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Xanthe Dec 2014
Before I counted the notches in my skin,
There was one who started it all.
Red hair like fire and quite taller than me,
I called him my friend that's all he'd be,
Notche one doesn't have a name,
For I was merely a babe.
I grew up that day, unknowingly so,
Of love unrequited, to notches they go.
Notche two is quite a nice young man,
But unconsciously reminds of inadequacy in that I am.
Notche three is the big one,
He started the counting
And made me start doubting.
His notch draws blood of self affliction,
And brings on the punishment like an addiction.
Notch four was quite nice, a little quiet for me,
A bit quirky,  but he smelled good to me.
I played wife in hopes of reality,
But it was just my own fallacy.
Notch five one-uped everything,
And now he is dying of disease with no cure.
I had hoped to come into his life and make it more.
Now I'm not sure if I will see him anymore.
Notch six was my first love,
He makes me want to *****.
Notche seven is the one I can't get over,
He's ruined everyone else for me,
The worst part is that he'll never be mine.
Oh how I want him to be mine.
Notche eight baited me,
I thought I had a catch.
But his hand was down another girl's pants.
Notch nine is the freshest,
But my feelings are in repression,
For it wouldn't be fair.
Notches ten, eleven, and twelve are yet to be met,
Each are deeper as they get.
Notches and notches upon my skin,
Of love unrequited to notches they go.
Jesse Sep 2012
******* the notches on grandfather's pistol
Black birds in the blood sunset
Oh, sad American night
All heroes die in the end
Logan Robertson Jul 2018
there's a fisherman down by the sea
sitting on the wharf
watching the sun sink into the western sky
a frown frames his house
he looks out the window
at his pole, gear
and especially that of his net
emptiness
metaphors that weigh on him
uprooting his garden
a garden of no delight
one lonely row of forget me not
and regret
all wilting
his foundation
lost
never found or realized
he pauses
runs his hand over his pole
like a belt without any notches
his grip slipping into the abyss
as the last of the orange
sinks
bleeds also
at where the sea  meets the sky
where his day slowly turns to night
somewhere out there he sees his image
in nature's mirror
at his crossroads
for deeply
and some may say shallowly
he looks onto the sea one last time
and he means what he says
and throws his fishing gear in
tears welling in his eye
as he watches his teddybear sink
lips gurgling
seemingly asking why
... why
he answers back
there were no fish or bites
in his lonely sea
or wind at his back
... there
his window opens wider
the sea not singing or dancing
he sees the ambient light
correlations
... here

Logan Robertson

7/06/2018
If one reads between the lines the poem reads like a eulogy with a
harbinger to come.
Jonny Angel Mar 2014
Ross was good,
Part-Choctaw, Part-Saskatchewan,
he'd sniff the air for his direction,
could spot a pebble out of place,
understand broken twigs.

He loved to work at night,
backtracking was a skill,
garroting his specialty,
he had fourteen dings.

Part-Celt, Part-Heinz-57
I understood similar things,
my notches stand
at just under ten.
Scott Hamsun Jan 2017
Michael Louviere was a man of the people,
Who held in his hand a book of the law,
And outside his belt a gun for his safety,
But never would he have used it for ******,
I'm told he helped many but never killed any,
But Sylvester Holt did not believe it,
He said the actions of one create a whole guilty people,
And he took the matters into his own  hands,
And killed poor young Michael for serving his people.


So I'm sorry young man, you been born with white skin,
In a world with the permissions to ****** and to maim,
But just to have freedom depends on your name,
But if you think its good I suppose ill let you,
Work for a cause that is just out to get you,
And keeping in line with the others before him,
Sylvester took the bait and the hook nearly gored him,
But the worm could've lived it was just his misfortune.


Sylvester laid down with a bullet in his chest,
And the gun in his hand had a burning hot barrel,
He assumed death was better than life and life only,
But in his last second he pulled out a small knife,
And cut in his gun small violent furrow,
It was then that he realized this all wasn't worth it,
He saw those two notches and handed himself in,
To a lifetime of no pain and and unwoken rest.
Katlyn Orthman Sep 2012
Valor Gates poured her younger siblings cereal, they sat at their broken kitchen table.  The cereal was stale and she wasnt sure if the milk was spoiled.  Her anxiety was through the roof, her mother hadn't come home last night.  It wasnt anything new, her mom was a drug addict, she would go out to the club and not come home, sometimes not even for days.  She wouldnt call, or text to let Valor know she was okay, or where she was.  She couldn't even call the police the times she went missing for days, because she knew they would call child services, and they would take the twins from her.  Angela Gates was the typical ****** mom, got pregnant at sixteen, she had no way to support a child except through her now ex boyfriend Charles,who she had cheated on, hence Valor.  Charles had sacrificed his teen years to try and raise Valor, he'd been a father to her, and she loved him for it.  He left six years ago, a little bit before the twins were born, they also weren't his.  Valor at ten years old had taken on the mother roll when the twins were born. She'd even named them, Andrew and Abigail.  She thought of them as her own.  She taught them how to read, she'd taught herself to read.  She taught them how to tie their ripped hand down shoes, she hadn't learned tell she was eight.  She taught them how to ride a bike, she didn't know how.  She taught them how to swim, she'd never been to a lake or a pool before that.  Valor went to school part time, then skipped the rest of the day to go to her job at the hardware store.  She got payed minimum wage, her paycheck went to the bills, and the small portion left went to the groceries.  She got the twins clothes from the shelter, or from neighbors whose kids had grown out of them.  She hadn't gotten any new clothes, or new anything since two years ago when Charles bought her some clothes and a cheap ipod for her birthday.  Those gifts had meant everything to her.  Valor sat down in the broken stool by her little brother and patted his little blonde head.  The twins were beautiful Andrew was tall for a six year old with short blonde hair and giant blue eyes.  Abigail was just as gorgeous, she already had thick hair to her tiny waist in tumbles of blonde satin, her eyes though were very different.  One was as blue as Andrews and the other was the same mossy green as Valor's.  Valor wasnt a blonde with blue eyes, she saw her self plain with thick long brown hair, and shining mossy green eyes.  She worked out to stay fit, and she didnt get to eat much in fear that the twins wouldnt get enough food.  She dug out a small cheap phone that Charles had boughten for emergencies , the small screen was blank.  Her mother hadn't stumbled into the house and to her room like always.  Valors heartbeat picked up two notches and sh could hear the blood rushing in her ears.  She had a anxeity disorder that also gave her a bit of OCD.  Her OCD was extreme cleaning.  Everything had to be neat, she thought it was because her life was in such disaray that the one mess she did have control of had to be perfectly in place.  
She debated weather she should call Charles and ask if he'd seen her.
the start of a book im going to try to finish, good job if you read the whole thing :)
I tied together
a few slender reeds, cut
notches to breathe across and made
such music you stood
shock still and then

followed as I wandered growing
moment by moment
slant-eyes and shaggy, my feet
slamming over the rocks, growing
hard as horn, and there

you were behind me, drowning
in the music, letting
the silver clasps out of your hair,
hurrying, taking off
your clothes.

I can't remember
where this happened but I think
it was late summer when everything
is full of fire and rounding to fruition
and whatever doesn't,
or resists,
must lie like a field of dark water under
the pulling moon,
tossing and tossing.

In the brutal elegance of cities
I have walked down
the halls of hotels

and heard this music behind
shut doors.

Do you think the heart
is accountable? Do you think the body
any more than a branch
of the honey locust tree,

hunting water,
hunching toward the sun,
shivering, when it feels
that good, into
white blossoms?

Or do you think there is a kind
of music, a certain strand
that lights up the otherwise
blunt wilderness of the body -
a furious
and unaccountable selectivity?

