A  MOONLIT  KNIGHT.

Fern rises and looks out of her window.
Silver shards of moonlight lick the lawn.
She who once felt gay and oh so joyous,
Now feels oh so desolate and lorn.

Will she ever find true love again?
She before has never felt so low.
Should she, for love, continue searching?
Or give up by ending it here and now?

Outside, all is monochrome and still,
Inside, Fern is still and very sad.
Will she feel happiness again?
Who knows how long she’ll feel this bad?

At the stroke of midnight, there’s a change,
There seems to be a disturbance in the air.
Gradually something seems to materialise
On the lawn, a shape, come from where?

It is a knight, armoured cap-à-pie,
On a horse, for war caparisoned.
From his saddle hangs a jousting shield,
A silver moon on it is designed.

A white plume is mounted on his helmet,
On his lance a white pennon is tied.
The knight looks at her, at her window,
Silently he sits and does bide.

He raises a gauntleted hand and beckons,
Should she stay in, or venture out?
In her white nightdress she goes downstairs,
Deciding to see what it’s all about.

Cautiously she opens up the door,
And putting her head out, looks outside.
The knight still sits, patiently waiting.
Fern wonders what might now betide.

Slipping on an old pair of shoes,
She slowly walks over to the knight.
In her wake she leaves a dewy trail,
And as she nears, the knight fades from sight.

Fern wonders what this all might mean,
Is she dreaming or is she awake?
Is, what she has seen, been real?
Or has she made a big mistake?

Then, whilst standing there in wonder,
She happens to look down at the ground.
Where the knight was, the grass is trampled,
As though a horse has curvetted around.

Then she hears a sound from behind her,
And startled, Fern quickly turns round.
Her house no longer seems to be there,
In its stead, a keep there is stound.

The sound she hears is a woman calling,
“My Lady, please come back here inside.
You shouldn’t be alone out in the dark,
Please come back and in your chamber bide.”

The woman, from a window, looks at Fern.
“Excuse me, are you addressing me?”
Fern directs the question at the woman,
Who replies to her, “Of course, my Lady.”

“’Tis not safe out at this time of night,
And you are in your night attire dight,
So if someone, of you, catches sight,
You’ll not be seen in a good light.”

Before Fern can think of what to say,
She hears the sound of a galloping horse.
It is getting nearer in the dark.
She hopes that things will now not get worse.

“My Lady, quickly, please get you inside,
Do not just stand there as if dazed.
Hurry now, before it it too late.”
Fern, though, does stand there amazed.

Approaching through the night is a horse,
The one she’d seen before on her lawn,
The same knight is seated on its back,
Though now the pennant on his lance is torn.

The horse stops right next to Fern,
And caracoles to bring them face-to-face.
The knight lowers his lance to show his pennant,
Which Fern sees is a torn fragment of white lace.

The knight again does sit in stilly silence,
He waits, and does not make any demand.
Then lowers his lance to touch her nightdress’s hem,
When suddenly, Fern does understand.

The hem of her nightdress is lace trimmed,
So Fern bends, and seizes it in hand.
Then with a sharp tug she tears it off,
Removing it in a single strand.

The knight raises up his lance higher,
The old lace, from the lance, Fern does remove.
Then ties the furbelow on very tightly,
Saying, “Please take this favour with my love.”

The knight dips his lance in salute,
Then turns his horse, back down the road to face.
His spurs lightly touch the horse’s flanks,
Which straight away gallops off at pace.

Fern walks across to the keep.
The woman opens the main door wide.
Fern steps across the threshold,
And now, in her own house is inside.

She turns to look back across the lawn,
Which is still lit by the silver moon’s light.
The lawn is now smooth and unblemished,
With no marks caused by the steed of the knight.

Fern goes upstairs to her bedroom.
Has this all been a dream ere now?
Then, as she gets back into bed,
She sees her nightdress lacks its furbelow.

Fern remembers her nightdress has a pocket,
And into it, her hand she does place,
Then, to her utter amazement,
She pulls out a fragment of torn lace.

Fern wonders at what’s just happened,
Was it real, or only in her mind?
If it was just her imagination,
Why has she been able, the fragment to find?

Eventually Fern drifts off to sleep,
Waking with the chorus of the dawn.
Although she doesn’t think she has changed,
She no longer feels quite so forlorn.

“Why does the knight appear to me?
Why has he only come at night?
Is he trying to find out if he’s wanted?
Is he trying to make something right?”

Later on that day Fern walks to town,
And heads for the library to find,
If there are any references to knights
That might help to ease her troubled mind.

Fern does find a story of a knight,
Who had a moon device on his shield.
He was very brave in the fight,
And to a foe would never yield.

He had been commissioned to take a message,
To a lord, by order of the king.
It was to be delivered urgently,
And he was not to stop for anything.

He was nearly there when something happened.
By the side of the highway lay a maid.
Being a chivalrous knight, he should have stopped,
Instead, he carried on, not giving aid.

He delivered the message to the lord,
And later was seated, drinking in the hall,
When there entered in some serving men,
Carrying on their shoulders a shrouded pall.

They lay down their burden on the floor,
And without having said a word,
Reverently uncovered the face of a body.
It was the lady of the lord.

Then entered in another knight,
Who stepped up to the lord, and said,
“On our way here, we found your lady.
She was wounded, and now, alas, she’s dead.”

The other knight continued with his story,
“Seemingly, she had been robbed and *****.
There was no sign of the perpetrators,
We think they’d been disturbed, and then escaped.”

“Perhaps if we had managed to come sooner,
We might have been there to prevent this crime.
However, it seems the Fates conspired against us,
So we were not there to help in time.”

The Knight of the Moon sat there horror-struck,
He knew if he’d not been so keen to arrive,
Though helped, as his conscience had dictated,
The lady might yet even be alive.

Instead of speaking up, he stayed silent,
And never about this matter spoke a word.
Then he rose, and gave his condolence,
And went out from the presence of the lord.

The lady was removed to lie in state,
The Knight of the Moon went, to look at her face.
He knelt there in silent prayer awhile,
Then, from her dress, removed a length of lace.

He accoutred himself in his full armour,
Then rode from the keep that very night.
He left a note, stating his omission,
And of him, no-one ever saw a sight.

Fern is very sad to read this story.
What had then been in the knight’s mind?
Had he ridden off to end his disgrace,
Or the perpetrators, gone to find?

Fern now makes her thoughtful way home,
Hoping he’d found surcease from his torment,
Wondering what to him had befallen,
And if, for his lapse, he’d made atonement.

Fern reaches home rather tired,
So lies down on her bed, then falls asleep.
She dreams of knights in armour and fair damsels,
And jousting in the grounds of the keep.

Eventually, Fern wakens from her slumber.
She lies for a moment in her bed.
Yet again she thinks about her dream.
Was it real, or made up in her head.

“Perhaps,” she thinks, “I’m just on the rebound,
Because I’m still in mourning for my love.
And being of a romantic nature,
Dreaming of knights this does this prove.”

“Knights should have been chivalrous and kind,
Treating damsels in distress with care.
Except, when a knight I truly needed,
As it happened, there was not one there.”

“On that night, if we’d had some help,
My husband might still be alive.
Now, he has been taken from me,
And I feel that alone I cannot thrive.”

“However, life must go on as usual,
I should carry on, if just for him,
And so, perhaps, I should cease this moping,
And try to get on with my life again.”

So Fern gets up, refreshed from her nap,
Then decides, after eating, to go out.
That she must now get herself together,
Fern is not left in any doubt.

“Perhaps a short drive into the country,
And to stretch my legs, a gentle walk.
However, I will get on much quicker,
If I do not, to myself, talk.”

Fern puts on her coat and gets her bag,
Then goes out and walks to her car.
This is the first time that she’s driven
Since losing him, so she’ll not go too far.

Fern unlocks her car, and sits inside,
Then she is overcome with fear.
“Suppose, now, I am too scared to drive.
Perhaps I’d feel better if help was near.”

“Come on Fern, pull yourself together!
Feel the fear and do it anyway!
If you don’t do it now, then when?
Start the car, and let’s be on our way.”

So having given herself a little lecture,
Fern belts up, and pulls out of her drive.
Then, not really knowing where she’s headed,
Off she goes to see where she’ll arrive.

Fern motors out into the country,
And following a lane, drives up a hill.
At the top she parks and gets out.
Everything seems peaceful and so still.

She aimlessly ambles round the hill top,
And reads a notice saying it was a fort.
Then, Fern drifts off into a daydream,
And views the panorama without thought.

In her mind’s eye she sees a castle,
Decorated with many banners bright.
A tournament seems to be in progress,
And the winner is, of course, her moonlit knight.

Eventually, Fern becomes aware,
That she has gone some distance from her car.
So she slowly makes her way back to it.
She hadn’t meant to walk quite so far.

The shades of night are now falling fast,
And everything is starting to look grey.
So Fern unlocks her car and gets inside,
Ready to be getting on her way.

Slowly, she starts off down the hill,
The lane is very narrow with high hedges,
The moon is hidden behind some lowering clouds,
The track’s overgrown with grass and sedges.

Somehow, she’s gone a different way.
In the dark, everything seems wrong.
Fern is now starting to get worried,
And wonders why the track seems so long.

Eventually, she debouches onto a road,
Though she is not sure exactly where.
Fern is by now really anxious,
Then suddenly, gets an awful scare.

It looks just like the road they had been travelling,
When her husband lost control of the car.
It had skidded, spun and then rolled over,
The door had opened, and Fern had been flung far.

Her husband had still been trapped inside,
When it suddenly erupted into flame.
Fern could only stand and helplessly watch,
All the while loudly screaming his name.

No-one was around at that moment,
Perhaps someone might have pulled him out.
Then, as other motorists arrived,
They phoned for help, while listening to Fern shout.

Quite soon, a fire-engine came,
Closely followed by an ambulance.
The fire was eventually put out,
And Fern driven off still in a trance.

That had been several weeks ago,
And Fern has not since passed that place.
Now, it looks as if she is there,
And will, her darkest moment, have to face.

Then, to her horror, she sees a shape,
Dimly lit by her headlamps’ light.
It is a fallen motorcycle,
And the rider’s lying by it, just in sight.

Fern stops her car, and runs up to him.
Perhaps she can be of some aid.
As she approaches, the man gets up,
While a voice behind her says, “Don’t be afraid.”

“You just do exactly as we tell you.
We only want your money, and some fun.
Then, you can be on your way.
Do not even think of trying to run.”

The first man picks up the bike,
And pushes it to the road’s side.
The other man comes up close to Fern,
Who wonders again what might betide.

The wind blows the clouds across the sky,
Bringing the bright moon into sight.
The road that ’til then was hidden in darkness,
Is now lit with shards of silver light.

