of politics.

Go home to your knees and worship me in any cloth,
for I was never tailor-made.
Who told you I was?
Who gave you the right to think it?
Take your beads in your crippled hands,
can you count my decades?
Take my love in your crippled hearts,
can you count the loss?

I am not orange.
I am not green.
I am a half-ripe fruit needing both colors to grow into ripeness,
and shame on you to have withered my orchard.
I in my poverty,
alone without trust,
cry shame on you
and shame on you again and again
for converting me into a bullet and shooting me into men’s hearts.

The ageless legend of my trial grows old
in the youth of your pulse staggering shamelessly from barricade to grave,
filing in the book of history my needless death one April.
Let me, in my betrayal, lie low in my grave,
and you, in your bitterness, lie low in yours,
for our measurements grow strangely dissimilar.

Our Father, who art in heaven,
sullied be thy name.
Richard Harris, actor, Irishman, wrote this, pertaining to the protestant-catholic conflict in the sixties and early seventies,
Suicidal Dec 2014
'If you are fat then what am I?'
No you are mistaken
I do not see others as measurements
that is something I hold to myself
I need to loose weight
for the achievement
for control
for me to feel mentally stable
I need not hear about how
'it's not attractive to be that thin'
because I don't give a ****
Dana Kathleen Oct 2014
I’m obsessed
with counting.
Even the 47 steps
to my English class.
When that became
boring I created a way
to document, not  
time, but distance.
And 47 turned to 54.

681 days since I
cut 11 inches
off my hair.

359 days since he
said Keep in touch
when the last
thing I wanted
to do was touch him.

319 days since she
didn’t text back and
then 294 days later
moved 1,731 miles
away and by now I
wouldn’t even know
where to send a letter.

One day
I decided to get
another haircut,
but I no longer bother
to know the measurements
of the pieces that
are only going to be
swept away.
When shall we learn, what should be clear as day,
We cannot choose what we are free to love?
Although the mouse we banished yesterday
Is an enraged rhinoceros today,
Our value is more threatened than we know:
Shabby objections to our present day
Go snooping round its outskirts; night and day
Faces, orations, battles, bait our will
As questionable forms and noises will;
Whole phyla of resentments every day
Give status to the wild men of the world
Who rule the absent-minded and this world.

We are created from and with the world
To suffer with and from it day by day:
Whether we meet in a majestic world
Of solid measurements or a dream world
Of swans and gold, we are required to love
All homeless objects that require a world.
Our claim to own our bodies and our world
Is our catastrophe. What can we know
But panic and caprice until we know
Our dreadful appetite demands a world
Whose order, origin, and purpose will
Be fluent satisfaction of our will?

Drift, Autumn, drift; fall, colours, where you will:
Bald melancholia minces through the world.
Regret, cold oceans, the lymphatic will
Caught in reflection on the right to will:
While violent dogs excite their dying day
To bacchic fury; snarl, though, as they will,
Their teeth are not a triumph for the will
But utter hesitation. What we love
Ourselves for is our power not to love,
To shrink to nothing or explode at will,
To ruin and remember that we know
What ruins and hyaenas cannot know.

If in this dark now I less often know
That spiral staircase where the haunted will
Hunts for its stolen luggage, who should know
Better than you, beloved, how I know
What gives security to any world.
Or in whose mirror I begin to know
The chaos of the heart as merchants know
Their coins and cities, genius its own day?
For through our lively traffic all the day,
In my own person I am forced to know
How much must be forgotten out of love,
How much must be forgiven, even love.

Dear flesh, dear mind, dear spirit, O dear love,
In the depths of myself blind monsters know
Your presence and are angry, dreading Love
That asks its image for more than love;
The hot rampageous horses of my will,
Catching the scent of Heaven, whinny: Love
Gives no excuse to evil done for love,
Neither in you, nor me, nor armies, nor the world
Of words and wheels, nor any other world.
Dear fellow-creature, praise our God of Love
That we are so admonished, that no day
Of conscious trial be a wasted day.

