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Remember, dancing with the devil
In life will take it's toll
For, dancing with the devil
In the end will take your soul
Many who have done it
Reached the top only to die
Many souls we thought in heaven
Could never get that high

The Forever 27 club
playing in the band
Janis, Jim and Jimi
In hell, oh....ain't it grand
We thought them all as angels
But, the truth it rings a bell
They were dancing with the devil
And they ended up in hell

Cobain and Amy Winehouse
Oh yeah, they're down there too
Brian Jones and others
Playing hard rock and the blues
Sell your soul to Satan
Where you go...you do not choose
If you spend time with the devil
It's nothing but bad news

Remember, dancing with the devil
In life will take it's toll
For, dancing with the devil
In the end will take your soul
Many who have done it
Reached the top only to die
Many souls we thought in heaven
Could never get that high

There's others there who did the dance
Hit the crossroads, sold their soul
Drugs and drink and suicide
That's how this devil rolls
Some may get redemption
For the things they do in life
they sold out with their talent
They were dancing on a knife

The band is hot, and so's the place
They play here every night
We wish they were in heaven
But, deep down you know I'm right
Elvis, yes, the king is here
He did drugs and did the dance
Now, he's singing for the devil
He never had a chance

Remember, dancing with the devil
In life will take it's toll
For, dancing with the devil
In the end will take your soul
Many who have done it
Reached the top only to die
Many souls we thought in heaven
Could never get that high

So many tortured people
So many who did wrong
They traded with the devil
For the price of just a song
Rock and Roll in heaven
Has a great band, just the same
But, with Janis, Jim and Jimi here
They just don't have the game.
rock and roll
Nat Lipstadt Jul 22
<>
"And then one day you came back home
You were a creature all in rapture
You had the key to your soul
And you did open that day you came back to the garden

The olden summer breeze was blowin' on your face
The light of God was shinin' on your countenance divine
And you were a violet colour as you
Sat beside your father and your mother in the garden

The summer breeze was blowin' on your face
Within your violet you treasure your summery words
And as the shiver from my neck down to my spine
Ignited me in daylight and nature in the garden"

In the Garden,
song by by Van Morrison
<>
This touches me deep in the chest cavity,
the palpitations of its internalizing echoing cavitations,
a warning, go slow, choose your words wise and
accrue, the mood,
for the ache of creating, hurts, fevers me

for I am but steps away from the garden,
and its violet hues infused with fresh sunrising golden hazes,
with kindly warmth, with warming kindnesses,
touches,
caresses my shoulders, begs me to stop crying,
overcome, for I am overcome, eyes dropping wetting droplets,
for find myself at the intersection,
interlocking crossroads
where perfect perfection
begins and must
meet its natural endings

thoughts of capture, retentions, preservations,
all impossibilities, challenges,
see me, begging itinerant
muses
in the neighborhood
to guide my hand, teach me newsome words,
mine feel so old, so unworthy of this moment,
hearing me solicit their
Treasure of Summery
Words
but they won't,
excusing themselves,
that this in particular human has exercised, exorcised,
all the tools in his ever diminishing capacity,
time insufficient to learn a new calculus of
addition

and bid me calm my heaving chest,
seize my tears, just add them to the brackish salted waters steps
awaiting away

live in this moment
live within this poem,
revisit it frequent,
weep no more,
your stilling heart weakened,
take fast what is given now,
and be contented,
your treasury chest is full,
overflowing with this summary of
summery



but I am not, cannot…

7:48:am
jul 22
Karijinbba Jul 2021
~ lover poet friend~
~~~~
Do with us as you please
CONSPIRING UNIVERSE
~RD for angel K~
You aligned us but we the lovers turn the keys to accept or decline even our frantic tantric joy where we rhyme.

For too long I shot my doors fearing flinching distance will have the last laugh.
~~~~
then came my love RD
and I can touch Raj places
no one can and he
Mine that much more.

  I am over being out of time  
Not taking more blows
I exude security confidence power value my yes and nos are good I am myself

If you must to her go who
waits for her younger half
green needing wear, Go.
And you keep your love and Angel K me on hold;?
I rather keep your sword
And Z dagger in hearts orb.
~~~
The cosmos needs nothing
Why should I? I showed you how my journey can prosper us both and our family!

not you and ur other Z.
~~~~
We mirrored each other searching for long lost lovers yet all you see is distance.
And your Z.
There are so many songs to play many lovely little things to live for yours and mine.

Remember make up your mind for our gates to open up your tiny window z must close-respect my freedom of speech.
My love and feelings matter
Yours matter more to me.

