The burning flowers underline the sunset and 
Dash before the fire (k)night catches them.
Ripe berries cheaply
tremble 
but hopefully their vitality won't burst the pulp pulsating
beneath.

Crumbling flowers
crumb the floor
And Prisms of catching silver refract rose quartz and petal
and crimson
dust.

Bejewelled in Scarlet,
the air,
as the (k)night approaches, grows colder,
Unsure of whether he will bring
solace or strife.

In his chariot
he flies faster than the bees which buzzed around the fruit flutes
in the morning and among the trumpeting bluebells.

Stars fleck the (k)night
like freckles
and the milky ways resins stain his spouting steams lovely. 

The (k)nights kind onyx reaches his crescendo and the floating moon danced drowsily through the cloud's spiralled tendrils

Which diminish as dawn
approaches
so their Tentilcles
droop to crinkled tissue paper sheathed in pink.

And so the (k)night
rides on into
The frivolous sunrise.
The lowing, glossy calves
in sage beside the ***** fields
cast a beloved ambience 

As though
we are safe
in the knowledge
that the sky will remain
forever
topaz and the leaves
forever emerald.

Black loom the crags of the uplands behind me,
Dark are the sands of the far-stretching shore.
Dim are the pathways and rocks that remind me
Sadly of years in the lost Nevermore.

Soft laps the ocean on wave-polish'd boulder,
Sweet is the sound and familiar to me;
Here, with her head gently bent to my shoulder,
Walk'd I with Unda, the Bride of the Sea.

Bright was the morn of my youth when I met her,
Sweet as the breeze that blew o'er the brine.
Swift was I captur'd in Love's strongest fetter,
Glad to be here, and she glad to be mine.

Never a question ask'd I where she wander'd,
Never a question ask'd she of my birth:
Happy as children, we thought not nor ponder'd,
Glad of the bounty of ocean and earth.

Once when the moonlight play'd soft 'mid the billows,
High on the cliff o'er the waters we stood,
Bound was her hair with a garland of willows,
Pluck'd by the fount in the bird-haunted wood.

Strangely she gaz'd on the surges beneath her,
Charm'd with the sound or entranc'd by the light:
Then did the waves a wild aspect bequeath her,
Stern as the ocean and weird as the night.

Coldly she left me, astonish'd and weeping,
Standing alone 'mid the legions she bless'd:
Down, ever downward, half gliding, half creeping,
Stole the sweet Unda in oceanward quest.

Calm grew the sea, and tumultuous beating
Turn'd to a ripple as Unda the fair
Trod the wet sands in affectionate greeting,
Beckon'd to me, and no longer was there!

Long did I pace by the banks where she vanish'd,
High climb'd the moon and descended again.
Grey broke the dawn till the sad night was banish'd,
Still ach'd my soul with its infinite pain.

All the wide world have I search'd for my darling;
Scour'd the far desert and sail'd distant seas.
Once on the wave while the tempest was snarling,
Flash'd a fair face that brought quiet and ease.

Ever in restlessness onward I stumble
Seeking and pining scarce heeding my way.
Now have I stray'd where the wide waters rumble,
Back to the scene of the lost yesterday.

Lo! the red moon from the ocean's low hazes
Rises in ominous grandeur to view;
Strange is its face as my tortur'd eye gazes
O'er the vast reaches of sparkle and blue.

Straight from the moon to the shore where I'm sighing
Grows a bright bridge made of wavelets and beams.
Frail it may be, yet how simple the trying,
Wand'ring from earth to the orb of sweet dreams.

What is yon face in the moonlight appearing;
Have I at last found the maiden that fled?
Out on the beam-bridge my footsteps are nearing
Her whose sweet beckoning hastens my tread.

Current's surround me, and drowsily swaying,
Far on the moon-path I seek the sweet face.
Eagerly, hasting, half panting, half praying,
Forward I reach for the vision of grace.

Murmuring waters about me are closing,
Soft the sweet vision advances to me.
Done are my trials; my heart is reposing
Safe with my Unda, the Bride of the Sea.

1

I am a house, says Senlin, locked and darkened,
Sealed from the sun with wall and door and blind.
Summon me loudly, and you'll hear slow footsteps
Ring far and faint in the galleries of my mind.
You'll hear soft steps on an old and dusty stairway;
Peer darkly through some corner of a pane,
You'll see me with a faint light coming slowly,
Pausing above some gallery of the brain . . .

I am a city . . . In the blue light of evening
Wind wanders among my streets and makes them fair;
I am a room of rock . . . a maiden dances
Lifting her hands, tossing her golden hair.
She combs her hair, the room of rock is darkened,
She extends herself in me, and I am sleep.
It is my pride that starlight is above me;
I dream amid waves of air, my walls are deep.

I am a door . . . before me roils the darkness,
Behind me ring clear waves of sound and light.
Stand in the shadowy street outside, and listen-
The crying of violins assails the night . . .
My walls are deep, but the cries of music pierce them;
They shake with the sound of drums . . . yet it is strange
That I should know so little what means this music,
Hearing it always within me change and change.

Knock on the door,-and you shall have an answer.
Open the heavy walls to set me free,
And blow a horn to call me into the sunlight,-
And startled, then, what a strange thing you will see!
Nuns, murderers, and drunkards, saints and sinners,
Lover and dancing girl and sage and clown
Will laugh upon you, and you will find me nowhere.
I am a room, a house, a street, a town.

2

It is morning, Senlin says, and in the morning
When the light drips through the shutters like the dew,
I arise, I face the sunrise,
And do the things my fathers learned to do.
Stars in the purple dusk above the rooftops
Pale in a saffron mist and seem to die,
And I myself on a swiftly tilting planet
Stand before a glass and tie my tie.

Vine leaves tap my window,
Dew-drops sing to the garden stones,
The robin chips in the chinaberry tree
Repeating three clear tones.

It is morning. I stand by the mirror
And tie my tie once more.
While waves far off in a pale rose twilight
Crash on a white sand shore.
I stand by a mirror and comb my hair:
How small and white my face!-
The green earth tilts through a sphere of air
And bathes in a flame of space.
There are houses hanging above the stars
And stars hung under a sea . . .
And a sun far off in a shell of silence
Dapples my walls for me . . .

It is morning, Senlin says, and in the morning
Should I not pause in the light to remember God?
Upright and firm I stand on a star unstable,
He is immense and lonely as a cloud.
I will dedicate this moment before my mirror
To him alone, and for him I will comb my hair.
Accept these humble offerings, cloud of silence!
I will think of you as I descend the stair.

Vine leaves tap my window,
The snail-track shines on the stones,
Dew-drops flash from the chinaberry tree
Repeating two clear tones.

It is morning, I awake from a bed of silence,
Shining I rise from the starless waters of sleep.
The walls are about me still as in the evening,
I am the same, and the same name still I keep.
The earth revolves with me, yet makes no motion,
The stars pale silently in a coral sky.
In a whistling void I stand before my mirror,
Unconcerned, I tie my tie.

There are horses neighing on far-off hills
Tossing their long white manes,
And mountains flash in the rose-white dusk,
Their shoulders black with rains . . .

It is morning. I stand by the mirror
And surprise my soul once more;
The blue air rushes above my ceiling,
There are suns beneath my floor . . .

. . . It is morning, Senlin says, I ascend from darkness
And depart on the winds of space for I know not where,
My watch is wound, a key is in my pocket,
And the sky is darkened as I descend the stair.
There are shadows across the windows, clouds in heaven,
And a god among the stars; and I will go
Thinking of him as I might think of daybreak
And humming a tune I know . . .

Vine-leaves tap at the window,
Dew-drops sing to the garden stones,
The robin chirps in the chinaberry tree
Repeating three clear tones.

3

I walk to my work, says Senlin, along a street
Superbly hung in space.
I lift these mortal stones, and with my trowel
I tap them into place.
But is god, perhaps, a giant who ties his tie
Grimacing before a colossal glass of sky?

These stones are heavy, these stones decay,
These stones are wet with rain,
I build them into a wall today,
Tomorrow they fall again.

Does god arise from a chaos of starless sleep,
Rise from the dark and stretch his arms and yawn;
And drowsily look from the window at his garden;
And rejoice at the dewdrop sparkeling on his lawn?

Does he remember, suddenly, with amazement,
The yesterday he left in sleep,-his name,-
Or the glittering street superbly hung in wind
Along which, in the dusk, he slowly came?

I devise new patterns for laying stones
And build a stronger wall.
One drop of rain astonishes me
And I let my trowel fall.

The flashing of leaves delights my eyes,
Blue air delights my face;
I will dedicate this stone to god
And tap it into its place.

4

That woman-did she try to attract my attention?
Is it true I saw her smile and nod?
She turned her head and smiled . . . was it for me?
It is better to think of work or god.
The clouds pile coldly above the houses
Slow wind revolves the leaves:
It begins to rain, and the first long drops
Are slantingly blown from eaves.

But it is true she tried to attract my attention!
She pressed a rose to her chin and smiled.
Her hand was white by the richness of her hair,
Her eyes were those of a child.
It is true she looked at me as if she liked me.
And turned away, afraid to look too long!
She watched me out of the corners of her eyes;
And, tapping time with fingers, hummed a song.

. . . Nevertheless, I will think of work,
With a trowel in my hands;
Or the vague god who blows like clouds
Above these dripping lands . . .

But . . . is it sure she tried to attract my attention?
She leaned her elbow in a peculiar way
There in the crowded room . . . she touched my hand . . .
She must have known, and yet,-she let it stay.
Music of flesh! Music of root and sod!
Leaf touching leaf in the rain!
Impalpable clouds of red ascend,
Red clouds blow over my brain.

Did she await from me some sign of acceptance?
I smoothed my hair with a faltering hand.
I started a feeble smile, but the smile was frozen:
Perhaps, I thought, I misunderstood.
Is it to be conceived that I could attract her-
This dull and futile flesh attract such fire?
I,-with a trowel's dullness in hand and brain!-
Take on some godlike aspect, rouse desire?
Incredible! . . . delicious! . . . I will wear
A brighter color of tie, arranged with care,
I will delight in god as I comb my hair.

And the conquests of my bolder past return
Like strains of music, some lost tune
Recalled from youth and a happier time.
I take my sweetheart's arm in the dusk once more;
One more we climb

Up the forbidden stairway,
Under the flickering light, along the railing:
I catch her hand in the dark, we laugh once more,
I hear the rustle of silk, and follow swiftly,
And softly at last we close the door.

Yes, it is true that woman tried to attract me:
It is true she came out of time for me,
Came from the swirling and savage forest of earth,
The cruel eternity of the sea.
She parted the leaves of waves and rose from silence
Shining with secrets she did not know.
Music of dust! Music of web and web!
And I, bewildered, let her go.

I light my pipe. The flame is yellow,
Edged underneath with blue.
These thoughts are truer of god, perhaps,
Than thoughts of god are true.

5

It is noontime, Senlin says, and a street piano
Strikes sharply against the sunshine a harsh chord,
And the universe is suddenly agitated,
And pain to my heart goes glittering like a sword.
Do I imagine it? The dust is shaken,
The sunlight quivers, the brittle oak-leaves tremble.
The world, disturbed, conceals its agitation;
And I, too, will dissemble.

Yet it is sorrow has found my heart,
Sorrow for beauty, sorrow for death;
And pain twirls slowly among the trees.

The street-piano revolves its glittering music,
The sharp notes flash and dazzle and turn,
Memory's knives are in this sunlit silence,
They ripple and lazily burn.
The star on which my shadow falls is frightened,-
It does not move; my trowel taps a stone,
The sweet note wavers amid derisive music;
And I, in horror of sunlight, stand alone.

Do not recall my weakness, savage music!
Let the knives rest!
Impersonal, harsh, the music revolves and glitters,
And the notes like poniards pierce my breast.
And I remember the shadows of webs on stones,
And the sound or rain on withered grass,
And a sorrowful face that looked without illusions
At its image in the glass.

Do not recall my childhood, pitiless music!
The green blades flicker and gleam,
The red bee bends the clover, deeply humming;
In the blue sea above me lazily stream
Cloud upon thin-brown cloud, revolving, scattering;
The mulberry tree rakes heaven and drops its fruit;
Amazing sunlight sings in the opened vault
On dust and bones, and I am mute.

It is noon; the bells let fall soft flowers of sound.
They turn on the air, they shrink in the flare of noon.
It is night; and I lie alone, and watch through the window
The terrible ice-white emptiness of the moon.
Small bells, far off, spill jewels of sound like rain,
A long wind hurries them whirled and far,
A cloud creeps over the moon, my bed is darkened,
I hold my breath and watch a star.

Do not disturb my memories, heartless music!
I stand once more by a vine-dark moonlit wall,
The sound of my footsteps dies in a void of moonlight,
And I watch white jasmine fall.
Is it my heart that falls? Does earth itself
Drift, a white petal, down the sky?
One bell-note goes to the stars in the blue-white silence,
Solitary and mournful, a somnolent cry.

6

Death himself in the rain . . . death himself . . .
Death in the savage sunlight . . . skeletal death . . .
I hear the clack of his feet,
Clearly on stones, softly in dust;
He hurries among the trees
Whirling the leaves, tossing he hands from waves.
Listen! the immortal footsteps beat.

Death himself in the grass, death himself,
Gyrating invisibly in the sun,
Scatters the grass-blades, whips the wind,
Tears at boughs with malignant laughter:
On the long echoing air I hear him run.

Death himself in the dusk, gathering lilacs,
Breaking a white-fleshed bough,
Strewing purple on a cobwebbed lawn,
Dancing, dancing,
The long red sun-rays glancing
On flailing arms, skipping with hideous knees
Cavorting grotesque ecstasies:
I do not see him, but I see the lilacs fall,
I hear the scrape of knuckles against the wall,
The leaves are tossed and tremble where he plunges among them,
And I hear the sound of his breath,
Sharp and whistling, the rythm of death.

It is evening: the lights on a long street balance and sway.
In the purple ether they swing and silently sing,
The street is a gossamer swung in space,
And death himself in the wind comes dancing along it,
And the lights, like raindrops, tremble and swing.
Hurry, spider, and spread your glistening web,
For death approaches!
Hurry, rose, and open your heart to the bee,
For death approaches!
Maiden, let down your hair for the hands of your lover,
Comb it with moonlight and wreathe it with leaves,
For death approaches!

Death, huge in the star; small in the sand-grain;
Death himself in the rain,
Drawing the rain about him like a garment of jewels:
I hear the sound of his feet
On the stairs of the wind, in the sun,
In the forests of the sea . . .
Listen! the immortal footsteps beat!

7

It is noontime, Senlin says. The sky is brilliant
Above a green and dreaming hill.
I lay my trowel down. The pool is cloudless,
The grass, the wall, the peach-tree, all are still.

It appears to me that I am one with these:
A hill, upon whose back are a wall and trees.
It is noontime: all seems still
Upon this green and flowering hill.

Yet suddenly out of nowhere in the sky,
A cloud comes whirling, and flings
A lazily coiled vortex of shade on the hill.
It crosses the hill, and a bird in the peach-tree sings.
Amazing! Is there a change?
The hill seems somehow strange.
It is noontime. And in the tree
The leaves are delicately disturbed
Where the bird descends invisibly.
It is noontime. And in the pool
The sky is blue and cool.

Yet suddenly out of nowhere,
Something flings itself at the hill,
Tears with claws at the earth,
Lunges and hisses and softly recoils,
Crashing against the green.
The peach-tree braces itself, the pool is frightened,
The grass-blades quiver, the bird is still;
The wall silently struggles against the sunlight;
A terror stiffens the hill.
The trees turn rigidly, to face
Something that circles with slow pace:
The blue pool seems to shrink
From something that slides above its brink.
What struggle is this, ferocious and still-
What war in sunlight on this hill?
What is it creeping to dart
Like a knife-blade at my heart?

It is noontime, Senlin says, and all is tranquil:
The brilliant sky burns over a greenbright earth.
The peach-tree dreams in the sun, the wall is contented.
A bird in the peach-leaves, moving from sun to shadow,
Phrases again his unremembering mirth,
His lazily beautiful, foolish, mechanical mirth.

8

The pale blue gloom of evening comes
Among the phantom forests and walls
With a mournful and rythmic sound of drums.
My heart is disturbed with a sound of myriad throbbing,
Persuasive and sinister, near and far:
In the blue evening of my heart
I hear the thrum of the evening star.

My work is uncompleted; and yet I hurry,-
Hearing the whispered pulsing of those drums,-
To enter the luminous walls and woods of night.
It is the eternal mistress of the world
Who shakes these drums for my delight.
Listen! the drums of the leaves, the drums of the dust,
The delicious quivering of this air!

I will leave my work unfinished, and I will go
With ringing and certain step through the laughter of chaos
To the one small room in the void I know.
Yesterday it was there,-
Will I find it tonight once more when I climb the stair?
The drums of the street beat swift and soft:
In the blue evening of my heart
I hear the throb of the bridal star.
It weaves deliciously in my brain
A tyrannous melody of her:
Hands in sunlight, threads of rain
Against a weeping face that fades,
Snow on a blackened window-pane;
Fire, in a dusk of hair entangled;
Flesh, more delicate than fruit;
And a voice that searches quivering nerves
For a string to mute.

My life is uncompleted: and yet I hurry
Among the tinkling forests and walls of evening
To a certain fragrant room.
Who is it that dances there, to a beating of drums,
While stars on a grey sea bud and bloom?
She stands at the top of the stair,
With the lamplight on her hair.
I will walk through the snarling of streams of space
And climb the long steps carved from wind
And rise once more towards her face.
Listen! the drums of the drowsy trees
Beating our nuptial ecstasies!

Music spins from the heart of silence
And twirls me softly upon the air:
It takes my hand and whispers to me:
It draws the web of the moonlight down.
There are hands, it says, as cool as snow,
The hands of the Venus of the sea;
There are waves of sound in a mermaid-cave;-
Come-then-come with me!
The flesh of the sea-rose new and cool,
The wavering image of her who comes
At dusk by a blue sea-pool.

Whispers upon the haunted air-
Whisper of foam-white arm and thigh;
And a shower of delicate lights blown down
Fro the laughing sky! . . .
Music spins from a far-off room.
Do you remember,-it seems to say,-
The mouth that smiled, beneath your mouth,
And kissed you . . . yesterday?
It is your own flesh waits for you.
Come! you are incomplete! . . .
The drums of the universe once more
Morosely beat.
It is the harlot of the world
Who clashes the leaves like ghostly drums
And disturbs the solitude of my heart
As evening comes!

I leave my work once more and walk
Along a street that sways in the wind.
I leave these st

I say;

The drifting rain dissolves sea salt
Turning tears into dangled monsoon
Under the bleak ballad of dying dawn
Where I long for heat unbroken

You say;

The drifting rain drenches my tiptoe
Witching smiles into deranged equinox
Upon the downpour of ancient daybreak
Where I pray for old snow long sunk

All was as if the days faded
And morphed into younger sunset
It was as if mercy was drained
And no one preach as desired

The downpour stench though remains constant
Of rotting perfume of the rouge graphite
You drowsily drip from dowsing fingers, they lit
Into pages of burning, dancing melodious lads

As will, you may keep those imageries for you
And give up old stories as my slumber lyre
Whether it is about the burnt down marching boy
Or the bloodstained pianist from our ancient joy

For the bleak heart aesthetic
has affected a new kind of love
And the bleak heart aesthetic
would never let you feel so certain

So please keep your drifting rain of strings
During the downpour of the deranged equinox
When the snow goes black and slowly sunk
Into pages of firespit melodious lads

PART I

’Tis the middle of night by the castle clock
And the owls have awakened the crowing ****;
Tu-whit!—Tu-whoo!
And hark, again! the crowing ****,
How drowsily it crew.
Sir Leoline, the Baron rich,
Hath a toothless mastiff, which
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:
‘T is a month before the month of May,
And the Spring comes slowly up this way.
The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,
A furlong from the castle gate?
She had dreams all yesternight
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.

She stole along, she nothing spoke,
The sighs she heaved were soft and low,
And naught was green upon the oak,
But moss and rarest mistletoe:
She kneels beneath the huge oak tree,
And in silence prayeth she.

The lady sprang up suddenly,
The lovely lady, Christabel!
It moaned as near, as near can be,
But what it is she cannot tell.—
On the other side it seems to be,
Of the huge, broad-breasted, old oak tree.
The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,
And stole to the other side of the oak.
What sees she there?

There she sees a damsel bright,
Dressed in a silken robe of white,
That shadowy in the moonlight shone:
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandaled were;
And wildly glittered here and there
The gems entangled in her hair.
I guess, ‘t was frightful there to see
A lady so richly clad as she—
Beautiful exceedingly!

‘Mary mother, save me now!’
Said Christabel, ‘and who art thou?’

The lady strange made answer meet,
And her voice was faint and sweet:—
‘Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!’
Said Christabel, ‘How camest thou here?’
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
‘My sire is of a noble line,
And my name is Geraldine:
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.
As sure as Heaven shall rescue me,
I have no thought what men they be;
Nor do I know how long it is
(For I have lain entranced, I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,
Sounds as of a castle bell.
Stretch forth thy hand,’ thus ended she,
‘And help a wretched maid to flee.’

Then Christabel stretched forth her hand,
And comforted fair Geraldine:
‘O well, bright dame, may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth, and friends withal,
To guide and guard you safe and free
Home to your noble father’s hall.’

She rose: and forth with steps they passed
That strove to be, and were not, fast.
Her gracious stars the lady blest,
And thus spake on sweet Christabel:
‘All our household are at rest,
The hall is silent as the cell;
Sir Leoline is weak in health,
And may not well awakened be,
But we will move as if in stealth;
And I beseech your courtesy,
This night, to share your couch with me.’

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,
All in the middle of the gate;
The gate that was ironed within and without,
Where an army in battle array had marched out.
The lady sank, belike through pain,
And Christabel with might and main
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

So, free from danger, free from fear,
They crossed the court: right glad they were.
And Christabel devoutly cried
To the Lady by her side;
‘Praise we the ****** all divine,
Who hath rescued thee from thy distress!’
‘Alas, alas!’ said Geraldine,
‘I cannot speak for weariness.’
So, free from danger, free from fear,
They crossed the court: right glad they were.

Outside her kennel the mastiff old
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make.
And what can ail the mastiff *****?
Never till now she uttered yell
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can aid the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will.
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
‘O softly tread,’ said Christabel,
‘My father seldom sleepeth well.’
Sweet Christabel her feet doth bare,
And, jealous of the listening air,
They steal their way from stair to stair,
Now in glimmer, and now in gloom,
And now they pass the Baron’s room,
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,
And not a moonbeam enters here.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.
The silver lamp burns dead and dim;
But Christabel the lamp will trim.
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.
‘O weary lady, Geraldine,
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.’

‘And will your mother pity me,
Who am a maiden most forlorn?’
Christabel answered—’Woe is me!
She died the hour that I was born.
I have heard the gray-haired friar tell,
How on her death-bed she did say,
That she should hear the castle-bell
Strike twelve upon my wedding-day.
O mother dear! that thou wert here!’
‘I would,’ said Geraldine, ’she were!’

