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"cymbal" poems
I'm a bird. Despite the wind, I will fly. I'm a star. Despite the reign of the moon, I will shine. I'm a seed. Despite being buried, I will bloom. I'm a ship. Despite the rogue waves, I will sail. I'm an ocean. Despite the pollution, I will flow. I'm a polar bear in the arctic. Despite the temperature, I will survive. I'm a Lucifer (Not the devil). Despite the darkness of the world, I bring light. I'm a cymbal. Despite being beaten hard, I emit beautiful sounds. I'm a fine vintage wine. Despite aging, I will never go sour. I'm a petal. Despite producing scents to allure pollinators, I do repel undesirable pollinators. I'm a Lion. Despite the size of an Elephant, I'm the king. I'm a Phoenix. Despite being burned, I will rise and live on. I'm an Oracle. Despite the obstacles, I will reach the pinnacle. I am Omokeyede. Despite the evils of the world, I choose peace and love.
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Jan 12, 2019
Jan 12, 2019 at 7:43 PM UTC
I choose peace and love
My hair stands on end and I tip over, spilling into the sky and down into the dirt. The stage explodes inwards in colorful bursts, black and white bears strumming and growling in a cymbal crash a thunder clap a tap-dancing madhouse jamboree. The threatening noise reverberateraterating through the hills and climbs up inside until I fly out of my body straight up into the heavens with a sigh, a soul release.
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Jul 6, 2014
Jul 6, 2014 at 2:06 AM UTC
Terrapin Sky Dance
Have we all become mere automata guided by the ring of pings and notifs? The spray of lather from a sea of data carrying with it wrung celebrity whiffs have stung us with a certain aphasia... The written thought was a lifetime ago long abandoned by the times and all-- where once there was soundness to follow nonsense amassed like a rising cymbal whose crash sent reason to the gallows. The news of the day presents a delectable entree of a hodgepodge of this, that, and nothing much. Wherefore we find our tongues compelled to say something about the aftertaste or to prejudge as if we were connoisseurs--it must've hid faraway. Are we perhaps amusing ourselves to death? I am by no means a Luddite to such a degree, but I believe we have bombarded and blessed ourselves a little too much to see... only time will tell us reason's final breath.
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Sep 19, 2023
Sep 19, 2023 at 10:38 PM UTC
Automata
I Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. Music is feeling, then, not sound; And thus it is that what I feel, Here in this room, desiring you, Thinking of your blue-shadowed silk, Is music. It is like the strain Waked in the elders by Susanna; Of a green evening, clear and warm, She bathed in her still garden, while The red-eyed elders, watching, felt The basses of their beings throb In witching chords, and their thin blood Pulse pizzicati of Hosanna. II In the green water, clear and warm, Susanna lay. She searched The touch of springs, And found Concealed imaginings. She sighed, For so much melody. Upon the bank, she stood In the cool Of spent emotions. She felt, among the leaves, The dew Of old devotions. She walked upon the grass, Still quavering. The winds were like her maids, On timid feet, Fetching her woven scarves, Yet wavering. A breath upon her hand Muted the night. She turned-- A cymbal crashed, Amid roaring horns. III Soon, with a noise like tambourines, Came her attendant Byzantines. They wondered why Susanna cried Against the elders by her side; And as they whispered, the refrain Was like a willow swept by rain. Anon, their lamps' uplifted flame Revealed Susanna and her shame. And then, the simpering Byzantines Fled, with a noise like tambourines. IV Beauty is momentary in the mind-- The fitful tracing of a portal; But in the flesh it is immortal. The body dies; the body's beauty lives. So evenings die, in their green going, A wave, interminably flowing. So gardens die, their meek breath scenting The cowl of winter, done repenting. So maidens die, to the auroral Celebration of a maiden's choral. Susanna's music touched the ***** strings Of those white elders; but, escaping, Left only Death's ironic scraping. Now, in its immortality, it plays On the clear viol of her memory, And makes a constant sacrament of praise.
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3.5k
Peter Quince At The Clavier
I Just as my fingers on these keys Make music, so the self-same sounds On my spirit make a music, too. Music is feeling, then, not sound; And thus it is that what I feel, Here in this room, desiring you, Thinking of your blue-shadowed silk, Is music. It is like the strain Waked in the elders by Susanna; Of a green evening, clear and warm, She bathed in her still garden, while The red-eyed elders, watching, felt The basses of their beings throb In witching chords, and their thin blood Pulse pizzicati of Hosanna. II In the green water, clear and warm, Susanna lay. She searched The touch of springs, And found Concealed imaginings. She sighed, For so much melody. Upon the bank, she stood In the cool Of spent emotions. She felt, among the leaves, The dew Of old devotions. She walked upon the grass, Still quavering. The winds were like her maids, On timid feet, Fetching her woven scarves, Yet wavering. A breath upon her hand Muted the night. She turned-- A cymbal crashed, Amid roaring horns. III Soon, with a noise like tambourines, Came her attendant Byzantines. They wondered why Susanna cried Against the elders by her side; And as they whispered, the refrain Was like a willow swept by rain. Anon, their lamps' uplifted flame Revealed Susanna and her shame. And then, the simpering Byzantines Fled, with a noise like tambourines. IV Beauty is momentary in the mind-- The fitful tracing of a portal; But in the flesh it is immortal. The body dies; the body's beauty lives. So evenings die, in their green going, A wave, interminably flowing. So gardens die, their meek breath scenting The cowl of winter, done repenting. So maidens die, to the auroral Celebration of a maiden's choral. Susanna's music touched the ***** strings Of those white elders; but, escaping, Left only Death's ironic scraping. Now, in its immortality, it plays On the clear viol of her memory, And makes a constant sacrament of praise.