Fern then hears the sound of a horse,
Approaching through the wild and windy night.
The jingling of trappings can be heard,
And Fern thinks that now all will be right.

The courser slowly comes into view,
With the same knight seated on its back.
His lance is not couched, it’s held *****,
And the reins are loosely held, and quite slack.

Casually the steed comes to a stop,
And lowers his head to nibble at some grass.
The men, uncertain, both watch the knight,
While each wonders what might now pass.

One of them goes up to the bike,
And opens up the box on the back,
Then takes from it two crash helmets,
And a length of chain, which dangles slack.

He throws a helmet to his crony,
And they each fasten one upon their head.
Then they both turn to face the knight,
Who has not a word utteréd.

The one with the chain lifts it up,
And menacingly starts to whirl it around,
Then slowly walks towards the knight,
Who casually sits, not giving ground.

The other man reaches into his pocket,
Pulling out a wicked flick-knife,
And then, letting the blade spring open,
Prepares to join in with the strife.

He circles round the knight to the rear,
As the other man comes in from the side,
When the knight drops his lance into rest,
And suddenly, off he does ride.

He charges away from the men,
And gallops right past Fern at full speed.
Then, his lance aimed at the motorcycle,
He urges on his racing steed.

The lance pierces into the fuel tank,
And knocks the bike over in the road.
Petrol gushes out in a torrent,
And soon over the tarmac it has flowed.

The lance is broken in twain, the knight drops it,
And very quickly turns his horse about,
Then as he gallops back past the bike,
Both of the men start to shout.

Sparks from the horse’s hoofs come flying,
Igniting the petrol on the road.
Fern gives a shrill scream in panic,
Thinking that the bike might now explode.

The man with the chain wildly flails it,
Desperately trying to hit the horse’s head.
The knight strikes the man with a morning-star,
Who drops down, just like one who’s dead.

The knight then dismounts, drawing his sword,
And silently strides towards the other man,
Who flings away his knife, and starts running,
Fleeing just as fast as ever he can.

Fern sees the fallen man get up,
Rising groggily to stagger to his feet.
He looks at them, and then he turns away,
Slowly stumbling off, not yet too fleet.

Suddenly, the night becomes quite dark.
Clouds again, do the moon obscure.
Fern turns to try to thank the knight.
He’s gone, though she now feels secure.

Confidently she walks towards the bike,
And sees the lance by the fire’s light.
Fern bends and unties the lace from the lance,
And slowly walks back with it through the night.

She reaches her car, and gets inside,
Then starts driving off to get back home.
Belatedly thinking of her husband,
And wondering what next to her will come.

Safely arriving home, Fern parks the car,
And getting out, she sees on the lawn,
A pavilion has there been erected,
Turned rosaceous by the coming dawn.

The horse is also there, grazing tackless,
And by the entrance hangs a well-known targe.
Fern carefully goes and looks inside.
The pavilion’s quite small, not very large.

She sees the knight, kneeling on the ground,
His head bowed, as like one in prayer.
He holds his sword in front, just like a cross,
Of her, he seems not to be aware.

Quietly, Fern withdraws from the pavilion,
Then thinks, of the horse, to get a sight.
It’s nowhere to be seen, she turns around,
The pavilion’s now bathed in golden light.

As Fern stares at it in wonder,
See thinks that she can hear an ætherial sound,
Like a choir of heavenly angels singing,
And the pavilion vanishes from the ground.

Fern sees only a sword, stuck in the lawn,
And hanging from a nearby tree, the shield.
Then reliving what occurred in the night,
To tears of relief, Fern does yield.

She wonders if the knight has been translated,
Having now atoned for his mistake,
And Fern hopes that he’s managed to find peace,
For risking his life for her sake.

Fern hangs the sword above her bed,
And fastens the shield over her door.
She feels much more confidant now,
And is able to do so much more.

Sometimes though, when the moon is full,
Fern goes outside at midnight,
Carrying in her hand a strip of lace,
And seems just to vanish from sight.

At that time, if anyone was around,
They might then hear an unusual sound,
As though a fully accoutred

This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.

There's a key
      that unlocks rainbows
             that I keep within my heart.
It's a little "catch"
      within my chest
             where melancholy begins to start.
It unlocks walls,
      emotions hide behind
              (for my protection).
And it cracks the shell
      surrounding me,
              to give my soul direction.
Without this key,
      I'll always be
              a fire detachment smothers...
An empty vessel,
      self-absorbed...
              bereft of love for others.
But with it...
      ah...then life becomes
              a carousel of feelings.
A roller coaster
      ride of love
             with ups and downs revealing....
all the colors of the rainbow
       all the tastes,
                the sounds, the rhythms..
all the warmth of sacred lovers
       and the heartbeat
               that's within them.
And the key is dual
        in purpose
               with it's compass so unerring;
Guiding to my soul-mates
       with a lifetime
               that's worth sharing.
So, when I've found my heart's desire
       THEN
               I'll set the rainbow free.
Unlock the words
      within my heart
               and throw away the key.

The thing about fingerprints is not that, right now, there are seven billion different unique fingerprints on seven billion different people.
It is not that in all of human history no one finger print has been repeated, making, if my math is right, which it's not, twenty trillion individual fingerprints.
Nor is it even that none of the quadrillions of people that will come after me will have my exact finger print.
No, the thing about fingerprints is that they are utterly useless
Which is to say they serve no practical purpose in the survival of the **** Sapien.
That's a lot of effort to put into something that is pointless

2.
If we were created in God's image, then God was a man and
I imagine he took Sunday off and came back to work on Monday like the rest of us.
So maybe fingerprints haven't been forever.
Like with snowflakes maybe God's just doing some interior decorating lately.

Or maybe Saint Peter was kicking it with God in the break room at heaven and was like, "Dude...we need a new system, too many people are dying and I can't keep looking up everyone's deeds by hand; it's taking too long."
And in a moment of genius He was all, "I got this bro" and invented the fingerprint
Then went down to Best Buy and got one of those scanner things for the pearly gates and now when you die you just scan your finger and it auto-populates your deeds and if you get in it's all awmmmm and the gates open,
And if you don't get in it's all whup whum and you fall through a hole in a cloud in the sky and land in a fiery pit of hell.

(My parents stopped making me go to church in 2nd grade so my visions of heaven and hell are colored in crayon.)

3.
I wonder if the image of God sitting at a desk with a protractor, compass, drafting pencils, and tracing paper designing each individual finger print all day long comforts you?

4.
Maybe we're some Alien sociology major's thesis and our fingerprints are our unique identifiers for tracking and data collection purposes

5.
When I started this poem I thought maybe fingerprints are keys.
As in someone out there has the fingerprint that unlocks me.
But I've loved more than once
Hurt more than twice
And had a lot more *** than that
So unless this key unlocks something I've never heard of my lock's broken and I need to know who to call about that.
But I don't like to think of myself as broken anymore.

6.
Maybe when God's little helpers are making us they slice off a sheet of skin from the butcher roll, spread it out flat sticky side up on the stainless steel slab.
Grab a set of bones off the shelf lay them down and like canvas around a frame stretch the skin tight around our skeleton.
Starting from toes, to the knee, over the shoulder, around those pesky elbows
Until they tie us off at the finger tips with twine, cut the excess with sheep sheers, let it heal.
Fingerprints.
Our our little "Heche en el cielo"

7.
When I fall in love for the last time, I will dip my finger in red paint.
I will roll my finger across the bare chest of my love and she will wear it there
Like a tattoo no one else could give her.

8.
Maybe there is no point to fingerprints
Like arpeggios before a concerto
Maybe God was just warming up

9.
Maybe fingerprints are the point to everything

10.
Maybe an omnipresent God is at every birth
In every bedroom, hospital, and taxi cab
In every town, in every city, in every country in the world.

Maybe every time a baby is born
God, takes the time to name it
Then writes it down
In a language only He understands

The torture on the golden ship of evil horrors
after arriving at the big golden pirate ship of torture we are made to walk along the black plank to board the grisly ship.  The horses look around the deck while the evil pirates watch with nasty and wicked eyes of hate towards our bodies.

All of a sudden hundreds of ghostly pirates appear from their  city of spikes and watch  us on the devils deck of terror.  The patch eyed monster with one leg then shouts towards a dark room on the ships deck while the other creatures jump and scream with a mist pint of froth in  their red hands.

The golden  goddess screams in terror when a dark figure wearing a purple hat walks out on the red deck of horrors.  We all look in horror when the rest of the pirates  chain our army towards  the ships  rails of torture.

i comfort luitent megs with my outreached arm while the dark pirate figure without a nose  and mouth pulls out it jagged  red swords  of horror at our trembling bodies.  The golden goddess stares inside its deep purple eyes while it pulls two  warriors out  from the carnage.

The horses plead for mercy while the  creature drags then towards a small dark corner of the ship.  One of the warriors is then tied down on a long plank of wood while the other pirates begin to move forward towards her shaken bodies.

An angry golden goddess try's to break free from the chains of torture while the other brave warrior try's to save the poor old woman warriors body.  We weep with anger when the pirates begin to rip her golden uniform off revealing her  lacy white old underwear of modesty.

The pirate monsters then quickly surround the shaken mature  woman  and ripping  her underwear off with ease. We listen the the pirate creatures howl with pleasure  whilst exploring her naked body.

Two of the pirates hold her head down while  the ******* pirate  pulls out its small flashing blade and cuts off  her nose  while she scream in terror.  The other pirates then keep her head very still while the creature begins to cut her mouth and lips off while blood fires up across the ships cold dark deck.

A sick golden goddess then begins to throw up when the black pirate holds the woman's golden lips  in the air for all the other pirates to see  and enjoy. We all sink into a dark huddle when the  other warrior is pinned down and sliced open by the black  pirates  sword of horror.

The horses tremble and shake when the other  warrior is pinned by down by fifteen pirate creatures for the black demon pirate pleasure. We all look with open eyes when the demon black pirate carefully removes hes golden genitals and ***** for the screaming warrior.

We are all then taken below deck towards a long  black freezing jail while the pirates party  and drink on spike city of evil horrors.  The horses sit and wonder how to escape  the evil city while the rest of us lay down in the dark  cells of torture.

written by wayne mockler
ownership and copyright wayne mockler


The torture on the golden ship of evil horrors part 2

After a long few hours in the cold dark cells of horror the  evil pirates bring us up on deck while all the other creatures watch  from pirate land of evil. The golden goddess and her army are led out first onto the golden ships deck with  me and luiteant  megs, white tiger and horses behind us.

We shiver and shake when we notice the plank of torture  hanging over the cold red water of evil.  One of the dark pirates comes towards our cold tired bodies and looks at us with  its green eyes of evil while its flowing  hair of snakes shines at our clouded minds of terror.