But soon, with altered voice, said she—
‘Off, wandering mother! Peak and pine!
I have power to bid thee flee.’
Alas! what ails poor Geraldine?
Why stares she with unsettled eye?
Can she the bodiless dead espy?
And why with hollow voice cries she,
‘Off, woman, off! this hour is mine—
Though thou her guardian spirit be,
Off, woman. off! ‘t is given to me.’

Then Christabel knelt by the lady’s side,
And raised to heaven her eyes so blue—
‘Alas!’ said she, ‘this ghastly ride—
Dear lady! it hath wildered you!’
The lady wiped her moist cold brow,
And faintly said, ‘’T is over now!’
Again the wild-flower wine she drank:
Her fair large eyes ‘gan glitter bright,
And from the floor, whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countree.

And thus the lofty lady spake—
‘All they, who live in the upper sky,
Do love you, holy Christabel!
And you love them, and for their sake,
And for the good which me befell,
Even I in my degree will try,
Fair maiden, to requite you well.
But now unrobe yourself; for I
Must pray, ere yet in bed I lie.’

Quoth Christabel, ‘So let it be!’
And as the lady bade, did she.
Her gentle limbs did she undress
And lay down in her loveliness.

But through her brain, of weal and woe,
So many thoughts moved to and fro,
That vain it were her lids to close;
So half-way from the bed she rose,
And on her elbow did recline.
To look at the lady Geraldine.
Beneath the lamp the lady bowed,
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,
Dropped to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!

Yet Geraldine nor speaks nor stirs:
Ah! what a stricken look was hers!
Deep from within she seems half-way
To lift some weight with sick assay,
And eyes the maid and seeks delay;
Then suddenly, as one defied,
Collects herself in scorn and pride,
And lay down by the maiden’s side!—
And in her arms the maid she took,
Ah, well-a-day!
And with low voice and doleful look
These words did say:

‘In the touch of this ***** there worketh a spell,
Which is lord of thy utterance, Christabel!
Thou knowest to-night, and wilt know to-morrow,
This mark of my shame, this seal of my sorrow;
But vainly thou warrest,
For this is alone in
Thy power to declare,
That in the dim forest
Thou heard’st a low moaning,
And found’st a bright lady, surpassingly fair:
And didst bring her home with thee, in love and in charity,
To shield her and shelter her from the damp air.’

It was a lovely sight to see
The lady Christabel, when she
Was praying at the old oak tree.
Amid the jagged shadows
Of mossy leafless boughs,
Kneeling in the moonlight,
To make her gentle vows;
Her slender palms together prest,
Heaving sometimes on her breast;
Her face resigned to bliss or bale—
Her face, oh, call it fair not pale,
And both blue eyes more bright than clear.
Each about to have a tear.
With open eyes (ah, woe is me!)
Asleep, and dreaming fearfully,
Fearfully dreaming, yet, I wis,
Dreaming that alone, which is—
O sorrow and shame! Can this be she,
The lady, who knelt at the old oak tree?
And lo! the worker of these harms,
That holds the maiden in her arms,
Seems to slumber still and mild,
As a mother with her child.

A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—
Thou’st had thy will! By tarn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu-whoo! tu-whoo!
Tu-whoo! tu-whoo! from wood and fell!

And see! the lady Christabel
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!
Yea, she doth smile, and she doth weep,
Like a youthful hermitess,
Beauteous in a wilderness,
Who, praying always, prays in sleep.
And, if she move unquietly,
Perchance, ‘t is but the blood so free
Comes back and tingles in her feet.
No doubt, she hath a vision sweet.
What if her guardian spirit ‘t were,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:
For the blue sky bends over all.

PART II

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead:
These words Sir Leoline will say
Many a morn to his dying day!

And hence the custom and law began
That still at dawn the sacristan,
Who duly pulls the heavy bell,
Five and forty beads must tell
Between each stroke—a warning knell,
Which not a soul can choose but hear
From Bratha Head to Wyndermere.
Saith Bracy the bard, ‘So let it knell!
And let the drowsy sacristan
Still count as slowly as he can!’
There is no lack of such, I ween,
As well fill up the space between.
In Langdale Pike and Witch’s Lair,
And Dungeon-ghyll so foully rent,
With ropes of rock and bells of air
Three sinful sextons’ ghosts are pent,
Who all give back, one after t’ other,
The death-note to their living brother;
And oft too, by the knell offended,
Just as their one! two! three! is ended,
The devil mocks the doleful tale
With a merry peal from Borrowdale.

The air is still! through mist and cloud
That merry peal comes ringing loud;
And Geraldine shakes off her dread,
And rises lightly from the bed;
Puts on her silken vestments white,
And tricks her hair in lovely plight,
And nothing doubting of her spell
Awakens the lady Christabel.
‘Sleep you, sweet lady Christabel?
I trust that you have rested well.’

And Christabel awoke and spied
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep
Of all the blessedness of sleep!
And while she spake, her looks, her air,
Such gentle thankfulness declare,
That (so it seemed) her girded vests
Grew tight beneath her heaving *******.
‘Sure I have sinned!’ said Christabel,
‘Now heaven be praised if all be well!’
And in low faltering tones, yet sweet,
Did she the lofty lady greet
With such perplexity of mind
As dreams too lively leave behind.

So quickly she rose, and quickly arrayed
Her maiden limbs, and having prayed
That He, who on the cross did groan,
Might wash away her sins unknown,
She forthwith led fair Geraldine
To meet her sire, Sir Leoline.
The lovely maid and the lady tall
Are pacing both into the hall,
And pacing on through page and groom,
Enter the Baron’s presence-room.

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,
And gave such welcome to the same,
As might beseem so bright a dame!

But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?
Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,
The marks of that which once hath been.
Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.

O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned
In the beautiful lady the child of his friend!

And now the tears were on his face,
And fondly in his arms he took
Fair Geraldine who met the embrace,
Prolonging it with joyous look.
Which when she viewed, a vision fell
Upon the soul of Christabel,
The vision of fear, the touch and pain!
She shrunk and shuddered, and saw again—
(Ah, woe is me! Was it for thee,
Thou gentle maid! such sights to see?)
Again she saw that ***** old,
Again she felt that ***** cold,
And drew in her breath with a hissing sound:
Whereat the Knight turned wildly round,
And nothing saw, but his own sweet maid
With eyes upraised, as one that prayed.

The touch, the sight, had passed away,
And in its stead that vision blest,
Which comfort

At midnight, in the month of June,
I stand beneath the mystic moon.
An ****** vapor, dewy, dim,
Exhales from out her golden rim,
And, softly dripping, drop by drop,
Upon the quiet mountain top,
Steals drowsily and musically
Into the universal valley.
The rosemary nods upon the grave;
The lily lolls upon the wave;
Wrapping the fog about its breast,
The ruin moulders into rest;
Looking like Lethe, see! the lake
A conscious slumber seems to take,
And would not, for the world, awake.
All Beauty sleeps!—and lo! where lies
(Her casement open to the skies)
Irene, with her Destinies!

Oh, lady bright! can it be right—
This window open to the night!
The wanton airs, from the tree-top,
Laughingly through the lattice-drop—
The bodiless airs, a wizard rout,
Flit through thy chamber in and out,
And wave the curtain canopy
So fitfully—so fearfully—
Above the closed and fringed lid
’Neath which thy slumb’ring soul lies hid,
That, o’er the floor and down the wall,
Like ghosts the shadows rise and fall!
Oh, lady dear, hast thou no fear?
Why and what art thou dreaming here?
Sure thou art come o’er far-off seas,
A wonder to these garden trees!
Strange is thy pallor! strange thy dress!
Strange, above all, thy length of tress,
And this all-solemn silentness!

The lady sleeps! Oh, may her sleep
Which is enduring, so be deep!
Heaven have her in its sacred keep!
This chamber changed for one more holy,
This bed for one more melancholy,
I pray to God that she may lie
For ever with unopened eye,
While the dim sheeted ghosts go by!

My love, she sleeps! Oh, may her sleep,
As it is lasting, so be deep;
Soft may the worms about her creep!
Far in the forest, dim and old,
For her may some tall vault unfold—
Some vault that oft hath flung its black
And winged panels fluttering back,
Triumphant, o’er the crested palls,
Of her grand family funerals—
Some sepulchre, remote, alone,
Against whose portal she hath thrown,
In childhood many an idle stone—
Some tomb from out whose sounding door
She ne’er shall force an echo more,
Thrilling to think, poor child of sin!
It was the dead who groaned within.

Paraps XXIV

Messiah of Judah

It should be fulfilled as predisposed by Vernarth by always having the contemporary desire to melt the trumpets and then recast them, manifesting to take them to meet their most fervent retrospective reunited with his brother apostles and the omnipresent Messiah. The archangel Uriel sent him this plan that he had for him as an always fertile offering in the face of any possible threat of disobedience. Indissoluble and whole, they climb the Eurydice stowing the supplies for this long journey like a Messianic proclamation from the blade of an Aiónus propeller that has already had to open these waters together with the evangelist. The board and the anchor are lifted Procorus made encouraging signs to all, saying goodbye to them and then returning to the hermitage. The others fit into the waves of the Skalá roadstead, Raeder played with Petrobus on the deck laughing at all times when everything seemed seized and sad. Eurídice would go to the figurehead for a few days to take everyone and guide them, this guaranteed that they would always have good movement and navigate without having any details. Vernarth describes:"The apostle would settle on the deck near the bow while I organized the sails and powers of Uriel who would always be close by giving them zephyr winds from the Metelmi. Taking the route sailing from Patmos in the Aegean Sea through the northern Dodecanese Islands. San Juan when he was going off the west coast of Turkey deprecated and was remembering the port of Skalá. Patmos..., its "Apokalypsis Island", leaving behind the monastic and picturesque island with traditional white Oikos, azure, and crystalline waters with its vibrant subjective life. Where Saint Ioannis heard the voice of God and wrote the Apocalypse, as well as the three small cracks in the rock through which came the frequency that symbolized before him the Holy Trinity. They go through Rhodes, the largest island in the Dodecanese in Greece heralding Uriel of ancient ruins and the remains of their occupation when they were part of the Order of Saint John during the Crusades. The city of Rhodes has an Old Town with the medieval Knights' Street and the castle-like palace of the Grand Master. The palace was captured by the Ottomans and later occupied by the Italians. The Apostle could only remember the place of passage when he walked in ecclesiastical gear. Limassol, Cyprus; with too many Greek Cypriot waters was the current where they arrived..., to Limassol. They come here one day. They descend from the Eurydice and head for the Paphos road. To the archaeological treasure keeping its neighboring memories of the Greco-Roman theater built in the second century before Christ. They go happily rolling through vestiges of time, all thanks to the timeless Parapsychological Regressive Memory that Vernarth was narrating as always. Crossing the private Roman villa is the House of Eustolios by Othónes or Paraps screens, converted into a public recreation center during the early Christian period. It consisted of a complex of baths and rooms with floors covered by beautiful mosaics from the 5th century AD Other important buildings are the Paleochristian Basilica dating from the 5th century, a Nymphaeum dedicated to the water nymphs, and the Stadium from the 2nd century AD finds something removed a kilometer from the site. They transfigure the cord of the mosaics of the House of Achilles and the House of the Gladiators, in a perfect state of conservation that with their beautiful colors covered the floors with the same carefree footsteps of each one belonging to the bright tones in their great parallel work of the god Aiónius that was in parallel collating. Here San Juan kneels and prays profusely for the souls of Christians who have fallen to the stigma that will entail the performance of the first miracle of this pilgrimage through Limassol. They were all silent. They leave Cyprus and go to the port of Limassol to board the ship. Being very pleasantly surprised by the unexpected visit of Etréstles who was upon the ship. Everyone jumps with happiness! seeing that the champion of the Koumeterium of Messolonghi, brother of Vernarth, was added to them. Vernarth: Khaire!! Happy is my soul, which flows like a psalm of blood, Carrying your image through the flowers of Limassol! They all hug him and get ready to weigh anchor!

Miracle I  Limassol

"On this vertebral nature in this pilgrimage of uprooting the Apostle, the first miracle will happen before the eyes of all. The land darkened analogously to the landscape, the sea shone like a mirror showing them the feet of the Messiah floating in the Sea. their ***** the heat produced by this surprise stampede. The apostle embraces them all and asks them to approach the anchor line to lift it on the seabed where Creation rests. The Apostle approaches with small bony hands snatching the swivel links that are located near the mooring lever point. He presses with his hand the rope of the Triaconter invading with his thumbnail the netted vine that forms from his line. He begins to pull it several times..., every ten meters he looked at the sky and noticed that some majestic abnormal overtones shone. He is still blind to the eyes of everyone else moving in the ship as if they were on the high seas under the ultimatum of a great storm. Saint John looks at himself in the model mirror of the water, he saw how he pulls his body just like in Galilee when his Master did it, he saw how everyone laughed and was delighted to stop time to laugh together with him inaugurating a thousand years of psalmody. There was no more than five meters left to remove the anchor from the anchorage and he feels that it was excessively heavy. He asked Vernarth and Etréstles for help to get her out of the wet mass, they help him and pull the three unanimously to the rhythm of their revealed eagerness until from the ramp of the overboard they manage to see a large golden roundel of about seventy centimeters in diameter, of solid gold that glittered blinding whoever dared to look at it without Faith making it very difficult for everyone to participate in this great festivity of a miracle. It was a solid gold medallion bearing the stigma of Mariah mother of the Messiah, supplanting all ship anchors so that the ship would represent the base of devotion at sea as a sign of closeness to the Messiah by pulling faith forward. one..., so that in a period longer than that which needs to be released back into the sea as a gold-bearing weight, rather as a refuge to save us in the perfect mathematics of collecting it, what is night and obscurantism that succumbs more than the self-personalization of duties when presiding over human desires, transfiguring them in the diaphanous dawn as time and space assigned to the numeral in its perfect science of finding oneself with the medallion, which has always been in sublime crushing cognition and..., continuing to exist without the need to pull the anchor again..., but rather to pull the gold medallion for seven consecutive days that it would take them to reach Jaffa after releasing the moorings in Limassol. Just as everyone was stupefied, falling all the not being able to see more, or perhaps not having more to say about the trick that could be conjugated with the space where the fleeting beams of light emitted by the auric sphere intruded, as in the house of Affliction of Betania, attracting everyone with great love to feel anointed by the aroma of their heads. The apostle understood that the path of the wise senility of the books of wisdom and Saint Luke was approaching them, to impregnate in everything created well granted to spread it from the matrix that interprets and faithfully delegates it in the application of his work. Vernarth describes: "Jesus calms the storm..." When Jesus entered the boat, his disciples followed him. And suddenly a great storm arose on the sea so that vast flat waves in that rush covered the boat; Jesus was asleep. And coming to him, they woke him up saying: Lord, save us, we perish! And He said to them: Why are you frightened men of little faith? Then he got up, rebuked the winds and the sea, and a great calm ensued. And the men marveled, saying: Who is this, that even the winds and the sea obey him? - Mateo 8 - exhibiting this passage in the Othón showing that event the god Aiónus when he rubbed the Ibico I, and the one that would come from Leonardo Da Vinci. "Leonardo Da Vinci "Last Supper Passage" Then you will have your brother Aaron come to you from among the children of Israel and with him his sons to serve me as priests: Aaron, with Nadab and Abihu, Eleazar and Ithamar, sons of Aaron. And you shall make holy garments for your brother Aaron for glory and beauty. And you shall speak to all the skilled craftsmen, whom I have filled with the spirit of wisdom, and they shall make Aaron's garments to consecrate him, so that he may serve me as a priest. These are the garments that they will make: a breastplate, an ephod, a robe, a checkered tunic, a tiara, and a belt; and they shall make sacred garments for your brother Aaron and for his sons, so that they may serve me as priests. And they will take for it the gold and the blue, purple and scarlet cloth, and the fine linen. They will also make the ephod of gold, blue, purple, and scarlet cloth, and fine twisted linen, the work of a skillful craftsman. It will have two shoulder pads that meet at its two ends so that they can be joined. And the skillfully woven belt that will be on it will be of the same work of the same material: of gold, blue, purple, and scarlet cloth, and of fine twisted linen. And you shall take two onyx stones, and engrave on them the names of the children of Israel: six of the names on one stone, and the remaining six names on the other stone according to the order of their birth." "In the biblical symbology of the Apocalypse, the number seven is recurrent and therefore there were seven apostles chosen by Leonardo da Vinci. Saint John the Apostle says: The Last Supper tells me the greatest love of having it close as if I were in my house celebrating, gathered to stamp the facts in which I raised the cut of my bread towards the millennium of the future, to classify all the dates that It will commemorate us united in the sustenance that will feed the Earth forever and ever. In the stigma of this medallion, I will revive all my memories before arriving in Jaffa, before even walking anymore in the solitude that haunts us forever and ever, still not understanding by any measure, the crumbling and disordered existence that passes beyond death that is reborn in our non-existent Faith. They all sail in silence, all asleep on the deck around the medallion that did not stop shining and bathing them all in its splendid theology. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost. All lie asleep and hypnotized with pleasure, the ship moved alone, at the will of the sacred wind that carried them in seventh silence, so that the snorting shoes of the night do not wake them up even a seventh sleep next to the solid gold medallion. Eurydice was still in the happy mask, now to lead everyone in peace, towards the meeting of the apostle's ancestors, towards the dawn of the secular dawn in Jaffa on its seventh sleepless night..., when they arrive at the seventh turn of the clouds in their fading weather with Aiónous and Zeus, being mere spectators of the tormented bullet of riddled lost.

Jaffa  Ioannis regression

Describes Vernarth: On a warm morning, archaeological evidence showed that Jaffa was inhabited around 7,500 BC. C. The natural port of Jaffa has been used since the early Bronze Age, and all of its early inhabitants were probably Canaanites. The city of Jaffa is mentioned in a 1470 BC preterite writing from ancient Egypt glorifying the conquest by Pharaoh Tuthmosis III who hid armed warriors in large baskets and then presented them to the city's Canaanite governor. Jaffa is mentioned in the Torah as one of the Hebrew cities of the Tribe of Dan and hence the term Gush Dan is used today for the coastal plain. Many descendants of Dan lived along the coast and made a living as sailors and sailors. In "Deborah's Song" the fortune-teller asks:" Why do you want Dan to stop me on ships? After the Canaanite and Philistine *******, King David and his son Solomon conquered Jaffa using its port to take the cedars used for the construction of the First Temple from the city of Tire (2nd Chronicles 2:16). The city remained in the hands of the Jews even after the division of the Kingdom of Israel. In 701 BC C., in the days of King Hezekiah and Assyrian King Sennacherib who invaded the Jaffa region. It is also the place where the prophet Jonah sailed for Tarshish (Book of Jonah 1:3) and was the port of entry for the cedars of Lebanon for the Second Temple in Jerusalem (Book of Ezra 3:7). After a period of Babylonian occupation, defeated King Porus at the Battle of Hydaspes (326 to.C.) In the New Testament it is related how Peter resurrected the believer Tabitha (Dorcas, in Greek, gazelle) in Joppa (Jaffa) and later, how near this city he has a vision in which Yahveh told him that he should not distinguish between Jews and Gentiles while ordering the removal of ritual food (kosher) restrictions followed by Jews. While Vernarth was describing all this history, everyone was paying attention, the beautiful situation of entering Jaffa in this thousand-year-old port was imminent so that they could touch the Holy Land with their feet with all the avatars that awaited them. Vernarth had this great preamble and gift to return from the Exile of Saint John due to his exile of him dictated by Emperor Domitian. They all came praying in the ship Eurydice left the figurehead to descend and move with them to Jerusalem. To go through the Lithostrotos, Gethsemane, the Via Dolorosa, Gólgotha, the Holy Sepulcher and many sacred places where the apostle had a correlation with the Messiah..., bordering were still in the hosts of all those who loved him, especially in the locality where they met with the apostles after the crucifixion in the Apostolic Sees where they are still seen to be together from the first day forever and ever. Some put foot in its pages to have been founded by one or more of Jesus' Apostles who are said to have dispersed from Jerusalem sometime after Jesus' crucifixion (c. 26-36), probably after the Great Commission. The early Christians met in small private houses known as paleo-Christian house churches, but the entire Christian community of a city could also attribute it to the fact that it would be called and ignored as an act of sedition to avoid misunderstandings with its anti-Romanesque legacy. In Limassol it dawned one day when another day was setting in Lod..., here they all got ready to have dinner together in a wheel of fire in the tents moved by a breath that reaches and bounces from their sallow tents to the walls of Jerusalem sensing that they came and went already with the Saint accompanying them. From the last dizziness of the sun, Uriel appeared to them telling them...: "On the bottom where a ship is born in some ruins and catacombs, the sentinels of the Limassol Medallion will reside, it will be jealously guarded by my peers Christian Gladiators of Kourion who are preserved in my fragmentary and honorific decrees, as well as in epitaphs. In neo diplomacy supporting Alexander the Great and Bucephalus protecting the Medallion. In the west of the river Lycus, the sentinels will go to the bottom of the sea every day to watch over it so that from here they shelter the Medallion with their tricks, which in such a way will be adopted for meritorious scriptural phraseology in the Walls of Jerusalem where other walls will follow it... Vernarth describes: "The Great Commission; Matthew 28:19-20 contains what is known as "the Great Commission": "Therefore go and make disciples of all nations, baptizing them in the name of the Father and of the Son and of the Holy Spirit; teaching them to observe all things that I have commanded you, and behold, I am with you every day until the end of the world." Jesus gave this commandment to the apostles shortly before he ascended to Heaven and essentially describes what Jesus expected the apostles and those who followed them to do in His absence. It is delightful to see that in the original Greek the only specific command in Matthew 28:19-20 is to "make disciples". The Great Commission commands us to make disciples as we move through the world and as we go about our daily business. How are we to make disciples? Baptizing them and teaching them everything that Jesus commanded. "Make disciples" is the mandate of the Great Commission. "As you go," "baptize," and "teach" are means by which we fulfill the mandate to "make disciples." Many understand Acts 1:8 as also part of the Great Commission, "But you will receive power when the Holy Spirit comes upon you, and you will be my witnesses in Jerusalem, and in all Judea and Samaria, and to the ends of the earth." The Great Commission is enabled by the power of the Holy Spirit. We are to be Christ's witnesses fulfilling the Great Commission in our cities (Jerusalem) our states and countries (Judea and Samaria) and anywhere else God sends us (to the ends of the earth). The great commission it is the instruction of the resurrected Jesus Christ to his venerable apostles commissioning them to propagate his teachings to all the nations of the world. The most famous version of the Great Commission is Matthew 28: 18-20 where on a mountain in Galilee Jesus commands his followers to baptize all nations in the name of the Father, the Son, and the Holy Spirit. Even more than the Great Commission of the twelve apostles that together with that of Matthew and Mark as a lofty counterpoint are dividing twin souls among all to take the electro cathode of the god Azofar de Vernarth in the Parousia (In the second coming of Christ). Together with them, the electromagnetic Fides Pronus "Benevolent Faith" ruled by God ruling in the electro anode flow, giving ample way to the Great Universal Commission. The Apostle Saint John reinterprets it: "The Great Commission is Matthew 28:18-20, and later synoptic gospels, Luke also presents Jesus sending disciples during his ministry sending them to all nations and giving them power over demons including the Seventy disciples. The scattering of the Apostles in the traditional ending of Mark is believed to be a second-century summary based on Matthew and Luke." Everyone heard very astonished words so fluted without being able to go out and harmonize the ears of those who were there..., and there was no room for doubts or questions! Everyone thought to travel all the fields of the world in caravans of free ungulates so many times through the Holy Land, thus thinking of changing history for the flat legs of camelids, changing the dynamic quantum geography thus making them participate and go on a being from which we are divided mounted. In exile it would be fulfilled, Twelve camels came and invited them to get on and rest on their backs. Every hundred kilometers the deepest questions were answered by the camelids Saying...: Camelids say: "I carried San Juan on my ciliated membranous backs and Mateo too..., they never knew that I knew the end of the story..., that the Great Commission It would never end because all of us are witnesses and we continue wandering through the desert hoping to see the Master lighting our starry path of gifts on sacred nights to serve him again, Until the End of the Parousia...