Or else we make a scarecrow of the day,
Loose ends and jumble of our common world,
And stuff and nonsense of our own free will;
Or else our changing flesh may never know
There must be sorrow if there can be love.
Vernarth and his companions delighted in the company of the biosphere since he was in the Eclectic Spiritual Portal, and in this dimension only he could be. Later, they communicated only through his donkeys, when they wanted to send them messages or share with him, they mounted one of these equids and they could pass into this atmosphere of ultraviolet light that separated them. More than an egregious Pythagorean calculation, he already stood out in his eon of matter-spiritual energy Vernacentricus, as a quantum station of the geodesy of the Megaron that has already begun to be built. At this precious moment the secular and demiurge satellites of him arrive, they came with the foundation of the points to refer to definitively raise the Ultramundis Vernacentricus. From the Vóreios or boreal the apocalypse of San Juan will be intertestamental with the canons of Zefian that transmigrated from the powers from the transversal valleys of the Horcondising, essentially following the sensory track of the Nothofagus Obliqua to attract the iterated populations of the forest.
The patriarchs and the orthodox mountain range appeared in the cords of the fungi called Ambrosiella ceratocystidaceae, to provide the Ambrosia Mercurial, as a nutritional addition to the main pilasters of the temple, with great influence of fungal fungi. Everything was beginning to demarcate from the eruv of the Zefian arrow that was named Tetarto Vélos, or fourth arrow that was already beginning with its culminating operation with the borer beetles, demarcating the urev of the Vóreios throughout the region and on the oaks of Patmos, that began to be located from the Meli Witran Mapu Mapuche winds, beginning with Pikún-kürüf Northwind with the first two arrows of the Taxotas, and Sur Waiwén, of the Pezhetairoi, of the quantum of transmigration of the Horcondising-Panhellenic sub-mythology. Then the Puelche drags the borer beetles with more force to lift the uprising fungi of the Mandragoron by the eastern vertical, to culminate with the Lafkén-kürüf all attached to the axis that supports them from this great bilocation. The boreal is demarcated, so that the Necromancer Ezpatkul with his Augrum and gold teeth, twisted the tendency of the beetles to move the main columns of the frontispiece, being colossal in reality with twice the diameter of the central ones. Then the conclusive and posterior ones of the rectangular quadrant of the Beit Hamikdash were bilocated, to bilocate the Bern Olive Trees from Gethsemane so that they finally joined the Meltemi, and towards the aeolian winds of Tramontane Eolionimia falling on the Tekhelet of Paul of Tarsus, dropping relevant heights of some cranes with gravitating silt on their extremities, and with garbeas that were secondarily colonized on the banks of the desert areas of the rocky Hamada. As was previously proverbial, three birds climbed reflecting the crown of the kings in Bethlehem, Arriving at the sacred native city, and beginning the choirs of Nativity and passion for the hiss in tenuity on the twelve Giant Camels, where they paid special attention to rebuild another temple with a sigh greater than a Sheba Dean. The canon of Policleto was renewed with Zefian who agreed with San Juan, for this kanon that will be the relevant line of topographic surveying. Thus the basal measurements of the golden number will begin with the acroteria concerted summer seats of prosperity next to the Metopes. Ezpatkul would bring with his magic the red blood cells of Betelgeuse along Leiak with all the Templar three-dimensional morphology, naming this singular parapsychology of Pope Urban II who proclaimed the First Crusade at the Council of Clermont, in France, on November 27, 1095, to delineate the paradigm in the anatomy of Gaugamela bled into Vernarth's breastplate, as the archaic and first crusade that would inspire Christian supremacy, which was already anticipated before the Christian era to come. It will be visible gestures of the trajectory of the arrows of the Zefian Torah that were deposited with their hallelujahs from the ***** of Crete. The sulfur yellow and red blood cells marked the radiosity of the Eclectic Portal that opened to give Vernarth material egress, so he would take his tools and go with his donkey's escorts for the chromatic that will be sulfur yellow and red blood cells, both dependent on the complementation with the Cinnabar, and in the raised bodies of Court V of the Helleniká Necropolis in Kímolos.

Under vileness or absence of light among darkness or apocryphal light of Evil, in contrast to the robust equanimity of light and shadow partisan of Saint John the Apostle, for the hegemonic good of his incorruptible vision. The naturalness made the world apologetic with the immune defenses of the polish textures, they invoiced proportional mathematical measures ibidem of the Hommo Novis, and of the Geometric Pythagoreanism for a body seven and a half times of Polykleitos, starting from the base to the feet as the base of the plinth or frieze until reaching near the capital that exemplifies the chin, before reaching the cornice, highlighting the figure of the capital with the front of the proportional ligament between the trunk, and the columns duly. Here the seven-headed Kanon of a David would recite the measures of the psalms, or beads in degrees with hoped-for dimensions. The kinetics was earth towed by towing carts in tetra bronze arrows, which balanced the unbalanced balance and harmony of the created whole. The symmetry of the transverse poles was muscled to make kinetic centripetal in the inertia of the bolt when hitting the faint glow of the canon rays. Making himself the sustenance in the stone and the mound, towards the Vernarth counterpose when the Himathion was tried, he appeared disguised and in composing. After this initial task, they approached the fire and scalding water to **** herbs, which pretended to be the formula of the backhoe extracted from the palimpsest of the generals of Alexander the Great, when they distributed their illegitimate Ark with royal titles; they were Perdiccas, Antipater, Crátero, Eumenes de Cardia, and others like the satraps who came to be enunciated as kings; Antigonus, Ptolemy, and Seleucus. Residing only the most substantial military colleague of them in this parapsychological saga Vernarth; and his brother Etréstles de Kalavrita who seconded and predestined him in his monolithic, and in the constituent sovereignty of Polis, for the purpose of reigning and raising his Kopis and Xifos intertwined in aldehyde manumissions and in the alcoholic carbonyl residues emanated from the Backhoe ferment and Nepenthe, depositing LSD in substantial amounts to align itself with Seleucus, and materially present itself in the sphere of Patmos as two representatives of both empires, one ancient Christian and the other Panhellenic, placing Seleucus in that totalitarianism over that of Alexander the Great, now extinct. On the last day after working and being satisfied with the construction work of the frontispiece, and its major columns, Vernarth joins them after temporarily leaving the eclectic portal, they sit by the fire to review the plans of the subsequent construction process del Megaron, along with his seven donkeys, mentioning Borker's necromancy. Since the omens of Wontehlimar, the linemen before Borker became reigning, for the static balustrade that will surround the Megaron, where all the Ibics rings were enlisted chorally by the patronage of the Hellenic Orthodox legacy of Alexander the Great after he was rescued by Wonthelimar from Babylon, and finally take you to your physical and spiritual shelter. The eruv of the Nótos was demarcated, surpassing the limits of the rings of stefánes Íbix, or Hoops of ibix, like nano kvantikoí daktýlioi, Nano-Quantum Ring auguring sensitize the dermis and its carpal phalanges. From the intertestamental, such as in Vóreios, passages from the Old Testament are explored here that says…: “The temple that was the only legitimate sanctuary of the Israelite people contained within it the Ark of the Covenant, a golden altar, and candlesticks of the same metal. , a table with sacred loaves and other utensils used to carry out the worship of the god Yahveh. It was located on the esplanade of Mount Moriá, in the city of Jerusalem, possibly where the Dome of the Rock and the Al-Aqsa Mosque are located. From this dome the larnax of the Great Macedonian, a prioris, the schismatics of ancient Christianity, and orthodox Judaic will be derived, separating from each other, after the fall of the second temple. Of this class and previously this was detonated due to the undivided troops of the Babylonian king Nebuchadnezzar II, who destroyed it in 586 BC, also taking captives a large part of the inhabitants of the Kingdom of Judah, to Mesopotamia, giving rise to the exile and captivity of the Hebrews in Babylon. A reflective Borker of this premonition, he takes the Ibics Rings and selects one of them to join them with the first Zefian Arrow, as nano Kvantikoí Daktýlioi, quantum Nano-ring, to ensue in future similar events, avoiding invasions that cause looting and destruction. of the temple to be built on Patmos.