The golden goddess speaks out towards a smiling one eyed captain before being ******* with rope on a ships pole.  We be the captain for mercy but he's monster pull out two golden warriors and makes them stand near the long plank of wood.

One of the golden warriors is forced to walk the long dark plank while others look on in terror and suspense. The horses try and break free from their handcuffs but get beat down by  the evil pirate creatures of horror

A scared and  terrified warrior stands in the middle of the plank until a giant black figure emerges from the deep red river. The figure a shark with five heads and axe tail jumps at the golden warrior leaving a big deep cut on his forehead with golden blood flowing out everywhere.

I hold a terrified luitent megs tight while his head ***** open in the cold dark night of spike city.  The horses hold onto a shaking white tiger while the creature dives back in the deep red water.

The shark  monster  then jumps again but this time cutting the warriors head off while making the golden blood pour over the dark plank of wood.  The golden goddess begs for mercy until the pirates surround the fighting body of torture with eyes transfixed on her large ******* with glee.

We tell the pirates to keep of her  until  a black pirate with one arm begins to unbutton  her golden  blouse with ease.  The other creatures get closer towards her blushing red cheeks while the dark pirate begins to release the red buttons and exposing her large  ******* to cheers from the ***** pirates  creatures.

After getting  touched and explored by all the evil pirates a crying golden goddess is carried towards spike city drinking saloon along with the other golden warriors. We are  made  to follow behind a guard of pirates while the horses and white tiger  are chained up in the cages of hell.

Once in the drinking den of horror we are made to sit on big long stool while the pirates  strip a red faced golden goddess naked  while the captain watches with a barrel of ***.  we are then taken back towards the dark cage in spike city and locked up with the horses and white tiger.

We look over at the  other big cage from hell and see the army of golden warriors laid down  from the fight on hell.  The horses tend to to a distraught golden goddess with their warm fur of hope and look for a way to escape this hell hole.

written by wayne mockler
ownership and copyright wayne mockler

The torture on the golden ship of evil horrors part 3

After a long night of drinking and laughing the dark pirates settle down under a mist of red sky of horrors.  We sit alone in our  cold dark cage until the  purple light of sunlight shines though the next morning.

The pirate creature wake and walk around the dark spike city of horror until another ship sails in under a tunnel of torture towards the dark city's lights.  A scared golden goddess looks out and sees another pirate ship with orange sails come into spike  harbour.

We cringe with horror when the dark pirates cheer the ship while an orange pirate with six arms stands on its deck.  The  big green and blue ship then settles in harbour while the six armed orange creatures jump out and walk around the scared golden warriors cage.

A sadistic dark pirate captain  then unlocks the cage and drags out tow more golden warriors screaming and kicking for survival. The disgusting black captain then throws one of our heroes to the  orange horrors of lust.

The horses bang and shout at the dark pirate captain  until the orange creatures carry  the golden warrior woman towards a cold dark table of hate.  we listen to her screams while the pirates begin to cut open her golden uniform from to to bottom.

An angry golden goddess screams with anger when the creatures mange to prize open her golden bra  and ripping it off with loud screams of joy  from the other drunken pirates.  She blushes  red with horror when the  creatures  slip down her golden thong causing the  pirates to go wild with excitement.

We sit and watch with anger when the pirates begin  to touch her naked body all over while he screams in anger and hatred. The  creatures then carry her naked body towards the  creatures drinking saloon  of evil.

I hold and comfort luitent megs while the cheer's get higher and higher  followed by a dull silence. All of a sudden two evil  orange pirates  bring out her golden head before sticking in on a long pole near the river.

The golden goddess screams and kicks with anger at the glowing guards while  the other golden warrior is dragged inside the saloon of horror.  We then suddenly hear high pitched screams coming from the warrior inside until a pirate shouts yes in a loud clear voice.

Another  four pirates of evil walk out holding various  parts of the mans body in their glowing  hands of golden blood. The horses bury their heads in the  cage corner whilst the  creatures throw s his head and legs inside a big dark plastic bag of evil.

We all sit alone in the dark  cage of evil  while the orange and black  creatures toast and dance in the  cold evil  saloon of hatred.  The golden goddess and horses look around the dark cage wondering how to escape from the torture of the creatures hands.

written by wayne mockler
ownership and copyright wayne mockler

I'm looking deep into her eyes

Looking into her eyes...
is like opening a door that leads...
to another door

Wait..really?  OK...I open the door.

This door leads to a long, winding path,
like the winding path of your love.  
The path leads to a third door

O...K. I open the door.

This door leads to a spiral staircase
descending down, down, down,  deep
into her soul.
At the bottom of the staircase is--

A door?

A door.

I open the door

The door is locked.  The key might be under the mat

Seriously?  I check under the mat

Nope, not there.  Maybe try under the small rock next to the door

Oh for the love of...I check the rock

There is a key

Wonderful...I unlock and open the door

Inside this door is a large atrium
the glass ceiling giving way to a
beautiful summer night, the stars
twinkling in the distance.  At the
far end of the Atrium, there is a curtain

Sigh I pull aside the curtain

There is a door

Come on!  I open the ruddy door.

You find yourself in a long hallway,
with fine art hanging along the walls.
Crimson carpet lines the floor.
At the end of the hall is a door  locked
with a combination biometric
fingerprint scanner/retinal scanner

What.

You have 10 seconds to unlock the door
before the hunter-bots de-atomize you

What!?  Ok! I try my fingerprints and eye!

The door unlocks and the hunter-bots stand down.
In the next room are three vials.  Two of them contain
terrible neuro-toxins that will lead to an excruciatingly
painful death.  The third will allow you to continue on
to the next room.  You have 30 seconds to choose before
you are terminated

What the hell is this!?

This is the path to true love hidden deep in her eyes

No, this is insanity!

15 seconds

OK!  Geez!  Umm..Vial Number 2!

You're totally dead

Oh god!

Just kidding.  None of them had poison...was just messing with you

THAT'S IT!  I'M DONE WITH THIS

Really?  There's only one more door.  I swear

...Fine.  What ridiculous thing do I need to do to open it.

It's already open.  You find yourself in a circular room
with a pedestal in the center.  On the pedestal is a hand
written note.  On that note is the key to everlasting happiness

I pick up the note

You smell sweet hints of your beloved's perfume and
notice the care that each word of the note was written.

What does the note say?

My love:

Next Tuesday Only --  Buy One-Get One Free at J.J's Pizza.  Cannot be combined with any other offers/coupons.  Must present coupon upon purchase.  Expires 1/14/14

...An expired coupon for Pizza?

Such a wonderful expression of love!

How do I get out of here...

You see a door
.

In the everlasting fragrance
Of the sound
Of your love

I bathe and notice
Each winding minute
To your door.

To your door
The key to which
Unlocks each and every
Passage in my heart.

She calmly unlocks the front door
as the wind flings the screen
through wild tantrums. She droops down
into her dusted rocker, pushing
with her lavender heels to start the sway.

Her sole taps softly,
as the chair creaks onto fallen lacquer
and the porch plays in discord
through dancing lace.

Interwoven hands lie atop her lap
in a sea of navy with floral ships
at its surface. Silver strands
fall from her clouded bun
and a few locks float past her sunken shoulders.

With jaded eyes she looks at the corner
to a poor table, where a cold candle
peaks among a grassy field of melted wax
riddled with burnt fuses.

And near the candle, a dusted white hat
remains anchored to the wooden surface.
She can still smell the stale cigar smoke
lingering in the room. “He’ll be here soon,”
she thinks as her daze slowly sets in.

The world seems quiet
as she fills her eyes with sleep
and the chair continues its march.
Her hands unlock from their grasp
and the screen door gently knocks.

Lust, Wrath, Envy, Passion
Aren't just a passing fashion
Don't try to fight your sins
Embrace the beast within

Open Pandora's box
Discover what it unlocks
Why are you afraid


Greed, Pride, Gluttony, Consuming
Break the guise you're assuming
Don't get caught on their hook
Don't be a slave to a book

Open Pandora's box
Discover what it unlocks
Come on break the chains

Sloth, ***, ******, Magik
What's life without a little havoc
Don't let them decide who you are
Sin is fun if you don't go to far

Open Pandora's box
Discover what it unlocks
Take control of your fate

The great bird is conceived in a glistening eye
a mythical wonder waiting to be formed
coiled in patience under palest skin
waiting to unfurl its majestic wings
a cold steel blade unlocks its cage
blood must flow to bring it life
its freedom found in fragmented bone
the bars that block its sight are pulled back
hands reach into the great cavern
grasping the wings to set them free
at last in splendour and magnificent awe
the blood eagle is seen to take flight and soar

Sometimes
                  siLence
                             is
                                thE
                      ­               key
                                         which
                                                  unlocks
 ­                                                             T­he
                                                                ­  gate
                                                          ­              keeping
                                           ­                                          one
                                                             ­                             from
                                                                ­                                 findinG
                                                     ­                                                        peace
                                                           ­                                                           and
  ­                                                                 ­                                                          a
                                                                ­                                                                s­O**undness
                                                    ­                                                                 ­                               of
                               ­                                                                 ­                                                         mind.

Fried brinjal rolled in flatbread
Her magic recipe of love homemade
What treasure they hold what charm unlocks
When sharp at two opens up lunchbox!

A sweet candy from the finest cheese
Made from cow milk a salivary bliss
I feel helpless and little can do
My belly when growls sharp at two!

I feel entranced in that magic hour
When smell green peas and cauliflower
She makes them fine rich butter spread
The toasted breads her love homemade!

She knows my bowel not makes it rich
Fine cut cucumber in soft sandwich
In all them I find her special brew
Of love homemade to be opened at two!

Though it’s never that I made her known
How sweetly relish her love homegrown
But when I open lunchbox at two
Wonder without her what I would do!

THE BANSHEE*

Late at night, whilst lying in bed,
two sisters hear a sound of dread.
Mixed in with the beating hail,
is the dreaded Banshee’s wail.

The storm is directly overhead,
and the thunder so loud, no word is said
Because the sisters cannot hear
anything spoken, even shouted in ear.

However, over the storm’s great row,
they hear the Banshee even now,
Howling around the chimney top,
Oh, will that screaming never stop?

Fiona and Caitlín look at each other,
with fingers in ears, the noise to smother.
The Banshee, a dire harbinger of death,
is wailing louder with every breath.

Who will die in that house tonight?
It really doesn’t seem to be right.
Only the two girls live there now,
for either to die would be a blow.

Eventually, after a couple of hours,
the storm decreases to merely showers.
Quieter now calls the Banshee,
it seems to pleading, “Please help me!”

