Lawrence Hall
Mhall46184@aol.com
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                            On the Unlocking of Words

           Their leader answered him, Beowulf unlocking
           Words from deep in his breast:  "We are Geats…”

                    -Beowulf to the Danish Coast Watcher

In bold and sturdy four-beat lines
Beowulf keeps his knowledge clear
With kennings well-crafted and careful caesurae
And never needing to raise his voice

But thus the Grendel-voice responds:

“Woo woo that’s just my person opinion that’s what I’m talking about follow your passion learn to code no offense, but *** oh my God oh my God woo woo hey hey ** ** something-something has got to go woo woo only dead fish go with the flow tear it down shut it down burn it down woo woo lock her up there is no I in team woo woo not my president it’s not rocket science it is what it is woo woo say it loud say it clear this is what something looks like woo woo is there an app for that woo woo that’s what I’m saying woo woo…”

But you - be brave like Beowulf, and boldly dare
To unlock your words with creativity and care

She calls Him her boyfriend
But to Him, She is nothing but a Body to ****.
Good girls go to heaven but
Bad girls with big ****
are everywhere looking for ***** to ****.
Looking for loaded ****** to ****.
l have been [Patient] for too long,
l think lm [sick]
Sick of these ****** Pretending to love when all
they after is *****
Sick of these ******* Pretending to love when
all they after
is taste of Pipi
Sick of ******* who cant see they is play
ground
and ****** is rolling ***** like is ball
They tell you is Hot even when you is not
you open ***** Hole,
Sperms and STDs float inside the Vigeegee
now you is sick, if only you had been patient
if only you was Patience
Im sick of ****** pretending that girls *******
are padlocks
and them ***** keys going around unlocking
as if they are good looking
****** dont make love they are UNLOCKING
*******
Bitchesfancy that his Tongue licks the
Vigeegee
chill, that's just LUBRICANT to make it slippery
when He operates you
Fingers you to make sure you ready for it
Figures you want it, makes you **** it like lolly
pop. then He makes your ***** swallow it
Unlocks the *****
Kisses you, making you drink the alcoholic
poison from His lips
then you get drunk in love
then your blood gets drunk in ***
then your **** gets drunk in *****
then you skip your periods you call Him he
picks up drunk telling you to ******* then you
realise late that you were a Padlock and He
was to unlock you
and you realise late that You Were just a BODY
TO ****.
He lost nothing, but your
Innocence, dignity and virginity
perished.
But then you smile coz you played with His
**** too......

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tell me...

will tomorrow bring,
     all the things
i'm longing...
    stowed upon its elusive wings,
tirelessly beating
    and fighting
to show what's dangling
and hanging...
          ready for the picking...

                          awaiting...
such time so it could begin its need for unloading,
                   delivering
                                      and dropping,
its gleaming
                      treasures
on those who are deserving,
        in no way lacking
so they could be at the receiving
end of this pressurising,
           inking
                      of dwindling
                                        words...

carel­ess thoughts conceived only to
              fuel
           my deranged ramblings...
incessant mutterings of a shattering
                         mind...

           bending backwards, almost breaking,
         risking...
the chance of ever fully
                                          mending...

hopin­g and praying
   for a sentence that's pending
dawn's approval...

allowing
   the rising
of the sun...
                  paving
            ways for thriving
                                          wishes,
unbarr­ing
                  gates for soaring
                                                dreams, unlocking
                   latches,

relieving...
the heightening
                     anxieties of grieving
                                                        ­ hearts.

constantly whispering
                               utterances, promising
good will, happiness
                              and titillating
                                                     ­ sanity.

we're thinking...
     the earth is spinning,
         the moon is setting,
     so the sun must be rising
                         but...

             tell me,
                           tomorrow...

                                *is it coming?

You don't limit your life to social media.
In reality, social media limits you to your life.
A selfie with this and a selfie with that.
Your life is race for comments and likes.
Instead of having a personality worth praising
You are now judged based on your social media profiles.

Status update: I wish I could visit Paris some day.
In Paris you're like, "Where can I get signals for wifi?"

Your achievements are unlocking new levels of Candy Crush
Is that the legacy you'll leave behind?
As if all these achievements will benefit you  
to unlock the doors of heaven when you'll die.
Your 940 friends won't be able to help you
by sending a booster or an extra life.

Relationship Status: Happily married.
Happy and married until the moment you both go offline.

You buy everything from behind the screen
Error 404: Cannot buy love and time.
It's a complicated maze that you won't accept
Even when they themselves call it a website.
You don't limit your life to social media.
In reality, social media limits you to your life.

I don't enjoy making new friends.
I loathe the conversations I have with
my own friends about branching out
and meeting new people.
I know this makes me sound like
someone who lacks the ability to make
a friend, but I can't stress
enough how it really comes down
to how much I actually
care for and trust the friends
that I already have.

I'll start from the beginning so maybe you
can understand why it is I think this way.

I grew up in a traditional home, with a very loving family
that for most of my childhood allowed me to
be content with the life I was living.

Later in my youthful years, it became aware to me
that I was unlike the typical child. I was not the average boy
who imagined walking on grains of sand while holding hands
with his beautiful wife. I was not the "ordinary" boy who one day
pictured himself fathering children with a loving newlywed who I
would spend the rest of my life with.

You see,
these societal standards of achievement to which
I could never merit only made me notice how
little I could ever contribute to the plans
my family laid out for me.  

For the longest time I considered myself
to be a religious person, one that could worship
the God that I was raised to love.

The day that I finally welcomed my
"unnatural" thoughts as merely an echo of my
soul guiding me towards a better life
is also the day I began questioning
the existence of any higher being.

How could it be possible to feel so much joy
when looking at another boy, yet be so
hated for even having that feeling?
A feeling that was out of my control
from the moment I understood what it
was like to be attracted to another human.

Why is it so common for believers to
shun the feelings of people like myself
for simply wanting to enjoy life in the same way
they do? This is where my faith was destroyed.
I  just can't find myself to trust the teachings
of a creator who purposefully created me
to be considered an abomination in His eyes.

I look back on my adolescent years and
only now realize that I always lived in a glass box;
a world that appeared to be accepting and loving
but was rather shielding me away
from the true potential of happiness
that I now know I deserve.

Ever heard the term,
"coming out of the closet"?
Let me put it to you this way...

I have this memory of when I was little
of my babysitter locking me in a closet,
turning out all the lights,
and laughing to himself as I cried for hours.
For a very long time I was scared of dark places,
of being confined to an area that I was
forcefully put into.

As painful as it was in the moment,
I am beyond thankful for going through that
because it helped me to see light in a new way.
It may as well have been symbolic
of the future decisions I was
going to make, ones that would
show me how bright
my love could actually be.

Now, I ask this of you because
I want you to imagine what I went through,
but have you ever heard the term,
"coming out of the closet"?

If you haven't, then all I can tell
you is that it brings about the most
liberating emotion that I
have ever felt, and one
that I wish every similar minded kid like
me has the opportunity to experience.

It was tough admitting to my family that
I was going to put all their hopes aside,
and start allowing myself to break free
from that dark cage I was trapped in
for so long.

It went exactly as I knew it would.
The support that I was so used
to having seemed to swiftly fade away.
It was missing for a while,
but then I found it in the strangest of places.
Who knew that such love and acceptance
could come from people you never knew existed?

My friends from day one were
always there for me.
They were always that metaphorical handkerchief
for me to wipe my tears and the
punching bags for me to release my anger.

It may sound cliche,
but there are no words for me to
show how much I value the friendships
that I have been so blessed with.
There are no poems,
not even this one I'm writing,
cleverly worded enough to
represent the amount of love
I have for those I consider
to be my friends.

My friends have burrowed
into places of my mind
that let me feel like I have
a family again.

This is why
I despise the introductions of new
people into my life.
I am terrified of the possibility
that they will take me
away from the second family that
I worked so hard to convince myself
that I had.

I listen to my friends tell me
how I need to just let go and allow
myself to be free, and to
not be scared of meeting new people; but,
until they feel the same sense of family
being torn away from them
then their mouths may as well be
sewn shut.

Do you get it now?

Imagine my disappointment when,
on discovering a tiny door
in a hollow tree,
locating its miniature key
beneath a buttercup,
unlocking and opening it

I found not a world of tiny folk
not Tir-nan-Og nor Avalon,
but a spectacled man in a white labcoat
holding a clipboard
and making notes on my reaction.

"Initial shock", he jotted,
"followed by anger and suspicion.
"Likely to require counselling
"within a year."

I closed the door as politely as I could
and went back to my books.

Your daisies have come
on the day of my divorce:
the courtroom a cement box,
a gas chamber for the infectious Jew in me
and a perhaps land, a possibly promised land
for the Jew in me,
but still a betrayal room for the till-death-do-us-
and yet a death, as in the unlocking of scissors
that makes the now separate parts useless,
even to cut each other up as we did yearly
under the crayoned-in sun.
The courtroom keeps squashing our lives as they break
into two cans ready for recycling,
flattened tin humans
and a tin law,
even for my twenty-five years of hanging on
by my teeth as I once saw at Ringling Brothers.
The gray room:
Judge, lawyer, witness
and me and invisible Skeezix,
and all the other torn
enduring the bewilderments
of their division.

Your daisies have come
on the day of my divorce.
They arrive like round yellow fish,
******* with love at the coral of our love.
Yet they wait,
in their short time,
like little utero half-borns,
half killed, thin and bone soft.
They breathe the air that stands
for twenty-five illicit days,
the sun crawling inside the sheets,
the moon spinning like a tornado
in the washbowl,
and we orchestrated them both,
calling ourselves TWO CAMP DIRECTORS.
There was a song, our song on your cassette,
that played over and over
and baptised the prodigals.
It spoke the unspeakable,
as the rain will on an attic roof,
letting the animal join its soul
as we kneeled before a miracle--
forgetting its knife.

The daisies confer
in the old-married kitchen
papered with blue and green chefs
who call out pies, cookies, yummy,
at the charcoal and cigarette smoke
they wear like a yellowy salve.
The daisies absorb it all--
the twenty-five-year-old sanctioned love
(If one could call such handfuls of fists
and immobile arms that!)
and on this day my world rips itself up
while the country unfastens along
with its perjuring king and his court.
It unfastens into an abortion of belief,
as in me--
the legal rift--
as on might do with the daisies
but does not
for they stand for a love
undergoihng open heart surgery
that might take
if one prayed tough enough.
And yet I demand,
even in prayer,
that I am not a thief,
a mugger of need,
and that your heart survive
on its own,
belonging only to itself,
whole, entirely whole,
and workable
in its dark cavern under your ribs.

I pray it will know truth,
if truth catches in its cup
and yet I pray, as a child would,
that the surgery take.

I dream it is taking.
Next I dream the love is swallowing itself.
Next I dream the love is made of glass,
glass coming through the telephone
that is breaking slowly,
day by day, into my ear.
Next I dream that I put on the love
like a lifejacket and we float,
jacket and I,
we bounce on that priest-blue.
We are as light as a cat's ear
and it is safe,
safe far too long!
And I awaken quickly and go to the opposite window
and peer down at the moon in the pond
and know that beauty has walked over my head,
into this bedroom and out,
flowing out through the window screen,
dropping deep into the water
to hide.

I will observe the daisies
fade and dry up
wuntil they become flour,
snowing themselves onto the table
beside the drone of the refrigerator,
beside the radio playing Frankie
(as often as FM will allow)
snowing lightly, a tremor sinking from the ceiling--
as twenty-five years split from my side
like a growth that I sliced off like a melanoma.

It is six P.M. as I water these tiny weeds
and their little half-life,
their numbered days
that raged like a secret radio,
recalling love that I picked up innocently,
yet guiltily,
as my five-year-old daughter
picked gum off the sidewalk
and it became suddenly an elastic miracle.

For me it was love found
like a diamond
where carrots grow--
the glint of diamond on a plane wing,
meaning:  DANGER!  THICK ICE!
but the good crunch of that orange,
the diamond, the carrot,
both with four million years of resurrecting dirt,
and the love,
although Adam did not know the word,
the love of Adam
obeying his sudden gift.

You, who sought me for nine years,
in stories made up in front of your naked mirror
or walking through rooms of fog women,
you trying to forget the mother
who built guilt with the lumber of a locked door
as she sobbed her soured mild and fed you loss
through the keyhole,
you who wrote out your own birth
and built it with your own poems,
your own lumber, your own keyhole,
into the trunk and leaves of your manhood,
you, who fell into my words, years
before you fell into me (the other,
both the Camp Director and the camper),
you who baited your hook with wide-awake dreams,
and calls and letters and once a luncheon,
and twice a reading by me for you.
But I wouldn't!

