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Katrina Wendt May 2012
I want to touch my fingertips
To the center of the brim of your cap
And run them along the edge
One hand in each direction
Until the stiff peak gives way to soft fabric.

I will gently slide my fingers
Under the edge of your cap
Until it lifts off your head
So that I can toss it behind you
To be forgotten about.

I will trace your jawline
While you say things
In that honeyed, gravely voice of yours
Only it's not quite gravel- not that harsh
More akin with rough sand.

Then you will smile
And your teeth will shine white against your tan skin
While your eyes crinkle and laugh
And I will fall, sinking into their pool
Of warm, caramel coffee.

You will find my hand with yours
And interlock your fingers with mine
Holding them both to your chest
Your hands are large, rough, and strong
You only hold my hand, but my body is paralyzed
2012
Katelynn May 2018
Someday you’ll love you.
From the sparkle in your eye,
To the pitch of your laugh,
Even the color of your hair.

You will love every part,
From every wrinkle,
To every crinkle,
Every part of you.

But they will try to tear you down,
To make you frown,
To make you think you’re not worth it.

But darling you listen to me.

From the way you walk,
To the way you talk,
You will be mocked,
But don’t you listen.

From your weight,
To your height,
You are all wonderful to me.

Maybe one day you’ll see,
The beauty I see.
The way you were made,
So beautifully.

But until then,
Do not forget,
On how true beauty,
Comes from within.
I hope one day that you love you the way you deserve. You are worth it ❤
Lauren R Feb 2017
I watch myself fade and wilt in your eyes like valentines flower petals from their vase, falling onto the white desk dirtied with graphite and candy wrappers below. There's thirty one letters from colleges and three love notes left there to peel up at the corners and get stuck with bubblegum but nothing leaves the taste of metal in my mouth more than "Michigan". I'm terrified every day of you leaving. I'm more terrified of your hair being out of place and your smile not being the way I remember it. Do you ever think of the way it would be if you loved me back? Sometimes I wish you'd force yourself into things the way I always do when I'm fitting into prom dresses or looking into my own eyes in the mirror, trying to decide if they're green or hazel like my mom insists every time I fill out a passport application. Think of how my hands would look in yours, the way my chipped nail polish would match your veins, thinly creeping up your arms like you haven't tried to carve them out with office supplies and hours of crying in circles. Sometimes I think I ought to just kiss you, remind you that it's easy to fake things. You should know. Sometimes I dream of holding the side of your face in the bold and silently rotting static of my room and saying "let's run away" and we don't really go anywhere, it's just us, the very edge of the half moon of our shoulders touching, warm like sunshine on pebbles. Most of the time, I don't wish for much. I just wish I could stare into your eyes for even a second without feeling the blood run into my face. Or just that I could look at you. You feel like forever and a universe away and I don't know if that's because you're so perfect or because I only ever see you after your hockey games, which ended exactly five days ago, by the way. Not that I'm counting or anything. And not to say that I miss the way that when I hugged you, I could feel your shoulder blades and the gentleness of your hand on my back, but I'd give anything to feel that again. I never knew if it was as awkward for you as it was life saving for me. You still have no idea how much I looked forward to seeing you even for those painful few minutes where, despite us not making eye contact once, you'd smile at least three times, every time. Again, not that I've been counting. Maybe it was just because you were anxious, but that's okay. They say it helps. I don't know who "they" are, but at this point, I trust anything that holds hope to make you happy. To be honest, I'm not really even sure what your voice sounds like, but I know your laugh like I know the crooked tip of my nose or the smell of vanilla incense. It's all I can think about when I go to sketch anymore, but I can't get the lines right. Amen to that, because I never want to be so in love with a single moment again and because really, I never want it to be over. I just want to make you laugh forever. I just want to see the way your eyes crinkle like that until the sun swallows itself whole and then we all can't see anything ever again. I'd want it just like that, the last light flickering as you come as close to happy as you can be. I'll make you laugh until you're dumb and dizzy and maybe then you'll love me. And maybe you would have to be dumb to love me. But I'll still kiss your nose every night in my dreams and pretend I mean anything to you like you do me.
This is as honest as it comes
Molly Oct 2012
My cat’s interest is peaked by anything resembling the
slick plastic crinkle
of the treat bag.
It’s the only time she will approach me.
Besides when I actually have the treat bag.
Then she is a tiger
prowling around the corners of the kitchen.
The depths of her eyes are eerie green pearls
with shiny granite centers
slowly meet mine
that blue ball tinkling around her neck
as she turns her gaze towards me.

She can tell that I’m high.
At the computer
my mother is checking her mail
slowly
clicking
scrolling
click
click
she is hunting
and
pecking.
Mrs. Palese, my third grade teacher
would have been displeased
because we always kept
all our fingers on the keys
asdfjkl;
I think I’m one off
Now she’d be staring at me sternly.
A stern look.
Her eyes are just pools that my memory
can not fill
but I remember her hair
and I remember the time her husband died
and we each made a casserole everyday
as if lasagna would hold her at night
and tell her she looked beautiful in the morning
before she brushed her hair
or washed her face.
I remember she gave me my first communion.
I would get another stern look for my
Lack Of Capitalization.
But I would care just as much
as I did when that wafer
hit my lips.
I’ll give you a guess.
My mother is still checking her e-mail.
It almost seems impossible that she
is concocting real words
with that slow ebb and flow of fingers.
But finally,
the sun is almost up,
she is done
See you tomorrow, sweetie
she whispers,
like she could wake anyone up
because it’s already tomorrow
and she’s getting confused.
The quick rattle of pill bottles
and she’s gone.
And maybe I
the time
stretched

a
little
because
there are still five hours
until dawn.
PK Wakefield Dec 2010
i crinkle and split the foil,
      most generous , of pale light
budding sickly about the charming dint
of your ivory calf. satirically the spades small, sharp, and digging
          the suns grave
blotch in twinkling scars
                                                     pleasant acne 'pon the eve's face
soft infinity:
                                   a plunging savagery

         i'm a whelp
to thy sugar so bittersweet as throat gorging lush vertebrae
your spine, i cradle haphazardly in my stupid fit of flat tissue  
in my ointment you are the grandest fly
a pestilence i gladly so lovingly

              carcass
Cné Jul 2017
If you were my sheets, and at my beck and call
fulfilling all my fantasies, into you, I would fall.
You'd cradle me so gently, and massage me everywhere
releasing all my juices, and all my  stress, and cares.

In splendor we'd heat up the room, and I'd crinkle every sheet
and when we were apart, I'd rejoice, every time we meet.
Pillows would cradling my face and head, where jasmine scented rests
blending of our fluids as our bodies, orgasmically attest.

We'd fall asleep together, and spoon throughout the night
and in the morning waking, to unimaginable delights.
Your hands of silken sheets caressing, exciting every nerve
giving me all the pleasures, and climaxes, in you, I am immersed!
TF actually wrote this and I changed a few words to fit an artist statement to go with the painting that is posted as my cover. He graciously allowed my to post as a collaboration. Thank you TF.
Mercury Chap Jun 2015
All those laughters
Are not always real
All those faces in a park,
Wrinkled and weary,
Laugh in a circle,
Devoid of happiness,
No sign of a crinkle,
Eyes without light,
Devoid of life.

Their happy sadness echoes,
On the streets, in apartements,
The dismal vibes reach us
Yet they emanate the fake sentiments.

Stoop a little and evesdrop that circle,
They deceive emotions, black and purple,
All you hear is a shouting troop,
We know the truth of a laughing group.
Are the people in a laughing group really happy?
Always Ally Jul 2014
I fell in love with your eyes
The same ones that sparkle
Through all your years
I love how they crinkle
When you gently flutter your eyelashes
I'm completely hypnotized
I see all your feelings flash
behind those hazel eyes
nathan Sep 2018
august’s withered days swing from view.⠀⠀
flicker of a breeze caresses earth’s cheek.⠀⠀⠀⠀⠀⠀
crinkle of a leaf, a wail beneath your feet.⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
a wispy veil of dew covers the dried remains of a summer’s past.
treetops glistering, vibrant golden hues⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
first flicker of daybreak rising slowly.⠀⠀⠀⠀⠀⠀⠀⠀
an infant’s feeble cry of autumn’s might.⠀⠀⠀
although november is my favorite month, september has always held a special place in me, even if it feels like it flies by so fast.
Savannah Varney Mar 2013
The girl with the eyes
That crinkle at the sides
That shows she hasn't lost faith in the world just yet.

Don't look at me
I'm not talking about me!
I've seen the good, the bad and the ugly.

And what it boils down to
Is that we're all just ghosts
With our own missed connections
And transparent ambitions.

But that girl with the eyes
That crinkle at the sides
She's got an oyster in a shell,
Waiting for her pearl hotel

Holding on to the idea
That she has a role to fill
But the time will pass
And she'll see that
She's just another ghost with a past.

And when the world has no more girls with the eyes
That crinkle at the sides
I'm convinced we'll all vaporize

And the air will fill with our dusty dreams

And settle to the ground in a thick, ***** film

Then, like a pillow torn at the seams

The cycle will begin again

Starting with white, fluffy hope,
Next comes the question,
Then hits the reality,
And last is the dark, dark feeling that you were wrong all along.