Fiona and Caitlín become afraid.
Why is the Banshee begging for aid?
It only cries, a death to foretell,
is it predicting its own death as well?

Finally the storm blows out,
and Fiona and Caitlín think about
The Banshee, is it still around?
Then they hear a moaning sound.

It abates, then rises again,
like some creature suffering pain.
The two sisters decide they should
try to help if they could.

With dawn’s approach it is getting light,
and so the sisters think they might
Go outside and try to see
if they can find the groaning Banshee.

The sisters live on a little croft,
in a cottage that’s got a goodly loft
With a sloping ceiling overhead,
in which they’d placed a double bed.

A few outbuildings dotted around,
a meagre crop grows in the ground.
A pig, some sheep and one milk-cow.
that has sustained them both ere now.

A donkey, more a pet than use,
and fattening for Christmas, one grey goose.
A flock of hens and one old duck,
the sisters haven’t had much luck.

The cottage, a mere but-and-ben,
the but, a parlour, the ben, a kitchen.
This hovel is heated by one hearth,
and chinks in the walls are stopped with earth.

The roof is only thatched with turf,
there’s a constant background noise of surf,
And though their homestead looks forlorn,
they have lived there since they were born.

The croft is quite close to the sea,
and seaweed, obtainable for free,
Is often collected by the sisters,
carried in buckets which gives them blisters.

They use it to fertilise their crop,
and work all day until ready to drop.
Their father had been lost at sea,
their mother, heartbroken, soon after died she.

The sisters dress and go outside,
to find the Banshee where’er it may hide.
They can no longer hear its moan,
and wonder if by now it’s flown.

They slowly walk around to try,
the importunate Banshee to spy.
It isn’t now on the roof at all,
it is lying huddled by the wall.

No longer seeming a creature of dread,
only a shivering person, nearly dead.
The sisters kneel down by her side,
they cannot just let her there bide.

“What can we to to help?” asks Fi.
“Nothing, please just let me die.”
“Not an option,” then declares Cait,
“I’ll fetch a blanket, you two wait.”

The Banshee turns her face away,
“I thought to be gone ere break of day.
I was flying across your croft
when the lightning struck down from aloft.”

“I’ve never been hit like that before,
I couldn’t then fly any more.
I tumbled down from out of the sky
in terrible pain. I thought I’d die.”

“And in my agony I screamed out,
not knowing you would hear me shout.
I am not here, your deaths to foretell,
I would for you that fear dispel.”

Then Caitlín does soon return,
Fiona says, “Our help she’d spurn.”
“Oh no she shan't,” Caitlín said,
“we’ll just to carry her to bed.”

To the girls the Banshee appears light,
extremely pale, albino white.
She hardly seems to have any weight,
and looks as though she rarely ate.

On her shoulders two white wings,
tiny little vestigial things.
Her only clothes, a vestment white,
ripped to shreds by the storm in the night.

Cait carefully lays the blanket down flat,
and they place the Banshee onto that.
Then lifting the blanket between them both,
they carry her in, though the Banshee’s loath.

They go into the but, through the ben,
noticing as they do so, when
The Banshee is shaken around,
she bites her lip hard to prevent any sound.

They lay the Banshee down on their settle,
realising she is full of mettle.
She obviously is still in great pain,
though will not show it, that is plain.

Fiona back into the kitchen goes,
intending to heat up some brose.
Caitlín with the Banshee does stay,
determined to help as best she may.

Beneath the Banshee’s head she lays
a pillow then to the Banshee says,
“You should get out of your wet clothes,
you could catch you death from wearing those.”

Caitlín realised as soon as she spoke,
to the Banshee that would be no joke.
“I’m sorry if I’ve offended you,
that’s the last thing I would want to do.”

“It is just that when *we were wet,
these words from our mother we would get.”
The Banshee replies, “I don’t mind,
I know you’re trying to be kind.”

“And there’s something you should know,
no-one’s seen my body ere now.
However, although shy I may be,
I will try to let you undress me.”

Fiona at that moment comes in,
carrying on a tray of tin,
A bowl of brose with slices of bread,
then seeming surprised, to her sister said,

“Haven’t you yet the wight undressed
and warmed her up to help her rest?
If she stays in that dress, cold and wet,
she might catch her death from cold, yet!”

The Banshee and Caitlín glance at each other,
and then both snirt, which they try to smother
By each pretending to need to cough
while Fiona snaps, “Let’s get them off.”

Fiona places the tray on a table,
then kindly says, “I think I’ll be able,
If you sit up, to remove your gown,”
then worries, hearing the Banshee groan.

“I’m sorry, I am still in pain,
it came on when I moved again
As the result of having to cough.
Please do your best to get my robe off.”

Caitlín sits by the Banshee’s side,
and across her back her arm does slide.
She helps the Banshee to sit up straight,
who winces and then smiles at Cait.

Fiona manages to ease the robe down
to the Banshee’s waist then gives a frown.
“No wonder so much pain you’ve had,
the lightning seems to have burnt you bad.”

The Banshee’s skin is bleeding and raw,
the robe stuck in places making it sore.
Caitlín asks, “Why didn’t you say?
You don’t need to suffer this way.”

The Banshee begs, “Please don’t be mad,
until now my life’s been bad.
You’re the first mortals I have known,
until now I’ve been alone.”

Overcome with emotion, she cries,
the tears, in rivulets, fall from her eyes.
Caitlín hugs her close to her breast,
saying, “Soon you will be able to rest.”

“Fi, get some scissors and cut her robe free,
then bring some Aloe Vera to me.
I’ll use the sap to coat each wound,
and with strips of cloth they can be bound.”

So Fiona with scissors cuts the cloth,
while the Banshee closes her eyes, both
To avoid watching the scissors being used,
and not see the cloth to her body fused.

After cutting through as much cloth as she may,
Fiona picks the pieces away.
And then Caitlín does tenderly use,
to soothe the wounds, Aloe juice.

Fiona cuts the Banshee’s dress
into strips, which, more or less,
Provide enough cloth, the wounds to cover,
which they hope will soon heal over.

Fiona then goes to the bedroom to get,
to cover the Banshee, a dry blanket.
Caitlín stays sitting with her on the settle,
hoping the Banshee’ll soon be in fine fettle.

The blanket warms her up a treat,
then the sisters help the Banshee to eat.
Caitlín supports the Banshee’s head,
while Fiona feeds her brose and bread.

They leave her sleeping on the settee,
and go to the kitchen to brew some tea,
Then sitting down, they discuss what to do,
it’s new to them, they haven’t a clue.

Cait says, “I thought her a creature of myth,
a fable, though mentioned long sith.”
Fiona remarks, “And I thought as well,
she only appeared, a death to foretell.”

“This, she has said, is not why she’s here,
and also her life’s bad, so I fear
If we don’t help her to try to mend,
she might think her own life to end.”

At that the sisters feel so sad,
how can the Banshee’s life be so bad?
Since she’s a poor creature in so much need,
they’ll try to help and not ask for meed.

Into the parlour they quietly peep,
the Banshee still seems to be asleep.
So Fiona and Caitlín each start on a chore,
Fi feeds the hens, Cait goes to the shore.

On the beach Cait harvests seaweed,
collecting only as much as they need,
Then carries it back to the croft, up the lane,
trying to ignore, caused by blisters, the pain.

Cait leaves the buckets and enters the ben,
and sees the Banshee is awake, then
She goes to her and sitting down,
asks, “Why’ve you always been on your own?”

The Banshee replies, “That’s just how it is.
There’s never been a time ywis,
That I’ve ever met another like me.
Mayhap I’m the only one to be.”

At that the Banshee seems so sad,
and continues, “And what else is bad
Is that I feel Death draw near
to mortals. That’s the time I fear.”

“I cannot stop that ‘sergeant fell,’
however, I feel his pull too well.
I feel so sad at what he does,
and try to help by being close.”

“That is why when he is present,
I always try not to be absent.
I give warning as best I might,
by screaming loudly in the night.”

“People hear me and suppose,
I am there, a life to foreclose.
Then I feel the awful hate,
which from the mortals does emanate.”

Caitlín then goes back outside,
leaving the Banshee safe inside.
Fiona and Cait continue the work
that they must do and should not shirk.

Fiona finally milks the cow,
and hoping the Banshee’s feeling less low,
Pours some warm milk into a cup,
and carries it in for the Banshee to sup.

The Banshee wakes as Fiona comes in,
Fi says to her, giving a grin,
“I can’t believe you’re really here,
I must say, you are quite a dear!”

The Banshee gratefully takes the cup,
and with Fi’s help drinks the milk up.
Then back down on the couch she does lie,
and Fiona, embarrassed, again sees her cry.

Fiona sits down by her side,
while the Banshee tries, her face to hide.
Fiona, silent, her hand does hold,
noticing it’s very cold.

She strokes the Banshee’s silvery hair,
and waits for the tears to disappear.
The Banshee, eventually, does her eyes dry,
and then gives out a heartfelt sigh.

“I am so happy here with you,
without you I’d not know what to do.
Please forgive my moody tears,
I haven’t cried like this for years.”

“The first time was when I experienced Death.
I was drawn to a blasted heath,
Where a woman had a babe, stillborn,
and was gazing at it so forlorn.”

“She’d been constuprated in a wood,
by a man who’d left as soon as he could.
She was overcome with shame,
she hadn’t even known his name.”

“The babe was born before its time,
the ground was cold and hard with rime.
The woman did not even have
a ***** to dig the baby’s grave.”

“She opened the clothes across her chest,
and wrapped it tightly to her breast,
Then untied the cincture from her waist,
moving slowly not in haste.”

“When, going to a nearby tree,
not knowing I was there to see,
Around a branch she did it thread,
and hanged herself. She soon was dead.”

“Death knew what there would occur,
and therefore, to lay claim to her,
Had gone to the heath to watch her die,
and I’d been drawn, by Death, nearby.”

“I could feel the woman’s pain.
It came in waves again and again.
I didn’t know what it did mean,
and in my anguish I did keen.”

“My voice grew louder, I did scream,
Death looked at me and it did seem
At that moment, in pity, said,
‘She really is now better off dead.’”

They then hear the back door open
as Caitlín enters into the ben.
She shuts it close and locks it tight,
as she comes inside for the night.

“The animals are safely put away,
and now it’s time to hit the hay.
I’ll make supper and a *** of tea,
then it’s off to bed for me.”

Fiona says, “I’ll give you a hand.”
Then slowly stretches and up does stand.
She goes with Cait to make the tea,
leaving behind the poor Banshee.

Fiona tells Cait of the Banshee’s plight,
though they cannot think how to make it right.
They place three bowls and cups on a tray,
and back to the parlour make their way.

The Banshee sits up, with her feet on the ground,
it seems as though some strength she’s found.
She takes a bowl and says, “I suppose
it’s another delicious helping of brose.”

