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Tiffany Marie Apr 2015
We have always thought of nature as something of wild life,blooming flowers anf sunnny days.But nature is maturing bringing rainy days when we are sad and lightening and thunder when we're mad sunny days when we're happy but nature is maturing in a so different way life us being brought into it familes explore it.Can you explore A maturing nature?
I think my thoughts type them in and press save poem
n)Ethno-spirit and Biodiversity (Diogiversity)

Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, features, colors, and textures of neutrality, focused on a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, whose diversity of genetic seizures, will adopt natural and compound patterns, but always predominant in the biological pattern and organic. Wandering the world in desert places, in alloys and classified plant compounds, emptying their species through the hollow of the atmosphere and through the green grasslands in the reviving surviving evolution of organisms and species that for the first time see each other as a biotype between rocks and plantations, reciprocally among themselves, and extemporaneously generating mythological genetics heritages. Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of, and inter-procedural reality of carbon, that factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon. encompassing all mythological species where the Life expectancy and Super life unfolds.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving the extinction of plagues or flagrant excesses not converted, Hyperdisis has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No. Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and tell transportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic diseases and endogenous. Forests and parks of Hyperdisis in the symbiotic open air, for more airs in microbiological space, in the intimate portion from greatest to least challenge of elements exclusive of antinomies of hieratic human bio culturalization, in a showcase of communities with an interest in technologies and renewable empirical usability, each part doing its scientific role and biodiversity in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existing, although it passes before our eyes without a Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super-appraisal measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and approving biological elements. The wealth and abundance of this item are delegated to Leiak, in all the revolutionary processes of the oak forests and the high mountains,

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects. Claiming innocent beings with greater attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. Feedback quantifies offset options in carbon circulation, offsetting multipurpose CO₂ inventory. Through the darkness Zefián and Vernarth traveled in the streets of Rhodes, and in Tsambika looking for the distilled portions of the carbon and sulfur emanated by the Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Helleniká and the souls that wandered were ringed under crescent-encrusted rings, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Helleniká, In the myth of the dustbin woodworm of the frieze where Etréstles perched next to Zefián's strap, who would manipulate the gold and alabaster chain, to pull its ascetic and rubies from it, approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn, and the mountainous temple of the one that follows the equinox in the meridian of seven days towards the southern and northern hemisphere. in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Helleniká friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar, the epithet of heraldry in the noble metals and woods of the autumn. They enter the Necropolis of Helleniká, by upper and lower trays, cordoned off by obelisks in a series of petrified labels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intra-bodies of petrified breaths, expanding in the segments of frenetic life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shade. It was already dawn, Etréstles and the Archpriest broke the loaves to deposit them in the bowl of the Day, stretching in the arms of heaven under the gargle of the god Vertumnus who forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Citarista yawning on the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Helleniká, from the lair of his rib one, sees Diogenes of Sinope emerge, splitting with his doctrinal staff all the Isthmian paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander the Great asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me, and the bad ones I bite." Again, more murmurs, but Alejandro was not moved by those answers and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me"..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean ossuary seed, without heat or memory here in Corinth and its Diogiversity ".

o)Reflection space length (π)

The hemispheres were out of proportion, one another was modified in the air, leaving the horizon exorbitant and the poles out of square. Coastal the lengths of the sun around areas that some Helleniká countrymen had never put on the crowns of their consciousness. Certain pressure changes dislocated other modules in the filaments that had rudimentary inaccuracies, creating reflection space failures in the installation of the Duoverso, due to the due calculation defect. The observations of Hyperdisis, generated superpositions of the Zigzag Universe, before the crescent moon, after the full moon, again de-calculating the sphere of Hyperdisis in relation to the ecstatic length of itself in the hands of a third of a second a day, to overflow in impositions that They revealed Dekas Cove in Kimonos(π).

The value of the opinion of reflections will be the originality of breaking of statics, of the motors of the verb and the conscience of the flushed being, and of erudition of the naive contrast when decanting the perceived morality. They concur with the moral value in every sub-mythology of an ambivalent being of supernatural human co-belonging, not dependent on gnoseological reflections, rather spontaneous under the embankment of reason. The latter being absent in the shadow of its shadow, no reflection can take hold of anti-values, self-valorized in contingencies under the effects of the drug of lies or truth, in a difficult equation to refer to in gnosis treatises, declaring the absence of consciousness to species without reflection or length of their molecular evolution, in evidence of mythological humans. The triangle Patmos, Rhodes, and Kímolos, make up a Venusian adonis, of stimuli in the nostrils of Aion, which sneezed on the integrity of the reflex arc at high speed superseded in the tremors of Athens until Hyperdisis, flashing anatomical and pejorative on the optic nerve of the Colossus Rodino, and the twisting of the multi-personal muscles..., but already depersonalized..., with little telluric reaction in the core of the symmetry of his legs, dodging as he thrashed on his frowned arms, behind the legs of the lycaons..., digging his jaws in reflex arches, for ages that only an immemorial one would enchant him, and be it the throbbing of the earth in the crust and seams of the calcined Colossus. Existing like this their reflection of attenuated light, they shook through the sea full of sinewy pieces of precise length. Frequently in the hydronium cations, undermining the temporality of Tsambika in random stones in the humid, and dark narrowness of the anthropic reflection, having lived in the heavenly paradise that formed them by the volcanic tube and its syngenetic, by the erosion of the subsoil of Rhodes. In Helleniká, everything that is expected, flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas it flows with the Meltemi tubularly, so that they are polyps of fluctuating desolation or placed above all zephyr or anti-wind, in ammonoids or ammonites; reviving from the seas from Devonian to Cretaceous, escaping from the ferocities of the Etesios and these same escaping from the roars of Vernarth.

p) One-Dimensional Beams II

When their ears fell in love with the Orthoptera or Grylloideas before Joshua, the night became restless, abandoning them from their shelters, they brushed the seeds of the thistle that trembled with the new millennium of the Duoverse. Levitating their ailerons in the tenors of their birth and dilettante sounds, before an ovipositing candor of the remains of the abdomen that remained in their jaws, always being from one of the Beams, for the largest Enciphers that hung from their antennas in search of Joshua's telepathic messages in the manger. Sappho of Mytilene, also known as Sappho of ****** or simply Sappho, pretended to be a marigold proliferating in the twenty corridors of the Greek poet, and also as the tenth poet in the other ten that was reflected with transparent wings of the dew that stuck, phenomenal of physique -Saphonic and in the recent rain of wind and condensed air, in the form of drops due to the sudden decrease in temperature in contact with cold surfaces. Sappho's dew was talked about in Kafersesuh, usually when it comes to condensation on a Poetic Grylloidae surface, naturally on the ground cover or artificially in a dull cloudy crystalline, in the amount of supernatural tradition, heroes, superheroes, and anti-heroes conspiring with the territorialities of hexagonality.

The Aramaic message comes forward with vigor from the orthopterans and birds that piled up on the journey, going back and forth. The Beams shone from the celestial kingdom holding on to the Cherubim and the Archangels, through the paths of conversion and the support of the bizarre Christian time, in implacable hegemony for the propaedeutic of phylogeny, but more than perfumers chemistry and the same creation. carrying Lepidoptera winged tetra and Sand Crickets, on the interlocking and obfuscated pheromones from a nascent-elemental child, in his own evangelical philosophy, from a winged dimensionality and in the gloom of Manger shouted and aligned, before the compendiums of double pyramidal landmarks and of inflection, of his word in the Grylloids and panaceas created in the affinities of the world and Animalia, stylizing muleteers carriers, phrasing acronyms and parabolizing the polygonic nomenclature of the child made a territorial man on the wings of a Cricket, already being it !, but representing himself as a lifeless man in the entirety of an advantageous canon child, from a sudden bi-dimensionality of Grylloideos. A great Zohar light gathered all towards a whole in those vantage points of terrestrial columns and orthopterans that Joshua felt in advance in his resined ears, like irreversible entropy giving back his wise existence to prepare them for the day of his holocaust. Pre Existing in catharsis and busilis substance of divinity connected with the Grylloid phylogenetic species, classifying until the Aramaic crackle, pontifying pheromones settled in the lithosphere site of Gethsemane, coincidence in the wading of a Libraco period, or in the phenomenological simultaneity of Eukaryota and Glaucophyta until late Animalia, giving relation parental in the characters of the vibrational timbre of the Beams and the atavistic pedestal, readapting in the evolutionary ellipticals of tetra-winged species, allowing to change the ancestral linguistic accouterments in processes of redesigning the genetic historical tree..., divine and increasing.

Inter-Duoverse, in space demography, has been frequented since today in a nuptiality between the Sun and Earth, wrapping the inter-generational homes that have prostrated themselves to the One-dimensional Beams, evolving millions of years between links of angels from the north and the south., for each year between half years and decades that the ancestors are passionate about, unleashing in what they aged in their youthful lives and eternal ideals, as an atom not guaranteed in families that did not get to know their Duoverse. When they walk through the urbanized farm of their parents they go in their shoes and in the paternal and inter-parental sun barefoot, the children travel far from the monographic patriarchy, declaring themselves between psychic families and unstable plots of core conformity and procreation.

The line of supra healthy cerebral is born from the Beams of deforested family trees and treasured in the Trunk of the seventh ascending generation, towards a nefarious tribal of industrious and vegetating regressive parapsychology, bringing zombie societies, to great lethargy that disorganizes the parallel emotion of the Being descended from a Messiah, with the prophetic organization. There in the Koumeterium of Messolonghi, in past generations, the "IO" was omitted to limit them from the spellings like Ghost Cemetery lost in other lost sacramental ancestors. The inappropriate location of our ancestral duties has guided us in the axis of the pabulum, before the second coming of Messiah Parousia, to continue the re-sprouting foliage of the Universal theological tree. The children of the seven intergeneration generations, will be from the endearing of a patriarchal family, and those of Exo family lineage will be from outside the non-generational family, where everything flourishes according to the requiems of ******-domestic economies, and in the new chimera from new shocks and reprimands, already being spouses the Sun and the Earth after being divorced from a deluge of immolations and inter-millennia and rotations, further than those of any prophet wandering without advancing or rotating, enlisting and expiring in succumbed and pre-historicized generations of other prehistoric ones. Pre and post Flood; not presenting itself as the object of linking a thousand decades where not even a holy chirp from the Thrush, praises on the windows of the world bringing us babies that are born without past or future quantum generations. Ready to the hint of Duality and its nuptiality with the Sun and the Earth, They will make us magical creditors of the increase in demography and of unions that will marry in inter generations, not seeing passions in exhaustion, under the grass of the allegory of defeated love. Giving ourselves conjugal virtuosity, but of immanent dogma for the purposes of multi-figurative coexistence, under the Yoke of an individualized Faith, in the passing of millennia, we continue to crawl on the floor of the nebulae, and we do not rise to establish ourselves as masters of ecstasy, and the pendulum of the stars, creating us more in the orthogonal egalitarian of the cosmos and its Vernarthian architecture, of poly productivity, of Sun-Earth and its post-genetics, of high-grade clay, expanding with halberds on the self-insolated Suns, and highly calorific inherited towards a rupture of Solar freedom leaving us in the horizontal, not having ascendants of sin enriching their illicit chromosome. Made a beast, from the inertia of a paradise full of hidden public and private exchanges, but not secular, for those who pay tributes of ecstasy in a reborn and weakened state. This is how Diogiversality is verticalized (Diogenes's anthological action), concluding the variants that weaken the nexus of the denatured society of its atavistic social nuclear concomitant, extending eco-life gaps, but eco-unstructured and crucial inter-generational nature, being of arbitrary passion and of seismological doctrines, of haughty morality and of sociology fabrics without body or motor, with frail of castes and generations evolved age in a retrograde and elemental psychic sense, but biologically and reversibly to their boomerang lineage.

q)Amphibology Cosmogonic, Sub-Mythological root

The threshold, as a minimum rubric, must be in force from the Constellation of Orion, with barely a hundred millionths under the same eye of Orion and his psychophysical space, sensitive to the falcado charioteers and the water vessels on the backs of the probable Barnard Loop., and its nebula presence. The icy impulsiveness brought her under her right shoulder and the lean hollow under her arm unraveling from a staircase, at the entrance point of Betelgeuse coming from the cosmogony of Eridanus and in tune with Ptolemaic astrology. In the Sibyl and with a hint of a metric brilliant mass triplet, Betelgeuse Orionis, is the scale of the Aulos and piccolos expelling hydrogen as an Ace in 240 scales of harmonies and in sounds of light, for cycles and years of Light. The binary of Orion, is pre-born of the sub-mythological root, with binaries of Poetic Parapsychology, or Para-poetical; which is the trapezoid and the kinetics of the hunter Orion arrowing the Pleiades and its nebulous plains, with diametrical diarthrosis in his synovial joints, with the third militarizing joints already formed by the hyaline cartilage, which joins the two bones with the synovial fluid, before reaching the deltoid of Hunter Aurion, to awaken the Asleep world.

Vernarth in one of his adventures in Pella, scapula with his arms the force of the friction discs of the Olympics and corrected his hands and shoulders, for this purpose of Aurion and his dilettante Astro Betelgeuse, with giant arrows against matters towards the sky of its Constellation, embedded in beaten Odyssey and turpentine in the sullen Hellenistic, being for May its amber trapeze of trunk and arm, in each hand a Xifos and Dorus, always in right-handed hemispheric pathologies of their shrewd hands in Kopis swords, and in the memories of the wind that throws pain to the whistle of the combatant, when the meteorites decay in the Tyrrhenian Sea. With his brass-bronze club and Vernarth's corrosive breath, he proceeded to file odyssey on Eos's ******* and peduncles; Goddess of the Dawn, in Dionysian beauty in bulk, Mintaka, Alnitak, Alnilam, (The Three Mariah), For the twelfth lunation of the Celestial Vault, together with Pleione, in its bolometric Oceanid matrix; against borderline stellar magnitude in the major and minor dogs, and in there a priori waves of misdeeds lending measurements in the eyes of Aurion, always henchmen on their Pleiades.

From this intricacy, Cosmo-is born the Vernarth Duoverso incited towards the Horcondising, so that it is mythical co-property at the origin of the universality of the Duoverse in the Vernarth scapulae, bleeding towards the cosmos that was born from his stellar blood, conjuring chaos and uncertainty in messenger Gonies, facilitating community life free of ethnocentric, psychic, intersubjective life, the metaphor of myth and dogmatic, by the imaginary struggle that leads its bleeding back over the Cosmos, and its demiurgic brilliance over the atmosphere of the earth like bronzes that twist in the necks of oxen, that urinate on the officers of the Barnard Loop, and its polyphonic magnetic exciter, on it the ***** of Orion falling on the poles, like flagrant Amphibology.

The Kanti Steed and the Aurion nebula, to the beat of a waltz ionize, lavish chemical ions free of electrons, on the neutral molecules of Betelgeuse, to proclaim in the nerves of the shoulders and its bronze club, as musical praxis and harmony net, giving way to the nebula and the art of the Duoverso, which shows the pristine astral days, how his alchemical arm sprouting in chemo-astralities of the pectoral, and his armpit that joined in its maximum stick, cutting down roots of Olive Bernar, behind Barnard's Loops, in the midst of runaway stars that are systematized in their ionized bleeding esplanade, such as Stellae Novae, who retrograded the astronomical ritual into cosmogony, and in her escape by going at night to sleep near her father Poseidon and Euryale, who cheered him near the grassy fields to paste explosive clay on the sheet of his drunken smiley face with Ionic wine, in advance of spreading the nascent Duoverso throughout the new world.

r) Hyperdisis

Sitting on the edge of Andromeda, in his planetary chamber Zefián; The Duoverso computer separated the parasitic inter-chamber from the Duoverso, which would be born from the Auriga, which in his buggy would unleash the senses of structures and luminosity between this colossal interplanetary chamber. Being between points that venture through the axon of time infinitesimal and longitudinally for light-years, which even so, will intervene from the Duoverse, for thermal purposes and other changes of the remnants, when especially the luminosity will speak of the destruction of the darkness inherent in the eyes of the universe, which can only stabilize areas that have not been fused in the discs of the Universe-Duoverse spatiality, long before the initial explosive between the Constellation of Orion and Andromeda. Globular clusters that will make up the perfect delay of transfusing the blood and no other, which makes the character Hyper naming and hyper-pectoral blood, which flows from this tri-astral polynomial, compromising the method of area, shape, and refinement of the sagittal profile of Hyperdisis in the Duoverse in the reversible intergalactic plane. Going from lenticular to irregular over the keystone of the trapezoid, towards the right arm of Orion, where its radius becomes hypocentral sequentially, but it takes advantage of interstellar matter, to generate its own light. Some explicit explosive arms of Andromeda were expelled from their center towards the right arm of Orion, for the purpose of implosions in the effect of the clubs or snails, as a sublime effusion on other stars, which lost essential stellar mass, to differ from one another.

Radio-Patmos, or galactic energies of Andromedian origin, would arrive as devout prayers at the border of Skalá, such astro-omegas and Invisible Universes, which inhabit the flaccidity of the Universe of Consciousness of the pole contact with the Xifos or Kopis, when Andromeda contacts the spur of the clubs or snails, inciting the capos of Astro-Omegas spaces, which would begin to take the front and front, after having been the atrium of invisible stars, only visible in the spurs of the swords, which were only moistened with the viscous blood draining from Orion, towards Hellenic lands as Omega age, for Vernarth early when he carries the keys of the Omega World, towards the shadowy proto galaxies, knowing that the Milky Way and Andromeda come so close in their stellar mass, being able to collide in a few million of light years, in advance, since the Duoverse of Hyperdisis will be formed as a Galaxy of change, to interact with each other, dismembering, but re-transforming into the new speculative nucleus of the Duoverse as a great Black Hole, embedded in the Kardiá of Patmos.

