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"preludes" poems
At the Zoo Patriots and faux exhibit and binge on synonyms of liberty printed on beer and underwear Advertising what should be unspoken and inspired to pervert and romanticize Preludes to the parades and finale above us all Weeks of saturated irony Cuckoo bird irony and BBQ As they reform Phoenix, rebirth of distractions and thievery Predators in ally ways pursing America's diamonds and legs Then gunpowder Gunpowder of colors and cuckoos Layers of streets in gunpowder Towns built of gunpowder Sky is gunpowder We are born addicted to led and gunpowder Gunpowder ****** in the air Success, display and diversion and more gunpowder to ingest. The Grand Finale The Volta of the evening The hammer of the judge *** appeal of death and nature flexing it's muscles-   show us some skin! Covering your ears Eyes fastened- Ready to burrow back to mothers womb Binged and free Chinese celebration hijacked Red, White and Blue And a moment of silence   Orchestrated onomatopoeia in heaven Chorus of arousal on Earth Band marching war machines in hell The showdown of 241 years! This freedom we are all grateful to only talk about Only free to battle shackling intoxication Men and women tugging extra weighted offspring Sulking for indoors and portable addiction   Chanting three letter obedience God being counted by his blessings Fear and Statism in every breathe for salvation from our stick swatted enemies Checkpoints that serve and protect asking for a toll; liberty synonyms. Arresting the too free At the Zoo, The cuckoos regaining reality. The phoenix red eye and held under oath To the next day where we are back To hate each others freedom, again.
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Jul 10, 2017
Jul 10, 2017 at 1:31 AM UTC
4
At the Zoo Patriots and faux exhibit and binge on synonyms of liberty printed on beer and underwear Advertising what should be unspoken and inspired to pervert and romanticize Preludes to the parades and finale above us all Weeks of saturated irony Cuckoo bird irony and BBQ As they reform Phoenix, rebirth of distractions and thievery Predators in ally ways pursing America's diamonds and legs Then gunpowder Gunpowder of colors and cuckoos Layers of streets in gunpowder Towns built of gunpowder Sky is gunpowder We are born addicted to led and gunpowder Gunpowder ****** in the air Success, display and diversion and more gunpowder to ingest. The Grand Finale The Volta of the evening The hammer of the judge *** appeal of death and nature flexing it's muscles-   show us some skin! Covering your ears Eyes fastened- Ready to burrow back to mothers womb Binged and free Chinese celebration hijacked Red, White and Blue And a moment of silence   Orchestrated onomatopoeia in heaven Chorus of arousal on Earth Band marching war machines in hell The showdown of 241 years! This freedom we are all grateful to only talk about Only free to battle shackling intoxication Men and women tugging extra weighted offspring Sulking for indoors and portable addiction   Chanting three letter obedience God being counted by his blessings Fear and Statism in every breathe for salvation from our stick swatted enemies Checkpoints that serve and protect asking for a toll; liberty synonyms. Arresting the too free At the Zoo, The cuckoos regaining reality. The phoenix red eye and held under oath To the next day where we are back To hate each others freedom, again.
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47
Headless chickens running aimless toward the almighty dollar Blindly staring at the knife"s stainless steel amidst all the squaller My thirsty soul argues against my numb skull to hold a thorough audition They lewdly feud about potential candidates accrued to search for recognition They conclude on a suspicion they mutually feared as a result of blind ambition Search preludes the admission, that I found my dream car with no keys for ignition Don"t question authority especially when it's the majority Everyone knows the world is flat and let's just leave it at that I bought water from you now I have ice to sell I have a great story but no one worthy to tell Hindsight should really be at least twenty fifteen Because to admit we just don"t know is too obscene? Blissful ignorance"s repugnant scent wafting through the cave Mindless sheople"s chainlinked brains all dancing at the rave Fire flickering Shadow puppets tastefully riding the next wave Puppeteer wizard behind the curtain telling them how to behave Misaligned redcoated frontline soldiers falsely labeled as brave Life"s ironic conundrum puzzle, choosing which children to save Diseased cement steadily drying in a world ever ready to pave Hungrier than I"ve ever been, yet sickly devoid of things to crave
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Oct 9, 2012
Oct 9, 2012 at 5:06 AM UTC
Worth...less
I The winter evening settles down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands. With the other masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand furnished rooms. III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered against the ceiling. And when all the world came back And the light crept up between the shutters, And you heard the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of both soiled hands. IV His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers, and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women Gathering fuel in vacant lots.