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70
Susan with her china-white skin relaxed down to lace bra and ******* “Have you ever heard this?” she asks … sets the album, drops the needle in the groove We wait till bass fills in the room sending time and silence empty-handed down a hallway Susan lights a joint settles on the bed ample legs begging apart She ***** in deeply impounding clouds   Head thrown back Thick glossy hair— loses gravity Eyes half-closed, shadow-heavy clear and blue like piano The walls are muted trumpet stutter-hush of cymbal and the snare Crackling over scratches We are barely there Susan exhales a swirl of fog to a frail moon Only her sultry voice still holds me tethered “Have you ever heard anything— like this?” Miles flows  around me Smoking On the floor of Susan’s room lying clothed and drunk Soaked with chords and wonder I never hear him coming Miles takes his time
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Nov 25, 2016
Nov 25, 2016 at 12:22 PM UTC
Jazz ******
Gilhooley had ordered a meeting Everyone had to come round St. Patricks day will be upon us And a venue just has to be found We have to find somewhere authentic Our normal old pub just won't do We can't celebrate with the punters Where the beer isn't green, it's dyed blue Gilhooley awaited suggestions It had to be somewhere close by There were all sorts of names on the table So they decided to give them a try It needed to be "somewhat old Irish" with no dee jay, and a folky type band they had to have red headed women And a barman, with drinks poured and at hand The first place they went was McKenna's It seemed like a great place at first but the service was slower than treacle and a man would just die here of thirst They found one that looked rather Irish It was known as the new *** of gold it had a rainbow outside on the awning this should have been a warning fortold the next one they tried was a classic The green and gold tavern....a hit but, it was booked on the day for a party and this didn't please them one bit they finally found one to their liking full of guineess and pretty colleens a punjabi bar by the name of ben doury's where everything was curried and green it was a party that no one remembered that meant that it must have been good nobody went to the jailhouse even though three or four of them should The beer and the curry were epic the singing was like nothing we'd heard a sitar and cymbal based trio played so loud that nothing was heard Gilhooley said next year we have to come back here and do it again It was the best St. Patty's ever most of them passed out by ten The next time you go out to party call Ben Doury, the place is spot on the food and the beer are one colour with a Punjabi Mumbai Leprachaun
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Mar 10, 2015
Mar 10, 2015 at 11:51 PM UTC
The St. Patricks Day party
Gilhooley had ordered a meeting Everyone had to come round St. Patricks day will be upon us And a venue just has to be found We have to find somewhere authentic Our normal old pub just won't do We can't celebrate with the punters Where the beer isn't green, it's dyed blue Gilhooley awaited suggestions It had to be somewhere close by There were all sorts of names on the table So they decided to give them a try It needed to be "somewhat old Irish" with no dee jay, and a folky type band they had to have red headed women And a barman, with drinks poured and at hand The first place they went was McKenna's It seemed like a great place at first but the service was slower than treacle and a man would just die here of thirst They found one that looked rather Irish It was known as the new *** of gold it had a rainbow outside on the awning this should have been a warning fortold the next one they tried was a classic The green and gold tavern....a hit but, it was booked on the day for a party and this didn't please them one bit they finally found one to their liking full of guineess and pretty colleens a punjabi bar by the name of ben doury's where everything was curried and green it was a party that no one remembered that meant that it must have been good nobody went to the jailhouse even though three or four of them should The beer and the curry were epic the singing was like nothing we'd heard a sitar and cymbal based trio played so loud that nothing was heard Gilhooley said next year we have to come back here and do it again It was the best St. Patty's ever most of them passed out by ten The next time you go out to party call Ben Doury, the place is spot on the food and the beer are one colour with a Punjabi Mumbai Leprachaun
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48
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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May 21, 2016
May 21, 2016 at 11:27 PM UTC
A Thousand and One Nights
Sinbad’s sea-battered ship was poised on the edge of annihilation, The Sultan's brow furrowed with curiosity, then without warning Scheherazade stilled her narrative and lived to see the morning sun. When the moon and stars next owned the sky, Sinbad was snatched from the jaws of death then the saga of Prince Kalandar seized the king's soul with wonder but Scheherazade left the tale unfinished and sang with the birds at dawn. Rimsky-Korsakoff turned the pages at his desk - consumed by Scheherazade’s charms then etched his pen across the waiting staves: The violin must weave her spell once more and bassoon and oboe take the prince’s part. Trombone and trumpet led the martial call and all the rest enlisted for the cause. Russian bravura fused with the seductive allure of exotic tunes born of the dust on the silken road. A sonic whirlwind filled Saint Paul Church, as winds and tremolos grew to cyclonic force. A wall of brass completed Kalandar’s tale. capped by an exuberant clash of cymbal plates. The silence yielded to tender violins chanting a hymn to the princess in all her grace. Tambourine and winds wove a tapestry of her debonaire and most virtuous prince. As the final pizzicato chord faded, the Sultan turned to Scheherazade with tear-filled eyes and beheld his immortal princess and she her valiant and eternal prince and so it would be as long as night preceded dawn. She kissed away his tears of joy and whispered in his ear, “My beloved husband, I will tell you stories forever. Tomorrow you shall learn of the Feast at Baghdad.”