We are at crossroads
I've been here before
~~~~
Dignity whispers
I am disciplined in the art of love and boundaries.
I ain't door mat for lovers rainny days.
~~
By Karijinbba.
https://youtu.be/qtRw72ia4rk
Nicole Feb 2019
What an ironic place of mind
When something I've wanted for awhile
Finally presents itself
And I'm overwhelmed so intensely
By anxiety and sadness

How long have I hoped to meet up?
How many times had I mentioned coffee?
Yet here I am
Three days before I see you
For the first time in a year and a half
And I feel so sad

It's as though
I am finally mourning the loss
Of someone who was my best friend
Finally letting myself feel about you
All of the things I've repressed

It has been a long time
We both must be so different now
What would that mean for this?
Do we meet up once
Play a game of catch up
Then resume the path of strangers?
Or do we try to be friends again
And run the risk of pain and heartache?

Does our intense shared anxiety
At just the sight of each other
Signal a similar message
A similar desire within us both?
Or am I stuck within a fantasy
Lying to myself that this could work
That you could be in my life again

We were not made to be lovers
And I don't believe in happenstance
I do think we came together for a reason
Just as we've become reconnected now
The city may be small
But this has to be more than coincidence
You were my best friend back then
And I know I hurt you deeply
But part of me hasn't stopped believing
That our lives staying connected
Is something that's meant to be

And I know that
When I'm sitting anxiously in my car
Outside the cafe where we're set to meet
Thoughts racing faster than my heart beats
I'll have to fully prepare myself
To find out that you disagree
ioan pearce Mar 2010
at middle age there comes a stage
a crossroads with red lights
confused with lifes directions
straight on, left, or right

it only took a second
to realise i love fun
so i turned my **** around
went back to twenty one
Two Bulgarian poets entered “The Second Genesis” – Anthology of Contemporary World Poetry – India’2014
Poems of the Bulgarian poets Bozhidar Pangelov and Mira Dushkova are included in the Indian project “The Second Genesis: An Anthology of Contemporary World Poetry”. Bozhidar Pangelov’s poems are: “Time is an Idea” and “…I hear” translated by Vessislava Savova; as for Mira Dushkova’s poems – “Beyond”, “Sozopolis” and “The Girl”, they were translated by Petar Kadiyski.


For the authors:
Bozhidar Pangelov was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles (2005) written entirely with an unknown author but in a complete synchronous on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is an editor of his next book Delta (2005) and she is the woman whom “The Girl Who…” (2008) is dedicated to. His last (so far) book is “The Man Who…” (2009). In June 2013 a bi lingual poetry book A Feather of Fujiama is being published in Amazon.com as a Kindle edition. Some of his poems are translated in Italian, German, Polish, Russian, Chinese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe takes Europa ein Gedicht. “Castrop Rauxel ein Gedicht RUHR 2010” and the project “SPRING POETRY RAIN 2012”, Cyprus.
Mira Dushkova (1974) was born in in Veliko Tarnovo, the medieval capital of Bulgaria. She earned a MA degree from the University of Veliko Tarnovo, and later on a PhD in Modern Bulgarian Literature, from Ruse University Angel Kanchev, in 2010, where she is currently teaching literature courses.
Her writing includes poetry, essays, literary criticism and short stories. She has published several poetry books in Bulgarian: “I Try Histories As Clothes“ (1998), „Exercise On The Scarecrow” (2000), „Scents and Sights“ (2004), literary monograph “Semper Idem : Konstantin Konstantinov. Poetics of the late stories“ (2012, 2013) and the story collection „Invisible Things“ (2014).
Her poems have been published in literary editions in Bulgaria, USA, Sweden, Hungary, Croatia, Romania, Turkey and India. Some of her poems and essays have been first prize winners of different Bulgarian contests for literature.
She has attended poetry festivals in Bulgaria, Croatia (Zagreb) and Turkey (Istanbul and Ordu).
She lives in Ruse – Bulgaria.

For the Antology “The Second Genesis”:
In the anthology titled „The Second Genesis“ are published the poems of 150 poets from 57 countries. All poems are in English. The Antology consists of 546 pages. “The Second Genesis” includes authors’ and editors’ biographies and three indexes: of the authors; of the poem titles and an index based on the first verses. It is issued by “A.R.A.W.LII” (Academy of ‘raitɘ(s) And Word Literati) – an academy, which encourages literature and creative writing and realizes cultural connections between India and the other countries. Four times a year ARAWLII publishes in India the international magazine for poetry and creative writing „Prosopisia“. Its Chief Editor and President of A.R.A.W.LII is Prof. Anuraag Sharma. He is also author of Antology’s Introduction.
Participating Countries:
Albania, Argentina, Armenia, Australia, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Albania, Great Britain, Germany, Greece, Denmark, Egypt, Estonia, India, Iran, Iraq, Ireland, Israel, Spain, Italy, Jordan, Canada, Cyprus, China, Kosovo, Cuba, Macao, Macedonia, Niger, Norway, Pakistan, Palestine, Poland, Puerto Rico, Romania, Russia, Saudi Arabia, USA, Singapore, Syria, Serbia, Taiwan, Tunis, Turkey, Fiji, Philippines, Finland, France, Holland, Croatia, Montenegro, Czech Republic, Chile, Sweden, Switzerland, Scotland, South Africa, Japan
For the editors:
Anuraag Sharma – editor and president of A.R.A.W.LII
Poet, critic, author of short stories, translator and playwrighter, Anuraag has to his credit the following publications: “Kiske Liye?”, “Punarbhava”, “Audhava”, Dimensions of the Angel: A Study of the poetry of Les Murray’s Poetry “Iswaswillbe” – a collection of short stories, “Setu” (“The Bridges”). He has also co-editor the volume of conference papers: ”Caring Cultures: Sharing Imaginations. Some of his recent publications include: “A Trilogy of plays”, “Mehraab” (“The Arch”) – translations of selected poems of four Canberra Poets, “Papa and Other Poems”, “Sau Baras Ka Sitara Eik” – translation of Andrew Parkin’s “A Star of Hundred Years”, “As if a wooden house I am”- translations of Surendra Chaturverdi, “Satish Verma: The Poet” and “Tere Jaane ke Baad Tere Aane as Pehle”. He is also editor-in-chief of two international journals – “Lemuria” and “Prosopisia”. Currently he is working as a Professor in English at Govt. College “Kekri” Ajmer, India.