Hyperdisis, navigates from the most ancient confines, from the origin of nothingness itself on the threshold of the Universe, but now it is already converted into the Duoverse, re-implanting itself in helical polarity, and in bifurcations of luminosity, of colorful reincarnations or astral, to consent to the cessation of darkness and valuing luminance, possessing colorimetry and chromatic steps of childish tales in infant galaxies, which in all the lives of Greece and Vernarth delivered for their ancestors, articulating the iconology of Orion, in candlesticks per square meter, in vigils of:

LV is the luminance, measured in Nits or candela per square meter (cd / m²).

• F is the luminous flux, in lumens for the Andromeda triad, Milky Way e Hyperdisis in conjunction with Orion.
• dS is the surface element considered in the triad of Kímolos, Rhodes, and Patmos.
• dΩ is the solid angle element, from Vernarth Omega and the origin of the Duoverse.
• θ is the angle between the diameter of Andromeda and the Milky Way (2.5 million light-years)

The luminance can be defined from the radiometric magnitude and the radiance without more than weighting each wavelength by the sensitivity curve of the eye. Thus, if LV is the luminance, Lλ represents the spectral radiance and V (λ) symbolizes the sensitivity curve of the Vernath's eye of the Betelgeuse area below, dumping plasma and bruises on the galaxies and the Orion Eyes.

s) Zigzag Universe

The Zig Zag Universe was and will be excluded between time and space, in a world adjusted to the senses that are driven within the contextual totality, the world and the biosphere framed in the phenomena of the Zig Zag Universe, being born on a stellar night when Our life searched the earth, being able to see how cordial matters of the cosmos caressed its cosmology, making it its magistracy and descendants of the Hellenic cosmos, in constant caresses of the universe already predisposed to the Bing Bang, emerging from another type of self-observation, seeing ourselves in the face of Horcondising anti-material and Universal Biomass. We preexist under science that models the system of energy and matter in causes of ancestors, with whom their vital and ours sneakily crashed. Gravity made great paternity in the Vernarth Biomass, being in the Dodecanese, being cosmos in its arcuate curvature, which makes us screen with the moon in its romantic astrophysical swings, and with the exaggerated geometry of a zigzag. We are the versatile and multi-dynamic mass that expands simultaneously in the head that pauses in the Nothofagus Obliqua of Vernarth's Horcondising and also time2-space2, which has not been troubled by the origin or abscess of the stars that move irregularly in zigzag, for the fractality of its component, which is clearly Aramaic blue light, in circuits of clusters and movements brushing the air, attracting the attention of the entire order of the hypnotized universe and making the duplication of the universe itself appear before them; in Duoverso that is the Universe shaken and young of its gratitude's ".The distribution of nearby galaxies are keys to the paleo universe already arranged in macro waves, which are percentages of spaces in the Trisolate energy fields, which interact with the Mashiach of Gethsemane phylogeny, now tending to a stagnant decomposed future, towards a specific frozen present. Its final station is to bet the Zig Zag Universe on the re-expanding temporal Medieval chrestomathy, in gregarious qualities of Sub-mythology, already conformed here in Archangelos. The implosion of gravity has created worlds of visibility in great astronomical yearnings, in some fractions of time zigzagged by millions of fractured light-years, as an irregularity that resembles the measurements of everything quantifiable, being omniscience or not, acquiring the hexagonality of the birthright in the passage, Here the Mashiach emerged and died in its abstraction in the One-dimensional Beams and in the foreign eyes, eroding those who are mortal and do not see with divine eyes in the self-resemblance, of our hypochondria and of the failed plan to amplify the size of the unknown analytic, of this new dimension in the implosive movement of the Verthian Duoverse. The nature of the snowflakes in Bethlehem are natural fractals, detailed in their nature and in the natural infinity, here the privileged new world was envisioned, for self-similarity in the speculative and cosmogonic functions of Vertnarth, at intervals in each space of the shadowy walls, bringing accelerated courier bombs from Gethsemane among mutated olive trees to other humans. "Its correlation is an infinite fractal with reversible observable time.

Finite is the curvature, between the time that walks between the grove of the Duo-Universe as an alternative of energy Zig Zag and Duoverso, which triggers our subconscious observable world, which is a great reflecting lantern eye, which ignores and prescribes extreme distant and focal parts of the One-dimensional Beams of Kafersuseh in Ein Karem, since the Duoverse is the trial Universe that the Mashiach had, before coming to the Holy Land, provided by his form of Hyperdisis escorting him from Betelgeuse and in Orion. Change from arduous colors to the gradient in Avant-Garde, for the confines of perspectives and verbality, in amendments of physical fields, interwoven by an external gravitational means. The macro waves, are exposed matter not contained in the abrupt changes of the optical selection of the Mashiach with the One-dimensional Beams, attracting selection crystals to atomize them, in reaction disturbances and recreation of multiform plasma saviors of Christian cosmic. The double expression of macro waves and the equation of them over the axial of the universe turned into the universe Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion energy with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all being more than time... !, remaining at the expense of the wick of all electro-matter " The double examination of the macro waves and the equation of them on the axial of the universe turned into Duoverse, in millions of light-years will continue in the Duoverse, for ectoplasmic reconversion with great margins of assertiveness. The cartography in hyper diction will correct errors of the current universe, losing itself in the second thousandths of figures that separate us from the Universe, but all of them being more than time... !, remaining at the expense of the wick of all electro-matter. The sub-mythology having already been constituted, Hestia appears, having slept a great slumber. When he appeared before Vernarth in Tsambika, he was seen changing in size, when he was six meters away he looked dwarf and when he was already two meters from him he looked monumentally huge, but in a versatile physiognomy, therefore he was already appreciated in his last steps, with her domestic Goddess figure that emanated light-years from the chimneys of the habitable galaxies. The critical immanence will happen, pre-existing of the perfectible plan for the Universe Zig Zag and Hyperdisis, as Hyper-Hestia, bringing torn words for those who were approaching the main altar of Vas Auric, which was in the great ratio of the proscenium in the vicinity of Tsambika, between Mind / Meditation for constant mechanisms of Wisdom / Meditate, according to the cosmological constant, taking them perhaps to the beginning of a decade and the third universe called Traverse. The oscillations of all these fantasies, Vernarth observed, but he knew that he would have to collide with these worlds finally already precipitated, and of temperature that acted on the average of the normal range, therefore it was imminent to mutate it to the provisional Christian Duoverse, which moves backward. among the dizzying lights of creation. Immediately afterward, the Universe has torn apart and lost among those around it, establishing itself in units of millions of years of light compressed in the piccolo Aulos, which Hestia carried in one of its golden hands, from the prytaneion, igniting with the flames of the Kardiá on fire and the passion of consanguineous love, "Prytaneum", the omphalos stone, marking the navel of the world with the boast of wandering towards the island of Delos, in the daily warmth of a spring afternoon in Rhodes. She is a woman with veils on her face, always walking to and from her virginal abode, in the house of foolish or vestal virgins, there is no Hestia, only maybe there are some similar ones staying in the cold fire of her menopause, losing fertility afterward. that his father swallowed it, and then it was expelled from himself, regurgitated in flames of love candles in a blessed house and full of immunity, giving the Duoverse another geometric category with never contained angles, sliding vibratory between the distances that discount minutes of the Hestian space, for such a corollary by approaching its finitude, and inaugurating the sub-finite, that it will never be the source of the end of a disconcerting end of time, neither equationally consummated nor physical. "This consolidates the Duoverse into Duo-Universe, expressed in figures that moderate the length of a physical state before it is finished and restarted in a process that does not end (sub-infinity)

t) Vernarth Omega (Ω) - Preface

before facing the Achaemenides. Being Omega and Micron in the warlike primer of their cause, within the prophetic in all necropolises of tiny omega (ω), towards an Omega that reaffirmed the good hand in Saint John the Apostle by rewriting the Apocalypse twice, coexisting the same but with the voice of Vernarth commanding the ten thousand Falangists, who made up inter-generational gaps, of camouflaged alien ancestors. For this purpose, he opened the windows with their pillars sheathed with tetrachloride of chlorine, at solid angles of Ω, in what was Virgo institutionum / Aurion-entity that interfered by projections and leaks, which converged on the strut of the omphalos of his heavenly father dealing frequently and bled his immortality, constituting from a helper being to the planes of subconscious reprogramming and perspective. With his arms raised, in each hand a raised sword to pierce the vanishing point, between the spaces that were ascribed, under the solid projection, from an observer that inhibits ad limits the biomass in all the masses of aqueous filter and lumen flow, towards the throne of the angelic guardian of Avant-guard by the stereotype and sclerosis of Zeus in his dissociated physicality, even though he is an amorphous entity with pulverized magnitudes, between Pi and Golden numbers, fading away without area or volume. Vernarth in the humanoid apocalypse was transfigured from a solid point in Hyperdisis, as a direct escape settlement to Aurion, towards a surface of conical vestige in three-dimensionality towards Andromeda, the Milky Way, and the shoulder of Betelgeuse,

Vernarth distracted the emeritus stars in the corner of his room and in the convex the points of his celestial patriarchs in the conical spheres of perenniality, leaving only solid angles in each of the two parts of space-delimited by two semi-planes that start from their common edge, under the ideal geometric concept and that it is only possible to partially represent it as duplication in parallelograms with a common side, symbolizing two half-planes, making from all distances seclusion of visions in the culmination of imagination and apparent angles, seen from any point of the Celestial Vault in invisible counterpoint.

The decalcified cells of Vernarth solfying together with Sophocles in orpheons after the victory of Salamis. Already being a tragedy in the next act of the prologue and their friendship bordering on his tragedy, he continues to exist in energetic arms to write, and Vernarth to dispute the characters from a regular prologue writing with his own blood hematology verses, which traveled meters and that they shrunk from the anti-verses scarring their declaimed intra-breath, in corals that only the wind clarifies of what precedes and happens towards the suffering, in the metrics of the Areimos chorus that were lectured anti-verses, and that they tried to ****** him from the hands to Sophocles, in immortality that refined him by abandoning him in sub-units. With masks and mythical cycles, he mixed the metaphorical facsimile of momentum and the separation of friendship with him, seeing him in an episode of his works, and instead of Vernarth's transcript sheltering him in the origins of the volatilizations of his orpheons, converted into physical waves of a dramatic-oracular order. Gods re-transformed into divination and futuristic germination, they were hidden dormant and forgotten in times of subconsciousness in the Selenite collection, felt in the Colossi signs of parliamentary, where the oracle leans on the lines of vibrational words and how they cough their " páthis "in the place where the language dissociated from the heart nucleus speaks. In misguided divination, the oracular mantic brought the cold of loneliness and the fiery heat that guesses in the laurel forests in oracular daphnomancy, Vernarth omega self-erects as a versatile column that temporalizes the threads of his organic brain, creating synaptic logos in Pashkein or the alert regret of abandoning the arm that rewrites his heroic Sophoclean and tragediographic biography, in ancients transiting in disintegrated emotionality and ****** Hellenic neurotransmission, "Two omega men or omega speedometers, carrying neurons from ankylosed and frustrated herd of pleasure, for tripartite meson form of routine grinding in Alzheimer's lost, lost in sympathetic and para-sympathetic routines, with probability of Hellenic gray matter; That is to say, of all memory that does not sin of ignorance in the ancient world, in more than nineteen hours of vehemence, the dangers will brighten when reliving nth times in the twilight of omega, Vernarth, was already narrowing on the tracontero Eurydice, to save his pains, deposed in terms that would renew anti-economies by supplying unsustainable in liquefactions and in synaptic melts, extra energetic vesicle of pure natural law of the eyebrows, of lunation that rests in the inter millennium, beating with ecstasy in the Buddhist suttas, and in the adaptation of the flesh of the hypersonic fissures of the Meltemi, and attachments that still beat over the dermis of pain. Vernarth draws his sword Xifos of phenomenal structure and he cuts on the Sutta or sermon that mimicked him at the time of the lunation, doing sabotage of redemption of the anti-verse from the court of Sophocles, as a myth-saboteur and anti-value, overvaluing the wiles of the same utilitarian tragedy, conquering in the curtain of mourning and sadness, unguarded and overcome by the stoic duel of jubilation. From here Vernarth, opens the gates of hell, eight hundred times going mad with omega value, by reiterating omeganymy, creates the numbering of the anti-verse and the suffering that does not even sleep further from the departure of a soul and a body only asleep of concave omega, overlapping in golden transfinite chests, which reorder the natural numerals with the ordinal transfinite omega, but on frictionless wheels of other omegas that break in recirculation rules on alpha, in supra omega levels such as parades, stamens, episodes, and Vernarth-omega paradigmatic exodus.

Omega I Prologue: "Once upon a time, amidst a rain of clouds full of drama, in a time that was oriented regime of the armpit of Betelgeuse and Aurion, 334 BC, it was the penultimate breeze of Tsambika, in the spiritual devotion that hovered over the unison voice in the magnanimous Zeusian chorus, as an alternate event of imprisoning past and next in an episode of the present act. The expectant was curious about the retouched makeup of the drama's superlative consonant, in a disembodied place, but with a good narrative source when it came to fruition. Here the myth is plausible, among everything mythical, more than all the super sums of expectations of the Ismo "

Parod I: "For the submissive words on the stage of the trident fire, where I have to warm my hands with ashes of eternal fire"
(Directing the scenes through the coripheum, there is the master lord who, in flames and by unequal numbers, pawned in the Aulos and piccolos, whose bare feet bordered the risk of the bellies of the Maenad damsels united in processions, between princes, powers and Dionysian dances holding on to the Pufios; in Baquian and ceremonial liturgy near Vernarth, taking a glass every seven minutes in animosity, in cages of his stuck little finger, whistling from organic pimping, next to dancers raising an arm and directing the palm towards the heaven, while the other remained down with the palm towards the earth; in this position, since he was like Vernarth buried by the tides of Patmos wandering him in times that marked the entrance from Mars to Jupiter, and from autumn to winter in fifteen times agreed with Sophocles, hanging from the penultimate to the entrance with his trembling voice desalted..., tolerating himself in his own tragedy)

This is I: "Through the right hemi-body, Vernarth intoned his laterality exposed in harsh penumbras, while Hera brandished over his existentialism clouds of oatmeal and candies in a liturgy, a homily that personified the Stasis, in the choral intermission resisting his angry hands in tragic passion and frenzy, unleashing oratory of self-blame, unraveling drama-tragic, and in each pause the emotion that was accompanied in new episodes when it was stoked "

(Vernarth says: "submitted in parts that are not its parts, my pain has blinded me, where it has embittered the conflict of ethical interest if the stars as a public cheer are anointed, sentencing the opposition of other lesser stars who cheer what that does not shine. The principle of the voice violates the normal parenthesis, which is governed by itself in the omega voice, mocking the modal in four magistrates, in martyrdoms of an ideal of the procession, each one being with his super-private toga, before me It must not be who recognizes if I will be who I am, on the seventh judgment of my surviving ethics)

Episode I: "Vernarth extrapolates the values of his judgment, which override the first, the coryphaeus directs his promenade from the countryside on his Horse Alikantus"

(Vernarth says: "I have instantiated the steps that my chestnut crossed with you in the future if I am to sing with a sorrowful voice, no choir will be able to follow me when you are gone. However, I have to define what personifies who, more than a thousand miles away, carries with him the lamp that opens the light of your roguish contemplation... "
Alikantus wailing says: "From the luster of your heartbeat, I obfuscated the jailer from your ribs, for the preference of the one who takes you even further in tempestuous pro-hedonistic prose "

Exodus I: "Sometimes the endings smell like fields of lavender, where the call of the almighty is heard, to take him over his loaded plantations, which are emerging from the dialogues in the afternoon with its twilight, as well as stanzas that smell of lavender anointing, separated in syllables and tonic that flex my charm, not to say that I was anointed with Lavender when I was prepubescent "

(In fifteen times, in syllables and rakes, the sentences of its paragraphs are sterilized, leaving the audience speechless, without a gesture or word that emanates from a sacred paradise, rather from the Stasis that never purged the omission of the syllable that is not of proscenium nor trident, but it is umlauts on Omega, between syllables of fire that burn from its proscenium)

With few and precise changes of consciousness, Vernarth approaches his Omega Point, as the end of his self is identical to his consciousness. He was leaving Tsambika and Kímolos, diligent towards Theoskepatis, warning Etréstles for defiance goods in the aftermath of the Eschaton. His spiritual cerebellum faded identically when he wandered through the distances of the entities that competed and are prominent, transforming his Hetairoi reliquary, here his tendentious impulse begins and dehumanizes him by becoming a Celestial entity, but with Noosphere endowment. The tendencies are established hyper-connected, with him Tsambika, Theoskepatis, and Patmos were triangulated for consummations and finality from the rudiment of Universal deity, reprogramming the end of restricted humanity to a mere boundary of dogmatic morality declared existential.