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37
Vibes caught static between snares hips swinging searching for music that played their truth. The bass line wasn’t just music it was breath pulling ribs apart to let the rhythm in Fingers slid down necks like frets pressing into chords that hummed notes down thighs in time Wanting too blow saxophones Spitting all over the reed Jazz isn’t something you hear it’s something that happens to you cymbal crashed piano keys Play confessions no hymn would dare too black and white blending spilled burbon over smoke-stained wood Feet tapping out codes no one else could decipher syncopated riff breaking patterns breaking rules The off beat gospel you couldn’t write down. The room swayed with them walls leaning in leaning closer to the crescendo the saxophone came in it was a third hand tracing lines down spines nobody dared to blow before. This is jazz: argument turned foreplay rough pull dissonance before harmony slips in like a satin sheets you weren’t ready for. Hands hit bodies like drumsticks slap rolling inhale percussion moaning muted horn solo They weren’t just feeling the music; they were becoming it beating out solos on each other’s skin. The sweat smelled like vinyl records warm grooves pressed into the air spinning slow spins catching sparks needle skating over scars was a minor chord that somehow still felt major. learning how to recognize itself. Passion spilling out her mouth scotch over his mahogany wood The rimshot of her sigh Improvision improvisation of his kiss Scatting sound echoing from lips His horn hit her high note one that split the room in half she leaned closer saying “Do you hear that?” But he wasn’t listening to the music anymore. He was listening to her pulse that slick heartbeat drumming solo against his wrist. This is what jazz does You don’t just play It consumes. becomes the air the walls sweat the skin It’s the music you don’t hear but feel right there in the space where your ribs can’t hold the notes. Jazz doesn’t end it just fades into the background waiting for you to join again
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Nov 25, 2024
Nov 25, 2024 at 7:13 AM UTC
Jazz Becomes You
Vibes caught static between snares hips swinging searching for music that played their truth. The bass line wasn’t just music it was breath pulling ribs apart to let the rhythm in Fingers slid down necks like frets pressing into chords that hummed notes down thighs in time Wanting too blow saxophones Spitting all over the reed Jazz isn’t something you hear it’s something that happens to you cymbal crashed piano keys Play confessions no hymn would dare too black and white blending spilled burbon over smoke-stained wood Feet tapping out codes no one else could decipher syncopated riff breaking patterns breaking rules The off beat gospel you couldn’t write down. The room swayed with them walls leaning in leaning closer to the crescendo the saxophone came in it was a third hand tracing lines down spines nobody dared to blow before. This is jazz: argument turned foreplay rough pull dissonance before harmony slips in like a satin sheets you weren’t ready for. Hands hit bodies like drumsticks slap rolling inhale percussion moaning muted horn solo They weren’t just feeling the music; they were becoming it beating out solos on each other’s skin. The sweat smelled like vinyl records warm grooves pressed into the air spinning slow spins catching sparks needle skating over scars was a minor chord that somehow still felt major. learning how to recognize itself. Passion spilling out her mouth scotch over his mahogany wood The rimshot of her sigh Improvision improvisation of his kiss Scatting sound echoing from lips His horn hit her high note one that split the room in half she leaned closer saying “Do you hear that?” But he wasn’t listening to the music anymore. He was listening to her pulse that slick heartbeat drumming solo against his wrist. This is what jazz does You don’t just play It consumes. becomes the air the walls sweat the skin It’s the music you don’t hear but feel right there in the space where your ribs can’t hold the notes. Jazz doesn’t end it just fades into the background waiting for you to join again
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144
Duke said, “People pray in many different languages and God hears them all.” I’m equally a Jew and Muslim, both living in perfect peace within me. I’m a little bit Baptist and a little bit Episcopal. I yearn to swim in the living waters, and hunger for the cup and bread. I’m more of a Quaker then a Buddhist. Only because I’m American and I can’t speak good Chinese yet. But Buddha’s Lamp is my constant companion, illumining my every step in this dark world. I’m also equally composed of east and west Indies and sometimes even druid. The Great Spirit and Tantric arts remain mysteries to me. I only know them by feeling. And yes our Afro Heritage. The drums, the whistle, the dance, synchronizes our heart beat to The Beneficent One’s finger taps. Yes we celebrate The Holy Spirit with cymbal, voice and drum. I am a full dues paying member to the 2nd Hoboken Chapter of the Unitarian Universal Catholic Church Respectively. We meet down the block from Sinatra’s Synagogue. We are all apostles and responsible for our small spaces that we rent here on earth. I know I’m 100% Zoroastrian. I am mesmerized by the fire. My heart aches for the light. I tend tiny candles and listen for the lonely fire of Coltrane’s sax. I’m a nun and a Thelonious Monk. We run an inn for weary and lost travelers. We build hospitals to cure the infirm; and schools to teach the golden rule of love. We try to do things differently. Dizzy practiced the Behai faith. “OOM BOP SHE BAM” I pray. Music Selection: Dizzy Gillespie, Swing Low Sweet Cadillac jbm Oakland 12/26/98
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Mar 17, 2013
Mar 17, 2013 at 8:29 AM UTC
Is Jazz a Religion?