Because, face it...
There is no meaning to life.
Adron E Dozat Mar 2015
Crickets sing midnight songs
With melody of
"Chee-cee,
Chee-cee,
Chee-cee."
The rain drops
Slide off leaves
Above and
Splat
With rhythm of
Plot plot,
Plot plot.
The gravel recites
A raspy verse
With a crinkle crunch,
Crinkle crunch
Under my step.
I think I am alone,
But for these
Soft voices singing
Sorrowful lullabies
As I walk the long path
To dawn.
To buy my book of inspirational poems at Amazon, https://www.amazon.com/dp/B07HMFML2D
Mimi Sep 2012
I am not a perfect human
when I was born there was gunk in my lungs
and for a while now my heart's been talking to me in rhythms
like let me out like forget to beat like no blood to my brain
or fingertips

They tried to make me a perfect human
in the summertime under the knife
under flourescents instead of the sun
crinkle sheets crinkle paper gown
crinkle pop heartbeat

When they burned me from the inside I could feel it
I woke up when I wasn't supposed to like a volcano of survival
the light was white, I screamed, I remember it all
till anestesiologist put me back to sleep
all three seconds

Days and weeks after bruise hobble
the monitor is even now every third beat
like a perfect human being's
I watch everyone around me breathe strong
I breathe strong too and only check my pulse
out of nerves.
Nat Lipstadt Dec 2013
t'is a seasonal custom of us,
(you did notice that us
is the centerpiece of c-us-tom?)

that in December, not November
when turkey precedes...

I take my slip of a gal
for a big bowl of pasta
and white truffles from France.

the eyetalian waiter knows
he made the sale when her eyes,
crinkle wrinkle when I ask,
upon which pasta
does the ristorante serve the
white truffles from France?

fettuccine, naturalmente!

in ritual grandiose,
the mushroom grated before our eyes,
shavings and specks scattered and disbursed,
part one of the us in c-us-tom done.

me, I grew up lower middle cheap,
Ronzoni rigatoni and Heinz Ketchup,
not just good enough, but a treat,
and I did not from truffle oil eat
nor speak.

two thirds of the way,
part two, I say, hey!
you know you don't have to eat the whole thing.

with eyes adoring,
she fesses up her tiny tummy was full
about half way through.

but she knows
me, I grew up lower middle cheap,
hate to waste the money,
that comes so hard.

part two is the part of the c-us-tom
she forgets about, but the part that
she really loves me for,
so who cares how much truffles cost,
as far her eyes are concerned,
they crinkle wrinkle at the taste,
of my remembering part two.
See http://hellopoetry.com/poem/hasta-la-pasta/.  If, now you got a craving for pasta...

Hasta La Pasta!


She stands in the doorway
As is her wont,
Bidding adieu to the retreating figure
Who spent the night in
Adoration of the Magi,
Her charms, her hair,
Her serpentine figure most fair,
And scribbling on Hello Poetry
Till his eyes said, no mas!

The retreating figure that be me,
Late for work at 7:20.
Over the shoulder I exclaim,
Hasta Mañana!
Which is silly because
My return is faithfully guaranteed,
Every eve for as long as I live!

She laughs and replies,
Hasta la Pasta!

Stop in my tracks,
About face and in woeful Italian,
Do exclaim, in a deeply serious timbre,
Hasta la Pasta?
Basta!  
(Italian for "that-does-it")

You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is
my domain, the speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

7:45 AM
heather mckenzie Sep 2018
i don’t think I found myself in the poetry, i think i am finding myself in your arms
under the gentle pressure of your fingertips and the velvet embrace of your words.
they think I found myself in the halls of the airport that it walked alone
but
i think i am finding myself in the kitchen of your flat, waiting for the kettle to come to a boil; in cups of tea nursed at the table and I hope that’s okay.
i sip in the same tentative manner that i reach for your hand in the dark; you may have the effervescent beauty of a tree in the autumn but right now i would like to lace my fingers with yours and be human together. i hope that’s okay.
you are like literature and myth; a deep and sprawling spectrum of contradictions and complexities. i feel like teiresias; blind and trapped within my own self-made cocoon of spiralling thoughts.
eyes closed i reach for your hand.
i almost miss my stop on the last train home spilling out sweet words about your everything.
her hair straight out of bed with soft eyes and parted lips, sculpted by aphrodite; carved from the finest marble i want her to pin me down,
to the bed, to reality-
her lips, to guide me
from her waist and back
to sanity. early in the morning
when she wakes up tangled in sheets
with her eyes peeking up over her phone,
soft smile on her lips.
the world stands still in the soft glow of flickering street lights like visible heartbeats, glowing and not glowing in tandem, and the windows are frosted along the edges; worrying a cracked lip between my front teeth i realise this may be the most I have ever thought about tea.
our fingers
tangle, grasp sheets or cheeks rosy
with first-kiss smiles. eyelids
crinkle.
you are butterflies in my stomach, fear and exhilaration, honesty and hope
you are
listening to the same song on repeat; your laugh is the song stuck in my head, every song i’ve ever loved,
the only song i want to listen to.
Marsha Lenihan once wrote, "People with BPD are like people with third degree burns all over their body, lacking emotional skin, they feel agony at the slightest touch or movement."

I used to cry when I said goodbye to my father after our weekly Tuesday night dinners
I'd play out games of Go fish and Rummy like there was no winner, but I was victorious next
to my daddy.  
His eyes still crinkle in the corners and his smell will always be long car rides with blankets, books on tape, and a wide range of conversations even though he was always late
But I'd weep like he actually just dropped dead every Tuesday night because I was petrified

My small but portly frame would crumple and I would mumble the worries I was too scared to say
I was afraid I'd see my daddy for the last time that day
I thought I had asthma because I was always fat and sometimes choked on the air in my lungs as if it was strangling me but I had my first panic attack in grade three

I was sitting in Mrs. Arlotta's classroom ladida
just like any other story about a schoolday when I was punched in the stomach
with a fist of "I miss my ******* dad"
there was this bully beating the **** out of me with no prologues warning
Just to remind me Despair
is not some abandoned pit people place their pity into
Despair, can be like an earwig, you use hope like tissues to squash out intrusion
but earwigs are smart, experts at delusion
earwigs know where to hide until you go to sleep

Every other weekend I used to sleep at my dads house with his british girlfriend
and his lovely cats and soothing hot tub
and his british girlfriend
and the fireplaces and the tribal music
and the british girlfriend
and the beautiful homemade pond and the greenhouse
and the british girlfriend

I liked roasting marshamallows until their crisp outer layer began to bubble but not for too long for if they fell in the fire there was trouble
Bort are you seriously letting the girl eat sweets tonight, god knows she doesn't need them

I liked riding my bike through Elizabeth park their flower garden was absolutley breathtaking
"you know Haley if you got off your *** more often moving your legs wouldn't be such a chore"

And I loved dinners with freshly picked herbs and seasonal tablecloths tucked in the curbs
"go ahead, have another helping, you're just like your mother, disgusting"

Well Karen I hope I'm like her and I hope she's disgusting
I hope she tasted disgusting on the leftover edges of my fathers lips
when you two were thrusting, could you also taste the hasty goodbyes he tossed like
rubber ducks to a family
waiting in line for him to come home
and waiting and waiting for him to never ******* come home

I loved my dad.
yes despair was everywhere but seeing my dad was like finding religion
if a child could comprehend the task of going to church

Christine Ann Lawson once wrote, " The borderling queen expreiances what therapists call oral greediness.  the desperate hunger of the borderline queen is a kin to the behavior of an infant who had gone too long between feedings.  Starved, frustrated, and beyond the ability to calm or sooth herself, she grabs, flails, wails until the last ****** is planted securely and perhaps too deeply in her mouth.  She coughs, gags, chokes, spits eyeing the elusive breast like a wolf guarding her food.  Similarily, the queen holds onto what is hers taking more than she could use, in case it might be taken away prematurely."

Did my eyes taste sour when you few times you kissed my lids goodnight maybe that's why there wasn't one ******* hour without a glass of wine, another beet, hide your shots of tequila behind the birthday cards I made you.

There was an ache of despair that you wouldn't always be there that when you decided you wanted to participate it was way past the expiration date
I said goodbye to my dad after dinner last night without a second look back, I forgot he could be dead when I was blowing lines to stay alive

Experts say a key symptom of borderling is chronic emptiness
Maybe if things had been different dad, I wouldn't be such a ******* mess
and you would have to pay Connecticutcare less.
Dennis Willis Jan 2019
Either I
Or the day
Came crinkle cut

More
Surface

Area
Than
Smooth
Cut

I digress
Into those
Crispy crevices

Catchers
Of salt
And seasoning

Do you mix
Well
Do you

A crunchy
Verticy
Submits

Masticating
To great
Satisfaction

This
Fryn'
Day



Copyright@2019 Dennis Willis
I step outside and feel my nose crinkle
Look to the sky and watch the V’s fly south
Walk through the woods and hear the leaves whistle
Take a deep breath and taste fall in my mouth.

A start to the happiest time of year
Everything’s changing like wind where it blows.
Squirrels hide acorns, scarecrows create fear,
Pumpkins make faces at kids and their clothes.

Delectable treats in bags and buckets,
Scary films to watch on the edge of your seat.
Kids running around creating ruckus,
Stomping on leaves in the street with their feet.

