I. Song of the Beggars
"O for doors to be open and an invite with gilded edges
To dine with Lord Lobcock and Count Asthma on the platinum benches
With somersaults and fireworks, the roast and the smacking kisses"

Cried the cripples to the silent statue,
The six beggared cripples.
"And Garbo's and Cleopatra's wits to go astraying,
In a feather ocean with me to go fishing and playing,
Still jolly when the **** has burst himself with crowing"

Cried the cripples to the silent statue,
The six beggared cripples.
"And to stand on green turf among the craning yellow faces
Dependent on the chestnut, the sable, the Arabian horses,
And me with a magic crystal to foresee their places"

Cried the cripples to the silent statue,
The six beggared cripples.
"And this square to be a deck and these pigeons canvas to rig,
And to follow the delicious breeze like a tantony pig
To the shaded feverless islands where the melons are big"

Cried the cripples to the silent statue,
The six beggared cripples.
"And these shops to be turned to tulips in a garden bed,
And me with my crutch to thrash each merchant dead
As he pokes from a flower his bald and wicked head"

Cried the cripples to the silent statue,
The six beggared cripples.
"And a hole in the bottom of heaven, and Peter and Paul
And each smug surprised saint like parachutes to fall,
And every one-legged beggar to have no legs at all"

Cried the cripples to the silent statue,
The six beggared cripples.

Spring 1935

II.
O lurcher-loving collier, black as night,
Follow your love across the smokeless hill;
Your lamp is out, the cages are all still;
Course for heart and do not miss,
For Sunday soon is past and, Kate, fly not so fast,
For Monday comes when none may kiss:
Be marble to his soot, and to his black be white.

June 1935

III.
Let a florid music praise,
The flute and the trumpet,
Beauty's conquest of your face:
In that land of flesh and bone,
Where from citadels on high
Her imperial standards fly,
Let the hot sun
Shine on, shine on.

O but the unloved have had power,
The weeping and striking,
Always: time will bring their hour;
Their secretive children walk
Through your vigilance of breath
To unpardonable Death,
And my vows break
Before his look.

February 1936

IV.
Dear, though the night is gone,
Its dream still haunts today,
That brought us to a room
Cavernous, lofty as
A railway terminus,
And crowded in that gloom
Were beds, and we in one
In a far corner lay.

Our whisper woke no clocks,
We kissed and I was glad
At everything you did,
Indifferent to those
Who sat with hostile eyes
In pairs on every bed,
Arms round each other's necks
Inert and vaguely sad.

What hidden worm of guilt
Or what malignant doubt
Am I the victim of,
That you then, unabashed,
Did what I never wished,
Confessed another love;
And I, submissive, felt
Unwanted and went out.

March 1936

V.
Fish in the unruffled lakes
Their swarming colors wear,
Swans in the winter air
A white perfection have,
And the great lion walks
Through his innocent grove;
Lion, fish and swan
Act, and are gone
Upon Time's toppling wave.

We, till shadowed days are done,
We must weep and sing
Duty's conscious wrong,
The Devil in the clock,
The goodness carefully worn
For atonement or for luck;
We must lose our loves,
On each beast and bird that moves
Turn an envious look.

Sighs for folly done and said
Twist our narrow days,
But I must bless, I must praise
That you, my swan, who have
All the gifts that to the swan
Impulsive Nature gave,
The majesty and pride,
Last night should add
Your voluntary love.

March 1936

VI. Autumn Song
Now the leaves are falling fast,
Nurse's flowers will not last,
Nurses to their graves are gone,
But the prams go rolling on.

Whispering neighbors left and right
Daunt us from our true delight,
Able hands are forced to freeze
Derelict on lonely knees.

Close behind us on our track,
Dead in hundreds cry Alack,
Arms raised stiffly to reprove
In false attitudes of love.

Scrawny through a plundered wood,
Trolls run scolding for their food,
Owl and nightingale are dumb,
And the angel will not come.

Clear, unscalable, ahead
Rise the Mountains of Instead,
From whose cold, cascading streams
None may drink except in dreams.

March 1936

VII.
Underneath an abject willow,
Lover, sulk no more:
Act from thought should quickly follow.
What is thinking for?
Your unique and moping station
Proves you cold;
Stand up and fold
Your map of desolation.

Bells that toll across the meadows
From the sombre spire
Toll for these unloving shadows
Love does not require.
All that lives may love; why longer
Bow to loss
With arms across?
Strike and you shall conquer.

Geese in flocks above you flying.
Their direction know,
Icy brooks beneath you flowing,
To their ocean go.
Dark and dull is your distraction:
Walk then, come,
No longer numb
Into your satisfaction.

March 1936

VIII.
At last the secret is out, as it always must come in the end,
The delicious story is ripe to tell the intimate friend;
Over the tea-cups and in the square the tongue has its desire;
Still waters run deep, my friend, there's never smoke without fire.

Behind the corpse in the reservoir, behind the ghost on the links,
Behind the lady who dances and the man who madly drinks,
Under the look of fatigue, the attack of the migraine and the sigh
There is always another story, there is more than meets the eye.

For the clear voice suddenly singing, high up in the convent wall,
The scent of the elder bushes, the sporting prints in the hall,
The croquet matches in summer, the handshake, the cough, the kiss,
There is always a wicked secret, a private reason for this.

April 1936

IX.
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.

April 1936

X.
O the valley in the summer where I and my John
Beside the deep river would walk on and on
While the flowers at our feet and the birds up above
Argued so sweetly on reciprocal love,
And I leaned on his shoulder; "O Johnny, let's play":
But he frowned like thunder and he went away.

O that Friday near Christmas as I well recall
When we went to the Matinee Charity Ball,
The floor was so smooth and the band was so loud
And Johnny so handsome I felt so proud;
"Squeeze me tighter, dear Johnny, let's dance till it's day":
But he frowned like thunder and he went away.

Shall I ever forget at the Grand Opera
When music poured out of each wonderful star?
Diamonds and pearls they hung dazzling down
Over each silver or golden silk gown;
"O John I'm in heaven," I whispered to say:
But he frowned like thunder and he went away.

O but he was fair as a garden in flower,
As slender and tall as the great Eiffel Tower,
When the waltz throbbed out on the long promenade
O his eyes and his smile they went straight to my heart;
"O marry me, Johnny, I'll love and obey":
But he frowned like thunder and he went away.

O last night I dreamed of you, Johnny, my lover,
You'd the sun on one arm and the moon on the other,
The sea it was blue and the grass it was green,
Every star rattled a round tambourine;
Ten thousand miles deep in a pit there I lay:
But you frowned like thunder and you went away.

April 1937

XI. Roman Wall Blues
Over the heather the wet wind blows,
I've lice in my tunic and a cold in my nose.

The rain comes pattering out of the sky,
I'm a Wall soldier, I don't know why.

The mist creeps over the hard grey stone,
My girl's in Tungria; I sleep alone.

Aulus goes hanging around her place,
I don't like his manners, I don't like his face.

Piso's a Christian, he worships a fish;
There'd be no kissing if he had his wish.

She gave me a ring but I diced it away;
I want my girl and I want my pay.

When I'm a veteran with only one eye
I shall do nothing but look at the sky.

October 1937

XII.
Some say that love's a little boy,
And some say it's a bird,
Some say it makes the world round,
And some say that's absurd,
And when I asked the man next-door,
Who looked as if he knew,
His wife got very cross indeed,
And said it wouldn't do.

Does it look like a pair of pyjamas,
Or the ham in a temperance hotel?
Does its odour remind one of llamas,
Or has it a comforting smell?
Is it prickly to touch as a hedge is,
Or soft as eiderdown fluff?
Is it sharp or quite smooth at the edges?
O tell me the truth about love.

Our history books refer to it
In cryptic little notes,
It's quite a common topic on
The Transatlantic boats;
I've found the subject mentioned in
Accounts of suicides,
And even seen it scribbled on
The backs of railway-guides.

Does it howl like a hungry Alsatian,
Or boom like a military band?
Could one give a first-rate imitation
On a saw or a Steinway Grand?
Is its singing at parties a riot?
Does it only like classical stuff?
Does it stop when one wants to quiet?
O tell me the truth about love.

I looked inside the summer-house;
It wasn't ever there:
I tried the Thames at Maidenhead,
And Brighton's bracing air.
I don't know what the blackbird sang,
Or what the tulip said;
But it wasn' in the chicken-run,
Or underneath the bed.

Can it pull extraordinary faces?
Is it usually sick on a swing?
Does it spend all its time at the races,
Or fiddling with pieces of string?
Has it views of its own about money?
Does it think Patriotism enough?
Are its stories ****** but funny?
O tell me the truth about love.

When it comes, will it come without warning
Just as I'm picking my nose?
Will it knock on the door in the morning,
Or tread in the bus on my toes?
Will it come like a change in the weather?
Will its greeting be courteous or rough?
Will it alter my life altogether?
O tell me the truth about love.

January 1938

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We Haven't Found an Anchor Yet (But This'll Have to Do)



...

Tear the clock off the wall
We'll say we invented
A world where time passes
The way it was meant to


We'll build it out of bottlecaps
Or cadences of songs
That were sung a long long time ago
And will be sung long after
We're all gone

It was good to sing along

Or build it out of unmade beds
Or scratches on the walls
Or the things we said before
We went to bed and
All the parts we can't recall

I know I loved it all


Our hearts are still red
And the walls are still white
And we haven't got a map
But we've got all night

The sky may turn black
But the ocean's still blue
We haven't found an anchor yet
But this'll have to do


Tear the clock off the wall
We'll say we invented
A world where time passes
The way it was meant to

Throw yourself to the wind
Let it take us wherever it will
We've hours and pages
and glasses to fill



Art for Aeroplanes



It was something, it had to be
something about the sound
The wind chimes made
That reminded me

Below flickering shapes
of the last silhouettes of the leaves
in trees in autumn yards we
made our way through

The melody was
Aimless and the
Cadence never came
So much different than the
Saddest thing
A symphony could play

Like the sounds from our childhood
Resolved into a wordless hum
We understood


It was something, perhaps
A particular way that the light
Hit the street
That reminded me

Connecting the dots
On those stumbling walks between
Softer parts of mid December's
Muddy sting

It had rained and made those
multi coloured
columns on the ground
We went walking down the middle
there was
No one else around

I think I felt the way we did
In all our favorite hiding spots
When we were kids


It was gone in an instant
It was gone in an instant
And so were we
We had places to be


Afternoon's grid
Of jet trails overhead
Looked nothing like the lines we would've left
Had we spilled paint behind us
Everywhere we threw ourselves
When that high sun had set

Not sure what we're looking for
If anything at all

Something that we've seen before?
Something that we lost?

Or maybe this is it, for all we know

The light was bright, we turned away
And the bits of it that stayed
Looked something like the softly focused
Half remembered shape of things
From sun baked roads so long ago
On rainy days

Not sure what we're looking for
If anything at all

Something that we've seen before?
Something that we lost?