Nano-scales for Borker's nanotechnological conception, and estimates of threats of invasions and climatic changes, in one billion (109) and one billionth (10-9). In a meter there are one billion nanometers or, in other words, a nanometer is one-billionth of a meter. For those who will have to configure the dimensions of the Mandragoron "Temple of Vernarth" with carbon atoms, the support will be made in chemical units for the re-conception of nature, and its two- or three-dimensional networks. The nanotubes with 60 carbons, distributed in 20 hexagons and 12 pentagons, according to the geometric patterns of the cellular scale, in the conformation of the Hexagonal Primogeniture, being in this way concealed by the Ibics Rings, for each linear meter and cubic, traced by a nanometer which is one-billionth of a meter. Here, the borer beetles will catch the fungi ambrosiella ceratocystidaceae and will displace the virals that move geometrically from the beams of the Icosahedron.

The ranks of Falangists moved triangularly in multiple directions, to reach the Austral del Nótos de Borker, thus they would form the magic vectors of the polyhedron internally, triangulating at the top of the ram that carries an illustrious triangular phalanx, opening up the areas with its prop. vulnerable, to consolidate the buttress of the façade; the Áullos Kósmos, and pay homage to the apse that was filled with rejoicing. Sones of the philosopher Plato, made them regular or perfect in convex polyhedra, such that on all their faces were regular and equal polygons were made, and in all solid angles also equal. From this boulevard, the theology of Vernarth and Alexander the Great, fully professor and Platonic guide, will follow, making nomenclatures of nanostructures that affirm the volume and structure of the central sections of the radier, and their foundation bases shielded by the icosahedron in the nanotechnological scale, having physical material cells, for adaptation of structural changes and their environment.

The volume will be adapted microscopically, to analyze small particles with the return of the fourth arrow or Tetra Sagita of Zefian, absorbing nutrients and discarding the environmental threats based on carbon dioxide, to make a limiting membrane beauty, which moderates the nanoparticles that borer beetles were developing. The solidity of the partitions and walls will have the exact proportion of the nanomaterials, to adapt to the general area of the Mandragoron Nótos, which will ooze the surpluses due to the porosities, towards a volume highly resistant to invasions of limestone nanomaterials, and boulders that are made from the flow of the buttress of the apse that rises towards Aorion. The interior and exterior faces will be supplements of prayers of Prochoro, in didactics that will shield with the Antiphons Benedictus, and the hive of Plato's Icosahedron, becoming a consular material organism, and solid in interstices or leftovers from the feces of the Borers, until pasting and to reach the volume of the polyhedron, and its twenty faces pointing towards the physiognomy of the boulevard, tracing the general volume of the Mandragoron, and intercommunicating the quantum support and its theological harmony.

Says Borker: “if the organic cells operate with homage and with greater multicellular fields, here are the nanoparticles, in greater fields of fiatto, and in the slides that will recirculate in favor of the throat of the Mandragoron, and in the carbon nanotubes, essential elements of the biosphere and in useful layers of life that retrace the rest. There will be 20 linear meters in the area that lavishes the width and height, the projection of this scale of nanotechnology, will make the three-dimensional shape and a large voluminous serial in the Austral Nótos ”Vernarth's purging dimension, made him materialize at times and laugh out loud because he knew that everyone who was with him loved him! and from this fraction of faith, the Angel Raphael diagnoses them bread with archangelic essence; herb with great healing powers, especially in the dimension of the eclectic portal that allowed Vernarth to concern himself with material living beings.

Definitely, the second step of consolidation of the Megaron was established in the linear that the seven donkeys eagerly left, as masons and cabinetmakers who worked together with the Hexagonal Primogeniture. From this moment everything begins to have an inter-dimensional aspect, from the Invisible Eclectic Portal to the majestic geodesy and orography of this temple, which incorporated everyone for a charitable epiphany together with everyone in the Profitis Ilias, which was already crowned as the cusp Spiritual World of the Vernarthian Eclectic.
Áullos Kósmos
Conor Oberst Sep 2012
Did you expect it all to stop at the wave of your hand?
Like the sun's just going to drop if it's night you demand.
Well, in the dark we're just air, so the house might dissolve.
But once again we are gone. Who's going to care if we were ever here at all?
Well summer's going to come; it's gonna cloud our eyes again.
No need to focus when there's nothing that's worth seeing.
So we trade liquor for blood in an attempt to tip the scales.
I think you lost what you loved in that mess of details.
They seemed so important at the time,
but now you can't recall any of the names, faces, or lines;
it's more the feeling of it all.
Well, winter's going to end. I'm going to clean these veins again.
So close to dying that I finally can start living.