Ah well, anyway, whether or not
it was late summer, or even
in our part of the world, it is all
only a dream, I did not
turn into the lithe goat god. Nor did you come running
like that.

Did you?
Jonathan Surname Aug 2018
Thread knuckles into notches of your spine,
you were mine.
Held down as carotid fought hard,
to keep open your eye.
Staring vivid as clouds overtook.
I can taste you through your musk,
hear the quivering in your thigh.

Stomach acids crawled into your nose,
and petals bloom. Belly aflame,
throat bleat with each beat.
As vision tunneled from expanse
to pinhole spindle of our room.
Bared teeth like a wild animal,
eyes wide with excitement.

If you could breathe a word your smile soon'd fade.
Porcelain comtesse *** undress with maroon'd face.
Edna Sweetlove Feb 2015
Wee Angus McSporran, the world's most accurate marksman, is deployed  to Afghanistan and Iraq as a ****** in the Royal Scots Guards. In spite of his diminutive stature (4ft 8in), we see him skilfully shooting men, women and children by the score, convinced they are terrorists and a threat to our freedoms in the West. He becomes emotionally involved with the gigantic ginger-haired Pipe Sergeant-Major **** McKnob, the loudest piper in the British Army and a famous poofter. We see Angus and **** in some of the most explicit ******* love scenes ever shown in a mainstream movie (tastefully filmed in soft focus and sponsored by KY-Jelly).

When **** is blown to smithereens by a roadside bomb planted by American freelancers in order to implicate the Taliban, Wee Angus goes into deep depression and becomes obsessed with his skill as a ******, often shooting "allied" soldiers in so-called "blue on blue" friendly fire. After each shooting we see the image of the ghostly dead Sergeant-Major appear as in a dream, his kilt a-swirl and his pipes wailing a tragic dirge in scenes reminiscent of Braveheart.

When Wee Angus triumphantly notches up his 500th **** (including over 75 US military personnel and several important Afghan politicians), the British government decide it is time to withdraw him from active service. In order to gain patriotic press coverage in the run-up to a General Election in Britain, it is agreed that Wee Angus shall be awarded the Victoria Cross by HM the Queen.

We see Wee Angus, in full regimental uniform, marching up the Mall to Buckingham Palace to receive his medal, his telescopic-sighted ******'s rifle looming heavily on his childlike shoulder, being cheered on by crowds of thousands of wellwishers. Tragically, when he is crossing the road in front of the Palace, he does not hear a new environmentally friendly eco-diesel double-decker London Transport bus approaching (his hearing has been seriously impaired by the noise of battle) and he is mown down, his scream being amplified to eardrum-splitting levels of horror. The camera lingers lovingly on his crushed body and we see scenes of unimaginable grief in the crowds who have taken Wee Angus to their hearts. His lover, the strapping Pipe Sergeant-Major **** McKnob, appears as an angel and weeps by Wee Angus's squashed corpse.

In the final scene, reminiscent of the closing minutes of Slumdog Millionaire, the massed marching pipe bands of the Assembled Scots, Irish and Welsh Guards appear as if by magic and the entire crowd cast all inhibitions to the wind and indulge in a life-enhancing Highland Dance and Ceili around the Victoria Memorial facing Buckingham Palace. The film ends with a heart-breaking shot of the Queen coming out on the balcony in front of the Palace and having a fatal heart attack with the shock of what she sees before her. Prince Charles is seen gleefully rubbing his hands together in the background: at long last, he is King! *(end titles shown over a shot of him groping Camilla's naked sagging ****)
This is the first in my new series of Film Scripts for the 21st Century.
Cedric McClester Feb 2016
By : Cedric McClester

I remember those games
That we used to play
I remember them all
Like it was yesterday
One two three red light
First you ran then stayed
You either won or lost
By the mistakes you made

Boys played rough games
Girls Hopscotch and Jacks
Until they both discovered
That opposites attract
Then the boys couldn’t wait
To get the girls on their backs
To get notches on their belts
For their number of sacks

I remember games like
Hot Beans and Butter
How you’d say it three times
Like you had a stutter
I remember when I put
Those games away
And I recall the new ones
That I learned to play

Boys played rough games
Girls Hopscotch and Jacks
Until they both discovered
That opposites attract
Then the boys couldn’t wait
To get the girls on their backs
To get notches on their belts
For their number of sacks

I remember them all
I remember their names
See we all grew up
And learned different games
For different rewards
We had different aims
But that’s how it is
For guys and dames

I’m a little bit older
But my soldier is *****
And as it gets bigger
It’s easier to detect
And the girls I approach
Often lose their self-respect
When the third drink goes down
But hey what the heck

The boys played rough games
Girls hopscotch and Jacks
Until they both discovered
That opposites attract
Then the boys couldn’t wait
To get the girls on their backs
And get notches on their belts
For their number of sacks
Juliana Dec 2014
Are you sound of mind?
Addicted to dandelions
like the ocean is to ice.
Wait outside the blood bank,
learn how to write dialogue
and make saccharin spines.

My journal is a tangle of spines,
keep an open mind
help me box up my ****** dialogue.
I’ve always been a fan of dandelions
etching paths along the river bank,
streams within the winter ice.

Buckets of camphor ice
relax the notches in spines
as we wait in line at the food bank.
Thoughts of jawbones on my mind,
the taste of dandelions
and organized pre-scripted dialogue.

Backhanded blue dialogue,
counting the vanilla crystals of ice
blowing the smell of cinnamon into floating dandelions.
My hands handle happiness spines
with the peace of mind
of money in the piggy bank.

Let's rob a bank
shooting quiet malleable dialogue
through an altered state of mind.
Your ribs are two sheets of ice
ivy wrapping around our intertwined spines
crumbly blowing breaths of dandelions.

Second hand dandelions
build up in the river bank
muddy trenches around spines
whisper outspoken blue green dialogue.
Three pounds of dry ice,
warm water vapour at the back of my mind

Store buy your dandelions, bear in mind
that the West Bank is covered in ice
and that spines speak their own muted dialogue.
sestina series continues, one left
Up from the ground did its trunk shoot,
Anchored deep by its twisted roots,
Spreading out its branches went,
Bending down with their leaf and flowered blossom scent.

Its old rugged bark clothed its wood,
There for 250 years the old tree stood,
Near the path walking way,
Where the local people would walk each day.

Down upon the old tree seen,
Against its bark the sunlight would gleam,
Except in its notches and crevice marks,
That covered portions of its bark.

How its branches in the wind did sway,
As some of its blossoms upon the breeze did sail away,
When at that moment heard the tree,
The voice of the wind softly speak.

Have you ever seen such beauty as she?
Whistled the wind to the Cherry Tree,
See the beautiful maiden below…
Wrapped in thou blossoms that you have grown?

Tell me tree… is it not so…
That thou blossom beauty comes and goes?
Yet among you is a blossom I do see,
That loses not its enchanted beauty.

The tree looked upon Libby then said to the air…
Indeed - beautiful is the maiden standing there,
Oh yes… she has bloomed into a special piece,
A truly molded masterpiece.

And it is true… her beauty stays,
Not carried off by you the wind… or damaged by the hot sun rays,
Her beauty that she does maintain,
Is neither damaged by the insects nor washed away by the rain.

How I do wish… said the cherry tree,
That this one blossom would stay with me,
Yet sadly the tree said… “I Know
Like all the other blossoms… this one too must go.”

For a gentle breeze shall come along…
And sweep her off her feet… carrying her along,
For such a beautiful blossom… with a precious heart display,
Is bound to be picked… and carried away.

For beauty such as hers… is rarely seen,
It comes but once in a lifetime… as it always seems to be,
Then the tree asked the wind… “What’s the name of the blossom that grows?
The one that we speak of… that stands below?”