Duke said, “People pray in many different languages and God hears them all.” I’m equally a Jew and Muslim, both living in perfect peace within me. I’m a little bit Baptist and a little bit Episcopal. I yearn to swim in the living waters, and hunger for the cup and bread. I’m more of a Quaker then a Buddhist. Only because I’m American and I can’t speak good Chinese yet. But Buddha’s Lamp is my constant companion, illumining my every step in this dark world. I’m also equally composed of east and west Indies and sometimes even druid. The Great Spirit and Tantric arts remain mysteries to me. I only know them by feeling. And yes our Afro Heritage. The drums, the whistle, the dance, synchronizes our heart beat to The Beneficent One’s finger taps. Yes we celebrate The Holy Spirit with cymbal, voice and drum. I am a full dues paying member to the 2nd Hoboken Chapter of the Unitarian Universal Catholic Church Respectively. We meet down the block from Sinatra’s Synagogue. We are all apostles and responsible for our small spaces that we rent here on earth. I know I’m 100% Zoroastrian. I am mesmerized by the fire. My heart aches for the light. I tend tiny candles and listen for the lonely fire of Coltrane’s sax. I’m a nun and a Thelonious Monk. We run an inn for weary and lost travelers. We build hospitals to cure the infirm; and schools to teach the golden rule of love. We try to do things differently. Dizzy practiced the Behai faith. “OOM BOP SHE BAM” I pray. Music Selection: Dizzy Gillespie, Swing Low Sweet Cadillac jbm Oakland 12/26/98
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49
After cocktails at Luigi's Bar, and then The Golden Bowl, I proposed we play a gig of jazz-inspired rock and roll. We all thought we'd make the fans cry out for encores every night. But our schemes were dreams that faded in the morning's ruthless light. My blue guitar should captivate the people every night. But the dream crumbled, the dream tumbled. My dream faded out of sight. Playing keyboards was Patricia. (Never 'Trisha', never 'Pat'.) She'd a taste for gracious living in her small art deco flat. She would practice chord progressions, sipping lapsang souchong tea. Then she played away at weekends with her special friend, Marie. She trained her dainty fingers to explore new grooves each night. But the dream crumbled, the dream tumbled. Her dream faded out of sight. We had Ritchie on electric bass, with tap-and-pull technique. Such a clever devil — Ritchie almost taught the bass to speak. Ralph the drummer's backbeat cymbal crashes measured out the bars. We agreed the speed — then found we could not play like superstars. Would the crowd be wowed by passion from my lovely blue guitar? No, the dream crumbled, as the band stumbled. Our dream faded overnight. The Blue Guitar Quartet was as close as we could get to our vision for the music of today. But we bumbled and we fumbled, our aspirations humbled. So we slowly put our instruments away. "The Blue Guitar Quartet is down, but not out yet. With practice you will crack it," said Marie. "Let Patricia be your singer; she's a musical humdinger, and as soulful as a solo girl can be". "She can improvise a blues based on any riff you choose. Let's have handshakes and embraces — this quartet is going places! Here's to jazz-rock, and The Blue Guitar Quartet!"
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Dec 9, 2013
Dec 9, 2013 at 2:19 PM UTC
The Blue Guitar Quartet (song lyrics)
After cocktails at Luigi's Bar, and then The Golden Bowl, I proposed we play a gig of jazz-inspired rock and roll. We all thought we'd make the fans cry out for encores every night. But our schemes were dreams that faded in the morning's ruthless light. My blue guitar should captivate the people every night. But the dream crumbled, the dream tumbled. My dream faded out of sight. Playing keyboards was Patricia. (Never 'Trisha', never 'Pat'.) She'd a taste for gracious living in her small art deco flat. She would practice chord progressions, sipping lapsang souchong tea. Then she played away at weekends with her special friend, Marie. She trained her dainty fingers to explore new grooves each night. But the dream crumbled, the dream tumbled. Her dream faded out of sight. We had Ritchie on electric bass, with tap-and-pull technique. Such a clever devil — Ritchie almost taught the bass to speak. Ralph the drummer's backbeat cymbal crashes measured out the bars. We agreed the speed — then found we could not play like superstars. Would the crowd be wowed by passion from my lovely blue guitar? No, the dream crumbled, as the band stumbled. Our dream faded overnight. The Blue Guitar Quartet was as close as we could get to our vision for the music of today. But we bumbled and we fumbled, our aspirations humbled. So we slowly put our instruments away. "The Blue Guitar Quartet is down, but not out yet. With practice you will crack it," said Marie. "Let Patricia be your singer; she's a musical humdinger, and as soulful as a solo girl can be". "She can improvise a blues based on any riff you choose. Let's have handshakes and embraces — this quartet is going places! Here's to jazz-rock, and The Blue Guitar Quartet!"
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38
"I would say I care about women's rights, but I wouldn't call myself a feminist" "I think men and women should be equal, yeah, but I don't want to be called a feminist." "Does that mean I can hit you?" The word feminism rattles like a cracking cymbal crashing just hard enough on pavement to scratch it but not hard enough to break. The word feminism manifests itself in our culture in poisonous ways, like the food dye in our candy'r parabens we cover our faces in, we don't say this word cos' it's scary we don't want to make too much commotion while white men in black robes orchestrate the court system and have police by the neck, inserting money like a candy machine we fear the word that gives us a step to bring equality while white men in suits ask us "how we doin'" and we don't admit that we're angry, women don't show anger, it isn't polite when the men in the subway puts his hand up our skirt and says "hey baby you like that" no, he doesn't ask if we do, he tells us out flat, insinuating our satisfaction is a product of theirs reminding us with a hand on public transportation that anyone who has a **** can be one and we can't do **** because we aren't supposed to be angry, it isn't polite The word feminism manifests itself in delicate ways we can't ask for too much, they won't take us seriously ****** intergrity? girl, try again the right to not wear a bra? Where do you think you are? this is america An opinion one that they hear that isn't facilitated out a white man's mouth into a white man's ear we aren't a filter won't you raise your voice? **** being polite, please, make some noise The word feminism manifests itself in ways you can't see if you fear what it might make you lose you haven't much yet by the hands of the man so why are you choosing not to grab your sister's hands? Stop saying sorry when someone interrupts you stop moving out of the way for men who don't move put your female foot down, don't say excuse me you're a woman, angry with every right to be stop fearing the word feminism for the connotations are flurries the word denotes storms we're starting join us
