Submit your work, meet writers and drop the ads. Become a member
Obadiah Grey Dec 2013
Sphincter factor nine approaches
food for the fish n roaches
methinks its time for me perhaps
to open up the rearward *****.


------------------------------------
AAChoo !!

Oh, liddle sister, Josephine,
you sure don't keep your
nose real clean.
got stalactites
o' pure pea green
my infectious sibling
snot machine.
----------------------------------------
I thought that I might shoot the breeze
with God or Mephistopheles
and ask them please to ease my wheeze
of my bad back and dodgy knees
---------------------------
Croak with the raven
bluff with the crow
the urchin
the field mouse
beneath the hedgerow
in a flurry they scurry
away away go.
Yelp with the *****
howl with the hound
and bay at the moon
till the sun comes around.
------------------------------------------
Gino's bar and grill.

Away, away afore Bacchus
doles out befuddlement
and Morpheus has his way,
lest I awake to find myself
in the company of
sodamistic bedfellows
with buggery in mind.
---------------------------------
Harry Potter has grown a beard
he lives alone and turned out weird.
Dumbledore, Albus, no more
turned his toes and 'ad a snore,
Voldemort, who's *** is taut
has no nose with which to snort.
====================

Ahem !!

Behind two Lilies- sits Rose,
then Daisies
for two and a bit rows.
with Poppy, and *****
Petunia, Primrose.
and Bryony - who gets up
- my nose.
----------------------------------------------
Amen.
God bless the Cows - for beef burgers.
God bless the Pig - for their bacon.
God bless the wife n her sharp knife
for the slice of their **** she's taken.

-------------------------------------------------
We can, no more fetter the sea to the shore
nor the clouds to the sky
or tether the glint
in a lovers eye,
As sure as the shore loves the sea
so shall I love thee, together,
together for eternity,

-----------------------------------

It bends for thee
sweet chevin,
the cane thats cleaved
by three,
wilt thou now
sweet chevin
yield, my friend ,
for me.
-------------------------------------------------
There's Marmalade then Marmite
and Jams thats jammed between
the buttered bread of bard-dom
a poets sweet cuisine.
---------------------------------------------
I took up campanology
and fired up my ****.
I rang that bell
to ******* hell
till the busies
came along.
--------------------------------------------
so, I've been whittling away
at a buoyant ****-
fashioned something approximating
a poo canoe-
in it, I intend to
surf the **** tsunami of old age
to-- death;
I have named it Public - Service - Pension.


----------------------------------------------

A surreptitious delightful tryst,
with my honey, my sebaceous cyst.
she's my pimple, my wart,
my gumboil consort.
she's the zip, in which
my *******, got caught.
--------------------------------------
Frayed at the bottoms
ripped at the knee.
baggy and saggy
big enough for three.
faded and jaded
and stained with ***
but I'm due for a new pair--
Yippeeeee!!

---------------------------------------

Ther­e's Cockerel in my ear
and he bills and coo's for you
whenever you are near
goes - **** a doodle doo !!!!!,,,,,,,,

---------------------------------------------

Oh,­ for the snap shut skin
in the blue twang of youth
and to un-crack the spine
on the book of love.
now the gulping years
have flown away
we take sips of the night
and are spoon fed the day.

-----------------------------

Zeus made the Moose to be somewhat obtuse,
a big deer- rather queer- I fear.
then God gave him the nod to look funny and odd
the spitting image of you - my dear !!!

---------------------------------------

Knobbly Nobby.

Nobby has a great big nose
a great big nose has he,
and nobby knows
that his big nose,
is big, as big can be,
nobby has two knobbly knees
two knobbly knees has he,
his knobbly knees,
are as knobely
as knobbly knees can be,
don’t pity dear old nobby
for soon it’s plain to see,
that nobby has a great big ****
as big, as big as three !
now nobbys **** is knobly,
as knobly as a **** can be,
so nose and knee and ****
make three,
and we - are ****- ely.

----------------------------------

The Woman that wouldn't eat meat,
had reeaally, reeaally big feet,
her **** was as big as an hermaphrodite brig
and her **** were as hard as concrete….


--------------------------------

Hearken the clarion call of the crows
afore the snow-
they caw,
hey, get your **** into gear lads-
we gotta feckin go !!!

-----------------------------

Gods pad

I took a peek within
your house
wherein on pew, I spied
a mouse,
and in his hand,
a Bible clasped,
and out his mouth,
a parable rasped,

---------------------

I'd say she had
a pigeon loft in
her eyes and
bluebells up
her nose.

But then again
I wear a flat cap

and stroll through meadows.

----------------------------

Would you care to buy our house?
It's minus Mouse n devoid o' Louse,!
Spiders, Roaches, Bugs or other,
have all been eaten by my brother,
snaffled up n swallowed down
then jus' crapped out a - yellowish brown.
so would you care to buy our house?
from an oddly pair -- devoid of nous

-------------------------

Though the Crows got her eyes
and the Worms got her gut.
comes as no surprise
death can't keep her mouth shut.

-------------------

Bevelled slick edges
and reeaal eeaasy slopes.
Chilli dip wedges
with fresh artichokes.
Wanton loose wenches
and swivel hipped ******
Daft dawgs and dentures
and granddad - who snores.

-------------------

Been whittling away at a buoyant ****
and fashioned something approximating a canoe,
in it, I intend to surf the **** tsunami of old age;
I named it, "Public service pension"

-------------------------------

.
Well,
     I could wax on the wings of a butterfly
but, I ain't that kind o' guy.
rather kick the nuts off ******* squirrels
pluck the wings off - blue assed fly.
I'm the stuff that flops off dog chops
when he's up for it and high.
an infection in your sphincter,
a well
that's jus' run dry.

----------------------------------------------

befeathered­ and bright scarlet
is my ladies bonnet,
jauntily askew and -
lilting on a paramours
grin.

"- Gladlaughffi -"

I'm reliably informed that dear ol' Muma
sported a goatee around his **** sphincter,
now, whilst this is merely educated speculation
from my esteemed friend his "groom of the stool" ! 
who was in fact required to wear a mask,
ear muffs and a blindfold whilst he went about his business,
He did possess reeaaally sensitive fingertips
somewhat akin to a blind man reading brail,,
and, swore blind that said "**** sphincter' spoke him in Arabic
and asked him for a quick trim, (short back and sides)
I myself being a practising proctologist of some repute
am inclined to believe my friend the "groom of the stool"
as I've come recognise -- Arsolian when I hear it !!!!!!!!
-------------------------------------

In a Belfast sink by the plughole
where hair and gum gunk meet
'erman the germ-man  and toe jam
bop the bacillus beat.

________

Doctor this I know as fact
that I have a blocked digestive tract,
I'm all bunged up and cannot go
my trump and pump is - somewhat slow.
I need unction jollop for junction wallop
some sorta lotion to give me motion.
If you could please just ease my wheeze
then I needn't grunt and push and squeeze.

-----------------------------

They are breaking out the thwacking sticks
and sparking Godly clogs
pulling tongues through narrowed lips
at the infidel yankee dogs.

------------------------------------

As a paid up member of the
lumpen bourgeoisie poetry appreciation society
I can confirm without fear of contradiction
that poetry is indeed baggy underwear
with ample ball room, voluminous in the extreme
and takes into account
the need for the free flow of flatulent gassiness
that is the want of a ****** up poet.

-----------------------------------------------

She's a rough hewn Trapezoidal gal
a gongoozler o' the ol' canal.
She's copper bottomed n fly boat Sal.

I'll have thee know that
that there hat
is a magic hat,
it renders me invisible
to the arty intelligentsia
and roots me firmly
in the lumpen proletariat .
-------------------------------------------------------
Said the sneaky Scotsman, Jim Blaik.
if the pension, you wish to partake,
bend over my son, lets get this thing done
and cop for this thick trouser snake !!

I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

Fandango'd o'er the cornflakes
and the spillage in isle four

-----------------

I'm linier and analogue,
a ribbon microphone man
mired in the dust of the monochromatic,
the basement, the attic.

------------------------------

Simple simon met miss Tymon going to the fair,
said simple simon to miss Tymon - "pfhwarr what a luverly pair"
of silken thighs and big brown eyes and scrumptious wobbly bits,
Said simple Simon to miss Tymon---------- shame about you **** !!!

So sad sweet Shirl thought she'd give a whirl to clubbercise n pound

Squat, slightly,
tilt head 45°
and squint.
See the shimmering blurry
dot in the distance?
That, timorous ****,
is ME !
Fast twitching my
narrow white ****
to the pub.

There was a young lady named Sue.
whose ***** and **** was askew,
whilst taking a ****
she'd aim it and miss
and she lifted 'er hat when she blew.


Oh Mon Dieu !!

Obi.
Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”
Latina1813 Feb 2018
You agree
When you want to shout, curse, and swear
The Almighty....answer this weeping willow
Made of concrete air
Of unfeeling movement
You cower behinds browned bodies, montezuma minds, and your license
Power to go as you please, be as you please, please help me to see
The inner child trapped in mordant cornerstones, and sitting on your own weight
To grasp the folly by the throat and twist him into existance
Not so much absolution
In agreement with other fancies
Prayers unanswered
Dwelling on ginger hands and knees
In ******* when his course has never enter into being....real
Or really close
His path to plunge thick into purple passionate trance
His path askew from my own
Though a followed trendy line
A drink
When it makes your journey into trees, and speed, and gluttony
A laugh
When scorned mouth spewed and sput into russet wounds already *****
A smoke
When it clogs your memory into patchwork and quilted thoughts unwoven
Youre unspoken!
You agree?
Write this about a friend who never spoke their mind and always agreed with everyone else. Its like we all never got to really know him.
Mateuš Conrad Nov 2016
could you ever, with your ears, express a piece of music, as: fluffy? dark soho's piece is fluffy; and by god i was the pretentious one at the beginning of the 20th century critical of the emerging music... but i'm the one merging at the beginning of the 21st century: and it's a T.S. Elliot scenario: the overload of rhythm: industrial core due to the industry being foetal sieg heil! and so many have fallen for the nostalgia trap... it's not coming back: against the thump thump gyroid reproductive muscular we emerge from... for whatever lack of drums in the orchestra: we're paying for it with an excess of techno techno Bob the goldfish cardboard box dance sequence... or as some would suggest: filling in the gap about the joke concerning a triangle being a part of the orchestra and the person educated in it, rather than the harp.