Yet this year,
yanking off all past years,
I took the bait
and was pulled upward, upward,
into the sky and was held by the sun--
the quick wonder of its yellow lap--
and became a woman who learned her own shin
and dug into her soul and found it full,
and you became a man who learned his won skin
and dug into his manhood, his humanhood
and found you were as real as a baker
or a seer
and we became a home,
up into the elbows of each other's soul,
without knowing--
an invisible purchase--
that inhabits our house forever.

We were
blessed by the House-Die
by the altar of the color T.V.
and somehow managed to make a tiny marriage,
a tiny marriage
called belief,
as in the child's belief in the tooth fairy,
so close to absolute,
so daft within a year or two.
The daisies have come
for the last time.
And I who have,
each year of my life,
spoken to the tooth fairy,
believing in her,
even when I was her,
am helpless to stop your daisies from dying,
although your voice cries into the telephone:
Marry me!  Marry me!
and my voice speaks onto these keys tonight:
The love is in dark trouble!
The love is starting to die,
right now--
we are in the process of it.
The empty process of it.

I see two deaths,
and the two men plod toward the mortuary of my heart,
and though I willed one away in court today
and I whisper dreams and birthdays into the other,
they both die like waves breaking over me
and I am drowning a little,
but always swimming
among the pillows and stones of the breakwater.
And though your daisies are an unwanted death,
I wade through the smell of their cancer
and recognize the prognosis,
its cartful of loss--

I say now,
you gave what you could.
It was quite a ferris wheel to spin on!
and the dead city of my marriage
seems less important
than the fact that the daisies came weekly,
over and over,
likes kisses that can't stop themselves.

There sit two deaths on November 5th, 1973.
Let one be forgotten--
Bury it!  Wall it up!
But let me not forget the man
of my child-like flowers
though he sinks into the fog of Lake Superior,
he remains, his fingers the marvel
of fourth of July sparklers,
his furious ice cream cones of licking,
remains to cool my forehead with a washcloth
when I sweat into the bathtub of his being.

For the rest that is left:
name it gentle,
as gentle as radishes inhabiting
their short life in the earth,
name it gentle,
gentle as old friends waving so long at the window,
or in the drive,
name it gentle as maple wings singing
themselves upon the pond outside,
as sensuous as the mother-yellow in the pond,
that night that it was ours,
when our bodies floated and bumped
in moon water and the cicadas
called out like tongues.

Let such as this
be resurrected in all men
whenever they mold their days and nights
as when for twenty-five days and nights you molded mine
and planted the seed that dives into my God
and will do so forever
no matter how often I sweep the floor.

**** had me torn, **** had me scorned; I'm one of the few people who knows how it feels to have on a crown of thorns. Scars on my hands, scars on my feet, had so many plans but they all are now obsolete. Beaten outwardly and inwardly, never had the liberty to be anything more, just a lamb in a world full of carnivores. I am not a God; I am just a man that constantly gets beaten by a rod. The rod of guilt, the rod of shame, I'm starting to wilt, and I got no one left to blame. Faking smiles while dealing with depression, dead on the inside, and barren outside by all the oppression. Just a frame for the bigger picture, maybe instead of focusing on fame, I should've focused on the scriptures. No I don't want to hear your lecture, not here to be a fisher of men, my structure is fine enough dear sir.

Now in conjunction let’s us say amen, let’s us stop with the pretend, this is our time to amend our past mayhem. Bruises on my skin, bruises on my bones, trying not to tailspin, trying to control my hormones. You don't need Sherlock Holmes to figure this **** out, there is no need to doubt, that it is not fun being treated like an expired trout. Can't you see these scars? Oh yeah that's right you to busy looking at the stars! Scars opened up by unlocking the wrong doors, scars piling up from all the years of being treated like a *****. Scars won by wars, scars from running through the fire, scars from peer pressure, and scars from all the held back tears.

So many scars, feels like I’m not even human, yeah I swear I'm an alien from mars. 'Hey, people have it worse than you', well that may be true, it's all relative until it happens to you! Do you know what I've been through? Do you know what it's like being in an environment of lions, when you're a caribou? That's right you have no clue, the worst thing some of yawl ever faced has been the flu. Where-as there is me, who no one takes the time of day to hear or see. Where-as there is me, the one everyone tried to treat because they thought I was a disease. Where-as there is me, and only me, nothing more than one of those 'natives' or in this case 'Cree'. Can't you see my scars? Were you not listening to these bars? Do I have to drop down on all fours for some exposure? Cause when you need help I am one of the first ones to be your boulder.

They say pain won't last, they say that I can get over it in other ways other than constantly getting smashed. Some say that the forecast will clear, that there is nothing to truly fear except for fear. Some scars don't heal, some leave you with Ptsd and if something sets you off you can relive that pain wheel. I wear my scars like they a badge, not prepared to throw it in the trash. My scars make me who I am, it's just another thing in my program. My scars help me relate with others with the same scars, it helps me realize that I'm not the only one dealing with these scars.

only today i came across what interested Heidegger
after writing being and time, a selection
of essays, revealing that he came to be interested
in language - not knowing this, by mere study
of the introduction some things became apparent -
being quiet democratic in my reading it's a shame
i don't have the academic leisurely pace of becoming
a Heidegger specialist - it's the almost damnable
pulling-apart having to cite many influences and not
focusing on one, but since i don't have academic
leisure, the summary in the introduction
by jeffrey powell (editor) of the book heidegger
and language will just have to do: apropos this
being an antidote to those bemoaning that we only
write about reading books, carefully choreographic
our lives for mints and espressos and ammoniac
(inhalants in a boxing ring nearing a knock-out) -
hide pretty bird, hide, hide pretty pretty bird
first your song inside a cage, then the cage inside
the heart, and thus the song with the cage,
silenced inside the cage, raging mad inside the heart.
well, the antidote is that i already have some ideas,
and reading the essays contained in this book would
put me off what i was intending to write about,
so, in summary, read the major work, then read introductions
of critical books from those studying the subject,
invent an original approach from that, and elsewhere.
before i venture into the whole affair of having to
reread certain passages from the introduction as to
guide me in this Bermuda Delta i what to do a little
sidewinder interlude:
in chemistry there are two major bonds (for the purpose
of what i'm intending, let us just assume that
we're only talking about π and σ bonds) -
and while psychology dehumanises man to strict
theories without clear proofs to a universal standard,
i want to do what will come later regarding Heidegger's
take on language, for me there's no clear philosophical
vocabulary to be used - i'm not into orthodoxy and
rigidity which says

                piquant sun strokes against
                the bargains of spring's last
                hope for a kept bazaar
                to bloom to then deflower
                petals from trees fall to earth
                like glasses, the tree stands
                as a reflection of shattered glass
                the petals remain the tree intact
                worn at the Royal Ascot
                or in a woman's hair.

obviously something like this is a poem - what i mean,
however, concerning what's identifiable as philosophy is
to me the following:  
                                        blah = monotone x algebraic
                                                    for­ non-differential
                                                    purposes, just filling up
                                                    the page

            blah blah blah blah blah blah subjectivity blah blah blah blah blah blah essentially blah blah blah blah blah blah in-itself blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah blah thing-external v. thing-internalised blah blah blah blah blah blah blah blah blah blah blah metaphysics blah etc.
                      
                          and so on and so forth, a fixation on using a certain vocabulary to be equivalent or justification to be "apparently" talking philosophy... yet still no gain from the words of grammatical categorisation... for me? too many propositions, the basis of what the academic environment deems to be "pure" verbiage, or none (akin Wittgenstein) - that famous quote about a lion and having tea on Tuesday... or as Buddha would say: said so to shatter thus the fear of ketamine thoughtlessness;

but that's beside the point, i want to return to
how any chemist might treat psychology as a science,
keep it up to date, given that psychology likes
to shove its nose in everyday activities for a strict
expression of equivalent rubric that mathematics already
possesses and shoves into a child's brain to make
the child become accustomed to symbol encoding;
so π and σ bonds, let's say between two carbons atoms...
but in psychology we don't have the luxury of
many alternative examples...
me and language: to write in terms of optics,
to encode images rather than sounds,
language as optometry rather than a hearing-aid...
so what "elements" do we have in psychology,
essentially what defines consciousness, its sub-plot
and its unfamiliar territory - the using the dusty
Freudian units, we know the concept of the superman
(superman was a bad bad boy) from Nietzsche
evolved into the super mm hmm, and we know
there are two other units, mm hmm and the id /
it or that? it is for me, that is for scalpel for the analyst,
the prober, unlucky for the person who took to
objectifying himself, but better than being objectified -
still, remember i'm working with language in terms
of optics rather than phonetics - enough organic chemistry
diagrams and you will see that the bonding between
mm hmm, the super mm hmm and the gemini id
(one the patient, the second the analyst) trapped inside
an electron cloud of bio-electric processes is rigid and
stable due to the opposite of π and σ,
i chose the optic route using the bonds δ and ψ -
symbolically δ is the mathematical term for sum -
summation, the total of - currently i have no clue about
the significance of ψ just yet, but ψ is a symbol of
psychology like caduceus is the symbol of medicine;
a brief expansion on the natures of the bonds,
quack-science δ bonds being all alike meaning uniform
meaning holding every aspect uniformly, meaning
that a δ bond is of the same nature between mm hmm
and super mm hmm in a petri dish within the
solvent of the conscious sub-plot, likewise other variations
δ bonds are uniform bonds, i.e. ensuring one detail
is related to the other, and so to others.
ψ bonds, not much expansion here as promising detail,
asthma the highest research of breath, and all
major theoretical squeezing through the Suez -
depending on the measure of breaths, we can depend
on the internal things - but never so much Pamplona encierro
cleaning-up to do theorising an affirmative sound
like mm hmm, or other affirmative synonyms -
if it were can *****, it would be mince rather than
a clean dissection - mince meat, should mm hmm be
not an *****, let alone a body. so many attachments
to mm hmm these days, it should be attached to zoological
studies than activities of breathing: theory as a cage,
one after the over, eventually not even cages but
the caged animal turning into matryoshka doll -
Kant doesn't venture into the dynamic of his thing-in-itself
represented by the matryoshka as ad continuum -
maybe he does, but to me here merely pinpoints it,
coins the phrase noumenon and ensures the thing
is opened, god or nothing is put in it, the thing is
closed, locked and the key to unlocking it is thrown
away and never found (i'll mention a short process of
his argument some other time, most notably his
three impossibilities concerning proving the existence
of god: ontological, physico-theological and cosmological).
yes, i know, when reading these ****** books
i have to paint the arguments, i need to simplify
them, a poet reading a philosophy has to paint
the words - the best poetic technique applicable to
understanding philosophical books is imagery,
not as a technique of for the purpose of writing my own,
but as a way to paint what was written by some boffin -
precursor to understanding the three impossibilities
of proof, i find it strange that such proof is necessary,
what would you do with it? prove it once on
paper, or in your head, show it to everyone and then
slowly everyone is able, then the so called "man in
the sky" - it seems strange that scientific positivism
of the Enlightenment supposed such a proof, the proof
is more implausible than the existence - Bertrand...
just smoke your pipe and sit in the easy-chair talking
******* with Wittgenstein... more on that later.
i promised quotes from the above mentioned book
(heidegger and language)...

           das wort kommt zur sprache,
             das seyn bring sich zum wort.

working from phenomenology, to later reject it,
thus precipitating the school of deconstruction-ism,
and with Heidegger we do get to atomic elements
from words, from compounds, thank god there are
no sub-atomic ventures with language, quiet impossible
to de-construct language beyond this point,
let's face it, if you go as far as:
'as preparatory for raising the question of being...
language is one of three constituent moments in
the analysis of the being of the da in dasein (being there)'
furthered by equal atom bombardment replacing
the un-compounded sein (verb, be) with seyn (conjunction /
noun, being) - this is modern physics to my understanding,
i'm not particularly interested what he's saying,
i'm interested in painting what he's saying -
i'll spare you the details of what philosophical systematisation
is actually involved in: restricted vocabulary -
a certain limit is allowed, rigid meanings are involved,
rigidity of drilling in of non-deviation, philosophical
systems are not dishonest in that they are consistent with
a limited vocabulary - i will spare you the torture of
seeing one ball being juggled - the shrapnel of the English
language makes it even more distracting to understand,
as with the above, another e.g.?
'every saying of beyng is held in words and meanings
which are understandable in the view of everyday
references of beings, and are exclusively thought in
that view, but which as expressions of beyng,
are misunderstood...' of course i could be cherry picking
Heidegger like a Jehovah's witness cherry picking
the bible, but i'm not interested in what he's saying,
merely painting you the picture, to scale then:

books                      -              celestial objects
chapters                 -               cycles of celestial objects
paragraphs            -               prime features of
                                                 celestial objects
                                                 (e.g. Jupiter's red eye,
                                                  Saturn's ring,
                                                  Earth's oceans
                                                  and continents)
sentences                 -              
words                       -
syllables                   -
letters                        -             atoms / elements  
                                           ah, it was going oh so well,
i think i started too big, and went into too small,
which made visualising sentences and words and syllables
hard to compare what could fit between
Australia and and atoms of RuXe - by chance ruxe is
an actual word, no as stated ruthenium and xenon,
although that too, ruxir (ruxo, ruxin, ruxido) in Galician
meaning to roar.