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Sep 28, 2016
Sep 28, 2016 at 9:30 PM UTC
The word feminism
"I would say I care about women's rights, but I wouldn't call myself a feminist" "I think men and women should be equal, yeah, but I don't want to be called a feminist." "Does that mean I can hit you?" The word feminism rattles like a cracking cymbal crashing just hard enough on pavement to scratch it but not hard enough to break. The word feminism manifests itself in our culture in poisonous ways, like the food dye in our candy'r parabens we cover our faces in, we don't say this word cos' it's scary we don't want to make too much commotion while white men in black robes orchestrate the court system and have police by the neck, inserting money like a candy machine we fear the word that gives us a step to bring equality while white men in suits ask us "how we doin'" and we don't admit that we're angry, women don't show anger, it isn't polite when the men in the subway puts his hand up our skirt and says "hey baby you like that" no, he doesn't ask if we do, he tells us out flat, insinuating our satisfaction is a product of theirs reminding us with a hand on public transportation that anyone who has a **** can be one and we can't do **** because we aren't supposed to be angry, it isn't polite The word feminism manifests itself in delicate ways we can't ask for too much, they won't take us seriously ****** intergrity? girl, try again the right to not wear a bra? Where do you think you are? this is america An opinion one that they hear that isn't facilitated out a white man's mouth into a white man's ear we aren't a filter won't you raise your voice? **** being polite, please, make some noise The word feminism manifests itself in ways you can't see if you fear what it might make you lose you haven't much yet by the hands of the man so why are you choosing not to grab your sister's hands? Stop saying sorry when someone interrupts you stop moving out of the way for men who don't move put your female foot down, don't say excuse me you're a woman, angry with every right to be stop fearing the word feminism for the connotations are flurries the word denotes storms we're starting join us
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51
^¡^ Color me be a cymbal Let me be a gong Color me Coyote brown Let me limp along Color up my faltering voice Let it come out wrong Color me a blackbird A deep & moody song. Color me a minstrel Let me be a knave Color me a sinner Who is yet unsaved Color me a'weeping Let tears come in waves Color me a raven Perched above a grave. Color me a cloudy day Color me the rain Color me a carousel That ol' circle game Let me be a priest of straw Let me see bloodstains On songwritten pages On my Christian name. Color me a kite in flight! Color up the strings! Color me an angel A rusty golden thing! Color me a blackbird Cuz, man, those birds can SING!! Yes, even a blackbird has Red & yellow on its wings... ^¡^ by Catherine Jarvis Dedicated to Joni Mitchell.
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Aug 6, 2020
Aug 6, 2020 at 8:23 AM UTC
Color Me a Blackbird
1. You can never go home, not to the home you left. When you leave, you get bigger. Not necessarily in girth, but in consciousness. When you come back,  everything, even the walls of your parent's house, seem to have shrunk. 2. Look..... Here comes the parade. With its paper mache floats and twirling batons. Cub scouts and boy scouts, all in a neat blue and drab green row, followed by a high school marching band playing "Stars and Stripes Forever". From bygone wars, limbless surviving soldiers flinch with every cymbal crash. 3. I watched billows of cottonwood clouds swirl down a summer hometown avenue, they met on the street corner for a song........ "Alley Oop", or "I Like Bread And Butter" These ghostlike voices will live there forever, innocent, asleep, numb, waiting. Soon, the postman will bring your future. Soon, you will be just a number on a lotery ball. Soon, you will have to dissect luck or fate. 4. I took my 87 year old Father to gather his tools from his long time place of work. The instruments of his livelihood. He did not need them anymore, he had retired. Some tools he had used since World War II, some he made for a specific job.... never to use again. All neatly placed in toolboxes built in the 30s and 40s, yet not a trace of rust. These were the tools of a tradesman, a (Tool and Die Man). He once told me, “Son, if I can’t fix it because I don’t have the right tool, I will make the tool”. I thought him to be Superman. But there I was, loading up my Father’s history, to take home, to be sold to the highest bidder.   I myself have made my living playing music for audiences. I also have tools. Guitars, amplifiers, harmonicas, microphones. There will come a day, in the not too distant future, when I will have to “retire” the instruments of my livelihood. Though I will not be as stoic as my World War II Father, I will go kicking and screaming to the pawn shop, remembering every song that fed me, and every chord that made people dance.
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May 29, 2014
May 29, 2014 at 8:38 PM UTC
A Visit Home (in 4 Acts)
1. You can never go home, not to the home you left. When you leave, you get bigger. Not necessarily in girth, but in consciousness. When you come back,  everything, even the walls of your parent's house, seem to have shrunk. 2. Look..... Here comes the parade. With its paper mache floats and twirling batons. Cub scouts and boy scouts, all in a neat blue and drab green row, followed by a high school marching band playing "Stars and Stripes Forever". From bygone wars, limbless surviving soldiers flinch with every cymbal crash. 3. I watched billows of cottonwood clouds swirl down a summer hometown avenue, they met on the street corner for a song........ "Alley Oop", or "I Like Bread And Butter" These ghostlike voices will live there forever, innocent, asleep, numb, waiting. Soon, the postman will bring your future. Soon, you will be just a number on a lotery ball. Soon, you will have to dissect luck or fate. 4. I took my 87 year old Father to gather his tools from his long time place of work. The instruments of his livelihood. He did not need them anymore, he had retired. Some tools he had used since World War II, some he made for a specific job.... never to use again. All neatly placed in toolboxes built in the 30s and 40s, yet not a trace of rust. These were the tools of a tradesman, a (Tool and Die Man). He once told me, “Son, if I can’t fix it because I don’t have the right tool, I will make the tool”. I thought him to be Superman. But there I was, loading up my Father’s history, to take home, to be sold to the highest bidder.   I myself have made my living playing music for audiences. I also have tools. Guitars, amplifiers, harmonicas, microphones. There will come a day, in the not too distant future, when I will have to “retire” the instruments of my livelihood. Though I will not be as stoic as my World War II Father, I will go kicking and screaming to the pawn shop, remembering every song that fed me, and every chord that made people dance.