ah, the blank, and i have to work on it: let's imagine i was just
cooking a pork stew for my father and you don't
bother to ask why someone's surname is written
Raßer - and you don't know how
to pronounce it: and you end
up with razors - which you end up saying
racer - or how about sharpening
the s into a zed - how's that?
this is surgical activity while you you're
at at the butchers: necromancy aplemty:
when god speaks, the devil whispers -
American divergence of the pronoun
y'all / you all -
                           we the safeguard
and they the paranoia -
                                    take it slow,
imagine yourself living in Alaska:
you're exposed to the elements
and Prometheus isn't handy:
  all you have is west London drool
that later translates into easter in London,
Ld: isn't even an postal code:
given Greenwich, bellybutton on the world
they're bound to abuse / feel special
                 about, it's just a John Bishop
          Scouser type of beating.
                  ya - i say i aye, you frostbite of
culture, ya yarn ball of ****!
    oh 'ere we go: the red-coats are hunting
foxes: sort of scenario -
   the sooner they ******* a killing
the better for me: 'ave that one with a grizzly:
             some say the longer the yawn
the greater the applause -
      yo! Yogi! turntable of Las Vegas
says you better gamble on hibernating in the
effing Hermitage!
  - we say a lot of y'all when we imply the
plural, don't we? terrible, ****** thuggish
'n' all, to say it.
   i have five pages worth of notes,
and even though i'm drunk,
i came across a foundation, i'll never be ask happy
at i am right now,
   i signed a copy of my book (look! i don't
have a publicist, i don't have the ******* swagger,
i have the inferno that says:
  when the writing dries up, get a proper job;
if the writing doesn't dry up?
             you're less than necessary than a
supermarket shelf-stacker...
                 there are succumbing reasons that
explain the affair later) -
      no i'm about to sell my first copy -
  i say to her: when you working this circuit next?
Friday night? i'll tell you how much i'm selling
for, well: i'll never be this happy: ever -
it really doesn't matter how much for how little:
   i'm not exactly a family animal: farmed -
i'm political: through and through -
   by the time i finish this whiskey i'll be
demanding something new...
    i don't think your able limbs do idle chores:
i just think admire that they do them
and hardly complain: i blame it on the workers'
encouraged banter - and that's called solidarity.
still, right now, it's all about
dark soho's: dark moon in stonehenge -
       or why you never take l.s.d.
   question arises with Bach...
and polyphony - again, non-linear polymers:
   back when the Germans were at it
music sliced through the air
                   - or the modernity of lost
string (quartets) and woodwinds -
          only the thing plucked rather than in slicing
stroked kept from the strings:
    it was truly a devolution via brass -
   you can have the iron age,
but this is the brass age -
                   and subsequently the evolution
or filling the void of orchestral percussion,
which began with jazz: how orchestra was stripped
of woodwinds and strings and elevated
the humble triangle and enforced drums
and the rhythmic transcendence of limb and heart
and less ear and mind -
           oh the spontaneity thus involved:
forever the enigma of the composer's ability
to say much more than *A
, when saying in A# -
oh hell: music used to be the Mongolian horde
of all things imaginable,
                  the screams, all the entrenching
embodiment of battle: soothed -
  but in our apathetic guises: music is a variant
of the once exfoliated, thus hushed:
music is expressing a war in waiting - or a war
that's not to be - once music music ascribed
wind and tornado toward its elemental composition -
these days there is less wind, and more earthquake:
we are exposed to a trembling -
           an overt percussion methodology:
that's not fire and the storyteller / poet by
the lonesome huddling of nomads by the fire
with oud and recitation of the to come Quran:
we are experiencing a complete reversal of wind:
here we have dark soho's tectonic cardiovascular:
over stating the percussion until the eventual
obliteration of breath, and subsequently
the flatline of the heart's rhythm: to reach the zenith
of a flatline: beehive musicology.
         it's all earth: and the quaking
rather than a waking into.
                  sure: to the alien ear outside the populace
of those that listen to that kind of "****":
but let me assure you:" you can intellectualise
anything beyond the guilty pleasure:
or else - care to disclose your opinions about doggy?
once we were slicing and ******* -
these days? we're hammering, Soviet committee
said: hammer hammer hammer...
            gravitational drilling against the Catholic
lessons of worldly-detachment akin to a Gagarin:
and all the world's problems morphed into
an image of moving away from earth...
    far far away...       well: we're grounded, like it
or not.
              i love that: y'all -
                          it's as if we all need to agree, ~.
and what better way to actually open a poem up
if not to say how prose is a miser and poetry
the mad spender, or compose: he had / another thought
he wished to take / but...
           originally
                    he had
                  another thought he wished to take
                 but...
saving an Amazonian tree, suggesting that: one by one.
i'll sell my first copy on Friday,
i just need to know how much money was put
into printing it -
   and it will be the happiest i'll ever be -
who cares that it's only 1... if i were selling
100,000 copies i'd be thinking of buying a Mercedes
to do away with the capital...
      oh right, the poem (six pages of notes):
the question, what does it all mean?
       i'm thankful that the all means very little,
or at least enough for physicists to take a bother
in answering:
               i'm just thankful to say that at least
bites / bytes / isolated units have more meaning
than the whole... i.e.?
do i care what the universe means, more so
than i known what the word darkened means?
                 pause for thought -
the well established organic search engine that memory
is: and never will be: an algorithm (engine) -
           still the organic variation of accessing it
reveals Rodin's statues -
                        post-Rodin (Rho-dan: ****** iota!
why so naked in the first place?!) -
            the point where it's not so much enigmatic that
you wish to replicate: but entomb, and mould
a statue worthy of the perpetuated cut-short
and mediating the idea that thought has also
the faculty of imagining and memorisation
that hardly translate into being via ergo...
       if that's the case: you're demented via the
ergo of memory... and deluded via the ergo of
imagining -
                      or Frankenstein / Disney respectively:
but never the extinguished cogito, somehow,
oddly enough:
                          and by the way - no one is going
to question my opinions because dialectics was
giving the hemlocks... my opinions
will only become passed around like Bulgarian
Versace copyright thefts, or because they
were never ideas: attachment .pdf
                   will never entertain someone else's thought,
or because they were originally always opinions
will be consecrated on the attachments of .jpeg:
ever wonder why the crucifix always
mobilises so much emotional foundation to
react and protect a torture-filled instrument
worthy of worship? me neither.
                but that's the whole beginning:
we ensured our memory is eroded by an easily
accessed algorithm - we prefer the goggles to
mensa -
                   and if i were a technophobe: e ah e ah oh...
McDonald would turn out to be McTrump:
'cos' i wouldn't be using it.
              then how to synchronise the senses:
you surely can't leave one the prime consumer of
all the things around you:
     i guess that as stated: you can't live out a life
whereby one is polarised, and the others recessively
make your thinking into potato -
   then again: not polarising one of your senses
will leave you thinking that old fantasy that
you live in a hologram "reality": which i mean by saying:
if one of your pentagram limbs isn't polarised
like a blind person, your thought will claim a sixth
sense status - and subsequently you'll experience
either a second chance of allowing one of your senses
to be stressed / polarised, or all your senses will become
overpowering your non-sense: that's thought into submitting
to a polarity / vector: kindred of
the manual worker feeling his trade take
perfect replication -
a composer polarised by "hearing" -
a painter polarised by "seeing" -
a poet polarised by "speaking" -
a chef polarised by "tasting" -
   a perfumer polarised by "scenting" -
and within the sixth sense extension:
a politician polarised by "thinking" -
  the first antonym suggestion comes within the latter's
parameter: mobilising or puppeteering:
would i care to find variations for the latter? no.

     interlude... opening of page 3 of notes on a windowsill...

and how often is soul ascribed a sensual dimension?
i guess as many a time thought isn't ascribed one:
necessarily made into nonsense.
soul? what do i mean by that? the part of you
that isn't indestructible, but, rather,
the part of you that feels that ease: the uninhibited
correlation (verbiage necessary, darling,
if you want the gist of it) -
when at ease you're not really ascribing to yourself
thinking, but a narrative -
  hence your notion of being indestructible,
or young.
      when thinking is easy we're not actually thinking,
we're narrating, hence the majority of us
are clogs in the machine, and once the machine works
we're upbeat about it, because we prefer to narrate
ourselves into life than think ourselves into it:
primarily because (even i included):
we lack a public addressal attache to make
vague concerns over our: inhibitions -
we are entrusted with inhibitory encrusting
for the sole purpose (we should be afraid of
suggesting): let's see who falls off the ferris wheel
first and we can entrust our congeniality toward
the joke: thank **** it wasn't me, later...
          but still:
if were were really intended to think
rather than narrate we'd be given global warming
solutions everyday...
   there's nothing in us that suggests an 'ought',
a moral choice to later say: thought
                      that could fish-hook us out of
kissing the narrative goodbye -
  narration is an undisturbed faking of thought -
as such the 'ought' is never thought of:
because there's a narrative going on
that's more important than anything requiring
even the most basest obligation.
       we are never obliged to be, because we are
never obliged to think: it's strange how the
two are anti-synonymous due to the ergo disparity:
as if one produces the other, or the former
the latter.
              thinking you're good never precipitates
into being good - and vice versa:
   for all i know i know fake rather than falsifiable
saintliness: the power of the scientific
  suggests that i should be Baron von Scorn
when it comes to the ignorance of testifying
         against people who abhor science
and reproduce, nonetheless, with failure to
transcend deformities: because deformities are
glorified and all forms of ability demonised:
so it looks quasi-Vatican-e.
                   preface to a Michelin star:
start with a ******: work your way down:
enjoy your meal, bygones-be-bygones:
you very happy people.
                  but i never understood why
the idea of thought has never the opinionated phrase:
me, exponentially, to no book's avail!
        p.s. as to be ever written!
    thought conscripts man to rubrics -
for example? examinational candélabre -
  some call it i.q., other's call it: for god's sake man,
****** shoot! shoot!
                        and the flying toes and digits:
thumbs away: booh booh Blitz.
                        first thought: that Jersey song:
fifth of November - that Fawkes ****
who almost.... n'ah.
                            in case you're narrative:
thought has its narrative: it's transcendental -
phenomenology comes into play with
narratives and Lady Gaga and how you're an
"individual": thought is acquired trying to transcend
atomic electron orbits that says: electron clouds -
or it's there, but it isn't there, but it's not there,
but it's there: huh?
                         narration conscripted to the rubric
of school exams at school: palpitations, sweat,
nerves... in this scenario thinking is actually
regurgitation -
                          actually we're still doing the Elvis
Costello hope: while narrating we pass from
these shackles of having to think lessons through
when in fact: we're gearing to having no need
in having to learn them primordially, period!

the paranoiac "they" are eroding our protective
membrane -
    they begin with memory -
         it's not that we care to remember certain things,
but by educating us in the Pythagorean theorem
they're not necessarily dressing us in bow ties either -
they need to implant an abstract educational
thought to replace our natural assimilation into
a narrative that we ourselves have created -
       they need to create erosion within our
memory to stop us coagulating our sense of memory
within a framework of us imagining backwards
rather than forwards:
      the cinema of the mind means memory utilises
imagination to do cartwheels backwards
rather than forwards: because forwards is always
a Disney pharmacology of the neon hyper colouring.