Lets not forget Oktoberfest and beer;
Where people gather ‘round to celebrate
A special event that’s held every year,
Something so special you can’t replicate.

Delicious mystery looms in the air
While evil spirits meander ‘round town.
Libra gives the torch to Scorpions heir
And leaves pile up into one big mound.

The autumn harvest is now creeping up
Making food to put on everyone’s plate.
A great time of year where change is a must
Because without change, nothing can be re-made.
Amanda Aug 2014
I'll hold your hand through the wizened wrinkles; even if your beautiful mind will eventually crinkle.
Crinkled & crumpled into creases too deep for sunshine to peek through.
(My fingertips will still slowly but surely fix it.)

Even when the hair tickling my bare shoulders, collarbones & necks on lazy sunday morning is no longer quite the same.

I'll be right here.
Hey hey hey! :')
Whoo. I wrote this after I discovered a strand of white in my hair.
I WAS SO SHOCKED.
I MEAN, I am not even at the age to HAVE white hair.
:')
Anyhoo, how have you been darling readers?
xo
I wish I could write him a letter
just to ask how he was doing.

If the food tastes different there
if the sky is bluer at 10 AM
if he can see the moon from his window

But really, all I want to know
is if he loves the crinkle of written-on paper
as much as I do

and if sometime, he might
want to write me back
just to feel the paper between his fingers
and the words beneath his palms?
Kewayne Wadley Jun 2018
Some fears are simple.
Others are not.
Joy murmurs above.
We crave patience.
Twisting the top off each other's head.
Who first insults permission.
Applying our hands as cups.
No longer dull to the vapor of how we feel.
We recline in long verse.
Spudders of interruption.
The rush of anticipation.
Pressed against the couch.
Some fears are simple.
Others are not.
Opening up to you without cease.
Frequent sips of red wine.
Tilting you over filling my cup.
Eager to sip in weighed sway.
I hear and smile.
Feeling the effects.
How you laugh.
How you smile.
It's funny how time flies.
Leaves in Spring.
Blown away, scrunched up in the crinkle of your dress.
Rustic brown & red accented in black.
Some fears are simple.
Others are not.
There's no alternative.
I'm an alcoholic.
Pursuing sip after sip.
Civil in how we converse.
Neighboring bold taste
--To C. M.


Fountains that frisk and sprinkle
The moss they overspill;
Pools that the breezes crinkle;
The wheel beside the mill,
With its wet, weedy frill;
Wind-shadows in the wheat;
A water-cart in the street;
The fringe of foam that girds
An islet's ferneries;
A green sky's minor thirds--
To live, I think of these!

Of ice and glass the ******,
Pellucid, silver-shrill;
Peaches without a wrinkle;
Cherries and snow at will,
From china bowls that fill
The senses with a sweet
Incuriousness of heat;
A melon's dripping sherds;
Cream-clotted strawberries;
Dusk dairies set with curds--
To live, I think of these!

Vale-lily and periwinkle;
Wet stone-crop on the sill;
The look of leaves a-twinkle
With windlets clear and still;
The feel of a forest rill
That wimples fresh and fleet
About one's naked feet;
The muzzles of drinking herds;
Lush flags and bulrushes;
The chirp of rain-bound birds--
To live, I think of these!

Envoy

Dark aisles, new packs of cards,
Mermaidens' tails, cool swards,
Dawn dews and starlit seas,
White marbles, whiter words--
To live, I think of these!
Nigel Morgan Aug 2013
It always intrigued him how a group of people entering a room for the first time made decisions about where to sit. He stood quietly by a window to give the impression that he was looking out on a wilderness of garden that fell steeply away to a barrier of trees. But he was looking at them, all fifteen of them taking in their clothes, their movements, their manners, their voices (and the not-voices of the inevitably silent ones), their bags and computers. One of them approached him and, he smiling broadly and kindly, put his hand up as a signal as if to say ‘not just now, not yet, don’t worry’, or something like that.

This smile seemed to work, and he thought suddenly of the woman he loved saying ‘you have such a lovely smile; the lines around your eyes crinkle sweetly when you smile.’ And he was warmed by the thought of her dear nature and saw, as in a photo playing across his nervous mind, the whole of her lying on the daisied grass when, as ‘just’ lovers, they had visited this place for an opening, when he could hardly stop looking at her, always touching her gently in wonder at her particular beauty. In the garden they had read together from Alice Oswald’s Dart, the river itself just a short walk away . . .

Listen,
a
lark
spinning
around
one
note
splitting
and
mending
­it

As he finally turned towards his class and walked to a table in front of the long chalkboard, half a dozen hands went up. He had to do the smile again and use both hands, a damping down motion, to suggest this what not the time for questions – yet. He gathered his notebook and went to the grand piano. He leafed through his book, thick, blue spiral-bound with squared paper, and, imagining himself as Mitsuko Uchida starting Beethoven’s 4th Piano Concerto, fingers placed on the keys and then leaning his body forward to play just a single chord. He held the chord down a long time until the resonance had died away.

‘That’s my daily chord’, he said, ‘Now write yours.’

Again, more hands went up. He ignored them. He gave them a few minutes, before gesturing to a young woman at the back to come and play her chord. Beside the piano was a small table with a sheet of manuscript paper and a Post-It sticker that said, ‘Please write your chord and your name here’. And, having played her chord, she wrote out her chord and name – beautifully.

He knelt on the floor beside a young man (they were all young) at the front of the class. He liked to kneel when teaching, so he was the same height, or lower, as the person he as addressing. It was perhaps an affectation, but he did it never the less.

‘Tell me about that chord,’ he said, ‘A description please’.
‘I need to hear it again.’
‘OK’, there was a slight pause, ‘now let’s hear yours.’
‘I haven’t written one’, the reply had a slightly aggressive edge, a ‘why are you embarrassing me?’ edge.
‘OK’, he said gently, and waved an invitation to the girl next to him. She had no trouble in doing what was asked.

Next, he asked a tall, dark young man how many notes he had in his chord, and receiving the answer four, asked if he, the young man, would chose four voices to sing it. This proved rather controversial, but oh so revealing – as he knew it would be. Could these composers sing? It would appear not. There was a lot of uncertainty about how it could be done. Might they sound the notes out at the piano before singing (he had shaken his head vigorously)? But when they did, indeed performed it well and with conviction, he congratulated them warmly.

‘Hand your ‘chord’ to the person next to you on your right. Now add a second chord to the chord you have in front of you please.’

Several minutes later, the task done, he asked them to pass the chords back to their original owners. And so he continued adding fresh requirements and challenges. – score the chords for string quartet, for woodwind quartet (alto-flute, cor anglais, horn, baritone saxophone – ‘transposition hell !’ said one student), write the chords as jazz chord symbols, in tablature for guitar, with the correct pedal positions for harp.

Forty minutes later he felt he was gathering what he needed to know about this very disparate group of people. There were some, just a few, who refused to enter into the exercise. One slight girl with glasses and a blank face attempted to challenge him as to why such a meaningless exercise was being undertaken. She would have no part in it – and left the room. He simply said, ‘May I have your chord please?’ and, to his surprise, she agreed, and with some grace went to the table by the piano and wrote it out.

A blond Norwegian student said ‘May we discuss what we are doing? I am here to learn Advanced Composition. This does not seem to be Advanced Composition.’

‘Gladly’, he said, ‘in ten minutes when this exercise is concluded, and we have taken a short break.’ And so the exercise was concluded, and he said, ‘Let’s take 15 minutes break. Please leave your chords on the desk in front of you.’

With that announcement almost everyone got out their mobile phones, some leaving the room. He opened the windows on what now promised to be a warm, sunny day. He went then to each desk and photographed each chord sheet, to the surprise and amusement of those who had remained in the room. One declined to give him permission to do so. He shrugged his shoulders and went on to the next table. He could imagine something of the conversation outside. He’d been here before. He’d had students make formal complaints about ‘his methods’, how these approaches to ‘self-learning’ were degrading and embarrassing, belittling even. I’m still teaching he thought after 30 years, so there must be something in it. But he had witnessed in those thirty years a significant decline in musical techniques, much of which he laid at the feet of computer technology. He thought of this kind of group as a drawing class, doing something that was once common in art school, facing that empty page every morning, learning to make a mark and stand by it. He had asked for a chord, and as he looked at the results, played them in his head. Some had just written a text-book major chord, others something wildly impossible to hear, but just some revealed themselves as composers writing chords that demonstrated purpose and care. Though he could tell most of them didn’t get it, they would. By the end of the week they’d be writing chords like there was no tomorrow, beautiful, surprising, wholly inspiring, challenging, better chords than he would ever write. Now he had to help them towards that end, to help them understand that to be an  ‘advanced composer’ might be likened to being an ‘advanced motorist’ (he recalled from his childhood the little badges drivers once put proudly on their bumpers – when there were such things – now there’s a windscreen sticker). To become an advanced motorist meant learning to be continually aware of other motorists, the state of the road, what your own vehicle was doing, constantly looking and thinking ahead, refining the way you approached a roundabout, pulled up at a junction. He liked the idea of transferring that to music.

What he found disturbing was that there were a body of students who believed that a learning engagement with a professional composer, someone who made his living, sustained his life with his artistic practice, had to be a confrontation. The why preceded, and almost obliterated, the how.