Then the wind gazing down,
At the blossom standing on the ground,
Then said softly to the cherry tree…
“They call this blossom… Liberata Marinilli.”
Some people get the privilege to meet others that they can truly testify... are the most rarest and beautiful individuals that God ever etched with His hand and then placed on earth. And that God must exist, Because there would be no other explanation good enough to give reason to the existence of such beauty... other than to be formed by a creator, so that He may delight in gazing upon it.  Joseph D. R-H Palmateer
Lea Anne Mousso May 2014
I'm sickened
And saddened

It pains me to look
At all of the people
Old and young
Happy and sad
Skinny and fat

To see them and know
They are
Or were
Nothing more than
A notch
On some other's belt

That pretty girl
A notch

That lonely old man on the
Park bench
A notch

Your mother, my father
Notches

Your future child
A future notch

We're all just
Playthings
At another's expense.
Amanda Stoddard Jan 2015
My father was always one notch on his bedpost close to hypocrisy
and my mother was a couple notches shy of getting there-
she never dabbled in multiracial relationships like my father did.
You see when I was growing up
I had a crush on the little mixed boy down the street
and I was afraid of telling anybody
but it wasn't because of his skin-
but because ew, feelings. Right?
I never saw just black and white,
skin color was never a forefront
it was all just background noise-
to me it was all just gray.
There's no handbook about who you connect with
and there's no color scheme that's gonna show you who to trust.
I realized that because before I had a boyfriend
No black people where allowed at my house
not because they didn't want me hanging out with black people-
but because they were afraid I would end up with one.
Segregation was my father's second nature
and I would like to blame it on the era he was born-
even though I'm really not so sure.
And now that I have a boyfriend everything is fine...
It's like in their mind the more melanin the more sin
I'm sorry father and mother but there is no color coordination
to this thing we call life-
I never grew up afraid of colors because I loved rainbow-
I never grew up scared of the skin that wasn't like mine
just because of all the stories these white folks like to tell-
But the funny thing is
it was a white male, and a white female that molested me....
And my parents probably would've warned me
about the mixed boy down the street-
so really? who should we be afraid of?

Everyone. Equally.
This is just a little something for my poetry open mic tonight, it's a little rough but I'm trying to support equality with my own personal experiences. Love to all.
Adellebee Apr 2015
Make up, on silk clothes
And those crazy one stand offs
And the times of soggy sandwhiches
And the years in our hair,
Could have been the tears from our tongues

The thing that conquers me the most
Is the things we cannot achieve,
The notches in and under our sleeves
The nights we conceive, the things we never need
The winds and the trees,
Its time to remember, nights like these
You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;
Seemingly tired of all the frisky breezes,
They carp at every gust that stirs them up.
At one side of my house a big wheelbarrow
Is rusting; and before me lies the vast
Horizon, all its notches filled with ocean blue;
***** and hens spread their gildings, and converse
Beneath my window; and the rooftop attics,
Now and then, toss me songs in dialect.
In my lane dwells a patriarchal rope-maker;
The old man makes his wheel run loud, and goes
Retrograde, hemp wreathed tightly round the midriff.
I like these waters where the wild gale scuds;
All day the country tempts me to go strolling;
The little village urchins, book in hand,
Envy me, at the schoolmaster's (my lodging),
As a big schoolboy sneaking a day off.
The air is pure, the sky smiles; there's a constant
Soft noise of children spelling things aloud.
The waters flow; a linnet flies; and I say: "Thank you!
Thank you, Almighty God!"--So, then, I live:
Peacefully, hour by hour, with little fuss, I shed
My days, and think of you, my lady fair!
I hear the children chattering; and I see, at times,
Sailing across the high seas in its pride,
Over the gables of the tranquil village,
Some winged ship which is traveling far away,
Flying across the ocean, hounded by all the winds.
Lately it slept in port beside the quay.
Nothing has kept it from the jealous sea-surge:
No tears of relatives, nor fears of wives,
Nor reefs dimly reflected in the waters,
Nor importunity of sinister birds.
Steve D'Beard Jul 2014
One is seemingly more impressed
by the less endowed or blessed
when somewhat incapacitated
and borderline inebriated;
the monstrous unconscious
disregards the likelihood
of fathomless undergarments
in other dubious departments.

Disregard the random blotches
or the involuntary discharges
instead revel in model tonsils
and almond shaped parcels
the comets of multi-notches
like a strange attraction
for disheveled carpets.

The blossoms of toxins
a libation ensemble
almost near horizontal
each movement a bent nozzle
like a prehistoric Narwhal
dancing like a jackhammer
with the elegance of a cement mixer
a broken leaking fissure
seeping vapid glamour
and indecipherable grammar.

The paraphrased clichés
and communiques of praise
like lost prophets put on display
caught in the ricochet of overplay
making an exit with the grace
of a stumbling ballet
down a poorly-lit
nightclub passageway.

Ultimately this can only lead to
the face-plant moment-of-tomorrow
the flooded memory of the-night-before
feeling utterly spent
hungover and hollow
with ill conceived consent.

The: Oh. My. God!
The: He/She is still here,
what do I say?
Hoping inexorably
they would just get up
and silently fade away.

Beer Goggles:
remember to drink sensibly,
or run the risk of
nasty STD's
or unwanted pregnancy
or breathless infidelity
or reckless insincerity
or if you're really lucky,
just another
session in therapy.
blankpoems Aug 2013
If I thought I was losing you I wouldn't beg you to stay
I'd say that when you breathe, I see stars because I imagine your heart inside your body pumping blood
to your veins and your lungs expanding and letting go and all I can think of is how I never want to be your lungs
because I could never let go of your air.

I'd tell you that your eyes put the northern lights to shame.
That I've been everywhere and nowhere feels more at home than
sitting on the curb of a street in a city I don't know with you by my side.

If I thought I was losing you I would tell you that I'm not one
for love poems, but the sound of you saying my name is enough to make me think of red roses and blue violets.
And that when you touch me the roses are blue and the violets are red
and everything painful inside my head doesn't matter.

If I thought you were going to leave I wouldn't ask you to stay,
I'd tell you that every word that comes from your mouth leaves me breathless;
That there are little caves in your body and I picked a temporary home in your larynx
so you could always feel me in the words you're nervous to say.

I'd let you know that my whole life I've been searching for myself,
and amidst the shadows I found your bright eyes, and I lost my senses there...
and found them as well.

I want to tell you that all I need is you and a record player.
That music runs through my veins, and right next to Every Grain of Sand
and my love for Bob Dylan, you're there.
Shining through my bloodstream, leading the way to my heart.