“It’s three in the morning. Are you drunk?” Larry asked me. “No, I just had to talk to someone and couldn’t think of anyone else,” I replied with desperation. “Can’t this wait until the morning, dude?” Larry asked, “I have to get up in six hours for work.” He sounded angry, but mostly tired so I pressed on. “No, this can’t wait, seriously. I’m sorry, but this is urgent.”

“Okay, what’s wrong that you had to wake me up?” Larry asked, and I was ready to talk. I was ready to talk until I couldn’t utter another word. I was distraught and scared. Larry was my best friend, and I knew he’d listen. I wasn’t sure if he could give me the right advice, but I knew he’d listen.

“I don’t know where to start.”

“Try the beginning. Come on, man. It’s too late for this.”

“Alright, but have a little bit of patience.”

“Yeah, just start talking before I hang up.”

“Okay, I ****** up,” I replied and paused for a response, but Larry didn’t respond so I pressed on.

“I got off work at ten and had to close the store. My manager was in a tight spot and left me with the keys,” I said, took a breath, and continued,”I was kind of ******* when he asked me to do it, but he said he had no other choice. He even offered to give me an extra day off with pay.”

“So what’s the problem?” Larry asked.

“The problem is what I did before I left.”

“And that is?”

“Well, I was getting the store all shut up. I let most of the employees go, and I left one cashier with me so I didn’t have to run around like a maniac. There weren’t any problems, so I locked up and got ready to count down the last till so I could get the hell out of there.”

“Can you speed this up, man? I’m falling asleep,” Larry said impatiently.

“Sorry, so I count down the last till and leave it by the register. I let the last cashier go for the night and locked the door. I go back to the register and grab the till so I could put it in the office and start the deposit. My manager left me instructions for the closing procedures and the combo to the safe. I counted everything and wrapped the deposit so it could be taken to the bank in the morning. I followed the instructions perfectly.”

“So what’s the problem then?”

I couldn’t get the words out of my mouth. I was having trouble finishing my story, and even though I paused I knew Larry wouldn’t hang up. He wasn’t the kind of guy that would let a story go unfinished. The only problem was that I didn’t know how to get to the next part of the story. I was like a comedian without a punchline. It was hard enough to make the phone call to Larry, let alone get this far into the story. But I did wake him up, so the least I could do was finish my story.

“Are you there?” Larry asked.

“Yeah, sorry. I’m just having trouble explaining this.”

“Take a breath. Just breathe and try to start again,” Larry said with a comforting tone.

“I left with it,” I said. I was being vague on purpose so Larry would ask me what I meant instead of me telling him. And that’s exactly what he did. “You left with what?” He said sounding confused.

“I left with the deposit and everything else in the safe,” I said in a hurried tone.

“You did what?” Larry said sounding confused as if he heard me wrong.

“I left with everything. I took all the money and locked up.”

“What the hell are you talking about?”

“I robbed my store and left. It was an impulse. I don’t know why I did it, but I did. I ****** up.”

“I hope you’re joking,” Larry said.

“I’m not joking. I just up and left with everything,” I said.

“What the **** were you thinking? How much did you take?”

“I wasn’t thinking, man. I took everything, which was a little over ten grand.”

“This isn’t good. What the ****, dude. This is bad, really really bad.”

“I know, but I don’t know what to do. That’s why I called you,” I said, sounding more desperate than when Larry had first picked up the phone.

“What do you want me to say? You just called me at three in the morning to tell me you robbed your store for a **** load of money. This is beyond a **** up, man. Where are you?”

“I’m out front of your place.”

“What? How long have you been here?” Larry asked. He sounded like he was shocked to hear me say that, but deep down I knew he understood. I didn’t know what else to do, and he was the only person I could turn to. He might not of agreed with what I did, but he would help me through anything. Whether that be good or bad; he would be there for support.

“I’ve been here since I called you. I didn’t know what to do. I’m freaking out. Like beyond freaking out. I’m so ******, man. I am absolutely ******.”

“Alright, first off get the hell inside. I’m unlocking the door now,” Larry said and hung up. I closed my phone and shut the engine to my car. I still sat in my car with my head on the steering wheel. I was emotionally drained and knew the night wasn’t over. My night was only going to get worse, and facing Larry was going to drain me. Larry knew how to give that look of disappointment only a parent could give. He wouldn’t belittle me, but the look in his eyes would be enough to make me feel small. It was already past the point of no return with Larry. I had to face him now, and he was waiting for me. I lifted my head up and rubbed my eyes. The light on his front porch was on when I lifted my head. So I got out of my car, locked it, and made my way up to his house. The door was open a crack and I stepped inside and locked it behind me. Larry’s foyer led to the kitchen, and the light was on. He was in the kitchen waiting for me.

“Is that you?” Larry yelled from the kitchen.

“Yeah.”

“In the kitchen. I just put on a *** of coffee.”

The ten second walk to the kitchen felt infinite. My legs were shaky, along with the rest of my body. I was more nervous about seeing Larry than I was about the consequences that were to follow my recklessness. I turned the corner into the kitchen to find Larry sitting at his kitchen table, staring at the coffee ***.

“Hey,” I said, being at a loss for words.

“Sit down. The coffee is almost done.”

“Okay, I think I might need a cup.”

“You and me both, bud.”

Larry and I both stared at the coffee ***. He was waiting for the coffee to finish. I was hypnotized by the drip. In a weird way it was calming and gave me time to think. I’m not sure if Larry ever took the time to glance at me, as I was only fixated on the drip. I didn’t want it to end for a few reasons. Not only was it calming, but it also prolonged the inevitable: Our conversation.

“What do you want?” Larry asked.

“What?”

“What do you want in your coffee?”

“Oh, just a little cream and a little sugar.”

Larry fixed two cups of coffee and placed a cup in front of me. He took his seat and sipped his coffee. He didn’t say anything, and I wasn’t sure if he was waiting for me to speak. Before I could he cleared his throat.

“What the **** were you thinking?” He asked, as only a friend could when you make a mistake.

“I wasn’t thinking.”

“Yeah, you said that, but what could possibly make you do something like that. Really, what the **** were you thinking?”

“I don’t know. I just did it, and it didn’t cross my mind until I left and set the alarm. At that time I couldn’t do anything. I already took the money and left. I couldn’t go back in the store without sounding the alarm.”

“You set the alarm. You couldn’t just go back in and shut it off?” Larry pressed.

“No, I couldn’t. There are two different codes for closing and opening. I told you it was last minute, and my manager only gave me the code to close up.” I said in all honesty.

“You couldn’t of just put the money back and let the alarm go off? I’m sure they wouldn’t of been ****** about the alarm going off. It wasn’t your responsibility in the first place to be closing the store.” Larry said, making a valid point.

“I didn’t think about that, and I told you I was freaking. I thought I was already ****** so I left. I just got in my car and got out of there. I didn’t know where to go so I drove around for a few hours, and I didn’t want to go home so I called you.”

“Yeah, well thanks for that,” Larry said sarcastically.

“I didn’t know what to do. I’m sorry, really I am.”

“No you’re not. If you were sorry you would of turned yourself in.”

“Are you serious? The last place I want to be is in jail.”

“Well you should of thought about that before you committed grand larceny.”

“What do I do then? What can I do?” I asked

“For right now just enjoy your coffee. Go pour another cup and relax. I’m going to call my work and call out. There is no way I’m going to make it in after all of this ******* you brought me.”

“I’m sorry, Larry. Really, I am truly sorry.”

“Just relax, there’s nothing you can do now.” Larry said. He got up and left the room. I also got up and poured another cup of coffee. He was right, I needed to relax and just stay calm. There was nothing else I could do, and freaking out was not going to help. I sat back down, took a sip of my coffee, and rested my head in my hands. It was the most at ease I’ve been the whole night. This is why I turned to Larry. He knew how to calm me down and was my only true friend. He always had my best interest at hand, and I loved him for that.

Ten minutes later Larry returned and sat back down. He took a sip of his coffee and spit it back in the cup. “I hate cold coffee,” Larry said and got up to pour another cup. “What are you thinking about?” He asked. I didn’t respond. I couldn’t respond. Although I was calmer my mind was still racing. It felt like my head was going to explode. Thankfully it didn’t, but it sure felt like it.

“What do you think you’re going to do? Larry asked

“I’m not sure yet. I think I might just take off. What else can I do? I can’t go to jail.” I replied through my strained throat. Larry didn’t say anything. His back was faced to me as he poured another cup of coffee. “I can’t.”

“You can’t what?” He asked.

“I can’t go to jail.”

“Okay, so then what? You’re just going to flee? Just get up and go?”

“Yeah, that is the only thing that seems plausible right now.”

“You don’t expect me to go with you, do you?”

“No, not at all. This is my mess.”

“You’re **** right it is,” Larry said sounding angry for the first time.

“I know, I’m sorry.”

“Stop apologizing to me. You have no reason to say sorry to me.”

“You’re right. I think I should just go,” I said

“Where are you going to go?”

“I don’t know, but I can’t wait around. I have to do something. And I should leave before anyone gets to the store to see the safe empty. What time is it?”

“It’s quarter after six.”

“Okay, the store opens in almost two hours. I should get going soon if I’m going to be out of the state before someone gets there.”

“Okay, if that’s what you think you got to do. Have another cup and calm down before you leave.” Larry suggested.

“Okay,” I said, accepting his offer.

I got up and walked to the coffee *** to make my last cup of coffee before I left. I knew I had to get going, but I wanted to make this last cup of coffee last. This would be the last time I would see Larry. And after all, he was my best friend. I would have many regrets when I was gone, so I tried to make this last encounter last as long as I could.

As I was pouring my last cup Larry’s doorbell rang. I looked back in a hurry and Larry put his hand on my shoulder. “Relax, it’s my neighbor. He comes over early on Tuesdays. He’s an older guy that comes over for coffee. He’s lonely and his wife passed recently. It’s the least I can do.” Larry said, and made his way to his front door. I sat back down and put my head in my hands again. The two cups of coffee I drank had me jittery. I sat and waited for Larry to return with his neighbor. When he came back in I would leave and be on my way. I had no choice, and I had to be leaving as soon as possible anyway. I didn’t need to intrude while he had company. I just rested my head, and I heard footsteps. Larry was on his way back in the kitchen, and I’d be on my way out.

A hand rested on my shoulder. I still kept my head in my hands.

“Mr. Kofta?”

I looked up and nearly fell off my chair.

“I’m Officer Shandie, and I’m going to need you to come with us.”

There were three police officers in Larry’s kitchen, and Larry was standing right beside them. He looked at me in disappointment, like only a parent can look at their child. Officer Shandie pulled me up and put my hands behind my back. He cuffed me and led me to the front of the house. All of the police officers followed, along with Larry. I was being put into the back of the police cruiser when Larry stopped them and spoke up.

“I can’t keep bailing you out. You’re not running from this mistake.”

Larry stepped aside as I was put in the back of the car. The door was shut, and my fate was sealed. Officer Shandie got in the cruiser and backed out of Larry’s driveway.

The only similarity Larry and I had that night was when I leaving to be taken to the police station. We both had our heads down.

LOVE POEMS by Michael R. Burch

These are love poems written by Michael R. Burch: original poems and translations about passion, desire, lust, ***, dating, making out, relationships and marriage. On an amusing note, my steamy Baudelaire translations have become popular with the pros ― **** stars and escort services!



Sappho, fragment 42
translation by Michael R. Burch

Eros harrows my heart:
wild winds whipping desolate mountains
uprooting oaks.



Preposterous Eros
by Michael R. Burch

“Preposterous Eros” – Patricia Falanga

Preposterous Eros shot me in
the buttocks, with a Devilish grin,
spent all my money in a rush
then left my heart effete pink mush.



Sappho, fragment 155
translation by Michael R. Burch

A short revealing frock?
It's just my luck
your lips were made to mock!



Sappho, fragment 22
loose translation by Michael R. Burch

That enticing girl's clinging dresses
leave me trembling, overcome by happiness,
as once, when I saw the Goddess in my prayers
eclipsing Cyprus.



Negligibles
by Michael R. Burch

Show me your most intimate items of apparel;
begin with the hem of your quicksilver slip ...



Warming Her Pearls
by Michael R. Burch

Warming her pearls,
her ******* gleam like constellations.
Her belly is a bit rotund ...
she might have stepped out of a Rubens.



She bathes in silver
by Michael R. Burch

She bathes in silver,
afloat
on her reflections ...



****** Errata
by Michael R. Burch

I didn’t mean to love you; if I did,
it came unbid-
en,
and should’ve remained hid-
den!