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Preludes
I The winter evening settles down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A lonely cab-horse steams and stamps. And then the lighting of the lamps. II The morning comes to consciousness Of faint stale smells of beer From the sawdust-trampled street With all its muddy feet that press To early coffee-stands. With the other masquerades That time resumes, One thinks of all the hands That are raising dingy shades In a thousand furnished rooms. III You tossed a blanket from the bed, You lay upon your back, and waited; You dozed, and watched the night revealing The thousand sordid images Of which your soul was constituted; They flickered against the ceiling. And when all the world came back And the light crept up between the shutters, And you heard the sparrows in the gutters, You had such a vision of the street As the street hardly understands; Sitting along the bed’s edge, where You curled the papers from your hair, Or clasped the yellow soles of feet In the palms of both soiled hands. IV His soul stretched tight across the skies That fade behind a city block, Or trampled by insistent feet At four and five and six o’clock; And short square fingers stuffing pipes, And evening newspapers, and eyes Assured of certain certainties, The conscience of a blackened street Impatient to assume the world. I am moved by fancies that are curled Around these images, and cling: The notion of some infinitely gentle Infinitely suffering thing. Wipe your hand across your mouth, and laugh; The worlds revolve like ancient women Gathering fuel in vacant lots.
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58
Like a sinful seduction, I slip off the edge of sleep, my eyes are drawn to the darkest shadows of my room... kinetically searching... I seem to penetrate them, my mind breathes life into them, they begin to stir and morph into the preludes to my peculiar dreams, bizarre at first until inevitably familiar, as if I had lived them indefinite times in the past... and infinite times in the future... remembering... becoming... unfiltered and unaffected... my subconscious is my truth, awakened by my dreams. I long to remain lost in this ethereal bliss.
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Sep 23, 2018
Sep 23, 2018 at 8:51 AM UTC
Ethereal Bliss
Constructed in a year of inconsequential relevance, A lighthouse stood over the turning tide. Many a vessel had found respite in the glow of this beacon. Through many years this tower stood strong. The keeper, never of like name, A position handed over in death. Countless generations of watchful eyes relieved after duty. All but an instant to this pillar, This guiding light of prosperity. I took over, 19 years from birth. Training took a fragment of an hour. Stood on guard, through a ceaseless haze, First night on duty. Tremors shook the beacon, But it never lost its light. A wave came to view, Its size well beyond my comprehension. The tower stood, as I was knocked upon the floor. It never lost its light. Sixteen years slipped by, Not so much as a boat. I admit, my head was starting to slip. I hadn’t spoken in years. I went in search of conversation and left my post. In it’s place I discovered a barren wasteland of death and decay. There was no life. It was gone. Without purpose or place, I marched on into the wasteland, Until I came across a roaming beacon, shining out upon the horizon. There I returned to my post, With this guiding light of prosperity.