If I thought I was losing you, I wouldn't beg you to stay.
I'd say that you're the best and worst thing that has ever happened to my poetry.
That I find metaphors in the notches of your spine,
that I play them like a piano.
And most of all, above all these things,
I'd say darling don't go, I'll miss you.
There was a shooting in Redstone
Only one man dead, none hurt
He was found dead in the morning
With just one hole right through his shirt

He was lying in the main street
Face down, right there in the dirt
He was found dead in the morning
With just one hole right through his shirt

I'T WASN'T SUPPOSED TO END LIKE THIS
FACE DOWN HERE, IN THE STREET
I'M A GUNFIGHTER OF MUCH RENOWN
I'M JUST A GUN WHO CAN'T BE BEAT
I'M NOT SUPPOSED TO BE HERE
LYING DEAD, SHOT IN THE BACK
I WAS GUNNED DOWN BY A COWARD
I DIDN'T HEAR THE GUNSHOT CRACK

The crowd had formed around him
Lying there, all hard and cold
No witnessess to the shooting
At least not one so bold

They knew him from his weapon
The sixteen notches on the grip
He came in on the Flyer
He won't be on the return trip

I'T WASN'T SUPPOSED TO END LIKE THIS
FACE DOWN HERE, IN THE STREET
I'M A GUNFIGHTER OF MUCH RENOWN
I'M JUST A GUN WHO CAN'T BE BEAT
I'M NOT SUPPOSED TO BE HERE
LYING DEAD, SHOT IN THE BACK
I WAS GUNNED DOWN BY A COWARD
I DIDN'T HEAR THE GUNSHOT CRACK

He was staying at The Belfry
He only brought one bag to town
No one knew why he had come here
Except to shoot somebody down

The papers ran the story
The next morning in THE SUN
They ran a picture and a story
Of the "Man With The Pearl Gun"

I'T WASN'T SUPPOSED TO END LIKE THIS
FACE DOWN HERE, IN THE STREET
I'M A GUNFIGHTER OF MUCH RENOWN
I'M JUST A GUN WHO CAN'T BE BEAT
I'M NOT SUPPOSED TO BE HERE
LYING DEAD, SHOT IN THE BACK
I WAS GUNNED DOWN BY A COWARD
I DIDN'T HEAR THE GUNSHOT CRACK

The story was quite lengthy
Considering no one saw him shot
But, as usual there was someone
Who had a story to be bought

He'd been shot from an end window
Above the Local Mercantile Store
One bullet from a rifle
And the gunman was no more

I'T WASN'T SUPPOSED TO END LIKE THIS
FACE DOWN HERE, IN THE STREET
I'M A GUNFIGHTER OF MUCH RENOWN
I'M JUST A GUN WHO CAN'T BE BEAT
I'M NOT SUPPOSED TO BE HERE
LYING DEAD, SHOT IN THE BACK
I WAS GUNNED DOWN BY A COWARD
I DIDN'T HEAR THE GUNSHOT CRACK

Turns out the gunman's killer
Was the one he'd come to find
The shooter was the killer's child
The only son, he'd left behind

They never met before this
He'd never ever met his Dad
But, The Gunman came to find him
And in the end, it's kind of sad

I'T WASN'T SUPPOSED TO END LIKE THIS
FACE DOWN HERE, IN THE STREET
I'M A GUNFIGHTER OF MUCH RENOWN
I'M JUST A GUN WHO CAN'T BE BEAT
I'M NOT SUPPOSED TO BE HERE
LYING DEAD, SHOT BY MY SON
I WAS GUNNED DOWN WITHOUT KNOWING
I GUESS HE'S NOW THE WANTED GUN.
Clay Feet Jan 2015
Ahoy Captain Courageous!
Cleave not thy ship from soul
Past heaving swell through
Stormy sleet this spellbinding
Siren to seek.

Away thee, Ahab! More than
Whale, this mistress heaps
Thy spirit to take thee
Deep ‘neath sandy shoal.
She sings... clings... captures.

Pour over rocks
Impudent-*** officer
Soon torn and tattered.
You know better than
Fools before thee!

Yea!
Your liquor lapses
Dead man dreaming!
Admirals and angels
Have fallen
Afore thee… oh wise one,

Ha!
Like notches on a barrel
Your soul… she’ll tow on her tale.
Boding for Ahab
Jim Sularz Jul 2012
© 2011 (by Jim Sularz)
(The true tale of Frank Eaton – “Pistol Pete”)

At the headwaters of the Red Woods branch,
near a gentle ***** on a dusty trail.
On an iron gate, at the Twin Mounds cemetery,
a bouquet of dry sunflowers flail.

In a grave, still stirs, is a father’s heart,
that beats now to avenge his death.
Six times, murdered by cold blooded killers,
six men branded for a son’s revenge ….

Rye whiskey and cards, they rode fast and hard,
the four Campseys and the Ferbers.
With malicious intent, they were all Hell bent
to commit a loving father’s ******.

When the gunsmoke had cleared, all their faces were seared,
in the bleeding soul of a grieving son.
Ain’t nothin’ worse, than a father’s curse,
to fill a boy with brimstone and Hell fire!

Young Eaton yearned and soon would learn,
the fine art of slinging lead.
Why, he could shoot the wings off a buzzin’ horsefly,
from twenty paces, lickety split!

Slightly crossed eyed, Frank had a hog-killin’ time,
at a Fort Gibson shootin’ match.
Upside down, straight-on and leanin’ backwards,
he out-shot every expert in pistol class.

By day’s end when the scores were tallied,
Frank meant to prove at that shootin’ meet.
That he would claim the name of the truest gun,
and they dubbed him - “Pistol Pete.”

In fact, Pistol Pete was half boy, half bloodhound,
a wild-cat with two 45’s strapped on.
In District Cooweescoowee - bar none,
he was the fastest shot around!

Pistol Pete knew his dreaded duty had now arrived,
to hunt down those who killed his Pa.
He vowed those varmints would never see,
a necktie party, a court of law.

Where a man is known by his buckskin totem,
in hallowed Cherokee land.
There, frontier justice and Native pride,
help deal a swift and heavy hand.

Pete was quick on the trail of a killer,
just south of Webber’s Falls.
Shannon Champsey was a cattle rustler,
a horse thief, and a scurvy dog!

Pete ponied up and held his shot,
to let Shannon first make a move.
The next time he’d blinked, would be Shannon’s last,
to Hell he’d make his home.

With snarlin’ teeth and spittin’ venom,
Pete struck fast like a rattlesnake.
Two bullets to the chest in rapid fire,
was Shannon’s last breath he’d partake.

Pete galloped away, hot on the next trail,
left Shannon there for a vulture's meal.
Notched his guns, below a moon chasing sun,
and one wound to his soul congealed.

There’s a saying out West, know by gunslingers best,
that’ll deep six you in a knotty pine casket.
One you should never forget, lest you end up stone dead,
“There’s always a man – just a shade faster.”

Doc Ferber was next to feel Pete’s hot lead,
“Fill your hand, you *******!”
With little remorse, Pete shot him clear off his horse,
left him gunned down in a shallow ditch.

After getting reports, Pete headed North,
to where John Ferber hunkered down.
A Missouri corner, in McDonald County,
filled with Bible thumpers in a sinner’s town.

Pete rode five hundred miles to shoot that snake,
with two notches, he welcomed a third.
He carried his cursed ball and chains,
to **** a man, he swore with words.

But John Ferber was plastered, and he didn’t quite master,
deuces wild, soiled doves and hard drinkin’.
Someone else would beat Pete, the day before they’d meet,
sending John slingin’ hash in Hell’s kitchen.

There’s a night rider without a father,
under a curse to settle a score.
In all, six murderous desperados,
Three men dead - now, three men more ….

Pistol Pete was now pushin’ seventeen,
just a young pup, but no tenderfoot.
With two men in the lead, he was quick on his steed,
to **** two brothers who killed his kin.

Pete rode up to their fence, with a friendly countenance,
spoke with Jonce Campsey, but asked for Jim.
“There’s a message from Doc, that you both need to hear,”
Pete readied his hands – both guns were cocked!

Pete continued in discourse, and got off his horse.
all the while in an act of pretense.
Jim came to the door and Pete read them the score,
and shot them both dead in self-defense.

With the help of the law, they verified Pete’s call,
then gathered any loot they found.
Laid Jim and Jonce out, in their rustic log house,
and burnt them both and the house to the ground.

Might have seemed kind of callous, but weren’t done in malice,
that those boys were burnt instead of swingin’.
They just sent them to Hell, sizzlin’ medium well,
besides, it “saved them a lot of diggin’.”

There was one man to go, he’d be the last to know,
that a hex is an awful thing.
That a young boy would grow, with a curse in tow,
to **** a man, was still a sin.