Are You the Thief
by Michael R. Burch

When I touch you now,
O sweet lover,
full of fire,
melting like ice
in my embrace,

when I part the delicate white lace,
baring pale flesh,
and your face
is so close
that I breathe your breath
and your hair surrounds me like a wreath ...

tell me now,
O sweet, sweet lover,
in good faith:
are you the thief
who has stolen my heart?



The Effects of Memory
by Michael R. Burch

A black ringlet
curls to lie
at the nape of her neck,
glistening with sweat
in the evaporate moonlight ...
This is what I remember

now that I cannot forget.

And tonight,
if I have forgotten her name,
I remember:
rigid wire and white lace
half-impressed in her flesh ...

our soft cries, like regret,

... the enameled white clips
of her bra strap
still inscribe dimpled marks
that my kisses erase ...
now that I have forgotten her face.



Moments
by Michael R. Burch

There were moments full of promise,
like the petal-scented rainfall of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.

There are moments strangely empty
full of pale unearthly twilight
―how the cold stars stare!―
when to be without you is a dark enchantment
the night and I share.



The Communion of Sighs
by Michael R. Burch

There was a moment
without the sound of trumpets or a shining light,
but with only silence and darkness and a cool mist
felt more than seen.
I was eighteen,
my heart pounding wildly within me like a fist.
Expectation hung like a cry in the night,
and your eyes shone like the corona of a comet.

There was an instant . . .
without words, but with a deeper communion,
as clothing first, then inhibitions fell;
liquidly our lips met
―feverish, wet―
forgotten, the tales of heaven and hell,
in the immediacy of our fumbling union . . .
when the rest of the world became distant.

Then the only light was the moon on the rise,
and the only sound, the communion of sighs.



Righteous
by Michael R. Burch

Come to me tonight
in the twilight, O, and the full moon rising,
spectral and ancient, will mutter a prayer.

Gather your hair
and pin it up, knowing
that I will release it a moment anon.

We are not one,
nor is there a scripture
to sanctify nights you might spend in my arms,

but the swarms
of stars revolving above us
revel tonight, the most ardent of lovers.



For All that I Remembered
by Michael R. Burch

For all that I remembered, I forgot
her name, her face, the reason that we loved ...
and yet I hold her close within my thought.
I feel the burnished weight of auburn hair
that fell across her face, the apricot
clean scent of her shampoo, the way she glowed
so palely in the moonlight, angel-wan.

The memory of her gathers like a flood
and bears me to that night, that only night,
when she and I were one, and if I could ...
I'd reach to her this time and, smiling, brush
the hair out of her eyes, and hold intact
each feature, each impression. Love is such
a threadbare sort of magic, it is gone
before we recognize it. I would crush
my lips to hers to hold their memory,
if not more tightly, less elusively.



Le Balcon (The Balcony)
by Charles Baudelaire
loose translation by Michael R. Burch

Paramour of memory, ultimate mistress,
source of all pleasure, my only desire;
how can I forget your ecstatic caresses,
the warmth of your ******* by the roaring fire,
paramour of memory, ultimate mistress?

Each night illumined by the burning coals
we lay together where the rose-fragrance clings―
how soft your *******, how tender your soul!
Ah, and we said imperishable things,
each night illumined by the burning coals.

How beautiful the sunsets these sultry days,
deep space so profound, beyond life’s brief floods ...
then, when I kissed you, my queen, in a daze,
I thought I breathed the bouquet of your blood
as beautiful as sunsets these sultry days.

Night thickens around us like a wall;
in the deepening darkness our irises meet.
I drink your breath, ah! poisonous yet sweet!,
as with fraternal hands I massage your feet
while night thickens around us like a wall.

I have mastered the sweet but difficult art
of happiness here, with my head in your lap,
finding pure joy in your body, your heart;
because you’re the queen of my present and past
I have mastered love’s sweet but difficult art.

O vows! O perfumes! O infinite kisses!
Can these be reborn from a gulf we can’t sound
as suns reappear, as if heaven misses
their light when they sink into seas dark, profound?
O vows! O perfumes! O infinite kisses!

My translation of Le Balcon has become popular with **** sites, escort services and dating sites. The pros seem to like it!



Les Bijoux (The Jewels)
by Charles Baudelaire
loose translation by Michael R. Burch

My lover **** and knowing my heart's whims
Wore nothing more than a few bright-flashing gems;
Her art was saving men despite their sins―
She ruled like harem girls crowned with diadems!

She danced for me with a gay but mocking air,
My world of stone and metal sparking bright;
I discovered in her the rapture of everything fair―
Nay, an excess of joy where the spirit and flesh unite!

Naked she lay and offered herself to me,
Parting her legs and smiling receptively,
As gentle and yet profound as the rising sea―
Till her surging tide encountered my cliff, abruptly.

A tigress tamed, her eyes met mine, intent ...
Intent on lust, content to purr and please!
Her breath, both languid and lascivious, lent
An odd charm to her metamorphoses.

Her limbs, her *****, her abdomen, her thighs,
Oiled alabaster, sinuous as a swan,
Writhed pale before my calm clairvoyant eyes;
Like clustered grapes her ******* and belly shone.

Skilled in more spells than evil imps can muster,
To break the peace which had possessed my heart,
She flashed her crystal rocks’ hypnotic luster
Till my quietude was shattered, blown apart.

Her waist awrithe, her ******* enormously
Out-******, and yet ... and yet, somehow, still coy ...
As if stout haunches of Antiope
Had been grafted to a boy ...

The room grew dark, the lamp had flickered out.
Mute firelight, alone, lit each glowing stud;
Each time the fire sighed, as if in doubt,
It steeped her pale, rouged flesh in pools of blood.



The Perfect Courtesan
by Michael R. Burch

after Baudelaire, for the courtesans

She received me into her cavities,
indulging my darkest depravities
with such trembling longing, I felt her need ...

Such was the dalliance to which we agreed—
she, my high rider;
I, her wild steed.

She surrendered her all and revealed to me—
the willing handmaiden, delighted to please,
the Perfect Courtesan of Ecstasy.



Invitation to the Voyage
by Charles Baudelaire
loose translation/interpretation by Michael R. Burch

My child, my sister,
Consider the rapture
Of living together!
To love at our leisure
Till the end of all pleasure,
Then in climes so alike you, to die!

The misty sunlight
Of these hazy skies
Charms my spirit:
So mysterious
Your treacherous eyes,
Shining through tears.

There, order and restraint redress
Opulence, voluptuousness.

Gleaming furniture
Burnished by the years
Would decorate our bedroom
Where the rarest flowers
Mingle their fragrances
With vague scents of amber.

The sumptuous ceilings,
The limpid mirrors,
The Oriental ornaments …
Everything would speak
To our secretive souls
In their own indigenous language.

There, order and restraint redress
Opulence, voluptuousness.

See, rocking on these channels:
The sleepy vessels
Whose vagabond dream
Is to satisfy
Your merest desire.

They come from the ends of the world:
These radiant suns
Illuminating fields,
Canals, the entire city,
In hyacinth and gold.
The world falls asleep
In their warming light.

There, order and restraint redress
Opulence, voluptuousness.



What Goes Around, Comes
by Michael R. Burch

This is a poem about loss
so why do you toss your dark hair―
unaccountably glowing?

How can you be sure of my heart
when it’s beyond my own knowing?

Or is it love’s pheromones you trust,
my eyes magnetized by your bust
and the mysterious alchemies of lust?

Now I am truly lost!



Passionate One
by Michael R. Burch

for Beth

Love of my life,
light of my morning―
arise, brightly dawning,
for you are my sun.

Give me of heaven
both manna and leaven―
desirous Presence,
Passionate One.

Manna is "heavenly bread" and leaven is what we use to make earthly bread rise. So this poem is saying that one's lover offers the best of heaven and earth.



Second Sight
by Michael R. Burch

I never touched you―
that was my mistake.

Deep within,
I still feel the ache.

Can an unformed thing
eternally break?

Now, from a great distance,
I see you again

not as you are now,
but as you were then―

eternally present
and Sovereign.



After the Deluge
by Michael R. Burch

She was kinder than light
to an up-reaching flower
and sweeter than rain
to the bees in their bower
where anemones blush
at the affections they shower,
and love’s shocking power.

She shocked me to life,
but soon left me to wither.
I was listless without her,
nor could I be with her.
I fell under the spell
of her absence’s power.
in that calamitous hour.

Like blithe showers that fled
repealing spring’s sweetness;
like suns’ warming rays sped
away, with such fleetness ...
she has taken my heart―
alas, our completeness!
I now wilt in pale beams
of her occult remembrance.



Love Has a Southern Flavor
by Michael R. Burch

Love has a Southern flavor: honeydew,
ripe cantaloupe, the honeysuckle’s spout
we tilt to basking faces to breathe out
the ordinary, and inhale perfume ...

Love’s Dixieland-rambunctious: tangled vines,
wild clematis, the gold-brocaded leaves
that will not keep their order in the trees,
unmentionables that peek from dancing lines ...

Love cannot be contained, like Southern nights:
the constellations’ dying mysteries,
the fireflies that hum to light, each tree’s
resplendent autumn cape, a genteel sight ...

Love also is as wild, as sprawling-sweet,
as decadent as the wet leaves at our feet.



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscrete height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed

and as you braided your hair
into long bluish plaits
the shadows empurpled,

the dragonflies’
last darting feints
dissolving mid-air,

we watched the sun’s long glide
into evening,
knowing and unknowing.

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.



Smoke
by Michael R. Burch

The hazy, smoke-filled skies of summer I remember well;
farewell was on my mind, and the thoughts that I can't tell
rang bells within (the din was in) my mind, and I can't say
if what we had was good or bad, or where it is today.
The endless days of summer's haze I still recall today;
she spoke and smoky skies stood still as summer slipped away ...



How Long the Night
(anonymous Old English Lyric, circa early 13th century AD)
translation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast―
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Shattered
by Vera Pavlova
translation by Michael R. Burch

I shattered your heart;
now I limp through the shards
barefoot.



Snapshots
by Michael R. Burch

Here I scrawl extravagant rainbows.
And there you go, skipping your way to school.
And here we are, drifting apart
like untethered balloons.

Here I am, creating "art,"
chanting in shadows,
pale as the crinoline moon,
ignoring your face.

There you go,
in diaphanous lace,
making another man’s heart swoon.
Suddenly, unthinkably, here he is,

taking my place.



The Darker Nights
by Michael R. Burch

Nights when I held you,
nights when I saw
the gentlest of spirits,
yet, deeper, a flaw ...

Nights when we settled
and yet never gelled.
Nights when you promised
what you later withheld ...



Moon Poem
by Michael R. Burch
after Linda Gregg

I climb the mountain
to inquire of the moon ...
the advantages of loftiness, absence, distance.
Is it true that it feels no pain,
or will she contradict me?

Originally published by Borderless Journal (Singapore)

The apparent contradiction of it/she is intentional, since the speaker doesn’t know if the moon is an inanimate object or can feel pain.



Because You Came to Me
by Michael R. Burch

Because you came to me with sweet compassion
and kissed my furrowed brow and smoothed my hair,
I do not love you after any fashion,
but wildly, in despair.

Because you came to me in my black torment
and kissed me fiercely, blazing like the sun
upon parched desert dunes, till in dawn’s foment
they melt, I am undone.

Because I am undone, you have remade me
as suns bring life, as brilliant rains endow
the earth below with leaves, where you now shade me
and bower me, somehow.



Stay With Me Tonight
by Michael R. Burch

Stay with me tonight;
be gentle with me as the leaves are gentle
falling to the earth.
And whisper, O my love,
how that every bright thing, though scattered afar,
retains yet its worth.

Stay with me tonight;
be as a petal long-awaited blooming in my hand.
Lift your face to mine
and touch me with your lips
till I feel the warm benevolence of your breath’s
heady fragrance like wine.

That which we had
when pale and waning as the dying moon at dawn,
outshone the sun.
And so lead me back tonight
through bright waterfalls of light
to where we shine as one.



Insurrection
by Michael R. Burch

She has become as the night―listening
for rumors of dawn―while the dew, glistening,

reminds me of her, and the wind, whistling,
lashes my cheeks with its soft chastening.

She has become as the lights―flickering
in the distance―till memories old and troubling

rise up again and demand remembering ...
like peasants rebelling against a mad king.



Medusa
by Michael R. Burch

Friends, beware
of her iniquitous hair―
long, ravenblack & melancholy.

Many suitors drowned there―
lost, unaware
of the length & extent of their folly.



Daredevil
by Michael R. Burch

There are days that I believe
(and nights that I deny)
love is not mutilation.

Daredevil, dry your eyes.

There are tightropes leaps bereave―
taut wires strumming high
brief songs, infatuations.

Daredevil, dry your eyes.

There were cannon shots’ soirees,
hearts barricaded, wise . . .
and then . . . annihilation.

Daredevil, dry your eyes.

There were nights our hearts conceived
dawns’ indiscriminate sighs.
To dream was our consolation.