Within the Omega points, his unfolding acted as a disembodied statue and redemption of similarity and humanity, leading him to a self-conspiracy, by abandoning himself to his own equal, for the duration of the final sulfurous sublimation of the Cinnabar's margin of abstraction, after joining in all the quantum, physical and biological lines, making the Duoverse an inter chamber of the prior Master in a process of change, to sensitize his image of physical-chemical Man, but of God in his rigid powers. Cataloged as hommo sapiens who expresses himself in fallen beings under the arms of his sword in a limpid target, rather than in his own pointed tongue, and steely towards the point of unification in the hyper-dimensional of good achieve spatiality and volume, only contacted by his devoid of a Xifos hand. Consciousness rarely loomed in its compendium in nth bytes and data, much more than those recirculated in astrobiological quantum, creating blind exclusive and patrimonial universes, on the basis of nth bytes, which kept reorganizing itself in the personality of the unknown, fewer than four bridges of consciousness united in their own gregarious universe. The transcendence of the basic data of consciousness will lie in the Maenads, and their deliberate acre magic, extending through the limbs of the Nymphs, to re-possess it and take them to the confines of mystical paranoia, perhaps towards the embodied Vestal Virgins, purging their paths that they notice a variant of licentious departure in the stanzas when seeking final swings, which are not for the sake of shedding everything before the Universe rescinds its intellectual limitations, contracted in an orgiastic Imaginary Universe, and the precariousness of the concept transporting us to the origins of the species and its behavioral rapture of loss of sensation, and reason, for this reason, Vernarth takes them with him for his ******* and alienated perceiving of inherent reality and its opposite sunset. The ministry of the sacramental mystery is the consciousness of the Dionysian being in gestation, wanting to be the paroxysm of its equivalent, in an eternal Omega effect, for the purposes of omeganymy of conscious chaos, being the same portion of omega ad limit of its secondary reluctant personality of being, to found the hermit solitude on his revived empty ego, residing in his being by bilocating with two idiosyncrasies for a Venarthian Thiasoi, succumbing to weightlessness over all the Maenads and the intoxication of community in its opacity,

The madness was a transcript of reasons lost by the Vernarthian Omeganymy, sometimes the disproportionate of his steps by more than what should be generated was objected to in the circles of the Tsambika monastery. The unification of blood was confused by the viscous wine of the mysterious foliage of the Diospyros tree that led them through the enigmatic unaware, in primary practices that tore apart some somatized ones of the order of a third body, which still transmitted the last organic matter, refusing to spread at the omeganimic points. The consciousness of replicated beings of themselves challenged themselves towards the perfect copy of their transcendent alter ego, in an understanding of the present-future elucidating for whom or those who demystify the visions of an arbitrary creation, allied to the evolutionary myth-truth, in the face of any real and human maturity gap, the conclave of the near pious Christ, bequeathed in us and in the venerated hominization, at his sole and directional will. Now we are all in the aqueducts of Christian Science, for specimens of eternal categorization and frontally in view of a God-Mashiach, as ordinal inclusion and in greater ecumenical diversity, with variables of independence range, for staggering motor skills, retaining the attention of all the powers of the Christian world at an Omega point that seemed to be Alpha. The sense of the Duoverse in Vernarth Omega makes us rethink the central phenomenon of thought and frustrations, by the socialization of distant species from prudent dogmatic ostracism, towards refractory empathic and ultra-rational reasoning.

The supra intelligence has to become in them and those, the pre-existing point of duality, to reunify them in Patmos, as the only spirited meaning, and biomass evolving on the super-dimensioned materiality, in a greater radius where it will have to be delivered to whoever speaks with words. of living energy, and not complex towards all processes of emancipatory concord of personal authorship, on levels of relative lust in the absolution of medium integrity, and towards an elemental unitary totality of animal instinct guarded by the instinct of Being, that from its similar awakened rebirth of the sleeping mass matter, and in the animal purifying multiplicity. The man stands in his memorandum bend, like a haughty memorial, evolving in the cosmic expiration of the molecular transverse, admitting us in its vestige of complex extinction, but not in human slip, nor in acid and self-instituting scenery, on the real creation of its DNA, which reverts from the formality of helical reiterative rings, by heights of whoever oscillates in their coupled pairings, and their silent probable associations, in the nature of real origin and their structural perfection. The acceptability scenarios derive from the feasible concretion, and the approval of their tendencies and mobilizations of the structure of life, and codes greater than those that limit them to reside, to more than one body, residing from an incorporeal body, capable of its quantitative life and the extension of existence, super existing in the heights of the helical rings, which may vary more than they are, and which could be, without being seen under a scientific gaze. "Becoming a mechanics of maturation and prayer, which the energy from the material world to the spiritual, as a moving particle of inert matter in parasitized free radicals, which are re-energized by the mystery of the helical trans-threshold of the Aramaic mystery of the Olives Bern. "Vernarth disintegrates in omeganymy in laxity towards Aurion, descending pro-tenebrosity towards the profanity of Patmos, engulfed by Love in a dark summer, brushing the silos of DNA in the will of the automated world"
DUOVERSE
Alyssa Underwood Sep 2017
Perilous times are foretold for the end
When the one who betrays might as soon be a friend
When he who walked with you in the midst of God's throng
Proves a broken-off reed who didn't belong
When the crowd turns away from the truth they once knew
To embrace a strange fire of the enemy's brew
When the mystic is favored much more than the teacher
And intolerant is the name reserved for the preacher

For myriads have tasted of the heavenly gifts
Then at some unknown point the set compass shifts
And they show by the fact that they do not endure
That they never knew the One Whose salvation is sure
For He's promised He cannot lose one of His own
Yet His wheat grows with tares that His enemy's sown
So these goats dressed as sheep might say all the right words
But pasted-on wings do not turn moles to birds

They learn the same Scriptures and enjoy the same songs
But haven't yet come to the cross for their wrongs
Haven't taken it up and followed the Lord
Have never been born of His Spirit Who is poured
Into all whom the Father has chosen for His Son
Those predestined before the world had begun
So among the elect in the pews sit the dead
Unregenerate men taking up masks instead

And some will sit thus for the rest of their life
While others walk away overcome by the strife
Of their trials, distractions, desires or greed
Rather trusting the world to provide all that they need
For discipleship costs and most think it too high
A price now to pay of their self who must die
Most are tripped by the weight of that covenant walk
Which accompanies a faith that goes past mere talk

It is God's grace alone which grants genuine belief
And with it repentance for proud or for thief
While the course remains bumpy until dying day
The saved may fall down, but they can't fall away
For salvation from first to the last is of the Lord
And His Spirit within is what keeps saints secured
It's our duty and privilege to obey and abide
Yet how could we without His power inside?

Now besides a new fuel we receive a new nature
The old man is dead, we are made a new creature
One that's being conformed to the image of Jesus
So we live to please Him now and not to please us
But because of this switch the world is enraged
For when light shines in darkness its evil's front stage
They hate us the same as they hated our Master
And as time nears its close their fury swells faster

Persecution's been promised for all who are godly
Could be mocking, rejection or harm that is ******
It cannot compare though to what's been exchanged
In the gift of redemption for our souls long-deranged
So we dare not forget when the blows are received
That those doing the punching are still dead and deceived
Still locked in the grip of the enemy's force
Still blinded by sin, still enslaved to its course

Just judgment will come if they do not repent
If they keep on rejecting God's Lamb Who was sent
So it's best left to Him to defend us against
The disdain and discord of a world that's incensed
For they're already judged who refuse to believe
And we would be too but for mercy's reprieve
Being saved from God's wrath that is soon to be poured
Out full strength onto those who His truths have ignored