Maybe this is it, all I know is
If our faces showed a little of the lights inside our heads
We put on quite a show

And so
One more for the road



One Thousand Little Rooms



We've left our shoes
By the doors of a thousand places
Much like this one
Before

I've seen those colours
In the eyes of a thousand faces
Much like yours
And yours and yours and yours

Marilee is pounding the keys of
A piano all covered in ash
Below bottles in a row on a windowsill
With paint stains on the glass
Paint stains on the glass


I think we're made up of
Sparsely scattered instances
In places
In time

Like shapes of cities at night
Are but a million filaments
Of incandescent light

Marilee still pounding the keys of
A piano all covered in ash
Below bottles in a row on a windowsill
With paint stains on the glass

And our conversation fell
And our conversation rose
And our conversation fell
And our conversation rose
And all the things we had to say
Overlapped the notes to make a space
Your restless island souls could call a coast


One thousand little rooms
Where we light our little fires at night
Are like the places in our lives and inside our minds
The way the shape of the city is a million lights
From little rooms where we light our little fires at night
Are like the places in our lives and inside our minds
The way the shape of the city is a million lights
From little rooms where we light our little fires at night
Are like the places in our lives and inside our minds
The way the shape of the city is a million lights
The little rooms where we light our little fires

Are what we call our home tonight
Are what we call our home tonight
Are what we call our home tonight
Are what we call our home tonight



Farewell Fires & Flying Machines



That night you brought a camera
That night your hands shook, but
It was the closest that you ever came, I'd say
To how it really looked

That night you wore a sweater
You left it lying on the floor
The folds I traced with tired eyes like some old map with lines that led to
Places we'd forgotten things before

So throw your paint on every wall
Illustrate the cadences of our favorite songs
Give them a shape
They're prone to fade away

We still had lights behind our eyelids
Long after we'd all gone to bed
I'd love to save them but I've never been a painter
And so I write it down instead

And I'll fill one thousand pages
I'll write whatever comes to mind
And on the day I find myself one thousand miles away
Perhaps a part of me will still exist behind

So throw your paint on every wall
Illustrate the cadences of our favorite songs
While I'm describing fleeting dreams
Of faces, streets, and wine
We'll make them real

Oh, but what colour was that fire anyways, my dear?


When I leave I'm going very far away
When I leave I'm going very far away

When I leave I'm going very far away
I don't want to see your colours fade
When I leave I'm going very far away
I don't want to see your colours fade

I don't want to see you
Looking like those grey remains
Of last night's farewell fires
Waiting to be swept away

So throw your paint on every wall
Illustrate the cadence of our favorite song
Each and every brightly coloured, tired eye
We'll leave a mark at all
The highest spots we rise

There are things which have no shape



While We're All Still Here**



We hid away in places
No one else would ever think to look
Imagined that the things we said
Were inked and set in pages
Of some great book

Well in a way they were
I think
Although we'll never know
Quite how the whole thing ends

When the sun begins to rise
When all our lines are said
When, someday this moment's passed us by
The way we seem to pass our shadows
As we're passed by cars at night

Will we see pages?
Looking like familiar flags
Will we see them through Old Eyes?

It was hand on heart
It was heart on sleeve
Impossible to miss, but
It was hard to believe
It was staring at the sun
It was stumbling blind
It was a place
It was a time
It was hard to define
It was the sum of all our footprints
And the paint we may have spilled
It was a little like a blueprint
Of a thing we'd planned to build
It was the times we had to whisper
And the things we had to shout
It was the candle that we lit
To see the last one burning out
It was hazy
It was aimless
It was staying the course
It was a weighty affair
With direction and force
It was a world that we built
Out of bits of thin air
It was bent light in a parting glass we've yet to share

We're all still here


There will come a day
When the sky goes dark with
Aeroplanes, angels, and black clouds

But we're still here
For now

There will come a day
When the sky goes dark with
Aeroplanes, angels, and black clouds

But we're still here
For now

...

I
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crêpe bows round the white necks of the public
doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood.
For nothing now can ever come to any good.

II
O the valley in the summer where I and my John
Beside the deep river would walk on and on
While the flowers at our feet and the birds up above
Argued so sweetly on reciprocal love,
And I leaned on his shoulder; 'O Johnny, let's play':
But he frowned like thunder and he went away.
O that Friday near Christmas as I well recall
When we went to the Charity Matinee Ball,
The floor was so smooth and the band was so loud
And Johnny so handsome I felt so proud;
'Squeeze me tighter, dear Johnny, let's dance till it's day':
But he frowned like thunder and he went away.
Shall I ever forget at the Grand Opera
When music poured out of each wonderful star?
Diamonds and pearls they hung dazzling down
Over each silver and golden silk gown;
'O John I'm in heaven,' I whispered to say:
But he frowned like thunder and he went away.
O but he was fair as a garden in flower,
As slender and tall as the great Eiffel Tower,
When the waltz throbbed out on the long promenade
O his eyes and his smile they went straight to my heart;
'O marry me, Johnny, I'll love and obey':
But he frowned like thunder and he went away.
O last night I dreamed of you, Johnny, my lover,
You'd the sun on one arm and the moon on the other,
The sea it was blue and the grass it was green,
Every star rattled a round tambourine;
Ten thousand miles deep in a pit there I lay:
But you frowned like thunder and you went away.

you can take all your aeroplanes
dump 'em all in the deep blue sea
said you can take all them aeroplanes
dump 'em all in the deep blue sea
say, i don't need no plane to fly me
i got my own smooth pair of wings

you can take all your automobiles
park 'em all in a big green field
said you can take all them automobiles
park 'em all in a big green field
say, i don't need no car to drive me
i got my own cool set of wheels

you can take all of your trains
and run 'em off the track
said you can take all of them trains
just run 'em right off the track
don't need no locomotive engine
i got the blues, i'll blow my stack
(better get back)

Aeroplanes fly
at great speed.
Inside their metal bodies
resides colonies of humans.
Side by side they sit,
lying to each other
about their lives.

Every stone that
lies on the ground
has its own story.

Every diamond
is fashioned from
lumps of coal.

All the Kings horses
and all the Kings men
are not able to change
the inevitable.

Black skies hide
the rotting yearning,
the plunge into
that shallow space.

I live here.
Coloured liquid
pours from my
aching thoughts.

I drop pretending
so fast, one would
imagine it never
was there at all.

Sit beside me.
We shall fly together.
Echoes following
every strangled sigh.

Touching the shallow,
we can speak of
people known and
people forgotten.

Struggle in separate shells
as we attempt to bond
in contemporary fashion.

Should I tell you
that they have told me
I am dying?

I think not.
That would cause
too many lips to
drip with sympathy.

Aeroplanes are
emergency reunions
of jocular strangers
emptied of reality.

I want to be
one of those strangers,
and cast a spell
of formaldehyde
expectations.

and all i ever wanted, was to work in a music shop, to compensate my fancy moving away from Stendhal's scarlet & noir, and into the domain of Nick Hornby's high fidelity... well... that died a very Belgian death, very much akin to euthanasia.

at least i don't
bleach people to mere
pronoun usage.

and yes,
i treat the tetragrammaton
as a superlative,
esp. given
i am akin of Atilla -
and the Visigoths...
such that i am:
of the invading "horde",
because of he
the so-called culture
i see no civilisation on the horizon...
i see no Baroque...
            i hear no Bach,
and will never hear a stance
such that the music be composed...

because what is happening
in no circus of nouns...
people are being bleached,
they are being leash bound
to walk into a pet barbers to get their
hair "done"....
         i am not the one
regarding them as sole
pronoun exhibitors...
   there they are: merely pronoun bound...
and should i call them black,
or care to call them copper skinned
akin to the Indus peninsula...
                       i have forgotten
the agitating "they"...
            
i don't have a cartesian dualism
to mind...
i simply have my own dichotomy
to attend to...
   as Voltaire said: each to his own
garden; and a pair of shoes.
    
once again...
  geometry will never scope beyond the orb...
there is no geometric study to
suggest a shape for the universe...
now we know: there's no thinking
outside the box,
  even if that might ease your "claustrophobia".

  and i rather call a person by their
self-identifying characterisation
that reduce myself to a liberal
censor clot of only managing other people
in the pronoun category, auto-suggestive
of a *we vs. them...

       i don't see how that makes us
liberal, that having forsaken descriptive
approaches, we incorporated
the additive approach carte blanche
as a guide to treating everyone akin
to being dubbed albino.

   i like talking about ******* a brown-skinned
girl...
    i like talking about ******* a Thai girl...
i like putting cardamom in my curry,
or my cinnamon...
  or my everclear - heartspark dollarsign -
and thus about the time i
gave to flying the kite of full, manly,
****-refraining autonomy...
to the wind itself.

  just when we were about congested,
and lated constipated...
        i wrote this, like a clerk
might, in the bureucracy of the failing
Roman Empire, akin
to the reminiscent W. H. Auden...
      on pink'oh paper that turned boredom
into the origami of paper-aeroplanes...
  neat, folded, against the envelope
requirements... thrown right into
the lap of don quixote,
       recycled, shredded by a windmill...

as if about just apparent...
        at least this dream, this utopia
didn't originate with me...
    oh sure, i believed it...
that we could house the entire ethnically-diverse
populace under one roof...
   i believed it, the world told me to believe it...
i'd love to believe it thrice over...
   i mean, i'd love to have
    duo-ethnic children,
        who spoke four languages...
in the least three...
    but **** how that gets swept under
the rug and forgotten along
with Aladdin...
   it just gets boring, all that masochism
of being an anti-racist social warrior
but at the same time calling oneself
a white-trash stereotype transcendent.

that's me about to puke,
and write my name in diarrhea ink,
followed up by doing the same in
gonorrhea ink.

what happened at the end of the 20th century
was a very well believed
in dream, even though it was a butterfly...
and lasted no more than a few years...
it was worth it... it's when i had my childhood...
and i could have even been a roofer until now
should there be someone who said
they were overworked in a supermarket...

it was very nice for a bit,
great to believe in... how suddenly 2000 years
of history could be forgotten and
let us live in a togetherness...
    but like today, Syria and a civil war...
civil wars are unique...
  a Syrian barber tells a Syrian butcher
to *******...
     and would it be necessary for
     an English politician to get involved?

unless they're selling both
  Israeli uzis (the country where the ***
originated, yep, Israel)...
          i'm not a Syrian civilian...
so what the **** are all these tourists
talking about?! i don't care if they come
from Westminster, what are these tourists
talking about?!
                  i'd like to be a Syrian civilian
first, before i give my opinion...
        i'm not giving a single opinion
as a tourist that was ever in Syria,
or a one: waiting to visit it in the "near" future.
******* tourists...
     you have to use a blunt knife carving
this piece of history...
not point using a well sharpened knife
cutting with eloquence and absolutely
no profanity... given the excesses of ****...
   i say: oaths! oaths!