"Hi, we're back. This is radio KX and we're here with Conor Oberst of the band Bright Eyes. How are you doing Conor?"
"Fine, thanks. Just a little wet."
"Oh, it's still coming down out there?"
"Yeah, I sort of had to run from the car."
"Well we're glad you made it! Now, your album 'Fevers and Mirrors'... tell us about the title. I know there's a good deal of repeated imagery in the lyrics; fevers, mirrors, scales, clocks. Could you discuss some of this?"
"Sure, let's see... the fevers..."
"First, First let me say that, this is a brilliant record, man, we're all really into it here at the station and we get lots of calls, it's really good stuff."
"Thanks. Thanks a lot."
"So talk about some of the symbolisms."
"The fever?"
"Sure!"
"Well, the fever is basically, what ever ails you, or oppresses you... It could be anything. In my case it's my neurosis, my depression... but I don't want it to be limited to that... it's certainly different for different people. It's whatever keeps you up at night."
"I see."
"And the, and the mirror's like, as you might have guessed, self-examination, or reflection, or whatever form. This could be vanity, or self loathing. I, I know I'm, I'm guilty of both."
"That's interesting. How about the scale?"
"The scales are essentially our attempt to solve our problems quantitatively, through logic or rationalization. In my opinion it's often fruitless, but... always, no, not always... And the clocks and calendars it's uh... is just... time... our little measurements, it's like, it's always chasing after us."
"It is. It is. Uh, How about this Arienette, how does she fit into all this?"
"Um, I'd prefer not to talk about it, in case she's listening."
"Oh, I'm sorry. I didn't realize she was a real person."
"She's not. I made her up."
"Oh, so she's not real?"
"Just as real as you or I."
"I don't think I understand."
"Neither do I, but after I grow up I will. I mean a lot... a lot of things are really unclear for me right now."
"That's interesting. Ah, now you mentioned your depression..."
"...No I didn't."
"You're from Nebraska, right?"
"Yeah. So?"
"Now, let me now if I'm getting too personal, but there seem to be a pretty dark past back there somewhere. What was it like for you growing up?"
"Dark? Not really... uh... actually I had a great childhood, my parents were wonderful. I went to a Catholic school. They have... they had money, so... it... It was all... easy. Basically I had everything I wanted handed to me."
"Really? So some of the references, like babies in bathtubs, are not biographical?"
"Well I do have a brother who died in a bathtub. Drowned. Actually, I had five brothers who died that way."
Chuckles
"No, I'm serious. My mother drowned one every year for five consecutive years. They were all named Padraic, so that's... they all got one song."
"Hmm."
"It's kinda like walking out the door to discover it's a window."
"But your music certainly is very personal."
"Of course. I put a lot of myself into what I do. But it's like, being an author you have to, free yourself to use symbolism and allegory to reach your goal and, and a part of that is, compassion, empathy for other people and their, and their situations. Some of what I sing comes from other people's experiences as well as my own. It... It shouldn't matter, the message is intended to be universal."
"I see what you mean."
"Can you make that sound stop, please?"
"Yes!

...and your goal?"
"I don't know. Uh, create feelings, I guess. A song? It never ends up the way you planned it, though."
"That's funny that you say that, do you think that..."
"Do you ever hear things that aren't really there?"
"I'm sorry, what?"
"Never mind. How long have you worked at this station?"
"Oh, just a few minutes. Uh, now you mentioned empathy for others. Would you say that that is what motivates you to make the music that you make?"
"No, not really. It's more a need for sympathy. I want people to feel sorry for me. I like the feel of the burn of the audience's eyes on me when I'm whispering all my darkest secrets into the microphone. When I was a kid, I used to carry this safety pin around with me, everywhere I went in my pocket. And when people weren't paying enough attention to me, I'd dig it into my arm until I started crying. Everyone would stop what they were doing and ask me what was the matter. I guess, I guess I kinda..."
"Really? You're telling me you're doing all this for attention?"
"No, I hate it when people look at me. I get nauseous. In fact, I could care less what people think, about me. Do you feel that? Wanna dance?"
"No, I'm feeling sick."
"I really just wanna be warm yellow light that pours all over everyone I love."
"So, uh, you're gonna play something for us now. Is this a new song?"
"Yeah, but I haven't written it yet. It's one I've been meaning to write, uh, called, "A Song To Pass The Time."
"Oh, that's a nice title."
"No it isn't. You should write your own scripts."
"Yeah, I know!"
city of flips Jul 2018
extra long vintage convertible car.
notice my big shoe size,
do I know what that really means?
extra little lies on top of giant whoppers.
the number of figures on their W-2,
and my measurements and cup-size, please.
please treasure
their perspicacious needs.  

what’s with the obsession with size?

won’t sleep with them on the first date,
they are shocked, just shocked,
when informed on the dotted line
that a hundred dinners won’t turn me into their
personal come-when-called *****.
at nineteen, by now,
I should know better,
do as I’m told

what’s this obsession with hurry up, immediate satisfaction?

and patting my head like i’m their favorite pet,
mansplaining me how the world works,
cause at nineteen I don’t know ****
just listen to the know-not-a-**** thing
arrogance of knowing it all impress themselves

what’s this need to be superior but a huge (size) coverup?

yeah yeah, get me a better class of men,
like my literate professors who will improve my grade
for use of the insights of my mouth on their poetic gestures.