Second Miracle  Holy sepulcher

When migrating the Wailing Wall on a Vigil Friday, the Apostle led some camels with his hands sheltered in reverberating Psalmody. The little animals appeared with him in this basilica, also hand in hand with Vernarth, Etréstles, and the others remained waiting at the threshold of the Anastasis. The ungulates were already without the blindfold on their eyes after having crossed the Door of Mercy or Golden Gate. The atmosphere was hermetic and charged as if it were pouring rain and the pilgrims were oppressed to take refuge in the heat of the candles on sacred ground. A reverberating solemn psalmody begins to permeate the unruly walls recalling the chants in this place similar to Golgotha ​​that reminded Saint John of having traveled it with the Messiah. Prince Uriel with super senses was out of tune with the Vexilla Regis, by the time the apostle had crossed the limen of this holy offertory in such a way that the harmonics were now in tune vibrating in a single nearby wave..., towards the demarcation that concentrates the line to the crypt of the Messiah.Etréstles was accompanied by Eurydice on his side, visibly overexcited, from the height of the ship a light falls on Etréstles's shoulder with an itching mass of flower of authentic flower of the Pampano Diadem of the vine leaf in Nazareth. On a Friday that dressed in Sunday gala that entered with bouquets in their palms, in volumes larger than their size, dragging them across the sacred floor of the basilica, all naked of ego and anxiety, submerged in a reigning and mournful regret of the predestined demagoguery of the faithfulness of not being channeled together with the souls of purgatory that from today refloat with the visit of the Saint, remaining in seen and not perceived multiplied more than any day without having been more close to the Messiah, although the days were only swampy darkness from the flesh of Acheron in this river of pain forking from the said Acheron unleashed in the deplored underworld, like an unhealthy marsh within a desolate landscape with downcast angels ruling in the little cloud of the splinter of thick Incense, where the ferryman Charon would take the souls of recently deceased expurgated to the repugnant quagmire. Sovereign she... Virga..., would illuminate her interior with her brain-cerebellum adonis below the Madonna before reviving him again in the submissive and servile eternal gaze clause. Etréstles succumbs in genuflection three times before confirming the tertiary one that would make him uncover his knees before the long altar, here his voice is inhibited, fading from the interior like a parchment burning from the glottis to the runaway esophagus. The three hold hands with Vernarth and the Apostle..., remaining so until they enter the tomb. They encounter flattering fuss in the stone where he was anointed before being entombed, and the Cistern where he was anointed, after which his cross was found several centuries later secondarily sheltered in various Chapels whose garden is close to the skull of the rock and the emaciated Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents. then his cross was found several centuries later, secondarily housed in various Chapels whose garden is close to the skull of the rock and the bare Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents. then his cross was found several centuries later, secondarily housed in various Chapels whose garden is close to the skull of the rock and the bare Golgotha ​​mound. Very close to the Herodian wall of the city of Jerusalem and even connected to it by a road, but outside the walls since Jewish regulations prohibited intramural burials except in the case of regents.Your quarry and garden entity in The Calvary skull, as the Gospels testify, must be found on the outskirts of the city in an area dedicated to sepulchers. From a vast quarry for the extraction of Malaki stone located just outside the walls, and which was used from the 8th to the 1st century BC to build the buildings of the citizens. When the quarry was abandoned, this area was used for small orchards and cultivable gardens on its rocky walls along the hill, and a series of family tombs were made. Golgotha ​​itself, the "mount" on which the crosses were nailed, had to appear as the top of a higher rock separated from the hill, a suitable place for the newest law of demonstrative execution of capital punishment. Since Herod Agrippa in 41-42 AD extended the circuit of the wall of Jerusalem to the northwest, Golgotha ​​began to form part of the city, and from an isolated place over time, it became an integral part and center of the city, again Aiónius seconded this assertion before protecting the Vernarth words.   Etréstles with his Hellenic heart of Messolonghi approaches his leisurely aura below the garden, here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, ends and gets up without being able to turn around to see him again in this garden of stones abandoned, he retires, leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, finishes, and gets up without being able to turn around to see him again in this garden of abandoned stones, he retires leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. here he suppresses his icy feet towards his head of Greek innocence in flat sustained prayer, finishes, and gets up without being able to turn around to see him again in this garden of abandoned stones, he retires leaving only Vernarth and the Apostle. He runs off for incredible distances, retreating miles from there to an adjoining desert area. Midbar Yehuda..., north of Jerusalem to Tiqwa, where he stays for two days before returning to Jerusalem. Being here in the middle of the desert he realizes that he had lost from one of her saddlebags a sacred image that had accompanied him since time immemorial, it had been given to him by his wife Drestnia in Koumeterium Messolonghi after her awakening. He searches for her for two days following the same path that he took from the basilica, not being able to find her, until he addresses the archangel Uriel, answering him himself. Uriel exclaims: ...On your back the offertory, a few steps in front of you the Apostle, beyond the crowd looking at you. The souls in purgatory will ask you for help, they will do it for you. You will have to give them their demands in freedom from their purges. The Messiah in miserere from the roof will come down to love on the esplanade..., on your conscience with rays and lightning he will caress your face with his host, and those who do not enter his consecration will take them to pick them up from his own hands in your lost image escorted by despondent angels whimpering and embracing you...! Etréstles, goes terrified from his Anastasis and enters the palm of the last acid words of martyrdom in prosody of the cross hammering and unrolling before his eyes in a long trail of a woven shroud, presenting him with the recolored image to be rescued by his soul from throbbing thunder with numb hands and bolt of bushy and inappropriate displays of disbelief. It would be a great miracle not to lose light in the superior lights that bring the Sun closer to your hands. In this way, a holy miracle would be fulfilled, like the ramp of the silence of the celestial karmic boomerang.

Silence  Painful way

Describes Vernarth in parapsychological regression: Silence crashed over them in such a way that it massacred them from "oblivion - oblivion" from the Limassol to Jaffa stretch. Everyone believed that they had traveled on the Eurydice, but not so. A ship that came from the Lepanto shipyard supplanted them to protect the Gold medallion anchored in the roadstead protected by the Christian Gladiators of Kourion in Lod. Everyone was calmer when they made sure that a great layer of silence overwhelmed them, forgetting as a foretaste of continuing along the Via Dolorosa. The dawn tied him to the Silent Awakening near Jerusalem on a gray and silent day. Vernarth gets up, first of all, and prepares them unleavened breakfast, honey, and goat's milk.About 3700 million years ago the first living beings appeared on Earth, they were small unicellular microorganisms not very different from current bacteria. Such cells are classified among prokaryotes because they lack a nucleus (karyon in Greek), a specialized compartment where the genetic machinery is stored. The prokaryotes achieved complete success in their development and multiplication, thanks to their remarkable capacity for evolution and adaptation, giving rise to a wide diversity of species and invading as many habitats as the planet could offer them. The biosphere would be full of prokaryotes if there had not been the extraordinary advance from which a cell belonging to a very different type arose: eukaryote, that is; It has a genuine core. In this evolutionary cellular space, they were invaded by a Vertical Silence that would have to spread throughout the troposphere and the consequences of this event marked the beginning of a new numeral linear lapse, until the consequences of this event marked the beginning of a new era. Nowadays, multicellular organisms are made up of eukaryotic cells, which are much more complex than prokaryotes. If eukaryotic cells had not appeared, the extraordinary variety, so rich in ranges, of animal and plant life on our planet would not exist now; nor would man have made an appearance to enjoy such diversity and extract its secrets. Bi similar eukaryotic cellsringed in metamorphic geological strata, pressing the atmosphere, the air and the earth, compressing the geological layers and gaseous atmospheres thatthey did not exist as a consequence of these intense pressure changes by order of the Higher Universal consciousness with overflowing temperatures and multi-chemical environments; dispersing the changes that are associated with the forces that fold on the shore of what is current Greece. Said layer faults scattered eukaryotic cells enveloped in "Silent Libertarian Material", injecting magma creating creative prominences on the attached rocks, becoming exhausted, perhaps only to be a cellular polytheism perhaps derived from multicellular cellular evolution..., turning into a sexed fusion of a great regeneration of Lithophagas species in the region..., perhaps in Colophon where Homer was infected. Well, this presumption would have to create a syncretic elaboration with that of Aristotle and Plato as eukaryotic cells, to start from this Lithophaga flower, which is rooted beneath its roots in this bivalve mollusk unleashing proto seeds of prehistoric poetic inspiration, in super souls synchronously starting each one in this mollusk plant that is thus regreened and personified, originating epic poetics in what prehistoric and the human phenotype. This hypersensitive cellular mega-complex is possible with the respect that I deserve to cite it, the innate and spontaneous hyper ethnobotany and hyper sapiens mollusks that were conceived for millions of years delegating their sublime hypostases in creation. I quote here The word Poetry from the Greek ( Poiein: "Do or Create"). From this vertical revolution, the Silence of the Via Dolorosa intrinsic to the same ontological, geological, Theological, and evolutionary concepts will emanate. Scientific and Poetic-Sacred, linked to the creation from "Nothing" to an "Everything". Everything is revealed before our backs, everything is offered before our eyes, everything comes from the soft creative wrath of lightning, everything is consecrated to silence..., but nothingness moves what the whole forgot centrifuged by phenomena of atomicity of greater forces of the Silence of the Messiah, praying in constant practice the generation in front of our theoretical faces in front of our Everything and the Nothingness of an empty supply. "Silence Waits for Time... to see,... I commend my Being to time" founds the greatest silence ever felt only heard more than an ultrasound of waves that articulate one over another in algorithmic chanting that emanate from "Mariah's Silence to her son" also to Homer, Aristotle, and Plato attached to the Lithophaga releasing Eukaryotes. When Aristotle and Plato uprooted the Lithophaga as axiomatic leaders, they revealed the Silence of Creation and poetic anathemas, alluding to their true ancestors who slipped down their bandullos like an elongated moraine sweeping their navel Samskaras such traces of their own personalities leading wisdom with an origin common prehistoric cell.

Ita *** Dolore: Saint John the Apostle stood up in silence with profuse deafness even in spirit..., all the others were equally traumatized from feeling the stones engraved with fear and pain "Ita *** Dolore". They didn't see in colors everything was gray and shades of white, black between cells..., like being inside the suffering cell lost of all consciousness. Everyone confuses about their clothes, their outfits, nobody knew who each one was, only Vernarth and San Juan knew. Raeder and Petrobus, Alikanto, and Eurídice only wandered sleepwalking along the rocky road in the cobbled streets flanked by works erected from sobbing Malaki material, from stones very similar to those that Jesus would have seen following this pristine route. The Stations of the Cross were marked by plaques, vaulted chapels, and signs along the way of lacerating and flagellant stops of more than forty degrees of burning in each feverish step and enclosed vaulting.

Ellipse Messiahas a child: "Mother...; when I went up the stairs..., I stopped at the fourteenth step..., in perfect mathematics opening the sky..., like a sacrosanct aromatic book; Well, I thought you would believe me dressed there! Mother when I went down the fourteen steps and put my last foot before you..., I could see how I sang in the thirty-three on a rainy Friday afternoon, clinging to you..., accompanying me along the stairs that you did not know..."

1st Station of the Cross in Silence

Ita *** Dolore, Jesus was tried and sentenced to death in the Praetorium of Pontius Pilate, he will bring silence in each interval that did not oppose resistance from the flagellant whips."Mother...; when I went up the stairs..."The apostle closes his eyes, Vernarth takes him in his arms.

2nd Station of the Cross

The second station marks where Jesus took up his cross and recalls his doom. Romans beat Jesus and the Chapel of Judgment which commemorates the site where Jesus was sentenced. Here he feels like a child... "Mother...; when I went down the stairs...?"


3rd Station of the Cross

The third station is where Jesus first fell under the weight of his cross. This station is not far from the Ecce **** (Behold the Man), Saint John remembers the Last Supper in anticipation, sitting next to him... he got up from dinner, took off his mantle, and took a towel, he girded himself.... "Mother...; when I went up the stairs..."

4th Station of the Cross

The fourth station marks where Mary saw her son pass by. The 19th-century Armenian Church of Our Lady marks this station. Deaf Vernarth manages to hear voices from heaven saying: "Mother...; when I came down from the ladder...?"

5th Station of the Cross

At the fifth station, the Roman soldiers instructed Simon of Cyrene to help Jesus carry his cross (Luke 23). ..., "Mother I stopped at the fifth step and I never hesitated to wash your feet"

6th Station of the Cross

The sixth station marks where Veronica wiped Jesus' face with her veil. It is believed that the image of the face of Jesus was imprinted on the cloth."Mother...; when I went down the stairs you covered my sweaty face..."

7th Station of the Cross

At the seventh station, Jesus faltered under the weight of the cross for the second time. "Mother...; when I climbed the ladder..., I saw the lost mountain..."

8th Station of the Cross

The eighth station is where the "daughters of Jerusalem weep for Jesus" (Luke 23, 27). Jesus stopped here to comfort the women, telling them not to weep for him, but for themselves and their children.."Mother...; when I went down the stairs you were not there, you were coming for me..."

9th Station of the Cross

At the ninth station, Jesus faltered a third time before his final ascent to Golgotha. "Mother...; When I went up the stairs to find you, you were in front of me..."

9th-14th Stations of the Cross

The Stone of Anointing is believed to have been where Jesus was placed after being taken from the cross. Here he would have been prepared for burial. The Bible tells us that Jesus' body was wrapped in linen and anointed with oils and spices in accordance with Jewish funeral rites. "Mother...; when I went down the stairs you covered me from the cold and wrapped me with your passion..."


The 14th Station of the Cross – The Tomb of Christ

Here Saint John the Apostle and Vernarth were still deaf, but with slight symptoms of recovery of their hearing. They saw in front of them how deaf angels came to uncover their auditory channels, being of their intuition proclaiming courage to accompany them with their teacher to the aedicule towards the crypt itself granted by José de Arimathea. The Chapel of the Angel contains a small piece of the rock that closed the burial cave of Christ, the chapel that leads to the tomb itself. It was here that Jesus was buried and rose three days after his death. "This small rectangular structure of the Edicule marks the end of the Via Dolorosa and the Deafness of everyone and the Whole World"

Saint Ioannis Song of the Messiah, Vernarth describes by the voice of Saint John the Apostle: "Since the beginning of Samaria I had my father Zebedeo in my manifestations..., my mother Salomé and brother apostle Santiago together with me in my declared voice. My father as a fisherman if he saw us grow and left us in the boat after the Messiah called us believing he would not see us grow anymore! My father lived in Bethsaida and developed his commercial activity on the Sea of ​​Galilee or Tiberias, together with us between Capernaum and Bethsaida I walked escorted by the voices of the silence of freedom; Said peace prostrated me to monuments that oscillate on the invisible wings of the legions asking me to join their hand in hand for hours..., and in great circles, since I got on the boat flooded with Faith with the Master. This is what I call seeing the homonymous village located on the western shore of this sea become its monument of silence and the heritage of the House of Fishing in Bethsaida. I always knew that my father had a parental agreement with the Master, being my uncle since my mother Salomé has been identified as the sister of our Mariah.From Capernaum, since I walked and grew up among nets, boats and from where six others accompanied me as my brothers and fellow apostles. Thus, natives, we give our seals and predilections to the Lord for navigating us in the divine water of the Jordan, here I was a fisherman and brother of the fish that also spoke for me..., for the proverbs that identify my closeness with the family lineage of Capernaum. Jesus from the depths of his being with his throat upwards called Santiago and me "sons of thunder" for our impetuous character that was revealed in some events reported in others. The two of us together with San Pedro..., constituted the most intimate core of the master. I was favored by those who reserved my presence with the ****** Mariah where she was trembling in her clothes at the foot of the cross when our Father Master Messiah died, drawing us closer to all of us from that day further than we thought could protest. In this epithet now is where I point to the one who invited me to his boat in Skalá, Patmos; "Vernarth", also a son of the Lord, invited me to return to my original land. Always from Patmos He kept sending me, I received messages at the crossroads of the winds and through anagrams on the tail of the fish..., in their mouths in Aramaic, so that they could be brought from where my roots fill your abundant fish farming..., a common rhizome that in his parables they hear him, that from his brambles the crickets boil in his golden presence, golden passion, and golden agony even me looking at him with my eternal eyes with my painful eyes of apocalypse crying..., even seeing how I went with him to Golgotha ​​in his arms, imitating him in his courage more than in himself and in all those who did not see him leave." "Far away in my exile sentenced by Domitian, I wrote the Gospel and their epistles in Ephesus and the Apocalypse on Patmos, in the Aegean. Both in our Gospel and in the prophetic visions of the Apocalypse, I was invaded by the high-altitude doctrinal and symbolic language of the passages next to the Master. I was the eagle evangelizing, flying in terror to Patmos, and I know that your eagle will take me to Ephesus to sleep in the gospel of the Lord eternally." "I was never a child, I was always who I am if I was a child..., only my parents managed to see it because I was already sitting as if I were in the same Transfiguration, Pentecost, with the daughter of Jairus, in Lake Tiberias and in his miraculous departure in Gethsemane." "I was always who I am..., I never felt that my bones grew in proportion to the distances that would allow me to walk faster than an Eagle, but not so in my parents who did not see my leafy feet of plumage, Next Reign of Jesus of Nazareth in a kind of apology I will be for him again as a child recognizing him even as present and future Father" here he was housed in these Othóns or quantum Azofar screens, guaranteeing him to be federated to his inheritance for the centuries to come. Christian Itheoi genus. Vernarth looks at him and hugs him for a long time, everyone else does the same. They leave Capernaum to start their way through innumerable routes to Nazareth, trying to find a new path but a Golden Eagle or Gerakis appeared to them telling them where to go next...it would probably be where the Master went through the dedications on an INRI wood...where thousands of eagles would pose his claws containing his bleeding..., more than a "Meta-language reigning in all Believers of attachment sustained in his shroud" as I did, perhaps singing in conspicuous languages ​​that would meet him more than an expert, more than a language close to the zeal that covered us, dismantling itself from the friendly path that sustained us, shortening its objective. Our mission is to meet the ancestors of Maryah and her Sigil, which floods with essences towards her son,