Oh Woman,

when I fold aeroplanes for you
with neat creases
on thick white papers,
and,
paint three-petal flowers on them
with yellow wax crayons
which
I stole from my 6-year-old cousin,
and,
fly them to you from the corner of my balcony
so that it flies straight at you
cutting through the  cold breeze
and naked trees;

you,

pick them up from the ground after their
successful landing
with distracted eyes,
throw them back on the ground,
stamp them with your black boots,
and walk past them
with disgust
as if my paper planes had sunk the twin towers.

so there on the window sill
i sat perpetrating my crime,
one had outside the window denoting the mentally ill
and the other inside the compartment of
a room denoting terrorists,
then i switched hands and opinions...
and then two bright objects of fire appeared
on the skyline... then another two... a perfect rhombus that
traversed the night sky.

i mingled *r.d. laing with the saint benaiah ben yehoiada today...
what a miracle of the slow approach,
i was so desperate for paper i even wrote on a sunday times news review page,
god help me, i feel the need to speak over people in writing.
testament to modern *******: the modern trans-gender phenomenon
is primarily found in st. thomas’ gospel
as entrée of r.d. laing’s **** of paradise artistic spontaneity
away from rigid theory so numerous in the exampled situation
of the lisp acquired on the psychoanalytic couch...
it speaks of turning left to right... up to down... man to woman...
a bit like a sat nav giving directions... you end up in a kingdom
that’s a ditch and the king is adorned not in crimson cardinal
or purple bishop... but pain... this is 1967... no wonder the hippies
died off after people started to dot dot dot post-1967
with the excavatio in translatio to remould western, christian, societies.
that text, says it all! david bowie and alice cooper and marc bolan
with the lipstick and 8 o’clock eye-socket shadows...
but things are picking up / getting serious...
the young ones are on it... post-colonial details i might have you add...
it was bound to happen... vietnam and the daddy longlegs starving man of africa...
built in processor 5.6GB of memory and an iphone...
what?! i’m translating my slavic soul... we fed the mongrels and mongolians
with crusader ***** in the baltic... we disappeared for a few centuries
and came back... blackmailing the airlines for an unsafe crash landing
somewhere in belarus, with the state banquet officiated, of course.
you see.. i’m the silent eager satyr from such paintings by matejko
like hołd pruski and stańczyk... expression beaming with: yes... go on...
spur me on... i’ll gallop to status of stallion with laughter!
all the catholic canonical saints are for people who prefer images
to words.
so there’s laing in 1967 allowed the ancient deciphering of
quasi-egyptian text... and then all hell breaks loose in the now, present...
i’ve got two left hands and two right feet... i think i’ll transverse
in walking like a crab... sidewise... out of here...
you go along with your daily “historical” bullying...
i like my place... outside the post-colonial continuum...
so much so that i even have a theory for the experience:
HE WASN’T THINKING IN HIS MOTHER TONGUE,
THE NATIVITY OF THE SOUL TOOK FORM FROM THE POLLEN
OF THE BODY, MANY IRANIANS AND EGYPTIANS...
HE THOUGHT COLONIAL, HE ACTED COLONIAL...
PREVIOUSLY HE MENTIONED POLAND LENDING AEROPLANES
TO EGYPT... HE ACTED LIKE AN ENGLISHMAN TO A ******...
NOW I SEE HIM LIKE A PENGUIN WITH CHEETAH FUR...
A WORD OF LISP I GATHER...
I WAS THINKING STUPID TRUST... WHILE
A SINGLE WORD OF THE MOTHERTONGUE RESONATED
TO PURSUE CREATIVITY THUS EXPRESSED
UNABLE TO FIND THE 0,0 COORDINATE IN THE
NORTHERN TRANS-EUROPEAN MILITARY COMPLEX.
this is how integration happens in europe: acquire the native tongue
acquire native psychology... don’t acquire the latter
define the former with exactness of body...
conclusion? i did stupid via trust... he did stupid via a blood-thirst
and a michael jackson trick of bleaching the soul
but leaving the body oddly mongrel-like... not so complete
like africans from the caribbean losing the tongue
due to jamaica’s great weather, then moving to england
and starting reggae rap... god knows how those two fitted for a size 12
perfect matching: quick-slow, quick-slow...
slow-quick rat ah rat ah regina duck in dumplings... bewildering
that i didn’t turn grey but turned ginger over the years.
you see this theory? it makes the mongol horse pale in comparison;
dad said: a jew did it! a jew did it! a ******* mid-******* just said: you
(double emphasis, the colon and italics... well i was there,
and this poem is proof that i was there, with her).
then this poem in the background with added photogenic approach...
titled: on ******* who create art.
ahem... napkin for the torero and rare steak to suite:
there they are the geniuses and the mediocre,
sitting in abodes of aspirational peace of the living -
half-dead many of them almost to the core of rotten apples,
with arsenic in apple seeds the last remaining life -
a poisonous mechanisation of activity on the breeding continuum
curtailed (is that implying cut-short?),
horrible ******* to live with,
they sitting knitting words together that make no cardigan fit,
or they’re making 2d rooms with the odd splash of colour
that will never obey the cube but the rectangular canvas,
no use of a poet’s pen in the solace of a quiet pension spaced,
the usurpers of peace among the living among the twins of sabbath,
these ronin of the fountain of solace found in t.v. and slippers...
who let them in?! can you hear poetry with a hammer?
can you hear it on a construction site, or an art gallery or a library?
so there they are, the *******, choosing the most importune of places
to do their craft... in the living spaces of plumbers and electricians...
hardly the place to craft their art when there’s no pulpit to
exercise their crafty practice with the end remark.
why then the plumber the safeguard and incubator nest of home,
and why the cold chill of aqueduct syringe at home for poet?
does no friendliness reside in stressing or not stressing certain words anymore?
perhaps the coalminers will tell me?
they say i am in a coal-mine by the sheer whiteness of disposable white
of canvas... and only among them in solidarity of a brotherhood
by excavating with them the coal that’s their amber burnt at home
and my solitary ink expressed in the library of their darkness of having
bulged forearm forceps of the bicep and no patience for reading... but digging,
i’ll know my orientation in those mines once more...
where the safe and understood route has has not yet been written...
and all that is seen... is the whitened darkness of the blank canvas of
what i peer into stumbling with the inverse... the flashlight of words
against the darkness of the canvas... me and my blind horse.
god i hate live editing... but then again... it keeps me
drunk and soberly paranoid to scrabble in revisions before i doze till morn.

With it's broom broom cars,
With it's bright bright lights,
With it's swoosh swoosh aeroplanes,
And it's cough cough pollution,
This is the world we are creating?
I think DEMOLISH should be the word!

The cars go broom, broom, broom,
Whilst we ****, ****, ****,
And the world dies, dies, dies.

What happens when the world,
Is dead?
What will the maleostic humans do?
What will the innocent animals do?
What will the universe do,
With out the world,
Right here,
Right now.

The cars go broom, broom, broom,
Whilst we ****, ****, ****,
And the world dies, dies, dies.

She was very warm in bed except for her nose, which was more than cold, though not quite frozen. Her bear, who she had folded into her arms but as a prelude to pulling back the covers - no duvees here just scratchy blankets- she placed on her on the pillow. Jellikins was pink and not a proper bear for a nine year old. She'd been her bear since infancy, small and a bit grubby, and pink.
 
It was still quite dark, silent. She could see her dressing gown hanging on the door - just. There was a movement downstairs; her father making tea perhaps. This was his time of day, the early morning. For as long as she could remember he was up and often out when she woke. Even at Christmas, particularly at Christmas when she sought her mother's bed he was 'out', working or walking in the park . But here at the farm he was here, downstairs, and if she went down now he'd wrap her in a blanket or two and read to her until the light changed through the kitchen window on to the yard, a gradual blueness, then, if it was a clear day she'd watch the sun draw itself from the sea in a golden ball.
 
She loved it when he read, because he loved to read, and because he loved to read to her, holding her gently in his arms, she would drift off into her own thoughts. Being out with dogs on the cliff paths, the smell of the Christmas tree at home that her mother would decorate tonight, being on the train for six hours with picnicy food, game after game of Go and those strange  word puzzles her father would invent , then the cycle ride with the big downhill rush to Morfyn and the long long push up Rhiw hill in the twilight . . .
 
Later, after their first breakfast they'd go out into the frozen yard and let the dogs out. Into the old sheds with their simple wooden latches hand-smoothed requiring the barest touch to open; then **** and his mum bounding out, and the little dogs yapping and yapping. Next, to barn and with the knife she'd been trusted with, she waited for the bales to land at her feet, flying out of the darkness up high near the roof. Cutting the baler twine and stuffing it in her coat pocket she opened out the compressed straw ready for Blossom and her friends to munch and scrunch, **** and **** their way through their breakfast.
 
On a farm the opening and closing of gates was like a little ceremony. Always the same careful ordering of movement; you could only open this gate if you'd closed that . . . you always checked the tail of the chain was the whole way through the loop and secure.
 
Meanwhile proper morning had arrived: it had been dark, now it was light, properly morning time. She could move all ten beasts on her own, from the Plas field across the yard to the Stack and back again - four gates each way and never a slip.
 
She had read at school that the beasts spoke to each other on Chrismas Eve, at the moment of the birth, when this baby was born in the stable. Although she doubted this just a little – Who had actually heard them? Was there  a recording perhaps? She wondered what they would say to each other tonight. Surely they spoke to each other all the time. Well, the beasts she knew mooed and grunted constantly. Was it just that we could understand them when suddenly it became Christmas? And how long could they talk for? Just a few minutes, or the rest of the night until the sun rose? She imagined herself opening her bedroom window at midnight to listen to them in the stack yard. She would look up at the sparkly sky, a sky that was so awesome that she and her father would, on a clear night, go up the mountain before bed and stand at the very top to look at the immense upturned bowl of the heavens rising out of the sea on three sides. At home the sky was just a red glow, occasionally the moon rose through the trees in the park, but the stars seemed hardly indistinguishable from passing aeroplanes, only they twinkled and moved. You couldn’t see those fields of stars her father wondered at it here on the mountain, those distant constellations, stars beyond number and time, light years away. Beside which the thought of animals talking to each other for a few minutes at Christmas seemed entirely possible.

Hallucinating Bureaucracies and auditory Hallucinations : When the voice in your head speaks when you don't want it to, to head's of State not present. I could snuggle in bed if I wanted to, but I've got to orchestrate and reorganize the Clinton dowry. It started outright with trying on a purple, yellow, and blue button down shirt that had Scabies in the sleeve- and now you're all going to know why Mr. and Mrs. Obama don't want to talk to me about potentially increasing livestock traffic across the Americas. I think could practice will follow from such a manure, I mean maneuver. I pick up 10 or so bottles of plastic single-serve water for consumption in my apartheid room. It's awful in here. The gold disappears from the mines, and even the hands I used to work with are blurring up in the twister, and as much as you call or don't call I have no business managing your intentions- only mine. Some barrge of women over thirty. But still there isn't a problem. The river is beginning to flood, and the fishery's stockpile is running low. Maybe we ought to empty out an African mass grave and fill it with blacklists of co-conspirators and then make a drake or a flume out of the narrow walkways between the cities. Then maybe we'll have water to last us through the dry season.----------------------------------------------------------­--------------------------------- Where in the world is Sam in Hammond, Can Diego? Forklifting pillars, bribing monkeys, playing with his Mickey Mouse and Michelob, catching the taller, eighteen and up crowd catch the last car riding the rapid drop from Space Mountain through, "It's a Small World After All:"  

It's a world of laughter a world of tears, it's a world of hopes and a world of fears. There's so much that we share, that it's time we're aware- it's a small world after all."  

And then he takes the biggest gulp of water into his mouth that I've ever seen the man take, and he puts it in a small cooler that's strapped to the back of his calf, and he swears to me that the aeroplanes are going to come loop around, and when they do their glorious water-landing, he and I, or rather, the both of us, will be saved. Saved, hm? I don't even bother sharing insights or my insides. I quickly flash him the most-pod horrific a tryst that irons down a photo of Egon and I back in the Old City, what was it, Chicago, or something that very much sounded like Chicago. Could be totally awesome and I'll chime in that now is the time when we do our work best. That's all. Intrepid,

I always love that which
Is far away
From passing aeroplanes
To four years ago's yesterday
Call it nostalgia
Call it an inability to commit
A fear of holding love
In scarred hands and
Knowing I don't know
Enough

I always love the idea
Of love crossed by
Gleaming oceans of starlight
Because there lies safety
By default
No heartbreak in fate
Only a useless fight
As love burns
Forever into that awful
Good night

From where might you
Show love
Little light of day
The coast of Italy
Or distant nebulae
Perhaps too close
For comfort
and yet would you
Know your distance
A picnic lain lightly
Upon salt battered bluffs
Love, would you love from
Far enough

transient souls
takeoffs
and
landings
always going  
to
other places
are
ghostly things
and
paper aeroplanes

The only thing that keeps me sane
is hoping I'll see you again.
Legs bound and move around a chain,
I search the sky for aeroplanes.