In the meantime the Father's maturing His children
Forging character depth through both trials and discipline
So let's not lose hope in the face of our sorrow
But rejoice that He's working it out for tomorrow
Since we have a sure treasure stored for us in heaven
And we'll soon be set free from all sin-staining leaven
Let's press on toward Christ's likeness worked in us by grace
And look hard for first moments our eyes see His face!
~~~

"'However, I consider my life worth nothing to me, if only I may finish the race and complete the task the Lord Jesus has given me—the task of testifying to the gospel of God’s grace.'"  
~ Acts 20:24
Alyssa Underwood Feb 2016
Perilous times are foretold for the end
When the one who betrays might as soon be a friend
When he who walked with you in the midst of God's throng
Proves a broken-off reed who didn't belong
When the crowd turns away from the truth they once knew
To embrace a strange fire of the enemy's brew
When the mystic is favored much more than the teacher
And intolerant is the name reserved for the preacher

For myriads have tasted of the heavenly gifts
Then at some unknown point the set compass shifts
And they show by the fact that they do not endure
That they never knew the One Whose salvation is sure
For He's promised He cannot lose one of His own
Yet His wheat grows with tares that His enemy's sown
So these goats dressed as sheep might say all the right words
But pasted-on wings do not turn moles to birds

They learn the same Scriptures and enjoy the same songs
But haven't yet come to the cross for their wrongs
Haven't taken it up and followed the Lord
Have never been born of His Spirit Who is poured
Into all whom the Father has chosen for His Son
Those predestined before the world had begun
So among the elect in the pews sit the dead
Unregenerate men taking up masks instead

And some will sit thus for the rest of their life
While others walk away overcome by the strife
Of their trials, distractions, desires or greed
Rather trusting the world to provide all that they need
For discipleship costs and most think it too high
A price now to pay of their self who must die
Most are tripped by the weight of that covenant walk
Which accompanies a faith that goes past mere talk

It is God's grace alone which grants genuine belief
And with it repentance for proud or for thief
While the course remains bumpy until dying day
The saved may fall down, but they can't fall away
For salvation from first to the last is of the Lord
And His Spirit within is what keeps saints secured
It's our duty and privilege to obey and abide
Yet how could we without His power inside?

Now besides a new fuel we receive a new nature
The old man is dead, we are made a new creature
One that's being conformed to the image of Jesus
So we live to please Him now and not to please us
But because of this switch the world is enraged
For when light shines in darkness its evil's front stage
They hate us the same as they hated our Master
And as time nears its close their fury swells faster

Persecution's been promised for all who are godly
Could be mocking, rejection or harm that is ******
It cannot compare though to what's been exchanged
In the gift of redemption for our souls long-deranged
So we dare not forget when the blows are received
That those doing the punching are still dead and deceived
Still locked in the grip of the enemy's force
Still blinded by sin, still enslaved to its course

Just judgment will come if they do not repent
If they keep on rejecting God's Lamb Who was sent
So it's best left to Him to defend us against
The disdain and discord of a world that's incensed
For they're already judged who refuse to believe
And we would be too but for mercy's reprieve
Being saved from God's wrath that is soon to be poured
Out full strength onto those who His truths have ignored

In the meantime the Father's maturing His children
Forging character depth through both trials and discipline
So let's not lose hope in the face of our sorrow
But rejoice that He's working it out for tomorrow
Since we have a sure treasure stored for us in heaven
And we'll soon be set free from all sin-staining leaven
Let's press on toward Christ's likeness worked in us by grace
And look hard for first moments our eyes see His face!
"However, I consider my life worth nothing to me, if only I may finish the race and complete the task the Lord Jesus has given me—the task of testifying to the good news of God’s grace."  Acts 20:24

Thank you Melissa Pagano, Eddie Starr, Lidi Minuet, my Soul Survivor sister Catherine and many others for your examples of boldness to proclaim the truth of the Gospel of Jesus Christ! You are true inspirations to me!!
Dorothy A May 2012
Chad looked over at his sleeping son sitting next to him in the passenger seat. This little journey from the airport to his home still seemed so strange and uneasy to him. It astounded him that Ian was now twelve years old, nearly a teenager. To be honest, he still did not fully feel sure about this arrangement, this set-up for him to have his son for the summer. Nevertheless, he tried to project confidence to everyone involved, to his family and to Ian's mom. He kept reminding himself that it did not matter how he felt.

He needed to step up to the plate.

No, Chad Brewster never envisioned himself as a father, never dreamed of it, and certainly never once desired it or would have chosen it as his path. Though some of his close friends wanted or had a family, it was never a part of his plans to ever be a dad. He did not dislike children, but he just never expected he would ever settle down and have them.

He especially never expected to be a father at the mere age of sixteen years old.

The suburbs of Las Vegas were worlds away from the suburbs of Milwaukee. Driving down the desert surrounded streets and highways, sometimes homesickness tugged at his consciousness. At times, Chad’s craved the surroundings of his old existence—the shady pine trees, and spending time at Lake Michigan—and he would gladly trade some palm trees for the some of the pines he was so accustomed to. But this was the life he now chose to have, and he thought he should have no reason to complain or be too sentimental. Many people were not so lucky to experience any refreshing change in their lives, and he was able to have it.

While on the road, Chad reminded himself to give Ian's mom, Becca, a quick call to let her know that they were on their way to his home. He pulled out his cell phone before he got distracted. Ian already texted her a few times to let her know he was alive and breathing along the way.

Becca had her reservations about sending her son off to be with his dad. He had his visiting rights, though, and she couldn't lawfully deny him them. It was a tough decision to send him off alone on the plane to meet up with his father, but Ian had good sense, and he was taking a direct flight to Vegas. He loved to text, and his mother made sure he had his very own cell phone to keep in constant contact with her. It was so hard to let him go like this, for Becca cherished Ian. He had a much harder start in life than some other kids, and she felt partly to blame for it.

Chad got a hold of Ian’s mom. "No way in Hell! You are calling me now?" she angrily accused him, her tongue sharp with criticism. "You know **** well this is his very first plane trip by himself, and I thought you'd have the decency to tell me once he got off that plane! Please! Don't try to convince me that this whole thing is a huge mistake, some major lapse in my judgment. Can you do that for me? You could have at least had the decency! Put him on the phone! Let me talk to him!"

"Look, Becca, he's asleep. It was a long day for him. He's exhausted". Chad was trying his best to hold back any displeasure or to raise his voice, but he expected his calm wouldn’t last. "Don't ***** me out for not calling you the very second you are demanding. You know I would have called in a heartbeat if I felt Ian was in danger. You know I would".

"Oh, I'm really not so sure", she replied, sarcastically. "I'm tempted to fly over there and come get him! I've been sick about it all day!"

"Such a **** drama queen, Becca! Like it or not, the world doesn't revolve around you! You don't have all the control! “ The anger rising was rising up in his tone. Her judgment of him of was so tiring.

"Oh, really Chad?" she replied. "I've got my act together a long time ago, but you...".

"Look, he is my son, too!" Chad shouted loudly. He was fed up of her ****** attitude, ready to hang up in her face.

"You could have fooled me!"

His eyes were glaring as he drove down the arid Nevada highway, just as if Becca stood there right before him, her finger wagging in his face, her other hand on her hip. He pictured her now as if time and everything in it had stood still, and she was before his motionless car and in his face, still in step with time and letting him have it.

This little display was so typical of her. Only Becca Morgan thought she ever had any common sense when it came to their parental abilities. Sure, she was the one who really raised their son, but she never would have pulled it off without the huge intervention of her mother.

Without a doubt, Ian had to admit to himself that he had been avoidant and immature in the past, but Becca did not have the patent on good parenting or on maturity. In her eyes, Chad was never going to be a proper father, even if he proved it.

Chad vowed that he wasn't going to pay forever for his mistakes of being an absent father, far more absent than present in his young son's life.

He looked over at his son sitting beside him. Ian was sound asleep—thank God—for he heard his parents squabble about him far more than he should have. In fact, he never saw his parents talking in a friendly manner. No matter how they began talking to each other, their conversations always ended up with angry words.

Ian must have been dead tired to sleep through it all. He hardly stirred since he fell asleep. If Chad wasn’t driving, he would be studying his slumbering son in peculiar wonder, sitting there for quite some time and thinking how on earth he ever was able to produce such a child, a seemingly healthy and well-rounded boy. It was as if his child was an UFO alien, or something—someone to be discovered for who he really was, and someone to be fathomed with fear.  He felt that uncomfortable about being placed into the role of a father.

It gave Chad's stomach a funny, odd feeling to think he wasn't too much older than Ian when Becca—his loving girlfriend at the time—came up to him and told him the shocking news. It would be the news that would forever change his life, and hers.

She was pregnant. Chad was definitely the father.

It wasn't that Becca did not know what to do about her condition, for she knew what she wanted from almost the very start, and she had settled it in her mind without much inner conflict. There was no helplessness or hopelessness in her, not like some pregnant teenage girls that found themselves in such a predicament. She wanted to have her baby and keep it to raise as her very own, and not for a future adoption—with or without Chad's approval. She did love Chad, but in the long run, she did not care what he thought if he did not agree with her.

As far as she was concerned, this baby was hers.

Chad, on the other hand, was terrified, simply terrified. He did not want to believe the news, hoping that Becca would turn around and tell him it was a huge joke. He would be quite ticked at her if she did such a thing, but also very relieved. He would gladly kiss the ground for it not to be true.

If only it was a joke. Becca was quite serious, playing  no such prank on him, Next, she planned to tell her mother next about her unborn baby. But the first person she wanted to tell was her boyfriend, and she expected that he would be on her side—or at least be won over eventually.

As a dumbfounded Chad stared at her in disbelief and shock—like the classic deer in the headlights—Becca insisted that she was telling the truth, that she was even beginning to show. She could prove it.  Her periods had stopped, and three home pregnancy tests confirmed her suspicions.  Gently, she took Chad’s hand to place over her stomach. Freaked out of his mind, he ****** his hand away as quickly as it touched her belly. His knee **** reaction would always stick in Becca's mind of how Chad really felt about her. It was almost like she had a disease.

She suddenly felt dejected. It looked like Chad would not be on her side, after all.

Maybe it wasn't his? Chad knew that Becca would hate him if he ever implied such a thing. She was crazy about him. Chad knew that. But she had an equal amount of passion to go the other way if he betrayed her. The doubt on his face, and the hesitancy in his voice, did betray him and Becca’s heart slowly sank. She wanted Chad to care, to understand, certainly not to view her as the guilty partner who was ready to ruin his life.

Instead, it looked like the beginning of the end for them.

No way was Chad willing to break the news to his parents, especially his dad, Ed Brewster. He’d rather put a gun to his head than say anything about it. Chad really never saw eye to eye with his father.  Unlike his two older brothers, Michael and David, Chad always felt like he could never please the man. His mother, Nancy, had forever seen Chad as the role that life had given him—the baby of the family. He seemed to have more leeway with her, but not so much as an inch with his father.

Ed, a veteran police officer, wanted all three of his sons to do well in life, better than he had achieved. And as Michael and David were dreaming of such careers as doctors and lawyers, all Chad ever dreamed of was to be a drummer in a rock band. Playing the drums was fine for a hobby, but Chad's father wanted his son to see the garage band he played in as something temporary, something to grow out of.  His son saw otherwise, never seeing himself ever retiring his drumsticks for some job he was bored to death with, or that he hated. He didn’t care if he would never end up earning a dime from it, not playing the drums would be like not having arms or legs. Chad would never give up on his musical aspirations.

One of the first photos that his mother took of her youngest son was him as a baby, sitting on the floor in the kitchen and banging a ladle on the bottom of a pan. At that age, he would much rather play with kitchen utensils, using them like a drum, than any shiny, fascinating toy in his possession. His mom simply thought it was adorable. His father wasn't so impressed, especially since the racket he made was only the beginning in his musical journey of too much noise surfacing from the basement.  There would be plenty of times when Ed would warn his son to give the drums a rest, or he would throw them in the garbage, for Chad could practice for hours on end.

It seemed that music flowed in Chad's blood, was natural to him, but no one in the family had any such musical talents or ambitions.  While his father just didn't get it, his mother supported him with any help she could. When he was six, he was in his glory when his she bought him a child's drum set to bang on. When he turned eleven, she bought him a real set of drums, and encouraged his participation in school band. His brothers' interests were far more typical. They were heavy into sports, and they always had their father's blessings. When Chad kept on doing what he loved, he was seen by his dad as almost a delinquent.

Now that he was an adult, his love of music was paying off. Resettling in Vegas provided many opportunities, plenty of musical venues. With all the entertainment in Sin City, Chad could find enough work playing the drums. There has been a good flow of steady work for him to work in the casinos, and he also played in a local band that did such gigs as weddings, birthday parties and bar mitzvahs. They were a group of six talented musicians that got together to form their own band, and play just about anything—rock, rap, blues, jazz, country and swing. They soon voted with each other on what to call themselves. A good name had a lot to do with if someone got hired for gigs, and nothing they could think up sounded any good.  It seemed like all the great names were already taken, nothing new under the sun. The Sonic Waves sounded the coolest, but since that name was already used, Chad played around with the idea and suggested they call themselves Sonic Stream. That had good potential, and the others agreed with it. He was glad and honored to make such a contribution to his band.        

Chad could honestly say he was happy out here in Nevada. His mother felt like he was trying his best to distance himself from the reality of his problems, especially his strained relationship with his father. Chad disagreed. He just wanted to feel like he could accomplish something in his life, not proving anything to anybody—but to himself.

Would Ian be happy out here with him? It would only be for the summer, but would Chad make a good impression on him in his life out here? Ian glanced over at his son who still slept almost like a baby, seemingly wiped out, though the day was still young.

Several minutes later, Ian called out, "What time is it?"

Somehow awakened, he was rubbing his eyes, disoriented by the fact that he was in a different time zone and in an unfamiliar place. Chad smiled at him, trying to reassure the boy that he was glad to have him here.

“Almost two thirty", Chad returned. Ian moaned and tried to sit up straight, squinting from the glare of the strong Nevada sun. Quite groggy, his internal clock was not sure what time it was.

Your mom called”, Chad told Ian. “You know your mom, bud. She does worry about you”.

“I texted Mom. I said I made it OK”, he replied.

“But did you actually talk to her?” Chad asked. “You know how she is. Unless she talked to you herself, I am sure she was convinced some madman took control of your cell phone and pretended to be you”.

Chad laughed and Ian tried not to act like what he said was that funny, but he shyly grinned and tried to cover his mouth to conceal it. He did have a special bond with his mother, but he knew his dad was right. His mom worried way too much.

“I talked to her just before the plane took off”, Ian admitted.

They drove in silence for a while. Chad had to admit to himself that Ian was looking more and more like him the more he grew up, and Chad seemed to favor his mother's looks—of which he was grateful—for he never wanted to resemble his dad.  Lots of times, Chad and Ian were mistaken for brothers, Ian a much younger brother, but surely not imagined to be his son. Chad felt that Ian was already looking like a teenager, maturing fast for his age, and Chad often was perceived as younger than his twenty-eight years. Ian was growing up so much more than his father could envision, and Chad knew why. It wasn't like he saw his son so frequently that the change was not obvious. Every time he saw him, a big gap had been gapped by growth and change, and Chad was guilty of missing much of those experiences.

Was it that Chad did not really want to grow up? Becca surely accused him of that. His father did, too. Performing gigs in a local band seemed far from a man's job to Chad's father. When he still lived in Wisconsin, he knew he had better learn to have other work to fall back on, for band work did not always pay the bills in those days. That is why he trained to be an x-ray technician. It wasn't the job of his dreams, but it helped keep him afloat when making money from music did not meet his financial requirements. Even though Chad did achieve a fairly decent and respectable job, it did not seem to matter to his critical father.

At the mere age of sixteen, Chad had nothing to back him up against the anger his father would have towards him. He knew he would be knocked down for sure when his parents found out about Becca's pregnancy.

The words his furious father told him stung pretty harshly. "You don't have the sense to be a father! You don't seem lately to have the sense to be anything! You'd ruin that kid’s life, for sure!"

His father had to always play the street-smart cop, even at home, and Chad was fed up as looking like a criminal in his eyes. He almost wanted to cry, but refused to show his father any such weakness. Instead, he gave him the best stone cold, unemotional response that he could muster up. Replying in a monotone manner, though he really feared his father's anger, was the best way to stick it back to him.

"Sure, you're right. I take after you. Bad fathering runs in the family", he said back.

Ed looked like he wanted to punch his son, though he never laid a hand on any of his sons in such a way. Trying to repress his own sense of hurt, and remain with his anger, he replied, "If you were eighteen, I'd throw your *** out right now! Don't push your luck!"

Chad always aspire
Nicole Corea May 2015
I was a caterpillar ,
before I became a butterfly .
The pain I had to endure in order to transform into the beauty I am today .
This is my tale .

In the forest there was,
My cocoon wrapped in the finest silk,
With a power to live in a colorful world.
To dream and conquer goals.
A Vivacious soul spinning in the purest silk
Growing and maturing as I spun.
Wishing for freedom with my beautiful wings,
Counting the days to be free and soar
as a lively butterfly
until
You winded into my community
Lured my queen and her uneven monarch.
Tempted to sabotage my purity.
For that you,
Lured yourself into my vulernable cocoon
with that trust,
you decided to disrupt my process.
How can one man ruin my nesting site?
And I had faith in you ,
to be a figure
I never had.
I wanted.
My heart ached for it.
I needed it.
To be loved .
To be nurtured.
To never be like those stray dogs
looking for a home.
This was the moment .
Where....
Innocence stripped, heart captured.
My Freedom gone.
You were naive to comprehend
On what you were doing...
You would stab my cocoon
with your sickening poison .
Over and over you stabbed .
Ruptured the veins of my innocence .
To break my finest silk .
Purity banished.
Stabbing your poison was
Making my cocoon
useless ,
worthless ,
unwanted,
colorless,
I tried to run and I tried to scream
but I was devoured by this poison
It was the love I deserve.
Couldn't escape , numb to the pain
For every poison injected, I began to
Question God?
Where was he ?
when I shed out a tear of help.
Where was he?
when my cocoon was destroyed.
Was I loved God?
when I muffled help in your name.
I hated myself ,
I stay in my cocoon
afraid to see my future.
I wasn't going to be a beautiful butterfly
Battered Butterfly
My life seemed to be colorless
No one wants a battered butterfly
My life....
It seemed it had ended
when poison sunk onto my helpless body .
No one wants a battered butterfly
Imprisoned to these chains.
Being poisoned every night by different
Predators.
Oh God....
Those predators ...
Battered lifeless little butterfly
Was I ever loved in my nesting site?
But then again nobody loves a battered butterfly
How can I reach to heaven when
I was worthless.
Believed I was a vile *****.
Tricked into a poison of hell.
Battered Ugly Butterfly
***** Little butterfly.
There was no light in tunnel
There was no holes in my silk
To escape this poisonous nest.
Why?
Because I believe nobody wants save a battered butterfly
How can the man I trusted ruined me.
I thought you could be the one to complete my lovely monarch .
To complete the missing piece.
But you continued to misuse me.
To haunt me.
To barricade my heart
To own my soul
But one thing I can truly say
You never once won over me.
You never imprinted my change.