She beams at the sisters, who feel a glow
deep inside them slowly grow.
They realise that perhaps this is how
the Banshee is able, her feelings to show.

The Banshee asks, “Will it be all right
if I go outside for a stroll tonight?
I’ll only take a turn round the croft,
I will not try to fly aloft.”

“I am a denizen of the night,
which is why I thought I might
Have a walk by the light of the moon.
I promise I will be back soon.”
  
Round the Banshee’s waist Cait ties some rope
so that the blanket will not ope,
Then walks with her across the floor,
to help her get to the back door.
  
Caitlín unlocks it and opens it out,
though, for the Banshee, has some doubt.
Suppose the effort is too great?
She can only watch and wait.

Meanwhile Fi does the washing up,
and then she shouts, “I’m going up
To make our bed, don’t be late!”
Caitlín replies, “All right, don’t wait.”

Fiona goes to the top of the stair,
she makes up the bed then brushes her hair.
She quickly undresses and gets into bed,
and on the pillow rests her head.

Caitlín’s still standing at the door,
she’s not anxious any more.
The Banshee seems to be doing fine,
walking slowly in the bright moonshine.

As she walks she seems to get stronger,
so Caitlín, waiting for her for longer
Than she’d thought that she might do,
steps outside to have a walk too.

She takes the Banshee by the hand,
For a time they slowly walk round and
Then the Banshee asks to stop,
to rest before she’s likely to drop.

Still on her feet the Banshee sways,
and seems to be in a sort of daze.
So Caitlín holds her in her arms tight,
and thus they stand in the bright moonlight.

Hugging the Banshee close to her breast,
she’s aware of her nearness to their guest.
Caitlín feels her heart start to pound,
and in some confusion stands stilly and stound.

Then she pulls herself together,
at the same time wondering whether
She has experienced her first love,
or if this feeling false will prove.

So fragile and helpless the Banshee appears,
Caitlín can’t help but be moved to tears.
She lifts her up, and carries her inside,
and places her onto the sofa to bide.

Caitlín then stumbles up the stairs,
Fiona is shocked to see her in tears,
And asks her if she is all right,
and if anything’s happened out there in the night.

Caitlín, crying, lies down on the bed,
then Fiona, on her *****, pillows Caits head.
She gently wipes Caitlín’s tears away,
and waits to hear what she might say.

Caitlín then cuddles up to Fi,
saying, “Thank you for looking after me.
Really, I am quite all right,
nothing bad happened out there in the night.”

“It’s just that the Banshee is still frail,
she appeared to be getting a little more hale,
And then she seemed to become weak again,
so I carried her in, on the sofa she’s lain.”

Cait then stands and doffs her dress,
and gets into bed, still feeling a mess.
Fiona holds Cait as to sleep they go,
and they stay like that the whole night through.

Fiona and Caitlín wake up together,
and happily smile at one another.
It’s the start of a brand new day
which they’ll face together, come what may.

Fiona dresses and downstairs goes she,
into the kitchen to make some tea.
Caitlín shortly comes down too,
entering the parlour, the Banshee to view.

The Banshee wakes as Caitlín goes in,
still looking pale and painfully thin.
Caitlín sits on the sofa with care,
saying, “Last night you gave me quite a scare.”

“You seemed to get stronger in the moonlight,
so I thought everything was going all right.
Then I feared that you might fall down,
and so I carried you back here on my own.”

The Banshee responded, “I’m ever so sorry.
I didn’t mean to cause you worry.
I also felt I was getting str

Sign in the staffroom at work.
Stay positive they said,
Stay positive I read,
Stay positive in the work you despise,
Turn a blind eye as your life goes by,
Leave your thoughts at the door,
Don’t think they implore,
Pretend there is no sun,
Look out of the window at your life on hiatus for eight hours,
Can’t get rid of the smell of this jail even after a thousand showers,
Take solace it’s for the money that I didn’t even want to use,
The books you could be reading now will only get you confused,
The songs you could be listening to now won’t speak to you anyway,
Silence your mental jukebox and toil for your pay.
Stay positive today,
The cash they flash,
I can see on my face a fiscal rash,

They can say put down your pens,
Strip your pencils of lead,
Tell creativity to slumber,
Put your canvas to bed,
But can’t stop us drawing in our heads,
Stay positive,
Like don’t start on that waitress and treat her with chagrin,
Cos she doesn’t bound over with your pie and chips with a leap and a grin,
“We’ve paid for this food, she better start smiling,”
Or the tip it is non and the polite police I’m dialing “
Have a word with yourself shes working,
And more than that she could be hurting,
Cos John in the kitchen isn’t flirting,
Or she could be wearing that frown,
Cos shes realised she only got £30.00 for her night out in town,
That’s not much when you consider the taxi back,
Plus after shes done serving you shes got dishes to attack,
But no she has a grimace,
Shes finished,
We have all felt like that, bit lonely and that,
Stay positive.
Stay positive,
Cos sometimes words cling to the air,
Like candyfloss to hair,
And birds sing for their bread while the cat bosses just stare,
At the endless charade of hierarchy,
John then Paul then George then Starky,
But star key unlocks the door to the skies,
Hope is life, I summarise,
There’s beauty in your summer eyes,
Don’t count the calories in pies,
Dietary information often lies,
Distracting from the truth with garish rides,
That only seek to compromise,
Our promise and delightful ties,
Forged from friendship not to buy,
Feel your waist and touch your thigh,
Dietary information often lies,
Love is all,
No chance to take,
No dast to cie,
Be brilliant and hear them sigh,
Stay positive.
I feel like,
Tintin going exploring,
Paths opening up, new days dawning,
I’m done with yawning it’s a waste of breath,
I don’t feel lethargic, I don’t feel bereft,
Heads down dive me a test,
About anything cos this beat in my chest,
Means I’ll beat Kasparov at chess,
Armani couldn’t make a sexier dress,
Allivate stress quicker than Prozac,
Cut the beanstalk down faster than Jack,
I can stretch my mind more than that guy on the rack,
Cos I think if our lips locked together we could throw away the lucky heather,
No more boring days of monotony,
Fingers crossed watching the national lottery,
Not just waiting around thinking I’ll chill,
But striving for the horizon over the hill,
Stay positive.
But the best thing I saw recently,
Was when I’d just finished my tea,
And I saw these two old folk who live near me,
One about 89 the other 93,
Twilight of their lives to say the least,
Real hunched and stooped over, all false teeth,
But the way they held each other’s hands the tenderness was palpable,
Cradled and soft the care undoubtable,
Cos some things are not withered by age,
They stick through this life to every page,
Decrepit vocal cords that would have a job to sing,
But there demeanor hit the high notes bellowing loves the greatest thing,
And whatever they think the next life is, earth, air or above,
At least the opening gambit can be, “we ended that one with love”
And everybody wants that, everybody,
Everybody with this life to live,
Peace be with you and bless you
And stay positive!

When fierce conflicting passions urge
The breast, where love is wont to glow,
What mind can stem the stormy surge
Which rolls the tide of human woe?
The hope of praise, the dread of shame,
Can rouse the tortur’d breast no more;
The wild desire, the guilty flame,
Absorbs each wish it felt before.

But if affection gently thrills
The soul, by purer dreams possest,
The pleasing balm of mortal ills
In love can soothe the aching breast:
If thus thou comest in disguise,
Fair Venus! from thy native heaven,
What heart, unfeeling, would despise
The sweetest boon the Gods have given?

But, never from thy golden bow,
May I beneath the shaft expire!
Whose creeping venom, sure and slow,
Awakes an all-consuming fire:
Ye racking doubts! ye jealous fears!
With others wage internal war;
Repentance! source of future tears,
From me be ever distant far!

May no distracting thoughts destroy
The holy calm of sacred love!
May all the hours be winged with joy,
Which hover faithful hearts above!
Fair Venus! on thy myrtle shrine
May I with some fond lover sigh!
Whose heart may mingle pure with mine,
With me to live, with me to die!

My native soil! belov’d before,
Now dearer, as my peaceful home,
Ne’er may I quit thy rocky shore,
A hapless banish’d wretch to roam!
This very day, this very hour,
May I resign this fleeting breath!
Nor quit my silent humble bower;
A doom, to me, far worse than death.

Have I not heard the exile’s sigh,
And seen the exile’s silent tear,
Through distant climes condemn’d to fly,
A pensive, weary wanderer here?
Ah! hapless dame! no sire bewails,
No friend thy wretched fate deplores,
No kindred voice with rapture hails
Thy steps within a stranger’s doors.

Perish the fiend! whose iron heart
To fair affection’s truth unknown,
Bids her he fondly lov’d depart,
Unpitied, helpless, and alone;
Who ne’er unlocks with silver key,
The milder treasures of his soul;
May such a friend be far from me,
And Ocean’s storms between us roll!

On a bed in which I lay
A life I see
A century old path leading
To this moment
No matter the path I took
It all lead to this
At least in this I feel no pain
No sorrow
No regret
Soon I am to meet
All that brought others and me
Heart beat eighty

I can see the glows of the tears
Slowly falling down their cheeks
People I have brought together
By my own hand and the grace of fate
Mothers, daughters, brothers, sisters
People of my past of torn from the battles
United under the pressure of loss
People for the future
Are brought another lesson of life
People of present
Given another relief from inner waterfalls
Heart Beat Seventy

My wive is closest
My daughter is next
Whispering please don't go
The warmth I feel
Is from their breaking hearts
I sing the songs from which we first met
Trying my best not to sound goofy
Managing to ease the pain for only a moment
Lights start dancing around me
Family from what seemed each generation
Come to help me across the line.
Heart Beat Sixty

Her hair lays on my chest, feels like it did when we first met
On that summer day down by the river
The water rushing through our toes as we danced the song of the winds
Laughter filled the air
Fish even decided to join the chorus
The splash of their jumps changes the beat
Our hearts sync to it
The air is filled with love
Even the angel of death paused in admiration.
Chuckling "I guess it will be a while"
Heart Beat Fifty

My sisters all gather in tears while my brothers to stay strong
I whisper to them I was sorry
For not being there in a time of need
I told them what our time apart has caused
I told them in fear I would never see them again
They became ghosts to fill the gaping hole that held in my heart for times too long
Only to dig its depth
The middle and second of youngest sisters granted the forgiveness
The older that is closer to my number still eggs the stubborn head
My brothers never held a grudge
The youngest of eight, never held a love quite like the rest
But still understood the pain
Despite having been born during the aftershocks
Heart Beat thirty