or how they made us escape the "Alcatraz"
of the couch of cognitive narration into an
iron maiden of thinking -
                    in this realm narrating is disparaging
from thinking: narrative is a comfort zone:
thinking is a discomfort zone -
                       but neither me nor you will
become a Newton in terms of narrating the ideas:
so why the hell would they want us to think?!
       concerning Heidegger:
the problem is not that we're not thinking -
the solution is that we're narrating and have
no urge to write books, and thank god for that!
               or man, as the pentagram of the senses,
reversed into thought as the sixth sense calamity
and reversed back as that sense missing
and the tetra exemplified...
         when learning what is the weakest point,
the audio or the optic-receptive stimulation?
                         i mean, the senses over accuse
thought's complexity as if it were a sense akin
to them, hence the suggestion nonsense;
well of course, thought is actually non-sensory -
     i just suggested that when thinking
i'm not polarising any of the penta -
         i'm suggesting that when thinking i'm
invoking the tetra - as if blind or deaf -
but that means i'm deviating from the superstition
that a sixth correlative mediatory balance exists
between the two dichotomies -
                            the senses will always treat
obscure thinking as if obscure narratives:
even though i know how much a price of bread
costs in the 21st century -
                              what i'm saying is that
the nonsense assertion is also true for the other:
not having had the chance to polarise one
of its senses to point toward the artefact use of
wh
Cynthia Montano Sep 2018
Why can’t you completely accept yourself as you are? What is stopping you from loving yourself? I feel as though it’s hard for someone to completely accept their self as they are because they’re use to being told how they should look, being on social media, and looking at images of certain people. What is stopping someone from loving their self is when they point out the things they don’t like about themselves, and can’t seem to take their mind completely off of it. Though, at the end of the day I feel that you shouldn’t be beautiful for anybody else but yourself.
“Why can’t you completely accept yourself as you are?” There were people of all ages that would find it better to wear makeup and get plastic surgery, but there is a disagreement that it shouldn’t be needed to make someone feel better about themselves because even if they decide to make those changes, their problems won’t because they’ll always be there. There was plenty of deep research on reasons why plastic surgery was good, why it was bad, reasons why makeup was good, and why it was bad. Though, we are leaning more towards why it is bad because we are focused on why can’t others completely accept themselves as they are without relying on plastic surgery and makeup.
I came across this website that spoke about reasons why women would get plastic surgery. “Some want to look younger”(WebMD) it’s very true that most girls and women want to look younger because when we all start to get old. We feel as though there is no hope in finding someone for ourselves, when in fact there is someone out there for us. It has to be the person that is the most accepting of you. Another statement was “Cosmetic surgery won’t change your life. It won’t solve personal problems or make you look like someone else,”(WebMD). It’s very true that it won’t solve your problems because others will still view you the same way because it doesn’t matter how you look. It’s the personality that sticks out the most. Though, it is very silly to believe that personality actually matters, it’s true because sometimes looks don’t last or change as much as a person’s personality.
There was a website that spoke about the issues and finances of plastic surgery and in the article it states that, ”Many people struggle with confidence issues because of their  appearance,”(Occupy theory). Many people can’t completely accept themselves as they are so they start to lack confidence, compare themselves to others, put themselves down, and they don’t believe that they are actually as beautiful as people tell them they are. Another statement that was made was, “Plastic surgery is one of the highest costs for surgery there is,”(Occupy theory). There shouldn’t be any reason why women should waste their money on getting plastic surgery because it just isn’t worth it especially if it’ll all be for the wrong reasons.
There were reasons why women would wear makeup, and what stuck out the most is when it stated, “It’s a way to be expressive,”(Mathews 4). It’s very true that most girls and women want to be more expressive with the type of makeup that they wear because it shows a different but creative side to them. Another statement that stuck out the most is when it stated, “Do not wear it because you think you’re at an age where it’s necessary to start wearing it. Wear it because you want to,” (Mathews 4). Everything that a person does in their life is because they want to do it when it is right for them, not when someone tell them when to start wearing it.
There were pros and cons of make up and in the article it stated, “wearing makeup everyday can cause serious skin problems,”(Warjri 4). No girl should really feel the need to wear makeup everyday because they need to let their skin breathe because there isn’t a problem with just being natural. It’s better to start embracing your skin and being completely natural instead of being afraid. Another statement that was being made was, “A layer of makeup on the skin clogs the pores and prevents skin from breathing,”(Warjri 4). Wondering why you still get pimples? Well, wearing makeup everyday is what is causing that to happen. So, trying to wear makeup trying to cover up the pimples isn’t going to solve much.
A book called, “The Gifts of Imperfection”, connects in some way to my why question which is why it stuck out a lot. As I was reading the book, the part that stuck out is when it stated, “The better we are at accepting ourselves and others, the more compassionate we become. Well, it’s difficult to accept people when they are hurting us or taking advantage of us or walking all over us,”(Brown pg 17). It’s important to accept ourselves and others as they are because in reality nobody is perfect. That’s why no girl or women should be obligated to wear makeup just so they can be seen as “beautiful” by other people. Another statement that stuck out the most to me was, “What does it take to live and love from a place of worthiness? How do we embrace imperfection? How do we cultivate what we need and let go of the things that are holding us back? The answers to all of these questions are courage, compassion, and connection—the tools we need to work our way through our journey,”(Brown pg 1). This stuck out the most to me because compassion and connection are very important and that’s what should matter the most. Not how you look.
The solution is that everyone should test themselves and try their best to last at least a few weeks without using products to make themselves feel “beautiful” or to make themselves feel better, and they’ll start to realize that it’s better getting up in the morning not having to worry about putting certain things on to make them feel better about themselves.
This was something I wrote for my English class in college that I was very passionate about and cared for. Don't be afraid to disagree or agree with what I've written or give feed back. It would be much appreciated. <3
I

Out of the little chapel I burst
Into the fresh night-air again.
Five minutes full, I waited first
In the doorway, to escape the rain
That drove in gusts down the common’s centre
At the edge of which the chapel stands,
Before I plucked up heart to enter.
Heaven knows how many sorts of hands
Reached past me, groping for the latch
Of the inner door that hung on catch
More obstinate the more they fumbled,
Till, giving way at last with a scold
Of the crazy hinge, in squeezed or tumbled
One sheep more to the rest in fold,
And left me irresolute, standing sentry
In the sheepfold’s lath-and-plaster entry,
Six feet long by three feet wide,
Partitioned off from the vast inside—
I blocked up half of it at least.
No remedy; the rain kept driving.
They eyed me much as some wild beast,
That congregation, still arriving,
Some of them by the main road, white
A long way past me into the night,
Skirting the common, then diverging;
Not a few suddenly emerging
From the common’s self through the paling-gaps,
—They house in the gravel-pits perhaps,
Where the road stops short with its safeguard border
Of lamps, as tired of such disorder;—
But the most turned in yet more abruptly
From a certain squalid knot of alleys,
Where the town’s bad blood once slept corruptly,
Which now the little chapel rallies
And leads into day again,—its priestliness
Lending itself to hide their beastliness
So cleverly (thanks in part to the mason),
And putting so cheery a whitewashed face on
Those neophytes too much in lack of it,
That, where you cross the common as I did,
And meet the party thus presided,
“Mount Zion” with Love-lane at the back of it,
They front you as little disconcerted
As, bound for the hills, her fate averted,
And her wicked people made to mind him,
Lot might have marched with Gomorrah behind him.

II

Well, from the road, the lanes or the common,
In came the flock: the fat weary woman,
Panting and bewildered, down-clapping
Her umbrella with a mighty report,
Grounded it by me, wry and flapping,
A wreck of whalebones; then, with a snort,
Like a startled horse, at the interloper
(Who humbly knew himself improper,
But could not shrink up small enough)
—Round to the door, and in,—the gruff
Hinge’s invariable scold
Making my very blood run cold.
Prompt in the wake of her, up-pattered
On broken clogs, the many-tattered
Little old-faced peaking sister-turned-mother
Of the sickly babe she tried to smother
Somehow up, with its spotted face,
From the cold, on her breast, the one warm place;
She too must stop, wring the poor ends dry
Of a draggled shawl, and add thereby
Her tribute to the door-mat, sopping
Already from my own clothes’ dropping,
Which yet she seemed to grudge I should stand on:
Then, stooping down to take off her pattens,
She bore them defiantly, in each hand one,
Planted together before her breast
And its babe, as good as a lance in rest.
Close on her heels, the dingy satins
Of a female something past me flitted,
With lips as much too white, as a streak
Lay far too red on each hollow cheek;
And it seemed the very door-hinge pitied
All that was left of a woman once,
Holding at least its tongue for the *****.
Then a tall yellow man, like the Penitent Thief,
With his jaw bound up in a handkerchief,
And eyelids ******* together tight,
Led himself in by some inner light.
And, except from him, from each that entered,
I got the same interrogation—
“What, you the alien, you have ventured
To take with us, the elect, your station?
A carer for none of it, a Gallio!”—
Thus, plain as print, I read the glance
At a common prey, in each countenance
As of huntsman giving his hounds the tallyho.
And, when the door’s cry drowned their wonder,
The draught, it always sent in shutting,
Made the flame of the single tallow candle
In the cracked square lantern I stood under,
Shoot its blue lip at me, rebutting
As it were, the luckless cause of scandal:
I verily fancied the zealous light
(In the chapel’s secret, too!) for spite
Would shudder itself clean off the wick,
With the airs of a Saint John’s Candlestick.
There was no standing it much longer.
“Good folks,” thought I, as resolve grew stronger,
“This way you perform the Grand-Inquisitor
When the weather sends you a chance visitor?
You are the men, and wisdom shall die with you,
And none of the old Seven Churches vie with you!
But still, despite the pretty perfection
To which you carry your trick of exclusiveness,
And, taking God’s word under wise protection,
Correct its tendency to diffusiveness,
And bid one reach it over hot ploughshares,—
Still, as I say, though you’ve found salvation,
If I should choose to cry, as now, ‘Shares!’—
See if the best of you bars me my ration!
I prefer, if you please, for my expounder
Of the laws of the feast, the feast’s own Founder;
Mine’s the same right with your poorest and sickliest,
Supposing I don the marriage vestiment:
So, shut your mouth and open your Testament,
And carve me my portion at your quickliest!”
Accordingly, as a shoemaker’s lad
With wizened face in want of soap,
And wet apron wound round his waist like a rope,
(After stopping outside, for his cough was bad,
To get the fit over, poor gentle creature
And so avoid distrubing the preacher)
—Passed in, I sent my elbow spikewise
At the shutting door, and entered likewise,
Received the hinge’s accustomed greeting,
And crossed the threshold’s magic pentacle,
And found myself in full conventicle,
—To wit, in Zion Chapel Meeting,
On the Christmas-Eve of ‘Forty-nine,
Which, calling its flock to their special clover,
Found all assembled and one sheep over,
Whose lot, as the weather pleased, was mine.

III

I very soon had enough of it.
The hot smell and the human noises,
And my neighbor’s coat, the greasy cuff of it,
Were a pebble-stone that a child’s hand poises,
Compared with the pig-of-lead-like pressure
Of the preaching man’s immense stupidity,
As he poured his doctrine forth, full measure,
To meet his audience’s avidity.
You needed not the wit of the Sibyl
To guess the cause of it all, in a twinkling:
No sooner our friend had got an inkling
Of treasure hid in the Holy Bible,
(Whene’er ‘t was the thought first struck him,
How death, at unawares, might duck him
Deeper than the grave, and quench
The gin-shop’s light in hell’s grim drench)
Than he handled it so, in fine irreverence,
As to hug the book of books to pieces:
And, a patchwork of chapters and texts in severance,
Not improved by the private dog’s-ears and creases,
Having clothed his own soul with, he’d fain see equipt yours,—
So tossed you again your Holy Scriptures.
And you picked them up, in a sense, no doubt:
Nay, had but a single face of my neighbors
Appeared to suspect that the preacher’s labors
Were help which the world could be saved without,
‘T is odds but I might have borne in quiet
A qualm or two at my spiritual diet,
Or (who can tell?) perchance even mustered
Somewhat to urge in behalf of the sermon:
But the flock sat on, divinely flustered,
Sniffing, methought, its dew of Hermon
With such content in every snuffle,
As the devil inside us loves to ruffle.
My old fat woman purred with pleasure,
And thumb round thumb went twirling faster,
While she, to his periods keeping measure,
Maternally devoured the pastor.
The man with the handkerchief untied it,
Showed us a horrible wen inside it,
Gave his eyelids yet another *******,
And rocked himself as the woman was doing.
The shoemaker’s lad, discreetly choking,
Kept down his cough. ‘T was too provoking!
My gorge rose at the nonsense and stuff of it;
So, saying like Eve when she plucked the apple,
“I wanted a taste, and now there’s enough of it,”
I flung out of the little chapel.