I endured your pain
That was a sign of God
To show me what strength I am capable of.
That was the light that I found,
You had no control to inflict pain anymore.
Because I became impervious to your pain.


I am a beautiful butterfly
reigning over my monarch
with no thought of you.
**That is my freedom
Speaking out on my ****** abuse
Max Hale Jun 2015
The morning awakes with stuttering respect
Night time peace is past.
The new day to me is opportunity
Familiar movements from my love
Sadly recognising that rest is done
At least for the moment
Refusing to wholly awake is one I know.
She feels that more sleep would be...well
Even on days off the climbing out is a considered move
More considered, than move
I love her for her familiar ways
My moderated interaction has taken time to evolve
I understand, we can't all be the same
I love her for what she is and has taught me
Patience and tolerance
Oh how much I've learned about myself

Love is an acceptance of difference
A morphing of two ideals
A belief that neither is right but then...
Neither is wrong
Maturing love is a joy that has moved from blindness
To being at peace with your lover
But most of all it is the recognition
That you are with someone
Who cares, understands and forgives you
Overlooks odd ways and strange sayings
The underlying passion of true love
Never recedes or diminishes, but grows
Easier in the knowledge of  an element of comfort
In wonderment and true happiness
Our jagged edges of self are no longer apparent
And the depth of our rounded love clasps us together
In time and space
Henk Holveck Sep 2016
the thoughts never go
i realize you are unavailable,
not because you are with someone
your lack of remorse hurts.

i don't desire to stroke your ego
so i merely keep it concealed;
although every time i visit you,
the caterpillars in my stomach develop wings.

your intoxicating chorus
eases my anxious mind;
your tender kiss
absorbed directly into my veins…

but i know i am not the
one who helps you fall asleep,
for i am a man who writes
about heartbroken cries

we as men don't want to hear that ****
for intimacy and emotional exposure is dangerous
and with so much at stake
why would you make your emotional sentiments so public

because of you
you, you, you, you, you
i obviously cannot tell you
so if someone resonates with me

i can feel love from someone, somewhere.
Vicki Kralapp Aug 2012
Sitting in Circular Quay in a bistro on a warm winters day
dreaming while watching the tourists and ships sail by.
As I eat oysters and drink the day in with my wine,
past memories wash over me.

Morning teas, chats, and paper bark trees,
hikes through the bush and walks along the beach.
Watching dolphins play at dawn
and fishing the waters on New South Wales shores.

The Harbor Bridge alight with Bicentennial Fireworks;
a surreal beginning to this adventure.
Wringing every drop from days spent,
finding a new world with each step.

Discovering myself through the wisdom and eyes of you,
maturing, becoming my own.
Like family, you’ve been both mentor and friend,
carrying me through fire and back.

My life was undone as I first saw your shore.
Feeling my heart would break
with our first goodbyes,
unknowing that an permanent bond had been forged.

Tracing back over the years since we met,
I’ve been given more than my share.
Making me ponder how I have been blessed,
to count you as a true friend.
All poems are copy written and sole property of Vicki Kralapp.
Arianna Stevens Mar 2014
I see the changes
            At times they are clear

Other times, they seem to pass right by me...

I am growing...
               Maturing...
                     Changing...

I am becoming a stereotype
                          Just not the one  I thought I'd be...

Breaking rules,
               Sneaking out,
                          Telling lies,
                                   Cheating...

The list seems to continuously grow longer

            Is that bad?
                                    Or good?

                   I don't even know anymore
Lucia May 2012
As I flit from A to B - Candleford to Larkrise
Laurieston to Gatehouse of Fleet
I flit, spit from A to B
Calling all Bluebells
assist me in my move -11th May, '11
Let Fairy Fawn be fair and true
and pure with humility
For his Fairy Lu - La Fee Lu
could get so blue
if he is not on time

All praises Bluebells
He is here

T'was but a year since
I'd wished upon a
Castramond Bluebell
in April 2010

And now we sit in utter Bliss
Ensonced in historical Dunblane
Fairy Fawn paints on and on
And I just sit, dismiss
All negativity, anything dark
I know that light will disperse the unhelpful hearse
darkness, death and dour ways
Disolve in the sun this late spring morn
Let Bees Browse among the Heather Blooms
Like love now maturing from twenty-eight days to a year and day
4th of the 4th 2012
brian mclaughlin Jan 2015
The tree takes it's time
for to reach maturity
then blesses with shade

Men imitate trees
once they reach maturity
they bless with wisdom

A tree with deep roots
withstands the winds at their worst
to bend and not break

A mans deep beliefs
hold fast throughout his days and
cannot be broken

The tree and the man
bless the world and together
can be seen as one
Mateuš Conrad Nov 2017
no number of opinions will alleviate this apathy, promised, paradoxically: a pandora's box of pathology, which is why attempting dialectics is a farce, a cheap magic trick for a talk-show host in being "understanding", to attempt in mediating, and then scoffing it off, like some under baked crumpet / scone, and yes, it makes sense, pivoting on the possession of a conscience... it's not that some people appear to now possess it, but that they are comical in possessing, and comedy is always nuanced, an ambiguity surrounds their conscience... the binary opposite of comedy? the birth of the tragedy, a succumbing to madness, a suicide... every person possesses a conscience, as the universal law of unit, but comedy hides a person with a grieving conscience, making the person so callus as to make them donkeys, laughing stocks, spaghetti entangled liars... it's only a conscience triggered into a tragedy that reeks with redemptive qualities ascribed to a person, cf. the already mentioned carl sergeant and 'arvey 'ard on weinstein... in the spirit of the film split: rejoice! for those who have suffered are redeemed! rejoice! said the beast. the comedy is near impossible to avoid in post-script idiocy beaming the letters FAIL; the tragedy of conscience, at least we know some evil doers in death are redeemed with the only puritanical act to redeem conscience: the bride of honour.*

can an intelligent person make a slapstick
joke?
  or is it that,
   a dumb person cannot make an original
joke?

besides the point,
  a question is a question -
  and as most questions go -
it's not whether there's a correct
or wrong answer,
rather, whether there actually is
an answer to accomplish
that stated question.

i've noticed a resurgence of dialectical
inquiry, but i have decided to
avoid perfecting the art,
   other than in person,
on a park bench, rather than on
a page in pixel white...

  oh sure, i have a life beyond this
outlet,
and i rarely write a platonic dialogue
to reinforce my experiences,
i once enforced a question
upon a child in a supermarket:
do you think animals are unable
to see 3-dimensional objects
     in / on a 2-dimensional canvas?
he didn't answer, because his guardian
thought i was weird in my
presumption...
which was, however you imagine it:
casual, cordial, orientated
within the adequate use of time and space
for the question to be asked.

personally i find myself if a binary
realm of,
   which isn't exactly a left right divide -
as a "schizophrenic" i am marching
down the middle, and asking myself:
   there's only the middle to mind,
and the mind is the only thing worth
juggling, sure, but juggling
a thesis hemisphere and an antithesis
hemisphere becomes lost in
the schizophrenic-quadratic -
      right down the middle.

which is why i find modern attempts
at dialectics so odd...
i prescribed myself dialectical escapism,
simply because there are too
many opinions i'm simply not interested in.

people seem to have stored these opinions
for so long, they are choking at not
having talked about them...
  it's apparent in comedy...
among comics...
                    they simply say:
if we can't bypass the comedy and sit down
with a cold beer, we can't actually
take the opinion seriously,
  if we can't, at first, make a joke of it...
that's hard...
              that's near impossible to stage...
you can realise the complexity of
enabling a seriousness with a comic precursor
antics to "soften" the blow of
approach...
that is why i await the awaited for
dialectical artist, who must be much
older than i, frankly the age of socrates,
i can only fathom dialectical escapism,
    in that i can fathom an opinion,
but i can't fathom being endearing to it,
keeping it, nurturing it,
       maturing it,
                     making the animate
water into inanimate ice...
                       which leaves steam
   a categorical conundrum of categorisation...

in terms of the human mind,
i can only find comparison with Alcatraz...
i am forever attempting escape,
i know i will be aided by the snitch,
judas, death...
     but i have to be lodged into
a vocab that may aid me,
  or hinder me.

                   the human experience is
an Alcatraz because of the a priori principle -
what came before me: set the rules,
the winding corridors where
i'm not the Minotaur,
but the scared victim,
   or just the dumb-enough brick of
the labyrinth's wall.
or? the a posteriori principle -
           i impose my own graffiti on
the walls, and be the Minotaur of the long
wait of life, with death:
my morphine angel.
                              
         but i see no desire to engage in
dialectical endeavours,
            hence my choice in attempting
a purification of poetry,
against technique of schooling,
  in making poetry less and less
musically orientated, and returned to
its primordial genesis: of narrative.

  hence my dialectical escapism,
i really have not stable opinion,
or opinion i'd like to adhere to, to subsequently
hug a pillar of a Parthenon.
                
- believe me when i say that the english
language has no inclination of
orthography, since it uses no diacritical
distinctions...
  and yes... russian diacritics is ugly as
your waning babushka of "secrets"...
  - the beauty of existentialism?
            avoidance of the thesaurus,
mismatching words, ambiguity -
the phraseology of: for lack of a better word...
     fiddly parts, you know,
            **** it, you can't exactly
interrupt a waterfall, so why bother
   attempting to boil some water in a saucepan?

  the world once believed in the enterprise
of dialectics, but since the emergence
of a third party mediator,
       what sort of "dialogue's" worth of
the dialectical endeavour is there left?
once upon a time, in ancient,
the mediator of a dialogue was a park
bench, after that a stage for actors...
who asked these third party ponces,
  more to the point: who invited these
plebs into our private debate so they can
mere awe and sigh their saturday nights off?!
who the **** let these plebs in?!

       i'm a pleb, i can call them plebs,
do i ******* look like i work at 10 downing st.?!
plebs only understand pleb talk,
  rude, incoherent, mildly orientated
in journalism, and ever wishing for some
marquis de sade hard-ons.

i encourage dialectical escapism, frankly,
because,
          i 've found that i have a bare
minimum, laurel leaf worth of covering my
genitals aspiration to keep opinions...
    opinions have become spare change,
you loose them almost all the time,
they're the pennies from heaven,
some other lucky ****** might find them,
and then the resourcefulness of that poor
****** is imminent: spend it,
what's there to debate?

                    the only truth of opinion is
that one man keeps them,
and by keeping them, idealises them,
thus becoming an idealist,
  or that another man discards them
as easily as a ***** peacock,
and by doing the ***** peacock strut,
discarding them,
          becomes a chameleon,
a "non-conformist" (**** me that's
stretching the idealist antonym);
  
   if there's a truth: it's a bunch of lies -
and if there's a lie: it's the only truth -
because the rule of pluralism (borrowed from
heidegger states):

          one truth = many lies
           one lie = only one truth

(there is no pluralism of a truth,
       but there is a pluralism of a lie -
the genesis of a lie is?
             a continuum beginning
with the original temptation -
truth is "plural" but it is not
a continuum of precipitation,
but even if it is dismembered
it is a whole, already apparent,
           or rather: to be made apparent,
it does not require a preceding step
to provide a pro-ceding step...
   lies are obstructive,
truth never obstructs; truth rapes,
while lies groom)...

   unum verum = falsum multis
   falsum unum = solum verum unum selem.
Given its ethnikos factor and contribution towards a common origin of multiethnic and languages, in values and traditions, its morphological factors of Verthian sub-mythology, are provided with content, traits, colors, and neutrality, focused towards a biosphere ecosystem, where the air conditioning, flora-fauna will make Sub-mythological Biodiversity, where the beings that inhabit it and will be in the range of evolution of mythological living beings, in whose diversity of genetic seizure, they will adopt natural and compound patterns, but always predominant in the pattern biological and organic. Wandering around the world in desert places, in alloys and compounds of classified plants, emptying their species through the hollow of the atmosphere and through the green shoots of grasslands in the reviving surviving evolution of organisms and species that for the first time take a look as a biotype among rocks and plantations, reciprocally among themselves and extemporaneously generating heritages of mythological genetics.  Considering millions of years in evolution with explosions of multicellular and fossilized species extinct in massive and occlusive memories. Inert matter and geological strata will make millions of years converted into microseconds in the Verthian Biodiversity of the Duoverse, in a Psychic and spiritual Universe, emerging in all macroscopic perspectives and parapsychological regressions. Impact They will cause in the maturity of all the diversity of externality and sensations in new topologies of anonymous universes and species of biodiversity, under a pillar of culture based on the Sub-Mythological biosphere process, encompassing all mythological species where the hope of Life and Super life. Transforming systems of functionality under the protection of spontaneous generation and in a matter that is availably underlined in the mountainous tissues of the mechanics of the subset of the air mass, water, climatic biospheres, and biogeochemistry, that in the unreal juncture of and interprocedural reality of carbon, factor the species key and specimen disclosure, in the collection and in sinks, water drains but without carbon.

Hyperdisis, the galaxy connected to the Duoverso, in its biotic diversity, reinsert thick clumps of Nothofagus Obliqua forests, in waste processes, to domesticate the Leiak ethno-forest species, as balance nutrients and repair of the disgraceful disgrace of unnatural toxicity and fragile of the agrosystem, maturing cultures and preventive pollination in succulent transfers for purposes of food webs and the environment. Making the appearance of species more effective and perceptible, reunited in community chains of coherence, to amortize low-resource needs and distance economic-political impacts, in view of new base resources and the sustainability of balance of allopathic crops, for the good of driving extinction of plagues or flagrant excesses not reconverted, for compliance with the exercise of light beings as a parallel systematic contribution and ******-transmission of applicable inputs of quality of life and deflation of risk of biological cyclical deterioration.

Hyperdisis, has a mass of inert matter that creates accesses of resilience, for salinity, rainfall, and human adaptive mythological innovation, given its versatile opening of complement and generation of substances, for the convenience of living beings and No.  Having adopted in the context of mythological Galaxy, related to beings of light comparable to distant elements, by means of Psychic Trisomies and teleportation, for energy sources and soil and water mechanics with Leiak, constituting molecules for the simplification of phenomena of exacerbation of chronic and endogenous diseases. Forests and parks of Hyperdisis in the open and symbiotic, for more airs in microbiological space, in the intimate portion from highest to lowest challenge of proprietary elements and antinomies of hieratic human bioculturation in a showcase of communities with interest in technologies and empirical usability and renewable, each part doing its scientific and biodiversity role in the portico of its home. As a hieratic quality, presenting amendments that are glimpsed and more existent, although it passes before our eyes without the Carbon Footprint, figuring logical mathematics by sponsoring its count more than a shadowy synthetic body, anticipating super valuation measures, averaging them in tiny theological portions, with varied and dissimilar levels of genetic habitats and alleles or heterozygous in the taxonomic functionality of reproductive and biological approval elements. The richness and abundance of this item is delegated to Leiak, in all the revolutionary processes of the oak forests and of the high mountains, where Vernarth directs him and is condescending of his dynamics, from countless temporary revolutions of other species.

Within the gasifications of Cinnabar, there was Carbon in its Life cycle, being Zefián; the curator of the Duoverse, destined for a lifetime, under Universal and intergalactic effects.  Claiming innocent living beings with higher attributes of predation survival in the ecological chain, with the mix of Tsambika and Theoskepatis, granting multidirectional dynamic residual matter for green energy emissions. The feedback quantifies carbon circulation offset options, offsetting the multipurpose CO₂ inventory. At night Zefián and Vernarth roamed the streets of Rhodes, in Tsambika, looking for the distilled portions of the carbon and sulfur emanated by Cinnabar. In the same way Etréstles in Theoskepatis initiating with the Archpriest by virtue of the honors and the rubies of accumulations of water mass and of sulfur and carbonated air, which hung over the low sky of Rhodes and Kimolos. They were going to the Necropolis of Hellenika, when the gnostic rampages were glimpsed in the surrounding slab, minting half of the gold bars for the great goldsmith who erects the conventionality of having the physis imperturbably established, as a matter of patriarchal character. They entered Hellenika and the souls that were hanging around were ringed under the encrusted crescents, lavishing the independence of the night in the hands of Borker, which was reflected in the capitals of a mausoleum. Borker is consistent in saying that he is free in Hellenika, in the myth of the woodworm of the dustbin of the frieze where Etréstles perched next to the strap that Zefián, who would manipulate the gold and alabaster chain, to pull it and its ruby ascetics approaching a final night in the astronomical autumn, in the last parapsychological regression of the god Vertumnus, which would embody the expiration of the Hellenika friezes by Kashmar branches decayed from vegetation and the tears of the Etruscan god Vertumnus. Making the branches of the Kashmar the epithet of heraldry in the noble metals and woods of the autumn and mountainous temple of the one that follows the equinox in the meridian of seven days to the southern and northern hemisphere.

They enter the Hellenika Necropolis, through the upper and lower trays, cordoned off by obelisks in series of petrified ebels, in the square sections of the convergent ones and the linearity of the central pyramid, where they sponsored all the sectors of the stones of the prismatic geometric body, next to some piloneos that flanked the third of those that were in the figurative memory of funerary monuments of Vernarth. In harmony with the radiosities of the Cinnabar, they purged the carbon emanations in the intrabodies of petrified breaths, expanding in the segments of trepidating life of the behavior of the inert matter, crushed by the organic, polishing the degrading character of the excavated prayers, under a superfluous shadow. It was already dawn; Etréstles and the Archpriest were breaking the loaves to deposit them in the bowl of the Day, stretched out in the arms of heaven under the gargle of the god Vertumnus that he forged from the materiality of Jupiter. Vernarth nodded his head to the movement of the winds that cut the profile of a Yawning Citarist in the frieze that raises all the crowns of the princes of the living-dead, making them part of the royal occasion, preparing petty spaces and tyrannies for devouring vassals in Hellenika, Diogenes of Sinope is seen coming out from the lair of his rib, splitting with his doctrinal staff all the isthmic paroxysms, which declared the cell of his life as Diogiversity.

"There were murmurs of astonishment at the surprising response of the wise man because no one dared to speak like that to the king. Alexander asked: "Why do they call you Diogenes, the dog?", To which Diogenes replied: "Because I praise those who give me, I bark at those who don't give me and I bite the bad guys." Again, more murmurs, but Alejandro was undaunted by those responses and said: "Ask me what you want." So Diogenes, undeterred, replied: "Get away from where you are, you cover the sun for me" ..., Vernarth replied: "Look for him in the bones of those who refused to die and fear beyond expiration who rejoices in the cold of the dean skeleton seed, without heat or memory here in Corinth and its Diogiversity ”. Everyone is silent and fear takes hold of everyone in the sybarite contemplation of Alexander the Great ..., expropriating his speed more than a contempt for the cranium that is advocated for Vernarth "
Ethno-spirit and Biodiversity (Diogiversity) / part 14
ShowYouLove Oct 2014
There is a time for all things

There is a time for all things a time to laugh and love and live
A time to receive a time to make and a time to give
A time to work a time to play and a time to be blessed
A time for talking a time to listen and give it a rest

There is a time for all things a time for weeping and for sorrow
A time to remember the past and time to look forward to tomorrow
A time for family friends and loved ones a joy to be around
A time for knowing where your hope and joy are found

There is a time for all things a time for loss and for gain
A time both for times of growth and with them time for pain
A time for time alone with God in prayer and in thanksgiving
A time to ask for help when life seems unforgiving

There is a time for all things a time for healing and for prayer
A time to know that in all things God is always there
A time for peace a time for mercy and grace
A time to see in others Christ Jesus’ face

There is a time for all things a time for life and for death
A time to belong to Jesus through our last earthly breath
A time for ends and time for new beginnings
A time to take what seems like loss to change it into winnings

There is a time for all things under the moon the sun and stars