Paraps XXV

Messiah of Judah II part

Miracle III - Nazareth

Parapsychological regression, Vernarth describes by the voice of the Apostle Saint John: "They all came from Capernaum with the embedded shutters of INRI in their hands, Alikantus in their hooves and Petrobus in their webbed golden fingers. Everyone walked unevenly perhaps because from the Higher Consciousness the Abba had leaned towards the south center towards the west tilting the earth twelve degrees which made him change course to Nazareth. The miraculous thing was to see how the animals Petrobus and Alikanto felt them and saw euphonies coming out of their mouths in octaves multiplied by eight; that is to say, sixty-four inverted notes, averaging the notes that arrived the other way around from being heard in their retro melody, perhaps diverting them to a hillside in Canaan. After such a miraculous phenomenon, the golden eagles perched on the heads of the twelve ungulates, diverting them to Nazareth and guiding them to an ancient stone where the inscriptions in Hebrew-Aramaic "Stem-Branch" can be seen. They were sweating on their Gigas camels like Nazarene princes reigning in consolation by forking like the ground even beyond the two-dimensional concept of Nazareth, either a stem proclaiming the ominous prophetic of the Messiah or proclaiming the Renewal in sacred circulation to have a 360 ° perspective, for the ancient worldview being housed as a perfect clone on the geography of Nazareth in 14.14 square km, based on the southern mountains of Lower Galilee, 10 km north of Mount Tabor and 23 km west of the Sea of ​​Galilee. Miracles must be outlined between the extreme points of each cross..., the stature of the image between foot and head, the cosmogony of the link between Nazareth, Capernaum, and vice versa, mysteries of the silence of those who only see in light and dark of Marian repentance, would be now in front of everyone with the Credulity Gene. The Giga Camels carried them tenaciously with their wise feet from Capernaum. Here is the Miracle; They were at the fourteenth station in Jerusalem, which St. Ioannis later explained in his childhood memoirs with his family in Bethsaida. It was then from here that in some bend of its inspiration that the valleys would turn towards another geological family to present it at the table with renewed olive oils together with its parents. Where they would leave directly guided by the royal eagles towards the stone of Nazareth. Describes Vernarth in the voice of Saint John: "The Archangel Uriel dictates him; those who preach alone in the streets or corners preach the rejection of those who do not count how many times they were approved or challenged, and at least the times that more than any extreme had to be heard beyond the most distant hiding places in which they did not they will be able to know to be recognized" Saint John continues: "On this tacit diameter in the narrow part of the bergamot that is towards the south and opens through a narrow and sinuous throat towards the plain of Esdraelón. It would be pointed out here as "the top of the mountain" from where they wanted to throw Jesus off the cliff. But the traditional place does not have a true ravine, as a story would seem to require. Further only to a spring in the town is the so-called Fountain of the ****** where Mariah obtained the consecrated water for her family from there. "In this super diameter, Etréstles wanted to find the childhood periods of the Messiah and thus be able to see him advance in his growth, but he knew that perhaps the hidden mystery of the stem that only grows in the discord of Nazareth, invaded by foreign civilizations, could not be verified. that did not allow them to stretch boundaries beyond the entire concordant Universe. In Patmos I always had the precognition that above..., above the doors of the unknown..., there must be anti-material physiognomies that will move offspring that in twin lands would be housed in Judah. As we approached the perimeter of the city we dared to cross, whose text contains the decree issued by another Roman emperor not mentioned, which prohibits under pain of death the robbery of tombs including those of relatives or changing a body from one tomb to another. The date of registration is discussed. Someplace it at the beginning of the empire period; others in s. II AD It is highly unlikely that they have any direct relation to the ignoble accusation leveled at us disciples that we had stolen our Master's body. I keep digressing without the accuracy of what I say, it's been tens of years without being here, I only know that I am attracted by the rhythm of the music of religious worshipers from Nazareth. just as I heard when they were at the height of a rosy vine near Mariah's house in Nazareth..., here Uriel describes Nicodemus: Uriel says: (Meditation of Saint John the Apostle) "Nicodemus talks about the meaning of being born again and mentions the Kingdom of the Heavens, very rare in the Johannine texts, Jesus was surprised in short to see that a teacher in Israel did not understand the discourse on rebirth in the spirit. Later, in the council of chief priests and Pharisees, Nicodemus defends Jesus, explaining to his companions that they must listen and investigate before making a final judgment. The question they ask him may imply that Nicodemus was a Galilean or it could be an irony of his companions." I'm still on my own from today rambling without accuracy in what I say..., it's been tens of years without being here, I only know that the rhythm of the music of the religious cults of Nazareth will attract me. These images will make me observe Vernarth notice in me and in all these advanced episodes, this is transmitted by Saint John the Apostle. Eurydice took note and dared to dance in the warm senses that throbbed under her feet, signaling to renew herself in an Offshoot of the seed that grows hidden in the shortness of every Nazarene born here.Expressions of freedom and glory appear throughout the village the world dances in the part of the ministerial bends attached to the Holy Spirit. Flowing dance ministered by Levites and worshipers of the Lord God Almighty God or Yahweh in a spontaneous way, salvific and with healing interweaving the existential and vernacular ribs of the chosen people worshiping the Prophet. All danced together and anointed, enjoying the ceremony. Vernarth thought his magical ears thundered with Levitical echoes as he was under the supra-starry sky of the Christian world that repeated itself, returning with a new one appearing at each interval of the festivities, everyone did them as they came and went with the pillars of their Faith rolling, and they covered with the mantle of the night flooded with ceremonial Vines and ministerial Bread like a great vault in a great ominous mansion. Here where the Messiah from heaven will trepan his senses, Feeling emotion and art, all braiding like alpha beginners until finishing the stupid omega dance. We will fulfill a company of prophets descending from above preceded by lutes, drums, flutes, and harps. Thus the sons and daughters will be celebrating with Cherubim in unmistakable steps praising Him.This Hebrew-Biblio dance will end in adoration on a warm night that continues to reach the imperceptible senses where everyone celebrates and intertwines with trans content affection with everyone celebrating in the ceremony. Then they went to the tents near the Messiah's house to sleep concelebrating in tiny circles. Everyone was very excited..., not being able to fall asleep believing not believing that perhaps they would never again live something like this in a city forever whether to live it or not..., eating and drinking the same Nazarene Bread and Wine. All this was closely witnessed by the god Nothofagus in the middle of some brambles, it has adhered to the fungi that persisted in the brilliant brilliance to personify them in the Genus Itheoi. Hanukkah was coming to Vernarth, it was the Liberation of Judah as another purpose of Vernarth's physical and parapsychological regression in the arms of Hanukkah, purging his spiritual body to leave his Piece of Muscle rubbed on the helpless ground, perhaps carrying his non-biodegradable shell matter in his Leonatus; as a new prince replacing Alexander the Great in the true Hellenic polis adopted and claimed on the soil of Judah. On the walls of air in Gaugamela, I sliced ​​with my Xiphos and Kopis leaving them now dry and sheathed..., to serve Saint John the Apostle and our Lord in the work of the Messiah. For this, we have been revived as inclemency in this festivity of the former Hetairoi strategist of the hosts of the Great Alexander the Great. For this task when they left Nazareth, When it arrives under the finger of Nablus, it is intercepted by these voracious sacred lights coming from the Abrahamic eras, perhaps from Lot in his cave to immunize his offspring. Also known as the "Festival of Lights or Luminaries". This Jewish festival of lights commemorates the rededication of the Second Temple in Jerusalem and the Maccabean rebellion against the Seleucid Empire. Celebrated for eight days, the Hanukkah festival dates back to the time of Hellenic hegemony in Israel, beginning with the conquests of Alexander the Great in 332 BC. C., who at his passing freed the Jewish people from the oppression of Persia, leaving Israel as an independent kingdom-state. After his death, the vast empire remained in the hands of his generals, who entered into war conflicts with each other, for which centuries later the Seleucid Greeks tried to gain control of the region, as can be read in the books of I and II Maccabees, where this festivity commemorates the defeat of the Hellenes and the recovery of Jewish independence at the hands of the Maccabees over the Greeks of the Seleucus dynasty, and the subsequent purification of the Second Temple of Jerusalem from pagan icons, in the 2nd century BC. C. Vernarth, was here as a commander when he freed them from the boot of the Persians, remembering the epic of him when he was a servant of the oppressed legions. He thus freed them forming part of this history which has threads of messianic history and culture cracking gaps for evangelization, that looms under the robes of El Nazareno like a child's story..., to be told to adults with nine Hanukkah candles. Jewish tradition speaks of a miracle in which the temple candlestick could be lit for eight consecutive days with a meager amount of oil that was only enough for one. This gave rise to the main custom of the festivity, which is to progressively light a nine-armed candlestick called Hanuquiá, one for each of the days plus a pilot arm. Vernarth describes: "Our Entry into the soil of Judah..., as luminaries we were received, our messianic introduction will change history in its objectivism freeing the Hebrews from the Persian empire. Inopportune were the new masses of the departure of Alexander the Great who, after freeing them, his minions wanted to appropriate a free inheritance that only belongs to Yahweh. Seleucus, being an officer appointed by Alexander the Great, was appointed chief of the Hypaspists (elite soldiers and spearmen) on a date close to 330 BC. C., for this reason, I looked many times at your countenances, seeing in them the voracity and anti-national vocation to exorbitant the limits of unwary power. This is why in the death of our great general..., Seleucus tried to dominate Judah, skillfully raising the exhumation of the general pointing to a drastic change by pointing his finger at the transgressor! Being justly consummated and deported by the Maccabees. Festival of Lights Celebration of Dedication and Celebration of the Maccabees. Children receive gifts, especially in areas where Jewish and Christian children are in close contact. Hanukkah commemorates the victory of the Maccabees over the Syrians as well as the re-dedication of the Second Temple in Jerusalem around 165 BC. The re-dedication was necessary because the Seleucid king of Syria, Antiochus IV Epiphanes had desecrated the temple by installing an altar to Zeus on the site. When the Maccabees began to prepare the temple for rededication they found that they only had enough oil to light it for one night. In the end, the oil lasted eight days until the new delivery of the new consecrated resource, the candles are lit every night of Hanukkah to commemorate the miracle. During the first night, a candle is lit in a special candlestick called a menorah or hanukkiah. Here Reaeder with Petrobus joined this beautiful festivity, paying special attention to the Dreidel pirinola, which seemed very didactic among the game that captured their full attention. Eurydice and Etrestles holding a candlestick in each hand would begin the second night by adding a candle until eight candles were reached on the last night. The candles are lit by a separate candle called a shamash here was Alikanto and Vernarth with Saint John the Apostle lighting it first and then using it to light the other candles. The candles are installed in the menorah from right to left but are lit from left to right. A symbol of Hanukkah is the dreidel, a pirinola with which a game is played. Before the Maccabean Revolt, it was illegal for people to read the Torah under Antiochus IV Epiphanes, when the soldiers arrived the Jews pretended to play a game of chance involving a pirinola. They satiated traditional Hanukkah foods such as latkes or potato pancakes fried in oil as another way to incorporate the memory of the Maccabees free from all invaders, predicting more light than their own Sun.This is how they would culminate this festivity among themselves, in Nablus before reaching Bethlehem south through the desert with their twelve Giga camels..., the luminaries would take them camping through the Nablus desert south to Bethlehem.

Bethlehem ******, Hemophilic Camel so Vernarth describes: "They were falling down a ***** typified as a rebellion of angels. In such a disorder, they have seen a new language and numeral concept. Given before the componential of Steeds, Pelicans, Masked Nymph, Leader of Messolonghi Cemeteries, Vernarth Commander Hetairoi and Saint John the Apostle, wading through the desert of Nablus on mission ****** and the Giant Camels, the twelfth and last of them afflicted with the morbid sin. ****** or ******; is the name of the biblical character described as the son of ***, son of Cam who was the son of Noah. Although the Bible does not mention him directly since ancient times, tradition has considered ****** as the builder of the Tower of Babel. Since the tower was built on his territory and during his reign, it is assumed that it was under his direction that the construction began. But there are also other non-biblical sources, which indicate the opposite, alleging that ****** was not in the region of Shinar when the construction began. His name became proverbial as a "mighty hunter in opposition to YHWH (Jehovah)" His kingdom comprised Babel (Babylon), Erech (Uruk), Accad (Akkad), and Calneh in the land of Shinar also known as the land of ******" Vernarth replied: "They came and went, dragging their ancient Palestinian and Hebrew feet..., helped by ****** to understand and adore each other "When they were on the road from Nablus on the carpets of Kfar Tapuach, a hemophilic effusion occurred in one of their Giant Camels that accompanied them so separated from the remaining eleven, remaining in the hands of Saint John the Apostle. "From that moment on seeing how the camel was bleeding, the apostle falls into a trance remembering the annunciation that will have to take place in the whirlpool of biblical time when they arrive at Bethlehem." The Angel Gabriel will reincorporate right here when he said to Mary: "Do not be afraid, Mariah, because you have found grace before God; you will conceive in the womb and give birth to a son, whom you will name Jesus." Then the Camel turned around and said...:"I will be there..., seeing his short feet and his long crying confusing them at night in those who are jealous of him for his smiles of an infant of seven..." The camel in telepathy transmits to Saint John: "All of us have a long road ahead of us, the road of life that we have to follow day after day. Today it flows strongly in me, unable to stop my torrent like my previous parents who were never able to cross Palestinian land. I represent the line of Gigas Camels guides since the angel Gabriel spoke to Mary; For this reason and because I am an energetic guide on the path of life leading the chosen ones of the Messiah. With challenges of long distances and terrain with adverse spiritual conditions, that is why I have inherited the ancient blood that has traveled over my Palestine and Hebrew. Biblical time... It has determined in me that so much blood has been shed since the Messiah left for the House of our God, that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." that being a camelid in flower every two years when this hemophilia crisis hits me, incarnating in others the sins that will be amortized with his body and his blood. My liver belongs to my Palestinian masters, they eliminate the viruses in my body but the healthy genes are Hebrew and remain in me for a short time until dawn. My time is more than the southern time process is the southern temple opening it on my consciousness of the pages of the Bible "Before the stakes of the World come out of the straps that hold it..." Saint John the Apostle replies: Few words and numbers are rolled from Nablus, they will be decoded by ******..., collecting the months so that we can see an increase in the proteins responsible for blood coagulation and in the reconciliation of the Palestinian-Hebrew world. This treatment will actually heal his hemophilia with both fatherlands in me, not only by treating him and reducing the bleeding but to pay for the sins of these salty nations already prophesied for our salvation that the Messiah judged.Saint John, taking the leg of the Giga Camel, caresses him..., he makes a gesture not to feel pain, but as an anti-death, he begins to heal his wound, covering himself with flowers of the Hebrew spring. A candid and volatile mass of Rose of Saron petals settled on the camel's leg. While Vernarth tried and helped him cut off a certain portion of his leg. But a miraculous fusion flower occurs that is mixed in its leg and from the same stem of the flower, regenerating the gangrenous part of the Giga camel..., in a great time of the Temple growing in God forgiving the Palestinian and Christian sins, juxtaposed to their illnesses almost being guests of a crippled scientific metaphor..., but much more Christian Salvific. The camel recovers and they put out the fires, they continue through the desert on the carousel of the camel's parents' lullaby, singing tenderly to their son camel, that they would never leave him alone and that his words were restored and decoded by ******'s command to his ears. Not far from Him, with words and strange Palestinian neologies and numbers of the Menorah lit up to the right. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah. with words and odd Palestinian neologies and numbers of the Menorah to the right lit. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah. with words and odd Palestinian neologies and numbers of the Menorah to the right lit. Shortly thereafter to reach Bethlehem, almost like synchronizing the magical steps under a star that heals and renews all the meat of the camels in the human world, before being listed to the eternal wind of the native village of the Messiah.

*** bei Hinnom  Crypto-Crucified

Following the route of Arimathea and then Emmaus with our tired feet we entered the region of the southwest towards Jerusalem, to *** Bei Hinnom specifically. Obviously, we were going to Bethlehem, but the Apostle decided to spend the night here.Vernarth speaks through the voice of the Apostle: "The open southwest gate of Jerusalem points into the valley, which came to be known as the valley of the son of Hinnom. Here the Israelite residents used to perform rites that worshiped Moloch presaging destruction. In those ancient times the Canaanites sacrificed children to the god Moloch by setting them on fire and burning them alive...; a practice that was outlawed by King Josiah when the practice disappeared, it became a city dump where garbage was incinerated, and also the carcasses of animals or those of some criminals. The dump and the fire make the metaphor to indicate that "Garbage" (disobedient) are those that burn day and night. Later, after this narration..., the Apostle took them to Mount Zion, where the coffin of King David is.

Parapsychological insert Vernarth Pandemic MMXX, comments...: (Here the god Vélus has Zefian's arrows to wear the Magaf or boot that would unleash this Antonine plague in Italy, until the resource of the MMXX in the modern world, as it was in 165 AD C.: Magaf in Hebrew means "Boot" since the quarantine began in March..., it continues to occur in Israel in a nation with a vast history of pandemics, it is that since immemorial biblical times it has always been hit by plagues, it has been a maximum in comparing it with the reality of the world that does not mutate in its virulent evolution. It has a Bota root, which could be related to social passages of the Bible in the context of Quarantine, which in Hebrew means isolation "בידוד", which has a similar root to Magaf, giving the genesis to which this apology coincidentally raised the virological expansion in Italy, suggesting its geography in the form of a "Boot" such as Italy. From where the itch of this Pandemic began to the secular world in great mortality statistics reissued in the current world. The Valley of Death exemplifies water opening, and Arab and Israelite slopes. Polytheism instituted among the archaic social networks degenerating the infallible root to which each one belongs in its independentist root of aggressive trait and autonomous to survive on themselves. Moloch or Melech, as they are called by the Jews today, is a conductive agent of overcrowding of the archaeo-cultural, practicing trades of high violent Intercultural Religious confrontation. Two intuitive cultures two nations, with different gods and languages, both walked through burning Gehenna as ancient culture in their inseparable history that tied them by invading hands in the past-present. Avodah Zarah in Hebrew: "foreign cult" is the name of a Talmudic treatise of the Nezikin order of the Mishnah and Talmud. Nezikin is the fourth-order of the Mishnah and the Talmud, Nezikin is an order dealing with the laws relating to harm. The main subject of the Avodah Zarah treaty is the laws regarding the Jews living among the Gentiles the goyim, in the treaty are included the regulations on the interaction between the Jews and the "idolaters" which represented the majority of the population not Jew or Gentile during the writing of the Babylonian Talmud. The Apostle says:"On Mount Zion I was with the master in "The Last Supper". Very close to *** Bei Hinnom, what predicts Life and Death beyond our beliefs but if it is death..., it is the angel in his consort who is accompanied by others, freeing us from the sin that we hide, crushing us in the overloaded Karma" Replies Vernarth: "beyond our paths to build..., today we are submerged in a techno-idolatry, subjugated to the trans-nationality of global networks that deliberate and trans-compete under our tutelage, with no other options than to live together avoiding slavery itself before Moloch, sacrificing our children to the altar of the aforementioned "Technotheism", giving them intelligence beyond all the valleys that force us to depend on an overwhelming social and technological electromagnetic dependency. Falling noisily backward onto a ritual hillside to plausibly be handed over to us as "Human Technological Trash." Depositing in us millions and trillions of neutrinos and radiations through universal space like that of any Mythological god, lying abandoned in time without end..., beyond Life and Fabulous Death. Or perhaps our Last Supper..., it will be very present in our daily lives in this incipient technological techno-theism, worshiping the God who will imprison us in his algorithms as a whole man, or perhaps one day be traded in Crypto-Currencies by a broker on Wall Street, to be handed over and betrayed by this Broker-Judas to our crypto-crucified collapse, paying for the sins of others burned in Gehenna, on burning garbage that we ourselves have deposited and No! emits Amblyseius: They were on the Hebrew ***** of *** Bei Hinnom preparing to sleep. Bright wells could be seen around him, once everyone tired joined their experiences around the campfire, the Apostle went with Vernarth to pray on the northeast *****. Walking in silence and with burning fear they were circulating with austere care not to fall into these imaginary wells in the fangs of the gates of hell and its crater tempting them to get lost among it..., before reaching Bethlehem Says Vernarth: "They estimated a well of seventy meters in diameter and equal in depth with high temperatures that emanated from there in a sulfur mixture..., the apostle prospected and witnessed how the earth swallowed some natural elements that were there. The most surprising thing was the gases that flowed through real Gerakis that were abducted into permeable, heavy,  and bluish monoatomic that emerged from the underground cave of some Canaanite god.Thousands of years of expectorating and having the bronze crackle of swords of justice in the "biblical blue" of a possible Hebrew tekhelet, neither I nor anyone else could recreate or imagine what it could be in itself. Random face from the time of the Second Temple, which towered over Jerusalem until it was destroyed by the Romans where a blue dye of the same name would be used to color the fabric used in the clothing of the priests..., admonishing them on its perimeter."A Jewish man who was still commanded to wear a 'tekhelet' thread in the knotted fringes of their prayer shawls, although it might seem that was left unclear for years.The source of the Tekhelet is not specified well in the. According to himTekhelet's dye is produced from a sea creature known as the Ḥillazon; which is the exclusive source of the colorant. There are three opinions in rabbinic literature as to how many are to be blue: 2 cords; 1 rope; 1 half string These strands are then threaded and hang down like tassels that appear to be eight. The four filaments are passed through a hole 25 to 50 mm away from the corners of the four corner fabric. A comparative deception has been made of trying to touch it because they looked harmless and silky when touched.Fearing that the crater would cause the appearance of apocryphal mites dressed as a priest with Tekhelet that was sustained in its physiognomy, with the escape of various dangerous natural gases determined to self-incinerate. They estimated that they would be extinguished in a few minutes, however, it has been burning for centuries and parading before curious maravedís; As precognition to the business of the Inquisition charging money to Jewish converts in exchange for rehabilitating them.Since then it has burned non-stop and provided an impressive melodrama in keeping with the creaking of the valley walls that were outside and close to the southern wall of ancient Jerusalem, also stretching from the Valley of Hinnom to the Kidron Valley. Saint John the Apostle speaks: "I will mention a Valley like that of Cedrón..., a place that our Messiah traveled as the Gospel refers to He passed with us to the other side of the Cedrón torrent where there was a garden into which he and his disciples entered. The ravine of the Cedrón valley begins northwest of Jerusalem resting on a slight depression of about twenty meters that reaches a depth of one hundred meters. The wells like a quantum leap, he rushed us into both depressions, witnessing pre-cognitive Christology..., "The henchmen took him along the Kidron Valley to the gate near the pool of Siloam; and then they scaled the steep path that led to the common palace of Annas and Caiaphas, on the height that is now called Hill Zion." We feel divine and mystical assistance that were intertwined from *** Bei Hinnom to the Kidron Valley in each depression that flowed the extradition of the Messiah, whose previous referendum would splinter his hands staked on his resonated feet and his intra rib. On the way between Gethsemane and the palace of Annas and Caiaphas, I felt an aggressive impulse pass over the bridge over the Cedrón torrent, throwing our Messiah to the bottom of the torrent where the imprints of his feet, knees, and hands were left on a very hard stone. and head" From both sites the depressions twinned the facts of geological upheavals that would cause the implosion generating noises and silences of greater size when ignoring it, by the time it began to decrease in frequency and volume heightening that would fracture with the decibel in the middle ear with total disorientation. In the Well of *** Bei Hinnom, Mites would begin to ascend Amblyseiuss wirskiique; that they are a species present in regions of Israel for that bad effect. This predatory mite was found in large colonies suspended in numerous grasslands, among them they were hidden and neighbors to the horticultural crops of Los Olivos. These crop larvae are assiduous to migrant citrus trees that spawned Cypriot whitefly larvae that came to mourn the mourning of infants under seven who were incinerated. Predating young larvae of other species by means of severed white mosquitoes. They began to radiate horror at the cries of the burning children of the time with the martyrdom that pierced the bark of the bushes entangled by this unusual phenomenon between the valleys. This colony of mites frightened the apostle and Vernarth by making them believe that fever of degenerative abundance was symptomatic in them in the flagellated human species, with whips in their tentacles degrading in tiny status between food chains, for more predation towards them and their companions that they were in the camp resting next to the warmth in the atmosphere of the unknown. Vernarth ran swiftly to open some gates that contained the doomed river, levered some stones to increase the mechanical noise on the growing colony of mites in such a way as to lessen the dominant action on the arboreal and horticultural species,