IV

There was a lull in the rain, a lull
In the wind too; the moon was risen,
And would have shone out pure and full,
But for the ramparted cloud-prison,
Block on block built up in the West,
For what purpose the wind knows best,
Who changes his mind continually.
And the empty other half of the sky
Seemed in its silence as if it knew
What, any moment, might look through
A chance gap in that fortress massy:—
Through its fissures you got hints
Of the flying moon, by the shifting tints,
Now, a dull lion-color, now, brassy
Burning to yellow, and whitest yellow,
Like furnace-smoke just ere flames bellow,
All a-simmer with intense strain
To let her through,—then blank again,
At the hope of her appearance failing.
Just by the chapel a break in the railing
Shows a narrow path directly across;
‘T is ever dry walking there, on the moss—
Besides, you go gently all the way up-hill.
I stooped under and soon felt better;
My head grew lighter, my limbs more supple,
As I walked on, glad to have slipt the fetter.
My mind was full of the scene I had left,
That placid flock, that pastor vociferant,
—How this outside was pure and different!
The sermon, now—what a mingled weft
Of good and ill! Were either less,
Its fellow had colored the whole distinctly;
But alas for the excellent earnestness,
And the truths, quite true if stated succinctly,
But as surely false, in their quaint presentment,
However to pastor and flock’s contentment!
Say rather, such truths looked false to your eyes,
With his provings and parallels twisted and twined,
Till how could you know them, grown double their size
In the natural fog of the good man’s mind,
Like yonder spots of our roadside lamps,
Haloed about with the common’s damps?
Truth remains true, the fault’s in the prover;
The zeal was good, and the aspiration;
And yet, and yet, yet, fifty times over,
Pharaoh received no demonstration,
By his Baker’s dream of Baskets Three,
Of the doctrine of the Trinity,—
Although, as our preacher thus embellished it,
Apparently his hearers relished it
With so unfeigned a gust—who knows if
They did not prefer our friend to Joseph?
But so it is everywhere, one way with all of them!
These people have really felt, no doubt,
A something, the motion they style the Call of them;
And this is their method of bringing about,
By a mechanism of words and tones,
(So many texts in so many groans)
A sort of reviving and reproducing,
More or less perfectly, (who can tell?)
The mood itself, which strengthens by using;
And how that happens, I understand well.
A tune was born in my head last week,
Out of the thump-thump and shriek-shriek
Of the train, as I came by it, up from Manchester;
And when, next week, I take it back again,
My head will sing to the engine’s clack again,
While it only makes my neighbor’s haunches stir,
—Finding no dormant musical sprout
In him, as in me, to be jolted out.
‘T is the taught already that profits by teaching;
He gets no more from the railway’s preaching
Than, from this preacher who does the rail’s officer, I:
Whom therefore the flock cast a jealous eye on.
Still, why paint over their door “Mount Zion,”
To which all flesh shall come, saith the pro phecy?

V

But wherefore be harsh on a single case?
After how many modes, this Christmas-Eve,
Does the self-same weary thing take place?
The same endeavor to make you believe,
And with much the same effect, no more:
Each method abundantly convincing,
As I say, to those convinced before,
But scarce to be swallowed without wincing
By the not-as-yet-convinced. For me,
I have my own church equally:
And in this church my faith sprang first!
(I said, as I reached the rising ground,
And the wind began again, with a burst
Of rain in my face, and a glad rebound
From the heart beneath, as if, God speeding me,
I entered his church-door, nature leading me)
—In youth I looked to these very skies,
And probing their immensities,
I found God there, his visible power;
Yet felt in my heart, amid all its sense
Of the power, an equal evidence
That his love, there too, was the nobler dower.
For the loving worm within its clod
Were diviner than a loveless god
Amid his worlds, I will dare to say.
You know what I mean: God’s all man’s naught:
But also, God, whose pleasure brought
Man into being, stands away
As it were a handbreadth off, to give
Room for the newly-made to live,
And look at him from a place apart,
And use his gifts of brain and heart,
Given, indeed, but to keep forever.
Who speaks of man, then, must not sever
Man’s very elements from man,
Saying, “But all is God’s”—whose plan
Was to create man and then leave him
Able, his own word saith, to grieve him,
But able to glorify him too,
As a mere machine could never do,
That prayed or praised, all unaware
Of its fitness for aught but praise and prayer,
Made perfect as a thing of course.
Man, therefore, stands on his own stock
Of love and power as a pin-point rock:
And, looking to God who ordained divorce
Of the rock from his boundless continent,
Sees, in his power made evident,
Only excess by a million-fold
O’er the power God gave man in the mould.
For, note: man’s hand, first formed to carry
A few pounds’ weight, when taught to marry
Its strength with an engine’s, lifts a mountain,
—Advancing in power by one degree;
And why count steps through eternity?
But love is the ever-springing fountain:
Man may enlarge or narrow his bed
For the water’s play, but the water-head—
How can he multiply or reduce it?
As easy create it, as cause it to cease;
He may profit by it, or abuse it,
But ‘t is not a thing to bear increase
As power does: be love less or more
In the heart of man, he keeps it shut
Or opes it wide, as he pleases, but
Love’s sum remains what it was before.
So, gazing up, in my youth, at love
As seen through power, ever above
All modes which make it manifest,
My soul brought all to a single test—
That he, the Eternal First and Last,
Who, in his power, had so surpassed
All man conceives of what is might,—
Whose wisdom, too, showed infinite,
—Would prove as infinitely good;
Would never, (my soul understood,)
With power to work all love desires,
Bestow e’en less than man requires;
That he who endlessly was teaching,
Above my spirit’s utmost reaching,
What love can do in the leaf or stone,
(So that to master this alone,
This done in the stone or leaf for me,
I must go on learning endlessly)
Would never need that I, in turn,
Should point him out defect unheeded,
And show that God had yet to learn
What the meanest human creature needed,
—Not life, to wit, for a few short years,
Tracking his way through doubts and fears,
While the stupid earth on which I stay
Suffers no change, but passive adds
Its myriad years to myriads,
Though I, he gave it to, decay,
Seeing death come and choose about me,
And my dearest ones depart without me.
No: love which, on earth, amid all the shows of it,
Has ever been seen the sole good of life in it,
The love, ever growing there, spite of the strife in it,
Shall arise, made perfect, from death’s repose of it.
And I shall behold thee, face to face,
O God, and in thy light retrace
How in all I loved here, still wast thou!
Whom pressing to, then, as I fain would now,
I shall find as able to satiate
The love, thy gift, as my spirit’s wonder
Thou art able to quicken and sublimate,
With this sky of thine, that I now walk under
And glory in thee for, as I gaze
Thus, thus! Oh, let men keep their ways
Of seeking thee in a narrow shrine—
Be this my way! And this is mine!

VI

For lo, what think you? suddenly
The rain and the wind ceased, and the sky
Received at once the full fruition
Of the moon’s consummate apparition.
The black cloud-barricade was riven,
Ruined beneath her feet, and driven
Deep in the West; while, bare and breathless,
North and South and East lay ready
For a glorious thing that, dauntless, deathless,
Sprang across them and stood steady.
‘T was a moon-rainbow, vast and perfect,
From heaven to heaven extending, perfect
As the mother-moon’s self, full in face.
It rose, distinctly at the base
With its seven proper colors chorded,
Which still, in the rising, were compressed,
Until at last they coalesced,
And supreme the spectral creature lorded
In a triumph of whitest white,—
Above which intervened the night.
But above night too, like only the next,
The second of a wondrous sequence,
Reaching in rare and rarer frequence,
Till the heaven of heavens were circumflexed
Another rainbow rose, a mightier,
Fainter, flushier and flightier,—
Rapture dying along its verge.
Oh, whose foot shall I see emerge,
Whose, from the straining topmost dark,
On to the keystone of that are?

VII

This sight was shown me, there and then,—
Me, one out of a world of men,
Singled forth, as the chance might hap
To another if, in a thu
She wore a net that covered her hair,
A shawl in a peasant green,
A ragged dress that covered her breast
But with nothing in-between,
Her legs were scratched and covered in mud
And her feet were shod in clogs,
I wouldn’t have noticed her passing, but
For the barking of the dogs.

She looked aside at the dogs that barked
And she made an evil sign,
Sent them panicking back to the barn
And I called, ‘Hey you, they’re mine!’
She looked at me from under the net
With glittering eyes of scorn,
‘Your dogs will not recover themselves
‘Til the Black Beast comes, at dawn!’

I stood agape and I watched her pass
To the shade down by the creek,
She kicked her clogs on the dewy grass
And she washed her legs and feet.
I wandered down and I stood aside,
‘You’re a stranger to these parts!’
‘I’ve been away, but I think I’ll stay
‘Til the Mass of the Woodland starts.’

It wasn’t really a village then,
Was more a scatter of homes,
Built on the edge of the woodland where
The cottagers laid their bones,
The cemetery wandered into the trees
With the headstones, green with moss,
And each was graven beneath the green
With a dark, upended cross.

‘The people here are strange, you know,
They don’t like passers-by,
You’d best be moving along before
The sun sinks in the sky.’
She laughed a terrible laugh that sent
Cold shivers down my back,
‘I’m only here for the sacrifice,
You can tell your Brothers that!’

The people came from the cottages
At dusk in their hoods and capes,
Wandered into the ancient hall
Half hid by its ivy drapes,
They genuflected before the font
With its rust and ****** stains,
That sat before the upended cross
On a wall that was hung with chains.

A man stood tall at the podium
In a hood that hid his face,
I caught a glimpse of the mask he wore,
A skull that he held in place.
‘The ravening beast will be abroad
When the Moon is full and round,
We have to be at the woodland creek
Before the beast comes down.'

He led the way to the woodland creek
Where the girl had sat in wait,
‘I hope you’ve chosen your sacrifice
For the time is getting late.’
A cloud then blotted the moonlight out
And we heard a beastly roar,
The girl had gone when the moon had shone
And her clothes lay on the floor.

And in her place, a hideous beast
As black as a lump of pitch,
Leapt on one of the Brothers there
And dragged him into a ditch.
It mauled and ripped at his carcass there,
He didn’t have time to scream,
While I took off, back to my croft,
Away from the nightmare scene.

I lay in the barn, beside my dogs,
They seemed to be terrified,
I sat and loaded my .22
My eyes were open wide,
The Beast came prowling around at dawn
Just as the girl had said,
I shot it once, and between the eyes
But the girl lay there, instead.

David Lewis Paget
They say jealousys the ugliest trait,but,
I can't help but feel the disgusting ping         of envy when your smiling at her .

My throat clogs up with thirst for your attention .It  angers me when you let there nasty slutty hands go up and down your biceps .

When they call you crazy red is all I see .

Don't you see what you do to me ?
This is for anyone whoes crush doesn't notice them
kirk Dec 2018
The Christmas rush has started, and the countdown has begun
Advent doors are opened, but look what you have done
You've ridiculed the Bounty bar, and your spoiling all the fun
Why buy a Celebration, if your not happy after one ?

What's behind the cardboard doors, what did you all expect
A gold ring perhaps, or the keys for a corvette?
Why bother with an advent, when you have no respect
There's no need for chocolate genocide, or coconut neglect

You shouldn't be so outraged, with your Christmas Celebrations
I don't understand the malice, or the advent hesitations
If you don't want a bounty, buy heroes or sensations
It's hardly a matter for Interpol, or the united nations

Celebrations are your choice, there's no cause for your regret
The outcome is quite obvious, why are you so upset
Are the pictures not a clue, to what your gonna get ?
No rarity of Bounty hunters, so don't mess with Boba Fett

Are Maltesers that much lighter, in a Galaxy far away
Maybe you will find Mars, in between the Milky Way
A Twix or Galaxy Caramel, they we're for a different day
But you've dissed your celebrations, and no longer want to play

Some YouTube clips have surfaced, and I have read the blogs
I think it's just pathetic, seeing chocolate thrown down bogs
Your creating your own misery, as well as yule time logs
You won't be very happy, when your toilet blocks and clogs

On day two you still complained, and you wanted to resist
Is that because the chocolate, was not on your Christmas list
Would you be pleased with mistletoe, if you never did get kissed
Christmas spirit has been lost, with your Snickers in a twist