A time for learning and maturing and finding who we are
A time for trying to find our place in this world and God’s will
A time to thank him for his love and ask that our souls be still

There is a time for all things God has got the plan
A time to know just what God see’s in the heart of man
A time to question a time to walk by faith and not by sight
A time to believe that God knows best and he is right

There is a time for all things glorious and great
A time for love and a time for hate
A time for building and a time for destroying
A time for rushing and a time for enjoying

There is a time for all things in the time that we have here
A time that is important and something we should hold most dear
There is a time for all things
And for it, joyful, my heart sings
Michael Parish Dec 2014
It's hard to see how unread the love we share becomes.  How strangely women turn off our solo.
White snow stealing the grass
So children can ride them.
The unforgiven gardens to secret
Soil.
You didnt know you didn't know.
It's all you, it's all you.
The Canadian geese chasing the ducks
Hoping for hand outs.
Is all we will ever feel
And all we ever hold back
Because our tireless souls
Have liove with our strange
Breaded dreams
To show our serenaded
Screaming psalms amongst the pitty of rainy days
And make us hunt those midnight
Martini kisses player fashion.
But now comes the kicker and we are settled.  To rap that we have lost our
Main vision forgotten so ignorently lost.
Raghu Menon Jul 2015
Green
Refreshing
Maturing to become
Grains that will feed us

WIth the sweat of the farmer
WIth the tears of the widows and daughters
WIth the sorrow of the indebted ..
WIth the curse of the deprived and downtrodden..

We don't see the stories behind the scene
We relish the fancy recipes of the Master Chefs
Of fragrant rice, golden rice and the slim and slender grains
We forget the dark, thin, slender bodies who make it for us...
http://tprmenon.blogspot.in/2015/07/green-killing-fields.html
Mateuš Conrad May 2016
.you should really see the two comments left, and the 700+ views to begin with.

mind you, i did write an ode to the gods
(yes, that infantile pleasure,
not associated with cosmopolitan new york
atheists)...
how the roman plagiarißm of the the greek
pantheon happened too soon,
how the semite god ate up ba'al
and beelzebub "too quickly"
   turning them into fallen angels...
      like how he infiltrated the roman empire
due to their close-up plagiarißm so early...
father Zeus, father Odin remained...
as did their phonetic encoding...
as did the glagolitic script turned cyrillic...
sorry... where was the african phonetic
encoding? beside the hieroglyphs?
  what's swahili for:
red earth, gave birth to me?
   nyekundu dunia, alitoa kuzaliwa kwa mimi!
see... that's african speech:
but what are the letters behind it?
last time i checked... there aren't any!
and i came from africa?
maybe the anglo-deutsche did...
i didn't... i source my origins
in india... after all... indo-european
is my higher category, the mongols...
i don't care if the germanic people "think"
they originated in africa, i've come from india...
people who minded phonetic encoding,
had an alphabet,
              i'm still stuck with germanic
people with african stereotypes not being
able to swim...
   heavy bones they say...
    **** that and the whole i.q. "conundrum"...
i still watch t.v.,
       after all, after prometheus
brought down the flame from olympus...
some demigod had to bring down /
steal the rod of zeus / electricity...
and turn the t.v. into the modern fireplace...
the b.b.c. had this 2nd season running,
killing eve...
             sandra oh and jodie comer...
there's this instance in season two,
when jodie comer, villanelle...
  is interrogated by aaron peel...
                and "kind" aaron is asking villanelle
all this philosophical quips...
anselm's ontological argument...
    occam's razor (i wish)...
            he has so many books on his
bookshelf...
   yeah... books you look at like comic
book strips, books you don't actually read...
books you look at...
            and what does villanelle do in the end?
she brushes aaron's nose with one of
these books "he's read"... what is it?
ha ha!   a dictionary of philosophy...
a... dictionary...
basically short-script...
                     cheat...
         you really want a dictionary
definition of philosophy? a philosophy dictionary
definition, a sound-bite?
you know... last time i checked...
i read bertnard russell,
kierkegaard, kant, heidegger...
not for a dictionary definition...
or regurgitating rubrics akin to
a university lecturer...
        i hate regurgitation...
                i read for myself,
  in the end, hoping, my narrative could
find expansive ground for work-arounds...
i don't like playing the happy
harpsicord dancing monkey...
    to give "proofs"...
              i don't like people,
akin to villanelle, when questioned
on a university entrance critique...
               like i might "know my ****",
or not "know my ****"...
                                       pretty boring...
i am starting to resound in the conviction...
there's no point in knowing other people,
there's only one person worth knowing,
yourself...
       mind you, i'm still waiting for the alternative
phonetic encoding system to come
from africa, as an alternative counter
to the egyptian hieroglyphs...
i'm not seeing it...

   tender skin: the moon does see...
     zabuni ngozi: ya mwezi haina tazama...

eh, chinese script is all syllables and no
letters...
        glagolitic - Ⰿ
        rune - ᛗ
        roman - M
        greek - μ
        hebrai - מ
        devanagari - म
        arabic - م
        hieroglyph - owl
        mandarin - 冊
        hiragana - ま(a) み(i) む(u) め(e) も(o)

didn't i mention this already,
interchangeable, between a letter and
a syllable... given the hiragana example...
depending on what vowel
you attach to the base sound (consonant),
the vowel modifies the base (consonant)...
five ******* variations of the consonant / syllable...

           ergo? no atomic reality in these languages...
syllable understanding...
the mendeleev table...
                He: helium...
             Xn: xenon...
                          Na: sodium... etc.,

            depends...
   after all... a base letter (consonant) in hiragana
looks like the following schematic:
i.e. no one really knows what M looks like,
like mmm-humming...
without an added vowel...

                                     ま(a)
                                      |
                   め(e) ----- "x" ----- む(u)      
                                   /    \
                                 /        \
                          み(i)          も(o)
                                                            
.Nietzsche was wrong about dialectics, he suggested that the non practice of dialectics, even the anti presupposes a polite society, he invoked that comparative tenet of a society in saying: a polite society does not engage in dialectics (finding the truth of opinions).

which is akin to the slander against Voltaire,
that not engaging in dialectics
one has a chance to have an opinion about almost
everything, there's no chance these days
to have a polite society as there is no chance
to establish a Utopia... the way dialectics is
avoided like some surreal horror movie
is to have many opinions, to not engage in
dialectics is to be opinionated, hence Nietzsche's
style of utilising aphorisms and as many
maxims as possible, without useful applicability;
it's like that metaphor for a venomous bite,
the carousel of the many many thoughts,
likewise, no truth are established, since many
truths are proposed - hence the paradoxical
venture into nothing, simply walking in circles
on plateau nihil, it's polite, well of course it's
politeness! politeness by having many opinions
readied for a quick change of subject or
the simple act of shame and shutting up.
all this? with regards to a woman writing about
her abortion: we, the great reverse-amphibians,
so she's writing about it... 4 weeks in she's ready
to erase the dot... they tell her to come back 12
weeks later (sadists... why not remove the dot
rather than wait for the geometry to construct itself?),
again... why not remove the dot and the abstract?
she mentions a dot... remove the ******* dot!
the tadpole outside the gooey yoke is fastened
to maturing in the fresh water stream or lake,
i can hardly be a human being inside the ******
if my **** and bladder muscles are not matured,
i'm an abstract in that sense, tadpoles ahoy!
now see how living in a "polite" society i can't
engage in dialectics but have to reverse the process
of discussion and engage in picturesque comparatives
using toads? it's called applying anaesthetics - well,
an anaesthetic, or a placebo - in polite society people
get over-excited, unconditionally so, over-stimulated,
unconditionally so, with having to muster having
many opinions, politics can become a circus de facto,
de facto as in: detached from rural England.
so if we'll never attack the status quo with dialectics,
will be constantly multi-opinionated, changing the
subject all the time, and when challenging, we'll
only feed an anaesthetic, an anaesthetic that will become
a confession booth in a catholic church:
a quasi-solipsism, the listener and the other person
talking, mono-dialectics, so well entrenched these days
that there's even a good reason for practising
psychiatry rather than a catholic confession in church,
psychiatry is, after all, a secular version of the catholic
practice - more intimidating though, since you're
facing each other, rather than sitting at parallel positions,
shrouded in secrecy of the wooden mosaic wall of
the booth... i'm just wondering if this attempt to feel
the naked soul does not intimidate the clothed body
more to later undress itself in ***.
neth jones Dec 2021
a heartness of light displays ;
in initial tinting
   the morning
        tipsy
dunked in the thirst
         from the passing night

unnecessary
the fight we experience
   in darkness seems

once exposed
wincing in the maturing sunlight
     a wedded weight is removed
[a heartness of light
scattershot through my peel
there was the warren of night
there was my overactive medicine whorl
then the cold roam of it
barely shared
seems so shallow
no-man and wide
lifted ; i part from darkness
the merciful hint of the morning]

[a heartness of light
beads the mongrel nature
of the sweating jungle
beds the bleeding
of clever trade
and foreign warfare
new growth
will always gloat over]
Yenson Aug 2019
What failures
oh the failures of leaving home at seventeen
of living and thriving as a minority foreigner
of working and studying to post-grad levels
of maturing wonderfully and being up and decent
of loving and marrying and creating a good home
of no crime, no debts, not a drunk, not a player
of no stained reputation, no borrowing or theft
of being easy-going, nice and friendly, an all-rounder
what failures
the failure of being successful and capable in grace
the failure of doing so well a white neighbor burgled
the failure of saying that's not right, you're rotten thieves
the failure of standing up to bullying thieving mobs
the failure of being gangstalked and destroyed
the failure of being an educated professional black
the failure of being a solid, courageous, wholesome man
the failure of knowing you can't do wrong and get by
Ladies and Gentlemen
these are my failures
Its all there in black and white
its the failure of being a minority
In the british democracy of the Socialists
for it is greed to work hard and be successful
its a failure for blacks to aspire and do well when your white
neighbor is a drunken, welfare dependent waster and thief
And Blacks beware, for if you dare tell them to go change
you will be stalked, hounded, smeared, defamed, humiliated
harassed, bullied, slandered, sabotaged, and basically driven to
suicide or a breakdown
They manufacture Failures to reflect their own failures
They call it Trading Places and dish it out to 'Uppity' Blacks
Hey, listen now

You can't be wrong and get right
No matter how hard you may try
Anything that is in darkness, must come out in light
For you can't be wrong and get right

Now if you tell a little lie and think you get away
Cheat a little bit, then you will have to pay
'Cause when you think it's peace and safety, my friend
Sudden destruction's your end
Poetic T Oct 2019
He was the child with the magnifying glass that lingered
in the exhalation of the heavens. Always holding it on
those of weaker statue than himself. Insects were his
starting point, as they were barbecued under the influence
of what was focused between light and glass and what
lived became inanimate just a blackened smear that he
smothered words into the dirt
        
                           I'LL BURN THE WORLD,

His parents saw this and in jest laughed it off as the
Immaturity of a child's frustration. That all was but a
a boy finding his place within the many echoes of manhood.
A child was maturing, and they assumed that he was not
ready for the collision of what was in-between the moments
of childhood and adulthood.

One cold and sodden night where the only things that were dry.
Were submerged in the cover of roofs and foliage.
But even the penetrating raindrops gathered in haste to soak
the earth beneath the leaves protection. All drowned within
nights flourish of immersed air. Where it felt that breath was only
in-between the flurry of h20's deluge.

Within the house, within the rooms crept a silence.
            It wasn't alone, for it wept unseen streams between the  
crisp white borderlines,  were doused in clear liquids,
Draping the curtains in non received  heavy remorse,
the only things that were burdensome were the drapes as the weight of the liquid pulled at the seams holding them aloft.

Remorse was neither felt or given. just a feeling of accomplishment.  
Felt it in the moments that succeeded between this
gathering of dead lights as a flame was lit.
But not a whisper was echoed this flame was lifeless
in the eyes of its beneficiary.
But it lept upon the walls like a ballerina, gentle,
and dancing within the confides of its given dance.

He stood in the hallway the flashback was unexpected,
but he still stood there gazing and the beauty of something
given with such frailty that a breath could extinguish
its potential. His parents had no idea, they were slumbering
within the confines of blankets that entombed the warmth.
Clasping hand even in sleep love was a subconscious yearning.
The thing with these old houses some had decretive metal over
the wind bars in beauty crafted to keep things out.


But this was his plan, what cant get in cant get out.
He'd gone in there room and stole the key.
He took a last glance, and said,
             "I Love You
,Before sealing them within. The flames were silent like
a stalker watching waiting, till the inevitable conclusion.

As things started to burn more passionately, caressing every
thing it was touching. So the smoke started to thicken like
A heavy smog it got into places the fire had not reached.
Moans could be heard, then screams at the realisation of
what was happening. He Could hear them, he could see them.
For even though a teenager he was intuitively cunning,
tinkering with everything and anything.

And small cameras were dotted around the house,
looking listening to everything that was seen and spoken.
It had come to fruition due to one such thing he had heard
being discussed by his parents.

"I saw him in the woods,

                 "Doing what darling?

"He didn't see me but the neighbours cat,
                                  "you know soot,

"What did he do, nothing bad!

                "He tied it up,
"Then threw what I thought was water on it,
                  I thought it was nasty but then!!!  

"Then what, your scaring me,

"He lit a cigarette, I didn't even know he smoked,
  "Then he discarded the match,

       "
The cat, oh my god the cat,

"
But he recorded its screams, he recorded it dying,

"
I couldn't move I was so angry, so humiliated,
        "
I wanted to throttle him there and then,

"
But ill phone the police tomorrow,
                  "He's not right, who would do that,

How dare they think that I can just be fobbed off,
         discarded.

                                             I was making music,
the screams were a delicate symphony,
            acoustics that's couldn't be reproduced.
It had to be from the source.

That laid, the plans for what now enveloped that house,
recording every noise, every scream. But what he needed
was for them to burn, to release the music he needed to
hear to complete his work. And they like parents gave it
there all, he had goose bumps as he heard there terror.
his eyes welled up, not in regret but the beauty that his
parent last words were given to him, so personal was this
moment that he'd never forget it.
                                                        
                                                                ­          "Thank Mum & Dad,

After this he released a mix tape, that could be only
conceived from an artist, in the womb of excellence.
That's the reviews he had, it brought shudders to your
heart and mind. It was if your humanity was crying out to it.

As so forth and more were sewn in the adulation of his work.

Now he needed to make more music, but he needed more
screams to make his next piece two were not enough..

So he wandered the night, dressed in unclean wear
so not to be confused with who, or what he was..
He hung around the homeless parts of town,
plastic sheeting for roofs.. and combustible bedding.
It was as if he'd planned himself. but he had to be smart.
for this was if ill planned he would have a needle in his
arm within the year. But he took his time tiny cameras
recording visually and sound.

He had gathered the combustible elements needed to
make this a orchestra of his needing, not a duet like before.
He didn't down play his past offering, but this would make
an album of despair and monument to the flame.

It had been raining, but only lightly as he needed some
dampness in the air on there sheets cardboard mattresses.
So not to raise suspicion on the dampness of there homes.

As they moved away from the embers of barrel fires,
yes he'd thought about that. Not every home was a
crematorium a cardboard and plastic coffin of there
choosing. He waited clasping his hands together breathing
on them as it was cold night. He liked to watch, a voguer
of sort, but his wasn't the fantasy of death it was to hear the
music that was about to be sung with smoke filled lungs.

He'd set up a unique but rudimentary way to light the fire,
a small gas hob with liquid within. it needed to be a certain
temperature ignite, he had tried it before in a field out west.
Deserted he'd made a mock up of this humble place.
And he wasn't mistaken it was fascinating, the flame spread
like the wind enveloping everything but, it was a dull for even
though the flames wept of everything, its tears turning all to
ash..

It was silent, deafening, he cried for a while, there should never
be censorship of the flame, for what is a log fire without the cracking of its inner self being consumed. This was just smoke
and regret. But he now looked down at the camp, his watch
counting down the precious moments.
                                                             He whispered.
                                              

                                                  "Thankyou,
­
And then like a super nova the darkness was ingulfed in
the aurora of flame, gliding over the ground as if a stream
of conscious reckoning. Those near by the civilians that were
                        across the street were transfixed.
As screams embellished the flames, this was my orchestra
of light and noise. Those across the street were either screaming
or videoing the scene.
I looked at them and wondered where there humanity
had gone to, as to film this moment rather than to rush in
and save the few that they could.

I watched as the engines came, extinguishing my masterpiece
choosing the night was always preferable to the day as flames
dance better when there is less light to contaminate there beauty.

My music, I had become quite the remixer, of vocal and rhythmic
sounds.
                               Within a week I had mad nine new songs.

I named them each as deserved, making them in memory of
those who perished that dreadful night.
            It was well received, a few thought it was a haunting
melody of humanity's struggle, while a few thought it was
over ambitious, and lacked the passion of my first piece.

All together it went down well, and the adulation of the
flame was kept, to honour that which gives as much as
takes the breath of life away.
A year had past and the door rang, it was an officer.

                 "Could you come to the station please,

Had I become the victim of my own success, had someone
broke down the acoustics of my music and realised what
they were?? So many thoughts went through the calm
exterior of my persona. But inside the flame dimmed,
had I lit the last candle. I was taken in to a room,
and questioned evasive not to the point but gathering
speed to the answer, where were you on the
                                                             ­       30th April 2019.

Alabi's were a fantastic thing to plan ahead, I had laced
my date with sleeping tablets to leave her in perpetual
slumber. And got back before she awoke, we made love
we were the flame and the wick.. and our sweat was the wax dripping from our form. The next week I dumped her.

They asked if I recognised a picture, blurry and ill framed
but I could make out the figure was me. No sir I don't why.
This person of interest is wearing your jacket, your logo!
I smiled and was truthful to a degree.
                                                             Planning is everything.

I threw maybe fifty into the crowd when I did a concert
in the city, when we drove past some homeless persons.
We donated what was left to them, do you realise how
cold these streets are, who am I to steal warmth away.
I don't wear my own merchandise what do you think I
am egotistical, no I wanted to help those who I could
have been if not for my music. I lost my parents I know
what its like to be alone.

I think the show went well, as I was released before
reporters even got a sniff. But I knew that my time
was a wick trying to keep the flame lit but dying out
anyway. I had made preparations for this time.

I had brought a club only for gigs, cheesy as hell but
had that 80's disco vibe the entire floor was light up.
But I had brought  the ingredients for thermite,
amazing what you learn in school and the internet.
But I never used mine different libraries in different
cities so not raise suspicion. I  invited the music critics
and others which I had personally disproved of.
its was going to be free drinks and themed 80's night.

Who can not want free drinks, well I wasn't going to be
disappointed 90% came, how lucky the few.
Phones were confiscated, no video, but more
importantly no phone calls to the outside world.
I told them at the end of the night that I was realising
a new song, they were like vultures to flesh.
As the night progressed some wanted to leave,
but we offered them the VIP section also lit flooring.

Now was the time, I had put heating elements under the floor
to ignite the thermite. A supernova of heat even though brief
would ignite the choir of harmony needed. I asked them,
                                                           ­ "Are you ready,

And then silence, I put on my welding glasses,