Hex Birthright

The composition of this Hexagonal primogeniture is changing by itself visiting you in this hexagonal course that is now oblong by the rays of the determined morning, inviting you to take the dry cove to Bethlehem in the company of The Apostle, Vernarth, Etréstles, Raeder and Petrobus, Eurydice and Alikantus. They get on the Giant Camels and meditate on them, it was not yet dawn, there were six camels for this hexagonal brotherhood, and the remaining six were for supplies and clothing for their retinues. They all stand in an oblique line looking towards the Valley of Hinnom and Cedrón..., waiting four minutes before the Sun appears. In each one, a legaña of balsamic acetol would begin to skim off with the generous Sun reigning on their Davidian faces. At that very moment, the King appears to them from the front, strolling through the long Davidian caravan..., in their very faces, thus stopping in their march and seeing their imploring and bronze hair like an alliance of lights on a cold morning. Davidian Presence: "There are four minutes left for us to appear in the morning twilight, it has been four hundred years since I ruled Davidian as the second of Israel, I was born in Bethlehem where I will go with you until I reach this pure oasis of the House of Bread. center of the Old Testament, I was the Eighth and last son of Jesse or Jesse, a member of one of the main families of the tribe of Judah, the prophet Samuel secretly anointed me sovereign of the Hebrews when I was just a boy taking care of his father's flocks in Belen. I have created a united and powerful nation of a markedly theocratic character, though short-lived as it vanished shortly after the death of my son Solomon; while in the religious sphere my poetic compositions stood out, "recognizing myself as the author of a total of 73 psalms", and the great project that I ordered to build a great temple in Jerusalem to house the Ark of the Covenant building that would have ***** my successor on the throne." David, get on the seventh Giga camel, and they all go in a file when four minutes fell on the sand of Northeast Jerusalem turned into burning flames in the hair of Davidian dawn. All catch their shadows with a vocalized assembly by the turquoise stripes of the Tekhelet that he carried on his Davidian skeleton. From the minimum moment that allowed him to climb his bones until he mounted the Camel on its exterior, his past became lightening of volatile blue flesh, leaving for the first sabbatical day that ran through his calendar. He tempered over him the compromising memory of him that wandered before his birth and after his death where many wanted to incinerate his Tekhelet for him, or perhaps plagiarize him in his agony with the Messiah when he met with the apostles. above his grave. Davidian Tomb: "When the Lord was over me, I felt his aroma of Davidian flowers approaching, covering my coffin with two square meters of the perimeter of my death that began to be purged in the Messiah. My body was ingested like horchata in my blood vessels. Many times I wanted to get up and break down the barriers that separated us, but I was distracted by the serpent that seized in front of me, co-indexing the apples of my tree that never got worms..., turned into brass serpents on slung chariots pulling me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is, a quarter of light-years to reach him, estimated. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me Davidian..." turned into brass serpents on falcate chariots leading me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is to say, a quarter of light-years to catch up with him. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me Davidian..." turned into brass serpents on falcate chariots leading me away from the arms of the Messiah. I saw myself at his service in nine light-years from the twelfth applicant with billions of kilometers more, that is to say, a quarter of light-years to catch up with him. My four minutes are what I aspire to reach the five that remained of my temporal origin..., to restore the last thousandths of the end of my life to honor him ubiquitously, even looking at me from the universe from where he observes me, listens to me and will speak to me, Davidian..."The Davidian Phenomenon continued to impact everyone because this happened to the ungulates when they sensed outbreaks of the cluelessness of the sky, believing they were a part of it, but the bodies of space are so far away, just as their whimsical light would take a long time to reach us, wondering about the universe of another ravenous dilapidated galaxy. The more distant the object of our consecration is, the longer it will take for the light to arrive and therefore what we see is even further away than in the past. Perhaps his lineage was a thousand years before it could materialize after 1040 years..., after David he did not seem bothered by the refractory passing of the degraded millennia. This equation was worth using to ask the Messiah for mercy for not having made his nation the best it could have treated and inherited towards him in sync at the time he was sentenced. In such a way to subtract years from the one who was born and ruled, so they would be subtracted from him as it is due to his soul that comes traveling with the invisible speed in the bluish light of the Menorah. Light Davidian: "it was 1040 a. C. that I saw the birth of light approaching the same one that saw us born in Bethlehem in the same village of the Messiah after 1040 years in which it separated us both and saw us born in different age phases..., he arrived at his stable next to his Davidian mother. Messianic I fell abruptly from the burst of beams of extinguished light years similar to those that accompany me today in the ceramic that also appears in Bethlehem.In this way I will follow your exalted Hexagonal primogeniture together with the Davidian spectrum, accompanying him to the people who gave birth to both of them."Sheba Dean, Vernarth states: "The Hexagon turned us around and we looked at the Zoroastrian sky, a new star guided the seven of us mounted on golden backs on camelids, now King David on the seventh Giga Camel". Saint John the Apostle intervenes: "In my symbology of the Apocalyptic as an ancient Davidian I give the testament of liturgy and that which appeared in the first centuries of Christianity in which its praises, prayers, petitions, characters, cults, ornaments, incense, Eucharist, chalices arise. , the saint, the amen, the lamb of God, the ******, the interception of the angels, the archangel Michael, the antiphons, the priesthood, the faithful, the meditative silence, the nuptial supper of the lamb; so are the numbers. At the same time, a symbology of the numbers is brought, giving them meanings; this is why for this author the "one" refers to God; the "three" can represent God although for the Jews it represents the divinity, and for the Christians the trinity (father-son and holy spirit). In the apocalypse the three appears as a fraction instead of the whole number a third part, a third; which indicates that neither is a full God nor the "fourth" that is the creation, and that two-thirds are not affected by what the third part is; the half and three and a half taken are from the book of Daniel and mean fullness as well as the "four" and the "seven" perfection, as well as the universe or creation of the representation of the four cardinal points, the four evangelists, the four living beings with God. In the apocalypse "the 5th and 6th" originate cataclysm and the "sixth" a vision of hope, the "seventh" the trumpets. The "six" denotes imperfection but one is missing to reach seven which is perfection; this last number in Hebrew is called "Sheba"; "twelve refers to the 12 tribes of Israel" (Jacob) (16), to the 12 apostles. If we make a calculation of the twelve tribes of Israel we also have to make it of the 12 sons of Ishmael that we can also consider them as twelve tribes. Which is equivalent to two pairs of 12 or 24; this last number multiplied by 2 is equal to 48 and 12 times 12 equals 144. Here we can continue calculating the multiples of 10 and 4 and thus group figures to give them interpretations. The number 1,000 would be the general idea of ​​a great number, the 1,000 years of the confinement of the dragon. Observe the negative aspect of some numbers that do not appear in the texts on "numerology" "King David, goes on the seventh Giga Camel, that there are five that are missing from the camels of the twelve (he being on the seventh) to get to mount the last one before they reach Bethlehem. "the 5th and the 6th" would originate a cataclysm but also glimmers of hope when they hit the sixth, and this could happen in multiple ups and downs in the lands of the birthright that saw both Jesus and King David born. The raison d'être of this Davidian way is Davidian Way He says: "Being on Mount Zion below the subsoil I imbued my proportion to my cenotaph asking to be my rest here or another. In the Old Testament, it says that I was buried with my ancestors in the City of David. Archaeological ramblings and excavations place my City south of the Temple Mount and not on Mount Zion where my current tomb is located. My city was the original settlement that became Jerusalem, they have searched for me in excavations of the City of Davidiana but they have not discovered my Tomb. Some have thought that I was buried in Bethlehem..., my city is also known as the Davidian Way,... but they look for me in excavations in Bethlehem and they do not exhume me from my grave. On Mount "Sion is my spirit" that looks for the Messiah still by some stairway that indicates looking at us both as humans..., both as kings but He is my true King. Here the pious and spiritual boat of Bethsaida had to pass as a consort in the Miracle of Pentecost that took place in the same place where the Last Supper was celebrated, the washing of the feet of the Disciples, the Meeting of the Disciples after the Ascension of our Jesus, Apparitions of the Risen Jesus and the Election of St. Matthias as an apostle, which was located in a high room on Mount Zion. He could be found in many places, but where I have wanted to prevail his well-deserved and welcoming place shared with me is in the Cenacle near me in my Tomb where he celebrated his first Eucharist. And now especially that I am on the seventh Giga camel hoping to reach the five that are missing to achieve the twelve that are missing beyond the cataclysm of the five that remain to get the twelve. That by equivalence it should have a correlation with my numeral year of my birthright 1040 BC and by a factor of multiplicity that if we make a calculation of the twelve tribes of Israel we also have to do it of the 12 sons of Ishmael that we can also consider them as twelve tribes. Which is equivalent to two pairs of 12 or 24; this last number multiplied by 2 is equal to 48 and 12 times 12 equals 144 as an arcane and secret measure of the edification of creation. Here we can continue projecting my work as a geometer calculating the multiples of 10 and 4 and thus group figures to give them interpretations of the size and measure that unites me and separates me from the Messiah."

Filled with a great piece from the cruise through the sands and the Judean desert, They were almost asleep in the hemispheres of each region that waited and recirculated with the energies of the desert. With its shifting landscapes, constant limestone hills between canyons of deep Philistine souls, with rivers and oases like Nahal David. They marked the passage of the camelids and the hydric solitude that dominated their fictitious vegetation. King David as the seventh horseman went far from those who opened fences at the tip of the anvil of the caravan. He felt moved to release the clothes from the cenotaph... from him, perhaps entering the Eucharistic pavilion that resembled his open mouth; He as a Young King was proclaimed, and he remembered when he was active in reacting to retaliation to scare off the Philistines, with his namesake Saul. They used to raid herds and fertile agricultural land, for which David begged the Lord what he should do in the land of Adullam? the Lord spoke to him and told him: "Let him rise up and destroy them", he did so and rushed over them thus beginning his reign of liberation from these barbarians. As they made their way to Bethlehem, the King felt that something was missing to fuel the atmosphere of his return to his homeland. Since then from the sky descended a flock of migratory birds that joined him when he fed the abdomen of the desert attracting six hundred Hula Cranes. King David whistled copiously which attracted lake birds creating an atmosphere of trance. Here time stopped and it rained softly sweet water with messages of love and everlasting avian hubbub. He recalled six hundred Cranes like the ones that sheltered them when the Philistine troops escaped, taking refuge in the cave of Adulam. Everything seemed scarce biometrics of the arid event in an arid destination. All embedded in the vegetation of xerophytic thickets and exegetical brambles that lit up with calypso color at each shoot of the past millennium in its early biblical time, when they approached the vicinity of the valley near Bethlehem near Beit Jala, erosive processes were imposed with meta desert factors of vile landscapes. Aeolian Eolionimia tramontane winds were falling on his Tekhelet, letting himself fall from the relevant heights with cranes with gravitating mud on their ends, with gravel from colonized riverbanks of the rocky Hamada desert areas, three fossil birds were climbing the rays that reflected the crown of two Kings to meet at Bethlehem. Arriving at the sacred native city and beginning in Christmas choirs and passion for the faint whistle on the twelve Giga camels, they venerated the hemispheres of energy prayer that insufflate from the eternal walk of the guide of their breathing wounding them as migratory birds of a series of fraternal cranes that invited him to be confused with the whistle of the divine Solano solar wind that calmed and stimulated the enormous breezes to warn the villagers of his enormous arrival together with the Apostle Saint John, converted into dusty fissures in quarries of the surroundings, where they stopped their work and deposited another rebuild in another temple with a greater whistle than a Sheba Dean.Shavuot Messiah; Shavuot is the second of the three pilgrimage festivals of Judaism (the others are Passover, Passover, and Sukkot..., which is walking in the desert after leaving Egypt). The Hexagonal Primogen took seven weeks through the desert and the Holy Land to reach the target that is Bethlehem. It would coincide with Shavuot; with bucolic meaning corresponding to the time of the year in which in Israel in particular the first fruits are collected. This is why the holiday is also called the Feast of First Fruits. During the festival, it is customary to eat dairy products, accompanied by the seven characteristic species of Israel, based on yogurt, honey, fruits, vegetables, and spices. In the existence of seven in their camelids is the vibration of their fruits and spiritual messages. The Shepherd and His Flock According to tradition, the area located to the east of the city, belongs to the fields of the shepherds, "they only keep watch in the dark for the shepherds who are in the field." Several churches have been built to commemorate this event. Even today local shepherds can be seen tending their flocks in the same area (even on Christmas Eve). The relevance of this land of herds is the conclave of this brotherhood, Saint John the Apostle, King David, Vernarth, and the retinue of animals plus Eurydice. They are beings of light that come to pick up spikes and sheaves, the seeds of the gramineous environment that surrounds historical vibrations of dissolution of resurgent energies from all corners. Despite being a thousand-year-old Canaanite city, this city now has the visit of this conclave that is going to loosen the chains that had been folded in its geomorphic genesis. Here the memory of the seeds and spikes are impregnated with the "Lady of Light" made and made of the divine seed that feeds generational infants, whose silence generously retransmits all those who will give birth to pain and all those who memorize your gesture. Mother, Parents, and children will go through the past of a farm that only admits one seed "Gleaning his Divine example". Flooding and spreading beyond all limited expansive creation of the Marian World. Before approaching the confines of the village, Archangel Uriel becomes aware saying: "Gramineous Consort..., herbaceous Shavuot divider Spike between races, lineage and family, typology, lineage and hyper gender... Here lies your superfamily thickening ancestral in daily sheep...energetic molecular matter..., golden passers-by flowers of Sutra thorns, glucose polymer molecule, herbal and decreed perennial network...vascular bio Mariah..., graminaceous chopped stems..., crowns to the precept! striated Angiosperma, the tabernacle, prevented weeks of your veil and hoarse ritual...Bethlehem..., on veiled feet, golden tornado wind....extreme advance..., carrying flowers to your Messiah, re-blooming womb, scales and pitch collapsed on your candle..., varnish between milky honey... traditional ancestral embryo... full holistic, skillful milk and aloe-myelin and consummate Messiah..., pheromone teaching nativity..., rescinded to Nacer. Here is your Shavuot Hexagonal Architectural Primogeniture where nothing is born and nothing dies, mutualism roar great prayer of subspecies... high-sounding and metabolizing Big Bang..., intra-species, specimen Guru-intuitions, Sheets in beads..., between Ruth's fingers and her uninhabited herds, Druid plant ficus..., sagebrush, plain rock, and rainy past weaving, Here below you I double its wool in July... Sheaves of wool that undress, Brave Period and histo-weaving tillage..., fateful hunger and cotyledon... Bread on tiles of your altar; germ to satiate..., awning to heirs to plunder...A quarter of your barley toast..., will prostrate itself fascinated supposedly in a rooted basket, Junco discerning in thunder, pseudo-diaphragms reflowered millennia, perfect Sheba of Seven knotty and amplified trumpets between the eye of the Universe... thousand-year-old Reed roots on the back of my hanging donkey distilling in the confines, affirming themselves still and tremulous of ogre sheaves..., restless Davidian affirming themselves in secondary roots..., in bifurcated grass lights,... in empty Davidian center, through the Davidian center big bang space of Bethlehem, Messiah..., ear of the Lady of Light...! between prayers of forty and more to the right..., multi germinating." ... in the empty Davidian center, through the big bang space Davidian center of Bethlehem, Messiah..., a spike of the Lady of Light...! between prayers of forty and more to the right..., multi germinating." ... in the empty Davidian center, through the big bang space Davidian center of Bethlehem, Messiah..., the spike of the Lady of Light...! between prayers of forty and more to the right..., multi germinating."

Saint John the Apostle is frozen by this senso-oratory, lengthened his phonetics, his words, and accents, making himself almost unintelligible as he tried to record himself and imitate what the archangel recited. The slopes that formed a beautiful valley moved to the opposite ones. The verses transmuted clarified energies, caloric and meteorological, the wells of the oasis sites that dwelt for millennia lit up like rubies in a Pingala aphorism, resurfacing in borders that adorned the presence of visitors. With energy channels and energy wheels, they traveled like turbines to the left brain of Bethlehem where north and south intersected vertically, pouring out the Prana that threatens the storm of the intellect, which sleeps what awakens in the port angle of North and South. Thus Bethlehem received visitors who entered with their ungulates, faking being nomadic mountains on camels that prowl in random sedentary circles. Shofar and Asherah, already set, begin to direct their destiny to the heart of the Nativity area where their origins and areas of the omnipresent West Bank strip were. They entered with strong winds clinging to their bristling camelids, everything had the atmosphere of a city as if it had never been inhabited. The fringes in floods of the sun were distinguished orange-reddish weakened before storm gradients from the Red Sea and the Mediterranean placating the Hexagonal primogeniture. Although squalls were appreciated with agile movements in the local atmosphere, several layers crossed with the inheritance of Persian cloths in colorful blues and orange tints coming from the red sea and the quarrelsome storms of Asherah "The mother of all the gods", and He who was the "father of the gods". Known among the Babylonians as Ishtar originally called Athirat (or Afdirad). She is the great Semitic goddess of fertility. In the Bible it receives the name of Ashtoreth, a distorted pronunciation of the original 'Astart by including the vowels of the Hebrew word boset (shame) according to the custom of the rabbis, to discredit the pagan divinities. Asherah from the Bronze Age (before 1200 BC) The Greek form is Astarte. Astarte was considered the "goddess of the Sidonians". In the Amarna Letters, she is Ashirtu and Ashratu. The Ras Shamra texts identify Asherah ('atrt = atirat) with El's goddess wife; they call her "Lady Asherah of the Sea" and "progenitor of the goddesses", here she would be the mother of these discredited Babylonian forms caused discomfort and discomfort in the face of a living past and present in the intangibility of inheritances that greet others that could supplant them. This caused heating of the ground in the podiums or legs of the animals with an abnormality of the Greek-Babylonian wormwood prostrated at the feet of Asherah, leaving an odorous atmosphere of wormwood in the land of two native Kings of this jurisdiction, attracting dissipation on the roofs of some surrounding houses to the precise place where the Messiah saw the light of lights and those who waited for him together lighting him with candlesticks. This sacred wind caressed everyone's hands and insinuated them to take charge of the new Bethlehem, a vicissitude that was being reborn with the illustrious visit of the Apostle. His consolations were dilated as any caravan that increased its predictive volume equalizing the pressures of the air that surrounded the streets where no one appeared and was seen generically. This centrifugal force rotated their terrestrial spirits, originating the birth of a great thickness of crazy gases that populated the roofs of the village. Thus creating greater weight and highlighting the freshness of essences that were torn from the soil with the aroma of grazing, explaining to themselves the presence of sub-areas in the West Bank and insolating redemption of the arrival towards formal merit contrasted by the gesture of being staying next to this at night, and varying many times until bringing them the holy sacrosanct condensed water, deregulating the thermal sensation.The density and buoyancy of the animals' legs made it difficult for them to select the right moment to stop and dismount. The aerial relief that went up and down went up on the walls of a few rooms linked to the nativity stable, pressing on them the adjacent words that were allied from the ground to soon arrive in an ascending spiral converted into light and wind on the seventh horseman; King David, appearing to them right there..., right there before Him his Abigail, the third wife who gave him an advanced reconception by presenting him with an altar that will endow eucharistic missions during his admission to Bethlehem. On the gradient that led to the hill of the stable, an unexpected phenomenon swirls around them, affecting their vision and consequences, rotating them all to the rear of the original access to the stable. Converging winds on the ground and upper external part of the stable and causing an anticipated shine of the space that would prolong them to under-understand that they had already arrived but were still seven hundred meters from the main access and that the city was not Bethlehem, but another that seemed to emerge from the arid soil next to the stable, dividing into inter-strips that rubbed against the original and current ones, in such a way as to generate a great development of the subsoil on the vertical that sounded stentorian and vibrating as if in a long stay on the distributed assistants in this supra abnormal regime. They arrive exempt from grievances but dismounting gentiles..., the sixth piece of crowns of Kafersesuh bringing the fertilizations of the Ibico Ring 6, for the central stage of investiture under the shadows of Hellenika and Theoskepasti, where everything will be endowed with the greater Ibix called Wonthelimar together with Leiak. David speaks: "When I approached Moab, I asked for asylum in the protection of my parents..., so I myself would burst the eardrums of the Philistines for each rugged network of links that join me in sponsoring my counterattack advance towards their domains. In their unknown territories of the enemy appears before me a noble and friendly joy; Abigail, who fills the history of my land with beauty before the very son of a cruel Canaanite; Nabal. She enriches my lands more than the entire multiplied population of animals every time I count the units, I look into her eyes and forget the greater amount that moves her heart towards me because of that I did not spill blood on the house of Nabal. Being Abigail is the one that replaces my union with the Faith that moves my passion. Abigail then kneels and touches the ground where he was making the sign of the cross after assigning a cross kissing his hands, on his forehead and chest. Thus, from somewhere her parents reorganized the garments to ravish Vernarth for the bi-connected purging of him with that of David and the Messiah-Vernarth. As in the Jericho tale, Alikanto, Raeder, and Petrobus galloped around the periphery of the citadel, with the full force of the steed's Golden hooves kicking up liquid and dust from the Bethlehem water tables. Alikantus did not carry an amount on his back..., he carried an Áspis koilé of the Vernarth Hoplite. resume their advances in buttresses to build the walls, that they had to mediate to weaken Asherah's overtures to disagree with the citadel borders. The Apostle, Etrestles, and Vernarth blew the shofars as many times as they gloated the perimeter of the city, and they believed that there would be more rounds..., on the divan was the Shofar that could sound more times and louder, it was intact..., but it ran to blowing it Vernarth not leaving a single drop of air looking at the sky that would appear with three bright stars filling the anxiety and attachment to break the Easter bread for everyone. But it was not that effect it was the astral echo of King David's Betelgeuse that emanated with his breath also helping to raise the walls that would protect him from staunch invasions of the lackeys of Asherah. In such a way that the partitions were raised until reaching the governorships of the words of the watchman angel who coordinated everyone saying: Watchman Angel: "For us the partitions, for you the roofs, on the heights the limits will mediate and on their Shofar they will define to Asherah, without any city where to go and come" Such exordium is fulfilled and Bethlehem is surrounded by golden barreled partitions rising in remarkable walls and heights to placate the roaring winds of the Canaanites as in Jericho but the other way around, where they succumbed to the mandate divine to allow them to settle in the thousand-year-old town hall. Finally, they remove the twelve camelids from the ante circle that did not allow them to settle in the settlement, managing to settle down to revive a bi-natality and double reign of whose splendor only the luminances of the Messiah and King David embracing them will speak. From the extramural continents they remain desolate, they revive the pristine and angelic countenance of Abigail bringing dinner and a fetish Shofar to each one of the components of the Hexagonal Birthright that began to continue the seven weeks in Judah. The legacies of Magraner"Punica granatum" were bushes that appeared to them in the focus of the micro center of the fire, entering with some tenuous and sinuous branched thorns getting muddy coming down from the tassels of the Shofar feeding the curiosity of all those who were encamped surrounding a fire full of sounds with new positions of devout pupil sounds of high Jewish principalities, cordoning off objects of the Apostle Saint John who shared it with Etréstles..., giving sonorous instrumentalizations to rams that came around them... looking for ravens that jumped on their heads. Due to the binding and cracking of the shofars, in the opposite works of luminosity, the bonfires hung over the same faces of the wise counselors who unfolded them with their young shiny branches and sheaths before others underexposed yellowish-greenish with obtuse apexes. Resigning shallow marginalized exceptions, polygons of pre-flowering and shofar-formed on valves that escaped from ashes of shutters that were detached from the last fleeting flame of each minute running to the right. Everyone collected the nectars that the legates poured into chalices, drinking them lying down to swallow them while reclining and being able to look at the stars that emerged from albiceleste flavors, rinsing the arms of each one by touching them with the shofar like petioles stems on the seven ruminants that sought to recover what they had they made heavenly sounds about themselves.  Etrestles says: rinsing the arms of each one by blowing them with the shofar as petioles stem on the seven ruminants that sought to recover what they made a sound about themselves celestial. Etrestles says: "When the shofar speaks, past pastorals speak inside and outside the community, the most outlined has been to understand it as a trumpet of bony projection; that is to say, formed by a bony and pointed matter that is born from the frontal bone sealed by a layer of keratin that forms an aerophone horn cover. The horns of Moses come from a translation of the original biblical text perpetrated by Saint Jerome. When Moses descends from Mount Sinai, where he met with God, "the skin of his face had become radiant" says the Bible (Ex 34, 29-30). In the original Hebrew the verb "to radiate", and "to emit rays" is from the same root as the noun "horns" so Saint Jerome did not think twice and translated: "cornuta esset facies sua", or that is, "his face was cuckolded".Taking into account its timbre and sound quality here with you, it is not difficult to associate it with the sound and with the golden patina simulating Messolonghi's fingers..., which three by three-piston their bone reaches linking in some ways of beauty, goodness, clarity, brightness, and stories that will accompany us in this bonfire between these raised walls to level the vaults of the Messiah's nativity cries. Calibrations and catechesis on the real moment of his symbolic Lineage at dawn awake and alive, with waves of graceful voices with goat hosts reordering the urban matrix of the erected town..., everything will be at the expense of surrounding us and pouring out the voices shuffled with the shofar to protect us from Asherah in his eagerness to move us away from the fundamental site." Vernarth intervenes: "In this passage it is clear the capacity that the shofar..., and the sound produced by him with our similar voices being amalgamated with him, bawling and modifying the environment to a polyvalent physical dimension. Now we are a herald of goodness, beauty, and reconstruction, part of a noticeable dialectic to neighboring Canaanite cultures as a sudden reconversion between what was built and what is about to be founded even if something were to disappear in it. The wall was rebuilt in reality surrounding all of them beyond the golden light of the shofar producing today's creation and not devastation, encapsulating kingdoms in wisdom and lucubration..., this is where we have all come from the return of didactic cultural forms independently to attract us towards his teachings in an anonymous converted world with the purpose of reconverting itself into a solemn alert that precedes us.