Daredevil, dry your eyes.

There were acrobatic leaves
that tumbled down to lie
at our feet, bright trepidations.

Daredevil, dry your eyes.

There were hearts carved into trees―
tall stakes where you and I
left childhood’s salt libations . . .

Daredevil, dry your eyes.

Where once you scraped your knees;
love later bruised your thighs.
Death numbs all, our sedation.

Daredevil, dry your eyes.



Mingled Air
by Michael R. Burch

for Beth

Ephemeral as breath, still words consume
the substance of our hearts; the very air
that fuels us is subsumed; sometimes the hair
that veils your eyes is lifted and the room

seems hackles-raised: a spring all tension wound
upon a word. At night I feel the care
evaporate—a vapor everywhere
more enervate than sighs: a mournful sound

grown blissful. In the silences between
I hear your heart, forget to breathe, and glow
somehow. And though the words subside, we know
the hearth light and the comfort embers gleam

upon our dreaming consciousness. We share
so much so common: sighs, breath, mingled air.



Elemental
by Michael R. Burch

There is within her a welling forth
of love unfathomable.
She is not comfortable
with the thought of merely loving:
but she must give all.

At night, she heeds the storm's calamitous call;
nay, longs for it. Why?
O, if a man understood, he might understand her.
But that never would do!
Darling, as you embrace the storm,

so I embrace elemental you.



Duet, Minor Key
by Michael R. Burch

Without the drama of cymbals
or the fanfare and snares of drums,
I present my case
stripped of its fine veneer:
Behold, thy instrument.

Play, for the night is long.



honeybee
by Michael R. Burch

love was a little treble thing―
prone to sing
and (sometimes) to sting



don’t forget ...
by Michael R. Burch

don’t forget to remember
that Space is curved
(like your Heart)
and that even Light is bent
by your Gravity.

The opening lines were inspired by a famous love poem by e. e. cummings. I have dedicated this poem to my wife Beth, but you're welcome to dedicate it to the light-bending person of your choice, as long as you credit me as the author.



Sudden Shower
by Michael R. Burch

The day’s eyes were blue
until you appeared
and they wept at your beauty.



She Was Very Strange, and Beautiful
by Michael R. Burch

She was very strange, and beautiful,
like a violet mist enshrouding hills
before night falls
when the hoot owl calls
and the cricket trills
and the envapored moon hangs low and full.

She was very strange, in a pleasant way,
as the hummingbird
flies madly still,
so I drank my fill
of her every word.
What she knew of love, she demurred to say.

She was meant to leave, as the wind must blow,
as the sun must set,
as the rain must fall.
Though she gave her all,
I had nothing left . . .
yet I smiled, bereft, in her receding glow.



Isolde's Song
by Michael R. Burch

Through our long years of dreaming to be one
we grew toward an enigmatic light
that gently warmed our tendrils. Was it sun?
We had no eyes to tell; we loved despite
the lack of all sensation―all but one:
we felt the night's deep chill, the air so bright
at dawn we quivered limply, overcome.

To touch was all we knew, and how to bask.
We knew to touch; we grew to touch; we felt
spring's urgency, midsummer's heat, fall's lash,
wild winter's ice and thaw and fervent melt.
We felt returning light and could not ask
its meaning, or if something was withheld
more glorious. To touch seemed life's great task.

At last the petal of me learned: unfold.
And you were there, surrounding me. We touched.
The curious golden pollens! Ah, we touched,
and learned to cling and, finally, to hold.



Myth
by Michael R. Burch

Here the recalcitrant wind
sighs with grievance and remorse
over fields of wayward gorse
and thistle-throttled lanes.

And she is the myth of the scythed wheat
hewn and sighing, complete,
waiting, lain in a low sheaf―
full of faith, full of grief.

Here the immaculate dawn
requires belief of the leafed earth
and she is the myth of the mown grain―
golden and humble in all its weary worth.



Heat Lightening
by Michael R. Burch

Each night beneath the elms, we never knew
which lights beyond dark hills might stall, advance,
then lurch into strange headbeams tilted up
like searchlights seeking contact in the distance . . .

Quiescent unions . . . thoughts of bliss, of hope . . .
long-dreamt appearances of wished-on stars . . .
like childhood’s long-occluded, nebulous
slow drift of half-formed visions . . . slip and bra . . .

Wan moonlight traced your features, perilous,
in danger of extinction, should your hair
fall softly on my eyes, or should a kiss
cause them to close, or should my fingers dare

to leave off childhood for some new design
of whiter lace, of flesh incarnadine.



Redolence
by Michael R. Burch

Now darkness ponds upon the violet hills;
cicadas sing; the tall elms gently sway;
and night bends near, a deepening shade of gray;
the bass concerto of a bullfrog fills
what silence there once was; globed searchlights play.

Green hanging ferns adorn dark window sills,
all drooping fronds, awaiting morning’s flares;
mosquitoes whine; the lissome moth again
flits like a veiled oud-dancer, and endures
the fumblings of night’s enervate gray rain.

And now the pact of night is made complete;
the air is fresh and cool, washed of the grime
of the city’s ashen breath; and, for a time,
the fragrance of her clings, obscure and sweet.



A Surfeit of Light
by Michael R. Burch

There was always a surfeit of light in your presence.
You stood distinctly apart, not of the humdrum world―
a chariot of gold in a procession of plywood.

We were all pioneers of the modern expedient race,
raising the ante: Home Depot to Lowe’s.
Yours was an antique grace―Thrace’s or Mesopotamia’s.

We were never quite sure of your silver allure,
of your trillium-and-platinum diadem,
of your utter lack of flatware-like utility.

You told us that night―your wound would not scar.
The black moment passed, then you were no more.
The darker the sky, how much brighter the Star!

The day of your funeral, I ripped out the crown mold.
You were this fool’s gold.



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and―spent of flame―
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies―
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None―winsome, bright or rare―
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew―
each moonless night the nettles grew

and strangled hope, where love dies too.



Unfoldings
by Michael R. Burch

for Vicki

Time unfolds ...
Your lips were roses.
... petals open, shyly clustering ...
I had dreams
of other seasons.
... ten thousand colors quiver, blossoming.

Night and day ...
Dreams burned within me.
... flowers part themselves, and then they close ...
You were lovely;
I was lonely.
... a ****** yields herself, but no one knows.

Now time goes on ...
I have not seen you.
... within ringed whorls, secrets are exchanged ...
A fire rages;
no one sees it.
... a blossom spreads its flutes to catch the rain.

Seasons flow ...
A dream is dying.
... within parched clusters, life is taking form ...
You were honest;
I was angry.
... petals fling themselves before the storm.

Time is slowing ...
I am older.
... blossoms wither, closing one last time ...
I'd love to see you
and to touch you.
... a flower crumbles, crinkling, worn and dry.

Time contracts ...
I cannot touch you.
... a solitary flower cries for warmth ...
Life goes on as
dreams lose meaning.
... the seeds are scattered, lost within a storm.



Chloe
by Michael R. Burch

There were skies onyx at night ... moons by day ...
lakes pale as her eyes ... breathless winds
******* tall elms; ... she would say
that we loved, but I figured we’d sinned.

Soon impatiens too fiery to stay
sagged; the crocus bells drooped, golden-limned;
things of brightness, rinsed out, ran to gray ...
all the light of that world softly dimmed.

Where our feet were inclined, we would stray;
there were paths where dead weeds stood untrimmed,
distant mountains that loomed in our way,
thunder booming down valleys dark-hymned.

What I found, I found lost in her face
while yielding all my virtue to her grace.



If You Come to San Miguel
by Michael R. Burch

If you come to San Miguel
before the orchids fall,
we might stroll through lengthening shadows
those deserted streets
where love first bloomed ...

You might buy the same cheap musk
from that mud-spattered stall
where with furtive eyes the vendor
watched his fragrant wares
perfume your ******* ...

Where lean men mend tattered nets,
disgruntled sea gulls chide;
we might find that cafetucho
where through grimy panes
sunset implodes ...

Where tall cranes spin canvassed loads,
the strange anhingas glide.
Green brine laps splintered moorings,
rusted iron chains grind,
weighed and anchored in the past,

held fast by luminescent tides ...
Should you come to San Miguel?
Let love decide.



Vacuum
by Michael R. Burch

Over hushed quadrants
forever landlocked in snow,
time’s senseless winds blow ...

leaving odd relics of lives half-revealed,
if still mostly concealed ...
such are the things we are unable to know

that once intrigued us so.

Come then, let us quickly repent
of whatever truths we’d once determined to learn:
for whatever is left, we are unable to discern.

There’s nothing left of us here; it’s time to go.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



Roses for a Lover, Idealized
by Michael R. Burch

When you have become to me
as roses bloom, in memory,
exquisite, each sharp thorn forgot,
will I recall―yours made me bleed?

When winter makes me think of you―
whorls petrified in frozen dew,
bright promises blithe spring forsook,
will I recall your words―barbed, cruel?



Nothing Returns
by Michael R. Burch

A wave implodes,
impaled upon
impassive rocks . . .

this evening
the thunder of the sea
is a wild music filling my ear . . .

you are leaving
and the ungrieving
winds demur:

telling me
that nothing returns
as it was before,

here where you have left no mark
upon this dark
Heraclitean shore.



First and Last
by Michael R. Burch

for Beth

You are the last arcane rose
of my aching,
my longing,
or the first yellowed leaves―
vagrant spirals of gold
forming huddled bright sheaves;
you are passion forsaking
dark skies, as though sunsets no winds might enclose.

And still in my arms
you are gentle and fragrant―
demesne of my vigor,
spent rigor,
lost power,
fallen musculature of youth,
leaves clinging and hanging,
nameless joys of my youth to this last lingering hour.



Your Pull
by Michael R. Burch

for Beth

You were like sunshine and rain―
begetting rainbows,
full of contradictions, like the intervals
between light and shadow.

That within you which I most opposed
drew me closer still,
as a magnet exerts its unyielding pull
on insensate steel.



Love Is Not Love
by Michael R. Burch

for Beth

Love is not love that never looked
within itself and questioned all,
curled up like a zygote in a ball,
throbbed, sobbed and shook.

(Or went on a binge at a nearby mall,
then would not cook.)

Love is not love that never winced,
then smiled, convinced
that soar’s the prerequisite of fall.

When all
its wounds and scars have been saline-rinsed,
where does Love find the wherewithal
to try again,
endeavor, when

all that it knows
is: O, because!



The Stake
by Michael R. Burch

for Beth

Love, the heart bets,
if not without regrets,
will still prove, in the end,
worth the light we expend
mining the dark
for an exquisite heart.



The One True Poem
by Michael R. Burch

for Beth

Love was not meaningless ...
nor your embrace, nor your kiss.

And though every god proved a phantom,
still you were divine to your last dying atom ...

So that when you are gone
and, yea, not a word remains of this poem,

even so,
We were One.



The Poem of Poems
by Michael R. Burch

for Beth

This is my Poem of Poems, for you.
Every word ineluctably true:
I love you.



Enigma
by Michael R. Burch

for Beth

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior.

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this -our reclamation;
fallen wren,
you must strive to fly
though your heart is shaken;
weary pilgrim,
you must not give up
though your feet are aching;
lonely child,
lie here still in my arms;
you must soon be waking.

"O Terrible Angel" is the title of my second collection of love poems for my wife Beth, who is more formally known as Elizabeth Steed Harris Burch.



She Gathered Lilacs
by Michael R. Burch

for Beth

She gathered lilacs
and arrayed them in her hair;
tonight, she taught the wind to be free.

She kept her secrets
in a silver locket;
her companions were starlight and mystery.

She danced all night
to the beat of her heart;
with her tears she imbued the sea.

She hid her despair
in a crystal jar,
and never revealed it to me.

She kept her distance
as though it were armor;
gauntlet thorns guard her heart like the rose.

Love! -Awaken, awaken
to see what you've taken
is still less than the due my heart owes!



Once
by Michael R. Burch

for Beth

Once when her kisses were fire incarnate
and left in their imprint bright lipstick, and flame;
when her breath rose and fell over smoldering dunes,
leaving me listlessly sighing her name...

Once when her ******* were as pale, as beguiling,
as wan rivers of sand shedding heat like a mist,
when her words would at times softly, mildly rebuke me
all the while as her lips did more wildly insist...

Once when the thought of her echoed and whispered
through vast wastelands of need like a Bedouin chant,
I ached for the touch of her lips with such longing
that I vowed all my former vows to recant...

Once, only once, something bloomed, of a desiccate seed:
this implausible blossom her wild rains of kisses decreed.



At Once
by Michael R. Burch

for Beth

Though she was fair,
though she sent me the epistle of her love at once
and inscribed therein love's antique prayer,
I did not love her at once.

Though she would dare
pain's pale, clinging shadows, to approach me at once,
the dark, haggard keeper of the lair,
I did not love her at once.