Napoleon shifted,
Restless in the old sarcophagus
And murmured to a watchguard:
"Who goes there?"
"Twenty-one million men,
Soldiers, armies, guns,
Twenty-one million
Afoot, horseback,
In the air,
Under the sea."
And Napoleon turned to his sleep:
"It is not my world answering;
It is some dreamer who knows not
The world I marched in
From Calais to Moscow."
And he slept on
In the old sarcophagus
While the aeroplanes
Droned their motors
Between Napoleon's mausoleum
And the cool night stars.

a thousand restless fingers
pluck along my nerves
and crawl swarming bees
over my flesh
******* dry honey
and I as a comb am empty
waiting on the waxing moon
to bring in the tide
exposed and littered
on the cracked seabed
lighting beeswax candles
impromptu runway lights
for those aeroplanes
who always fail to land
and wasted afternoons
fade into wasted nights
tossing to and fro
I sleep
under the cupboards instead

A circle speaks volumes.
Revolutionize and tidy up.
Instruction manuals are read automatically.
Privacy parts the talon and now,
how the sky blinks a feather ever so unusually.

Ever wake up in your sleep to your head fully stuck in the sixth sense
stomach of a pillow, and thought to yourself in bed about how much of
a dream it must be to be stuffed turkey?

I haven't.

Or thought to your self made bed how making the bed as an edible
symbol of thanksgiving
is like taking a stand
on a landmine,
for eternity?

I haven't.
I also lie and lay awake to myself.

Although a traveler tends to do all of the above,
below the radar.
A farmer tends too.
Eats an earthquake,
aftershock, rattled rim, pacific clarity, clear the oceans, tremors, tremors,
Noah's ark is a humpback funeral home.
Noah riding a hearse by the hubcap, clean teeth grip.
Noah in my mouth, reciting odd numbers on my taste buds.

Noah licking a polished nail, course matte for me,
three by three, the poor
poor bones of a humpback whale singing sad on a mountain.

You have to wonder about coffins when it's death out.
And water among amidst when your lungs are thirsty.
And since it seems the tried and tested walk has all but run away,
some metal wood rubber leather latex silk wool boxes spit out tickets.

A materialistic downer on uppers levels off at acceptance.
And yeah, smoking will **** you, but this is about me and I need to inhale.
This is not about me, but about you, or was that nature?
The nature of nurturing seems as good a point to start this conversation.
But it's dead end talk to talk in line segments, and well, ****,
it's time for an advertisement:

This cylinder tin is full of everything your life is empty of!
Forget the cost; be content with the contents,
rehearse the ingredients, unload the all and do it again.
Infatuation is hot-air gas inflated in the belly of outer space.
I love the way those stars look and those stars love looking at me.

The cut and paste of our human race is unfairly lopsided.
The northern blade has a tumor the size of misdirection,
the scales are tipped, the whips are tipped, and the weapons are gripped.
Sudan doesn't own scissors; Angola is the axis of axe-less
but their ******* skyline is incestuously bright,
their constellations all make sense,
and their astronauts haven't lifted off, to jump and jive in the very
same sky we share with them.
No, not yet, there are animals to be slaughtered sedimentary still.
Ones with tribal names that come off the tongue like mouth sound effects,
they are almost people, without horns hammered in their heads.

Eating on all fours from a license plate.
Dig in, Donesia.
How is life in amnesia, brain pulp square?
Psychologically disturbed map and memory loss, southwest Asia?
Your address is a long walk, but the **** citizen on the roadside exhibit
is a refreshing remix to our boring, bragging billboards.
And your suffering is art to the skull and cross-bone pale cube galleries
that we call home sweet, home sweet merchandise.
And rest assured, your lack of rest will insure western survival,
North America will steal your toddler corpses
and sell them at the front gates of your orphanage ghettos.
It's the least we can do after gouging out your eyeballs.

I didn't even write this, it was drawn by a blind boy in India.

The black market pencil case people are going to a blow-out sale.
The sales on them and the jokes a bomb.
The jokes on them and the sales a bomb.
The bombs on them and the jokes a sale.
The female holds her breath and suffocates a male.
And the genders collapse in heaps and heaves, recycled and broke
like natural leaves caught in a mythological fighter
jet's propeller.
Like aeroplanes, several even, oddly amount conclusive crash-like.
Like, like, like, if the globe of green and blue were to still be alive
I would colour co-ordinate accordingly, and wear whatever hue
the big bang theory wasn't.
Dust particles getting it on and such.
Finger painting *** with a rag and pan pencil case.

The black market Darwin drawin' is on fire in the pockets of our youth,
elderly lint in same corduroy bent knuckle nameless, places
an introduction to i.v. and a never un-shook from his hinges
living room magazine holder.
So the flinching milli-metricks betwixt our beloved booklets brings
gratification, satisfaction, and eternal life.
And gravity with a runny nose.
Oh, oh!  My first ever and last edit: Make that ******.

So I'm infinite pass-time, tedious rusty grime
and dead llama on the zoo-way.
"Look Ma, a dead llama!"
"No dear, she is just sleeping with her blood out
and cage on".

No more rides for the unknown, let it be known.
Call your superiors, mega-impose their posteriors, an emphasis on
brittle lives.
And chew the fat, chew the fat, **** the marrow, narrow
weight-scale bound in chain-mail, accidental prediction protection,
magnify, mortify, modern sill overdosing on wake pills, horticultural hi.

I am coherent when the setting is all tens, when
the plot is all tens, when the characters are all reaping tens.
The catch is in the ******, looking scared cloth-less elevens.

Judges, what verdict gives you
the right to wig wear an oak arm chair
with an all too obvious worn-mallet-beating-desktop syndrome
bashing your would be innocent until proven rich-boy lashes, err, guilty?

Was that even a question,
or merely a stir-fried rant?

The master chefs are coming after us all in our under garments,
over bridges and mountains and tiger stance wisdom and
we need a Messiah like we need horseshoes on our foreheads.

Mule yoke split on the frying pan of till death do us cook.
Separation nation; a river plain, a barren abstract.
And the artists are painting droplets on their toes,
kissing themselves after a game of Chinese checkers,
determined to squirm sweet nothings while riding
question mark shaped seats from Sweden.

And under a hail of Mary's, Jason's, William's, Susan's, and missiles,
they touch their ankles where they know
nails should be,
extinct.

A circle sounds off,
a sky sounds awful,
a bomb sounds right,
a body sounds circles,
and a circle speaks volumes.

i'm not here to joke about the stance of creationism, i know that secular society admits to the pillar of atheism, a- i.e. without theology, but i mind to not be concerned with the bishop's mitre or the pope's ironic kippah - i just look at my library and think of aeroplanes, the creative process was there, these books are stones you can enter and stretch your feet up, the person in question is now a persona non grata, out of natural constraints, namely mortality and death; creationism is not so much about originating into what i call a limited readers' digest - you can hardly be creative citing only one book, why just one? is this trampoline worth jumping on? why not bungee jump with some other book into the abyss? aeroplanes, books, you see the **** thing stacked on a shelf, and you have to play the role: in the end there was sound, and the sound was with man, the only currency of rubric coherency among animal instincts and lack of insight to digress from seasonal stimuli like the grizzly bear nearing the end of spring preparing for hibernation, hence our insomnia; look, the book is like an aeroplane, and you're the delayed sound feedback, but the magic is the fact that there is no authority holding you back, you interpret it as you feel constrained by an idiosyncrasy when brushing your teeth, writing is the foremost expression of something about you being dispossessed, you write from the standpoint / angle of particular, but you write to reach the plateau of universality: obviously you will feel disgruntled should your particularity leave no tsunami or earthquake or an atom bomb of influence (you think i don't?) on the plateau of universality; and to sound ironically even more biblical than necessary: i will walk on the plateau of universality and i will only fear myself... let death take the valley and god with it... i'm talking about the deity of solipsism, akin to Sisyphus, namely Solipssus (Σoλιπφυς) - you're the delay and with origin (0, 0) coordinating what creativity once was, regressed and shut in the cemetery of Tartarus that the library is, the aeroplane in plain sight... whistle a tornado with your book of choice!

whatever the father intended for the son,
ex *ecce **** of pilate
and the washing of hands at the mosque
to fulfil the temptation prior to prayer -
Hemingway spoke of the centurion's
act of pity with the spear piercing the lung
in a chapter from the book men without women;
whatever the father intended for the son
came to pass, hence the inquisitions and
the sheep-herding conglomerate of the holy
populace, not a person, but a gathering,
the membrane of these church-going folks
required a blind Samson to shake things up -
bring the temple of petulant whims into
a standstill saying: enjoy the weekends and
the theme parks.
i could never become a performer,
we deem universality of the shades for each man,
i know entertainers have a immunity
like ambassadors when on stage -
the bass line from the new paul simon's
L.P. wristband is gratifying, minimalistic,
the way i like to claim all music
to imitate strippers, feng shui hits in the basket,
maybe... maybe... maybe.
and should poetry create an imitable orchestration
of all the musical instruments in a band
or orchestra through the onomatopoeia flute
sometimes adding a definite meaning
with words, so be it, but still, a voice to match
to an army of instruments coordinated,
it will be hard to create a concert hall audience
for encore and deafening applause -
you see the plot now, don't you -
poetry for the shy punching bags, poetry
neither for heroism or gambling, both
shared a womb and both shared a tomb;
but this auxiliary trinity i'm speaking of,
never mind the father or the son, we're trying
to encapsulate the holy spirit, or should
i say the zeitgeist - for it is a zeitgeist of
switching the years around at spring for harvest,
an hour forward, when a strange anomaly to
change dates - and the kingdom of china
didn't bow, nor india - even though satan
promised all kingdoms - these two didn't
bow and i am thankful for their stance -
so if the holy are to be left holy and unimpressed
by a lack of dialectical stimuli - holiness is primarily
a non-engagement with dialectics,
secondary to that the horrid synonymous approach
of treating the concept of sin as both immoral
and criminal... well... it can't be both,
i can understand forgiving immorality,
but forgiving criminality would only translate
as the unnatural collapse of the profession of law,
all the lawyers and judges would end up as hobos...
so watching a music program (on t.v. it starts well
near the midnight mark, so you want to be hip
stay up late, foraging on the internet solo will
not necessarily give you a wide range of chinese whispers
to gather new influences, stuck in the grunge rut of
the early 1990s, e.g.) - and it came to me,
creativity now a stasis, nothing is really changing
in terms of what's new, unless it be primarily in art,
new art and abandoned auditoriums of former trends,
digging themselves out of and into a cemetery -
so this zeitgeist has to be accounted for -
out of holy must come something destructive:
δημιουργικoς ψυχη (alt. πνευμα) -
             the creative soul (alt. spirit) -
the artistic community is in shambles over-reacting
to a lack of creativity in this world,
their atheism repressed, unimpressed, reveals
a hope for every new big bang a minute by minute contrast
of the whole inertia surrounding them -
but never did a single man provoke a question
that tailored all the answers - no theory of everything
could be a chauffeur for the ride -
so indeed when half the potential is asserted by deviations
in the obstructions via holiness and lack of
argument to represent a clarity, another half is lodged
in a constant strife to overladen immovable mountains
and inert stones with a spirit of creativity -
it's not a holy spirit, it's a spirit of desecration,
or constant creation with subsequent equal constant
destruction - i find this spirit of more interest -
this zeitgeist to be perpetuated, esp. since it existed
prior to a.d. in the realm b.c., and continues to be pursued,
more ardently, given the declining number of
worshippers in Anglican churches - the final abandonment,
which create a strange picture with Evangelical
ardency in what is deemed the most progressive country
on earth.