Paraps XXVI

Messiah of Judah III part

Miracle IV- Baptistery

Stressed knowing that he was on a hill reserved for the beautiful settlement and elevations to the east of Bethlehem, he understood to facilitate the unusual lighting. stress; Leader of the Koumeterium Messolonghi felt that after thousands of years of his life in this Holy Land a great value of omnipresence. The Miracle of Christian protocol would begin with him paying for votes and tributes in the Church of the Shepherd's Countryside. In this rock of special mysticism, "He begins his rebirth in his tenth life before there were nine in Messolonghi (Koumeterium Messolonghi-Editorial Palibrio USA). A miracle happens that transships him to caverns that would transport him from the oldest of the past nine cycled epics in Kalavrita, Kalidona, Patmos and Messolonghi. Here he will come face to face with past lives, in The Fountain of the Shepherds,   in this analogous with allegorical motifs commemorating the shepherds and their flock by those who crown this fountain, having before our eyes the sculpture of the shepherd and under his feet floral motifs such as palm leaves, heads of cattle, sheep, and ducks in the act of drinking. In this hexagonal source it is equated with the Hexagonal Primogeniture, here is the miracle that would come to arise to reunite with the intangible Creation and Illumination as clothing. They thought they were closer to the village... but in reality, they were three and a half kilometers from the village itself, in a fenced compound with a wide path that runs through the park on the hill between trees and lush flowers that clearly evoke the place where those First-century shepherds brought their sheep to graze. We were all dozing off when certain royal decagonal sounds would transport us through the church..., on its decagonal plan, it appeared surrounded by four chapels and the apse that houses the altar, covered by a large dome of mortar and glass that lets in, illuminating the altar as it did. the guiding star that pointed the way to the shepherds. Here the murals that protected us from the hosts of Asherah had already disappeared. Most likely, they were keeping vigil over us with great chandeliers as they opened up in swamps from the sclerae of our desolder eyes. We were trapped by the quagmire created by Raeder and Petrobus in opaque clouds of sheep manure spilling through the corridors of the unknown worlds of climactic grazing. We went to its structure and over the entrance door, we saw the angel of the annunciation and above it, a singular bell tower incorporating us into the façade through three relaxed arches. Inside the beautiful fertile field from a marble church in two colors, some spaces could be emphasized, to which the columns that support the roof also contribute. The chapels are adorned with precious frescoes that represent scenes of the annunciation to the shepherds and arrival at the birth and altar table that is supported by the sculptures of four angels above all with the appearance of the hexagonal primogeniture between these angular stones. That hexagonal and polygonal effect in both parts were intra-excavated from their own vertices, They crossed a straight line from the north in a double semicircle that was concentric in the precise diameter of the equatorial inscribed in the central circular bleat that a sheep lactated..., here the shepherds arrive and receive them with great hospitality in symmetrical affability, shaking them with their shofar. over their songs and tunics..., each one was blessed by the nascent air of the other more than a steppe grazed by ruminants and palliated mouths. Twelve degrees to the right in the sixth wick of the Menorah, a regular silhouette was lit, becoming this intangible whose thirst makes them drink water from a hexagon well much more equidistant than walking between themselves, moving their hands with all the urgent emotions and dynamizing numb emotions that would vibrate from the third angle by clothing them with vertices of light that shone from the convex morning. There were six complex roots equating each other on the regulated plane of animals, which were parked near the medium stone walls where Raeder would climb to run over the walls, standing out more with each side in which the same forms of expression could be appreciated, embraced and emphasized. those who could decide to generate a rebirth of two kings and that of Etréstles by an internal lighting hex. Close to the church, colorful caves can be seen in the calcareous rock that dated back to the fateful Herodian era, denoting some surprising utensils found, of which we know their mission of the chapel when the diocese was founded.

Etréstles, receives a luminescent self-radiation immediately from caring and guiding as it has always been, but now in a tenth luminescent life in living connected to its own cisterns. An enjoy approaches him showing him his paw..., the curious thing is that this dog had six fingers, there he was convinced that it was his generous shepherd and that he would take him through internal labyrinths of his lighting by the sixth finger to help more unwary and unconscious beings that illuminate and grant subconscious existence in pumps that have lost their law in affront and self-rebellion. His sedition would begin with the substitution of grass so as not to depend, but rather to maximize them in the cavity of their stomachs, so he began to wander through the hills seeing how all his sheep fed on dry land, without any water source.

Raeder ran along with the cover of the stone walls, Petrobus turned around the perimeter of the inert time of the upper ledge, and the camelids raised their shining legs filling the herbaceous pastes in their timbal snouts, Alikanto sensed that only three kilometers away he was already presenting himself. the stable where they could surrender to the intubating silence and the innocence of a super little one who came and appeared..., knowing everything. All animals eliminated pastoral toxins and pheromones being free from enterotoxemia, distributed from the soil and the gastrointestinal tract of the youngest, not appearing in the holy ovine soil with the bactericidal absence of Hexagonal Primognitura. the pheromones in this chapel it was assimilating between special olfactory glands that would reign. They would fan the wings and its bursting abdomen, rubbing it on the roof of the prominent chapel like a domestic beehive. They would exchange the oral use of the inaugural soil to receive them in the animal creation controlling the cells of the chapel and segregating the maintenance of the backward world. The mandibular pheromones could be seen falling to the slab of the church, becoming sticky as they progressed to and from everyone's entrance. The pheromones of the sheep created recruitments of the others in the integument of each cognitive inflection plotting them to enter the baptistery, something like that would never have been possible, this was a great miracle in the rebirth of Etréstles when they could enter their own womb..., they lay down on Etréstles passing over his abdomen generating honey from his own mouth, giving the pheromone of the sheep when transiting and of the bees that provided him in his abdominal cell. Chemo Neurons and receptors renewed would be in charge of expanding circulating olfactory lines, causing an electro transmission of energy never seen before. Everything happens as a result of the metamorphosis of Etrésltes and his hairy clothing often lives on the backs of neurochemicals filling him through the largest lobe of the winch, which he had and carried in his hands and which he had requisitioned from the nearby mill of the ancient Christians who lived there. The apostle says: "Each verse..., a molecule, each surface a new system..., each membrane..., the rebellion of stimuli..., energy chain, sensitive organism..., neural axon, physiology, six hexagonal angles Pastors and Primogeniture creating together with a new genetics of harmonious existence that does not tire the sight of the Creator, seeing how everyone has fun in the garden of their house" The baptistery has a hexagonal base, which coincides with the primogeniture, since it is based on six anthropoid-zoomorphic elements, missioning after the vestige of memories of the Messiah, whose doctrinal base will predominate the exiled Apostle who miraculously returns to be close in the church of the shepherds with six angles that concentrate their escort, towards a single center of the tabernacle that will be reborn in the figure of Etréstles de Kalavrita. Vertnarth says: "Blessed light of luminescent glories that you have made of today that nothing ends in nothing..., everything begins..., this plan transfigures the purge that takes longer than the light that does not turn on from the darkness surrendered before its vassals. Now king tomorrow vassal, now sun tomorrow darkness. Nothing produces pain only temporary blindness, what hurts the most is exposing your face to death and your mind, In Ein Karem, two ears in spring besieged Etréstles falling asleep on the cross that was in the bell tower, could not wake up the next day among molded bronzes. He had had excruciating nightmares that prevented him from waking up. This is how he describes the dream: "I was heading towards some heights of Ein Karem when I was going near some hills near said city, some Roman Praetorian soldiers appeared to me and arrested me. Suddenly I woke up after having recovered from the severe beating they gave me, they interrogated me again, and they put half of my naked body in the middle of the body of an underground cistern, trapping me towards it by the enormous ice that was distributed in my body. They told me that they only wanted to test my resistance to water in this cistern to test my Hellenic Constitution by resisting darkness and high low temperatures as a Hellenic foreigner in Hebrew lands. Well, I was always very intrigued by everything but there came a moment when a luminescent light settled on my head in Ein Karem..., it was Isabel, the mother of John the Baptist telling me that there was a path where I could escape. At the moment that the guard came towards me, she surprises him with a viper that stings his hand..., quickly escaping the guard. Surprised I ventured to escape but when I was far from the cistern I returned to thank Isabel, I found myself face to face with the viper that was nested in the rags left by Santa Isabel..., Likewise, in the textile fringes, the viper uncoiled biting me in my right hand. So I had to leave quickly and go find Kanti who was waiting for me in a suspicious meadow. Precisely he took me to the edge of a bush where he pulled me close and with his snout he licked all the poison out of me. So he woke me up in the bell tower of the baptistery in the spring with the ears of a steed." Continuous parapsychological regression: I had been left alone in the hexagonal radier, full of brambles dressed in tides that fell from the bell tower on my wound. They had all left because they couldn't find me. Immediately Kanti took me by the hand and put me on his back, to go to Ein Karem; the Land of the threshold of John the Baptist. We headed to an important Christian site which was the birthplace of John the Baptist. Everywhere grace abounds on every fence, wall, and path, we rode through the alleys for hours until my wound healed enjoying my prayers while riding on my beloved Kanti. I felt that the left ear of my sorrel when walking without a shadow, showed me the essence of a prepubescent who had been born in this village, where his mother, Elizabeth, the mother of John the Baptist, became pregnant and gave birth miraculously. Here, before this same lure, the restless right ear of my beloved Kanti told me that there was another child who was in his mother's womb; Mariah who was also pregnant with Jesus, and for this reason the village well is now called Mariah's Well and its waters are considered canonized. Kanti's parable: "By moving my ears forward I see our comrades around here near and behind, and in yourself, I love healing your wound. Now I will continue with my ears ***** and flattened back, making myself invisible to the Praetorians who want to target you with their leprous tongues." So I will continue with my advanced antennas forward and well dilated to hear the good steps of our comrades. Likewise, Alikanto kept his gaze on some pomegranate trees that stood out on the stone wall at the bottom of Ein Karem, while the chestnut advanced, he mobilized the base of his ears. When he felt allergy in his forehead and in the arched anatomy like super Kanti. In the domestication of him and in the use that Etréstles gave him after long days of the war, his steed had a tendency to suffer stretch marks at the supra muscular-osseous level. Showy macule like this, but not in his anatomy of immortal Equus as an external anatomical and physiological steed. Here the membranes of his cardiovascular apparatus are opened, separating him from divided Cretan and quadruple blue blood, turning in his Lazikos dance with hyper-oxygenated airs locked in the Ganymede sprouts when he was kidnapped from Mount Ida. In his exile he took care of sheep..., Zeus looked at him out of the corner of his eye and his own bled..., Zeus fell in love with him on the spot and sent him the eagle, "Which Kanti has interpreted here as the blow of Saint John the Evangelist missioning his telepathic vibrations through the corridor of the monastic cell on Patmos. Knowing that this steed and namesakes are of origin from super ventilated atmospheres and foggy areas of the northern coast of Crete. Calling himself that, about stunned himself..., about the serpents that snake sparkling from religious Hellenic mythology, between Chthonic gods or spirits of the underworld, opposing the celestial deities. The timpani telluric tremors of the hexagonal tectonics would merge with those of the chapel of the shepherds and that of their percentage share in Etréstles, of a sixth portion of the sixfold Hexagonal primogeniture. The steed's morphology resembled that of Ein Karem in super-ordered hoofed limbs like those of a mammalian placental, walking in the cracks of the quivering fingerprints of its odd footsteps. Etréstles says: "His head is the same as mine..., neck and trunk, the sigil on his pyramidal neck in which he could read the Torah. The technical nasal orifices of it are beautiful straps surrounding the headgear, touching his weariness beyond the vigor of finding him in a place of sherbet of the cisterns after having dealt with the leather that pulls his pair of smooth ears, over the blind spots maneuvering in the cove of his beautiful Cretan poetry being like that too when blue smoke smoked from Hestia's orphaned chimney. Fine trapezoid grace where her neck nails the circumlocution of her knee and the gauntlet of her inseminations and straight mane regenerating and blocking the rays of Zeus in the concave cups of Ganymede spraying them on her beard and mouth the liquor of sober trickery. I continue in the balance of so many battles won, with my Xiphos and Áspis Koilé,... beyond fearful purges that allow us to find ourselves around the corner in front of Vernarth, waiting for us to shelter Kanti's ears in Ein Karem. " They left Ein Karem after having had the vision of the Mount of Temptations even being far from the place. Grouped together again and looking at each other, she saw that his face was rejuvenated, putting his Herodian gestures in the company of King Davidian.The Messiah was born, a King without a castle or subject knowing that children under one year old are attacked by plagues or sacrifices. Messiah King of the dying world compresses for what bleeds the divine blood from him. A trifle of Messiah in each one speaking with their eyes after looking at several roofs without their own roofs, all serene,... without blemish in the middle of their faces in the violet iridescence, sounds and choral masteries that emerged from the surface in flocks of white from the Azores islands, they rained multiplying on their wings before arriving at the mass of the annunciation near the stable. Vernarth arrives and sees people gathered with their heads together and holding hands, others holding the bells of animals to hear the sweet voice of the little boy rippling like cotton in the harvest from the braying of a colt that dozed in the shade of its parents before eating. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable. Vernarth puts down his sword Xiphos and genuflects and crosses himself with the hand that allowed him to move his fingers against his right Lynothorax wounded in battle. He makes a metallic cross sign by crossing his swords with water flooding the sidewalks of ultimate dazzled ideologies. One day he wandered away from the alleys of Emmaus where he had visions of Praetorians discovering idolatrous moods and scents of a newly arrived child from the white clouds of an approaching stable.Intrepid and with light-years, he came crawling in his arms with his crown traveling from the smallest space that relieves the world in a Templar, first-time and omega period, with the appearance of being born by all. Perfect and newly born with frequency blue body, blood, and eyes. Covered with gummy gelatinous substances..., anti-Herodian; seeming to save others with their small hands of the divine womb, which manage to enter the heart of God, even having fingers that do not reach the edges of God. It never seems strange to him, only that his ***** seems to never come out of him. But it is spontaneous, he sparkles outside the womb of his holy mother with the immersed placenta in the prayers of the induced shepherd of the womb of the ****** Mariah that great arms shelter the orchards to surround all those present in birth that seemed like that of a donkey's ******, who could raise his son to be King of consecrated animals as well as few making dalliances to the right of the resident Menorah getting up early. Vernarth says: What are we to expect?...the vigil...with his shoulders hunched and his head pointed north of Jerusalem this little king bent on his pre-fetal knees, after nine candles to the right of the troubled Menorah. Even though the midwife who helped the puerperal Mariah was not premature and they distanced her from the halo parenthesis that playfully changed where to put herself, close to her saintly interior, that is, triggering the powers of phosphorescence. Self-creating a thick but light layer of psyche that would make him already independent of José and Mariah...and if they weren't! His fists since childhood had signs of a stigma when he was just unborn and not born, azure flames came out of his hands lighting up the eyes of his dazed parents. Rabbi's golden machine lactated seriously when her mother slept, she didn't allow him to see her conscious of her drawing intra-lactations of the lymph from her entrails, whose gothic light ****** the dominant Magnificat of the Vulgate. He ****** on the object to take her lactation and her left hand to space it out to all who wanted to go into meta-object lullabies. Thus, her thumb and finger are introduced into her mouth, pressing them on her startled palate at the braying of the graceful donkey. All those present took with their hands the others with their own thumbs, returning to their childhood cycles just laying down in the manger. At that moment, far from feeling the imagines walking near the fields of vision, shiny noble metals..., their candelabra eyes dazzled as if they were brothers. Here he moves his arms copiously as if wanting to fly from there, with the vigor of her winged mother, to follow her beyond a tender left-handed Golgotha ​​deception. That he kept the pendulum coming and going from one arm below the other as he turned on top of her, embracing her lush maternal hand. His early nervous system was celebrating on the back of the colt, highlighted with rags in temples that he imagines to be sacral effluvium in waters on the flat beef, the camel and Raeder and the Petrobus Pelican and other animals that were on their knees smiling with their hands glued to each other all sweet to the right of the sweet nectar of the Magnificat. All the excited animals still trembled with emotion on the demure ground of this alpha biblical moment, all imitate the trembling animals but each of the adults who were there hugged the hands of each animal and child present as a sign of giving comfort to the parents together to their children who seemed to be already an adult saying goodbye to their birth. His scaly breathing was full of anagrams of Magnificat, they used to trace analgesic sources of the dream of seeing him between golden and straw fistulas of grasses breathing next to him. The voices were felt from outside of those who could not enter of glory and breath without equal of the rancor of the world distracted in a piece of tin and hardened hearts, now resplendent from seeing so much sleep looking at them and drowsily yawning in a golden child. When they breathed her glory, they followed the patterns of the priestess Deborah, who for some normalized her feminism and strength as a mother breathing the libertarian history and matron of a nation that should have been born in a Judah stable. Mary and Joseph were distracted every second looking at him, they felt that the Messiah grew too much, worrying them about this strange unreality. They breathed more than their own son seeing him without breathing that they had to do it in the garden of the man who allowed him to do it today. As long as it took their parents to distract themselves, Saint John says: "Godson and Man, the priest made Pope..., the minors run after the elders, the bible for more apostles so that they swell and spread it, that the gospels add more pages and favorite editions. Prochorus; you who are...in some seat of Patmos prepare sacred parchments with thick corpulent ink..., which will reach your cell and seat. Studies..., something wrong...? An anointed Christ needs us to write for him because his hands are asthmatic in the words and in the inspiration that you move all the pages of the world reading them scattered and disserted,....in each well and each step was son and man, where king and mother and where each mother has to dry the cloying slime that dries up the mystery of having her white and emaciated. Let him sleep, perhaps when he wakes up he will meet a Messiah who will never stop being in his arms.

Kafersuseh. One-Dimensional Beams

More than two thousand years ago there was a mischievous infant who looked and looked curiously at the beams when he was born in Bethlehem..., especially ones that crossed! This happened in the polarity of the magnetic stable of Bethlem in a portal on adjoining hills that received him overflowing. This glorious empowered looked at the beams that wore ingenious crosses, seeing himself there being still an unborn he knew that when he was born he would already leave this unborn universe. Above the trusses that riveted the frame, he approached with his lonely gaze above the roof being able to see some beings of light organizing a Eucharist on the roof of his stable two thousand years ago that could be more than an edict that he would inaugurate the sagacity of caring for and giving newborns what many wanted to see but few knew who he really was, even having no record of him or his lineage lost in the middle of the strips of hay. Says the Messiah: "A few minutes ago, or more than two thousand years ago...? I counted the times that the Res waggled its tail, and I realized that he already had selected visions in Kafersuseh, higher than the ceiling of the beams..., in the sunroom, some outcasts also visit me, reborn and loving. It even has to be detected that someone came from far away but arrived late, I was only able to observe him know how to join him to my pariah criteria. He was tidying up the altar receiving orders from the unsupportable upward hardwood scaffolding telling him so; "That everyone is in alliances lining up for those who didn't fit in the stable." I looked at the roof of the barn seeing beyond...being able to verify that my custodians were there preparing the beams on the plugs that crossed each other to climb to greater viewpoints after rubbing the rough coatings of their flogged texture like whips from the underworld of Elpenor. That gentleman remained, and not when I lost sight of him with mine as a child-man, since only he distinguished me but not so the beings of light. The disillusioned Eucharist was being consecrated. I never rested in looking, resting in a forever, because I saw that my eyes became fringed lights in the lasting oscillation of the chants of the reveille or the tri sonar of the shofar. During this time a rising angel appeared, trying to get in and out then he belatedly decided to join the group of shepherds who were herding their sheep in the fields near Bethlehem, and he told them that he brought good news because the Messiah the savior of the world had been born. The shepherds left everything to go in search of the newborn since the angel told them that they would find me sleeping or in dormancy..., but I was not staying on the manger, since I was up in the space of three sounds of bells, almost farther than close to those who announced my advent. After three sounds of bells, three shepherds of light came down from the roof seeing in me that they recognized your minds, thus being they who blessed my journey on a day in the Middle East, even being on a roof next to the paradise that I officiated in the splendor and perfection of the world as a man-child not far from the magician outcasts, who parodied all the songs always with followers of Zoroaster and my Kafersuseh up to Gethsemane and towards my mother. The Messiah was still abstracted looking at the sky while he was busy putting his body to sleep. There is no doubt that his unfolded being made him move his first steps in original words that alluded to a game of learning to give the first in Judean usage on the stables.His disconcerted hands of his body made dance stories of those who were close to him, making only about fifty grouped there in watermarks that ran like seconds within urgent minutes without time gathered in the Jewish dawn of Eretz-Israel. Saint John the Apostle says: "God is concerned about the material world and about this creature of His that predetermines us. This is the amazing thing about the Father and the Son. Behold... I will walk in the dark, not in the light. So you will see the trait that not a lifetime will take me to know which in its similarity and who inherits the body and soul of it as in the hands of a bumblebee. I feel love over the hate of others, I see the light that could be a self-confidence to those who resound in their tired and inattentive ears, maybe that way they will see when they can see better without listening attentively to the sound of the bumblebee. I see the verses fly and how they fall one by one on my soul in order obeying the flocks early, like a herd ordering those who one after another look at each other later ordering the perfect law of the beginning in a reconciled end "In that instant, fragrances of the dense flowers in water transmitted the anxiety of those who wanted to continue listening ecstatic and fragrant, but as they got rid of their presumptions they fell into the abyss on the banks of the cliff garden of Malaki, where many of them coughed or cleared their throats luminances that attacked their feelings wrapped in judicious phlegm on their limestone tombstones. Vernarth says. "Drink with me..., I have a new concoction from the beginning to the end where the branches enter with their effect from the same branches the true light that savors mistakes and slips comes out towards you. I have scabs from many shadows, but the unfaithful passion that hates me with such intensity is ennobled when seeing me prostrate before the Messiah who does not tire of a new change when seeing how his rounded limits shine on his face, much less of adapting in square limits nor to continue being born and dying, by drawing the curtain that his selfless mother always shows him to sacrifice, immersed in Gnosticism and of all those who tried to relate it " We will not be able to ask ourselves many times who we are being in front of and every time a child is born amidst variations that make all mischief its preciousness because it is born from the locked heart dancing in the greater acceptance of the welcome cycle of being born and being reborn. Even so, never having been among them, the systems of credibility are tired of their limestone material..., they register and suggest all kinds of contemplations in a vague naivety that shines between gold, myrrh, and frankincense. All those who were present transcend to resent their consciences by believing themselves spiritual while tenderness accompanied them, but not religious but the leadership of a creation will be presented to them in this stable that we see just being born that is above yourselves being born in all that concludes in an epistle under the dominance of "As you believe and love not seeing, what we see in us not believing" Indefinite before this stable we pray over the mother on her arrival, and we will pray in his mother when he leaves..., he is physical for those who accept him as a divine man and he is vainglorious for those who do not, those who do not tire their limits do not move the fence of their three-quarters demarcated, entering the undemarcated spirit as mobile emotional , girding a father and his image beyond because it escapes in our reason and faith, if not it is beyond or closer to what is usually a voluntary desire that always remains, if it is the Messiah everything is accepted in your mistakes of returning to reprimand after erasing the test of your random Being reprimanded, what the error feeds in you is digested by your active mind. Here we are extended before the anti Faith and Distended Will, underlying a new tradition that will need to relive it and get to know it if those of us who continue to speak of ethnic faith or about the naturalness of multiple tasks of their intolerances. Little Joshua says: "My fingers disobey me from her because they are far from my mother's, when I want to bring my visions of her closer to her, I throw myself into her gaze to ask her permission. But more than anything that leads us north, it flows faster than my shadow feeding on the light of the epistle. I sing and intone wills that come from so far away but I am distracted by looking and seeing those who organize an altar not so far from it..., up here on the roof. I feel without knowing and without knowing how behind them is my Father, and next to them in line the pavilion of the multitudes that sings me of haughty brave and Lord for those who are not. I never get tired of talking about the beams! they flex with the horses of the universe, and the dimensions intersected with my passion in my tension that falls compressed and falls reluctantly at the moment of tired inertia. The prism makes me hold on to the portions of the arcades of the stable, and this is in the creaking of my doubts in the desert of Jericho. The torsion in its mechanics as a noble beam, unbearable does what my reflexive pains endure so as not to stress the beams of others. From Nazareth to Bethlehem, a great effort to sustain the tension and torsion of the mechanics of the altar in the hands of those who fall weightless without feeling the weight that their load lightens on my back. In this slender mass and geometric beamed wood, the daily calculations that my father makes when he is tired to hold the world and my trova back are deformed, and when he is with impulses beyond them..., he deforms what the torsion does on it and does on the other Merida angles. And because as his son I don't know how to interpret it unidimensionally...? whose axis and radius I never knew how to understand, making myself wisely ignorant, taking hold of their garments strongly and of the mysteries that go beyond a constant creation in a stable" The Aramic Semitic language was presented in this Eucharist, on the Kafersuseh, by Joshua, He took his father in the stable with all those who came to see him, he looked at them beyond thousands of years to come to meet the humanity that lay grazing, always addressing them in Aramaic parables. While below the kings gave him offerings from the east, above beyond the studded beams, King David was consecrating him. Behind the King was the Father Creator supervising the thousands that his son Joshua would parley with Aramaic tongues, when the thousands of futures are consecrated alive in their astral bodies to the right of the Menorah, together beyond the archangels surrounding each one. Joshua watched carefully as his Aramaic lingual farming went further from Bethhlemem, beyond Kafersuseh where the evanescent height responded to a canopy shed of the beam that leaned on the stars, populating his trapezoidal back for a provincial development in his nonverbal escape from losing his unborn language And entering Aramaic through the divine membranes that descend through his olfactory halo language. However, he was already beginning to descend from the terrace to address the base of the peasant Christians who adored him and extolled him horizontally, lavishing him with water to distribute in their hands and faces beyond his visions. Joshua looked at Joseph and felt that his Aramaic was already his, but he would leave in advance walking towards the Garden of Olives..., towards Gethsemane, to meet with a frank theo-dimensional language towards his Abba Creator, surrounding them with Lepidoptera that burst their chrysalises plaguing taxa of Aramaic micro languages ​​to take them to their Abba who would await him in further ceremonial on the flat slopes that flowed with him in a language that might one day be lost as a dead language. However, this Arabic language will go in placebo on these pollinating Lepidoptera and they will go from the sacred lands to Gethsemane from their heavenly visions to Kafersuseh. In their homogeneity as dialects, the impetus of Lepidoptera began to be reborn here, traveling in nocturnal groups, to Gethsemane on the same day that Joshua came into the world in Aramean lights. When Joshua was born his Aramaic language traveled from the highest beam above the roof of his barn, to arrive with his biological Lepidoptera lingual species to pollinate Gethsemane. To migrate from that moment his word that he kept knowing that his body would be lost before those who tire in their eyes by not being able to decipher or read. Thus, transferring pollen from the stamens to the receptive macula of flowers in the angiosperms that will populate golden olive orchards mounted on vectors of the aforementioned pollen will be flown and piloted in more olive trees by the bees that will carry strains from the Kafersuseh in Bethlehem to preserve the moral language of Joshua. Although the new labors in humanity with all this and manner will go astray as a non-preserved language, not even imaginable at the birth of the Messiah until the beginning of a Gethsemane in a united Aramic body and language, but with an invisible Aramic body in those who do not you will be able to see the migratory flight of the Lepidoptera applauding mixed with bumblebees.