In the discussion that followed the break this became all too clear. He let them speak, and hardly had to answer or intervene because almost immediately student countered student. There evolved an intriguing analysis of what the class had entered into, which he summarised on a flip chart. He knew he had some supporters, people who clearly realised something of the worth and interest of the exercises. He also had a number of detractors, some holding quasi-political agendas about ‘what composition was’. After 20 minutes or so he intervened and attempted a conclusion.

‘The first rule of teaching is to understand and be sympathetic to a student’s past experience and thus to their learning needs, which in almost every situation will be different and various. This means for a teacher holding to an idea of what might, in this case, constitute ‘an advanced composer’. I hold to such an idea. I’ve thought about this ‘idea’ quite deeply and my aim is to provide learning opportunities to let as many of you as possible be enriched by that idea. You are all composers, but there is no consensus about what being a composer is, what the ‘practice of composition’ is. There used to be, probably until the 1970s, but that is no more. ‘

‘You may think I was disrespectful in not wishing to engage in any debate from the outset. I had to find a way to understand your experience and your learning needs. In 40 minutes I learnt a great deal. My desire is that you all go away from each session knowing you have stretched your practice as composers, through some of the skills and activities that make up such a practice. You all know what they are, but I intend to add to these by taking excursions into other creative practices that I have studied and myself been enriched by. I also want to stretch you intellectually – as some of my teachers stretched me, and whose example still runs through all I do.

Over the next seven days you are to compose music for a remarkable ensemble of professional musicians. I see myself as helping you (if necessary) towards that goal, by setting up situations that may act as a critical net in which to catch any problems and difficulties. I know we are going to fight a little over some of my suggestions, the use of computer notation I’m sure will be one, but I have my reasons, and such reasons contribute towards what I see as you all developing a holistic view of composing music as both a skill and an art form. I also happen to believe, as Imogen Holst once said of Benjamin Britten, that composing music is a way of life . . .

With that he walked to the window and looked out across that wilderness of green now bathed in sunshine. He felt a presence by his shoulder. Turning he suddenly recognised standing before him a young man, bearded now, and yes, he knew who he was. At a symposium in Birmingham the previous summer he had talked warmly and openly to this composer and jazz pianist in a break between sessions, and just a few weeks previously in London after a concert this young man had approached him with a warm greeting. Empathy flowed between them and he was grateful as he shook his hand that this could be. She had been with him at that concert and he remembered afterwards trying to recall his name for her and where they’d met. She was holding his arm as they walked down Exhibition Road to their hotel and he was so full of her presence and her beauty no wonder his memory had failed him.

‘Brilliant,’ the young man said, ‘Thank you. Just so much to think about.’

And he could say nothing, suddenly exhausted by it all.
J Nov 2020
Brown. I said brown was my favorite color. Deep, dark, opulent brown, like coffee, like the dirt, tree trunks, hair, the deepest of honey, like dark chocolate. Brown, I said. Brown, you remembered. But you see, as I've told you before, this color was associated with disgusting, horrid things. It was associated with a psychotic, abusive, manipulative, ****** person, associated with the screams and tears and blood left in his wake. I took the word, the letters, and I weaved them with meaning and memories and forever promises and the phrase "forever and always" which was something that used to be very important to me. I promised very few people that, and by few I mean one other aside from him, and that was Kenzie. I told them "I'll love you, forever and always." Kenzie and I made it first, and then we both made it to our partners, the partners that we believed would last. She's married now, with a kid, to that man, and I? Well, here I am now. I don't say it anymore, it means nothing to me now. Albeit brown is lovely, and after the said past promise-breaker left I tried not to think of it as eye color, I struggled to see it more akin to nature, as something natural. "Earthy tones, right?" You said earthy tones, without hesitation, when we were taking those online quizzes about personalities, it was the question was about my favorite color, so I know that you remember. "Browns and greens, right babe?" Greens and browns, the Earthy set colors, not those ****** betraying eyes of a Ryder. He told me my eyes were green. He often told me about the green storm that threatened to flood the very existence of himself. My eyes change color, according to friends. Brown, green, sometimes they get this weird blue color, sometimes they're two different colors, one being green and the other brown, but I'm not sure. But anyhow, I thought that was my pull. I thought that if I had to get specific and create the perfect person for myself, I'd at least know what eyes I wanted them to have. You see, I love things that are underappreciated, everything in the category is something to admire, as long as you leave me out of it. But now, Sydney, now? Now I know, the hottest fires burn blue.

  To this, your eyes are no exception. Brown was the Earth, still is, and it's what lurks in trees, the ground, the beverages and food we ingest, but Frenchie, love, eyes like yours? They burn those trees, the grass, physical objects, and then they demand hearts to ashes. They turn universes upside down, OH LOVE! your eyes drive people mad- they drive ME mad. Eyes like yours BURN, not the freeze everyone swoons about. Your eyes don't drip tears, they let off smoke in warning, and though the flame may seem like a liquid, it's not in any sense. Your blue is not the sky, your eyes are not something to gaze at, half-mindedly wondering and completely misunderstanding. You're not something to zone out for, towards, or to. No, your blue needs to be watched carefully, your blue cannot be left unattended. Your eyes don't hold people captive, they don't make people pause and romanticize them(at least they shouldn't), they trigger the fight or flight. Your eyes are not sad, they are not the ocean. Fire is not something to jump into, nothing about it symbolizes drowning. Oh no, no no no, Frenchie, love, your eyes, YOU, are a force to be reckoned with. Hell's fire, that's what I see rather than some stupid cliche body of water, Satan envies the heat. They're not something to submerge yourself in, they won't clean or wash away the sins I have, they'll burn the physical, mental, and emotional flesh, and then said flesh will wilt off, simply floating away as if they were petals stolen by the wind. Burnt ashy peach petals, that's all to be thought of the skin, hair, thoughts that are charred. Hear me, lovely, eyes like yours make the cigarette burns seem like a mosquito bite, they make blades dancing across skin feel like kisses, they make these thoughts of hate feel like vows of forever in love. Your eyes betray those who don't pay attention, because, yes, at a first glance, they're like the ocean. They're like an ocean, I mean, if you're basic and OH WOW BLUE! BLUE EQUALS SKY! BLUE EQUALS OCEAN! Oh yes, yes! The same way that salt looks like sugar, like coke looks like tea, just like water looks like bleach, the way that I look like a girl, but, ****, I don't know what the hell I am. They have similarities, but we all know there's a significant difference. Your eyes **** a soul, your choice on how rapidly this happens, though, and it lets the soul believe it's in love with the feeling. Being in love with the feeling of decomposing, can you imagine? I know I can. I suppose I don't need to be telling you this, do I? Because you knew. You've always known that part of you didn't come from the ocean, but much much lower. Hades granted you this gift, no turning back now. But I suppose I'm fine with others mistaking blue for water, I'll know the truth, I'll know some part of you in this writing, even though you've admitted I don't know you at all. Maybe I'll find you out, hell, maybe I won't. Regardless, my lips forever will work to light those eyes of yours up, I'll always be your pyromaniac, but what's the difference between fascination and contemplated arson.

  Love, colorblind love, allow me to show you my colors as we find yours, yes? Will that be okay? You're so sure that I'm finding me, but all I've done is realized I'm coming back with pieces missing, even after doing something as simple as sleeping. I lose myself in my words, and then they flake off like trauma, which is to say they don't disappear at all, just bury themselves under the flesh that I yearn to flay. We don't know who we are, and maybe we're both losing ourselves, but we have to drop off some things to pick up more, don't we? Maybe I'm dark shades of brown, lighter even, or maybe I really am green, maybe I'm white. Until either of us really know, I'll show you exactly what you've been missing. You see, we'll lose ourselves to our respected colors, and from there we'll find each other again, and drain ourselves against one another to create something entirely new, just for us, and then we'll weave ourselves in and out of the universe until we're nothing, and yet everything. The greys that plague you, your little stand-ins for my obvious surroundings, will shine like neon, The colors, they'll take you in, pull you down, and you will bask in the glory your past kept hidden, you will be one with the colors you can't yet imagine. And through this, I'll be your glasses and your coordinator, I promise to magnify and guide. I will be your sword and your shield, love, use me as you wish and I'll take the damage. Whatever you need, whoever, whenever, I'll be here, I'll be it, I'll be yours, forever with my hand out for you to grab hold of, to steady or to comfort, and we can be better together, happy together, simply together. We can be safe, against anyone else, against the world if you'd rather, and I? I will show you this. I will hold you into the blues, into the greens, and in-betweens, past the whites and blacks and... and we will be the rainbow, you and I. Unlike anyone can be, I am here now, and I will paint you exactly what love should have been for you, what life should have been. It should have been soft, like silk, not rope. We accept the love we think that we deserve, and even though I'm not anywhere near that blasted rope, I know that's why you're with me, for I'm not exactly silk, either. I'm something of leather, perhaps. I'll make you feel beautiful, powerful, but I won't last there forever, you know. I'll flake off, you'll grow tired of the mask, you'll grow tired of me, but at least I'm not rope. And we both know that you wouldn't want the silk for yourself. But until I'm something in a pile that you can remember rather fondly, allow me to be the reason you're smiling and walking like that, leaving flames for a trail.