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May 5, 2015
May 5, 2015 at 3:06 AM UTC
Hobbies (Alkan - Preludes Op.31 - 21: Doucement)
"The past is a bucket of ashes." 1 THE WOMAN named To-morrow sits with a hairpin in her teeth and takes her time and does her hair the way she wants it and fastens at last the last braid and coil and puts the hairpin where it belongs and turns and drawls: Well, what of it? My grandmother, Yesterday, is gone. What of it? Let the dead be dead. 2 The doors were cedar and the panels strips of gold and the girls were golden girls and the panels read and the girls chanted: We are the greatest city, the greatest nation: nothing like us ever was. The doors are twisted on broken hinges. Sheets of rain swish through on the wind where the golden girls ran and the panels read: We are the greatest city, the greatest nation, nothing like us ever was. 3 It has happened before. Strong men put up a city and got a nation together, And paid singers to sing and women to warble: We are the greatest city, the greatest nation, nothing like us ever was. And while the singers sang and the strong men listened and paid the singers well and felt good about it all, there were rats and lizards who listened ... and the only listeners left now ... are ... the rats ... and the lizards. And there are black crows crying, "Caw, caw," bringing mud and sticks building a nest over the words carved on the doors where the panels were cedar and the strips on the panels were gold and the golden girls came singing: We are the greatest city, the greatest nation: nothing like us ever was. The only singers now are crows crying, "Caw, caw," And the sheets of rain whine in the wind and doorways. And the only listeners now are ... the rats ... and the lizards. 4 The feet of the rats scribble on the door sills; the hieroglyphs of the rat footprints chatter the pedigrees of the rats and babble of the blood and gabble of the breed of the grandfathers and the great-grandfathers of the rats. And the wind shifts and the dust on a door sill shifts and even the writing of the rat footprints tells us nothing, nothing at all about the greatest city, the greatest nation where the strong men listened and the women warbled: Nothing like us ever was.
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Four Preludes on Playthings of the Wind
"The past is a bucket of ashes." 1 THE WOMAN named To-morrow sits with a hairpin in her teeth and takes her time and does her hair the way she wants it and fastens at last the last braid and coil and puts the hairpin where it belongs and turns and drawls: Well, what of it? My grandmother, Yesterday, is gone. What of it? Let the dead be dead. 2 The doors were cedar and the panels strips of gold and the girls were golden girls and the panels read and the girls chanted: We are the greatest city, the greatest nation: nothing like us ever was. The doors are twisted on broken hinges. Sheets of rain swish through on the wind where the golden girls ran and the panels read: We are the greatest city, the greatest nation, nothing like us ever was. 3 It has happened before. Strong men put up a city and got a nation together, And paid singers to sing and women to warble: We are the greatest city, the greatest nation, nothing like us ever was. And while the singers sang and the strong men listened and paid the singers well and felt good about it all, there were rats and lizards who listened ... and the only listeners left now ... are ... the rats ... and the lizards. And there are black crows crying, "Caw, caw," bringing mud and sticks building a nest over the words carved on the doors where the panels were cedar and the strips on the panels were gold and the golden girls came singing: We are the greatest city, the greatest nation: nothing like us ever was. The only singers now are crows crying, "Caw, caw," And the sheets of rain whine in the wind and doorways. And the only listeners now are ... the rats ... and the lizards. 4 The feet of the rats scribble on the door sills; the hieroglyphs of the rat footprints chatter the pedigrees of the rats and babble of the blood and gabble of the breed of the grandfathers and the great-grandfathers of the rats. And the wind shifts and the dust on a door sill shifts and even the writing of the rat footprints tells us nothing, nothing at all about the greatest city, the greatest nation where the strong men listened and the women warbled: Nothing like us ever was.
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How far can we fall from the edge of a whisper suspended above molten desires dangling from a single breath escaping through fragile fingers pressed against a reflection of lips piercing the swollen silence in words that belong to you I am paused in patient syllables, a hum on the tip of your tongue searing the wings of uncaged secrets spilled from your eyes upon my skin sliding in the hush of immaculate worship, in this ritual of discovery an unyielding hunger, your hands unravel passages confessed in intimate testaments, stained in your fingerprints, translating the map of my body in minutes that pass too soon. Cradle my thighs in an estrus of dreams, bathe my release in the burning hours, drenched in the silk of lilac orchids soft petals from your eyes, leave a trail from flesh to soul for lips to taste the jasmine-laced crave softly veiling the naked lust caged behind these sapphire windows gazing into the depths of your reign, I am stranded in exile awaiting the guidance of moonlight translated in the stroke of your fingertips that brand my flesh yours And, in that place, Ours.. I reveal every sacred secret, exposed and shivering beneath your body ascending upon the ****** truth of me, beneath these sheets of midnight silk, tangled in translucent urgencies unfolding into a delicate intimacy that preludes this savage awakening so restless to adorn your primal sting in a deluge of my body to your parchment, scribe me spent in the ink of your resonant whispers how far can we fall....from the edge