Been dazed and confused for so long it's not true
There were kids
Sitting in the soft night's semicircle
Encased in a haze of smoke
The darkness enfolding them in a cloak
Of all mysterious things nocturnal
Making it all eternal
A superficial feeling of found truth
A white aura of blazing youth
Conquering the darkness with the fiery tips of lit joints
Puffing chimeras and golden illusions
Things left unsaid yet lead not to confusion
The substance and the glowing friends
Seems to fix everything and make ineffable amends
Lends them some heightened receptivity
With some dazzling sensitivity
To the dizzy promises of life
        *Wanted a woman, never bargained for you
There was blue bottles and red cups
Sloshing full of 21st century ambrosia
Every moment of the night
Is doused in glowing star-light
Different rooms, dark places
Different shadows, similar faces
        Lots of people talk and few of them know
There was music softly ebbing and weaving its way to us
      Soul of a woman was created below
Gleaming sequined pillows
Curtains ebbing in delicate billows
That no amount of reality could ever harden
In the black garden
Amidst the tangy, acrid scent
Boys and girls came and went
Among the soughs and the ***** and the gleaming stars
We are young; ***** replaces wine, blunts replace cigars
      You hurt and abuse tellin' all of your lies
An adagio of whispers travels with a florid vibration
Waves of words, swirls of conversation
High kids trying to touch
What has never been tangible
     Run around sweet baby, Lord how they hypnotize
These kids linger on towering stools and lush couches
Leaning back with careless slouches
Or wander back and forth
Breathing dreams like air
     Sweet little baby, I don't know where you've been
An elusive rhythm throbs in the humid atmosphere
Fragments of lost words hover on drunken lips
A stirring warmth flows
From bodies spilled together
Snuggled under a blanket of stars
      Gonna love you baby, here I come again
Hands take hold of hands
And fingers tightly interlace
Throbbing softly with fluctuating warmth
The room is electric, filled with tiny flowing currents
      Try to love you baby, but you push me away
In this wake of boozed up elations
All sorrows are aborted, all conscience is obliterated
Blitzed kisses are exchanged, transitory enchanted moments
Bemused nudges and tender embraces
Arms around shoulders, heads resting drowsily
All of this immediate and forever
        Don't know where you're goin', only know just where you've been
And the tipsy, blissfully mindless joy of youth
Gives them bleary yet satisfactory hints of the unreality of reality
        Sweet little baby, I want you again
The teens are flickering in and out of consciousness like befuddled fireflies
The sober ones roam the rooms, drifting haphazardly about
Simultaneously enchanted, bewildered, and repelled
By the seemingly inexhaustible variety of drunken fun,
The ****, adventurous mood of the night
        Been dazed and confused for so long, it's not true**
We are all so young
So young and dipped in the dust of folly
And our laughs contain a hint of melancholy
The magic of nights like these,
When the spell of mortality is broken,
Eludes us all,
Yet we cling to them
Like moths to a flame.
Nights like these dig deep in the stuff of the soul
But there is still much to be learned

God of the golden bow,
      And of the golden lyre,
And of the golden hair,
      And of the golden fire,
            Charioteer
            Of the patient year,
      Where---where slept thine ire,
When like a blank idiot I put on thy wreath,
      Thy laurel, thy glory,
      The light of thy story,
Or was I a worm---too low crawling for death?
      O Delphic Apollo!

The Thunderer grasp'd and grasp'd,
      The Thunderer frown'd and frown'd;
The eagle's feathery mane
      For wrath became stiffen'd---the sound
            Of breeding thunder
            Went drowsily under,
      Muttering to be unbound.
O why didst thou pity, and beg for a worm?
      Why touch thy soft lute
      Till the thunder was mute,
Why was I not crush'd---such a pitiful germ?
      O Delphic Apollo!

The Pleiades were up,
      Watching the silent air;
The seeds and roots in Earth
      Were swelling for summer fare;
            The Ocean, its neighbour,
            Was at his old labour,
      When, who---who did dare
To tie for a moment, thy plant round his brow,
      And grin and look proudly,
      And blaspheme so loudly,
And live for that honour, to stoop to thee now?
      O Delphic Apollo!

To earth.....
we fell
still and always
our footfalls together
mingle, entwined
our steps walk
the vastness of
time

To sea.....
sinking we swim
drowsily dream, lulling under
salty sea air breathes our lungs
Water weaves of dreams - bright distant sails
calmly blues, red rains
of willawaw gales

To air.....
deep the breaths
beat our hearts - to deepen
Expanding empty spaces - fully lunged our love
contracting smothered, small - undone

To fire.....
passion seeks it's flame,
billows the burning blue
We seek ever close, not to touch
lest we are consumed
by love

High on a mountain of enamell’d head—
Such as the drowsy shepherd on his bed
Of giant pasturage lying at his ease,
Raising his heavy eyelid, starts and sees
With many a mutter’d “hope to be forgiven”
What time the moon is quadrated in Heaven—
Of rosy head, that towering far away
Into the sunlit ether, caught the ray
Of sunken suns at eve—at noon of night,
While the moon danc’d with the fair stranger light—
Uprear’d upon such height arose a pile
Of gorgeous columns on th’ uuburthen’d air,
Flashing from Parian marble that twin smile
Far down upon the wave that sparkled there,
And nursled the young mountain in its lair.
Of molten stars their pavement, such as fall
Thro’ the ebon air, besilvering the pall
Of their own dissolution, while they die—
Adorning then the dwellings of the sky.
A dome, by linked light from Heaven let down,
Sat gently on these columns as a crown—
A window of one circular diamond, there,
Look’d out above into the purple air
And rays from God shot down that meteor chain
And hallow’d all the beauty twice again,
Save when, between th’ Empyrean and that ring,
Some eager spirit flapp’d his dusky wing.
But on the pillars Seraph eyes have seen
The dimness of this world: that grayish green
That Nature loves the best for Beauty’s grave
Lurk’d in each cornice, round each architrave—
And every sculptured cherub thereabout
That from his marble dwelling peered out,
Seem’d earthly in the shadow of his niche—
Achaian statues in a world so rich?
Friezes from Tadmor and Persepolis—
From Balbec, and the stilly, clear abyss
Of beautiful Gomorrah! Oh, the wave
Is now upon thee—but too late to save!
Sound loves to revel in a summer night:
Witness the murmur of the gray twilight
That stole upon the ear, in Eyraco,
Of many a wild star-gazer long ago—
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud—
Is not its form—its voice—most palpable and loud?
But what is this?—it cometh—and it brings
A music with it—’tis the rush of wings—
A pause—and then a sweeping, falling strain,
And Nesace is in her halls again.
From the wild energy of wanton haste
Her cheeks were flushing, and her lips apart;
The zone that clung around her gentle waist
Had burst beneath the heaving of her heart.
Within the centre of that hall to breathe
She paus’d and panted, Zanthe! all beneath,
The fairy light that kiss’d her golden hair
And long’d to rest, yet could but sparkle there!

Young flowers were whispering in melody
To happy flowers that night—and tree to tree;
Fountains were gushing music as they fell
In many a star-lit grove, or moon-light dell;
Yet silence came upon material things—
Fair flowers, bright waterfalls and angel wings—
And sound alone that from the spirit sprang
Bore burthen to the charm the maiden sang:

  “Neath blue-bell or streamer—
    Or tufted wild spray
  That keeps, from the dreamer,
    The moonbeam away—
  Bright beings! that ponder,
    With half-closing eyes,
  On the stars which your wonder
    Hath drawn from the skies,
  Till they glance thro’ the shade, and
    Come down to your brow
  Like—eyes of the maiden
    Who calls on you now—
  Arise! from your dreaming
    In violet bowers,
  To duty beseeming
    These star-litten hours—
  And shake from your tresses
    Encumber’d with dew

  The breath of those kisses
    That cumber them too—
  (O! how, without you, Love!
    Could angels be blest?)
  Those kisses of true love
    That lull’d ye to rest!
  Up! shake from your wing
    Each hindering thing:
  The dew of the night—
    It would weigh down your flight;
  And true love caresses—
    O! leave them apart!
  They are light on the tresses,
    But lead on the heart.

  Ligeia! Ligeia!
    My beautiful one!
  Whose harshest idea
    Will to melody run,
  O! is it thy will
    On the breezes to toss?
  Or, capriciously still,
    Like the lone Albatross,
  Incumbent on night
    (As she on the air)
  To keep watch with delight
    On the harmony there?

  Ligeia! wherever
    Thy image may be,
  No magic shall sever
    Thy music from thee.
  Thou hast bound many eyes
    In a dreamy sleep—
  But the strains still arise
    Which thy vigilance keep—

  The sound of the rain
    Which leaps down to the flower,
  And dances again
    In the rhythm of the shower—
  The murmur that springs
    From the growing of grass
  Are the music of things—
    But are modell’d, alas!
  Away, then, my dearest,
    O! hie thee away
  To springs that lie clearest
    Beneath the moon-ray—
  To lone lake that smiles,
    In its dream of deep rest,
  At the many star-isles
  That enjewel its breast—
  Where wild flowers, creeping,
    Have mingled their shade,
  On its margin is sleeping
    Full many a maid—
  Some have left the cool glade, and
    Have slept with the bee—
  Arouse them, my maiden,
    On moorland and lea—

  Go! breathe on their slumber,
    All softly in ear,
  The musical number
    They slumber’d to hear—
  For what can awaken
    An angel so soon
  Whose sleep hath been taken
    Beneath the cold moon,
  As the spell which no slumber
    Of witchery may test,
  The rhythmical number
    Which lull’d him to rest?”

Spirits in wing, and angels to the view,
A thousand seraphs burst th’ Empyrean thro’,
Young dreams still hovering on their drowsy flight—
Seraphs in all but “Knowledge,” the keen light
That fell, refracted, thro’ thy bounds afar,
O death! from eye of God upon that star;
Sweet was that error—sweeter still that death—
Sweet was that error—ev’n with us the breath
Of Science dims the mirror of our joy—
To them ’twere the Simoom, and would destroy—
For what (to them) availeth it to know
That Truth is Falsehood—or that Bliss is Woe?
Sweet was their death—with them to die was rife
With the last ecstasy of satiate life—
Beyond that death no immortality—
But sleep that pondereth and is not “to be”—
And there—oh! may my weary spirit dwell—
Apart from Heaven’s Eternity—and yet how far from Hell!

What guilty spirit, in what shrubbery dim
Heard not the stirring summons of that hymn?
But two: they fell: for heaven no grace imparts
To those who hear not for their beating hearts.
A maiden-angel and her seraph-lover—
O! where (and ye may seek the wide skies over)
Was Love, the blind, near sober Duty known?
Unguided Love hath fallen—’mid “tears of perfect moan.”

He was a goodly spirit—he who fell:
A wanderer by mossy-mantled well—
A gazer on the lights that shine above—
A dreamer in the moonbeam by his love:
What wonder? for each star is eye-like there,
And looks so sweetly down on Beauty’s hair—
And they, and ev’ry mossy spring were holy
To his love-haunted heart and melancholy.
The night had found (to him a night of wo)
Upon a mountain crag, young Angelo—
Beetling it bends athwart the solemn sky,
And scowls on starry worlds that down beneath it lie.
Here sate he with his love—his dark eye bent
With eagle gaze along the firmament:
Now turn’d it upon her—but ever then
It trembled to the orb of EARTH again.

“Ianthe, dearest, see! how dim that ray!
How lovely ’tis to look so far away!
She seemed not thus upon that autumn eve
I left her gorgeous halls—nor mourned to leave,
That eve—that eve—I should remember well—
The sun-ray dropped, in Lemnos with a spell
On th’ Arabesque carving of a gilded hall
Wherein I sate, and on the draperied wall—
And on my eyelids—O, the heavy light!
How drowsily it weighed them into night!
On flowers, before, and mist, and love they ran
With Persian Saadi in his Gulistan:
But O, that light!—I slumbered—Death, the while,
Stole o’er my senses in that lovely isle
So softly that no single silken hair
Awoke that slept—or knew that he was there.

“The last spot of Earth’******I trod upon
Was a proud temple called the Parthenon;
More beauty clung around her columned wall
Then even thy glowing ***** beats withal,
And when old Time my wing did disenthral
Thence sprang I—as the eagle from his tower,
And years I left behind me in an hour.
What time upon her airy bounds I hung,
One half the garden of her globe was flung
Unrolling as a chart unto my view—
Tenantless cities of the desert too!
Ianthe, beauty crowded on me then,
And half I wished to be again of men.”

“My Angelo! and why of them to be?
A brighter dwelling-place is here for thee—
And greener fields than in yon world above,
And woman’s loveliness—and passionate love.”
“But list, Ianthe! when the air so soft
Failed, as my pennoned spirit leapt aloft,
Perhaps my brain grew dizzy—but the world
I left so late was into chaos hurled,
Sprang from her station, on the winds apart,
And rolled a flame, the fiery Heaven athwart.
Methought, my sweet one, then I ceased to soar,
And fell—not swiftly as I rose before,
But with a downward, tremulous motion thro’
Light, brazen rays, this golden star unto!
Nor long the measure of my falling hours,
For nearest of all stars was thine to ours—
Dread star! that came, amid a night of mirth,
A red Daedalion on the timid Earth.”

“We came—and to thy Earth—but not to us
Be given our lady’s bidding to discuss:
We came, my love; around, above, below,
Gay fire-fly of the night we come and go,
Nor ask a reason save the angel-nod
She grants to us as granted by her God—
But, Angelo, than thine gray Time unfurled
Never his fairy wing o’er fairer world!
Dim was its little disk, and angel eyes
Alone could see the phantom in the skies,
When first Al Aaraaf knew her course to be
Headlong thitherward o’er the starry sea—
But when its glory swelled upon the sky,
As glowing Beauty’s bust beneath man’s eye,
We paused before the heritage of men,
And thy star trembled—as doth Beauty then!”

Thus in discourse, the lovers whiled away
The night that waned and waned and brought no day.
They fell: for Heaven to them no hope imparts
Who hear not for the beating of their hearts.

No, no, go not to Lethe, neither twist
   Wolf's-bane, tight-rooted, for its poisonous wine;
Nor suffer thy pale forehead to be kiss'd
   By nightshade, ruby grape of Proserpine;
       Make not your rosary of yew-berries,
   Nor let the beetle, nor the death-moth be
       Your mournful Psyche, nor the downy owl
A partner in your sorrow's mysteries;
   For shade to shade will come too drowsily,
       And drown the wakeful anguish of the soul.

But when the melancholy fit shall fall
   Sudden from heaven like a weeping cloud,
That fosters the droop-headed flowers all,
   And hides the green hill in an April shroud;
Then glut thy sorrow on a morning rose,
   Or on the rainbow of the salt sand-wave,
       Or on the wealth of globed peonies;
Or if thy mistress some rich anger shows,
   Emprison her soft hand, and let her rave,
       And feed deep, deep upon her peerless eyes.

She dwells with Beauty--Beauty that must die;
   And Joy, whose hand is ever at his lips
Bidding adieu; and aching Pleasure nigh,
   Turning to poison while the bee-mouth sips:
Ay, in the very temple of Delight
   Veil'd Melancholy has her sovran shrine,
       Though seen of none save him whose strenuous tongue
   Can burst Joy's grape against his palate fine;
His soul shalt taste the sadness of her might,
       And be among her cloudy trophies hung.

The owl-car clatters along, dogged by the echo
From building and battered paving-stone.
The headlight scoffs at the mist,
And fixes its yellow rays in the cold slow rain;
Against a pane I press my forehead
And drowsily look on the walls and sidewalks.

The headlight finds the way
And life is gone from the wet and the welter--
Only an old woman, bloated, disheveled and bleared.
Far-wandered waif of other days,
Huddles for sleep in a doorway,
Homeless.

Drowsily dreaming the dreary day away,
I lean 'gainst the sill, looking out on the city.
Deep sighs cascade from my open mouth
Before I close my eyes and hum a diddy,
Remembering the people who've shown me pity,
As the train rattles on heading south.

The half-shut doors through which we heard that music
Are softly closed.  Horns mutter down to silence.
The stars whirl out, the night grows deep.
Darkness settles upon us.  A vague refrain
Drowsily teases at the drowsy brain.
In numberless rooms we stretch ourselves and sleep.

Where have we been?  What savage chaos of music
Whirls in our dreams?--We suddenly rise in darkness,
Open our eyes, cry out, and sleep once more.
We dream we are numberless sea-waves languidly foaming
A warm white moonlit shore;

Or clouds blown windily over a sky at midnight,
Or chords of music scattered in hurrying darkness,
Or a singing sound of rain . . .
We open our eyes and stare at the coiling darkness,
And enter our dreams again.

I walk to my work, says Senlin, along a street
Superbly hung in space.
I lift these mortal stones, and with my trowel
I tap them into place.
But is god, perhaps, a giant who ties his tie
Grimacing before a colossal glass of sky?
These stones are heavy, these stones decay,
These stones are wet with rain,
I build them into a wall today,
Tomorrow they fall again.
Does god arise from a chaos of starless sleep,
Rise from the dark and stretch his arms and yawn;
And drowsily look from the window at his garden;
And rejoice at the dewdrop sparkeling on his lawn?
Does he remember, suddenly, with amazement,
The yesterday he left in sleep,--his name,--
Or the glittering street superbly hung in wind
Along which, in the dusk, he slowly came?
I devise new patterns for laying stones
And build a stronger wall.
One drop of rain astonishes me
And I let my trowel fall.
The flashing of leaves delights my eyes,
Blue air delights my face;
I will dedicate this stone to god
And tap it into its place.

We are like neutered mutts,
drowsily as we sate on.
100 years of 24 frames per second
left too many of us wondering about the future
while reflecting on a past
never engaged in the present
always being.

The radio is concerned,
a voice drones on
flies over our head
and broadcasts into the living room.

This energy is a wave, follow the sin
Your body already knows how to covert the pressure
into electricity for your receptors.

Later, we stand at the altar
of boys with guitars
of boys with mics
The aux cable beheads his neck
we pardoned a sea of excuses
The F/A-18 drops the mic.

Women salivate the crowd.
That other gentile touch.
Throw a burka on that *****
Magazine dictate should we be?
Clip up pandora,
the liquid streams on.

There was never a box.
You were just born with fingers and toes
to touch ears to hear eyes to see a brain
to think to receive a nose
to breath a mouth to kiss and say,

"There is disappointment everywhere but still I love."

CUMHAL called out, bending his head,
Till Dathi came and stood,
With a blink in his eyes, at the cave-mouth,
Between the wind and the wood.
And Cumhal said, bending his knees,
"I have come by the windy way
And learn to pray when you pray.
"I can bring you salmon out of the streams
And heron out of the skies."
But Dathi folded his hands and smiled
With the secrets of God in his eyes.
And Cumhal saw like a drifting smoke
All manner of blessed souls,
Women and children, young men with books,
And old men with croziers and stoles.
"praise God and God's Mother,' Dathi said,
"For God and God's Mother have sent
The blessedest souls that walk in the world
To fill your heart with content."
"And which is the blessedest,' Cumhal said,
"Where all are comely and good?
Is it these that with golden thuribles
Are singing about the wood?"
"My eyes are blinking,' Dathi said,
"With the secrets of God half blind,
But I can see where the wind goes
And follow the way of the wind;
"And blessedness goes where the wind goes,
And when it is gone we are dead;
I see the blessedest soul in the world
And he nods a drunken head.
"O blessedness comes in the night and the day
And whither the wise heart knows;
And one has seen in the redness of wine
The Incorruptible Rose,
"That drowsily drops faint leaves on him
And the sweetness of desire,
While time and the world are ebbing away
In twilights of dew and of fire."