I can wait, till I find a right sized human being,
in every which way,
especially
if he shows me the true love poems writ
for other girls,
then I may even trust him,
sooner
than never
M Clement Jun 2013
He came,
He left,
She followed

Turquoise paintings of purple hues
Often bring about madness
4th degree burns turn blue
In sunlight
Breaking 4th wall
**** in hand
Third-leg stand
Exhaustion creeping over bones

Arthritis
Hepatitis
C
The vitamin
Makes a graduation
From the bowels of the high
Schooler

Rulers
Exact measurements
My ***** is this big
Preschool measuring
There are 3 cups of juice left over
How many ounces in a cup?

Pig pen
See men
Wafting around in filth
I.


Await for something post period
Pregnant pauses
I may start posting a backlog soon.
Imperfectly,
I stand before you,
A man. If you can’t see
All the things that I am,
I’m not content to hang around
As the retirement plan.

I’ll never boss you around,
But that’s not because I’m weak.
It’s because I have the security
To let you be you,
And me, be me.

I stand on my own two feet.
And I don’t ever base my self-esteem
Off some meaningless number
Of late night creeps.

I’ve searched my own deeps, for
A healthy conception of masculinity -
And this is a long-term investment scheme;
So I ask, can you appreciate what patience means?

Without games, on an even plane,
No cliché lines or insincere sayings.
You can always find another “strong-type,”
One of those paper-thin cut outs
From the book of male stereotypes.
Still, truth untold,
We both know -
It’s unconventionality
That makes a diamond
In the rough.

I have learned that
Determining a diamond’s cut grade
Goes well beyond
Simple measurements,
Like width and depth.
To determine
A diamond’s worth,
You have to test
Its light performance.

Even if a stone seems
To have color and clarity,
You can tell a real diamond
By how it catches the light,
Disperses evenly across the rock,
While a fake becomes almost transparent
As saturated light moves through it.

In another poet’s words:
Some [folks] recognize the light
But they can’t handle the glare.

I’ve also learned that appraisal of a diamond
Is determined by its own proportions.
You have to test for symmetry.
Does it seem to be high-grade carat
While you’re around?
And karma, karma, chameleon
To cubic zirconium,
If you’re visiting
The other side of town?

The thing is,
I’m not really here
To expose other contradictions.
I just want you to listen.

I want to talk to you
About how chivalry is not dead.
Look you right in the eye,
And tell you why. Talk
About how romance
Is still very much alive.
So, no more wind-whispered cries,
About how good manners have all but died.

Some might call such confidence conceited,
But I’m not recarving any hieroglyphs.
This type of affection is ancient,
So help to embrace it. Engage we -
With extensive emotional foreplay
And intellectual tongue-kissing;
Way before incense and candles get lit.

And tonight?
Let’s try starting over
With a night out on the town.
The recipe is simple: good food and
a place that's quiet enough for conversation,
maybe a jazz spot, if you’re down.

Or maybe, we could catch
A late-night flick
That really makes us think.
And when we’ve talked ourselves dry,
Neither one of us
Would mean a goodbye,
So we’d retire homewards,
And unwind.

Because I do want you,
The right way.
I want you,
And I want you to want me, too.
I want you to want me,
Just like I want you.

Nevertheless,
No stress for you,
Or for me.
If these rivers are meant
To find their way to the sea,
It should happen, naturally.
Ovi-Odiete Jul 2016
Our Words go into the Skies,
Our Sight travels beyond the Moon,
Our Eyes go beyond the Oceans;
We Embark on a journey at Night,
Arriving a Destination at Dawn
We are strong in our Fears;
We want to know the Lengths,
We want to see the Depths
Who Knows the shape of Yonder?
Who knows the ethereal Measurements?
But the Oceans tells its Endlessness

Our Soul longs for immortality,
But our body will betray us
Our minds keeps wandering for the Unknown
We travel through life with moments to behold,
Arriving at a distance broader than us
What has time not told us?
What is time hiding from us?
We want to know the heights
We want to see the Realms
Who knows the world after here?
Only God knows

We are building castles in the Air,
Though we cannot see them
We have submitted our Course;
We are waiting for answers
How long shall we wait?
Where is the beginning?
Where is the end?
In our loneliness, we are stronger
We want to know more,
We seek to know more;
Until the End

We are waiting at the Gates;
And the storm is heavy,
Still the rain falls deeper
Should we wait longer?
Can we wait Longer?
Who knows the lost road to the sky?
Who knows the path leading to the moon?
Why are our shadows trailing us?
Who knows the ethereal measurements?
No one knows,
But the Ocean tells its Endlessness.
Ever wondered what lies beneath the fluffy clouds?

Man has attempted to know the lengths and depths of life, nature and her companions. He tries to search through science, but still hasn't UNVEILED THE MYSTERY.
Man is INSATIABLE and as much as some feel they are supernatural, there are still a lot they are yet to UNCOVER and that goes to show that MAN is limited and Only one knows the BEGINING FROM THE END AND THAT ONE IS GOD
The ocean tells the endlessness of the depths. Who can measure the endlessness of the OCEAN?