Moizur Rehman Khan – co-redactor, project manager, secretary of A.R.A.W.LII
He studied Urdo and Persian Literature in college and later on competed his master degree in English literature from “Dayanand” College, Ajmer, India. He completed his research dissertation under the supervision of Anuraag Sharma on “Major themes in the poetry of Chris Wallas-Crabbe”. He is a creative writer. His poems and articles have been published in various magazines and journals. Currently he is teaching English at DMS, RIE, Ajmer, India.
References for the Antology:
“No middle no end, the poems in The Second Genesis have been speaking to you long before the beginning and will continue without you…don’t worry, its binding has long since unglued, its pages, worn and disheveled, will always be speaking to you, they’ve been compiled this way, to be read out of order, backwards, shelved or scattered in an attic between the coffee and greasy finger stains…The Second Genesis is the history of the Book where you become its words, ink and pulp.”
Craig Czury

“The Second Genesis is at the crossroads of a new poetic becoming. a poetry claiming its second beginning not only for art but the heart pulsating and feeding the entire body. This anthology is a successful fusion of unique, inimitable and polyphonic poetry, a well-organized improvisation with a solid and flexible structure.”

Dalia Staponkute

“The Second Genesis, a compendium of world poetry which is also a poetry of the world, suggests so much a new beginning as it does a recognition of the ongoing creation that continues to animate our collective existence. Our precarious era requires a global affirmation that we are all in this together. Poetry has always said as much, and here it says it again, in the idioms of our time.”
Paul Kane
**
“Visionary and international, The Second Genesis, introduced and edited by Anuraag Sharma, sparkles with poetry of insight, intelligence and feeling and is an indispensable reminder of our human aspirations and experience in the early 21st century. Poets from nearly sixty countries rub shoulders in this ambitious and wide-ranging collection, and their poems resonate and mingle in a multi-layered voice. It is the voice of our humanity.
In his Introduction, Dr. Sharma points to the invaluable importance of poetry in what he calls our destructive Lear era:
Beyond the Lear Century, across the 21st Century lies the island of Prospero and Ariel and Miranda and Ferdinand – the region of faith, hope and innocence, the land of virtue, and all forgiveness sans grievances, sans regrets, sans curses. The doleful shades lead to pastures new.
We must weigh our hopes. The Second Genesis is at hand….”
Diana Sampey
Dry land,
quiet land
of night's
immensity.

(Wind in the olive groves,
wind in the Sierra.)

Ancient
land
of oil lamps
and grief.
Land
of deep cisterns.
Land of death without eyes
and arrows.

(Wind on the roads.
Breeze in the poplar groves.)

Village

Upon a barren hill,
a Calvary.
Clear water
and century-old olive trees.
In the narrow streets,
men hidden under cloaks,
and on the towers
the spinning vanes.
Forever
spinning.
Oh, village lost
in the Andalucia of tears!

Dagger

The dagger
enters the haert
the way plowshares turn over
the wasteland.

No.
Do not cut into me.
No.

Like a ray of sun,
the dagger
ignites terrible
hollows.

No.
Do not cut into me.
No.

Crossroads

East wind,
a street lamp
and a dagger
in the heart.
The street
quivers like
tightly pulled
string,
like a huge, buzzing
horsefly.
Everywhere,
I see a dagger
in the heart.

Ay!

The cry leaves shadows of cypress
upon the wind.

(Leave me here, in this field,
weeping.)

The whole world's broken.
Only silence remains.

(Leave me here, in this field,
weeping).

The darkened horizon's
bitten by bonfires.

(I've told you already to leave me
here, in this field,
weeping.)

Surprise

He lay dead in the street
wit ha dagger in his chest.
Nobody knew who he was.
How the streep lamp flickered!
Mother of god,
how the street lamp
faintly flickered!
It was dawn. Nobody
could look up, wide-eyed,
into the glare.
And he lay dead in the street
with a dagger in his chest,
and nobody knew who he was.

Soleá

Wearing black mantillas,
she thinks the world is tiny
and the heart immense.

Wearing black mantillas.

She thinks that tender sighs
and cries disappear
into currents of wind.

Wearing black mantillas.

The door was left open,
and at dawn the entire sky
emptied onto her balcony.

Ay, yayayayay,
wearing black mantillas.

Cave

From the cave
come endless sobbings.

(Purple
over red.)

The gypsy
calls forth the distance.

(Tall towers
and mysterious men.)

In an unsteady voice
his eyes wander.

(Black
over red.)

And the white-washed cave
trembled in gold.

(White
over red.)

Encounter

For you and I
aren't ready
to find each other.
You... as you well know.
I loved her so much!
Follow the narrowest path.
I have
holes
in my hands
from the nails.
Can't you see how
I'm bleeding to death?
Don't look back,
go slowly,
and pray as I do
to San Cayetano
for you and I
aren't ready
to find each other.

Dawn

Bells of Cordoba
in the early morning.
Bells of Granada
at dawn.
You are felt by all the girls
who weep to the tender,
weeping Solea.
The girls
of upper Andalucia,
and of lower.
You girls of Spain,
with tiny feet
and trembling skirts,
who've filled the crossroads
with crosses.
Oh, bells of Cordoba
in the early morning,
and, oh, the bells of Granada
at dawn!
Robert McQuate Sep 2017
It's late out,
Michael Trent and Carry Ann Hearst are spinning me a tale,
Of which they constructed around the end,
Of two Musicians,
Crossing paths many a time on the road of life,
To only find out their paths soon merge.

Now ain't that interesting?
To think of those we meet at crossroads,
Only to find out soon enough they are the ones you come to rely on most.

Crossroads,
So many crossroads,
To weave a pattern much like a tapestry,
Where do your crossroads lead?

Neil Young is on now,
A song written in a time that he was homesick,
In lands far away,
Even though he had no home to go back to.

A place where it's lush and green.

There's a Russian word for an ache like that,
It's called tocka,
A great longing and anguish,