Though she would share
the all of her being, to heal me at once,
yet more than her touch I was unable to bear.
I did not love her at once.

And yet she would care,
and pour out her essence...
and yet -there was more!
I awoke from long darkness

and yet -she was there.
I loved her the longer;
I loved her the more
because I did not love her at once.



Twice
by Michael R. Burch

Now twice she has left me
and twice I have listened
and taken her back, remembering days

when love lay upon us
and sparkled and glistened
with the brightness of dew through a gathering haze.

But twice she has left me
to start my life over,
and twice I have gathered up embers, to learn:

rekindle a fire
from ash, soot and cinder
and softly it sputters, refusing to burn.



Will there be Starlight
by Michael R. Burch

for Beth

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Oh, will there be moonlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?



Kissin' 'n' buzzin'
by Michael R. Burch

for Beth

Kissin' 'n' buzzin'
the bees rise
in a dizzy circle of two.
Oh, when I'm with you,
I feel like kissin' 'n' buzzin' too.



The Quickening
by Michael R. Burch

for Beth

I never meant to love you
when I held you in my arms
promising you sagely
wise, noncommittal charms.

And I never meant to need you
when I touched your tender lips
with kisses that intrigued my own -
such kisses I had never known,
nor a heartbeat in my fingertips!



Let Me Give Her Diamonds
by Michael R. Burch

for Beth

Let me give her diamonds
for my heart's
sharp edges.

Let me give her roses
for my soul's
thorn.

Let me give her solace
for my words
of treason.

Let the flowering of love
outlast a winter
season.

Let me give her books
for all my lack
of reason.

Let me give her candles
for my lack
of fire.

Let me kindle incense,
for our hearts
require

the breath-fanned
flaming perfume
of desire.



If I Falter
by Michael R. Burch

for Beth

If I regret
fire in the sunset
exploding on the horizon,
then let me regret loving you.

If I forget
for even a moment
that you are the only one,
then let me forget that the sky is blue.

If I should yearn
in a season of discontentment
for the vagabond light of a companionless moon,
let dawn remind me that you are my sun.

If I should burn -one moment less brightly,
one moment less true -
then with wild scorching kisses,
inflame me, inflame me, inflame me anew.



Because Her Heart Is Tender
by Michael R. Burch

for Beth

She scrawled soft words in soap: "Never Forget, "
Dove-white on her car's window, and the wren,
because her heart is tender, might regret
it called the sun to wake her. As I slept,
she heard lost names recounted, one by one.

She wrote in sidewalk chalk: "Never Forget, "
and kept her heart's own counsel. No rain swept
away those words, no tear leaves them undone.

Because her heart is tender with regret,
bruised by razed towers' glass and steel and stone
that shatter on and on and on and on,
she stitches in damp linen: "NEVER FORGET, "
and listens to her heart's emphatic song.

The wren might tilt its head and sing along
because its heart once understood regret
when fledglings fell beyond, beyond, beyond...
its reach, and still the boot-heeled world strode on.

She writes in adamant: "NEVER FORGET"
because her heart is tender with regret.



She Spoke
by Michael R. Burch

for Beth

She spoke
and her words
were like a ringing echo dying
or like smoke
rising and drifting
while the earth below is spinning.

She awoke
with a cry
from a dream that had no ending,
without hope
or strength to rise,
into hopelessness descending.

And an ache
in her heart
toward that dream, retreating,
left a wake
of small waves
in circles never completing.



Virginal
by Michael R. Burch

for Beth

For an hour
every wildflower
beseeches her,
"To thy breast,
Elizabeth! "

But she is mine;
her lips divine
and her ******* and hair
are mine alone.
Let the wildflowers moan.



the last defense of Love
by Michael R. Burch

for Beth

... if all the parables of Love
fell mute, and every sermon too,
and every hymn and votive psalm
proved insufficient to the task
of proving Love might yet be true
in such a cruel, uncaring world...
the last defense of Love, my Love,
the gods might offer, would be You.



Your Gift
by Michael R. Burch

for Beth

Counsel, console.
This is your gift.

Calm, kiss and encourage.

Tenderly lift
each world-wounded heart
from its near-fatal dart.

Mend every rift.

Bid pain, "Depart! "
Help friends' healing to start.
Keep every reason to grieve
for your own untaught heart.



Rehearsal Reversal
by Michael R. Burch

The wonder of a first kiss
is:
the next will be better,
if less memorable...

and what’s unforgettable’s
this:
that, somehow,
although you just met her,

in the exchange of eclectic eyes
love came, an electric surmise,
with the smell of cordite hair
on a warm wool sweater

more than amply bosomed.
Use
any excess static to light
the fuse.

Fumble-fingered, her bra strap’s cinch
refuses to budge an inch
in either direction.
Who’s

ever prepared to be so stymied?
Smile,
lean back, drag, “relax” awhile
from practice imperfect. I’ll

leave you two jaybirds alone.
Yes, tomorrow she’ll
answer the phone,
show up for your first real date:

late, breathless, and braless!
(WAIT —
before you celebrate:
still celibate).



Reverse Strip
by Michael R. Burch

She cupped her ******* in cotton, wire-cinched,
pulled a pale taupe sheath across red-gilded toes,
across sun-auburned thighs, to midriff, rose,
paraded nimbly to her dresser, pinched
a winsome pair of *******—white with hearts—
between thumb and forefinger, just to show
how well she knew my taste. Then, bowing low,
she stepped into them (here, the music starts,
a vampish tune), slow-wriggled them waist-high.
She used her thumbs to snap elastic to
its proper place. She chose a slip—sky blue—
then shrugged it on, and patted down each thigh.

She then sat down and smiled (there’d be no dress),
uncrossed her legs, shrugged free one talcumed breast...



Dawn Flight
by Michael R. Burch

for Martin Mc Carthy

What is it about love
that defies explanation?—

the weightlessness of being,
the long elliptic climb

into darkness
amid the world’s constant uproar,

the sea’s black waves crashing
incessantly like thunder beneath us,

the long triumphant soar
into thinning contrails of nothingness,

like meteors through ether,
seeing the earth’s dark curve

outlined,
spinning softly beneath us...

gliding, suspended at last,
over the earth pliant and motionless...

feeling, suddenly, the vast
onrush

and illumination.



Of Transience
by Michael R. Burch

How many nights her vulnerability
leaned close and softly pressed its cheek to mine,
held fast by tiny buckled straps impressed
on shoulders white as swans’ white eglantine...

And many were the marks which left their trace,
then soon were gone. The thinnest finest veil
of ashen hair revealed her *******, betrayed
all that I wanted most, but still would fail

to keep me there till morning. For her sighs,
I kissed her lips in wonder; we became
one with the distant thunder. Love is wise
when it comes in flashes, streaking moonlit rain,

but leaves no mark—as transient, as bright
as the searing imprint lightning pens at night.



*******
by Michael R. Burch

It was not for the feast of docile eyes
she shed her latex jeans, her vinyl blouse;
it was not for the catcalls that her thighs,
black-gartered, parted slightly, to arouse
limp dreams, limp organs as onlookers cheered,
revealing paunches belts could not belay.
She shunned their touch, as lepers to be feared,
swerved half-way through her dance, then waltzed away.

But something in her eyes—a mystery
as old as lust, half-veiled by raven hair—
bespoke this certain knowledge: love is free,
but *** must have its fee, transport its fare.
They pay for what they want, and in return
she teaches them what men will never learn.



At the Natchez Trace
by Michael R. Burch

for Beth

I.
Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Beside me stands a woman,
a stanza in the song
that plays so low and fluting
and bids me sing along.

Beside me stands a woman
whose eyes reveal her soul,
whose cheeks are soft as eiderdown,
whose hips and ******* are full.

Beside me stands a woman
who scarcely knows my name;
but I would have her know my heart
if only I knew where to start.

II.
Not every man is as he seems;
not all are prone to poems and dreams.
Not every man would take the time
to meter out his heart in rhyme.
But I am not as other men—
my heart is sentenced to this pen.

III.
Men speak of their "ambition"
but they only know its name . . .
I never say the word aloud,
but I have felt the Flame.

IV.
Now, standing here, I do not dare
to let her know that I might care;
I never learned the lines to use;
I never worked the wolves' bold ruse.
But if she looks my way again,
perhaps I will, if only then.

V.
How can a man have come so far
in searching after every star,
and yet today,
though years away,
look back upon the winding way,
and see himself as he was then,
a child of eight or nine or ten,
and not know more?

VI.
My life is not empty; I have my desire . . .
I write in a moment that few man can know,
when my nerves are on fire
and my heart does not tire
though it pounds at my breast—
wrenching blow after blow.

VII.
And in all I attempted, I also succeeded;
few men have more talent to do what I do.
But in one respect, I stand now defeated;
In love I could never make magic come true.

VIII.
If I had been born to be handsome and charming,
then love might have come to me easily as well.
But if had that been, then would I have written?
If not, I'd remain; **** that demon to hell!

IX.
Beside me stands a woman,
but others look her way
and in their eyes are eagerness . . .
for passion and a wild caress?
But who am I to say?

Beside me stands a woman;
she conjures up the night
and wraps itself around her
till others flit about her
like moths drawn to firelight.

X.
And I, myself, am just as they,
wondering when the light might fade,
yet knowing should it not dim soon
that I might fall and be consumed.

XI.
I write from despair
in the silence of morning
for want of a prayer
and the need of the mourning.
And loneliness grips my heart like a vise;
my anguish is harsher and colder than ice.
But poetry can bring my heart healing
and deaden the pain, or lessen the feeling.
And so I must write till at last sleep has called me
and hope at that moment my pen has not failed me.

XII.
Beside me stands a woman,
a mystery to me.
I long to hold her in my arms;
I also long to flee.

Beside me stands a woman;
how many has she known
more handsome, charming,
chic, alarming?
I hope I never know.

Beside me stands a woman;
how many has she known
who ever wrote her such a poem?
I know not even one.



BeMused
by Michael R. Burch

You will find in her hair
a fragrance more severe
than camphor.
You will find in her dress
no hint of a sweet
distractedness.
You will find in her eyes
horn-owlish and wise
no metaphors
of love, but only reflections
of books, books, books.

If you like Her looks …

meet me in the long rows,
between Poetry and Prose,
where we’ll win Her favor
with jousts, and savor
the wine of Her hair,
the shimmery wantonness
of Her rich-satined dress;
where we’ll press
our good deeds upon Her, save Her
from every distress,
for the lovingkindness
of Her matchless eyes
and all the suns of Her tongues.

We were young,
once,
unlearned and unwise . . .
but, O, to be young
when love comes disguised
with the whisper of silks
and idolatry,
and even the childish tongue claims
the intimacy of Poetry.



There’s a Stirring and Awakening in the World
by Michael R. Burch

There’s a stirring and awakening in the world,
and even so my spirit stirs within,
imagining some Power beckoning—
the Force which through the stamen gently whirrs,
unlocking tumblers deftly, even mine.

The grape grows wild-entangled on the vine,
and here, close by, the honeysuckle shines.
And of such life, at last there comes there comes the Wine.

And so it is with spirits’ fruitful yield—
the growth comes first, Green Vagrance, then the Bloom.

The world somehow must give the spirit room
to blossom, till its light shines—wild, revealed.

And then at last the earth receives its store
of blessings, as glad hearts cry—More! More! More!

Originally published by Borderless Journal



POEMS ABOUT POOL SHARKS

These are poems about pool sharks, gamblers, con artists and other sharks. I used to hustle pool on bar tables around Nashville, where I ran into many colorful characters, and a few unsavory ones, before I hung up my cue for good.

Shark
by Michael R. Burch

They are all unknowable,
these rough pale men—
haunting dim pool rooms like shadows,
propped up on bar stools like scarecrows,
nodding and sagging in the fraying light . . .

I am not of them,
as I glide among them—
eliding the amorphous camaraderie
they are as unlikely to spell as to feel,
camouflaged in my own pale dichotomy . . .

That there are women who love them defies belief—
with their missing teeth,
their hair in thin shocks
where here and there a gap of scalp gleams like bizarre chrome,
their smell rank as wet sawdust or mildewed laundry . . .

And yet—
and yet there is someone who loves me:
She sits by the telephone
in the lengthening shadows
and pregnant grief . . .

They appreciate skill at pool, not words.
They frown at massés,
at the cue ball’s contortions across green felt.
They hand me their hard-earned money with reluctant smiles.
A heart might melt at the thought of their children lying in squalor . . .
At night I dream of them in bed, toothless, kissing.
With me, it’s harder to say what is missing . . .



Fair Game
by Michael R. Burch

At the Tennessee State Fair,
the largest stuffed animals hang tilt-a-whirl over the pool tables
with mocking button eyes,
knowing the playing field is unlevel,
that the rails slant, ever so slightly, north or south,
so that gravity is always on their side,
conspiring to save their plush, extravagant hides
year after year.