   I'll first show you a better white, white outside supremacy of course because white is nowhere near a dominant color to me, but I know that you've seen enough black for now. I will lay next to you in a field of lilies, snowdrops, hyacinths, dahlias, and daffodils with the beautiful floral scent filling our senses. We will be surrounded by all that is pure, soft, safe. Dandelion will fly around us, make a wish if you must, they'll fall everywhere; you can wish for everything in the world and still have excess seeds. On milk-colored cotton blankets, we'll gaze into the night sky, where foggy shapes spread around the chalky Moon, capturing Her beauty rather nicely. In this perfect world, Scorpio and Cancer will be right next to each other. Relax next to me, go ahead and put your guard down, as I weave my hand into yours, the peach and creams of your existence make me feel olive in comparison. I could be olive for you, but olives and milk don't go together, so perhaps I can be a soft caramel, very soft, I'm not too entirely tan, but I like the thought of that. It's further proof of my imperfections and proof of your opposite. Caramel and Cream. Beneath the pearly light, we shine quietly, soft glowing fae, you and I. We're goddess's, y'know. Crowns of the pale flowers on top of your head, now that I think about it they make you slightly coral in comparison, then lace down your arm, around your fingers, covering the parts you wish to hide. Can't you see you're a perfect representation of something to worship? Goddess of Comedy, of ****, of What Love Should Be, of Selflessness, of Cuteness, of Protection, of Not Knowing How To Control Anger, of Music, of Koalas, and I? Suppose I'm some sort of gender-neutral Goddess of Laughter, Magick, Crying, Being Overdramatic, maybe of Poetry, maybe of Avoiding Issues, maybe of Frogs, and maybe of Empathy. Oh yes, and I'll show you this. I'll show you the alabaster watercolors and paint and pencils, I'll show you how a Goddess paints the stars, but I won't ever(EVER) show you those ****** impressionable Crayolas again. They're childish in their waxy ways, Frenchie, and you don't deserve that anymore. White Crayolas are pointless and deceiving anyway, aren't they? You deserve so much more, so much better, so, I shall provide stability and vision.

  And this? I will show you.

  Because words are empty. And you need to see to believe it.

  You see, I am in debt of your presence. I am in scars of your truths. That might not make sense. To explain, I try so very hard to keep my own blank face when you're talking to me because I'm afraid I'll give you the wrong expression. You need understanding, not to be singled out and felt like an outcast the way that I know you feel already. I do this because I know what you've been through, but you say I don't, that I would never get it. Maybe not in exact ways, but I do in some fashion. But I don't know you, so maybe I'm just blathering. Anyways, I try to keep a straight face, hearing of your abuse, your insecurities, your everything that you slowly open to me. Do you know how that makes me feel? I'll tell you. I'm angry that such things could be done to you. You don't see this, I make sure of it, but it takes everything in me not to hunt them down, Sydney, because why. WHY. Why would anyone do such a thing.. to you? To you. You didn't deserve it. ****, no one does, but you especially didn't. Hearing this pains me emotionally, mentally, physically. But I keep a straight face, please don't assume it's because I don't care. Please never assume that it's because I'm bored with the topic. Because I do care, I care so ******* much, I just don't want to make you feel like I'm afraid. I'm not. The thought of losing you, THAT'S what scares me. The mere thought of you loving someone else the way that I love you, that's breaking away my soul with its phantom grip. I refuse to lose you, I can't. I don't think that you quite get this yet, but there's something about you that makes me worry so much that I get sick when you don't reply for mere seconds. It's like I need to constantly hear from you. Like if I don't, I'll be dead, alone, because I know better than most people how quickly a life can be taken. I know that I get mad easily and that sometimes my overdramatic selfishness gets overwhelming, but I really don't want to shove you away or make you annoyed by me. I just want to talk, and show you these flaws, so that you know I mean no harm, that I'm getting better, that I can be good for you. I also understand that such is impossible, you're bound to not want something about me, I know I won't match you in every way that you need. But I do want everything of you, I want your anger and your sadness and your insecurities. I want you in tears for me, because I know I will always be here to clear them up for you, but I always hope to never be the cause of your crying. I will never purposely make you cry, I will never try to make you leave me(unless I think that it's best if you do so). You say that I helped you, that I was the reason you felt that it was good you're not dead. One of them, I know, but still. When you wrote for me, it was something interesting. You see, people don't write for me. They write for themselves, they write about themselves, they write to feel quirky, they rarely write about others, hell I know I do. I don't get written about, and if I do it's lies. He-who-shall-not-be-named wrote a few things for me. In his letters or texts, promising his life to me, vowing that he'd never leave, never hurt me, never cheat on me. He gave me empty words and full-blown everything else if you catch my drift. He showed me that words were nothing, never to trust them. "I love you" is the biggest and most frequent lie that I get told. But something in me believes you when you say it. Because you said it without getting anything back for such a long time. You could have given up, moved on, walked away, but you didn't. You stuck by me, even when you had the world of people you could go with, you wanted me. Me. And so I owe you at least a little bit of trust when you say that you love me, and doing so should make you see that when I say it back I also mean it. I've never written this much for anyone, you make me want to write even if it all sounds ******* cliche and mushy.

  Deep breath.  

  I will kneel for you, Goddess, and be here, waiting. Here, ready. Here, open for you. Pick me apart, I'll show you my inner mechanisms, do with me as you please. I'm going to work for this, just give me time. I don't know you, you don't know me, that's what we agreed with. We hide behind these words, YOU DON'T KNOW ANYTHING ABOUT ME! because we're afraid that if we DO know something about the other, we'll die for it. We'll be hurt because knowing is knowledge and lack of something new to tell is weakness, is it? That's what you've been taught, that is what I've been taught, but listen. I have nothing to hurt you with. You've always known that you're stronger than me. I can't hurt you, right? I can't.
  
  I will always be full of stories, as will you, just tell me them. Just talk, I'll be quiet for once, you can tell me everything. You offer to listen to mine, say that you want to hear about me, but God let me just distract you so you'll talk about something, anything, else. I'm so stupid, I know you want to talk. I'll be quiet for once, let me work harder for you, I don't want to pretend that it's easier not to know you. We have to know each other. We have to, don't you want to stay with me? I know now that it is I who is the toxic one, let me try to be better for you. You told me that you didn't think that I stopped cheating, that I stopped being toxic because I met you, but I did. Sydney, I did. Or at least I've gotten better. I don't cheat, I've never cheated on you. I won't. But I know that you said that only because you were mad and overthinking. Or maybe you really meant it, I know everything that you said had some truth to it. I'd let you in if I could. Truth is, I'm an open book. For ****'s sake, I'm emptying this **** onto a ******' website, I don't have any ****** secrets. . . okay, I have a few, but only because I don't know how to bring them up. And yes, there's a lot of my past that you don't know, but there's also a lot of yours that I don't know. You have secrets you'll never tell, this is just truth, everyone does, yes? Do you want to know everything? If it will make you feel better, I'll tell you the world, the world of J, everything, you can have all my secrets, I'll be nothing but empty for you, you can have me. Would you like that?

  I'll erase the past lovers who made me fear, made me mad, made me, well, me, just for you. I won't mention him anymore, just don't leave me, okay? I'll stop talking about it, I'll stop getting so mad at you, I'll stop twisting your words, I never meant to. I never meant to. I always seem to make you feel as if you can't open up. You can. You can open to me, always, forever. Please. I can be better. Just for you. Always for you, only for you, please. I'm sorry. I say that so often, but that doesn't mean it has any less meaning, I am sorry. Quite often, I admit. I'm sorry for thousands, millions, trillions of things. I promise I'll get better with that, for you, just tell me how, tell me what to do, I will. I'll do anything. See, my past people weren't good at many things. Some could write a bit, some could sing, or both, or neither. Some could just talk right. But they all were good at one thing: leaving a scar. I remember you compared your past lovers to people with rentals, aka you, that they trashed. I think that if I could compare them to anything, they were feelings that I couldn't quite let go of because I knew that if I did, I wouldn't know what to do. I liked fear, maybe, I liked being hurt. I was used to it, it felt like little kisses, it meant they loved me. Manipulators do that, they make you feel like you need them until, bam, it's been almost a year and ****, you're alive aren't you? I feel things too deeply. One person's favorite thing would become an obsession for me. I don't know if that will change, because here I am telling you that, honey, you can be my addiction. But I wouldn't compare you to you a drug. Not the way Edward called Bella ******, how toxic, you're not ******. You're wine. You're champagne. You're "Veuve Clicquot." I know I don't really have to say this, but drugs are ******. They make you feel ******, that's why I won't ever relate you to them. You don't make me feel ******, not always. Admittedly so, sometimes you upset me, and sometimes you make me want to die, but that really is more along the lines of my fault, because we know me- I'm really overdramatic. And you, you say you're bad, that you're entirely something to stay away from. I think that's funny, really, cause I'm an alcoholic, I've bathed in poison, and Honey? You don't have its burn. I'll say it, you're not perfect, not in a sense that everyone will understand, but you are to me. Even your unobvious toxins are things that I find perfect. See, those things, they're deep down, but you're not toxic, you're not entirely deadly. But of course, you can be, if not handled with care. Though everyone can be as well, so please stop acting as if you're something that needs to be locked away from people. You're a person, a good person. Stop telling me that I'll never understand you. If you want to shove me away, my goodness, keep trying, but I've been told much worse by my own self, love, and I love being degraded. You're safe with me, and I will love you, though I know my affections can be quite unorthodox. You're my drink, not my drug, but somethin' I'm very much so addicted to. You feel good going down, hell you make me feel like a ****** lightweight, but god you show me what it means to be carefree, warm, happy, it's like I can do no wrong. You feel right for me. So, I'll drink and drink, and I'll dance and dance, soft yellow, and you? You will be swaying beside me. Mixing our hopes with our pride, you and I can twirl.