Some people are just morons, that's the message that they've sent
Their expectations are to high, and cruel jokes are never meant
Why is Bounty not as good, to start of an event
A Snickers in your calendar, doesn't mean a ruined advent
Following the recent reports concerning the Celebrations Advent Calendar.
It was reported to be more than a disappointment to chocolate lovers.
Behind door number one low and behold was a Bounty much to customers dismay.
To add insult to injury what did celebrations manufactures do then, they only went and put a Snickers behind the second door.
Can you believe the sheer audacity of some companies especially ones manufacturing Christmas products.
According to some people who decided to purchase these calenders their whole Christmas had been ruined because the worse two chocolates had been used first.
These being bounty and snickers what a choice to begin the Christmas countdown wouldn't you say !
I kind of understand the logic here if you think about it then would it not make sense to incorporate what is considered to be the worse choice within the Celebrations range to be included first.
Then as the countdown commences the excitement then gets better as Christmas eve approaches.
This way there isn't going to be a bigger disappointment as Christmas gets closer.
But I guess it is subjective as to what the worse chocolate choice is, personally I like bounty and snickers, in fact I would rather have those than say Twix or the out of proportion Maltesers which is unnatural to say the least.
******* imagine if these calendars started of with that oh the uproar we would have had then.
I don't know about you but if you can't spread the joy and the Christmas spirit by a simple advent calendar then maybe they should stop making them, just give up on the failure (according to certain customers) of inserting the incorrect pieces of chocolate.
Due to this end I decided to write this small piece on the peoples disappointment in their celebrations advent calendar
Moonbeam Aug 2016
Being normal is so overrated
Everyone's in pain everyone is jaded
The realm of creativity
Is the place to be
Flowing and feeling the energy
Dispense your sixth sense
Onto humanity
If your third eye is blind
You have to open your mind
To the channels we have inside
That connect with the universe and combine
Our thoughts and our words into something divine
I promise normalcy is a sickness
Do you feel your aura?
If there's a thickness
Then you need to clean it out
Speak with a whisper, there's no need to shout
It clogs your soul
And you need to know
How to let go
Of whats not really you
Deprogram yourself, become brand new
Wipe off what society has done  
Face your problems, don't just run
Step out of the shadows and into the sun
Feel yourself and close your eyes
Feel your energy and become more wise
Free yourself for just a moment of your time
Just sit still, stop trying to climb
This present moment is all that is real
No past, no future, no time, no wheel
When I say everything is an illusion it's not an exaggeration
We create what we want with our imagination
If that's the truth, what reality are you making
Are you being true to yourself or are you just faking
The paranormal is more real than what we see
Not believing institutional lies is the key
Be true to who you are
Show off your love and show off your scars
Your clothes are worthless and so are your cars
The realest you is made of pure light
And it flickers and dims when you're trying to fight
No need to resist
Put down your fist
Open yourself to what's all around
Pull yourself up off the ground
Nothing is against you but your own self
Become the books on the library shelf
Full of perspective, depth, and knowledge
Don't be programmed by a government run college
Think for yourself and don't stop growing
Expand as big as the galaxy and don't stop flowing
You're the micro of the macro, which is the universe
Save the world, but take care of you first
You can't save anything when you're drowning in doubt
Your soul knows something is wrong that's why it's trying to shout
It's telling you that what you're doing needs change
Don't you realize you're feeling a little bit strange?
Take accountability for your co-creation
What you're seeing right now is of your own manifestation
You're not a victim, you're actually in charge
If you don't like how you're feeling then open your arms
Give yourself a hug and stop all the hate
Love is always the answer, it's not a debate
Love yourself, the world, and everything around
528 hertz is the life changing sound
The vibration which is the frequency of love
Feel it, embody it, wear it like a glove
Magic happens when you're totally in tune
Come sit with me beneath the moon
We will make a new intention and set it in motion
Make waves of change in this consciousness ocean
Find love within and stay unique
This society wants to mold you and make you weak
Protest them by knowing your soul
That's the most potent power you'll ever hold
MC Hammered Mar 2017
Warming up like an electric orchestra,
the sound of your dad’s band practice seeped
through the vents from the basement.
Drums vibrated from the floor into my feet,
And we tapped our toes together,
thump thump thump.

Drowning out the 80’s punk, your mom
plays polka in the kitchen, making pasta. I stand
over the sauce stained stove watching the *** of water
sizzle to accordion cries and the idea of clogs. We sway
from side to side. Your hands hang off my hips.

Retreating, back to your blue room, we wait
for the wafting smells of garlic, grilled onions and
peppers to call us for dinner. You pull out your
keyboard, a pen, a pad. Pressing buttons, I hear
synthesizers and song samples through your
headphones. We smile, bobbing our heads in sync,
Bump, bump, bump.

~

Finding myself in a foreign living room,
I am alone. The TV is on mute and a “motivational”
speech muffles through his speakers. There are no
basement bands. No pasta, no polka, or clogs and cries.
Only sounds of silence. I press my feet against the floor.
I can’t hear the bumps, I can’t feel the thumps
to be determined May 2018
cigarette smoke clogs her arteries
twelve packs a week
bleeding teeth and nails dawdle in her broken hallucinations
the cloud of harsh chemicals mask the iron in dust
it coats her tongue and hands and feet
the minerals latch onto the crevasses of her flesh
refusing to relinquish their rightful territory
she knows all of this
all it took was ages in a bathtub
overcome with mildew
for their stubborn tendencies to become evident
she's since abandoned attempting to scrub the brine away
this poem has been published in The Gifted Penman's Poetry Collection: Volume One
CA Smith Mar 2018
"The tallest poplar I'll grow to be,"
said the young tree.

"Standing above the rest,
I'll be crowned the best.
Fortified and grown,
the forest will be mine to rule alone."

Ripped from the roots,
and cut down by a man in boots,
the dreams quickly faded.
"There's not much to make of me now"
Thought the tree,
whose complexion quickly changed
from wide-eyed to jaded.

Hauled onto a truck  
Off he went.
To the lumberyard,
the young tree was sent.

Chopped to pieces,
stripped of his bark.
Our young poplar was afraid his life,
would never leave a mark.

"Some wooden crates they'll make of me"
"The peaks of the other trees I'll never see"

"I'm useless, I'm broken"
"In the forest my name will never be spoken"

The story doesn't end though,
it's only just begun.
For the life of this tree,
is one that's not yet done.

The lumber was chopped, cut, and carried.
To a town of a man named Jack,
who was poor but newly married.

"I've got little money, but I make good shoes"
"I've got to take care of my wife, I've nothing left to lose"

"I'll open a store, and become a cobbler"
"And with the money I make, I'll buy my family something proper."

So Jack took his life savings.
And off he went, to open a store,
To make enough money to pay the rent.

Our poplar was still together,
chopped into many pieces.
Next to some hardware supplies,
and a vendor selling fleeces.

"I'll take that lumber, it'll do the job."
"Just take my money, and I'll be along"

Years passed by as Jack labored hard.
A few kids came along, a house, and a fenced in yard.

One day a special man came to town.
Not the type of man that you see every day,
for this man wore a royal crown.

"Wooden clogs I need for my feet"
"To keep them dry as I walk along the damp street"

A chance to make shoes for a king,
this was enough to make Jack sing.

He looked through his supplies,
they weren't enough.
To build shoes fit for a king,
would be quite tough.

"I have just the wood, "
he thought to himself.
"From when I first built my shop,
there is some left on the top shelf.

So he took the remaining scraps,
and he made new shoes.
Shoes for royalty,
clogs fit for a man more special than me.

And now our poplar finally got his chance.
To join in the royal dance.
And on the king's feet he stays.
Helping him rule the land for the rest of his days.

So, if you find yourself cut down before you grow.
Just remember, and make sure you know.
Your chance will come, sooner or later.
To become a part of something greater.
Life is my grave
Yet I don't rest in peace
Dirt  clogs up my windpipe
Bugs  crawl into my ears
The blackness  engulfs my vision
And I gasp for breathe
As the *******  stab me
Relentlessly in the back
With cruel whispers and rumors
Predatory  glints in their eyes
Finally choking me
*With their hypocrisy
//Sad to say this is life. Trust is like handing your heart to a person along with a knife//
James Meyers Feb 2015
Once I loved to
act. Do impressions,
impress others with my whim
now I don't do that
my ability to charm is slim
I would laugh, and make faces
in all kinds of places
and in all kinds of spaces
I'd go do these faces

Now I don't do that
when I try I fail
my throat clogs with phlegm
and my jokes have gone stale

Once, recently I tried
I got a laugh, it was great
my heart fluttered with excitement
it might not be too late
I went on and on,
having a great time
when the day was over
I went to bed

Thought about how
great things were
thought about how
I would be back for sure

I haven't tried since then
my one shot at revival
I am lonely again
my whit is archival
just inspired by a someone
Nat Lipstadt Oct 2013
The High Line (Pearls Before Swine)

is located on Manhattan's West Side. It was an elevated train track, that runs from Gansevoort Street in the Meatpacking District (wholesale butchers) to West 34th Street, between 10th & 11th Avenues, near the Hudson River, running parallel to the river.  

The High Line was originally constructed in the 1930's, to lift dangerous freight trains off Manhattan's streets. The High Line, nowadays, is open as a public park, owned by the City of New York. The District is now a night life hot spot of elegant shops and restaurants, among the few remaining meat packing firms, a "scene." If not in a hurry, and unfamiliar with the High Line, look it up (see notes), to get a visual of image. Or not. I can't remember who I promised I would dig out my High Line poem, but a promise kept.
_________________

Walk­ed the High Line after work,
early summer afternoon,
a pubescent evening-tide,
the teenage colors
of the setting ball,
seize your breath,
your eyes, enthrall.

On Little West 12th Street,
climbed up to
breathe the green,
thriving railroad earth-beds
tucked so cute,
tween the rusted ties of
intrepid railroad tracks.
still working in
service to humanity;
nature supporters now,
a new kind
of freight carried.

Climbed up on the backs
of a jumbled combo of
dressed beef carcasses
and yuppie carc-*****,
both obedient to the
Law of Consumption:
Consume or be consumed.  

Looked down on them,
grazing,
gazed upon them
pseudo social-dancing,
they are all prowling,
cat burglars,
searching for felines, roosters,
to tango/tangle with till
the shameful dawn walk,
a final tally of who,
was consumed,
and who,
got consumed.

Watch with bemused fascination
at the children,
swilling and chilling,
some liquor, some swill.
nonetheless  admiring each other;
their Lauren cut and Hilfiger heft
the finest of fat veined lines,
decorating their svelte,
but very attractive,
full figured appearances.

USDA Grade A,
a genuine meat market,
humans and
animals guts,
intertwined.

The Highline,
an architect's composition
of summer grasses,
planted in nooks and crannies
of man's discarded invention.

Summer grasses in unison,
stadium waving to
the music of summer breezes,
Manhattan sounds,
clinking glasses,
goods and services exchanged.    

The view admires you -
Oh baby you look so fine,
Your hair, like the
Hudson River's aquas
is a shining, streaked,
by High Line highlighted
late afternoon,  
sun-setting golden sparklers.

Your gold chains entwining,
fire crackers on top of a
the blue ribboned river,
exploding, dazzling,
your obedient admirers.  

They complement your skin,
aglow, one of nature's works,
soon to be painted on a canvas,
across a horizon of a
pinkish-tinged lavender sky -    
a gift of the oh-so-refined
refineries of South Jersey.  

Cool summer afternoon in
the Meatpacking District,
traffic, human, automotive,
clogs the Gansevoort piazza,
a NYsee zone pietonne,
a Manhattan cocktail of
young strivers and Eurotrash,
where you check me out,
and I return the favor,
using a pre-certified checklist.

Are you young?
Are you hip?
Are you beautiful?
Do you possess
what it takes
to undress me?
Reservations and a limousine!

Everyone who's there,
by definition, is in,
otherwise where else
would they be!

Pearls of perfect people,
perfect lives,
in, around and
before, swine.  

Am I the only one
who gets the joke,
or is the joke, me,
because I just don't got it
in order to get "it"?

Am I the only one
who sees the dead,
ancient and newly arrived,
human and other kind,
the living,
sharing the animal spirits
of the Meatpacking district:
some animated,
some haunted,
some summer tanned
some blood drained,
ghostly white veined?    

In this city,
my sweet city,
city where I bore
my first breath,
city where I'll be laid down to
my permarest,
the hues of my life
are city pastels,
colorful shades of asphalt
and concrete gray and
dried blood,
interspersed with the
speckled glitter of the
potpourri of human creation.