With nothing to long for.
Cunning Linguist Jun 2013
Is it worth it?
To live a life without questions,
never asking yourself why.
There's no reason to pay attention
But I gave in;
Never too wise to make a rational decision -
Nothing left, so I
let these opinions become
incisions in my flesh

Was it worth it?
To put my life in her hands
Fully knowing she'd let it spill
like grains of sand in an hourglass -
Nothing lasts
Except demons from my past;
I can escape about as well
as a mouse in a trap

Its remarkably spectacular;
When I look, stop, then reflect
On everything I've ever done
to inflict another stab to my back

Okay, it's what I lack
In this marvelous abstraction
And how I let my decadent life
fall apart in a fraction of a second;
Every step forward, is just another regression
I take this message as a lesson
I need to embrace my consequences

So I guess I'm an aesthetic,
Because every time I think of her
I can't help but s-s-stutter
because I'm at a loss for words

Then I shudder
as I struggle to
locate my common sense
Because ever since I let her leave
I haven't got a decent night of sleep

And now my only regret,
is the only question I've left
& that's why did I ever let my troubled mind
double as my prison?

Decisions, decisions
I ponder through the legions of lesions
I mean I've got so many problems
even my shrink is in disbelief
Why can't you just leave and let me be
can't you see I'm grieving
the loss of all of my self esteem?
So it seems,
Maybe I really am crazy.
I hate it. /

Nowhere to go, I stumble upon a crossroads
Where I'm greeted by a drifter
who tells me of his most wondrous proposition
"Listen here kid while I enchant you,
I can grant every single wish
you've ever wanted to come true.
All the secrets of Heaven and Earth
I can bestow unto you."


Who are you?
"I come in many names
Why not address me Master, for you are my slave
Some call me Beelzebub, but really I'm you
The voices in the recess of your mind
You deny as the truth
I am Lucifer, the light-bearer
Knowledge, that which haunts you

I am the recurring nightmare plaguing your slumber"
-
(The one with the window,
what do you see on the other side?)
a voice whispers

A mirror, the haunting reflection
of memories enamored, inanimate
(Moments forever suspended in time)

"I am your Paradise in Flames -
Your Heaven, insurmountably enshrouded with shadows"

(What are they, the shadows?)
"Your fear. My demons manifest -
in pillars of billowing smoke clouds."


What do I have to do?
"Here, eat of my fruit
Simply hand over your soul,
then lo and behold,
You'll hold the entire world at your disposal
Quid pro quo"


Oh no, I stare in amazement as I wonder
Is this all worth eternal damnation?
It tears me apart
as my heart yearns with temptation.

I stared this abomination dead eye
as I proclaimed with a laugh of elation:
"Worldly possessions have always been
objects of my fascination.
That said, I'm really not one to follow through with prior obligations..."

He said
"Take your time,
I have plenty -
About a lifetime in fact,
Because if you choose to dance with me
its a lifetime you won't get back."


I used to admire you,
and your promise of material ideation,
But I must digress -
Your abhorrent consuming darkness
Is extinguished, with a bolt of lightning
Brilliant and lustrous

(Corinthians 11:14)
"And no marvel, for even Satan himself is transformed into an angel of light"

It's then I decided it best to turn around and walk back the way I came.
I'd rather skip tempting fate anymore today.
Thank you for 3,000 views. My grandest achievement along with "Spontaneous Combustion" and "Trivial Drudgery"
Connie Gross Mar 2016
Standing at the crossroads,
Alone to make a choice.
left or right,
how will I know?
A path is set for me .
which ever way I go.
That way,
could mean everything.
This way,
could lose everything.
How will I know,
which way to go?
Standing at the crossroads,
Alone to make a choice.
which is right for me?
with a little faith,
a little luck ,
i'll choose the path thats right for me!
Joshua Adam Jul 2015
Finally reaching the crossroads, we will find out, having been unaware
unfulfilled obligations still remain below, but then, sadly we didn’t care
past opportunities will forever be lost, leaving everything else behind
failing to have prepared, a loss only now beginning to plague our mind

Life’s journey has brought us here, we at the end of the line
existence in a new form, truth finally revealed, heaven’s sign
decisions are required, before we enter through our last door
destiny no longer to ignore, our time in this world is no more

Crying for those we are about to leave, those good-byes never seem to suffice
so many engulfed in self-deception, with bloated egos facilitating a life of vice
time no longer a barrier from the truth, and we will now clearly be forced to see
how we foolishly wasted precious time, thinking our own pleasures were the key

When we breach the crossroads, there will be no time left for us to reflect
all that has happened, now a memory, upon which loved ones try to connect
neither gold nor silver can do us any good; money has no value in the grave
squandering spiritual investments, eternal happiness we can no longer pave

When trust is the foundation of faith, then hope still exists, it will never take flight
what is required of us is an inner strength borne of conviction, and the will to fight
accepting nothing as too difficult, diligence is the goal to be kept constantly in sight
by utilizing the power of prayer, since it reaches above the tallest mountain height

You’re alive, so never give up no matter what they tell you, you alone hold the answer
when hearing the sarcasm and negativity of those around you, avoid them like cancer
remembering always you were created in G-d’s image, the entire universe will attest
a chance for eternity awaits, but first we must pass our, individually tailored, divine test

To which category of human did you belong?, of us will G-d most certainly inquire
Did you honor all men created in My Image, or did you revel in hatred and conspire?
for you to recognize My plan for a perfect world, by being an active participant I did await
thereby bestowing upon you this ability, hoping you follow My plan, using “Good” to create

I put before you the chance and ability, did you spread love, or choose to hate?
either to follow or negate evil from within, this power to choose your own fate