The Lights grew brighter
No sound could move
When this began I could hear the cries of women
Bringing out the next of the world
I hear the shouts of children in pain
I could feel everything
But now there was nothing, but a pressure on my chest
Dogs have gathered on my body, next to my wife and daughter
Smiling at a sight long seen not
My wife's hears their breaths and cries even louder
But no sound could be heard
My daughter knew what was coming, and joined the tears too
I felt the tears like the waters of holy river
Cleansing the filth still clinging to my soul
Heart Beat Fifteen

The voices from the past start to enter
Encouraging words that all will be alright
Everyone around me has changed
From the old that they once were, to youth in which we first met
My grandparents who died in pain appeared by my side
Looked better then I could remember
My wife was once again 16, the year that we met
My children were babies, crawled by the animals that lay on my body
Grandpa tells me that "This is the last look, might as well enjoy,
"The fruits of my labor have grown, but for now I will see the seeds,
"Each breath I take unlocks the cage that my soul was trapped,
"So I may live,
"If there is anything you want to say, say it now"
Heart Beat ten

I lifted my hand to touch my wife, as I would when surprising her with a present
I asked for a pen and paper to write one last message
My time is running out
Heart Beat Nine

The Lights raise their hands to grant me a slice of strength
Enough to help with what was needed
"To my family, to my friends"
Heart Beat Eight
"If you need me and I am gone. Look to the Stars"
Heart Beat Seven
"My mind has always been there, it was only a matter of time..."
Heart Beat Six
"Before my body decided to follow. Remember the words I have said..."
Heart Beat Five
"For each was meant to guide you. Do not allow yourselves to fall apart because of petty..."
Heart Beat Four
"Wars. I taught you all to patch wounds as soon as they are made so that you will never lose touch..."
Heart Beat Three
"of who you are an where you came from. The devil himself tried to take me over, but I fought it by accepting who I was. Do not argue over difference, do not blame any new lives that enter in the place of the lost..."
Heart Beat Two
"And do not stop being a family. Take my words and grow. I love you all with all my heart and I want you all to remember that no matter the trouble. I want you to remember that I will be still be here at your side protecting you every step you take. As will our ancestors. Use your gifts well and use them to help others. Please."
Heart Beat One
"With Love, Dakota. Blessed Be"






Heart



Beat



Zero

Eyes like the bulb of a lazer pen
Burning a hole through my head
Evaluate its contents
My pupils are the keyhole with which your lense unlocks
Never seen an ***** so offensive  
It's friendly and proper to meet your gaze
Surely it's more benign to read your lips?

On a night like this, of full-moon bliss
Of the midnight winds and collecting mists
I remained, forevermore
Chained, to the floor
A victim of joy’s…goodbye kiss

In a dungeon I lie, hidden from the sky
A shadow untamed with vile red eyes
I waited, I hungered
Without proper slumber
In my mistress’ pit, awaiting time

It was from lust and desire to fuel and empower
For whom she wishes for me to devour
I restrained, she teased
I grew hard, to please
The widowed Countess: my dark sire.

Though my story may seem bleak
But not to those, whom morally weak
A tale, a fable
However which label
Entitles this to civilized freaks

I moved from town to town, home to home
In search of a life wherever I would roam.
At last, I came
To an estate of name
Belonging to a Countess of ancestral Rome

Countess Donatella, eyed my work and demeanor
From afar I could tell, I sensed, I smelled her
Her scent, so tempting
Was she attempting…
To allure my beastly form into something beneath her?

One night she called for me, alone in her quarters
She treated me to delicacies from rich exporters
She asked my name
I said none, I refrained
“Mysterious and Strong.” She said in order.

She walked over, to the silk on the bed
Colored in gold and shimmering red
Curling her finger
To me, and eager
“Remove your clothes” the Countess said

I did as I was told. I abide her command.
She seduced like a mistress of the eternally ******
Caressing my skin
Licking my chin
And instructed me to please her demands.

My strength increased as I ripped apart her dress
“Yes, my dear, rough and brute.” She stressed
My *** throbbing
Her head bobbing
She turned into an animal I could not resist

Through the night our lust ignited
Into a furious intoxication, organs united
A symphonic ******
Winds, rain and thunder
Matching the sweltering copulation benighted

In the glow of after, past the ****** she gathered
Breathing deeply she said, “You are mine. I am master”
For too long, I thought
I was ridden of what I sought
One to counter my thirst for lust, the tiring caster.

For many nights I swooned, I pleasured her in ways
No other human could fathom or reclaim
My art was of the flesh
And her succulent *******
Feasting like the dog of Hell’s fame

But in this time I feared
For my secret was severe
To show, to hide
My inner design
Of nocturnal savagery that is devilishly revered.

It was upon a warm night of *******
That the moon left me horrified and shaking.
I ran from the master
To evade disaster
Of displaying my transformational awakening.

I trampled in the woods and screamed into the night
The beast of the void howled under the moonlight
I ventured, I hungered
Awaken from slumber
A slave to Lycanthrope, a feral disease of might

The Countess’ workers hunted; “A monster!” they deemed
But I killed many before I was to be seen
Ripping, tearing, slashing, eating,
Guts, bones, skin, feeding
My viciousness, my curse, my bane and dream.

After my episode of moral slaughter
The workers found me curled in a fetal posture
I would have been killed
But the Countess, sealed
Me away in the cryptic tomb of her father.

I was left to suffer in the underbelly of my sins.
Shadows and demons moaning like the wind
My master kept me
Protected me
In her care I would no longer win

Now I lay, waiting for the my master to show
So the door above me will open and glow
The white orb
That will mourn
The lives I have taken, eaten and in my intestines flow

The tomb dungeon unlocks, creaking loudly with rust
The master, the beautiful Countess that I must
Please and satisfy
Penetrate, rectify
The punishment that was bestowed by the just.

“So you are known by many names.” She utters
I look up at her with eyes of thirst, my lover
“You are unique.
So much to keep
For myself, my beastly treasure and no other.”

She walks to the shadowed wall and pulls down a lever
And stands in front of me, **** and forever
A pale seductress
Her eyes focus
With mine, for I wait for the power that was severed

“Now I will be pleasure by that of a beast, that of a god.”
She says as she massages my erecting rod
“Now, my dear.”
As I hear.
“Enter me and leave me in pleasurably awe.”

With the chains around my wrists, ankles; my neck and waist
She mounts me in the moonlight space
Our sweat collects
Drips and specs
Glossing her pale skin and my ever changing face.

I stare into the moon as I ******, my moans of pain matching her voice
She yells from the seismic endurance, her dooming choice
To unleash my monster
With blood thirst conquered
No, it is not, it is her, growing with every other screaming voice

Moans of pleasure soon turn to moans of distress
The wolf of the night is coming, no less
My teeth protrude
My mind feuds
With reason and passion, where blood replaces the mess

My fur is black, my claws like steel
My fury is lustful, the deeper I feel
The Countess is in fear
I ignore her tears
And devour her, ravish her, take her skin and peel

Her lovely face is first to go, once flawless now disfigured
I tear her arms from her body, her liver in my teeth lingered
Blood, tears, flowing juices
Guts, gore, nail amuses
The laughing jackals and demons in a Hell for me that’s bigger

There is no more Countess. No more Donatella, nor master
The moon reflected in a red pool of suffering disaster
Of the ******* monster in our wake
Of the true one she had forsake
In the whims of lustful pursuit with death proceeding faster

Through the lubrication of excessive blood and ****** fluids
I slipped and broke from my chains and fled from the ruins
I remained the beast
Through the forest at least
And return to the woods, away from the her influence

I left the Countess estate as I arrived
Homeless wanderer who survived
Another full moon night
And devil’s sight
Of my life forevermore, the way of the morally derived

Where my nightmares are revived …

…Beyond my human disguise.

A scene too obscene to be believed
when it's seen
Like an acid trip intersecting with a *******
Where reality becomes a second thought
And you and I were caught
or maybe lost
in the crossfire of hungry hearts
I breathe you in whenever you're around
there's a code to my heart that unlocks with the sound
of your voice in a humorous shout
through the crowd
But what once was so loud
it shook me to the ground
burned so bright it may have burned out
the Chaos is Dead - All is Quiet now
And where there once was great noise
as joy did abound
is stricken with silence
like A Forest of Frozen Clowns

Two keys have two keepers
To a secret part of me
That they can unlock at their will
Even if I plead

One key is black onyx
But it glitters like gold
It's twisted like a tree root
Like a flytrap it unfolds

The other is sterling silver
Its handle's simple and straight
I feel its heat in my palm
As it calms my anxious state

The black key unlocks
My darkest mind and limbs
My body becomes alien
Overcome by its whims

The silver key unlocks
My soul's warmth and love
Emotion runs too wildly
In a safety undreamed of

Two keys have two keepers
To a secret part of me
But to find a keeper with the master
Is what I must try to believe

YES, DELIA loves! My fondest vows are blest ;
Farewel the memory of her past disdain ;
One kind relenting glance has heal'd my breast,
And balanc'd in a moment years of pain.

O'er her soft cheek consenting blushes move,
And with kind stealth her secret soul betray ;

Blushes, which usher in the morn of love,
Sure as the red'ning east foretells the day.

Her tender smiles shall pay me with delight
For many a bitter pang of jealous fear ;
For many an anxious day, and sleepless night,
For many a stifled sigh, and silent tear.

DELIA shall come, and bless my lone retreat ;
She does not scorn the shepherd's lowly life ;
She will not blush to leave the splendid seat,
And own the title of a poor man's wife.

The simple knot shall bind her gather'd hair,
The russet garment clasp her lovely breast :
DELIA shall mix amongst the rural fair,
By charms alone distinguish'd from the rest.

And meek Simplicity, neglected maid,
Shall bid my fair in native graces shine :
She, only she, shall lend her modest aid,
Chaste, sober priestess, at sweet beauty's shrine !

How sweet to muse by murmuring springs reclin'd ;
Or loitering careless in the shady grove,
Indulge the gentlest feelings of the mind,
And pity those who live to aught but love !

When DELIA's hand unlocks her shining hair,
And o'er her shoulder spreads the flowing gold,
Base were the man who one bright tress would spare
For all the ore of India's coarser mold.

By her dear side with what content I'd toil,
Patient of any labour in her sight ;
Guide the slow plough, or turn the stubborn soil,
Till the last, ling'ring beam of doubtful light.

But softer tasks divide my DELIA's hours ;
To watch the firstlings at their harmless play ;
With welcome shade to screen the languid flowers,
That sicken in the summer's parching ray.

Oft will she stoop amidst her evening walk,
With tender hand each bruised plant to rear ;
To bind the drooping lily's broken stalk,
And nurse the blossoms of the infant year.

When beating rains forbid our feet to roam,
We'll shelter'd sit, and turn the storied page ;
There see what passions shake the lofty dome
With mad ambition or ungovern'd rage :

What headlong ruin oft involves the great ;
What conscious terrors guilty bosoms prove ;
What strange and sudden turns of adverse fate
Tear the sad ****** from her plighted love.