  "Distance makes the heart say you want her, distance makes the heart grow fonder."

  Regardless of the forevers between us, infinity called miles, I want you. Even though you **** me off really often, I want you. I don't like you sometimes, but I want you. I think that you're perfect for me, but I want to choke you. Often. But I mean it lovingly because I want you. See, I'm allowed to choke you, I'm allowed to want to at least, but no one else is. I don't actually dislike you in the slightest, I just think I have a lot to work out with myself. I didn't actually mean it when I said that I hated the things that you loved. I think the word was envy. I envy the things that you love, I envy being able to like things, being able to handle things, because **** I can't handle anything for large amounts of times. And I do envy the things you love because some part of me(I'm sure there's a name for it somewhere) wants to be the only one, the only thing for you.  I get frustrated so easily, I'm ****** I know. I'm so ****** used to being in this little fantasy I have for myself that I don't know what it really means to be in this reality. People don't act the way I want them too, I lose control of everything when I find I can't make people do as I please. In my world, you love me completely, so completely that you don't need anyone but me. But in reality, if anyone left your life, you'd break down.
In reality, you don't need me. You just happen to want me, you love me right now, but you don't need me. I'm not oxygen, or food, or water. And to be honest, even if I was, you'd be able to live without me for a bit. You avoid those things anyhow, don't you? I want you to see that I do love you, that I do want you, that I would never cheat on you or hurt you in that way because I want to be different from what you're used to with your lovers. I want to be something that you remember quite fondly if we don't end well. I want you to be able to say, "yeah. Yeah, they weren't ALL bad. There was this one person... J, I think, yeah. J. They weren't too bad."

  See, you're a blue flame that tastes like that yellow champagne, but I'm Agave Reposado. I mellow as I age. My natural citrus and spice round out as I grow, creating these complex notes of dry chocolate, chilies, vanilla, and cinnamon. Some prefer me with mixes of something else, say Cognac or wine, which might **** with my flavors even more. Parts of me are hardy enough to support cocktails, while the subtler parts are best sipped neat or over ice. Take that information and do what you will with it. I only speak these words so they'll have some sort of meaning to you. I taste like that gold tequila, but I'm nothing more than a candle.

  "I know we'll never grow old together, cause you'll never grow old to me."

  I will want you until you decide you don't need me, and, even then, I'll want you. YOU. You alone. You, Sydney Grace Collins. Because once I love, Darlin, I don't stop until something dies. The things that usually do are patience, longing, energy, faith. Will you get tired of me, no longer wish to see me, be finished with my absolute *******, not trust that we will last any longer? Will you wake up one day, see me and realize, "****. I'm done. I don't want THIS. I don't want this anymore, ever again." I said not until something like that dies, but I don't really think that I'll stop. I don't think that it matters if you love me or not, because I'm going to love you. I mean, it definitely matters if you do or don't, but it doesn't affect the way that I feel. See, when you stop loving me, I'll pretend I never did. But I'll know the truth, and when you read or hear this you will too. If I cared about you, even after you-know-who and everyone before him, it means that you're something very special to me. Even though I really wish I didn't give a ****. It would just be easier that way, I think, easier not to want you or care or worry, I would much rather not ever worry about you again. BUT. We both know it's not really something that I can choose, so until YOU leave and cover up your tracks, because I can be a hella good FBI agent,(or stalker, whatever you wanna call me) you're stuck with me, huh? Which shouldn't be taken as a bad thing, being stuck with me, and if it is I think that maybe I should probably tone it down, but, seriously, when have I ever really toned anything down?

  I can think of at least two times where you've asked me why I love you, what draws me to you, and I think that I've finally ******' figured it out. It's your laughter, love. It's like I said before, you do that cute little wheeze when you laugh before the cute musical notes of the actual giggle erupt, and in the middle of this, you find ways to take breaths. You toss your head back, and then you double over before you proceed to rock back and forth like that. I love seeing you happy. I love seeing you be THAT happy, and I like that most of the time that I see you do that is because I make you, I give you a reason to. I can't really deal with things other than laughing at them or making jokes, it's a serious flaw of mine, but I like that it can help you sometimes because, hell, you can't deal with your **** much either. It's the way that your eyes crinkle when you smile at me, or the hopeful look on your face when you sing, or the eager face you make when you're talking, or the simple resting ***** face, or the way you sleep, breathe, exist. It's the way that you reach for leaves with your burning touch, you reach for things that fall eventually on there, and you save them when you tuck them into your pockets. Little stars, little shooting stars we'll call them. It's the way that you can brush off an entire tree falling on you, but heaven forbid a leaf fall on your loved ones. It's the way that your anger flares when something happens to hit you the wrong way. It's the way that you dance. It's the way that you eat. It's the way that you talk, sound. It's the way that you tuck your issues down into that same pocket as if your crumbling life was a loose strand of hair falling onto your face.

  I like that about you, about how you bottle things up, sweep them away, avoid things. I love it, really, because I've always liked to research, to figure things out, and I know that I'm not too good right now, but I'm going to help you. Oh, yes, I am. I'm going to figure you out. Run away from the words I'm saying, but it's true. And you'll either accept that, or we'll fall apart. Not because I want to, but that's what happens without communication. You've gotten so very good at talking about your issues though, so so so very good, love, and I'm so very proud of you, not to mention grateful. But I know that it barely scratches the surface of that pain, I know because you've told me. So tell me, blue flame, where's the source? Where do I patch up, where do I sow, and what can I do to make sure it doesn't happen, let me help you. I want to patch you up, and then I want to love the scars. There's nothing wrong with you, did you know that? Nothing at all. You're perfect. I love everything about you, even the things that I don't know about you, I love them. All your secrets and thoughts and plans, I love them. I yearn to be a part of them, but I know that takes time. I'll wait, and I respect it but don't ever forget that I am right here, even if I won't understand the pain I know that it's relieving to be able to just ******' talk about it. I'll listen.

  You're so ******* important to me.

  Look at me, baby. No, seriously, look at me. I want you to keep this in mind, love, this face, the look of my room, how I talk when I tell you all this **** that goes on in my head, look at how I'm opening for you, for YOU. Remember this round, unorderly face. See my eyes, love, as I read this to you, this other poem-related thing I'm writing, notice how wide they get? They're passionate, they are, do you see that? Passionate because of you, the thought of YOU, love for YOU. Do you see how your hoodie looks on me, and if it isn't on at the moment, your chain. Look at me. I will make you want to stay, look how tiny I can be for you. You can put me into your pocket too if you'd like. I can make you want to stay, right? I can make you miss me, I know it. When you do leave, I'll make sure I haunt you with this voice, these eyes, these I-love-you vibes, Darlin, you won't leave without an extra soul following. Cause you're gonna remember, you're going to remember me even if it kills us. You'll remember the way it felt when my lips crashed into yours, you'll remember laying in my lap while my hands roamed your face, you'll remember it all. You see, I don't remember things very well. For instance, I don't remember exactly when I first realized I loved you, which was after I had loved you but before I could admit it to myself much less to you. I only remember wanting to hold you, the times where you were the only one that could make me happy, and I know that's still how it is, at least on my end. Something about you makes the green storm halt. I don't remember what made me want to say that I loved you back, but I do remember trying to find something funny, just to say, to show, so that I could watch you laugh again. I love your laugh, Sydney Collins, I love you. I don't remember what made me fall for you exactly, but I do remember noticing you were being quiet when I finally stopped talking about myself once, and I remember knowing that I would do anything to make sure that you're okay again. See, I **** at really helping, but I want to, believe me. I want to help so many things. I want to help the voices and the thoughts get easier. I want to help the anger and loneliness, I want to help you. I want to be YOUR person. Forever. I want to protect you, let me check under your bed for beasts, back into the closet I go for monsters, I REMEMBERED, but you see, you don't need me to do the second part. The secrecy and skeletons, the ones you lay to rest, you keep it shut for a reason, don't you? Locked and sealed, like your mouth, never opened long enough for anyone to know what's going inside, but I will check regardless, and if you say, " J, don't say **** about that body," I'll smile and ask "what body?" and shut the doors, find my way back to you, and tell you that you hide the smell very well. Because I'm on your side, love, I'm not the enemy. And, just so you know, I always bring a shovel with me, should you need it. Closets can only hold so much, and you'd understand that, wouldn't you? Wouldn't we? GOODNESS! My heart is ******' POUNDING.

  You make me see gold when things are black.

  We are Not Veronica and JD.