sound advice is to think wisely and choose nobly, and to do whatever it takes
prepare now while there is yet time, before it’s too late to fix those mistakes
To which category of human do you belong?
Brianna Sep 2015
Shimmering mountain and bright lakes call my name into the great unknown.
I have wandered to far to get caught in a crossroads with no right answer.

If I go right towards society my life will be scattered and I will fall back into the viciousness of routine. I will fall backwards towards the life I ran away from.

If I go left I will find the wild trees growing into the clouds and the forest ground covered in moss. I will eventually hit the ocean where I can sit upon soft white sand wishing for sunsets with answers.

If I turn around and go back the way I came... Well ... I suppose I will have made this journey for no reason except to get lost. I will have wasted valuable time most would say.

But who said at a cross roads you had to pick a path already created for you? Who said you couldn't... I don't know, make your own path?

Bright, shining water and clouds so white and scattered across the sky like your favorite watercolor. I said forget the norm and made a new path.
Connor Jun 2015
Myself caught in the heatwave sunlight, brown eyes
furrowed in the sun, scarf loose on my neck/
the transcendental Denpasar morning-birds
are playing their melodies in my head still,
three years post-Indonesia.
        All of my soul to India now,
        sky the pink of painted elephants
        on Jaipur dawning,
        my afterlife was somewhere here
        perhaps two generations ago, chances are.
               Vijay Raghav Rao and Alla Rakha
               playing the Tabla/via earphones/treading the
               Funary Box City (Kashi) future Spring
               hands held together keeping calm pace.
               Looking about, my twenty-two year old face
catches humid wind
S
I
L
V
E
R
S
H
O
P
tattered bike leaning on the gated guest house entrance
     PERENNIAL AZURE SHIVA SITS CROSS LEGGED/
     COBRA NECKLACE IMITIATONS ON THE GODDESS THROAT/
     MEDITATING SHIVA/
dulled from years and corrosion.
Brahmin center of the market street
flapping it's tail,
sweat beads from my forehead bleeding
to oily pavement.
At last the months have come for the river Ganges,
April penumbra/savage thunderclap
while school children uplifting the heart
                 AND MIND
are ROARING in their laughter
the CONTINENTAL DISCORD OF JOY
sleeping with their eyes open
while others are too tired for the Earth.
Sidney Bechet floating swan songs during
the black hour cremations/
“Bechet Creole Blues”
CATERWAUL IN THAT              VOID
THE METAMORPHOSIS OF DEATH/
LUNACY OF LIFE
                     (I've arrived at the simultaneous crossroads
                                                      ­  of both)
searing flesh in open air pyramids/
Manikarnika Ghat,
Asia  F
          L
         O
         W
          S
through dreams
like inevitable prophecy
and as ash blends with stars
the CITY seems fulfilled
and mystifying
in it's
                      (((((RESPLENDENCE)))))
I'm a foreigner
at the crossroads
what you see from a distance
wave hands
say hello to you.
I've been confused
ever since stand alone in the crowd,
no one sees me
except for a pair of eyes
that is lodged in people's heads
which I never knew before;
and the clouds turn blue but don't hurt flowing right over the head
then the birds rise expel the wind
who had tossed my long hair.
I just stare at them,
hope they don't look at me.
However, the world suddenly stopped. And my world seems to have a limit
to transcend isolation.
I'm a foreigner
at the crossroads,
which has been left behind by old memories,
and when the new comrades have become adept at reading signs,
and therefore we have bonded
like a relationship
that we are not really aware of.
I'm a foreigner
at the crossroads,
greet you as a stranger too,
but now everyone is busy making their own festival,
and don't ask,
I make a festival for whom,
except for the day
when I'm not known anymore.
Indonesia, 30th November 2021
Arif Aditya Abyan Nugroho
Paul Glottaman Feb 2013
Staked to the ground we find ourselves at
the crossroads.
Though no deal is to be struck,
no bargain arranged
and no promises kept.
This is a place for looking
and, if we are all very lucky,
a place for seeing as well.

Stand here with me, in these chains,
and sing me the song that is
the night.
Breath this starlight and look out
on the expanse of our ever
expanding universe.

Do you see it yet?

Pinned though we are,
wondering though we might,
we have to find the single spark,
we have to see the light.


It is here, in the darkness that we revisit.
That we revise.
That we dig it all up and decide.
Because tomorrow, thankfully not today,
we grow toward the sunlight
more efficiently,
as the people we have to be.

We are staked here, at the crossroads,
but when these pins are drawn,
our chains lifted,
we will soar the skies above the crossroads.
We'll wonder, one has to hope,
as we look down on the trail that
had become our prison,
The path here is crooked,
so many obstructions
too many hazards.
The paths lead nowhere...
How did we ever get around?
aar505n Aug 2014
Crossroads that crisscross my mind
they say, "find the right way"
but I'm stuck where they left me.
Without a notion of
North, South, East or West.
No compass
to tell me which way best.
I want to go in every direction,
wander into new wonders,
but that's not allowed.
I want to shout out loud
for someone to set me straight,
save me from choice and regret,
but I'd only strain my voice
and remain at the crossroads.
I must be in Purgatory.
So I wonder
which way to Heaven
and which way to Hell.
Not that it would matter.
As either
must be better than this limbo.
This nothingness.
It's worthless.
Meaningless,
until I take that first step.
Dust of the cobwebs.
Feel a gust of wind,
ebb and flow.
And begin.
comments/criticism welcomed
Eefs Jungmann Dec 2014
Standing in the middle of a crossroads
Not knowing who or where to turn to
I guess it would help if I had a
**map
I dunno really what to say about this one too. Just sprouted in my brain really, can be interpreted philosophically or whatever way.   Hope you enjoy and comment etc all the same, feel free to do that with any of my work x
maxine May 2015
During life you go through many obstacles.
Some of which are where you need to choose between two things.