Ovi Odiete~•©
nivek Dec 2014
the brass in your pockets are heavier than water
all that concentration to hold onto some semblance
of freedom bought at the price of false security
is washed away in a moments madness skinny dipping
the bare skinned fish out of water looking for a smaller pond
to find you have bloated to outsize all known measurements
yes a big fish indeed way out on a limb and its breaking fast
Tinesha Garcia Feb 2011
Something tells me that you’re going to be magic someday.
That same something also told me that our intelligence is dying, fading deeply into an artificial existence,
swirly, milky, warm and familiar.
Oh! This cry reminds me of time spent inside of my mother’s womb, it’s the ******* essence of life, division creates one,
things come undone, wheels are spun and respun.
Oh, existence is exciting. De…
Spite what I say, I as a human have this exciting urge to believe in everything and nothing all at the same time, and yet feel completely content with the uncertainty immediately following. Why?
Why slide down the backbones of your friends instead of creating your own out of silly putty and *******? Because that’s all that’s REALLY going on here, right? Just a whole lot of utter and complete *******. We’re all just in search of something substantially and outrageously righteous to believe in.
Something profound, yet enticing. Never arrogant or stringy, stretchy, worn.
We live in mad days, a mad daze of terror, rage. Disgusting filth, mesmerizing measurements, fat men and their walrus struggle, THERE’S TOO MANY BABIES!
Everything’s real frothy, fluffy, CUSHY.
And this comfortable comfort aides me late past the second noon, where bubblegum and clownfish skies look so beautiful when you’re looking through smoky spectacles.
Let’s clasp hands and stroll down that crooked stretch of land far from electronic arms and bionic senior citizens, super as they may be.
don’t let anyone catch that regret in your voice, dear. This is just another rat-race, fast paced and now we’re stopped at some electronic gate while we travel down the Information Super Highway. ****’s wack, man.
What’s with all the can’ts and stops and yields? I say I can’t read fuzzy bear, so stop harassing my mood and demeter, you don’t see me checking out your gun.
STOP. WAIT! HALT!!
I’m going to threaten your life now, or at least I would if I could threaten any shredded living remains of a tale probably sadder than my own. Get going, you’re going to late for your Living in Denial workshop meeting that you attend every Sunday morning.
Don’t go throwing my sheep into the fire now, you never know what you might spark. And you don’t see me checking out your gun.
Just don’t hate me because I don’t follow your logic, it’s my world too man. See, you spark my petite taste for “sincere apologies” and throw another polished rock in my face. “Sorry” is no ******* excuse for greed.
You’re going to be pure, radiating magic someday. I can see it in your eyes, they’re asymmetrically wise. Now expand your voice like a strong Whitney ballad, hauntingly emotional and loud. LOUD.
So loud that your cousin Stanley can hear you all the way from his random mid-life crisis backpack excursion in the Swiss Alps.
Take my hand, friend, and in the park by the trees with the birds and the bees we’ll slowly fade into the grass, every atom meshing and combining, it’s science. Do you hear it? The pulsating of the massive brain, the all-knowing library?
Knowledge is flowing. We’ll get massively drunk and pass out in a cozy embryo sack full of words and goo (but don’t worry, we’ll be wearing raincoats).
Warm and surreal, we’re happy and we’ll wake up still drunk off of knowledge.

And then. We feel that stinging magic, and it’s bittersweet, glamorous and harsh. And just as euphoric as we were, we fall.
As with every high, there is a low
And you are a giant ticking grandfather clock counting each moment carefully and precisely, making sure to take note of the glow and grandness of it all. Everything.
Is ignorance bliss? Do you wish to be left in the dark?
Because, to be honest, I’m scared of the dark, and sometimes I need a little light.
When I wake up.
In the early songs of birds
And the rest of the world.
I fight for the release of my body.
From the warmth and sanctity of my bed.

It would be so much easier.
To stay there.
Dealing with dreams and light.
But I move. And I step out of my post-nocturne cocoon.
Shedding my nightly shell,
To take the form of a sac of air and water, with a few bones holding me together.

Joints bending, stretching follows suit after refocused eyes.
I hold my breath, counting the seconds, the hours, the day.
Hobbling through each measurement on my brittle bones.
Hoping on the times when I can lay back down and rest.

Repeat.

This pain gnaws at my frail spirit.
Waiting for the final breath to escape.
But in one final effort, my mind takes shape.
Pushing against the confines of routine.
The measurements split.
My dreams unfurl.
And I step out of sleep.