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Jan 6, 2013
Jan 6, 2013 at 4:11 PM UTC
The Edge:
How far can we fall from the edge of a whisper suspended above molten desires dangling from a single breath escaping through fragile fingers pressed against a reflection of lips piercing the swollen silence in words that belong to you I am paused in patient syllables, a hum on the tip of your tongue searing the wings of uncaged secrets spilled from your eyes upon my skin sliding in the hush of immaculate worship, in this ritual of discovery an unyielding hunger, your hands unravel passages confessed in intimate testaments, stained in your fingerprints, translating the map of my body in minutes that pass too soon. Cradle my thighs in an estrus of dreams, bathe my release in the burning hours, drenched in the silk of lilac orchids soft petals from your eyes, leave a trail from flesh to soul for lips to taste the jasmine-laced crave softly veiling the naked lust caged behind these sapphire windows gazing into the depths of your reign, I am stranded in exile awaiting the guidance of moonlight translated in the stroke of your fingertips that brand my flesh yours And, in that place, Ours.. I reveal every sacred secret, exposed and shivering beneath your body ascending upon the ****** truth of me, beneath these sheets of midnight silk, tangled in translucent urgencies unfolding into a delicate intimacy that preludes this savage awakening so restless to adorn your primal sting in a deluge of my body to your parchment, scribe me spent in the ink of your resonant whispers how far can we fall....from the edge
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48
Rubicon on broadway  young and beautiful  in white Cadillacs and Buicks audio pop gods transmit  preludes for the night  through hair waves  and satellite finger tips Buried souls are only resurrected among friends at Shakespearian rags at 10 in mind with wine, no whine  oh mine, oh mine  no more golden toads in Costa Rica— the planet is a metaphor for the body— old spice and white gum our everyday gospel
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Jan 11, 2016
Jan 11, 2016 at 9:08 AM UTC
Class cancelled due to revolution
Now in this season It smells like sweet honey nectar, Thick, warm pollen that heavies the air, that Overarching succulent sweetness I can Never find. I'm nearly Dreaming in the midst of day, Lack of sleep sharpens this Feeling of loss that doesn't coincide with The growth around me - My mind Is falling back a quarter year, another, Chilled over somehow in direct sunlight -                     My hunger could be assayed with                     Those honeyed towers somewhere blooming, but                     I've not been told where to find them - Stumbling along with aching limbs and Exhausted heart, forced anxious smile, Can't seem to find these supposed fruits That hang down at reach, give way to new days - Just quiet, vacant preludes Along all these miles of solitude.
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Apr 29, 2015
Apr 29, 2015 at 3:58 PM UTC
4/29/15
torrential teardrops join pavement transforming surface to sheets of glass patient trees plants flowers quenching their thirst stray animals bemused hovering with caution only to find shelter in the rustic shed the good samaritan leaves scraps through the makings of savory soup passing cars washed in rain will sparkle come sun lounging indoors focusing through drenched windows raindrops like opals pattering on copper roof cascade as peaceful shower fairytale sound, sight and smells invite nestling with a book cup of tea and scone complete the pallet with glowing candles a sanctuary of chopin preludes surrendering to peaceful sleep.~~lorilynn copyright*lorilynn 2010
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Oct 21, 2010
Oct 21, 2010 at 9:13 PM UTC
RAIN
Today I felt the urge to fall down a flight of stairs, and when I say fall I mean,            jump,                      plummet                                    and plunge. I wanted to feel something, a pain that wasn't already carried within me. I could imagine the weightlessness I  would have felt as my body relaxed, how time would have appeared hampered as if altered by my sudden descent. That numbing pain as each step would buffet my spine and finally the  ominous silence that preludes my last breath while my misery pools around me glistening for all to see. though sadly... .             I live in a bungalow
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Aug 21, 2017
Aug 21, 2017 at 6:24 AM UTC
v̶e̶r̶t̶i̶c̶a̶l̶