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52
it rains and i smile. dopamine pumps as water vapor excited by evaporation and exalted by the elevation, wishes to remain in the clouds. but the float is fleeting and eventually a rain falls. with it the water, so enlightened by the episode, returns to the surface as it was before but somehow new. to remember but never miss being a gas, understanding the evanescence of effervescence while everblue junipers caress the wet sidewalk and twigs hug the curb as they float down the street. tomorrow sand will appear at the edges of the road. I haven't watered my garden in over a week. but now spear shaped tendrils of liquid hydrogen monoxide plummet down at twenty two miles per hour making patterns across the wet surface of the earth. in the bright spots rain drop splashes stumble back and forth across the dance floor like cymbal crashes. wasps, grounded by wet wings, begin their slumber early, jaws locked, legs dangling off the stem of a flower whose petals are battered and wet. the newly pregnant ocean swells unnoticeably. streams emerge, rivers rob banks, puddles form around orangeskin pores; and the everblue junipers caress the wet sidewalk. triggering the docile drum of dopamine, pulsing, pumping. prompting the corners of the eating, speaking, spitting hole to elevate, elongate, ebb, and stretch apart exposing crooked violent jagged bones that broke our gum. the docile drum. as water vapor comes to understand the evanescence of effervescence to a syncopated beat, i smile.
0
May 28, 2011
May 28, 2011 at 6:43 PM UTC
it rains and i smile
it rains and i smile. dopamine pumps as water vapor excited by evaporation and exalted by the elevation, wishes to remain in the clouds. but the float is fleeting and eventually a rain falls. with it the water, so enlightened by the episode, returns to the surface as it was before but somehow new. to remember but never miss being a gas, understanding the evanescence of effervescence while everblue junipers caress the wet sidewalk and twigs hug the curb as they float down the street. tomorrow sand will appear at the edges of the road. I haven't watered my garden in over a week. but now spear shaped tendrils of liquid hydrogen monoxide plummet down at twenty two miles per hour making patterns across the wet surface of the earth. in the bright spots rain drop splashes stumble back and forth across the dance floor like cymbal crashes. wasps, grounded by wet wings, begin their slumber early, jaws locked, legs dangling off the stem of a flower whose petals are battered and wet. the newly pregnant ocean swells unnoticeably. streams emerge, rivers rob banks, puddles form around orangeskin pores; and the everblue junipers caress the wet sidewalk. triggering the docile drum of dopamine, pulsing, pumping. prompting the corners of the eating, speaking, spitting hole to elevate, elongate, ebb, and stretch apart exposing crooked violent jagged bones that broke our gum. the docile drum. as water vapor comes to understand the evanescence of effervescence to a syncopated beat, i smile.
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84
I'm gonna try, And I'm gonna fail. Then I'm gonna try, try, try, And I'll try again. I'm gonna lose, Time and again. But, I'm gonna keep playing, baby, Because someday I'll win. The longer it takes, The sweeter it will taste. The prize is the flavor, And it's love that I'll savor. So, if you brush me aside, Just know I'll be waiting, My patience, enduring And love, unabating. My faith, my desire, Knows no limitations. You'll know me one day, Meanwhile, no lamentations. As rises the sun, With certain precision, And shine do the stars, Through the vast expansion, I'll be just like clockwork, I won't let you down. When you need someone be to be there, Know I'll be around. I sorta needed you, baby. I kinda wanted you, dear. I hoped you would call on me, When you wanted someone near. I guess it wasn't my time, And maybe he's who you want. It's sad that you gave in To his virtueless vaunt. These grapes are not sour. They are sweet on the vine. My love in undaunted. Still, here I wait. I wish that he could make you happy. He doesn't have what it takes. The moment you know that, Then know I await. From under the viaducts, And the shadows beyond the stage, Behind heavy curtains, Let my love asage. You know we should crash like the cymbal. You know we should anger the Sea. You know that the sky should rumble In praise of our unity. I'll keep thinking that I'm next to you, Cause sometimes thinking is all a man can do. I'll long for your embrace, If you would only give me grace, I would give my world to you.
0
Aug 3, 2023
Aug 3, 2023 at 12:01 AM UTC
Of Love and Tomorrow
I'm gonna try, And I'm gonna fail. Then I'm gonna try, try, try, And I'll try again. I'm gonna lose, Time and again. But, I'm gonna keep playing, baby, Because someday I'll win. The longer it takes, The sweeter it will taste. The prize is the flavor, And it's love that I'll savor. So, if you brush me aside, Just know I'll be waiting, My patience, enduring And love, unabating. My faith, my desire, Knows no limitations. You'll know me one day, Meanwhile, no lamentations. As rises the sun, With certain precision, And shine do the stars, Through the vast expansion, I'll be just like clockwork, I won't let you down. When you need someone be to be there, Know I'll be around. I sorta needed you, baby. I kinda wanted you, dear. I hoped you would call on me, When you wanted someone near. I guess it wasn't my time, And maybe he's who you want. It's sad that you gave in To his virtueless vaunt. These grapes are not sour. They are sweet on the vine. My love in undaunted. Still, here I wait. I wish that he could make you happy. He doesn't have what it takes. The moment you know that, Then know I await. From under the viaducts, And the shadows beyond the stage, Behind heavy curtains, Let my love asage. You know we should crash like the cymbal. You know we should anger the Sea. You know that the sky should rumble In praise of our unity. I'll keep thinking that I'm next to you, Cause sometimes thinking is all a man can do. I'll long for your embrace, If you would only give me grace, I would give my world to you.
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57
Snap crackle pop I am turning into cereal Sparks light up My inner joints My hips are tiny fireworks My fingers are singed from within My neck is an cymbal crunch Knees sound like the summer does Like the cricket song at night Even when I blink A wicked noise escorts My body is a symphony I sound like I've lived a profound life Yet I've barely lived at all
0
Oct 1, 2012
Oct 1, 2012 at 1:37 AM UTC
You Can Hear Me From A Mile Away
Sitting swirled in dark Glowing singers play The woman near me shifts Wrapped in pride I see you  Fixed to the cymbal  Nailed in concentration I huff  A breath filled with broken adolescence  The woman is broken from her glaze of motherhood For a moment I notice it was you She was looking too I blush  Wrapped in dark She doesn't know she isn't the only one watching  I glow with shame Burned by your old womb  You, still stapled to the drum Don't notice.  So I turn farther in to blue And watch.