Left or right?
They call this a crossroads.
You see some people say listen to your heart and it will guide you the right way.
But will it?
Your heart is as cloudy as your mind and if your mind can't choose what makes you think your heart can?
There are so many rights and so many wrongs.
But you won't know if it's wrong until you go down that road and see what's to offer down there.
If all fails put the gear in reverse and go down the other road, if it's not to late that is.
ISSAI MASHINGO Jul 2014
When brothers go to war there are no captives/
When brothers go to war we find only casualties/
The in explicable war between Palestine and Israel,/
In this poem i hope that peace would prevail/
Countries at the crossroads of heaven and hell/
Their war has lasted for ages/
Pain and revenge bitterness and hate/
When brothers go to war who dares to mediate/
Who knows of their fate who knows whose right/
Its bee like this for so many years/
Who will be there to wipe their tears/
Who will be there to give hope to those in fear/
Who will dare to go and interfere/
When brothers go to war know that the end is near/
Hold on and sanctify your soul in prayer/
When brothers go to war who is the villain who is the saint/
The war of Israel and Palestine stained in red paint/
A revelation to the faint hearted/
A lesson to the boastful and egocentric/
Innocent lives lost when brothers go to war/
A gentle answer turns away wrath/
But a harsh word stirs up anger/
A hot tempered man stirs up dissension/
But a patient man calms a quarrel/
When brothers go to war who dares mediate
(c) ISSAI
for the war within!!!!!!!!!!!!!!
Jake McPherson May 2013
Your standing at a cross roads
And you dont no which way to go
To the left is a road you've never known
To the right is the life youve lived and grown
As the rain pours down along your face
Your confused on which choice to make
Your scared of change and risk
You always belive youll fail the test
Even though your stronger than most
You dont belive you have anythin to boast
A predictiable stable life is what you want,
Descions and stress give you haunt
A fulfiled life is all you want,
My Wandering woman just follow your heart,
Dont worry what others think, its about what you want
Let nature be your guide and show you the way,
Choose a path and dont ever stray
Follow the sun the moon and stars,
Theyll always stay bright for you,
Just look to the sky whenever your blue,
Take a deep breathe and let it all flow out,
Before you make a descions no matter what about,
While your at the crossroads wanderer,
Always remember not to ponder,
Follow your gut and nothin but,
Dont let outside fears take control,
Your demons are no match for your heart,
Even though they may never let go,
Fight through them all with courage and wit,
Think on your toes and never sit,
Youll get through this wandering woman,
Never doubt what you are doing.
Never let your smile go dim,
It will brighten up any room,
Keep your eyes open wide
They are as blue as the sky,
Tread your gorgous soul onward dear,
There is nothing for you to fear.
As you stand at the crossroads before you
Remember these words i said to you,
If you choose the road you dont know
Or the one that youve grown accustom too
Just make sure that youll be happy first,
Happiness is your primary first.
Everything else can wait,
And i myself can always wait,
Ill wait until your seas have calmed,
Until it is safe to climb a shore,
Until your storm has subsided,
And you can no longer deny it.
Never the less ill always be by your side,
And for you ill hang up my pride.
You'll always have a place in my heart,
You always have right from the start.
Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.
HEGIRA TO PATMOS  /  COPYRIGHT
Pyrrha Sep 2018
Love is the crossroads of two garden paths
The thing about loving is that it is selfless
I will want to love you more and think of myself less
So I choose to walk your path and tend to your beautiful flora
While I forsake my own in your love and care
It is you and I who decide when we wilt and when we flourish

But will I let it wilt in the end?
When you hand out
bankrolls of cynicism and cheques of failure
I will show you my bullions of perseverance
Diamonds of reality

When you show me twenty stories of disappointment
I will display five stories of utter joy and hope


Take your handouts of regret and chances-never-taken
Face me and tell me my dreams will never grace this earth

But I laugh
Even as I cry
And bleed


Hope I don't regret this
Hope is all I have
Hard work will get me far
I hope hard work will see me alive at forty
Dying regrets but hope hope hope
I hope I hope at forty
Anon C Nov 2012
Life lays before me in dark broken paths
All the roads look so good but are so wrong
Evils entangled hands reach out in wrath
Days on these paths have been weary and long

So which path is the right one to go down
Maybe it's the path showered in roses
I see the many thorns reaching around
The path fades, I see that option closes

I swing around to find what path is next
I am then greeted by angry darkness
This path is a chasm, I become vexed
Wearily, I jump into the abyss

No more paths to choose I am just falling
I look up, none can hear my voice calling
Written long long ago but I still feel it at times.
Louise Jan 2019
It was 3 A.M. in the heart of the metro,
although by the crossroads of Katipunan,
Aurora Blvd and CP Garcia,
the music of time seems to sigh to a stop.
And there by the corner, an orchestra.
Our hearts, on the other hand,
were out in the open
but the cold weather got the best of us.
Our sleepy eyes were giving us away.
You had to pull me closer
and I had to warm up your hands.
Have I told you before?
You have the hands that could unsettle
but your eyes tells a whole different story.
A tale I was too terrified to start reading, perhaps.
But a favorite of mine it has become in time.
Moments with you are as raw and surreal
as moments can be;
they were just once imaginations and inspirations for
those bad poems I used to write years ago.
Not that my poems now are good but the ideas I can now grasp,
they're inside my realm, within my reach.
Your far-fetched dreams are statement patches
on my denim jacket while my craziest of hopes
are tucked safely inside every pocket of your dad's
hand-me-down vintage jeans.
"He got this from Vietnam in the 80's",
you uttered between a puff of smoke