Pete garnered his will, with the best of his skills,
to take on the last of the Campsey brothers.
It would be three to one, Wiley and two paid guns,
Pete knew his odds were slim and he shuddered.

At nearly twenty-one, Pete knew he may have out-run,
his luck as the fastest gun.
This would be the ultimate test of his shootin’ finesse,
only a fool would stay to be outgunned.

But Pistol Pete weren’t no liver lilly,
and he loaded up his 45’s.
He rode into town with steely nerves,
maybe no one, would come out alive!

Pete knocked through that swingin’ bar-room door,
Wiley stood there with a possum eating grin.
He said, “Hey there kid, who the Hell are you?”
and Pete shouted, “Frank Eaton! You killed my kin!”

All four men drew quick, with guns a’ blazing,
Wiley got plugged first from two 45’s.
The bar-room crowd dispersed in a wild stampede,
everywhere, ricochetin’ slugs whizzed by!

When the shootin’ had stopped, there was just one man standin’
all four men got plugged, includin’ Pete.
But only a shot-up boy rode out of town that day,
and a Father’s curse, that played out complete –
was a bitter mistress to bury….

At the headwaters of the Red Woods Branch,
near a gentle ***** on a dusty trail.
On an iron gate, at the Twin Mounds cemetery,
a bouquet of morning glories flail.

In a grave, still deep, is a father’s heart,
that lays quiet in a peaceful sleep.
And six men dead, who now burn instead,
compliments of Pistol Pete!
This is another one of my Historical poems.   A true story about Frank Eaton, an eight year old, who witnessed the shooting death of his father.    Frank Eaton was encouraged to avenge his father's death and by the time he was 15 years old, he learned to handle a gun without equal in Oklahoma territory.   You can read about this man by obtaining a copy of his book  -  "Veteran of the Old West - Pistol Pete (1952).   Born in 1860, he lived to be nearly 98 years old.   My poem describes the events surrounding Pistol Pete hunting down the outlaws that killed his father.    I hope you enjoy the story.

Jim Sularz
Bailey Lewis Apr 2015
She didn’t believe him
When he called her
Beautiful
She didn’t mind
That the visible notches
Of her spine
Worried him
When he ran his hands
Down her back
He could feel every connection
Wrapped tightly in sinking skin
And despite the imperfections
He still believed
That she was a masterpiece
Crafted for the world to see
You're beautiful. Always remember that.
Harsh Dec 2014
Brake, turn turn turn STOP.
Shift the gear from Drive to Neutral to Reverse to Park.
Switch off the lights, 3, 2, 1. Turn the key and pull it out.
Let go of the brakes. Move the seat back a couple notches. Lean it back a bit. Exhale.

It's 5:36 and I haven't slept all night and I should've but I regret nothing. My hoodie smells like you, I bring it closer to my face. Your scent envelops me, embraces me, kisses me lightly. I wish it was your hair that was wrapped gently around my hand, not my hoodie string. I wish it was your body I was holding close to me, not the cold air.

Sigh. Shift legs around. Stretch arms out. Rub eyes. Look out the window.

I wish I could hold you and kiss you as the sun comes up. We've ended days together often, but we have yet to witness a sunrise. I wish you were here to tell me what colors were where in the sky. I wish I could point out the fading constellations and tell you the stories behind them, while adding on to our own.

Sigh again. Straighten seat, move it up a couple notches. Open the door, check pocket for keys, lock the door.  Lean against it now. Sigh.

I'm thinking of my bed. it's cold, lonely, and it has an appalling lack of you in it. Your body isn't there to warm my bones. You're not there to hold and caress. We rested, naked in thought and partially in clothes.

Sigh once more. Close the door. Keys and hands in pockets. Walk up to the door, unlock it. Wipe feet on the mat. Shut it ever so softly (you can't be waking up Mum). Take off shoes. Sit on the stairs.

It's cold outside and in my bed and again, my bones are frigid. It's Sunday morning and I've a long day ahead of me. I've been up almost 24 hours but I can't seem to sleep: I'm going through withdrawal now, the ecstasy that is your touch now an hour old. I miss you.

Sigh for the last time. Get up, stretch out a bit, get off the stairs.*

I shuffle off towards the kitchen and make myself some coffee. Strong, bold, and sharp. I wish it was your lips that I tasted at 6:43, accentuating my senses and jolting me awake.

Mug in the sink and sugar in the cupboard, milk and cream in the fridge. Up the stairs, right to the bathroom. Strip. Shower on.

The water runs down me and I wish once again that it was your body pressed up against me. Your ******* against my chest, the curve of your hips against my waist. Hands roaming, hearts beating, lips meeting.

Shower off. Drip drop blip blop. Dry off and dress.

**It's 7:30 and my day has started, but my longing for you has yet to end.
I wrote this ages ago when I stayed up a while and she and I had hung out. I was really unintelligible and sleep deprived but I didn't change anything from when I wrote it that morning.
Jene'e Patitucci Nov 2012
I was young when first I fell in love with a close friend
My lips upon his icy neck did down mine shivers send
And, “Al,” I said, “I think I’ll hold you with me ‘til the end”

I was still in High School when I fell in love with Vic
His kisses tasted bitter and his presence made me sick
But it was just as well because he finished far too quick

In and out of consciousness and clarity I wept
But this time Mary my hand held and all my secrets kept
Her breath inside my lungs for the first time in months I slept

And I would think your kisses are the sweetest yet by far
Your poison leaves me shaking in the backseat of the car
I overdose on anecdotes while your lungs fill with tar

The antidote lies dormant in the strain of death you are
© 2012 Jene'e Patitucci
A solid center presages
two generous edges
to shoulder the weight
of the curve: the bow
relinquishes tension
to the anchors of the
taut bow-string.

The wayfaring archer
tends to the curve,
notches the arrow,
selects the target,
gauges the wind,
surrenders --

Riding like an arrow on the wind,      
sure to find its mark in Breath,      
and the end of Breath it portends.
      

A reveler
abiding the flirt
of angle and arc,
finite and eternal,
arbiter of the holy
moment, the dance
linking death with life;

So unbearably
near the horizons,
desire yields its grip
to the coaxing
womb of the curve: tension
sighs into the space
between arrow-head
and its mark.

And in the transmission of feeling      
is the spirit of Life,      
clinging - so gently - to free itself      
of its own burdens.
      

A sudden violence
voids archer and stag:
Continuity rushes forth
to meet the sacrifice.
The heart of the bow
resumes its tension.

And the curve
evaporates,
all but a trick
of Timing.
Mathematically inspired.

Italicized portions are from "Memory Is A Prison" (http://hellopoetry.com/poem/557707/memory-is-a-prison/), a work of automatic writing the meaning of which is further illustrated here.
Micheal Wolf Mar 2013
We record the impressions left upon us by others
The good and the bad, all impressions on the soul
For everyone you meet leaves a little of themselves behind
Some over a long period a daily entwined interaction
Others a chance encounter sometimes but a moment
Yet another notch on that stick of experience
But what of the depth of the cut?
Some deep tortuous, some superficial
Some brief encounters leave a deep wound
That re opens like a sore when least expected
Others fill you with pleasure and wonderment
Yet I dare proclaim no two notches are the same
One woman's lover can bring sadness to another
For we are individuals all with our own notches
Each created a moment in time, each of us unique
We are simply hard drives
Living breathing hard drives
Kendall Mallon Jan 2014
§
Battle of New Britain

Lieutenant Jim G Paulos led elements
of G Company in a savage counterattack
that ousted the intruders supported
by Lieutenant James R Mallon’s improvised
platoon of H/11, which remained
to help man casualty-depleted line.