Yes, it is clear that
the morning sun has risen again.
He stretches as tall as he can
and folds
paper aeroplanes.
Is that music playing he hears?
No.
Shouting. Neighbours
expressing their broken
vows to one another.
And even so, he knows
that if he opens his
apartment door, only
the hallway will greet him.
400 units or more in
this glass and concrete
community. Vague nods
to the occasional dweller
in the elevator. Distance
practiced with surprising ease.
Isn't all blood the same
type of hand cream?
But it is never enough.
Nothing ever is.
His wings might be
a figment of his
desperation, but still
they can carry him
from the roof to the
ground.
Yes, it is clear that
the morning sun has risen again.
He stretches as tall as he can
and folds
paper aeroplanes.
Flicking his lighter,
starting a fire.
Better to burn now
before the
coffee has
finished brewing.

Okay.

You used to be a *****.

Now don’t get self conscious. We all used to be *****. Check out the period at the end of this sentence. That tiny little dot is around 600 microns wide. When you were a ***** you were about 40 microns wide. And you were so cute back then too with your little tail wagging all over the place and your love of swimming. Boy could you swim. In fact if you hadn’t outswum your siblings, you might be a slightly different version of yourself right now. Maybe you’d have a higher-pitched laugh, hairier arms, or stand two inches shorter.

You had a great life as a ***** but always felt incomplete. The truth is you weren’t whole until you met an egg. And then you two began a nine month project to make a cool new version of you. It took a while but you grew arms and legs and eyeballs and lungs. You grew nerves and nails and eardrums and tongues.

For a ***** to meet an egg it means your mom met your dad. But it’s not just them. Think about how many people had to meet, fall in love, and make love for you to be here.

Here’s the answer: A lot. Like a lot a lot.

Before they had you, none of your ancestors drowned in a pond, got strangled by a python, or skied into a tree. None of your ancestors choked on a peach pit, were trampled by buffalo, or got their tie stuck in an assembly line.

None of your ancestors was a ******.

You are the most modern, brightest spark of years and years and years of survivors who all had to meet each other in order to eventually make you.

Your nineteenth century Grandma met your nineteenth century Grandpa down at the candle-making shoppe. She liked his muttonchops and he thought she looked cute churning butter.

Your Middle Ages Grandpa met your Middle Ages Grandma while they both poured hot oil from the castle turrets on pillaging vikings. She liked his grunts and he thought the flowers in her hair made her heaving bosoms jump out.
Your Ice Age Grandpa crossing the Bering Bridge in a woolly mammoth fur met your Ice Age Grandma dragging a club in the opposite direction. He liked her saber-tooth necklace and she dug his unibrow.

Your ancient rainforest Grandpa was picking berries naked in the bush while your ancient rainforest Grandma was spearing dodos for dinner. She liked his jungle funk and he liked her cave drawings. If it wasn’t for the picnic they had afterwards, maybe you wouldn’t be here.

You’re pretty lucky all those people met, fell in love, made love, had babies, and raised them into other people who did it all over again. This happened over and over and over again for you to be here. Look around the plane, coffee shop, or park right now. Look at your husband snoring in bed, your girlfriend watching TV, or your sister playing in the backyard. You are surrounded by lucky people. They are all the result of long lines of survivors.

So you’re a survivor, too. You’re the latest and greatest. You’re the top of the line. You’re the very best nature has to offer.

But a lot had to happen before all your strong, fiery ancestors met each other and fell in love over and over again for hundreds of thousands of years …

So let’s stop for a second and pull back again. Let’s pull way, way, way, way back.

Okay.

Let’s go on a field trip. Put your shoes on because we’re heading outside.

Take a bowling ball and drop it on the edge of your driveway. That’s our Sun. Yeah, the ball is only eight inches across and the actual Sun is eight hundred thousand miles across but that’s our scale for this little brainwave. Okay, now walk down your street ten big paces and drop a grain of salt on your neighbor’s lawn. That’s Mercury. Take nine more paces down the street and drop a peppercorn for Venus. And then take another seven paces, so you’re now two or three houses down the block, and toss down another peppercorn.

You got it.

That peppercorn is Earth.

Here we are, basking in the blazing sun, twenty-six big steps away from the bowling ball. Our giant planet is just a tiny speck in the middle of nowhere but here’s the crazy part: It gets a whole lot bigger.

If you keep walking, Mars is only couple more houses away, but Jupiter ends up ninety-five big paces down the street, out of the neighborhood, and halfway to the corner store. By now a dog is probably slobbering in the bowling ball finger holes and kids are flying by you on their bikes, slurping drippy popsicles, and wondering what’s up with this nut tossing crumbs on the sidewalk, acting out some demented suburban version of Hansel and Gretel.

If you want to finish up our solar system, you’re going to have to start taking two- and three-hundred paces for the remaining planets, eventually dropping a grain of salt for Pluto half a mile away from the bowling ball. You can’t see the bowling ball with binoculars and it’s getting cold out for your long walk home.

But here’s the crazier part: That’s just our solar system. That’s just our bunch of rocks flying around our big bright bowling ball star.

Turns out our big bright star and all its salt and peppercorns are racing around a cosmic race track with two hundred billion other big bright bowling ball stars. You’d have to cover the entire Earth with bowling ***** eight thousand times to represent the number of stars in our race track. Did we mention this race track has a name? Yup, it’s called the Milky Way galaxy, presumably because the scientists who first noticed it were all eating delicious Milky Way candy bars late that Friday night down at the telescopes.

So basically our bowling ball, salt, and peppercorns are flying in the fast lane around a ridiculously giant race track galaxy called the Milky Way with billions and billions of other bowling *****, salt grains, and peppercorns, too.

But are you ready for the craziest part: That’s just our galaxy. Guess how many giant racetrack galaxies are in all of outer space? Oh, not many. Just more than we can possibly count. Honestly, nobody knows how many galaxies are out there in the big blackness. All we know is that every few years somebody stares out a little further and finds millions more of them just shining way out in the void. We don’t know how deep it goes because our rocket ships don’t blast off that far and our thickest, fattest telescopes can’t see that far.

Now, all this space talk might make us feel small and insignificant, but here’s the thing, here’s the big thing, here’s the biggest thing of all: Of the millions of places we’ve ever seen it appears as though Earth is the only place that can support life. The only place! Oh sure, there could be other life-giving planets we haven’t seen yet, but the point is that Earth could easily have been a clump of sulphur gas, be lying in darkness forever, or have a winter that dips a couple hundred degrees and lasts twenty years like Uranus.

On this planet Earth, the only one in the giant dark blackness where anything can live, we ended up being humans.

Congratulations, us!

We are the only species on the only life-giving rock capable of love and magic, architecture and agriculture, jewellery and democracy, aeroplanes and highway lanes. We’re the only ones with interior design and horoscope signs, fashion magazines and house party scenes, horror flicks with monsters, guitar jams at concerts. We got books, buffets and radio waves, wedding brides and roller coaster rides, clean sheets and good movie seats, bakery air and rain hair, bubble wrap and illegal naps.

We got all that. But people, listen up.

We only get a hundred years to enjoy it.

I’m sorry but it’s true.

Every single person you know will be dead in a hundred years — the foreman at your plant, the cashiers at your grocery store, every teacher you’ve ever had, anyone you’ve ever woken up beside, all the kids on your street, every baby you’ve ever held, every bride who’s walked down the aisle, every telemarketer who’s called you at dinner, every politician in every country, every actor in every movie, everyone who’s cut you off on the highway, everyone in the room you’re sitting in right now, everyone you love, and you.

Life is so great that we only get a tiny moment to enjoy everything we see. And that moment is right now. And that moment is counting down. And that moment is always, always fleeting.

You will never be as young as you are right now.

So whether you’re enjoying your first toothpicked turkey cold cuts and marveling at apples from South Africa, dreaming of strange and distant relatives from thousands of years ago, or staring into the blackness of deep, deep space, just remember how lucky we all are to be here right now.

If you feel that sense of wonder and beauty in all the tiny joys in life then you’re part of an international band of old souls and optimists, smiling on sidewalks, dancing at weddings, and flipping to the other side of the pillow. Let’s all high five and keep thinking wild thoughts, dreaming big dreams, and laughing loud laughs.

Thank you so much for reading this.

And thank you for being

AWESOME!

A full moon suspended
In a slate grey sky
Wisps of clouds illuminated
As they drift casually by.

Stars sparkle brightly
Un-obscured by any cloud
The Milky Way packed tightly
Where thousands seem to crowd.

Aeroplanes criss- cross the skies
For far off cities bound
Cats and dogs night time cries
The only other sounds

Moths and many other creatures
Flutter furiously in the light
Spiders crawl from cracks and fissures
In their element at night

A serene and soothing silence
Steadily descends
Night in all of its magnificence
As yet another day ends.

Grandma, sing a lullaby
The fine tune you made for me

I want all the fireflies, the
Glass bottle and light an entire night

Where are my milkweeds
Aeroplanes, milk and honey?

I stood with my umbrella
And the wind took it with her

For the tempest outside my land
And no news returned

There’s my Grandma, her voice
That ooze out of my walls

You’re the bride, the picture
The house and a forgotten lullaby

Grandma, sing a lullaby
The fine tune you made for me

Oh, my name is Jack Stewart,
I’m a canny gang man
And a rovin’ young fellow I’ve been.

I’m a piper by trade,
I’m a ramblin’ young blade,
And ‘tis many the tune I can play.

Now here’s a simple song
To say what they done.
I told them about all those fears
And away they did run.
they sure must be strong,
And they feel like an ocean
Being warmed by the sun.

Their mouth is open wide,
The lover is inside
And the tumults done.
Collided with the sign,
They're staring at the sun,
They're standing in the sea.

I’ve got acres of land.
I’ve got men at command.
I’ve always a dollar to spare.

Note the trees because the
Dirt is temporary.
More to mine than fact, face,
Name, and monetary.

Put money in my hand and I will do the things you want me to.
Vanity overriding wisdom, usually common sense.
Should I delete it? they said they'd read it.
They promised they would never ruin it with sequels.

So come fill up your glasses of brandy and wine.
Whatever it costs, I will pay.
So be easy and free when you're drinking with me,
I'm a man you don't meet every day.

Now picture this, I'm a bag of *****, put me to your lips
I am sick, I will punch a baby bear in his ****
Give me lip, I'ma send you to the yard, get a stick
Make a switch, I can end the conversation real quick
Okay nobody speak, nobody get choked
You wanna here a good joke?

The comedy of man starts like this:
Our brains are way too big for our mothers' hips,
And so nature, she devised this alternative:
We emerge half-formed and hope
whoever greets us on the other end
Is kind enough to fill us in.
And babies, that's pretty much how it's been ever since.

Now the miracle of birth leaves a few issues to address.
Like, say, that half of us are periodically iron deficient.
So, somebody's gotta go **** something
While she looks after the kids.
She'd do it herself, but what, is he gonna get this thing its milk?
He says as soon as he gets back from the hunt, we can switch.
It's hard not to fall in love with something so helpless.
Ladies, I hope we don't end up regretting this.

That was then,
this is the twenty-first century,
And there’s too much aggravation.
It's the age of insanity,
What has become of the green pleasant fields of Jerusalem?