and before I could start talking about the war yet again,
just like in the movies,
you started asking me about my dad, his whereabouts,
'just anything' about him;
something a lover has never done before,
something a friend wouldn't even bother hearing about.
You were waiting intently yet so patiently
for my response as you threw away the **** of your cigarette.
Right then and there,
I swear I was in rock bottom in love with you.
Should I reach for your lips first then proceed to tell you?
Or should I tell you first and then stop to stare at your lips longingly before finally reaching
out to kiss you, like in the movies, too?
For the very first time, I was in rendezvous with the story
and the abiding pain that comes with its telling.
I almost liked the melancholy lying in its very idea.
I was at peace talking about it,
almost as if it wasn't my own story to tell.
You made everything so easy, like throwing up acid
after about twelve celebratory shots of Stolichnaya.
You listened, you didn't just hear me out but you listened
like no one did before
and right then and there,
I swear I could give you the world.
And I started doing so by giving you the bricks
from the ruins of the walls around my heart.
The same bricks that I shattered
and played my own heart with.
I even had the faint chance to understand myself,
but not as much as you did.
I saw some things I've never seen before
but not as clearly as you did.
I stopped mid-sentence, first to catch my breath,
second to recollect myself
and I wasn't very sure about the third
if I wanted to break down
or if I wanted to reach for your lips,
finally pull you in for a kiss but to hell, you knew
what I needed better.
You took my hand, kissed it tenderly before pulling me in.
You let my head rest on your lap like I would have with my dad, should he stayed.
And I told myself "there's no turning back".
You found me by the crossroads
and you made me tiptoe happily through
the speeding vehicles that once killed me
and destroyed parts of me that I could never take back
but I would do it all over again.
I would live only to die again.
For half the time, you were waiting for me on the
other side of the road but for the latter,
you impatiently crossed the other half of the road
to meet me in the middle,
so we could cross back to safety together.
I could double whatever price I had to pay
when I saw your face getting closer
and when you finally touched me,
I was willing to embrace the glory of bankruptcy.
Right then and there I swear I could do everything for you
and I started doing so by forcing my heart
with all its might to try beating once more
and it did, to my surprise, the loudest it ever has.
I didn't have to hold the shards for too long
with my already bleeding and wary hands
because you held them with me.
You held me.
And just like that, I am whole again.
We were singing along to Strawberry Fields Forever,
exchanging soft, contented sighs while wishing
Walrus didn't have to close so soon as 2 A.M.
I lost myself in boredom
Lost myself in the bitter and sour patches of life
Ripping myself free from the death grip of the vines that hold me down
I can see the sun shining through the leaves and thorns that cover my eyes
My sad, torn aching flesh screams out as the rain softly falls on it
Stinging the gaping open wounds as I search for reconciliation
As I slowly stumble back into my reality
Rediscovering my inspiration, surprise and happiness
I have come to my crossroads once again
Not looking back, I proceed on my path of hope
Living like I am dying and regretting nothing I have done
I may be scarred from my battles but that does not mean I have lost my virtue
From: Talk *****/Breathe Easy
© Khrystina-Lee 2010
MJL Apr 2019
Each generation’s majority makes choices that usher change
Lost pined for simple peace
Depression lived for human survival
Silence spoke for equality in a civil voice
Hippies fought war with flowers
Boomers drove for mad knowledge of self
Grunge nodded honesty from suburban garages
Y baptized Science as god
Mobs then anointed Orange Man as king
Down at the crossroads as means to their ends
For taxes, for borders, for babies, for guns, for Right
Trading truth, communal values and united dreams for their causes
How will we be remembered
As we watch this Heyday bloom
What will be this generation’s rallying cry
Will there be one
A culmination of past generation's trusted change
Lost, depressed, silent, free, self-aware, honest, doubting
Us
Here now
Strong
Watching the flames
Will we quietly turn away
As our world burns
Or will we tap a new strength
To face the fire
Together


© 2019 MJL
Generational strength. Come together. Unity. Love. Standing at Trumps crossroads... Trump Treason
louis rams Feb 2014
The LORD put millions of lives on this earth today
To replace the ones he took away.
We all have destinies that we must follow
To keep the balance of nature true.
It is all up to me and you.
The crossroads that we come to in life
Can lead us straight or make us fight
The straight and narrow is the path that GOD has put for us
And In his infinite wisdom- he gave us a choice at the crossroads
One can lead us to an easy life abound
While the other can make us fight for all that is found.
The road that leads us to the fight is the road that we must take
So that we can use our hearts and mind, and fight to get
To his heavenly throne, so in death we’ll never be alone.
The road to an easy life abound – will look as beautiful as can be
But it could hide lots of treachery.
Life is not always what it seems to be
But this is the crossroads that lead to our destiny.
PAST arthritic decrepit elderly female wearing traditional black southern Mediterranean clothing long silver hair braid sits in stiff wooden chair

PRESENT handsome athletic 21-year-old male soldier in tan uniform stands at ease

FUTURE eye-catching 32-year-old female wearing spaghetti-strap dark slate gray slinky cocktail dress 3” black Italian calf heals long loose brown red hair red fingernails lipstick



act 1 scene 1

PAST (clasped hands) you’re ruining everything

PRESENT get out of the way old woman you don’t belong here anymore

PAST (hands gesture) you think you’re making things better look around the earth is a toilet of human errors accidents self-destruction violence greed corruption horrible secrets

PRESENT be quiet old woman silence hear me shut the **** up (short pause) what? you think your former oppressive hierarchies were better