Improvise (OED):
One: to compose on spur
of the moment; to utter
or perform extempore

two: to bring about or get up
on the spur of the moment;
to provide for the occasion

Three: […] hence to do anything
On the spur of the moment

Improvised platoon
Df James R Mallon:

When most of your platoon
lies dead in the pumice sands
of the South Pacific-Japanese
bushido bullets tear flesh and spirit
out of the corporeal—husks of limp
limbs you fought to defend and they you
Japanese mortar fire, machine and small-gun fire
fifteen yards in advance of the wire
how do you bring about or get up
the courage to grab whoever—
the nearest marine
talk through ears drums burst by mortar succeeding shockwaves
forget for the time the men
you spent months training
sipping beers in Australia
laughing over bar stool drunken jokes
men you shared your dreams about after
away from the mosquitoes
away from the constant moisture
rain rain rain day and night
soaking through fatigues through skin through bone
never enough sun to dry out
air already saturated
sweat or seawater—it is all the same
now you must find new men—men you have seen,
but do not know the same as your own platoon
their life and yours in each others hands
alone in a group of stranger-brothers
always faithful
keep composure in the face
your buddy’s entrails pouring into the pumice sand
hence to do anything
on the spur kicked into your side
to block what no man should ever be asked to see
and do what you can in the moment
to save your division from enemy fire.

§
Cyclops Black Eyes

One summer e’ening drunk to hell
He stood there nearly lifeless
A gal sat in the corner
And it’s how are ye ma’am and what’s yer name
And would ye like a drink?
She looked at him, he at her
All she could do was accept one

And rovin’ a rovin’ a rovin’ she’ll go
Through his pair of blue eyes

She knew not the pumice beaches and streams
Sometimes walking sometime crawling
amongst blood and death ‘neath a screaming sky
Where Cyclops black eyes waited for him
Was it birds whistling in the trees?
Always the Cyclops black eyes waiting for them
So they give the wind a talkin’

And a rovin’ a rovin’ a rovin’ he’ll go
Away from those Cyclops black eyes

And the arms and legs of other men
Were scattered all around
Some cursed, some prayed, some prayed then cursed
Then prayed and bled some more
All he could see were Cyclops black eyes looking at him

No Cyclops black eyes waiting for her
And a rovin’ a rovin’ a rovin’ she’ll go
And never know what saw his pair of blue eyes

Could she forsee in that pair of blue eyes
Decades he’d spend drunk to hell?
Sometimes walking sometime crawling
Rovin’ and rovin’ away from those Cyclops black eyes

§
Colt 1911**

I was nineteen when I learned
my Dad his father’s Colt 1911 pistol

when Dad was young he
and his brother found
the gun—hidden in the rafters
of the cinderblock basement
their father built; magazine bullets and pistol
on one rafter—separate, except
the bullets lived in the magazine

my dad and uncle, like any
young boy, were fascinated
by the pistol; though too young
to feel and know the power
and danger in the cold blue metal

when their father and mother were
away—home alone they snuck
to the hand-laid basement
reached around the rafters
through years of dust and darkness
feeling for the colt and mag
scrape-click-pop—ca-chick
round in the chamber—“freeze!”

so played boyhood fantasies
cowboys & Indians
cops & robbers
with a lethal toy


so my dad kept it a secret
locked in a tarnished steel box
locked through the trigger guard
magazine separate
four silver, dimpled, bullets rolled round between
their queue and releaser

I was struck by the weight—heavier than I expected—I felt the years of use polished into the wood grips—thick hand grease sweat blood humidity sand saltwater gun oil mud tears life saved and taken.
At the bottom of the wood grips ticked notches deep in the grain—both sides—different numbers; “What are these?” I asked running my finger across the nocth-ticks feeling their depths their absence consciously carved with his next best tool—kabar: workhorse that can baton through five inch diameter logs, machete through two-finger branches, dig a hole to burrow while machinegun fire mows down jungle; easy to sharpen, keeps an edge; full tang to hammer temples or tent posts

“I don’t know; the only thing we have is the lore.”

fI counted seven
the number the magazine carries
eight total, if you have one in the chamber

You have to commit to fire
a 1911, the cliché: don’t pull
the trigger—squeeze
is how the 1911 fires—a button
fits the crotch of the thumb and index finger
opposite the trigger on the handle;
to unleash the hammer then
lead, squeeze the two—firm
tight at the target; no shot fired
by accident—no Marvins with the 1911.
I am trying a new form of poetry called 'documentary poetry'. This is the story of my grandfather who fought five campaigns in the Pacific Theatre of WWII for the United State Marine Corps. (This is a work in progress)
Josh Bass May 2015
Clockwise against the blue light
Silhouette against a 70 mile speed limit
"I let the music take over my soul, body, and mind."
It looks like an ant with wings
Hitchiking it's final ride
Counter Clockwise against the blue light
It takes off and lands again
The wheel shakes as my unbalanced tires reach 75
I turn the volume **** two notches up
Clockwise against the blue light
"The stress burns my brain,
like acid raindrops."
Perveiz Ali Apr 2018
Kashmir  

Known but uncertain.
A macabre aura in her lush green valley
Swirls along the lanes and the by lanes,
Humming the death songs, and
Mocking the mother's lullaby;
Inundates the spring of love
Reeling under the gales of remorse !

I- Pulwama

Pulsating pain,
Unbeknown to the servants of chair,
Leaches out the marrow of tolerance,
Wobbles the calmness of quiet sea,
And reduces the sane to stupors;
Mayhem clouds the canvas of peace
And ruins the crop of pride!

II- Shopian

Singing the songs of hope, but-
Hearth of ignominy blazes its zenith
Over the apple-bough bedecked contours.
Perforated is every bud that dares to live
In the middle of the 'dance of death'
Akin to the blind devastating tornado,
Nay, a fair of cherishing right to cease life!

III- Kulgam

Kind enough to lit the candle of austerity,
Unknown but to decipher abysmal cause of
Long lacuna in a journey called life;
Gog and Magog they name them
Arraying the apostles of deceit;
Machiavellianism it is, do they know!

IV- Anantnag

Amplified agony of terrorized souls
Nibble at the crumbs of shattered dreams
Along the periphery of devastated 'Lal-Chowk';
Nomadic but still the images find abode
Tethered with mournful sand of 'Sangam',
Nay, undulating terrain stands it firm
All denizens are but a reflection of
Galeanthropy!

V- Srinagar

Schizophrenic- An epithet
Round the clock they wear;
Illusionary clouds all around
Neap the momentum of ship
And strangulate everything in a fit of despair
Gushing out the marrow of patience
And leaving behind infertile soil
Regretting what it had?!

VI- Budgam

Beseeching to blossoms of almond-
Unlearn to rely on the artifacts
Destruction with their only aim;
Gabel otherwise bound to pay we are  
Along with the honour and digity,
Mundane- a certificate to be killed?!

VII- Bandipora

Beside the 'Wular Lake'
Antiquarian lot with over burdened brows-
Nothing to do but recollecting the days:
'Demons when were worshipped, and
Idols of falsity followed';
Pine high dreams kissing the ground
Over and above that can be documented;
Rolling is the agonising arid pain
Aching all the wasteland of wounds!

VIII- Ganderbal

Gloss of undulating terrain
Anguish in the paroxysms of swindle
Notches of which still bleed
Darkness of dark demegogues;
Eating up of the grey matter follows
Relying on the spoon feed, and
Blackout of the nursery of the intellect
Among the denizens,
Lost in sighs and sobs!

IX- Baramullah

Black and blue still explicit over
Amicable land of dreamers-
Roasted they are from decades;
Along the banks of Jhelum
Mutilated memories are hung
Under the hovering black clouds-
'Lost for words' is the expression,
Living souls visiting this garrison;
Alas! Caught we are between the deep sea and the devil
Heros we need in a land of sheepskin prophets!