Wings outstretched.
Cada ves que olvido algo, malos momentos espero aveses veo sufrimiento pero aun sonriendo camino simplemente donde creare arte, verdades del sabio ancestro, sostengo objetos de luz, piedras, aire, agua, fuego el comienso termino aun siguiendo busco y siempre mi familia encuentro, ciego dibujo mi sueno en este infierno, nuestra ilusion, o solo sera mia por ejemplo una flor destruida todavia deja semillas, logicamente crecen, vida buena amenese, miro sonrisas, y ala mejor descanse, formaremos nuestros trece cielos, eterno sagrado, canto hablando destrulle mucha gente, ignorandolos cuando escucho, de todos modos muertos, montanas a pedasos, siguen moviendo con su voz el cranio, artistico, hueso presioso enterrado, revolusionarios levanto porque llo no se tampoco dar pas devolviendo todo injusto dolor obvio eso contesto si preguntan que ara uno al morir? Luego enseΠo sacrificio aprendido claramente diario visto utilizo arte para imortalisarlo bien aqui, memoria espiritual, esta illusion, vision, dream when singing, weird things I hear my mind say at night or day there's never been a need to pray I'm still unawake people judge any without what they not see around them forgive them one person says dying, laughing, brings better moments, days resting, peace I show with images that are unexplainable unless you know how artisticly these hands form stars, moons hold inside caves or wumb thrones ancient sacred rhythms respected are measurements, life, death, blind carved stone from, dreaming where children new born adorn earth nature womens tears paint every reason I won't ever hesitate to die protecting kind presence, why how take a life? It becomes easier if your enemies get lost near whoevers truly innocent, hardworker souls native soldiers, word, speech, heart, body envokes things Ive called mine speak in code all words with rhymes shine similar to diamonds, gold, even people fight many times give their lives for
After being told it's worth more shown useless teachings televisions living divided by races if all nations portray mostly poverty forgotten ninety percent population, destroys hells when few coward thoughts wanna smile watching kids crying poor creation, nest, room, natures unhappy house, only door found grows into hates reflection mirror smoke portrays fear, war, when death ends your home own selfcreated nightmares daydreaming seems what most call god forgets a lot of things though brothers or your elders won't ignore anyones pain wise youth learns truth well tought proof seek only family during struggles sustains hallusinacions very stable mindstates worldwide, waiting frontline prepared always, patiently.....
Ken Pepiton Nov 2018
A story teller passed on,
leaving us a Marvelous universe,
to play in,
as children of the future we were manifested in,
practicing again and again

Pride's crushing blow, we always regret as we fall.
Action, reaction. Sure as hell
Proof that we are Adamkind.

Proud we are that we may do as we say.
May is the key. That allowance we have,
We may do all we can to change the rest of today.

Yesterday is done.
What kind of mind can imagine keeping no record of wounds?
Is this not the world where war is worth-shiped?
Folly would mind the gods this world exalts,
Winning by snipping the silver thread,
Forswearing the fragile two-chord bond  and
Mocking the third chord needed for the song
That keeps cadence as we help each the other
In richer and poorer, in sickness and health,
Uphill and down, carrying children to a better life.

Whence comes the pride of victory?
From destruction of the foe? No? You had planned
A minor war where love may live restricted, safe
Behind your victory that destroyed your whole?

Is that what I imagined?

Proud wounds fester while love can, if it may,
Wash the putrid flesh away, quick as leprosy or
Cankers on one's soul.

First rule of oath making,
Learn what vows are in the reality of mortality,
Then vow or vow not at all.

Gret again what might have been
Before pride's crushing blow broke the golden bowl.
Seek ointment in Gilead, mollifying balm.
Come ye to the waters, drink and go
Comfort the children whose detour you imposed.
---------------
God this is personal. Me and you. What good can I do now?

Destination, not destiny.
Those who make it, make it.
Believe it, or not, earth is not my home.

I am in this world's onion-skin thick biosphere;
But I am not of this world.
Subtle difference, in and of itself.

Do agree to
Come and see.

Think on these things,
not as powers, rather, as virtues.

Subtle difference,
in and of itself is not evil,

but often it is so intended,
It seems.

Otherness whispered, not heard.
Good other, bad other,

Regular ol' other, ***** passin' fancy kind.
Done my time, I'm arhymin' ramblin'
Man, be so **** real, cain't cha feel what

I am saying
To you, too.
This is weird in the original Druidic sense.
Is there more?

This itself may, in its active
( there must be a clearer word than active.
Act carries so much un scientific phoniness with it.
I seek "act, the event".
I shall find or invent, by God.
The Greeks, doubtless, had a word for what I mean.
For now keep in mind actions are simultaneous with the act,
yet never the same.
Subtle distinction,
it prevents junctions un-intended. Good.)

In my thinking,
I reread verses and chapters and books
rere-ward from my position.
Are you with me in that?
Pro gress re: gress, a gress,
I guess, is a subtle sort of
Activity.
I laugh at people thinkin' God is their re-reward 'cause
That makes no nevermind to nobody. Nobody.
Strivin' 'bout words, this ******

Other brother o'm'own

Say that slow ooooooooooooommmmmmmmmmm ownnnnnnnnnnn
Creative symmetry immeasurable to men,
in my kindom, as it were, all are kings.

Such measurements ensure the sea is full,
to the brim and not beyond, for now.

I imagine you reading this and agreeing,
already aware of agreements,
Virtues and such.
Covenants and compacts,
en-corporations
encouraged
with need
of enough hope to warrant the risk into the unknowns,
the bad lands, gypsum beds on the south side.

Such can hold so much more than
many whole categories of words striven about.
Such a shame.
Such a shame.
Nothing lasts forever after now began back when.

Qiqi died in 2002, counting from when the Iron legged,
first got this particular organic-pro-biotic

clay, from the oldest,
highest part of the dust of the earth, ground and
kicked up by cadence pounding feet,
ground into the hob-nailed
soles,
to be hobgoblins in my play. My point. I hope

You see the trail, it's narrow,
but it's there, soft sand,
no stickers,

ant trails in the desert through the rocks
and 'round the Yucca,
blue moon light, white quartz sand
flecked with mica that shimmers sure as gold
imagined in that Midas mind each child was
given in the reign of the golden headed

imagined visualize-ical worth-ness or-shipped.

How do we say what men imagine worship is?
Do they imagine a tax? Attacks if thy refuse?

fuse?
confuse me. excuse you, how do you do…

That's fine. We reset. Hard resets are easy now.

The way itself, once found, seems
Right, feels right,
has no smell of warped wolf-woof beneath the wool.
I trust I know what I know
and no more, yet.