In any mirrored face the homeless sees nothing shuffling from his favorite stores At night they feel their wild canine teeth Words surfacing uncollected in fragments and scratches besde underdeveloped manors in the city's growing mold and buildings separated by dust like a ream of books on the trail to the open west Noise clock, sharp chiming and unbearable soot blackness of perpetual rain pulsing faintly in a palsied flow of the oppressive heats and sounds My sister is a forgotten composer of rebellion given only the courage to think her words will merely be a droning cello's moans and preludes unsettled and old Without authority someone might hear her centuries too late when few will give her a wait or wax cylinder of words no better than it's tremorless indentations unseen by the eyes and ears The days of crystalized quartz and effeminate handshakes and kisses vacant gestures and the beautiful view of the destitue on a warm spring morning in the park
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Oct 20, 2011
Oct 20, 2011 at 1:23 PM UTC
Composer of Rebellion
what have i to do with these grips, these squared, white knuckles holding tight to handle bars? what have i to do with these empty stares, eyes void of truth? these "fill-in-the-bubble, A B or C, music only reaches the ears" types of humans attempting to tell me how to carry out my existence, attempting to tell me the most efficient practical mindless ways to die? attempting to tell me to show me the most rewarding ways to die. what have i to do with these sculptors who try and quantify the rain, who try and evaporate the sun? what have i to do with these ideas of perfection, of what is best? these assumptions of false fulfillment, these preludes to orderly, institutionalized chaos and contempt? what have i to do with all of these cardboard boxes which cannot differentiate between being filled empty open closed soft rough dry loved? what have i to do with those who cannot detect their own storms, their own energy waiting to explode? what have i to do with one shade of blue? what have i to do with feet that cannot move, knees that cannot bend? what have i to do with white houses black cars trimmed bushes a front porch? what have i to do with stationary? what have i to do with these wings unless they are free to flutter? what have i to do with structure with corners with average with plain? what have i to do with boredom with settling with insignificant breath? what have i to do with waste? what have i to do with waste.
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May 31, 2014
May 31, 2014 at 12:09 AM UTC
leave me out
Space to make change an indelible part of life Encourage the stagnant side to enliven its speech Flourishes of energy folding in on one another Pecking, their beaks marking time with biting tongues Sqeamish reminders of circus clowns vying for laughs Staring eyes and red painted smiles freakishly scaring The innocent rosy cheeked wondrous audience Clapping the skin from their fingers while querelous Adults sit bored hoping to borrow a new time zone Spot checking the interest of those encroaching their space Space to make change an indelible part of life To fool the viewer of the showcased goods before their Sell by date, when holding onto stagnation pales the hand of change Quell the nausea that preludes sickness leaving that vile taste Rancour alongside a grinning mass of stained teeth borrows Sweating it out with flailing words of ignorant abandonment Scorching hot tears racing one another, dripping from lowered Eyelashes, coaxing the seeping colour coated debris to release To wash away the dirt, leaving streaks of diluted aftermath Space to make chnage an indelible part of life
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Aug 19, 2012
Aug 19, 2012 at 5:37 PM UTC
Space to make change an indelible part of life
Look at the stars Spinning, coursing lightweight    Through the blackness, Like ice-coated spiders Floating gentle, softly interweaving Cloud and hovering nearly near enough To be captured by your tiny hands. It seems all so easy To stay here mentally forever. Look at the stars Drifting magnetically, childlike In their path. Lost and dreamy, An image separated from a cause; Heavenly blessings as they drop close enough To kiss the roses, Breezily hoping to rest frozen 'Neath the nest of your tired skin; Lazily watching the night transition As others must've all those nights before-- When you were too busy to pay them any mind. These stars map a codex that laughs at you While you're fixed to the ground and forced to look            beautiful. These stars sing of the dead. Muses without a voice Or lives to any longer be lead. The stars dream Silently of you, patiently nibbling at your breath, Looking forward to the day they can absorb your             smiling teeth. The stars hold your spirit and you theirs, Both constant and unremarkabley dull-- The stars did not ask to be beautiful, We made them that way. The stars And you are one, in as much a way as polar opposites Can be one. You and the stars, making your fates as you go along... You and the stars: unintentional twin sisters left astray. You and the stars: two blind men unravelling an exquiste corpse. You and the stars: two pawns beating helpless in awe of their sojourn. You and the stars: complimenting the other like sand does glass. You and the stars: in awe of each other and the rainwater that preludes The moment. You are the stars, you are the dreamer, you are the observer, You are the life that has been given life in order to give it back Sing softly now and lullaby the stars asleep, Like the son does after growing old for his dying mother, Like the summer leaves do when their boughs start to snap. Sing softly for the stars that remind you of whence Once you were nothing But a hypnotised lantern Wandering the endless black. You and the stars, connect them even when they appear as aimless   anxious dots. Form a shape out of the stars; encarve And embody the flesh of your own constellation.