This is the age of machinery,
A mechanical nightmare,
The wonderful world of technology,
****** hydrogen bombs biological warfare.

There used to be a guy for this type of thing,
An underwater guy who controlled the sea,
Got killed by ten million pounds of sludge from New York
and New Jersey.

Water dissolving and water removing
There is water at the bottom of the ocean
Under the water, carry the water
Remove the water at the bottom of the ocean
Water dissolving and water removing.

Then there’s the creature in the sky
Got ****** in a hole, now there's a hole in the sky
And the ground's not cold.
And if the ground's not cold, everything is gonna burn.
We'll all take turns,
I'll get mine too.

Letting the days go by, let the water hold me down
Letting the days go by, water flowing underground
Into the cold again after the money's gone
Once in a lifetime, water flowing underground.

So I ain't got no ambition, I'm just disillusioned.
I'm a twenty-first century man but I don't wanna be here.
My mama said she can't understand me,
She can't see my motivation.
Just give me some security,
I'm a paranoid schizoid product of the twenty-first century.

When I was young, it seemed that life was so wonderful
A miracle, oh it was beautiful, magical.
And all the birds in the trees, well they'd be singing so happily
Oh joyfully, playfully watching me.
But then they send me away to teach me how to be sensible
Logical, oh responsible, practical.
And they showed me a world where I could be so dependable
Oh clinical, oh intellectual, cynical.

Then I had visions, I was in them.
I was looking into the mirror
To see a little bit clearer
The rottenness and evil in me.

You know I think my schooling was phoney?
I guess it's hard not to agree.
You say, "It all depends on money
And who is in your family tree."
Right (right), you're ****** well right,
You got a ****** right to say.
Right, you're ****** well right,
You know, you got a right to say.

Been around the world and found
That only stupid people are breeding,
The cretins cloning and feeding,
And I don't even own a TV.

Put me in the hospital for nerves
And then they had to commit me.
You told them all I was crazy.
They cut off my legs, now I'm an amputee,
******* you.

I don't need no education.
We don't need no thought control,
No dark sarcasm in the classroom.
Teacher, leave us kids alone.
Hey! Uncle Sam! Leave us kids alone!

We wanna grow up to be
A debaser.

“Look at me, look at me
Hands in the air like it's good to be
Alive and I'm a famous rapper,
Even when the paths are all crookedy.
I can show you how to do-see-do.
I can show you how to scratch a record.
I can take apart the remote control,
And I can almost put it back together.
I can tie a knot in a cherry stem.
I can tell you about Leif Erikson.
I know all the words to "De Colores",
And "I'm proud to be an American".
Me and my friend saw a platypus.
Me and my friend made a comic book.
And guess how long it took.
I can do anything that I want cuz

Who gives a **** about an Oxford comma?
I've seen those English dramas too; they're cruel.

So, why would you speak to me that way?
Especially when I always said that I
Haven't got the words for you.
All your diction dripping with disdain,
Through the pain, I always tell the truth.”

“Look at me, look at me
Just called to say that it's good to be
Alive in such a small world.
I'm all curled up with a book to read
I can make money open up a thrift store.
I can make a living off a magazine.
I can design an engine
sixty four miles to a gallon of gasoline.
I can make new antibiotics.
I can make computers survive aquatic conditions.
I know how to run a business,
And I can make you wanna buy a product.
Movers shakers and producers,
Me and my friends understand the future.
I see the strings that control the system.
I can do anything with no assistance because

I give a **** about the Oxford Comma!
I climbed to Dharamsala too, I did.
I met the highest Lama.
His accent sounded fine to me.

Now, why would you speak to me that way?
Especially when I always said that I
Haven't got the words for you.
All your diction dripping with disdain,
Through the pain, I always tell the truth”

Comedy, now that's what I call pure comedy.
Just wait until the part where they start to believe
They're at the center of everything
And some all-powerful being
Endowed this horror show with meaning.

Now, Uncle Sammy, did you hear about this one?
Tell me, are you locked in the punch?
Sammy, are you grinding on a pelvis?
Hey baby, are you losing touch?

If you believed they put a man on the moon,
If you believe there's nothing up his sleeve,
Then nothing is cool.

Moses went walking with the staff of wood.
Newton got beaned by the apple good.
Egypt was troubled by the horrible asp.
Mister Charles Darwin had the gall to ask.
Well I took out my dogs and them I did shoot,
All down in the county Kildare.
So be easy and free when you're drinking with me,
I'm a man you don't meet every day

And in the Twenty-First Century
From the height of the highway onramp we saw,
Two dogs, dead in a field,
Glowing on the oakland coliseum green seats wasteland,
Dogs, dogs we thought were dead,
They rose up, rose up when whistled at,
their rib cage inflating like men on the beach being photographed,
A guard dog, guard dog, for what? for what?
Against tofers ellis pennyless athletics fanatics,
Getting into games through a whole in the fence,
For the owner of the blue tarp tent,
Pitched by a creek beneath an onramp,
In the privacy of the last three,
Skin and bony tree, devoid of leaves,
And us undeceased, and our new cds,
Dippin' on goodies, oakland
it's hard to stand the sight of two dogs dead under a sky so blue.

But you think you can tell
Heaven from hell?
Blue skies from pain?
Can you tell a green field
From a cold steel rail?
A smile from a veil?
Do you think you can tell?

I’ll say they secretly long to be some part of a car crash,
Long to see their arms stripped of the tendons,
The ****** of swelling exposed veins,
Webbing the back of their hands,
To be a red tendoned dog,
To be red tendoned dogs,
Blood breathing by the side of the highway.

Oh, their religions are the best.
They worship themselves yet they're totally obsessed
With risen zombies, celestial virgins, magic tricks.
These unbelievable outfits.
And they get terribly upset
When you question their sacred texts,
Written by woman-hating epileptics.
Their languages just serve to confuse them.
Their confusion somehow makes them more sure.
They build fortunes poisoning their offspring,
And hand out prizes when someone patents a cure.
Where did they find these goons they elected to rule them?
What makes these clowns they idolize so remarkable?
These mammals are hell-bent on fashioning new gods
So they can go on being thoughtless animals.

See the dwarfs an' see the giants,
Which one would you choose to be?
And if you can't get that together
Here's the answer, here's the key.
You can freeze like a a man of century thirty.

I'll save my breath and take it with me
Till a hundred years and so
Shame you won't be there to see me
Shaking hands with Charles de Gaulle.
Play it cool an' Saran wrap all you can
Be a century thirty man,
You can freeze like a century thirty man

So I live like everyday is my last,
But I plan for tomorrow as if I will never pass.
A Pharoah on the subway
Who never had dreams of jets but fell asleep on run ways.
I just know that one day, that anything I needed I could mold.
Get everything you want it ain't always good for the soul.
A mix of self-worth, some help, a little control,
And I don't know the rest, good as mine is your guess,
The recipe ain't the best, to make it though is our quest,
And if you choose to accept, the meaning of life is yes.

So, we ain't going to the town,
We're going to the city.
Gonna trek this **** around
And make this place a heart to be a part of, again.

That’s the dream but
There are times when all the world's asleep,
The questions run too deep
For such a simple man.
Won't you please, please tell me what we've learned.
I know it sounds absurd,
Please tell me who I am.

Is this my starring role
Or just a cameo?
Who am I living for?
Well, I can't take no more,
'Cuz when it rains, it pours
What am I living for?
I don't got much, but I got heart and soul.
I found myself through all the highs and lows.
Oh Will I drown in the pain,
Or go dance in the rain?
What am I living for?

So, I can lead a nation with a microphone?
And I can split the atom of a molecule?
Look at me, look at me
Drivin' and I won't stop
And it feels so good to be alive and on top
My reach, is global
My tower, secure
My cause, is noble
My power,
is pure.

And it’s the end of the world as we know it.
it starts with an earthquake
Birds and snakes, and aeroplanes
And Lenny Bruce is not afraid
In the eye of a hurricane, listen to yourself churn
World serves its own needs
Don't mis-serve your own needs
Speed it up a notch, speed, grunt, no, strength
The ladder starts to clatter
With a fear of height, down, height
Wire in a fire, represent the seven games
And a government for hire and a combat site
Left her, wasn't coming in a hurry
With the Furies breathing down my neck.

Paranoia, paranoia,
Everybody's coming to get me.
Just say you never met me,
I'm running underground with the moles, digging holes.
Hear the voices in my head,
I swear to God it sounds like they're snoring.
But if you're bored, then you're boring.
The agony and the irony, they're killing me.

I’m dead but the world keeps spinning.
Take a spin through the world I left,
It's getting dark a little too early.
Am I missing the dearly bereft?

Timmy, Timmy, Timmy Turner
He was wishin' for a burner
To **** everybody walkin'
He knows that his soul in the furnace

Young man walkin', wishin' for a burner
Four, five, six, ten ratchets on 'em
Ten men with 'em, ten clappin' on 'em
Dead men with 'em, dead men, get 'em
Four-five rip 'em, four-five zip 'em
You talk money, young men get 'em
Beluga, beluga, beluga
he fell in love with the Ruger
he fell in love with his jeweler
he fell in love with the mullah
It's all about the rule
It's all about the move
It's all about the rules

That was then,
Now I am a man, man, man,
Up, up in the air
And I run around, round, round, round
this downtown and act like I don't care.
So when you see me flying by the planet's moon,
You don't need to explain if everything's changed
Just know I'm just like you.

So I pull the switch, the switch, the switch inside my head.
And I see black, black, green,
and brown, brown, brown and blue, yellow, violets, red.
And suddenly a light appears inside my brain
And I think of my ways,
I think of my days
and know that I have changed.

So, be easy and free,
when you’re drinkin’ with me
I’m a man you don’t meet every day.

Maybe I'll just shoot aeroplanes,
And let your cloud eyes wander,
Falling on bomb-dropping drones,
While I sleep underwater

Like the way a speaker prepares his toast. Each yearning sensibility, their bold autumnal stamen cast lines into the horizon of our lives. That when we were younger we even thought, that aeroplanes would land just where we stood in front of our homes in our neighborhood. And if unfurled, as our oil riggers kept us off the benches so we must only had whispers of our doings. Then Harold Sev and Linda Wevven brought to us our cars, our toys, our wives...cooking and cleaning and children. This was not the narrow passage of peak four.

Because of this we have learned many wonderfully-suited professions of our tertiary friends: radio captain, Saharan Field Marshall, dairy operator at a dromedary farm.

Why in this short-timed, often-rainy parody of existence due countries set embargos upon one another so that two men who cannot afford even the drink they carry, so long as they handle the glass properly, and we concern ourselves with things as trivial as this.

You stay everyone! This America is stupendous.

Or then drink from my hands and say, "America Finding the Curious Even More Curiouser.'" Where with two plates two bowls, two forks, two spoons, two glasses, and thrice the knives of a charcuterie.

So with your bold hand baskets, and Model-Ts, go show us how you fffffffffffffffffffff

'Does the sower
Sow by night,
Or the ploughman in darkness plough?' — William Blake

On this night
black as innocence lost
buses, taxis, aeroplanes
plough with broken furrows
the fields of Castleknock, Dublin 15
after which the wind from a bottomless bag
disperses the tears
of every parent, shed
to fall on disturbed tarmac.