                                                        ­         I wasn't stupid.
Never look into the heart of the flame unless you want
to be blinded by its beauty.
I pressed a button and it was magnificent, it was like a tide of sunlight, they tried to scramble but all exits were locked.
It was like the wizard of Oz, and the witch I'm meltinggggg..
But this wasn't a fairy tale.. The adulation I had for these
chosen few. What excitement the others had missed.

I'd made my booth flame and smoke proof, I had my own
walkway but I knew that this was the last time I could pay
homage to the flame. As the screams died down.
The wicks smouldered and the floor looked more like a battle
field of  WWII. I began I knew I didn't have a lot of time.
But this was just a single I'd already got the backing music
ready. And as I worked away, I could hear the banging on
the reinforced doors. They gave me a breather to get my
work fulfilled.

I heard the doors start to give way but no matter
I'd only needed this time to tweak the music.
Given I'd started this over an hour ago, it was good
on my part for this not to be broadcast till I saw fit.
As the police burst through, gazing at the flaming
effigies that lied before them, some threw up, gross..

While others saw me smiling I pressed the button and
my new song was word wide.. its was called the critics
tried to burn me down. The response was gratifying.
Likes reached the hundreds of thousands in mere minutes.
Well it was only three minutes twenty five seconds long.
As they shoot at the booth I wiggled my finger at them.
I do like to plan ahead but dam was that loud against the
glass. Got to be said some had wicked aim, made me flinch
a few times.

But alas all things come to an end, I uploaded my videos
of what I had done. I was proud of my contribution to
my legacy and empowering others with my music.
As I looked down at the puddle, I tap danced in it for
a moment and then lit the lighter, I looked a them
and once again waved, I was like a funeral pyre.
A crematorium of silence and then I was gone.
                                                I didn't scream,
I was in her embrace and had done her proud.
I have a bone to pick with Fate.
Come here and tell me, girlie,
Do you think my mind is maturing late,
Or simply rotted early?
Celeste Apr 2016
Every memory burned in my head
everyone, "I wish i was dead"
mom and dad both feel this way
they don't know how to be okay
Day after day
I beg them to stay
Keep living for me
"I love you whole heartily"
Sometimes its all night
but they get through it
However, i am not suited
for this job
at sixteen
to ask them to keep breathing
I am tired of trying to be their rock
eventually i cracked, under their pressure
of this depression that takes no measure
How can neither of them love me enough
to figure out life is tough
but no matter what, you're suppose to stay
for the sake of your daughter
please don't go away.
My job as a daughter is to keep my parents wanting to live, but I dont care because i love them. yes it hurts alot, and i can barely handle but i will push through for them.
Dada Olowo Eyo May 2013
This decent lady,
Courted by all and sundry,
She'll turn out fine,
Getting better, like maturing wine.
JAC Apr 2017
I suppose my words
Might mature with me
But they might stay young
As many of us so badly wish to.
bones Jun 2016
The Slow Starter (1958) - poem by Louis Macneice.


A watched clock never moves, they said;
Leave it alone and you'll grow up.
Nor will the sulking holiday train
Start sooner if you stamp your feet.
  He left the clock to go its way;
  The whistle blew, the train went gay.

Do not press me so, she said;
Leave me alone and I will write
But not just yet, I am sure you know
The problem. Do not count the days.
  He left the calender alone;
  The postman knocked, no letter came.

O never force the pace, they said;
Leave it alone, you have lots of time,
Your kind of work is none the worse
For slow maturing. Do not rush.
  He took their tip, he took his time,
  And found his time and talent gone.

Oh you have had your chance, it said;
Left it alone and it was one.
Who said a watched clock never moves?
Look at it now. Your chance was I.
  He turned and saw the accusing clock
  Race like a torrent round a rock.



Louis Macneice
I looked for Louis MacNeice on HP but couldn't find him, so have posted some of his poetry in case someone else comes looking too..
A C Leuavacant Jun 2014
It was at one time
Many fine days or years ago
Near a place I had known well
Somewhere I had long since
Deemed as 'a place to be'
It was there
That I first met Dwell.  
I had waited there all night
for any such sign
of a slow sunrise
That seemed at the time
Like it would never come  
So there I sat by myself
On a grassy heap
Recently dampened
By the passing morning dew
Trickling through the grass
And overpassing my eyes.
It was sometime in late June
Just as midsummer's day
Had passed away  
I Alone in the countryside
Just as the vague light
of early morning
had passed through the sky
Unsure of whether  
It would turn into something more
Or just slouch back into more night
And I remember
Remember feeling so uncertain
Of what was going to happen next
It felt like a divine crossroad
Two paths
with two equally likely roads
And ways to go.
'On the one hand' I said to myself
'If the sun is doomed not to rise
I could become the king
Who all would despise'
For I had and always will be
A man of the night
A dark towered figure
passing through black corners
That could be me in royal robes.
And I laughed to myself
It certainly had got to
that stage of the night.
But alas there it was
Unmistakably clear
The golden curl of sunlight
Passing through the clouds
Just sunrise
No dark kingdoms for me
No
Just the prize of morning
a small reward for
Surviving the night alone again.

And It was just then
That I heard the first sign  
A clip, a stumble and a low drone
as I peered up
What a sight met my eyes
Out of nowhere it seemed
Something
That I had never ever seen before
High in the sky
Almost touching the sun
It was old Dwell's Zeppelin
Of course
But I had no idea of that
back then.
As it came closer I stood up
A black frame traced with letters
It Contrasted well
with the indigo sky
And I must admit
That even I in my wisdom
And lessons of earth
could not hold back my fear.
But I would not run
I just sat and watched as it fell
Fell down down down
And landed in a nearby lake.
I could read it now
If I squinted my eyes
'Dwell and Co'
It read
'Traveling tailors
Workers of wind
Magicians of sea
And loyal dream makers'.

Before too long
When the clouds all had passed
I heard a click
from the Zeppelin's door
And then a splash
And upon seeing it open wide
I decided to take a look
At that thing in the lake.
I stood by it's edge
And watched.

And then
Down by the lake  
Out of nowhere
An old wooden bridge did appear
From nothing
like some unrehearsed magic trick
Connecting the zeppelin
To where I stood
I almost fell over as I looked at it
Old rotten wood
with dusty lit lanterns along
And just then a figure stepped out
Dark and small
walking towards me
His face catching the light
Not ancient, not young
With a dumb happy smile
He approached me
eyes covered
with those low flight goggles
He wore on his eyes
'It's oh so nice to finally
Meet you my friend!
Your thoughts
they have touched us
And we cannot pretend
That we're not intrigued
So let me welcome you here
There's no need to hide
Please come on with me
And I'll show you inside'
He brandished his hand
And waved me towards
The bridge that had just arrived
And I was confused
By his confusing words
Who in the world
Did he think I was?
'Its nice to meet you too and You're ever so kind'
I responded to him
'But oh can you please
explain what's going on?
I don't want to be mean
But this is the only
floating bridge zeppelin
that I've ever seen'
He chuckled and chortled and said
'Dually received
We'll tell you inside
Of how much you've achieved'
So intrigued as I was
I followed him onto that old bridge
And across the blue lake
And approached the old door
Of that monstrous thing
towering high.
And as the man turned to step inside and out of the light
He stopped for a moment
He looked at me and said
'Don't worry my friend
things are about to get better
Oh and I forgot
The name Is Magician Pepper'
I was still in a daze
And didn't say much
But stepped inside after Mr Pepper.

Inside was different story
And again my eyes
could hardly believe what I saw
Walls of gold
floors of silver
All laced with jewels
Made up the interior
Of an old style living room
Cozy and neat
Magician Pepper announced
that he would go inform Dwell
Of my arrival
He exited the room
And he left me alone
To stumble around this paradise

'What a place'
I thought to myself
As I looked around
And counted the sights
From the shining carpet
To the amber chandelier
And as I had my back turned
Eyes fixed on that glowing red fire
That had previously
Not been seen
A noise behind me
Came shuffling through
And one deeply toned voice
Said  'I knew it was true'
I turned and there he stood
The one who I knew
Would make all ok.
He stood at the base
Of a staircase
That had not been present a moment ago.
Magician Pepper at his Side
And a small white dog by his feet
A tall man was he
With short dark hair at his sides
And Green sparkling eyes.
He was one of a kind alright
Just one look at him
Made you stop caring
made me stop caring
About irregularities
And Zeppelins
It just made me want to
Just go on
Go on and flourish.
He raised his lips
And carried on as before
And I listened right up
'I know this is a strange vision to appear
But once I heard that you were so near
I just need to stop and meet you
In the flesh
You're an interesting Man
I must confess
My name Is Dwell
Of Dwell and Co.
This is my Zeppelin
And my dog Kato
Yes, I'm so sorry
You're probably so confused
Of what exactly
It is that we do!
Well we are dream makers
The swappers  
The tradesmen of dreams
We listen to thoughts
And answer your pleas'
Now I at this time was taken aback
For what on earth did he mean
'I'm sorry'
I said
'And it's just that you
you're a dream maker?
That cannot be true'
Dwell just smiled and gestured
To come up those grand stairs.
Apparently my views were tainted
I knew they were
I had not been the same
For a while now.
Times may be strange
But maybe Dwell will help me
Hopefully.

At the top of that staircase
Was an oblong door
Hung swift with Golden bolts
Dwell swung it forwards
To reveal it's heart
The control room
The centre
Full of Buttons and knobs
and fancy machines
Stood all along
'It really does sound like a lie'
Said he
'This is but the cockpit of dreams
For what I do is
answer the screams
I travel from world to world my friend
Time to time
You must have known there's more out there
Are you not that way inclined?
With a press of this button'
And he gestured at three
'We'll zap up away
And who knows where we'll be?'
My ears were on fire
But believe him I did
'Is it all for fun?
or do you make a few quid'
Pepper really laughed now at this
And Dwell stood as he slowly unfurled
'Most people main doubt is us leaving the world.
But you seem quite eager
Quite keen to help
Seems like you're better
Than anyone else'
And I did smile at him
And I did understand

He told me all he knew
We sat there
Sat there all morning
And all I did was listen
To big tales of travelling men
And the barriers
Of trans-dimensional travel
That he Dwell had overcome
To enable his ship
To cross between worlds
And as Dwell finished
I knew what he wanted
And I started to Grin
'Please Mr Dwell, when can I move in.

I can't tell you the feeling
as Dwell pressed
one of the buttons three
We sped into the air
and were gone
Like a flash
I was unaware
of why I was so ready for it
Like an Albatross soring
above the clouds
We rose
Higher
And higher
A spinning around us
Rocked our bones
And it was then
That me
With Dwell
With Pepper
And the small dog Kato
Vanished from the sky.

I sat all around me
as the wind rose
The thick smoke of city
That filled the streets
But that was no city
I had ever seen
And As we swooped down low
I looked down
And saw the concrete metropolis
Of another world.
A worse of world than my own
For streets lined with cannons
And fire lit roads
I didn't know why
We had come to this place
'Do not fear'
Said Dwell
'This is but an echo of hell
Our destination lies
somewhere above
But what is travel without some
Things we don't love.'
And all through the day we flew and flew
With pops and bangs
And splutters and coughs
Through fields and through oceans
Past winds and villages
We swung down like a beauty
And me myself
Could feel the tap tap
From Dwell's magnificent brain
And as it grew faster
I know we would stopping soon
And sure enough
Soon we started to descend
On a small hill top above
A valley of low hung grass
And Dwell said
'This is the place'.
And I peered out at the grass
As Magician Pepper
Gestured to walking downstairs.

The hill had a light of mossy green
And all around
the wind was unchanged
As we disembarked
The sun shone so bright
Lighting up the beautiful day
Of coloured poppies
And daffodils
Of the now high up sun
In the light of maturing day
And I asked Dwell
'Why does the sun still stay so high in the sky
When worlds and nights and days have passed by?'
'Tis a strange thing indeed'
Replied he
As he he strolled through
The exquisite view
'It must be a trick
Or a practical joke'
And he gave me a wink
Before Pepper spoke
'Ah yes indeed, you see
It's just an illusion.
The sun protects good and evil
And prevents their fusion'
I did not fully understand
But what had I not
On that day.

A small wooden cottage stood
Not far away
And Dwell in his day shirt
Led us the way
Always smiling and never a frown
And I noticed all of a sudden
How happy i'd been
All day with Dwell
With these mystical friends
Alone with the nature
And hard pressed old world

The wooden door
Of the wooden hut
Stood a little ajar
And Magician Pepper
Pulled it open to show
A small frail old table
With a white table cloth
He pulled it outside
As me and Dwell watched
The sun on our necks
And grass at our feet
As Kato ran and jumped
in the field.
The table was laid
And we all sat down
And looked around
All around at the sights
Of that beautiful world
In a daze I still was
And Pepper brought out
Plates of hot and cold lunch
Meats and salads
And all things good
Hot jugs of milk
And fresh honey from bees
We sat there all day it felt
Discussing the day and our lives
And I swear
In that moment
I felt as if
Nothing could do me wrong
And I was the king
I oh so longed to be
Just to be here
Sitting with Dwell
And his team
I momentarily forgot
About the dark pit
Of my normal life
The losses I had
The dreams that I'd missed
At this time we were here
And I was king
Of this high mountain top.

And the day wondered on
And the sun started to fall
And as Dwell looked up
He almost shed a tear
As he said
'Oh such great fun we've had
On this day
But the time has indeed come
To be on our way
For the burning got sun
Is just an hourglass
And we cannot return once
It's fully passed'
So we all packed away
Our wonderful lunch
And put it all back
Into that small wooden hut
And walked all the way back
Through the now orange field
Slowly loosing light
With the progress of the dying sun.
And Pepper drove Dwell's airship
Back into the sky
And up up so high.
Before long we were back where
Soaring through worlds
Mountains and rivers
All now in the dying sun
'I do hope
you've enjoyed your day with us'
Said Dwell with a small little sigh
'It's such a shame that we must say goodbye
But we've got to keep moving and changing the world
For that is just what we do'
and it brought a tear to my
As I looked down Finally
As the sun touched
the horizon line
And I could see the lake
Where we had started.

As we landed I felt hollowed out
Hollowed out but happy
And the Bridge was there now
Pepper, Dwell and Kato
Followed me on it
And as I reached the end
Dwell took my hand
And shook it firmly in his
'What a fine day
What a lovely day
Don't worry my friend it will all be ok
For pain may hit you
And break you in two
But as long as you look up
And dream of this day
Nothing of pain
Will ever stay'
'One last question'
I said with a turn
'Anything, said Dwell'
'Your ship talks of dreams
And happiness making
But why on earth
Does it say you are tailors?'
Dwell made a laugh
and started to walk away
Pepper shook my hand
Kato gave me a bark
'Well as you know
We are the makers of dreams
The lighters of light
And stoppers of screams
It sounds so grand'
laughs old Master Dwell
'But we do fix clothes as well'
And with that
They left
And I watched as the door closed
The Zeppelin took flight
And soon was gone.
And I stared at where
It just had been
Just me
Quite alone
In the now utter darkness

and I returned up the path
Back to the grassy heap
Where the dew had now dried
I sat back down
And looked up at the moon.
I think I must have
waited up all night once more
I waited for Dwell
Even though I knew
he would not return
My day had passed
My time was up

Days passed
Then weeks
Months and years
I was a better man than
I once had been
And now every night
I stare into the sky
And think back to that day
That changed my life
And I wonder if it was real
Or just an illusion
An illusion like the lying sun
Or that Day with Dwell
And Magician Pepper
I've told the tale many times
since then
The Tale of
Dwell's infinite Paradise
I realise it is quite long.
My attempt at an 'epic' style poem.
Why is it that we never truly appreciate
The value of someone until it is too late?
A hundred flowers on a wintry grave site
A torrent of tears cried at midnight
Groanings of morning dawn prayers' sighs
Added together cannot ever realize
A past that has passed

Alas, that weighing debt
Of unreconciled regret, becomes a treasure
From which we measure
The relationships of today, tomorrow
Maturing into overflowing blessings
From that was empty sorrow
I S A A C Nov 2021
I feel stupid I feel dumb
I won but what
did I really win, you are so childish
had to cut the strings, can no longer cradle it
you are a baby, so immature
you are such an actor, improve king
scratch that you are such a clown
a king would have a crown
but you cannot face what you were born to be
rather keep yourself like an oath, just to not rock the boat
but I cannot be your baby only in the moonlight
in daylight, you are scared to touch me
it rubs me the wrong way, you love me the wrong way
I pictured us as more but you pictured me as decor
a vessel for your fantasy, a trophy nothing more
then you block me on everything because I won’t allow you to keep vanishing
encore encore, but you are still so unsure
fix yourself, please
maturing can be a breeze
when you take accountability
Mateuš Conrad May 2020
there was an audience... there is still an audience...
i wonder about it...
i'm such a conservative deacon in the comments
that... i leave very little traces of interaction...
i tried getting ****** into the whole affair
of leaving comments - like i might have left
grafitti tags on the pillars of bridges...
                   there was an audience... there's still an
audience... i imagine...
or i rather: translate with metaphor what i'm:
trying to imagine...
              three moths have attempted to fly into
my room to spend the night free from fear...
i caught two in my hand... put the clenched hand
to my ear... no... not the sea trapped in a seashell...
close... sound effect of... rain on a tin roof...
a moth trapped in a cage of a hand...
it hasn't rained for days... weeks even...
       the most... bountiful of springs in england...
and everyone is... supposed to handle the affair
like the 2nd coming of ribonson crusoe...
          i can: because i'm used to it...
                    peacefully anti-social...
                     it's hardly bragging but:
there's an audience... there's always an audience...
here's to me: getting regularly milked...
or... laying some eggs with the sunrise and the moon...
i am... at a stage of maturing from...
a phase where... i did... once upon a time...
care about what i wrote... for my own gratification:
but... not any more...
         i've reached a point where...
i can join the ranks of the 4 Dada Suicides...
     'the four' (who) 'took nihilism of the movement
to its ultimate conclusion, their works are
the remnants of lives lived to the limit and then cast
aside with nonchalance and disdain'...
Vaché (overdosed)... Rigaut (shot himself)...
Cravan and Torma (disappeared)...
        the latter two... probably lived a life in
approximation to what might have happened
to... Richey Edwards...
born on...                  disappeared aged 27...
death is the last clue...
    not that i'm going to imitate what's already
claimed...
but... a mile from my home...
i can... find... ample resources... hemlock...
the stems are poisonous...
      i've tried... lilac mushrooms... dog mushrooms
they call them...
i don't know whether i ate a poisonous
one or not... it wasn't...
    a muhomor... amanita fly agaric...
           but... when the circuses have died and
the bread is still there...
no new movies... no sports...
what can beat: the old tease of mortality...
the grain-of-sand per month's worth of movement
added... to the tally and
the curriculum vitae of vivo per se...
                   the theatre of death...
     if i don't think about death with a joke...
i stop being... ridiculous in life...
                   i like the thought of death when...
life doesn't preserve any... sense of...
any... alternative... "light" entertainment...
it's not like i'm planning an escape...
rich and about to clone myself...
   and teach the clone "me" to be: a "future" - and me...
i almost can see how someone must
have tried to cheat death with the available
avenue of cloning...
but... the subservience of the clone...
the clone being what?
       someone must have learned the hard way...
i just interjected the question as an: and...
which is a conjunction...
          but if you're gonna go...
hell... seal a room and yourself in it...
and buy a... metaphorical tonne of lily of the valley...
go to sleep... and never wake up...
death... even death has to become entertaining:
in thinking terms - at the very least...
the only real eventuality among...
half a dozen of impossible things to think about...
daily... and here's that apple...
   if nietzsche... sentenced the source
and future disease from the 19th century...
well... so much for overcoming nihilism...
         nihilism... after all... is not... apathy...
   and even with the death of nihilism...
                              at least nihilism still asked
for moloch-esque sacrifices of will...
     apathy? what does this slug ask for?
it asks of you to... well... wrestle with yourself...
hence that "overlooked" quote:
if a day has many pockets...
       yes... those pockets of self-realisations that
provide a glitch of proof...
a proof of... having to find dominion in
settled dust... oh to hell with grand metaphors
of staging revolutions brought down
from mountain-tops!
- and i'm literally drinking my way through...
what 19th century nihilism became:
a 21st century apathy hangover...
      i'll spare the 20th century the rites of...
a mythical new beginning... a year 0...
        100 years give or take... each side of the end
of the 20th century...
but... nihilism is no longer... the standard:
to overcome...
             as much meaning can be derived from
a peanut as from a falling star...
to be this: subjective sanitiße everything -
                       i hardly think... a dickens would
require an objective reader...
what is an objective reader?
someone who studies: rather than reads...
newspapers...
someone who probably proofs reading...
by also ensuring citations are... made abundantly