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Nov 14, 2019
Nov 14, 2019 at 11:43 PM UTC
A moment in nightshade
Look at the stars Spinning, coursing lightweight    Through the blackness, Like ice-coated spiders Floating gentle, softly interweaving Cloud and hovering nearly near enough To be captured by your tiny hands. It seems all so easy To stay here mentally forever. Look at the stars Drifting magnetically, childlike In their path. Lost and dreamy, An image separated from a cause; Heavenly blessings as they drop close enough To kiss the roses, Breezily hoping to rest frozen 'Neath the nest of your tired skin; Lazily watching the night transition As others must've all those nights before-- When you were too busy to pay them any mind. These stars map a codex that laughs at you While you're fixed to the ground and forced to look            beautiful. These stars sing of the dead. Muses without a voice Or lives to any longer be lead. The stars dream Silently of you, patiently nibbling at your breath, Looking forward to the day they can absorb your             smiling teeth. The stars hold your spirit and you theirs, Both constant and unremarkabley dull-- The stars did not ask to be beautiful, We made them that way. The stars And you are one, in as much a way as polar opposites Can be one. You and the stars, making your fates as you go along... You and the stars: unintentional twin sisters left astray. You and the stars: two blind men unravelling an exquiste corpse. You and the stars: two pawns beating helpless in awe of their sojourn. You and the stars: complimenting the other like sand does glass. You and the stars: in awe of each other and the rainwater that preludes The moment. You are the stars, you are the dreamer, you are the observer, You are the life that has been given life in order to give it back Sing softly now and lullaby the stars asleep, Like the son does after growing old for his dying mother, Like the summer leaves do when their boughs start to snap. Sing softly for the stars that remind you of whence Once you were nothing But a hypnotised lantern Wandering the endless black. You and the stars, connect them even when they appear as aimless   anxious dots. Form a shape out of the stars; encarve And embody the flesh of your own constellation.
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56
aldous huxley told me twice, 'that men do not learn very much from the lessons of history is the most important of all the lessons of history,' both times i put my pen to the page and re-read what he had said until i thought i understood today i watched big fish and thought of spectre longer than i probably should have, where is it that i arrived before the road was paved to bring me there? when will i return? i know i don't need to figure out timing because that's what fate's for, but with a wild wandering mind it's difficult to detract senseless what-if's from buzzing about in my brain tonight i delete excess and make plans to live a life that doesn't declare ignorance of what preludes each step taken, tonight i find sollace in full moons and figure if there's anything i've learned thus far, it's just as aldous said, live life as if you've learned something
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Jun 24, 2013
Jun 24, 2013 at 12:49 AM UTC
lessons
The riders come on horseback strange The days are coming; soon will change The four horsemen that come in night One pale, one dark, one red, one white And each will bring a plague derange Now listen well and preludes hear The coming of the horsemen’s near The blood of God, our only hope The riders come… The first is white and wields a bow The second, red, is war we know The third is black and steals our food The last is pale and kills our brood Each plague when comes will bring us woe The riders come…
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Feb 2, 2012
Feb 2, 2012 at 2:41 PM UTC
The riders come. . .
I was once a classically trained pianist: My nails cut weekly down to the bit and internal tongue *ta-ta-ta-ta, ta-tee-tee ta-ta, tom* tuned to the metronome. Daily hours meant: bent stick straight up scales and etudes then sonatas and scherzos and waltzes and nocturnes and preludes and arias and movements memorized by fingers that knew the way and weight of adjusted arms. What is the value of a wrong note alone or amongst many, of memory incapable and fingers fallible?