X- Kupwara

'Kiss of death' is for the democracy
Unabsolved case of 'Kunun Poshpora';
Pacified unmarked mass graves
Welcome you to the countryside
Amidst the loaves of corpse, and
Roar of egos
Asking the citizens to prove their identity!
K E Cummins Jun 2020
I don't want to be a knight in shining armour.
There's dignity in scars and old leather,
The badges of a long campaign.
We are wrinkled, yes, and sunburned,
Full of crows-feet and lines.
These are trophies, my friend.
Wear them with pride.
Our grey hairs emerged in our twenties.
Why? Because we fought!
We still fight the good fight.
Walk tall with your notches and your rust!
This grey is the grey of battle-steel,
The burnish of a well-used blade.
Your life is a tale worth telling, my friend.
Please, do not think you're not beautiful.
A friend's birthday is coming up, and as per usual, she's joking/stressing about getting old. All the other poems I've posted were written ages ago. I scribbled this one literally five minutes ago and posted it before I had time to change my mind. Enjoy the lack of editing!
Cyril Blythe Aug 2012
Hot off the press as in I finished this piece about thirty minutes ago, any advice? I love and appreciate all of you beautiful people. -Cyril*

I yelped when the third blister popped and David shouted to me from a few branches above, “if the blood flows you have to make your mark here, Jacob.” Frustrated, I pull out my dulled Wal-Mart knife and notch Old Pine where my blood broke this time. I look around for my notch from last week and spy it a few feet below my right foot.
“You’re getting higher each week! I know you’ll make it to the top next time. I can just feel it, man,” David said. The hope in his voice always kills me.
I’m higher than before but still not high enough. I look up Old Pine and see the circle of deep notches where David stands, dyed red with generations of my family’s blood. I wrap my left arm around the base of Old Pine, skinnier at this height, and I close my eyes. The taste of iron and winter fills my mouth as I gingerly take the corner of the torn callus between my two front teeth and rip the rest of the dead skin clean off. I let the blood pool up until my palm is full and I smear the puddle into my moist notch in the tree. My ***** red blood mixes with the pine’s regal, green blood. I pull my hand away and see the two bloods combine. The smell of blood always makes me dizzy up this high, but I can’t show weakness in front of David. Not at Old Pine.
“I’ll see you at the bottom. I’m done for the day.” I say and before he can reply I leave. I begin the climb back to the ground, dodging empty crow nests and old scared over gashes in Old Pine’s skin, pushed along by cold fists of wind. The blood sneaks through the hole in my palm each time I push it into the spiteful bark along my descent and I try to ignore it.
I dangle from my one good hand on the bottom branch and fall to the dying grass below. My hungry toes feed on solid ground again. I sigh, grabbing a handful of the kudzu that grows on Old Pine’s base to put in my mouth, and I plop to the ground. The breeze here licks my sweaty neck in an apology for its merciless stepbrother who, sixty feet above, whipped and spit across my face. I hear a light thump and feel a breeze behind me and as I turn I see David gracefully landing on two feet.
“You were almost there this time. Just a few more climbs and I’m sure you’ll breech the top.” David’s determination is the only reason I come back with him to this god-forsaken tree. I do it for him, not myself.
I spit the chewed up Kudzu into my palm and mash it into the red holes to help them clot faster. Father taught me about Kudzu’s medicinal uses when we used to hunt together before the fall.
I look up into Old Pine’s green canopy above my head and feel the silence between the three of us. Old Pine is our father now and David thinks it’s his fault. Old Pine is the tallest tree on our farm and the only one infused with generations of our family’s blood. From the very top you can see all of our family land. It’s a view every man in the family has to see when he comes of age. Dad took David up when he was only fourteen. It was on their climb down that he fell. I was nine.
“It’s the view, Jacob. The view is like nothing else you’ll ever experience. Holding onto the rusty-red notch circle and looking out on our land, it’s almost spiritual, man.” I don’t look at him, but I know David is crying.
We looked up to the canvas of green and brown and David asks if I can hear Dad’s whispers, but I all I hear is the creak of old branches.
Dandy Nov 2013
Infantile, juvenile, call it what you will
For now I shall believe that my life's been one big spill
and for notches in Your belt, or notches on Your bedpost
I ran along the snowy banks vying for lost hope
My bare feet turned to ice blocks and for me that's my burden
I did it only to inform the other birds that You'll lure in
To forewarn them of the gentle hands that mend broken wings
because in the beginning all is heard while angels sing
and maybe by the end I’ll harbor brand new feathers
but the fingerprints upon them are now far too much to weather
Sat atop an emerald pedestal in a cage spun of gold
A window has become all that's left of old
So fair warning to all whose veins are weak:
don't give away your hopes to just anyone that will let you speak
For what it's worth my wing does seem improved
Although the brokenness was my only form of proof

DDD
*(3/14/2013)
Catch my mooring rope
And come ashore with gentle tugs,
Sweetly, softly, nibble on my ear,
And run your fingers over my weathered sails.
Trace the notches on my docks,
For the places I’ve been –
Santorini last spring, Venezia,
Marseilles in the fall.
Get rid of the doubt that hangs
Like an albatross around your neck,
Capsizing fears sending tremors up my bows.
Simply breathe like the swelling tide,
And sing a sailor’s song,
The one about the Spanish ladies,
“For we will be jolly, and drown melancholy,
With a health to each jovial and true-hearted soul.”
Loosen my knots and we’ll drift out to sea,
Two travelers with one home.
Jamie King Mar 2015
My life is foretold in every crevice of this universe,
in serene seas, and swaying sands,
in scorching degrees and holding hands,
with a lover in my longing arms,
fires raging, and yet i am sheltered from harm.
and throughout my journeys,
it is my deepest desire,
to ignite and set my ambitions on fire,
in the midst of euphoric dreaming,
with my lover on this late summer's evening.
and i shall be at one with the stars,
and my doors in life shall forever remain ajar.

Walk into this space it is endless
sublime congruence with the heavens
open is the third eye looking directly at abyss
i feel a divine hint on my skin
as if it were a celestial kiss
there is no need to travel in doubt
it is written across the evening canvas
open the gates of exotic awareness


It is writhing, it is gifting, entrusting me, and quaking,
yet I, within mine, remain still.
Fore be it told, and beneath footless form, it's subversive,
yet, I dance a sure tango, uphill.
I must be sure, so sure not to mind lone notches and disparity,
as crevices, you see, they arch to transverse.
Fearing but forging the depths of what is migration, we say,
from this hallowed tangle be my rise, my verse.

I’m floundering, I grant, when I think I hold discovery,
so, I tug at the rein of imprint and plan.
It is here my beloved reliance, my precious doubtless tread
is afforded the fair crossing of Pan.
So, although it contests and chides and outreaches,
I am in love and as love, an apprentice.
A conquest won, no never, but here, a concession, a regard-
I am, with no poet’s journey, amiss.**

Lilting ebulliently in ineffable fields of ecstasy.
Mellifluous waves, in life's voyage,
inure us to pulchritude paths, refined by old age.
Multifarious, nascent jubilant days, swaying in paint,
array the way as we sail away.
Comments are welcomed and please respost thank you for reading:)
stanza
1 Aesha Nisar
2 Dawn King
3,4 Gwyn
5 Jamie King
Shannon Oct 2020
The ice I wear is silence.
As for diamonds, I don't own them.
I save ruby for my lips.
I save swagger for my hips.
I save crystal for my gin.
And the only thing I age is grace.
As for me I grow divinity-
The sin in me,
is confidently rising as I walk into the room.
If I make you feel I'm naked
when your burden down with fur-
"What does he see in her?"
If I make you feel uneasy,
and hold him just so tighter
because my steps are lighter
although my thighs are trunks
like mighty oaks they hold me high
so I can match Tiffany eyes
to the Tiffany colored skies.
Wear your silver, wear your gold.
And I'll wear nothing loud and bold.
How dare I not adorn.
Not care about your scorn?
I am the bracelet that wraps the wrist,
I am the earrings lazy laying.
Designers drape me in goddess garb
while your childish glitter is fraying.
I wear years like men wear watches-
Proud and vainly count the notches.
Watch me slither, watch me wander.
Helpless but to become fonder.
This is a statement about aging and social media and the eternal dialogue of women and value.
Hello Sayer Mar 2012
I feel surrounded by countless fears
The world for me has nothing but hate
It's getting harder and harder to hold back the tears
For I have an infamous tendency to be late