0
Jul 3, 2012
Jul 3, 2012 at 11:46 PM UTC
the savory shame
O living being... how long alive? Through the ages I've survived Through war and peace, abundant thirst Of all that's living, I was first O living being... what have you seen? A forest coast, a rocky green A bird to float, a cloud to wing A wave to wash, a sand to sing A maid to rise, a king to fall A peasant wise, I've seen it all O living being... what have you heard? A poet's hush, a silent word A trumpet's bleat, a woodwind's blare A piercing crowd, a noisy stare A cymbal's trill, a fluted crash A dynasty of smoke and ash O living being... what do you know? A rapid sloth, a hare that's slow A solemn kiss, a passionate oath Yes, young man, I've seen them both The wise to boast, the fool to swear The sun to glint, the stars to glare O living being... I stand in awe Surely you're Methuselah. Soul Survivor
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Mar 1, 2014
Mar 1, 2014 at 9:43 PM UTC
Methuselah Tree
All these roads lead somewhere Our dismembered beings will never see it all until we're dead But we can die and make it back alright And if we died, would we even want to come back inside? There's something real out there and it'll always be there and all it takes is to pay perfect attention Chance favors the prepared mind as we can see for ourselves When we traverse this abyss Learn to pay attention Learn to dance with the patterns you perceive The sonic tapestry is a music piece It never stops , and it covers everything Everywhere is always everywhere else Music never stops Listen to it beat you away Is there a difference between me and the music? I am you, after all, this poem is me And yet it is you because I'm not the only one And we'll never be apart until we die, but even then we'll be together, each as nothing So beautiful, so absurd Feel that breeze blowing your hair? You are its breath It escapes your lungs and you ride around a vibrating Symbol, your thoughts swimming and crystallizing but never blinding Swirling around you in coagulating meaning The grass grows, it is your beard Lying there in the field Can you feel it any different? The grass brought you here to lie down on it The grass inhales you as you light it, And fully grokked, your ghost breathes itself out in rings Snap the rhythm and it ripples with the cymbal Into love, The path through remains you, it's full of stars and eternal youth The gray dawn on the beach is a constant truth Our dreamtime dreams of being awake I woke up and thought I could fly How wrong I was Spying over the shoulder of God I told him, "You're a character in my story I am you, I am more. What can you do to me?" And God looks back, knowing that what I say is true For I perceive him and even as he marvels me with illusions he can never erase my mind I don't even capitalize his pronouns God and his carpenters joined the dancing eternal parade Like the end of an Animal House knockoff Where we send off parts of ourselves to new times and places we've never conceived of Populating the universe Which gets bigger the more detail we observe An optical contradiction For you are the greater resonance of both your Self and your Opposite
0
Feb 6, 2013
Feb 6, 2013 at 11:31 PM UTC
sideways glancing back into eternity, lying still
All these roads lead somewhere Our dismembered beings will never see it all until we're dead But we can die and make it back alright And if we died, would we even want to come back inside? There's something real out there and it'll always be there and all it takes is to pay perfect attention Chance favors the prepared mind as we can see for ourselves When we traverse this abyss Learn to pay attention Learn to dance with the patterns you perceive The sonic tapestry is a music piece It never stops , and it covers everything Everywhere is always everywhere else Music never stops Listen to it beat you away Is there a difference between me and the music? I am you, after all, this poem is me And yet it is you because I'm not the only one And we'll never be apart until we die, but even then we'll be together, each as nothing So beautiful, so absurd Feel that breeze blowing your hair? You are its breath It escapes your lungs and you ride around a vibrating Symbol, your thoughts swimming and crystallizing but never blinding Swirling around you in coagulating meaning The grass grows, it is your beard Lying there in the field Can you feel it any different? The grass brought you here to lie down on it The grass inhales you as you light it, And fully grokked, your ghost breathes itself out in rings Snap the rhythm and it ripples with the cymbal Into love, The path through remains you, it's full of stars and eternal youth The gray dawn on the beach is a constant truth Our dreamtime dreams of being awake I woke up and thought I could fly How wrong I was Spying over the shoulder of God I told him, "You're a character in my story I am you, I am more. What can you do to me?" And God looks back, knowing that what I say is true For I perceive him and even as he marvels me with illusions he can never erase my mind I don't even capitalize his pronouns God and his carpenters joined the dancing eternal parade Like the end of an Animal House knockoff Where we send off parts of ourselves to new times and places we've never conceived of Populating the universe Which gets bigger the more detail we observe An optical contradiction For you are the greater resonance of both your Self and your Opposite
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53
LSD acid rain slowly detaching feel no pain lights all blur colours smear cold wind blowing whispers her song in my ear nerves tense up panic saunters in if I dont keep sippin' this water the bad tippin' will win a bubble surrounds me but I can still see clearly through a new found understanding of just what is really true you placed a cymbal on a drum to play for us your show sparks fly off, with every hit and time moves endlessly slow I smoke, but I feel no satisfaction my fingers swell like sausage links I wonder if it's all for real, or if it's just what my mind thinks this is a musical trip today we jam, and fry, and blaze we laugh, because we can't understand, like no sentences are made from the words we say soon I long for my cocoon to swaddle my self in warm while your laces turn to snakes unafraid, they mean no harm the morning eventually comes but feels like she's been here all along the rising sunlight hurts my eyes as the morning birds sing their songs Maybe I'll get breakfast....