  I have to admit something to you. When you talk like, oh it's happened so rarely, but like.. that. I freak the **** out because, wow! how do you do that to me? DO I DESERVE IT? No, no, no. OH, no I don't, I could never. I don't deserve a lot of the things that you tell me. But I think of you, I think of you so often. When I'm alone, I imagine you're touching me, I think I need your touch. You breathe sometimes and these knees buckle and this heart swoons and I cry out "ASEXUAL" because holy ******* **** *** with women seems so scary, and oh **** how do I hold myself back. I just want to see you smile, hear you breathe a sigh of relief, and listen to your sweet nectar laugh when flattered by one of my compliments. I want to feel the warmth of your skin while your body is wrapped around mine, and hear the beat of your heart while I lay against your chest, though I'm happy if you'd listen to mine instead, I know how you prefer to lay. I want to watch your chest rise and fall as you sleep and kiss you until you wake up. I want to feel safe with you. I want to feel...small.. with you if you get what I'm saying. I want to trust you.

  Let's talk about our issues from now on, rather than ignoring each other, please.

  I really don't care if I have to cross a sea of vulnerabilities and emotion, I would do it all for that time you said that my, MY, smile made you happy. Because when you're happy, I'm happy. And ****, my chest feels all fluttery whenever our eyes meet, and jeez I'm just a frikity freakin' mess whenever you make me laugh, and GOD I love it when you call me baby or princess or kitten or whatever name because hell I don't have to be a girl for those names to mean the world. I'd love anything that you call me, just as long as I can call you mine, still. I will say this, love, I will tell you that I'm gay, just for you. I'm a ******, I'll scream, until my mouth grows numb, tongue forgets how to speak, teeth rot out. Until I die I will cry your name, and from then I'll sign it, and you'll teach me how won't you? I will never NOT want you, Sydney. You're part of my life now, a big part of it, and that means that even five years from now I will remember you. We can't go back, now, these are important memories. I'll write I love you until my fingers forget how to hold, how to touch, how to be fingers, I'll write until said fingers break and ******, I'll write until my fingers forget how your hands feel wrapped in mine, until my poems no longer reek these cliche pitiful words, and then I'll continue because I will never stop. I will look for more ways to make sure that you are HERE! In my heart, in my eyes, in my head.

  "All I wanted was you."

  There are very few things that I can be sure about, and one of the only things that I'm sure about is the fact that I mean it when I tell you that I love you. YOU cannot help how I feel, and, quite frankly, neither can I. Nothing will change it unless I want it to, and of course, why would I want that? your voice whispers a gentle need back, I know you feel this too. So I beg of you to call me a thousand, billion, trillion times, tell me that you want me, too, just me, only me, that you love just me, only me. Babe, I'll write your name times infinity between each phrase, I will love you more than you love me, and you'll drown, fire child, in my love. you'll hiss, I'll cool you down, but I will not ***** you.

  For I am just a candle.

  And you're the flame that takes me away.
sometimes I just feel like writing, and that's okay. usually, it isn't much. I struggled with a title for this, so I just started to write until it was okay again. I think that some of these things don't really make sense, but I scramble to hold the things I write. They escape a lot. I read this to her out loud, she said that she had never been compared to a flame, not like this. she said that her ex compared her eyes to the ocean, so when I said, "they are not the ocean, not something to jump into" she smiled. that made me happy to know, that I did something like this right.

I edited this a lot after reading it to her, and after listening to what she said. I apologized. I told her "Yeah... Yeah, apologize. Words are ****. But that's all I have. Yknow? I'm sorry. I'm sorry for assuming that I knew you, for saying that "I get it" even though I couldn't possibly get it. I'm sorry that you're losing yourself, and that I twist your words when you try to talk about me, or about your ex's, or about anything. I'm sorry that I'm one of the people around you that's always ******* up their arm. I'm sorry that you think I won't love you unless you're funny. I'd love you even if you were a tomato. I'd love you even if you were coffee. I'd love you even if you were my worse nightmare. I'm sorry that I got mad, I didn't understand, I'll try to be better with that. I'm sorry that I took you listening to music as you not wanting to talk to me, I forgot that you have other things. You're more than what meets the eye, I'm sorry I forgot that, I'm sorry I assumed things. I'm sorry that I won't understand your mind, I only ask that you help me try. I'm sorry for shutting you down. And mostly I'm sorry that you think I never changed from my past, that I'm still toxic, that you don't doubt I'll cheat or have. I haven't. I won't. I'm sorry that I'm toxic, I'll fix it, I'll get better. I'm sorry that I said I tell you things that everyone knows. I'm an open book, like you said I'm easy to read. I shouldn't have said it in that way, truly I have nothing to hide. I'm sorry that I keep repeating my past mistakes. I'm sorry. And I love you."
She was supposed to call me, but she didn't get the chance to. it's almost three in the morning, I'm pretty sure she's sleeping. I'm very glad she is, though, because I know her insomnia has made it really rough on her.
anyhow, enjoy yet another one of my entries.
would you even call what I write poetry?
King Panda Aug 2017
the morning sky
performs a hot dance of rain.
ever-growing lime washes away,
white and sour mistaken
by some noses as
aromatics.
a season
of ever-ending frost
absent from windows
and misty
misty
journey
through the rain
without an umbrella.

rain jilts
its luscious sun-lover
behind clouds.
it beheads drops into
the thin morning air
only to be crushed
by the sidewalk.

this excites the worms
who unearth themselves
like fishing-bait zombies.
the worms are then eaten
by the birds who brave
the rain and the slick
sidewalk, once baptized,
now eats their ****.

I step in a puddle
with my rain boots.
there are holes in their
heels, and I feel
my skin start to crinkle.
I think of you
for the first time in sky water
unsubmerged
docked
landed
and lean in
to the liquid veil.
Madison Y Sep 2015
When there are no cards left to play,
We start a new game.
There's never a winner,
Just two broken hearts and
Smiles that don't crinkle the eyes.
Do you remember when I buried my face in the plaid cotton of your shirtsleeve and cried,
'What do you want from me?'
'Everything,' you whispered into my mouth,
Your voice muffled as if we were breathing underwater,
Though we were both unprepared to drown.
Darling, if only we'd realized that when you took it all,
There'd be nothing left for me.
Wandering Soul Aug 2017
So there's this girl; pretty, gorgeous and nice.
Her eyes crinkle when she smiles genuinely
and I hope she knows her beauty eventually.
Because she has a pure soul that can entice.

There's this girl, whose favorite color is blue.
Who stays up past midnight to finish a book
and then falls asleep in her own comfy nook.
Tiredly waking to a pale dawn covered in dew.

There's this girl, that takes up all of my time.
Who lights up my phone all hours of the day
and expects a paragrapth on the 28th of May.
So there's this girl, this girl that I call mine.
Nat Lipstadt Jan 2018
I Am that I Am (אֶהְיֶה אֲשֶׁר אֶהְיֶה‬ ’ehyeh ’ăšer ’ehyeh)

for Eléa

the requests are assiduous, regularly arrivaling, some shy,  
some heinous demanding and denouncing,
inquisitors inquisiting this revelation,
as if it could be bought in a Five and Dime,
with a childlike whining insistence

just  exactly who are you?

this is not my name above,
but one of seventy the Father gave himself

He named me in a fit of efficacy and whimsy and in and from, a fit of a deep veined mystery

You Raise Me Up

all this on the ****** side of corny, and would not blame you
if you moved on…

so nominated in honor of my mission, to travel with you in
all the travails that ail,
to raise you up to raise me up and thus salve the universe's cracks,
fill the crevices and the ****** scars invisible,
with the precise refreshment that make my life,
a slave to your thankfulness

I am the wetness of a mother’s lips upon
a thin red tear on a child’s skin,
I am the the rock hard father’s shoulders grasped by a child’s arms, the child does yet understand that human is illusion,
human is human, however strong,
it is the allusion of human limitations
that is our magical

I am the present re-borning come with a morning glory,
the time when the Am and the Pm  future merge in a name
without tense,
past present and what I may be is simply what
I am

when the past is but another sky bright star, untouchable,
but winking at you, to you personally

I am the touch of the untouchable,
a messenger commissioned to remind you when
the reminders are too far apart,
or even too close
and thus make a breathing space
in between for the living and the missing

I am the
no difference
between a newborn’s soft skin cells
relentless multiplying,
that offers the same precise sensation of the
grandmother’s delightful wrinkling cells of smiles of her
relentless dying,
for all, one and the same,
the child in her is you, baby

I am the fall before the rise, the first that defines the last,
the standard, once obtained, nevermore unobtainable

I am the first fruit of the summer,
a tongue blossom, a burst of memory, always recalled,
always the same, that begs for forgiveness for there are no
new words to describe the profound finding of the
simple pleasures that sustains the blessing over all things new that
are recurring and truly
renewable (shehechayanu)

I am the crinkle in the eye, the one that hides in the fine lines
and upon the lips,
when you purchase the hope however fleeting of a
$2 Powerball ticket,
the very same hope preserved when you laugh when you lose,
for there is contentment in knowing one may hope spring eternal,
yet again in a finite
three more days for and too another lousy two bucks fantasia

I am the ruse of happy satisfaction of a man
in the dark of alone at home,
staring at his sizeable bank balance
and the happy knowledge that its loss  it will make it greater someday when it  happy converted to memories and photos that  are worth a thousand times its multiplicity
if only,
or when,
he knows how

I am that pain in the left side of your red sea-parted soul that cannot be dismissed but is religiously ignored,
that you alone know of
due to its persistent existence, and because it is just tolerable,
it is a sad but comforting pain,
an acknowledgment that a companion travels with you
and that in someway is ok and you exist

I am the water on the night table that extinguishes the dry throat of recurring visions in eyes that always end badly
and make the bed’s welcome a fearful thing,
which is a fearful thing for in good sleep is the
re-naissance and re-formation and the salvation
that was given to you as a gift inside thy mother’s womb,
and that
it is I,
whispering the hum of easy soft lambs,
soft breathing you
unto welcoming rest

I am the poem that must end because of our
frailties and impatience to live in
the reality of human touch,
that must be put aside for any novocaine of words

I am the one who can only be alive
when he raises you up and
you begin a new poem all your own,
and then exit it too, willingly,
to embrace the raising up of living

and that is the
who I am
that I am
raising us up
a Mar 2015
The crinkles at your eyes,
Not allowing tears to escape
The truest smile shows the crinkles at your eyes.
Caela Bay Mar 2015
Don't leave me,
I swear I won't be able to stand it
there are days when it feel like ***** is filling my lungs
and I am stupid enough to try and take another sip.