The Highline, an architect's
composition of summer grasses,
planted in nooks and crannies
waving to the jazzed music
of Manhattan lives,
its history, summer breezes,
emblem of the city's only coda:

Transform, rebirth -
survive and prosper,  
or else,
be slaughtered and die.

Summer 2010
http://en.wikipedia.org/wiki/High_Line_(New_York_City)

Written years ago when long poems were the norm, and inspiration was in the odor of the air I breathed.
My heart skipped a beat
Shaking hands won't let me sleep
I feel my labored heart
Popping in and out of my chest
My murmurs mean nothing
The hunger is hard to communicate
so I let the rhythm of my desperation
play out in Morse code
as my blood pumps at amazing rates
Your skin is salty and sweet
the perfect solution to my tasteless life
but they claim my way of survival is inhumane

My body begins to eat itself
the muscles and fat I harbor
disintegrate from armor to fodder
I eat away my insides with eagerness
Trying to beat the tape worms and maggots to the finish

I know I brought this on myself
When I bit off more than I could chew
My greed overpowered my need
I over-worked the fields to cinders
And only thought of providing for my own
I cursed the gods for my adversity
The buds of rice began to turn to stone
The fields no longer receive love
or the gentle touch of forgiveness

The gods favor those who wait
Those who expect nothing from their efforts
Those who do what is virtuous and selfless all on their own
Those that demand are met with empty hands
for they are but pretenders with no faith and no compassion
Panic and starvation plague their families
The beating of their hearts like a symphony of crickets
Go rampant through the night
Only to stop in the coldness of the sunless morning
Cholesterol clogging their hearts
Robin Carretti Feb 2019
The London*
underground
Shoes Chatterbox
Choo Choo train
Mr. Earl Gray
Greyhound
Doing cartwheels
Head over heels

Milk the Cow
"Going Moo" in her
Jimmy Choo
Yahoos
Kickapoos
The Odd Mom
Cocker Doddle Doo
Goody Two shoes
'Peekapoo"

The women living
in her shoes
All Mighty God
  
The dog to chew
Her most expensive
shoe
Lasous
The genius
La Cruz

Goody two shoes
That's show biz
Vacation Dr. Seuss
John Hughes
The master of clues
La mousse
Love truce X-File

Instagram, please smile
In her ballet slippers
He's at the Hub
drinking beer
In the London Fog
Her wooden clogs

Ladybird chirper
He's down to his
goulashes?

Got sidetrack hot
fever lovesick
La muse shoes
Cozy at the caboose
Playing golf in the
Gulf of Mexico

You ain't got a thing
if you don't have
the shoes to swing
Kick up your shoes and
start to sing
This is a comedy of all Goodie two shoes tied into one find you we all own a pair of shoes and have some fun
There's a cold wind bullies in
from the West
I put on wooly knickers and
a hand knitted vest

were I from Yorkshire I'd
rub goose fat on my chest

but them's a strange lot
up there
tha' knows.
I
Hear the story of our oil –
Hail to oil!
From the glory days of Drake well we recoil,
To see seabirds flap and shudder,
Dolphins, turtles flop and sputter
With collective dying groan.
Hear our population moan
When the gasoline price geysers to the sky.
Still we drive, drive, drive,
To keep consumer binge alive,
Amid a maritime disaster fast evolving from the spoil
Of the oil.
For the oil, oil, oil, oil,
Oil, oil, oil,
For the gushing and the oozing of the oil.

II
Smell the ancient dark crude oil
Stinking oil!
Engulf the products made refining from a boil:
Guzzle gasoline flambé,
Drive-through fast food every day,
Raise our carbonated toast to Arctic roast…
Then drill more oil!
GM corn and corn-fed beef --
Both born of oil,
The shaving cream I slather on my face is made from oil,
Toothpaste, vitamins and lipstick,
Tires, everlasting plastic,
Come from oil;
All American affliction
Petrolopium addiction –
Truth is stranger now than fiction
And it does not set us free;
We are prisoners of oil,
And as slaves to OPEC pricing we all toil,
For the tapping and the lapping
Of the oil.
For the oil, oil, oil, oil,
Oil, oil, oil,
For the drilling and the swilling of the oil.

III
Soak in news of spilling oil –
Offshore oil!
In grim images of damage that the television splays;
First blow-out slimed in sixty-nine at Santa Barbara Bay
Then ten years next blew Ixtoc
In the Gulf of Mexico,
Two-ninety day gush tick tock
Slick slopped thousand miles away
To Texas shores!
In Alaska’s Prince William Sound
Exxon Valdez ran aground in eighty-nine;
Full tanker load erupted,
Left the rocky coast corrupted –
Prudhoe crude!
Seals and otters stuck in goo
Seabirds suffered coatings too,
Cruising tourists supped in view
Of the oil, oil, oil,
Thickened slick encrusted oil
On the shore!
How it clings and clogs and covers;
All aquatic life it smothers
Marsh and beach are left in cataclysmic mire!
Still we “drill baby drill,”
All our gas tanks gotta fill,
We must shop, shop, shop,
Lest our wasteful lifestyle stop,
So we run, run, run,
Take our car vacation fun --
At the beach…
See the sheen -- how it shines!
Pretty rainbow-colored lines
From the oil!
We love our oil, oil, oil, oil,
Oil, oil, oil,
For economy cachinging in the oil!

IV
Hear the praise of offshore oil,
Miles deep oil!
For the goal of independence on our oceans now we toil,
Till ungraceful conflagration
Twenty April rocked the nation
On the Deepwater Horizon drilling rig.
Eleven lives were lost in blast
As the deep crude spewed out fast,
Gushing Hell!
Couldn’t stop it with top ****,
Junk shot, golf *****, caps wouldn’t still
Gushing well,
And the spreading, spreading, spreading
In a steady surging crawl,
Gulf coast residents all dreading
That their livelihoods might stall,
Now the fish and shrimp are ill,
Tourist business will be nil,
And still oil spews…
We must thank God that there’s *****,
For there’s nothing but bad news
And the ooze, ooze, ooze
Oily ooze.
Who will pay, who will pay?
Who will make this go away?
Who’s to blame? Who’s to shame?
Many pointy fingers aim –
Lefty points to rich BP,
Righty points to rock Obama,
And there’s six sticks pointing back at you and me!
We will pay, pay, pay,
At the gas pumps we will pay,
So we can drive, drive, drive,
And keep America alive;
Despite the grim disaster that arises from the spill,
The way we live and spend won’t easily end;
So we’ll still say “drill baby drill,”
Each time our gas tanks get a fill,
And we will shop, shop, shop
To do our patriotic duty --
Spend our *****, *****, *****
For the oil.
For the oil, oil, oil, oil,
Oil, oil, oil,
For the gushing and the oozing of the oil!

Drafted 6/8/10, revised 6/14/10
Best read to the "tune" of Edgar Allan Poe's "The Bells"....with apologies to Poe for repurposing his meter scheme for a theme less cheerful!
On a green leaf
For frogs
Illuminated by the surface under
There she sits on
A part
A piece I looked as a picture
Dazing wondrously and scouring with pairs
My sandals my feet my hands
All my fingers and nails
My ears
My toes of ten
and legs
Knees and my shoulders
The missing piece
or so i thought under
The afterthought
Full of doubters
For the plants grew all tall
None could be any taller
Dazzling danglers
A field under the stars.

Girly willed as am I
Which could not seem possible
Acceptance aches
Belief breaks
Even the words I speak, write or sing,
(Shall I
Hear it...)
over there it only echos
against the busy chatter and travels back home
Clogs *******
Reminding me that a life can be extinguished with mere
disbelief.
Disbelief and ignorance another pair...
Girly willed as I am
Nodding behind books
Fiction, fiction, fiction
They neigh
So here I go...
Thankful prayer as it did happen to us..
And all of it did
That it was I who did it.

Fuels of her pair
by flying passion and wild innocence
Now...
A human being
Limitless like the others
Why don't they not see? The rest, the stops,
The same scene, there is exactly the same scene...of falls.
If they just went out and did it, for a stretch and a walk,
Just grow out of leaves, be the branches printed of feathery crease
Because I am girly willed
Golden meadows lost to become treasure.
Fearless of rags she is as I am,
Laying afloat of the clouds, linen skies, seas and drifting through the weightless sand
Fearless forever.
the electronic dispenser is out of order yet the automated voice keeps repeating it’s not a problem it’s not a problem it’s not a problem it’s not a problem it’s not a problem it’s not a problem it’s not a problem it’s not a problem…



i hint to Mom maybe the nightly sleeping pills might contribute to her forgetfulness she replies what? i didn’t hear what you said i repeat maybe the nightly sleeping pills might add to your forgetfulness she answers what? i can’t hear you i say Mom you’ve been using sleeping pills since i was little maybe they’re a source of your fogginess she snaps what? what are you saying i can’t hear you



Tucson 2001 in the heat of disagreement Mom accuses i am the cause for her need to rely on sleeping pills do you understand what that means Mom you’ve been taking sleeping pills as far back as i can remember miltown seconal nebutal placidal ambient (when i was young i took some from your medicine cabinet then sold them to friends) was it always because of me your off-beat weird troubled kid or were there other reasons thank you Mom for all you have given me i am grateful appreciative truth is none of us trust each other these defenses we’ve created will someday turn on us



2010 it is difficult to write about Mom so many conflicted feelings our struggles contentious exchanges expectations criticisms blame all the money she and Dad poured into me hoping i would turn out successfully employed married with children instead her difficult child chose painting writing punk rock yoga Mom will be 90 in October she caught viral pneumonia last month concerned for her i flew to Chicago to see her my beautiful glamorous Mom who lives high up in tall high-rise doorman deskman elegantly decorated 3 bedroom apartment along lakefront my little Mom who’s once lovely figure shrunk in size morphed in shape with arthritic painfully twisted fingers hair color light ash skin spotted with dark purple brown splotches estate dwindled to crumbs my clever shrewd Mom still so talented socially telephone constantly ringing lunch dinner engagements accompanied by frantic loony sister both dressed to the nines shopping returning hairdresser appointments manicures yet memory rapidly disintegrating my poor sweet Mom who now needs my loving protection it is time for me to step up to the plate shield her from caregivers poised to pilfer my vulnerable Mom leaves her wallet in cab loses her glasses forgets events 2 hours ago furious at pharmacy for neglecting to include her sleeping pills i know i cannot change her whirlwind 24/7 world of gossip scandal denial it is i who will need to change sacrifice my simple sparse existence quiet desperation scrambling for pay gardening gazing up at the moon stars adapt to her dizzy drama driven life style in order to look after her



i’ve written about this before a defining moment that haunts me Bayli and i are staying at Toby Martin’s spacious loft near corner of Bleeker and Broadway 1973 Toby offers me job building stretchers canvases for Warhol he tells me lots of nyc women will model for me if i want to keep drawing vaginas he advises me to drop out of art school like he did assures me i will become famous it is October Sunday i am wearing white turtleneck wheat colored corduroy Levis jeans taupe suede clogs Bayle is dressed almost exactly as me except powder blue clingy top we are just art students Toby takes us up to Rauschenberg’s loft on Lafayette Street Rauschenberg is in the Bahamas the kitchen is all industrial size stainless steel coffee stained glass Chemex drip coffeemaker on stove  upstairs on roof many currently trendy painters edgy artists a sculptor who uses dynamite to blow up quarries in Vermont they scrutinize Bayli and Odysseus with voracious glares the men eye Bayli several women send flirtatious looks at Odysseus he feels fright protection for Bayli it is all too much too complex too threatening and in that moment he drops the ball creeped out fearful he takes her hand and they flee back to Hartford Art School but maybe he was wrong possibly Bayli could have handled those depths heights perhaps she would have blossomed i’ve thought about that moment many times torturing myself with my cowardice insecurity adoration for Bayli our love remaining pure never corrupted