I want to be the only desire you have
when you wake up in the middle of the night
sweating for pleasure;
where the tension is so strong
I stir in my sleep to ask you what is the matter
and you timidly answer that you had a nightmare,
even though it's a lie
and you're too shy to admit to your carnal need
and express that the real reason you're awake
is because your dream
nearly made you wet
and it disturbed you
because the person in your head at the time
wasn't me.

It all seemed so real,
until you woke up with my small frame beside you,
with my chest rising and falling slowly
and the growing pressure against your boxer briefs
was becoming too much
as you stared at my smooth skin.
I nearly frightened you when I asked of your well-being,
you didn't think that wishing I would wake
would work.
As you told me you had woken from terror,
I turned over drowsily
crawling over you
to embrace you with kisses
and 'everything will be alrights.'

When you started to shiver
from my affections
I knew that there were other reasons
we both had stirred like this
in the middle of the night.
Our passion became heated,
but I could smell the guilt on you.
Something was wrong,
something was the matter.
We continued though
until we both finished in each others' sweat
and had inhaled enough of one-another's carbon dioxide
to save thousands of trees.

Only then did you tell me
another had tasted who I wanted
so badly to keep
for my own
for the rest of my life.
Only then did you tell me
you did me wrong
in so many ways.
Only then did you tell me
that you no longer dreamed of me
and you abandoned me.
Just like everyone else.
Just like you promised...


That you never would.

Places I love come back to me like music,
Hush me and heal me when I am very tired;
I see the oak woods at Saxton’s flaming
In a flare of crimson by the frost newly fired;
And I am thirsty for the spring in the valley
As for a kiss ungiven and long desired.

I know a bright world of snowy hills at Boonton,
A blue and white dazzling light on everything one sees,
The ice-covered branches of the hemlocks sparkle
Bending low and tinkling in the sharp thin breeze,
And iridescent crystals fall and crackle on the snow-crust
With the winter sun drawing cold blue shadows from the trees.

Violet now, in veil on veil of evening
The hills across from Cromwell grow dreamy and far;
A wood-thrush is singing soft as a viol
In the heart of the hollow where the dark pools are;
The primrose has opened her pale yellow flowers
And heaven is lighting star after star.

Places I love come back to me like music —
Mid-ocean, midnight, the waves buzz drowsily;
In the ship’s deep churning the eerie phosphorescence
Is like the souls of people who were drowned at sea,
And I can hear a man’s voice, speaking, hushed, insistent,
At midnight, in mid-ocean, hour on hour to me.

Here I stand,
Today and now,
At the centre,
Of the middle of somewhere,
A very dark, dead and fearful darkness,
Having paid one of its regular intrusions,
On an unsuspecting African village,
Giving birth,
To a complete demise of activity,
Save for the stubborn nature,
A strong cold wind blows,
Rattling leaves off trees,
My heart thuds,
At the thought of a ghost,
Making enough noise,
To scare me,
Like a bare-footed traditional dancer,
Pouncing the earth,
My skin crawls on my bones,
At the thought,
Of callous and faceless wizards,
This is their time,
And this is their rush hour,
I could be standing,
On the roof,
Of some departed's house,
At a distance,
I hear a drum beating,
And a strong roar,
Of an ancestral spirit coming home,
Strong enough to shake mountains,
Strong enough to shake the earth like a quake,
Strong enough to spill rivers,
Lakes, seas and oceans,
A dog barks drowsily,
A snake hisses,
A squirrel quirks lackadaisically,
In the wonders of an African village.

PART THE FIRST

Samuel Taylor Coleridge (1772–1834)


’TIS the middle of night by the castle clock,
And the owls have awakened the crowing ****;
Tu—whit!—Tu—whoo!
And hark, again! the crowing ****,
How drowsily it crew!         5
Sir Leoline, the Baron rich,
Hath a toothless mastiff *****;
From her kennel beneath the rock
Maketh answer to the clock,
Four for the quarters, and twelve for the hour;         10
Ever and aye, by shine and shower,
Sixteen short howls, not over loud;
Some say, she sees my lady’s shroud.

Is the night chilly and dark?
The night is chilly, but not dark.         15
The thin gray cloud is spread on high,
It covers but not hides the sky.
The moon is behind, and at the full;
And yet she looks both small and dull.
The night is chill, the cloud is gray:         20
’Tis a month before the month of May,
And the Spring comes slowly up this way.

The lovely lady, Christabel,
Whom her father loves so well,
What makes her in the wood so late,         25
A furlong from the castle gate?
She had dreams all yesternight—
Of her own betrothed knight;
And she in the midnight wood will pray
For the weal of her lover that’s far away.         30

   .........................

The night is chill; the forest bare;
Is it the wind that moaneth bleak?
There is not wind enough in the air         45
To move away the ringlet curl
From the lovely lady’s cheek—
There is not wind enough to twirl
The one red leaf, the last of its clan,
That dances as often as dance it can,         50
Hanging so light, and hanging so high,
On the topmost twig that looks up at the sky.

Hush, beating heart of Christabel!
Jesu, Maria, shield her well!
She folded her arms beneath her cloak,         55
And stole to the other side of the oak.
  What sees she there?

There she sees a damsel bright
Drest in a silken robe of white,
That shadowy in the moonlight shone:         60
The neck that made that white robe wan,
Her stately neck, and arms were bare;
Her blue-veined feet unsandalled were,
And wildly glittered here and there
The gems entangled in her hair.         65
I guess, ’twas frightful there to see—
A lady so richly clad as she—
  Beautiful exceedingly!

Mary mother, save me now!
(Said Christabel,) And who art thou?         70

The lady strange made answer meet,
And her voice was faint and sweet:—
Have pity on my sore distress,
I scarce can speak for weariness:
Stretch forth thy hand, and have no fear!         75
Said Christabel, How camest thou here?
And the lady, whose voice was faint and sweet,
Did thus pursue her answer meet:—
My sire is of a noble line,
And my name is Geraldine:         80
Five warriors seized me yestermorn,
Me, even me, a maid forlorn:
They choked my cries with force and fright,
And tied me on a palfrey white.
The palfrey was as fleet as wind,         85
And they rode furiously behind.
They spurred amain, their steeds were white:
And once we crossed the shade of night.

As sure as Heaven shall rescue me,
I have no thought what men they be;         90
Nor do I know how long it is
(For I have lain entranced I wis)
Since one, the tallest of the five,
Took me from the palfrey’s back,
A weary woman, scarce alive.         95
Some muttered words his comrades spoke:
He placed me underneath this oak;
He swore they would return with haste;
Whither they went I cannot tell—
I thought I heard, some minutes past,         100
Sounds as of a castle bell.
Stretch forth thy hand (thus ended she),
And help a wretched maid to flee.

Then Christabel stretched forth her hand,
And comforted fair Geraldine:         105
O well, bright dame! may you command
The service of Sir Leoline;
And gladly our stout chivalry
Will he send forth and friends withal
To guide and guard you safe and free         110
Home to your noble father’s hall.

She rose: and forth with steps they passed
That strove to be, and were not, fast.

   ................................................

They crossed the moat, and Christabel
Took the key that fitted well;
A little door she opened straight,         125
All in the middle of the gate,
The gate that was ironed within and without,
Where an army in battle array had marched out,
The lady sank, belike through pain,
And Christabel with might and main         130
Lifted her up, a weary weight,
Over the threshold of the gate:
Then the lady rose again,
And moved, as she were not in pain.

   ..................................................

Outside her kennel, the mastiff old         145
Lay fast asleep, in moonshine cold.
The mastiff old did not awake,
Yet she an angry moan did make!
And what can ail the mastiff *****?
Never till now she uttered yell         150
Beneath the eye of Christabel.
Perhaps it is the owlet’s scritch:
For what can ail the mastiff *****?

They passed the hall, that echoes still,
Pass as lightly as you will!         155
The brands were flat, the brands were dying,
Amid their own white ashes lying;
But when the lady passed, there came
A tongue of light, a fit of flame;
And Christabel saw the lady’s eye,         160
And nothing else saw she thereby,
Save the boss of the shield of Sir Leoline tall,
Which hung in a murky old niche in the wall.
O softly tread, said Christabel,
My father seldom sleepeth well.         165

Sweet Christabel her feet doth bare,
And jealous of the listening air
They steal their way from stair to stair,
Now in the glimmer, and now in gloom,
And now they pass the Baron’s room,         170
As still as death, with stifled breath!
And now have reached her chamber door;
And now doth Geraldine press down
The rushes of the chamber floor.

The moon shines dim in the open air,         175
And not a moonbeam enters there.
But they without its light can see
The chamber carved so curiously,
Carved with figures strange and sweet,
All made out of the carver’s brain,         180
For a lady’s chamber meet:
The lamp with twofold silver chain
Is fastened to an angel’s feet.

The silver lamp burns dead and dim;
But Christabel the lamp will trim.         185
She trimmed the lamp, and made it bright,
And left it swinging to and fro,
While Geraldine, in wretched plight,
Sank down upon the floor below.

O weary lady, Geraldine,         190
I pray you, drink this cordial wine!
It is a wine of virtuous powers;
My mother made it of wild flowers.

         .........................................

Again the wild-flower wine she drank:         220
Her fair large eyes ’gan glitter bright,
And from the floor whereon she sank,
The lofty lady stood upright:
She was most beautiful to see,
Like a lady of a far countrée.         225

And thus the lofty lady spake—
‘All they who live in the upper sky,
Do love you, holy Christabel!

          ..............................

Beneath the lamp the lady bowed,         245
And slowly rolled her eyes around;
Then drawing in her breath aloud,
Like one that shuddered, she unbound
The cincture from beneath her breast:
Her silken robe, and inner vest,         250
Dropt to her feet, and full in view,
Behold! her ***** and half her side—
A sight to dream of, not to tell!
O shield her! shield sweet Christabel!


THE CONCLUSION TO PART THE FIRST


A star hath set, a star hath risen,
O Geraldine! since arms of thine
Have been the lovely lady’s prison.
O Geraldine! one hour was thine—         305
Thou’st had thy will! By tairn and rill,
The night-birds all that hour were still.
But now they are jubilant anew,
From cliff and tower, tu—whoo! tu—whoo!
Tu—whoo! tu—whoo! from wood and fell!         310

And see! the lady Christabel!
Gathers herself from out her trance;
Her limbs relax, her countenance
Grows sad and soft; the smooth thin lids
Close o’er her eyes; and tears she sheds—         315
Large tears that leave the lashes bright!
And oft the while she seems to smile
As infants at a sudden light!

Yea, she doth smile, and she doth weep,
Like a youthful hermitess,         320
Beauteous in a wilderness,
Who, praying always, prays in sleep,
And, if she move unquietly,
Perchance, ’tis but the blood so free
Comes back and tingles in her feet.         325
No doubt, she hath a vision sweet.
What if her guardian spirit ’twere,
What if she knew her mother near?
But this she knows, in joys and woes,
That saints will aid if men will call:         330
For the blue sky bends over all!

PART THE SECOND

Each matin bell, the Baron saith,
Knells us back to a world of death.
These words Sir Leoline first said,
When he rose and found his lady dead;         335
These words Sir Leoline will say
Many a morn to his dying day!

          ..................................


‘Sleep you, sweet lady Christabel?
I trust that you have rested well?’

And Christabel awoke and spied         370
The same who lay down by her side—
O rather say, the same whom she
Raised up beneath the old oak tree!
Nay, fairer yet! and yet more fair!
For she belike hath drunken deep         375
Of all the blessedness of sleep!
      
.......................

The Baron rose, and while he prest
His gentle daughter to his breast,
With cheerful wonder in his eyes
The lady Geraldine espies,         400
And gave such welcome to the same,
As might beseem so bright a dame!
But when he heard the lady’s tale,
And when she told her father’s name,
Why waxed Sir Leoline so pale,         405
Murmuring o’er the name again,
Lord Roland de Vaux of Tryermaine?

Alas! they had been friends in youth;
But whispering tongues can poison truth;
And constancy lives in realms above;         410
And life is thorny; and youth is vain;
And to be wroth with one we love
Doth work like madness in the brain.
And thus it chanced, as I divine,
With Roland and Sir Leoline.         415
Each spake words of high disdain
And insult to his heart’s best brother:
They parted—ne’er to meet again!
But never either found another
To free the hollow heart from paining—         420
They stood aloof, the scars remaining,
Like cliffs which had been rent asunder;
A dreary sea now flows between.
But neither heat, nor frost, nor thunder,
Shall wholly do away, I ween,         425
The marks of that which once hath been.

Sir Leoline, a moment’s space,
Stood gazing on the damsel’s face:
And the youthful Lord of Tryermaine
Came back upon his heart again.         430
O then the Baron forgot his age,
His noble heart swelled high with rage;
He swore by the wounds in Jesu’s side
He would proclaim it far and wide,
With trump and solemn heraldry,         435
That they, who thus had wronged the dame
Were base as spotted infamy!
‘And if they dare deny the same,
My herald shall appoint a week,
And let the recreant traitors seek         440
My tourney court—that there and then
I may dislodge their reptile souls
From the bodies and forms of men!’
He spake: his eye in lightning rolls!
For the lady was ruthlessly seized; and he kenned         445
In the beautiful lady the child of his friend!

          ..................................................

        ‘Nay!
Nay, by my soul!’ said Leoline.         485
‘**! Bracy the bard, the charge be thine!
Go thou, with music sweet and loud,
And take two steeds with trappings proud,
And take the youth whom thou lov’st best
To bear thy harp, and learn thy song,         490
And clothe you both in solemn vest,
And over the mountains haste along,
Lest wandering folk, that are abroad
Detain you on the valley road.
‘And when he has crossed the Irthing flood,         495
My merry bard! he hastes, he hastes
Up Knorren Moor, through Halegarth Wood,
And reaches soon that castle good
Which stands and threatens Scotland’s wastes.

‘Bard Bracy! bard Bracy! your horses are fleet,         500
Ye must ride up the hall, your music so sweet,
More loud than your horses’ echoing feet!
And loud and loud to Lord Roland call,
Thy daughter is safe in Langdale hall!
Thy beautiful daughter is safe and free—         505
Sir Leoline greets thee thus through me.
He bids thee come without delay
With all thy numerous array;
And take thy lovely daughter home;
And he will meet thee on the way         510
With all his numerous array
White with their panting palfreys’ foam:
And, by mine honour! I will say,
That I repent me of the day
When I spake words of fierce disdain         515
To Roland de Vaux of Tryermaine!—
—For since that evil hour hath flown,
Many a summer’s sun hath shone;
Yet ne’er found I a friend again
Like Roland de Vaux of Tryermaine.’         520

         .............................................


And thus she stood, in dizzy trance,
Still picturing that look askance         610
With forced unconscious sympathy
Full before her father’s view—
As far as such a look could be
In eyes so innocent and blue!
And when the trance was o’er, the maid         615
Paused awhile, and inly prayed:
Then falling at the Baron’s feet,
‘By my mother’s soul do I entreat
That thou this woman send away!’
She said: and more she could not say:         620
For what she knew she could not tell,
O’er-mastered by the mighty spell.

Why is thy cheek so wan and wild,
Sir Leoline? Thy only child
Lies at thy feet, thy joy, thy pride.         625
So fair, so innocent, so mild;

The round red sun heaves darkly out of the sea.
The walls and towers are warmed and gleam.
Sounds go drowsily up from streets and wharves.
The city stirs like one that is half in dream.

And the mist flows up by dazzling walls and windows,
Where one by one we wake and rise.
We gaze at the pale grey lustrous sea a moment,
We rub the darkness from our eyes,

And face our thousand devious secret mornings . . .
And do not see how the pale mist, slowly ascending,
Shaped by the sun, shines like a white-robed dreamer
Compassionate over our towers bending.

There, like one who gazes into a crystal,
He broods upon our city with sombre eyes;
He sees our secret fears vaguely unfolding,
Sees cloudy symbols shape to rise.

Each gleaming point of light is like a seed
Dilating swiftly to coiling fires.
Each cloud becomes a rapidly dimming face,
Each hurrying face records its strange desires.

We descend our separate stairs toward the day,
Merge in the somnolent mass that fills the street,
Lift our eyes to the soft blue space of sky,
And walk by the well-known walls with accustomed feet.

28.1.2016
The sun sets with me every night.
And yet, each of these nights I find a cannot quite
Translate that fade from day to grey;
in oils or ink I can never paint her -
She's gone too soon and the nights resume
and I'm left in darkness with empty paper.
Tomorrow afternoon will be strewn with half-lines -
poetry dripping drowsily from my tired mind
sketches on my sheets and sun-faded carpet
God help that empty-headed artist!
And I wonder if I'll ever draw again...
There can be no art compared to my bedroom window when
My own small framed sun sets again.
Forever watching the sun. Watching it watch me
pages sliding off my windowsill, in dreary ennui
Navy draws my curtains closed on time
But she lingers still, in watercolour lines
And people wonder why I paint the sun
As small as I have done;
I wish I could find apt words to say -
I am getting further from my sun each day.

Canada is afire and I’m confused, shouldn’t the snow put that out?

The Boston sky is an interesting shade of mustard yellow,
and there’s a pale orange haze where the sun should be.

Lisa, drowsily asleep-walked into the kitchen for her morning coffee.
“So this is Mars,” I observed, “Elon Musk will be so jealous.”
“Good,” Lisa said, “I was afraid it was nuclear winter.”
“There’ll be no breathing today.” I updogged.

We could almost hear the slow, delicate pitter-patter fall of micro-ash.

“There’s aaaa bright golden haze over Boston..” Lisa began to sing softly.
Lisa knows every Broadway score and can easily interpolate a song into every conversation.

Walking alone, an hour after midnight
Was the first time I heard my world go quiet
The first time I
As I watched the planets go by
Under the moonless sky of July

Only the deep rumbled scattered through the silence of the night
As if the world I walked through mumbled drowsily as it slept
Or perhaps, it was the 1 o'clock train mowing across the night's horizon
No matter
The night's dreams offered a flurry of lights and sights
As the stars danced

I never knew that this world
A world I struggle to live in
One stricken by grief
Could be so silent while asleep
That my broken realm could be at peace
As I skimmed deeper beyond midnight
I finally understood how even while shrouded in gloom
Even with the dimmest of glimmer lighting the way
I can still be at peace

Speed demons.  
They wait for me under my bed and whisper my name into the night.

They sink vampire teeth between my eyes,
inject awful toxins that make my mind throb,
pulsing pain like a second heartbeat.

Thump.
               Thump.
                              Thump.

I battle.  
I ignore.  
I cry alone into the night.  

I clutch my sweat-stained sheets,
trying to grasp reality as vivid hallucinations of another dimension
dance across my vision, a world of
***, drugs, and rock and roll.

It’s ******.  It’s sensual.  
It’s perfection, my forbidden fruit,
tempting, red, succulent, delicious,
rocks my body like an untamed sea,
unties the ropes of blue that pin my brain to D
                                                                                  O
                                                                                     W
                                                                                         N
and let me run free.
                                                                            P.
Free. Running Free. Flying High.  So Far U

I can barely breathe, my heart is racing
And this is only memories.  
My head flutters at the idea of flying again.  
And I ache and I pine the touch that only speed can give me,
a high that takes me to heaven on earth.

But still I battle.  I battle for my friends.

They cry, they get upset.  
They tell me I’ve changed,
riding an emotional rollercoaster straight to hell
to blow lines with the big man in red.  
They see a demon inside my sunken face.  They just want me.

To own me.
To own my body.
Once Again.

They plea, they want to help.  
Call, text, show up, knock at my door.  
We will tend to your broken baby bird body.

My body is breaking.

I am frail.  I am small.  I am hollow.  
I am cold, all the time.  My kidneys ache, my head screams,
my weight disappears faster than I can choke down bites of mediocre sandwiches.  
I am tired.  I am sad.  I hole up in my bed for hours
drowsily listening to the sweet sultry voices under my bed.

But I fight.  I say no.  I cry.  And I yearn.  
I never stop wanting those ******* pills.

i, a textilian*,
politely clambered up the faces of mountains
as the valley revealed herself to me
her ready desert face, waiting
to be devoured by ravenous, wandering eyes
the nape of her neck, her chest, her thighs,
slowly~ and all at once

but i, the textilian, drowsily slipped under soft shade
it was only a brook but, it felt like a wave
and the deep creek carries me away,
then brings me back, to this sacred place....
it is nice to wake up to the sun
in your face

until slowly, and all at once, i was awake
and my clothes were on the ground
letting sweet redemption crawl back into my pores
beneath that sky, between those rocks
giving my self away
no mystery, just us three
just hello

hence i, the ex-textilian,
like a newly-molted reptilian
more like an undressed chameleon
in all my ecstatic toughness and alcoholic delirium
have learned more about what it is to be naked
than i've known since i was born
slowly~ and all once

when I wake up from my dreams
   have to leave you
       then it seems
that the mornings are much colder
and I feel a little older
all these mornings without you

when I stumble out of sleep
   sad     because I cannot keep
loving images of you
           in my mind
and my body aches with longing
    for your warmth I cannot find
all these mornings without you

then I wish that time would fly
dream of mornings on which I
   turning over drowsily
find you sleeping next to me
happily can lift the cover
and come closer to my lover
oh, these mornings, loving you!

   * *

His body sinks to the depths
of fading thoughts, returning, shifting
sand-dune visions.
She
bathes in the trickle of letters escaping burnt lips
like when she ***** in the moonlight
adrift his month-long lunar withdrawal
-or when she lets the breeze hit her
to erase the thunder.

She
traces his words with her heart
following lines on a crumbling map
-callused fingertip rubbing against
yellow paper
as once he would trace a corpse’s veins.

Aubergine voice then seeps through pores
into her vacuous chest
-prying open
bleeding heart

heart which hides in a corner
of her quiet brain

brain that heals him from memories
of immortalized hollow of her necks against
ghostly wrists
memories burning
worse than fire.

Together they lie in the dark amidst
deserts of emotions,
pools of memories,
rivers of unshed tears,
-daylight drowsily approaching
to chase away
lingering dreams.

come here beckoned the sea
though I have receded beyond *******
come awhile to be with me
low tide has taken me far.*

my eyes pierced the haze saw beyond her crown
glinted in the tidal greed narrowed in longing frown
the heart pumped and the feet itched it is not that far
her kiss and the saline hug veiled behind *******.

what if it's just a dream and much more is at stake
going there for her embrace gathering wispy flakes
may seem unworthy on waves the wishes' ride
she would reveal none or little she would only hide.

what if it's a trap her feigned bait alluring
the hovering mirage before touch would fly away on wings
the shining buzz of the haloed night drowsily winking stars
they all know I mustn't yield to travel beyond *******.

I could hear the deafening voices coming from shore behind
they chorused *be alert of pitfalls of a tempted drunken mind
too long cocooned in comfort zone can no more go that far
come back pick up the broken pieces this side of *******.