Before the rays of the sun
make pale the moon
and extinguish street light:
with ******’s needle
and rotting reed, blot
in moon black blood
this balcony where I make myself scarecrow
keeping a watchful eye
for all the children taken.

i was about to start writing this up when i thought:
another whiskey Quincy? **** storm,
spilled the remains of the one i barely touched
before having to pour myself a:
puritan Scot in Cheltenham.

now, i heard people say any town in Essex
is a ****-hole...
                            fair enough...
but there are darker recesses of England you
must get to know before making that
assumption...
                  sure, London, proper London,
zones 1 - 4, E17 (post code, outer reaches,
Walthamstow, used to have a dog racing
track - played there once,
like a typical Paris catwalk, those hounds)
can skive off Greater London
                    like New York can laugh off
New Jersey, it's pretty much like that...
the only thing is: Londoners don't know what
exists outside this area: the buffer zone.
this is the buffer zone...
                 you experience England outside of
this very sensitive area of integration,
take for example a 3 hour coach trip to
a little town of Cheltenham in Gloustershire
not far from Oxford (a hub of learning)
and Bristol (Massive Attack, and that
bridge by Brunel - funny, engineers are above
architects, in that engineers build things
that *work, architects are like science-fiction
novelists rather than scientists -
do you know how many problems workers
experience, because an engineer
"forgot to mention" something essential in the plans?
at least an engineer gives you a read table,
all architects work for Ikea -
          ah, here's pieces a - z,
put it together yourself) - anyway...
              spilled my Quincy whiskey, now i'm a puritan
of scotch - unlike that damning quote from
1950s Hollywood: whiskey with a drop of water...
   ok ok... a little **** of ice floating about...
when will the nagging stop? no one says jack
about putting water into authentic absinthe...
      why? cos it goes cloudy green when you do!
(too much digression, news paragraph).

   i was leaving London on Friday,
murky the way i like it... Albert Bridge never seemed
so out of cinematographic urgency -
               but the west end with its grand buildings
appealed to me to start imagining
                    Oscar Wylde ghosts leaving these places
for promenades in top cats and tiaras for the ladies...
                     west London... the best way to see it
is in transit... preferably rather urgently...
                    and in a coach with other people not paying
attention...
                       the Thames receded into the estuary (
as it does), those housed in boats experienced a wake-up
call with a 10° ***** into the mud -
                                past the Chelsea pensioners' abode,
past many monuments to be exact...
   and then onto the open M4... past Windsor Castle
and the streak of aeroplanes about an aerial mile
apart landing at Heathrow -
                                  3 hours later, there i was,
in Cheltenham - chitty chitty bang bang,
apparently dubbed the hub of all English literary
endeavours - well, if you're going to host
a literature festival, wouldn't you claim to host
it with at least one patriotic son of the word?
did i see any statue of a famous poet or writer in
that little rugby stockpile of excess triceps?
nope.
           well, at first i thought it was cute...
                                a little Portobello, albeit
without the St. Petersburg paintwork on the houses,
houses as grey as the skies...
                                           got lost looking for
the b & b hotel i was supposed to be staying at for
the night, went into a gas station, asked,
i was apparently only adjacent lost -
                           old school, map printer and no
g.p.s. on foot -
                                  i once read a map and navigated
a car from an obscure Essex city,
to an even more obscure city in eastern Poland,
past the dreaded Penta Germania consisting of:
Düsseldorf, Duisburg, Essen, Wuppertal and
obviously Dortmund -
                                           i call it the whirlpool
of navigation...
                            anyway, so i found the abode,
what a nice little place it was, shied away from
all the traffic - a lovely garden,
a room fit for a journeying writer,
          actually, everything a writer could hope for
to lock himself away and write,
            tunic scenic - everything to ease the literary
constipation - the surroundings, the whole decor,
i even took a picture thinking: shame if no
Balzac were to not emerge from these rooms...
                           i sure didn't,
i dropped all the things, took a shower,
went into town to do the g.p.s. topographic of
the city so i wouldn't need a map in the future -
bought a bottle of whyte & mackay with a huh?!
apparently this brand isn't popular...
               went back to the room and found myself
drinking in front of the dreaded sight...
well... it was a room fit for a writer...
               but it had a double bed in it...
and a mirror at the desk...
                                    i downed one puritan glass
and looked in the mirror: i don't need your company.
looked away and found to my amazement the
truth of modern writing: the industrialisation
of writing... it emerged in the 20th century when everyone
did it by himself, with a typewriter -
        the industrialisation of writing on an individual
scale can be quiet debilitating when trying to
rekindle the quill... i didn't write anything, i doodled,
and those were bad doodles, it wasn't writing,
it was doodling... i drank a quarter of the bottle
and went out...
        went into the first bar, ordered a Guinness and
and sat down by a table with a
(later disclosed) Gloustershire University student,
a Canadian, jacking-off a script for some
B-short-movie in a public place: to catch the oozing
exfoliation of inspiration from crowded places -
if ever that worked, it might have ever worked
in a graveyard...
                             we were joined by his friend,
some peasant, we got chatting, boy, it was such a thrill
to exchange names... the Canadian's name
i did remember: Darcy...
                          he had that look about him that made
it worthwhile to remember his name,
ah, when names fit the image...
                         chubby, pig-blondish, hairy...
i'm guessing a native of Quebec...
                               but i could be wrong.
so a few hey hey, yeah yeahs later i asked if they
knew something about this gig on the festival slot
that was starting tomorrow, 5 p.m. and for free...
sure sure... got to eye the guide... so i asked:
so, maybe we could meet up at this place at this time
and go from there....
                                  Titanic looked more graceful
sinking than the reply...
                                                 i had to really check myself,
this isn't London psyche chess, this is:
we are small people from a small town,
we think a charming stranger is a serial-killer...
                    the Yorkshire ripper case scenario,
not last... first.
                              i might have been ******* a lemon
by then and pretending to be drunk squirming
a Buddha look - i pretended the polite noting down
the details: suddenly i didn't think like attending
this ****** venture that would start at 5 p.m., end
at 12 a.m. and according to my travel diary:
having to wait 2 hours to catch the 2 a.m. home.
so i went to the first instalment of the "literature"
festival... lemn sissay and salena godden -
and i have to admit, it was a corker - a true
a champagne cork popped and hit the crystal
chandelier and i laughed... and that's how i lost my
virginity to "spoken word",
                                         i wasn't listening to poets,
but i was thoroughly entertained, i swear that
at the end of her performance Salena pointed into
the dark (great tactic, how can they be nervous
if they can't see anyone? they stand on a pulpit of pure
light and see black ahead, where the nerves?)
and said: esp. to my friend over there...
                i might have involuntarily back-laughed /
snorted like a pig trying to catch enough lung volume
for a ha ha...
                          got chatting to this lovely middle-aged
couple: told them: i'm being ***** with gags.
                prior, i was watching the queue build up
into the room, with a god-awful grin on my face...
i couldn't take it off...
                         perhaps because i was looking at
the demographic and thinking: where are my peers?!
i spotted about three people in a close age proximity -
the rest were farts and soon-to-be-farts...
                             now Sissay freaked me out...
in a good way... i met the two after the show,
i brought two copies of my own printed work to give to
them... i had to ask their publicist if i was allowed
to touch the Aegean marbles... luckily i did,
but then i asked the stupid question to Sissay:
so who were you trying to imitate when your eyes
were bulging out nearly gauged out like a Pink Floyd
song video of: teacher! let these children go!
               i should have associated something African
freakish in mask, a strengthening - the sort
of look that New Zealander rugby players put on
to frighten people off when dancing the haka -
he really did talk like that...
                                       the little devil voice didn't help
either... but i only asked that "stupid" question
while mumbling something about how hard it was
getting published and how anyone aged nearing 40
forgot the free press of the internet emerging and
how he asked for a q & a after the performance...
and... hand on my heart:
                                   got asked one question...
          and answered... only one question...
                                        a complete and utter ******* meltdown...
   not: oh yeah, so who's your major influence...
                      a Samuel Beckett moment from not i.
later i standing outside and smoking, a grand English
dame of the west approached me,
chitty chatty kiss the hand later i got to say the most
famous line known to the current Englishman:
unfortunately... from Essex.
             honest. anyone asks you in Essex the question
they always ask: so where you're originally from?
                         anywhere else in England
they just ask you: whe

when i = ? i count that, to be the lowest ebb,
and only the word allah can prompt man to genuine song...
truly, i = ? is the lowest ebb,

capitalism has this behavioural
pattern, in which things
fish, cars, aeroplanes are
given the gravity of language,
so they they can express feeling
an via cinema excavate a man's
heart and speak to the heart of man
of a symbiosis...

capitalism is currently concerned with
symbiosis,
like parasites and its hosts...
   it seems we have to pass the concept of
word to dogs or sausages
    in order to keep a dialogue...

i spent this afternoon looking at pictures
of beren saat [beˈɾen saˈat] -
or how we could just insert a macron
and hide the aa... or ah... of fake needing
a dental appointment, or extract a breath
of that H in ah?
ergo? beren sāt... oh, look... it looks
ugly... doesn't it? two strokes to write an A
look more appealing than a hyphen above
the letter with a prompt: prolong it...

it's what i see that i write about,
what i hear can never really penetrate me...
i watch a youtube video of the amazing
atheist and think: kinda like me, by the look
of things?
       nah, not really,
    why am i deluding myself,
i can grow long hair and don a beard,
but i'm bothered about
   the following "arithmetic" that's i = ?,
like i hear a turkish girl talk in a shop
and i'm weak in the knees...
   oh look... they call that why we avoided
diacritical indicators in the first place,
a silent k,             a knife...
a gnome.... and gnosis... then all shouting
and pain in diagnostics...
          
i spent that time watching my grandmother,
and how in poland all the old ladies
are fans of a turkish t.v. melodrama
grzech fatmagül (sin of fatmagül)
the way she said the umlaut over the u...
she said it as an eel, or ill, or i...
that really bothered me...
    (you really can sing forever with only one
word... it's the syllable la...
    only a god that deserves praise,
and receives it in song, can be praised...
the jewish god only deserves the pain
of thought, contemplation,
the trigonometry of (i'm about to become lawless
and make spelling mitakes for fear
that this u.z.i. of a tongue isn't ******* out
bullets as it should be, ******* out bullets / words);
i look at language, and i want a mandible jaw,
i don't want a free-from-pain spine,
to live a life: stiff readied for a coffin...
  it's just rules, and they exist...
i call it the nadir of i = ?, and subsequently call it
a fake nadir of i = !,
    ¿too spanish? oh right, wheelchairs...
what was i thinking?
                        
of the curiosity entombed in silence and with
only the wind to give an answer...

we say just as much... the stress on the iota in
english can easily be transformed into
a polarity, one that can fill books
with ? went there, and ? spoke about something...
competing with ! there, ! something!
   i...
                only when a language doesn't have
this abstract self-identification posit to
express language, this firm unit,
     only then does a language become so, base,
o.k., alkaline...
               they never thought about dissolving
a body once a ****** took place in
an alkaline bath...
      so many acronyms, shortenings,
let's just call it: the french prime unit /
smallest comprehension is reduced to je,
the poles have ja, the germans have ich,
sly *******... east germans say it as isch,
but keep the s hidden, so it looks better on script...

the problem with just saying i, and theorising
the extinct roman pronoun ego,
is that you get ditto... a sort of automaton
reflection of what we once were, and now, aren't...
europe sent thousands of plumbers and carpenters
to china... are europeans expecting for those
traits that could govern man properly to boomerang
back for women no finicky about those call-centre
employees? you ******* kidding me,
you must be...

because some men would really love mandible labour,
and talk less... no, really, the jaw can have a rest,
people want to fiddle with things,
dance the tango, touch, mingle...
     hard to not see ***-tango where the man is
only: huh? yeah, that, whatever...
             women could, once upon a time,
make men believe that they wanted to believe,
to purr something innocent into their ears...
what has made women into men so stating abadon?