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Oct 5, 2016
Oct 5, 2016 at 1:24 PM UTC
I was once a classically trained pianist
give away a smile pass on a hug or two always keep close the ones who mean most and dearest to you for they may never express the hurt in their chest and they may suffer in silence until darkness preludes
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Aug 12, 2014
Aug 12, 2014 at 11:07 AM UTC
recognize it
There are too many factors to be remembered, In each second we are fragmented in so many ways. There are too many mouths to feed when supplies aren't endless. Some lose their voice if they are to be ignored. This is a final call for freedom from memory. The past is simple in a song, go ahead and live any aspect. Transcendence at its best, I love the feeling of lightness. What happened to butterflies? When nervous I only get Preludes to heart attacks. Things weigh heavy when they matter, like a matter of importance. I wish for this rigid stance to relax, For strained hands to unclasp.
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Apr 19, 2011
Apr 19, 2011 at 7:49 AM UTC
Black Forest
I The morning traffic settles down When the smell of chips create a haze By the arts block. Squawking fills the passageways And now a familiar face taps Your weary back While you are drowned by stomping feet And despite the try your mind clots; The name deletes And you’re left thinking it is Scott, While all this time his name is Pete. He didn’t hear it through the stamps And we sit lakeside by the lamps. II Morning: you arise from consciousness And faint stale smells of beer From the night on Dublin streets, A night you won’t repeat, unless The moon reclaims the lands. And of course the Paddy’s day parades, That, one naturally assumes. Just thinks of all the hands Raising pints by the spades In a thousand bright green rooms. III You stretched your arms above your head And yawned at a class you’ve never hated You dozed, and watched the screen revealing The thousand boring images Of which World War II was constituted; Their burning qualities weren’t appealing - They stung until the world went black But the light crept up between your shutters And you heard the backgrounds snobbish tutters, Despite meeting them on Grafton Street Where you exchanged drunken demands. You awoke and cringed as you were aware Of the tuft sticking up about your hair, But instead of a fix-trip, to save your feet, You covered it with your hands. IV You stared up at the flawless skies That fade behind the Newman block, Or often watched insistent feet At four and five and six o'clock, Or watched the fountain-spewing pipes, And watched the swans watch life’s disguise While you recalled wild fantasies, Of walking down a college street And opening your eyes to receive the world. And now my eyes have been unfurled And I feel like a god, a king For I have seen an infinitely mental, Infinitely wonderful thing. Wipe your hand across your mouth, and laugh; And treat the worlds like you treat the women And hopefully both will give you lots!
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Feb 14, 2011
Feb 14, 2011 at 12:37 PM UTC
Preludes to a Universe City
I The morning traffic settles down When the smell of chips create a haze By the arts block. Squawking fills the passageways And now a familiar face taps Your weary back While you are drowned by stomping feet And despite the try your mind clots; The name deletes And you’re left thinking it is Scott, While all this time his name is Pete. He didn’t hear it through the stamps And we sit lakeside by the lamps. II Morning: you arise from consciousness And faint stale smells of beer From the night on Dublin streets, A night you won’t repeat, unless The moon reclaims the lands. And of course the Paddy’s day parades, That, one naturally assumes. Just thinks of all the hands Raising pints by the spades In a thousand bright green rooms. III You stretched your arms above your head And yawned at a class you’ve never hated You dozed, and watched the screen revealing The thousand boring images Of which World War II was constituted; Their burning qualities weren’t appealing - They stung until the world went black But the light crept up between your shutters And you heard the backgrounds snobbish tutters, Despite meeting them on Grafton Street Where you exchanged drunken demands. You awoke and cringed as you were aware Of the tuft sticking up about your hair, But instead of a fix-trip, to save your feet, You covered it with your hands. IV You stared up at the flawless skies That fade behind the Newman block, Or often watched insistent feet At four and five and six o'clock, Or watched the fountain-spewing pipes, And watched the swans watch life’s disguise While you recalled wild fantasies, Of walking down a college street And opening your eyes to receive the world. And now my eyes have been unfurled And I feel like a god, a king For I have seen an infinitely mental, Infinitely wonderful thing. Wipe your hand across your mouth, and laugh; And treat the worlds like you treat the women And hopefully both will give you lots!
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