clear... archives... etc.
well... better contemplating the theatre of death
than... say...
"normies":
    ahem... the critique of china...
       point: can you imagine... if... communism...
was thought-up... when...
the french revolution began? the only revolution?
rather than the russian oopsie?
well... and communism began...
when... engels and marx... went to the north
of england... and... prior to the manifesto...
wrote of the details of child-labour...
this is not my thing but...
it gets to the point where:
you can criticize china all you want...
but there's no smart... or dumb way...
to go about... pretending to be at war...
with a population of a billion people...
that... if push comes to shove...
could be conscripted instantly...
              to point out... is to exhaust the argument:
to have an argument for:
"western" principles of democracy...
here... have some balloons... here's a keg
of helium... 'ave fun...
by now... saudi arabia is secretly planning
a jihad into the Xinjiang province...
saudi arabia: the vatican of the islamic world...
is secretly trying to... blah blah...
no... the saudi princes are strapped to their yachts...
the bangladeshi slave labour blah blah...
yeah: but whittle ol' england needs
the Neds of Lahore and their tier up from
the chimney top: crescent moon-lick... slick...
- but to be this... fired up...
                it's simply exhausting to have:
a freedom of speech for such high demands...
not need to hide behind the ideals of love...
or being misunderstood...
             in no defence... but... under the guise
of that grand word: capitalism...
the sub- thorough: made in china...
                and what now? the jaw dropping
counter to the very delicate status quo?
it's beyond nihilism... when such upheld
values allowed for artistic rebellion...
to the moon: been there, done that..
europe the old man... h'america the newly
acquired *******...
       you want politico jargon ******* squeezes...
sure thing...
     stoic india... always the stoic india...
to **** off the competition - cheap soviet steel...
the soviet union's nuna 2, on 13 september 1959 -
in between: frank sinatra's:
fly me to the moon - 1963...
and thus... r.e.m.'s yeah yeah: 20 July 1969...
it's hard to compensate / compete with
that sort of a trojan hard-on ***** of
the elgin marbles...
                              at least the germanic peoples
played and understood the ping-pong
with the slavic peoples -
the hungarians on the side...
but not this... african trash for beijing...
the mongol capital of crimea...
and golden hoarding project: typo...
   when they came riding in... smeared
in **** and week old **** and horse blood...
to make... the labyrinth of the baghdad library...
a pyramid of skulls...
squeeze me: to this tired state of lost
the head to a guillotine chatter-box...
even the events of napster unfolding...
and all that's being streamed and...
now's the time to kiss and cuddle prostitutes...
and wet mr. whittle dicky for second
chances of a lost digestive... in that pond
of brew...
                easy fools to fool: those camel back
rich in dino-blood: soul black...
like espressos of mecca... flowing rich
and dying with a soothing...
from amnesia and diabetes...
and amputated limps when... sugar ingestion
leaves them... dancing ballet on only one foot...
because: porky pie and ms. amber: ha!
all bad!
                so much for... what's waiting
the white girl pornstars...
the liberated afro-h'americans and the service...
of beijing shrimp ****...
double edged sword... the height and...
all those attaches... of a fine... fine...
procelain piece of ***...
no-man's-land... the middle ground:
of... mercedez-benson-and-hedges...
        on my way out... the apache / sioux /
dodo / aztec / mayan / dodo (again) projects...

semi-closure...
   gary glitter - rock & roll part II
     ian watkins (of lostprophets) -
                      shinobi vs dragon ninja...
sorry... that one was a paedo...
              toddle-****** for the latter...
and it's not like... i enjoyed the music
to begin with...
i can't see an ad hominem argument
for the former...
                 toddler-******: esp. if the output...
well... it's not trash...
   it's: dad mantra... it's dad claustrophobia...
my take on:
mahler contra pergolesi....
            counter: invest in 100 years to come...
of which... you will...
find a future reader: being alive...
not having re(a)d you...
1986... the reader is born...
1997... you die...
you are discovered... come...
2K and 7... 8...... perhaps 9...
  a time-reference of...
         13 years from the readers birth to your
death... it's Glasgow... a very rare...
sunny... afternoon...
psychosis of the reader...
         1997 through to... 2008...
              that's 11 years... so...
what matters most is... how well you walk
through the fire...
that one about the crow and the madmen...
and each: having his niche:
his "social distancing" clause...
writing was fun when one could
stomach the: in the background...
when people lived their: very troublesome:
important... surgical precision...
nobel prize winning type / typo lives...
writing via a sense of voyeurism was...
well... hardly the self-evident blatant it has
become...
escape into fiction (lies you tell others)...
escape into imagination (choking ties of
tier-a: as above... with tier-b: as below)...
or escape into memory (lies you tell
yourself)...
but i rather the memory...
the cinema of it...
i forget to blink when: blinking is akin
to... signatures... autographs of famous people...
bull... shyte: philately...
         lepidopterology... half closure of the semi-
closure... a brilliant metaphor...
      when the **** or the latex gimp suits
are not available...
there's always that 14 year old "idea"...
of... a tamed *******...
well... if you imagine it as... love at first sight...
you're 16 she's 14... and...
you're dating her older sister at the time...
and then... she disappears...
within the confines of her first and last
unflowering...
but the pristine first-impressions become
less metaphor and more: idealism...
it's fun... when there's a concensus of it being:
forbidden... it's what drives both the hunger...
and the feeding...
that it's never actually realised is beside
the point: made... in... lars von trier's
nymphomaniac...
          too catholic of me: born into it...
but... repressing the urges... is as much as...
delighting oneself in them...
ergo: the necessary *******...
so much for... *****-******* and oyster
slurping... when... you have been...
ahem... told to **** it up...
with the: "excess of skin"...
excess of skin / chemical imbalance
in the brain...
how about... i allow... a triatoma infestans...
to quicken my: dementia...
the myth goes... along the lines...
a horse with a grain of sand...
via its ear... will bash and ram and ram and bash
its head against a brick wall:
in an attempt to rid itself of the irritation...
conformity:
cul de sac queers and kwerks...
i lampoon on a sunday...
the rest of the days i'm free...
clued into: cwown...
which is... somehoo: velsh... in parts...

- by death i imply a riddle...
                 by death i imply:
          freed from the cinema of highly edited
pseudo-living...
not even among the stage of the theatre...
but at least...
cinema got one thing right...
   the suicide of christine chubbuck -
the urban myth goes along the lines of:
a cockroach was found... alive... 2 weeks...
after its head was guillotined...
       it's like that... bane quote:
and... the andrei chikatilo... reality...
non-verbatim:
                 'perhaps he's wondering... why
someone would shoot a man...
before throwing him out of a plane'...
rephrasing:
   'perhaps he's wondering...
why someone would shoot a man...
after throwing him into a prison cell'...
unless... he wasn't... expecting...
to wait for him... to die... of a urban myth...
2 weeks if not more...
brain-dead: heart still pumpking...
horrors from Kiev... Chernobyll the *******
icing cream topping the gwand:
godzilla: pie in the sky...

     i cared... once... once... that was:
upon a time...
these times don't really require much focus...
the space itself poses enough
liberty... no need to look as far back
as there's to look forward...
     the 20th century killer: zenith...
****** and ferriswheel of events...
                waking up to the new mandarin
plateau... it's like...
waking up from... the refreshing cain
mythos relatability...
always from h'america...
otherwise... bullet to the head...
king soldier: human rights...
   yeah... nice... the shame of homeless people:
there's an alexander the great...
a a diogenes of synope: with a hippocratic
oath... loitering around the corner?
hell! go wit' the flou...
                 jump-start a prison adventure...
less... high morality ****-pants
asking questions on the way...
people of high morality
and high: low social status importance...
**** someone...
better than becoming philosophically
homeless... blah blah...
                         i'm so little i actually
define myself as:
at liberty to preserve the lives of moths...
yes... well that's nice...
for anyone asking to: ride the easy... roulette.
Kewayne Wadley Sep 2018
She Is home for me.
Anywhere she goes my heart is sure to follow.
The comfort that brings about the biggest smile.
Home being the first place I fell in love with.
Maturing into the memory I'll always know.
A place of acceptance no matter how crazy things get.
This feel good feeling that erupts soon as she is near.
The faster I approach.
The driveway in view.
To tell everyone where I am from.
Where I am going.
Being home is beautiful.
This loving feeling, knowing that I exist inside of you.
Appearing in thought, lounging around.
The beginning of life spent in a warm place.
You are with me every where I go.
My city, my home, my warm embrace.
For me, she is home
Ang matinis na tinig ng isang libong nagkakalampagang bakal na maninipis ang tumili mula sa gilid ng 'yong ulunan,
Umaga na naman.
Mauuna ang pagbangon mo mula sa kama kaisa sa pagmulat ng iyong mga mata't pag-gising ng iyong diwang pagal sa 'di maalalang panaginip.
Ang hangin ay umihip--
Mula sa bintanang kumakaway gamit ang mga kurtinang bughaw sa paglisan ng gabi sa pagkamusta ng masalimuot na umaga.

Pumipihit na naman ang oras.

Pinanonood mo ang pagputok ng bawat bulang nabubuo mula sa pag-ugong ng kaldero buhat ng initsigan,
Bagay na 'yong kinaiinggitan.
Ang natatanging paraan para mapainit mo iyong umaga ay ang paglaklak ng kapeng 'sing pait ng pagiisa.
Tapos maliligo ka,
Pipihitin mo ang gripo para bumungad sa'yo ang nagyeyelong tubig na kumikitil sa 'yong kakayanan makaramdam.

Sana kumukulo rin yung tubig.

Pinanonood mo ang pagdating at paglaho ng mga pangitain ng isang 'di makatarungang siyudad ng maralita't dukha.
Paano pa nila nagagawang ngumiti?
Ika'y naririndi sa malalim na pag-ungol ng mga sasakyang minamaneho ng mga diwang humihiyaw sa pagkakakulong,
Sa pagkaubos ng oras.
Sinusulit mo ang ilang saglit na ang tanging suliraning iyong sinusumpa ay ang pagkahuli sa klase't mga responsibilidad.

Pagkakataon na naman ng buwan.

Huminga ka ng malalim bago mo nilapat ang 'yong palad na 'sing gaspang ng gasgas na pinto ng iyong bahay,
At dahan-dahan mo itong tinulak.
Nilanghap mo ang kulob na amoy ng hanging 'di magimbala sa segundong umapak ka sa loob ng yung 'di maturing na tahanan,
Isinara mo ang pintuan.
Kasabay nito ang pagsara mo ng iyong sarili sa buong mundong tanging inaalala lamang ang kanilang mga sarili.

Bumuhos ang iyong mga luha.

Ang iyong katawan ay nanginginig, ang isip ay nangingimbal at ika'y nangingimi sa kawalan ng katotohanan--
Ng 'yong pagkatao.
Maririnig **** umuugong ang iyong bulsa't napagtantong may nangangailangang marinig ang iyong boses,
Tumatawag si Mikoy.
Sa pag-sambit niya ng iyong pangalan ay napawi ang bumubagyong luha't naglaho ang unos ng 'di maintindihang lungkot.

Sa pagkakataong iyon, saka mo lang sinabing nakauwi ka na.
Check out more of my works on: brixartanart.tumblr.com
there's almost always
an ambiguity
between what my words mean
and what my mind intends them to mean.

like, with loving intention, i tell her
i can't praise you enough

she smells a ploy in praise and enough.

she interprets them as
she hasn't done enough to deserve my praise.

then, when i tell her
with age you're maturing in beauty

she takes them to mean
i'm digging at her age
and her beauty is in doubt.

last, but not the least
when i compliment her thus
you've made my life full

she retorts

no more fooling.
Season of mists and mellow fruitfulness,
Close *****-friend of the maturing sun;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eaves run;
To bend with apples the mossed cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimmed their clammy cell.

Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reaped furrow sound asleep,
Drowsed with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers;
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings, hours by hours.

Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,---
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir, the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The redbreast whistles from a garden-croft,
And gathering swallows twitter in the skies.
Fah Aug 2015
Forensics couldn't figure out what happened to our bodies because they never looked closely enough into their own eyes.

When we walked out across those wild flower grass plains,
moving
our bare feet meandering , twirling, toes earthy, past the goddess river, bowing our eyes and laying sweet blessings of hopeful poetry at her edges with the mountains ahead of us going on and on and on.

Our heartbeats sinking into the smell of summers afternoons.
We
two beings
stand and watch as the water shows us the way across
her gentle back cool and singing.

We keep on laughing to the forests edge and settle by the Elder Trees to pray for the way ahead and the way already gone, we pray to the sentinel trees for their gracious beauty and we leave a small offering of a song.  

We
two beings

I'm all over Hummingbird
She's all over Dragonfly

Listen to the forest for the sign we can move on,

We
two beings

listen with our eyes and our hearts, ears and noses.
We wait, long moments sensing,
attuning ourselves to the rich forest song.
Later, we see the flash of Owl sister and know it is time to move along

in silence, we listen as we walk and let the sounds we hear guide us.

She's all over Wolf Teacher
I'm all over Lynx Secret Keeper

We're both keeping time alive with our actions.

Way in deep, where the floor is soft decomposition-in-motion and the sky is hardly seen, little tickling breezes stir us, we walk along in silence, side by side, always listening

until our feet meet the edge of a clearing and we whisper our offering:
the story of who we are, why we are here, how beautiful this place is and how it came to be that,

I'm all over Calendula
She's all over Nettle.

Here the sun lays upon us once more and we sit , facing each other

We breathe ourselves into mediation.
We breathe ourselves into silence.
We look at each other
past our skins and through to the light emanating from our DNA

and we start to hum.

We hum our spirit song and begin to unravel so slowly the ways of this world,

we begin to unravel so gently the bags we carry under our eyes
over our knees

we begin to unravel so softly the song of our hearts.

Flowing through us a motion so suspending we seem to no longer be singing, but the sounds somehow pour out of us
our bodies start to sway, no judgment, our bodies start to relax, no suffering

perhaps her toe taps and my ear wiggles
perhaps it's her nose jiggling
perhaps it's my elbow nodding.

We two beings
pray to each other sweet words of beauty
sweet words of honesty

we let those bodies dance
up on our feet
twirling and leaping around the green grass, wildflower clearing
until we feel a twang of connection,

like curious little deer we follow that cord in our chests , pulling us towards each other.

She's on the other side of the clearing and as we make small steps , I feel the boundaries of her person. Her energetic walls , I feel her enter into mine. And we stop, acknowledge the space we are entering and ask for permission to move on. We move on

layer by layer, always stopping to acknowledge, stopping to ask permission until we stand 4 inches between us, breathing.

By now we are no longer thinking, we only sense.
She moves her hand close to my wrist,  I meet her the rest of the way.

All collapses in on itself and opens back up again at our meeting.
She rides her hand up my arm to hold my face so gently.

I bring my other hand to her wrist and she meets me half way. I ride my hand up her arm to hold her face so gently.

I bring my hand to her waist and she leans in softly, she leans in softly.

She brings her hand to my waist and I lean in softly, I lean in slowly.

We move like this, unwrapping each other of clothes, breathing ourselves in meditation, going as slowly, gently as we possibly can.

When we are in our natural way, we wait a moment to take in the beauty, we **** our heads and as our words no longer matter we both know we hear a sounding stream.

We beings
perplexed and amused, find ourselves next to a small rocky stream, somewhere else in the forest. Dappled light finds it's way onto us , the trees and the water. Everything is orange and brown, mossy green with occasional pinks and purples.

She smiles and I smile , we make a motion of gratitude to our Great Water Mother and ask to wash.
When a small fish appears and jumps glistening
we move to scoop up running water in hands, pouring it over each others crowns. Again and again we scoop and we pour, we wash our walking sweat and clear ourselves.

Soon, the stream starts to fade and we are now on flat topped knoll, looking out over shallow banks of a wide flowing river.

The knoll is about the size of a large bed , wintergreen rustles beneath our feet.

We sit together and she brings her face close to mine, I bring my face close to hers and we look into each others eyes until we see.

I bring my lips close to her cheek, she brings her cheek close to my lips. And so we find ourselves tasting each other.
Slowly,
gently,
softly her lips come to my ears and her tongue moves on my lobe. My mouth to her nape and my breath is coming slow. We take as much time as we possibly can.

The Sun has not moved from the afternoon position. We are no longer in a place where time is quite the same.

Soon, I lay on the ground and she comes down beside me. Our dancing hands and tongues never in a rush, at a pace like the tide with movements, repetitive definitive and measured. Washing over our earthen valleys and hills, dipping low to our canyons, serenading our ravines. But never quite touching those extra sacred pleasure places.
She lays on her back and I sit beside her.

I kiss her chest and give thanks to her skin, her blood to milk trees and the crystal caves that lay within. I kiss her belly button and thank her mother for carrying her all this way. Her father for holding her. I move down to her womb and she makes a space for me between her legs, I lay there with my head on her belly listening.

I hear the beating blood and gurgling belly, breath staying slow, I hold her hips. and kiss her womb from the outside. I kiss her womb from the outside. I find I am at the edge of a small curly forest, I pray gently with a song at the borderline and kiss her there too. She tenses just a little and a pause, look to her eyes and see she does not want me further.

I slip out from her legs and lay down by her side.
The wide river is moving and the wintergreen is serenading us with her smell as our bodies movements bruise the small leaves. The sun has moved a little further across the sky, shadows are pulling longer now.

She puts her head to my chest and listens to the heart just below skin , bone and muscle.
She hears my breath and is riding up and down with my diaphragm movements. She slows me down until we are both inside the space between heartbeats. Encompassed in those melodies. We breathe again and see each others eyes. She kisses my heart from the outside and caresses my chest. I open my legs offering her space between them. She moves, lingering, one hand first on my face then on my heart, then on my solar plexus. Then her body is softly laying on mine, her head on my stomach. Listening. She laughs a little because the spaces inside of her don't exist inside of me, she says my secret caves are up in my heart, she heard them. She smiles and sighs a little, resting at the edges of my forest.
We beings
lay here, like this for a long time. Until the Sun is way low.
But we don't move. We just keep right on laying. Our eyes closing.

The wintergreen gives way to a bed of Jasmine vines way up in a tree. When we awake we look at each other and recognize our spirits.
She climbs onto the limb of a tree and sees  way across the forest, to more forest and more forest, to mountains and more mountains.
She begins to transform, her body rippling, scales made of light, emerging from her back, her eyes glistening, her dreams swirling around her, fruits ripe for the picking, some still maturing , her legs start to dance as they form one long tail, four legs with claws follow not long after. She is glowing a vibrant green touched with sparks of grey. A Naga flies out from the trees and is off. Into the night to do what she does.

I lay on the Jasmine, inhale sweet sweet scents and dream my own dreams where I'm an Owl , all my feathers pale pink and deep navy blue. I leap up through the canopy and sweep down into the forest to do what I do.  

Our spirits meet sometime before the Great Grandpa Sun is born again, to greet him with a song, to keep on exploring these earth bodies, to keep on singing to the forests, to keep on smelling and eating and drinking and washing, finding others to play with, to keep on thanking and laughing and moving time along with our movements.

The forensics sent into the forest to look for us didn't find diddlysquat because they hadn't looked deep enough into their own eyes.
releasing this now, letting it become some ingredient someplace else, whatever I was holding out or on to,.
It's been a while since I wrote a story.
Neither beings in this poem are anyone in particular, but it is powered by these past months And doors closing.
Diane Aug 2013
I pulled into the Starbucks parking lot
with the force of a lion after its prey
and with the lethargy of one whom had not eaten in weeks
drudging up that last ounce of strength to obtain survival

my eyelashes had mascara from the night before
and my hair was thick with day-old hairspray
hiding behind sunglasses, I shifted my weight for relief
from the flip-flops rubbing unpleasantly between my toes

keenly aware of the headache above my eyes
I got my coffee and was prepared to flee back to my den
where I could devour it, keeping a wary eye on would be thieves
as my fatigue and I walked hastily towards the exit

Life happened. To my left, sat a couple side by side
they wore the casual clothes of confidence and serenity
he sat by the fireplace, his glasses sat at the end of his nose
her body leaned close to the man she loved, and forward to see

the book that was laid open on the table in front of them
curious minds swallowed the words that were offered there
under gray hair, hands holding, faint smiles formed on their lips
I had never seen such a portrait of true contentment

outside, the image kept speaking to my brain, despite my preoccupation
and I saw you. and I saw me. in thirty years, a virtual lifetime
our aging together; maturing, evolving, creating
side by side, ever content, with books, love and coffee.

— The End —