“Come hither, come hither . . .”
they whisper; they leer
in collusion with the carnival barkers,
like a bevy of improbably-clad hookers
setting a “fair” price.
“Only five dollars a game, and it’s so much Fun!
And it’s not really gambling. Skill is involved!
You can make us come: really, you can.
Here are your *****. Just smack them around.”

But there’s a trick, and it usually works.
If you break softly so that no ball reaches a rail,
you can pick them off: One. Two. Three. Four.
Causing a small commotion,
a stir of whispering, like fear,
among the hippos and ostriches.



Con Artistry
by Michael R. Burch

The trick of life is like the sleight of hand
of gamblers holding deuces by the glow
of veiled back rooms, or aces; soon we’ll know
who folds, who stands . . .

The trick of life is like the pool shark’s shot—
the wild massé across green velvet felt
that leaves the winner loser. No, it’s not
the rack, the hand that’s dealt . . .

The trick of life is knowing that the odds
are never in one’s favor, that to win
is only to delay the acts of gods
who’d ante death for sin . . .

and death for goodness, death for in-between.
The rules have never changed; the artist knows
the oldest con is life; the chips he blows
can’t be redeemed.



Pool's Prince Charming
by Michael R. Burch

this is my tribute poem, written on the behalf of his fellow pool sharks, for the legendary Saint Louie Louie Roberts

Louie, Louie, Prince of Pool,
making all the ladies drool ...
Take the “nuts”? I'd be a fool!
Louie, Louie, Prince of Pool.

Louie, Louie, pretty as Elvis,
owner of (ahem) a similar pelvis ...
Compared to you, the books will shelve us.
Louie, Louie, pretty as Elvis.

Louie, Louie, fearless gambler,
ladies' man and constant rambler,
but such a sweet, loquacious ambler!
Louie, Louie, fearless gambler.

Louie, Louie, angelic, chthonic,
pool's charming hero, but tragic, Byronic,
winning the Open drinking gin and tonic?
Louie, Louie, angelic, chthonic.

I used poetic license about what Louie Roberts was or wasn't drinking at the 1981 U. S. Open Nine-Ball Championship. Was Louie drinking hard liquor as he came charging back through the losers' bracket to win the whole shebang? Or was he pretending to drink for gamesmanship or some other reason? I honestly don't know. As for the word “chthonic,” it’s pronounced “thonic” and means “subterranean” or “of the underworld.” And the pool world can be very dark indeed, as Louie’s tragic demise suggests. But everyone who knew Louie seemed to like him, if not love him dearly, and many sharks have spoken of Louie in glowing terms, as a bringer of light to that underworld.



My wife and I were having a drink at a neighborhood bar which has a pool table. A “money” game was about to start; a spectator got up to whisper something to a friend of ours who was about to play someone we hadn’t seen before. We couldn’t hear what was said. Then the newcomer broke—with such force that his stick flew straight up in the air and shattered the light dangling overhead. There was a moment of stunned silence, then our friend turned around and remarked: “He really does shoot the lights out, doesn’t he?” — Michael R. Burch



Rounds
by Michael R. Burch

Solitude surrounds me
though nearby laughter sounds;
around me mingle men who think
to drink their demons down,
in rounds.

Now agony still hounds me
though elsewhere mirth abounds;
hidebound I stand and try to think,
not sink still further down,
spellbound.

Their ecstasy astounds me,
though drunkenness compounds
resounding laughter into joy;
alloy such glee with beer and see
bliss found.

Originally published by Borderless Journal



Poems about Fathers and Grandfathers



Ultimate Sunset
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

he now faces the Ultimate Sunset,
his body like the leaves that fray as they dry,
shedding their vital fluids (who knows why?)
till they've become even lighter than the covering sky,
ready to fly...



Free Fall
by Michael R. Burch

for my father, Paul Ray Burch, Jr.

I see the longing for departure gleam
in his still-keen eye,
and I understand his desire
to test this last wind, like those late autumn leaves
with nothing left to cling to...



Sanctuary at Dawn
by Michael R. Burch

I have walked these thirteen miles
just to stand outside your door.
The rain has dogged my footsteps
for thirteen miles, for thirty years,
through the monsoon seasons...
and now my tears
have all been washed away.

Through thirteen miles of rain I slogged,
I stumbled and I climbed
rainslickened slopes
that led me home
to the hope that I might find
a life I lived before.

The door is wet; my cheeks are wet,
but not with rain or tears...
as I knock I sweat
and the raining seems
the rhythm of the years.

Now you stand outlined in the doorway
―a man as large as I left―
and with bated breath
I take a step
into the accusing light.

Your eyes are grayer
than I remembered;
your hair is grayer, too.
As the red rust runs
down the dripping drains,
our voices exclaim―

'My father! '
'My son! '



Sunset
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

Between the prophecies of morning
and twilight's revelations of wonder,
the sky is ripped asunder.

The moon lurks in the clouds,
waiting, as if to plunder
the dusk of its lilac iridescence,

and in the bright-tentacled sunset
we imagine a presence
full of the fury of lost innocence.

What we find within strange whorls of drifting flame,
brief patterns mauling winds deform and maim,
we recognize at once, but cannot name.



Sailing to My Grandfather
by Michael R. Burch

for my Grandfather, George Edwin Hurt Sr.

This distance between us
―this vast sea
of remembrance―
is no hindrance,
no enemy.

I see you out of the shining mists
of memory.
Events and chance
and circumstance
are sands on the shore of your legacy.

I find you now in fits and bursts
of breezes time has blown to me,
while waves, immense,
now skirt and glance
against the bow unceasingly.

I feel the sea's salt spray―light fists,
her mists and vapors mocking me.
From ignorance
to reverence,
your words were sextant stars to me.

Bright stars are strewn in silver gusts
back, back toward infinity.
From innocence
to senescence,
now you are mine increasingly.

Note: Under the Sextant's Stars is a painting by Benini.



Salat Days
by Michael R. Burch

for my grandfather, Paul Ray Burch, Sr.

I remember how my grandfather used to pick poke salat...
though first, usually, he'd stretch back in the front porch swing,
dangling his long thin legs, watching the sweat bees drone,
talking about poke salat―
how easy it was to find if you knew where to look for it...
standing in dew-damp clumps by the side of a road, shockingly green,
straddling fence posts, overflowing small ditches,
crowding out the less-hardy nettles.

'Nobody knows that it's there, lad, or that it's fit tuh eat
with some bacon drippin's or lard.'

'Don't eat the berries. You see―the berry's no good.
And you'd hav'ta wash the leaves a good long time.'

'I'd boil it twice, less'n I wus in a hurry.
Lawd, it's tough to eat, chile, if you boil it jest wonst.'

He seldom was hurried; I can see him still...
silently mowing his yard at eighty-eight,
stooped, but with a tall man's angular gray grace.

Sometimes he'd pause to watch me running across the yard,
trampling his beans,
dislodging the shoots of his tomato plants.

He never grew flowers; I never laughed at his jokes about The Depression.

Years later I found the proper name―'pokeweed'―while perusing a dictionary.

Surprised, I asked why anyone would eat a ****.
I still can hear his laconic reply...

'Well, chile, s'm'times them times wus hard.'



All Things Galore
by Michael R. Burch

for my grandfathers George Edwin Hurt Sr. and Paul Ray Burch, Sr.

Grandfather,
now in your gray presence
you are

somehow more near

and remind me that,
once, upon a star,
you taught me

wish

that ululate soft phrase,
that hopeful phrase!

and everywhere above, each hopeful star
gleamed down
and seemed to speak of times before
when you clasped my small glad hand
in your wise paw

and taught me heaven, omen, meteor...



Attend Upon Them Still
by Michael R. Burch

for my grandparents George and Ena Hurt

With gentleness and fine and tender will,
attend upon them still;
thou art the grass.

Nor let men's feet here muddy as they pass
thy subtle undulations, nor depress
for long the comforts of thy lovingness,

nor let the fuse
of time wink out amid the violets.
They have their use―

to wave, to grow, to gleam, to lighten their paths,
to shine sweet, transient glories at their feet.
Thou art the grass;

make them complete.



Be that Rock
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

When I was a child
I never considered man's impermanence,
for you were a mountain of adamant stone:
a man steadfast, immense,
and your words rang.

And when you were gone,
I still heard your voice, which never betrayed,
'Be strong and of a good courage,
neither be afraid...'
as the angels sang.

And, O! , I believed
for your words were my truth, and I tried to be brave
though the years slipped away
with so little to save
of that talk.

Now I'm a man―
a man... and yet Grandpa... I'm still the same child
who sat at your feet
and learned as you smiled.
Be that rock.



Of Civilization and Disenchantment
by Michael R. Burch

for Anais Vionet

Suddenly uncomfortable
to stay at my grandfather's house―
actually his third new wife's,
in her daughter's bedroom
―one interminable summer
with nothing to do,
all the meals served cold,
even beans and peas...

Lacking the words to describe
ah! , those pearl-luminous estuaries―
strange omens, incoherent nights.

Seeing the flares of the river barges
illuminating Memphis,
city of bluffs and dying splendors.

Drifting toward Alexandria,
Pharos, Rhakotis, Djoser's fertile delta,
lands at the beginning of a new time and 'civilization.'

Leaving behind sixty miles of unbroken cemetery,
Alexander's corpse floating seaward,
bobbing, milkwhite, in a jar of honey.

Memphis shall be waste and desolate,
without an inhabitant.

Or so the people dreamed, in chains.



Keep Up
by Michael R. Burch

Keep Up!
Daddy, I'm walking as fast as I can;
I'll move much faster when I'm a man...

Time unwinds
as the heart reels,
as cares and loss and grief plummet,
as faith unfailing ascends the summit
and heartache wheels
like a leaf in the wind.

Like a rickety cart wheel
time revolves through the yellow dust,
its creakiness revoking trust,
its years emblazoned in cold hard steel.

Keep Up!
Son, I'm walking as fast as I can;
take it easy on an old man.



My Touchstone
by Michael R. Burch

for my grandfather George Edwin Hurt Sr.

A man is known
by the life he lives
and those he leaves,

by each heart touched,
which, left behind,
forever grieves.



Joy in the Morning
by Michael R. Burch

for my grandparents George Edwin Hurt Sr. and Christine Ena Hurt

There will be joy in the morning
for now this long twilight is over
and their separation has ended.

For fourteen years, he had not seen her
whom he first befriended,
then courted and married.

Let there be joy, and no mourning,
for now in his arms she is carried
over a threshold vastly sweeter.

He never lost her; she only tarried
until he was able to meet her.

Keywords/Tags: George Edwin Hurt Christine Ena Spouse reunited heaven joy together forever



Poems about Mothers and Grandmothers



Dawn
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Bring your peculiar strength
to the strange nightmarish fray:
wrap up your cherished ones
in the golden light of day.



Mother's Day Haiku
by Michael R. Burch

for my grandmothers Lillian Lee and Christine Ena Hurt

Crushed grapes
surrender such sweetness:
a mother’s compassion.

My footprints
so faint in the snow?
Ah yes, you lifted me.

An emu feather ...
still falling?
So quickly you rushed to my rescue.

The eagle sees farther
from its greater height:
our mothers' wisdom.



The Rose
by Michael R. Burch

for my grandmother, Lillian Lee, who used to grow the most beautiful roses

The rose is—
the ornament of the earth,
the glory of nature,
the archetype of the flowers,
the blush of the meadows,
a lightning flash of beauty.

This poem above is my translation of a Sappho epigram.



The Greatest of These ...
by Michael R. Burch

for my mother, Christine Ena Burch, and the grandmother of my son Jeremy

The hands that held me tremble.
The arms that lifted
fall.
Angelic flesh, now parchment,
is held together with gauze.

But her undimmed eyes still embrace me;
there infinity can be found.
I can almost believe such infinite love
will still reach me, underground.



Arisen
by Michael R. Burch

for my mother, Christine Ena Burch

Mother, I love you!
Mother, delightful,
articulate, insightful!

Angels in training,
watching over, would hover,
learning to love
from the Master: a Mother.

You learned all there was
for this planet to teach,
then extended your wings
to Love’s ultimate reach ...

And now you have soared
beyond eagles and condors
into distant elevations
only Phoenixes can conquer.

Amen

Published as the collection "Love Poems by Michael R. Burch"

Keywords/Tags: love, Eros, ******, erotica, passion, desire, lust, ***, dating, marriage, romance, romantic, romanticism

The greatest challenge my nature presents:
Love is harder to find
Hate is easier to find
Within myself and others

Is rejection different for me?
Everybody seems to know the pain of being unwanted
And idle threats and empty words are no stranger to rejection
But when you say you'll **** me if you ever see me again
The intention is clear
The existence of my attraction
Is grotesque beyond redemption
I thought I loved you...