i'll cite too much psychology,
    which to me is a pseudo-science,
too little Alexander Dumas, and what Athos said:
the best advice... is to not give advice....
                speak... talk... don't advice people...
psychology is the science where almost everything needs
to be faked, or to use the proper term: falsified...

and they call them the chemists, the biologists
and the physicists.... and surgeons

and they call them psychologists, linguists,
philosophers... and gods...

   that's the strata... i dare say: poets? what can they
usurp, but at the same time heal?
        what is their visible spectrum, outside of:
poets act shamelessly toward their experiences,
they exploit them... was lies beyond this self-love?

you get to write english, drunk,
and... undesirably have to get to look and abhor
the aesthetic, meaning you sometimes write
without conjunctions in the first draft...
then you reread and actually see missing conjunctions...

i talk about grammar like someone might talk
religion... because i was never taught it...
grammar to me is a version of catholicism i might
have engaged in, had i been confirmed in that
"coming of age" rite...

    i've been giving this substance and i'm told to
do something with it: language is like water,
you either drink it, or boil it to brew a tea-bag...
really? a relaxation technique? well... i could take more
fascination with a brick-wall, pretending to play
imaginary chess with each distinct brick being
introduced to strobe light... blinking: now it's white...
blinking... now it's black... etc.
   it's not even funny that i know inserting etc.
sort of killed the romance to your breathing pattern,
and my punctuation techniques, which i borrowed
from the fact that english doesn't intend to punctuate
for clear syllables...

it's only a case to teach better punctuation...
every time i'm in poland i never hear a word about
dyslexia... i'm starting to think that dyslexia
is only an english "disease"...
            it's certainly something you might hear
at school, in a catholic school, about jews...
but back to english bankers: not so good with words:
good with money though...
    i had a dyslexic friend ones,
and just spotting why, of all the nations that inherited
the roman alphabet, the english didn't adopt
a punctuation system from above...
evidently that leads to more diversity...
some would even say: for added complexity...
     but the english can't say: someone will come along
and decipher the current cipher imperative...
oh look... here i go... doodling further,
creating what writing ought to be: a finicky here
and there...

say: a butterfly effect...

   as with the concept of spring, exhausted by two months
of winter, awoken earlier than usual,
moving out of the fake Alaskan imitation laboratory
of seeing so little sun...
                increased productivity: no quality bias.

that's what philosophy books are:
    when the french existentialists complicated it
via "ego" and no moral dedication, effect, responsibility,
i had to write something post-existentialist...
don't get me wrong, sartre is a great novelist,
  but i'd rather stomach being & time than
being & nothingness...
                there had to be an answer to dittoing out
the ego, to stress: no agent of morality...
   sure... me and prostitutes... but ask them
about having an ****** "on the job"...
    
        still... can it be as complicated to say 1?
or to say: the litmus tests proved that i "said" ego and,
ergo, i proved i was a man...
              i might ditto out a meow, or a woof
to imitate a cat and a dog respectively... but dittoing
the word ego out... even if it is just an extinct latin
word... it has too much content to be "abstract",
this thing has memories, it has an imagination,
but sure, if i don't have a conscience i'd have to ditto it out
so i could start looking at my buttocks to find
something worth saying...
              
so first we create this prime human expression,
we eat the -ota                  and say aye aye...
                 and then we go back on that word...
beginning with: just when ms. clinton started barking...
i think that unravelled her campaign, when she started
barking... it must have been the time it happened
at one of her rallies...

   and i could write you any philosophy book,
replacing the "sound" expression with mute sounds,
like the mute letters in knife, gnome, gnosis, knee...
    ? think, therefore ! am.... and just so we're agreed:
that's not a stable maxim... it's volatile...
    since what piece of language was ever stable?
and not like phosphorus, that needed to be stored in oil
should it ever react with water? what part of language
was ever stable?

     2MgO
    (s) + Si
    (s) + 2CaO
    (s) → 2Mg
    (g) + Ca
    2SiO
    4(s)                  the years when i studied such crap...
i might be wrong about one thing though:
   it's an alkaline metal, stored in oil, and highly reactive
with water... magnesium or phosphorus?
         it can't be Na... that **** stinks and i'd love to
see the Dover clifss looking like it... yella...
         no so much blinding Ca...

why have the alkaline metals become so ****** right now?
  oh yeah... the part where i don't feel like
watching ****... that could translate into a wife,
three kids (as if)... a house and social respect...
that part... hmm...

          what is it with these alkaline metals...
so is iron (Fe) and Lead (Lb) acidic metals? could they
be classified as acidic? last time i licked a knife
i did get a tingling sensation as if it might be sour...

so acid is sour... i actually can fathom the taste of alkaline...
it's definitely not sweet...
              what a ******* mystery.

If we lie here long enough
we will feel the curve of
the Earth moulding into
the curve of our spines,

the universe expanding above
us, relentless and racing as
our hands weave together,
pulled tight at the fingers
like shoe laces,

we watch paper aeroplanes
fly like comets, brilliant
against the carpet of night,

cloudless, we imagine faces
that we know, white stars
growing like flowers,
time passing in seconds,
speeding into hours as

our hearts beat against
our bones, the air wrapping
around our skin  as we fit,
piece by piece,

into each other

Musk. Wind

whispers mysteries in the form of it;
it thickens thin air until it turns black,
black enough to

hush. Wind,

being black, absorbs your thoughts,
makes violent curls of them; thickens,
thickens thin air until it

transmogrifies
into pages and pages
stained black with disaster-
as if a hurricane crumpled

those could-have been white aeroplanes, potential
papered to fly, and flung them
into the pit of your mind to
sink
             deeper
and
                            deeper
and
                                          deeper
until
your poems were written and the casualties numbered:
each line a suicide of a thought that could have been,
each syllable ink-stained and bloodied black
by artistic integrity, or madness: the same.

This wind is your hair.
This wind is your territory.
Not mine. Never could I have met you here,
in this place
of your solitary being: where real poets exist.

I am not a hurricane: and I am not your disaster.
I have learnt and re-learnt how useless it is to define you
in terms of myself; how useless it is to define you
at all. A rationalist like me can never truly understand
what it is to be part of your endlessness, the sheer
mountainous immensity that constitutes your thrill.
Yes,
your hair fascinates me as much as any ancient,
spiralling, far-away Andromeda- but the fact
that even now,  I've already tried to limit you
with words
shows the absoluteness, the solidity,
the density
of my misunderstanding of your... your...
And

real poets know that rationalists are fools.
You know

I am a fool.
I write these meagre verses
with unreachably cold computer technologies
thinking
that these words could somehow save us. Yet,
simultaneously,
I am some drunken nuisance knocking
vehemently
at your door, who turns and strolls
away
right before you finally
answer.
I am a fool

going home and seeing clouds
in the darkness. It is my first
time seeing them in the sky. First
time in nearly a month.
The moon illuminates the clouds,
and so do
the towers of highway lights in the middle of two roads.
One road leads forward, the other backwards.
As the car passes the towers,
the two lamps attached to each of their heads glow.
They streak on as the car speeds on homewards.
They leave fading tails like shooting stars, except they do not travel.
They are stagnant mind lights, peripheral memories; unmythical,
artificial.
They are not like you.

When I pass you,
You....
You...

You.

Please,
never believe-
for even a whisper of musk
to yourself;
for even a black hush,
to yourself;
for even one sliver, one strand
of Andromeda hair, falling
towards yourself-
that
Grahamstown
didn't mean anything less than Eternity to me.

It does.

I am not a hurricane. I am not your disaster.
You are far too much of yourself
for me to be even a zephyr
to you.

Top hat and tails.

Fire and ice and bison graze the land,
man's hand desiring more and more until there is no more to feed,and at such speed and still we need that more than more, so dig down deep into the core of where we live,
we give ourselves an even chance when chancing fate but fate gives us a passing look as if to say,'*******,you do what you do and expect so much,to touch the stars,dig up Mars and plunder planets'
I wonder such as gannets fly across the worn out pillaged sky where aeroplanes shave micro lines across the sheets of landing times.
It's fire and ice and desert scrub, manufacturing gin in the old bathtub and guv'nor can you spare a time when if you ever spared a dime for beggars on the city street who graze the dog ends at their feet and look in kiosks for lost coins.

It's the road we're on,no going back now,we've ******* the world and have to live somehow with ******* crops ,unfertile ground,the world keeps spinning round and round,a crazy top,can't someone please just make it stop.

And then, when men become cave dwellers
why do we expect the fellers (sic)
to do or not become much more than what the modern man once saw,
we're in the spin
we cant begin again
can't beat the acid rain
just relax and revel
in the pain.

In Aleppo, they do not weep
for how can one
weep in wounded time.

Souls bantered
piled up, interlocked
dead & dull
lost in dusts
in a cold frenzy night.

Oppress Eden
but not Aleppo
not today, not tonight
not in this time
where children can’t weep
to save their tears
for them to drink
& not their blood
while trapped
within collapsed walls
of the wailing world.

Children of Aleppo
cry not, die not.

Memories will never bury you
to the infested ground
saturated by psychedelic bombs
& festered by maddening
cataclysm of human cold art.

The old world tries to redeem you,
to let you live, live with living
but it cannot for how can the world
try to win, then and again
tears back to emotive impulses
breaking the wind pulsating
in the plane sanity of mind?

In Aleppo, dead men forgot
to weep. Forgetful men
wept yet weeping
with no clause why.

Aeroplanes are still there
buzzing the sky,
bombing your hearts.

Aleppo, your body might die
tonight & several nights more
but memory, in this wounded time
will never bury you to ash
for Aleppo, young child, will live
beyond wounds, beyond cries.

Sirens, ballads of anguish are singing, ears are ringing, 
     Our nightingale is shrieking, and children are clinging.
Our Kalyna is red, but wrapped in blood now, not love, 
     From the massacres aeroplanes bring from far above.

My uncle, enters the now upside-down house of his, 
     “Welcome”, with a phoney grin, and wariness he says. 
The house holding memories is now clogged rubble, 
    In the land that shall never greet occupiers or trouble.

His daughter's dreams shattered, for the reverie of filth, 
     It matters not; the nation of his deserves blood spilth, 
We deserve not peace, but the delusions of a hag pass, 
     May he rest in peace, along with the delusion he has.

My mother may never hear the raindrops fall again;
     Missiles seal ears with noise, and the death of men. 
The men, women and children, who will lead us all, 
     Through scorched fields with whispers old and small.

She is a hairdresser, she might braid hair for the fun, 
     But other mothers, braid the hairs of daughters gone, 
They keep them safe under a pillow where they smell, 
     The warmth of days before the dictator's missiles fell.

Red and black are the only colours they pervaded here, 
    They wish for our colours to diminish and spring adhere, 
But beauty routs the devil of ugliness and his conceit;
    Our colours saturate our resistance, painting your defeat.

They shall not sprout in our fields, like poisonous herbs, 
     They "rescue" us, but the gunshots my brother disturbs, 
We did one day exchange our dreams for a pistol facing - 
     Facing the bear who is destruction, within embracing. 

Blood accumulated in heaps on the sleeves of killers, 
    Like a marvel detested in a chapter of stained thrillers.  
But thriller this is not, it is lives of the innocent lost;
    He plays chess in reality, after a coin he has tossed. 
      
Mothers, daughters, sons and fathers are everyday slain, 
     but spring soars today, prevails tomorrow - in Ukraine.