And that's just how they would phrase it too
So holier-than-thou with their watches
In this world swiftly turned to zoo
Time is king and we are just the notches

My teacher felt the urge to inform me today
That I am late in every way
Late in my work, late in my location
Late in choosing my perfect vocation

And even if you try your hardest
Treat your task as a craft
If you were there the latest
Everyone will view you as daft

Well from now on I will try hard to be on time
I'll cut the corners and muddle through the grime
This problem brings me so much shame
And my peers always choose my head to blame

But never assume that I don't care
Do not believe I enjoy this flaw
For like all the great singers and witty writers rare
My punctuality will someday leave the world in awe
A poem about my dissapointing tendency to be late.
Joe Satkowski Apr 2014
selfishness in misery
my ribs are breaking
and I can't breathe

my arms are beginning to freeze
my tongue, too numb to speak
my arteries and intestines speared with anxiety

I will keep saying I'll never stop this
Twenty years
I've tried
accounting for all the broken notches of my spine
twenty years
I've cried, or tried to
twenty years
the most important part is the part where you give up
give up
give up

do your work
judy smith Apr 2016
Who says you can't arm twist yourself into doing practically anything? Victoria Beckham — stylish mum, fashion empire czarina and social diva — took that notion a **** few notches higher as she posted a picture of herself on a sofa on a photo sharing site, leg extended high above her head at 90 degrees. The picture went viral immediately with a huge buzz around her impressive flexibility. She captioned the photo, 'It's amazing what you can do in culottes...those ballet classes are paying off!' (sic) It's not the first time she has showed off her moves. Last year in Singapore too, she kicked her stiletto-clad feet into a high pose as she relaxed on a sofa.

These celebs are advocating it, too...

Posh Spice aka Victoria isn't the only one. British actress Kelly Brook showed of her flexi *** on her sitcom show. Actresses like Reese Witherspoon and Jennifer Aniston have also taken up exercise regimens that stretch their bodies to the limit. Angelina Jolie's workouts are said to include the stability ball leg, squats and kickboxing, known build flexibility and balance. Jessica Biel is a firm follower of her five days a week cardio with strength training and pilates classes that have been credited with getting her such a lean ***. And Megan Fox ensures she is flexible, too.

Advantages of being stretchy

Being flexible and stretching out is not the realm of just gymnasts, athletes or swimmers. Anyone can and should be like that, for it's not just before starting a workout that one faces tight hamstrings and a sore back and neck. These are issues that plague those with sedentary jobs as well. Thus, flexibility can help in gym training and dealing with the stressors of everyday life. It also helps the body to heal. Increased flexibility also leads to improved posture. Once the earlier tightness goes away you start to sit right and walk better, too.

How Much?Stretching muscles twice a week is enough to build overall flexibility.

For anyone

A common myth is that being flexible will only work with younger people. It is actually for anyone of any age

Exercises to help you get there

Chest dumbbells: Lie flat on a bench, holding dumbbells in either hand. Now lift the dumbbells overhead together and slowly bring them back. This stretches the pectorals.

Abs stretch: Sit on the ground with the ankles facing each other and the knees flexed. Now put pressure on the knees and press them to make them touch the ground. Hold this for 20 seconds and repeat.

Shoulders delt: Hold the elbow of one arm with the other hand and pull the elbow across the chest. Hold and repeat for the other hand.

Curling cat: Kneel down on all fours and curl the back upwards in the same position. Hold this and start again. This increases flexibility of the back.

Hamstring stretch: Place your leg on any raised area in front you, like a stool or chair. Now, extend it straight without bending the knees and bend the torso to touch the toes. Hold for 15 seconds and repeat.Read more at:www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/formal-dresses-melbourne
JJ Hutton May 2010
my yellow eyes roll
as salt slides from the sides
of yours.
these sobs,
these sobs are familar
to me.
clearly etched into my memory.
it was the same with She,
that red-headed *******,
it was the same with Nature's Criminal,
and every pore of her persian skin.
my yellow eyes return,
and my stomach turns,
and my muscles tighten,
and my smile lightens,
and my burden builds,
all the while,
your limbs twitch,
your lips stitch,
and your eyes run scared.
all the while,
my cancerous tongue lay still.
as your accusations
ricochet and fall flimsily all
around me.
i sharpen my teeth on the notches
of your spine.
remind you,
you were once wholly mine.
silence the cries.
tell you everything is fine.
your blood begins to flow.
the worst of me you get to know.
i'm a monster.
i'm a ******.
i'm a plaster cast
of your prince charming.

let the yellow eyes roll.
Copyright 2010, Josh Hutton
Dear Human (at first I wrote narrow minded *******),

This is not a hate poem, although it started out as one
it's something finished before my time
a game already won

My tendons would love to stretch 15 minutes before beginning the race but I wake up every morning to a piercing toast, a celebratory guffaw
of an after party having been exploited and raw
there is no point for me to stretch
metaphorically that is
for if i don't stretch before I start my day
I tweak like a bike in need of WD40

I can't speak because everything I saw deserves an explanation
scratch that
I can't speak because I'm afraid of judgement like
heavy wet cement, I'll drown in my unspoken words though
so I write these down
back to the point

Irritable Bowel Syndrome is a *****
if I don't stretch my aching quaking body can't **** right
and if I can't **** right
every other stressor strangles my already mangled mind and body
Depression is wet cement dripping from my air vent
molding my notches and bolts stone solid
yet, I have to get up and stretch to walk amid, among, noodles

Falling asleep is difficult because I want to get the night over with
and Waking up is difficult because I want to get the day over with
Not a study session waiting for snacks more
my socks are stuffed with thumbtacks
and I forgot everyone finished their after party
so I'm pounding my feet sprinting
for a finish line
I'll never cross

Like when I woke up in the hospital,
banging my head against the wall believing I could smash my way outside on this day, three years ago
My mania surged lightning bolt electric jolt a thousand watt volt
I would never be released until normalcy increased
so I spent every waking moment stretching
desperately trying to release the
desperate stress molded
in my body

Depression is wet cement, I have learned to slip through it's cracks
by releasing the firey strength
I hold inside my bones
I hold inside my soul
Oh human, please hear me with your open ears
yet if you can't, I have no fear
your judgement cannot touch me
I am on fire, all victims of depression
you, we, are not weak
merely misunderstood by false desire
we are misunderstood
Blazing wet cement on fire
Brandon Conway Aug 2018
I have drank the philters of the oceans
inside the notches of your sculpted bust
chiseled to perfection by my minds notion
immortal beauty to never crumble to dust

Skin of ivory with curves carved by a god
my little ivory girl how my fire burns
breathless, stiff, and lifeless left me aw'd
a singular lonely lover forever yearns

Just one kiss to those stone cold lips
just one before I visit in my dreams
my lips upon yours, hands on hips
how you look while the moon beams

lighting your lovely void face
The lips how they grow so warm!
Your arms how they tightly embrace!
By the gods, a living art form
to forever love in this dark place

— The End —