When appreciation comes my way
It's superficiality amuses me
Because I know all that needs to happen
Is breaking down the wall to my mind
Or unlocking the door to my heart
And those appreciators will transform into detractors
Especially if the hideous leviathan approaches their vessel

Not finding women gross frustrates me
Because I have no reference point
For why people hate me so much
Which provides a reference point
For why I hate myself so much

It's difficult not to be dominated by this damnation
But there's no way people could understand
The daily subtle nuances
Why should they?
I don't constantly consider their lives either
Even if someone tried to comprehend my life
I'm not sure it's possible
I've been here the whole time and I'm still massively perplexed

I display my emotions
Disgust
I shroud my emotions
Indifference
I **** my emotions
Hatred
Is there no escape?
Even with sanctuaries along the way
Life feels like
Everybody swims in the ocean
While I'm resigned to my lonely oasis
Is it possible to feel more alone than completely alone?
Like a cockroach consigned to living under the refrigerator
It gets so cold and dark down here
I forage for crumbs only at night
Mortally afraid of human contact
For I know that the boot follows the light
And why not?
In a world where our priorities obstruct our compassion
How much consideration should a real human show
to a lowly maggot like me
When they have to worry about paying the exterminator?

Seeking for a funky cigarette . The taste of guilt and temptation feels so good in my lungs. A glass of red wine to compliment my daze . Now I'm buzz n I thank the white rabbit for coming to my aid. I confess I'm playing my hand without looking at my cards . The creations of my mind make sense only to me. I'm slowly unlocking the convenient of my thoughts. I want to taste the colors of the world but I want share the taste . Many don't have the anger I have .

I feel like he was created just for me.
I think im holding hands with Destiny.
He Encourages me to be The Woman The Father has presdestined me to be.
Hes like a dream given unto me.
He sees straight thru me like he can hear my thoughts telephatically.
Got me fiening for him like jodeci
Plunging into the depths of his soul's love as I enjoy The journey of his story....
Hes The Instructor of love and Im the student thinking critically.
He has left An impact on my life tremedously.....
Im drowning in his love ever so endlessly.
He is Waves from the oceans currents of
pure bliss
And I......I am his ocean shore that his waters of love kiss.
He's like a precious treaure I have discovered.
Unlocking the chest to look inside and see what I have uncovered.
Im happy for what I have found
Hes A King worthy of Sparkling crown.
I wish I could wear his love Like a White Flowing Wedding Gown.
I feel he completes me like a sentence Yah is the subject, He's the predicate and im the noun.

With his words he painted a vivid picture of me
Its a picture with definition, depth, and clarity.
Its almost like he captured every little detail so Carefully.
As if I were an image of an angel made so Heavenly.
Apparently,
In his eyes Im a portrait crafted very delicately.
A beauty constructed with integrity.
Sparkling like the waters of the deep blue sea.
To Be held in The Artistic nature of his Creativity
Is a Wonderful sight to see
With his poetry I see The illustration of his spiritual Imagery
I caressed the Compassion of his vibes that discerned The ambience of his Frequency.
His Energy Sweetly Speaks so pleasntly
His Diction shows me his style Musically.
His wisdom shows the level of his Maturity
And it makes me drawn to him as if Its a force was pulling me closer into his gravity
Ill admit this experience is kind of scary
But My lovely Beautiful Mahogany
theres no place I rather be than with you standing by my side next to me.
Feeling as if I am Soaring like a bird so Free.
He Surely bring out the Best characteristics of me.
I Believe Im Subconsciously holding hands with destiny
#destiny #serendipity #Love #beauty

I am the soft silent sight
nestled in a tree gently
holding hands with emotion.
Together like lovers we intimately
sit with an invisible touch.
Our eyes penetrating darkness
we govern like a loving mother
or angelic force like Mother Teresa.
A shiny moon polishing  
a silvery heart cooled
by a vast ocean.
I always fly quietly as I bring
a gentleness into darkness.
Tucking the night up with
the softest quilt, through a pane
of glass in a near by wood you
hear me calling.

I give a rod of stability eternal sight
seen it all before will see it again.
As we hang softly like the moon
in the sky or an Owl in the tree.
I lift people through their night
I carry them with my sight a
tractor beam of light.
As you feel my presence like a
million hands that softly
penetrate.
All holding torches you are
lite like a child who's mother
has come back.
Scooping you up your
darkness falls on
entering my Owls sight.

I am the light that always
surrounds the night .
I am the ever expanding vision
the tide that never turns but
just keeps on rising.
I grow with a bursting force
of an ever expanding universe
as I stretch my eyes they keep
on reaching.  
I am the ancient eye placed high
above always unstirred but
filled with feeling.
Like the white of an eye surrounding
a pupil I am the army who circles
around the darkness.

I am the reflection of the velvet
moon sitting on the ocean
threading itself throughout
your being.
Those caught within my sight
will feel a thousand tiny bubbles
of bright light.
Gandolf the white explores
your caves holding his
wisdom stick and lantern.
Unlocking your hidden emotion
giving you magic fighting
of your demon.
I will conquer hell fire with
a gentle trickle finding my path
like a mountain stream passing.
But when I open my heart my wings
the devil will shudder because I hold a
power like the pacific ocean.

So much protection we can find
at night within the Owls sight.

my room was a mess,
and we added to it as we undressed,
because I couldn't wait any longer.

I love the feeling of you on me,
as I try to be quite
You came in my mouth,
gripping my head,
my neck,

you tell me, "moan baby"
you love to hear me moan,
you wanted me to moan so loud the whole town could hear,
when I do I feel so happy to be with you,

I lay next to you,
wrap my body around you,
I hold ur hands and make a face that says everything were going to do,
is going to be *****,
but I want to love you,

I kiss you to the point there's no point in stopping,
and when our fingers are unlocking,
they stroke your hair,
hair I love,
you grab my *** and spank it hard,
and I move my hands down your body never pausing,

but I can feel every part of you,
I know that this time its not frightening,
I make my way all the way down to your ****,
and I put it in and we go off,
our ******* feels like it never stops,

we took the time to trace the outlines of each others bodies,
we looked into each others souls,
and now I'm getting ***** faster than eminem's Rap God,
and his body feels like a god,

the ******* begins,
and i'm pleased within,
moaning louder than before,
really hopping the neighbors aren't home next door,

and this is how loving you should feel.
so unreal,
even though its all real.

Mind. Body. Both are transfixed among one another. They attract a certain multitude of how both permeates the other with constant activations among it’s greater whole. Two sides to the same coin. Something remotely without judgemental issues to be weary of. Mind and body servitude one another on the grand scale of themes. Monitoring what it’s like to function without one another in the best-case scenarios. One would like to think they both do have separate parts among being each others counterpart. It’s more finite then one would think at first. The difference between finite and separate existence comes with its own separate finite pieces without the other to perturb it’s operations. Finite is a judgmental classification among something to do with how each permeates the other. Yet have many finite pieces among one another who they deem isn’t worthy of there time. There’s an operation going beyond both connections between mind and body can foresee. The skeleton key of mind and body! This key is able to permeate both situational events at one singular time. A simultaneous rate without virtue to uphold it’s investigations. Investigations being something without equal ownership to who’s to be the most separate among each other. And having their own finite pieces among mixed connections one is deemed worthy to uphold among differences entirely. Does mind and body disagree with one another? Or do they simply don’t understand what they are among one another? If they did, then why the hustle from one another? A simple documentation among desirable functions on instinct to never get along. Yet why be brought together to permeate among connections across many of their pieces they already deemed worthy? Is it because they have no choice, but are fixed to get along? A forced operation which localizes their own behaviours across mind and body’s actions. Systematically removing respect among one another. All the above are equilateral. But the skeleton key of mind and body isn’t equilateral by any means. It’s the warden of both mind and body. It’s the warded succession that binds these permeated systems together for peace, and agreement. Desires without conquest isn’t deserving among one another. It’s only deserving among two sides of the same coin, when the key hiding in-between all separate pieces of finite details which takes the entire cake! Why does natures evolution want to keep these visuals under wraps? It’s only the in-between operations without separate pieces of finite details to rhythm the constant of all processes. The skeleton key is the proper picture hiding in plain sight for (non being the wiser) to evoke upon. (A reason being obvious among other reasons without closure among each other.) A testament to become stuck apart, if not for the skeleton key to fill in the gaps. Constantly pushing the desires from urges which are constantly giving practice toward mind and bodies believe in one another. Believe equals sacrifice. Both giving a well-known awareness that they aren’t truly at conflict with one another. There aware of another which binds their desires from urges over and over again. Unlocking one’s own processes among believe which equals sacrifice on a huge scale! Trying to process a path of deservance between how life is truly instructed upon. Natures evolution trying to permeate the true picture from the original design back into another’s claim. Its skeleton key is the object to truly finding progress with the original design. Mind and body being just pawns in a greater horizon. Evolution is the shenanigans of natures ploy. A thing helps pertain the connection between mind and body. Subjecting a skeleton key to react over and over again. Why? Simply so it isn’t disowned by the original designer. Evolution being natures shenanigans is a crafty finite detailed version onto natures spectrum indeed. Evolution being the key to mind and bodies success. A deceiving skeleton key hidden in plain sight for non to equally see!

I was outside in the cold for hours that day
thinking about how to end things
i passed your body
On my way upstairs
Before spreading out my saved pills
And unlocking a knife
Crimson spread along my thigh
And my stomach became upset
My water is now empty
And all that's left on the counter is dust
A little bit of red stains the blade
And i pull up my pants nonchalantly

Today, I am sick.
My mental illness is shaped like a prison
and I am in the waiting room
wanting to ask
"What are you in here for"
like
what kind of crime has your head committed
that you are trying to lock it up
with prescriptions
and weekly meetings filled
with uncomfortable confessions
and numb palms from sitting on your hands for too long.
They say it's like playing in traffic,
a red-light-green-light game
where we beg for help
but don't know how to move
when we're asked to explain how we got here.
Do you even remember
what you're running from anymore?
Tell us about the days
where you can't tell if waking up
is a trench or a hill.
What has your head told you to do
and have you done it?
How did it feel when it was over?
Did your head congratulate you
when you were done?
Did you get a prize
like new scars?
Or three more handles of liquor?
The last time you prayed
did you have trouble unlocking your fingers?
Did the weight of God
keep your hands closed tight
in hopes that you wouldn't forget him
like the last time you saw Him
in the bottom of the pill bottle
and you smiled back?
Everyone here says the word Friday
like it hurts
because we know that the weekend is here
but we just can't seem to feel it.

Today we are sick
and nobody notices because our noses aren't running
we aren't openly bleeding in front of the one's we love
we do it in secret
just in case they ever catch us.
Today, we wanted them to catch us.
Stick out their hands
like a safety net
but it doesn't matter what height we fall from
because bones hitting bones
like a head on car collision
will never feel like warm sheets
blanketing our bodies
but we can't help but wonder
if the sheet they will cover us with
after they find us
will be warm too.

Today we are tired of being sick
tired of waking up looking like police chalk lines
tired of walking into the therapy rooms
like they are our parish
but we're too afraid God might smite us on the way in.
We shouldn't have to flinch
when certain words are said
that pull us back loading gun
but are too weak to pull the trigger.

Today WE are the triggered,
the empty promise of tomorrow being filled
with another prescription
another drink
another list of second hand hope
coming from someone who is probably
still trying to remember what it says.
We would rather tiptoe between eggshells
and take our time
than let you know we are struggling.
We are STRUGGLING.
And it makes us so very tired.

So today I am tired
and I will tell you that
instead of reminding you
that every day I am sick.

Four to the right...
More of the wine tips itself
I indulge myself a little more
Not forgetting to watch you sip away
Days stressed melt with a lipstick stain
          *Click!
Healthily imprinted on the side of a glass
Eyes glowing exceptionally in the candle light
As I run my fingers through the finest
Radiant, silky hair that slips through
Trembling fingers of a man with class
          Three to the left...
S miling brightly, your lips start to beg
Ovations to success as your eyes close
Ushering the urge to lean in, I pause
Listening to your slow desperate breathing
          Click
Startled by my own confidence
Pursed lips slowly collide in fashion
I am struck by the aggression of the action
Running fingers down the back of a dress
I can feel the tingling sensation of the skin inside
Trying to scream out in needed satisfaction
          One to the right...Click!
By the pressing of your body against mine
Oscillation of rhythmic breathing ensues
Drunk off the softness of my touch
You slowly drop one ******* your black dress

     *Let Us Begin...

She found him in the shadows of the night
He took her hand and showed her the light
She gave him her heart, he purified her soul-
Asked for forgiveness and now she feels whole
Felt her blood, rush through every vein
As quickly and silently he stole her pain
She’s reborn in her earthbound being
She’s been blessed just from believing
How lucky she is to feel his touch
She started to die until he passed her a crutch
Now she’s alive more than ever before
Because she was helped to unlocking the door
The secrets of life suddenly engulf her mind
And now she learns what to do with her time
Once a sinner, now a beginner, of her life