a boy/man makes love with a girl/woman once twice in bed then falls blissfully asleep wakes up makes love all night in secluded room in sheltered house on quiet street in sleepy New England town in the morning with Velvet Underground turned up real loud they dance wild then make more love



perhaps my fears insecurities shyness are about a diminutive ***** or concave ***** at center of chest or all my weird physical psychological inhibitions idiosyncrasies not wanting the world to ever find out know a secret between Bayli and me possibly Bayli never noticed but probably she realized my desire longing to be recognized acclaimed yet remain unrecognizable live in quiet privacy i don’t know sometimes i wonder if Bayli loved me like i love her if there was only one twinkling star in her sky like there is in mine Mom says it’s wrong to limit my skies to one star she says Bayli separated from me and married someone else she asks has Bayli ever made an attempt to contact you since her 2nd marriage i answer you don’t understand Bayli is entirely devoted she would never look up or away from her man Mom says open your eyes there are lots of special stars meant just for you in the sky



at some point it becomes obvious the latest is instantly embarrassingly obsolete why would anyone want the latest



let them come these winds of change blowing sands garbage leaves twisting branches bending trees up the coast down the hole displacing erasing everything oceans rising currents colliding mountains crumbling fiery red skies there was a time once but that time is gone there was a girl once but that girl is gone a street a house  a room  a bed once but that street house room bed are gone hunter buried under hill sailor lost at sea he who steps courageous mindful compassionate will pass beyond the terror
Meka Boyle Jul 2013
Beauty is an empty cage that shakes the world anew-
Yet, falters at the slightest rage, or faintest sickly hue.
A sweet yet poisonous embrace, it slowly clogs the pores,
Of lonely men of a pious race, slumped against heavens doors.
A heavy weight upon the back of those cursed enough to bear it,
Turned to salt for looking back, now eternally doomed to share it.
The elegance of poise and grace send shackles up the palms
Of the amorous eyes of a lover's face- the most perverted kind of alms.
Oh, Aphrodite had her laugh, her poor afflicted soul,
And now she revels in the past, as penance casts its toll
Upon her sweet reflection, the sole source of her empty joy-
As her heart cries out dejection in the name of Helen of Troy.
Ah, fragile bird have you no cause- to hide your face with shame?
Does happiness subdue your flaws- or is humility to blame?
A lepers skin can hardly hold the burden of an empty nation,
Yet, still the world has bought and sold innocence for infatuation.
There's a subtle pain beneath the ring of a mother's sordid song,
Still she bites her lip as she's forced to sing,  while the audience treads on.
The ****** Mary cast her lot among those new and pure,
Then temptation came from Camelot, and knocked her to the floor.
It's faith that holds her safe and whole, a figurine atop a shelf
Alas, her eyes so bright were smeared with coal, for love has lost itself.
Yes, virtue finds her strength in those too weak to carry further,
Doomed to bear a thorny rose, eternally sworn to serve her.
She's rattling her bones again, in hope for something hidden,
Beneath the glistening shards of glass, twisting and churning within.
How sweet it is to stomp the ground of all that hides the eye
From righteousness and morals sound- is beauty but a lie?
Rituals and good intent lay stagnant at the feet
Of Cleopatra's testament, too indifferent for defeat.
Heaven thrives as the world recoils, collapsing crumpled to the floor-
A rotten corpse of ancient toils, too tired to implore.
I've heard the sirens sing their alms, with intentions pure as snow-
As sailors mindlessly follow along, cursing the maidens as they go.
There's something to be said about a grace so bent on fate
Of that which crafts a sultry face: vanity in its purest state.
Donall Dempsey Jul 2017
WHEN THE CLOGS BLOSSOM
(когато цъфнат налъмите).

( for the one and only Onelia )

Stepping into
the forest was

stepping into
a fairy tale.

The trees gathered
‘round and soon

had him surrounded
inspecting this little

speck
of humanity

they the forest had
curiously come across.

I had, without knowing it
said goodbye

to the sky
which it seemed

had been turned off
with a click and

a snap of
a twig.

“How now
human boy!”

bellowed a bough
bowing to my frightened

little personhood.

Now and then a scrap
of sky appeared

held prisoner
as if it were

the last bit of sky
ever to be seen

a museum piece.

Here, now
lost in Bulgaria

I sat & listened
to my self

the blood within me
circulating  circumspectly.

The forest
watching me

as if deciding
which part

of me
to eat

. . .first.
* Bulgarians never say never….only….when the clogs blossom . Now I am not saying this never happened to me but not exactly in this way except in my mind!

I am bad at reality but Bulgarians never say that one is bad at something…they merely point out that you are “naked water” (гола вода).

But there are some things I am good at…like getting lost!

But a Donall like a Bulgarian doesn’t brag merely “pretends to be two and a half” (правя се на две и половина)

***

"WHEN THE CLOGS BLOSSOM" =  (когато цъфнат налъмите = kogato tsafnat nalamite)

“naked water” (гола вода = gola voda)

“pretends to be two and a half” (правя се на две и половина = pravya se na dve i polovina)

***

"WHEN THE CLOGS BLOSSOM" =  (когато цъфнат налъмите = kogato tsafnat nalamite)

“naked water” (гола вода = gola voda)

“pretends to be two and a half” (правя се на две и половина = pravya se na dve i polovina)
Nigel Morgan Dec 2012
IX

Oh this gradual coming together as sleep lifts away from bodies resting just apart but then a little turn on the pillow knees touch there is the slightest kiss of a nose a mingling of feet hands may rest atop a thigh and touch experimentally This is such bliss all consuming no thought but each body’s press and caress so slightly so gently given until hands and limbs and kisses and the dearest stroking fills us to the brim with that longing which only the deeper kiss can quench Afterwards we watch from our attic bedroom leaves departing their trees

X

The steep steps and Doric pillars eight in all gather us into an entranced gloom only to spill us out into the light and space of galleries filled with Cyprian artefacts an owl with a removable head more porcelain than even your great aunt could look at but in a corner there were these bowls from Syria 12C and earlier Michael Cardew could have thrown and patterned but didn’t One in Iranian green inscribed thus blessing prosperity glory grace joy happiness security and long life to the owner  nothing more surely ever to be wished for ever to be wanted

XI

My Chinese heroine has a soulmate: Jilia’s deer in flight across a page of Somerset Soft White and Tengin mould oh the verse of Hafiz 14C Sufi mystic flowing into the body of this running beast Rejoice you lonely seeker of the scented path out of the wilderness the perfumed deer has come and there was more in different hands paper parchment poems exquisitely rendered into living words In a frame Goethe’s leaves of the Gingo Biloba stuck to his letter of love to married Marianne This leaf from a tree in the East has been given to my garden

XII

Captivating in beauty glowing silvery-white petals flutter down to lay a blanket of snow beneath the flowering trees and miraculously they did and more to make us wonder that negative space could be so powerfully wrought Hiroshige the master in his element of the winter snows eloquent landscapes figures on the Edo to Kyoto road the detail of raised up clogs and warm layered garments of a Geisha walking out with her maid the stone blue waters the pale reflecting skies the delicate embossing of waves and the flow of hillsides the ukiyo-e woodblock prints pictures of the floating world

XIII

Wearing purple and red your near to Advent colours grace this table we lunch at before a final walk through the city full of our time here amongst the towers and chapels and more history and art than we can manage for the time being Again and always whelmed over by your beauty seen against the press and clutter the clustering in the peopled streets the bicycled roads and in this one o’clock restaurant’s clamour how is it that my eyes are wholly on you my ears only hearing your sweet voice my fingers reaching out to touch you again?
Yenson Dec 2018
The machinesed drones droning ozones
made of homogenised genes by replicants
from clinical doctrines and empirical indulgences
Soulless and efficient, bred for duties destructives

Capitalist fodder, programmed ready for earth's ****
Regulate as required, inputted subs with pigs hearts
Made followers with voracious appetite for blood
mechanised barbarians on leash with one track mix

Human shire horses in designer shods and faulty gauges
Manufactured manufacturers limited and corollated
Factories, dormitories partnered with like, watered
and bedded till tomorrow, audiod to the Sterling whip

Given ample ales, keep blinded and chained
Distract and cater to baser instincts, *** *** ***
Free 'love' free ***, valueless values, what values
Enjoy kids must return to work desk seven on the dot

Time is money, clogs and production
waits for no man, do or your pleasures denied
Money, money money, honey for bees, honey for drones
Soulless, dehumanised, pale, aged at thirty, heart attacks next

Vacuous ghost programmed dunces
Malfunctioning entities devoid of humanity
Superficial plasticated robots, destruction default
Industrial pieces with industrial minds
Chemicalized drunks with wired brains
They roam around screaming freedom and power!
Paul R Mott Sep 2012
Life’s an upward struggle, and it makes it so much rougher
when the ladder you find yourself climbing is beset by lonely weather.  
When every other rung is off doing other things,
the solitude and altitude bring to mind desolation
and the emptiness that brings.  

No matter the genius emanating from ivory minds,
the smartest man among us often finds
that brilliance unfiltered clogs up the system,
when others must consume the lonely perfume
of conceits kept alone,
while the common thoughts stay collected
like so many sheep in a pen that’s separated
from self-same lonely thoughts,
that genius oft encounters,
left only amongst the happiness
that fills up life’s happy coffers.  

So it goes that lofty ideals become frostbitten
by snowcapped mountains of emptiness.  
Others seek the heights together only during pleasant weather,
while those who trounce through snow-packed trails
must brave the climes alone tempted only by fate,
to descend to summits more frequent
than the peaks of accomplishment.  

Gangrenous lips cannot utter
the chilled revelations of those left above too long.  
So it is left to those below,
not inferior from the altitude,
just more likely acclimated to the difficult, dull journey
of those who spare pristine slopes
for the sullied, muddied slush on the tourist trails below.
Jayanta Sep 2015
Days are not smooth!
Start with the news of conflict
accident, enmity, extortion,
inflation and starvation!

Clogs everything at night
with music of friendship and snigger
in the platform of virtual union!
  
But it is full with the misfortune of
physical aloofness and cloaked darkness!
Napping on
With a belief
to  get light at dawn !
Ena Alysopriono Jan 2015
"Where's the *** gone?"

"I've got a jar of dirt!"

"So you are all going to fight them, and you are all going to fight them all on the account of him wanting to **** him?"

"Jack. Where's Elizabeth."
"She's safe, just like I promised. She's all set to marry Norrington, just like she promised. And you get to die for it just like you promised. So we're all men of our word, really... except for Elizabeth, who is, in fact, a woman."

"The lies I told you were not lies"
"You lied to me by telling me the truth?"
"Yes"
"That's good, can I use that?"

"You know when you are standing in a high place and suddenly have the urge to jump?
…I don't have it"

"And that was without even a single drop of ***."

"You have a cruel mind, Jack Sparrow."
"Cruel is a matter of perspective"

"You know, for all that pirates are clever clogs, we are an unimaginative lot when it comes to naming things."