DELIA shall read, and drop a gentle tear ;
Then cast her eyes around the low-roof'd cot,
And own the fates have dealt more kindly here,
That blest with only love our little lot.

For love has sworn (I heard the awful vow)
The wav'ring heart shall never be his care,
That stoops at any baser shrine to bow :
And what he cannot rule, he scorns to share.

My heart in DELIA is so fully blest,
It has not room to lodge another joy ;
My peace all leans upon that gentle breast,
And only there misfortune can annoy.

Our silent hours shall steal unmark'd away
In one long tender calm of rural peace ;
And measure many a fair unblemish'd day
Of chearful leisure and poetic ease.

The proud unfeeling world their lot shall scorn
Who 'midst inglorious shades can poorly dwell :
Yet if some youth, for gentler passions born,
Shall chance to wander near our lowly cell,

His feeling breast with purer flames shall glow ;
And leaving pomp, and state, and cares behind,
Shall own the world has little to bestow
Where two fond hearts in equal love are join'd.

Glitterati Gangsters gaze
with commanding stares
and broken plates glass blown and open gates
There she sits eyes
all holding
all knowing
synchronicities shatter the scene
Sparkling
each blink initiates a flood of flaming diamonds
that lash out like hot irons
Eyes like this entice and take
Each blink unlocks a new mystery
as she grinds resistance in her teeth
Igniting my lust
Sparkling
each blink creates a dawning sun
Her gaze inflames ten thousand ways
She wields sparkle
like madmen spray sarin
With sparkling abandon

Venom be spat from the tongue that blinds.
Twixt the lovers.
Whose hearts, no longer entwined.
Words tied and tangled.
Twisted and lost.
Love becomes mangled.
Crumbled to dust.

No words dare be spoken.
The lovers that were.
Invoked the monster of Lady Medusa.
Screeching siren.
Lady's on fire.
Don't dare put her out.

Her eyes surely saved for you.
Muted sounds.
Exploding fear.
Hearing her dear.
Utters last squeak.
Unable to speak.
Bit his own tongue.
As she turns him to stone.
With eyes that don't see.
(c)LIVVI








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9 hrs · Daily Mail Online ·



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I rarely use Costa, I will be working back at Winchester hospital shortly.
I will use their canteen, the food is generally very nice x














Revealed: The squalor inside Costa coffee shops

A total of 23 Costas got two or less stars in their most recent inspections, including a hospital branch which had paninis at risk of contamination with bacteria which can cause paralysis and death.



dailymail.co.uk



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‎مستر صلاح السعيطي‎ likes this.
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Olivia Kent







Olivia Kent Ward , starting Monday x

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Philip McCarthy







Philip McCarthy Good luck with the job Olivia, But Im a bit of a coffee freak but will never use Costa it alwaysgives me bad guts ache afterwards.

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Olivia Kent







Olivia Kent Thank you Philip **

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Philip McCarthy







Philip McCarthy Hey I'm at the Cafe Reflections for the first time. It's good here x Photos to follow

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"Super cool."

"My boy"

Jade Xuereb's photo.


"A big shout out to everyone at the Amy Winehouse Foundation gig last night! Did two sets, first just me and the second backing."

Gray Ian's photo.

Waritsara Karlberg's photo.


"Storm Journey * unbreaking stone the key that unlocks the sky, and something races lionlike from beyond he thunderclap and the forest thrashes and waves like the choir in a Pentecostal church "yes, Jesus! Thankya, Lawwwd!" yes, there will be water if God wills it, so 'tis said. i read something in the living strokes of skyfire, the dance of something both benevolent and dangerous, and i can taste it like wine on the breath of the onrushing storm. it tastes like life, pouring into my lungs so fiercely i feel like i might be consumed by an overabundance of vitality. i can see that vitality all around me, the fecundity of Summer, relentless in its upward-thrusting, blossoming, breaking from the loam, bursting from the chrysalis, defying the arid winterlock that held the ground mere months ago. i walk from miracle into miracle, from myth into myth, the Universe enlarging with each step, until i'm carried like an infant in the arms of a loving storm."

Angie Colvin's photo.

Sean Creed's photo.

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Karen Wilmott

She calls Him her boyfriend
But to Him, She is nothing but a Body to ****.
Good girls go to heaven but
Bad girls with big ****
are everywhere looking for ***** to ****.
Looking for loaded ****** to ****.
l have been [Patient] for too long,
l think lm [sick]
Sick of these ****** Pretending to love when all
they after is *****
Sick of these ******* Pretending to love when
all they after
is taste of Pipi
Sick of ******* who cant see they is play
ground
and ****** is rolling ***** like is ball
They tell you is Hot even when you is not
you open ***** Hole,
Sperms and STDs float inside the Vigeegee
now you is sick, if only you had been patient
if only you was Patience
Im sick of ****** pretending that girls *******
are padlocks
and them ***** keys going around unlocking
as if they are good looking
****** dont make love they are UNLOCKING
*******
Bitchesfancy that his Tongue licks the
Vigeegee
chill, that's just LUBRICANT to make it slippery
when He operates you
Fingers you to make sure you ready for it
Figures you want it, makes you **** it like lolly
pop. then He makes your ***** swallow it
Unlocks the *****
Kisses you, making you drink the alcoholic
poison from His lips
then you get drunk in love
then your blood gets drunk in ***
then your **** gets drunk in *****
then you skip your periods you call Him he
picks up drunk telling you to ******* then you
realise late that you were a Padlock and He
was to unlock you
and you realise late that You Were just a BODY
TO ****.
He lost nothing, but your
Innocence, dignity and virginity
perished.
But then you smile coz you played with His
**** too......

HouseKeeping

I want the Key
Not just the key
The master key
Unlock every door and more
Of course I act like I wouldn't care
Who had it or where
But secretly I want the key
And all the doors it unlocks
And all the rooms that entail
And the prowess of the detail
Nothing stops me
Nowhere
Cause I have the key
I unlock the doors
I don't wait for anyone anymore

Hush now don't say a word
Someone could be listening
Can I trust you'll listen later
Or will you name my crime
The dime you'll pass
To try and save your own ***
I understand I do
You do what you have to for you

So now that you know I won't deny
I've never been to keen to lie
I admit my crime
I give my wrists
To pay for all my wits
I don't regret at all
As the door closes and I fall

pen to page unlocks
heartache and rage
spilling ugly truth
lofty eyes turn away
claiming blindness
whispers empty chatter
tattoos crazy, outcast
the heart does shatter
standing cold, outside
looking in with desire
longing to belong
never finding place
time to get away
escaping to shadows
solace found in alone
fitting broken better
paper shreds falling
torn words scatter
needing retreat
tossing out the key

Pearls falling
on the stone steps outside
Neon lights reflected
in the rain puddles
“Bang, Bang” Nancy Sinatra sang
“I shot you down…”
The music faded as I walked away
Movie posters lined the brick walls
Framed lovers embraced
One another
Between frozen portraits
Of atomic monsters
And art house flicks
While looking away at the box office girls
Slender and fixed
Up for the customers
And troubled youth;
Their tenacious allure
for a requiem
for the living
Cathedrals replaced by tower records
And Chinese restaurants
Withering, zealous loan sharks
Feasting on squished dreams
Licking their teeth with their tongues
Smacking against the laughter
Of festering sodomites and
Plastic-injected food
Basking in pools of molten gold
And sliced actors
I was in the middle of this
Me
Enforcing the invisible layer
Of success in the city of Angels
Where demons of entertainment
Pull the strings
Like Bela Lugosi said.
Moving through the Hollywood hotel
I hear moaning voices
Creaking beds
Loud televisions
Shouting and blaring beats
I open room 314
And walk in
The wallpaper peels like a corrosive blister
Mr. Poe sits at his desk
Waiting for me
He pours a drink
I abide
He passes me an envelope
I feel its thickness
I open it up and flip through
The bills, placing it in my inner pocket
I nod and swallow the bourbon
And leave
What pulp magazines tell you
Of the underbelly
The style, the glamour
The women, the one-liners
And thrills are replaced by
Shattered morals
Broken bones
***** stained stool pigeons
Slaughterfest racism
Taxi backseat *******
Where joints and blood
Spent napkins, clean the mess
Of the seats.
Through clubs and social abundances
I find coked-up fiends and producer hugging
Sycophants.
Laughing, smiling, drooling, kissing
Any who will profit
Able to get in line
To be the next big thing
On the silver screen
Or at the bottom of the sea
Under
Santa Monica pier
Watching the group of
Empty flattery, heartless groping
I follow and keep my distance
3 hours later
I knock on their fancy hotel suite
Just when the door unlocks
I push it through
And pull out my gun
They scream but they know
Who I am
And who I work for
I instill fear back into their
Comfortable lives.
They have debts
They own their luxury to to others
That was the price
They sold their souls and bodies for fame
And they will all eventually pay
I remind them what could happen
I shoot through the mirrors and glass
I pick one up and dangle them over the balcony
I find one member of the social party who does not belong
Who is not worth any thing
Who is expendable.
I grab that one and exercise my warning
My superior’s warnings
I bash his skull on the ikea coffee table
I pick up the vase of flowers by the side
I dump it all over him
I pick one white rose and
Dip it in the collecting blood
And watch it stain the flower
I lift it up and show it to the room
Still eyes and sweating faces look at it;
At me and what I represent:
A winning hand
A knock-out punch
Wrath personified
Callous, methodical, professional, indifferent
Mr. Libestraum is who I work for
Mr. Schyman is what I go by.
My point is made and I leave them with the body
I walk out and call my people
My part is done.
I walk out unnoticed and paid
Pay a vendor for coffee
Sit along the bench and wait for the sun to rise
On a new day.
And think back to what I was told when
I saw my first hit,
“Welcome To LA.”

watched grains dance playfully
affixed to lengthy golden stalks
the wind sways them gracefully
in-between a hidden world unlocks –
pink-footed mice run
well-trodden paths
the warm summer sun
never granting them baths –
shiny black crickets chirp in the night
while grasshoppers eat through the day
an occasional rabbit scurries with fright
and ant colonies seemingly play –
a dust covered floor
‘neath a ceiling of blue
in the middle, a ruffed hawk soars
striking fear in the heart of a shrew –
nobody suspects the vastness of life
when passing by in their car
the joys of birth, hunger and strife
within a wheat field under the stars –

Dear Mr. Harlon Rivers,

When I was young,
I wrote like a young man,
With fervor and righteousness,
But heartfelt was not eloquent,
only self-satisfying.

Now that I am an old, old man,
My mind does the best it can,
Simple lyrics born in the poverty
Of a mind in an angular decline.

