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Tawanda Mulalu Jul 2015
Musk. Wind

whispers mysteries in the form of it;
it thickens thin air until it turns black,
black enough to

hush. Wind,

being black, absorbs your thoughts,
makes violent curls of them; thickens,
thickens thin air until it

transmogrifies
into pages and pages
stained black with disaster-
as if a hurricane crumpled

those could-have been white aeroplanes, potential
papered to fly, and flung them
into the pit of your mind to
sink
             deeper
and
                            deeper
and
                                          deeper
until
your poems were written and the casualties numbered:
each line a suicide of a thought that could have been,
each syllable ink-stained and bloodied black
by artistic integrity, or madness: the same.

This wind is your hair.
This wind is your territory.
Not mine. Never could I have met you here,
in this place
of your solitary being: where real poets exist.

I am not a hurricane: and I am not your disaster.
I have learnt and re-learnt how useless it is to define you
in terms of myself; how useless it is to define you
at all. A rationalist like me can never truly understand
what it is to be part of your endlessness, the sheer
mountainous immensity that constitutes your thrill.
Yes,
your hair fascinates me as much as any ancient,
spiralling, far-away Andromeda- but the fact
that even now,  I've already tried to limit you
with words
shows the absoluteness, the solidity,
the density
of my misunderstanding of your... your...
And

real poets know that rationalists are fools.
You know

I am a fool.
I write these meagre verses
with unreachably cold computer technologies
thinking
that these words could somehow save us. Yet,
simultaneously,
I am some drunken nuisance knocking
vehemently
at your door, who turns and strolls
away
right before you finally
answer.
I am a fool

going home and seeing clouds
in the darkness. It is my first
time seeing them in the sky. First
time in nearly a month.
The moon illuminates the clouds,
and so do
the towers of highway lights in the middle of two roads.
One road leads forward, the other backwards.
As the car passes the towers,
the two lamps attached to each of their heads glow.
They streak on as the car speeds on homewards.
They leave fading tails like shooting stars, except they do not travel.
They are stagnant mind lights, peripheral memories; unmythical,
artificial.
They are not like you.

When I pass you,
You....
You...

You.

Please,
never believe-
for even a whisper of musk
to yourself;
for even a black hush,
to yourself;
for even one sliver, one strand
of Andromeda hair, falling
towards yourself-
that
Grahamstown
didn't mean anything less than Eternity to me.

It does.

I am not a hurricane. I am not your disaster.
You are far too much of yourself
for me to be even a zephyr
to you.
Those nonsensical similarities between us are irrelevant. You are you and nothing more.

I'm the problem.

— The End —