"Aye, the original plan was to use nine pieces of eight to bind Calypso, but when the first court met the Brethren were, to a one, skint broke."
"So change the name!"
"To what? "Nine pieces of whatever we happened to have in our pockets at the time?" Oh yes, that's very piratey!"
Love these movies. They're so weird it's hilarious.
nichole r Aug 2014
ice water clogs up my veins,
chilling me,
as most rises from my skin at dawn.
cerulean lips that match my eyes
spread over bared diamond teeth,
as I convulse and writhe on the steel table.
ribs crackle and split so suddenly
that not even a sharp gasp
can knive itself
past my throat.
organs fails and shrivel together,
abandoning me,
as gloved hands rip them out
from the incision along my belly.
my once silky tresses
fray and dry
before eventually falling out,
outlining my spasming figure.
grey brain matter numbs and
electrical impulses cease to a halt.
no more thoughts...
no more movements...
just a dead body with a beating heart.
Ben Jones Dec 2013
Along a winding meadow way
Circuitous and pebble strewn
Towards a brook and down a *****
As morning sun outshines the moon
An expectation clogs the air
And all about the flowers turn
To face a wave of tidal light
To catch ablaze but not to burn

A dusky fragrance lingers still
And gathers calm as mercury
In solemn spots beneath the boughs
It lies in perpetuity
The weaving breeze is powerless
And banished by the canopy
Abiding there a myriad
Of all of natures panoply

Drift along now deeper still
A clearing basks amid the shade
An isolated paradise
A lonely little woodland glade
Where early spring regains the lead
And ferns uncurl a welcome hand
The nettles bare their jagged teeth
And offer up a reprimand

A dragonfly takes up my path
And leads me into humid heat
She weaves amid the reaching grass
And safely guides my straying feet
Between the rocks and rabbit holes
That litter my vicinity
The creatures in my path retreat
All sensing my proximity

A fallen trunk now blocks my course
Like driftwood on the shoreline, beached
Its peeling bark is spiraling
And pale in the sunlight, bleached
Enfolded in its limbs I am
As if they shaped themselves to me
As though a plan of ages hatched
And formed a place for me to be

**
wandering
across
the splinters of
squandered
seasons
the Hajj
of the
lost ones
completes
a broken
circle

returning
with hope to
burrow back
into the safety
of desecrated
graveyards

welcomed
home to the
embrace of a
cadaverous cloak
and the kiss
of carrion
smudged lips,
Hajji's eye
the decrepit
visage of
criminal
depravity

germination
of this
Arab Spring
mocks us

aromas
of jasmine
elude us

emulsified
concrete
clogs our
nostrils

burning eyes
filled with
asbestos dust
form
grateful
blinders
to the
ruination
of reason
betrayed

arcane
remnants
of our life
lay inert
in the open
****** of
fractured
habitations

amidst
jumbled rubble
the decaying
carcasses of
razed buildings
boast grotesque
sculptures of
twisted rebar
cradling artifacts
of a past life

pink
hair curlers
splashed
with sickly
blood grown
mold

scavenged
bicycles
limp on
banished
parts

smashed
skulls of
dolls weep,
her
dismembered
limb reaches
for a lost child’s
nursing
hand

the charred
remains of a
Persian rug
maps the
scale
of a city’s
deconstruction
and a frayed
regions
disconsolation

electric luxury
flowing water
the friendly bustle
of the street
bespeak
expired memories
foretelling an
unimaginal future

sectarian strife
enforces  a communal
solitary confinement

in cold blood
we willingly
murdered
compassion

we
butchered
trust

we
euthanized
our
common
humanity

constructing
buildings is
easy

rebuilding
ourselves
impossible

Music Selection:
Segovia, Capricho Arabe

Oakland
5/13/14
jbm
please also see on Hello Poetry:
Homage to Homs
Leaving Homs
Maryam of Homs
Watching Homs
Wheres Rumi?
Ignatius Hosiana Sep 2015
Yeah, I'm at a point where I'm handicaped by fear
When stimulant sadness clogs my eyes but can't shed a tear
A point when I'm afraid of both the future and my past
Feeling tethered to bad karma,feeling cursed
Stuck in this minute with the clock ice paused
On the fringes of life where all doors are closed
And heated so that not even opportunity can dare knock
Seated in the quiet of the noisy silence watching the clock
Frozen to a single moment yet seasons are ticking
And there're signals that rest of the world's moving on I'm picking
I'm living like a ghost that died a million years ago
One whose owner ailed of an incurable syndrome pride
A disease born of a blood ******* vector called ego
One from which the wondering soul's holder died
I'm at a point when I ask myself why I was born
When It's clear I have to work my fingers to the bone
But not even myself can get me to my feet to start the journey
I'm at crossroads, and I know I have to choose
Because I've got rest of my life at stake, everything to lose
At now, and thing about now is knowing the actual value of having money
I'm at a point when a have to make the big calls, hold or move on
Keep being a cry baby or put the badass pants on
Looking back to the age when I was afraid of Gekkos
And it's how I feel calling out and feedback's my own echoes
I'm at a point where I don't need spectacles to see my mistakes
Yet it still feels like I'm not ready and haven't what it takes
Francie Lynch Jan 2015
Those dog days of summer
Near forgotten and gone,
Are stored for the winter,
And remembered in song.

The dogs' days of winter
Tell a different tale,
Of dogs pulling sleds
In Alaska for mail;
Or searching the Alps
Bringing whiskey and ale,
Panting and pulling
In hills, waters and dales.

Siberian Huskies,
The Great Pyrenees,
The Alaskan Malamute,
Run off their tails
Battling death and disease.

The Keeshond  
Doesn't wear
Wooden clogs,
Like the Newfie
And Wolfhound,
They're winter work dogs.

If working in snow
Isn't enough to freeze fur,
Look to the Lab,
In frigid waters
In layers of warm flab
Helping fishermen,
Or retrieving a lad.
These warm furied friends
Will work til their end.

The dog days of summer
Ran off with the pack,
Leaving the dogs
Of our winters
To haul, trail and track.
Our best friends.
Nigel Morgan Jan 2013
It was the eve of the mid-autumn festival. Day had followed day of clear skies but ever-lower temperatures had brought crisp and chill mornings. Zuo Fen began to fear that a first frost would damage her late flowering plants, the delicate tea flowers of the osmanthus. She was already aware of the seven grasses of autumn now present in her garden and would recite standing amongst them the traditional seasonal poem:
 
Flowers blossoming

in autumn fields - 

when I count them on my fingers

they then number seven.

The flowers of bush clover,

eulalia, arrowroot, 

pink, patrinia, 

also, mistflower 

and morning faces flower.

 
Oh the whiteness of Autumn, the season of courage and sadness, a time for the lighting of white candles against the dying of the day. Upon rising Zuo Fen would stand in meditation facing west, the seasonal direction of dreams and visions. Again and again her mind state visited a habitation in the distant mountains, a sprawling summer palace seemingly empty but for the slightest echoes of recent occupation or maybe a caretaker’s attention. In her recurring vision she would walk from room to room, each kaleidoscopic in colour of hanging silks and elaborate murals. Eventually she would find her way outside into a neglected garden that dropped in gentle terraces to a lake where she would observe the ‘thousand colours of water, brilliances and blues.’
 
One morning a young chamberlain sent from her Lord visited her court. He had remained rapt at the sight of the courtesan of the Purple Chamber standing trance-like in her garden. Meng Ning had often positioned himself in the undertaking of the Emperor’s duties to communicate with Zuo Fen, whom Meng Ning admired and was secretly enamored. A few well-chosen words of respect and critical admiration for the poetess had been all it took for Emperor Wu to summon Meng Ning as courier of his express command to his most favoured concubine. Unfailingly gracious towards the formal attentions of the young man Zuo Fen had come to feel at ease with this respectful figure who had succeeded in charming both her cats and Mei Ling her maid.
​       As she stood motionless, attired in her gardening robe and clogs, she became aware of Meng Ning’s presence and, before turning to acknowledge him with a greeting, allowed a thought to form in herself. She would seek his help to identify the summer palace of her waking dreams.
       ​Yes, he knew of such a place, sixty li distant, a hard path it was said, but ladies of the court had once graced its many linked pavilions in the third season. The lake held a restless spirit and it was said no boat had ever sailed its surface. How did he know this, she had asked. A petition from a recluse, a former minister of the treasury, had been received at court requesting its occupation for the winter months. It had been refused, indeed dismissed without further consideration. Meng Ning had been curious as he had once viewed the lake from its western end, but from which the habitation was entirely hidden. Did the Honoured Lady know of the mysterious Red Slate Path said to appear briefly from out of a cave in the steep wooded hillside, cross a bowl-like glade and disappear into the lake depths? The Honoured Lady did not, but was nevertheless caught by Meng Ning’s description which, when he had delivered his message from Emperor Wu and retired, she fell to placing inside her already rich vision of property, lake, and precipitous woodland whose trees and bushes she was busy mind-painting with autumn leaves and berries.
 
After a day of thought and planning Zuo Fen developed an intricate strategy to visit the palace and environs of Eryi-lou. She told herself that she was searching for inspiration to compose an autumn sequence for her Lord that would recall the days of his esteemed father. She had discovered in the palace archives that in his declining years he had summered in this remote place, had filled its pavilions with only his most favoured concubines, its guest apartments with poets and musicians. She asked for Meng Ning’s services as guide and protector.
​      She had expected a blunt refusal, but to her astonishment, her request was granted, but only during the twelve days surrounding her monthly courses. She had smiled at this condition having been almost entirely free from her natural cycle for several years, something not unknown for a woman who had never been with child. Mei Ling dutifully made apparent false evidence of this charade.
​       It was a small party that left the Eastern Gate on a day that promised rain and high wind; seven in all, four to carry Zou Fen’s sedan. But this was to be understood as a matter of protocol rather than necessity, as within 6 li of the palace a pair of ponies for Zou Fen appeared in the road. Drawing back the curtains of her sedan she stepped out dressed as a male traveller, her movements and manner in such a disguise confidently rendered from her months searching for her brother Zuo Si in the wilderness of the Tai Mountains. Meng Ning was both astonished and alarmed as he had not been forewarned of this way of things. It seemed that Zuo Si had probably made all the necessary arrangements.

(to be continued)
sycokitten Sep 2016
My heart is too big.
I never would have suspected. It has always been frozen.
Maybe I feel so empty because it is so large.  Maybe I'm so dead because so many of you are still in it,  blocking blood flow.  
I never saw this being a problem.
Joseph Sinclair Oct 2016
I’ve reached the age when most of my contemporaries have
kicked the bucket,
turned up their toes,
popped their clogs,
and other such unsavoury activities.  
I take every opportunity
to memorialise their lives.
The question I ask myself is:
when I finally pop my clogs,
kick the bucket, and so on
who will provide the tribute to me?  

De mortuis nil nisi bonum is the Latin phrase
of Greek invention.
Speak nothing but good of the dead.
I cannot accept this.
What good can I speak of Adolf ******,
Osama Bin Laden
or even Senator Joe McCarthy?
Better would be De mortuis nil nisi veritas.  
Speak nothing but the truth.  
But, if I had to choose one for my own obituary,
I think I would turn to the late, great Harold Laski,
who coined De mortuis nil nisi bunkum.

I’d be very happy to have nothing but claptrap
talked about me.
after my demise.
At least let there be something written,
be it good,
truth
or codswallop
Tucker Freeman Oct 2012
I've felt it down deep inside.
For how long I just don't know.
It clogs up natural function.
Drives me to seek it out, to show.
To dig.
To pillage.
To plunder.
From the onset of the morning sky.
I lie and I wonder.
A vibrant mass of warm air
Becomes overshadowed
By a green devil of no affair de coeur.
Of salty and putrid flair. Pure evil I'm sure.
I blow and blow but away it does not go.
Fighting and scratching and snorting and spitting.
Plucking and pulling and pressing and fitting.
Oh here it comes, such a wonderful feeling.
Yea tis truly sweeter than sugar.
Guess it wasn't some existential, angsty feelings from a relationship gone sour.
Nope, just a ******.
Gabriela F Jul 2016
I put this cigarette between my lips
in the foolishness of maybe
it could make me poeticize.

Ingenuous thought when I know the only
drug able to mess with all my system is you.

More effective than nicotine, fogging all my mind
More dense than an smoke that I stubborn to
take to my lungs, your smell clogs my aerial vias.

More rough than the cigarette material
rubbing my fingers, your words scratch my skin.

More agonizing than abstinence, your distance makes
me writhe inside my own body,
facing an intern fight
that always end in riot because I can’t decide between
leave you on your own luck or convince you that
we can be the lucky of each other.

And here is the living proof, here is the poetry
that i’m only able to extract from the collateral
damage caused by *you.

— The End —