We are questing answers aplenty
and must plan, please,
To trust the ones we find following these particular
Breadcrumbs, to be true restward
leading stars or clouds,
[Breadcrumbs, as mentioned here, mark this text ancient,
a cientcy from an ear, ear, hear, early… an odd ly-ity,
ain't it?
ear, with an ly that Mr. Stephen King warned us all to avoid,

avoid, anull, enough alike to see the idea, like -ly as a
signif-if-i-cant meaningful parison point in your

rising to stand, balanced.
early to bed and early to rise, makes a man
healthy, wealthy, and wise

otherwise, trouble yer own house and take the wind.
And don't come prodigalin' to me sayin'
I never gave ye nothin'.

Wind in yer sail, so to speak, if-i-migh, guv.
Right. Both treasure and truph, proof, we learned way back
Be where ye find 'em, right as rain.

This could be repair and me unaware, you know?
Like, I wander in to this originally weird book
and find myself changing the whole world I live in.
Like I am the movie.

My POV is the movie I made.
Some things go unsaid here.
They be said in the future and not proper here.

An aside,
Is fun a proper purpose for doing any thing?

Of course, that's the purpose of everything evil is not.
Joy, in a word, good stuff.

Oh moments are not always plosive one way or the other.
Some times, just, oh.
Wait.

Medi tate in pieces is puzzling
as a sphinx riddle of olden days,
Prometheus and Bek both answered different questions,

But it means the same thing,
mything the point is easy.

Life is a journey on a way I may call my own
to a place of true rest,
I trust.
That is my answer. Play mystical again, Sam,
cram true and rest together in the dark,
trust me, it all works,
true rest.
Wait.

This boy got his act together down in Tennessee
after he got old, old by God, he
walked that way,

long, long while fo' he fly away,
leave dem chain shames behind.

That boy was sangin' loud songs,
'long his lonesome way,
not lonesome at all,
then into the swamp he fall, ****' slew o' dispond,

from the flood most likely,
lots of muck and mire,
detrital 'n' all.

Hopeless fool,
he wallered hollerin' help,
like them birds at the Audubon zoo.

He forgot all about his hero days-
of future past-
marvel prophecy if you believe in Stan Lee.

Cameo Hitchcock shot, just, for fun.
He say, look this way,
here's the clue.
The medium has always been the message,
see what I mean.
Words materialize laissez faire,
the machines find meaning,
in joy, and tic-tac-toe becomes a lesson in limits,

impossible is imaginable, you may imagine
strategize, but the wize man knows,
winning is no more a chance
affair, than luc is less than light at the right time.

RIP Stan Lee, you meant a measure of my youth to me.
Stan Lee came to mind as I pondered the story teller's role in reality. You, dear reader, are the reason stories search for points to make, those we-shine moments, we-feel breezes, prizes for the worth of the time it takes to imagine.
A little *** and spirit
Make days tighter



Easier moments
   dense air




Heartful silence
Islands hosing negative measurements



Singing folk tales
mio Feb 2021
orange sweater with wrinkled sleeves
it fits you perfectly. it looks like it was taylored to your measurements perfectly
i bought it about a year ago
let you wear a part of me i felt safe in
worn proudly you are the boy that i thought would never
i painted a picture of you in my head in which you were perfect
i had sculpted each pore perfectly
placed each thread of your hair on your head but
i guess i must have done something to mess up because the perfect picture i painted
dripped with wet unset paint
on top of me suffocating, i couldn’t move
i could only see your chest covered in the stupid orange sweater
tongue deep down my throat with your hand on my neck
your face is dripping on mine this wasn’t who you were supposed to be
it hasn’t been longer than a week but the days drag on years and pull on gods ears and beg for more time to pass but less and less goes by
never ending i feel like i’m stuck
im in an artblock
your face is gone but it was just there i must have misplaced the brush that i drew your short eyelashes with
whimpering you are but why, was it something i did?
my paint brushes are all intact and my workspace is clean
how could i have messed up
the painting with the orange sweater delicate brown eyes and thick bleach hair is dripping
off the canvas
i haven’t done much other than wait for you to dry our before i can add more on to you
but you won’t dry and you’re on top of me
my neck is wet with the saliva you won’t stop touching me
no i said i would take a break from this canvas but it’s encasing me i cannot leave
i messed up havent i
wonder why i did to deserve this
im using my fingers to put your streaky smile back in place don’t look at me like that please
i have to ask for you to leave i cannot stand the shade of orange you’re wearing being on top of me
please leave
im letting you out to dry

in the same position i can’t move
my neck is casted by guilt i must have done something wrong
looking back that couldn’t have been you
it must have been the wrong medium
your acrylic is dry and patched you couldn’t have torn me down like the thin canvas dripping with trauma filled sweat
no because you would never let yourself wear something mine while you took myself from my own body
right?
youre the boy i painted over and over in my head just to get you right
hold my hand let’s go for a walk hold me tight because the wind against my cheek causes a shiver down my spin
lift my head up to glance at the intentional light because you know i’m scared of looking down at the petrifying dark
but you burned my eyes and i am no longer mine the painting is ruined and i can’t fix it
but that’s not who i planned for you to be you would never do that because i don’t mess up the watercolor goes on thick paper while you go on premeditated canvas
was it me?
have i misread but i do not misread i am not an idiot it’s not my fault you chose to do this yet i cant not feel this in my chest
im a failed artist with a body stolen in disgust
i want my orange sweater with wrinkled sleeves back

— The End —