FUTURE talk ***** to me

PAST shush up girl

PRESENT let the pretty lady speak

FUTURE (coquette stride across stage) i have a vision a world where everyone is equal living in harmony shared respect appreciation for each other we’re entering a critical crossroads extraordinary passage in time

PRESENT you hear what the pretty lady said

PAST she’s baiting you hook line and sinker

PRESENT (male bravado stance) you wrinkled bitter blind old woman can’t you see feel this critical crossroads extraordinary passage in time

PAST i know a black widow when i see one

FUTURE who you calling black widow you old witch

PAST i remember when food was good natural cows chickens lived happy neighbors were neighborly you could walk home at night without looking over your shoulder or stick out your thumb hitch a ride or if you drove up to a stop sign no one was in front of you people greeted each other as they passed it wasn’t that far back just 50 years ago

PRESENT ***** you old woman i don’t know what time that was what were you some privileged person

FUTURE let’s order pizza

PAST who can eat at a time like this

PRESENT pepperoni and mushroom

FUTURE mushroom tomato basil no meat

PRESENT cool

PAST you’re escaping into comfort food immediate gratification

FUTURE why must you judge everything

PRESENT i’m with pretty lady pass away old witch let the future and me figure this out

PAST don’t say i didn’t warn you all this banter has exhausted me i need a little nap (she tilts head closes eyes slumps in chair)



act 1 scene 2

PRESENT (swaggers up to eye-catching female) perfect now you pretty lady and i can get more familiar with each other know what i mean

FUTURE what do you have in mind

PRESENT pardon my straightforwardness i’m shooting for 69 you know what that is

FUTURE hmmm uhh yes i know what that is

PRESENT you mind spreading open those long lovely legs of yours and let me see what you got hidden there

FUTURE you think you’re man enough to see what i’ve got hidden here

PRESENT oh yes ma’am

FUTURE lie down on your back on the floor

PRESENT anyway you want it i’m glad to oblige you ma’am

FUTURE (lifts dress to waist and stands over his head) like what you see

PRESENT oohhh you are a beauty my mouth is watering please let me have a taste

FUTURE (bends knees squats above his head sinks pelvic area into his face) give me your best shot soldier boy

PRESENT mmmmmmm (long pause)

FUTURE ease up (pause) it’s a delicate flower slow gently treat it like an intricate story plot construct it carefully strong foundation listen to my breathing heartbeat feel my muscles flex follow mounting rhythm by rhythm building to crescendo

PRESENT (long pause) how am i doing

FUTURE terrible (stands ***** drops dress walks away) you’re all over the place no skill discipline direction you need to be more precise more anticipatory more presence of mind less messy rashness

PRESENT no girl ever told me that before

FUTURE probably because she was so grateful to see your face down there she would not think to ask for more but i’m the future and my needs are more demanding

PRESENT you sure do smell and taste good ma’am may i please have another shot

FUTURE listen up soldier boy i know understand you you’re a man with needs that torment you i think you have been going through this long before i knew you i see through your tough veneer i have an idea what haunts you

PRESENT what do you mean what haunts me

FUTURE maybe you didn’t get enough love from mom dad was never around none of your teachers at school knew how to get through to you now look at yourself soldier boy you’re fighting a war inside and out trying to save something that can’t be saved the world is changing faster than you can keep up do you honestly think your life and labors will have any effect on me

PRESENT i don’t understand

FUTURE i’m on the horizon you desperately need me (pause) and i don’t need you



act 1 scene 3

PAST shut up i can’t get any rest around here can’t stand hearing all this drama gibberish

PRESENT you’ve been listening (pause) you heard everything

PAST i’ve heard enough to make my stomach turn sour i don’t need to hear any more of this crap

FUTURE (flexed posture eyes glare at elderly female) don’t give me reason to trash you

PAST you think i’m afraid of you

FUTURE i mean it old witch i’ll annihilate you

PRESENT what’s happening here i don’t understand let’s all just chill

FUTURE stay out of this soldier boy it’s between the old witch and me

PAST (stands from chair raises arms revealing long black shawl) you think i am a feeble old woman or witch as you like to call me but my power goes beyond your imaginings wherever you go i will follow track you down haunt you infect you with your errors accidents self-destruction violence greed corruption horrible secrets

FUTURE shut up shut up you’re ruining everything (frantically rushes to edge of stage looks out searching audience paces back and forth hands cover ears)

PRESENT i’m lost who do i believe listen to

PAST (spreads arms out like wings) you want to know about the future i’ll tell you i can see right through her lies it’s a world devoid of fish in the seas or creatures in the forest instead industrial farming complexes producing genetically altered strains of cattle pig chicken flavorless fruits vegetables grains toxic black oceans toxic black skies stifling temperatures coastal cities swamped swarms of vermin parasites oh lest i forget trillions upon trillions of humans and robots robots!

FUTURE (abducts arms) but what about my beautiful vision a world where everyone is equal living in harmony shared respect appreciation for each other

PAST you’re in love with your own deceptions foolish woman you can’t possibly believe the sins of the past will ever let go of you

FUTURE that’s it you ***** you die (attacks old woman’s throat strangling)

PRESENT (intervenes pulling enraged female off elderly female) please stop this fighting stop your hostility

PAST (coughing choking trouble speaking) it’s up to you now soldier boy what will you do

PRESENT i need fresh air i have to go get away from here goodbye to both of you

FUTURE not so fast

PAST in a way we’re all joined at the hip understand soldier boy now lie down on your back on the floor there’s something i’ve got hidden if you’re man enough to see (lifts skirt hem)

FUTURE i want in on this

PRESENT oh god

— The End —