You're not just the sun,
You're the whole ******* universe.
I look at you and see galaxies, milky ways and star dust.
Yet I feel like the tiniest little falling star that's ready to burst.

Your laugh that you say is "so annoying"
is like orchestra music to me;
when the violin and cello  intertwine
it's the most divine sound I could ever hear;
every hair on my body stands up
and in that moment I  just kind of, fall in love.

Like that smile, oh that smile.
The way you crinkle your nose,
When you make me laugh like a child
and that tiny little he-he that you giggle back to me.

when you walk away to spend eight hours a day
slaving away to make food for people you don't even know
with people you don't even like.

I just want to throw my arms around you and pull you back,
say, " no. lets go take a nap"
I'll pet your hair and scratch your back.

I love to listen to the stories you tell me
the more I know, the more I become intrigued
I'm infatuated with you, who is so fascinating.

I know I am difficult.
you don't have to pretend like I'm not
instead of telling you that i'm struggling
I sit silently and let myself drown
and I know that I'm pulling you down to,
that's one thing I never want to do

cause without you, where I'd be
is a place where I don't think I could even call myself me.

It ***** that I'm needy,
and i'm sorry I'm so clingy
I'm not use to missing someone next to me when I sleep.
wanting to wake up to see your face
knowing that I can go on with my day.
my lungs won't be filled up
and for awhile I'll be able to smile
not wanting to drown out the pain with sleep or drugs.

Cause I dream about your eyes and I see galaxies
I think about your laugh and I hear music

"Beauuutiful"   ( you always say)
yes you are.      ( I always think)
Holly M Aug 2017
d-i-v-o-r-c-e
spells 'the end'
the end of all things
the end of crinkle-eyed smiles
the end of early morning kisses
the end of late night giggles
the end of bathroom break tears
the end of raw vocal chords
the end of resentment
the end of love

d-i-v-o-r-c-e
spells 'new'
new start
new house
new freedom
new tears
new loneliness
new love
new life

d-i-v-o-r-c-e
spells 'i give up'
i give up on cleaning up your ***** cereal bowls
i give up on picking up your clothes
i give up on our queen-sized bed
i give up on two toothbrushes
i give up on two bathroom drawers
i give up on sharing a closet
i give up on sharing a life
i give up on you

d-i-v-o-r-c-e  
spells 'give it away'
pictures of the life we shared? give it away.
that queen-sized bed? give it away.
four bedroom house? give it away.
circular piece of platinum? give it away.
diamond ring? give it away.
your love? give it away.

d-i-v-o-r-c-e  
spells 'without'
without pain
without anger
without anxiety
without snoring
without kisses
without hands
without guidance
without a friend
without you

d-i-v-o-r-c-e  
spells 'too'
too far
too bad
too sad
too much
too late

d-i-v-o-r-c-e  
spells 'goodbye'
goodbye, my love
goodbye, dear old friend
goodbye, *******
goodbye, bane of my existence
i wish you all the best, but
goodbye, my friend
Marsya Azzahra Jun 2014
Am I brave enough to tell you?
to tell you how I spend the night thinking about you
to tell you how I dream the night with the thoughts of you
to tell you how I dance around my room with the songs about you

Am I brave enough to tell you?
to tell you why am I up all night with my phone in hands
to tell you why am I blush a little every time you talk to my face
to tell you why am I so proud of things that I haven't had

Am I brave enough to tell you?
to tell you how I love the crinkle of your eyes
to tell you how I realize you have the black spot on your left eyeball
to tell you how I love the cut of **** symbol in the back of your left hand

Am I brave enough to tell you?
to tell you why time ticks so slow when you're not around
to tell you why I shut my mouth every time you're around
to tell you why my heart smiles every time you're near

Am I brave enough to tell you?
to tell you how I wish upon the stars praying your name
to tell you how I feel every time the wind blows your hair
to tell you how I don't want you to stop flicking off your bangs

Am I brave enough to tell you?
to tell you how I want to hold both of your hands
to tell you how I want to lay down my head in the bony of your shoulders
to tell you how I want to tell you words I could not say, I love you

Am I brave enough to tell you that I love you?

*Darling, tell me if I brave enough to tell you that I love you
H
angelwarm Oct 2014
*** a couple times with your hand that
    has one vein popped up over the knuckle. sheets crinkle
    laundry sits in the small humid room.
    smells like roadkill and peppermint,
    like christmas eve with dinner down the toilet.

you've *** four times in an hour,
rubbing at yourself through your underwear.
don't touch skin. it's off limits today.

getting raw means you can feel
how it stings when you cross your legs.
it's not about pleasure. it's the reminder:
   you want to know what you look like,
   what you feel like.

next time you're ******* down some boy you ask him
"how does that feel?" he says "good."
            quick kiss, his ****** is archaic and copper.
            you like how it tastes. now it's your turn:
but of course he won't make you *** unless
you take your hand and rub while he *****,
your hand a barrier between his body and yours.

          "please be quiet," you say out loud
the boy furrows his eyebrows, "i didn't say anything."
you laugh, "no, my stomach."

pretend to *** for a faster exit.
give him a tiny maternal kiss.
let it linger out the room where it's cold but he's still warm.
you don't want a warmth you have to love because it's too much.

the scab on your neck is now a scar
       and you have no make-up for the ones on your forearms, but
       really, most of you by now is star dust and tobacco leaves.

               the sun is in our eyes. i want to know
               what makes a circle go on forever.
i think about ****** a lot.
dreamt two nights ago chris sold me some,
it was in that tiny wax bag with a "king ******" stamp .
when i texted him the next day said "i dreamt
we did some together," he said
                 "that's funny. i've been doing some definitely
                  but not really selling."

     the Chicago cold does something odd enough to you.
it always seemed like you were alive as a kid. well,
were you?

               where is your body? out in the storm.
                are you a ghost? no, it would be nice though:
                    the lack of responsibility of life,
                                    a state of impermanence.
    it would be nice.
I would greatly appreciate the kindness
Of not giving me that smug look,
As if my bad days have anything to do with you.
As if I give the smallest care about who you're with or what you'll do.

The only thing that bothers me
Is your arrogant, ignorant, crinkled, smug face.
So please, point it in some other direction.
Thank you kindly.
Claire Waters Nov 2013
you cry like lost toys and dead pets
there's nothing you can do about it right now
you cry like a small animal with a broken spinal chord
you keep whimpering, but it can only heal in time
you cry like pressing the skin of your palms
into the membranes of your eyes

when everything in your head is so cacophonous
you want to rub away all the little things you absorb
want that your hands could throw out this migraine
like a candy wrapper on the sidewalk
and if you believe hard enough that it's gone
you'll never notice the sugar rush or the comedown
so you press your hands to your face
as hard as you can and try to pray like a religious person
but you were raised christian and american and
the ways of believing and hoping and loving that you knew as a child
seem insincere now, and hard to speak
the language is not truthful
everything is what they told you it was not
nothing is what they told you it was
or everything was always what it was
and you or i could've told them that

and you think that wrapper might eventually end up in a landfill
if you go throwing it carelessly around
and sadness taken with too much sugar can be a toxic combination
so maybe making the bad things go away
is harder than throwing away the wrapper and enjoying the rush
maybe the wrapper is somewhere else now you can't get to
where you can't hear it crinkle or see it shrivel,
but you can still relentlessly feel it
getting whittled away by time and weather
while steadily melting down bits of you
as you pass your heart around
gasping inside the icebox

until one day you look up and the sun is a bloodier color
and your lungs are full of ice like pins
freezing inside of you
and when seconds before you had oxygen
as you begin choking, you think it's amazing how long
it seems to have been
since you were alive

your knuckles are dry from holding on
to a rusty ladder wrung
even when you want to move so badly
and there's nowhere to climb
you refuse to jump
and you're still trying to figure out
how to fall correctly
to break the least amount of limbs
M Clement May 2014
And with that,
Words drift away in smoke
As pages crinkle, and blacken slowly
And we mourn for the loss of information
For the loss of wisdom
As the words float loftily in smoke
And covers burn with fervor
Prompts from Tumblr, Twitter, and Facebook. This one was: burning books.

— The End —