But never did I command the
Troops of this language that
You have under your command,
At this, your peaking, your apogee.

Your master key unlocks all
And set our souls soaring,
But yet we cannot reach you,
For you orbit at the point farthest
above our modest reach!

Your Admirer and Devotee,

_______

Please sign your name below if you agree.
You know how.

I
Oh how it is quite strange, clowns and princes
along with me, share hits and misses
And how we work, eternities to construct
One man always stood beside me
So here is some spoken word poetry
About my Duck

All these stepping stones, its such a big climb
I gotta just put my nose to the grind

why yes my mass was shapeless, but definitely not aimless a hand full of aces, as my box of tools simply out rules those with mere jacks.
A capering clown
in sawdust mounds
  I would never be allowed
and that’s a fact

lessons  learned on ones own, yet taught by others
And I discovered
the blood that doesn’t connect us brings us closer to one another
no relation which cause the creation by which leaves me fulfilled
Last name: Banks. First Name: Bill
The reason I know skill doesn’t breed passion, passion breeds skill

Now, Though outrageous,
I must say that only the mans good values were contagious
and although the man ages,
the books cover changes,
not the pages

II
On the topic of books, lets take a look
a copy manipulate with traits
of stone written rules
That William had the jewels
to chip loose
I call him Duck
But these actions wont get him confused for a goose

A book of rules in which every one is to receive, Billy Banks believed that mine needs to interweave his own recipe

The reason I keep tricks outside of my sleeves
the reason i wasn’t deceived by the ease of being naïve
The reason my metaphors are as deep as seas

He is the reason I dare to  believe that I am the sea and life is a simple little fish swimming inside of me  which I can control just not directly
its always with me but can be caught up on hooks, tangled up in seaweed
so when is pleads, I attend to its needs
with guarantees of bachelor degrees
and although it will not come with ease the sea calms the storms breeze, clean its debris and fathom that hard work is to be worked hard but always  is always done correctly
I change the tide so the fish swims not always straight but always with strides.

When the stones hurt the feet  to be a climber
Duck is always there with a reminder

Though its deep, I reap
The benefits of being gifted everyday by the array of knowledge portrayed
In the celebration of the man on his birthday

III
So like Obama
I wanna
Make you believe “Yes I Can”
No man, No object, No figure, No wall
Stand in my way from achieving it all
And Believe is my suggestion
Cause the guaranteed truth is good to invest in

All this?
I give credit to the book Duck did edit
So let it

Be known that I stand a grown *** man,
And with these hands let me reach from my soul and pull
within me the key That unlocks the box of tools that help create eternity
and trust me
I was equipped properly
A level to keep my head on straight
A bucket, to help evenly displace life’s weight
A set of blank keys to open any of life’s gates
A chisel and a hammer, my own identity to create

A ladder to climb from the holes I dig myself into
And shovel to fill and forget no regrets and its all just bliss
Like a pig tattoo that never did exist

And finally a broken compass
Not to make me fail, but to force me to blaze my own trail

So when the stones get high and I need a break from the climb
Duck makes sure I know there is always time

IV
So I swear and you know it
And if you don’t he would love to show it
One simple push, poke or a shove
And he will have you believing he is busting out the golden gloves
Doesn’t that sound like the man we all love

The lesson taught?
backing down
means your not at the top

Forcing over stepping stones so quickly on this climb
Duck made me know to do my damage in my prime

So at seventy five,
you are still alive
And to nobody here is it a surprise
Another story of the scar
Another cigar
To smoke
Your too up to date to even be called old folk

So at seventy five
you are still alive,
and to me it sure isn’t a surprise.
And Duck I want you to know to me you will never die.

and let it be known, I refuse to use your present tools as my stepping stone
As everybody’s life path must be created on their own.
So as I refuse to use your present tools as my stepping-stone
The man that I named Duck taught me to reach the tops thrown

And I will never ever quit climbing….

*A tribute to my Grandfather Duck on his 75th Birthday. A spoken word remix of a poem he taught me, that has been the motto to my life - R.I.P Bill "Duck" Banks

All I ask is an antidote allowing all adults around the atmospher an appointment about arguing.
Because brother basic bodies are bound to believe bragging & bribing basically being broad brings about the best. But be
Cautious, cause carpets can't carry couches alone, concrete creeps. Causing careless catholic christians to create children.
Don't **** the deranged, dedicate the distaste to the drugs. drinking, and dumb deeds that did it.
Even Eminem explains enternal emotions excellently.
For fear feeds frusttration, though frustration can find fun in fornitcation. Foul. Focus on friends and family.
Getting grouchy gonorrhea grants graves too gorgeous gilrs. Game over.
However, having ****** hardly helps handsome happy hands.
Indicating interesting intakes, involving inception in indecive individuals.
Just joking, jealousy just justifies Jose Cuervo.
Kinddling kindness kidnaps king kong's kingdom.
Learn like lovers, loathing little, liking largely, letting laughs live loudly.
Maning mold mountains out of mud, make missery monogamous with merry.
Never neglect the notion of nice.
Optimism overcomes others opinions.
Personally, persisting perfection probably puts pessimistic patterns in people's personalities.
Quietly questioning their quality.
Rest assured reading random reactions really is redundant.
Searching someones soul secretely sends self salvation.
Take turns, tell truths, talk, these things take time, they are talents to be treasured.
Understanding ultimatums unlocks unlimited unison.

Being male, I wander
Mom dares not wonder
What kind of monsters she birthed
She brought her own equipment
I was aggressive but shy

Her womb is the most magnificent
Temple I’ve ever visited
There is nowhere else I want to be
Sister insisted
I stiffened then gave in

Children tease, squeal, scamper
Adults know unspeakable reality
Dizziness of first love
Mayhem, ******
Solemn whisper of infinity

After an uncertain age,
No one wants you anymore
Old women bond
Confer their anger
Old men tread alone

She knew from moment he laid eyes on her, she had him. She wore no make-up, anemic complexion, chin and jawline slightly broken out with red spots, cobalt blue irises, aquiline nose, hair dyed dark, fuzz-balled scarf, light blue fluffy sweater, big buttons, canvas shoulder bag, skinny jeans, leather boots, little boney black dog with ashen appointments. Instantly he fell in love. He confessed, “Your Chinese Crested pup stole my heart.”

In ******* position, neither lover sees other’s face. The top sees backside. The bottom sees what? He didn’t know.

She unlocks the door. He enters room. She tells him what to do, making demands. He follows her orders. She questions, “Why do we dance to these tunes?” He answers, “I want to smell your smells, ****, drink your darkest juices.” She articulates, “Stay,” then kisses him goodbye. She wakes wearing his ring, around her neck. They are each other’s slaves. Ceiling leaks, floor creaks, light beams through window as they waltz arm in arm.

She demands, “I want roast rack of lamb, or thinly sliced Serrano ham on buttered toast for dinner. And then I want to go home alone. I need some down time, away from you. I don’t belong to you, god-****-it!” Deep in financial debt, he hands the waiter his debit card.

"Get out!"
He yells; orders
"Get out of the car!"
I sit.
"NOW!"
I look around
sorry faces gawk at me
they should be sorry

letting me fend for myself
walking into the desert battlefield with me
then stealing my bags and running away
with sorry snickers
sorry
**** well should be.

"I'M SERIOUS! GET OUT NOW! OR I'LL PULL YOU OUT!"
I gaze out the window
barren deserts,
mossy, sandy mountains,
endless stretches of hard, dead highway

The lock unlocks,
my belongings gather,
my shoes go on,
the handle moves,
the door opens,
my foot ventures to the sandy ground
the door closes
the engine starts
the car moves away
Sorry hands wave at me
my body is still
My face holds steady; a deathly glare of dementia
The car disappears
Realization slaps me dead in the face with its stone hard fingers.

Did that really just happen?
Am I truly all alone?
I look around.
NO people.
NO cars.
Just an endless stretch of highway
Epiphany strokes me with fire warm palms.

I'm alone!
I'm alone!
Sweet freedom!
Sweet, sticky, horrid freedom!
I hurl
I cough and spit wheeze
I wipe my mouth
the saccharine taste of bile still fresh.
I thirst.
I grab my camel back and take a small, deliberate swig.
I put on my backpack and stalk away from the speck of dust car.
I grimace.
I rummage through my never-ending pockets.
I count out five dollars and seventy five cents worth of change.
I grunt.
I hike up the dusty trail.
All ahead of me is sand and dust, sickness and deluging concepts of freedom.
I march on.
I feel the earth echo beneath me as each grain of sand separates.
With each trudging movement my feet slip backward.
With nowhere left to go and nothing left to do
I walk on
with my smile of freedom and my baggage of
Desertion

A woman's just a padded cell, in situ:
With mirrored tile reflections, of former occupants
Reveals their once desires, like long past feast
That's been viewed only partially, through a narrow hall,
And though her cushions can't stop your fall
They soak up life's effluvium; for she's an island
In the lull; most co-morbidly, antediluvian:
And as it cradles the body's living estate,
Her rocking-horse frame can't navigate
The ground swell of presumptive grace.

Let's pretend, that the dizzy motion ride
Has provided real progress forward, in spite
Of strong waves, that coupled oceans bring;
Jump saddle, on her coiled and double-jointed springs.
Bright enameled eyes might rein you inside
For your brief spate, of the near total ingress:
Waving haloed hips of plastic'd flesh; her glide
Could stay stationary, until you confess.

Only she knows well, the secret of assuring you
You'll not drown, of her swirling vicissitudes;
And if once you abhorred your childhood name;
Now can use same call sign, for your idling engines
Of a certain procreatively inspired invasion
As she whispers it; says it loud, clenching need
Of the second's singlemost long duration.

When she finally unlocks your prow from docks
Post haste, of body's self-deceptive clocks
Inside her temples, rising incense of sweat
Mingled with undertows, of past vibrations; and her smell
Itself: a briny distillate, of a pheromone tonic; forensic clue
Of a decidedly amber hue; the body's cyclonic age of man
Keeps travelling it's way, down her plundered mnemonic.

You can feel the straight jacket's razored sleeves,
Beginning to loose your constricted lungs;
And your ***** overflowing; becoming a sieve:
If you could keep on riding, you'd be quite sure
That eventually, just a small band-aid could cure
The slight, though badly malformed scar;
From the still flowing toxins; to soon immure-
Hard to believe, how far gone you were.

Forget old self; a newfound confidence;
Makes you forestall the inevitable trip
Down to the corner, second-hand store,
As now is revealed, that her paint's become chipped;
And the horse's eyes are now rolling inward,
As if looking there, for some positive proof,
From the prying, irreverent eyes of the world-
But you know it too well: she's just a padded cell.