0
Mar 27, 2011
Mar 27, 2011 at 9:48 PM UTC
Frying
Words we all can alter From the day they're born. Sacrifice them at the altar Before they are airborne. Words can get you so blue, That you would shed a tear. Like a real strong wind blew, Words lift you up a tier. Words are a clashing cymbal And can stir up your good soul. If you use words like a symbol, You hide them like a sole All around the world you'll roam But you will never meet Any words that don't have room To take on much more meat. No words that you have read Didn't shed some light. In black and white, or red Upon your mind they lite. They're like the morning dew, And the birds that soar. Words can soothe when due Or can make you sore.
0
Sep 9, 2011
Sep 9, 2011 at 11:35 AM UTC
Words Synonymous
Crossroads are a particular kind of place where mythology and actuality combine, mix and dance with your shadow. Limitlessness has a name and social security number in your restlessness and your ambitiousness. I've performed in cafes and on street corners, In bookshops and depots, woods and public restrooms with the junkyard profits desperately clutching to my clothes, refusing my money but begging for my love. But now I am at the crossroads. The smoke from my soul comes in, forces me to turn around, turn around turn around, and see the faces, so many different faces, all those who have loved me, mocked me, befriended me, mentored, hated, changed maimed spit in my eye called me what they thought I was. So many faces. So many eyes full of dreams and ire. How many would I come to know again? Who would become fortune tellers blues-men teachers cops preachers mathematicians builders destroyers soldiers of fortune businessmen liars or junkyard prophets? Who will become like smoke in the fog, slightly hazy lost-boys off to never-never land, never to be seen or heard from except for the cries that whisper the time? So many faces. What will I be to them? A companion friend liar hater lover brother sideshow an I knew him when a face that looks at their back at the crossroads, a wisp of smoke? I turn again, turn turn, a cymbal shot pushes me forward, left and right, but I can never go back behind. Johanna whispers Even salvation must get old. I know she must be correct, at least as far as I can turn my head. The right is barred, the left is guarded by the beasts, the faces hum a dirge or a lullaby, I straighten my jacket, pack my self into a slip bag, and blow away with the smoke.
0
Apr 16, 2011
Apr 16, 2011 at 11:44 AM UTC
Smoke
Crossroads are a particular kind of place where mythology and actuality combine, mix and dance with your shadow. Limitlessness has a name and social security number in your restlessness and your ambitiousness. I've performed in cafes and on street corners, In bookshops and depots, woods and public restrooms with the junkyard profits desperately clutching to my clothes, refusing my money but begging for my love. But now I am at the crossroads. The smoke from my soul comes in, forces me to turn around, turn around turn around, and see the faces, so many different faces, all those who have loved me, mocked me, befriended me, mentored, hated, changed maimed spit in my eye called me what they thought I was. So many faces. So many eyes full of dreams and ire. How many would I come to know again? Who would become fortune tellers blues-men teachers cops preachers mathematicians builders destroyers soldiers of fortune businessmen liars or junkyard prophets? Who will become like smoke in the fog, slightly hazy lost-boys off to never-never land, never to be seen or heard from except for the cries that whisper the time? So many faces. What will I be to them? A companion friend liar hater lover brother sideshow an I knew him when a face that looks at their back at the crossroads, a wisp of smoke? I turn again, turn turn, a cymbal shot pushes me forward, left and right, but I can never go back behind. Johanna whispers Even salvation must get old. I know she must be correct, at least as far as I can turn my head. The right is barred, the left is guarded by the beasts, the faces hum a dirge or a lullaby, I straighten my jacket, pack my self into a slip bag, and blow away with the smoke.
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76
If I speak in the tongues of men or of angels, but do not have love, I am only a resounding gong or a clanging cymbal. If I have the gift of prophecy and can fathom all mysteries and all knowledge, and if I have a faith that can move mountains, but do not have love, I am nothing. If I give all I possess to the poor and give over my body to hardship that I may boast, but do not have love, I gain nothing. Love is patient, love is kind. It does not envy, it does not boast, it is not proud. It does not dishonor others, it is not self-seeking, it is not easily angered, it keeps no record of wrongs. Love does not delight in evil but rejoices with the truth. It always protects, always trusts, always hopes, always perseveres. Love never fails. But where there are prophecies, they will cease; where there are tongues, they will be stilled; where there is knowledge, it will pass away. For we know in part and we prophesy in part, but when completeness comes, what is in part disappears. When I was a child, I talked like a child, I thought like a child, I reasoned like a child. When I became a man, I put the ways of childhood behind me. For now we see only a reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known. And now these three remain: faith, hope and love. But the greatest of these is love.
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Feb 2, 2016
Feb 2, 2016 at 9:39 AM UTC
1 Corinthians 13
I'd make art that wasn't the equivalent of processed microwave food, without the "gourmet" label. Then again equal validity in creation is only debatable if you're an ******* who believes any of this has meaning. If you're taking yourself seriously, you're going to get ****** up by the **** end of this joke; Art is more than these observable qualities of reality. It is beyond us. However, everything we are is made of the stuff. We are art. Life is art. Life is meaningless Art is meaningless. We are meaningless. You. You are meaningless as well. Roll on snare... None of this holds real validity. Abuse of cymbal. In this lifetime I want so many things that simply will not happen. She says my "dreams" are floaty although I know I won't live to see them. Life flies by so fast it's a wonder we don't get tickets. I want light that moves at 40mph and scorches on impact. Explodes like fireworks. It should glow; green or blue. I'd use it to cook these dinners, burn these notebooks, **** these mother ******* guitars.
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Apr 18, 2014
Apr 18, 2014 at 11:32 PM UTC
"If I Had a Cannon That Shot Lazer Beams."
Here am I Amongst thousands And thousands Of voices - Poets and journalists, Novelists and singers - Clanging the cymbal Of earth's groaning cry. There you are, Hosts of angels Singing, your voice Together sounding The praises of our God.
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Oct 26, 2016
Oct 26, 2016 at 7:23 PM UTC
Groaning Cry